This one was commissioned for an anthology titled 999, edited by Al Sarrantonio. I actually think the title may have harmed the sales of the book. It's confusing. Had to do with the end of the twentieth century.

"Mad Dog Summer" is a story that had been in my head for years. Not in the plot sense, but in the type of characters I wanted to write about. My parents came of age in the Great Depression, and it influenced them for the rest of their lives. I think it also limited them. Having to work to survive on a day to day basis kept them from having a lot of opportunities. My mother, for example, should have gone to college. She should have been what she most wanted to be all her life. A teacher.

Anyway, stories they told me about the Great Depression, stories I read about, and the fact that, in many ways, the way I grew up was not so far removed from what they knew, led me to write this. It has been compared, mostly favorably, to To Kill a Mockingbird, and that is my favorite novel, and perhaps my favorite film. But, the influence is overrated. I think if you write about the 1930s and the story is told from a young person's viewpoint, and if it has to do with racism, it's then considered influenced by To Kill a Mockingbird.

It was.

But it was more influenced by my parents.

I think it's one of my best works.

When I wrote this story, I found that I was constantly editing myself. I had a larger story I wanted to tell, and a few months later, I convinced my editor at that time, Bill Malloy, to let me write a story based on the novella. I had been writing mostly about Hap Collins and Leonard Pine, my series heroes. I love writing about them, but it was never my intent to write one kind of book. I want to return to them soon. But, I felt at the time that, though popular, they weren't getting the push they deserved. I felt, rightly or wrongly, that Warner had determined the series sold a certain number of books, and that was it, and therefore the series was marketed with this in mind. No real growth plan.

I don't accept this.

I believe by treating the books that way it's a self-fulfilling prophecy that the books will sell a certain number, and that's it.

That said, The Bottoms, which is based on this story, "Mad Dog Summer," is unquestionably a broader-based book. And it did well.

It also won The Edgar for best Crime novel of 2000.

This is the only award I've ever won that really changed the face of my career.

I believe this is because so many other factors were right.

I had been around awhile. I had a body of work. I had a solid following, built up over the years. And I had written, without really thinking about it, a more mainstream style of book.

But it began here. With this story, "Mad Dog Summer." I like the book best, but I still like the story. It is all that I am.

Mad Dog Summer

NEWS, AS OPPOSED TO RUMOR, DIDN'T TRAVEL the way it does now. Not back then. Not by radio or newspaper it didn't. Not in East Texas. Things were different. What happened in another county was often left to that county.

World news was just that, something that was of importance to us all. We didn't have to know about terrible things that didn't affect us in Bilgewater, Oregon, or even across the state in El Paso, or up northern state way in godforsaken Amarillo.

All it takes now for us to know all the gory details about some murder is for it to be horrible, or it to be a slow news week, and it's everywhere, even if it's some grocery clerk's murder in Maine that hasn't a thing to do with us.

Back in the thirties a killing might occur several counties over and you'd never know about it unless you were related, because as I said, news traveled slower then, and law enforcement tried to take care of their own.

On the other hand, there were times it might have been better had news traveled faster, or traveled at all. If we had known certain things, perhaps some of the terrible experiences my family and I went through could have been avoided.

What's done is done though, and even now in my eighties, as I lie here in the old folks' home, my room full of the smell of my own decaying body, awaiting a meal of whatever, mashed and diced and tasteless, a tube in my shank, the television tuned to some talk show peopled by idiots, I've got the memories of then, nearly eighty years ago, and they are as fresh as the moment.

It all happened in the years of nineteen thirty-one and -two.

……..

I suppose there were some back then had money, but we weren't among them. The Depression was on, and if we had been one of those with money, there really wasn't that much to buy, outside of hogs, chickens, vegetables, and the staples, and since we raised the first three, with us it was the staples.

Daddy farmed a little, had a barbershop he ran most days except Sunday and Monday, and was a community constable.

We lived back in the deep woods near the Sabine River in a three-room white house he had built before we were born. We had a leak in the roof, no electricity, a smoky wood stove, a rickety barn, and an outhouse prone to snakes.

We used kerosene lamps, hauled water from the well, and did a lot of hunting and fishing to add to the larder. We had about four acres cut out of the woods, and owned another twenty-five acres of hard timber and pine. We farmed the cleared four acres of sandy land with a mule named Sally Redback. We had a car, but Daddy used it primarily for his constable business and Sunday church. The rest of the time we walked, or me and my sister rode Sally Redback.

The woods we owned, and the hundreds of acres of it that surrounded our land, was full of game, chiggers, and ticks. Back then in East Texas, all the big woods hadn't been timbered out and they didn't all belong to somebody. There were still mighty trees and lots of them, lost places in the forest and along the riverbanks that no one had touched but animals.

Wild hogs, squirrels, rabbits, coons, possums, some armadillo, and all manner of birds and plenty of snakes were out there. Sometimes you could see those darn water moccasins swimming in a school down the river, their evil heads bobbing up like knobs on logs. And woe unto the fella fell in amongst them, and bless the heart of the fool who believed if he swam down under them he'd be safe because a moccasin couldn't bite underwater. They not only could, but would.

Deer roamed the woods too. Maybe fewer than now, as people grow them like crops these days and harvest them on a three-day drunk during season from a deer stand with a high-powered rifle.

Deer they've corn fed and trained to be like pets so they can get a cheap, free shot and feel like they've done some serious hunting. It costs them more to shoot the deer, ride its corpse around and mount its head, than it would cost to go to the store and buy an equal amount of beefsteak. Then they like to smear their faces with the blood after the kill and take photos, like this makes them some kind of warrior.

But I've quit talking, and done gone to preaching. I was saying how we lived. And I was saying about all the game. Then too, there was the Goat Man. Half goat, half man, he liked to hang around what was called the swinging bridge. I had never seen him, but sometimes at night, out possum hunting, I thought maybe I heard him, howling and whimpering down there near the cable bridge that hung bold over the river, swinging with the wind in the moonlight, the beams playing on the metal cables like fairies on ropes. He was supposed to steal livestock and children, and though I didn't know of any children that had been eaten, some farmers claimed the Goat Man had taken their livestock, and there were some kids I knew claimed they had cousins taken off by the Goat Man, never to be seen again.

It was said he didn't go as far as the main road because Baptist preachers traveled regular there on foot and by car, making the preaching rounds, and therefore making the road holy. It was said he didn't get out of the woods that made up the Sabine bottoms. High land was something he couldn't tolerate. He needed the damp, thick leaf mush beneath his feet, which were hooves.

Dad said there wasn't any Goat Man. That it was a wives' tale heard throughout the South. He said what I heard out there was water and animal sounds, but I tell you, those sounds made your skin crawl, and they did remind you of a hurt goat. Mr. Cecil Chambers, who worked with my daddy at the barbershop, said it was probably a panther. They showed up now and then in the deep woods, and they could scream like a woman, he said.

Me and my sister Tom —well, Thomasina, but we all called her Tom 'cause it was easier to remember and because she was a tomboy—roamed those woods from daylight to dark. We had a dog named Toby that was part hound, part terrier, and part what we called feist.

Toby was a hunting sonofagun. But the summer of nineteen thirty-one, while rearing up against a tree so he could bark at a squirrel he'd tracked, the oak he was under lost a rotten limb and it fell on him, striking his back so hard he couldn't move his back legs or tail. I carried him home in my arms. Him whimpering, me and Tom crying.

Daddy was out in the field plowing with Sally, working the plow around a stump that was still in the field. Now and then he chopped at its base with an ax and had set fire to it, but it was stubborn and remained.

Daddy stopped his plowing when he saw us, took the looped lines off his shoulders and dropped them, left Sally Redback standing in the field hitched up to the plow. He walked part of the way across the field to meet us, and we carried Toby out to him and put him on the soft plowed ground and Daddy looked him over. Daddy moved Toby's paws around, tried to straighten Toby's back, but Toby would whine hard when he did that.

After a while, as if considering all possibilities, he told me and Tom to get the gun and take poor Toby out in the woods and put him out of his misery.

"It ain't what I want you to do," Daddy said. "But it's the thing has to be done."

"Yes sir," I said.

These days that might sound rough, but back then we didn't have many vets, and no money to take a dog to one if we wanted to. And all a vet would have done was do what we were gonna do.

Another thing different was you learned about things like dying when you were quite young. It couldn't be helped. You raised and killed chickens and hogs, hunted and fished, so you were constantly up against it. That being the case, I think we respected life more than some do now, and useless suffering was not to be tolerated.

And in the case of something like Toby, you were often expected to do the deed yourself, not pass on the responsibility. It was unspoken, but it was pretty well understood that Toby was our dog, and therefore, our responsibility. Things like that were considered part of the learning process.

We cried awhile, then got a wheelbarrow and put Toby in it. I already had my twenty-two for squirrels, but for this I went in the house and swapped it for the single-shot sixteen-gauge shotgun, so there wouldn't be any suffering. The thought of shooting Toby in the back of the head like that, blasting his skull all over creation, was not something I looked forward to.

Our responsibility or not, I was thirteen and Tom was only nine. I told her she could stay at the house, but she wouldn't. She said she'd come on with me. She knew I needed someone to help me be strong.

Tom got the shovel to bury Toby, put it over her shoulder, and we wheeled old Toby along, him whining and such, but after a bit he quit making noise. He just lay there in the wheelbarrow while we pushed him down the trail, his back slightly twisted, his head raised, sniffing the air.

In short time he started sniffing deeper, and we could tell he had a squirrel's scent. Toby always had a way of turning to look at you when he had a squirrel, then he'd point his head in the direction he wanted to go and take off running and yapping in that deep voice of his. Daddy said that was his way of letting us know the direction of the scent before he got out of sight. Well, he had his head turned like that, and I knew what it was I was supposed to do, but I decided to prolong it by giving Toby his head.

We pushed in the direction he wanted to go, and pretty soon we were racing over a narrow trail littered with pine needles, and Toby was barking like crazy. Eventually we run the wheelbarrow up against a hickory tree.

Up there in the high branches two big fat squirrels played around as if taunting us. I shot both of them and tossed them into the wheelbarrow with Toby, and darned if he didn't signal and start barking again.

It was rough pushing that wheelbarrow over all that bumpy wood debris and leaf and needle-littered ground, but we did it, forgetting all about what we were supposed to do for Toby.

By the time Toby quit hitting on squirrel scent, it was near nightfall and we were down deep in the woods with six squirrels—a bumper crop —and we were tuckered out.

There Toby was, a dadburn cripple, and I'd never seen him work the trees better. It was like Toby knew what was coming and was trying to prolong things by treeing squirrels.

We sat down under a big, old sweetgum and left Toby in the wheelbarrow with the squirrels. The sun was falling through the trees like a big, fat plum coming to pieces. Shadows were rising up like dark men all around us. We didn't have a hunting lamp. There was just the moon and it wasn't up good yet.

"Harry," Tom said. "What about Toby?"

I had been considering on that.

"He don't seem to be in pain none," I said. "And he treed six dadburn squirrels."

"Yeah," Tom said, "but his back's still broke."

"Reckon so," I said.

"Maybe we could hide him down here, come every day, feed and water him."

"I don't think so. He'd be at the mercy of anything came along. Darn chiggers and ticks would eat him alive." I'd thought of that because I could feel bites all over me and knew tonight I'd be spending some time with a lamp, some tweezers and such myself, getting them off all kinds of places, bathing myself later in kerosene, then rinsing. During the summer me and Tom ended up doing that darn near every evening.

"It's gettin' dark," Tom said.

"I know."

"I don't think Toby's in all that much pain now."

"He does seem better," I said. "But that don't mean his back ain't broke."

"Daddy wanted us to shoot him to put him out of his misery, He don't look so miserable to me. It ain't right to shoot him he ain't miserable, is it?"

I looked at Toby. There was mostly just a lump to see, lying there in the wheelbarrow covered by the dark. While I was looking he raised his head and his tail beat on the wooden bottom of the wheelbarrow a couple of times.

"Don't reckon I can do it," I said. "I think we ought to take him back to Daddy, show how he's improved. He may have a broke back, but he ain't in pain like he was. He can move his head and even his tail now, so his whole body ain't dead. He don't need killin'."

"Daddy may not see it that way, though."

"Reckon not, but I can't just shoot him without trying to give him a chance. Heck, he treed six dadburn squirrels. Mama'll be glad to see them squirrels, We'll just take him back."

We got up to go. It was then that it settled on us. We were lost. We had been so busy chasing those squirrels, following Toby's lead, we had gotten down deep in the woods and we didn't recognize anything. We weren't scared, of course, least not right away. We roamed these woods all the time, but it had grown dark, and this immediate place wasn't familiar.

The moon was up some more, and I used that for my bearings. "We need to go that way," I said. "Eventually that'll lead back to the house or the road."

We set out, pushing the wheelbarrow, stumbling over roots and ruts and fallen limbs, banging up against trees with the wheelbarrow and ourselves. Near us we could hear wildlife moving around, and I thought about what Mr. Chambers had said about panthers, and I thought about wild hogs and wondered if we might come up on one rootin' for acorns, and I remembered that Mr. Chambers had also said this was a bad year for the hydrophobia, and lots of animals were coming down with it, and the thought of all that made me nervous enough to feel around in my pocket for shotgun shells. I had three left.

As we went along, there was more movement around us, and after a while I began to think whatever it was was keeping stride with us. When we slowed, it slowed. We sped up, it sped up. And not the way an animal will do, or even the way a coach whip snake will sometimes follow and run you. This was something bigger than a snake. It was stalking us, like a panther. Or a man.

Toby was growling as we went along, his head lifted, the hair on the back of his neck raised.

I looked over at Tom, and the moon was just able to split through the trees and show me her face and how scared she was. I knew she had come to the same conclusion I had.

I wanted to say something, shout out at whatever it was in the bushes, but I was afraid that might be like some kind of bugle call that set it off, causing it to come down on us.

I had broken open the shotgun earlier for safety's sake, laid it in the wheelbarrow and was pushing it, Toby, the shovel, and the squirrels along. Now I stopped, got the shotgun out, made sure a shell was in it, snapped it shut and put my thumb on the hammer. Toby had really started to make noise, had gone from growling to barking.

I looked at Tom, and she took hold of the wheelbarrow and started pushing, I could tell she was having trouble with it, working it over the soft ground, but I didn't have any choice but to hold on to the gun, and we couldn't leave Toby behind, not after what he'd been through.

Whatever was in those bushes paced us for a while, then went silent. We picked up speed, and didn't hear it anymore. And we didn't feel its presence no more neither. Earlier it was like we was walking along with the devil beside us.

I finally got brave enough to break open the shotgun and lay it in the wheelbarrow and take over the pushing again. 

"What was that?" Tom asked. 

"I don't know," I said. "It sounded big." 

"Yeah"

"The Goat Man?"

"Daddy says there ain't any Goat Man." "Yeah, but he's sometimes wrong, ain't he?"

"Hardly ever," I said.

We went along some more, and found a narrow place in the river, and crossed, struggling with the wheelbarrow. We shouldn't have crossed, but there was a spot, and someone or something following us had spooked me, and I had just wanted to put some space between us and it.

We walked along a longer time, and eventually came up against a wad of brambles that twisted in amongst the trees and scrubs and vines and made a wall of thorns. It was a wall of wild rosebushes. Some of the vines on them were thick as well ropes, the thorns like nails, and the flowers smelled strong and sweet in the night wind, almost sweet as sorghum syrup cooking.

The bramble patch ran some distance in either direction, and encased us on all sides. We had wandered into a maze of thorns too wide and thick to go around, and too high and sharp to climb over, and besides they had wound together with low hanging limbs, and it was like a ceiling above. I thought of Brer Rabbit and the briar patch, but unlike Brer Rabbit, I had not been born and raised in a briar patch, and unlike Brer Rabbit, it wasn't what I wanted.

I dug in my pocket and got a match I had left over from when me and Tom tried to smoke some corn silk cigarettes and grapevines, and I struck the match with my thumb and waved it around, saw there was a wide space in the brambles, and it didn't take a lot of know-how to see the path had been cut in them. I bent down and poked the match forward, and I could see the brambles were a kind of tunnel, about six feet high and six feet wide. I couldn't tell how far it went, but it was a goodly distance.

I shook the match out before it burned my hand, said to Tom, "We can go back, or we can take this tunnel."

Tom looked to our left, saw the brambles were thick and solid, and in front of us was a wall of them too. "I don't want to go back because of that thing, whatever it is. And I don't want to go down that tunnel neither. We'd be like rats in a pipe, Maybe whatever it is knew it'd get us boxed in like this, and it's just waitin' at the other end of that bramble trap for us, like that thing Daddy read to us about. The thing that was part man, part cow."

"Part bull, part man," I said. "The Minotaur."

"Yeah. A minutetar. It could be waitin' on us, Harry."

I had, of course, thought about that. "I think we ought to take the tunnel. It can't come from any side on us that way. It has to come from front or rear."

"Can't there be other tunnels in there?"

I hadn't thought of that. There could be openings cut like this anywhere.

"I got the gun," I said. "If you can push the wheelbarrow, Toby can sort of watch for us, let us know something's coming. Anything jumps out at us, I'll cut it in two."

"I don't like any of them choices."

I picked up the gun and made it ready. Tom took hold of the wheelbarrow handles. I went on in and Tom came after me.

……..

The smell of roses was thick and overwhelming. It made me sick. The thorns sometimes stuck out on vines you couldn't see in the dark. They snagged my old shirt and cut my arms and face. I could hear Tom back there behind me, cussing softly under her breath as she got scratched. I was glad for the fact that Toby was silent. It gave me some kind of relief.

The bramble tunnel went on for a good ways, then I heard a rushing sound, and the bramble tunnel widened and we came out on the bank of the roaring Sabine. There were splits in the trees above, and the moonlight came through strong and fell over everything and looked yellow and thick like milk that had turned sour. Whatever had been pacing us seemed to be good and gone.

I studied the moon a moment, then thought about the river. I said, "We've gone some out of the way. But I can see how we ought to go. We can follow the river a ways, which ain't the right direction, but I think it's not far from here to the swinging bridge. We cross that, we can hit the main road, walk to the house." 

"The swinging bridge?" 

"Yeah," I said.

"Think Momma and Daddy are worried?" Tom asked. 

"Yeah," I said. "Reckon they are. I hope they'll be glad to see these squirrels as I think they'll be." 

"What about Toby?" 

"We just got to wait and see."

The bank sloped down, and near the water there was a little trail ran along the edge of the river.

"Reckon we got to carry Toby down, then bring the wheelbarrow. You can push it forward, and I'll get in front and boost it down."

I carefully picked up Toby, who whimpered softly, and Tom, getting ahead of herself, pushed the wheelbarrow. It, the squirrels, shotgun, and shovel went over the edge, tipped over near the creek.

"Damn it, Tom," I said.

"I'm sorry," she said. "It got away from me. I'm gonna tell Mania you cussed."

"You do and I'll whup the tar out of you. 'Sides, I heard you cussin' plenty."

I gave Toby to Tom to hold till I could go down a ways, get a footing and have him passed to me.

I slid down the bank, came up against a huge oak growing near the water. The brambles had grown down the bank and were wrapped around the tree. I went around it, put my hand out to steady myself, and jerked it back quick. What I had touched hadn't been tree trunk, or even a thorn, but something soft.

When I looked I saw a gray mess hung up in brambles, and the moonlight was shining across the water and falling on a face, or what had been a face, but was more like a jack-o'-lantern now, swollen and round with dark sockets for eyes. There was a wad of hair on the head like a chunk of dark lamb's wool, and the body was swollen up and twisted and without clothes. A woman.

I had seen a couple of cards with naked women on them that Jake Sterning had shown me. He was always coming up with stuff like that 'cause his daddy was a traveling salesman and sold not only Garrett Snuff but what was called novelties on the side.

But this wasn't like that. Those pictures had stirred me in a way I didn't understand but found somehow sweet and satisfying. This was stirring me in a way I understood immediately. Horror. Fear.
Her breasts were split like rotted melons cracked in the sun. The brambles were tightly wrapped around her swollen flesh and her skin was gray as cigar ash. Her feet weren't touching the ground. She was held against the tree by the brambles. In the moonlight she looked like a fat witch bound to a massive post by barbed wire, ready to be burned.

"Jesus," I said.

"You're cussin' again," Tom said.

I climbed up the bank a bit, took Toby from Tom, laid him on the soft ground by the riverbank, stared some more at the body. Tom slid down, saw what I saw.

"Is it the Goat Man?" she asked.

"No," I said. "It's a dead woman."

"She ain't got no clothes on."

"No, she ain't. Don't look at her, Tom."

"I can't help it."

"We got to get home, tell Daddy."

"Light a match, Harry. Let's get a good look."

I considered on that, finally dug in my pocket. "I just got one left."

"Use it."

I struck the match with my thumb and held it out. The match wavered as my hand shook, I got up as close as I could stand to get. It was even more horrible by match light.

"I think it's a colored woman," I said.

The match went out. I righted the wheelbarrow, shook mud out of the end of the shotgun, put it and the squirrels and Toby back in the wheelbarrow. I couldn't find the shovel, figured it had slid on down into the river and was gone. That was going to cost me.

"We got to get on," I said.

Tom was standing on the bank, staring at the body. She couldn't take her eyes off of it.

"Come on!"

Tom tore herself away. We went along the bank, me pushing that wheelbarrow for all I was worth, it bogging in the soft dirt until I couldn't push it anymore. I bound the squirrels' legs together with some string Tom had, and tied them around my waist.

"You carry the shotgun, Tom, and I'll carry Toby."

Tom took the gun, I picked Toby up, and we started toward the swinging bridge, which was where the Goat Man was supposed to live.

……..

Me and my friends normally stayed away from the swinging bridge, all except Jake. Jake wasn't scared of anything. Then again, Jake wasn't smart enough to be scared of much. Story on him and his old man was you cut off their head they wouldn't be any dumber.

Jake said all the stories you heard about the swinging bridge were made up by our parents to keep us off of it 'cause it was dangerous. And maybe that was true.

The bridge was some cables strung across the Sabine from high spots on the banks. Some long board slats were fastened to the cables by rusty metal clamps and rotting ropes. I didn't know who had built it, and maybe it had been a pretty good bridge once, but now a lot of the slats were missing and others were rotten and cracked and the cables were fastened to the high bank on either side by rusty metal bars buried deep in the ground. In places, where the water had washed the bank, you could see part of the bars showing through the dirt. Enough time and water, the whole bridge would fall into the river.

When the wind blew, the bridge swung, and in a high wind it was something. I had crossed it only once before, during the day, the wind dead calm, and that had been scary enough. Every time you stepped, it moved, threatened to dump you. The boards creaked and ached as if in pain. Sometimes little bits of rotten wood came loose and fell into the river below. I might add that below was a deep spot and the water ran fast there, crashed up against some rocks, fell over a little falls, and into wide, deep water.

Now, here we were at night, looking down the length of the bridge, thinking about the Goat Man, the body we'd found, Toby, and it being late, and our parents worried.

"We gotta cross, Harry?" Tom asked.

"Yeah," I said. "Reckon so. I'm gonna lead, and you watch where I step. The boards hold me, they're liable to hold you."

The bridge creaked above the roar of the river, swaying ever so slightly on its cables, like a snake sliding through tall grass.

It had been bad enough trying to cross when I could put both hands on the cables, but carrying Toby, and it being night, and Tom with me, and her trying to carry the shotgun...Well, it didn't look promising.

The other choice was to go back the way we had come, or to try another path on down where the river went shallow, cross over there, walk back to the road and our house. But the river didn't shallow until some miles away, and the woods were rough, and it was dark, and Toby was heavy, and there was something out there that had been tracking us. I didn't see any other way but the bridge.

I took a deep breath, got a good hold on Toby, stepped out on the first slat.

When I did the bridge swung hard to the left, then back even more violently. I had Toby in my arms, so the only thing I could do was bend my legs and try to ride the swing. It took a long time for the bridge to quit swinging, and I took the next step even more gingerly. It didn't swing as much this time. I had gotten a kind of rhythm to my stepping.

I called back to Tom, "You got to step in the middle of them slats. That way it don't swing so much."

"I'm scared, Harry."

"It's all right," I said. "We'll do fine."

I stepped on a slat, and it cracked and I pulled my foot back. Part of the board had broken loose and was falling into the river below. It hit with a splash, was caught up in the water, flickered in the moonlight, and was whipped away. It churned under the brown water, went over the little falls and was gone.

I stood there feeling as if the bottom of my belly had fell out. I hugged Toby tight and took a wide step over the missing slat toward the next one. I made it, but the bridge shook and I heard Tom scream. I turned and looked over my shoulder as she dropped the shotgun and grabbed at the cable. The shotgun fell longways and hung between the two lower cables. The bridge swung violently, threw me against one of the cables, then to the other side, and I thought I was a goner for sure.

When the bridge slowed, I lowered to one knee on the slat, pivoted and looked at Tom. "Easy," I said.

"I'm too scared to let go," Tom said.

"You got to, and you got to get the gun."

It was a long time before Tom finally bent over and picked up the gun. After a bit of heavy breathing, we started on again. That was when we heard the noise down below and saw the thing in the shadows.

It was moving along the bank on the opposite side, down near the water, under the bridge. You couldn't see it good, because it was outside of the moonlight, in the shadows. Its head was huge and there was something like horns on it and the rest of it was dark as a coal bin. It leaned a little forward, as if trying to get a good look at us, and I could see the whites of its eyes and chalky teeth shining in the moonlight.

"Jesus, Harry," Tom said. "It's the Goat Man. What do we do?"

I thought about going back. That way we'd be across the river from it, but then again, we'd have all the woods to travel through, and for miles. And if it crossed over somewhere, we'd have it tracking us again, because now I felt certain that's what had been following us in the brambles.

If we went on across, we'd be above it, on the higher bank, and it wouldn't be that far to the road. It was said the Goat Man didn't ever go as far as the road. That was his quitting' place. He was trapped here in the woods and along the banks of the Sabine, and the route them preachers took kept him away from the road.

"We got to go on," I said. I took one more look at those white eyes and teeth, and started pushing on across. The bridge swung, but I had more motivation now, and I was moving pretty good, and so was Tom.

When we were near to the other side, I looked down, but I couldn't see the Goat Man no more. I didn't know if it was the angle, or if it had gone on. I kept thinking when I got to the other side it would have climbed up and would be waiting.

But when we got to the other side, there was only the trail that split the deep woods standing out in the moonlight. Nothing on it.

We started down the trail. Toby was heavy and I was trying not to jar him too much, but I was so frightened, I wasn't doing that good of a job. He whimpered some.

After we'd gone on a good distance, the trail turned into shadow where the limbs from trees reached out and hid it from the moonlight and seemed to hold the ground in a kind of dark hug.

"I reckon if it's gonna jump us," I said, "that'd be the place."

"Then let's don't go there."

"You want to go back across the bridge?"

"I don't think so."

"Then we got to go on. We don't know he's even followed."

"Did you see those horns on his head?"

"I seen somethin'. I think what we oughta do, least till we get through that bend in the trail there, is swap. You carry Toby and let me carry the shotgun."

"I like the shotgun."

"Yeah, but I can shoot it without it knocking me down. And I got the shells."

Tom considered this. "Okay," she said.

She put the shotgun on the ground and I gave her Toby. I picked up the gun and we started around the dark curve in the trail.

I had been down this trail many times in the daylight. Out to the swinging bridge, but except for that one other time, I had never crossed the bridge until now. I had been in the woods at night before, but not this deep, and usually with Daddy.

When we were deep in the shadow of the trail nothing leaped out on us or bit us, but as we neared the moonlit part of the trail we heard movement in the woods. The same sort of movement we had heard back in the brambles. Calculated. Moving right along with us.

We finally reached the moonlit part of the trail and felt better. But there really wasn't any reason for it. It was just a way of feeling. Moonlight didn't change anything. I looked back over my shoulder, into the darkness we had just left, and in the middle of the trail, covered in shadow, I could see it. Standing there. 

Watching.

I didn't say anything to Tom about it. Instead I said, "You take the shotgun now, and I'll take Toby. Then I want you to run with everything you got to where the road is."

Tom, not being any dummy, and my eyes probably giving me away, turned and looked back in the shadows. She saw it too. It crossed into the woods. She turned and gave me Toby and took the shotgun and took off like a bolt of lightning. I ran after her, bouncing poor Toby, the squirrels slapping against my legs. Toby whined and whimpered and yelped. The trail widened, the moonlight grew brighter, and the red clay road came up and we hit it, looked back.

Nothing was pursuing us. We didn't hear anything moving in the woods.

"Is it okay now?" Tom asked.

"Reckon so. They say he can't come as far as the road."

"What if he can?"

"Well, he can't... I don't think."

"You think he killed that woman?"

"Figure he did."

"How'd she get to lookin' like that?"

"Somethin' dead swells up like that"

"How'd she get all cut? On his horns?"

"I don't know, Tom."

We went on down the road, and in time, after a number of rest stops, after helping Toby go to the bathroom by holding up his tail and legs, in the deepest part of the night, we reached home.

……..

It wasn't entirely a happy homecoming. The sky had grown cloudy and the moon was no longer bright. You could hear the cicadas chirping and frogs bleating off somewhere in the bottoms. When we entered into the yard carrying Toby, Daddy spoke from the shadows, and an owl, startled, flew out of the oak and was temporarily outlined against the faintly brighter sky.

"I ought to whup y'all's butts," Daddy said.

"Yes sir," I said.

Daddy was sitting in a chair under an oak in the yard. It was sort of our gathering tree, where we sat and talked and shelled peas in the summer. He was smoking a pipe, a habit that would kill him later in life. I could see its glow as he puffed flames from a match into the tobacco. The smell from the pipe was woody and sour to me.

We went over and stood beneath the oak, near his chair.

"Your mother's been terrified," he said. "Harry, you know better than to stay out like that, and with your sister. You're supposed to take care of her."

"Yes sir."

"I see you still have Toby."

"Yes sir. I think he's doing better."

"You don't do better with a broken back."

"He treed six squirrels," I said. I took my pocketknife out and cut the string around my waist and presented him with the squirrels. He looked at them in the darkness, laid them beside his chair.

"You have an excuse?" he said.

"Yes sir," I said.

"All right, then," he said. "Tom, you go on up to the house and get the tub and start filling it with water. It's warm enough you won't need to heat it. Not tonight. You bathe, then you get after them bugs on you with the kerosene and such, then hit the bed."

"Yes sir," she said. "But Daddy . . ."

"Go to the house, Tom," Daddy said.

Tom looked at me, laid the shotgun down on the ground and went on toward the house.

Daddy puffed his pipe. "You said you had an excuse."

"Yes sir. I got to runnin' squirrels, but there's something else. There's a body down by the river."

He leaned forward in his chair. "What?"

I told him everything that had happened. About being followed, the brambles, the body, the Goat Man. When I was finished, he said, "There isn't any Goat Man, Harry. But the person you saw, it's possible he was the killer. You being out like that, it could have been you or Tom."

"Yes sir."

"Suppose I'll have to take a look early morning. You think you can find her again?"

"Yes sir, but I don't want to."

"I know, but I'm gonna need your help. You go up to the house now, and when Tom gets through, you wash up and get the bugs off of you. I know you're covered. Hand me the shotgun and I'll take care of Toby."

I started to say something, but I didn't know what to say. Daddy got up, cradled Toby in his arms and I put the shotgun in his hand.

"Damn rotten thing to happen to a good dog," he said.

Daddy started walking off toward the little barn we had out back of the house by the field.

"Daddy," I said. "I couldn't do it. Not Toby."

"That's all right, son," he said, and went on out to the barn.

When I got up to the house, Tom was on the back porch in the tub and Mama was scrubbing her vigorously by the light of a lantern hanging on a porch beam. When I came up, Mama, who was on her knees, looked over her shoulder at me. Her blonde hair was gathered up in a fat bun and a tendril of it had come loose and was hanging across her forehead and eye. She pushed it aside with a soapy hand. "You ought to know better than to stay out this late. And scaring Tom with stories about seeing a body."

"It ain't a story, Mama," I said.

I told her about it, making it brief.

When I finished, she was quiet for a long moment. "Where's your daddy?"

"He took Toby out to the barn. Toby's back is broken."

"I heard. I'm real sorry."

I listened for the blast of the shotgun, but after fifteen minutes it still hadn't come. Then I heard Daddy coming down from the barn, and pretty soon he stepped out of the shadows and into the lantern light, carrying the shotgun.

"I don't reckon he needs killin'," Daddy said. I felt my heart lighten, and I looked at Tom, who was peeking under Mama's arm as Mama scrubbed her head with lye soap. "He could move his back legs a little, lift his tail. You might be right, Harry. He might be better. Besides, I wasn't any better doin' what ought to be done than you, son. He takes a turn for the worse, stays the same, well ... In the meantime, he's yours and Tom's responsibility. Feed and water him, and you'll need to manage him to do his business somehow."

"Yes sir," I said. "Thanks, Daddy."

Daddy sat down on the porch with the shotgun cradled in his lap. "You say the woman was colored?"

"Yes sir."

Daddy sighed. "That's gonna make it some difficult," he said.

……..

Next morning I led Daddy out there by means of the road and the trail up to the swinging bridge. I didn't want to cross the bridge again. I pointed out from the bank the spot across and down the river where the body could be found.

"All right," Daddy said. “I’ll manage from here. You go home. Better yet, get into town and open up the barbershop. Cecil will be wondering where I am."

I went home, out to the barn to check on Toby. He was crawling around on his belly, wiggling his back legs some. I left Tom with the duty to look after Toby being fed and all, then I got the barbershop key, saddled up Sally Redback, rode her the five miles into town.

Marvel Creek wasn't much of a town really, not that it's anything now, but back then it was pretty much two streets. Main and West. West had a row of houses, Main had the General Store, a courthouse, post office, the doctor's office, the barbershop my daddy owned, a couple other businesses, and sometimes a band of roving hogs that belonged to Old Man Crittendon.

The barbershop was a little, one-room white building built under a couple of oaks. It was big enough for one real barber chair and a regular chair with a cushion on the seat and a cushion fastened to the back. Daddy cut hair out of the barber chair, and Cecil used the other.

During the summer the door was open, and there was just a screen door between you and the flies. The flies liked to gather on the screen and cluster like grapes. The wind was often hot.

Cecil was sitting on the steps reading the Tyler newspaper when I arrived. I tied Sally to one of the oaks, went over to unlock the door, and as I did, I gave Cecil a bit of a rundown, letting him know what Daddy was doing.

Cecil listened, shook his head, made a clucking noise with his tongue, then we were inside.

I loved the aroma of the shop. It smelled of alcohol, disinfectants, and hair oils. The bottles were in a row on a shelf behind the barber chair, and the liquid in them was in different colors, red and yellow and a blue liquid that smelled faintly of coconut.

There was a long bench along the wall near the door and a table with a stack of magazines with bright covers. Most of the magazines were detective stories. I read them whenever I got a chance, and sometimes Daddy brought the worn ones home.

When there weren't any customers, Cecil read them too, sitting on the bench with a hand-rolled cigarette in his mouth, looking like one of the characters out of the magazines. Hard-boiled, carefree, efficient.

Cecil was a big man, and from what I heard around town and indirectly from Daddy, ladies found him good-looking. He had a well-tended shock of reddish hair, bright eyes, and a nice face with slightly hooded eyes. He had come to Marvel Creek about two months back, a barber looking for work. Daddy, realizing he might have competition, put him in the extra chair and gave him a percentage.

Daddy had since halfway regretted it. It wasn't that Cecil wasn't a good worker, nor was it Daddy didn't like him. It was the fact Cecil was too good. He could really cut hair, and pretty soon, more and more of Daddy's customers were waiting for Cecil to take their turn. More mothers came with their sons and waited while Cecil cut their boys' hair and chatted with them while he pinched their kids' cheeks and made them laugh. Cecil was like that. He could chum up to anyone in a big-city minute.

Though Daddy never admitted it, I could see it got his goat, made him a little jealous. There was also the fact that when Mama came down to the shop she always wilted under Cecil's gaze, turned red. She laughed when he said things that weren't that funny.

Cecil had cut my hair a few times, when Daddy was busy, and the truth was, it was an experience. Cecil loved to talk, and he told great stories about places he'd been. All over the United States, all over the world. He had fought in World War I, seen some of the dirtiest fighting. Beyond admitting that, he didn't say much about it. It seemed to pain him. He did once show me a French coin he wore around his neck on a little chain. It had been struck by a bullet and dented. The coin had been in his shirt pocket, and he credited it with saving his life.

But if he was fairly quiet on the war, on everything else he'd done he was a regular blabbermouth. He kidded me some about girls, and sometimes the kidding was a little too far to one side for Daddy, and he'd flash a look at Cecil, and I could see them in the mirror behind the bench, the one designed for the customer to look in while the barber snipped away. Cecil would take the look, wink at Daddy and change the subject. But Cecil always seemed to come back around to it, taking a real interest in any girlfriend I might have, even if I didn't really have any. Doing that, he made me feel as if I were growing up, taking part in the rituals and thoughts of men.

Tom liked him too, and sometimes she came down to the barbershop just to hang around him and hear him flatter and kid her. He loved to have her sit on his knee and tell her stories about all manner of things, and if Tom was interested in the stories I can't say, but she was certainly interested in Cecil, who was like a wild uncle to both her and me.

But what was most amazing about Cecil was the way he could cut hair. His scissors were like an extension of himself. They flashed and turned and snipped with little more than a flex of his wrist. 

When I was in his chair pruned hair haloed around me in the sunlight and my head became a piece of sculpture, transformed from a mass of unruly hair to a work of art. Cecil never missed a beat, never poked you with the scissor tips —which Daddy couldn't say— and when he was finished, when he had rubbed spiced oil into your scalp and parted and combed your hair, when he spun you around to look in the closer mirror behind the chairs, you weren't the same guy anymore. I felt I looked older, more manly, when he was finished. Maybe a little like those guys on the magazine covers myself.

When Daddy did the job, parted my hair, put on the oil, and let me out of the chair (he never spun me for a look like he did his adult customers), I was still just a kid. With a haircut.

Since on this day I'm talking about, Daddy was out, and haircuts for me were free, I asked Cecil if he would cut my hair, and he did, finishing with hand-whipped shaving cream and a razor around my ears to get those bits of hair too contrary for scissors. Cecil used his hands to work oil into my scalp, and he massaged the back of my neck with his thumb and fingers. It felt warm and tingly in the heat and made me sleepy.

No sooner had I climbed down from the chair than Old Man Nation drove up in his mule-drawn wagon and he and his two boys came in. Mr. Ethan Nation was a big man in overalls with tufts of hair in his ears and crawling out of his nose. His boys were big, redheaded, jug-eared versions of him. They all chewed tobacco, had brown teeth, and spat when they spoke. Most of their conversation was tied to or worked around cuss words not often spoken in that day and time. They never came in to get a haircut. They cut their own hair with a bowl and scissors. They liked to sit in the chairs and read what words they could out of the magazines and talk about how bad things were.

Cecil, though no friend of theirs, always managed to be polite, and, as Daddy often said, he was a man liked to talk, even if he was talking to the devil.

No sooner had Old Man Nation taken a seat than Cecil said, "Harry says there's been a murder." It was like it was a fact he was proud to spread around, but since I'd been quick to tell him and was about to burst with the news myself, I couldn't blame him none.

Once the word was out, there was nothing for me to do but tell it all. Well, almost all. For some reason I left the Goat Man out of it. I don't know exactly why, but I did.

When I was finished, Mr. Nation said, "Well, one less nigger wench ain't gonna hurt the world none. I was down in the bottoms, came across one of them burr-head women, I don't know, I might be inclined to do her in myself. They're the ones make the little ones. Drop babies like the rest of us drop turds. I might want her to help me out some first, though, you know what I mean. I mean, hell, they're niggers, but for about five minutes the important thing is they're all pink on the inside."

His boys smirked. Cecil said, "Watch your language," and moved his head in my direction.

"Sorry, son," Mr. Nation said. 'Tour pa's looking in on this, huh?"

"Yes sir," I said.

"Well, he's probably upset about it. He was always one to worry about the niggers. It's just another shine killin', boy, and he ought to leave it alone, let them niggers keep on killin' each other, then the rest of us won't have to worry with it."

At that moment, something changed for me. I had never really thought about my father's personal beliefs, but suddenly it occurred to me his were opposite those of Mr. Nation, and that Mr. Nation, though he liked our barbershop for wasting time, spouting his ideas and reading our magazines, didn't really like my daddy. The fact that he didn't, that Daddy had an opposite point of view to this man, made me proud.

In time, Mr. Johnson, a preacher, came in, and Mr. Nation, feeling the pressure, packed him and his two boys in their wagon and went on down the road to annoy someone else. Late in the day, Daddy came in, and when Cecil asked him about the murder, Daddy looked at me, and I knew then I should have kept my mouth shut.

Daddy told Cecil what I had told him, and little else, other than he thought the woman hadn't gotten caught up there by high water but had been bound there with those briars, like she was being showcased. Daddy figured the murderer had done it.

That night, back at the house, lying in bed, my ear against the wall, Tom asleep across the way, I listened. The walls were thin, and when it was good and quiet, and Mama and Daddy were talking, I could hear them.

"Doctor in town wouldn't even look at her," Daddy said.

"Because she was colored?"

"Yeah. I had to drive her over to Mission Creek's colored section to see a doctor there."

"She was in our car?"

"It didn't hurt anything. After Harry showed me where she was, I came back, drove over to Billy Gold's house. He and his brother went down there with me, helped me wrap her in a tarp, carry her out and put her in the car."

"What did the doctor say?"

"He reckoned she'd been raped. Her breasts had been split from top to bottom."

"Oh, my goodness."

"Yeah. And worse things were done. Doctor didn't know for sure, but when he got through looking her over, cutting on her, looking at her lungs, he thought maybe she'd been dumped in the river still alive, had drowned, been washed up and maybe a day or so later, someone, most likely the killer, had gone down there and found her, maybe by accident, maybe by design, and had bound her against that tree with the briars."

"Who would do such a thing?"

"I don't know. I haven't even an idea."

"Did the doctor know her?"

"No, but he brought in the colored preacher over there, Mr. Bail. He knew her. Name was Jelda May Sykes. He said she was a local prostitute. Now and then she came to the church to talk to him about getting out of the trade. He said she got salvation about once a month and lost it the rest of the time. She worked some of the black juke joints along the river. Picked up a little white trade now and then."

"So no one has any ideas who could have done it?"

"Nobody over there gives a damn, Marilyn, No one. The coloreds don't have any high feelings for her, and the white law enforcement let me know real quick I was out of my jurisdiction. Or as they put it, 'We take care of our own niggers.' Which, of course, means they don't take care of them at all."

"If it's out of your jurisdiction, you'll have to leave it alone."

"Taking her to Mission Creek was out of my jurisdiction, but where she was found isn't out of my jurisdiction. Law over there figures some hobo ridin' the rails got off over there, had his fun with her, dumped her in a river and caught the next train out. They're probably right. But if that's so, who bound her to the tree?"

"It could have been someone else, couldn't it?"

"I suppose, but it worries me mightily to think that there's that much cruelty out there in the world. And besides, I don't buy it. I think the same man killed her and displayed her. I did a little snoopin' while I was over in Mission Creek. I know a newspaperman over there, Cal Fields."

"He the older man with the younger wife? The hot patootie?"

"Yeah. He's a good guy. The wife ran off with a drummer, by the way. That doesn't bother Cal any. He's got a new girlfriend. But what he was tellin' me was interestin'. He said this is the third murder in the area in eighteen months. He didn't write about any of 'em in the paper, primarily because they're messy, but also because they've all been colored killings, and his audience don't care about colored killings. All the murders have been of prostitutes. One happened there in Mission Creek. Her body was found stuffed in a big, ole drainpipe down near the river. Her legs had been broken and pulled up and tied to her head."

"Goodness."

"Cal said he'd just heard the rumor of the other. Cal gave me the name of the editor of the colored paper. I went over and talked to him, a fella named Max Greene. They did do a report on it. He gave me a back issue, The first one was killed January of last year, a little farther up than Mission Creek. They found her in the river too. Her private parts had been cut out and stuffed in her mouth."

"My God. But those murders are some months apart. It wouldn't be the same person, would it?"

"I hope so. Like I said, I don't want to think there's two or three just like this fella runnin' around. Way the bodies are mistreated, sort of displayed, something terribly vulgar done to them. I think it's the same man.

"Greene was of the opinion the murderer likes to finish 'em by drowning 'em. Even the one found in the drainpipe was in water. And the law over there is probably right about it being someone rides the rails. Every spot was near the tracks, close to some little jumping-off point with a juke joint and a working girl. But that don't mean he's a hobo or someone leaves the area much. He could just use the trains to go to the murder sites."

"The body Harry found. What happened to it? Who took it?"

"No one. Honey, I paid to have her buried in the colored cemetery over there. I know we don't have the money, but. . ."

"Shush. That's all right. You did good."

They grew quiet, and I rolled on my back and looked at the ceiling. When I closed my eyes I saw the woman's body, ruined and swollen, fixed to the tree by vines and thorns. And I saw the bright eyes and white teeth in the dark face of the horned Goat Man. I remembered looking over my shoulder and seeing the Goat Man standing in shadow in the middle of the wooded trail, watching me.

Eventually, in my dream I reached the road, and then I fell asleep.

After a while, things drifted back to normal for Tom and me. Time is like that. Especially when you're young. It can fix a lot of things, and what it doesn't fix, you forget, or at least push back and only bring out at certain times, which is what I did, now and then, late at night, just before sleep claimed me. 

Eventually it was all a distant memory.

Daddy looked around for the Goat Man awhile, but except for some tracks along the bank, some signs of somebody scavenging around down there, he didn't find anyone. But I heard him telling Mama how he felt he was being watched, and that he figured there was someone out there knew the woods as well as any animal.

But making a living took the lead over any kind of investigation, and my daddy was no investigator anyway. He was just a small-town constable who mainly delivered legal summonses and picked up dead bodies with the justice of the peace. And if they were colored, he picked them up without the justice of the peace. So, in time the murder and the Goat Man moved into our past.

By that fall, Toby had actually begun to walk again. His back wasn't broken, but the limb had caused some kind of nerve damage. He never quite got back to normal, but he could get around with a bit of stiffness, and from time to time, for no reason we could see, his hips would go dead and he'd end up dragging his rear end. Most of the time, he was all right, and ran with a kind of limp, and not very fast. He was still the best squirrel dog in the county.

Late October, a week short of Halloween, when the air had turned cool and the nights were crisp and clear and the moon was like a pumpkin in the sky, Tom and me played late, chasing lightning bugs and each other. Daddy had gone off on a constable duty, and Mama was in the house sewing, and when we got good and played out, me and Tom sat out under the oak talking about this and that, and suddenly we stopped, and I had a kind of cold feeling. I don't know if a person really has a sixth sense. Maybe it's little things you notice unconsciously. Something seen out of the corner of the eye. 

Something heard at the back of a conversation. But I had that same feeling Daddy had spoken of, the feeling of being watched.

I stopped listening to Tom, who was chattering on about something or another, and slowly turned my head toward the woods, and there, between two trees, in the shadows, but clearly framed by the light, was a horned figure, watching us.

Tom, noticing I wasn't listening to her, said, "Hey."

"Tom," I said, "be quiet a moment and look where I'm lookin'."

"I don't see any—" Then she went quiet, and after a moment, whispered: "It's him . . . It's the Goat Man."

The shape abruptly turned, crunched a stick, rustled some leaves, and was gone. We didn't tell Daddy or Mama what we saw. I don't exactly know why, but we didn't. It was between me and Tom, and the next day we hardly mentioned it.

A week later, Janice Jane Willman was dead.

……..

We heard about it Halloween night. There was a little party in town for the kids and whoever wanted to come. There were no invitations. Each year it was understood the party would take place and you could show up. The women brought covered dishes and the men brought a little bit of hooch to slip into their drinks.

The party was at Mrs. Canerton's. She was a widow, and kept books at her house as a kind of library. She let us borrow them from her, or we could come and sit in her house and read or even be read to, and she always had some cookies or lemonade, and she wasn't adverse to listening to our stories or problems. She was a sweet-faced lady with large breasts and a lot of men in town liked her and thought she was pretty.

Every year she had a little Halloween party for the kids. Apples. Pumpkin pie and such. Everyone who could afford a spare pillowcase made a ghost costume. A few of the older boys would slip off to West Street to soap some windows, and that was about it for Halloween. But back then, it seemed pretty wonderful.

Daddy had taken us to the party. It was another fine, cool night with lots of lightning bugs and crickets chirping, and me and Tom got to playing hide and go seek with the rest of the kids, and while the person who was it was counting, we went to hide. I crawled up under Mrs. Canerton's house, under the front porch. I hadn't no more than got up under there good, than Tom crawled up beside me.

"Hey," I whispered. "Go find your own place."

"I didn't know you was under here. It's too late for me to go anywhere."

"Then be quiet," I said.

While we were sitting there, we saw shoes and pants legs moving toward the porch steps. It was the men who had been standing out in the yard smoking. They were gathering on the porch to talk. I recognized a pair of boots as Daddy's, and after a bit of moving about on the porch above us, we heard the porch swing creak and some of the porch chairs scraping around, and then I heard Cecil speak.

"How long she been dead?"

"About a week I reckon," Daddy said.

"She anyone we know?"

"A prostitute," Daddy said. "Janice Jane Willman. She lives near all them juke joints outside of Mission Creek. She picked up the wrong man. Ended up in the river."

"She drown?" someone else asked.

"Reckon so. But she suffered some before that."

"You know who did it?" Cecil asked. "Any leads?"

"No. Not really."

"Niggers." I knew that voice. Old Man Nation. He showed up wherever there was food and possibly liquor, and he never brought a covered dish or liquor. "Niggers find a white woman down there in the bottoms, they'll get her."

"Yeah," I heard a voice say. "And what would a white woman be doin' wanderin' around down there?"

"Maybe he brought her there," Mr. Nation said. "A nigger'll take a white woman he gets a chance. Hell, wouldn't you if yon was a nigger? Think about what you'd be gettin' at home. Some nigger. A white woman, that's prime business to 'em. Then, if you're a nigger and you've done it to her, you got to kill her so no one knows. Not that any self-respectin' white woman would want to live after somethin' like that."

"That's enough of that," Daddy said.

"You threatenin' me?" Mr. Nation said.

"I'm sayin' we don't need that kind of talk," Daddy said. "The murderer could have been white or black."

"It'll turn out to be a nigger," Mr. Nation said. "Mark my words."

"I heard you had a suspect," Cecil said.

"Not really," Daddy said.

"Some colored fella, I heard," Cecil said.

"I knew it," Nation said. "Some goddamn nigger."

"I picked a man up for questioning, that's all."

"Where is he?" Nation asked.

"You know," Daddy said, "I think I'm gonna have me a piece of that pie."

The porch creaked, the screen door opened, and we heard boot steps entering into the house.

"Nigger lover," Nation said.

"That's enough of that," Cecil said.

"You talkin' to me, fella?" Mr. Nation said.

"I am, and I said that's enough."

There was some scuttling movement on the porch, and suddenly there was a smacking sound and Mr. Nation hit the ground in front of us. We could see him through the steps. His face turned in our direction, but I don't think he saw us. It was dark under the house, and he had his mind on other things. He got up quick like, leaving his hat on the ground, then we heard movement on the porch and Daddy's voice. "Ethan, don't come back on the porch. Go on home."

"Who do you think you are to tell me anything?" Mr. Nation said.

"Right now, I'm the constable, and you come up on this porch, you do one little thing that annoys me, I will arrest you."

"You and who else?"

"Just me."

"What about him? He hit me. You're on his side because he took up for you."

"I'm on his side because you're a loudmouth spoiling everyone else's good time. You been drinkin' too much. Go on home and sleep it off, Ethan. Let's don't let this get out of hand."

Mr. Nation's hand dropped down and picked up his hat. He said, "You're awfully high and mighty, aren't you?"

"There's just no use fighting over something silly," Daddy said.

'Ton watch yourself, nigger lover," Mr. Nation said.

"Don't come by the barbershop no more," Daddy said.

"Wouldn't think of it, nigger lover."

Then Mr. Nation turned and we saw him walking away.

Daddy said, "Cecil. You talk too much."

"Yeah, I know," Cecil said.

"Now, I was gonna get some pie," Daddy said. "I'm gonna go back inside and try it again. When I come back out, how's about we talk about somethin' altogether different?"

"Suits me," someone said, and I heard the screen door open again. For a moment I thought they were all inside, then I realized Daddy and Cecil were still on the porch, and Daddy was talking to Cecil.

"I shouldn't have spoken to you like that," Daddy said.

"It's all right. You're right. I talk too much."

"Let's forget it."

"Sure . .. Jacob, this suspect. You think he did it?"

"No. I don't."

"Is he safe?"

"For now. I may just let him go and never let it be known who he is. Bill Smoote is helping me out with him right now."

"Again, I'm sorry, Jacob."

"No problem. Let's get some of that pie."

……..

On the way home in the car our bellies were full of apples, pie, and lemonade. The windows were rolled down and the October wind was fresh and ripe with the smell of the woods. As we wound through those woods along the dirt road that led to our house, I began to feel sleepy.

Tom had already nodded off. I leaned against the side of the car and began to halfway doze. In time, I realized Mama and Daddy were talking.

"He had her purse?" Mama said.

“Yeah." Daddy said. "He had it, and he'd taken money from it."

"Could it be him?"

"He says he was fishing, saw the purse and her dress floating, snagged the purse with his fishing line. He saw there was money inside, and he took it. He said he figured a purse in the river wasn't something anyone was going to find, and there wasn't any name in it, and it was just five dollars going to waste. He said he didn't even consider that someone had been murdered. It could have happened that way. Personally, I believe him. I've known old Mose all my life. He taught me how to fish. He practically lives on that river in that boat of his. He wouldn't harm a fly. Besides, the man's seventy years old and not in the best of health. He's had a hell of a life. His wife ran off forty years ago and he's never gotten over it. His son disappeared when he was a youngster. Whoever raped this woman had to be pretty strong. She was young enough, and from the way her body looked, she put up a pretty good fight. Man did this had to be strong enough to ... Well, she was cut up pretty bad. Same as the other women. Slashes along the breasts. Her hand hacked off at the wrist. We didn't find it."

"Oh dear."

"I'm sorry, honey. I didn't mean to upset you."

"How did you come by the purse?"

"I went by to see Mose. Like I always do when I'm down on the river. It was layin' on the table in his shack. I had to arrest him. I don't know I should have now. Maybe I should have just taken the purse and said I found it. I mean, I believe him. But I don't have evidence one way or the other."

"Hon, didn't Mose have some trouble before?"

"When his wife ran off some thought he'd killed her. She was fairly loose. That was the rumor. Nothing ever came of it."

"But he could have done it?"

"I suppose."

"And wasn't there something about his boy?"

"Telly was the boy's name. He was addleheaded. Mose claimed that's why his wife run off. She was embarrassed by that addle-headed boy. Kid disappeared four or five years later and Mose never talked about it. Some thought he killed him too. But that's just rumor. White folks talkin' about colored folks like they do. I believe his wife ran off. The boy wasn't much of a thinker, and he may have run off too. He liked to roam the woods and river. He might have drowned, fallen in some hole somewhere and never got out."

"But none of that makes it look good for Mose, does it?"

"No, it doesn't."

"What are you gonna do, Jacob?"

"I don't know. I was afraid to lock him up over at the courthouse. It isn't a real jail anyway, and word gets around a colored man was involved, there won't be any real thinking on the matter. I talked Bill Smoote into letting me keep Mose over at his bait house."

"Couldn't Mose just run away?"

"I suppose. But he's not in that good a health, hon. And he trusts me to investigate, clear him. That's what makes me nervous. I don't know how. I thought about talking to the Mission Creek police, as they have more experience, but they have a tendency to be a little emotional themselves. Rumor is, sheriff over there is in the Klan, or used to be. Frankly, I'm not sure what to do."

I began to drift off again. I thought of Mose. He was an old colored man who got around on shore with use of a cane. He had white blood in him. Red in his hair, and eyes as green as spring leaves. Mostly you saw him in his little rowboat fishing. He lived in a shack alongside the river not more than three miles from us. Living off the fish he caught, the squirrels he shot. 

Sometimes, when we had a good day hunting or fishing, Daddy would go by there and give Mose a squirrel or some fish. Mose was always glad to see us, or seemed to be. Up until a year ago, I used to go fishing with him. It was then Jake told me I ought not. That it wasn't right to be seen with a nigger all the time.

Thinking back on that, I felt sick to my stomach, confused. Mose had taught my daddy to fish, I had gone fishing with him, and suddenly I deserted him because of what Jake had said.

I thought of the Goat Man again. I recalled him standing below the swinging bridge, looking up through the shadows at me. I thought of him near our house, watching. The Goat Man had killed those women, I knew it. And Mose was gonna take the blame for what he had done.

It was there in the car, battered by the cool October wind, that I began to formulate a plan to find the Goat Man and free Mose. I thought on it for several days after, and I think maybe I had begun to come up with something that seemed like a good idea to me: It probably wasn't. Just some thirteen-year-old's idea of a plan. But it didn't really matter. Shortly thereafter, things turned for the worse.

It was a Monday, a couple days later, and Daddy was off from the barbershop that day. He had already gotten up and fed the livestock, and as daybreak was making through the trees, he come and got me up to help tote water from the well to the house. Mama was in the kitchen cooking grits, biscuits, and fatback for breakfast.

Me and Daddy had a bucket of water apiece and were carrying them back to the house, when I said, "Daddy. You ever figure out what you're gonna do with Ole Mose?"

He paused a moment. "How'd you know about that?"

"I heard you and Mama talkin'."

He nodded, and we started walking again. "I can't leave him where he is for good. Someone will get onto it. I reckon I'm gonna have to take him to the courthouse or let him go. There's no real evidence against him, just some circumstantial stuff. But a colored man, a white woman, and a hint of suspicion . . . He'll never get a fair trial. I got to be sure myself he didn't do it."

"Ain't you?"

We were on the back porch now, and Daddy set his bucket down and set mine down too. "You know, I reckon I am. If no one ever knows who it was I arrested, he can go on about his business. I ain't got nothin' on him. Not really. Something else comes up, some real evidence against him, I know where he is."

"Mose couldn't have killed those women. He hardly gets around, Daddy."

I saw his face redden. "Yeah. You're right."

He picked up both buckets and carried them into the house. Mama had the food on the table, and Tom was sitting there with her eyes squinted, looking as if she were going to fall face forward in her grits any moment. Normally, there'd be school, but the schoolteacher had quit and they hadn't hired another yet, so we had nowhere to go that day, me and Tom.

I think that was part of the reason Daddy asked me to go with him after breakfast. That, and I figured he wanted some company. He told me he had decided to go down and let Mose loose.

We drove over to Bill Smoote's. Bill owned an icehouse down by the river. It was a big room really, with sawdust and ice packed in there, and people came and bought it by car or by boat on the river. He sold right smart of it. Up behind the icehouse was the little house where Bill lived with his wife and two daughters that looked as if they had fallen out of an ugly tree, hit every branch on the way down, then smacked the dirt solid. They was always smilin' at me and such, and it made me nervous.

Behind Mr. Smoote's house was his barn, really more of a big, ole shed. That's where Daddy said Mose was kept. As we pulled up at Mr. Smoote's place alongside the river, we saw the yard was full of cars, wagons, horses, mules, and people. It was early morning still, and the sunlight fell through the trees like Christmas decorations, and the river was red with the morning sun, and the people in the yard were painted with the same red light as the river.

At first I thought Mr. Smoote was just having him a big run of customers, but as we got up there, we saw there was a wad of people coming from the barn. The wad was Mr. Nation, his two boys, and some other man I'd seen around town before but didn't know. They had Mose between them. He wasn't exactly walking with them. He was being half dragged, and I heard Mr. Nation's loud voice say something about "damn nigger," then Daddy was out of the car and pushing through the crowd.

A heavyset woman in a print dress and square-looking shoes, her hair wadded on top of her head and pinned there, yelled, "To hell with you, Jacob, for hidin' this nigger out. After what he done."

It was then I realized we was in the middle of the crowd, and they were closing around us, except for a gap that opened so Mr. Nation and his bunch could drag Mose into the circle.

Mose looked ancient, withered and knotted like old cowhide soaked in brine. His head was bleeding, his eyes were swollen, his lips were split. He had already taken quite a beating.

When Mose saw Daddy, his green eyes lit up. "Mr. Jacob, don't let them do nothin'. I didn't do nothin' to nobody."

"It's all right, Mose," he said. Then he glared at Mr. Nation. "Nation, this ain't your business."

"It's all our business," Mr. Nation said. "When our womenfolk can't walk around without worrying about some nigger draggin' 'em off, then it's our business."

There was a voice of agreement from the crowd.

"I only picked him up 'cause he might know something could lead to the killer," Daddy said. "I was comin' out here to let him go. I realized he don't know a thing."

"Bill here says he had that woman's purse," Nation said.

Daddy turned to look at Mr. Smoote, who didn't acknowledge Daddy's look. He just said softly under his breath, "I didn't tell 'em he was here, Jacob. They knew. I just told 'em why you had him here. I tried to get them to listen, but they wouldn't."

Daddy just stared at Mr. Smoote for a long moment. Then he turned to Nation, said, "Let him go."

"In the old days, we took care of bad niggers prompt like," Mr. Nation said. "And we figured out somethin' real quick. A nigger hurt a white man or woman, you hung him, he didn't hurt anyone again. You got to take care of a nigger problem quick, or ever' nigger around here will be thinkin' he can rape and murder white women at will."

Daddy spoke calmly. "He deserves a fair trial. We're not here to punish anyone."

"Hell we ain't," someone said.

The crowd grew tighter around us. I turned to look for Mr. Smoote, but he was gone from sight.

Mr. Nation said, "You ain't so high and mighty now, are you, Jacob? You and your nigger-lovin' ways aren't gonna cut the mustard around here."

"Hand him over," Daddy said. "I'll take him. See he gets a fair trial."

"You said you were gonna turn him loose," Nation said.

"I thought about it. Yes."

"He ain't gonna be turned loose, except at the end of the rope."

"You're not gonna hang this man," Daddy said.

"That's funny," Nation said. "I thought that's exactly what we were gonna do."

"This ain't the wild west," Daddy said.

"No," Nation said. "This here is a riverbank with trees, and we got us a rope and a bad nigger."

One of Mr. Nation's boys had slipped off while Daddy and Mr. Nation were talking, and when he reappeared, he had a rope tied in a noose. He slipped it over Mose's head.

Daddy stepped forward then, grabbed the rope and jerked it off of Mose. The crowd let out a sound like an animal in pain, then they were all over Daddy, punching and kicking. I tried to fight them, but they hit me too, and the next thing I knew I was on the ground and legs were kicking at us and then I heard Mose scream for my daddy, and when I looked up they had the rope around his neck and were dragging him along the ground.

One man grabbed the end of the rope and threw it over a thick oak limb, and in unison the crowd grabbed the rope and began to pull, hoisting Mose up. Mose grabbed at the rope with his hands and his feet kicked.

Daddy pushed himself up, staggered forward, grabbed Mose's legs and ducked his head under Mose and lifted him. But Mr. Nation blindsided Daddy with a kick to the ribs, and Daddy went down and Mose dropped with a snapping sound, started to kick and spit foam. Daddy tried to get up, but men and women began to kick and beat him. I got up and ran for him. Someone clipped me in the back of the neck, and when I come to everyone was gone except me and Daddy, still unconscious, and Mose hung above us, his tongue long and black and thick as a sock stuffed with paper. His green eyes bulged out of his head like little green persimmons.

On hands and knees I threw up until I didn't think I had any more in me. Hands grabbed my sides, and I was figuring on more of a beating, but then I heard Mr. Smoote say, "Easy, boy. Easy."

He tried to help me up, but I couldn't stand. He left me sitting on the ground and went over and looked at Daddy. He turned him over and pulled an eyelid back.

I said, "Is he ... ?"

"No. He's all right. He just took some good shots."

Daddy stirred. Mr. Smoote sat him up. Daddy lifted his eyes to Mose. He said, "For Christ's sake, Bill, cut him down from there."

……..

Mose was buried on our place, between the barn and the field. Daddy made him a wooden cross and carved MOSE on it, and swore when he got money he'd get him a stone.

After that, Daddy wasn't quite the same. He wanted to quit being a constable, but the little money the job brought in was needed, so he stayed at it, swearing anything like this came up again he was gonna quit.

Fall passed into winter, and there were no more murders. Those who had helped lynch Mose warmed themselves by their self-righteousness. A bad nigger had been laid low. No more women would die—especially white women.

Many of those there that day had been Daddy's customers, and we didn't see them anymore at the shop. As for the rest, Cecil cut most of the hair, and Daddy was doing so little of it, he finally gave Cecil a key and a bigger slice of the money and only came around now and then. He turned his attention to working around the farm, fishing, and hunting.

When spring came, Daddy went to planting, just like always, but he didn't talk about the crops much, and I didn't hear him and Mama talking much, but sometimes late at night, through the wall, I could hear him cry. There's no way to explain how bad it hurts to hear your father cry.

They got a new schoolmaster come that spring, but it was decided school wouldn't pick up until the fall, after all the crops had been laid by. Cecil started teaching me how to cut hair, and I even got so I could handle a little trade at the shop, mostly kids my age that liked the idea of me doing it. I brought the money home to Mama, and when I gave it to her, she nearly always cried.

For the first time in my life, the Depression seemed like the Depression to me. Tom and I still hunted and fished together, but there was starting to be more of a gulf between our ages. I was about to turn fourteen and I felt as old as Mose had been.

That next spring came and went and was pleasant enough, but the summer set in with a vengeance, hot as hell's griddle, and the river receded some and the fish didn't seem to want to bite, and the squirrels and rabbits were wormy that time of year, so there wasn't much use in that. Most of the crops burned up, and if that wasn't bad enough, mid July, there was a bad case of the hydrophobia broke out. Forest animals, domesticated dogs and cats were the victims. It was pretty awful. Got so people shot stray dogs on sight. We kept Toby close to the house, and in the cool, as it was believed by many that an animal could catch rabies not only by being bitten by a diseased animal but by air when it was hot.

Anyway, it got so folks were calling it a mad dog summer, and it turned out that in more ways than one they were right.

……..

Clem Sumption lived some ten miles down the road from us, right where a little road forked off what served as a main highway then. You wouldn't think of it as a highway now, but it was the main road, and if you turned off of it, trying to cross through our neck of the woods on your way to Tyler, you had to pass his house, which was situated alongside the river.

Clem's outhouse was over near the river, and it was fixed up so what went out of him and his family went into the river. Lot of folks did that, though some like my daddy were appalled at the idea. It was that place and time's idea of plumbing. The waste dropped down a slanted hole onto the bank and when the water rose, the mess was carried away. When it didn't, flies lived there on mounds of dark mess, buried in it, glowing like jewels in rancid chocolate. Clem ran a little roadside stand where he sold a bit of vegetables now and then, and on this hot day I'm talking about, he suddenly had the urge to take care of a mild stomach disorder, and left his son, Wilson, in charge of the stand.

After doing his business, Clem rolled a cigarette and went out beside the outhouse to look down on the fly-infested pile, maybe hoping the river had carried some of it away. But dry as it was, the pile was bigger and the water was lower, and something pale lay facedown in the pile.

Clem, first spying it, thought it was a huge, bloated, belly-up catfish. One of those enormous bottom crawler types that were reputed by some to be able to swallow small dogs and babies. But a catfish didn't have legs.

Clem said later, even when he saw the legs, it didn't register with him that it was a human being. It looked too swollen, too strange to be a person.

But as he eased carefully down the side of the hill, mindful not to step in what his family had been dropping along the bank all summer, he saw that it was indeed a woman's bloated body lying facedown in the moist blackness, and the flies were as delighted with the corpse as they were with the waste.

Clem saddled up a horse and arrived in our yard sometime after that. This wasn't like now, when medical examiners show up and cops measure this and measure that, take fingerprints and photos. My father and Clem pulled the body out of the pile and dipped it into the river for a rinse, and it was then that Daddy saw the face of Maria Canerton buried in a mass of swollen flesh, one cold dead eye open, as if she were winking.

The body arrived at our house wrapped in a tarp. Daddy and Clem hauled it out of the car and toted it up to the barn. As they walked by, me and Torn, out under the big tree, playing some game or another, could smell that terrible dead smell through the tarp, and with no wind blowing, it was dry and rude to the nostrils and made me sick.

When Daddy came out of the barn with Clem, he had an ax handle in his hand. He started walking briskly down to the car, and I could hear Clem arguing with him. "Don't do it, Jacob. It ain't worth it."

We ran over to the car as Mama came out of the house. Daddy calmly laid the ax handle in the front seat, and Clem stood shaking his head. Mama climbed into the car and started on Daddy. "Jacob, I know what you're thinkin'. You can't."

Daddy started up the car. Mama yelled out, "Children. Get in. I'm not leavin' you here."

We did just that, and roared off leaving Clem standing in the yard bewildered. Mama fussed and yelled and pleaded all the way over to Mr. Nation's house, but Daddy never said a word. When he pulled up in Nation's yard, Mr. Nation's wife was outside hoeing at a pathetic, little garden, and Mr. Nation and his two boys were sitting in rickety chairs under a tree.

Daddy got out of the car with his ax handle and started walking toward Mr. Nation. Mama was hanging on his arm, but he pulled free. He walked right past Mrs. Nation, who paused and looked up in surprise.

Mr. Nation and his boys spotted Daddy coming, and Mr. Nation slowly rose from his chair. "What the hell you doin' with that ax handle?" he asked.

Daddy didn't answer, but the next moment what he was doing with that ax handle became clear. It whistled through the hot morning air like a flaming arrow and caught Mr. Nation alongside the head about where the jaw meets the ear, and the sound it made was, to put it mildly, akin to a rifle shot.

Mr. Nation went down like a windblown scarecrow, and Daddy stood over him swinging the ax handle, and Mr. Nation was yelling and putting up his arms in a pathetic way, and the two boys came at Daddy, and Daddy turned and swatted one of them down, and the other tackled him. Instinctively, I started kicking at that boy, and he came off Daddy and climbed me, but Daddy was up now, and the ax handle whistled, and that ole boy went out like a light and the other one, who was still conscious, started scuttling along the ground on all fours with a motion like a crippled centipede. He finally got upright and ran for the house.

Mr. Nation tried to get up several times, but every time he did that ax handle would cut the air, and down he'd go. Daddy whapped on Mr. Nation's sides and back and legs until he was worn out, had to back off and lean on the somewhat splintered handle.

Nation, battered, ribs surely broken, lip busted, spitting teeth, looked at Daddy, but he didn't try to get up. Daddy, when he got his wind back, said, "They found Maria Canerton down by the river. Dead. Cut the same way. You and your boys and that lynch mob didn't do nothin' but hang an innocent man."

"You're supposed to be the law?" Nation said.

"If n I was any kind of law, I'd have had you arrested for what you did to Mose, but that wouldn't have done any good. No one around here would convict you, Nation. They're scared of you. But I ain't. I ain't. And if you ever cross my path again, I swear to God, I'll kill you."

Daddy tossed the ax handle aside, said "Come on," and we all started hack to the car. As we passed Mrs. Nation, she looked up and leaned on her hoe. She had a black eye and a swollen lip and some old bruises on her cheek. She smiled at us.

……..

We all went to Mrs. Canerton's funeral. Me and my family stood in the front row. Cecil was there, fust about everyone in town and around about, except the Nations and some of the people who had been in the lynch mob that killed Mose.

Within a week Daddy's customers at the barbershop returned, among them members of the lynch party, and the majority of them wanted him to cut their hair. He had to go back to work regularly. I don't know how he felt about that, cutting the hair of those who had beaten me and him that day, that had killed Mose, but he cut their hair and took their money. Maybe Daddy saw it as a kind of revenge. And maybe we just needed the money.

Mama took a job in town at the courthouse. With school out, that left me to take care of Tom, and though we were supposed to stay out of the woods that summer, especially knowing there was a murderer on the loose, we were kids and adventurous and bored.

One morning me and Tom and Toby went down to the river and walked along the bank, looking for a place to ford near the swinging bridge. Neither of us wanted to cross the bridge, and we used the excuse that Toby couldn't cross it, but that was just an excuse.

We wanted to look at the briar tunnel we had been lost in that night, but we didn't want to cross the bridge to get there. We walked a long ways and finally came to the shack where Mose had lived, and we just stood there looking at it. It had never been much, just a hovel made of wood and tin and tarpaper. Mose mostly set outside of it in an old chair under a willow tree that overlooked the river.

The door was wide open, and when we looked in there, we could see animals had been prowling about. A tin of flour had been knocked over and was littered with bugs. Other foodstuff was not recognizable. They were just glaze matted into the hard dirt floor. A few pathetic possessions were lying here and there. A wooden child's toy was on a shelf and next to it a very faded photograph of a dark black woman that might have been Mose's wife.

The place depressed me. Toby went inside and sniffed about and prowled in the flour till we called him out. We walked around the house and out near the chair, and it was then, looking back at the house, I noted there was something hanging on a nail on the outside wall. It was a chain, and from the chain hung a number of fish skeletons, and one fresh fish.

We went over and looked at it. The fresh fish was very fresh, and in fact, it was still damp. Someone had hung it there recently, and the other stack of fish bones indicated that someone had been hanging fish there on a regular basis, and for some time, like an offering to Mose. An offering he could no longer take.

On another nail nearby, strings tied together, was a pair of old shoes that had most likely been fished from the river, and hung over them was a water-warped belt. On the ground, leaning against the side of the house below the nail with the shoes, was a tin plate and a bright blue river rock and a mason jar. All of it laid out like gifts.

I don't know why, but I took the dead fish down, all the old bones, and cast them into the river and put the chain back on the nail. I tossed the shoes and belt, the plate, rock and mason jar into the river. Not out of meanness, but so the gifts would seem to be taken.

Mose's old boat was still up by the house, laid up on rocks so it wouldn't rot on the ground. A paddle lay in its bottom. We decided to take it and float it upriver to where the briar tunnels were. We loaded Toby in the boat, pushed it into the water and set out. We floated the long distance back to the swinging bridge and went under it, looking for the Goat Man under there, waiting like Billy Goat Gruff.

In shadow, under the bridge, deep into the bank, was a dark indention, like a cave. I imagined that was where the Goat Man lived, waiting for prey.

We paddled gently to the riverbank where we had found the woman bound to the tree by the river, She was long gone, of course, and the vines that had held her were no longer there.

We pulled the boat onto the dirt and gravel bank and left it there as we went up the taller part of the bank, past the tree where the woman had been, and into the briars. The runnel was the same, and it was clear in the daytime that the tunnel had, as we suspected, been cut into the briars. It was not as large or as long a tunnel as it bad seemed that night, and it emptied out into a wider tunnel, and it too was shorter and smaller than we had thought. There were little bits of colored cloth hung on briars all about and there were pictures from Sears catalogs of women in underwear and there were a few of those playing cards like I had seen hung on briars. We hadn't seen all that at night, but I figured it had been there all along.

In the middle of the tunnel was a place where someone had built a fire, and above us the briars wrapped so thick and were so intertwined with low-hanging branches, you could imagine much of this place would stay almost dry during a rainstorm.

Toby was sniffing and running about as best his poor old damaged back and legs would allow him.

"It's like some kind of nest," Tom said: "The Goat Man's nest."

A chill came over me then, and it occurred to me that if that was true, and if this was his den instead of the cave under the bridge, or one of his dens, he might come home at any time. I told Tom that, and we called up Toby and got out of there, tried to paddle the boat back upriver, but couldn't.

We finally got out and made to carry it along the bank, but it was too heavy. We gave up and left it by the river. We walked past the swinging bridge and for a long ways till we found a sandbar. We used that to cross, and went back home, finished the chores, cleaned ourselves and Toby up before Mama and Daddy came chugging home from work in our car.

Next morning, when Mama and Daddy left for town and work, me and Tom and Toby went at it again. I had a hunch about Mose's old shack, and I wanted to check it out. But my hunch was wrong. There was nothing new hung from the nails or leaned against the wall. But there was something curious. The boat we had left on the bank was back in its place atop the rocks with the paddle inside.

……..

It was that night, lying in bed, that I heard Mama and Daddy talking. After Daddy had beaten Mr. Nation and his boys with the ax handle, his spirit had been restored. I heard him tell Mama: "There's this thing I been thinking, honey. What if the murderer wanted people to think it was Mose, so he made a big to-do about it to hide the fact he done it. Maybe he was gonna quit doin' it, but he couldn't. You know, like some of them diseases that come back on you when you think you're over it."

"You mean Mr. Nation, don't you?" Mama said.

"Well, it's a thought. And it come to me it might be one of them boys, Esau or Uriah. Uriah has had a few problems. There's lots of talk about him torturin' little animals and such, stomping the fish he caught on the bank, for no good reason other than he wanted to."

"That doesn't mean he killed those women."

"No. But he likes to hurt things and cut them up. And the other'n, Esau. He starts fires, and not like some kids will do, but regular like. He's been in trouble over it before. Folks like that worry me."

"That still don't mean they're murderers."

"No. But if Nation was capable of such a thing, it would be like him to blame it on a colored. Most people in these parts would be quick to accept that. I've heard a couple of lawmen say when you don't know who did it, go out and get you a nigger. It calms people down, and it's one less nigger."

"That's terrible."

"Of course it is. But there's some like that. If Nation didn't do it, and he knows one or both of them worthless boys did it, he might have been coverin' up for him."

"You really think that's possible, Jacob?"

"I think it's possible. I don't know it's likely, but I'm gonna keep my eye on 'em."

Daddy made sense about Mr. Nation and his boys. I had seen Mr. Nation a couple of times since the day Daddy gave him his beating, and when he saw me, he gave me a look that could have set fire to rocks, then went his way. Esau had even followed me down Main Street one day, scowling, but by the time I reached the barbershop, he had turned and gone between a couple of buildings and out of sight.

But all that aside, I still put my odds on the Goat Man. He had been near the site of the body me and Tom had found, and he had followed us out to the road, as if we were to be his next victims. And I figured only something that wasn't quite human would be capable of the kind of things that had happened in those bottoms with those women.

Poor Mrs. Canerton had always been so nice. All those books. The Halloween parties. The way she smiled.
As I drifted off to sleep I thought of telling Daddy about the Sears catalog pictures and the cloth and such in the briar tunnel, but being young like I was then, I was more worried about getting in trouble for being where I wasn't supposed to be, so I kept quiet, Actually, thinking back now, it wouldn't have mattered.

That summer, from time to time, me and Tom slipped off and went down to Mose's old cabin. Now and then there would be a fish on the nail, or some odd thing from the river, so my hunch had been right all along. Someone was bringing Mose gifts, perhaps unaware he was dead. Or maybe they had been left there for some other reason.

We dutifully took down what was there and returned it to the river, wondering if maybe it was the Goat Man leaving the goods. But when we looked around for sign of him, all we could find were prints from someone wearing large-sized shoes. No hoof prints.

As the summer moved on, it got hotter and hotter, and the air was like having a blanket wrapped twice around your head. Got so you hardly wanted to move midday, and for a time we quit slipping off down to the river and stayed close at home.

That Fourth of July, our little town decided to have a celebration. Me and Tom were excited because there was to be firecrackers and some Roman candles and all manner of fireworks, and, of course, plenty of home-cooked food.

Folks were pretty leery, thinking that the killer was probably still out there somewhere, and the general thinking had gone from him being some traveling fellow to being someone among us.

Fact was, no one had ever seen or heard of anything like this, except for Jack the Ripper, and we had thought that kind of murder was only done in some big city far away.

The town gathered late afternoon before dark. Main Street had been blocked off, which was no big deal as traffic was rare anyway, and tables with covered dishes and watermelons on them were set up in the street, and after a preacher said a few words, everyone got a plate and went around and helped themselves. I remember eating a little of everything that was there, zeroing in on mashed potatoes and gravy, mincemeat, apple, and pear pies. Tom ate pie and cake and nothing else except watermelon that Cecil helped her cut.

There was a circle of chairs between the tables and behind the chairs was a kind of makeshift stage, and there were a handful of folks with guitars and fiddles playing and singing now and then, and the men and womenfolk would gather in the middle and dance to the tunes. Mama and Daddy were dancing too, and Tom was sitting on Cecil's knee and he was clapping and keeping time to the music, bouncing her up and down.

I kept thinking Mr. Nation and his boys would show, as they were always ones to be about when there was free food or the possibility of a drink, but they didn't. I figured that was because of Daddy. Mr. Nation might have looked tough and had a big mouth, but that ax handle had tamed him.

As the night wore on, the music was stopped and the fireworks were set. The firecrackers popped and the candles and such exploded high above Main Street, burst into all kinds of colors, pinned themselves against the night, then went wide and thin and faded. I remember watching as one bright swathe did not fade right away, but dropped to earth like a falling star, and as my eyes followed it down, it dipped behind Cecil and Tom, and in the final light from its burst, I could see Tom's smiling face, and Cecil, his hands on her shoulders, his face slack and beaded with sweat, his knee still bouncing her gently, even though there was no music to keep time to, the two of them looking up, awaiting more bright explosions.

Worry about the murders, about there being a killer amongst us, had withered. In that moment, all seemed right with the world.

……..

When we got home that night we were all excited, and we sat down for a while under the big oak outside and drank some apple cider. It was great fun, but I kept having that uncomfortable feeling of being watched. I scanned the woods, but didn't see anything. Tom didn't seem to have noticed, and neither had my parents. Not long after a possum presented itself at the edge of the woods, peeked out at our celebration and disappeared back into the darkness.

Daddy and Mama sang a few tunes as he picked his old guitar, then they told stories awhile, and a couple of them were kind of spooky ones, then we all took turns going out to the outhouse, and finally to bed.

Tom and I talked some, then I helped her open the window by her bed, and the warm air blew in carrying the smell of rain brewing.

As I lay in bed that night, my ear to the wall, I heard Mama say: "The children will hear, honey. These walls are paper thin."

"Don't you want to?"

"Of course. Sure."

"The walls are always paper thin,"

"You're not always like you are tonight. You know how you are when you're like this."

"How am I?"

Mama laughed. "Loud."

"Listen, honey. I really, you know, need to. And I want to be loud. What say we take the car down the road a piece. I know a spot."

"Jacob. What if someone came along?"

"I know a spot they won't come along. It'll be real private."

"Well, we don't have to do that. We can do it here. We'll just have to be quiet."

"I don't want to be quiet. And even if I did, it's a great night not sleepy.”

"What about the children?" "It's just down the road, hon. It'll be fun." "All right... All right. Why not?"

I lay there wondering what in the world had gotten into my parents, and as I lay there I heard the car start up and glide away down the road.

Where could they be going? And why?

It was really some years later before I realized what was going on. At the time it was a mystery. But back then I contemplated it for a time, then nodded off, the wind turning from warm to cool by the touch of oncoming rain.

Sometime later I was awakened by Toby barking, but it didn't last and I went back to sleep. After that, I heard a tapping sound. It was as if some bird were pecking corn from a hard surface. I gradually opened my eyes and turned in my bed and saw a figure at the open window. When the curtains blew I could see the shape standing there, looking in. It was a dark shape with horns on its head, and one hand was tapping on the windowsill with long fingernails. The Goat Man was making a kind of grunting sound. I sat bolt upright in bed, my back to the wall. "Go away!" I said.

But the shape remained and its gruntings changed to whimpers. The curtains blew in, back out, and the shape was gone. Then I noticed that Tom's bed, which was directly beneath the window, was empty.

I had helped open that window.

I eased over to her bed and peeked outside. Out by the woods I could see the Goat Man. He lifted his hand and summoned me.

I hesitated. I ran to Mama and Daddy's room, but they were gone. I dimly remembered before dropping off to sleep they had driven off in the car, for God knows what. I went back to our little room and assured myself I was not dreaming. Tom was gone, stolen by the Goat Man, most likely, and now the thing was summoning me to follow. A kind of taunt. A kind of game.

I looked out the window again, and the Goat Man was still there. I got the shotgun and some shells and pulled my pants on, tucked in my nightshirt, and slipped on my shoes. I went back to the window and looked out. The Goat Man was still in his spot by the woods. I slid out the window and went after him. As soon as he saw my gun, he ducked into the shadows.

As I ran, I called for Mama and Daddy and Tom. But no one answered. I tripped and went down. When I rose to my knees I saw that I had tripped over Toby. He lay still on the ground. I put the shotgun down and picked him up. His head rolled limp to one side. His neck was broken.

Oh God. Toby was dead. After all he had been through, he had been murdered. He had barked earlier, to warn me about the Goat Man, and now he was dead and Tom was missing, and Mama and Daddy had gone off somewhere in the car, and the Goat Man was no longer in sight.

I put Toby down easy, pushed back the tears, picked up the shotgun and ran blindly into the woods, down the narrow path the Goat Man had taken, fully expecting at any moment to fall over Tom's body, her neck broken like Toby's.

But that didn't happen.

There was just enough moon for me to see where I was going, but not enough to keep every shadow from looking like the Goat Man, coiled and ready to pounce. The wind was sighing through the trees and there were bits of rain with it, and the rain was cool.

I didn't know if I should go on or go back and try and find Mama and Daddy. I felt that no matter what I did, valuable time was being lost. There was no telling what the Goat Man was doing to poor Tom. He had probably tied her up and put her at the edge of the woods before coming back to taunt me at the window. Maybe he had wanted me too. I thought of what had been done to all those poor women, and I thought of Tom, and a kind of sickness came over me, and I ran faster, deciding it was best to continue on course, hoping I'd come up on the monster and would get a clear shot at him and be able to rescue Tom.

It was then that I saw a strange thing in the middle of the trail. A limb had been cut, and it was forced into the ground, and it was bent to the right at the top and whittled on to make it sharp. It was like a kind of arrow pointing the way.

The Goat Man was having his fun with me. I decided I had no choice other than to go where the arrow was pointing, a little trail even more narrow than the one I was on.

I went on down it, and in the middle of it was another limb, this one more hastily prepared, just broken off and stuck in the ground, bent over at the middle and pointing to the right again.

Where it pointed wasn't hardly even a trail, just a break here and there in the trees. I went that way, spider webs twisting into my hair, limbs slapping me across the face, and before I knew it my feet had gone out from under me and I was sliding over the edge of an embankment, and when I hit on the seat of my pants and looked out, I was at the road, the one the preachers traveled. The Goat Man had brought me to the road by a shortcut and had gone straight down it, because right in front of me, drawn in the dirt of the road, was an arrow. If he could cross the road or travel down it, that meant he could go anywhere he wanted. There wasn't any safe place from the Goat Man.

I ran down the road, and I wasn't even looking for sign anymore. I knew I was heading for the swinging bridge, and across from that the briar tunnels, where I figured the Goat Man had taken her. That would be his place, I reckoned. Those tunnels, and I knew then that the tunnels were where he had done his meanness to those women before casting them into the river. By placing that dead colored woman there, he had been taunting us all, showing us not only the place of the murder but the probable place of all the murders. A place where he could take his time and do what he wanted for as long as he wanted.

When I got to the swinging bridge, the wind was blowing hard and it was starting to rain harder. The bridge lashed back and forth, and I finally decided I'd be better off to go down to Mose's cabin and use his boat to cross the river.

I ran down the bank as fast as I could go, and when I got to the cabin my sides hurt from running. I threw the shotgun into the boat, pushed the boat off its blocks, let it slide down to the edge of the river. It got caught up in the sand there, and I couldn't move it. It had bogged down good in the soft sand. I pushed and pulled, but no dice. I started to cry. I should have crossed the swinging bridge.

I grabbed the shotgun out of the boat and started to run back toward the bridge, but as I went up the little hill toward the cabin, I saw something hanging from the nail there that gave me a start.

There was a chain over the nail, and hanging from the chain was a hand, and part of a wrist. I felt sick. Tom. Oh God. Tom.

I went up there slowly and bent forward and saw that the hand was too large to be Tom's, and it was mostly rotten with only a bit of flesh on it. In the shadows it had looked whole, but it was anything but. The chain was not tied to the hand, but the hand was in a half fist and the chain was draped through its fingers, and in the partial open palm I could see what it held was a coin. A French coin with a dent in it. Cecil's coin.

I knew I should hurry, but it was as if I had been hit with a stick. The killer had chopped off one of his victim's hands. I remembered that. I decided the woman had grabbed the killer, and the killer had chopped at her with something big and sharp, and her hand had come off.

This gave me as many questions as answers. How did Cecil's coin get in the hand, and how did it end up here? Who was leaving all these things here, and why? Was it the Goat Man?

Then there was a hand on my shoulder.

……..

As I jerked my head around I brought up the shotgun, but another hand came out quickly and took the shotgun away from me, and I was looking straight into the face of the Goat Man.

The moon rolled out from behind a rain cloud, and its light fell into the Goat Man's eyes, and they shone, and I realized they were green. Green like Ole Mose's eyes.

The Goat Man made a soft grunting sound and patted my shoulder. I saw then his horns were not horns at all but an old straw hat that had rotted, leaving a gap in the front, like something had taken a bite out of it, and it made him look like he had horns. It was just a straw hat. A dadburn straw hat. No horns. And those eyes. Ole Mose's eyes.

And in that instant I knew. The Goat Man wasn't any goat man at all. He was Mose's son, the one wasn't right in the head and was thought to be dead. He'd been living out here in the woods all this time, and Mose had been taking care of him, and the son in his turn had been trying to take care of Mose by bringing him gifts he had found in the river, and now that Mose was dead and gone, he was still doing it. He was just a big dumb boy in a man's body, wandering the woods wearing worn-out clothes and shoes with soles that flopped.

The Goat Man turned and pointed upriver. I knew then he hadn't killed anyone, hadn't taken Tom. He had come to warn me, to let me know Tom had been taken, and now he was pointing the way. I just knew it. I didn't know how he had come by the hand or Cecil's chain and coin, but I knew the Goat Man hadn't killed anybody. He had been watching our house, and he had seen what had happened, and now he was trying to help me.

I broke loose from him and ran back to the boat, tried to push it free again. The Goat Man followed me down and put the shotgun in the boat and grabbed it and pushed it out of the sand and into the river and helped me into it, waded and pushed me out until the current had me good. I watched as he waded back toward the shore and the cabin. I picked up the paddle and went to work, trying not to think too much about what was being done to Tom.

Dark clouds passed over the moon from time to time, and the raindrops became more frequent and the wind was high and slightly cool with the dampness. I paddled so hard my back and shoulders began to ache, but the current was with me, pulling me fast. I passed a whole school of water moccasins swimming in the dark, and I feared they might try to climb up into the boat, as they liked to do, thinking it was a floating log and wanting a rest.

I paddled quickly through them, spreading the school, and one did indeed try to climb up the side, but I brought the boat paddle down on him hard and he went back in the water, alive or dead I couldn't say.

As I paddled around a bend in the river, I saw where the wild briars grew, and in that moment I had a strange, sinking feeling. Not only for fear of what I might find in the briar tunnels, but fear I might find nothing at all. Fear I was all wrong. Or that the Goat Man did indeed have Tom. Perhaps in Moses cabin, and had been keeping her there, waiting until I was out of sight. But if that was true, why had he given my gun back? Then again, he wasn't bright. He was a creature of the woods, same as a coon or a possum. He didn't think like regular folks.

All of this went through my head and swirled around and confused itself with my own fears and the thought of actually cutting down on a man with a shotgun. I felt like I was in a dream, like the kind I'd had when I'd had the flu the year before and everything had swirled and Mama and Daddy's voices had seemed to echo and there were shadows all around me, trying to grab at me and pull me away into who knows where.

I paddled up to the bank and got out and pulled the boat up on shore best I could. I couldn't quite get it out of the water since I was so tuckered out from paddling. I just hoped it would hang there and hold.

I got the shotgun out and went up the hill quietly and found the mouth of the tunnel just beyond the tree, where me and Tom and Toby had come out that night.

It was dark inside the briars, and the moon had gone away behind a cloud and the wind rattled the briars and clicked them together and bits of rain sliced through the briars and mixed with the sweat in my hair, ran down my face and made me shiver. July the Fourth, and I was cold.

As I sneaked down the tunnel, an orange glow leaped and danced and I could hear a crackling sound. I trembled and eased forward and came to the end of the tunnel, and froze. I couldn't make myself turn into the other tunnel. It was as if my feet were nailed the ground.

I pulled back the hammer on the shotgun, slipped my face around the edge of the briars, and looked.

There was a fire going in the center of the tunnel, in the spot where Tom and I had seen the burn marks that day, and I could see burn lying on the ground, her clothes off and strewn about, and a man was leaning over her, running his hands over her back and forth, making a sound like an animal eating after a long time without food, His hands flowed over her as if he was playing a piano. A huge machete was stuck up in the dirt near Tom's head, and Tom's face was turned toward me. Her eyes were wide and full of tears, and tied around her mouth was a thick bandanna, and her hands and feet were bound with rope, and as I looked the man rose and I saw that his pants were undone and he had hold of himself, and he was walking back and forth behind the fire, looking down at Tom, yelling, "I don't want to do this. You make me do this. It's your fault, you know? You're getting just right. Just right."

The voice was loud, but not like any voice I'd ever heard. There was all the darkness and wetness of the bottom of the river in that voice, as well as the mud down there, and anything that might collect in it.

I hadn't been able to get a good look at his face, but I could tell from the way he was built, the way the fire caught his hair, it was Mr. Nation's son, Uriah.

Then he turned slightly, and it wasn't Uriah at all. I had merely thought it was Uriah because he was built like Uriah, but it wasn't.

I stepped fully into the tunnel and said, "Cecil?"

The word just came out of my mouth, without me really planning to say it. Cecil turned now, and when he saw me his face was like it had been earlier, when Tom was being bounced on his knee and the fireworks had exploded behind him. He had the same slack-jawed look, his face was beaded in sweat.

He let go of his privates and just let them hang out for me to see, as if he were proud of them and that I should be too.

"Oh, boy," he said, his voice still husky and animal-like. "It's just gone all wrong. I didn't want to have to have Tom. I didn't. But she's been ripenin', boy, right in front of my eyes. Every time I saw her, I said, no, you don't shit where you eat, but she's ripenin', boy, and I thought I'd go to your place, peek in on her if I could, and then I seen her there, easy to take, and I knew tonight I had to have her. There wasn't nothing else for it."

"Why?"

"Oh, son. There is no why. I just have to. I have to do them all. I tell myself I won't, but I do. I do."

He eased toward me.

I lifted the shotgun.

"Now, boy," he said. "You don't want to shoot me."

"Yes, sir. I do."

"It ain't something I can help. Listen here. I'll let her go, and we'll just forget about this business. Time you get home, I'll be out of here. I got a little boat hid out, and I can take it downriver to where I can catch a train. I'm good at that. I can be gone before you know it."

"You're wiltin'," I said.

His pee-dink had gone limp.

Cecil looked down. "So I am."

He pushed himself inside his pants and buttoned up as he talked. "Look here. I wasn't gonna hurt her. Just feel her some. I was just gonna get my finger wet. I'll go on, and everything will be all right."

"You'll just go down the river and do it again," I said. "Way you come down the river to us and did it here. You ain't gonna stop, are you?"

"There's nothing to say about it, Harry. It just gets out of hand sometime."

"Where's your chain and coin, Cecil?"

He touched his throat. "It got lost."

"That woman got her hand chopped off, she grabbed it, didn't she?"

"I reckon she did."

"Move to the left there, Cecil."

He moved to the left, pointed at the machete. "She grabbed me, I chopped her with that, and her hand came off. Damndest thing. I got her down here and she got away from me and I chased her. And she grabbed me, fought back. I chopped her hand off and it went in the river. Can you imagine that. . . How did you know?"

"The Goat Man finds things in the river. He hangs them on Mose's shack."

"Goat Man?"

"You're the real Goat Man.”

"You're not making any sense, boy."

"Move on around to the side there."

I wanted him away from the exit on that other side, the one me and Tom had stumbled into that night we found the body.

Cecil slipped to my left, and I went to the right. We were kind of circling each other. I got over close to Tom and I squatted down by her, still pointing the shotgun at Cecil.

"I could be gone for good," Cecil said. "All you got to do is let me go."

I reached out with one hand and got hold of the knot on the bandanna and pulled it loose. Tom said, "Shoot him! Shoot him! He stuck his fingers in me. Shoot him! He took me out of the window and stuck his fingers in me."

"Hush, Tom," I said. "Take it easy."

"Cut me loose. Give me the gun and I'll shoot him."

"All the time you were bringin' those women here to kill, weren't you?" I said.

"It's a perfect place. Already made by hobos. Once I decided on a woman, well, I can easily handle a woman. I always had my boat ready, and you can get almost anywhere you need to go by river. The tracks aren't far from here. Plenty of trains run. It's easy to get around. Now and then I borrowed a car. You know whose? Mrs. Canerton. One night she loaned it to me, and well, I asked her if she wanted to go for a drive with me while I ran an errand. And she liked me, boy, and I just couldn't contain myself. All I had to do was bring them here, and when I finished, I tossed out the trash."

"Daddy trusted you. You told where Mose was. You told Mr. Nation."

"It was just a nigger, boy. I had to try and hide my trail. You understand. It wasn't like the world lost an upstanding citizen."

"We thought you were our friend," I said.

"I am. I am. Sometimes friends make you mad, though, don't they? They do wrong things. But I don't mean to."

"We ain't talkin' about stealin' a piece of peppermint, here. You're worse than the critters out there with hydrophobia, 'cause you ain't as good as them. They can't help themselves."

"Neither can I."

The fire crackled, bled red colors across his face. Some of the. rain leaked in through the thick wad of briars and vines and limbs overhead, hit the fire and it hissed. "You're like your daddy, ain't you? Self-righteous."

"Reckon so."

I had one hand holding the shotgun, resting it against me as I squatted down and worked the knots free on Tom's hands. I wasn't having any luck with that, so I got my pocketknife out of my pants and cut her hands loose, then her feet.

I stood up, raised the gun, and he flinched some, but I couldn't cut down on him. It just wasn't in me, not unless he tried to lay hands on us.

I didn't know what to do with him. I decided I had no choice but to let him go, tell Daddy and have them try and hunt him down.

Tom was pulling on her clothes when I said, "You'll get yours eventually."

"Now you're talkin', boy."

"You stay over yonder, we're goin' out."

He held up his hands. "Now you're using some sense."

Tom said, "You can't shoot him, I can."

"Go on, Tom."

She didn't like it, but she turned down the tunnel and headed out. Cecil said, "Remember, boy. We had some good times."

"We ain't got nothin'. You ain't never done nothing with me but cut my hair, and you didn't know how to cut a boy's hair anyway," I turned and went out by the tunnel. "And I ought to blow one of your legs off for what you done to Toby."

We didn't use the opening in the tunnel that led to the woods because I wanted to go out the way I'd come and get back to the boat. We got on the river it would be hard for him to track us, if that was his notion.

When we got down to the river, the boat, which I hadn't pulled up good on the shore, had washed out in the river, and I could see it floating away with the current.

"Damn," I said.

"Was that Mose's boat?" Tom asked.

"We got to go by the bank, to the swinging bridge."

"It's a long ways," I heard Cecil say.

I spun around, and there he was up on the higher bank next to the tree where me and Tom had found the body. He was just a big shadow next to the tree, and I thought of the Devil come up from the ground, all dark and evil and full of bluff. "You got a long ways to go, children, A long ways."

I pointed the shotgun at him and he slipped behind the tree out of sight, said, "A long ways."

I knew then I should have killed him. Without the boat, he could follow alongside us easy, back up in the woods there, and we couldn't even see him.

Me and 'lorn started moving brisk like along the bank, and we could hear Cecil moving through the woods on the bank above us, and finally we didn't hear him anymore. It was the same as that night when we heard the sounds near and in the tunnel. I figured it had been him, maybe come down to see his handiwork at the tree there, liking it perhaps, wanting it to be seen by someone. Maybe we had come down right after he finished doing it. He had been stalking us, or Tom, maybe. He had wanted Tom all along.

We walked fast and Tom was cussing most of it, talking about what Cecil had done with his fingers, and the whole thing was making me sick.

"Just shut up, Tom. Shut up."

She started crying. I stopped and got down on one knee, let the shotgun lay against me as I reached out with both hands and took hold of her shoulders.

"I'm sorry, Tom, really. I'm scared too. We got to keep ourselves together, you hear me?" 

"I hear you," she said.

"We got to stay the course here. I got a gun. He don't. He may have already given up."

"He ain't give up, and you know it." "We got to keep moving."

Tom nodded, and we started out again, and pretty soon the long, dark shadow of the swinging bridge was visible across the river, and the wind was high, and the bridge thrashed back and forth and creaked and groaned like hinges on rusty doors.

"We could go on down a ways, Tom, I think we got to cross by the bridge here. It's quicker, and we can be home sooner." 

"I'm scared, Harry." 

"So am I." 

"Can you do it?"

Tom sucked in her top lip and nodded. "I can." We climbed up the bank where the bridge began and looked down on it. It swung back and forth. I looked down at the river. White foam rose with the dark water and it rolled away and crashed over the little falls into the broader, deeper, slower part of the river. The rain came down on us and the wind was chilly, and all around the woods seemed quiet, yet full of something I couldn't put a name to. Now and again, in spite of the rain, the clouds would split and the moon would shine down on us, looking as if it were something greasy.

I decided to cross first, so if a hoard gave out Tom would know. When I stepped on the bridge, the wind the way it was, and now my weight, made it swing way up and I darn near tipped into the water. When I reached out to grab the cables, I let go of the shotgun. It went into the water without any sound I could hear and was instantly gone.

"Yon lost it, Harry," Tom yelled from the bank. "Come on, just hang to the cables."

Tom stepped onto the bridge, and it swung hard and nearly tipped again.

"We got to walk light," I said, "and kind of together. Where I take a step, you take one, but if a board goes, or I go, you'll see in time."

"If you fall, what do I do?" "Yon got to go on across, Tom."

We started on across, and we seemed to have gotten the movement right, because we weren't tipping quite so bad, and pretty soon we were halfway done.

I turned and looked down the length of the bridge, past Tom. I didn't see anyone tryin' to follow.

It was slow going, but it wasn't long before we were six feet from the other side. I began to breathe a sigh of relief. Then I realized I still had a ways to go yet till we got to the wide trail, then the road, and now I knew there wasn't any road would stop Cecil or anyone else. It was just a road. If we got that far, we still had some distance yet, and Cecil would know where we were going, and Mama and Daddy might not even be home yet.

I thought if we got to the road I might try and fool him, go the other way, but it was a longer distance like that to someone's house, and if he figured what we were doin', we could be in worse trouble. I decided there wasn't nothing for it but to head home and stay cautious. But while all this was on my mind, and we were about to reach the opposite bank, a shadow separated from the brush and dirt there and became Cecil.

He held the machete in his hand. He smiled and stuck it on the dirt, stayed on solid ground, but took hold of both sides of the cables that held up the swinging bridge. He said, "I beat you across, boy. Just waited. Now you and little Tom, you're gonna have to take a dip. I didn't want it this way, but that's how it is. You see that, don't you? All I wanted was Tom. You give her to me, to do as I want, then you can go. By the time you get home, me and her, we'll be on our way."

"You ain't got your dough done in the middle," I said.

Cecil clutched the cables hard and shook them. The bridge swung out from under me and I found my feet hanging out in midair. Only my arms wrapped around one of the cables was holding me. I could see Tom. She had fallen and was grabbing at one of the board steps, and I could see bits of rotten wood splintering. The board and Tom were gonna go.

Cecil shook the cables again, but I hung tight, and the board Tom clung to didn't give. I glanced toward Cecil and saw another shape coming out of the shadows. A huge one, with what looked like goat horns on its head.

Mose's boy, Telly.

Telly grabbed Cecil around the neck and jerked him back, and Cecil spun loose and hit him in the stomach, and they grappled around there for a moment, then Cecil got hold of the machete and slashed it across Telly's chest. Telly let out with a noise like a bull bellowing, leaped against Cecil, and the both of them went flying onto the bridge. When they hit, boards splintered, the bridge swung to the side and up and there was a snapping sound as one of the cables broke in two, whipped out and away from us and into the water. Cecil and Telly fell past us into the Sabine. Me and Tom clung for a moment to the remaining cable, then it snapped, and we fell into the fast rushing water after them.

I went down deep, and when I came up, I bumped into Tom. She screamed and I screamed and I grabbed her. The water churned us under again, and I fought to bring us up, all the while clinging to Tom's collar. When I broke the surface of the water I saw Cecil and Telly in a clench, riding the blast of the Sabine over the little falls, flowing out into deeper, calmer waters.

The next thing I knew, we were there too, through the falls, into the deeper, less rapid flowing water. I got a good grip on Tom and started trying to swim toward shore. It was hard in our wet clothes, tired like we were; and me trying to hang on to and pull Tom, who wasn't helping herself a bit, didn't make it any easier.

I finally swam to where my feet were touching sand and gravel, and I waded us on into shore, pulled Tom up next to me. She rolled over and puked.

I looked out at the water. The rain had ceased and the sky had cleared momentarily, and the moon, though weak, cast a glow on the Sabine like grease starting to shine on a hot skillet. I could see Cecil and Telly gripped together, a hand flying up now and then to strike, and I could see something else all around them, something that rose up in a do/en silvery knobs that gleamed in the moonlight, then extended quickly and struck at the pair, time after time. Cecil and Telly had washed into that school of water moccasins, or another just like them, had stirred them up, and now it was like bull whips flying from the water, hitting the two of them time after time.

They washed around a bend in the river with the snakes and went out of sight.

I was finally able to stand up, and I realized I had lost a shoe. I got hold of Tom and started pulling her on up the bank. The ground around the bank was rough, and then there were stickers and briars, and my one bare foot took a beating. But we went on out of there, onto the road and finally to the house, where Daddy and Mama were standing in the yard yelling our names.

……..

The next morning they found Cecil on a sandbar, He was bloated up and swollen from water and snakebites. His neck was broken, Daddy said. Telly had taken care of him before the snakebite.

Caught up in some roots next to the bank, his arms spread and through them and his feet wound in vines, was Telly. The machete wound had torn open his chest and side. Daddy said that silly hat was still on his head, and he discovered that it was somehow wound into Telly's hair. He said the parts that looked like horns had washed down and were covering his eyes, like huge eyelids.

I wondered what had gotten into Telly, the Goat Man. He had led me out there to save Tom, but he hadn't wanted any part of stopping Cecil. Maybe he was afraid. But when we were on the bridge, and Cecil was getting the best of us, he had come for him.

Had it been because he wanted to help us, or was he just there already and frightened? I'd never know. 

I thought of poor Telly living out there in the woods all that time, only his daddy knowing he was there, and maybe keeping it secret just so folks would leave him alone, not take advantage of him because he was addleheaded.

In the end, the whole thing was one horrible experience. I remember mostly just lying in bed for two days after, nursing all the wounds in my foot from stickers and such, trying to get my strength back, weak from thinking about what almost happened to Tom.

Mama stayed by our side for the next two days, leaving us only long enough to make soup. Daddy sat up with us at night. When I awoke, frightened, thinking I was still on the swinging bridge, he would be there, and he would smile and put out his hand and touch my head, and I would lie back and sleep again.

Over a period of years, picking up a word here and there, we would learn that there had been more murders like those in our area, all the way down from Arkansas and over into Oklahoma and some of North Texas. Back then no one pinned those on one murderer. The law just didn't think like that then. The true nature of serial killers was unknown. Had communication been better, had knowledge been better, perhaps some, or all, of what happened that time long ago might have been avoided.

And maybe not. It's all done now, those long-ago events of nineteen thirty-one and -two.

Now, I lie here, not much longer for the world, and with no desire to be here or to have my life stretched out for another moment, just lying here with this tube in my shank, waiting on mashed peas and corn and some awful thing that will pass for meat, all to be hand-fed to me, and I think of then and how I lay in bed in our little house next to the woods, and how when I awoke Daddy or Mama would be there, and how comforting it was.

So now I close my eyes with my memories of those two years, and that great and horrible mad dog summer, and I hope this time when I awake I will no longer be of this world, and Mama and Daddy, and even poor Tom, dead before her time in a car accident, will be waiting, and perhaps even Mose and the Goat Man and good old Toby.