John Fowles - Daniel Martin 


The Harvest 
But what's wrong with that man?  
All afternoon (yesterday the day before yesterday and today) he's been sitting  
there staring at a flame 
he bumped into me at evening as he went downstairs  
he said to me:  
'The body dies the water clouds the soul hesitates  
and the wind forgets always forgets  
but the flame doesn't change.'  
He also said to me:  
not why I seem so deserted 
I try to keep myself going with aflame because it doesn't change.'  
Then he told me the story of his life. 
--GEORGE SEFERIS: 'Mr Stratis Thalassinos Describes a Man' 
The last of a hanger ran under the eastern ridge of the combe, where it had  
always been too steep and stony for the plough. It was now little more than a long  
spinney, mainly of beech. The field sloped from the wall of trees, westward, a gentle  
bosom, down to the open gate on to Fishacre Lane. The dark coats lay there in against  
the hedge, covering the cider jar and the dinner bundle, beside the two scythes that had  
been used to clear the still-dewed hedge swathe much earlier that morning. Now the  

wheat was half cut. Lewis sat perched behind the faded carmine reaper, craning into the  
sea of blond stems for stones, his hand on the mower-lever, always ready to lift the  
new stubble next to the still-standing ears. Only at the corners did Lewis cry, softly,  
coaxing the old horse round. Sally, the younger horse, who had helped on the steeper  
ground, stood tethered beneath a thorn not far from the gate, cropping the hedge, her tail  
intermittently swishing.
pimpernel, shepherd's glass, herb of the second sight. The field's name was the Old  
Batch - batch from bake, some ancient farm's own annual bread was always grown there.  
There are four figures in the field, besides Lewis on the reaperbinder. Mr  
Luscombe: red-faced and crooked-grinning, one eye with a cast behind his steel-rimmed  
spectacles, a collarless shirt with a thin grey stripe, darned, the cuffs worn, cord trousers  
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with peaks at the back for the braces, but held up also by a thick leather belt. Bill, his  
younger son, nineteen, capped and massive, six inches taller than anyone else on the  
field, arms like hams, a slow giant, clumsy at all but his work... but see him scythe, dwarf  
the distort handle and the blade, the swaling drive and unstopping rhythm, pure and  
princely force of craft, Old Sam in breeches, braces, boots and gaiters, his face forgotten,  
side ('lets in th'ole air a bit, doan'ee see') and a tuft of wilted heart's-ease tucked in the  
black band. And finally a boy in his midteens, his clothes unsuited, a mere harvest helper: 
cotton trousers, an apple-green Aertex shirt, old gymshoes. 
They work in two teams, on opposite sides of the field, one clockwise, the other 
anticlockwise, stocking. Clutching a sheaf in the right hand, just above the binder twine,  
never by the twine itself, then moving on to the next sheaf, picking that up in the same  
way in the left hand, then walking with the two sheaves to the nearest unfinished stock, a  
standing before the other sheaves propped against each other, lifting the two in each  
hand, then setting them, shocking down the butts into the stubble and simultaneously  
clashing the eared heads together. The simplest job in the world, it might seem to  
Queenie, who stands there in the lane beside her bicycle a moment, back from her  
morning's cleaning at the Vicarage, watching in through the open gateway for the idle  
pleasure of it. The boy waves from the top end of the field and she waves back. When he  
looks again, a minute later, she is still there, the old beige summer hat with the band of  
white silk and the tired artificial rose in front, the drab brown dress, the heavy old bicycle  
with its fret of skirtprotective wires over the back wheel. 
The boy sets the first two sheaves, the founders, of a new stock. They stand,  
then start to topple. He catches them before they fall, lifts them to set them firm again. But 
old Mr Luscombe shocks his pair down six feet away, safe as houses. His founders never  
fall. He smiles lopsidedly with his bad teeth, a wink, the cast in his eye, the sun in his  
glasses. Bronzered hands and old brown boots. The boy makes a grimace, then brings  
his sheaves and sets them against the farmer's pair. The insides of his forearms are sore  
already, his fingers not being strong enough to carry the sheaves far by grasp. If the stock 
is some way off, he hoicks them up against his side, under his arms, against the thistles.  
morning, like sleep that night, so drowning, deep and swift to come. 
The crackle of the stubble, the shock of the stood sheaves. The rattle of the  
reaper, the chatter of the mower blades, the windmill arms above them. Lewis's voice at  
the corners: hoy then, hoy'ee, Cap'n, back, back, back, whoy, whoy. Then the click of the  
tongue: jik-jik, the onward rattle and chain and chatter. Thistledown floats southward  
across the field, in a light air from the north, mounting, a thermal, new stars for the  
empyrean.
And the day will endure like this, under the perfect azure sky, stocking and  
stooking the wheat. Again and again old Luscombe will shred an ear from its haulm and  
poultry, that evening. Three or four times the reaper's noise will stop abruptly. The  
stookers will stand and see Lewis climb down from his fenestrated iron saddle and know  

toolbox open. Lewis is brown and shy, much smaller than his younger brother the family  
mechanic, and taciturn. The nearest pair of stookers will come up and gather armfuls of  
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armful and rick the ends where they meet, one twist only, but tight, tucking the ears under  
they left their uncompleted rows. In silence, apart, treading the crackling stubble. 
At one Mr Luscombe will pull out his old fob, then cry to the field and start  
rolling a cigarette. They will straggle to the hedge by the gate, sweating, Lewis last,  
round the coats. The ciderjar will be unbunged. The boy is offered the first drink, from a tin 
mug. Bill lifts the whole gallon jar, tips it into his mouth. Old Sam grins. And the boy feels  
orchard shade in the sun and wheatdust. Lewis sups cold tea from a wirehandled can. 
Long and distant, over the uncut serried rods of wheat: the five men walk along  
the lane hedge to the shade of an ash, Old Sam stops to urinate against the bank. They  
butter pearled and marbled with whey, a week's ration a slice. 
Thic for thee, thic for thee, says doling Mr Luscombe, and where's my plum  
vidies to?
Ma says to eat up they, says Bill. 
Beauty of Bath, crisp and amberfleshed, with their little edge of piquant acid.  
Widow. But who cares, teeth deep in white cartwheel, bread and sweet ham, all life to  
follow.
smokes Woodbines and stares at the reaper in the sun. The boy lies on his back, the  
stubble pricking, slightly drunk, bathed in the green pond of Devon voices, his Devon and  
then other fields. A language so local, so phonetically con To densed, permissive of slur  
its combes and bartons, leats and lin. hays. He is shy and ashamed of his own educated  
dialect of the tongue.
Then there comes across the voices, from far off, five or six miles, the faint wail  
of a siren.
Torquay I reckon, says Bill. 
The boy sits up, scanning the sky to the south. They are silent. The wail dies,  
changing pitch. A cock pheasant bells disyllabically up in the beeches above the field. Bill 
more the pheasant bells.
Caught. ey on the hop agen, says Mr Luscombe. 
One o' they hitandrunners, agrees Bill. 
They stand out from the shade of the ash, watching south. But the sky is empty, 
nothing. But now an engine, at first very faint, then without warning louder, closer,  
abruptly welling. The five turn cautiously back beneath the ash. The long combe is  
flooded with the frantic approach, violent machinery at full stretch, screaming in an agony  
of vicious fear. The boy, who is already literary, knows he is about to die. 
Then for a few worldcleaving seconds it is over them, over the upper half of the  
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field, only two hundred feet or so high, camouflaged dark green and black, bluebellied,  
Balkancrossed, slim, enormous, a twoengined Heinkel, real, the war real, terror and  
fascination, pigeons breaking from the beeches in a panic, Sally rearing, Captain the  
same and tearing loose from his tether, a wild whinnying. He canters away, then subsides  
into a heavy lumbering trot across the field. But the giant botfly is gone, trailing its savage  
roar. Mr Luscombe runs, almost as heavily as his horse, bawling. Whoy there, Captain.  
Easy, boy, easy. Then Bill running as well, overtaking his father. The old horse stops at  
the edge of the uncut wheat, trembling. Another whinny. 
The boy turns to Lewis: I saw the pilot! 
Was 'er one o' they or one o' us's, asks old Sam. 
The boy shouts at him. German! It was German! 
Lewis holds up a finger. Somewhere to the north they hear the Heinkel swing  
west. 
Dartmouth, says Lewis quietly. He'll go out along the river. 
As if something about that great sear of machinery, the quickness and  
saved from the Army by the farm... old Celtic softness for metal Romans. In midfield his  
father pats Captain and leads him gently back towards the reaper. Bill looks down towards 
the hill to where he would have had it fall. Even Lewis has a wry grin. 
But then, though their ears stay cocked as they walk up into the field, no sound, 
no more war, no stuttering hammer of wing cannon, no crumps from the direction of  
Tomes or Dartmouth, no Hurricanes in pursuit. Only, as Lewis flicks the reins to start  
Captain on again and the stookers stoop to gather their first sheaves, a stertorous sound  
from the high azure. The boy looks up. Very high, four black specks, rolling, teasing,  
sky's eternal sleeping voice, mocking man.
Mysteries: how the pheasant heard the bombs before the men. Who sent the  
ravens and that passage?
Our daily bread: sheaves and stocks, the afternoon wearing on, the light  
ashshadow creeping over the stubble. Inexorably the reaper dwindles the wheat. The first  
rabbit runs, a cry from Lewis. It zigzags among the unstooked sheaves, leaps one like a  
hare, then takes cover inside a stock. Bill, who is nearest, picks up a stone and creeps  
close. But the rabbit is away, racing white scut, and the hurled stone flies harmlessly over  
its head.
Soon after three the field begins to fill with people, as if they had been secretly  

watching all the time and knew exactlywhen to appear. Two or three old men, a fat young  
woman with a pram, a tall gipsy with a lurcher at his heels: the saturnine 'Babe' with his  
lantern jaw, man of darkness, constable's horror, distiller, or so rumoured, of applejack in  
Thorncombe Woods. Then the Fishacre hamlet children dribbling back from school, seven 
or eight of them, five small boys and two little girls and an older one. The open gate is like 
dark eyebrows, humping the teabaskets. Beside her, a gentlefaced woman in a grey and  
white dress, severe and even for then oldfashioned, with an incongruous Eton crop... the  
stocking boy's aunt. And still more.
Now the wheat is six or seven swathes in breadth and some fifty yards long.  
Lewis cries at a corner to the nearest male bystanders.
Crawlin' with the buggers! 
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They all gather round the last piece: stookers, children, old men, Babe and his  
lurcher: a blackandliver dog with a cowed, muchbeaten look, always crouched, neurotic,  
hyperalert and Arguseyed, never a yard from his master's heels. The young woman walks  
up on swollen ankles, carrying her baby son in her arms, the pram left by the gate. Some  
have sticks, others pile stones. A ring of excited faces, scrutinizing each tremor in the  
rectangle of corn: commands, the older men knowing, sternly cautious. Doan'ce fuss, lad,  
keep back. In the rectangle's heart a stirring of ears, a ripple of shaken stems, like a  
troutwave in a stream. A hen pheasant explodes with a rattling whir, brownspeckled  
jackinthebox, down the hill and over Fishacre Lane. Laughter. A small girl screams. A tiny  
rabbit, not eight inches long, runs out from the upper border, stops bemused, then runs  
again. The boy who helped stock stands ten yards away, grinning as a wild band of  
children sprawl and tumble after the tiny animal, which doubles, stops, spurts, and finally  
runs back into the wheat.
Doan'ee 'ee dreadle the corn, bellows Mr Luscombe at the eagerest boy. Young 
devil. Now Lewis whistles shrilly on the other side of the patch, pointing. This time it is a  
big rabbit, racing for the lane hedge, the lurcher's side. The rabbit is through the human  
ring, jinking through the stones and sticks and stocks. The gipsy gives a low whistle,  
longdying. The dog streaks away, using all its greyhound blood, its lethal dexterity. The  
rabbit escapes once by a lastsecond change of course. The lurcher flashes past, a little  
Lewis has reined in. This time the dog makes no mistake. It has the rabbit by the neck,  
shakes it violently. Another whistle from the gipsy, and it runs swiftly to its master, bent  
low, the stillkicking animal locked in its long jaws. The gipsy takes the rabbit by '3 its hind  
legs, lifts it away and up and chops down with his free hand, just once, on the neck.  
nickname. The Devil came to Thorncombe Woods one night to thank him for selling so  
present. But as they watch man and dog, they know he isn't there because he needs the  
honours fields at cutting time.
Lewis starts the reaper off again. Now a rabbit springs every few yards, small  
scream of pain, like a tiny child's, from the hidden blades. Without stopping, Lewis points  
back. A rabbit drags away, its hind legs sliced off. The boy who stocked runs and lifts it:  
the red stumps. Little green balls of excrement fall from the anal fur. Convulsive jerking,  
the corpse towards a pile of others. Doeeyes glazing, whiskers, soft ears, snowy scuts. He 
moves closer and stares down at the pile, a good twenty now. And his heart turns, some  
strange premonitory turn, a day when in an empty field he shall weep for this. 
He looks up and sees his aunt and Mrs Luscombe, the only two people in the  
field who have notjoined in the massacre. They stand by a tablecloth spread on the  
stubble beneath the ashtree, talking and watching. Beside them there curls up a twist of  
hemmed with hunters, runs straight between myopic old Sam's legs and outpaces all the  
boys who chase it. The lurcher tries to streak through them, loses balance and sight, at  
last permits himself a frustrated yelp, looks desperately round, so many shouting,  
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reaches the hedge a good few yards clear. The gipsy whistles. The dog lopes back, its tail 
down.
embarrassed, unused to playing Solomon. One here, one there, a small one to a child, a  
fat brace to Babe, another to Old Sam. Then six to the boy who stocked. 
Take 'en down to the ashtree, Danny. 
And 'Danny', whose preferred name is Dan, walks down the field, three pairs of  
hind legs in each hand, Nimrod, to the spread tea.
Little Mrs Luscombe, with her eyebrows like commas, stands hands on hips by  
her twig fire, grinning at him.
You caught all they then, Danny? 
I got two. One didn't count actually. It was caught in the blades. 
Poor thing, says his aunt. 
Mrs Luscombe is politely but firmly scornful. 
You didden have a stone wall round your garden, in' dear, you woulden feel  
sorry for they.
And his aunt smiles at him, maternally, as Mrs Luscombe takes the rabbits,  

There's your supper, Danny. 
Oh I say. Really? Thanks awfully, Mrs Luscombe. 
Are you absolutely sure? asks his aunt. Then: I don't know what we'd do  
without you. 
Where's father? asks the boy. 
It seems the Rural Dean has called. About the porch. 
crossroads every son must pass.
He says, We'll just finish the stocking. 
And he walks back to where they have gone back to work, but there are many  
more hands now, as in a Brueghel. The children vying to lug the furthest sheaves closer  
Then back under the ashtree, as ritual as Holy Communion, the old  
pinkandwhite check cloth, the bread, the quart bowl of cream, the pots of raspberry and  
blackcurrant jam, the chipped white mugs, the two teapots, a brownyblack with yellow  
bands, the same brown as the cake with all its hoarded sultanas and currants. Best the  
illicit scalded cream, its deep yellow crust folded into the Is voluptuous white. No cream  
the smell of sweat. Byre and meadow and breath of Red Devons. Ambrosia, death, sweet  
raspberry jam.
Did 'ee see 'un, ma? Did 'cc see 'un, Miz Martin? Usall coulda touched 'un,  
coulden us, Danny?
Later. 
He is alone among the highest beeches, over the stooked and now empty field,  
transient fourfaces, smelling of musk. Another mystery, his current flower and emblem, for 
reasons he cannot say. The sun in the extreme west, as he likes it best. Its slanting rays  
reveal the lands in a pasturefield on the other side of the valley, the parallel waves where  
childish but another of his secret flowers, the little honeycombscented orchid Spiranthes  
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of birds, locations of plants, fragments of Latin and folklore, since he lacks so much else.  
The leaves of the beeches are translucent in the westering sun. A woodpigeon coos, a  
nuthatch whistles somewhere close above.
He sits with his back to a beechtrunk, staring down through foliage at the field.  
death, the agony in the mower's blades, the scream and red stumps... but dying, dying  
before the other wheat was ripe.
Inscrutable innocent, already in exile. 
Down, half masked by leaves. Point of view of the hidden bird. 
stands and turns and begins to carve his initials on the beechtree. Deep incisions in the  
bark, peeling the grey skin away to the sappy green of the living stem. Adieu, my boyhood 
and my dream.
Close shot. 
D. H. M. 
And underneath: 21 Aug 42. 
Games
'You do.'
'No.' 
'But you must do.' 
He smiles in the darkness. 
'Jenny, in writing there aren't any musts.' 
'Then can.' 
He says parentally, 'You ought to be asleep.' 
dark room, over the palms and poinsettias and castoroil plants in the garden, beyond the  
garden. Downtown, the endless plain of trivial jewelled light. He closes his eyes a long  
moment, shutting it out.
'All the ghosts here. They get you in the end.' 
'Now you're being phoney romantic.' 
'You mean I haven't yet been seen sitting dead drunk in a corner of the  
commissary.'
'Oh Daniel. Come on.' 
He says nothing. A silence. A flicker of lighter flame. On the glass of the  

window he catches her momentary face, the long hair, the amber shadows of the couch. A 
lens, no stock, could ever get it. Mirrors. The dark room. Leaving the red point and sign of  
rebellion in the glass, one with the distant blue, diamond and garnet lake of skysigns. 
She murmurs, 'Give a little.' 
It is terrible, like a nausea at times like this, but an unkilled adolescent in him  
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has known, learnt, rationally valued.
He turns and crosses the room to a fake Biedermeier table by the door. 
'Do you want anything?' 
'Only you. And neat. Just for once.' 
'I really ought to tuck you in. It's so late.' 
'For Christ's sake come and sit down.' Her head twists, staring at him over the  
back of the couch. She says, 'You're making me act.'
'Sorry.' 
'I have enough of that during the day. If you remember.' He goes and sits  
He divides conversation into two categories: when you speak, and when you  
listen to yourself speak. Of late, his has been too much the second. Narcissism: when one 
grows too old to believe in one's uniqueness, one falls in love with one's complexity as if  
success.
'This afternoon. When you ran over. I went out and wandered round the lot. All  
those empty stages. Just a feeling of... wasted time. Effort. Something.' 
'And having to wait for me.' 
'It wasn't your fault.' 
'But it was that?' He shakes his head. 'The star and her stud.' 
'That's just the old dialect. The myth.' 
'But they still believe in it.' 
'One must pay the natives something, jenny.' 
She sits with an arm crooked on the back of the couch, observing his face in  
profile.
'That's what I hate about the Prick. He thinks he's so cool, so this year, baby.  
Every time he sees you he gives me one of those looks. Those little old wayback looks.  
One day I'm going to ask him why he wears French letters in his eyes.' 
'That should add zing to your scenes.' 
She stands and wanders across to the window, stubs out her cigaretteyes, she  
city's artificial night.
'It's the one thing I'll never understand about this creepy town. How they've so  
totally managed to ban naturalness from it.' She turns and comes back, stands with folded 
arms, looking down at him. 'I mean, why are they all so frightened of it? Why can't they i8  

just accept we have our own private little English... oh Dan.' She sits, and makes him put  
holds it there. 'All right. So you walked round the lot. That doesn't explain why come on.' 
He stares across the room. 
'I suppose it was about reality. Failures to capture it. Those stages, the flats still 
standing there. Movies no one even remembers any more. How all the king's plays and all 
the king's scripts... and nothing in your present can ever put you together again.' 
'Tell me when to touch the tears from my eyes.' 
squeeze, then removes his arm.
'Proves my point.' 
'Well someone's fishing.' 
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'Not the smallest hook.' 
'You don't even... and you know it.' 
'Only by local standards.' 
'Balls.' 
'Darling, when you're--' 
'Oh Gawd, here we go again.' 
He is silent a moment. 'When I was your age I could only look forward. At mine  
you...'
'Then you need your eyesight tested.' 
'Not really. If you want to know what the shored fragments are worth, ask the  
ruin.'
'"Why then I'll fit you. Hieronymo's mad again."' She sits away and grins at him  
in the night, raises a reproving finger. 'You'd forgotten that was the next line. Right? You  
shouldn't get literary with actresses. We may be cows, but we can always cap you.' 
'Stage point. Not a real one.' 
She looks down. 'You're such a lousy casting.' 
'Inverted vanity. Looking back at my immortal oeuvre.' 
'Oy veh. So we aren't Shakespeare.' 
He murmurs, 'I think I'd better go.' 
But she makes him sit back, once more put an arm round her, and lies with her  
face against his shoulder.
'I'm being flip.' 
'With reason.' 
know you're in ruins somewhere. It's just I hate having to feel I'm making them worse.' 
He holds her a little tighter. 'You're one of the very few fragments that make  
sense.'
'If only I... 
'We've settled all that.' 
She takes one of his hands. 'Tell me about this afternoon. What really  
happened.'
'It was on the old Camelot set. It suddenly hit me. How well I matched it. The  
betrayal of myths. As if I was totally in exile from what I ought to have been.' He added,  
'Done.'
'And what's that?' 
'Good question.' 
'Try.' 
'Something to do with the artifice of the medium.' 
'And?' 
'That if I could ever hope to describe it, it would have to be beyond staging or  
filming. They'd just... betray the real thing again.'
'What's "it"?' 
'God knows, Jenny. The real history of what I am? This is all disgustingly  
solipsistic.'
'As you once convinced me all art was.' 
He waits, staring across the room. 
'I've spent most of my adult life learning how to use the least possible words,  
how to get scenes crisp. How you pack your meaning in between the lines. How you  
create other people. Always other people.' He pauses again. 'As if I'd been taken over by  
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someone else. Years ago.'
'What kind of someone else?' 
'Some kind of fink.' 
'Rubbish. But go on.' 
He strokes the side of her hair. 'It's such a soft option. You write, Interior,  
medium shot, girl and man on a couch, night. Then you walk out. Let someone else be  
Jenny and Dan. Someone else tell them what to do. Photograph them. You never really  
stake yourself. Let it be no one else. Just you.' He stops stroking, pats her hair. 
'That's all, jenny. I don't really want to start a new career. Just a way of saying  
I'm sick of screenplays.'
'And Hollywood. And me.' 
'Not you.' 
'But you wish you could go home.' 
'Not literally. Metaphorically.' 
'Then where we began. Memoirs.' 
'I've invented quite enough paper people without adding myself to the list.' He  
added, 'Anyway, libel. I couldn't make reality honest.'
'Then write a novel.' He sniffs. 'Why not?' 
'I wouldn't know where to begin.' 
'Here.' 
'Idiot.' 
She sits away on her knees, contemplating him. 
'Seriously.' 
He smiles. 'With the ravings of the male menopause and a naked filmstar in  
Harold Robbins Land?'
She closes her kimono. 'That's a filthy thing to say. About both of us.' 
'Sated with sex and trying to remember his Aristotle, he outlined his theory of' 
'I'm not a filmstar. I'm your jenny.' 
'Who's being much too indulgent.' 
'You've got the money, you could make the time.' 
'Too many dead fish on my conscience.' 
'What does that mean?' 
'That I've gutted too many of the damn things to create a living one.' 
'Then you know the traps. I don't see what you've got to lose.' 
'My last.' 
'Your last what?' 
'The thing cobblers are meant to stick to.' 
She is silent, scrutinizing. 
'Is all this to do with the new script?' 
He shakes his head. 'It bores me into the ground, but I can do scenario in my  
sleep. Like a computer.' He stands and goes to the window again. She twists round on the 
couch and watches his back. After a moment, he goes on, but in a quieter voice. 'If you  
run away, Jenny, you can't find your way back. That's all I meant. Trying to it's only a  
pipedream. Trying to crawl back inside the womb. Turn the clock back.' He turns and  
smiles across at her. 'Latenight maundering.'
'You're so defeatist. All you have to do is put down exactly what we've just said.' 
'That's the last chapter. 'What I've become.' 
'Bill was on about you the other day. Why you've never directed.' 
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'And?' 
'I told him what you told me.' 
'And what did he say?' 
'Something rather perceptive. How being a perfectionist and being scared are  
often the same thing.'
'That was sweet of him.' 
'And right of him?' 
He smiles through the darkness at her accusing face. 'Calling me yellow will get 
you nowhere.'
She waits a moment, then stands and walks to him, and kisses him quickly on  
kneels on the carpet and rests her forearms on his knees. A faint light from the city sky  
outside.
'Positive thinking.' 
'Yes, Jenny.' 
'My Highland greatgrandmother had the second sight.' 
'As you told me.' 
'This is the first chapter.' 
'And the next?' 
'Something will happen. Like a window opening. No, a door. Like a door in a  

wall.' She kneels back, arms folded over her breasts, biting her lips, playing sibyl. 
'And through it?' 
'Your story. Your real history of you.' 
He has a tired grin. "When?' 
'Before you have your way and we... go our separate ones.' His grin dies. 'You  
can reconstitute this conversation? It's very important. You must remember it.' 
'I only want out because I'm in love with you. Yourealize that?'2 'Answer my  
question.'
'I shouldn't think so.' 
'Then I'll try and write some of it down for you. Tomorrow. Between takes. Just  
the gist.'
'And my question?' 
'Or a version of it, anyway.' 
And they stare at each other. In the end he says quietly, 'God, how I loathe  
your generation.'
And she smiles up at him, like a praised child, so overcome that in the end she  
has to bow her head. He reaches forward and ruffles her hair, then makes to stand. But  
she stops him.
'Wait a minute. I haven't finished with you yet.' 
'This is mad. You must get your sleep.' 
gives him a little speculating look back. He sits perched forward, ready to go. 
'Jenny.' 
She stares down again. 'Something solitary. Devious.' Then she opens the  
directory, crouches to read its small print. 'Oh God, there aren't any English names.' 
'Tell me what you're doing.' 
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'Eureka. Wolfe.' 
'Wolf?' 
'As in lone. But with an e.' She is back to running her finger down a list of  
names. 'That's it. S. You can't get more wriggly than that. Altadena Drive, wherever that  
is.'
'Behind Pasadena. And if you' 
'Shut up. Stanley J. That's no good.' She closes the directory, examines him  
like a coper before a doubtful horse, then suddenly points. 'Simon.' She folds her arms.  
'Since you're so simple, too. You may drop the J.'
He looks down at the carpet. 'How long is it since you were spanked?' 
'But you can't use your own name in a novel. Anyway, it's so square. Who'd  
ever go for a character called Daniel Martin?'
He says, since they are used to backreferences, sudden conversational jumps  
in either direction, but gently, 'I really do, sometimes.' 
She folds her hands on her lap, playing demure innocence now. 'She's only  
trying to make sure she gets the dedication.'
He stands. 'If she isn't in bed in one minute, she's going to get what she really  
deserves. A massive flea in the ear for coming on set with bags under her eyes.' 
Stridently, making them both start, the telephone on the table just behind her  
rings. Jenny grins, still on her knees, delighted.
'Shall I speak to Mr Wolfe, or will you?' 
He turns to go. 'I should leave it. Probably some nut.' 
stops, stands halfturned, looking at her indigo back as she twists and lifts the ivory  
receiver. He waits, then hears her say in her cool public voice, 'Yes, he's here. I'll get  
him.' And she holds out the receiver, biting her lips again. 
'Longdistance. From home. They transferred the call.' 
'lXTho is it?' 
'The operator didn't say.' 
the receiver from her hand. She turns away to the window. He confirms his name, and is  
asked to hold the line. He eyes the girl's profiled face. She raises her hands and shakes  
press the smile out of her lips.
'I shouldn't get excited. A hundred to one it's just some moronic Fleet Street  
tattlemonger short of a paragraph.'
'Or my Highland greatgrandmother.' 
And she contemplates the midnight infinities of Los Angeles, insufferably  
tries to kiss her with anger, but she is laughing too much. 
In his ear, distances. 
The Woman in the Reeds
The wind blows the indolent arms of the willows sideways and ruffles the water of the long 
reach. The distant wooded hills to the west and the intervening meadowlands are stained  
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with summery cloudshadow. On the far side of the Cherwell a young man, an  
undergraduate, poles a punt upstream. In the bow seat, facing him, a girl wearing  
sunglasses reclines. She trails the fingers of her right hand through the water. He is  
and red Paisley headscarf. By her bare feet lie a rush basket, sandals and a strew of  
books.
But even then her full and folksy midcalf skirt, the puffs in the short sleeves of the blouse,  
and faintly irritating, because such a plea is unnecessary. She is, to use a student clich6  
and consciousness of it that is almost an indifference. Her younger sister, for instance,  
punt takes greater risks, perhaps because she is engaged (though not to today's  
gondolier), perhaps because she knows her standing, her reputation, is safely beyond the 
odd gaucheness, showiness, affectation. Only that previous winter, in fishnet tights and a  
long auburn wig and a student's gown, she had brought the house down in an ETC revue  
sketch. If Rita read Greats... the Rita's other name being Hayworth. And it hadn't been all  
the clever cracks about Aspasia and heteirai or the climactic song (composed by the  
visible oomph of the mimesis.
She has fine pronounced eyebrows, very clear, direct brown eyes  
She and her sister have a nickname all through the mens' colleges. They are known as  
the Heavenly Twins, although they are not twins, but a year, both in age and study, and in 
many other things, apart. In their respective second and first years they sometimes  
dressed alike, and so a false parallel was drawn. Now their mark is made, and they have  
decided to be themselves.
They descended on oxford with one other slight difference. They had lived  
abroad a lot, for their father had been an ambassador. He had died the year the war  
time he was an American. The two girls had spent the war in the United States, and an  
aura of that culture still clung about them a frankness, a trace of the accent (then, it later  
disappeared), a certain freedom other English girl students of their age, brought up amid  
rationing cards and the wail of sirens, lacked. They also had, though they were not  
American stepfather, though he too had children from a previous marriage, was reputedly  
looks on top of everything else seemed almost unfair. Neither had close female friends at  
the university.
The girl looks up to the young man at work. 
'My offer's still open.' 
'I enjoy it. Honestly. I need the exercise. Revising like a maniac these last three 
days.' He pushes on the pole, recovers it, stabs it forward till he feels the soundless  
thump on the riverbottom, waits till the onward motion of the punt brings it vertical, thrusts  
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down, makes a little adjustment to the direction by using the trailing pole as a rudder. He  
grimaces down at the girl.
'I'm going to plough. I feel it in my bones.' 
'Sez you. I bet you get a first.' 
'I'm leaving that for Anthony.' 
'He's worried about ancient history. He thinks he may only get6 an alpha  
minus.' She lowers her glasses professorially, guys gloom. 'I'm vulnerable on Thucydides.' 
He grins. She turns and watches the river ahead. Another punt comes  
downstream, with four other students in it, sophomores, a girl and three men. They look  
across at the pair in the upstream punt. One of the young men turns and says something  
again at local celebrities, Zuleikas and princes of the senior year. The cynosures make no 
A few hundred yards later the young man lets the pole trail longer than usual  
and wipes his forehead with the back of his hand.
'I say, Jane, I'm getting hellish shagged. And starving. I don't think the Victoria's 
on.'
The girl sits up, solicitous. 
'Well let's tie up here. I don't mind.' 
'There's a cut just ahead. We could go up there a bit. Be out of the wind.' 
'Fine.' 
In a minute they come in sight of the cut, an old drainage dyke at right angles  
east from the river and running between two willowhedged leys. The public footpath is on  
the other bank. At the mouth of the cut is an old peeling noticeboard: Private. Landing  
forbidden. By order. But, as they discover when they head in to the mouth, another punt  
lies moored there. Two undergraduates sprawl at opposite ends of it, reading, an open  
bottle of champagne between them. The goldfoiled neck of another bottle pokes up,  
suspended by string, from the cooling green water beside the sternseat. The taller student 
of the two, with a mop of blond hair and a faintly flushed face, glances up at the intrusion.  
He has strange vacuous eyes, a glaucous greygreen.
'Good God. Jane darling. Daniel. Don't one's friends ever leave one in peace?' 
Daniel slows his punt, grins down at the blond head, the textbook in hand. 
'You bloody sham, Andrew. You're reading. 
'Well not quite really, dear boy. Rotten old governor. Bet me a hundred I won't  
get through.'
Jane grins. 'How sickmaking. You poor thing.' 
'Rather fascinating stuff, actually, some of it. Isn't it, Mark?' The other student,  
an older man, grunts in dissent. 'I say, do have a mouthful of fizz.' 
Jane smiles again. 'Unlike you, we really have come to work.' 
'How revoltingly plebby of you both.' 
They grin. Daniel waves and poles on. After a few yards Jane bites her lips. 
'Now it'll be all round Oxford we're having an affiuire.' 
'Bet you it won't. He'll be too scared it'll be all round the Bullingdon we saw him  
swotting.'
'Poor Andrew.' 
'Rich Andrew.' 
'I always wonder what really goes on in that tiny head.' 
'He's not such a fool as he sounds.' 
'Just a flawless imitation?' 
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He laughs, as he steers the punt through the encroaching paddles of water  
lilies, the flowering sheets of water dropwort. The wind shakes a little shower of white  
petals from a thorntree on the bank. The girl lifts a skein of dropwort and holds it up, so  
that a chain of drips slides beside the punt. Then she lets it fall. 
'Won't this do?' 
'There's a sort of pond a bit further up. Or there was last year. Nell and I used  
to come here.' She gives him a studied look over the tops of her dark glasses. He shrugs  
and smiles. 'Just for a quiet alfresco snog.'
'How revoltingly pastoral of you both.' 
He smirks. A sedgewarbler chatters ahead in the reeds, he swings the punt  
round a first projecting screen. Beyond, a much denser curtain of reeds and bulrushes  
stretches across the water.
'Damn. It's got overgrown. I'll just have one bash.' 
He sinks the pole and thrusts with all his weight at where there seems most  

water between the barring stems. The girl gives a little scream as they crash into the first  
green barrier, bows her head protectively in her hands. The flat prow pushes some three  
yards in, then hits a soft obstruction, rises slightly, stops.
'Bugger.' 
Jane turns and looks forward over the side. And then as he tries to extract his  
pole from the mudher head flashes round, her mouth open, incredulous, horrorstruck. 
'Daniel!' 
She buries her face in her hands. 
'Jane?' 
'Go back, go back.' 
'What's up?' 
She twists away to the far side of the punt, her hand over her nose and mouth. 
'Oh I can smell it. Please go back.' 
But he leaves the pole, steps forward over the slatted seatback, cranes beside  
Just beneath the surface of the water, pushed down by the punt's nose, a  
naked human buttock, greyishwhite. There is an opening in the reeds where the back and  
head must lie. The bottoms of the legs are in the water, invisible beneath the punt. 
Christ. 
'I think I'm going to be sick.' 
back to the rear of the punt, frantically jerks the pole out of the mud, nearly overbalances,  
recovers, begins levering back. The punt hesitates, then slides back free of the reeds. He  
sees the hideous, obscure shape bob slowly to the surface.
'Jane, are you all right?' 
She stays with her head down, but gives a small nod. He manoeuvres the punt  
awkwardly round, then thrusts it violently away back towards the river, round the first  
stand of reeds, then alongside the bank, jamming it secure with the pole. He kneels  
beside the girl.
'Are you all right?' 
She nods, then slowly looks up at him, and in a strange gesture takes off her  
dark glasses, and stares at him.
Oh Dan. 
'How bloody horrible.' 
'It...' 
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'I know.' 
shattered morning world. He presses her hands, then looks back towards the mouth of the 
cut. 'I'd better tell Andrew.'
'Yes, okay. I'm all right now.' 
He stares at her anxiously a moment more, then stands and jumps ashore. He  
head bowed on her drawnup knees, as if to shut out sight. 
'Andrew! Andrew!' 
'We've just found a body in the water.' 
'A what!' 
'A body. A dead body. I think it's a woman. In the reeds.' 
'Good God.' 
The student called Mark, who is several years older than the other two, tanned,  
a moustache, clear grey eyes, known only to Daniel as some obscure crony of Andrew  
Randall, who has obscure cronies everywhere, stands and steps ashore. 
'You're sure?' 
'Absolutely. We ran right into it. Over it.' 
Andrew comes beside them. 'Where's Jane?' 
'Just back there. She's okay. Just shocked.' 
Mark says, 'We'd better go and see.' 
'Hang on, dear boy.' Andrew scrambles back into the punt, ruinmages in a coat, 
comes out with a silver and leather flask. The three stride quickly back along the bank.  
Jane looks up. Andrew goes down beside her, uncapping the flask. 
'Try a drop of this, Jane.' 
'It's all right now.' 
'Orders. Just a sippington.' 
She takes the flask, swallows, chokes momentarily. Mark glances at Daniel. 
'You'd better show me where it is.' 
'It's a bloody awful sight.' 
The grey eyes are dry. 'I landed at Anzio, old man. And have you ever seen a  
longdrowned sheep?'
'For Christ's sake, we were right on top of the ' 
'Yes. Well let's make sure.' 
Daniel hesitates, then follows him down the bank to where the reeds stretch  
across the water.
'About there.' He points. 'In the middle.' 
Mark kicks off his shoes and climbs down into the reeds, parts them, then takes 
a cautious step forward. His leg sinks. He feels for footing further out. Daniel looks round.  
Jane is standing now in the long grass, watching from forty yards away. Andrew walks  
towards him, holding out the flask. Daniel shakes his head. The reeds close behind Mark,  
halfmasking him, as he sinks above his knees. Daniel stares at a tuft of purple hyssop on  
the bank. Two shimmering blue demoiselle dragonflies with inkstained wings flutter over  
the flowers, then drift away. Somewhere further up the cut a moorhen croaks. All he can  
see now is little interstitial glimpses of Mark's blue shirt between the dense green stems  
Beside him Andrew murmurs, 'Bet you a fiver she's a tart. Our gallant American  
allies again.' Then he says, 'Mark?' 
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'Roger. I've found it.' 
But Mark says nothing more. He seems to spend an inexplicable time hidden  
heavily back, then clambers up on the grass, wet to the loins, his feet cased in black mud, 
others, glances back towards where Jane is, speaks in a low voice. 
'She's been dead some time. Stocking round her neck. Her hair's full of  
maggots.' He reaches down and tears off a handful of grass and brushes the worst of the  
mud away. 'We'd better steam on up to the Victoria. Get the constabulary.' 
'I say, what a bore. I was just getting into silage. To say nothing of the  
champers.'
Daniel looks down, unamused. He senses in them both a contempt for him...  
the bohemian, the effete middleclass aesthete. It is as if be is being cheated of his own  
years' wasted time in the army. They walk back towards Jane. Mark takes command. 
'You two'd better wait here till the coppers turn up. I should take Our mooring.  
And for God's sake keep everyone away. They won't want anyone else trampling around.  
Come on, Andrew.'
Andrew smiles at Daniel. 'You owe me a fiver, old chap.' 
'I didn't take the bet.' 
And Daniel gets a momentary amused stare, the ageold quiz of the aristocrat.  
The flask is held out.
'Sure you won't have a nip? Look a bit pale round the gills.' 
Daniel curtly shakes his head. Andrew blows a light kiss to Jane, then sets out  
after his friend.
Daniel mutters, 'My God, I believe they're actually enjoying it.' 
'Who's the other man?' 
'Christ knows. Some war hero.' 
Jane takes a deep breath, gives Daniel a faint smile. 
'Well. We're in the news again.' 
'I'm terribly sorry.' 
'I suggested it.' 
Mark shouts back and points to the bank where he stands. Daniel waves. 'You  

walk down, Jane. I'll bring the punt.' 
When he reaches the mouth of the cut, she is standing there between the  
willows. At her feet stands the unopened bottle of champagne. She pulls a face. 
'Sir Andrew Agueprick's parting gift.' 
He glances back and sees the other punt already a hundred yards away,  
heading for the far bank to gain protection from the breeze. He tethers his own, then  
climbs up beside Jane, lighting a cigarette. They sit down facing the main river, their  
down opposite them, five or six people, a girl poling inexpertly, a scream, laughter as she  
nearly loses the pole.
'Did he say how old she was?' 
No. 
She reaches and takes the cigarette from his fingers, takes a puff, then passes  
it back.
He says, 'When I was a kid, helping with the harvest during the war, a rabbit  
got caught in the mower blades of the reaper.' But he doesn't go on. 
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She stares out over the river. 'I know what you mean. Like things in dreams.' 
'It's all I can remember about that day now. The whole summer.' 
She leans back against the willowstem beside her, turned a little towards him,  
her head tilted back. She has left her dark glasses in the punt. After a moment she closes  
her eyes. He glances at her face, those eyelashes, that mouth, the grave girl under the  
sometimes outrageous one. She murmurs, 'On the banks of the gentle stream.' 
'I know.' 
And silence falls between them. Two more punts pass on their way downstream 
back towards Oxford. The clouds are thickening, a steep, opaque rainmountain coming  
from the west, over the Cunmor Hills. The sunlight disappears. He looks up at the sky. 
'Are you cold?' 
She shakes her head, without opening her eyes. Overhead a huge American  
bomber, a Flying Fortress, roars slowly down westward below the clouds on its way to  
land at Brize Norton. Perhaps Andrew is right, it carries the murderer: he chews gum, in a  
baseball hat, watching a panel of instruments, up there. The thing is two miles away, a  
mere speck, when she speaks.
'Maybe it's right. That we should have found it.' 
He turns, to see her eyes open, watching him. 
'How do you mean?' 
'Just... the way we've all lived these last three years. And reality. 'It's been the  
most marvellous three years of my life.'
'And mine.' 
'Meeting Nell... and you. Anthony.' He stares at his feet. 'All that.' 
'But has it been real?' 
He leans back on an elbow, tears off a grassstalk, bites its end. 'I thought you  
and Anthony were very real.'
She is silent a moment. 
'I was revising Rabelais last night. Pals ce que voudras.' 
'Since when was that a sin?' 
'Perhaps what we want isn't what is. Or ever could be.' 
'But we've done what we want. At least part of it.' 
'Inside something which is... literary? Like the Abbaie de ThŽlme. Not anything  
real at all.'
He cocks a thumb back. 'If you're saying that's reality... honest to God, some  
Carfax tart who got picked up by'
'Like your rabbit in the reaper?' 
'But that's not us.' 
'Are you sure?' 
'Of course I'm sure.' He grins drily up. 'Anthony would be deeply shocked if he  
heard you talking like this.'
'Perhaps that's a fault in Anthony.' 
'I shall tell him every word you said.' 
She smiles gently, then bends forward, buries her head against her clasped  
'I'm just scared that these will have turned out to be the happiest years of our  
lives. For all four of us. Because we've been in love, we've grown up, we've had such fun.  
No responsibilities. Playacting. Games.'
'We've still had the fun.' 
Now she props her chin on her hands, and surveys him. Then without warning  
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she stands and walks back to the champagne bottle and picks it up by the golden neck.  
She brings it beside him, then once again without warning swings her arm and tosses the  
bottle out into the river. It splashes, sinks, bobs back to the surface a moment, then sinks  
again, and for good.
He stares up at her. "Why did you do that?' 
Looking at the river, at the place where the bottle sank, she says, 'Are you and  
Nell going to marry, Dan?'
He searches her oblique face. 
"Why on earth do you ask that?' 
She kneels beside him, avoiding his eyes. 'I just wondered.' 
'Has Nell said we aren't?' 
She shakes her head. 'You both seem so secretive about it.' 
'Do you realize you're the first girl I've been out alone with, apart from Nell, for  
at least eighteen months?' He pushes her arm lightly. 'Oh Jane, come on, love, for Christ's 
sake... you may be transatlantic orphans, but you don't have to play the heavy sister. I  
mean why else should I be so desperately looking for a job here next year?' 
She slips him a little oblique smile. 'I'm sorry.' 
'Nell feels marriage and final years don't go together. So do I. And getting  
formally engaged is' He breaks off, covers his eyes. 'Oh Christ. A brick. The man has  
dropped a brick.'
'So vieuxjeu?' 
'Oh God.' 
'No. Be honest.' 
'You know what I meant.' 
'We're freaks?' 
'Of course not. Just that... well, you're not Nell. And Anthony's not me.' 
She bows her head in acceptance. 'I see.' 
He eyes her, then sits up. 'Jane, is this why we're out together?' 
'In a sort of way.' 
'You absurd old thing.' 
'Mother hen.' 
'Anthony knows?' 
'He suggested it.' 
He gives a sniff of amusement towards the hills. 
'I get it. When he comes back tomorrow, he's going to sneak off alone with Nell. 
It's a bloody conspiracy.'
'Converting the heathens.' 
'I suppose he can't help it. I must say I thought better of you.' She smiles. He  
adds, 'I wonder where they'll find their corpse.'
'Idiot.' 
He leaves a pause. 'On the matter of secrets... are you going to let him convert  
you?'
'I haven't made up my mind yet, Dan.' 
'You ought to have met my father. That would have put you off the whole shoot  
for life.'
'Should one judge faith by people?' 
'I still hope Anthony doesn't succeed.' 
"Why's that?' 
He stares across the river at the clouded west. 'You don't know what it's like.  
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Not even Anthony. Living in the shadow of a church. It forces you to hide so much, you  
can't imagine if you haven't been through it. The unreality of it. Like what you were saying  
about Oxford. Only far worse. Not even the fun.' He stared across the river at the dark  
hills. 'I could become a thousand things, but I'll never be a Christian again as long as I  
live.'
Spoken like a true Oedipus complex.' 
Their eyes meet, and they smile, then both look down, with that acute  
selfconsciousness of young adults, ever sensing new situations, new knowledges, new  
looks at his watch.5 'They should have got through by now. I'll go and look.' 
He walks back into the field a few yards out from the willows, scanning  
eastward for dark figures. After a moment she comes beside him, searching also. She  
speaks without looking at him.
'I think Nell's very lucky, Dan. That was something else I wanted to say.' 
'No luckier than Anthony.' 
She whispers, 'All these lucky living people.' And then, before he can decide  

what a certain wistful dryness in her voice can have meant, she speaks more normally  
and points. 'There!'
At the far end of the field, further to the south than they had expected, five  
figures appear from the willows: two in uniform, three in civilian clothes. The two  
uniformed men carry waders slung over their shoulders. Another man carries a rolledup  
stretcher. Another has a black box slung over his shoulder. Daniel waves, and one of the  
uniformed men gravely raises an arm in acknowledgment.
Watching them walk through the sea of buttercups, he says, 'Why did you throw 
that champagne in the river?'
He glances at her beside him. She looks down into the grass at their feet. 
'It just felt right.' 
He puts an arm round her shoulders and kisses the side of her head. She  
remains staring at the grass.
'Why did you do that?' 
He smiles. 'For the same reason.' 
An Unbiased View
This isn't what I promised to write, just before you ran away. But it's still pure fiction. Of  
course.
About Mr Wolfe. Not you. 
It was at Claridge's. A firstfloor suite full of Louissomething furniture. Not too  
bad, perhaps the three of them cancelled one another out and for once there was at least  
a pretence they were looking for actress rather than lay potential. I knew Dan was slightly  
drunk and I wasn't impressed. Or I was disappointed. After the script. He hardly said a  

word, not even when we were introduced. A kind of bored leer (he must have been drunk,  
he normally never puts on like that with total strangers). Bill and the man Gold did the  
chat. I sensed Dan was trying to dissociate himself. So why was he there? I think I thought 
he was rather pathetic, really. Like some character out of Hemingway. Or the man in  
Under the Volcano. You can see I'm tough and wise and sensitive and virile and literary  
and lost and totally above all this because I'm drunk. 
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Terribly dated. 
At one point I mentioned I'd been in one of his plays. We'd done it for two  
weeks in Birmingham as a runin for the main season, a little pretence of honesty before  
the crap started. I said how well I'd liked it. Actually I hadn't much, it's one of his weakest  
(I now know, having read and reread them all), but I wanted to say something. I knew Dan 
couldn't be for much in the decision, that he must be there mainly out of courtesy.  
Perhaps I was already sorry for him.
He said, Good. 
It was the only time I found him interesting. He said 'good' like: You stupid,  
pretentious bitch. As if I were some Chelsea nithead.
I said, trying to remind him I was a cut above mere drama school, And my tutor  
at Sussex was an admirer of yours. (Well, he had once mentioned Dan's name.) 
He slid his eyes at the other two. 
He said, I think the girl really wants the part. 
They grinned, and I had to smile. That left him not smiling, and carefully  
avoiding my eyes, the mean bastard.
He once said to me later, You know why I spend so much time paring dialogue? 
Because I loathe actors. Those were always two things about him. He wasn't a playwright, 
a dramatist turned script. writer. All he did, I write dialogue. Once he put it: I'm a dialogue  
installer and repairman. Another time: At least most screenactors never learn to act. That  

was my sin, that day. 
They'd run the two previous parts already picked me, it seems. It wasn't much  
more than a formality. He claimed he was very drunk at Claridges', not slightly drunk, and  
couldn't remember anything. So he'd better not alter this. 
A bit more than medium height, greying a little at the fringes. The hair cut more  
American than British. Trendconscious American executive. Bill's wild locks and Mexican  
moustache made Dan look very pass& He always had that faint air, very much that male  
type physically, of the Duke of Windsor when he was still young. Rather a sullenshy face,  
but the body not gone to fat. A good mouth, his best feature. His eyes too fixed and pale, I 
never really went for them, despite their occasional sexiness. A sort of challenge, they  
always stared a little. When he was bored, he used it consciously, as if he was  
somewhere else, and wished you were. It was a rudeness I rather got to like, probably  
because I learnt how to control it. If it was aimed at me, I knew how to kid him out of it.  
And useful, if it was aimed at someone who bored me as well. As they often did,  
obviously. Agreeing on what's a bore is a main reason the thing happens. 
I've just reread that last paragraph and it's too based on that first meeting. I  
make him too stony, too static. And he wasn't a heavy drinker at all. He moved lightly, he  
was never physically clumsy. Sometimes I wished he was, it was as if he'd studied not  
being clumsy, how to be deft. Contradicting what he felt about acting. So usually he'd  
come on a shade too urbane (this is in public). The muchtravelled man of the world and  
all that. On the other hand (as he knows) I hate men who can't handle hotels, restaurants,  
waiters success life, if you have to lead it. I suppose doing it well inevitably means  
roleplaying.8 A good escort, as publicity would say.
I still can't define his essence. Something in transit, hardly ever altogether with  
you. I used to think it was the age thing, but it was much more than that, not just those  
moments when he slipped on his father, his uncle face, like the time he first talked  
marriage, up in the Mojave. When I explained why not, he went young again. Absurd. He  
got the faces in exactly the wrong order. If he'd asked me young, it might have been so  
different. I was falling in love with him (or the idea of him) then, on the brink of losing my  
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cool, I knew it would come up and I knew the answer would come from way beyond a  
prepared decision, if he chose the right moment. Out of instinct, the time and the place  
and the mood. He'd never have muffed it so badly in a script. 
Not just in transit. Selfcontained. Very planned and compact, like his  
handwriting. Like a good leather suitcase in an airport lounge, neatly locked, waiting to be 
taken somewhere else, with a destination label you can't quite read. Or when you could  
go closer and did read, it was just the name and the airport the other end, and you hadn't  
heard of either. To begin with I found this very attractive. Not quite being able to read him, 
which also meant knowing it couldn't last, he was passing. Realizing he was (and notjust  
in the literal sense) deeply divorced. Homeless, permanently midAtlantic and in spite of  
the way he clung to his Englishness in accent and idiom, the kind of parenthesis he  
always let you see round his Americanisms, and his queer old patriotismwhat I thought of  
sometimes as his VisitBritain self, chatting with picturesque old gaiTers in an oakbeamed  
country pub and quaffing your tankard of ale (that kind of phony vision of what is really  
trendy weekenders swilling vodka below walls covered with Hong Kong horsebrasses). I  
used to get mean about that, a nasty little Seventies bird: if he loved it so much, why was  
he here?
That was a place we didn't meet. I've never been a country girl (thank Christ,  
says she). It shocked him that I didn't despise Los Angeles on sight. Or want to go back to 
the boring old Mojave desert.
And Tsankawj. Oh God. But I can't deal with that now. 
I remember the day, early on, it was night actually, he first came out about his  
country retreat at home. All the time he was describing it, the landscape, Devon, the  

wildlife, his childhood as if all that was why it meant so much to him, I sensed something  
else. What he really needed was not the place, but an excuse to talk about it. He hardly  
ever lives there, it's really just a hobby, something he's acquired on the way to what he  
actually is. Which of course he knows or rather, since he's as scared of not seeming to  
see his own paradoxes as a good chessplayer of exposing his queen, he thinks he knows. 
He said it once, when we were talking about Citizen Kane (he may alter this if I've got it  
wrong): how the great masterstroke was the Rosebud symbolism, how the worst  
corruption of the corrupt practitioners of a corrupt art was the notion that you could buy  
back innocence. Like a Mafia contribution to the local priest as if that would save you if  
there really were a Heaven and it truly judged. I didn't tell him I couldn't see why being  
objective about his pseudofarm let him out, either.
But I didn't dislike him for it. He never realized he wasn't ugly when he was  
fallible.
And his father being a vicar (I hadn't then realized The Empty Church was  
autobiographical). I laughed, I just couldn't believe it. I didn't really believe it till the day we 

were out driving down to Marineland and got into a freeway crawl, and he started singing  
hymns. Guying them, all their Christian nonsense. But he'd remembered so many. That  
was another moment I loved him. He was fun to be with sometimes. 
So the selfcontained thing was really just a symptom of his inability to relate to  
anything but a place where he didn't have to relate, except verbally, and after a few  
Dettols. I never got far beyond even that secret. To his real ones, like Caroline. I hated  
the way he used to talk (before I had it out with him) about her, by implication so  
dismissively, contemptuously, as if she were some useless secretary he was stuck with at  
home, instead of his own daughter. All right, so her mother's screwed her up and given  
her values he despises. But it was transparent that in fact he was just hurt, resentful... and 
not only about the past, having lost her, but also about having got hooked on me, the  
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incest bit (but what did he think he sometimes was for me?), and hating it and loving it. 
Then all the murk behind his broken marriage. I gave up trying to penetrate  
that. And his other women, his quite grotesque evasive 0 ness about that, if I got nosey.  
As if I might be offended, as if that kind of past ever made a man less attractive. I  
shouldn't call him a smart leather suitcase. He's really an old split parcel, done up with  
fifty thousand clumsy knots. He outrages all my Scottishness.
All this was summed up on that weird last evening (the secondsight thing was  
nonsense, but it was strange, Dan, I did feel something was going to happen to us). When 
you, I mean he, talked of chasms. And I told him he meant barricades. I hope he'll think  
very hard about that, if he ever reads this.
I'm running and running him down, but all this actually made us more equal. I  
never realized so clearly before that 'old' minds are also young minds in old bodies.  
(Unkind, I mean nice nolongeryoung bodies.) There were increasingly times when I felt  
older. I was older. When that extraordinary call came, he was like a child, a small child, a  
small boy who is frightened and excited and trying to hide both by being 'mature'.  
Somebody truly, actually, for God's sake really wanted him. He felt set free, I could feel it.  
I was very angry, which I hid. Not that he decided to go, but had the nerve to drag me in  
as a pretext. I don't know why I should sometimes have been worried about using him. At  
least I've been open about it.
I look back now and I see that its all happening, something like it, was  
inevitable. After Tim and I broke up and I ran wild, it was kind of in the air. It had to be  
someone like Dan, in the end. This was an element I brought in from the first (though it  

wasn't calculated, I'm really saying he's also taught me to be more honest). It had had to  
happen, it had a kind of dialectical inevitability, therefore it must one day change to  
something else. That 'therefore' was always around. Made it a stage, in both senses. 
It was Harold, in the Birmingham days, who gave me the clue. He said: All good 
actresses are whores. Because on top of the normal need to experience, we have a  
professional duty to experience. I was conscious of that long before Dan. I was very  
conscious of it when I split with Timothy. Even at the worst of it, our fighting and  
screaming, a secret little Jennydoll sat in my brain licking cream. That first screen part  
was full of the cream she'd been licking, if I'm frank. 
Dan came to the airport to meet me at Los Angeles. With the studio publicity  
woman and her photographer and roses in cello' phane. He claimed it was because Bill  
couldn't make it, he was just standing in. Which spoilt it. A little. But he wasn't drunk, he  
was dry and rather paternal, a different person from Claridges. And when we were at last  
in the limo away into the land of the fries and the burgers he described his own first arrival 
years before, unmet. The feeling totally alien and lost. He saw me look at one of the  
monopod hoardings, with some absurd giantess of a drummajorette slowly spiralling on  
top. He said, You have to decide one thing herewhich is real, you or Los Angeles. Right? 
I said, Right. 
I turned that into a mantra. It was the nicest, the best thing he ever gave me.  
'Los Angeles' means anywhere.
I was in flakes and they made me go straight to bed when we got to the hotel. I  

was to have a free day before the publicity grind and fittings and the rest. There was a list  
of flats, apartments, to look at. I'd decided that somehow living in an apartment would  
mean like being in digs in rep. A tin of coffee, a box of detergent, a kettle to boil. I might  
need that. The publicity woman had planned to take me looking, but Dan offered to  
combine it with a drive round the sights. I think he saw something in my face, she wasn't  
my cup of tea at all. Frightened me with all that careerwoman processedcheesecake  
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charm.
He picked me up at ten next morning. I hadn't been able to sleep well, I kept on  
getting up and staring out of the window. So this is America, this is the place, that's  
Sunset Boulevard down there. Ninetenths of me was still in London, dear little Belsize  
Park. I was scared, I was glad Dan was going to be there to shepherd me in the morning.  
He was in the Polo Lounge, drinking coffee and reading the day before's London Times.  
Very reassuring. And I even felt excited for a while, just a tourist. But it got too much, we  
saw too many places too far apart and I began to get in a panic again, going all instinctive 
instead of practical. He was patient and neutral. Like an estate agent, bored but hiding it,  

with a rich client. And then I began to think he was secretly watching me, trying to make  
up his mind whether I really was right for the part and I felt annoyed that he wasn't sure.  
He said later he liked what he called my being choosy. He'd just been curious,  
'anthropological'. I didn't think of him in a bed way at all. No. I did once, in a ghastly  
bedroom we were both standing in. And dismissed him at once. He tried to put me off the  
place I finally said yes to. But I fell for the view. I'd realized by then that I'd never find  
roomshapes and furniture I could happily live with. So I hired the view. We had a late  
lunch back at the hotel. He offered to drive me round some more, but by then I wanted to  
get rid of him. I went and slept.
That same day's evening Bill had flown back from New York and he and his  

wife and Dan took me out to dinner. It was for me to meet Steve as well, but he hadn't  
turned up, though he'd been supposed to make the same flight as Bill. Who brought  
profuse apologies. Steve was busy laying, of course (as he told me as soon as we did  
meet, the next afternoon). It was like the birdsofparadise with the note from him (Thrilled  
to be working with youSteve) I found waiting with all the rest of the florist's shop. From the 
hotel, and Bill, and the man Gold, and the studionone from Dan, though in my suite when I 
arrived. Each card written in the same hand. When I thanked Steve for flowers and  
message, he just opened his hands, a typically lousy piece of acting. He didn't know what  
the hell I was talking about.
But I'd already heard enough about him by then. At dinner that first evening Bill  
and Dan had finally drunk enough to be bitchy and more honest. I learnt for the first time  
that Steve was neither of them's first choice the man Gold had pulled boxoffice. 
Steve has some hangups, said Bill. 
He's a prick, said Dan. 
I can handle it, said Bill. It is there. 
And then Dan smiled at me, the faintest wink, partly at that clumsy use of 'it',  
but something nicer. Both tender and wry, some kind of simple English current between  
us in the poshlousy eatingplace. An alliance. And it said he'd decided to like me, we'd find 
a way to cope with the Prick. Which we didn't, but never mind. 
Then next days: meeting the Prick, fighting wardrobe, the awful runthroughs,  
rewrites, arguments. Trying to get it to the P. that I didn't want to make it quite yet in the  
sack, thanks very much all the same. One godawful statutory evening alone with him and  
his hangups well, what Dan would call anthropologically quite interesting, they all seemed 
so calculated, part of his image, and ludicrously dolled up with Nam and all the okay  
political attitudes. I got very prim and English with all his sloppy clichŽs. He'd have done  
fine as a beach bum or a gigolo. It was trying to be a thinking actor. And irresistible penis.  
I let him kiss me at the end. Killed the groping before it got anywhere, and any repetition  
of it.
All this was against the (for me) whole freak background of the thing, making a  
movie in Hollywood for gosh sake, maybe we should start an industry here. Ha ha. Of  
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course I knew my real career (thou dark enigma) didn't depend on this very much, if at all  
Dan didn't have to teach me that. But I had some sort of culture shock. I couldn't tell the P. 
what I really thought of him, as I would have back home. He had to be made to want to  
help me a little, with all the sex scenes ahead. And then the awful synthetic gloss (I hadn't 
met Abe and Mildred then, remember) over the other people in this world, the constant  
gescheffting, gossiping, organizing, like hundreds of little plastic cogs in a clock that won't 
keep real time anyway. Nothing ever seemed to stop, one always had to be doing  
something, planning something, saying something that was 'meaningful'. It was like a  
foreign language I couldn't speak (not American English, the moviebiz use of it) yet had to 
listen to because I could understand it. All those boring evenings with people I never  
wanted to see again. Worse even than boring publicity. Feeling I was being dragged  
down into the gloss and the plastic and the piddling selfimportance, all of which made me  
long for England and people who do their own thing naturally and not because it's a  
trendy little phrase. Long for hours that drift and conversation that hops about and has  
silences, with nobody really believing one another or expecting to be believed, because  
it's all a game. All you pointed out to me later about old and recent users of a language.  
The awful giveaway of trying to be 'meaningful'.
Sorry. All Dan pointed out to me. 
Which made me look forward more to that than to Dan to an evening with him.  
His suggestion, very tentative, an English exiles' evening, just the two of us. I had lost  
touch with him a little after that first day. He was around during the readthroughs and I'd  
got to admire him professionally. The P. was always coming up with 'better' (shorter) lines, 
or no lines at all because he could get it across by some piece of fantastically subtle  
subsubBrando (Jesus) shtil.e which he could never quite demonstrate, let alone explain.  
Bill and4 Dan must have agreed how to handle it. Bill would sound sympathetic and  
interested, Dan would finally shoot him down. I think they were right, it was the only way.  
But it was so longwinded. And the P. started taking against Dan and the whole script and  
tried to enlist my support. I used to sit there silent in all the gas and think how much  
simpler the whole bloody process was at home.
So our evening. We drove back over the hills to the San Fernando Valley and  
some dotty Russian place, where the food came in dribs and drabs, with endless pauses,  
and not what we'd thought we'd ordered anyway, but delicious. I pumped him discreetly,  
his past. Learnt he was divorced, one daughter only three years younger than me and  
trespassers keep out. I did. But his career, his plays, why he'd stopped writing them,  
movies, America... he talked a lot and I responded and he listened when I began  
unloading all my own naive feelings about California. I knew we had a wavelength,  
something I'd doubted before. He came in for a nightcap when we got back to my  
apartment. Ten minutes later he pecked my cheek and left. I wanted him to. Which  
doesn't mean that it wasn't a lovely evening and a great relief. 
Shooting began, locations, and I hardly saw him then. Just very occasionally he 

would appear, he'd already started on the Kitchener script. But then he was there one day 
during the sequences at Malibu and we had a talk between takes. I was getting pissed off, 
they seemed to need so long to set things up and Bill never seemed satisfied until we'd  
done three takes more than necessary. I used to get driven straight home after shooting  
and then stay in, go to bed at eleven, ten sometimes. A model young actress. But  
compared to dressing up and going out and being a sexobject and wildly bored I started  
turning down everything. I had a courtesy meal with Bill and his wife, but I think that was  
all for a whole week. It was strange, I rather enjoyed it. Cooking the bits I'd scribble  
Martha to buy when she came in to clean. Or sometimes I'd stop off in the studio car and  
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pop into a healthfood place or a delicatessen. Kitchen around a bit, watch the inane TV.  
Read. Write home like a schoolgirl. It was Dan's fault. I was trying too hard to prove  
California was unreal, not me.
Some of which (not that last bit) I found myself telling Dan between takes at  
Malibu. We were paddling, like elderly trippers at5 Southend. The stills man took a photo  
of us I've kept. Both staring at the sea at our feet. I suppose I was trying to tell him my  
simple AngloScottisimess was stronger than this alien culture. And honestly no, I didn't  
feel lonely at all. Yes, of course I'd ring if... and suddenly knowing I was lonely. That was  

where the digs illusion broke down. The other girl I'd have had to chatter with and moan  
to. It was a kind of bottling up, that was why I was writing so many letters. It was just  
someone to talk to, no more than that. I'd stopped the jackandjill, I was getting on perfectly 
well as a temporary nun. 
I said, I've discovered a sensational healthfood store. 
He gave me a sidelook. Is that an invitation, jenny? 
It hadn't really been. Then suddenly was. 
Tonight? If I promise to leave by ten? 
I knew I had to come to a decision, as soon as I'd said yes. It had all been very  
guarded, casual, space for withdrawal on both sides. But I knew 'check' would be  
attempted. I thought about it a lot, that is, about a whole aspect of Dan I haven't  
mentioned before the fact that he has a name. On the other hand, knowing that by the  
highest standards he never quite got there, that his plays are really rather square, that  
among my generation in the theatre there are a dozen other writers we are more  
interested in, more "with'... which he knows, though it's always been a taboo subject  
between us. He assumes I despise him theatrically, at best a sort of toleration. And  
perhaps I always assumed too much that he didn't really care. Then something else: the  
fact that, in (silly) terms of having your name in the papers, I've always before gone down  
rather than up for my men. I'd known for some time that that wasn't healthy. As if it wasn't  
enough to give my delightful bodyandsoul to them, but there had to be the press cuttings  
as well.
It was partly vanity. Handing out the privilege of sleeping with jenny McNeil in  
return for her privilege of despising them for not having made itwhich is exactly how  
Timothy once put it. And outraged me, I was so sure my living with him proved I was a  
democrat, that I saw through all the ballyhoo, I might be an embryo star but my feet were  
on the ground. It was also a fear, almost a little girl's fear that I should one day wake up  
and all this would burst like a bubble, so better not risk too much. But the other thing was  
paramount. I always felt safer when there was something in6 lovers I could despise. I  
couldn't even call it political, a justifiable Women's Lib attitude. It went much deeper, to a  
nasty little selfcentred terror of being challenged and disturbed. Reduced to equality. 
I'd thought often about all this since I came to California. It may shock Dan, but  
it did play quite a part. He wasn't very famous, or someone I admired deeply as a writer.  
Just quite famous and quite respected which meant I could still despise him a little and  
still feel he was a long step tip from nonentity. He was perhaps going down and I was  
perhaps coming up, but for now the balance of success and experience and professional  
respect and everything else was heavily on his side. Except physically, I'd be doing him  
no favours.
This all sounds so vilely calculated. I kept changing my mind about him (or it)  
through the rest of that day at work. And there were honestly all kinds of simpler things.  
Wanting to know him better, thinking how it would put the Prick's nose out, feeling excited, 
both emotionally and sexually. I suppose I saw Dan as a sort of challenge. I remember  
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having had a shower and staring at myself naked in the mirror, before he came. Feeling  
strange. Just not knowing. I've always known before.
Then wanting, much later that evening, after eleven, him to make a move. He'd  
been pumping me, much better than my attempt at it during our Russian evening. I  
suppose the Cats are right, you do need regular confession. Like menstruation. He'd  
coaxed out of me what I really felt about the film, about Bill, about the Prick (we agreed for 
that name for Steve that evening). Everything. My never being quite sure what Bill wanted 
or what dotty new improvisations the P. would suddenly introduce into a scene, and why  
Bill let him get away with it so often. Dan was nice: the rushes I'm not allowed to see, I  

was doing fine. Even the everpessimistic Gold was impressed. But what I liked best was  
knowing Dan himself had passed me.
Then the talk finally wearing thin, as if I was hinting that lie should go, but it was 
only because I didn't know how to say that he didn't have to. 
A fantastic silence. It seemed to last for ever. He was lying on the couch, feet  
up, staring at the ceiling. I was sitting on the rug beside7 the logplace, hearth is too nice  
and old a word for it, back to the wall, staring at my toes. I was wearing a shirt, no bra, a  
long skirt. No makeup. He'd come in a blazer, foulard, studious informal like a smart  
Angeleno. Only he'd taken the blazer off. A blue flowered shirt. 
He said, If this was a script, I'd have the man get up and go. Or the girl get up  
and come. We're wasting footage.
He turned his head on the couch and looked across at me. I didn't like that  
corny way he'd put it. He wasn't smiling and I didn't smile back. After a moment I stared  
down at my feet again. He got up, picked his blazer off a chair and just exited. Without a  

word. Not even a goodnight or a thank you for the meal. The door closed and I was left  
sitting there. Perverse: he'd have to do better than that and I still didn't want him to go. 
But he went. I heard the outside door open and then it was slammed shut.  
Silence. I ran to... I don't know, at least say something. And he was there, leaning by the  
front door, inside, staring down at the ground. The old trick. 
I turned back into the room and he came after me, switching off the lights. I  
remember he put his arms round my back and kissed the back of my head. 
I said, Dan, I'm not on the pill at the moment. That's all. 
No problem. If that really is all. 
I put my hands down on his and said, I didn't want you to go. 
He began to unbutton my shirt, undressed me, without kissing me again after  
that first touch. Then himself, and I was still half perverse, I just stood there waiting,  
looking out at the lights all the long way to the ocean, hearing the freeway traffic down  
below: all those funny, streaky, wobbling thoughts when you know it's this, a new thing, a  
new man, where is this room, who am I, who cares, why.
He came and put his arms round my shoulders and led me to the couch. We lay 
down side by side and he ran his hand down my body, watching me. Almost as if he  
thought I might flinch. As if I'd never had sex before.
He said, I've been wanting to ring you all week. 
I said, I wish you had. 
We kissed then. I was simple, passive, no games, I let him do what he wanted,  
responded just enough to show him I wanted him to do what he wanted there was still  
something uncertain, I wasn't sure I wanted him for this, though I didn't mind. Anyway, it  
never is natural the first time, one's taking notes, comparing, remembering, waiting. In the  
end we went on the floor and I thought of tomorrow. Seeing him again, after this. Then his  
body. How lucky men are to have it so simple. 
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He didn't say anything. Neither of us said anything for some time. We just lay  
there, the way you come out of a film sometimes and you don't want to talk about it. I  
thought how little I knew about him. Wondered how much he did this sort of thing. There  
was very little unit gossip about him. Wondered what he really thought about me. His age, 
his past, my age, my past. He broke the silence. First he reached out and traced the line  
of my mouth.
Jenny, in the argot of this barbarous province what I've just done is lay a broad. 
The only way to kill that argot is to break the rules of the ritual that accompanies it. By the  
rules I should thank you for a nice fuck, dress and drive home. But I'm going to take you to 
bed and sleep, just sleep, beside you. Kiss you in the morning. Make your coffee when  
your call comes. You understand, if tomorrow you feel it's all a mistake, fine. I just want to  
be sure that for now we behave like European humans. Not movieland apes. 
He was leaning on his elbow, watching me in the darkness. 
I said, It already is tomorrow. I'm still here. 
He kissed my hand. 
Okay, then just one more speech. I've been in love often enough in my life to  
know the symptoms. As opposed to the laythebroad ones. But love is a sickness of my  
generation. Not yours. I don't expect you at any point to catch it from me. 
Is that a request or a prediction? 
Both. 
And that was it. We went to bed. We didn't sleep. There's something about  
one's own bed, most belonging there. And the way he held me. And thinking about what  
he'd said, and how it hadn't needed saying, it was almost insulting because it really meant 
I Might just be a broad who went in for onenight stands and then that I was too young and  
shallow and I97oish to understand love.9 It was square, anyway. But it also said he was  
less cool, or more vulnerable, than I believed. And something wicked: Daddyo wants me.  
All his years, his women. Till suddenly I wanted, and truly to say yes, and turned to tell  
him.
(To be continued. It's 1.30, I'm mad.) 
The Door
'Daniel? It's Nell.'
'Who?' 
'Your onetime wife.' 
His arm drops from jenny's shoulders. 
'Caro?' 
'She's fine.' A hesitation. 'I'm sorry for this godawful hour. We can't work out the 
timechange.'
'I'm still up. It doesn't matter.' 
'I'm ringing about Anthony, Dan.' 
'Oh God. Is it all over?' 
'No, it's... as a matter of fact I'm with Jane. In Oxford. She wants to speak to  
you.' He says nothing. 'Are you there?'
'Just temporarily speechless.' 
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'She'll explain. Here she is.' 
He glances at jenny, then puts his free hand to his head like a pistol. She  
stares at him a moment, not laughing now, then looks down and turns away towards the  
centre of the room.
Dan? 
'Jane.' 
A strange mixture in his voice: both warmth and offence, and above all  
incredulity. There is a tiny pause on the line.
'I feel awful disturbing you like this. So out of the blue.' A longer pause. She  
says, 'Can you hear me?'
'It's just that yours was the last voice in the world 'I'm sorry. It was so kind of  
you to send that message via Caro.'
'I'm only sorry it's had to be so long.' 
emotion and unreason.
'How is he?' 
'He's in hospital now. Here in Oxford.' 
'It's such foul luck for you all.' 
'We've learnt to accept it.' 
Again there is a silence, and he seeks frantically for a reason why this should  
be sprung on him.
'Is there some treatment over here you want me to 'I'm afraid it's beyond that.  
No one can do anything now.' Another hiatus. 'Dan, I've been trying to gather courage all  

week to ring you. I don't quite know how to say this, after all that's happened.' Again she  
holds back, then plunges. 'He wants to see you before he dies.' 
'To see me!' 
'I'm afraid so. Rather desperately.' She adds, 'He's very ill. But quite  
clearheaded.'
He feels like a man whose foot finds an abyss instead of a pavement. 
'But Jane, with all the sympathy in the world, I mean, all that's so... 'Now he is  
the one who seeks refuge in silence. He makes his voice less demanding of escape. 'You  
two were right, for God's sake. I've long forgiven you both completely. Do tell him that.'  
When she doesn't answer he says, 'This is what it's about?'
'Yes... partly.' 
'You know. With all my heart. Total absolution. As far as I'm concerned.' 
'He particularly asked me to say it's... unfinished business.' 
'But my dear, I... I mean... Well, can't you just tell him? He can take it as read.' 
'It's not a whim, Dan. I wouldn't be troubling you otherwise.' 
stated. Her pressures were always more those of silence than speech. 
'Can I give him a ring?' 
voice, Nell's, sheathed and neutral.
'It's me again.' 
'What's happened?' 
'Nothing... she can't talk for a moment.' 
'Nell, what the hell am I supposed to do? I'vejust offered to ring the hospital.'2  
'He wants the living presence, I'm afraid.' 
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'But why, for God's sake?' 
'I don't really know. Only that he apparently talks of nothing else.' 
'I asked Caro to say if I could do anything, before I left.' 
'I know. I suppose it's something to do with dying.' He feels her searching for a  
reasonableness. "We've tried to explain it's very difficult for you. But he's become  
obsessed by it. I saw him only yesterday evening. It's not just Jane.' 
'I don't understand why I couldn't have been given some warning.' 
'Jane's been lying to him. He's under the impression that she's been trying to  
get in touch with you. But she didn't want to involve you. I've only just come in on all this  
myself. I'm the one who's finally forced her to do something about it. We've been arguing  
most of the night. You'd better blame me.'
'How long have they given him?' 
'Not very long. It's not only the dying. How long he can talk coherently.' She  
added, 'I understood from Caro that you'd finished with the current film.' 
'More or less. It's not that.' 
'Oh yes. There was a photo of her in the Express the other day.  
Congratulations.'
'Oh for Christ's sake.' 
She says evenly, 'If you think it's been easy for Jane and me to watch' 
'I'm not wholly devoid of imagination, Nell. Now for fuck's sake pack it in.' 
His voice has something rare in it: a rawness. A silence. Then as if satisfied,  
the old weapon once again proven good, she retreats into simplicity. 
'I'm sorry. We're not blackmailing. Just begging.' 
'It's all such ancient history now.' 
'Not for Anthony.' She added, 'But it's totally up to you.' 
He wavers, calculates, stares out at downtown Los Angeles six or seven miles  
like an empiricist threatened with supernatural pattern, though he thinks not of doors, but  
'Is Jane still there? Can I speak to her?' 
'Wait... yes, all right. Here she is.' 
'Dan, I'm sorry. We're both in a rather overwrought state.' 
'All right, Jane. I understand. Now listen. Cast your mind back a thousand  
years. Do you remember a day when you threw a full champagne bottle into a river? And  
you said, when I asked you why, I can't remember the exact words, but something like, It  
felt right. Do you remember that?'
'Just.' 
'Then forget all these years of silence between us. All the anger. The betrayal.  
And give me one more equally inspired total judgment. Would it feel wrong if I didn't  
come? Do you want me to come?'
'I haven't the right to say, Dan.' 
'Not unless I ask. Which Ijust have.' He adds, 'I'm between films. I was coming  
home soon.'
And he waits, he sees, already, as he sometimes does at the very early stages  
of a new script, permutations, forks, openings to exploit. 
'Anthony would be eternally grateful. If that doesn't sound too silly.' 
'And you?' 
At last she says, 'Please. If you possibly can.' 
'An there's very little time?' 
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No. 
The decision is on him, almost before he knows it is there, and he feels the  
image is from seeing, not experience like a surfer, suddenly caught on the crest, and  
simultaneously one of abandonment... no sooner willed than transferring will to the wave. 
'Okay. This call's costing you the earth, so listen. Tell Anthony I'm on my way.  
Give him my every sympathy. And just put on Nell for one moment more, will you?' 
'I sometimes think I ought to have thrown myself instead of the bottle.'4 'I shall  
demand an explanation of that when we meet.'
There is silence, the last. Then she says, 'I don't know what to say, Dan.  
Forgive me.'
Then it is Nell again. 
'I'll try and get a flight tomorrow. Just warn Caro I'm coming back, will you?' 
'I'll telephone her this evening.' 
Thanks. 
And he puts down the receiver, meanly, before she can find a tone of voice for  

whatever repentance or gratitude she too feels. Then he stares into the lit plains of the  
California night, seeing Oxford, a grey winter morning, five thousand miles away. From  
somewhere down below there rises the neurotic switching wail of a patrolcar siren.  
Without turning, he says, 'Two fingers, jenny. Straight, please.' 
He stares at the glass when she silently brings it, then up into her eyes with a  
wry smile. 
'And fuck your greatgrandmother.' 
She holds his eyes, probing. 'What's happened?' 
'My erstwhile brotherinlaw wants to see me.' 
'But I thought... the one with cancer?' 
He swallows half the whisky. He stares down at the glass. He looks up at her,  
then down again. 'We were very close once, jenny. I've never really talked to you about all 
that.'
'You told me they'd excommunicated you.' 
He turns away from her eyes, looks out again over the endless city. 'He was my 
best friend at Oxford. We were a... sort of quartet. The two sisters. He and I.' He gives her 
a diffident grimace, searching her reaction. 'Ghosts.'
'But... ' she lets expostulation trail away. 'You're going?' 
'It seems there's not much time left.' She stares at him, and her eyes show two  
kinds of hurt honesty, both a childlike and an adult. If he tells her a lie then, it is also  
partly to himself. 'It's Caro, Jenny. We've torn her apart for so long. I can't refuse the  
olivebranch now it's offered.'
'Why does he want to see you so much?' 
'God knows.' 
'But you must have some idea.' 
He lets out a breath. 
'He's a professional philosopher as well as a Catholic. They do rather live in a  

world of their own.' He reaches and takes her hand, but again looks out into the night. 'His 
wife's someone special. Very meticulous over personal relationships. Very scrupulous.  
She wouldn't have broken so many years of silence without... but he doesn't finish. 
She withdraws her hand and turns away. He watches her light a cigarette by  
the couch.
'Why did it feel right to throw a full champagne bottle into a river?' 
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'It was just her way once of suggesting we'd all been living in a false paradise  
at Oxford.' He goes on a shade too quickly. 'All very involved. I'll tell you one day.' 
'You don't have to defend it. I just wondered.' 
But she avoids his eyes. 
He says, 'Perhaps it's for the best.' 
'Thanks very much.' 
'A breather.' 
'I didn't realize it was a race.' She picks up an ashtray and empties it  
unnecessarily into a wastepaper basket. 'You won't come back?' 
'They only want you for three weeks more. With any luck.' 
She leaves a silence. 'Well. That'll teach me to make jokes about second sight.' 
'Yes. It was a little uncanny, that.' 
She glances at him, accusing. 
'Ask me to marry you again.' 
'I try not to repeat silly mistakes.' 
'Your whole life's a mistake. You've just told me so.' 
'All the more reason for not dragging you into it.' 
'I shouldn't have said yes.' 
'Then what?' 
She bends and plumps a cushion. 'I think about it. Quite a lot. Much more  
seriously than you do, I suspect. For all your talk.'
'Then you should know why it wouldn't work.' 
'I know the signs are bad. All you say.' She obstinately arranges cushions, then 
picks one up to examine some loose braiding. 'I just wonder if the fact that you won't trail  
round after me and I won't give up everything to darn your socks isn't really rather a good  
thing. The best I'm likely to get. Given the squaw bit doesn't attract me at all. That it  

wrecked my only other... serious relationship. Would always wreck it with anyone normal  
'Then it definitely wouldn't work, jenny. The one component such marriages  
need is a core of dishonesty. I don't think we two could manage that. In the long run.' 
She puts the cushion down. 'You don't seem to realize I need you. In so many  

ways.' 
'Need someone.' 
She turns from the couch and sits in an armchair, hunched forward, head  
bowed. 'I feel frightened already.'
'That proves I'm bad for you. And always would be.' 
'I've got to decide about the new part.' 
'You know what I think. He's a good man. He'll get the script up. You should do  
it.'
'And take myself off your hands.' She says, 'I'd know you were waiting. You'd  
be there.'
'I shall be. For as long as you want. You know that.' He searches for a placebo.  
'And you can move into the Cabin. Abe and Mildred would love that.' 
'I might. And don't change the subject.' She draws on the cigarette, blows out  
smoke, then looks up at him. He still stands by the telephone. 'I notice you're not admitting 
that I'm also the best you're likely to get.'
'You're shopping for bargains.' 
'You hide. That's even worse.' 
¥1 What do I hide? 'Your past.'
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'Not cool. The past.' 
'That's a stupid, slick, evasive, answer.' She spaces the adjectives, like little  
whiplashes. He turns away. 'So is a great deal of my past.' 
'Stage point. Not a real one.' He says nothing. 'And so's most of everyone's  
past. I don't know why you imagine yours is so peculiarly awful.' 
'I didn't say awful. Unpurged.' He goes and sits on the couch, at right angles to  
her chair. 'It's not a matter of statistics, Jenny. Or even individual history. Purely of  
personal awareness.' She will not help. He says, 'I misled you, it wasn't really a feeling of  
emptiness I had this afternoon. Much more the opposite. Like having eaten too much.  
Undigested deadweight. A millstone.'
She contemplates the end of her cigarette. 
'What did your exwife say that annoyed you?' 
'That thing in the Express. Couldn't resist a dig.' 
She stares at the carpet. 'Is it the same for you?' 
'Is what?' 
'Still hating. I heard you say it. It's all so far away.' 
, will this seem far away, twenty years from now?' 
'Whatever happened, I shouldn't want to hurt you any more. 
arms, to thaw this icebut suppresses it, notes and commends himself for suppressing it.  
He regards the last of the more than two fingers of the Laphroaig. 
'We had all our values wrong. We expected too much. Trusted too much.  
There's a great chasm in twentieth century history. A frontier. Whether you were born  
before 1939 or not. The world, time... it slipped. Jumped forward three decades in one.  
We antediluvians have been left permanently out of gear, jenny. Your generation knows  
all about the externals. The visual things. What the Thirties and Forties looked and  
sounded like. But you don't know what they felt like. All the ridiculous dŽcors of the heart  
they left us encumbered with.'
She does not answer for a long moment. 
'Hadn't you better ring the airport?' 
'Jenny.' 
'It's not a chasm, Dan. It's a deliberate barricade you erect.' 
'To protect both of us.' 
She stubs out the cigarette. 
'I'm going to bed.' 
looks back at him.
'You'll please notice that I meticulously, scrupulously, do not8 slain the door.'  
And once through she sets it, with an ostentatious precision, half ajar. Then she glances  
up again at him.
'Okay? Oldtimer?' 
She vanishes. He sits in silence for a few seconds, then finishes the whisky.  
Then he goes to where his jacket lies and takes out a pocketbook, through which he leafs  
as he walks back towards the telephone. He dials a number and, waiting for an answer,  
stares back across to the bedroom door which like that other door, like reality itself, that  
the feeling right. 
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Aftermath
The police car dropped them at the top of the North Oxford road where Dan had his digs.  
The sky had clouded over completely, and there was already a spatter of rain. They  
walked quickly between the lines of solid Victorian houses, staid and donnish, too trite to  
be real. The wind had loosened some leaves. Autumn came drear and viciously  
premature. They said hardly a word until they were in his room. 
but equally chosen for its landlady, a Woodstock Road Marxist who, having somehow got  
herself on the approved list, allowed her student lodgers freedoms unusual for the time.  
One put up with erratic meals and Communist Party pamphlets for the rare privilege of  
being able to do what one liked both with and in the privacy of one's room. Dan's  
exhibited what passed for advanced taste in 1950. He had some private money besides  
his government grant and the Art Nouveau craze was still twenty years from ubiquity.  
Small portables in the style could be picked up for a shilling or two in any junkshop. 
What could one deduce today from photographs of that room? Theatrical  
interests: a pinnedup collection of pre1914 musichall and musicalcomedy star postcards  
(which he still has somewhere and occasionally adds to), a toy theatre rather too  
prominently on a small table by the window over the garden, above the mantelpiece an  
original Gordon Craig setdesign sketch (then his proudest possession, foolishly given  
much later to the woman cited in his wife's divorce action), a framed playbill with his own  
name on (as joint librettist of the revue the previous winter), a batch of masks from a  
production of Anouilh's Antigone (hardly fin de siecle and already announcing a suspect  
eclecticism). Academic interests: a case of English literature texts and a cartoon on the  
wall showing Professor Tolkien being trampled underfoot by a Russian Stakhanovite  
bearing a lettered banner, on closer examination an undergraduate porting the runic  
proclamation: Down u'ith AngloSaxon. (Of priceless value since The Lord of the Rings,  
but unfortunately burnt only three weeks from where we are, to be precise on the last day  
of the owner's Final Schools, along with the abominable Beowuif and a number of other  
ancient printed instruments of torture all in revenge for the thirdclass degree frequently  
admonished and duly received.)
Family background and personal life: difficult, yet the very paucity of evidence  
tells a tale. No family photographs, I seem to remember, though there was one, a blurred  
snapshot of an old stone doorway with the illegible (but he knew it by heart) date 1647  
there was certainly one, mistyedged and studioposed, of Nell on the table used for a  
deskand at present cluttered with all the evidence of panic cram. The most striking effect  

was of a highly evolved (if not painfully outofhand) narcissism, since the room had at least 
fifteen mirrors on its walls. True, they had been collected for their Art Nouveau frames, or  
physical contemplation of self. This little foible had been cruelly lampooned (if it wasn't  
that at Oxford any lampooning is less cruel than none) in an undergraduate magazine the  
previous term. There had been a list of 'characters' in the manner of La Bruyère. Daniel  
was dubbed Mr Specula Speculans, 'who died of shock on accidentally looking into a  
mirror without its glass and thereby discovering a true figure of his talents in place of the  
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exquisite lineaments of his face'.
It must be remembered that this callow attempt at a personal decor existed  
againstor because of a background of austerity, rationing, and universal conformity.  
Britain was still deep in a dream of siege. Of its time, it was daring. People who went to  
parties in it were honoured, and told less fortunate friends about it afterwards. An added  
piquancy was the wellknown landlady downstairs, who raged against the viper she had  
taken to her bosom and the bourgeois decadence of his fancy pots and pieces and his  
general attitude to lifeor so Dan liked to pretend to his guests. The truth was that the  
elderly comrade, despite her eccentricities, was no fool and knew her young men, and  
their potentialities for the cause, a good deal better than they knew themselves. Not one  

whom Dan had shared that house with, and who had like him in later life achieved some  
Conservative, either.
Jane knew the room too well to notice it at all that afternoon. She went to the  

window and stared down at the garden. After a moment, she pulled off the red headscarf  
'Do you want a drink, Jane?' 
She turned and smiled faintly. 'Tea?' 
'I'll go and fill the kettle.' 
When he came back from the bathroom with it, he found her standing in the  
corner where he kept his exiguous kitchen.
Only dried milk. 
'It doesn't matter.' 
'I could pinch some fresh off old Nadya Constantinovna.' 
'No really.' 
'She's out.' 
'Honestly.' 
And she came with two cups and a teapot, spoons, and knelt by the fireplace.  
He put the kettle on the little electric coil he used for heating water, then went to the  
corner and fetched the dried milk, tea, sugar. Then he sat down on the rug opposite her  
and watched her measure out the black leaves into the pot. 
'Is Neil coming round?' 
He shook his head. 'Essay night.' She nodded. He sensed that she did not want 
to talk. Yet the feeling of emptiness in the silent house, in the day, in the time of day,  
made the vacuum embarrassing to him.
'Shall I put the fire on?' 
'If you like.' 
incandescent pink. The kettle started to add its slow voice. They echoed a kind of deep  
purr in Dan, for all his slight unease and Jane's silence. Already his dialogueinventive  
mind, the monster that then still seemed a joyous gift, was secretly rehearsing various  
amusing ways of telling what had happened: that pompous halfeducation of the  
policemen's voices, Andrew's impossibly blasŽ be haviour, that 'I landed at Anzio, old  
man'... and then something else, not only the event, the grey buttocks like uncooked tripe, 
the reported maggots seething in the hair (which Dan would claim for his own eyes too)  
but having been with Jane, the idol of her year, the almost celebrated already. 
All of young Oxford knew she must one day be more famous, truly famous, with  
those gifts (much more serious than just taking off Rita Hayworth, her Vittoria in The  
White Devil had proved that beyond doubt) and looks. She sat, one arm back, leaning  
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sideways a little, staring into the gasfire. Deep down it wasn't her vivacities, her powers of 
of pensive inwardness. She was very much two people, one had long ago realized that,  
probability, with Anthony, who was in so many ways the antithesis of them all the Greats  
scholar from Winchester, already halfway to becoming a don, applied, logical (in all  
except his religious beliefs, at that time almost as much a dandyism as collecting Art  
of the proctors' bulldog who had clapped hands on a student caught drinking in a pubonly  
to find that his victim was the young colonel whose batman he had been during the war.  
But Anthony had a different maturity, an apparently much surer knowledge of who he was  
and what he intended to be. He was widely envied Jane, but their relationship seemed  
incongruous only to people who knew neither of them well. Behind the masks their  
complementarity was striking.
in love with her. That was why he was embarrassed. For some months, at least two terms, 
long before that day. Webster's immortal line: strange geometric hinges. His sense of guilt 
Anthony, and not at all, or very little, because on that particular occasion Anthony had  
granted himself a weekend's break (some monastery in Gloucestershire that went in for  
the instant retreat) from his final grind.
Dan still felt a baffled privilege, to have got on so well with Anthonybaffled  
because he still couldn't really understand what the brilliant Wykehamist saw in him. He  
knew much better what he had himself taken from the relationship the contact with a much 
more fastidious and incisive intellect, with a psyche far more certain of both external and  
internal values, far less easily corrupted by new ideas and the ephemeral. In a way,  
his tutors, if the truth were known. But there was that one great flaw: he could never quite  
shake off a deep, though carefully hidden, conviction that it was a friendship between  
unequals.
In fairness to Dan, and to historical accuracy, it must be said that in terms of  
undergraduate prestigeso closely connected with undergraduate notorietyhis feeling of  
inferiority would have seemed odd to his contemporaries. He was a far better known, and  
academy and achieve more than a mere college reputation and who, later, in retrospect,  
give their whole university generation its characteristic stamp. But like Jane, he was also  
two people, though far less prepared, or able, to admit it than she. Perhaps it was mainly  
was even a little jealous of her gender, her young womanhood, which he felt allowed her  
in ways he could not. They would, in fact, usually take the same side in any argument  
against Anthony, conspiring in guying him gently if he became too outrageously the young 
and hid the truth of where the realaffi nities lay.
So Dan watched this apparent proof, the prize he had not won and, to  
complicate matters, which had even seemed partly stolen from him, since he had known  
Jane before Anthony, had even first introduced them, had really only held back before  
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that introduction because he was in awe of her. Now he took what consolation he could  
from this substitute intimacy, in the softly hissing silence. The sky seemed to grow darker,  
strangely dark for midsumnmncr. It began to rain outside, more heavily. The kettle boiled  
astounding question.
'Do you and Nell go to bed together, Dan?' 
Her intent, downlooking face. 
She did not smile, but set the kettle on the hearth before the fire. He had one virtue, I  
He murmured, 'Hasn't Nell...?' 
'Sisters don't always talk about things like that.' She put a spoonful of milk in  
each of the two cups. 'You mean you do?'
'Doesn't everybody?' 
did kept up a convention of secrecy about it. But Dan had never been a young man to  
keep his hardearned and very far from innate sophistication under a bushel. One has to  
have some substitute for honesty.
'Anthony and I don't.' 
He couldn't understand why she should want to tell him. Knowing Anthony's  
that they didn't.
'The Catholic thing?' 
top.
Yes. 
'It means a lot to him.' 
'Yes.' 
'Under the squibs and epigrams.' 
She smiled faintly, but for the second time that day she seemed to be  
reproaching Anthony. A shifting of deep grounds, a sudden mystery, a hinge's first faint  
creak. She sipped her tea.
'I'm not a virgin, Dan. There was someone else. In my first year. Before I met  
Anthony.'
Which pierced something hitherto virgin between them. 
'He knows?' 
She made a wry grimace. 'This is rather why I'm telling you. It's a sort of  
rehearsal.'
'Oh Gawd.' 
'It's so stupid. If I'd only told him at the beginning. Then it seemed too late. I'm  
sort of trapped now. It's not what I did. But that I haven't told him before.' 
He offered her a cigarette, lit a spill and held it out, then lit his own. 
'And he's never thought to ask?' 
'For someone so intelligent, he's rather bizarrely trusting. He assumes things  
about people he'd never assume about a theory of logic or a syllogism.' She drew on the  
cigarette. 'At least that's what I used to think.'
'And now?' 
'I wonder if he isn't rather frightened. Which frightens me every time I try to  
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screw my courage up to tell him.'
'You'll have to tell him some time.' 
'I can't just before Finals. He'd be bound to see it as 'As what?' 
moment, staring into the fire, younger than Nell.
'The Jesuit in him. So badly timed, I must be trying to say something else. He'd  
look for it.'
'Are you sure he doesn't think about you as one more step in the dark?' 
She smiled. 'I suppose I am a standin for the whole shebang. Now you mention  
it.'
'Is he putting a lot of pressure on about the Catholic thing?' 
'You know what he's like.' She shrugged. 'He doesn't lay down the law. It's all  
Gabriel Marcel and personal choice. Falling over himself not to decide for me.' She leant  
suddenly realized what Rabelais was on about this week. How he's really more modern  
than all the St GermaindesPrŽs crowd. Far more of an existentialist. That's what I was  
trying to say on the river. When you think how utterly obsessed by selfdenial England's  
become. Outside the little world we've made for ourselves here. I feel there's something  
about Anthony and his religious side that's rather the same. Always thinking about the  
past and worrying about the future. Never actually managing to enjoy the present. And  
Rabelais is just one gorgeous long raspberry in the face of all that. There are passages,  
you... you suddenly feel he's the only sane human being who ever lived.' She stared at  
her cigarette. 'I tried to explain all this to Anthony the other evening.' 
'And he didn't quite follow.' 
'On the contrary. Everything. Except the fact that I'd just been to bed with the  
man. In spirit.'
Dan grinned down. 'But you didn't quite put it that way.' 
'It's how it felt. Adultery as well as heresy. Especially when lie read the ethical  
riot act over my poor little female mind.'
'Come on. He's not like that.' 
'Of course not. He was quite funny. Because he was so sure I couldn't be  
serious.' She began tracing patterns in the worn Turkish carpet beneath the rug. 'His  
problem is he can only be himself. You and I can be other people.' 
'Now you're denying him imagination. That's not fair.' 
'Not imagination. But acting on it. He could never write plays. Novels. Anything  

suddenly she shifted ground. 'I can't make out if Nell likes him or not.' 
Again he was shocked. 'Of course she does. You know she does.' 
'She doesn't realize lie disapproves of her?' 
'That's news to me too, Janey.' 
Liar: it was long sensed, and feared. And now the afternoon really started to  
time a nakedness, as she let him see all these buried feelings. 
He does try to hide it. Even from me.' 
But what's he got against her, for God's sake?' 
L suppose he suspects you go to bed. Fears something in me that be fears in  
her. He does rather take the sexpot image at face value. 
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But that's at least half a mask. He knows that.' 
'1 know.' 
And I'm just as bad.' 
No, you pass. You're a child of nature. His proof he's not a prig. She slid him a  
glance. 'Is all this shocking you?'
'I think he's being terribly inauthentic.' 
'He's also authentically fond of you both.' 
'Thanks a million.' 
'And he tries to understand.' 
'But he can't have it both ways. He can't pretend to our faces that he likes Nell  
and then pity me or something for having fallen into the clutches of the Scarlet Woman of  
Babylon.'
'Fear for you.' 
He stared at her, but her own eyes were lost in the fire. Again he felt left a step  
behind.
'Is this what you were trying to say on the river? About Nell and me getting  
married?'
'How do you mean?' 
'In your and Anthony's considered opinion, we shouldn't?' 
'It's not something I have a considered opinion about.' 
He was silent, then gave a sour little sniff. 'I thought at least we'd gained your  
qualified approval.' He went on: 'So why did you say Nell was lucky?' 
'Because I think she is.' She said slowly, 'And I haven't got a considered  
opinion because I'm not able to judge properly.'
Once more he tried to force her to look at him. 
'Why not?' 
'Because.' 
'Come on.' 
Her voice dropped. 'Because I'm jealous of her.' 
'Because the bed thing's not a problem?' 
'That would be just envy. I said jealousy.' 
It took a moment or two to sink in. But the intentness of her eyes on the  
carpet... lie looked down at his own stretchedout legs, he was sitting with his back to the  

the silence, 'Fais ce pie i'o:, dras.'
'This is getting rather complicated.' 
'Perhaps it's a long overdue simplification.' 
'But you and Anthony, I thought She turned away on the other elbow. He stared 
at her back.
'All this summer, whenever the four of us have been together, you won't look at  
me. Unless you absolutely have to. And I've had to force myself to look normally at you.' 
Her head bowed, face hidden, she waited. 
'I didn't realize.' 
'That you've been avoiding my eyes?' 
'Your side of it.' 
'No idea at all?' 
'Just... once or twice. That evening at the Trout.' 
'Why did you think I held your hand like that?' 
They had strolled out to Rosamund's Bower when the pub closed. Nell and  
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Anthony had gone on ahead. He had been very conscious of her hand lightly in his in the  
darkness... but it had not said this.
'I thought it was just sisterly.' 
'I hated Nell that whole evening. I had no nice sisterly feelings at all.' 
There was silence. The back of her head, the line of her body. The rain had  
lessened, but it stayed overcast. He forced out his confession, as if reluctantly. What he  
really began to feel was a delicious excitement.
'It's mad. But I think I'm in love with both of you.' 
'That's exactly how I feel.' 
'God. What a mess.' 
'It's my fault. I wasn't going to bring it up.' 
'That thing in the reeds.' 
'I suppose so.' 
It goes back quite a long way with me. You were such a success I didn't know  
how to get near you.'
Another silence. 
She said, 'It's like catching 'flu. You have it before you can do anything about it.' 
'Except there are simple ways of treating 'flu.' 
She left a pause. 
One usually goes to bed, doesn't one?' 
A long moment. He whispers, 'Jane?' She lies curled away, perched on an  
elbow. 'You can't really mean that.'
She shook her head. 'It's so difficult to explain. I feel in some way Anthony's  
made me miss something. What you and Nell have. What my body dreams.' 
'Rabelais?' 
'I suppose to be wild and wanton.' 
'Wild and wanton' was a stock undergraduate phrase of the time, and always  
used mockingly.
'But what you just said...' 
'I do love him, Dan. In a strange sort of way it's because I love him.' She added, 
'Want to love him.'
He felt more and more out of his depth, yet unable not to go on. 
'Want to know if you can love him?' 
There was a silence, and when she broke it her voice was so low he hardly  
heard the words.
'Just once. An acte gratuit?' 
He stared at his shoes. 'And tomorrow?' 
'If we knew exactly what we were doing. That we could keep it outside time. As  
an exorcism.'
He swallowed secretly. 'An exorcism of what?' 
'What must happen. What will happen.' 
'Knowing we love each other?' 
'Knowing we once wanted each other. And that at least once we'd had the  
courage to admit it.'
not to resist it, despite what he then said.
'I don't know how we could ever face them.' 
'We seem to have managed to hide things so far. Even from each other.' 
He said, 'It's not that I... ' but once again his sentence floated away. 
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He felt paralysed, stunned by the enormity, ravished by the strangeness. The  
silence grew, and she did not move. From across the gardens at the back there drifted  
through the rain the sound of an oboe, a rise and descent of progressive scales, skilled  
and rapid. Then a break.
She sat up and faced him. He felt she was looking at him for the first time.  
her at that moment, of a schoolgirl,0 a seventeenyearold frightened at what her cider self  
innocence. Perhaps it was provoked by something still wavering in his own expression, for 
more than a dare.
The student oboist began to play Delius, and she reached her free hand across 
the rug, almost formally, like a medieval bride.
Passage
Daniel nearly missed his flight, owing to a traffic snarlup. For once the sky was almost  
smogless, a lovely midwinter Californian morning. The greyhaired Polish cabdriver kept  
cursing freeways in general and the San Diego in particular, but he was in far more of a  
rage about it than his fare: an I in the hands of fate, Isherwood's camera, not unhappily  
reduced to watching himself, as if he were indeed a fiction, a paper person in someone  
else's script... the seed of a hypothesis, like the 'Simon Wolfe' planted in his mind the  
night before. Perhaps that ancient jibe about him, Mr Specula Speculans, had not been  
quite fair: a love of mirrors may appear to be only too literally prima fade evidence of  
narcissism, but it can also be symbolic of an attempt to see oneself as others see one to  
escape the first person, and become one's own third.
In his already rather low valuation of the novel (a dismissal Daniel knew  
perfectly well was on the one hand a cheap conditioning of his, ne'tier and on the other a  
product of the lazy assumption that he was long past finding in himself, poor asthmatic  
cripple, the athleticism of imagination and long wind the form must need) he reserved an  
narrative I approximated to what one could deduce of the authorial I, the more murky this  
corner grew. The truth was that the objectivity of the camera corresponded to some deep  
aesthetic (and even quasimoral) good taste that he sometimes pretended lay behind his  
instinct here.
What did dimly occur to him as he sat halflistening and halfabetting his driver's  
determination to show that he was now truly American America is a perfect society,  
perfect societies have no snarls and flaws, so what the goddam hell is going onwas that  
perhaps this flinching from the I inherent in any honest recapitulation of his life was no

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characteristic English fashion, Dan carefully filed away this added reason for why he was  
that anything would be better than to present it in the first person... even the absurdity of a 
mythical Simon Wolfe.
I was also very tired that morning. Jenny hadn't released me for another hour.  
There had been tears, not quite for the first time since we had met, but for the first time  
over our private relationship.
The idea for her picture had come during a stint on another script in Hollywood  
three years previously. The studio had found me one of those British girl secretaries who  

work their way round the States though not very attractive physically, she had possessed  
a sense of humour and a long tongue. I enjoyed her dry coffeebreak accounts of her  
various workexperiences and abortive romances before she came to me, I'd long wanted  
to contrive something on the AngloAmerican cultural comedy... so jenny was now a  
trained English nanny in a millionaire household in one of the chic canyons, fighting a  
losing battle against both her employers and her offduty boyfriendSteve Anderson's part.  
She could play the character close enough to her real self. Steve was and is the most  
frightful young bore, but his part also offered scope for his reallife fixations and dedicated  
selfinvolvement. I'm afraid director and scriptwriter had deliberately cultivated a certain  
amount of offcamera antipathy between their two stars. I didn't tell her, but I had in fact  
begun to respect Steve in the can, if not in the flesh. On screen, in the rushes, her  
controlled insularity and his wouldbe 'Method' sloppiness mixed rather well... as we had  
hoped. We had also lied about his not being our first choice. 
It was a white lie, since we had very much wanted a girl to whom the  
Californian dream-nightmare was as fresh in reality as it had to be in the story. I knew how 
insidious the place is, how fast it warps the stranger to its own peculiar ways, so her  
virginity there was important. That also meant the film was going to be a tougher  
proposition than she realized. I played pig at Claridges partly for this reason: to warn her  
that whatever her local successes she was now stepping out of home movies, in both  
senses, into a very different and potentially much more lonely world. Then we were  
scared she might be overawed by Steve's illdeserved reputation (and get to hear how  
much more he was taking). I watched her like a hawk during those first days, for purely  
professional reasons... which became more personal ones, of course, though I liked her  
all the better for apparently deciding that she didn't need my help. She showed a brisk  
blend of tact and independence, ancestral Scottish qualities I value far more than the  
second sight.
Like so many pretty, and far from stupid, girls in the business she was in a  
slight dilemma incipiently crucified by her own good looks. It is not perhaps the kind of  
Jenny had the camera image that conforms too closely to current notions of what is  
sexually desirable in young women to escape. A certain leggy fragility, an elegant  
insouciance, a wellboned, finemouthed, candideyed eager frankness about the face... a  
twentiethcentury princess, provoking very nearly the same dream as the real princesses  

who had once languished in their walled castles and haunted another age besotted with  
the concept of the unattainable.
She had done a little modelling work at home, and knew well enough how to get 
herself up to kill, and to 'project', vanities she didn't always resist. Even tired, with her  
completely natural face, she couldn't always lose that air of vacuous distinction and  
effortless beauty that highly photographable women, the Shrimptons and Twiggies of this  
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when she knew I had caught that look. I remember another evening, we'd been to a party  
and she had looked ravishing even with some expert competition, and I said so when we  
got home. She went straight into the bathroom and washed her face off. When she came  
out she said, 'I forbid you to like me for that.'
This problem of being her own young woman, not just the chauvinistic male  

world's dream of the type, distorted her in another way: her frostiness with men who took  
her at the obvious surface valuation was sometimes painfully gauche and indeed misled  
silly, all this gazellelike shyingaway from the slightest wrong approach, even though she  
grew to hide it better. Another self, both warmer and less assured, I caught only glimpses  
of in the early days. None of us could really get near her, and it was hard to tell what was  
genuine and what was being tried out in pursuit of a working persona in a very alien  
environment.
It was Bill who warned me that she might be withdrawing too much. By then the  
thought of giving her a shoulder to rest on was not just a matter of production need or  
simple human charity, yet there did remain an element of calculation... which remained in  
substance, even if it changed in nature. She did need me, or someone like me, in Los  
mean that we had not achieved a very real affection. I could have fallen heavily for her,  
know that to take one's partner's independence as a challenge is the straight road to  
disaster. Wanting her was bound up with the notion of changing her, and I liked her too  

well as she was. Just as 'I believe in God' is generally a synonym for 'I believe in not  
thinking', only too frequently 'I love you' is a euphemism for 'I want to own you'. I sincerely  
was still also in love with both her body and her independence. 
ones. I gave way to the blackmail. We'd forget the whole evening, it had never happened.  
She'd fly back as soon as she was released. It was just a temporary separation. Training,  
Then I had driven back to BelAir, which is not where any Englishman in Los  
Angeles can normally afford to live and where I lived purely by kindness and an old  
friendship. An early script I did for Columbia failed to meet with studio approval and they  
brought in Abe Nathan to help me rewrite it. He had more or less given up the trade by  
then, but he was still on call for crises. I was piqued, and prepared not to like him one bit.  
But not all studio decisions are crass. The story needed the 'doctor', and I needed the  
Mildred when I came to know her as well. He might wear the full livery the old Hollywood  
forced on its educated slaves be cynical, lugubrious, obscene, suspect the worst of  
everything and everybody but he failed abysmally to hide the fact that this persona was  
very largely a matter of MŸllerian mimicry (the evolution in a harmless species of the  
humane and fundamentally tolerant mind. I had let him read every one of my scripts ever  
since. Even though the recipes of his own heyday no longer worked, he retained a very  
sure nose for the weak spots in the new ones and in much else besides. 
Mildred and he live in the wilder, less posh section of BelAir 'where the quail  
still speak Spanish'. Theirs is not the opulent mansion the place is more famous for... not  
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garden, incongruously studded with classical statues, the weatherproofed plaster props  
from some forgotten Roman epic, with the 'cabin' up the hill. Abe built it to write in himself, 
but he had long let me appropriate it when I was in town. It lacks one or two hotel  
amenities, but is buried in greenery and birds' voices. I can be alone there, or with them  
down at the house. I don't like Los Angeles, increasingly detest those famous hundred  
suburbs in search of a city. But Abe, Mildred and the Cabin would make hell itself  
tolerable.
I had packed when I got back there, then snatched four hours' sleep, to be  

woken by jenny's voice again on the telephone. Her own wakeup call had just come in.  
broach the matter of her taking over the Cabin. I would call from home as soon as I could. 
I went down to the house. Abe was already about and he gave me coffee, while 
and Mildred would see she didn't get too lonely. I wanted this for more than the obvious  
kind reasons, since Mildred and he represent a formidable combination of Jewish  
commonsense and New England frankness. Few secrets survive for long near them.  
Jenny needed to get to know them both out of my presence, to be their temporary shiksa  
daughter instead of my cute little British bird. I was hopeful that as soon as she revealed  
my view of our relationship, they would take my side. They approved of jenny as a person, 
but not of cradlesnatching. They also knew my past much better than she did... and my  
faults.
There was an element of doing a far, far better thing, killing two laps es with  
one exit but we really were viable only in a culture where nobody ever grows old  
(especially if they are rich and successful) and trading in wellscrewed for younger flesh is  
an accepted way of life. I had known a number of fatherdaughter marriages there. The  
and reserved creatures, and some even had a sort of dignity, or perhaps it was just a  
smooth complacency at having sidestepped the tedium of being young and broke. It was  
sense, too close an attachment to the freedoms of her generation, ever to deny herself  
the full potentialities of her future... and however hard I might have tried to subvert her  
from them. She had, or sometimes pretended with me that she had, a jejune notion that

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We took off. After a minute, by craning back, I could even make out Burbank  
and the roofs of the Warner lot stages, under one of which jenny must have been facing  
the first take of the day. I did feel a guilt then, tenderness, a protectiveness. She would  
never be an outstanding actress, as the middleaged woman I had spoken to the previous  
night might once conceivably have been, and I knew she hadn't fully accepted that as yet: 
the closed options, the compromises to come.
East, at altitude, over the deserted mountains of North Arizona and the toy  
gash of the Grand Canyon: there had been talk between jenny and myself of driving back  
overland when her work was done. But that was a foregone experience I didn't regret,  
since there was another chasm beside that of age. The life we led in Los Angeles had  
allowed us to overlook it, turn it into another toy gash of no more than a trivial passing  
a much more formidable obstacle. It was my fault, in the sense that I had effectively  
reduced it to the status of one more secret about my past though in this case, not only  

with jenny. 
Anthony and I originally moved from cursory acquaintance being of the same  
year at the same college and with a shared staircase to our roomsto friendship precisely  
because of this 'secret'. I was already engaged in burying or suppressing it, but it was still  
close enough in my past to be partially uncovered.
The summer term of 1948, our first university year: by chance I went into his  
sitting-room one day. Our shared servant was retiring and I was collecting for a leaving  
present for him. On Anthony's desk I saw a flower in a jamjar a stem of the Man Orchid,  
Aceras. A few moments later we discovered a common interest, though8 with inc it, N as  
much in his life, such an interest could be only methodical, deeply pursued, or  
nonexistent. Scientifically I had learnt enough botany as a schoolboy to find my way round 
little to the orchid mystique. I disclaimed anything more with Anthony, and thereby  
disclaimed the whole buried continent that nature had been for me in my adolescence. I  

was ashamed of it already, and nothing in his obviously much greater expertise  
encouraged me to reveal the truth then or later.
I had always thought Anthony priggishly above the rest of us, a typical Greats  
scholar. He dressed rather formally, and there was a kind of studied quickness, a  
purpose, when he walked across the quad that I'd always found affected. He seemed to  
have few friends. On the other hand (one must put it in such childish terms) he didn't wear 
glasses or hunch nor did he belong to that equally disagreeable faction, the hearty. He  

was slightly taller than me, with very regular features and vaguely challenging eyes  
though I think that was simply because he had the curiously unEnglish habit of looking  
you in the face when he talked to you. I now found, as we talked about orchids, that they  
how serious I was. I was flattered, I supposethis apparently fastidious and already  
reputedly brilliant young professor in embryo had time for me. He once said, years later,  
when I'd been ribbing him about a newspaper report of some flagrantly fake stigmatization 
in Italy, 'I'm surprised you don't believe in miracles, Dan. How else did we meet?' 
other days, and other knowledges of each other. But we first surmounted the barriers  
in college and University terms. I was already writing for magazines, had one foot in the

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minimum of academic work. I knew a lot of people, I would have said I had a lot of friends, 
but they were almost all like myself, at Oxford to mix, to prink and prance, to enjoy  
themselves, bound far less by real affection and interest than by a common love of the  
exhibitionistic. My own personality had undergone a very thorough revolution since  
adolescence, and even since my arrival at Oxford after war service. I had rejected so  
much. I was writing myself, making myself the chief character in a play, so that I was not  
only the written personage, the character and its actor, but also the person who sits in the  
back of the stalls admiring what he has written. All my other 'friends' were also more or  
With the orchids, I took his view: one must keep such interests to oneself and  
fellowenthusiasts, and not bore other people with them. He wasn't a naturelover at all, I  
didn't realize that at the time. He just happened to be a crack field botanist which goes  
also, I suspect, for his subsequent professional work as a philosopher. But I've never had  
the patience (or the mental equipment) to read his books. When he became a don,  
philosophy became like botany, he wouldn't talk about it any more to the lay world.  
Another even more important realization came much later: that he was a kind of  
fathersubstitute, though we were almost exactly the same age. The idea would have  
outraged me at the time, and killed the friendship, as I believed I had consciously 'killed'  
the spirit of my father and his antiquated world. I do not know if Anthony realized this. He  
was certainly sufficiently astute to have done so, though he had no time for Freud. I am  
trying to say that he was good for me in the sense that he resurrected, if only very  
tenuously and intermittently, a self or an unresolved dilemma I had foolishly tried to  
In our orchid-hunting I never really rose above the role of shikari I found the  
game, he shot it. The thrill for me was fmding the rare ones my first (and last, alas)  
Monkeys near Goring, a solitary Fly under a sunshot whitebeam at the edge of a Chiltern  
beechwood. His heaven was a wet meadow full of dull old Dactylorchids: counting and  
measuring and noting down the degree of hybridization. I wanted to find the flowers, he

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two such unlikely people should have found anything in common. It didn't happen  
overnight. I think he took her out a couple of times before term ended. They spent the  
they were paired off. And Nell had arrived, my consolation prize. She was prettier than  
Jane, and the later sexpot persona was still hidden behind the freshwoman's reserve. I  
thought we were perfectly matched, the four of us. I enjoyed, when access was granted,  
Nell's naked body very much, and throughout lily second year that obscured my real  
feelings.
During our two remaining summers as students the two girls often came on our  
sound humourless, but he had everything neatly compartmented in his life. All obsession  

was bad taste. He seldom laughed at himself, but he would always laugh at the girls'  
teasing. 'I think I'll just sketch this labellum' became a kind of in-joke among us. I was  
never quite sure what it1 meant, but it always made us twist with secret laughter. We uscd 
That is, I was the real outsider. For the girls, nature was an occasion for drifting walks and 
him, a crossword puzzle, a relief in concrete objects from abstract ideas. And for me all I  
would never regain. 
When much later, after the divorce and the vitriol, I felt that I had finally set this  
side of myself in perspective, the solution seemed simple. But putting down new roots,  
after all that had happened, in an early landscape was much more difficult than I had  
imagined. I got bored at the farm in Devon, I grew lonely, I found the magic I remembered  
had somehow disappeared and that the nature of actuality verged on the repetitive and  
monotonous. I had of course failed to see how much the past magic had depended on  
place. I began my peripatetic existence, working more and more away from Thorncombe.  
Only frequent exile made the place possible.
I was also trapped by a far more spurious myth and magic, since all this  
coincided with growing success in the film world, which presented me with a renewed  
opportunity akin in essence if not in detail to my reaction to Oxford to wear a mask and  
invent a character... once more to write myself. I let myself be dazzled by the gilt chimeras 
of the career: that happiness was always having work, being in demand, belonging  
nowhere, the jet life, the long transatlantic phonecall about nothing. I became one third  
according to circumstances. Jenny is right: I used it as a weapon when I was bored, and  
the other two of me.
I even thought of getting rid of Thorncombe, I used it so little. It distressed me  

when I returned after long infidelities, and seemed to show those mute reproachful eyes  
that forsaken gardens and buildings acquire. I would see the way some tree or shrub I  
had planted had grown, and long for that close daily knowledge of the little world around  
one that only pcasants understand. Then I would once more fall in love with the place. It  
came less to matter that I knew that within a fortnight I should feel restless again.  
Perhaps all this is getting near the heart of Englishness: being happier at being 
unhappy than doing something constructive about it. We boast of our genius for  
cowardice, apathy, selfish laziness but it is also, I grow increasingly certain of this as I  
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grow older, a function of our peculiar imagination, of our racial and individual gift for  
much reality as the true events and destinies. Other races look at themselves in the  
mirror, and either live with the reflection or do something practical to improve it. We paint  
an ideal, or a dream, self on the glass and then wallow in the discrepancy. Nothing  
distinguishes us more clearly from the Americans, nothing characterizes better the very  
different ways we use our shared language the way they use it as a tool, even when they  
and it is the same with the enormous semantic subtleties of middleclass English intonation 
and the poverty of nuance in even the most intellectually sophisticated American  
equivalent.
These two dialects seem to me two reactions to the same thing: the craving for  
freedom. The American myth is of free will in its simple, primary sense. One can choose  
republic that it has bred all its gross social injustices. Failure to succeed proves a moral,  
not a genetic, fault. 'All men arc born equal' becomes 'No decent society can help those  

who fail to stay equal'. The myth becomes so pervasive that it even ends up as the credo  
of those, the underprivileged, who most need to disbelieve it. I have seen it in even the  
most intelligent liberals there, people like Abe and Mildred, impeccably sympathetic in  
yet still they hanker after the old and other American dream of freedom to cash in on other 
people's inequality. From the beginning Americans canle to America to escape two things: 
political tyranny and fixed odds in the struggle for life, and they have never realized that  
the two aims are profoundly hostile to each otherthat the genetic injustice of life is just as  
great as the old European economic injustice. Their system dealt with the latter by  
are smashed hard on the reef of the far deeper injustice. 
All this was of course also the English assumption in the sixteenth and  
seventeenth centuries. But we have long abandoned it. Injustice and inequality are in the  
nature of things, like Virgil's tears, and we have extrapolated freedom from all living  
reality. It is a thing in the mind, a Utopia we secretly retreat to from our daily ordinary  
is what permits in England our extraordinary tolerance of national decay, of muddling  
is why we have evolved a language that always means more than it says, both  
emotionally and imaginatively. With the Americans it is the reverse: they mean and feel  
far less than they have the habit of saying. In both cases, it is to the same end: to find a  
true quietists, live in Britain.
I am trying to exculpate myself, not explain cultures. My attitude to nature, my  
also because I am English.
But to make the flight from California and Jenny, that bout of selfpity the  
previous night, seem some kind of positive (or American) response to all this would be  
and of course I cheat here. One does not think coherently without a much stronger pretext 
than mere time to spare. Anything that makes the dozing man in the 707 that day, stuck in 

what is after all only a continuity shot, high over the monotonous rectangled wheatlancls  
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of the Midwest, appear in the least certain of what he was doing would be absurd. 
Perhaps the only symptom of imminent lifechange was a negative one. I had no 
project in mind after the wretched Kitchener script. I couldn't get out of that, I was  
them, bored me to death. With my daughter Caro now working and Nell long remarried, I  
couldn't even pretend that I had needed the money, so I had had to look for some other  
one last straw that broke the conditioned camel's back.
I remember, when Anthony and Jane and Nell and I spent our summer in  
Rome, standing before some comically awful painting of a saint flagellating himself. Even  
Jane, a convert by then, found it ridiculous, Catholicism gone dotty which allowed  
Anthony to put us right on the principle, if not this present manifestation of it: how  
selfmortification was universal because it was absurd and necessary. He based a great  
deal on the absurdandnecessary at that time and in that side of his life and I didn't take it  
very seriously, having already made something of an art of not causing myself anything  
but pleasure. But here I was, over twenty years later, flogging myself over the back with  
Kitchener, a man I liked less the more I knew about him, and a project of formidable  
old cruisers, the one scene I would have enjoyed... the old buffer disappearing forever  
beneath the waves off the Orkneys.
And what should follow that, I did not know. I was not really flying to New York,  

The Umbrella
What can a flame remember? If it remembers a little less than is necessary, it  
us, while it burns, to remember correctly.
GEORGE SEFERIS: 'Man' 

only the dimmest ghost of a bed surmounted by a tired brown face the brownness being  
due to the illness that killed her, Addison's disease. My father was a hopeless  
incompetent on the domestic side and the unmarried of his two sisters had moved in long  
before the death. Being a parson's child helped. There was no doubt, when I was little,  
that the brown face had 'gone to Heaven'. In that at least I was lucky to be born where I  

have done very well as the nicest kind of practical Anglican nun. Aunt Milhe was ineffably  
devoted to making good, and one of the few things I regret bitterly (as opposed to merely  
regretting) was that I never gave her enough credit for it. She had to bear the brunt of so  
years ago I had tears in my eyes, and perhaps that will gain me a slight remission on  
judgment Day. But I shan't have deserved it. 
He always seemed old to me, more like a grandfather than a father. Having  
married very late, he was only a year short of fifty when I was born, and his hair was  
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almost white by the time I begin to see him clearly. If I have to use one phrase to describe 
his attitude to me, it must be something like a detached and quizzical puzzlement. From  
they married, and some kind of secret I have never quite pierced lay over her. It certainly  
wasn't anything sinful, but more to do with a suggestion of folly on my father's part. He

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adamantly in his old course. On another wartime occasion a Negro chaplain from the  
American camp near by came and preached to a packed church drawn not by piety but by 
curiosity to see how this mysterious chimpanzee would perform. He had a fine voice and  
and good. But not my father, who in a rare descent to cattiness condemned him in private  
afterwards as 'overenthusiastic'. He was using the word in its technical church sense, of  
put us all in our place.
I can see now that his real fear was of any nakedness of feeling. He had a  
bizarre use of the word 'demonstrate', which he twisted, or spread, to include any  
exhibition of anger, conviction, tearfulness any strong emotion, however innocent or  

justified. Other visiting preachers who showed a touch too much fervour, protesting  
parties in some village argument, even myself unfairly blamed for some misdemeanour... f 
natural temperament as selfjustification. The word covered countless other things, in my  
case: sullenn'ss, excitement, even mere boredom. He had some extraordinary Platonic  
notion of the perfect human soul, in which all the manifestations he counted as  
'demonstration' were missing, or totally controlled. I dread to think what he would have  
made of the more recent political sense of the verb and noun. 
Yet or perhaps, the English being what they are, because of this he was  
counted a good parish man. He was endlessly patient with the most garrulous old  
spinsters, sympathetic to the (slightly) more enlightened. Like many Devon villages, we  
had no real squire there were various larger country houses in neighbouring combes  
where we were on visiting terms, but in the village itself he was the defacto social and  
role well enough. He certainly believed in it, which was one good reason he was not truly  
never allowed a shadow of a doubt (perhaps because the truth about my mother's  
background might have created one) as to where we belonged. Proof hung forever on the  
even if his marriage had not proved it, father was not a snob. We might be out of a better  
drawer than the rest of the village, but we must never show it. No distinction was ever to  
be made between those it was our duty to be with pastorally and those it was pleasant to  
be with socially.
In essence he was a subtle rather than classic example of why the military and  
the ecclesiastical, cross and sword, so often seem just two faces of the same coin. He  

wasn't a stern man at all, in spite of his lack of humour, which sprang much more from a  
diffuse absentmindedness, almost an unworldliness, than any intrinsic disapproval of  
laughter. There was nothing in his personal nature that overtly tyrannized the household,  
indeed he was always at his most patient where some fathers might have ranted and  
technically motherless. I was hardly an angel before I went to boarding school at fourteen, 
yet he never once used physical punishment on me. He disapproved of it, even in the  
village school, though he finally sent me to where the juniors were caned once a fortnight  
with monotonous regularity. The real tyranny came from the totally accepted belief in the  
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system, the existing social frame. Just as a soldier cannot question orders, the hierarchy  
of command and all the assumptions that underlie it, nor could we. One might at a pinch  
discreetly object to the outward manner of some other vicar from a neighbouring village,  
not to their right to be exactly who they were. During the war, of course, that was in the  
that first election afterwards. Though quite unconsciously, and despite his being an  
archdemonstrator, father must have approved of Hitler for keeping progress so firmly at  
bay.
holds, I think, and that is the way the English turn all outward freedom (as contrasted with  
that of the imagination) into a game with set rules: one where every freedom is allowed  
except the freedom to break those rules. I suspect the AngloSaxons were a much more  
taboodominated crowd than the Celts they drove out of England. If the Romans brought  
civilization, the German tribes brought ritual codes, which have survived in our hideous  
national inventiveness over games proper, the art of wasting time according to someone  
else's book. I particularly loathed team games at school as I have ever since though I  
thought at the time it was merely because they were an obvious emblem of the whole  
sadistically stereotyping system. But I see now it was one more negative way in which  
father and his worldoutlook conditioned me.
We lived very simply, though much more out of parsonical good taste than  
necessity. The living (or both livings, since we also had a neighbouring parishhamlet in  
our cure) was well endowed, and my father had several hundred a year private income on 
small income of her own. That came to seem like another hypocrisy, when I realized in  
later boyhood that our supposed poverty was really mere thrift. No doubt a good deal  

went on charity and the upkeep of the two churches, but the former certainly didn't begin  
at home in terms of birthday presents, pocketmoney and the like. I have been careless  
with money ever since one more item on the bill. 
My father had one real passion, which endeared him to the village and  
belatedly endeared him to me as well. That was a mania for gardening. Though he would  
potter about on our occasional picnics and botanize with me, he did not really approve of  
wild plants and nature. He drew some analogy between horticulture and God watching  
controlled. At any rate, his own garden and his greenhouse he adored. That and the  
seventeenthcentury texts he liked to browse over were his only real indulgences very  
nearly his sin, in the case of gardening. If he couldn't get cuttings of rare shrubs honestly,  
he was not above stealing them, with a mixture of blatant casualness and illconcealed  
guilt that was delicious. He always carried an umbrella, on even the most unlikely days, to 
hide his illgotten Irishman's heels and seedlings in. It was one of the few things Aunt Millie 
one of his victims happened to be in our garden and spotted a successful scion of some  
precious rarity from his own. Father was shamed into an outright lie about its real  
provenance, and he wasn't allowed to forget it.
All my most affectionate memories are of him standing in his greenhouse,  

wearing the ancient and faintly episcopal purple baize butler's apron he used for  
gardening. Sometimes, in hot weather, he would take off his dogcollar and be taken by  
sonic unsuspecting stranger for the fulltime gardener we did not actually permit ourselves. 
As an adolescent I got bored with all this side of his life, I wanted to read books and roam  
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the countryside during my holidays, but when I was younger I used to help him pot and all  
judged shows to the end. If we were short of humour and1 several other kinds of light in  
that house, there were always flowers, a feeling that the large garden was a part of the  
family.
It seems absurd now. A small boy rushing in to breakfast: The Osmanthus is  
out! The Clernatis arrnaudii! The Trichodendron' They weren't Latin and Greek to inc.  
They were like our dogs and cats, loved and very familiar. There was a walled  
kitchengarden as well, but father had no interest in vegetables. Thrift was abandoned  
enough to allow a man to come in twice a week to look after them. His prides there were  
the fruittrees, the apples and pears some previous incumbent had gone in for and my  
charcoal. I suppose people still grow them, Jargonelle and Glou Morceau, Musk Bergamot 
ones Aunt Milhe's Tree, the Yellow Devil (because it used to rot in the appleloft), the  
Green Spice. I knew them as other little boys knew county cricketers and football teams. 
And I owe him other poetries, quite literal, though like so many true gifts from  
parents to children, they took many years to mature. When I was a child he liked, or at  
any rate regarded it as his duty, to come and read to me at bedtime, if his duties allowed.  
Sometimes, as I grew older (though not nearly old enough) he would read a simpler  
passage from one of his seventeenthcentury texts I think more for the sound of the  
English than for the religious content, although he may have hoped for some CouŽlike  
benefit. Occasionally he would try to explain the doctrinal situation behind one of these  
passages in terms a small boy might understand, as a less abstruse father might have  
tried to convey the real history of cowboys and Red Indians. I certainly grew up with a  
vision of some very confused theological gunslinging, and a distinct sense that the  
Church had once been a much more exciting place to inhabit. 
the nineyearold he read to became the nineteen he secretly dreamt him to be, such  
conversation 'would be impossible: I should have escaped him. But I mustn't make him too 
austere and unworldly. He very rarely returned from his occasional sorties to Exeter,  

where he always found time for an hour or two in the antiquarian bookshops, without  
something for me: it was usually a2 story by one of the boy's writers of his own childhood,  
a Henty or a Talbot Baines Reed, and I would much rather have had the latest Biggies or  
a Beano Annual, but I still enjoyed them.
Once he handed me, after one of these expeditions, a book of fables. The price 
he bought it for is still on the flyleaf: one shilling and sixpence. He had obviously glanced  
at it, decided the English was suitably simple and edifying, and the pictures pretty and  
measly present. But in fact it was a Bewick, the 1820 anthology of his work patched  
together round Gay's Fables. Though I didn't realize it then, it was my first contact with a  
great English original. At the time (I was ten) I thought the book a luiicrous and shameful  
error on my father's part, because turning through the pages for the pictures I came on  
one I knew he couldn't have noticed in the shop: the famous cut of a doctor of divinity  
spurning the solicitation of a onelegged beggar, while behind him a dog pisses down his  
gowna little moral tale whose concise brilliance I was to remember all through my  
childhood... and beyond. Then there were other scandalous scenes of ladies with bare  
breasts. I was shocked particularly and then fascinated by the one that was headed  
Indolence and Sloth: the sleeping young man with the jordan under his bed and the two  
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women, one naked and the other clothed, beside it, seeming to discuss something as they 
watched him. I was tempted to show this gross lapse of caution to Aunt Millie, but didn't, in 
case my father promptly descended on the book and confiscated it. 
Just how great and quintessentially English an artist Bewick is I still have to  
and private in the artist that called to his own nature. He began a little, through the years,  
to see with Bewick's eyes, as he was later to see with John Clare's and Palmer's and  
Thoreau's. That dogcared copy of the Select Fables is now the last book I would ever sell. 
A somewhat similar thing was to happen two or three years later, wheis I was in 
the throes of first puberty. One wet day, in despair, I pulled down a dulllooking book from  
benign chance the page fell open at one of his coarsest epigrams and3 I saw a word in  
print, fart, I had hitherto imagined was something one only giggled over, out of reach of  
adult ears, at school. Up in my room I read on. Much of it I couldn't understand, but the  
mingled brutality and eroticism of what I could was a revelation. I was to purloin those two  
volumes countless times again during the following years. They had a profound influence  
the secrecy with which I had to steal them, rearranging the books so that no empty space  
showed, then hiding them in my room... but, with a healthier secrecy, their lyrical genius,  
and Herrick's underlying pagan humanity, also seeped into me. His former 'lothed' living  
at Dean Prior was within cycling distance of us, and I must have been one of the youngest 
votaries who has ever stood before his epitaph there, though I think it was less out of  
gratitude than sheer disbelief. How could someone of my father's calling ever have  
existed and been allowed to write such wicked verse?
Later, at Oxford, I had one day to produce an essay on Herrick for my tutor. I  

wasn't so foolish as to make it quite autobiographical, but it did make an engaging minor  
poet out to be a pinnacle of human sanity and supreme exponent of love of fifehe was my  
Rabelais, of course. 'Very interesting, Mr Martin,' said my tutor when I had fmished  
reading. 'And now perhaps next week you would be kind enough to write me an essay on  
man... not lived him.
My father did do some censoring. Another bedtime book he read from was the  
Jacobean collection, The Shirburn Ballads. It was not until he died and I was going  
through his library before the great bulk of it was sent for sale that I discovered the  
he ever read to me, to my xecollection. I had already been set at literal Latin and Greek at 
my prep school, and my father read English verse with the emphatic stress of his own  
classical schooldays. He particularly liked the broadsheets in the rhythm of the  
amnphimacer, which indulged this love of a heavy beat we would even get them at  
Sunday School occasionally. He would stand there, waving his free hand like a wouldbe  
conductor, making me go red as the kids around tried to stifle their giggles... how could he 
make such an ass of me with his stupid poemreading? But now, at least i their bedtime  
rendetings, they arc among my good memories of him.
All that heart can conceive, ear can hear, eye can see,  
All, and more, I possess, sweet JESU CHRIST, by thee. 
Heaven and earth, all therein,  
Life, limb, thou gayest me. 
Have I not cause to sing 
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Jesu, come thou to me. 
Though the world tempt me sore,  
though the flesh trouble me,  
Though the Devil would devour,  
my refuge is in thee.  
It was not to be. But I think if it ever had, it might have come more from that  
the best of sleeps.
and islanded from towns. The only real shadow lay beyond the iron gate that led through  
quietly watching. Each autumn we planted her two favourite primroses round the border:  
Quaker's Delight and the wild oxlip, the true plant from East Anglia, not the  
primrosecowslip cross. My father had a clerical friend there who used to send seed  
especially. By late April the grave was always a quilt of lilac clusters and tall paleyellow  
years I let the earlier days stay buried. I began having serious religious doubts after a  
year at public school. It was only partly that I lacked the courage (nothing conforms like a  
dormitory of small boys) of my mercilessly teased and mocked C. of E. back ground. The  
boredom I had felt in secret for years, the endless, endless, endless round of hymns,  
prayers, collects, psalms, the same faces, the same voices, the same corpus of beliefs  
and routines that didn't seem to tie in at all with reality, all that was now translated to a  

world where to express one's boredom with chapel was the done thing, not the forbidden.  
much fresher and (though I knew how to cover up, even then) more attractively to me than 
sexless and emotionbanning ambience of the Vicarage, like Adam himself. I had  
agonizing feelings of shame and guilt, of course, and masturbation and blasphemy  
became inextricably interwoven. Every indulgence in the one threatened the traditional  
punishment of the other... heavens opening, thunderbolts raining, divine anathema. But  
nothing happened in fact.
I remember talking about all this with Anthony years afterwards at Oxford, and  
his smiling and saying that to derive disbelief from a failure to punish was almost as bad  
as deriving belief from a certainty of grace. I was never in danger of the worse sin. I  
years of imposed charity in the discussion of other people's faults. And I became very  
extrovert mask. I also wanted to succeed, with a ferocity that might not have been  
predicted of my earlier years, and I worked hard though that was partly out of guilt for so  
many betrayals in other matters. We also had the standard English classics at home and I 

was better read than most of my contemporaries. I continued to read more all through my  
school career. My discoveries (the shock of Samuel Butler, and the joy) also increasingly  
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sapped my respect for my father and his faith.
The real severance came after an event that must wait to be told. But by the  
age of seventeen I was a fullyfledged atheist, so convinced that I went dutifully if  
gracelessly through all the old observances when I was home for the holidays. I went on  
going to6 church and even taking communion from my father's hands right up to his death  
in 1948, without an iota of belief and a mounting quota of sins. I thought it was adult to  
deceive the old man so, thought it was mainly condescension... and kindness a little. He  
had faced up to the fact, before I left school, that I was not going to keep up the family  
secretly hoped I would one day change my mind, and I lacked the heart to destroy that  
last illusion.
I even managed, dimly, to begin the reconciliation with my rural background.  
School, other minds and other places, to say nothing of the growing aestheticism of my  
view of life, at least allowed me to see that it had its charms, even though it still and for  
many years to come had to be presented to one's friends as so much unspeakable drag.  
The lovely rich peace of the countryside, the calm of the Vicarage, its fine garden... even  
our two churches. I had the ghastly Late Victorian architecture of the chapel at school to  
always seen them: for as good a pair even without their celebrated roodscreens and  
splendid fifteenthcentury painted rows of Apostles and Elders as any in the county. The  
one beside the Vicarage had a massive fluted and streamlined tower soaring (the simile  
comes from later times) like a space rocket without its conecapsule. It was nobly airy and  
and the yew, and Dartmoor in the distance. It also held my favourite religious pinup, who  
had somehow managed to gatecrash the more orthodox assembly on the roodscrcen, the  
pagan figure of the Cumaean Sibyl. My father always pointed her out to visitors, to show  
his broadmindednessand show off his ability to quote from the Fourth Eclogue. 
Our second church was smaller, its tower sitting like a barnowl in the green  
dusk of its longdeserted combe. All its old boxpews were still in existence, and it had a  

womblike peace, a domesticity, a femaleness, and we all secretly preferred it to the  
grander building nearer home. Curiously, it always attracted good congregations, in spite  
war. One church was magnificent stone prose, but the other a folkpoem. I shall never rate  
beside my parents.
And finally there was Aunt Millie. 
She was a thin, small woman, in retrospect always with something faintly (and  
quite misleadingly) of the Radclyffe Hall era of lesbianism about her perhaps it was just  
that she always had her straight grey hair cut in a kind of Eton crop, invariably wore  
'sensible' clothes and broguelike shoes, had no apparent feminine vanities at all. Nothing, 
in reality, could have been less butch than her placid composure. Her one small vice was  
smoking, and that and the severe hair and the glasses could give her face a semblance of 
intellectuality, as if she were hiding another personality. In fact I realized during my  
adolescence that she was very nearly simpleminded, quite at sea with any print outside  
Good Housekeeping and the parish magazine and the local newspaper, of which she read 
every line, and every week. If I could with some reason curse my father for our way of life  
he was at least intelligent enough for some sort of choice to be imaginableit was  
impossible with Millie. Her one skill was thinking the best of everyone and everything  

within her domaine of knowledge. 
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If my father had been the commandant of a concentration camp, she would  
have come to see the necessity of genocidebut not out of evil... out of a total lack of belief  
in her own ability to judge. Her real religion was not in church, but in her view of other  
people's motives, of the import of village scandals and tragedies. She had a phrase she  
would use to conclude discussion of all but irremediable disaster: Perhaps it's for the best. 
Even my father would look gently over his spectacles at her before some such  
applications of this optimism. Once, when we were alone, and she had said it of  
something that even Dr Pangloss could have seen was for the worst, I laughed at her.  
And she said quietly, 'Hoping is no sin, Daniel.'
I harried her abominably, like any spoilt son his mother. She could share my  
budding literary enthusiasms if only she'd try, she could move with the times a little more,  
cidercup was not the end of the world at a tennisparty.. poor woman, it wasn't fair at all. 
She was much nearer sainthood than anyone else in my life the kind of sanctity 
Flaubert defined for all time in Un Coeur Simple.
own past arrogance, at once. She was still alive, living with my other aunt, her married  
sister in Cumberland, when the divorce with Nell took place. She wrote me a long  
rambling letter that tried to understand what had happened, tried very hard not to blame  
me, but significantly did not try to pretend that perhaps it was for the best, though she did  
end, the dear old fool, by pressing me to go out to 'one of the colonies' and 'start a new  
life'. I had passed several lightyears beyond her comprehension by then... but not her  
forgiveness. That outreached all time and space.
I disowned all this world for so long simply because I saw it as freakishly  
abnormal. But I see it now as no more than an extreme example of the general case. My  
contemporaries were all brought up in some degree of the nineteenth century, since the  
twentieth did not begin till 1945. That is wily we are on the rack, forced into one of the  
longest and most abrupt cultural stretches in the history of mankind. Already what I was  
the same number of centuries.
And then what we once were is now severed in a very special way from the  
presentreduced to an object, an artifice, an antique, a flashback... something  
discontinuous, and disconnected from present being. My generation wanted to shed  
altogether too much like sterilization. It may be a remedy for one problem, but it has  
also prevented from breeding those we need. All pasts shall be coeval, a backworld  
uniformly not present, relegated to the status of so many family snapshots. The mode of  
recollection usurps the reality of the recalled.
Under the tyranny of the eye, that glutton for frontiers, this is the prime  
different performances and productions of the same text. But the final cut allows no  
one's own thought. In the very act of creating its own past, the past of the scenario and  
the past of the shooting, it destroys the past of the mind of each spectator. 
Images are inherently fascistic because they overstamp the truth, however dim  
not archaeologists. The word is the most imprecise of signs. Only a scienceobsessed age  
could fail to comprehend that this is its great virtue, not its defect. What I was trying to tell  

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is precisely because I can't really evoke it in words, can only hope to awaken some  
analogous experience in other memories and sensitivities, that it must be written. 
I draggle kicking down the back lane to Fishacre, sent out by Aunt Millie to tell  
Father the carpenter from Totnes has come, he's forgotten and gone visiting old Major  
Arbuthnot who has gout and wax in his ears, about the rehanging of the tenor bell.  
Burning May, ¥the hedges dense with cowparsley, whose coarse bottom leaves are  
stained brickred with the lane dust, whose spoked heads are taller ¥than mine and dense  
parsley stalk, made a blowpipe out of it, poisoned Amazonian grasshaulms skittering in  
the sun, they won't fly straight, stupid, it's so hot, and I wanted to play in the garden  
before prep, lost in my 'house' in the copper beech. A woodlark sings over the huge  
hedge, in the distance somewhere, bellfluting trisyllable, core of green, core of  
springsummer, already one of those sounds that creep into the unconscious and haunt  
one all one's life, though all the little boy in the lane thinks is the name and cleverclever  
knowing it the name, not the bird. Now a plane drones slowly over, high in the azure, very  
different from the futurehidden Heinkel, and I stop and watch it. A Tiger Moth. Another  
name. I also know the real (though do not know that in that unconscious 'real' my  
redorange Jersey Tiger. We catch some every year in the garden. The aeroplane is more  
interesting. I'm good at names. I shoot it down with a grass stalk. 
My father appears, wheeling his bicycle up the hill, with a little girl beside him. I  
run down towards them, making like a messenger. The little girl is pudgefaced, her name  
is Margaret, they call her Squinty Foureyes in Sunday School. She is crosseyed and  
wears spectacles. I give my father the message and he says, 'Oh dear. Oh yes.' Then,  
'Thank you, Daniel.' He hands me his umbrella to carry. Margaret stares at me. I say,  
'Good afternoon.' She looks up at my father, then squints at me and says "Lo.' She is  
walking up to see her auntie in the village. We trail back up the lane, my father in the  
middle, me to his left carrying the umbrella, Margaret a little behind, making strange  
purposeful thrusting strides every so often to keep up. I am eleven, she is ten. I like one  
girl in Sunday School, but it is not Margaret. I do not like girls, but I like sitting near this  
other girl and trying to sing louder than she does. Her name is Nancy. Her summerblue  
eyes do not squint. They stare at you (she is eleven also) and make you hold your breath. 
She beats us all at it.
The woodlark sounds again. I tell my father. He stops. 'Yes, so it is.' He asks  
Margaret if she can hear the pretty bird. This time she squints at me before looking up at  
him. ('Us 'urd a birdy, mum, 'n Mr Martin 'e tell us 'Cr name!' Little upward tonal leaps at  
mum and name.) Now she just nods gravely. Dopy little cottage oick. I am angry with her  
because she'll get the ride now, not me. And sure enough, when the lane levels, it is her  
fat little legs that are lifted over the extra saddle on the crossbar. She wobbles off  
between my father's arms. He goes slowly, but I have to trot. And the stupid umbrella. I  
am furious. We have a car, an ancient Standard Flying12, but on some days my stupid  
father will use his rotten old bicycle like this. His pale beige summer visiting coat, his dark  
grey trousers in bicycle clips, the straw panama with the black band which can't blow off,  
there's an eyelet in the brim behind attached by a safetypin to a sort of black bootlace that 
ends in a watchchain bar pushed though his buttonhole. (Though at least I am spared the  
shame of the children of the 'vicar of Little Hembury five miles away. Their father has  
it, what's more.)
We cross the main road, then on down the lane to the village. I sulk, I refuse to  
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keep up, they disappear. I dread the thought of meeting anyone. They will laugh at me,  
aypupil in a preparatory school outside the next village, I am condemned to uniform stupid 
grey shorts with a pinkandwhite canvas belt done up with a snakeshead clasp, stupid long 
grey stockings also banded pink and white at the top (dear God, how I hate pink, and  
stupid. I seethe. I let the wretched umbrella flop and trail behind me, ferrule scraping on  
the patched macadam. I come round a bend, I see my father at the gate of the  
councilhouse where Margaret's auntie the midwife lives. He looks back towards me,  
talking. Margaret stands half hidden behind her fat aunt. I wish I was anyone's child but a  
vicar's. My father raises his straw hat to the midwife, then turns away and stands in the  
lane waiting for me. I impersonate heat exhaustion and atrocious exploitation. 
'Come on, old fellow.' 
I say nothing. He examines me. I am demonstrating. 
He says, 'Ladies first, Daniel. That's a rule of life.' 
'I'm hot.' 
'Do you want to ride now?' 
I shake my head and avoid his eyes. I am breaking another rule, squandering  
all credit, by doing that (not saying, no thank you) and he knows I know it. 
'Then you must walk home on your own. I have the man waiting.' I say nothing.  
'Shall I take the umbrella?'
'I'll carry it.' 
'Very well.' 
He reaches out and ruffles the top of my head. I pull my head away. People  
may be watching from the councilhouses. I look to see if they are. Then he does  
something unprecedented. He makes ajoke.
'I have lost a son. But I have found a gargoyle.' 
I watch him ride sedately off. Then I go the back way home, carrying misery and 
a large black umbrella through a perfect afternoon.
My Rosebud. 
Gratuitous Act
beginning of the world where winter is real. Dan sets his watch to Eastern Standard time. 
and seriousness of it. It remains the most awful, in Dr Johnson's sense, and the most  
strange coupling of my incelibate life. It must also, I suspect, have been one of the most  
awful in the more ordinary sense. I cannot remember the details of the act itself at all,  
beyond the realization that Jane was not as adept as her sister. With Nell there was  
already flirtations with perversity or what passed as perversity in those days and we had  
become by dint of practice quite skilled in sexmanual terms. With Jane there was a  
We got under the bedclothes, and I possessed her, and I don't think it lasted very long. I  
remember those minutes far more for their profound and delicious wickedness, their  
betrayal, their impossibilityactuality, their inextricable association with the woman in the  
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certain returns to innocence were now for ever banned. We seemed to take a step (that  
whole first postwar period, sated with the sound of marching, was obsessed with private  
before, no other age could have had our emancipation, our eagerness to experiment.  
Perhaps it was really our first step into the twentieth century. 
I think of jenny, her simplicity and careless grace, the way she slips out of  
clothes into nakedness, into sexuality, as easily as a seal into water. The fuss of those  
tense long years between puberty and the full exploration of what puberty brings. No  
acquired the rudiments of a genuine culture. Jane and I were five years younger than our  
children, at the equivalent age, in terms of sexual precocity and its physical and linguistic  
Our surrender to existentialism and each other was also, of course, fraught with 
fatal taste for adultery, for seducing, for playing Jane's part that day. It might seem good,  
the nonexchangeability of life and art. In reality that day Dan did not understand what was 
They lay clasped afterwards, in a state of delayed shock, far more Candide and 
Cungonde than wouldbe young intellectuals. Then they lay on their backs, side by side  
and handinhand, and stared at the ceiling.
Dan said, 'What are we going to do?' 
She pressed his hand. 'Nothing.' 
'We can't... ' but he did not finish the sentence. 
After a silence she said, 'I do love Anthony. And Nell loves you.' 
'But we love each other.' 
Again she pressed his hand. 'We could have loved each other.' 
Their fingers were interlaced, and he squeezed. 
'We can't pretend this hasn't happened.' 
'We must.' 
'But it would be such a lie. Such a 'In parenthesis.' 
ceiling above.
She said, 'Our secret. They mustn't ever know.' 
'It's like living with dynamite.' 
'That's why it had to be exploded. I've been terrified Nell will see.' 
For the first time, then, he felt used. But he had forgotten what she had said on  
the river: about the real and bathetic future that faced them. 
'It's not fair.' 
Again there was a silence. Then she said, 'When we came back here, I arrived  
at a sort of decision. That I'd let you make love to me if you wanted. But if that happened, I 

would marry Anthony... as a Catholic.' 
He did look at her then. 
'But that's mad.' He sought for words. 'In those terms, you've just committed a  
mortal sin.'
'For which I must now do penance.' She had a small smile, but she held his  
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eyes, and he knew it was not being said lightly. She added, 'And you.' 
'All our lives?' 
'May I have a cigarette?' 
He turned and reached for them and lit two, then passed her one. She sat up,  
out of the bedclothes, and he put his arm round her. She leant her head against his  
cheek.
'I also decided I should never feel guilt about this. Ever.' 
'But you've just said we must do penance.' 
'I'm sorry, I know it's not logical. I'm not ashamed of having wanted you. But I  

would be if I couldn't stop. If wanting you became more important than hurting Nell and  
Anthony.'
'You didn't even enjoy it very much.' 
'I did. It was just how I imagined.' 
He said, 'Okay for a rehearsal.' 
She pressed her head back against his and ran a hand down his thigh beneath  
the bedclothes, then pinched the skin gently. He lifted a hand and cupped the small  
breasts together, then moved it up to turn her face and boby. But they had hardly begun  
to kiss and Dan to feel, though he was never to know, that everything was still in the  
balance when there was the sound of the front door being slammed below. Dan had  
locked that of his own room but they were instantly terrified, staring at the wooden panels  
as if a figure might burst through them, like a shape in a movie cartoon. It flashed through  
home and ask her to let her in Never so frightened, before or since: but the footsteps were 
too fast and heavy. They did stop outside the door, and knock, then try the handle: then  
accepted defeat and went on upstairs. The two in 'Os the bed heard the steps cross the  
ceiling, from the room above. It was Barney Dillon, the student who lived upstairs. 
pushed away, stared him in the eyes for a long moment. Then she was out of bed,  
and it could still be Nell. He also felt already defeated, deceived, almost as if Jane had  
conspired to bring this interruption. She was brushing her hair, intent on her face in one of 
his mirrors. Then she was holding out her hands and taking his. 
'I must go. In case he comes down.' 
'But' 
'Dan.' 
'I'm never going to be able to hide it.' 
'You must.' 
'There's so much we haven't said.' 
'And couldn't ever. It doesn't matter.' 
moment with her head buried against his neck. Then she said, 'Please see if the coast's  
clear.'
He cautiously unlocked the door. They tiptoed downstairs, Jane with her shoes  
in her hand. She slipped them on at the front door, while he looked out down the street. 
'It's okay.' 
But she hesitated, then looked down from his face. 'I'll go round and see Nell  
later.' Nell's and her own cottage were very close. She added, 'Unless you want to.' 
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He shook his head. By which he really meant, I don't know how you... though  
he saw the necessity. She raised her eyes and met his.
'If I can help it now, it's because I couldn't before. Do you understand that?' 
He said nothing, he was still trying to understand. But in the end he nodded.  
Her eyes were strange, they had almost a despair, a searching for something he could not 
give. She leant forward, kissed him impulsively on the mouth. The next moment she was  
slipping quickly out of the door. He closed it, and remained staring Io5 a moment at the  
He tiptoed back upstairs and went along to the bathroom. When he went back  
to his own room, he shut the door loudly, so that it could be heard upstairs, if Barney was  
feelings of inferiority towards Anthony lay mysteriously but profoundly alleviated. Once  
more Dan had begun to write himself.
And so well that he found, after ten minutes or so, as if for a first test, the poise, 
the chutzpah, to go up and see Barney Dillon.
Returns
I had an hour to wait at Kennedy for my flight to London. I ought to have spent some of it  
ringing David Malevich, who I knew was in New York, about the Kitchener script. But I felt  
too tired, too remote from the present. So I gave myself the prospect of one more  
transatlantic call about nothing, and sat in the departurelounge bar. The surfer  
something in me wished it would last for ever. Again, jenny, in that simile I had not yet  
read and which indeed she hadn't yet written was halfway right. I did feel like a suitcase  

with illegible labels, safe for as long as I was locked. I managed one practical thing  
between the whisky sours. Not trusting her mother, I sent a cable to Caro saying I was on  
my way.
Caroline at least had become a less menacing fault, in both the geological and  
the selfblaming sense, in my life. For so many years she hadn't seemed my daughter  
merely something I had once given Nell and was ungraciously allowed to see again from  
time to time. Repressed suspicion haunted our brief encounters. Nell had conditioned her  
even took after her mother physically, though not mentally not that that was unmixed  
consolation. If she lacked Nell's sharp tongue, she also seemed to lack every other kind  
of intellectual acuity. The country world she had followed Nell into when she remarried,  
the riding, the wretched boardingschool for upperclass fools she had been sent to (Nell's  
choice, my expense)... none of that helped. Through her teens I tried, too hard, to inject  
some culture, some rudimentary awareness that not all human decency resided in the  
ruralTory view of life. But she seemed impervious, or just embarrassed. Then two years  
before Nell and I had had to face the problem of a career for her. There was no chance of  
her getting into the most indulgent university. She didn't want to go abroad. In the end we  
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settled for a secretarial course run for similar poor little rich girls in Kensington. io8 I  
like, under the veneer of debby silliness. There was an embryonic independence, in  
attitude towards me. I learnt more about Nell and Andrew and her hitherto shrouded life at 
Coinpton. She was no cat, and it was largely reading between the lines. But it was clear  
that living in London, even though it was in a hostel run like a prisoncamp, had woken her  
had a longdelayed little fatherdaughter affaire, in short. I was allowed to tease her out of  
sonic of her follies and she teased me out of some of mine. She had boyfriends, there was 
nothing unhealthy about it. One day she spontaneously brought up the absurdity of our  
meetings when she was younger the stiffness, the boredom and we kept laughing,  
remembering yet one more ghastly weekend or afternoon. It was marvellous: like seeing a 
capsized boat right itself, and knowing that no serious damage had been done that in a  
way there was almost an advantage in the long being capsized. 
That previous summer she had finished her course and after a holiday, got  
herself a job. She had had a choice of several and took the one I advised with... let's call it 
the Sunday Timeserver. The others were all in the City and I preferred her to do  
something with more human interest than shareprices and learning business jargon. She  
had no writing ability at all, but life however humble on a big newspaper seemed less  
likely to bore her. There was by then a more permanent young man. I knew they were  
keeping her occupied and getting her some experience of life outside Gloucestershire and 
Kensington. She fancied a flat of her own, but I suggested she take over mine while I was  
in California. It was the flat in Notting Hill Nell and I had graduated to at the end of our  
Caro moved in, and a month or two later I i,loved She didn't write very often, but when she 
did she kept up a pretence of awfulness at not having found anywhere else to live: a  
pretence that hurt. It defined much that remained not quite natural in our relationship. It  
was the same with money, over which she was careful (a virtue she must have picked up  
from her stepfather). She had refused to let me continue her allowance when she started  
work, on all sorts of excellent grounds (the 'fortune' I had already had to 'fork out' on her  
education, and so on), yet I felt frustrated. Jenny was quite right: I did complain far more  
about these minor flaws than allow the major assets in our new knowledge of each other. 
The thought of soon seeing her again was a genuine pleasure, though it was  
accompanied by an equally genuine guilt, since I had stayed a good deal longer than I  
originally intended in America. I knew Caro must know why. Jenny had been mentioned  
once or twice in my letters, but not the full extent of the relationship. News of that must  
have reached her by now, and I anticipated a trace of jealousy. She hadn't written at all  
for the last three weeks. On the other hand she was her own mistress now, and in a much  
more open world, and I counted on the ill wind at Oxford that blew me home to help us  
together again.
The flight was called. I boarded and promptly spread myself over three seats.  
But I could see it was going to be mercifully uncrowded we were due in London at 2 a.m.,  
not when the wise normally arrive. I tried to decide which I wanted most: the meal, or  
sleep. I decided it was sleep, and I sat waiting for the takeoff. 
All my adult life I have believed that nothing controls our destinies beyond our  
genes and external events. The manifold ways so many Californians try to escape from  
rational causation the dotty religions, the chasing after Gurdjieff, Ouspensky, any crank,  
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the fifty thousand therapy centres and deepmeditation ranches, the astrology, the mania  
for ESP and drug mysticism... all that had never provoked anything in me but contempt or  
coincidence decided to kick me while I was down.
A last passenger came into the cabin. I glanced towards the aisle as he  
passed, and he down towards me. He had run to fat a little, was balding fast, but still that  
same vaguely louche, vaguely quizzical smilethough for the tiniest beat the face wished,  
too late, that it hadn't looked down and seen me. Only the surprise was genuine, and on  
both sides.
He said, 'Good God.' Then he shuttered his hand quickly across his face, and  
said what I had said a few hours previously. 'Ghosts.' And I finally knew that day in Oxford 
did not want to die.
At the time one was proud to introduce him, despite the lopsided smile, always  
probing, like a leech, for exposed skin. Dillon the wit, the gossip, a pillar of Isis: in those  
days publicity was myrrh and frankincense, and Barney could dispense it. He was another 
already on the as yet unforeseen television screen, charming to the unknown and  
needlesharp with the innuendo in the back of the known. Even then he had the knack of  

worldweary authority in his film and theatre reviews, of elaborate malice in his gossip  
column, of pathological egocentricity convincingly passed off as solid honesty in his more  
serious pieces. He was an amusing mimic, too.
Dan found him stretched on his bed. Barney also was in his last year. He  

winked up at Dan from his book, playing the spiv. 
for nothing.'
'I buy it in cubes, mate. Not granulated.' 
then smiled cautiously.
'So give.' A week later, this appeared in his gossip column: We have it straight  
from the hearse's mouth that one of our budding Ben Jonsons is peeved beyond words a  
merciful release, some may think (not us, we like the lad). Seems he was absentmindedly  
propelling the wrong Heavenly Twin recently down a retired backwater when... okay, so  
you read the papers too. Why the peeve? The said backwater has a certain reputation,  
my friends, and has told more than one Nell in its thyme. The unfortunate pair claim they  

were there for a quiet read. Haven't met such charming innocence since the girl who went  
to In Which We Serve to improve her tennis. These strolling players, when will they learn? 
It was not the tone that offended Dan when he read it, but the brevity. 
And now I was standing, a quarter of a century later, and taking his hand. 
'Barney. Long time.' 
'Incredible. I was talking about you only yesterday.' 
He shook his head, full of some bewilderment he couldn't communicate, but  
ostentatiously uptothemoment suit, studiously informal, an opennecked shirt. 
He said, 'With Caroline.' He must have seen I was nonplussed. 'On the blower.  
Hasn't she told you?'
'Told me what?' 
'She's my secretary now. As of three weeks ago.' 
'But I thought you'd left...' 
A stewardess came up and smiled at him. She evidently knew who he was. 
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'We're winding up the elastic. If you'd take your seat, Mr Dillon.' 
'Oh Christ. I'll fucking well report you.' He transferred his grin at her to me. 'She  
knows I'm the alltune air coward. Super to see you, Dan. Just let me dump my stuff. I'll  
explain.'
I watched him go down the plane and find an empty row of seats. The same  
stewardess hovered round him, and there was more badinage. If he hadn't slept with her,  
also knew who he was, must have seen him on television.
There had been a period after Oxford when we had kept in fairly frequent  
touch... occasional dinners, parties, first nights. I was writing plays, and he was reviewing. 
He was very friendly about the first two plays, and did an almost gushing profile of me for  
a theatre magazine soon afterwards. Then for a time he moved to other fields, and we  
drifted apart. But he was back in the theatre column when my fifth play, the one about the  
breakup of my marriage, came on in London. He very comprehensively panned it. To give  
some sort of apology for having to do his duty and it was poorly reviewed elsewhere. I  
I did resent his use of private information, the references to assimilated personal  
old friendship, then at least an old acquaintance had been betrayed, and I decided to  
cross him off my list of people I wanted to know. In the nature of our two lapping worlds,  

we had met occasionally from time to time since. He had also done some film reviewing,  
and I couldn't complain of unfair treatment when our paths had crossed in that way. 
It was less anything personal that I had always disliked in Barney, in fact, than  
that he was a critic. No creator can like critics. There is too much difference between the  
two activities. One is begetting, the other surgery. However justified the criticism, it is  
someone who takes no real risks on someone who stakes most of his being, economic as  
well as immortal. 
also hung about him indeed has continued to hang around all my Oxford generation. As  
with Ken Tynan, so many others, I certainly can't except myself, destiny then pointed to  
far higher places than the ones actually achieved. Perhaps we were too selfconscious,  
too aware of one another and what was expected of us, too scared of seeming  
workingclass, antiuniversity shift in the English theatre and the novel. Tynan's famous  
rave for Look Back in Anger was also a kind of epitaph over our hopes and ambitious over 
the framework of middleclass tradition and culture that we had all been willynilly confined  
or professional bandwagon came to hand, accepting the fool's gold of instant success.  
grew so scared of their pasts and their social class, and never recovered. 
Barney himself had over the last decade become more and more of a television 
personality, latterly on a chat show of his own. I had even seen j once or twice. He was a  
little too concerned for his '
much with a wellknown politician. As with all cameraconscious performers on that  
merciless medium, he finally made one wonder what he was trying to hide, why he  
couldn't be himself. This particular show had brought him a good deal of local fame  
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money as well, obviously but watching it, I had not been able to help remembering the old  
never been, in the Oxford days, was unnecessarily nice to the famous. Probably he would  
have said that he had matured... but gadflies don't mature, they simply die. One of his  
shows I had turned off halfway through. Whatever anger I had once felt about the review  
had given way to a boredom with the hollow shell he, as minor emblem of all our  
generation, had seemed to have become.
And now the hollow shell came and sat beside me, and fastened his seatbelt.  
We were on camera. The couple opposite kept sneaking looks across. 
'I've ordered Scotch. Yes?' 
'Fine. Tell me about Caro. I thought you'd left the paper.' 
'We pissed and made up.' He shrugged. 'Just a new column. Keep my hand in.'  
He slid me a sour grin. 'I'm so bloody famous now. I can remember the days when I was  
lucky to get the corner of a table. Now it's an office and secretary.' 
'Is she any good?' 
'Splendid. Taken to it like a duck to water.' 
'I'm glad.' 
'Holds the fort and all that. Bosses me about. Even learning to spell.' I smiled.  
'She's sensational. Really.'
He seemed very eager to be nice. But my mind was already reaching ahead to  
Caro. Though I couldn't recall ever having talked of Barney to her, perhaps Nell had, and I 

wondered for a moment if she had known, or half guessed, that he was not someone I  
for my infidelity with jenny. We began to taxi. I asked what had brought him over to the  
States.
'Piece on the elections. Usual crap.' He screwed up his mouth. 'This fucking  
country. It kills me. Theyjust never seem to grow up. You must find that?' 
'Sometimes.' 
'Of course, on the Coast...' he shrugged, then probed. 'I thought you were doing 
a script out there.'
'I'm coming back to see Anthony Mallory, Barney. Caro's...?' 
'Yes, she told me. Bloody awful.' He paused. 'I thought' He broke off, then  
smiled. 'Sorry, not my business.'
He obviously thought what Caro must have told him: that Anthony and I hadn't  
communicated for years. I explained the situation, and we talked about Anthony, and  
cancer, for a little while.
'Oh well, be a nice surprise for Caro. You have a very admiring daughter. You  
know that?' He squeezed his nose. 'Actually, Dan, before I forget, she asked me to give  
you a ring. Send you her love and tell you about the newjob. I've been so goddani busy  
and then today I decided to cut out early and had to cram fiftynine' 
'That's okay. I'll tell her.' 
We waited for takeoff, at the runway end. The engines roared up in test, and he 

was silent a moment. He gave a little puff of selfamusement. 
'Jesus, I hate this form of locomotion.' 
'Intimations of mortality?' 
'Is it all worthwhile, I ask myself.' 
'Come on. We've survived.' 
'Oh sure. In five thousand pages of fishandchip wrapping.' 
'Balls.' 
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He stared bleakly down the cabin, then pulled his mouth to one side and  
shrugged. 'When I look back.'
From the top of your profession?' 
Big deal. As they say.' We began to run. 'Actually I've been here about a TV  
show as well. They have a crazy idea I might be the new David Frost. I told them, I don't  
even want to be the old David Frost.' I duly grinned. 'Seriously. I'm running away at the  
moment. Supposed to be having lunch with one of the putative sponsors tomorrow. Sit  

with him through the pilot.' We took off. He stared past me out of the window. 'It's going to  
kill me, if it goes through. Kills inc at home, that fucking series.' 
I thought you were very good. When I've watched.' 
Who switched it on the second time?' 
'5 I smiled again. At least it was nice to be back where undertones were not  
missed.
'You try over here. There's not much competition.' 
his seatbelt.
'Caroline tells me you're on an epic.' 
'Hardly. Historical. Kitchener.' I said, 'And doomed before it starts.' 
'Yes? 
Yes? 
'We're off the record, Barney.' 
'Of course, dear boy. Just curious.' 
The stewardess came with our whiskies. Barney gave her a smile and a 'Bless  
you'. We talked movie business for a few minutes. I felt he was acting all the time. He sat  
if he would rather be chatting up the stewardess. Then he began to talk again about  
television, its ephemerality, the 'stupefying quantity of horseshit' his own programmes  
involved. It was a trauma, or ordeal, I had long been through myself the tyranny of the  
mass audience, the need to suppress instinct, education, subtlety and a dozen other  
things in favour of the bedrock truth of the human condition: that the majority is ignorant  
and wants, or at least pays money, to be treated as a moron. Audiences are shmucks, as  
a celebrated old Hollywood director once put it succinctly to me, and shmnucks hate  
brains. Then Barney went on about the horrors of now being recognized everywhere he  

stripshow, has the same clause written in you will henceforth put yourself on public show  
amusement, at finding myself in Jenny's role now. Perhaps lie sensed it. We had a couple 
more whiskies, and lie raised his glass.
'Well, here's to Caroline, anyway.' He drank, then said, 'She seems to have  
survived the divorce pretty well.'
'By some miracle. It's been nice getting to know her this last couple of years.' 
'You probably didn't miss much. Speaking from bitter personal experience.' n--  
'I've forgotten 'Three boys. The oldest won't speak to me, the middle one can't, and the  
youngest does. He's the one I hate.'
He'd said that before, no doubt in El Vino's. 
'And beyond the epigram?' 
'Margaret's problem, really. I've opted out. I felt pretty much the same about my  
own old man. They don't bother to hide it. I suppose that's progress.' 
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She hadn't been at Oxford, and I knew very little about her. 
Barney stared again down the cabin. 'Roll on the Republic. Let some other poor 
bastard bring the little horrors up.'
'I'm sorry.' 
'My fault. Never enough time. Or the patience.' He took a breath, and another  
mouthful of whisky, then changed the subject. 'You're coming back here as soon as...?' 
'No, I'll finish the script at home.' 
He gave me one of his old smiles: knowing and searching. 
'Is it really home for you now?' 
'England? Good lord, yes. I've got a small farm down in Devon.' 
'Caroline told me. Sounds nice.' 
We drifted then to the state of Britain. Of course I had recognized symptoms I  
shared: doubts and disillusions, graspedfor apples turned to wax, dreams become ashes.  
But I would never have come out with that to him. You can practise selfdeprecation and  
anxious that I shouldn't say too much about the past to Caro. He too wanted a favourable  
report: he had problems, he didn't take himself too seriously. 
They started bringing round 'the meal and I used that, my not having slept and  
not feeling hungry, to break off the conversation. He was very anxious we should have  
lunch one day soon if I was in London. I made the right noises. Then I lay down. Sleep  
came deep and dreamless, like all slumbers of the damned.
Tarquinia
They had one golden period. Anthony heard of an empty flat in Rome and the four of them 
spent six weeks in it during the high summer of the year that followed their last as  
students. The three graduates had gone down only in the academic sense. Anthony was  
and really living on the eight hundred a year he had inherited. Anthony and Jane had  
married in December. She was four months pregnant by the time they went to Rome.  
best man. Jane had been officially received into the Church a month previously. In the  
new year they moved into a cottage at Wytham. Dan and Nell had had a much simpler  
registryoffice ceremony as soon as Nell had taken her Finals, and Rome was their token  
honeymoon. A year before Dan would not have believed it possible that he could go  
through with such an arrangement. But much had changed in the interval. 
He would have liked not to see Jane for weeks after their acte gratuit. But that  
very next afternoon he was working in his room when she appeared with Anthony. It  
happened so fast, as of course she had intended, that he had no time to dread the  
meeting. Their names as the discoverers of the corpse (whose murderer was never found) 

were already in the morning newspapers. Anthony seemed wrily amused, wanted to hear  
Dan's side of it. He had to be treated normally... as Nell already that day had had to be  
treated normally. She knew he was cramming and had arrived just after breakfast on her  
bicycle, on her way to her first lecture. She had been easy to deceive. She showed no  
suspicion, merely a shocked excitement, so ghastly, so extraordinary, 'their idyllic little  
cut... 
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He found he could look at Jane without embarrassment. He even felt a belated  
began to condone himself. It had been a comedy, a ten minutes' madness. He felt himself  
running "3 away, already devaluing the reality, even comparing Jane physically to Nell,  
telling himself he really preferred Nell, he wasn't jealous. But then Anthony left the room a  
moment to go to the bathroom, and they were left alone. It was a warm day, she was  
sitting propped on the windowsill over the garden, and Dan was lying on the bed. They  
said nothing and avoided each other's eyes, and the truth behind the comedy was there.  
Then suddenly she swung her legs to the ground and came across to the bed. He stared  
up into her eyes.
She said slowly, ' "If it were done 
'Okay.' 
Well? 
'All right. She came round this morning.' 
And he stared until she had to turn away. She put both hands on the  
mantelpiece and stared down at the unlit gasfire.
'Are you angry with me?' 
'Do you remember how that Macbeth speech ends?' 
No. 
'"Then we'd jump the life to come."' 
She opened her mouth to say something, then closed it. There was a long  
moment.
'I had quite a talk with Nell last night. About you.' 
'Comparing notes?' 
She swallowed the sarcasm, then spoke simply. 
'You are angry.' 
He put his hands behind his head and stared up at the ceiling. 
'You seem to wish it had never happened now.' 
'Only if it leaves you bitter.' 
'So what did you and Nell decide? I'm good enough for her?' 
bumped into the man who had the front room. They had been at Winchester together.  
Jane said nothing for a moment.
'Dan, if I stop it now, I can still be happy with Anthony. If it went on... and Nell  
does want to marry you. Perhaps more than you realize.' She gave him a little glance  
down from where she stood facing the mantelpiece. 'We'll always be closer in one way to  
each other than to them.'
'it. sheer dottiness.' 
"9 She smiled, then spoke more gravely. 'Iii what we gave up for them.' 
The door opened, and Anthony came briskly in. Jane turned to face him. 
'Darling, the poor boy wants to work. So do I.' 
He hated her then. She had sounded just like Nell. The circumstances  
mightjustify her acting a bright normality, but that reminder of how well she could act  
tainted what had just gone before. There she had cast herself as wisdom, selfsacrifice,  
already trying out for her future role as a Catholic convert. Yet the strangest thing was that 
he felt that somewhere she did love him, understood him far more deeply than her sister,  
still wanted him physically more than Anthony. What had happened was like an attempt to 
expensive morally, she found herself now doublechained in the old one. 
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But all this was long past by the time they went to Rome. Perhaps she contrived 
it at any rate they were not to see each other alone again before Final Schools began.  
Then they had the long vacation apart, the two girls having taken Anthony to the States to 
stay with their mother and stepfather. Dan was invited and could have gone, but he had  
already found reasons not to: he didn't want to miss the job at the Playhouse, he had  
neglected Aunt Millie, he knew he was going to get a bad degree, he had an idea for a  
play... all of which hid the real reason why he remained proof to all Nell's sulks and  
claustrophobia, incest, and he knew only separation could purge it. He did have one very  
didn't come. After a week or so he began to miss them. He felt himself orphaned all over  
again, emotionally as he was literally. Aunt Millie and Cumberland where she now lived  
with her married sister, Dan's other aunt reminded him only of what his own family could  
not give him. The long letters that began to arrive from Nell were some compensation,  
though she teased him about 'dates' and 'beaux' on Cape Cod, where they were  
holidaying. Secretly he took offence, but that did not survive ten minutes when she came  
mischievous whispered voice in his ear: Where's the nearest bed? 
From then on, what seemed like a small miracle had taken place. Jane and he  
tacitly avoided being left together. Sometimes he searched her eyes, when they were  
unobserved. She would smile gently, and look down. Nothing was to be said, the matter  
was eternally closed. It had something to do with her conversion, which subtly altered the  
relationship among all four of them. It was not that they talked about itthe same principle  
applied as with the orchidhunting, its discussion was strictly for initiates. But over that  
trying to reproduce in real life one she had occasionally played, the revue sexclown. 
He suspected at first that her withdrawnness was also acted, overidentification  
not see why it was necessary at all. He had never understood that part of Anthony  
instinctively even if he could have explained it intellectually. Perhaps there was some  
element of sexual jealousy, but he felt he genuinely resented this enslavement to what he  
saw as sophistry, an abstruse confidence trick... to the flaw in the other man, not his  
virtue.
On that side the most surprised, oddly enough, had been Nell. It gradually  
became clear that her own nature had needed Jane's more flamboyant old self as a  
complement. It was almost as if she had been led by her sister into a culdesac, and was  
now left to find her own way out. For a time, that winter, she played the spoilt child to their 
more adult selves. She kept complaining to Dan. She had that frightful Madonna face on  
again all evening, why have we all got so dull, honestly I don't know her any more... but  
something in Nell was eventually mollified, especially when the marriage took place and  
the newlyweds moved out to Wytham. Dan was always busy at the theatre in the evening  
became as close, though much more privately, as when Nell had first arrived and they  
earned their university nickname. The Catholic 'thing' was accepted, and became  
unimportant.
passage into senior philosophical circles, the assurance of a fellowship as soon as he  
showed he could teach and fit in. It didn't alter him at all, if anything he played down his  
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enhanced authority en famille, but it, and a happiness he couldn't quite hide, did affect  
them also. It proved Jane's wisdom, or at least made her decision easier to understand.  
For Dan it brought twinges of career, as well as the other, jealousies. He did not envy  
academic glory, but he wanted success. A play he had secretly submitted to a London  
agency in December had been turned down by every management who read it. He carried 
that failure with him for months afterwards.
Then Nell had changed. Their relationship had never had or so it seemed to  
Dan the innate rightness and conviction of Jane and Anthony's. They understood each  
other, they pleased each other in bed, they liked to be seen around together. But there  

was always in Nell a hint of shallowness, of fickleness, an impatience. She liked amusing  
always used her good looks far more than her sister, to compensate for something she  
lacked. But Jane's new sobriety began to affect her. She started working hard, and  
became serious in other unexpected ways: took to playing housewife in the Beaumont  
Street flat Dan had moved to. Marriage became inevitable. She grew, by comparison with  
Jane was announced pregnant, whatever dim hankerings, or dissatisfactions, he still  
harboured disappeared. He finally accepted that Nell was his lot. 
But by then, the spring, Dan had written his fourth or fifth play, I forget now.  
This time he had had the sense to dramatize a world he knew as opposed to ones spun  
England's more famous and more thinking actors turned up at the Playhouse. Dan braved  
kind man instituted himself fairy godfather for the script in London. By May Dan knew he  
had taken the first essential step towards being a professional dramatist. He had signed  
and demolished whatever remaining doubts Nell may have retained about him. He even  
thought he detected a faint wistfulness in Jane at the news, and he was man enough to  
crow inwardly at the thought of that. But in sum it was a good year for all of them, full of  
promise, at a time when what you are doing for yourself seems much more important than  
what you do to, or have done to you by, other people. 
None of us had ever been to Italy before it was all new and amusing. We even  
sightseeings and picnics out in the Campagna. We couldn't rush about, the heat and  
Jane's pregnancy prevented that. Nell and I went off on our own occasionally, but we  
functioned well as a foursome, seemingly better than ever before. Between Jane and  
myself and of course in Rome we were from time to time obliged to be alone there was a  
total silence about the past. I thought we had become enormously mature, to be able to  
pretend so convincingly that it had never happened, to discuss a painting together or go  
round the corner shopping like two old friends. She was in awe a little of her own body,  
that susceptibility to couvade seemed endearing and fallible. If we all laughed at his  
fussing there, he made us laugh in turn about the sillier Catholic side of Rome. They both  
wore their religion very lightly. Nell and I used to tease them about Sunday Mass: they  
would debate (putting it on for us) churches like a pair of gourmets over a Michelin guide.  
We used to celebrate our own mass while they were out, making love naked in the sun on 
the terrace. We decided they were incipiently square, but nice to know. 
The real bible that summer, for all four of us, was Sea and Sardinia. 
Imperial Rome, we agreed, was vulgar beyond belief. All good lay with  
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Lawrence and the Etruscans. We pursued them wherever their sites lay in range. We  
The climax and epitome of those blueandochre weeks took place at Tarquinia.  
The tombs were still locked away from the public at that time, but Anthony pulled the  
name of one of his new Senior CommonRoom friends on the curator and we were allowed 
a tour. It was early evening when we finished. It had been a memorable experience: in my  
case some kind of avatar of so many things I had derived from the Devon countryside as  
a boy. I felt it spoke more deeply to me, even though Anthony knew far more about the  
Etruscans in scholarly terms. I think it was also the first time I had a clear sense of the  
futility of the notion of progress in art: nothing could be better or lovelier than this, till the  
end of time. It was sad, but in a noble, haunting, fertile way. 
We went back into the little town and sat about drinking wine holding forth, as  
one does at that age, about our feelings, how terribly moving it all was, how then suddenly 
decided that we would give ourselves the night there. We tried two or three hotels, but  
they were full of holidaying Italians.
However, a waiter in one of them told us of an isolated pensione down by the  
sea three miles away, and the two girls and I overruled Anthony's doubts. The place had  
only one free room left, but it contained two double beds, and we dismissed the ancient  
taxi that had brought us. We had a long meal and more wine under a vinetrellis outside. It  

was very airless and afterwards, a little drunk, we idled along the beach beside the silent,  
listless sea. Then Nell and Jane decided they wanted to swim. So we undressed, pairing  
off by sex, not marriage. I saw the two girls wade in, then both turn and call to us. They  
stood handinhand, like a pair of seanymphs, in the starlight. For a moment I wasn't sure  
which was which, though Jane was an inch or two taller than Nell. I was thinking, He's  
never seen Nell's breasts and pubic hair before.
She said, 'Oh they're hopeless. They're shy.' 
They turned and went on wading in. The beach ran out very shallowly, for a  
long way. Anthony and I followed. The girls ahead of us stood with the water round their  

waists, then plunged forward, one of them with a small scream. Then they were swimming. 
A few seconds later Anthony and I plunged as well and swam out to join them. They had  
stopped where they could just stand, having discovered the sea was phosphorescent.  
Glaucous trails glimmered behind each movement. We made a circle, talking about the  
phenomenon, swirling our arms through the mild water. Then Jane reached out her hands 
to Anthony and myself and we made a ring as Nell in turn took our free hands. It was  
ridiculous, childish, as if we were about to do a rounddance or play Ringa, ringaroses. I  
think it was Nell who made us begin to circle gently. The depth we were in made any but  
water. I felt Jane's bare foot, but I knew it was by accident. I could see Anthony smiling at  
me opposite.
mysterious unison, and strangely uncarnal, in spite of our naked bodies. I have had very  
few religious moments in my life. The profound difference between Anthony and myself  
yet I could see that for him, the supposedly religious man, this was no more than a faintly  
embarrassing midnight jape. Or I can put it like this: he saw me as the brotherinlaw he  
liked, I saw him as the brother I loved. It was a moment that had both an infinity and an  
evanescence an intense closeness, yet no more durable than the tiny shimmering  
organisms in the water around us. 
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I tried repeatedly in later years to put those few moments into my work and  
always had to cut them out. It took me time to discover that even atheists need a sense of  
blasphemy. And loss. Like the vanished Etruscans, we should never be together like that  
again. Perhaps I knew that then, also.
Petard
my watch forward once again. Barney was standing by my seat when I returned. 
'Dan, Margaret's meeting me. Can we give you a lift into town?' 
I should have liked to refuse, but it seemed churlish. At that time of night I  
wouldn't have to ask them in for a drink. We got off the plane and through passport  
far end of the hail. I felt unreal, in a bad dream, still not properly awake. He was grinning  
when he came back. 
'Either you have a marvellous daughter or I have a telepathic secretary.' 
I looked back through the Customs counters. I couldn't distinguish Caro's  
among the scatter of distant faces, but Barney said, 'She's with Margaret. I think you have  
your own transport.' A hand waved, and I waved back. I'd told her in the cable not to wait  
up for me, let alone fag out to Heathrow. The luggage began its slowmotion spill. None of  
Barney's wife was still an unimpressive little woman, tired and faded under the  
anomalous, suburban to Barney's urban. I vaguely remembered their house, in  
neverswinging Muswell Hill. Caro looked oddly apprehensive, no doubt at not having told  
me herself about the new job. She flashed one look at Barney, then I was hugging her. I  
held her severely away by the shoulders.
'I thought I gave orders.' 
'My own boss now.' 
given you a marvellous reference.'
'Thank you, Mr Dillon.' 
I took the little edge in her answer to be mocking: knowing he was sneaking  
home ahead of plan.
'Dan, you remember Margaret?' 
'Of course.' 
We shook hands, there was a brief fourway conversation about Barney's  
coming home early, small worlds... nothings. We moved outside, I led the way with  
Margaret. I heard Caro ask Barney how some interview had gone, but didn't catch his  
answer. When they came up beside us, he was asking her not to ring him the next day  
unless it was 'desperate'.
'And for God's sake don't tell anyone I'm back.' 
'Right.' 
Renewed insistence from Barney that we had lunch one day soon: we saw  
them into their car, then I wheeled the trolley on down to where Caro had parked her Mini. 
I stood watching her while she unlocked it: she was wearing a long coat I hadn't seen  
before. And a face. She held the door open while I manoeuvred the suitcases into the  
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back.
'I know why you've come. Mummy told me yesterday.' 
'Is she in Oxford?' 
'The Runt's got mumps rather badly. She's gone back to Compton for a couple  
of days.' The Runt was her tenyearold halfbrother, Andrew's son and heir: they went in for 
a sort of Mitfordian family slang. I straightened and looked at her. 
'Surprised?' She nodded, and looked down. 
'I feel very sorry for him, Caro. In spite of family history.' 
'I know, Daddy.' 
stamped hard. She went round to the drivingdoor and unlocked that. I bent myself in  
beside her.
'I was very close to him oncc.' 
She looked through the windscreen. The Dillons' car, ahead of us, moved off. 
It just seems rather sad that something like this has to happen to bring you  
together again.'
Darling, if you came to tell me that your generation of the family thinks mine  
have behaved like cretins...
I came because I love you. Right?' 
I leant and kissed her cheek, and she switched on the engine. 
'I rang Aunt Jane this evening. When I got your cable.' 
'How did she sound?' 
We moved off. She made a bad gearchange and grimaced. 
'In control. As always. We talked about me mostly.' 
'I'll try and catch up with some sleep. Then I'll go.' 
Yes, I said I thought you would. She hesitated. 'She's very grateful.' 
'I was looking for an excuse. I've missed you out there.' 
She said nothing for a moment, though she had a small smile. 
'Is she nice?' 
It had to come, and I was glad she had brought it so quickly into the open. 
'Yes. And I still missed you.' 
'They say she's very bright.' 
I left a pause. 'Did it shock you?' 
'Don't be silly. I used to rather fancy you myself.' 
'Now I'm the one who's shocked.' 
'I used to tell my best friends at school. How devastating you were.' 
'Like the Hbomb?' She grinned. 'Yes?' 
'When I was little and you took me on that grand ancestral tour in Devon. That  

was the first time I'd really thought about you and Mummy. I couldn't think why she'd ever  
left such a nice man.' She added, 'Of course, that was before I really knew you.' 
'If you weren't being so sweet...' 
The grin lingered, but I sensed something troubled underneath, something that  
couldn't be said, that had to be hidden under this teasing. She jockeyed to get past a late  
truck. We headed for the tunnel to the M4.
'And how's Richard?' 
'That's all over, as a matter of fact.' 
twitched her mouth and shrugged. I had once watched her showjumping at a gymkhana,  
in her horsy phase. Whatever she lacked elsewhere, she took her fences straight and  
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brave.
'Since when?' 
'About a month ago. Since I last wrote.' 
'Someone else?' 
'just...' and again she shrugged. 
'Poor old Richard. I rather liked him.' 
'No you didn't. You thought he was an Old Etonian nit.' 
Contradicting me like that was not new. She had taken to it during the time I  
opinions from those I sometimes humoured her with.
She said, 'And you were right.' 
'Do you want to talk about it?' 
We came out of the tunnel. I had that dislocation oflong journeys, where  
from. The awful winter dankness of England.
'It all happened down at Compton, really. We went for the weekend. I suppose  
seeing him being given the future soninlaw treatment was the last straw.' 
'Hardly his fault?' 
'He's so fantastically square. Under the surface. Honestly he was horrid, he  

was lapping it all up. Sucking up like mad to Andrew. Pretending he was interested in  
milkyield and shooting and God knows what else. I suddenly realized what a phony he is.  
Not only about all that.'
'Then you're right to chuck him out.' 
university material at all. His family owned a famous London publishing house, and he'd  
been learning the trade on the fine old English principle that since natural aptitude is  
clearly inherited, no practical demonstration of it need ever be required. He had picked up 
some vaguely leftwing views among the properly resentful underlings he would one day  
mismanage or perhaps he just needed to try out on me opinions that must have been  
unspeakable at home.
'He was so beastly, you've no idea. He had the nerve to say Fleet Street was  
corrupting me. He told me one day I was getting sharp.
Rather vulgar, dear girl." I threw a ginbottle at him, I absolutely saw red. The  
bloody nerve of the man.' She said, 'And don't grin.'
'There is some of the flat left?' 
'This was at his place.' 
'Good. Never throw your own gin.' 
She bit her lips. We climbed up on to the M4. 
'You knew from the start. You could have told me. 
'With my track record in picking ideal partners 'You must have learnt  
something.'
'Too late.' 
She digested that. 'Are you going to marry her?' 
'Her name's jenny. And no. I'm not.' 
'I didn't mean 'I know you didn't.' 
changed. Perhaps it was no more than the normal effect of six months in a new world. I  
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sharpness, some sort of shift from innocence to aggression. The crack about fancying me  
oldergeneration stupidity.
'And the job?' 
'Love it. Even the mad hours.' 
'And your new boss?' 
'It's fun working for him. Lots of variety. I seem to spend half my life on the  
telephone.'
'Why didn't you write and tell me?' 
'I was a tiny bit afraid you'd be... I know he gave you a terrible review once.' 
'He's given me good ones as well. And no excuse.' 
'My dreadful English.' 
I knew something was embarrassed in her, and tried to relieve it. 'Never mind.  
Now I'm back.'
But evidently her mind was still running on my being offended by Barney. 
'Actually it's half how I got the job. I had to do some typing for him, and he  
asked about the name.' She added, 'I couldn't very well turn it down. It's quite a  
promotion.'
'Of course. I'm delighted for you.' 
After a moment she said, 'Mummy told me you'd never really liked him.' 
'That's all from before the Flood.' 
'Did you talk on the plane?' 
'We had a chat. Old times. All that. About you.' 
'He rather envies you actually.' 
'I was given that line a bit.' 
'He means it. Envy's the wrong word. He says he admires almost everything  
you've done.'
'And nothing he's done himself.' 
'He's terribly insecure. Underneath.' I said nothing. 'They're all the same, you  
can't imagine what a bunch of selfpitiers they all are. We all get it. The secretaries. And  
the rivalries, you know, they're so petty, if A gets half a column more than B, or C has a  
private lunch with his nibs or D gets a new byline mugshot. If they didn't go to El Vino's  
and backbite each other every day they'd go mad. Actually Bernard's better than most of  
them. He can at least laugh about it.'
have preferred me to use it to his face now.
Caro said, 'It's absurdly like the village at home, really. All spying and gossip  
and everyone knowing everything about everyone else.'
I had to smile to myself: this newfound authority and objectivity. I had been  
careful in the past not to try to woo Caro with the glamorous or what is publicly considered 
glamorous side of my own life. Whatever narcissism I had had at Oxford, I had managed  
to ban from my life that particularly odious variety so peculiar to the movie world. My study 
similarly kept her away from famous names. I began to suspect it hadn't really been  
necessary.
We talked then about family things, about Uncle Anthony, what Jane would do,  
their children. She became more the daughter I had left behind in the summer. We arrived 
home and I carried my suitcases up the stairs behind her. I felt fatally awake by then, the  
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wretched timelag was taking its usual toll. Jenny would be in her apartment five thousand  
sunlit miles away, having a shower perhaps '3' after the day's shooting, the evening still  
killed it. The weaning had to commence.
There were fresh flowers in the livingroom, an unopened bottle of whisky,  
Malvern water and a glass by the fireplace. Caro played the dutiful daughter, switched on  
the electric fire, made sure I noticed all these signs of the welcomehome. I kissed her. 
'Now bed for you. You're ten times nicer than I deserve.' 
'When do you want breakfast?' 
'When do you have to be in?' 
'It doesn't matter. With Bernard officially away. As long as I'm there by midday.' 
'I probably shan't sleep much. You wake me when you get up., 'I've made the  
bed and everything.'
'Bless you. And for fetching me. Now hop it.' 
She went, and I poured myself a whisky, then stared round the room. There  

was a new cushion on one of the settees. But nothing else bar a pile of mail, which I  
wasn't going to face till the morning, it seemed exactly as I had left it months before, and  
that disappointed me. I had hoped Caro would give herself a little more freedom, though I  
knew that for her 'home' must always mean Compton... Versailles to a cottage, no  
comparison.
I had stayed there only once, long before Nell became its chatelaine. Andrew  
had thrown a famous ball for his twentyfirst birthday and all fashionable student oxford  
had descendedcars, coaches... one group from the Bullingdon side of his life had even  
turned up in a coachandfour, someone blowing a posthorn. Compton NineAcres (it had  
nearer nine thousand in fact, in those days) wasn't perhaps a great house as  
countryhouses go, but it was impressive enough: the gardens, the parkland, the  
seemingly endless rooms, all that spaciousness and graciousness. It was a very long way  
from any world I was familiar with. I suppose that even then that celebratory weekend was 
an anachronism, a tacit farewell to the old days, Andrew's father's terminal fling against  
the postwar socialist present. It must have been one of the last fullblown traditional  
occasions of its kind there wasn't only the ball, there was a tenants' and village party on  
and superb food for those days of rationing. Some scarletuniformed local band, their silver 
then showed any particular interest in them. At Oxford his sexlife was a little of a mystery.  
one associated him much more with hunting, beagling and drinking. We half suspected he 

I knew from Caro that the house and its old facons de vivre had gone the way  
of all thingsthat death duties had severely diminished the estate, the park had largely  
gone under the plough, that Nell had to make do (and complained endlessly) with the help 
of an Italian couple and a daily woman from the village. But just as I had envied Andrew  
that departed world in my one glimpse of it, so I still envied Caro its remnants. It was all  
very well condemning such worlds politically nothing easier. But it was like some of Ezra  
you. 
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I sat there sipping my drink, once more tempted to blame Nell for everything  
and thinking of the immediate future. Presumably she would very soon be back in Oxford  
there could ever be a sincere one between us two. If I had been technically and legally  
guilty, I still saw her as the first cause. No doubt all divorces repeat the Adam and Eve  
situation. Genesis is as silent as the grave concerning what happened when they were  
expelled from Eden, except for their producing a corpse and a murderer by way of  
children. Our CainandAbel had been a total unforgivingness. with nearly three years after  
the action I virtually did not speak with Nell. Occasionally she brought Caro to London,  
usually I went do to Oxford for the day. We would exchange a few frigid commonplaces  
over the child's head at the handover place, and '33 when I brought her back. I was  
prepared, after a while and for purely civilized reasons, to be warmer, but Neil wasn't.  
Then one day she wrote to say she wanted to meet me in London without Caro. She had  
something to discuss. I presumed it was to do with the alimony. I could afford more then,  
though I wasn't going to give it without a battle. Nell was very far from poor, and she knew 
I knew that. We met for lunch. But she hadn't come for a finer pound of flesh. She was  
going to marry Andrew.
My first reaction was an incredulous repetition of his name. I had read of his  
I still saw the condescending young drunkard of our joint past, the impossible drawl, the  
posing, the blend of Regency rake and Tony Lumpkin... to say nothing of the summary he  
had been of all we at least pretended to despise. His one virtue had been a kind of  
outrageousness, that was why one had tolerated him. I wasn't forgiven that instinctive  
response to the news and by way of punishment she would tell me very little of how they  
had met, except that it had been some six months before, by chance, in Oxford. Now he  
'happened' to be very much in love with her'fantastic though that may seem'. I noticed that 
she did not say she was very much in love with him. Her line was much more that she had 
to think of Caroline, who apparently 'adored' him. They had been to stay at Compton. 
why it had to be announced to me in this facetoface way. Nell made a little speech about  
and there were new financial arrangements to discuss. I wasn't taken in by this sudden  
descent from crowing to consultation, and I suspect Nell half hoped I would be violently  
angry or try to stop her or it may have been that Anthony and Jane, though they had by  
then banned me from all contact with them, were still prey to scruples and had argued that 
was far more as if I must be made to see what I had reduced her to... which was absurd.  
in love with her, since he must have had free range over any number of eligible young  
county dollies from his '34 own world. Perhaps she didn't really know herself why she had  
come. She was very nervous, and taking the first major independent decision of her life,  
and I might have been kinder.
So she duly became Lady Randall. We had met more than briefly only three or  
four times since then. On all but one occasion Caro had been present, and we had been  
on our best behaviour. The other time Andrew had been there that was the most recent  
meeting, to discuss Caro's future now she had to leave school. It had been rather comic,  
since after a stiff beginning (we two men hadn't seen each other since Oxford) Andrew  
and I had decided that we were, beyond the barriers erected by our very different ways of  
life and political convictions, both reasonably amusing and interesting fellows. He had  
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matured and quietened down considerably. My old rural self liked the shrewd squire in  
him, his still not quite dead love of the outrageous clearly took to the showbusiness  
gossip I offered on my side. We talked about the old days at Oxford. Nell grew  
increasingly silent as the evening drew on and Andrew and I got agreeably drunk. I knew  
place over Nell's dead body. I was very glad she was now his wife when we finally left  
Wheeler's and said goodbye.
simpler, less sentenced present. Perhaps Nell was right, there had always been an aura  
of despair about the flat, of makeshift and wrong choice. I was staring at the telephone,  
very near to giving way. Then suddenly the real present was in the doorway again: Caro,  
in a long dressinggown. I knew at once that sometking was wrong. She had been  
supposedly gone to bed for at least twenty minutes, and now she wore the air of a both  
disobedient and reproving child.
'I can't sleep.' 
'Have a whisky then.' 
She shook her head, but came into the room. She went to one of the windows,  
the curtains weren't drawn, and stared out.
I said, 'Caro?' 
For three or four seconds she said nothing. 
'I'm having an affaire with Bernard, daddy.' She stared down at '35 the street  
below. 'I'm very sorry. I didn't know how to tell you earlier.' 
out for myself. They had both thrown dust in my eyes, but there had been enough clues. 
She murmured, 'Please say something.' 
'How did it happen, for God's sake?' 
She shrugged, still turned away: how does it ever happen? I wanted to ask  

what on earth she saw in him. He had looked to me every year of his age, I had even  
congratulated myself on not looking so pouched and raddled, physically gone to seed 'I  
didn't know he was coming home with you. The last time we talked he said another two  
days. When I saw... Ms wife, I wanted to run away. But she saw me first.' 
'She doesn't know?' 
She shook her head. 'I suppose she suspects. Their marriage has been empty  
for years.'
'Are you in love with him?' 
'I feel sorry for him. I don't know.' 
'This is why you didn't write?' 
She nodded, and I thought for a moment that she was going to cry. I went and  
fetched another glass, poured a little whisky in, went to where she was. 
'Come and sit down.' 
She let me lead her to the settee and sat down beside me. 
'Does your mother know?' 
'No, I... I'd rather you didn't tell her. Just yet.' 
We both looked at the glasses in our hands. 
'Why are you telling me?' 
'Because I've spent most of my life not telling you the truth. Because... ' but she 
shrugged again.
'You seem rather miserable about it.' 
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'Only about having to inflict it on you.' 
And? 
'Meeting his wife like that.' She added in a lower voice, 'His coming back  
without telling me.' 
'Do you imagine you're his first infidelity?' 
'I'm not a total innocent.' 
'Then you know the score. Margaret, he doesn't leave.' I added, 'God knows  
why.' She said nothing. 'Is this why you dropped Richard?' 
She shook her head. 'That's been coming for months now.' 
'But it is why you're his secretary?' 
'I'm quite good at my job. Incredible though it may seem.' She glanced at me.  
'Why's that funny?'
'Because your mother once threw the same unjustified sarcasm at me. In  
another context.'
'I'm sorry.' 
'My dear, your ability to take shorthand isn't what worries me.' 
'But that it's someone you despise.' 
She was staring down at the carpet. I said evenly, 'I don't despise him  
personally, Caro. Or not more than anyone else in that world.' 
'Which you advised me to enter.' 
'Guilty. But in the hopes you'd see through it.' 
'As Bernard does. Far more than you seem to realize.' 
'But goes on living in it?' 
'He's not as lucky as some people. Apart from anything else he has a wife and  
three children to support.'
again, but now she was like a rider who has forgotten which fence comes next. 'Tell me  

why you like him.' 
'Because he's sad. And gentle. On his own. And grateful.' 
'So he ought to be.' 
She left a pause. 'Also I can talk to him.' 
'Is that an accusation?' She shook her head, but not very convincingly. 'Come  
on. Out with it.'
'Talk seriously.' 
'What about?' sorts of things I can't talk about with you. Or Mummy.' 
Such as?' 
'You don't seem able to understand that anyone could love you both. For all  
your faults.' She went on before I could answer. 'I know she can be a bitch, I know you  
can be at least half the selfish bastard she thinks you are. It's not just you two. The whole  
family. We seem to have banned and buried so much.'
You know what happened.'  
'It's not the past. It's what I feel about you both. Now. 
'And he listens?' She nodded. 'How serious is he?' She said nothing, and I had  
to coax her. 'If that doesn't sound too oldfashioned.'
'He feels guilty about... his wife.' 
and convenient a ploy to be as disinterested as she made it sound. 
'And if one day he decided he wasn't any more?' 
'I haven't lost my head. It's not like that.' 
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'Is this what he was supposed to telephone me about?' 
'We did discuss it. He knew what you'd feel.' 
'Did you?' 
'Not at the beginning.' 
'And I haven't much ground to stand on, have I?' 
'That's nothing to do with it. At all.' 
'Are you sure?' 
'Daddy, I'm not ashamed that you're still rather an attractive man. I know you  
can't be Andrew.'
'What does that mean?' 
'I know you despise all that world as well. But he's a much better father than  
you'll ever be.' She added, 'Perhaps just because he's always there. And he can handle  
Mummy.'
I left a silence. 
'You seem to think I despise everything, Caro.' 
'You expect everyone to think and feel like you.' She added, 'I'm not blaming  
you, you're probably right about Fleet Street, but again she shook her head. 
new accusation, though it had never been brought quite so near to the bone before. My  
only consolation was that it must hide a certain doubt in Caro herself. 
'Will you at least promise me that when you're married you'll have more than  
one child?'
She searched my eyes. 'Why do you say that?' 
'Because single children are always intensely selfabsorbed. But also they can't  
imagine that anyone else might ever actually need them. It isn't quite as simple as their  
never having time for anyone else.
'Ijust meant your work.' She managed a rueful little smile. 'Anyway, it's too late  
now to trade you in.'
'At least we're agreed on something.' 
She passed me her glass. 'I don't want this.' I poured its contents into my own  
and she stood up and went to the fireplace, her back to me. 
'Are you angry because he didn't tell you himself?' 
'I can see it was difficult. I just wish he hadn't tried so hard to sell himself as a  
pathetic failure. I don't know who he's trying to kid.'
'I should have thought you would. You always' but she bit the sentence off. 
'Go on. Truth time.' 
'You don't exactly oversell your own professional life.' 
'That's mainly because I've seen too many movieland children drilled into  
uncritical admiration.'
'I've only very recently realized how much you've conned me. Quite a lot of  
people at work think I'm rather lucky to be your daughter.' 
'That's a pressclippings view of life.' 
She was silent a moment. 'When Bernard moans, he's much more convincing.  
People are always attacking him. Nobody attacks you.'
'Sweetie, all this is proving my point. Middleaged men may seem 'nature and  
knowledgable and all the rest of it. But when they have to have girlfriends of your  
andJenny's age, they're not. Deep down they're still frustrated adolescents. Running  
scared. They're in a panic.' 
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'What are you in a panic about?' 
She said it with a strange mixture of shyness and aggression. But it touched  
me, it defined so precisely the gap between us. I thought of Jenny's dry impatience before 
the same line. Even allowing for the three years or so of difference in age, jenny was a  
daughters to incest... that need to purge the spoken of the '39 spoken, to institute a  
simplicity in place of an obscuring complexity. 'That's something we'll talk about another  
day. Or night.' I could see from her face that she felt she was being fobbed off. 'Caro,  
jenny's had a lot of experience. She's acquired a kind of... armour? I don't want you hurt.  
Used. That's all.'
We seemed to have reached an impasse. Caro was sublimely ignorant of  
Freudand of classical tragedy, for that matter. I could imagine, given the narrow limits of  
her cultural world and the British mania for television, that Barney had more mundane  
wore a liberal intellectual's face on camera, I could guess that the Pagliacci face he  
showed Caro in private would be convincing enough. It would have been child's play to  
seem both glamorous and vulnerable to such an innocent who probably felt in addition out 
of her depth, in need of a protector. If my own bill of health was cleaner it was only  
because jenny had an innate scepticism and the resolution to inflict it when the sobs grew  
too loud.
'Will you tell him you've spoken to me?' 
'I'll have to, won't I?' 
Then more silence. Mine was spent in strangling impossible questions: what's  
he like in bed, have you brought him here, how widely known is it... she was pretty  
enough to have made it a physical thing, but there must have been a dozen other girls in  
that building with her looksand with a comfortable superiority in what constitutes  
attraction, at least for men like Barney, out of bed. I felt angrier and angrier, almost like  
picking up the telephone and having it out with him there and then. In the end I got up and 

cheating.
'Why have you told me this, Caro?' She looked down into the fireplace and said 
nothing. 'You could have gone on in secret.'
'And not bothered you?' 
'That's a foul hit.' 
'Sorry.' 
'Then tell me.' Still she was silent. 'Do you want me to do something about it?' 
'Just understand me, I suppose.' 
'And give you my blessing?' She turned away. 
'Why did Jenny McNeil fall in love with you?' I felt the force of the petard then. 
'Love's hardly the word.' 
'Then whatever word you do use.' 
'So you can use it back?' It was too harsh, and I went on quickly. 'She was  
simply a bit thrown by the life out there. Feeling lonely. And hardly short of experience  

with younger men.' I said, 'Who aren't all like Richard, you know.' 
'I realize that.' 
'I'm not angry, Caro. As long as you're happy.' 
'I was. Until today.' 
'I'll get over it. You must show me a little grace.' 
She nodded, then turned and sat on the arm of a chair. 'I'd better tell you  
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something else.'
'What?' 
'I spent this afternoon looking for flats. I think I've found one I can afford.' 
I did want to be angry with her then, I'd very much have liked to be an American 
Jewish or a workingclass father, anything other than feeling caught in that dreadful  
English middleclass trap of never showing or saying what you really feel. I certainly saw  
that I was to be taken at full tilt... or not at all.
'I'm going down to Thorncombe as soon as possible.' 
'I think I'd rather.' 
'Where is it?' 
'Near Parliament Hill. Kentish Town, really.' That's pretty grubby, isn't it?' 
It's quite a nice house.' 
'You must let me' 
'I've saved a lot. Living here.' 
'Kentish Town' was partly symbolic not only her father was being rejected. i also  
remembered that it was on the way to Muswell Hill. The place fell vacant in a couple of  

weeks, it SeIned. It was furnished, but she wanted to 'borrow' a table and one or two other 
things. Perhaps she wanted to give me at least one '4' small chance to feel still needed.  
Then there was a silence, too little and too much to say. She stood and took her last  
She let me hold her for a few moments. Then she turned and left the room. Cut. 
Forwards Backwards
Six hours later, ten o'clock on a chilling London winter morning, a dank mist over  
everything outside: I had finally got some sleep, though not nearly enough by the time  
Caro was tapping on my door. Lying there, I felt the next stage of the Ion', journey  
disorientation: I had never left London, California was a dream. I must have had  
depressive real dreams, anxiety ones, though I couldn't remember them, perhaps  
because the real anxieties flooded back with the grey daylight Caro's news, the coming  
ordeal later that day at Oxford, I must try to ring jenny, then David Malevich, all that mail  
waiting, my accountant, my dentist... a great deal too much reality. 
Caro helped. I was given the full treatment for breakfast, no Continental  
up for 'last night', and reconciliation was easy. She told me more about the flat, across the 
table while I ate, and I tried to accept it as a natural thing: wanting to strike out on her  
own, live like other girls. We didn't mention Barney at all. I started questioning her about  
Jane and Anthony. Over the last two years I had got her to talk, if not quite openly, at  
least unemotionally about Compton and its inmates, but the same wasn't true of her  
Oxford relatives. I knew a little of what had happened to the three children, Caro's  
become. Though she hinted at a certain puzzlement with Anthony, he could be so dry, you 
didn't always understand whether he was being serious or funny, I had detected a strong  
affection in her for both of them. They'd always treated her exactly as if she were their  
own daughter, she felt that. She thought Aunt Jane had 'gone off' the Catholic thing, but, it 
was 'sort of something' one didn't talk about. She was terribly efficient, lots of committees  
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Uncle Anthony was still dotty about orchids, there was one he'd43 found at Compton two  
or three years before, but she couldn't remember its name. 
I took the impression, amid all her chatter, thatJane had changed much more  
than Anthony. What memories I had of her on the domestic side were of a distinctly  
slapdash approach to food, nor could I associate her with worthy committees and leftwing  
causes I gathered that latter detail from something Caro dropped in about Andrew: how he 
sometimes called Jane her 'Red aunt'... though no doubt the faintest shade of pink would  
seem red to him. My final picture was of a brisk, wellorganized and selfpossessed woman  
who contrasted rather favourably in Caro's eyes with the temperament and occasional  
bossiness of her own mother.
She took herself off just after eleven, giving me messages for them in Oxford. I  
promised to ring her that night, we'd have a whole evening together as soon as I could get 
back. We kissed. Then I stood at the window and watched her slight figure cross the  
misted street below and walk up towards the Undergrounds tation. She turned and waved, 
and I waved back.
Then I went and looked in her roomthe one she'd had as a baby, though it had  
been two or three times redecorated since then. It was rather sad, in some way like  

she were still living in a hostel. No litter of clothes, of cosmetics, none of the junk one  
might have seen in the room of a student of her age. No books. A painting of an old  
carthorse, worn and frameless, that we had bought off a stall in the Portobello Road one  
Saturday morning just before I left for California. There were some snaps of the family  
at Abe's that I had sent her. I suppose I was looking for some positive evidence that  
Barney came to the flat... or letters, I don't know. But I opened no drawers. I was really  
looking for Caro.
Thorncombe, was certainly so. That whole enterprise I had also had to count, at least with 
She had come to me one Easter in the early 1960s, for a whole week. She was  

just eleven, and we'd never spent such a long time '44 alone together. I felt trepidation  
then somehow we got on to grandparents. It seemed suddenly to dawn on her that there  
were two on my side that she had never met. I told her a little about my life at her age, and 
I saw a spark of interest, a curiosity that was new in our relationship. There and then I  
abandoned the programme I had vaguely in mind for our week in London: the museums,  
the kids' films and theatres. I proposed on the spot a trip down to Devon, her 'grand  
ancestral tour'. She was faintly shocked at first, with the odd gravity of little girls, but then  
took to the idea with such excitement that I kicked myself for not having thought of it  
earlier. I had been there only once, on a rather similar trip with Aunt Millie some six years  
before, since my father had died. I suppose it had been nagging at my unconscious for  
several years. But now it abruptly assumed the same attraction for me as it evidently did  
and I was fool enough to think I could push the place into oblivion at such a price. 
So we went to the church and stood by the graves of her grandparents. She  
looked both embarrassed and sad... and I made her giggle a little, the sermons, where I  
had to sit so many Sundays, the Apostles and Elders on the rood screen, the Curnaean  
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Sibyl, the fusty absurdity of it all. Though something, at the graves, had made me feel  
sad, too. For the first time in years I remembered the wild oxlips and the Quaker's Bonnet  
primroses that had once always carpeted my mother at that time of spring. 
kitchengarden had gone, and all its fruittrees. Now a new village hail and half an acre of  
had bulldozed the church itself. Round the house some of the old garden remained,  
though it was obviously now in far less skilled hands. But the Osmanthus still flourished,  
the Myrtle, the Trichodendron had branches full of hanging red buds... and I was even  
able to show off to Caro and the current vicar's wife over the names. 
I had booked us into a hotel at Torquay, but I drove Caro there '45 for my sake,  
not hers by way of Thornconibe. That was how I learnt it was for sale. It was already  
empty and I made the fatal mistake of letting her talk me into a poke round. Rather to my  
touched... for reasons she knew nothing about, though as we wandered in the yard and  
peered through windows I told her a little of the people who had once lived there. She  
wished I lived in a place like this, she could have a pony, I could go to church again we  
had already made an enormous leap in those days away, and she was timidly learning  
how to tease meI laughed, and teased her gently back, perhaps I'd buy it just for her. She  
knew I wasn't even remotely serious, and so did I, although I had incidentally learnt she  
did not like my living in London. On the way out I noticed the date of the auction on the  
board by the lane.
Nor had I forgotten it, or the secret depths of the day, when I had seen her into  
bed that same evening. I sat down in the lounge over a book, but not reading. As with all  
significant places on that emotioncharged map of childhood and adolescence we carry  
round with us in later life, my first sight of Thorncombe after so many years had been  
trivially over something a little sacred. There were other factors, of course: I too was tired  
of London, for over a year I had been travelling. I began to feel the need of somewhere to  
retreat, to rest up... I was tempted. But then I saw all the disadvantages, the futility of  
where one was still remembered, as I had discovered over a cup of tea at the Vicarage,  
by a very different self. By the time I went to bed, with Caro asleep on the other side of the 
room, I had dismissed the whole idea.
The next day we drove further west, but we kept a small joke going about the  
was nothing as a practical wish, but very far from without meaning as regards ourselves. I  
and I knew what that was about as well. We returned to London, she went off home, and I  
missed her a great deal more than ever in the past. I kept seeing her standing beside me  
myself in her.
A week before the auction I caught a train to Newton Abbot, hired a taxi, went  
to the agents, then straight out to Thornconibe. It was a grey afternoon, and it began to  
drizzle while I was there. The tired ghosts, the empty rooms. I went to bed that night in the 
Newton hotel more or less certain that I was on a wildgoose chase. But the next day  
dawned brighter, I gave it one last chance. I wandered round the orchard, went up the hill  
through the beechwoods behind, and some of the old magic crept back. I did not want the  
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thirty acres of pasture that went with the place, but the agent had told me they could  
easily be sold off later, or let for keep. The buildings needed a lot of money spent on  
them. A hideous row of breezeblock pighouses had to be got rid of, an equally unsightly  
Dutch barn. But I began to see how the old farmhouse with its still splendid doorway and  
the two ancient stone barns behind could be converted.
but quite as much a kind of anger that so much had been allowed to go to rack and ruin. I  
had detected an apologetic note even in the agent's voice. Too much land had been sold  
Meanwhile it stood rather like an old farm dog not a chance simile, I could remember just  
such a dog from the summer when my whole being had lain in that house and how sure its 
place had been there an old walleyed Welsh collie called True, and as safe from the  
shotgun as an aged human being. Then I told myself it was simply a cutting job, a  
potentially good scene that needed the blue pencil and a rewrite. And Caro: this money  
says I love you.
Of course she had come to stay, even spent holidays there, brought friends,  
smart boardingschool had fatally adulterated the innocence of eleven. In some strange  

way it had seemed even to distance us. I sensed that for her it was at best an amusing  
obviously wasn't very serious '47 about it myself. Caro never belonged there, had never,  
beyond that brief first passion, which had really been with discovering herself my  
daughter, been in love with it. We had used it a little more during that last year or so, but I 
still felt she came under duress. It was not home. She had not been once on her own, in  
my absence.
I had, when she finished her secretarial course, seriously thought of taking her  

with me to California. But there was the remembrance of the fiasco over Thorncombe, the  
need for her to find her own feet and work for a living (or at least go through the motions)  
Richard and last but not least the problem of Nell, who I knew would fight the idea tooth  
and nail. My final decision had also been selfish: the lupine hater of encumbrance in me,  
if it did not foresee jenny, did script other situations where Caro might be a nuisance. I  
think that if she had only hinted that she would have liked to come... but she didn't. 
And now I went into the livingroom and stood staring at the mist outside, trying  
to decide whether to risk Oxford by car or to take a train. There had been fog warnings on  
the radio, according to Caro. The meeting began to loom large. It was not that I couldn't  
imagine what might happen, be said and felt. As at so many potentially fraught junctures  
in my life I could invent too many variations, almost as if I lived the event to its full before  
its limited reality took place. All writing, private and mental, or public and literal, is an  
attempt to escape from the conditioned past and future. But the hyperactive imagination is 
as damaging a preparation for reality as it is useful in writing. I knew I wouldn't say the  
In the end I made a practical American in me lose patience with the introverted  
Englishman and rang the R. A. C. weather centre. They did not recommend journeys by  
dialled the Oxford number Caro had given me. The voice of a girl with a foreign accent  
answered. Mrs Mallory was out. But as soon as I said my name she was less formal. Mrs  
Mallory was at the hospital, but she had said I might call. She was expecting me, a room  
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was prepared. I tried to explain that a hotel would do... but no no, she expect you here.  
The young lady, or her English, sounded peremptory about that, so I told her what train I  
'49 Breaking Silence I arrived at Paddington early and had a firstclass  
compartment to myself, but it filled before we started. Something about those five other  
masked faces, buried in their evening newspapers and magazines, at last landed me back 
in England: that chosen isolation, that hatred of the other, as if we were all embarrassed  
at having to share our means of travel, even though it was firstclass, with someone else.  
When we drew out of the station the elderly woman opposite glanced up at the ventilation  
window. It was slightly open. A minute later she glanced again. I said, 'shall I shut it?' 
'Oh well if... 
gratitude, from the lady and two or three covertly disapproving examinations from my male 
fellowpassengers. I had committed the cardinal sin not of shutting the window, but of  
opening my mouth. No other caste in the world who are so certain that public decency and 
of tribal homogeneity... I was wearing clothes bought in California, a polonecked jumper  
and sports jacket, not a suit and tie, and perhaps they read something alien in me a  
like an anthropologist, and understood it, as an Englishman. Being forced to share a  
confined space with people to whom you have not been introduced was an activity dense  
with risk: one might be held to ransom and forced to give some item of information about  
oneself. Perhaps it was just a matter of accent: a terror of revealing, in even the smallest  
phrase, one's class, or some dissonance between voice and clothes, opinion and  
vowelsound.
It disturbed me far more than usual, that absolutely normal English silence. It  
it seemed so characteristic of my own past and of the family I was reentering. I had  
the youth and the sexual revolutions: through the permissive society, swinging London  
and all the rest, Hide, hide, hide, hide. Of course it was nothing, in that train: simply six  
middleclass people wanting to be left alone. But its private transference to a personal  

world, its murderous use as a killer of tolerance and trust, as agapicide, had principally  
ruined my marriage. We had used our silences like sabres, in the end. 
Dan and Nell decided, perhaps in reaction to the other mŽnage's  
philoprogenitiveness, not to have children for at least a year. There were or so they  
argued economic reasons. He had to see how his dramatic firstborn would be received,  
had to prove he could follow it. They both wanted to move to London. Nell needn't have  
worked, but of the two sisters she was at that time much closer to the then unformulated  
ideas of Women's Liberation. Of course it was partly pretending: we both had private  
income, indeed together just about enough not to have needed to work at all. If we had  
money troubles, then as later, it was because we were born squanderers Dan in reaction  
to his upbringing, Nell in conformity with hers. Neither of us ever showed anything but a  
very intermittent skill at economizing.
The Empty Church, the play that attempted to exorcise my father's ghost from  
my life, came on. It received fair to good reviews, benefiting a little from the charity  
traditionally extended to new names. It had rather a slow start at the boxoffice, but then  
picked up. Dan had his first real publicity. I suppose he ought to have seen a red light  
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then: Nell was far more emotional, manicdepressive about it, than he was. She took the  
praise at face value and the criticism (most of it justified, if one's going to copy Ibsen one  
has no business with melodramatic tricks) as a personal affront almost as if what was  
under attack was her choice in marrying the playwright. She was stupidly rude one  
evening at a party they had just moved to London to the New Statesman drama critic. He  
hadn't even given the play a bad review, merely spelt out some reservations. That  
spawned their first serious row, when they got home. It didn't last long, she cried and they  
made love. Dan even had to stop her writing a letter of apology the next day. At the time  
he put it down to overidentification. In reality it was a first declaration of career jealousy. 
What had finally brought them to London was not only the modest success of  
the play, but the quite unexpected arrival of a filmscript offer. Dan had supposed it was a  
have warned him he was simply being snatched up on the cheap. The story, based on a  
rotten novel about a wartime romance, was not worth reading, let alone filming. But he  
was very green, he thought he saw new angles, he knew he could improve the dialogue,  
and the money, though next to nothing by future standards, tempted. He was also having  
problems with his next play. I can't pretend that he hesitated, and Nell was for it. The  
wellknown and profoundly ungifted British producer who had bought the book flattered  
him in the manner of his kind and they both happily swallowed that as well. At one point  
they seemed to be seeing a new film every evening and tearing its script to bits afterwards 
or trying to pick up lessons from it. Dan read the moviemaking classics and had the usual  
loveaffaire with the professional jargon all that bastard attempt to direct on paper which  
every decent scenarist in the history of the business has always run a mile from. 
Nell found herself a job soon afterwards. One of her college friends had already 
got some minor editorial position with the same publishers who were to reenter my life  
later in the form of Caro's rejected beau. They were short of a reader and Nell was  
successfully recommended. The pay was criminally poor, barely covered the money she  
spent on clothes, and nothing serious was sent her way. But she was allowed to work  
largely at home and she and Dan were still dewyeyed enough to think that that  
compensated for the exploitation and the drudgery. They took turns at the same  
typewriter. All this was in a tiny mews flat they had found near the Brompton Road, before  
SW3 had achieved its current chic and crippling prices.
It was a happy enough winter. Jane had Rosamund, without problems, and Dan 
and Nell became the baby's godparents. They still saw quite a lot of Anthony and Jane,  
either at Wytham or when they came down to London. Dan had by then realized that no  
amount of dialogue improvement could hide the basic silliness of the story, but the first  
draft he sent in met with more approval than it deserved. 
It was a typical British film production: a bad idea in the first place, done on the  
cheap from top to bottom, and based on the legitimate assumption that the great British  
cinemagoing public had no taste and the illegitimate one that only water divided the  
United Kingdom from the United States. In the novel the hero had been English, but  
'American interest' had killed that from the start not that it would have made any difference 
to the two hours of rubbish that eventually hit the odeons. 
It took some years for Dan to realize that the total failure in England to develop  
a decent commercial movie industry, let alone something better than a constipated trickle  
of serious filmmakers, is at least partly due to our unerring flair for backing bad directors  
or to the corollary notion that some semiilliterate cameraman or ingratiating phony must  
know more about reproducing life than anyone else. He should have learnt from that first  
director, who had merely managed to fawn his way into the grand conspiracy of mediocrity 
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that has dominated the home industry for the last twentyfive years. 
But all this is in retrospect. Dan did a second draft, was drawn into the first  
fringes of the celluloid worldlike a foolish shrimp into a sea anemone. Already feelers  
were out about another script, and he was beginning to see his way through with the new  
play. Writing that became a great relief after the script, so much so that he insidiously  
argued himself into believing there was a creative as well as an economic argument for  
following both professions. Even Nell had a promotion of sortsto proofreading. She had an 
unusual feminine ability to be meticulously accurate in punctuation and spelling,  
something else she did not pass on to Caro. The appallingness of her written English was 
one of the few things they were able to agree on in later years. 
But by this time, the spring of 1952, faint rifts in the lute were already  
appearing. Dan had to be on hand while they shot the indoor scenes there were very few  
locations, it was all being done with stock footage and backprojectionat Pinewood.  
Already Nell had begun to complain about the 'excitement' of Dan's life and the '53  
'dullness' of hers. He was scrupulous about taking her along to parties and showings and  
the rest, she even came down once or twice to the studio, but their sidebyside working  
existence was over. He had taken, even before shooting began, to doing some of the  
rewrites at the office in \Vardour Street. He was given a miserable little cubbyhole there,  
but he now found it easier to write away from Nell. Perhaps it was partly embarrassment  
hovering over it, wanting to see each scene the moment it came off the typewriter. That  
began to irritate Dan unfairly, she was trying to cling to thejoint existence. As he worked  
her felloweditors. In spite of this, they both started feeling the mews flat was too small.  
Her first silences germinated there. Increasingly he was late home. 
At this stage the blame is almost all Dan's. The work Nell did was pettifogging  
and monotonous, especially for a graduate with a better degree than he had managed to  
get himself. He was doing exactly what he wanted (not the same as he really needed) and 
she was marking galleys and time. He had also fallen a victim of the glamours and  
vulgarities of his new world however disparagingly he might talk of it with people like Jane 
and Anthony.
The commercial cinema is like a hallucinogenic drug: it distorts the vision of all  

who work in it. What is at stake behind the public scenes is always personal power and  
prestige, which reduce the industry to a pokertable where every player must, if he is to  
survive, become some kind of professional cheat, or hustler. Success is always with the

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John Fowles - Daniel Martin.txt 
Dan very soon proved his own failure to ask such questions. He committed his  
second infidelity to Nell during this first picture. The female lead had been given to a girl  
whose face and legs were already a familiar standby on the cheaper sections of Fleet  
Street. She later went to work in America and got a celebrated nickname: the 'British  
Open'. She became a course all selfrespecting West Coast studs had to have played over 
at least once. Studio gossip out at Pinewood claimed that she was already being laid  
even between takes, according to one of the grips by the passŽ American star who had  
been brought over to ensure the foreign distribution. Dan first found her synthetic and  
stupid. But only a producer as gormless and a director as sycophantic as the ones the film 
had would ever have cast her as the emotiontorn upperclass WAAF officer she was  
supposed to be playing. Then she grew faintly pathetic, a victim of circumstance, a martyr  
of the medium. It wasn't only the stale old sadness of peddled flesh. She did seem to have 
some occasional notion of how bad she was. She tried desperately to act. That generally  
made her performance even worse, but she was a trouper, in her fashion. She was also  
the first woman Dan had met whose reputation was based purely on her sexuality. He  
began to realize after a week or two that for some reason she preferred his company to  
that of most other people around the stage. She was getting a fair amount of publicity  
buildup and Dan had to spend some time doing lastminute rewrites, but when they were  
both idle they took to chatting together.
back, but she liked having her pinup image gently mocked. It gave her the illusion that she 
could see through it.
This type of nonactress always craves the nearest tame intellectual's  
reassurance: I know that now and that it isn't really the wistful modesty the more skilled  
practitioners can make it seem but just an '55 indispensable adjunct of big tits... like the  
dress cleft to the sternum or the shirt one size too small. Their motives are no more  
humane than when Circe asked Ulysses up for a drink or those of Delilah turned barber.  
for a personification of all he felt seducing him elsewhere. 
she disturbed him physically. It came to the point when he knew he could have her for the  
asking. The day before a free day on her schedule, she asked him to 'drop by' if he was in 
town and anywhere near her Curzon Street flat. He had said he must be at the studio. Too 
I don't know what it was: whether mere lust or some perverse need to prove to  
memory of that afternoon with Jane, which by then had become a proof that wild  
selfishness can be got away with... and echo tenderly, poetically, secretlywhile Nell could  
still remain nice, when she chose, to come home to. At the time I blamed the last most:  
Jane.
The shooting was almost finished before it happened. Dan had stopped going  
to Pinewood and was working on the final revisions of The Red Barn. Nell had gone to her 
office to proofread. Just before midday the telephone rang. That voice. Circe claimed she  
had a script she wanted Ulysses to read, if he was free for lunch Dan suddenly found both 
ropes and mast were imaginary. He took a taxi, went to Curzon Street, and screwed her.  
imagination had failed for once. The door had been opened by an already naked girl. He  
could only have turned and walked away. Many years later he met her by chance, indeed  
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even sat opposite her at a Hollywood dinner party. She was more famous, or infamous, by 
completely forgotten that they had ever been to bed together. 
Jane, though this time the dialogue about whether there was to be a future was cut down  
so let's get on with it. There really was, rather to Dan's surprise, a script she had been  
offered. He took it away with him and probably she expected him to bring it back and  
claim reading fees. Instead he talked about it with her over the telephone and returned it  
by post. She didn't seriously object when he killed further conversation, at least carnal,  
dead. She behaved as she was, beneath the dramatic pretensions: a sporting amateur,  
and satisfied as soon as flesh had trumped brains.
because it was devoted to the nonhuman. Then he sat for an hour or more in a pub, even  
though he knew Nell would probably be home before him and he would have to invent  
some alibi. In fact she stayed on late to finish a set of proofs and he was given ample time 
to collect his wits and his damaged mask. It was very clear to him that he had done  
something wicked and that he must not let it happen again. But of course he had  
feeling, a justifying sense of uniqueness, of enormous difficulty, that this was (at least in  
hindsight) a springboard to higher, nobler things: to the life she now led, in fact. 
But now he had done it with a slut, not only in a brothel decor but in a brothel  

selfjustification he had been trapped by Nell, he needed freedom... by which he principally 
meant, though he hardly admitted it to himself, the freedom to exploit his growing success. 
So Nell became a foolishly high premium he had paid to insure against failure in life, both  
sexual and professional. He had long known he was not unattractive to women, but the  
adventure in Curzon Street went to his head after the first shock of j. He decided he must  
be very attractiveand I use 'must' in both its descriptive and prescriptive sense. He  
adopted the disgusting habit of trying out this charm much more consciously than '57  
before. Always well out of Nell's sight, of course. He told himself it was only a game, a  
little revenge.
And also a little recompense, since outwardly he did try quite hard for a while to 
be more concerned for Nell. In July he handed in the finished version of The Red Barn to  
his new agent, waited to have his first reaction (warm and excited), then drove off with her 
for a holiday in France. They idled down to Provence, eked out four weeks there, then  
idled back. It was a success from the start: the weather, the food, the countryside, the sex, 
the suddenly discussible feeling that they had drifted apart during those previous months.  
read the play wanted it... he and Nell had the most expensive dinner of their then lives  
that evening, and came to other decisions over it. Nell would stop working and go in for  
motherhood, they would find a bigger flat or a small house as soon as they got back.  
However, that was delayed beyond the three weeks Nell's holiday allowance originally  
planned. She sent her letter of resignation from a drowsy little port, charmingly free of the  
vulgar mob, called St Tropez.
I think Dan might at some point during that happy month have confessed to the  
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Curzon Street coupling, but he had some buried terror as to how confession might then  
Nell a new body, contraceptives were abandoned, the heat made them both continuously  
randy... if he still surreptitiously eyed other female bodies, it was without envy. They ran  
out of money (both permitted and illegal) and had to make do on the way back with  
proved to have conceived first time round. What the holiday also proved, alas, was that  
they could be happy (as at Oxford) only in the unreal, not the real. But neither of them saw 
that then.
The Red Barn was, I think, if not genuinely new, at least fresh. It was probably  
lucky that I had only the sketchiest notion at the time of what Brecht was getting at. I came 
on the idea by pure chance, happening one day to pick up a contemporary account of the  
William Corder trial. All Maria Marten had meant to me before was the type exemplar of  
ham rural fustian. But I saw at once that there was an entertaining historical play to be  
disinterred. It had taken me some time to realize that William was the central character,  
team job: it had the best series of sets of its year, five fat and a number of good small  
parts. The cattle were with it from the start.
The anatomy of first major success is like the young human body, a miracle  
only the owner can fully savour... and even then, only at / the time. Dan, at any rate, went  
through that following winter in a state of smug euphoria, well above the flak from minor  
setbacks. The only serious professional disappointment was the failure to get a New York  
with negotiations for rights in progress with several other countries. The private clouds on  
the horizon did not seem very important at the time.
Though the 99year lease I bought of the Notting Hill flat was probably the best  
business deal I ever did, unaided, in my life, Dan and Nell began having doubts as soon  
as they moved in. It was partly that miserable drive to keep up with the Joneses that is  
endemic in the showbusiness world. They started to feel they had quite unnecessarily  
undersold themselves. The sort of people they now began to mix with all lived in so much  
nicer surroundings and so much more stylishly above their income, in many cases. They  
had seen small housesin St John's Wood, in Islington, in Fulham, and then promptly  
compared them unfavourably with the cottage at Wytham. A cottage there was on the  
market and they secretly hankered after that at the same time as they found a dozen  
reasons for its impossibility. For the first time in his life Dan now had an accountant: the  
cost of the lease in London meant they could not sanely afford the price of the cottage.  
Everything in the new home had finally to come from Heal's and they ran up huge bills.  
That did not prevent Nell from frequently blaming him later for not buying what they could  
not afford.
She had a tetchy pregnancy and took increasingly against the flat. One day it  

would be too large, the next it was 'mad' not having realized a garden for the baby ought  
to have been the priority. Increasingly she resented being left alone, increasingly she  
harked '59 back to our 'dear little' mews. Cooking had never amused her, and in the last  
months of her pregnancy we took to going out almost every evening. I came to learn it  
was a way of avoiding rows. I mustn't exaggerate, she shared some of Dan's euphoria  
over the play, there was the baby... most of the time it was merely a feeling that the flat  
was probably a mistake, but not one of primary importance. Caro was born on April ioth,  
and for a time other problems were forgotten. Dan had completed the first draft of his next  
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I suppose the most terrible marriages are where the child is the wedge (or is  
used as the wedge) that splits the stone. Caro proved difficult, she seemed to run the  
gamut of all the ills that babies can make themselves heirs to, and she exhausted Nell  
both nervously and physically. I think I bore my share, I worked at home during the first  
draft. But somehow Caro became tacitly like the flat itself: a good idea at the time, but  
only too often an apparent mistake in the actual experience. Then there was a certain  
amount of sisterly rivalryJane, pregnant again herself, had turned into a model mother,  
and Nell felt obliged to run in that race. I tried to persuade her to give up one of the two  
spare bedrooms we had to an an pair girl anyone to keep her company, even some  
she claimed that it was solely fear of what would happen when she took herself off to  
Wytham.
She did that more and more as the summer wore on and I had to spend more  
time away from the flat. I would see her and the baby solicitously on to the train at  
down to fetch her at the next weekend, but my periods of freedom assumed the aspect of  
holidays. She had travelled that Oxford line so much more frequently. Perhaps the real  
trouble started there: in the bond among the three of them and the children in Oxford,  
from which Dan was now partially excluded though it was not apparent to him then. 
From this time on, I feel less guilty. Nell began to stew when she was in London 
and mull over the injustices of her new role. They rapidly grew far worse than the old ones 
at the publisher's as with i6o the mews, that tended to become a beautiful broken future  
suddenly seem again, with that illogicality I find the least endearing thing in the female  
sex, if I proposed the simple solution of asking her old employers for work she could do at  
home.
The hopeless downward progression of this kind of situation, especially when  
the two involved have more than their ration of intransigent selfishness, has become so  
familiar nowadays that I won't spell out all the stages. Such changes in a person's  
they steal slowly over months, masking themselves behind reconciiations, periods of  
happiness, new resolves. Like some forms of lethal disease, they invite every myth of  
comforting explanation before they exact the truth.
I suppose nothing was more symptomatic of the hidden cancer than Nell's  
reversed attitude to my film work. She began to resent it without distinction with some  
reason in the case of the first film when it appeared. The critics slated it, though two one  
of whom was Barney Dillonsaved my embarrassment a little by excepting the script from  
their general thumbsdown. But the new script promised better, and I was enjoying the  
experience of working with Tony. He was not a great director by any stretch of the  
adjective, but not a fool, either, and a marked improvement on his predecessor. 
The plot was based on an original idea of his, a psychological thriller, which we  
called The Intruder at the time, though it was released as Face in the Window. He knew  

learnt a lot from him also on the business of demarcation lines. Nell took against my  
enthusiasm when I came back from sessions with him, and I began to hide it... if it still  
wasn't spoken, it was implicit in her attitude that I had sold out, I was on the grab for quick 
success and cheap limelight. Anthony and Jane's names were invoked one evening, when 
something had been spoken. They couldn't understand why I should want to get involved  
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in such a corrupt demimonde, why playwriting was not enough... or so she said. They  
certainly didn't say so to my face, though I sensed a growing distance between us, a  
began to see them as D. M. pi--i obscurely provincial. Two forms of profound obstinacy  
camp.
One evening, it must have been in July or August, I came home to find Nell and 
Caro had decamped to Wytham without warning. We had had a long row the previous  
night and she had still been asleep when I left for the office after breakfast. I went down  
and fetched her back at the weekend. Perhaps Anthony still knew nothing then, but I  
could see a questioning and reproachful light in Jane's eyes. Nell had certainly talked to  
her. That made me very angry, though I managed to conceal it. 
I was by then doing the second draft. Because there was some messup over  
the availability dates of one of the chief actors, there was a hurry to get the new film off  
the ground. I was given a room at the production office and a parttime secretary. Andrea  

was two years older than me and halfPolish not really a humble secretary at all, but  
already well on her way to being one of the best production secretaries on this side of the  
Atlantic: a kind of regimental sergeantmajor, though her breed must use tact and a cool  
head where the other struts and bellows. I liked her at once for her professionalism:  
impossible not to admire the speed and accuracy with which she typed out my drafts and  
would talk about them, sometimes suggest a useful cut, point out a weakness. She didn't  
attract me physically, she had rather a heavy body and there was something about her of  
that accusing resignation of the career girl. I didn't know then that she had been married,  
since she seldom talked about herself. The only thing Slavonic about her, or at least not  
English, were her eyes. They were very fine, very direct, almost jadegreen, much lighter  
between never knowing how an evening with Nell would end and coming to rely on that  
useful, intelligent camaraderie in the office to give some point and sanity to daily life. She  
came sometimes when I went to show new scenes to Tony, who used to fire off his own  
suggestions faster than I could write them down, and I could see he felt the same about  
her as I did myself: that she was a pro to her fingertips and a good shrewd head to have  
at one's side.
We had no relationship outside work. Usually she went out and62 bought me  
sandwiches, occasionally I took her out to lunch in one of the cheaper places near by. But 
finally I came to hear a little about her broken marriage. It had been to one of the Poles  

who had escaped to Britain and become a fighter ace. Peace had turned him into a  
sadistic drunkard and dabbler in expatriate politics. Now she lived with her Polish mother  
somewhere behind Marble Arch. Just how much of a monster he had been, and remained, 
to her in private I did not hear in detail until later, but that was already hinted at. She was  
a dry woman and had her share of the gallows humour that hangs over moviemaking like  
cryptic coloration. Something in her had been badly hurt by her marriage. I lost her when  
the production schedules and all the rest had to be got out, and I missed her. I was very  
careful not to talk much about her to Nell. They met once or twice and Nell didn't like her,  
then and she evidently saw no cause for sexual jealousy.
There was some final rewriting to be done when we started shooting, again  
down at Pinewood. Tony notoriously hated working with idle faces watching behind him,  
and I didn't go to the sets very much. Andrea and I were often alone in the production  
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office. I started going down there when it was no longer really necessary. Word gets  
this script was good, that Tony was pleased with it, that I was learning fast, I was  
reliable... I basked in that. I wanted to learn the other techniques of my new business, too. 
Secretly I even had dreams of directing myself one day.
I had about this time with plenty of unhelpful advice from Nell to face up to what 
I wanted to be. Another script was already in the offing. It was not really a dilemma. I knew 
(or thought I knew) that the cinema could never be as serious for me as the theatre. But it  

was fun, and it brought in the money. If I wanted to say somereally personal and  
'important', it could only be on the stage. new play J had in mind (which eventually  
became The Production) would establish that: that I had the compromises, the false  
pressures and premises of the film world in perspective. But I felt Wasn't ready for it for a  
scriptfees. I was certainly too close to the present production to invent safely  
unrecognizable characters.
Above all there was the need to prove to Nell that she was wrong. When i took  
the third script, however, there was a marital lull. She seemed to accept that I was not  
least approve the money it was bringing in. My new agent had seen to it that I was no  
longer in the bargain basement. I indulged Nell. I knew we were spending too much, but if  
it brought more peace at home I felt it was justifiable. 
Then something predictive: one noon down at the studio Andrea seemed  
depressed a little, Dan asked her why, and she said it was her birthday, something about  
birthdays when you were a child... how you never quite grew up enough to treat them as  
ordinary days. Dan went straight to the canteen and bought a halfbottle of champagne.  
She laughed, they drank it. Then at lunch Dan announced the birthday to the others, there 

was more champagne... it was nothing. By chance afterwards he and she went back to the 
production office alone together. The empty halfbottle sitting on her desk: she turned and  
kissed him. It wasn't the kiss, which was quick and affectionate, against his cheek, not his  
mouth, but a fractional hesitation of the embrace, a waiting, an equally brief look in her  
eyes before she turned away to make some phonecall. Dan knew she was saying the  
camaraderie was on her side a pretence. That was all. Someone came in, and the next  
day it was exactly as before.
Then a few nights later: Nell and Dan had just gone to bed and he made one of  
those gestures all husbands and wives evolve and recognize as a suggestion. It was very  
preamble he had come to recognize only too well.
'What is it this time?' 
'You know damn well what it is.' 
'That's why I asked the question.' 
She hated what she called his 'Bmovie sarcasms'. She said nothing, but ripped  
one of the curtains aside and stared out at the night.
'I don't know what you want out of life.' 
'I want a divorce.' 
He had come home late and they had had to rush out to dinner with friends to  
be precise, with the girl who had got her the formerjob at the publishers and her husband.  
Dan knew she hadn't enjoyed the evening, that she had been brewing over something,  
and had put it down to the other girl, the tittletattle about publishing: the illogical envy of a  
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career she did not really want again. But this was something new. 
'Why?' 
He waited, but she said nothing. He was suddenly very scared, he had some  
notion that Jane had been mad and... he asked why again. 
'You know why.' 
'That I deprived you of a job you loathed when you actually did it?' 
'Oh for God's sake.' There was more silence. Then she said, 'You're a bloody  
good liar, I'll give you that.'
'I don't begin to know what this is all about.' 
'It's about the affaire you're having with that Polish cow.' 
He let out a breath outwardly of amused contempt for the accusation, inwardly  
of relief.
'Okay. Let's have it. Or was the letter anonymous?' 
'You admit it?' 
'I admit absolutely nothing. Except that I wish you were a Polish cow. Instead of 
a paranoiac little English bitch.'
Yes, you'd love that.' 
Dan got out of bed to go to her, but she turned on him before he could reach  
her. He could see her face in the streetlights from below. It managed to look both  
frightened and venomous or obsessed. And it stopped him: the feeling that she had  
undergone some secret change of personality, that he no longer knew or understood her  
at all.
He said, 'It's not true, Nell.' 
Her exhusband telephoned me this afternoon. And told me a few facts about  
her. You're apparently beating a welltrodden path. Suppose you know that.' 
But the man's a bloody lunatic. She's already had to get a court order to stop  
him pestering her mother. The whole office knows that.
They stood six feet apart, facing each other. 
'He sounded very sane to me.' 
'Well we'll see what the law thinks. I'll sue the sod for slander.' 
'He says it's all over Pinewood. Everyone knows.' 
But there was a slight climbdown in her voice. 
'Nell, the man's deranged, for Christ's sake. Apparently he started doing this  

with her mother last year. He's a Catholic, he won't give her a divorce, he... honest to  
God, how can you believe such rubbish?'
'Because it could so easily be true.' Dan turned away and found the cigarettes.  
He must have been angry, because he felt like agreeing with herand telling her why. But  
she jumped on. 'He saw you going into her flat last week.' 
'I gave her a lift home. She asked me up to meet her mother. Just a drink. That  

was all. Half an hour.' 
'Which you forgot to mention.' 
'I seem to remember you were too full of the horrors of motherhood for any  
normal conversation that evening.'
She digested that. 'Do you usually give her lifts home?' 
'She's running a production office, for God's sake. She's usually the last to  
leave. No.'
'You seem to know an awful lot about her.' 
'As I have a perfect right to. She's also good at her job. And a nice human  
being.' He took a breath. 'Liking her is not infidelity, Nell. 
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She had gone back to staring out of the window. Dan sat on the end of the bed. 
'I suppose you tell her all about the paranoiac little English bitch you made the  
mistake of marrying.'
'That's so cheap I'm not going to answer it.' 
to think up some new trick of attack.
'You're cutting me absolutely out of your life. I know nothing about you any  
more. Sidney rang this afternoon.' Sidney was Dan's new agent. 'About the American  
offer. I don't even know what the American offer is.' i66 'It's another possible script.  
Nothing's settled yet. And I haven't cut you out of my life. You've done that yourself.' 
'You're becoming something I don't understand.' 
'Because you don't want to grow up. You want nothing to change.' 
She gave a bitter sniff. 'Of course. I simply adore this ghastly white elephant of  
a flat and being cooped up in it every day while you go off and' 
'Then let's move. Let's get a house. An au pair. A nanny. Whatever you want. 
'As long as I leave you in peace.' 
'I see. I drop everything so that you can have someone to row with all day long.' 
She spoke in a quieter voice. 'I don't know why Anthony and Jane can live such 
an affectionate and civilized life together and we'
'Ohfuck Anthony and Jane.' But when he went on, it was more evenly. 'If  
anyone's having an affaire, it's you. With them.'
'Thank you.' 
'Well it's true. If you wanted to marry a don and live among the dreaming  
spires, then why the hell 'Because you were different then.' 
'So were you.' 
'You started it.' 
And so on, and so on. It ended in her tears, and a new batch of resolutions. But 
felt certain we really liked what we looked at. Once again her heart became set on  
somewhere in the countrythat became the priority. She blamed London, in some moods,  
for everything that had gone wrong.
Perhaps the greatest irony was that the incident brought Andrea and myself an  
important step closer to what finally took place. I felt had to warn her about what the  

wretched Vladislav was doing and somehow I couldn't bring myself to do so in the office. I  
had to wait several days, but then Nell and Caro and j went down to Wytham67 for the  
weekend and Nell decided to stay on till the Wednesday or rather, in pursuit of one of the  
new resolutions, did not want to stay on, but I talked her into it. So I took Andrea out to  
dinner one evening I didn't mislead her, I told her I had something rather difficult to say. I  
think she must have guessed, though she was shocked when she knew, very apologetic,  
wanted to meet Nell to explain... but Nell had made me promise not to do what I was  
doing. She had rather rapidly promoted the 'Polish cow' to 'poor woman. 
At last, at the Chinese restaurant we went to, I was given the full story of  
Andrea's marriage. She'd been in the WAAP during the war and her knowledge of Polish  
had made her posting and work obvious. She had fallen for Vladislav, married him in no  
scrambles, missions, swastikas stencilled beneath the cockpit. But peace, the deal with  
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He was already drinking heavily by then. Andrea had been dragged through the Polish  
could never have children... all of which had left her with a kind of sad contempt for  
everything Polish (except her mother) and a continuing guilt over the rogue male she had  
Even then I sensed a much deeper despair than the cynical shell she sometimes wore at  
the office suggested. She felt trapped in some hopeless way. In effect she was both Nell  
been tricked into a wrong marriage. She told me she had had a number of affaires since  
the marriage died, but it had always seemed as if 'some other woman' was involved. One  
such liaison (it shocked me to learnnot its having happened, but my not having realized it) 
had been with Tony, a year before. He was married, with a family, it had all been  
conducted in great secrecy. They're all rats in our business, she said, even the nicest. 
I mustn't make Andrea sound too coolly objective about herself or too stolid and 
grew very slowly on you.68 The body misled, especially beside the twentyyearold birds  
producers hire to make their coffee and soothe their eyes and egos. But the face was  
really rather striking and the eyes were remarkable, incomparably the finest I have ever  
known well. This produced a little advantage for her, since they were always the thing one 
wanted most to look at. She was not a woman it was easy to keep at a distance, there was 
something of the conscious femme fatale about her. Perhaps it was a compensation for  
the purely physical attractions prettier women can use. She certainly knew she possessed 
more magnetism than most men realized when they first met her. Then she was older than 
I was and not only in the literal senseperhaps something vaguely maternal about her  
body... I don't know.
In return, that evening, I talked a little about my own marriage. It was not  
moaning, I evenjustified Nell's attitude and a good deal more to Andrea than I secretly did  
to myself. I suppose outwardly the evening must have seemed to confirm that any other  
relationship than that of colleagues and good friends was impossible. I kissed her on the  
could imagine going to bed with her by then, but not in the manner of my two previous  
adulteries. Neither her temperament nor our working relationship would have allowed a  
brief liaison.
When she killed herself in 1962, it depressed me for weeks. I hadn't seen her  
then for several years and it took me some time to understand why it seemed a much  
greater loss, and guilt, than outward circumstances warranted. It wasn't even a feeling  
that if our eventual two years together had ended in marriage instead of force of  
circumstance, or mutual refusal to disrupt our ways of life, then she would never have  
ended her existence. I knew her too well by then and the depressive streak in her nature.  
It was far more a feeling that she had had the last word about all our private lives, all our  
all been members of that seedy Polish Veterans' club he had wasted his life drunkenly  
managing off the Bayswater Road. I never came face to face with Vladislav, but I have  
People in the carriage began to stir and shift. I saw streetlamps mistily reflected 
in black water. We drew, in our scrupulously maintained English silence, into the most  
Shakespeare's Verona and every student's Elsinore since mouldingtime began. Not a city, 
but an incest. 
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Rencontre
I recognized Jane at once, as I stood in the throng waiting to get through the ticket barrier. 
a few days, instead of sixteen years. A woman of fortyfive in a long leather coat,  
much, much older, but she had retained something of that old discreteness, some aura of  
difference from everyone around her. Even if she had been a total and chanceglimpsed  
stranger, I should have looked at her twice. An elderly passenger ahead of me spoke to  
her as he passed. I saw her smile. They exchanged words for a few moments. It was that  
leather coat it had a faint flamboyance, a staginess. She didn't seem to have gone grey,  
her hair must have been tinted, though it was less dark than I remembered, a shade more  
Spanish air, always part of her Gestalt in my memory. In every other way she looked a  
stylish don's wife, very much in her own city.
She was still talking to the other passenger when I reached the ticket inspector. 
But she excused herself then, and he went on. She didn't move, she had only the smallest 
smile as I came to her. At the last moment she lowered her eyes. There was a bizarre  
moment when neither of us seemed to know what to do. She still had her hands in her  
pockets. Then she took them both out and reached them to me. 
'I've forgotten my lines.' 
I pressed the extended hands, then rather awkwardly leant forward and kissed  
her cheek.
'No lines needed.' 
couldn't tell.
You haven't changed.' 
'7' 
'Nor have you. You look stunning.' 
'Wrong participle.' 
In closeup she looked her age. There were lines of tiredness as well as of  
natural years. She wore no makeup. I sensed too a hidden fear. She was very uncertain  
of who I was. We both smiled, the way strangers do at their own stiffness. 
'The car's outside.' 
'Fine.' 
She turned and led the way out into the night. 
'I'm... we're so grateful, Dan, I 'I was due back. Honestly.' 
She glanced down at the wet pavement, then bowed her head in reluctant  
acceptance. We walked over to where she had parked her car. She faced me across its  
roof.
'Can you stand seeing him this evening?' 
'Of course.' 
'I thought you might like a drink first. We could stop off at the Randolph.' 
'Marvellous. And I'm taking you to dinner afterwards.' 
'I've got something in. The au pair...' 
'I insist.' 
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concession.
On the short journey to the Randolph she told me, clinically, almost  
indifferently, what the medical situation was with Anthony. What was initially a primary  
surviving beyond the original prognosis. We exchanged news about her children, other  
relations, Caro. I said nothing about Barney. During these banalities I was far more aware 
something much deeper than that, the strange reversals of time, of personal histories...  
moments that you are glad, for once, to have survived to. Perhaps the presence of death  
always does that. Lost values regain meaning, to be still alive becomes the fundamental  
luck each ordinary, compromising day manages to bury.
We found a table at the Randolph. She took her Russianlooking coat off: a  
trousersuit, a plain cream shirt, a brownblack bull'seye agate in pinchbeck at its neck. She 
her a Campari and a large Scotch for myself. The waiter had hardly turned his back  
before I brought the small talk to an end.
'I've imagined today a good many times over the years, Jane. But never quite  
like this.' She stared at the table in front of us. 'It was all my fault. I just want to get that out 
of the way.'
She murmured, 'All our faults.' Then, 'That's one of the few articles of faith  
Anthony and I still agree on.'
'You're not a Catholic any more?' 
The smile was more natural. 'It has been a long time, hasn't it?' 
'I spent last night pumping Caro.' 
Still she smiled, though she looked down again. 
'I lapsed years ago, I'm afraid.' 
'And Anthony not?' 
'He's taken the last rites. What they call the Sacrament of the Sick nowadays. I  
think.' She must have realized how odd that vagueness sounded. 'The crows visit him,  
anyway.' Then she said, 'It's become one of those areas of noncommunication over the  
years. 'What they say every decent marriage needs.'
a few moments to discard the illusion that envied marriages must be flawless. 
'And the children?' 
'Have taken after their godless mother.' 
'I didn't realize.' 
She sipped her Campari. I had waited to see if she would make a toast out of it. 
But I wasn't to be given such an obvious, if trite, clue to her real feelings. She began to  
puzzle me, perhaps because I had come with so many preconceptions... or misread  
Caro's view of her. On the one hand I had expected more of a brisk maturity, on the other  
I had imagined a greater warmth. That permanent faint smile I had always associated with 
hurried wave across a crowded street, a smile between '73 other heads at a party. 'What I 
began to feel was a deep reserve, and I didn't know what it hid. 
'I suppose if faith can take blows like this, it must be real.' 
'He's always been rather good at deriving certainty from incompatible events.'  
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She added, 'or truths.'
'The ultimate absurdity?' 
'Something like that.' She made an effort to be more communicative. 'He hasn't  
been morbid about it rather brave, actually. Very philosophical indeed. For a philosopher.  
But it's much closer to him now than anything else. The real dialogue is all with that.' She  
made a little grimace. 'The eternal verities or something.' 
'That's understandable?' 
'I suppose so. Cliacun a sa mort.' 
'Did he say that or you?' 
She gave a token grin. 'He'll die an Oxford man. All ironies intact.' 
I examined that grin. 
'My guess is he's not the only one who's being brave.' 
She shrugged. 'Nell thinks I'm being very hard about the whole business. '  
Again I watched her face in profile, her searching for words a foreigner might understand.  
'She's become rather odiously conventional and Daily. Telegraphish over these last  
years.'
'So I've gathered from Caro.' 
'A pillar of the county. I think we underrated Andrew.' 
'He was never as silly as he made out.' 
'I remember you used to say that.' 
'She's been happy with him?' 
Again a cursory smile: as if such things didn't matter. 'I think as much as it's in  
her nature to be.'
'I'm glad.' 
But my eyes remained avoided. We both watched a group of students sitting  
across the room. They made our small dandyisms of the late 19405 look very puny  
she wanted me to deduce, without saying it, that I was not here by her choice. I could  
have done with a little more of the conventionality she had just accused Nell of. I made  
another attempt to bridge everything that lay between us. 
'What does he want of me, Jane?' 
'Just to rewrite the past a little?' 
'What does that mean?' 
She hesitated. 
'We haven't talked about you, Dan. Or the past. For many years now. I know  
he's very anxious indeed to see you, but he hasn't really... vouchsafed why.' She went on  
in a quicker voice. 'The trouble with being highly civilized people is that one has  
techniques for burying highly uncivilized truths. All I really know is that he grew very  
distressed when I tried to suggest we had no right to force this on you.' She added, 'That  
at least was... authentic.'
'Then I'm on his side. I think you had.' 
'All this doesn't mean I'm not very grateful you've come.' For a moment I had  
hope or reason in anything at the moment. You mustn't take any notice.' 
Which of course made sure that I did: it was increasingly strange, as if our  
former relative status was now reversed so completely that some indication must be  
shown in every sentence and gesture. I was far too important and famous now, she  
seemed to be saying, to have serious time for a backwater being like herself. 
'It would be a miracle if you felt anything else.' 
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'Perhaps.' Her smile was very artificial, and she leapt, absurdly, to yet another  
apology. 'Before I forget, Nell asked me to say she was sorry about what she said over  
the telephone. About your friend, she...'
'I rose to the bait.' 
'I've only seen one of her films. I thought she was very good.' 
She may go places. If she keeps away from people like me.' 
Presumably she has views on that?' 
I glanced across at the students opposite. 
She belongs over there, Jane. I'm the wrong table.' 
She wants to marry you?' 
I shook my head. 'I'm just shepherding her through her first experience of  
Hollywood. Trying to delay the inevitable.'
'What's that?' 
'Her believing in it.' 
She smiled down, but once again there was a shade too much '75 conventional  
politeness of response in it, a suggestion that her mind was somewhere else. I saw her  
glance surreptitiously at her watch.
'Should we be going?' 
'He'll have had his socalled supper by now.' 
'And ours? Where does one eat these days?' 
We had a further short argument over that, Nell had brought a brace of  
pheasant from Compton on her last visit... but I made her give in, and on the way out I  
booked us a table at the Italian restaurant she recommended while she rang home to  

warn the au pair girl. Shouldn't I stay at the Randolph? But it was her turn to be adamant.  
We set off for the hospital.
looks, the hidden reservations on both sides, the selfconsciousness. I still retained an  
sad middleaged variant of an original self, an independence now turned to an  
indifference, had taken the place of that. Nor did she conform to what I had expected from 
I knew I had to rediscover her, along with a system of communication: one that  
could be quite exceptionally devious, and hide a profound narcissism... and could also be  
sharply censorious. No town is further, when it wants to be, from the tame conversational  
norms of the rest of middleclass England, with all its conditioned evasions and  
halffinished sentences, its permanent poised flight to the inarticulate. I had lived for so  
long in exile, in a world whose only 'test' was one's degree of craftsmanship in a given  
context, and aeons from this tiny society that lived essentially, for all its outward academic 
orientations, by ideal and abstract and frequently absurd notions of personal truth and  
behaviour.
way intellectuals will condescend to peasants, make all kinds of urbane adjustment for  
their ignorance. It made me feel that I must come with a smell of the vulgar outside world I 
was that I was too tarnished and blunted by the secondrate minds of a secondrate world  
to understand. That could coexist with the fear that I was now the worldlywise one, from  
well beyond this ivory castle with all its linguistic and ethical punctilios. Our little argument 
and she granted it, though it was silly. She had objected to the Italian restaurant as soon  
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problem in our lives, we should never have progressed from studenthood. 
increasingly nervous knowing how far away the woman beside me was, and guessing her  
husband might be even further. Once again I had a sharp and sudden longing for the girl  
who was physically far away in Los Angeles and whom I had just demoted from reality to a 
safest dream. That was why I had given so much of my time and ingenuity to it. 

Crimes and Punishments 
century can hardly be accused of not trying to solve the enigma mysterious to me. All my  
life I have veered between a belief in at least a degree of free will and in a determinism.  
The only clear conclusion I have come to is that what have appeared to be my own freely  
taken decisions provide very little evidence of more wisdom that the blind dictates of  
destiny. One of the monsters in my father's seventeenthcentury theological bestiary was  
virtue and vice were the enemies of grace. I certainly haven't found the grace, but neither  
have I found any good reason for supposing that to surrender to one's nature pays any  

worse dividends than resisting it. The problem, of course, the ultimate catch, is knowing  
what one's true nature is. 
I can't remember that the national misery of that first decade after the war, the  
general resentment that having won the bloody thing, we now had to pay for it, particularly 
worried anyone in the milieux that I inhabited. It seems to me today that the one abiding  
drive of all my generationand I do not mean just my classwas intense selfishness. We  
watched the imperial and commercial underpinnings of our culture collapse without regret  
(that came later), mainly because the disappearance of a national mission gave our  
selfishness more Lebeusraum. If most of us were liberals in public, we were all parties of  
one in private foreshadowing the many desertions to the right that took place in the  
Sixties. The current situation, with everything determined in terms of the entrenched rich  
versus the wouldbe rich, was already latent.
Most of us still saw the confrontation in the context of Marxist theory. The true  
face of British organized labour and its party had yet to be seen. None of us quite  
guessed how cryptobourgeois and conservative it would become or how the country's  
political life 0uld perish away into a sluggish battle less between 'Tories' and 'Socialists'  
than between the comforts of apathy (historical destiny) and occasional fits of free will, or  
national virtues (civic decency, hatred of violence and all the rest) would one day come to  
seem as much a result of sheer indolence as of positive choice. Even the absurd  
nostalgia for the imperial and military past that has appeared like a toadstool on rotting  

wood in recent years (and which I was by no means sure the sceptical line I was taking  
over Kitchener in my script would counter, though it had been an initial reason I took the  
thing) springs far less from political conviction than from a puzzled sense that the selfish  
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present is somehow selling us all short.
Like so many individual members of its armed forces in that first decade of  
'peace', the whole country felt itself demobilized from centuries of boring old duty to  
others, false prestige, spurious uniformity of character and behaviour. The 1951 Festival  
of Britain was not at all the herald of a new age, but the deathknell of the old one. We  
then broke up into tribes and classes, finally into private selves. 
I am not against this, in principle. I have never felt 'British' since my  
schooldays... only English, and even that tenuously most of the time. But I think it is clear  
now that we made a bad mess of the transition from nation of brainwashed patriots to  
also failed to evolve new political parties to meet the needs and dangers of an  
increasingly selfcentred society, so also we lacked the honesty to throw away the old  
masks. Obsession with self was everywhere, yet we treated it like some personal secret  
that had to be hidden from everyone else... so on with the puritan motley endless public  
concern about the economy, about Britain's new role (as if it were some distinguished  
actor), the Suez farce, the more recent rantings against pornography and the permissive  
society, the triumph of Carnaby over Downing Street, of television bread-and-Circuses  
over true democratic feeling. All that my generation and one sired have ever cared a  
of doubletalk emitted in the (still incomplete) process must make us stink in the nostrils of  
history.
beginning to murder an unborn child rather than leave his smallest desire unsatisfied  
though I wish now he had trailed a touch more sulphur and rather fewer compromises and 
lies. If he did stand a little more substantially for the future than most of his  
contemporaries, it was merely because he had more offered to his selfishness and more  
opportunities to indulge it. I think Nell stood no chance. 
The age of self offered him old sins he could convert into supposed new  
Dan was already, like the entire country faced with the Hottentots who begin at  
Calais, closing up. The intense private world, part pure imagination, part imaginatively  
altered reality, that he had lived in since childhood now came into its own. If it had  
sometimes seemed a perversity, a wickedness, in the past, it was now, with success,  
forgiven and sanctified and boldly took over the course of his life. It was less and less  
inclined to brook interference, distraction, claimjumping. Nell became a threat, a potential  
interloper, who might one day sneak in and assay the 'gold' in those hidden grey  
brainfolds and find it lacking. I suspect our growing incompatibility was at least as much a  
matter of history as of personal psychologies.
If I had been born into an earlier world, where society punished the heretic, I  
should very probably never have betrayed Nell or at any rate I should have concealed the 
betrayal much better. But I was what the Victorians banned from their arts: a dramatist. I  
think they condemned and castrated the theatre for so long because they knew the stage  
is a long step nearer an indecent reality than the novel. It tells secrets publicly, it gabs to  
strangers, its lines are spoken not by anonymous print, in a solitude like that of defecation 
or masturbation, merely in the single mind, but by men and women in front of an

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fourth chronologically. The locations were to be shot in Spain. I went out to Hollywood for  
the first time, since it was also my first encounter with a 'big' producer a sacred monster...  
and like all his kind, much more the noun than the adjective by the standards of any sane  
view of man. Nell arid Caro came to America with me, but they stayed with her mother and 
stepfather on the East Coast. During my three weeks alone on the West I slept with a girl  
who picked me up in the bar of my hotel. She wanted an entree to the world I had just got  
my own precarious foothold in, but she was much more a wry tramp, of the kind Preston  
Sturges made Veronica Lake portray so well, than an ambitious whore. I grew to like her  
both in and out of bed, not least because she had an easy daytoday acceptance of life  
that contrasted very pleasantly with Nell's increasing need to live in anything but the  
present. I found even her nalveties and ignorance (she was only a month or two in from  
the Midwest herself) endearing especially as my own superiority in knowledge was  
tenuous in the extreme... no more than a product of what I was picking up each day as I  
went along. 
It was also my first encounter with someone who had deromanticized sex, who  
seemed to regard it, like so many Americans, as a mixture of anatomy and gastronomy to  
be discussed, before, during and afterwards, like a meal. I wasn't used to such frankness,  
and it fascinated me at first, though that side of things began to lose its charms before I  
returned to Nell and has gone on losing charm ever since. Limbs are nouns and actions  
verbs, and there is nothing more profoundly destroying of all but skin pleasure than the  
music, to be enjoyed best in silence. I am not blaming Elaine for conforming to her  
cultureindeed I owed her a lot for helping me to understand it, and my own. 
In short, it was an affaire with America itself. Despite Elaine, I didn't quite  
realize during that first visit how far California is from the rest of the United States. I liked  
it a lot, though less for intrinsic reasons than for its total nonEnglishness and the endless  
orjust enough guilt to keep our three weeks of dates i8i and sexgames as clandestine as  
possible. I telephoned Nell almost every dayless out of solicitude than to be sure she  
or sheiklike. Nell didn't repel me physically, which made her physically easy to deceive  
and like most women, she set great store by that lying test. I also quite enjoyed the week I 
spent with her in Connecticut before we returned home, not least because the visit to  
Hollywood had given me a cachet in her parents' eyes I had previously lacked. 
Our working holiday in Spain during the location filming, later that year, was not 
a success. We rented a small villa just outside Valencia, near the beach, and there was a  
Spanish maid to look after Caro. But Nell grew bored with the long setups. I could hardly  
blame her, they began to bore me myself, but this was the first time I had seen such stuff,  
involving many hundreds of extras, and I felt I had a professional duty to pay attention. I  
was also kept busy by my sacred monster, whose anxiety and incipient megalomania  
began to soar as shooting approached and remained at a sustained high pitch throughout 
the ensuing weeks. I had been warned that this always happened by the young American  
director who was also being given his first big chance, and we managed to weather the  
floods of fourletter abuse and the constant threat of being sacked. Scenes that had been  
'great' a day before would turn overnight usually the one before shooting 'lousy'. All  
through the writing the wretched old man had showered me with his own ideas, delivering  
them with all the delicacy of a calving glacier and these dreadful whims and notions of his  
had a habit of floating back weeks and even months afterwards, as barren as icebergs,  
but always threatening to sink any intelligent course the director and I advocated. All this  
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added more fuel to Nell's distrust and contempt for the whole activity. 
She developed an equally strong streak of intellectual snobbishness over the  
petty rivalries, the shallow chat, the general monomania and absorption in 'shop' that  
characterizes movie people on location the world over. It is, or was then, a world without  
irrationally hierarchical as Ancient Egypt. Her contempt for me grew in strict proportion  
with my refusal to disi8z miss it en bloc. In turn I felt my script, that precious seed from  
which sprang all this energy and spending of money, was insulted. Nell took to passing  
continuing fear that someone among the production people who had come over from  
Hollywood might have had wind of my little affaire there. I didn't want any of them to get  
too close to Nell.
Some months later, we were now in the spring of 1955, I was back in London  
and on my second script for Tony. Andrea was again the production secretary, the long  
immanent feeling between us one day boiled over... I don't know how Nell finally guessed  

what had happened, but to prove her guess she hired a private detective. I came home  
one evening to fmd a carbon of his report laid out for me to read. She and Caro had  
disappeared. After the initial shock it came as a relief. In the end I rang Oxford. They must 
have been expecting the call, for Anthony answered, refused to fetch Nell, refused to  
discuss anything over the telephoneand insisted on coming down to London to see me. 
A couple of days later he appeared at the flat and I took him out to lunch. I  
expected to have one of his ethical riot acts read over my head, but he was surprisingly  
matteroffact. Jane and he had realized for some time that things weren't going well, it was  
a matter for my own conscience, he didn't propose to judge the rights and wrongs of it all.  
I suspected that he was secretly frightened of me, perhaps of what I might say about Nell  
and her habit of retreating to Wytham at the drop of a disagreement. He was outwardly  
understanding, almost deferential towards my professional life and world in a way no  
trueblue Oxford don, as he was by then, would ever truly feel at heart. 
Nell was 'very hurt' and would talk of nothing but a divorce. Yet he thought, if I  
wanted to make some attempt to mend the marriage, that Jane and he could argue her  
into at least waiting a while before she took action. He pressed for that course and

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frequent ones of regretting the world I had cut myself off from. I didn't miss Nell at all  
except in minor domestic ways. But then Andrea moved in, and even that need was  
seemed to be of Anthony andJane. It told me something of why I had married Nell in the  
lindenleaf, more piercing than the needle's point? my sense of rejection. 
I had parted with Anthony on the understanding that mine was the next move.  
unpossessive, she made no demands on the future. But that virtue in her did not make  
returning to Nell any more attractive. In the end it was Nell who moved, by means of a  
solicitor's letter. I did not defend the action. Nell was icecold in court she came alone,  
without Anthony or Jane and I think did not look at me once throughout the proceedings. If 
I looked at her, it was almost out of curiosity. She seemed already of the past, like a  
character from a forgotten play. I had intended to have a word with her afterwards, to ask  
attempt towards that was cut dead. It never even came to words. I hadn't pressed for  
access while the legal machine was rumbling on, but now I had it officially. Caro had had  
her third birthday, and I wanted to see her. I wrote and asked Anthony what to do about it, 
it was eventually arranged that I should go down to Wytham. Nell would not be there. 
So I drove down one day to find that Anthony had also funked a meeting. The  
door was opened by Jane. There were her own two children and Caro, whom she  
successfully used throughout my hours there as a foil to anything but a very cool and  
armoured politeness. She claimed that Anthony had a noon tutorial and a busy afternoon,  
and Wytham was too far to get back for lunch. I felt defeated long before I left. Every  
endeavour I made to get us off the trivial and immediate was rebuffed. Did she think I was  
totally to blame? It was for me to judge. But she must have some opinion? What good  
would there be in her telling it? Not the tiniest reference was made to that summer day in  
not used it properly, I was unspeakable. So I nursed the grotesque unfairness of her  
blaming me for a sin she had first taught me to commit. It was almost as if my worst  
infidelity had been to her, not Nell. I knew she was putting on an act, she couldn't be as  
and that irritated me most. She was like some heroine from Jane Austen, a Fanny Price,  
deeply certain that she lived by some central moral tradition and deeply oblivious of the  
fact that the failure of anyone else to live by it might represent more than a contemptible  
lack of taste.
I discovered a little about Anthony and herself how they were looking for a  
house in the city and about Nell. She, it seemed, had got a parttime job cataloguing in the  
Taylorian and might take a flat in the house, if they could find one large enough. I  

wondered if Anthony really wanted that, given his past secret feelings about Nell, but I  
couldn't ask. A few facts were being given, not the realities behind them. She went off  
shopping after lunch with her OWfl two children and left me for an hour with Caro. It  
seemed a very long hour, alone with a child I had grown a stranger to, in a house from  
which I was banned in everything except physical fact. The telephone rang, but I didn't  
answer it. Jane said it would probably have been Anthony, when she returned. I tried to  
make her sorry for me over Caro, the difficulty I had had in keeping her amused, which  
was answered by something about children living in the present, and trying to preserve  
We had to gear ourselves to her need of me, not mine for her. Jane said, She'll look for  
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you one day, I expect. That was the nearest I came to a kind word. 
If she baffled me conversationally, she confused me in an even more frustrating 
way psychologically. Of the four of us we two had changed most, but in diametrically  
opposite directions. All her old flashes of teasing, of frankness, of intuitive warmth,  
seemed to have been extinguished. I was finding Andrea quite exceptionally pleasant to  
live with: we had no rows, but enough friendly arguments to stop existence becoming  
saccharine. She cooked well, she made love well, she had a perfect tact about my work  
went out to do her own in the morning and came back every evening to help me with mine 
if I wanted or to tell me the latest gossip, if I wanted that. She was also, in a Continental  
rather than an English way, a genuine culture addict. I saw more new exhibitions and went 
to more concerts in a month with her than in a year previously with Nell. Yet for all this I  
left Wytham once again knowing that I wished I had married Jane. I can't explain it. I  
hated her that day. Outwardly and consciously I left feeling deeply humiliated and telling  
myself that Anthony had turned her into a cold and lifeless female prig. I made up my  
mind I would never visit Caro in such circumstances again (and didn't, from then on I met  
her in Oxford itself or Nell brought her to London).
too bitter, as she soon pointed out. I suppose I felt failed and fallen. Like Lucifer: I will  
exalt my throne above the stars of God... and set it among the stars of Hollywood. It  
a just exile.
But my major sin was still to come, though I had had the thing in mind well  
before that visit to 'Wytham actually took place. I i86 have no excuse whatever for what I  
did now, that is. At the time i saw reasons: the need to analyse it all, exorcize it, the belief  
that my treatment of this not very original situation was new in its depth and frankness,  
had a general application. A negative justification might have been that the filmscript  
business, with its readyfound themes, was already making me lazy in invention. I did start  
the play with everyone fairly well disguised, and of course it remained so in terms of  
backgrounds and minor details. I made Anthony a publicschool master in the West of  
England, myself an upandcoming painter, Jane and Nell schoolfriends, not sisters.  
my will, I had for dramatic reasons finally rather to flatter showing her 'honestly' torn  
between art and convention, whether or not to forgive the infidelity that sparked the  
action.
final scene, with the Anthonyfigure justifying his interference to the now wifeless painter  
by a display of impervious selfrighteousness wasas he must have recognized at once a  
blatant parody of that first meeting we had had when Nell left me. It was technically one of 
the better scenes in an otherwise bad play, which aggravated its injury. Andrea failed me  
for once, letting sympathy cloud her usually clear view of what went and what didn't. But I  
doubt if she could have stopped me: I was hellbent on letting them know what I really felt  
and that I had much more power to take public revenge than they might imagine. 
The play got very guarded reviews. There was a general complaint that the  
schoolmaster and his wife were caricatures, that the whole thing was too static in action,  
too onesided in plot. One or two criticisms, including Barney's shakedown, were sharply  
hostile. But the review I most feared and craved, like some tyro urban guerilla with his first 
bomb, had already come. By a malign chance (not one I was responsible for or could  
avert) Oxford had been on the Outoftown run. I have kept the letter, which is dated  
January 9th, 1957¥ Daniel, Two evenings ago Jane and I saw The Victors here in Oxford. 
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I think the title is bad. It seemed to us a defeat of every human decency. It is  
not just a question of the vicious travesty of our true relationship that you have seen fit to  
think they recognize, the real names behind your totally (and I must presume deliberately) 
discharged most of your bile on Jane and myselfand over matters you must know have no 
foundation whatever in our actual behaviour. What shocks me far more than all this is  
your apparent desire to demonstrate that you are not responsible for your actions and that 
your inability to be faithful to Nell was accordingly her and our fault, not yours. This  
argues such a hopeless corruption of any normal sense of morality and I am certainly not  
writing as a Catholic or a philosopher, but simply as someone who once believed himself  
your close friend that very possibly this letter will mean nothing to you. I have serious  
doubts now as to whether you have any personal honesty or powers of selfjudgment left. 
based on life in the form of the artist's own experience. I can also see that some such  
experience might justify public revenge. What I cannot see is how any responsible artist  
can use his art to transfer his own clear guilt, and in a closely circumstantial manner, to  
the innocent. Even ifJane and I were not Catholics, with Catholic views on the subject of  
marriage, the notion that we should have intrigued to make Nell leave you is ludicrous. In  
fact what advice we gave, right up to the divorce, was precisely the opposite of what you  
pretend we maliciously worked to achieve. The buried motive you imply at one point (that  
the pedagogic buffoon supposed to be myself is in love with the painter's wife) is still more 
odious proof of your outrageous need to pervert reality. You are also gravely mistaken if  
you think that I am envious of your successful career. Whatever inclinations I might have  
had there could in any case not have survived this revelation of its effects on your  
character.
We have searched our consciences, gone through our more recent behaviour  
to you, and we still do not understand why we have deserved this. We no longer feel  
anger, but pity. I don't know if it was something always inherent in your nature, or  
something in your present way of life, but our conclusion is that somewhere you have  
taken a very wrong road. We cannot believe that a part of you does not know this and that 
you will, if you ever recover your senses, bitterly regret that you ever wrote such a  
childishly vindictive essay in distortion.
We cannot answer you in kind or in public, we cannot sue you for libel, we can  
only suffer in silence. You knew that too, from the beginning. And what are we to tell  
Caroline, and our own children, when they are old enough to read and understand your  
play? 'Genius forgives all' is a dubious proposition at the best of times. And I do not think  
you come into that category.
We want no answer to this no excuses, justifications, what you will. I have  
informed Nell that neitherJane nor myself will in any circumstances act again as  
intermediaries or provide a meetingplace for you and your daughter. From now on you will 
please deal with Nell's solicitor about such arrangements. We cannot put any other  
interpretation on the play than that you intended to drive us to this. We are only too  
It was handwritten and signed with his full name. I passed it straight to Andrea  

we were having breakfast and watched her face as she read. It stayed impassive when  
she looked up.
'Surprised?' 
'Not really.' 
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'Will you answer?' 
'Ears of stone. No point.' She glanced back at the letter. 'Of course they  
followed the party line over a reconciliation. But I bet you they got it through to Nell what  
they really thought about me.' She still looked at the letter, as if it convinced her rather  
better than I did. He'll have loved composing every word of that little commination. 
'What's a comnijnatjon?' 
Ash Wednesday. God's curse on all sinners.' 
I told her then, because I so desperately needed to have at least one person on 
a lot, an almost total one, so far as Andrea was concerned. I think that in some way she  
equated Jane's 'duplicity' with her own husband's use of the same religion to justify his  
terrifying egomania.
For many years now I have accepted that Anthony was right. I deserved  
nothing else, and especially as he knew nothing of what had happened between Jane and 
myself. Only two years previously I had had to have it out with Caro, why I had written the  

and in opening up a previously forbidden area between us. 
The Victors killed one other thing besides a friendship. I did write two more  
plays, but my heart was in neither of them. It is not only human kind that cannot bear too  
much reality.
Catastasis
It is absurd to speak of a feeling of estrangement so soon after meeting someone from  
of discomfort was not lessened when they arrived at the hospital. She switched off the  
engine, then reached under the dashboard for a book. She held it on her lap a moment. 
'I'll take you up, Dan. But Anthony wants to see you alone.' She didn't look, but  
she must have realized that he was taken aback. Once more his imagination had let him  
down: he had seen Anthony in bed, Jane on one side, himself on the other at least that  
inducement to reunion, celebration of old times.
'Why don't we meet at the restaurant? I can get a cab or something.' 
'No really... ' She raised the book, she had come prepared to wait. Then she  
turned and opened her door, to cut any further discussion short. He wondered why she  
had left the announcement so late. Plainly something about it embarrassed her, like his  
very presence. She began talking a little too circumstantially, as they walked towards the  
entrance from the carpark, about how good the hospital was. Dan felt more and more like  
a soldier being pitched into battle without proper orders. 
them. A sister sat at a desk, writing. As Jane went forward, she looked up, smiled in  
recognition, but Dan couldn't hear what was being said. Jane was to go in first and warn  
Anthony that he was there. He watched her disappear down one of the sidecorridors Two  
men in dressinggowns passed, arguing about a chessgame. He wanted to smoke, but  
there was a sign forbidding it behind the sisters' desk. She had returned to her writing.  
stared at a noticeboard, without registering a single thing '9' its pieces of paper meant.  
There was some absurd echo of child hood, waiting outside the headmaster's study. He  
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wished h hadn't come. It was a scene he would have avoided in a script. A last he heard  
Jane say his name.
He followed her down the sidecorridor. She stopped some yard short of an  
open door at the end.
'In there.' 
'Right.' 
'Not too much commiseration. It doesn't help.' 
'I'll try.' 
She hesitated. 
'Well. I'll leave you to it.' 
Still she hesitated, as if she knew she should say more. But then with a  
nervously formal smile, as if she had done her part, delivered her parcel, she turned back  
to the open space where the corridors met.
glass door beside it led out to a small balcony. A thin man in a blue silk dressinggown, a  
darkgreen tartan rug round his bottom half. The face gave Dan a shock, he hardly  
recognized it. Anthony had always looked a little older than he really was, Dan's own age, 
but now he seemed like a man of sixty. He had lost no hair, but it had greyed with a  
premature completeness. His cheeks were sallow and wasted. He looked very tired, there  

was a ghost of a more famous AnthonyEdenabout him, and only the eyes and the smile  
resurrected the person Dan had once known so well. He went without speaking to where  
the dying man sat and took his outstretched hand. It was retained. There was a moment's  
silence, a shared emotion, an immediate and mutual recognition of what had been so  
lacking with the woman outside.
'I feel like an intolerable spoilt child.' 
'Nonsense.' 
'All this way.' 
'I was coming back. No problems.' 
Anthony searched his eyes. 'It's so fantastic to see you again, Dan. For once  
that wretched word is exact.'
'I could use sadder ones.' 
The sick man gave a curt shrug of amusement.92 , one begins by apologizing  
to everyone.' He put on a voice. '"i say, I'm most frightfully sorry, but I understand I'm done 
for." Absurd.' He smiled. 'We become very vain, Dan. We take the sympathy for granted.'  
He gestured. 'Now do have a sherry. And forgive me for not being able to join you. 
Dan did not want any, hadn't drunk sherry for years, but knew himself awkward  
standing there. On a table beside the door there was a tray with a bottle of Amontillado  
reproduction of Mantegna's Saint Sebastian. It seemed hardly likely that the hospital  

would have put it there. The intention would be sardonic, not inspirational. He uncorked  
the bottle and poured his sherry.
'Jane's looked after you all right?' 
'I'm going to take her out to dinner. If I may.' 
'She'll love that.' 
'Anthony, I've had strict instructions not to, 'Then obey them.' They both smiled  
at that old incisiveness. 'I'm not in any great pain now. I'm only here to spare Jane various 
tedious chores. It can be rather tactless, cytogenesis.'
'Okay. But I...' 
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'Your being here speaks better than any words. Even from someone of your  
between sentences, that seemed to be all. Dan raised the glass. 
'Then to the good past.' 
'Amen to that. Now come and sit down.' 
There was a metal and plastic chair, which left Dan sitting a shade higher.  
Anthony watched him, almost hungrily, smiling, his hands in his dressinggown pockets. It  
was disconcerting: just in that first minute there was more affection, rapport, than in the  
previous hour WithJane outside. One at least of Dan's fears was quenched. But he got to  
same, if for different reasons. Anthony's eyes had kept their directness, their always  
strange need to observe yours. They seemed both sceptical and feverish, as if a last  
black flame burnt in the mind behind them.93 'So how's the real world?' 
'As unreal as ever.' 
'No regrets?' 
'Thousands.' 
'But not professional. You've done extraordinarily well.' 
'In the movie world that's prima facie evidence of eternal damnation.' 
The smile was momentarily genuine. 
Well. We've enjoyed them. The ones we've seen.' 
One or two I don't blush for. But I've made far more money than selfesteem.' 
'And you've got a lovely hideout flow? Where you were born? Caro's told us  
about it.'
'Just a farmhouse. I hardly use it.' 
'Good orchid country?' 
'Greenwings in one meadow. One quite nice colony of spiralis. When the sheep 
don't get them. Early purples. That's about the lot.'
'You know aestivalis has reappeared on one of the New Forest sites?' 
'I didn't.' 
'By some miracle.' It was all teasing, fencing. 'You remember that wildgoose  
chase?'
They had gone down to Hampshire in pursuit of the elusive Summer Lady's  
Tress, one of the rarest British orchids. A long and azure weekend, interminable  
'Of course.' 
'But you've lost interest in all that now?' 
'I still botanize a bit when I'm down there.' 
'I've missed you at Watlington. No one else ever quite' 
He smiled, as if to admit he was being foolish. Dan knew he meant to put him at 
which way to move into the real conversation. Dan looked down at the sherry. 
'I've missed you in far more places than that, Anthony.' 
At last Anthony looked down as well, then murmured, 'Yes.' 
There was a silence. 
'I've just told JaneI've long accepted I have only myself to blame for what  
happened.'
heaven I didn't take up the law.' Dan queried him. 'I'm told nine parts ofajudge's skill is in  
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the sentencing. I doubt my abilities there.'
'You shouldn't. I deserved it.' 
appearances.'
Dan shook his head. 'That at least I've got sorted out.' 
Anthony watched him, then looked down and fiddled with the darkgreen rug. 
'Dan, alas, I haven't much time... I have to be doped for the night in a little  

while.' 
'I'll come in again tomorrow. As often as The condemned man nodded, but it  
was almost with an impatience. 
'I haven't forced this huge journey on you for quite nothing.' 
'My dear man, you've forced nothing on me. Except regret that this ever  
happened.'
Again Anthony hesitated. Dan had a growing sense that he too was not at all as 
he had been imagined, perhaps because something in him had aged, or simply atrophied, 
truing a line in its pattern to the line of his legs beneath. His hands were unhealthily white. 
'I'd like first, Dan, to assure you that easing my conscience has only a very  
secondary part and no part at all in my asking you to come here in what I wish to say.  
When I was first told, I was very frightened. Bitter? Having spent most of one's life on  
linguistic analysis and ethical theory doesn't help one damn little bit when it Comes to it.'  
He looked up at Dan with a humourless smile. 'Nor does faith and theology. All you can  
feel at first is a crashing sense ofinjustice. Divine or natural makes no odds. You can't  
think about the past. Only about the future you'll never see. But that state of mind  
becomes so painful, and pointless, that you have or at least had to rationalize myself out  
of it. My own solution was to attempt an honest evaluation of my own fifemy work, m  
marriage with Jane, everything. I've tried to strike a true balance That has meant  
reexamining matters I've spent a great deal of time and only too successfully forgetting.  
And from there to considering whether anything can still be done about them. You're with  
me?'
'Of course. But you really mustn't' 
'No please. Just let me finish.' He folded his arms. 'Another notion you have to  
rid yourself of is that of punishment. I have sinned, therefore I die. They know all about  
that here. They're very convincing on the carcinoma or at least my species of it as an  
example of pure hazard. But rather less so on the necessity for such a principle in the  
natural scheme. One's reduced to the homely saw. It's an ill wind.. that sort of thing. In  
this situation, very obviously the good it blows depends on the victim. Not without its  
humour, as a matter of fact I detect in myself a desire to do good in direct proportion to my 
increasing inability to do anything but think about doing good.' They smiled, cautiously,  
still uncertain of each other. 'I'm not indulging in selfabasement before the eternal throne.  
I daresay I've collected enough green stamps to satisfy Saint Peter. But that idea of a  
divine customsandexcise man was never very plausible, was it?'
'I've always had too much to declare to be able to afford to believe it.' 
Anthony's smile deepened momentarily. 'In my case I'm afraid I should be  
tempted to argue the toss over certain articles. I think I could make out a case for some of  
my past mistakes having brought good in the end.' He hesitated fractionally. 'One of them  

was bullying Jane into the Church. Has she...?' 
'Just the fact. Not the reasons.' 
'She's bearing up much better now as a convinced pagan than she would have  
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as a lukewarm Catholic. Even I can see that.' He sniffed. 'I now head a family of  
apostates.'
I m sorry. 
'No need. Let's hope heaven takes credit cards in lieu of cash these days.  
We're all in a bad way if it doesn't.'
'And your own beliefs?' 
Dan realized, as soon as he had spoken, that it was a question better not  
asked: it sidetracked. Anthony hesitated, then there came the more natural smile. 
'I heard a lovely joke the other day. About the young priest in a very advanced  
seminary who went to his superior and said: I have the most terrible sin to confess.  
Whereupon he flung himself on his knees and covered his face in his hands.' Anthony  
covered his own. '"Reverend father, I don't know how to tell you this, but I can't bear the  
cross of my guilt and shame any longer."
"Yes, my son."' Anthony looked up, with a naturally haggard and clownishly  

woebegone face. '"I've tried and tried, but I still have absolute faith in,,, Christ! 
Dan grinned. 'And you're in the same terrible condition?' 
He pulled his nose. 'Hardly. Enough to call myself a Catholic still. But I do  
promise you, Dan, you're not here to ensure I have on a clean pair of spiritual underpants  
when the... accident happens. Nothing like that.' He was trying to get down to an  
smiled dutifully. 'It's much more a matter of engineering. Of correcting a design failure.' He 
added, 'A little revenge on Madame Sosostris. And her wicked pack of cards.' 
'I understand.' 
He contemplated Dan a moment: knowing, as Dan was soon to learn, that he  
didn't.
'You're not so kindly here to be forgiven for that play. I can't recall exactly what  
I wrote to you at the time, but I very much doubt if I should want to withdraw the substance 
of it. Even today.'
'No argument.' 
'But only because even if you had known what drove me to write my letter,  

writing your play would have remained wrong. That doesn't quite let me out, however.'  
Dan searched the drawn face. It looked down and then up at him again. There was a faint  
dry quiz in the eyes. 'Before we married, Jane told me that you and she had been to bed  
together. That was always the joker in the pack.
Dan bent his head. 'Oh God.' 
The voice was light. become xford philosophy hasin many ways deservedly  
ecome every clever writer's favourite Aunt Sally. We do rather '97 tend to waste time over  
the modern equivalents of how many angels can stand on a needle's point. I should quite  
understand if you regarded all this as very ancient history. Hardly worth crossing the  
street to discuss, let alone your real journey.'
'I had no idea.' 
the light this strange new fact threw over it. His instinctive first reaction was a blend of  
outrage and absurdity: how much they must have had to hide, and how condescending  
their silence had been. Anthony went on. 'Let me add at once that you are forgiven for  
that now, with all my heart. I wish I could say you were forgiven at the time. But you  

weren't.' 
'It was just 'I know. And that she was mainly to blame. And I was to blame. If  
anyone was innocent it was you.' 
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'That's letting me off too lightly.' 
'It doesn't matter now, Dan. Sexual mores are very transient. My students have  
taught me that.' Once again he smoothed the rug over his knees. 'IfJane had been less  
honest... or was dealing with someone who prized his own sophistries less highly. Who  
had such a capacity for straining at intellectual gnats and swallowing emotional camels.' 
'If you blame yourself, I think you're still being guilty of that.' 
That brought him short a little. There was an acknowledgment of it in his gentler 
voice.
'Mind has dominated our marriage, Dan. And all its toys. Not flesh. Or heart.'  
He put his hands back in his dressinggown pockets. 'That's what enabled us to keep our  
secret. What obliged you to marry Nell. Must take some of the blame for your writing of  
that play. For this silence between us all these years.' He said nothing for a moment. 'By  
appearing to condone you, I made sure that I never could. At that time.' 
'I don't see how you could do anything but hate me.' 
'I think I felt envy most. In retrospect.' 
'Envy?' 
'Inasmuch as you represented another lifeprinciple.' 
'Betrayal?' 
'Let's say human fallibility.' 
'That's a virtue?' 
'A corrective. To the wouldbe pure in spirit.' 
'Now I don't understand.' 
'My main contribution to our marriage has been intellectual arrogance. Jane's  
has been the patience to tolerate it.'
'That hardly squares with her leaving the Church.' 
'She gave me a complete freedom of choice in the beginning. I need never  
have seen her again. There are more ways of being arrogant than demanding conformity  
of religious belief. Mine was to suppress all the instinctual side of her nature. To persuade 
her that even the most ridiculous decisions can be justified by mind.' 
'Now you're making her your fool.' 
He had another humourless smile, as if he had Dan cornered. 
'My victim.' 
'But... your marriage hasn't been a failure.' 
'How should you know? After all these years?' 
'Because I can't believe she'd have lived a lie. She's not that sort of person. Her 
dropping the faith proves it.'
'I rather think that was a poor substitute for dropping her hus. band.' Dan was  
suddenly back at the Randolph, listening to various unread messages in Jane's tone of  
voice, those tinges of cynicism, indifference which he had put down as much to Oxford,  
playing English, as to anything biographical. 'The very fact that what I am saying is partly  
conjecture, that is, that I don't know ifJane would fully echo these views, does rather prove 
my point.'
'Isn't there a simple remedy for that?' 
If it weren't so wellknown that truth is bad for the dying.' He added, 'And as  
have had to learn, some diseases are beyond simple remedies.' 
Though he spoke without bitterness, the accusation was implicit. 
'You're being very hard on her.' Anthony said nothing. 'Surely one knows these  
things? By instinct. Intuition.'
Perhaps I've spent too long with that verb "to know" to trust it Very much. I'm  
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merely saying that if my blind obsession with things of the mind has in some profound way 
a way even Jane herself may not be fully aware of curtailed, censored, what you will, her  
true nature, then... 'but he uncharacteristically caught back whatever he was going to say. 
Dan was presenting some problem he had '99 not foreseen. He went on in a much less  
incisive voice. 'I don't want to die without having done something about it.' 
'But what you call censoring is the price of any lasting relation. ship. And  
people like Jane don't just lie down and let themselves be mutilated out of recognition.' 
That amused him. 'You ought to go and dine at one or two high tables here.' 
'Career deformation. That's not the same.' 
'Simply less severe than marriage deformation? Which is the greater sin?  
Adultery or adulterating?'
Dan opened his hands. 'My dear man, it's in the rules of the game. Because I  

wouldn't observe them, wouldn't let Nell adulterate me that's why we broke up. You know  
that as well as I do.'
'All right. And if you had kept the marriage intact by letting her pattern your  
behaviour? Would you have been happier?'
'How on earth can I tell?' 
'By telling me whether you've constantly regretted the divorce.' 
Dan looked down at his sherry glass. 'If I haven't, it's only because I'm  
congenitally unfaithful to women.'
'Whereas I have been congenitally, as you put it, faithful to one woman. Is there 
so much difference? At least you've rationed out your exploitations.' 
Dan remembered an old gibe about Oxford: that the most characteristic don in  
its history was Lewis Carroll. He couldn't quite hide his feeling that they were getting very  
near pure nonsense.
'Anthony, look, I've had barely an hour to get to know Jane again. I can see  
she's changed. But she doesn't strike me as a deformed person at all. And I know from  
Caro. She adoresJane. I can imagine what it's like for you, how the temptation to be harsh 

with oneself and... 'he was getting a shade too near exasperation, and he controlled it.  
'You know what I'm trying to say.'
'Terminal paranoia?' 
'Of course not. But one can be overscrupulous?' 
There was a little silence. Dan felt an unreason in that wasted face, an  
obstinacy, almost an irritation at being deflected from this longnursed doubt. 
'Would you have married Jane, if I'd broken things off at the beginning?' zoo  
'That's an impossible question. And you must know it.'
'But you were in love with her?' 
'I desired her. As I've desired dozens of other women since.' Anthony's eyes  
observed intently, too intently for comfort, and Dan lowered his own and shrugged. 'I'm  
not a Casanova, Anthony, but I have slept around a good deal. I really do have an  
irredeemable liking for the impermanent.' Still Anthony said nothing, and he was reduced  
to raising his glass. 'May I have another?'
'Please.' 
Dan stood up and went back to the table with the sherry. 'And anyway, there  

was always Nell.' 
'Is there someone now?' 
'Yes.' He glanced wrily back. 'And young enough to be my daughter.' 
'I'm considered very square these days. I haven't seduced a single student.'  
Dan smiled, and he went on. 'You feel no responsibility towards her?' 
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'Of course. And especially in warning her what I am.' 
'Then you're showing greater honesty than I ever have.' 
The door opened and a young nurse stood there. She said nothing, simply  
gave Anthony a mocksevere warning look. He said, 'Not yet.' She nodded indulgently and  
disappeared.
'You're sure...?' 
'No, no. Just nannying.' 
Anthony, but turned half away. A car passed, then two students on bicycles, in the  
one he had just left in California. He thought again for a moment ofJenny, of ho much  
of the something beneath all its sophistications, its brains, that remained eternally  
adolescent, as chiorotic as a plant denied sufficient light and privileged, unhardened by  
the realities of the world outside. That also stood for the whole of England. 
You said something about correcting a design failure.' 
I suppose i meant no more than what good might come from pointing it out.' But 
he went on quickly, 'No, that's rather less than frank. It's mere hypothesis, Dan. A kind  
of... hope against hope that you might one day find time to help disinter the person Jane  
might have been from beneath the person she now is.' He stared up at Dan and for the  
first time, strangely, there was a tinge of formality in his eyes. 'If you could consider  
becoming her friend again.'
'Anthony, I wouldn't be here if... I tried to get a message to you both. Through  
Caro. Months ago.'
Once again he had the impression that he had unnecessarily forestalled a  
direction Anthony was not going to take.
'Yes, it... did arrive.' He smiled. 'You're wondering why it wasn't acted upon. Or  

why only now.' 
'A little bit, yes.' 
'Death's rather like a certain kind of lecturer. You don't really hear what is being 
said until you're in the first row.' He said, 'it's helped me to win my battle, Dan. Jane is  
losing hers.' He hesitated. 'She didn't want you to come today. I don't know if you've  
realized that.'
Dan looked down again out of the room: the dead street. 
'She blames me still over Nell?' 
'I don't think that has anything to do with it. And blame is not the word.' His  
voice was less incisive now. 'She's reacted to the past in a very different way from myself.  
I suspect you've become in some way an emblem of all that our marriage has lacked. The  
broken keel on which she now considers it was built.' There was a moment's pause then  
he went on. 'You must excuse me, Dan. I'm not exposing the problem very coherently. I  
decided I wanted very much to see you about a month ago. It was partly Jane's reaction  

when I broached the matter that made me realize how much she and I had hidden from  
each other over the years. None of this has been discussed openly between us. Her  
reluctance has purportedly been at the inconvenience it would cause you. The vanity of  
supposing you would even remember who we were.' He added, 'In which she may be  
partly right.'
avoiding his eyes, speaking to the grey hospital floor. 
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'But mainly wrong.' 
Anthony smiled up. 'But at least she's partly right in thinking that my motives  
are essentially selfish. I'm really asking you to do something that I failed to do myself,  
Dan. And I know. Impossibly. After all these years not, alas, knowing you any more.  
Simply guessing. Praying. Now that you have been given the missing card.' 
And for a few moments, but once again moments of that hinged, geometric  
nature that destroys time and conscious notion of sequences the two men sought  
something, a mystery and an understanding of it, in each other's eyes. A code of  
significance consciously, knew that, whatever the state of Anthony's specific faith, he  
retained a far deeper one in a universal absolute. His seeming obliviousness to time,  
interval, to all the outward rest, was in fact a mere function of that: what I ask is timeless... 
a preposterous, but true, demand of personal moral being. You may wonder at me, laugh  
at me, despise me for professing both a faith and a discipline the world increasingly  
despises: but that is neither who I am at this moment nor why we are here. Perhaps it was 
assumption: that this man was a philosopher merely by intellect and a cast of mind.  
Underneath, and movingly, lay something very primitive and simple, of the innocence of  
hemlock to a lie.
'Anthony, of course. If trying will help...' 
'But I ask the impossible?' 
'I didn't mean that.' He looked down at his sherry. 'Just that well, it's rather up to 
Jane, isn't it? She must have many far closer friends now.'
'What she needs is someone who both knows her and doesn't. Who can  
remember what she once was. She's become very withdrawn, Dan. I think not only with  
me.' He considered his next sentence in his mind, then spoke. 'Perhaps the most  
profound breach in our marriage has been over the question of whether we have some  
control over our lives or not. One reason I can't talk with her about all these matters is that 
our marriage has become the standing proof that my case has no validity. I preach in an  
empty church, which proves my sermons are worthless. We're reduced now to a tender  
convention. Dying husband, dutiful wife.'
Dan went and sat on the end of the bed, and stared at the foot of the wall  
beneath the window.
'I didn't know about all this, Anthony.' 
'How could you? We've largely hidden it. Even from our own children. Certainly  
to the world at large.'
'Have you tried recently to 'I forced her to lie for years over her true religious  
beliefs. Which began the closingin process. I won't now do it over something much more  
important. She also has a formidable pride. I'm not prepared to blackmail that, either.' 
'Then judgment without trial?' 
'On the contrary. Trial without judgment.' 
'Does she know you were going to tell me this?' 
'She must... yes, in a sense, she must know. But I'd prefer you to keep it to  
yourself now, Dan. In fact, I insist.' Dan said nothing, feeling more and more out of his  
out there, knowing and not knowing. Anthony went on. 'This must sound very peculiar. But 
I insist for, how shall I put it, tactical reasons? On the supposition that you are prepared to 
forgive us both.' 
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'You know there's no question about that.' 
There was another silence. 
'I am also profoundly grateful to have been allowed to share my life with her. At  
another level. I speak in terms of what you both sacrificed. The act may have been  
immoral, but what followed my gratitude is partly the selfishness of a beneficiary of your  
decision. But it does exist.'
Dan smiled. 'One satisfied partner is above average for the course.' 
'But below average in a serious match. Even in golf, I believe.' 
Something very peculiar had happened to his sense of time. For Dan they had  
become strangers, with very different histories and even cultures now. For Anthony, it was 
replacements.
bed.
'I begin to understand why you have that hanging there.' 
Anthony's mouth made a brief quirk. 
'Very bad taste. Even my witty Jesuit friends are not amused.' But he would not  
something to me that I've always remembered. You'd spotted some nice orchid I'd walked  
right past insect fera? I can't recall now, but we were telling the girls about it that evening.  
Your nose for them. And you said that I knew only bow to look at orchids notfor them. Do  
you remember that?' Dan shook his head at the questioning eyes. 'Well. When I think of  
the vain thousands of words I've wasted, both orally and in print, on abstract propositions  
and philosophical angelcounting. Instead of he shrugged.
Dan remembered Barney: this pandemic of selfdepreciation. 
'I won't wear that. Quite apart from anything else you've taught hundreds of  
young men to think.'
'Only as I think myself. I thank heaven for the stupid ones. At least they  
escaped contamination.'
'Balls.' 
'Precisely. In another sense. The academic glassbead game.' 
He had his hands in his dressinggown pockets, and again he braced himself  
back a little against the chair, as if he felt discomfort perhaps pain, despite his disclaimer.  
He smiled drily sideways at Dan.
'I'm sorry. This must seem singularly like selfpity. It's just that everyone makes  
too many allowances for the dying. As if the soft centre is what one needs.' 
'You also know perfectly well that lookingat is a much more important activity  
than lookingfor.'
Perhaps with orchids. Not with self. I have looked at myself. All my adult life.  
But as I am. Not as I might have been, or ought to have been. That's what permitted me to 
turn you into the living exemplar of all that Jane and I had supposedly risen above.' 
'All right. By impossibly high Christian standards, you lacked charity. That  
doesn't mean the basic judgment was at fault.'
But the standards of judgment were.' His eyes were on Dan's. And your  
accepting the sentence so meekly proves it.'
'Why?'05 'My dear fellow, ajudge who tried a case that of your play so clearly  
involving his own interests would be a disgrace to justice. Especially when a previous  
private decision of hisone you were unaware ofhad very much helped cause the crime in  
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question. That you now have the kindness to tell me the sentence was right proves your  
comparative innocence.'
'But who provoked that original private decision? And why do you think it only  
happened once? That we backed out almost as soon as we'd walked in?' 
'Because you incorrectly assumed I was the injured party.' 
Dan shook his head. 'Something much simpler. I wasn't good enough for Jane.  
And she wasn't bad enough for me.'
'I think I might very well have convinced you otherwise. And even if it were true, 
you still might have benefited each other far more deeply than...' but he stopped at the  
second term of the comparison.
Dan swilled the last of the sherry in the bottom of the glass. Anthony was not to  
curt rictus of selfmockery.
'All this deathbed melodrama. I did also very much just want to see you again.  
Hear about your life.'
'The Oscar in the loo?' 
'Not all ashes, surely?' 
'Not if you live it from day to day. As I mostly have.' 
'There are worse philosophies.' 
'Until you do your accounts.' 
'One moaner is quite enough in this room.' 
Dan smiled down from his reproof. 'I suppose I've become like Jane. A  
determinist. More or less opted out.'
'Opting out is not compatible with determinism.' 
'Unless one's a born taker of the easier road.' 
'That's defeatism. Not determinism.' 
'One can choose one's bit of flotsam. But it's all going in the same direction?' 
Anthony raised a finger. 
'I detect Saint Samuel ˆBecket and his fancy French nonsense. Arrant romantic  
pessimism.'
'Now you're being hard on Becket.' 
'Np harder than Pascal would have been. Or Voltaire, for that matter. Mutatis  
mutandis.'
'I suppose not.' 
'1 had one of my most serenely selfsatisfied Oxford colleagues trying to sell  
ecological disaster to me the other day. It seems I'm quite extraordinarily lucky to be able  
to walk out of such a flop. I told him he was at perfect liberty to join me.' 
Dan laughed. 'But that he won't doesn't necessarily disprove his case?' 
'You must allow me the suspicion that the play isn't really half so bad as the  
doomsters pretend. After all, the one evil thing in creation is also the one thing that can  
think.' He gave Dan one of his quizzes. 'I'm still defeated by the conundrum of God. But I  
have the Devil clear.
'And what's he?' 
'Not seeing whole.' He stared at the floor. 'One of my students a year or two  
ago informed me that the twentieth century was like realizing we're all actors in a bad  
comedy at precisely the same moment as we realize that no one wrote it, no one is  

watching it, and that the only other theatre in town is the graveyard.' 
What did you say to that? 
'That he should drop philosophy and take up your profession.' 
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'Unkind.' 
'Not at all. You're locked up in the untenable dream, we're condemned to the  
tenable proposition. The word as game. The word as tool. Just as long as the one doesn't  
pretend to be the other.'
You never play with your tools?' 
'Oh I couldn't deny that we have selfabuse in common.' 
And they smiled, I think for the first time completely without reserve, perhaps  
because they had both recalled an old kind of dialogue, a fondness for such puns,  

hadn't, on either side, found what was expected, there was something an unchanginguess 
behind all the outward shifts of circumstance. Time lay quiescent, if not defeated. Anthony 
straightened again.
Dan, I can't tell you how essential this has been for me. What a gift you've  
brought.'
'For me as well.' 
'I do have the strangest kind of optimism about the human condition. I can't  
explain it. It's... well, I think a little more than mere faith. There is something sillier than the 
theory of perfectibility.'
'Imperfectibility?' 
Anthony nodded. 'Just that we shall come through. In spite of all our faults. If  
only we learn that it must begin in ourselves. In the true history of our own lives. Instead  
of putting the blame on everything else under the sun.' He gave Dan a faintly mischievous 
look. 'I sometimes think I shall bequeath a last mystical catchphrase to the world. Turn in.'  
A moment, then he pulled at his rug and said, 'And I better had. Going trite is even worse  
than going maudlin.'
'You're allowed an aria.' He didn't know what that meant. 'Old Hollywood jargon. 
There's a famous Goldwynism. "Cut that goddam speech, arias went out with  
Shakespeare."'
Anthony's head lifted, he approved. 'I must remember that.' He sought Dan's  
eyes. 'You do understand what I've been trying to say, Dan?' 
'Of course.' 
'I know Jane better than anyone else in the world. In spite of everything. She  
does need help. A Good Samaritan.'
'I'll try my best.' Dan reached out and touched his sleeve, then stood up. 'And  
I'll come in tomorrow. Give you the full horrors of my world. Reject Spengler then, if you  
can.'
'I should enjoy that.' 
'And don't worry about the past, Anthony. The major design faults were in  
things. Life. Not us.'
'As long as you'll agree that the only remedies do he in us. As we are. Not  

were.' 
'Done.' 
The sick man extended a hand and Dan took it. Then, with a gesture that at last 
revealed a buried emotion, Anthony joined his other hand to those already joined. But his  
eyes, looking up into Dan's, still intent, still smiling, stayed dry. 
'All we haven't said.' 
'Spoken. No need.' 
'Then have a nice dinner.' 
'And you sleep well.' 
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'Modern pharmacy solves that.' 
He let go of the hand. Dan turned at the door. 
'Shall I ring for someone?' 
'No, no. They'll come.' 
He raised his hand: and still that smile. It had the faint air of a benediction or  
morbid religiosity that hung over the bed.
He had already decided what I had become, and he did not want me to see. So  
I spent that last moment looking at him, not for him.
Jane
'All right?'
'Fine.' 
'I'll just go and say good night.' 
I waited where I had found Jane absorbed in her book, and felt myself left  
standing in more senses than one: the immediate clearest sentiment was of  
embarrassment at now having to face an evening with a woman who wished I hadn't  
reappeared in her life, and whom I had more or less promised to lie to. 
The revelation about Anthony's complaisance in prehistory seemed on  
reflection less unexpected, less extraordinary, than this casting of me as the saviour of  
someone who very evidently didn't want to be saved. I began to feel that I had been  
obscurely gulled, had allowed the pathos of his situationfor all his rejection of that element 
in it to silence me. I ought to have argued more. He had had the advantage of surprise,  
and none of my own rehearsals had foreseen such a drastic change of basic premise... or  
anything but a very casual resumption of relations with Jane in the future. 
her behaviour hardly denied his diagnosis. I think the greatest shock lay in this possibility  
that an event I had always believed had disturbed my own life far more deeply than hers,  
but which I had in fact long relegated to the category of spilt milk, had finally if Anthony  

going into a theatre and finding a production one had seen there half a lifetime before still  
on stage. Of course there was a sense in which he and Jane had continued to inhabit the  
first, or last, time that evening I had a feeling that I had landed among children or certainly 
among people whose values had remained bizarrely petrified. Yet I also knew a more  
subjective side of me had been moved by Anthony and resurrected from behind the  
hardening years a kind of greenness, but with the good as well as the bad aspects of that  
metaphor, what we had lost as well as what we had gained. 
Jane was not long away, and then we were in the lift going down, side by side,  
facing the doors. There was a moment's awkward silence.
'How did you find him?' 
'Rather hairraisingly brave about it all.' 
'As long as it wasn't a complete waste of time.' 
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'Of course not.' 
There was no other word for what she had said but graceless. Her tone had  
effectively denied the token negative. I do indeed hold a resentful hand: now guess how  
strong it is. She looked in her bag for her carkey.
'He's asked me to let you have all his orchid books.' 
'That's very sweet of him.' 
'They're probably hopelessly out of date.' 
'I doubt it. And I'd still love to have them.' 
'I'll look them out.' 
The lift doors slid open. By the time we were in her car again, it was very clear  
that she wasn't going to ask me what had been said. At least I was to be spared lying  
about that. Either she knew or she didn't care. Anthony had at least convinced me that he  

proceeded to underline their existence by a determined, if outwardly bland, normality. 
We got ourselves to the Italian restaurant, but again someone knew her. We  
been ashamed to go into the reason for my presence. There was a little exchange about  
Anthony. Then we went to our table across the room. She explained who they were: an  
English don and his wife, from Merton. I had the impression she would much rather have  
been sitting and talking with them a tit for my secret tat aboutJenny. When the menu had  
been gone through and the food ordered, she asked me about my work. W chatted, she  
sat in her cream shirt with the agate brooch,11 elbows on the table, hands lightly clasped, 
the head calmly poised, considering everything in the room but my face. Slowly, almost  
reluctantly, I found myself accepting Anthony's view: there was something obstinately  
elsewhere in her... more than that, snubbingly elsewhere. Despite her show of politeness,  
I soon began to smell the same contempt for my movie world as her husband had  
suggested she felt for his religious and philosophical ones. None of her questions seemed 
innocent.
'And you've given up the theatre completely?' 
'Nothing new to say. Or perhaps just unable to adapt myself to the fashionable  
new ways of saying it.'
'Isn't the cinema the same? The same problems?' 
Our first courses came. I have spent a good deal of my life observing people's  
minute but betraying gestures, and I noted the quickness with which she picked up the  
spoon for her melon. I decided that at least one assumption she might be making about  
me needed destruction.
'In my branch of it it's a little like being an industrial executive. Maintaining the  
standard of a staple product? Which is entertainment. Vehicles for current stars. The odd  
dose of truth one tries to smuggle in is incidental. Just part of the packaging. Status  
comes from boxoffice record. At most, craft.'
She delved into her melon. 'And you've settled for that?' 
I extracted the backbones from my grilled sardines. 
'I have all sorts of excuses, Jane. But Anthony's just seen through them. He  
called me a defeatist. Then a romantic pessimist.'
She was faintly amused. 'And Becket was duly cursed.' 
I smiled and tried to catch her eyes, but they were studiously intent on the  
melon. 'You don't agree?'
'Oh yes. But not for Anthony's reasons.' 
'Then why?' 
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She shrugged. 'Just that literary melancholia so often precedes fascism.  
Rousseau, then Napoleon. Chateaubriand and the Restoration. The Twenties.' 
'Rabelais remains a god?' 
Another brief smile: nervous and dismissive. 
'I'd forgotten about that.' 
'But he came to pass?' 
'A misunderstanding of him.' 
'He certainly entered my life again last night. Do you remember Barney Dillon?' 
She paused a moment over her melon. 'She's told you?' 
I gave her a surprised look. 'You knew?' 
'I was up in town for a day last week. We had lunch together.' She went on  
scooping out the flesh. 'She's always rather tended to tell me things she's afraid to tell her 
mother.' I realized she meant to apologize for preempting the confession, but I detected a  
buried reproof.
'You've told Nell?' 
'She asked me not to. How did you react?' 
'As calmly as I could manage.' 
'I shouldn't worry. She's very sensible.' 
'You can't approve of it?' 
She hesitated. 
'You should see some of the young men Rosamund shacks up with. I've learnt  
that disapproving doesn't help.'
'He's such a damned phony. I can't tell you.' I told her about the flight from New  
York, the meeting at Heathrow: Barney's devious silence.
'I haven't met him for years.' 
'You must have seen him on the box.' 
'Occasionally. He seems rather good at that. As they go.' She finished the  
melon. 'That was delicious.'
I knew, unless she had changed profoundly, she couldn't really think thus of  
him, or no more sincerely than she had said 'delicious' of the melon. She was merely  
using an old Oxford trick to snub me: always contradict people who show their emotions in 
order to goad them into showing more. Perhaps she guessed from my silence that I wasn't 
buying it, because she went on.
If they really need help, they come.' 
If only I could understand what she sees in him.' 
, If not a fool. In spite of Nell's attempts to turn her into one.' 
I lit a cigarette between courses, a bad habit jenny had got me out of during our 
liaison.13 'At least I begin to see why she likes you so much.' 
'The feeling is mutual.' 
accuse Barney of my own nature and crimes. I changed the subject to her own children.  
Rosamund had left Cambridge and was now a research assistant in the B. B. C., and  
coining down to Oxford every weekend. Her younger sister Anne was having a year in  
the benjamin, Paul, whom I'd never seen, was a fifteenyearold boy at Dartington. I knew  
from Caro that he was a tricky child 'he never says a word' was the description of hers that 
had stuck. I did not get a clean picture of him from his mother he had emotional and  
academic problems, but she seemed to regard it as a passing phase... or perhaps as one  
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more little opportunity to show me I was a stranger, not a family friend. Then there was  
talk about Conipton, about Oxford and how it had changed. I even dragged a little out of  
except in passing, or their marriage. The punctilious lack of curiosity in her as to what we  
had said became more and more chilling.
Increasingly I knew I was being tolerated for Anthony's sake, purely out of  
courtesy. The more we talked, the clearer it became that we had nothing in common, not  
even a former 'sin' and an inability to forgive it. The 'bequest' was revealed as ridiculous,  
based as it patently was on, if not a misconception, a severe underestimate of how Jane  
valued me. It now began to be something to be stored and told to jenny when next we  
met. Not keeping her in my life came rapidly to seem an impossibility. This and the  
previous scene had to be told, and she was now the only one who understood my  
language. The dialect here was hopelessly archaic.
silences more revealing than any words. I made one last attempt. 
'Are you going to go on living in Oxford, Jane?' 
'I'm not sure. All my friends are here now. Andrew's suggested Compton, but I... 
Nell and I are both against it. He doesn't quite realize our capacity for getting on each  
seemed to speak to the ashtray. 'I'm also thinking of joining the Communist Party.' 
She didn't look at me, but she must have been aware of the fatuously surprised  
face I showed for a moment. For another moment or two I took it as some metaphorical  
crack about Nell and Andrew. But then she suddenly looked me in the eyes, with a tight  
little smile, as if she knew I knew you can't deliver such information so casually and  
inconsequentially without having saved it up and timed it. 
'Are you serious?' 
'I'm flirting with the Maoists and the International Marxists as well. They're much 
more fashionable, of course.' Then she said, 'Anthony isn't to know, by the way. I've not  
decided yet. It's as much... I suppose intuitive as intellectual.' 
'Because it feels right?' 
'Just slightly less wrong than the other alternatives.' 
'It certainly makes a change from the usual order of conversion.' 
'I know it's rather unreal here. At Oxford. They're much more sophisticated than 
elsewhere in the country.'
'Russia?' 
She had a thin smile. 'People in glass houses?' 
'But... I mean, fine, with backward peasant societies. But we're hardly that now.' 
'Just a backward capitalist one?' 
'Still conditioned to certain freedoms?' 
She took another cigarette, and leaned forward for me to light it. 
'I haven't any JoanofArc illusions. I hate violence. And dogma. I know they  
seem to be the prerequisites of change. I couldn't even follow the Catholic party line. I'm  
not pretending I have a good record in that way at all.' 
'But?' 
She traced the rim of her coffeesaucer with a fingertip. 
'I suppose I have a perhaps very nave dream of an intelligent Marxist society.  
A system that could one day translate theory into something viable locally... what Mao's  
done for China.' She looked up acrosss the room. 'It's partly the futility of university life. 
The smugness of it. The impracticality.' She gave herself a dismissive smile. 'I  
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don't really know. It's probably just a foolish illusion that the Left needs people who feel as 
well as think.' 
I watched her, she was looking down again, and remembered how good an  
amateur actress she had been in the old days. She had been acting ever since I arrived,  
seem like a rapprochement, an attempt at explaining what lay behind her mask. But it was 
really putting up another fence a private version of an iron curtain. 
'Is this a common thing here nowadays?' 
'I'm not being trendy, if that's what you mean.' 
'But how much the reverse?' 
'I can think of fourno, five avowed S. C. R. Marxists. One of whom I can't stand.' 
'And Anthony doesn't realize at all?' 
'He knows I have strong leftwing sympathies. He shares some of them. I don't  
think he'd be very surprised.'
'Then why don't you tell him?' 
'I think it might hurt him.' 
'Nell knows?' 
Her lips pressed together. 
'We've had a couple of shoutingmatches about it. One only three days ago.  
She's managed to pick up all Andrew's sillier views of life. None of his humour and  
tolerance. He treats all this as a joke. Nell takes it as a personal affront, I'm afraid.' 
'You have my sympathies there.' 
But that evoked no response, or only a very tangential one. 
'The house, you'll see, it's quite large, I shan't really need it all. I'd like to see it  
used in some way when this is over.' She gave another dry look across the room.  
'Perhaps I'll just be Lenin's widow all over again. Everyone's joke landlady. Pamphlets for  
breakfast, propaganda for supper.'
'Well. It's what Oxford's famous for.' 
'Except I think this lost cause is only counted so among the timeserving  
intelligentsia. The monstrous regiment of academics turned media men.' She paused. 'I'm  
afraid I've come to regard TV and Fleet Street liberalism as the nastiest rightwing  
conspiracy yet.'
'Audience corrupts. Even more than power.' 
'I don't see why the cleverest have to be the most corrupt. And devote so much  
of their cleverness to perpetuating social and genetic advantage.' 
'You ought to go abroad more often, Jane. They're just mannikins. Bantams on  
a midden.'
'But I don't live abroad. Your midden happens to be my country.' 
'And mine. But touchŽ.' 
My smile was barely returned. Underneath those exchanges we had begun to  
annoy each other, perhaps both sensing that we took each other too lightly, though in  
different ways. The waiter came with more coffee, which she refused. I didn't really want  
any myself, but I took some all the same, to keep her sitting there. He went away, there  

was a silence. I avoided her eyes when I finally spoke. 
'Am I included in this general anathema?' 
'Why should you think that?' 
'Because I've just met someone who was glad to see me.' 
She was silent a moment, then she said, 'Perhaps women change more than  
men.' But she shook her head. 'I'm sorry. I am truly and immensely grateful for your  
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coming.'
'Even though I'm a semiexpatriate and capitalist lackey.' 
She looked down, and her voice dropped. 'You're putting very unfair words into  
my mouth.'
'But you wish silence had never been broken.' 
the poised woman and her weapons lay someone very far from balance. She stared down  
at her empty coffeecup, as if the answer lay in its bitter grounds. 
'I don't know what Anthony has said to you, but I can guess they concern things 
I regard as very private. That have far more to do with the present than the past. That's  
simply all, you must believe me.' She hesitated, and then there was suddenly an  
undertone of something much more natural. 'I can't at the moment take the past, Dan. In  
any shape or form.'
saw a strain. She was mortal after all. I left a pause.
'Anthony kept going on about the two of you having ruined my marriage. By  
implication, my life. I pointed out that you have no right to give yourselves that kind of  
guilt. I haven't not enjoyed my life, Jane, for all its faults and failings and I was always fully 
capable of ruining my own marriage. And I did. That's one thing. The other is that he  
hoped you and I would become friends again now. My own instant conclusion is that  
there's an appalling lack of corrupt and conscienceless men in your life. I think you need  
at least one. I've also got Anthony to report to tomorrow. And Caro. I'd like it to be that  
some hope, however small, was established.'
She had stared down through that and for a long moment she continued to do  
so, but there was a trace of a rueful smile, some sort of admission of defeat. 
'Nell did warn me.' 
'Of what?' 
'What she called your vicious habit of calling everyone's bluff but your own.' 
'You used to have quite a low handicap at that game yourself.' 
'I seem to have grown out of practice.' 
'I can't understand why you should wish to continue what was always an  
inhumanity.'
'It's nothing to do with you personally. But with a use to which I feel you're being 
put. Quite unjustifiably.'
'Isn't one definition of fascism the belief that you have a right to judge for other  
people?'
I detected what I had sensed with her husband, an insecurity, almost a gauche  
anxiety when faced with someone from another world... all very well to despise and  
dismiss it, as I felt sure she did very probably on artistic as well as political grounds and  
all very well to despise her own enclosed academic world, her city: but it was where she  
lived, and she was not used to people, to situations, to men who had dropped, or could  
drop, the local signsystem, the conventions she knew best.
Her eyes down, she murmurs, 'I'm no longer the person you knew, Dan. I'm  
sorry for not hiding it better. It's not your fault at all.' 
Dan hesitates, then reaches across the white cloth and touches her hand  
lightly. She says nothing. He beckons for the waiter.
Outside we found that the mist, not quite echoing what had just18 happened  
between us, had thickened. It was very nearly dense fog, and there was hardly any other  
traffic about. I knew we were crawling up the Banbury Road, but I lost all sense of  
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distance. Jane edged along in second, peering intently at the nearside kerb. We talked a  
little, spasmodically, about her new political convictions. I didn't argue, merely prompted  
the universal postwar rejection of Communism in Britain were a kind of unfair social  
valencies. If Russia needed its Solzhenitsyns, then Britain needed them too, in reverse.  
There was also an element of middleaged women's liberation, a need to shock both  
herself and those around her, a reaction against premature widowhood and all its  
threatened emptinesses. And I had finally a strong whiff of Oxford eccentricity. I wondered 
if she had any idea what a decision like hers would have meant in America, where the iron 
really bit.
We turned off the Banbury Road into a sidestreet. At last Jane swung the car  
out and turned in over a kerbramp into a garden. She parked short of a garage beside the 
house. I rescued my overnight bag from the rear seat, and waited while she locked the  
doors. There were lights on in a semibasement, and I could see a kitchen as we walked  
over the gravel. There were also lights above, on the ground floor, shafting the mist.  
Victorian brick and white woodwork, steps up, a tiled porch. 
Jane stands looking for keys in her handbag. But a blurred shadow appears  
through the coloured glass panes of the front door and it opens before she can get them  
out. A thin young French girl in a black jumper and jeans. She wears goldrimmed glasses, 
pigtails tied with two red ribbons, and a face out of Phèdre. 
Beyond the Door
I couldn't follow the rapid exchange in French, but the girl was clearly in some sort of  
Gallic agony at having failed to get hold of us earlier. She would hardly let us into the hail. 
It was striking, with Pompeian red walls and a grotesquely massive set of carved Victorian 
spectacularly florid castiron hatstand, also painted white. An old Jane lurked in that subtly 
theatrical red and white space, though I didn't note that at the time. The girl demanded all  
our attention. Eventually Jane put an arm round her shoulders to quiet her. I asked what  
had happened.
'The hospital have been trying to get in touch.' She made a little grimace of  
apology at such fuss. 'Dan, this is Gisèle.'
The girl gave me a nervous, silent bob. 
'I'd better see what it's all about. Do go and have a nightcap. I won't be a  
moment.'
She gestured to the girl to look after me. There was a table with a telephone on  
it beside the stairs.
'Did they say...? 
'Sometimes he can't sleep. He likes me to read to him.' Her eyes flicked, for my  
benefit, towards the face behind her. 'We're a tiny bit alarmprone.' She smiled. 'There's  
some Armagnac. Do help yourself.'
I went into the room after the French girl. It stretched the depth of the house,  
two original rooms knocked into one, with a vaguely prosceniumshaped arch left between  
them. Many books, more engravings and paintings, some pleasant old furniture, a grand  
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piano at the far, garden end which reminded me that Jane had once played passably. A lit 
terracotta head of a boy among them, I presumed the son. 
A crowded room. Not that I took much of all this in: the French girl had turned  
and closed the door. She seemed very anxious that I should know she was still upset. 
'Did they tell you what it was?' 
She stared at me, then shook her head. 'Je m'excuse, monsieur. Je suis...' then 
she shook her head again. I offered her a cigarette. 'Non, non... I am okay.' 
be: a change of heart in Anthonya hearing, on reflection, after we had left, of what I had  
Jane's voice came from outside, too low to be distinct. I stood by the fireplace,  
the girl still stood by the door, like some kind of watchdog. She waved a hand, managed a 
bit more English.
'If you like to drink something...' 
'Fine. Don't worry. I'll help myself.' 
The drinks were on a console table in the rear half of the room. I poured a  
Scotch. The girl stayed by the door, abandoning all pretence that she was not listening to  

what went on outside. I moved down beside the piano and looked out over the foghidden  
garden at the rear of the house. Perhaps it was the brooding isolation there, the blanketed 
silence, but I had a feeling of dislocation. A swivelling Jacobsen eggchair stood by the  
window, with a book lying on its seat: Selections from the Prison Notebooks of Antonio  
Gramsci. I could see little markers, Jane was evidently reading it, and I picked the volume  
up. Many passages had been marked in pencil, some heavily, with double vertical lines  
beside them. 'For each individual is the synthesis not only of existing relations, but of the  
history of these relations.'
'Structure ceases to be an external force which crushes man, assimilates him to 
itself and makes him passive, and is transformed into a means offreedom, an instrument  
to create a new ethical political form and a source of new initiatives.' Those last eleven  

words had been further underlined in the text. I leafed idly through the pages, trying to  
additional exclamation mark beside it. 'The philosophy of praxis is consciousness full of  
contradictions, in which the philosopher himself, understood both individually and as an  
entire social group, not merely grasps the contradictions, but posits himself as an element 
of the contradiction and elevates this element to a principle of knowledge and therefore of 
action.'
oblivious of me, and stood hidden, still by the door, behind the side of the arch joining the  
two rooms. I began to look at other books on the shelves that lined the walls, serried and  
silent regiments of philosophy and wouldbe human wisdom. Then there was the little ping  
from outside of the receiver being replaced. I saw the girl move away from the door. But  

we heard the sound of another number being dialled, and a few moments later, Jane's low 
voice again. The conversation didn't last very long. Again the receiver went down. Total  
silence followed. The French girl looked through the arch to where I stood, as if it was all  
and with what tried to be a pacifying smile, went out into the hall. 
Jane was standing only a foot or two from the front door, quite motionless, her  
back to me, her hands in the pockets of her outdoor coat, staring into the night. She must  
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have heard me come out, but she didn't turn.
'Jane?' 
Still she didn't move. I went a step or two closer. 
'Has something happened?' 
Her head did shift a fraction round towards me then. I saw the faintest smile, for 
all the world as if I had just said something silly.
'Apparently soon after we left. He managed to get out on his balcony.' She  
faced the night again. 'And over the rail.'
'You don't...' 
'I'm afraid so.' 
'Dead? 
'They think it would have been instantaneous.' She gave a minute shrug. 'By  
the time they found him...'
think more, almost, in shock at that than at this thunderbolt. 
'Jane?' 
"Who was that man on Scott's last expedition?' 
'Captain Oates.'22 She gave the ghost of a nod. I heard the girl in the doorway  
behind me, and went and took Jane's arm.
'For God's sake come and sit down.' 
'I'm all right, Dan. I've just rung my doctor and told her not to worry.' She  
touched my hand, but only to release her arm, then turned and smiled back at the French  
girl who spoke first.
'Je ne savais pas comment 'Oul, oui. Ii Wen voulait plus. C'est tout.' 
The girl, with a far better sense of occasion than Jane, covered her face in her  
hands. Jane went and took her shoulders, then kissed her lightly on the head and  
murmured something. The girl looked up, I don't know whether in amazement at this  
AngloSaxon sangfroid or in horror at Racine reduced to... Jane turned to me. 
'I think I need some tea.' 
'You need something stronger than that.' 
'No, I'd rather... 'she smiled at Gisèle. 'Go on.' 
The girl went hesitantly away, another dubious look at me, still as if I were in  
some way to blame. She disappeared down past the staircase to the basement, and I  
followed Jane into the livingroom.
'I can't believe it.' 
'I know.' 
'Did they say...?' 
'The nurse who saw him to sleep said how relaxed he seemed. He was talking  
about you.'
She stooped and took a cigarette from a box, then the light I held out for her. 
'Had he ever...?' 
She drew deeply on the cigarette, breathed the smoke out. 
'No. Not once.' 
'And no note?' 
'They can't find anything.' 
She turned away to the mantelpiece, and stared down at the hearth. It was  
made with a coal fire, but hadn't been lit.
'It couldn't have been a mistake? If he was drugged?' 
She shook her head. 'I don't think so. They...' 
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'But why this of all nights?' 
She said nothing, stayed without moving, then walked towards the bayed front  
windows of the room. I was left staring at her back. 
After a moment she ran both her hands back over the sides of her hair, then  
pressed the back of her neck a moment, beneath the silver comb, as if she were sitting up 
in bed, waking out of some nightmare.
'It's not your fault, Dan. In any way at all.' 
'I wish you'd sit down.' 
'Really. I'm all right. I was prepared. It had to happen soon.' 
a train and was lost in prospect of the person she would now fail to meet. She stood with  
her back turned, holding an elbow in one hand, the cigarette near her mouth with the  
other. I went beside her.
'Come on. Let's have your coat.' 
A moment's hesitation, then she unbuttoned it and let me take it from her  
shoulders. There was something almost sullen in her averted face, far more like a woman  

who had just been mortally and irremediably offended than one who had recieved a  
profound shock. I put the coat over the back of a sofa and went down the room to where  
the drinks were. I could still see and hear him so vividly, and the most incomprehensible  
thing seemed that we hadn't known, sitting there in that restaurantthat one could be  
eternally deprived of another human being so close in space, immediate in time. That odd  
phrase of his, 'correcting a design failure', returned with a ghastly and macabre irony.  
Absolving that ancient sin, or making sure I knew exactly what absolution entailed, had for 
some incomprehensible reason assumed more validity in his mind than the fresh 'sin' of  
suicide. He had been at death's door, his selfawarded euthanasia had merely forestalled  
Atropos by a few weeks, but the timing... it was like being the victim of a bad practical  
joke. I went back with a tumbler of brandy. Jane glanced at it, but shook her head. 
'You have it. I really don't want any.' 
'Just a mouthful.' 
She gave in, she took a sip, but put the glass down at once on the windowledge 
in front of her.
'I'm so sorry you've been dragged into this. It's unforgivable.' 
I said gently, 'You must try to pity him a little.' 
She turned away to find an ashtray. Then she stubbed out the halfsmoked  
cigarette with an unnatural care and persistence.
'I pity us both, Dan.' 
despair, of real feeling. But as if she regretted even that small concession to normal  
reaction, she immediately looked at her watch.
'I must let Rosamund know. And Nell.' 
'I'll ring Nell. In a minute.' 
She hesitated. 'Perhaps. If you wouldn't mind.' 
'Of course not.' 
She took a deep breath. 'It's the thought of all the fuss. The arranging.' 
'I should let Nell take care of all that.' 
'There'll have to be an inquest, I'm afraid.' 
'Never mind.' 
'They wondered if you'd come to the hospital with me tomorrow morning.' 
'I wouldn't dream of letting you go alone.' 
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'I feel so embarrassed, I' 
'Don't be ridiculous.' 
She looked down, she was going to say something more, but Gisle appeared  
marble coffeetable in front of the fireplace. The girl made a gesture of willingness to go  
pause, the prayer was granted. It was a relief to hear ordinary reactions of shock and then 
solicitude: another male voice and mind. I put him off attempting to set out at once, though 
he said they were fairly free of fog at Compton. They would be in Oxford by lunchtime. No, 
I'd hold the fort till they came. And yes, I looked forward to meeting him again too. 
I went back into the livingroom and Jane took her cup of tea and my place at  
the telephone. The call went on for twenty minutes or more, during which I tried to make  
conversation with the French kid: where she came from, how long she'd been in Oxford  
AixenProvence, a month, apparently Jane's younger daughter had stayed with her family  
in France. I couldn't imagine what she was thinking, these English with their phlegm, their  
stonecold blood, their infantile questions about Cezanne and the ruin of the C™te d'Azur.  
ButJanc seemed to have found a brisker, more normal self when she came back.  
Rosamund had cried, it seemed, then decided it was perhaps for the best... she too would 
be here for lunch. Then there were banalities: what food Gisèle should buy the next  
morning, where everyone would sleep, when and how to let Paul, and Anne in Florence,  
know, and About half past twelve Gisle went down to the kitchen with the teathings and  
Jane took me up to my room the absent Paul's. I saw posterdiagrams: one of English  
building styles, another of medieval armour, with all the bits and pieces labelled and  
explained. A lot of books, rather an ominous lack of the usual decor one expects in a  
boy's bedroom. History was evidently his thing, and I smelt a little don in the making. Jane 
looked cursorily round to see I had everything I might need. Again she was playing  
bothered with the trivial upsets of her private life.
'Will you be all right, Jane?' 
'Yes. Really. Please don't worry.' She looked down at the bed between us. 'I do  
hope the mattress isn't too hard.'
'My dear, it's not the hardness of mattresses that worries me.' 
She met my eyes for a moment, and I wasn't smiling. She looked down again at 
the bed.
'One survives as one can.' 
'At least Anthony was frank with me.' 
She turned away to a window. The curtains were already drawn, but she pulled  
them a little closer, then fiddled with their edges. She had taken off her suit coat, and  
there was something in the way she stood, the flagrantly unnecessary fussing with the  
'He did tell me that all wasn't well between you.' I waited for her to answer, but  
she said nothing. 'Whatever else he meant by this terrible thing, it can't have been that  
you and I have nothing to say about it.' I tried a more practical approach. 'Anyway, we  
surely have to decide what's to be said tomorrow. Publicly.'26 At last she turned from the  

window, though she wouldn't look at me. 
'You must be so tired.' 
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'I'm still on California time. And please sit down.' 
There was a Windsor chair by a tabledesk in the corner of the room behind her. 
She looked round at it, as if she were the stranger there, then moved, turned the chair a  
I sat on the end of the bed, turned away from her. 
'May I tell you what he said to me?' 
'If you think it will help.' 
I leant forward, elbows on knees, and chose my words very carefully: his  
selfaccusing mood, his feeling that he had denatured her real personality during their  
all these years, and my obviously not being able to answer that. I stopped, there was a  
silence.
'Did he give a reason for telling you all this?' 
'He said you'd told him about us. Before the two of you got married.' 
There was a telltale hesitation, though her voice was quiet. 
'Yes. That's true. I did.' 
'I wish I'd known.' She said nothing. 'He rather suggested everything that went  

wrong had stemmed from that.' 
'From my telling him? Or our not telling you?' think he meant both. The general  
hideandseek that went 'We did discuss telling you. There seemed reasons not to at the  
time.'
'What were they?' Silence. I drew a breath. 'Jane, everyone is going to wonder  
about the timing of this. We can't not talk about it now. 
There was a further pause, but then she spoke. 
Your relationship with Nell?' 
'Nothing else?' 
I suppose selfpreservation on my part. I felt I'd betrayed you a little: And  
Anthony. He was so much happier pretending to forgive you in secret. Not having to face  
up to the fact that he could never27 forgive you in reality.' She hesitated a moment, then  

went on. 'One always finds good reasons for doing what one wants.' 
'He kept on talking about correcting a design failure. I think the underlying idea  
was of some mythical true marriage between you and me that he'd... prevented.' Again  
she refused my invitation to comment. 'Almost as if you were some locked cupboard to  
which I had the only key. My feeling was very strongly that he was not only living in the  
past, but he'd blacked out on all subsequent reality. I did try to suggest that. But I don't  
think he really heard.'
I waited for her to agree or disagree. The door was ajar, and I heard the French 
girl as she went on her way to the floor above. A door up there shut quietly, and we heard  
circumstances.
At last Jane said, 'Part of him never grew up, I'm afraid.' 
'I didn't realize the lines were so broken. Broken at all, in fact.' 
'Ours grew into one of those marriages where the partners survive by hoarding  
secrets from each other. Forbidden areas.'
'It seems such a change from the beginning.' 
'I think our supposed total frankness in those days was always rather... 'but she 
did not finish the sentence.
'There doesn't seem much supposed about the total frankness that drove you to 
tell him about us.' 
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'Except that from then on our marriage was based on a secret I'd kept from  
him.'
'But not for very long.' She said nothing. 'When did you tell him?' 
'When we were in the States. That summer.' 
'He took it badly?' 
innocent as a newborn child, all his life, about the workings of his own unconscious. It set  
a pattern. Of course we didn't see it at the time. One never does. But slowly, over the  
years, telling each other what we truly felt about anything became like I suppose, like  
throwing away trump cards. Not the done thing at all.'
'But you guessed why he wanted me to come?' 
'I suspected you'd be in some way asked to pick up the bill for his penance.'28  
'That's putting it very harshly.'
'You haven't had to spend most of your life listening to Catholic doubletalk.' i  
smiled, still with my back to her. 'Which your new faith is free of?' 
'At least theirs is mostly about social salvation. Not private.' 
I remembered what he had said about all improvement in the world starting  
from the individual. It must have been at least in part a retrospective admonition to  
didn't want us to wander off into some general discussion. 
'Obviously there's a straightforward reason for what he did. I suppose people  

will swallow that.' 
'They'll have to, won't they?' 
She was saying every sentence, and especially that last one, as if it were  
potentially fmal, the matter closed. I found some cigarettes and offered them, expecting  
foot of the curtains, she spoke without being prompted.
'We managed. We weren't unhappy in the daytoday. There was quite a lot we  
did agree on. The children.'
He said something else. That he was eternally grateful to you.' 
She had a sere smile. 'That's called kissing the cross. In the trade.' 
'I won't take that.' 
She said nothing for a moment. 
'I made him suffer, Dan. Terribly.' never discussed separating?' 
Several times. Before the illness.' 
There was the sound of a crawling car outside, and I felt certain it must be a  
visitor for the house. It even stopped but then we heard it go slowly on. 
And what prevented you?' 
Oh, the usual thing. A sort of shared guilt. You know, one's made so many  
mistakes that splitting up just seems... one more? And the children.' She half glanced  
towards the head of the bed. Paul especially. He's rather had to bear the brunt of it. The  
girls understand. Rosamund knows all about it, she's been a... great help. Very intelligent  
about everything.'
'Why did you tell him about us?' 
She shook her head, she no longer knew. 'The Church? I had all their rubbish  
about sin and absolution floating about in my head. Anthony on truth. I hadn't realized  
then that Anthony on truth was always really Anthony on masochism.' But she said that  
less bitterly, almost wrily. 'It was probably the wrong choice. But I don't think it matters. It  
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wouldn't have been any different if I'd fully matched his immaculate conception of me. It's  
had much more to do with temperaments... emotions. Perversities, perhaps.' She  
grimaced. 'We're not very unusual. Almost the standard North Oxford marriage.' 
'He talked about hating me for years.' 
'You mustn't take Catholic eggheads' judgments on themselves too seriously.  
It's their speciality, moral mountains out of molehills. His never very secure masculine  
nose was left permanently a little out ofjoint. That's all. And it did give him a lovely chance 
to play Jesus Christ and the woman taken in adultery.' She stood up and fetched an  
ashtray from a chestofdrawers by the door, then set it on the bed beside me before she  
sat again. 'What you said at dinner. Having only yourself to blame for the breakup with  
Neil. It was the same for us.'
'I'm not letting Nell off scotfree.' 
'Of course not. It takes two.' She stared at her hands, at the curl of cigarette  
smoke that rose from them. 'It's all very well for him to lie on his deathbed and say he's  
eternally grateful to me. It was something that didn't get said very often in this house.' She 
shook her head again. 'It's so dishonest. If you're not presently grateful, what is the point?' 
Now I was the one who waited. 'We came to know the danger areas too well. I had a  
period of shouting at him. But we grew too civilized for that. Too lazy. One can spend two  
hours in Hedda Gabler. Not ten years.' After a moment she said, 'You get so sick of  
brooding all your life away over your own problems.'
'Yes, I know what you mean.' 
Very gently, discreetly, from upstairs came the sound of radio music. I saw the  
with us, former selves, almost uncannily, in a silence that was not like the other silences  
of that night, but an ancient remembered kind of silence, very characteristic of her more  
serious side. An old empathy down through the body of the years, and tinged with  
sadness, futility, like some old garment one had once loved, but could never wear  
seriously again: I wasn't even sure that she was not manipulating me, hiding a shift of  
defensive position under the guise of true confession. My inquisitiveness had to be  
events. I had never had any belief in the 'noble' theory of tragedy: that only the falls of the  
great can achieve such status. But just as childhood memories get grossly magnified in  
absent adult memory all return is a form of bathos I knew I'd been guilty of cherishing a  
kind of noble legend of our joint past. Yet there lingered, perhaps because Anthony had  
just done something so far from banal, a feeling of halftruth in all that she said. 
'Nell knows the situation?' 
'By inference.' She leant back. 'Not for lack of interrogation. Though mercifully  
she's dropped all that since the illness. I think she's tried to pump Roz, but...' 
'I've been through that. With Caro.' 
'She's got far worse since she became mistress of Compton. Little worlds where 
you must control everything, or you feel threatened.
'I can imagine.' 
'I really don't know her any more. That side of her.' She added, 'She s been  
very good these last few months. It's just this ghastly need to dragoon us all into her  
scheme of things.'
Insecurity. She would never admit it.' 
It's not all her fault. I've lost the art of being what people want me to be. It's  
become rather a nasty little habit. Destroying people's expectations. As you must have  
noticed.' 
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I smiled, partly at the fact that she wasn't smiling herself. 
Now you mention it.' 
I tell myself I'm simply in search of lost honesty.' 
Is that the right adverb?' 
Then honestly in search of lost simplicity.' 
Not a quality I ever associated with you.' e all went to such a bad school.'31  
'Yes.'
There was another silence. I handed her the ashtray so that she could stub out  
her cigarette. She spoke in a brisker voice.
'You're so lucky to have lived in a world that knows it's artificial. Ever since  
Freddie Ayer the mania you must have here is soccer. Heaven help you at a philosophical 
dinnerparty if you can't discuss Liverpool's last match or the metaphysics of 434 and the  
floating winger.'
'You should hear a wouldbe intellectual filmproducer discussing LviStrauss.' 
'At least he's trying?' 
'A lot more than you can imagine.' 
We smiled down from each other's eyes. The music upstairs had stopped, and  
the house, the city, lay in peace. I saw Anthony lying on his back, staring sightlessly, the  
'I think there's something I'd better tell you, Dan. Which nobody else knows.'  
She was staring down at her curtains again. 'What you said just now about Anthony's  

wanting us to be friends... it, well actually it gave me an enormous sense of relief.' Her  
eyes rose to meet mine. 'There's been someone else. These last two years. We've tried to 
keep it very secret. But I was frightened Anthony might have guessed something.' 
'I think he'd have told me. And I'm delighted.' 
She gave a shrug, killing too much delight. 'It's all been rather complicated.  
He's another philosophy teacher here. Not literally here at the moment. He's spending a  
sabbatical at Harvard, for a book on William James.'
'I'm sure you needn't feel guilty.' 
'It's just the... it's so ludicrous, the kind of incestuous pattern things seem to fall  
into. We've all been close friends for years now. I know his exwife quite well. She's  
remarried. She lives only just round the corner.' She pulled a dry face. 'One of those Iris  
Murdoch situations.'
'Shall you marry?' 
'I think that's the general idea.' 
'It sounds a very good one.' 
'He's several years younger than I am. I... you know. One's time of life. All that.'  
She paused a moment. 'He was Anthony's student originally. They've gone rather different 

ways philosophically, but there's always been that Oedipal undertone. The Jocasta thing.' 
'And you share the same politics?' 
'He's quite active in the local Labour Party.' She added, 'He doesn't take my  
flight further left very seriously. You know what dons are like any deviation from their own  
views becomes a tutorial situation. Silly students getting uppish again.' 
I smiled. 'But obviously you like him?' 
'Yes, very much. He makes me laugh, he writes very funny letters. Comparing  
the horrors of Harvard to our own brand. To Anthony as well. Very often I hear everything  
twice over.' Then she said inconsequentially, 'Sometimes I think I never want to hear the  
word ethics again as long as I live.' 
'I don't think the total lack of them I'm familiar with makes things any simpler.' 
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'Just this feeling that the real informing spirit of Oxford remains the posh prep  
school. Preternaturally clever little boys playing at being adults.' 
'But nothing stands in the way now? Even ethically?' 
'Only my instinct that he'd be much better off with someone younger. Not me.' 
'That's his decision. And speaking from contemporary experience, there are  
problems that way too.'
There was a tiny grain of mischief in her voice. 
Nell will be pleased to hear that.' 
Then I forbid you to tell her.' 
She smiled. 
'If you'd keep this other skeleton in the cupboard quiet.' 
'Of course.' 
'He offered to give up this year at Harvard. But I made him go. 
'Why on earth don't you go out and join him? When the conventions have been  
observed?'
'I'll have to see how Paul takes it.' 
'Problems?' side, fully capable of facing them rationally. It's the emotional si e,  
he tends to suppress everything there. I suppose in imitation of33 his parents. It would  
have been easier if I'd had another girl. He's rather modelled himself on his father.' 
'And rejected you?' 
'In the way fifteen-year-olds do.' 
'He'll get over that.' 
'As long as I don't seem to be rejecting him.' 
'He gets on with your friend?' 
'Yes. Rather well.' She smoothed her trousers. 'It's simply the potential shock of 
having to accept him as a stepfather. On top of everything else. We've had awful  
problems with his schooling. He's a weird child hopeless at any subject that bores him.  
Won't even try. Totally intractable. Anything to do with history, quite the reverse. A horrid  
little monomaniac.'
'You mustn't sacrifice your own happiness to him.' 
them. She looked drily down.
'I think you're going to like Rosamund.' 
'Her view?' 
She nodded. 'I am aware of it. It's a matter of... finding the right time?' She  
glanced at her wristwatch. 'And talking of time.'
It was half past one, but for a moment neither of us moved. I stared at the floor. 
'You're not angry with me for forcing this on you, Jane?' 
'I'm angry for having to force it on you.' 
'I suspect all that's being forced on me is something that was long overdue.'  
She said nothing. 'What went on in those years. I have the strangest idea that if we'd all  
stayed close, it wouldn't have turned out like this. I don't know... in some peculiar way we  
complemented one another. Even Nell.' Still she was silent, but it was a silence that had  
lost its hostility. 'It's all been such a comedown since. As you predicted.' 
'All woe?' 
'No. Of course not. But far too many artificial substitutes.' 
There was another silence then, but she broke it finally by standing and  
wooden top. 'The situation is really very drab and ordinary, Dan. In spite of what's  
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happened tonight.' She picked up the ashtray, took it back to the chestofdrawers, spoke  
there again with her back to me. 'You've caught me at such a bad time. I think I've  
managed to retain some sort of sense of humour.' She turned with a smile. 'I'm just not  
managing to show it at the moment.'
'I haven't forgotten you as Lydia Languish.' 
'Fifty million years ago.' She moved to the door, awkwardly, and aware of it. 'I  
said we'd be at the hospital about ten.'
'You'd better wake me.' 
She nodded, hesitated over saying something, or perhaps over doing  
'Sleep well.' 
'And you.' 
The door closed on her. After a moment Dan went and stared in the little mirror  
over the chestofdrawers. He looked as tired as he felt. But five minutes later, in bed, in  
darkness, he knew sleep was in no hurry to come. Yet he felt relaxed, as he would  
as if he had refound some old charge of curiosity about existence, of irony, enigma, secret 
purpose. He should perhaps have felt sorrow for Anthony, and some guilt, but even that  
justified in temporary destiny, hazard. He had never, at least since leaving Nell, been fond 
of adding complexity to an already quite sufficiently complex life, and in some way the fact 
that he knew, as he lay there, that he no longer wished he had never come to Oxford  
proved this reentry into the past had answered some previously unseen lack. 
Like all selfconscious writers Dan had always associated success in work with  
the expected, obeying his craft, and the unexpected, obeying the main social function of  
all art. Another of his grudges against his own particular mŽtier was that it put so much  
the cinematic established and sanctified had to be so fiercely fought for. He had never  
ordinary expectation, life as it is, had satisfied his deeper3$ psychological bent. And now  
this seemed very near the heart of it to him he felt that life itself had backed his view: had  
broken codes he might have flinched at breaking if he had been inventing the situation,  
had performed a kind of magic not with causality, but the timing, precipitation and  
conjunction of the results of causality. It was like an unsettling of fixed statistical  
probability, a release from mire, a liberation, a yes from the heart of reality to the  
supposed artifice of art.
He knew it when his mind, drifting at last towards sleep, drifted also to the  
assumed the face of a relief. He would meet it, he would solve, given this lead, the  
problems somehow. Perhaps his relief had a more selfish and personal strand, at the  
thought of his also hazardgranted escape from the kind of existence that had apparently  
was, and mercifully, from all that was symbolic and archetypal in a boy's bedroom. In  
sleep.
humblest dialoguefixers and lifeinventors must have such moods, however inapt, however 
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drive not down the freeways of determined fact, but drift and scholargipsy through the  
landscapes of the hypothetical, through all the pasts and futures of each present. Only  
one of each can be what happened and what will happen, but to such men they are the  
least important. I create, I am: all the rest is dream, though concrete and executed.  
Perhaps what Dan always wanted of his lookingglasses was not his own face, but the way 
through them. This kind of mind is selfsatisfied only in the sense that one must suppose  
perfect world would have no room for writers: vampires who sleep with a slaked smile  
while philosophers fall from windows, men and women are tortured, children starve, the  
world dies of its own greed and stupidity. It is even worse than that. If Dan did smile in his  
sleep that night it was because his unconscious seemed to believe that a perfect world  
would have room for no one else. 

Webs
I was woken just before nine by Gisèle's voice outside the door. My 'daughter from  
London' was on the telephone. When I came down to the hail, Jane, in a housecoat,  
passed me the receiver with her hand over the mouthpiece.
'I've told her what's happened.' 
'Bless you.' 
I announced myself to Caro, and watched Jane disappear downstairs. 
'Oh daddy. How terrible for you.' 
'Less for me than...' 
'Is she...?' 
'She's being very brave.' 
'I couldn't believe it when she first told me.' 
'I know.' I gave her my own brief, and very censored, account of what had  
happened: our meeting, he'd given no clue, he must have decided on it for some time. 
'It seems so strange. Almost as if he was just waiting.' 
'I think he was in a way, Caro.' I hesitated, abruptly realizing for the first time  
the practical problems of explaining or rather, not explainingwhat had really happened.  
'Seeing me must have seemed his last piece of unfinished business. You mustn't think of  
it as an act of despair. I suspect it was much more one of relief. Peace, if you like.' 
She mulled over that for a moment. 
Aunt Jane says you've been marvellous.' 
That wasn't how it sounded.' 
'We've talked. You were right.' 
'I'm glad.' She paused, 'At last.' Then, 'At least that.' 
'You needn't rub it in.' 
'I wasn't.' 
'And you--how are things?' 
She hesitated. 'I went to see the flat again yesterday evening. Now it makes me 
feel I'm walking out on you.'
'Which proves you aren't. Go on. You take it.' 
'I did say I would, actually. I've got first refusal till tomorrow. But ' 
'No huts. They want some money?' 
'Just the first month's rent.' There was a pause. 'I rang originally because...  
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actually a telegram's just come for you.'
'Have you opened it?' 
'I thought I'd better.' The further pause gave the game away. 'From Jenny?' 
'Do you want me to read it out?' 
'Please.' She must have had it in front of her. 'It says, "Tibou China" is that  
right?"misses you but has me now stop please call your tonight Jenny".' Caro added, 'if  
that makes sense.'
'Yes, that's fine.' 
'Who's Tibou China?' 
'One word. Tibouchina. It's a shrub that grows outside the Cabin. Jenny's  
moved in. That's all.'
'I thought it must be a Pekinese or something.' 
'A Brazilian. I'll take you to Kew one day and show it to you.' She murmured. 'All 
these plants and women in your life.'
'Only ohie for real. Her name begins with C.' I bet.' 
'Will you be in this evening?' 
'If you want me to.' 
'Not if...' 
'You have priority.' 
'I'll catch a train this afternoon. Let's go out to dinner somewhere.' Another  
hesitation. 'Would you come and see the flat?'
'Of course. Let's do that.' be horrid to mummy. She can't help it.' Ill try. 'And  

what you promised. Not telling her yet. Please.' 
Now I hesitated. 'But you have told Jane?' 
'I had to have someone.' 
'I'm not getting at you, Caro. Just she'll be hurt if... 
'I can't handle you both together.' 
It wasn't the time to argue. 'Okay. Don't worry.' 
'And all I didn't say to Aunt Jane.' 
'She understands.' 
Fifteen minutes later I was shaved and dressed and down in the kitchen. It was  
still misty outside, but clearing, already a hint of blue sky on its way. The weather, it  
seemed, rejected mourning. Another large room, a dead forest of varnished pine, all the  
equipment at the garden end, a round table at the front: Jane sitting at it, the girl busy  
Morning Star, so far as I could see.
'Caro feels she was inarticulate.' 
'Not at all. She was sweet. Do you want bacon and eggs, Dan?' 
'Just coffee.' 
school, then to Paul himself, in Devon. Anne was flying home as soon as she could. Paul,  

who hadn't been told the manner of his father's death, had seemed to take it reasonably  
well. And now she was preparing a list of other people to ring. Her hair was loose, she  
looked less tense, almost as if she had slept well. Perhaps it was the girl, having to act a  
little in front of her. The kitchen was agreeably domestic after the theatrical hall and  
livingroom upstairs cottagy, rural in comparison.
I like the house. I didn't have time to say that last night.' 
You should see Gisèle's home in Aix.' 
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all the psychological laws of art... or at any rate, my art ('Her ravaged face shows the  
horror of the previous night'). Gisèle's family lived in a lovely eighteenthCentury hotel, her  
standard at the violin. But39 reality soon returned, in dark grey trousers all I glimpsed as I  
followed Jane's sudden look up to the front garden outside. 
'Oh God. Here are the crows.' 
'His priest?' She closed her eyes and nodded. 'Shall I see him?' 
Would you mind? I simply...' 
'Of course. I'll say you're not dressed yet.' 
I stood up. The front doorbell rang. 
'If you could just ask if he gets a Christian burial. Or a stake through his heart at 
the nearest crossroads.'
I smiled and turned to go upstairs, but she stood and came after me, lowering  
her voice, as if Gisèle must be spared such obscenity. 'Dan, one detail from last night.  
They said he had a crucifix in his hand when they found him. You'd better feed that to his  
holiness.'
I stared at her a moment, trying to discover why I hadn't been told this before.  
But the bell rang again. I touched her arm and went to answer it. 
He was a young man, with a trace of a Scottish accent and much more than a  
trace of knowing what the invisible mistress of the house thought of him. He expressed his 
up to seeing anyone I would have got rid of him on the doorstep, if it hadn't seemed not  
quite the place for the question I had to ask or perhaps it was just that no one born into a  
vicarage and its divine simplicities can ever see a priest without seeing an adult child as  

well. 
We sat in the livingroom and I explained about Anthony and the crucifix: how  
there may have been a loss of faith in his own courage, but not in his church. The priest  
lowered his head and murmured, 'The poor man.'
'This won't prevent his being buried according to the...?' 
'Oh no. We're... long past that stage.' He gave me a nervous smile. 'I don't even 
have to obtain a dispensation. I can assure you there will be no difficulty at all. In this  
case.' He made a little explanation of the new doctrine on culpability. But then he said, 'I  
take it you think a verdict of suicide will be returned?'
'It was hardly a balcony one could have fallen from by mistake.' 
'Yes, of course. I see. Most distressing.'40 I told him that I had spent that last  
surprise it had been, but (using what was apparently my interlocutor's favourite adverbial  
phrase) of course in the circumstances... it was a touch absurd, justifying Anthony to this  
rather humourless young Scotsman. He seemed so illatease, so anxious not to offend, so  
Knox, and finally almost more in need of comforting than the widow downstairs. 
He went at last, in another cloud of condolence. If Mrs Mallory would care to  
already stifled with it.
I found Jane peeling potatoes when I returned downstairs. I told her what  
Father Buchanan had said, and she shrugged, as if she were disappointed at his  
tameness, although I was thanked for coping with him. She went away to dress and I  
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glanced through the newspapers in the livingroom, not really reading anything, for very  
soon I heard her voice outside on the telephone. It was light, brisk, forthright. Oh John, I  
thought I'd better ring to tell you that Anthony's died... Susan, I'm afraid Anthony took his  
life last night and so on. It seemed to me she was overdoing the detachment. These bald  
announcements were evidently provoking the usual offers of help and sympathywhich  
gave her a chance to rebuff them: firmly, if politely. I began to wonder if our  
rapprochement of the night would hold, whether she regretted it now. In the little shelved  
alcove of classical antiquities near where I sat I saw two small Etruscan bronzes.  
Tarquinia, that moment there... it seemed as remote symbolically as it was historically. 
A few minutes later we left for the hospital. Beneath her outdoor coat she was  
mist had made way for a cloudless blue.
It was very discreet and English. Anthony's doctor was there he had already  
dealt with the identification formalities and some hospital bigwig and the staff sister  
politely questioned as to Anthony's apparent state of mind, and professed myself as  
shocked and mystified as everyone else. Then there was talk about the inquest, a suitable 
undertaker's firm. A cardboard box with his belongings, a radio, the Mantegna  
reproduction, were handed over.
Jane showed no sign of strain until we were outside and in her car again. 
'I think if there was an airport here I'd ask you to drive me to it and put me on a  
plane for the far side of the world.'
She spoke quietly, drily, out of the windscreen at the hospital courtyard. But it  

was the kind of statement I had looked for in vain on our way to the hospital: an admission 
that the distances of the previous evening could not be restored. A uniformed man beside  
an ambulance chatted up a West Indian nurse in the sunlight. She kept grinning, splendid 
white teeth. 
'It'll all be over very soon.' 
'Yes.' She switched on, and we moved off. 'I suppose they took our word for it.' 
'I'm sure. 
'I don't sec why you have to be at the inquest.' 
'It must be part of the rules. And anyway. Now I have a friend in Oxford.' 
'Some friend.' 
'I'm so glad we talked last night.' 
'As long as I didn't shatter too many illusions.' 
'You didn't shatter anything. Or only frosted glass.' 
She smiled. 'You give me a nostalgia for America.' 
'Why's that?' 
'I remember when I first came back here after the war. How closed everything  
seemed. As if everyone spoke in cipher.' She took a breath. 'And I was the only one en  
clair.'
'I know the feeling.' I slipped her a look. 'And talking of America?' 
'I sent him a cable. First thing.' 
'He'll come back?' 
'I asked him not to. Just yet.' She added, 'He's got his research work. The fare.  
It would be silly.'
She stopped at a little row of shops, to pick up something she had forgotten to  
ask Gisle to buy. I saw a small coffeebar opposite, suggested we had a cup I had a  
reason to have her to myself for a ,42 few minutes and so, it finally emerged, did she. I put 
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mine pointblank, as soon as we had sat and ordered.
'Will you come and stay at Thorncombe, Jane? It's very near DartingtOn.' 
She gave me a slightly embarrassed smile, then glanced down. 'As a matter of  
fact I drove past it last spring with Paul. Caro had shown him where it was on a map.' She  
murmured, 'Unforgivable curiosity. It did look very sweet.'
'Then you have no excuse. Seriously, whether I'm there or not. The old couple  
I've taken on are always happy to do the honours.'
'Ben and Phoebe?' 
'Caro's told you?' 
'They sound like Philemon and Baucis.' 
'If Ben didn't drink himself blind every Saturday night. But that and his wife's  

ways with green vegetables are the only real hazards.' 
'It would be nice.' 
'You must bring Paul over.' 
'He'd love that. Though I couldn't promise it would be very apparent. 
'I've had abundant training. When she was Paul's age. Before she tumbled to  
Nell.'
'I know she loves it now.' 
'She hardly ever goes there.' 
Our coffees were brought. Jane stirred hers, then looked me in the eyes. 
'I have a tiny special relationship with Caro, Dan.' 
'I know you do. And I'm very grateful.' 
I feel it would have been more tactful if I'd pretended I hadn't known about  
Barney Dillon.'
'That's silly.' 
I felt you were offended.' 
Only that you aren't more against it.' 
She looked away, searching for the right words. 'I think she has to escape from  
Nell. From Comnpton, all of that. And she can't do it through you... without hurting her  
mother.'
I do realize that.' 
I'm trying to say children like her don't have many roads from What they are to  

what they'd rather be. I know what you must feel about him, but that's really not the point. I 
think it's a kind of lesson she has to learn. I'm sorry, I should have said all this at dinner  
last night.' She hesitated, then went on in a lighter voice. 'And her real loveaffaire of these 
last two years has been with you. That's not a guess.'
'Which makes me feel even more to blame.' 
'It's a small break for freedom.' 
'Out of the fryingpan.' 
'But she has so little room to manoeuvre. She's surrounded by adults she has  
to get in perspective. And whom she's terrified of offending. And you really mustn't  
discount Andrew. That bond. The reverse of the traditional situation has happened there.  
The more she's reacted against Nell, the more he's become the mediator. Her ally.' 
'I've guessed that. I am grateful.' 
'As long as you realize it's created another conflict. She put it very navely but  
touchingly to me the last time we met. She said, If only you all believed in the same  
things.'
'Poor kid.' 
'You don't mind me saying this?' 
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'Of course not. I wish I knew if she was fed up over what's happened in  
California.'
'We didn't really talk about that. But I don't see why she should be.' 
I stared down at the table. 'I've been very naughty, Jane. Over Jenny. She's  
rather too close to what I'd have liked Caro to have been. She's literate, she reads, she  
thinks... ' I shrugged.
'And also found you more interesting than men her own age?' 
'I know I haven't a foot to stand on. I suppose it's just Caro's particular choice of 
guru.'
'Can you blame her for taking him at the general valuation? He's quite well  
seen nowadays. In all senses.' She tilted her head at my sceptical look. 'Yes, of course. A  
servant of the system. But that may be a part of the lesson she needs.' 
'And telling Nell?' 
'I suggested this morning that she left that to you.' 
'Well it wasn't. I was once more ordered to keep my mouth shut.' 
She smiled. 'Then you must let her do it in her own good time.' 
'I can see she picked a lousy father. But a perfect aunt.' 
She looked out of the window. 'I nearly broke down two years ago, just after  
Roz started at the B. B. C. I ran away to London and did what decent mothers are never  
meant to do threw myself sobbing into my daughter's arms and told all. She was  
marvellous. So much more mature than I was at her age.' She played with the handle of  
her cup, then gave me the moral. 'I suspect one loses a lot if one hides too much behind  
one's years.'
'She knows about... you haven't told me his name?' 
'Peter. Yes. She greeted that breathtaking confession by telling me that if I  
hadn't been such an old square I'd have found a lover years ago.' 
I grinned, and saw in her eyes a spark of an old animation, a love of sending  
been increasingly aware of a defect of imagination on my part. I knew what she had said  
of Andrew must apply to her as well. That however badly she had treated me, it had been  
something much more important than that. I recalled a little incident from the beginfling of  
Caro's life. Rather inconsistently, since we had held their own first child at the font, Nell  
over that, there had been some complaint about our depriving the baby of its natural  
godparents. It had all been got over lightly enough, but I could still remember Jane saying 
she intended to be her godmother whether we liked it or not. I began belatedly to realize  
that she had been it to a degree few fully titled godmothers felt necessary in practice I  
deduced too that I was perhaps less strange to Jane than she had first led me to believe... 
often seen through Caro, at least. But just as I knew Caro's understanding of Jane, at  
least as transmitted to me, was very partial, I wondered how accurate my own portrait had 
been. It seemed clear I was being told if gently, that I hadn't thought hard enough about  
Caro's problems. I felt tempted to Justify myself. But I also knew Jane was on much  
sounder grounds there than with her views on politics and our past. My judgment shifted  
during that closer conversation over the coffees: we were45 back with that old touchstone  
of 'feeling right'. She had felt very wrong to me through most of the evening before. But  
now I recognized something in her that had not, at least in this matter, changed. She  
tenacity of rightfeeling that strangest of all intransigences, both humanity's trap and its  
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ultimate freedom. It was not unlike as it was with jenny when she was to put down her  
concerning my tooeasy first sentence upon Oxford and its modes and mores. In a way too 
it was a practical demonstration of Anthony's last small contradiction of me. No true  
so sure it was provincial.
Jane told me more about Rosamund on the way back... and the girl herself,  

whom I hadn't seen, except in the very occasional photograph, for so many years, came  
out as soon as we drove up to the house and parked behind her own small blue Renault.  
She was tall, taller than her mother, longhaired and longlimbed, a shade too lanky and  
strongmouthed to be very attractive physically, but there was a frankness about her that I  
liked. She resembled her father, much more his face than Jane's. The two women clung to 
each other a long moment, then Rosamund turned and took my hand. I made her lean  
straight look, it meant the words.
productionassistant efficiency was initiated. Paul must be put on the train, and she'd meet  
him herself at Reading. Phonecalls had started coming in, and Jane was set to answering  
some of those that needed it. I was given a drink down in the kitchen, while the two girls  
busied themselves with the lunch. The smell of food, we were to have the brace of  
her life in London working at the B. B. C. Then a grey jaguar drew up outside, above us. I  
glimpsed the bottom halves of Nell and Andrew. Jane opened the door upstairs to them,  
and they didn't appear for a few minutes.
When they did, Nell pressed my hand after our token kissonthecheek with more 

warmth than for a long time past. Then I had Andrew's grip, and that ancient sizing and  
amused stare. He was wearing a dark grey suit and our old college tie, and only his  
strand of wheaten hair, a little reticulation of beetroot veins under pouched eyes, those  
curious, faintly glaucous eyes... an example of that cross between the Saxon peasant and 
the raids on convention, Saxon in the fundamental placidity and contentment. It was clear  
that, as in history, the Saxon had tamed the Viking. He had brought a magnum of  
Taitinger, and began to chaff Rosamund.
'Still bedding down with that frightfully clever what'shisname fella?' 
'Andrew, do you mind?' 
Nell cried across the room. 'Darling, he's trying to be discreet and refained? 
I caughtJane's eyes assaying my reaction. Then the telephone was ringing  
upstairs again.
Andrew interested me: how good such people were to have in such situations  
their style, panache, natural command. Though the only one of us who was formally  
dressed, he was by far the least funereal. He got the champagne cooled and opened,  
managed to suggest without offence that it was all rather a caper, lovely to be here  
together with all the crosstalk and the sun coming through the window. 
I had never seen him like this, with Nell's side of the family, and the last  
lingering unlikelihood in the marriage soon disappeared. Of course he had never been a  
quarter of the languid fool he used to pretend to be as an undergraduate, living in a  
manner that was already totally outdated except among his rich clique (heavy with  
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seen through the county, as a bridemarket, far more thoroughly than any of us ever  
realized. guessed that he had somehow made a choice of which traditions arid rituals  
think like a free man... and make out you are only the first. It functioned. There must have  
this more open, tolerant world quite as much as his title and his outward role in life. 
He and I, and Nell came with us, strolled out into the garden while lunch was  
laid at the table where we'd been sitting. They were more serious then. Nell, as always,  
was probing, inquisitive, suspicious. Why, why, why, what had Anthony said to me, what  
did I think, what had I guessed... all of which I sidestepped. I might have been a little  
presence meant she couldn't delve too deeply into the past. Then we discussed Jane, and 
things grew a shade more honest. Yes, we had talked. I'd gathered the marriage had had  
its problems... the Catholic thing. And yes, she'd told me about the Communist Party  
'nonsense'.
'It's purely emotional,' said Nell. 'Just being bloodyminded. She'll drop it now  
he's dead. She needed a safetyvalve, that was all. I tried to tell her. But of course she  

won't listen to me about anything these days.' She went on before I needed to answer. 'At  
least half of it's this ridiculous Women's Lib nonsense she's picked up from Roz.' 
I smiled. 'Obviously not from you.' 
'My dear man, fetes to the left of me, fetes to the right. I do good like nobody's  
business. When I'm not playing six maids, a nanny, and his lordship's valet. I mean, I'd  
have a case, I do need liberating. Andrew, stop smirking.' 
her once much more occasional than constant that had always been both insecure and  
insensitive had got worse. If her sister had forgotten how to play conventional roles, Nell  
had remembered only too well.
Andrew said, 'Ought to marry again.' 
Nell made a duck's mouth at me. 'Ye olde country saw.' 
'Not an argument against it, dear girl.' 
'But darling, she is. She's fallen in love with stewing.' 
I murmured, 'Then Andrew could be right.' 
'For heaven's sake. I wouldn't be against it. Honestly, Dan strictly between  
ourselves, any normal woman would have walked out on Anthony years ago.' I felt like  
reminding her that she had once used this supposedly model marriage to belittle our own,  
but she was going on. 'You know, there was a time when she was coming and staying with 
us a lot and I knew perfectly well what was going on, but... oh well, it's all history now. It's  
the way she's always been.' She looked round, accusing the backs of the houses. 'It's this 
dreadful inbred city. She's never grown out of it. Don't you think?' 
'I've just had three months in California, Nell. It seems rather civilized after the  
dreamworld over there.'
'Are you back for long?' 
'As long as I can make it.' 
'Andrew and I... we thought you might like to come down to Compton with Caro  
for a weekend or something.' She widened her eyes, a familiar old signal that she was  
being terribly sincere, and murmured, 'if you could stand the squareness. But please.' 
'I'd love to. That would be fun.' 
Andrew said, 'Jolly good.' Then, 'Do you shoot, Dan?' 
'Only dice. And that neither well nor often.' 
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'Splendid. We'll get out the old backgammon board.' 
'Oh Andrew, for God's sake.' She raised her eyebrows at me. 'At the last  
tottingup I owed him eight hundred thousand pounds.'
'A little over my limit.' 
Andrew flicked an eyelid, over her head. 'Play for pennies, actually.' 
Nell asked how Caro had seemed. She knew of course that she was working  
for Barney, and we discussed the pros and cons of that: it was clear that, being the slave  
of a system herself, she saw the newjob favourably. No doubt the association added an  
agreeable little vicarious feather to her local social hat. I told them about the new flat, and  
sensed a small struggle in Nell between being secretly pleased that I was forsaken and  
alarmed that Caro was striking out Oii her own. She thought she was 'rather silly' to have  
dropped Richard. But when I said I thought she needed something better than, a charming 
young clot, I saw something in Andrew's, if not Nell s, eyes that agreed. Inevitably she  
fmd out We were called in for lunch.49 It was much more enjoyable than I had anticipated, 
for a celebration. There was some kind of suppressed relief at its all being over with  
him, or what he had done. I was a little the prodigal son, informally reaccepted into their  

that I had missed their company more than I had ever admitted: the banter, the trivial  
news about other relations, children, the crosscurrents the lost familiarity of it all, in both  
the literal and the normal sense of the word. I had become too used to onetoone  
everything but this loose, warm web of clan. It was, after all, a modest secular equivalent  
of that nightbathe at Tarquinia so many years before.
Rosamund drove me to the station about three, on her way down to Reading to  
meet her brother. As soon as we moved offI'd been reminded during the lunch that I was  
technically her godfather I spoke.
'You seem to have a stunning relationship with your mother, Roz.' 
'You've been talking?' 
'Yes.' 
'She's had rather a rough time these last years.' 
'So I understand.' 
'Does she seem changed to you?' 
'Only at first.' 
I asked her what she thought of her mother's extraordinary prospective leap to  
the left if it was not straight backwards. Rather surprisingly she seemed to share Nell's  
view of it, though with a better understanding and much more sympathy. 
'I think it's been mainly struggling for survival. It's so stupid she never had a  
career. That's not preaching Lib, just what she is, really. I even have to pretend I enjoy my 
own job less than I really do. I mean she's glad for me, but it's also what she ought to  
have done. And she knows it.' After a moment, she went on. 'I used to blame my father.  
But there's something in her I don't really understand.
We do talk a lot, but there's always that final block. She sort of slides off into  
commonplaces. Starts justifying what she is. I think she gets frightened if she looks back  
too much.'
'She's not alone in that.' 
'I suppose one can't win. One day I shall curse myself for not having had  
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children younger.'
'At least you'll have done what seemed wise at the time.' 
'Didn't you?' 
'Do I have to answer that?' 
She smiled, then slowed down and stopped to let a string of uniformed  
schoolgirls pass over a crossing. Her question came abruptly.
'Do you know why he did it?' 
I left a little silence. 'I think it was an act of charity. At least in intention.' 
'It's only these last two or three years I've realized how totally unsuited they  

were to each other.' 
'I doubt whether totally unsuited people last that long, Roz.' 
'All right. But if it hadn't been for us She moved off again. She meant, us  
children.
'They did set themselves fiercely high standards. They're never very easy to  
live up to.'
'I've never understood why they had to be so savagely applied to you.' She  
said, 'I hear about worse stabs in the back every day of my life.' A moment, then her tone  
changed. 'Are forgotten goddaughters allowed to ask very personal questions?' 
I flinched inwardly. 'Of course.' 
'Was there any truth in that play you wrote?' 
It's just how it seemed at the time. One against three.' 
'I really meant something between my father and Nell.' 
We were rapidly getting into dangerous waters. 'No truth at all. Malice, I'm  
afraid.'
She was silent for a few seconds. 
'It's so strange. All these years. You've been so completely taboo. I half  
expected horns and a cloven hoof.'
'I did wear them once.' 
She grinned, but I suspected she knew she hadn't been honestly answered,  
and I jumped in before she could dig further.
'Are you glad she's going to remarry?' 
That got a sharp look. 'You have been talking.' 
'Most of last night.' 
She turned down towards the station. 'He's... very charming. Very alive. I'm all  
for it. Even my father would have been, in a funny kind of way. The last time I saw him on  
Sunday he kept going on about it.'
'Her remarrying?' 
'Not specifically. Her needing a new life.' She added, 'I almost wish now I'd told  
him.' She turned to me again. 'Did you ever understand your parents?' 
'I only knew one.' 
'I forgot.' 
'And I'm just, very dimly, beginning to understand him.' 
'I suppose understanding them would make things terribly dull.' 
'I rather suspect that goes for life in general.' 
Three hours later Dan was passing on her love to Caro, along with the other  
news. To begin with Caro was rather flagrantly solicitous, as if she were partly to blame  
for what had happened. But though she was curious as to how he had 'found' Jane, she  

was not as inquisitive as he expected over the suicide itself. She wanted to know how her  
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mother had been, as well. The conversation in the garden was duly reported and the  
invitation to Compton. All this was as she drove Dan north through Maida Vale to see her  
flat. So many of his conversations that day seemed destined to be shifting, both literally  
and metaphorically. Too full of his own news, Dan was slow to realize that his daughter  
was hiding something. But Compton led them to what had hitherto been avoided. 
'Daddy, you don't have to nag at me. I know I should tell her.' longer you leave  
it...'
'It's just 'Just what?' 
'I can't face doing it over the 'phone. She never lets me get a word in  
edgeways, anyway. She hardly hears what I say. It's always the latest Compton  
disasters.'52 'Mothers get envious of daughters. Feel they've been deserted. That's quite  
common.'
She said nothing for a moment. 
'Were they always like that? Mummy and Aunt Jane?' 
'Like what?' 
'So different.' 
'You must put some of the blame on me. What happened between us.' 
'That's Aunt Jane's line.' 
'We do both know what she went through.' 
'You don't know what I go through. She really liked Richard. He was so  
revoltingly safe. She'd have had me married off to him on the spot.' She braked with an  
unnecessary sharpness to let another car draw out of a sideroad. 'I know what she'll do.  
She'll blame it on herself. For ever letting me out of her sight. And poor Andrew. He'll get  
it.'
'Then it's not your problem. And I think he gives as good as he gets. 'I don't  
know how he stands her sometimes.'
'Caro.' 
: It's only because I feel guilty about her.' 
You must sick it up.' 
'And because my ears have been burning all day.' 
'That's ridiculous.' 
The problem daughter.' 
'We all agreed they're much more interesting than the straight ones.' 
He had said it lightly, to make her smile. But whatever had been building up, or  

waiting, now broke surface. She did not smile, but drove a little way in silence. Dan  
glanced at her.
'What is it?' 
'Nothing.' But a second or two later she spoke again. 'I told Bernard today that  
I'd told you.'
'And?' 
He asked me to say he was sorry about... you know.' 
It was difficult for him. I can see that.' 
Actually he'd like you to have lunch with him one day.' That took Dan so  
completely by surprise that he hesitated fatally. 'There is his side of it.' 
'Which I know.' 
'You're so good at forcing people to give wrong impressions of themselves.' 
'From bitter personal experience?' 
'You do lead people on.' 
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'To lying about themselves?' 
'That's the whole point. He wasn't lying.' 
'I was asking in general.' 
'I never know what you really feel.' 
'I thought I'd made it plain in the present case.' 
'When I told Aunt Jane, all she said was, Are you happy?' 
'Darling, you're not being consistent.' 
'I know I'm not consistent.' 
It was said almost fiercely, and Dan left a pause. 
'Do you want me to meet him?' 
'It doesn't matter. It was just an idea.' 
After a few moments he saw her eyes blink, as she watched the road ahead. He 
let her drive a hundred yards, then looked again.
'Pull in. There's a space ahead.' 
She obeyed, parked, switched off the engine, then sat with her head bowed,  
like a disobedient child. He took her hand and pressed it, and felt a pressure back. 
'This is so silly, Caro.' 
'I know.' 
'If your mother and I get overprotective about you, it's very largely because we  
made such a mess of loving each other.'
'It's just I'm so tired of... 
'Of what?' 
'If I love one of you back, it always seems to be betraying the other.' 
'That's our stupidity. Not something wrong in you.' He pressed her hand again.  
'Is this why you didn't tell me you'd already told AuntJane?' She nodded. 'Then let's get  
one thing straight. I'm not jealous of your relationship with her. Or with Andrew. I've  
nothing but gratitude for the way both of them have helped. And even your mother and I  
are getting less stupid. She really was falling over herself to be nice to me today.' 
'oh God.' 
'It's all right. I did the squirming for you.' 
She managed the shadow of a smile, then reached with her free hand towards  
a box of tissues under the dashboard.
'If the thing with Bernard makes you happy, then I won't argue about it.' 
'He was annoyed that I told you.' 
'He has no right to be.' 
'I don't mean with me. Not really annoyed. Just... I suppose embarrassed.' 
'That you were honest?' 
'I don't use words very accurately. It's not that he didn't under. stand. That  

wretched meeting you on the flight.' 
'As long as he didn't suggest that someone trendier would have kept their  
mouth shut.'
She shook her head. 'It was my doing something he felt he ought to have done  
himself. That's really why he wants to see you.'
Dan still held her hand. 'And you want me to?' 
'I know it must seem pointless.' She hesitated. 'Daddy, he's not trendy at all  
under the surface.'
'Then tell him all right. If he really wants to.' 
She pressed his hand, and took a breath. 
'What did you and Aunt Jane decide about me?' 
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: That deciding about you wasn't on.' 
Beyond salvation?' 
Our interference.' 
I bet it was all Freud and Marx and God knows what else.' 
I'll tell you when it's over.' 
I d rather know now.' 
That's not fair. You'd be able to prove us wrong.' 
'It's realizing that someone does seem to need you. I wouldn't go bed with him  
to begin with. I thought it was just... the usual.
ÔGo on.' 
I mean need you for... nonfamily reasons.' I understand' 
'I did think about it. What you'd all feel.' 
'You mustn't worry about that. It's the oldest madness in the species. Parents  
thinking the product of their own genes will somehow be everything that they failed to be  
themselves.'
'It all sort of hit me today.' She sighed. 'Mummy's really going to blame you, you 
know that.'
'I shan't let her, Caro. This whole business of your working in London was  
agreed between us.'
'I wouldn't blame you for wishing I was different.' 
'My dear child, I wish almost everything was different, starting with myself. But  

we have to make the best of what we are. And you and I could have done worse these  
last two yearsyou'd at least grant that?'
'You know.' 
'You mustn't think everything can be said in language. That because we keep  
up a kind of teasing relationship that that's all I really feel. Phrases like "I love you" always 
secretly mean a sort of uncertainty. That's the only reason I don't say them. And also  
because I know you know this.'
'I do deep down.' 
'Then hold to that.' He leant and kissed the side of her head. 'Now shall I  
drive?'
starting the engine.
it seemed reasonably clean, the price not too outrageous, and there were no two ways  
about Caro having set her heart on it. So Dan gave his imprimatur, and Caro her cheque  
for the first month's rent, and they went on up to Hampstead Village and had dinner. All  
through it Dan underwent a tugofwar between affection and... not quite boredom, but a  
remained that still had to be censored. There was a point where he felt almost like telling  
her, as Jane had told her own daughter, at least part of the truth. So much prevarication,  
so much standing on dignity, on the assumption that younger generations can never  
their parents might have secrets from them and surely the kind of secrets whose unfolding 
might have been of much more real value than the stale old outward teachings of  
experience that were sheltered behind. Judging it more creditable to pass on general  
theory than practical reality began to Dan, that evening, to seem more and more like a  
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smug papal infallibility, an attitude that reason and honesty mocked at every turn. He had  
once went to bed with your mother, and your father knew it and could never forget it. So  
carefully on maintaining his daughter's myth of the past.
and he had to wait until the timedifference allowed jenny to be back at the Cabin. Caro  
into the small hours until it was put through.
The line was poor, and they seemed every mile of the real distance apart.  
Mildred and Abe had been sweet, 'all you ever said about them'. She'd thought she'd  
'quite enjoy' his being gone, but she didn't, she needed someone to nag. He let that part  
of it, and her little bits of other news, come first. Then he told her his own. 
Dan. How ghastly for you. Just this last night?' 
time with someone who knew him better than the other two Young women of his day. He  
and stepfather.
'But to make you go all that way and then... Dan, you're not telling me  
everything.'
No. Not really. Not quite all.' 
'Then what?' 
I'll tell you all about it. But not now. It's just... some sad old birds come home to  
roost.'
Yo once told me any story could be told in five lines.' 
This isn't a story, jenny. One day. I promise.' 
'I know your promises.' 
'But not how much I'm missing you.' 
'Sweet talk.' 
'I wish it was.' 
'This is hardly the way to drop me in the ashcan.' 
'I'm aware of that, too.' 
'If only I could see your face.' 
'Just tired.' 
'Is it terribly late?' 
'Two thirty.' 
'Oh God. You poor thing.' 
She asked about Caro. He said she was fine, and silently charged the truth  
there also to a later settling. Then there was questioning about Jane, Nell, what it had  
been like meeting them again.
'Anthropologically interesting?' 
'In a way. All sweetness and light. On that side.' 
There was a little break, then she said, 'Hey, by the way I'm trying to do what I  
promised.'
'Which promise?' 
'About us. Trying to write it down.' 
He had forgotten. 'Seriously?' 
'I probably shan't send it to you.' 
'You shouldn't take me at such absurd face values.' 
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'I'm rather enjoying it. I'm not sure I shan't write a novel myself.' She said, 'I  
don't know why people make such a fuss about it. You just write down what you  
remember. What you felt. And it's all there.'
'All?' 
'Enough. I doubt if your horrid yellow pads and pencils have ever been put to  
better use.'
'Someone's asking to be put across my knees.' 
'Yes please. Any time.' 
perhaps, that didn't tease or rebel, but took a sober, almost clinical, view of what she  
could do, and couldn't.
Dan went to the window and stared out at the London night. A movement in the  
street below, four storeys down, opposite, caught his eye. There was a row of shops, and  
it was apparently the night their rubbish was collected. Dustbins, cardboard boxes, black  
plastic sacks stood on the pavements outside their doors. A nocturnal tramp was bent  
lots at an auction sale. Beside him stood an ancient hoodless perambulator. Dan went  
back to his desk, took a pair of binoculars from a drawer, switched out the light, then  
returned to the window and focused down on the man. He wore a black homburg hat that  
had lost its band, an overcoat tied with string, a pair of gumboots. His face was invisible  
came up from a cardboard box with three or four wire coathangers, examined each in his  
mittened hands, for defects, then placed them in the pram beside him. There was  
something obscurely comic about him, contented and professional, grateful the city was  
asleep, the street deserted as if he was merely following a regular routine with these  
He was both very real and, under the streetlights, on the empty stage of the night,  
theatrical. Beckett again, and waiting for Godot.
Watching him, Dan felt a strange sympathy, almost an urge to go down and talk 
philosophizedperhaps even ask him up for a cup of coffee. He knew it was not true charity 
too full of polite lies, unnatural smiles and urbanities, conventional middleclass  
behaviours. All through it he had felt like someone locked up inside an adamantly  
envied it as a rococo mechanical canary might envy a real bird singing in the woods  
outside the room Where it silently and impotently stands waiting to be wound up again. 
In spite of having just heard jenny's voice, of knowing Caro was asleep a few  
yards away, of all that day's reconciliations, of having been so variously enmeshed and  
enwebbed in female minds and female sensitivities, Dan had an unaccountable sense of  
defined by the banal enough polarity before his eyes of true poverty and privileged  
comfort than glimpsed through and beyond it... what Bcckett had glimpsed, behind his  
ambiguous symbolisms and 'arrant romantic pessimism': the loneliness of each, the  
bedrock of the human condition. I am what I am. What is, is. Dan imagined that he was  
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separate.
But then, as he watched, he was returned to theatre again. Another figure  
suddenly appeared, walking across the street from the pavement directly beneath where  
Dan stood. A policeman, he went up to where the old tramp worked. The man turned to  
face him. The helmeted constable went close, looked down into the pram, and the two  
stood talking. Dan watched, in suspense, waiting for the latterday Bumble to appear. The  
tramp seemed to be speaking a lot, answering some interrogation. He lifted aside a  
bundle in the pram for the policeman to see something underneath, and they seemed to  
discuss it. The tramp even lifted it a little, so Dan could see: an old wallclock, rejected  
time.
Then Dan saw the policeman's hand go to an upper pocket and really did feel  
like playing the deus ex machina, opening the window and shouting down in protest at the 
absurdity of booking a harmless old man. But the policeman did not produce a notebook.  
grateful nod, stored it carefully in his overcoat pocket, and touched his black homburg.  
Then the policeman walked on.
Which leaves our hero caged behind his window above, obliged to smile to  
himself, like an inefficient god who sees a lapse in his creation repaired by what he had  
forgotten to institute.
A Second Contribution it's silly to remember him by such an unEnglish flower,  

whose name I can't even spell. I could ask Abe, but it doesn't matter. I count how many  
have opened each day. Actually they're a bit, don't smile, to me like wild roses at home. In 
shape, if you forget that lovely colour. I'd give my soul to find a velvet or a corduroy ofjust  
that bluey violet. I'd wear it once a year, in memory of you. They make me want to smoke  
again. No I don't. I have to be cruel now, and I've been looking forward to it. 
Him. Mr Wolfe. 
I liked Dan least here not literally here in the Cabin, of course. But in the house  
with Abe and Mildred. Those absurd pool games. The way he and Abe used to play  
Minnesota Fats and Paul Newman, hustling each other like mad for dimes and quarters,  
endlessly arguing about how much 'English' to use in their shots. I was cast by Abe as a  
feed, a Scottish fellowsufferer. You never knew the only decent thing that ever came out  
of that damn country was a crooked way of hitting a poolball? 
Mildred's head round the door: Chow, people. Abe's lugubrious Edward G.  
Robinson face: Eat, eat! You crazy? He just took me for all I've got. Mildred would look at  
me and roll her eyes upwards. When will they grow up. The boys. Abe: The trouble with  
broads is they have no imagination. And Dan stands there, purring at me, cue in hand:  
Isn't this great, aren't they lovely people?
I ¥W always a generation behind, ten thousand generations behind little  
soursweet Abe. Dan's first more than casual description of him, on the way to my first  
evening here in BelAir I can still remember bits. Potentially great screenwriter, reformed  
alcoholic, knows everyone, made quite a pile, etc, etc. The punchline was: h And if you  
don't love him by the end of the evening, you can walk by me by yourself. Strange, I never 
heard him go out on the limb like that for anyone And stranger still that he didn't know,  
even then, that in these matters I am my own young woman. Something trumped  
something there.
That same first evening, at dinner. Dan had told Abe he'd got the wrong director 
for some old movie I'd never heard of, and Mildred backed Dan. It was Nick Ray, not  
Abe's John Somebodyelse, Mildred told him he was getting senile. Dan bet a thousand  
dollars it was Nick Ray. Abe wouldn't take the money, but only because 'I don't want to  
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give you an excuse to take this charming young doll to burger joints for the next six  
weeks'. He turned to me and put his pudgy little paw on my wrist. 'Jenny, the time has  
come when I have to explain a couple of things. My wife's such a dumb.. head no one else 
ever married her. As for your lousy limey boyfriend he eats my food, he sucks my brains,  
he cheats at pool and he makes googoo eyes at my wife behind my back. He didn't tell  
you that, hn?' I played along, I said I didn't know how he stood Dan as a lodger. 'You think 
there's another place in town that would take him?' He wagged his finger at me. 'You  
know he tried to kid his last girl his name was Sir Beverly Hills Hotel?' Then: 'Where do  
you think he buys his towels?'
Then he looked at Dan and his wife: 'As I was saying, the reason Nick Ray took 
that picture It happened all the time, at the beginning. Mildred and Dan even seemed to  
force him into corners so that I could watch him being a performing bear. All right, he was  

jolly, a nice little Jewish wisecracker. But it used to go on too long. After all, Mr Wolfe,  
who was it taught me to look for all that imagery in the local argot? The constant  
references to sodomy and copulation, to screwing and laying and pecking order (fuckyou  
order, yes?). And how one can't treat everyone in sight as a prostitute and then expect to  
put out an unprostituted art. Or who was it told me Abe was so right that day he held forth  
on why they violined so much in the old days? Because the real private language and  
behaviour was so crude and coarse, men so cocksure and orangehorse about all women  
being their pantydropping playground that they couldn't act love on screen without  
seeming silly to themselves. So the men had to camp it up as etiquettecrazy beaux, and  
the women had to seem to be fooled by it, always swooning toetotoe on their marks, to  
compensate. It took freaks like Cagney and Bogart to break that up.62 And the Jewish  
Cossacks, then telling yourself you had to please them at all costs. He was on about it  
last night how when he started the whole industry was run by Jews and yet a  
jewish_loolth1g actor couldn't get a job 'as understudy to a crowd extra'. The Cossacks  
wouldn't have liked that. But the Jewishness kept creeping through. The poor shmucks,  
says Abe, they thought the goys were justJews with pink skins and straight noses. 
I've got sidetracked, but not really. 
It wasn't Abe, but Dan trying to keep up with him and swap meannesses. Not  
realizing it was square when Abe did it, but endearing, and anyway he couldn't help  
himself. With Dan, just square. And horrid, when he used the same sort of language he  
pretended to have analysed and to despise. It was so much better when they discussed  
things, America, politics, whatever, seriously. And I could feel the real affection and  
respect they had for each other.
Mildred I liked all the way down the line from the beginning. Dan never realized  
at least I suspect he doesn't how much she has put into that marriage. I guessed it before, 
and begin to know for sure now.
Dan has faults of perception. That's what I learnt at Mildred and Abe's. Not  
quite seeing what made them work was one of them. A lovely man round a dinnertable or  
over a poolgame must take it out on someone in private. Mildred told me in so many  

words: He always needed people, I guess I always needed him. His latest thing (by the  
way) is an innocent (Mildred is always there) pretending he's crazy about me. But  
because Mildred is always there, there's something not innocent about it that I can't  
describe. Needling something in their past, not their present. I'm not sure if I'd have liked  
him as a Young man.
Not quite knowing what makes me work is another blind spot, this is where I  
meant to begin. After the first shock, I didn't mind Dan deciding he had to go, I didn't even  
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really mind his seizing on t as an excuse for a cooloff period. But I did mind his  
assumption that I'd see it his way, silly little temperamental female thing, as SOon as he  
was gone. If he was bored with me or if I had shown I Was bored with him, if one of us  
had to get hurt rather than go on shamming something we didn't fccl... no, it was the gall:  
that he must know what was best for both of us. Going all Sidney Carton and  
farfarnoblerthing, as if I'd only a month between me and eternal spinsterhood. I've now  
decided what it is that drives him to behave like this. I had a first suspicion that he simply  
wanted out because I threatened to become a problem in England. His daughter and all  
the rest of it. But I think it's more complicated and a lot worse than that. 
He has a mistress. Her name is Loss. 
All this is bound up with what I've learnt about America. 
I have to imagine a secret Dan who actually likes loss both all he's lost in the  
past and all he has still to lose. In some way to him loss is a beautiful, fertile thing. I don't  
mean he wallows in it or moans about it (that would reveal too much), but he's discovered  
that he's much happier as a selfappointed loser than as a winner. It was there during the  
phonecall when his ex and her sister spoke to him. A kind of excitement as he sniffed a  
lovely old lossarea. Now what's happened is that I too have become a potential lossarea.  
That's why he's so tender, so outwardly understanding: he's really saying, quite literally,  
get lost. The more I think of it, the more creepy it becomes. Like some strangler caressing  
a girl's neck and quietly weeping because he's going to kill her in a few minutes. 
I half believe the man is such a fool he thinks this is rather romantic. When all it 
really is is Romantic with a big R, straight out of my utifavourite period in literature. 
One's misled, but only because he isn't standing over a stormy sea or racing  
round the Blethering Heights in a wild Byronic hairdo. But that's truly what he is: a  
professional melancholic, and enjoying every minute of it. He didn't ask me to marry him  
up in the Mojave, he asked me to refuse to marry him. I feel livid now that I didn't say yes.  
Just to have called his bluff.
It enrages me to think that I even once saw him as Mr Knightley to my Emma. I  
must have been mad.
What I've decided I like about America (you were like dark glasses, I've seen so 
much more since you left) is that they simply don't understand this awful English  
attachment to defeat and loss and selfnegation. I hated the Prick two days ago. He came  
in feeling depressed about something, and my God, didn't he let us know,64 t. Almost his  
best performance yet. But at least he wanted to do something about it, wasn't hiding it.  
The stiff upper lip is absurd, i henceforth disown it completely. I will not be a vase and  
ashes on someone's mantelpiece.
You come to the United States not knowing what to expect. Then all your worst  
prejudices are confirmed. It's a nation of automata piling down the freeways in search of a 
life that isn't worth having anyway. What a joke that word is: freeway. Then their  
obsession with doing things by the bookif the book says this or that makes you happy, you 
must be happy. You suddenly realize how astoundingly free (or at least suspicious of  
other people's recipes) society is at home. That's why I fell in love with Dan. He seemed  
free in an unfree culture, and I was scared. Partly because I know California is the future  
and England is already a thing in a museum, a dying animal in a zoo. No pride left (or  

what pride there is, in the wrong things) and so all intent on dying nice and quietly.  
Wrinkle City time. I was hating America (or this part of it) and feeling hopeless about  
home. Nowhere to go except him.
Then slowly tiny things dawn on you and you see you've got America a bit  

wrong: that perhaps all the stupidity and the tastelessness and the inequality and the  
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violence and the conformity are just the price of keeping a national energy alive. They  
exploit themselves so foully in many minor ways, ones we'd never tolerate at home. That  
day you took me round Fisherman's Market, just to show me how they've bred their fruit  
and vegetables to fit Madison Avenue notions of what they ought to look like. Huge red  
Aforapple apples tasting like sugary sponge. Gigantic insipid tomatoes, huge flavourless  
lettuces. The heresy that size and looks are everything, all other values nothing. Which  
you see in the way the brainwashed ones talk, entertain, behave. Idiotic cheap models of  
how successful people should dress, speak, furnish their houses.
The woman who told me she had to drive thirty miles in whereveritwas for what  
she called 'butcher's meat', as if it was 5Ome fantastic delicacy like genuine Beluga or  
French truffles. That lovely decal. Supermarkets save time. But for what? 
I know Mildred cooks like an angel, and there are good restaurants. But you  
keep thinking, thank God for Europe and tiny little Uflambitjo5 tradesmen... who are really  
craftsmen, and respected as such. I know some people here know. Abe, I went at him  
about this the other day and he made a natch joke about it: If Americans ever figure out  
how they sell themselves so much they don't need and don't want, they'll all try to  
emigrate back to Europe.
And yet there's a sort of forwardness, an independence, a lack of servility. A  
hope. At least the will, if not the means. The way they use English, instead of letting it use 
them. Things we have no notion of. So I begin to see it as a choice of how you pay the  
bill. At home we do it by being apathetic and hierarchical, by clinging to the past. Here  
they do it by looking forward to a dream world, where everyone succeeds, everyone's rich  
and happy. Horrors like the supermarkets and the freeways and the smog and the sprawl  
are just incidents on the road there. The wagontrail myth. Today's problems aren't  
problems, but proofs of tomorrow's new frontier. You drive on, at all costs. With us, you  
make do with what you are. They're eternally stuck in the first few pages, when we  
reached the last chapter ages ago.
I remember, do you, Dan arguing with me that the uniqueness of the  
AngloSaxon racemind was its mania for equality. Claiming it can be seen right back, even  
in feudal times. Magna Carta, Parliament, the common law and all the rest. But with us it  
reached its zenith in the seventeenth century. Cromwell and the Commonwealth. We had  
our chance then, and funked it. Or rather, those who wouldn't funk it took the chance over  

with them to America. Of course the American soul has become hopelessly mixed. But  
there's still something about it of the other English road. Dan said once, This is where  
Cromwell never died. I laughed, I could see the old boy standing beside Sunset in his iron 
top and leather boots. Sorry, folks. Dan didn't think it was funny. 
But what I don't see (to the point at last) is how he can believe this and yet  
secretly remain so English of the English who queued up to cheer Charles II back ashore.  
If only he could pick up a little of the American faith in themselves. In the present,  
however bad. If I had a magic wand, I'd wave it over his head and leave him just as he is,  
but American. It's a shame, really. He was born into the wrong culture. He makes me feel  
so free, by comparison. I donÕt think this is just the age thing. Mildred said something  
shrewd about him. She'd said, Dan's the most English Englishman I ever 0iet. And I said,  
But he isn't typical at all, really. She shook her head: Honey, he's just learnt to hide it.  
That's all.
We've talked a lot about him, by the way. I sense she wants to tell me things  
she knows and I don't. Other women, perhaps. And she wants me to tell her things I know. 
We fence, but affectionately. She has great tact. The official state of play is just a  
temporary separation. I don't want anyone else's opinion on us, however wellmeant. 
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I'm more than half writing to myself, you know that. Telling you all this nonsense 
you first told me. But vain thing, you'll know what that means as well. I don't really mean it  
about dark glasses.
I miss you so much. Every hour of every day. And night. 
Next morning. I will send this, after all. I've just asked the two quails, and they  
said it makes no sense but if I loved you, I should.
This was yet to come, of course. But one little jennycoined epithet needs a  
gloss. It derives from a story Dan told her, perhaps the saddest and most revealing of all  
native American jokes.
A Brooklyn boy gets a job as a stablelad in a plush Long Island mansion. Each  
morning he saddles a horse and leads it round to the front of the mansion and waits for  
the daughter of the house to come down the steps and go for her ride. He falls in love with 
her so badly that he begins to mope, to eat nothing. One day the stablemaster takes the  
never looks at him, seems unaware he exists.
'Listen,' says the older man, 'you gotta do sump'n with dames they have to  
notice.'
'Like what?' 
'Like paint her horse orange. She has to notice that. You get talking. Then  
you're in.'
That night the boy paints the horse bright orange from nose to tail. The next  
morning he saddles it up, then leads it round to the steps in front of the house. The girl  
comes down, stops, stares at the horse, then at the boy holding it. 
Someone's painted that horse orange!' 
'Yeah. Me. Let's fuck.' 
Interlude
cunning streak of homosexuality in him, even though he had never, since his first years at  
boardingschool, felt any physical attraction towards the gay world. But in his relationships  

with his own sex there had always seemed an incompleteness: even with Anthony, with  
Abe, with a handful of other men he had known well over the years. He had very rarely  
sought male company for pleasure, perhaps because it threatened his always precarious  
sense of uniqueness. He saw himself too easily in other masculine faces, mannerisms,  
unpredictability of women they could be told, whereas all interesting women had to tell  
but in their nature.
One can't dissociate the kind of man he is from the vulgarest kind of vanity, the  
his real attitude there was at least partly, he would say centrally, botanical botanical in his 
twist of the word, not the normal and proper sense, such as Anthony had demonstrated. It  

was not categorizing and counting, but searching. He liked looking for women who would  
situations of his professional life to provide encounters. He was even rather passive about 
this, rarely making the first move, but letting the new face and psyche display itself to him  
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before he showed his own cards. He had never slept with a prostitute or at least with a  
always despised, or more latterly, pitied, the men for whom he knew it was. 
He was arguably not even looking for women in all this, but collecting mirrors  
he could before other men and see himself reflected. A psychoanalyst might say he was  
double separation trauma, the universal one of infancy and the private experience of  
literally losing his mother. He had in the past applied Freudian theory, insofar as the  
subject can be his own analyst, to his own history. But the trouble there was that he had  
always led a reasonably happy sexlife. Whatever Freudian horrors and truths he might  
arrive at by the book seemed denied by reality: he was neither dissatisfied nor guiltridden  
occasionally felt sad when they were over, but never for very long. Very simply, he  
enjoyed the process of knowing each. Indeed, as he grew older, this pleasure became  
decipher a Caro or as just now, a Jane, without the benefit of the closer context. 
All of which jenny is to get slightly wrong: his mistress was not loss so much as  
that he expected the loss of all his mistresses, and in more or less direct proportion to his  
discovery of them. There were always, inevitably, elements of callousness, selfishness,  
selfsecrecy. One cannot tell another human being: I've examined you, experienced you,  
learnt from you, and it's been amusing and interesting, but now I'd like to move on, without 
some infliction of pain.
A novel is written in the two past tenses: the present perfect of the writer's  
mind, the concluded past of fictional convention. But I in terms of the cramped and myopic 
fictional present... if Jenny accuses Dan (has still, of course, in the chronology of this  
reconstruction, hardly put pencil to paper, let alone had Dan read the result) of a love of  
she insists, they continue. Above all she knows he knows that behind her reproaches lies  
be one of a chain, she will last. Because Dan like Britain herself has a sharp sense of the  
relativity of all supposed absolutes, she supposes him defeatedfor which she mustn't be  
blamed, since he wears that mask at times. Yet it is much more a mask of excuse, a  
sacrificial pawn, than an emblem of some deep truth, or true presentiment in him. 
My other two sisters: a fable. 
I met them in London at the party following a private showing in the late 1950s,  
a year after I had split, true to pattern but amicably with Andrea. The film had nothing to  
do with me, I was simply there as a casual friend of the director, and I had come meaning  
to stay no longer than courtesy required for the usual drinks and hyperbole afterwards. 
However, some of the cattle were there as well, including two girls who had had 
small parts in one sequence. They couldn't act, but they photographed well, and I had  
caught a glimpse of something piquant. It so happened that I had come to the showing  

with a script problem of my own. I was halfway into that early attempt at a crossracial  
lovestory that was finally released (with a compromise ending I foolishly let myself be  
talked into) as Dark Encounter. It was to be shot here, to get the Eady money. I had down  
a very long scene between these two main characters that needed breakingan interlude,  
some little bit of sideplay that broke tension and might also snag the white hero's  
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pigskin also has its charms.
After the two girls had done their short scene, during the showing, my mind had 

wandered off the screen, or through it, to my own embryo picture. I saw a way of using  
rather like knights in chess: limited in movement, but handy in their capacity for quick  
turns, for fixing situations. I hadn't noticed what the final credits revealed as two sisters  
before lights went out, but I was interested to see them there afterwards and promptly got  
myself into conversation with the more available.
Mile End Road, a fact that had been coached out of her voice in the two or three lines she 
had spoken during the film. She had an oddly delicate face, a slim little body, rather  
the London workingclass came into their own, and the type was very fresh, at least to me.  
I was much more familiar with vacuous young starlets from the Home Counties (or who at  
least aped that background) asking to be tossed to the nearest fat old shark in Wardour  
Street and whose only notion of a Cockney accent was to replace an impeccable  
middleclass a by an impeccable middleclass i. Miriam was making some attempt at  
gentility, but her real voice kept breaking through.
Whatever else, she wasn't stale flesh. She wanted to know who I was, at first

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their lips and sniffing at each other as soon as they had sat down. I knew this hadn't  
happened very often to them before. Under the not totally false pretence of needing to  
know their backgrounds better if I was going to write them in, I pumped them. They began  
to thaw. They had, for the world they were now in, a delicious lack of selfconsciousness. It 
was all a game, fun, codding and being codded. I soon felt a little like an uncle giving two  
schoolkids a treat. They enjoyed everything so: the food, the wine, the other people  
around us, the money being spent. They were also curious about me. I talked about  
and then went on to be more honest about the movie business than they can have been  
used to. I wasn't promising anything definite. The younger sister, Marjory the Drag, who  
drier, or more sullen, about her... at any rate, remaining more on her guard, rather as if  
she were the elder sister. She was nineteen, Miriam a year older. 
There must have been some prearranged signal. But a shade too abruptly the  
Drag was gathering her things.
'Sorry. I got a date.' 
I asked who it was with, when she'd left. Miriam shrugged. 
'I dunno. Some bloke.' 
I suggested the name of the producer. 
'That's just nights.' 
'I've roughed out a scene. Would you like to come and read it?' 
only a becoming modesty, and I had trouble not smiling.
On the way back to the flat in a taxi, she suddenly broke into what I was saying. 
'Honest, you don't 'ave to spiel. I been around.' 
'I'm not kidding you about the picture.' 
'I know.' She gave one of her sniffs. 'I 'ad you checked out.' 
'Good.' 
'Couldn't work out at the showin' whether you was a crook or just bloody daft.' 
'And now?' 
'Obvious, innit? Now you know 'ow dumb we reelly are.' 
But that went with a pressed mouth and a grin that wasn't dumb at all, and cut  
any amount of normal dialogue.
And that was that. We did go through a brief pretence of reading the sceneshe  

wasn't very good, but by then neither of our minds we're on the script. When it came to it,  
her behaviour out of bed carried there as well. She contrived to be both gently prudish  
she was nice to go to bed with and a little bit puzzled as to why I should take the bother. 
There was only one false note. We were still lying there, and she said, 'D'you  
want me to 'op it now?' 
'Do you want to go?' 
Not if you don't want me to.' 
So I set about discovering her. She and the Drag still officially lived at home, in  
what I grew to think of, by the way they exaggeratedly pronounced it, as Orrible Acne.  
They wished they didn't, there were always rows, less those of Cockney puritanism ('I  
mean, they couldn't, all accounts me dad's been the randiest old bastard of em all') than  
of professional fear. The parents did some kind of oldStyle patterandsong routine, got up  
as a pearly King and Queen, an act the two girls had once been part of. It was a sort  
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stupid, she'd been let into the bloody facts of life when she was fifteen, and they knew all  
about it, and who it was, and did nothing about it. It had been a member of an acrobatic  
team on the73 same bill. 'I was soppy daft about 'im, you know, didn't give the poor  
bleeder a chance reelly. Me mum wanted to take 'im to court, only I said I'd say that. You  
know, if 'e'd... but fair's fair, innit?' There'd been a lot of blokes since, but they hadn't  
'Oh Gawd. Honestly... 'c's such a bloody old pervert. 'E fancies me as well.  
Know what I mean?'
'I can guess.' 
'I told 'im, get lost. Wish she would.' 
After a moment she said, in a tone of briskly indifferent curiosity that was very  
characteristic, 'Am I okay? You like me?'
I proved I liked her. Then we slept a little, and it was half past six. I was ahead  
of schedule on the script. We agreed that she'd stay the night, then we went to see a film  
doing, mum. Then, Well, that's 'er business, innit? She put the receiver down and pulled a 
lugubrious face at me.
She moved in the next day, at my invitation. I already knew she was going to be 
work, I suppose I rather treated her as a pet animal someone I was prepared to feed and  
dress and make love to, and teach a little, but not someone I could ever give my heart to.  
She was one of those girls who are both shrewd and ignorant over many things, and with  
the usual defence mechanism: suspicious of all superior knowledge. Reading was beyond 
her, though she tried intermittently. But I soon discovered she had a mind of her own over  
other things: clothes, food, the films we saw, the odd exhibition. Some of the knowledge  
flowed my way, especially over the films. One of the supreme idiocies of commercial  
filmmakers is their ignorance of how the mind of the ordinary audience works. All the  
sneak previews and reaction analysis reports in the world are not worth half an hour with  
see as Miriam saw. She was a sucker for sentiment and spectacle. But I introduced her to  
some classics and what serious contemporary cinema was around. After a first sniff and  
reluctance, she fell agreeably fast for quality, and I think not just to please me. i jump  
ahead a little: 'she' should really be 'they'. Miriam did some elementary shopping and  
sometimes she just went to 'the flicks'. She failed only once to return. But she rang, she  
was with 'me mum', the old man was being a pig, he was pissed, she wanted to stay the  
night. She came back late the next day.
A few days later, she did return to the flat when expected, but not alone. This  
time her sister was with her. She had, I suspect under strong pressure from Miriam,  

walked out on the idea of sleeping her way to stardom. The girl did look unhappy and  
vaguely shocked, and rather touchingly aware that I was not running a home for waifs and 
strays. It would only be for that night, she just couldn't face all the argybargy at home.  
with her submissive role, I felt some other return besides my leisure hours and the odd  
handout 'for pocketmoney' was called for. We stayed in, they cooked, with more  
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enjoyment than skill, a meal. I heard their low voices in the kitchen, and it was somehow  
with Miriam in bed later, I had all her worry I should feel I was being taken advantage of,  
'lumbered' with her problems. She told me more about their home, their parents. 
It was mainly about her fatherhe was one of those ugly variants of the sad  
clown, all jollity and bonhomie on the boards or in a pub, but a moody, flashfisted tyrant in 
'Honest, Dan, I couldn't tell you... course, 'e was always 'aif pissed.' Then she said shyly,  
'I don' mean whatchermercallit. You know. Jus'... you know.' 
But all that's over now?' 
Sure. Only when we was little. Just you don't never forget.' 
She paused, then went whispering on in the darkness. 'What's so terrible, 'slike 
it was the only way 'e knew 'ow to be our proper dad. Ever since, 'e don't want to know us. 
Like it's all me mum's fault we even exist. 'E's such a mean old bastard, you can't imagine. 
You want me to shut up?'
'No. Tell me.' 
'Frinstance, month ago I was down 'ome and I went to fetch 'im outa the boozer  
for his Sunday dinner. You know 'e was all over me, drinks all round, showin' me off like I  

was every dad's dream. Then we got outside an'... oh Christ you know. No bloody  
warning, 'e starts callin' me 'n Marjory every fucking name under the bleedin' sun. I could  
kill 'im sometimes. Honest. And the way he treats me mum. You just can't imagine.' 
realize the strange, almost noble, sense of workingclass responsibility that kept the two  
girls at least morally at their mother's side. They showed me a snapshot of her one day, a  
woman in her early forties, her hair done tightly back, a faintly gipsy face, but worn,  
resigned before its time, though she was smiling. They'd begged her to walk out, but they  
'old bugger' would do ifhe was abandoned. I read an East End Mycenae, the workings of  
but landed myself with someone I must not hurt. The next morning I said Marjory could  
stay until she could face all that: the venom of Laius.
Her shyness turned out to be rather illusory, or more a matter of previous  
insecurity than anything very innate. Miriam tended to boss her about and they developed 
a dry little slanging relationship or must always have had it, and now hid it no longer.  
Some sort of equivalent of my attitude to Miriam began to be passed on: judgments or  
information I had given to the elder sister were now sometimes a good deal more  
bullyingly and peremptorily visited on the younger. Playing umpire was not difficult. Their  
spats amused me, and were never serious. Once or twice they joined to argue against  
me. More and more I was treated as a kind of oracle Cumencyclopediacumbutt: why didn't 
I believe in God or an afterlife, why did I vote Labour, what was expressionism about, why  
did I despise fishandchips... and then one day they found to their amazement that I'd  
never been to the dogs literally, not metaphorically. So I was dragged out to Harringay,  
but enjoyed it. Their shrieks and moans when their surefire winners once again failed to  
went to bed. 
I remember that night in particular. Her sister had been with us for five or six  
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days by then and it was clear to me that she wasn't going to leave unless she was told.  
some miracle cure. They were also both broke. They weren't grasping, never asked for  
consciencestricken about what was spent on them or I gave to Miriam. But this night, it  
of my neck and whispered.
'D'you fancy my sister?' 
I thought back then to a tiny incident at the greyhound stadium earlier that  
evening. One of the dogs, the one Marjory had put her money on, stumbled as it came out 
of the trap and picked up hopelessly late to stand a chance. She had turned her face  
against my shoulder in despair and disgust. I'd laughed, and put my arm round her for a  
moment. Miriam had seen that.
'Don't be silly. I like you much better.' 
'Why's it silly?' 
'Being jealous.' 
You're not saying my question.' 
I kissed the top of her head. 'I like you both. But only you in bed.' There was a  
mulling silence. 'You don't understand, Dan. I Wouldn't mind if you did.' 
I patted her bottom. 'Come on. That's dirty talk.' 
Another beat. 'She fancies you.' 
'How do you know?' 
"Cos we talked about it.'77 'Then you shouldn't have.' 
'It's only 'cos we like you. 'Cos we're grateful.' She said, 'if you'd like it too.' 
different from daylight. Part of me did not dislike the idea. But I think above all I was  
curious.
I said, 'if you really liked me, it would have to make you feel jealous.' 
'Honest. I wouldn't mind.' She kissed my neck again. '1f f knew you... you know.' 
Then she said, 'I don't mean anythink nasty. Like ol Doodah. Us both together. Nuffm like  
that.
I was tempted to joke her out of it, to pretend that I was disappointed it could  
not be 'both together'. But I knew she was trying, in her tonguetied way, to say something  
generous and however implausible, obscene, what you will, her proposition might sound.  
I felt her nod. 'Yeah, a bit.' 
'I won't push her out, Miriam. If that's it.' 
'Just thought I'd mention it.' 
turned us on our sides, her back to me, and held her. I thought the matter was closed, we  

would settle to sleep. But after a few moments she whispered again. 
'Any day now I'm not goin' to be no good.' 
'We're due for a rest.' 
That baffled her a moment. But she nodded again, and then there was silence. 
I had no idea, the next day, whether she had passed on to Marjory the result of  
offered substitute in a new light, or at least a franker one. Having had them side by side  
now for several days, I had begun to sort out their particular charms. The younger had the 
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of impudence and slyness, also a sort of greenness, an underlying innocence, perhaps  
because of that year less. She was less inhibited, yet a shade more schoolgirlish. 
Two nights later, I had gone to bed and was reading. The girls were in the  
kitchen, they made themselves cocoa every night. I heard their voices, then they went into 
Caro's old bedroom, where Marjory slept. I few minutes later, someone stood in the  
doorway of my room. It was Marjory. She was in a short nightdress. It was the first time I  
had seen her in anything but daytime clothes.
'She wants to sleep on 'er own tonight.' 
I was embarrassed enough to pretend that I thought she was just a messenger. 
'Oh. Okay.' 
She did not move. 
'She said I was to come. And go away, if you said.' 
'Then she's disobeying orders.' 
mouth, and it had a an oddly trepid glum smile, which hung suspended in the air,  
Cheshirecatlike, while she waited. Now I looked down, at my book, and kept my eyes on  
it.
'I think you'd better go away.' 
'Don't you like me?' 
'Of course I like you.' 
'What then?' 
'I don't want to take advantage of you. Or Miriam.' 
didn't suit her or any woman, in my experience. The legs proved she needed something  
slimmer and simpler.
'What you readin'?' 
'I only asked.' 
'I told her quite distinctly that I didn't want this to happen.' 
'She said you was jus' bein' decent.' 
One has to try to be that sometimes.' 
She tossed her hair. She was leaning against the side of the door, her hands  
behind her back.
'You do 'ave to try then?' 
'Don't be cheeky.' She looked down. 'I'm happy the way it is.' man 'I'm not. And  
me feet are bloody freezin'.'
I weakened. 
'Go and fetch the cigarettes.' 
'Then can I stay?' 
'Just to talk. For one cigarette.' 
She disappeared, then returned and stood at the end of the bed, lighting two  
cigarettes. The nightdress was not opaque. She came round on the unoccupied side of  
the bed and passed me mine.
'Can I sit by you, Dan? Me feet reelly are cold.' 
I drew a breath. 'Until I say out. Then out.' 
She climbed demurely in on the far side of the bed. There was a great waft of  
perfume. She slid a glance at the book I was reading.
'Is that po'try?' She craned to look closer. 'I wish you'd read me a bit. Like you  
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do Miriam.'
I realized my bedroom had fewer secrets than I had supposed. It was Bullen's  
read some to Miriam.
'I can't. It might give you ideas.' 
She had her sister's sniff. 'Bet it's not as filthy as that old jumper.' I had  
My elbow was nudged. 'Be a sport. Just one little bit.'
'I thought we were going to have a serious talk.' 
'In a mm.' 
I began reading. By the end of the first stanza she was nestling closer. She  

wanted to read the print. Then she was reaching across me for the ashtray, and ended  
bare leg touched the length of mine beneath the blankets. She did stay good and  
but then, having put out her cigarette, her body turned and a leg came up and across. By  
the third poem a hand had crept beneath the bedclothes, and the nightdress ridden so  
high that the continued wearing of it became absurd. I closed the book. Her face was  
turned against my shoulder, her eyes closed.
She murmured, 'Don't stop. I like it. 'Snice.' 
the moral implications of what was about to happenthen turned out the light and began to  
least in the dark, a good deal less prudish.
I regretted my weakness the next morning. Marjory had left the bed, I could  
hear them both in the kitchen and I knew they had to be faced, which I did with an  
unassumed dry diffidence. They sat silently at the kitchen table, biting their lips. Then  
Miriam slid a little look up at me.
"Oo gets top marks then?' 
'Equal first.' 
Somehow guilt and embarrassment, all the possible consequences, could not survive with 
them. I had the sense to let them dictate matters, to observe whatever taboos they felt  

together', either. Out of bed I was to show no favouritism indeed, they rather avoided all  
physical contact with me or insisted that it was shared, that I held each hand in a cinema,  
whatever it was. Watching television they would usually sit together away from me, like  
alone at nights when they were still very small. Despite their nagging, they still liked to  
feel each other very close.
and understood a little better how they could share so without jealousy the grownup toy  
they had found in me.
That was principally it, of course. We somehow hit on a blend of reciprocal  
curiosity, affection and physical pleasure that was totally free of love. Even the physical  
best the lying in the dark and talking. They would often have talked all night, if I hadn't  
stopped them. They had been starved all their lives of confession had never met a  
professional wordman before, someone who could coax, listen, correct them without  
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hurting them. Marjory especially had a lovely fresh sense of recall school outings, theatres 
they had played, musichall characters, tricks of the trade, relatives. She was a better  
mimic than Miriam.
deft footwork in the dancing, but the one song they tried made them break up... and  
entertainment hung over it all. On top of that, I now felt a clear responsibility for them. The 
first draft of the script had gone off, and the scene into which I had put them I had decided 
to use both had been passed in principle, but I still couldn't promise them the parts till the  
production team came over and casting began. I had warned them, and they hadn't  
work, but they weren't interested, they used to talk about modelling, cabaret, all sorts of  
of the kind Brecht immortalized. As long as they had the price of a cinema ticket and a  
bag of chips, and somewhere to kip, they would survive. It used to irritate me at times, but  
I also knew it was a middleclass irritation, a conditioned one. 
We lived like that for seven or eight weeks. Then I had to go to New Mexico,  
where the directortobe of my script was finishing a Western, to discuss some rewrites. I  
told them they could stay on in the flat while I was away, and they said they would. But it  
was not very much of a surprise when I came back late one afternoon just before I was  
due to leave to find them gone. It had been in the air. Laid out on my desk was an Old  
Etonian tie they must have seen it in some posh tailor's and decided I'd like the pattern  
and a pair of dreadful Siamese cufflinks. I hadn't taught them everything and I was a little  
hurt that they hadn't noticed I never wore cufflinks. Nicer was a bunch of chrysanthemums 
and nicer still a scrawled note: We'll never love no one 'arf as much. I had edged them out 
still have.
time I tried in the two days before I had to leave for the States. Nor could their agent help.  
A fortnight later, when I came back, I tried him again. I had in the meantime sold the idea  
of at least testing Miriam and Marjory to the producer and director. But to my horror the  
agent told me they'd just left for Germany to join a dancing troupe, some nightclub in  
Munich. He assured me it was 'straight up', he strictly didn't export for the white slave  
trade, and that he'd let them know the film possibility was much firmer now. He even gave  
they still couldn't be traced. They had left the troupe in Munich only three days after they  

joined it. Their mother thought they were in Italy, but 'they never wrote'. Something tired  
and resigned in her voice gave me a final guilt: I had helped wean them and now she was  
bereft. I changed their two scenes in the script. I've never seen or heard of them since. 
can hear them sniffandgiggle if they ever read this. They had in retrospect a stunning  
honesty, and a tact, and an intelligence. Our relationship could never have lasted much  
longer than it did. But I remember it now as a glimpse of an ideal world, perhaps even of a 
future: not in some odious male chauvinist sense, the access to two bodies, the indulging  
in the old harem fantasy, but because it was so free of all the encumbrance, the  
suppuration, the vile selfishness of romantic love. For two months we made it: without  
was mainly their doing, not mine. 
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Jenny picked up some silly psychology game at work one day, and made me  
play it. If one had to pick three partners for an eternal desert island, which sex they would  
be?
'Three women.' 
'I knew you'd say that.' 
'Then you needn't have asked.' 
'Balanced men say one man and two women.' 
'Certainly better for mixed doubles.' 
'What you don't know is that three women means you hate women. You want to 
see them destroy one another.'
'I once knew two who never would. That leaves me only one to find.' 
'it jolly well wouldn't be me.' 
Then that leaves us two to find.' 
But she wasn't mollified. 'Who were they?' 
'Angels in disguise.' 
'You're making them up.' 
'One day I shall make you up.' 
'What makes you think you're not doing that already?' 
'Against the rules.' 
"What rules?' 
'Of the present tense.' 
'Pig.' I smiled, but she didn't. 'I keep having to revise what I hate about you  
most. I've now decided it's the loathsome way you use other people's games to play your  
own.'
And I recalled then something one of the two sisters, I can't remember which,  
had once said to me.
'What I like about living with you's the way you make it all like a game. Like it  
doesn't matter. 'Slong as we're all happy.'
An apparent compliment, at least inside the walls of Jane's once admired  
felt when they disappeared may have been partly that of thwarted generosity, of not  
fulfilling the offer I had used to seduce them. Time may have made it partly a source of  
pleasure, as Jenny was to claim. Yet there has always been a sense in which those two  
have haunted me, as the dead haunt, making missed opportunities eternal and making  
even this exorcism by the written word a vain and empty thing. It is not that I wish it had  
never happened, or that I do not accept that it had had to end. I simply wish they knew  
they never really left.
I gave them a little money, a temporary haven, a few facts about life. In return I  
received, though I did not see it at the time, a lasting lesson on the limitations of my class, 
my education and my kind. I have called them 'Miriam' and 'Marjory' here, but I suspect  
better names could have been found among those of nine far more famous sisters: Clio  
and Thalia, perhaps.
'You mean Christ, Dan, what you been doin' all your life? Your age... and you  
never been to the bloody dogs!' She grimaces across me at Marjory, mouths like a  
gossiping old backyard mum. 'It's 'is books. 'E loves 'is books.' Marjory mouths silently  
back. Miriam sprawls forward across the kitchen table on an elbow. I am no longer there.  
'Shall we take 'im then? just for jokes? 'Course we'd 'ave to make 'im promise not to talk  
posh. Case they chuck 'un outa the stadium.' Marjory puffs, stifling a giggle. Miriani tilts  
her head, surveys me with a blithe mock ignorance. 'D'you reckon you could be'ave like  
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an ornery 'ooman bloke, Dan? Just for one evenin?
Miriam has very clear greyblue eyes. They taunt, they live, and I envy with all  
my heart every man who has had them since.
Hollow Men
It began inauspiciously. Barney was already primed when we met at the restaurant and if  
I'd had any sense I should have turned straight round and walked out before we spoke a  

word. He wore an appropriately wry and circumstantial grin as I approached, but his eyes  
said something else. We met for a chessgame and however many sacrifices he might  
make on the surface, his strategy was not to lose it: at least to fight on for a drawn match.  
I was warned at once. He would use any too obvious anger I showed. We were to play  
with English pieces. 
Anthony's death at least took care of the preliminaries. This was three days  
after the little hearttoheart with Caro, and the suicide had been reported briefly in the  
would have heard all about it from Caro herself. He was a good enough newspaperman to 
have guessed that a story lay behind the public facts, but he was preternaturally  
uninquiring there I suspected on Caro's advice. It must have been damned awful for me,  
he could imagine what a shock... we ordered, and he asked for another double gin and  
tonic.
Once again I tried to see him through Caro's eyes that is, tried to ignore a  
couple of discreet raised hands to other entering customers, chat with the head waiter, the 
an uncharacteristic tautology. I did not have to be reminded that he was a successful  
'personality' now.
He did finally broach the matter, though with his eyes on his glass, not in my  
direction. We were on a wallbench, side by side.
'I hope Caro's told you how bad I feel about not telling you on the plane, Dan. I  
frankly didn't know how to play it.'
'I'm not blaming you for that.' 
He gave and his old twisted smile. 'But you are blaming.' 
'Wouldn't you? 
'I suppose so.' There was an awkward pause. 'I've never exactly been top of  
your list of favourite people. I realize that.' I refused the offer to deny the valuation. He  
took another mouthful of gin. 'Look, Dan, the reason I felt we ought to meet...' 
The waiter brought my smoked salmonBarney had said he was trying to lose  

weight and he had to break off a moment. The place seemed full of people like us:  
klatsches of men, very few women, talking business, doing deals. Next to us on my side  
there was evidently a publisher and one of his authors: I heard talk of some disappointing  
American sale. It was 'their' fault, not the author's... he was above transatlantic heads. I  
knew from the publisher's orotund voice that he wouldn't have known a transatlantic head  
if it had been sitting on the plate in front of him, but the pen seemed happy to imbibe the  
sepia.
'It's categorically not having a bit on the side. She's the nicest thing that's  
happened to me in years.' I squeezed the lemon over the pink flesh, and trusted he noted  
the parallel. 'I mean that. Very seriously.'
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'I think I'd be happier if she was just a bit on the side.' 
He was silenced a moment. The publisher had high hopes of Germany. I began 
eating. 'That's hardly fair to Caro, is it?'
'I don't want her hurt, that's all. She's a good deal less sophisticated than she  
sometimes makes out.'
'I wouldn't like her so much if I wasn't aware of that.' 
'Then you know what I mean.' 
'I've told her. She wants to forget the whole thing, she only has to say. She  
knows what I am, Dan.' I began to resent this insidious lapping of my name against the  
stone in my face, and he may have sensed it. He said, 'Perhaps better than you do.  
Behind all the shit.' with dear man, I'm not concerned with what you are. Simply with what  
might happen to her.'
You seem pretty certain I must have a bad effect.' 
The wine came and he tasted it impatiently. It was poured, set in the icebucket.  
I decided to move my bishop.
As you know, I've recently acquired a girlfriend who's not much older than Caro. 
You're not going to catch the pot calling the 87. kettle black, Barney. But I know damn well 
that whatever they fall for, it's not our youth and blue eyes. There must be something  
unhealthy in it. At least on their side.'
'Hardly be for lack of choice, can it?' 
'That's not the point.' 
Neither of us wanted to be overheard, and all this part of the conversation was  
conducted in a tacitly conspiratorial way.
'You forget I'm an old hand at the unhealthy relationship. I've had a bloody  
lifetime at it.'
'Your marriage?' 
He drew a breath. 
'I believe that's what some people call it.' 
I ate my salmon. 'Presumably something's kept it alive.' 
'The usual happy blend of sadism and masochism.' 
'Come on.' 
He left a pause. 'You're lucky, Dan. You've missed all that.' 
All what? 
'When you get beyond the hatred to the inertia. When you've metaphorically  
buggered each other so often that it's become a way of life.' I said nothing, and he tried  
again: a little more honestly. 'It's the kids. You know. At least she's never taken it out on  
them. We made a deal. Her price for letting me go my own unsweet way. I'm not really  
complaining.'
'I've forgotten how old the youngest is.' 
'Twelve. I'm hardly free yet, if that's what you mean.' He eyed me  
surreptitiously. 'I've told Caro all about it. It may be a mockery, but if that's the way  
Margaret wants her pound of flesh, it's not something I feel I can welsh on.' 
It was absurd: now he was defending his decency as a bastard. 
'I haven't the least desire to see you make an honest woman out of Caro.' 
'I didn't imagine you did, dear boy. I'm just trying to explain the situation.' 
'Your wife knows?' 
'That side of my life is my own business. Part of the treaty.' He stared across  
women at Oxford. I used to envy you. Your lot. Never quite making it with you. I sort of fell  
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for Margaret by reaction. As if I really did believe the clever ones bored me. Instead ofjust  
wanting them. My old man was a railwayman, I don't know if you remember.' 
'Vaguely.' 
I remembered well, in fact. He had brought it up rather gratuitously in one of the 
interviews I'd watched.
'All that Methodist bullshit. Marks you for life, once you've been through it. The  
myth of the nice little woman.' He gave a subdued snort. 'I didn't get the other side of the  
message. It takes a nice little man as well.'
room.
'You can hardly have picked on Caro for her brains.' 
'I've had the clever ones since then. Clever and nothing else.' He paused. 'I  
don't want to sound offensive, Christ knows we all moan about our kids. But I don't think  
Caro's brainless by a long chalk. Okay, she's disappointed you academically. But she's  
got quite a gift for handling people. Getting their number. And I don't just mean on the  
blower.'
'I'm glad to hear it.' 
I can't have sounded it, and he left another small silence. 
'I don't know if she told you, but she was out of her depth in the office at the  
beginning. I wanted to help her find her feet a little.' I waited. 'I've never gone in for the  
Fleet Street droitduseigneur game. That's not how it happened. I would like you to believe 
that. I was... taken by surprise as well. I know what it must seem on the face of it.' He  
glanced to see how it seemed on my face. 'I fully understand you must feel you need this  
like a hole in the head. But between Caro and myself she gives me a lot, Dan. I hope I  
manage to give her something in return. Something that as a matter of fact I thought was  
dead in me.'
Once again he was silenced, as our Dover soles were brought and served. 
'As long as it's not a desire to take a permanent lien on her life.' 
You said yourself, we're a little bit in the same boat. At least give me credit for  
sharing some of your feelings.'
There was a sharper edge in his voice. 
'Okay, Barney.' 
'That's not at issue. If I could just get it across that I think she's a smashing girl,  
that she's made me very happy, that I don't want to hurt her. That I didn't pick on her. It  
came totally out of the blue. A twoway thing.'
Against my will, I began to feel he was trying to say the truth, at least as  
regards the unexpectedness. Perhaps there had always been something profoundly  
anomalous in him, atavistic, beneath the hardboiled persona... I knew there must be  
something more in his marriage, however slightingly he spoke of it, than what could be  
described by words like 'deal' and 'treaty'. There also a parallel existed between us: his  
Methodist upbringing, my Church of England one. The shared rebellion, the enduring guilt 
at levels deeper than logic and reason can ever purge: it was an uncomfortable feeling,  
like finding oneself in the same cell, and for the same crime, as a man one repudiated on  
every other ground. I picked up my knife and fork.
'Shall we leave it at this?' 
'Has Caro suggested anything different to you?' 
'No.' I began to dissect the sole. 
'It was decent of you to come. I realize you didn't want to.' 
'I loathe having to play the Victorian papa. In this context, it's doubly absurd.' 
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'One's dear old homegrown Eumenides.' 
'If you want to put it that way.' 
He was still smoking, drinking wine now, indifferent to his food, but watching me 
at mine. 'She's terrified of hurting youyou know that?'
'I'm prepared to be hurt as long as she's happy. I've no right to any other  
attitude. I've tried to tell her that.'
I had a feeling he'd have liked to go on, and we should have entered a  
discussion of Caro's feelings about Nell and myself. But perhaps he guessed that I would  
not have allowed it.
'How's the sole?' 
'Excellent.' 
'They try. More than you can say for most these days.' 
leaving Caro in parenthesis, the match duly drawn. I felt depressed, secretly angry at not  
having been angrier, at having been90 so determined not to lay myself open to attack,  
and brought under scrutiny as a parent. I saw myself, too, in jenny's father's place. She  

was a late and youngest child and her parents her father was a doctor in Cheshire were  
both in their early sixties. We had never really discussed all that, either. They knew about  
us, she assured me they were broadminded, they wanted her to lead her own life  
Someone stopped by our table on his way out another face from television, though its  
owner was better known as a columnist. I had read a piece by him only that morning,  
written with the mordant wit that was his trademarkand his downfall. Over the years he  
had downed too much to have his moments of saeva indignatio taken very seriously. I was 
introduced, there was a little barbed backchat between him and Barney a different and  
somehow much more real Barney, on guard, on duty, wearing his fencingmask.  
Apparently the man was to appear shortly on Barney's programme, the thrust and parry  
was mainly about that. Barney asked me what I thought of him, when he went off. I said  
something about finding him a shade wasted: a potential Junius who had sold out to his  
own lesser gift.
'I want to have a go at him on that.' 
'Without forewarning him?' 
'He knows he's good enough to have it asked why he isn't better.' It was said  
drily. Then Barney shrugged. 'Anyway, who could be ajunius in a culture that's forgotten  
how to read?'
But he hasn't done too badly out of it?' 
'Oh sure.' Once again he was dry. 'The best we have.' 
appropriated, of a bad prime minister by a jealous rival, was not the single most English  
we were in, that day, seemed most to blame. At all those tables, other men like us and  
there really did seem, though it must have been fortuitous, an absence of younger or  
older faces other middleaged men hustling each other or preparing to hustle the world  
outside, in some ultimate treachery of the clerks.
Dan knew he had no right to stand aside, since the commercial91 cinema must  
many other students he had known at Oxford had been sucked down into this world, with  
become cogs in the communication machine, stifled all ancient conviction for the sake of  
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career, some presslord's salary. Barney had gone on to mention one of the other  
undergraduates who had shared their lodgings, who had then been a good deal further to  
empire... had stayed a socialist in private, according to Barney. Dan remembered him  
well, he had been rather an Orwellian figure, an austere and sardonic young oddmanout,  
despising both of them. They had used to call him Krupskaya's darling, he had pleased  
their landlady. Barney said it was a matter of compartments. 
'The one union you'd better be fully paid up with if you want to stay on Fleet  
Street is the Amalgamated Society of Schizophrenics.'
'He never felt like that.' 
'Oh, he thinks he still gets a message through.' 
'On that paper?' 
'Simple. Kid yourself the kind of tiny nuance your pro friends pick up rings a bell 
throughout the length and breadth of the suburbs.' He slid me a look. 'And sheer  
professionalism. You mustn't underrate that. I know one paper last year where part of the  
course for their tyro subs was analysing the brilliance of friend Goebbels's work in the  
Thirties.'
'I think I've heard enough.' 
'Maybe you have the quaint old belief that people buy newspapers to be  
informed.'
'Just amused?' 
'Not even that. Excused. From boring things like thinking for yourself.' 
'Is this why you switched?' 
'To telly? God knows. Lolly. A probably misguided notion I can do the threecard 
trick as well as the next man. And let's face it, it is where it is. To kill two cliches with one  
lie.' He went on less cynically, as if he suddenly saw he was countermanding the image  
he had presented when we were discussing Caro. 'There's honestly not much option  
nowadays, Dan. Heaven help the poor sod who can't stake himself a claim on the tiny  
screen. He'll never make it to the top.'
secretly, this ancient English game of hiding in the trees and judging the world outside. He 

was reminded, too, of Jane's contempt for the 'timeserving intelligentsia'. Her repressed  
himself nearer to her view than he had admitted. He had no belief in her cure for the  
disease, but he began to second the diagnosis. When the history of the period came to be 
written, the communications industry would have to go in the dock. Somewhere in Britain  
a conduit between national reality and national awareness of it had been fatally blocked.  
One might argue that it was inevitable, too predicated by factors beyond human control,  
block to take place, and to endure, had also to be charged. But Dan had a vision of a  
clogging spew of pundits and pontificators, editors and interviewers, critics and  
columnists, puppet personalities and attitudehucksters, a combined media Mafia squatting 
on an enormous drugheap of empty words and tired images, and conjoined, despite their  
private rivalries and jealousies, by one common determination: to retain their own status  
and importance in the system they had erected.
His was the most familiar of all twentiethcentury dilemmas, of course: that of the 
man, the animal, required to pay in terms of personal freedom for the contempt he felt at  
the abuse of social freedomand unable to do it. It was like being caught between two  
absurd propositions: between 'Better dead than Red' and 'Any freedom is better than no  
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that must extirpate the attacked central organ, freedom, as well as the cancer. 
Barney had migrated to brandy by then. The restaurant was already emptying,  
yet for some reason Dan sat on, listening mainly, prompting a little, and avoiding  
argument. Barney had returned to93 his own dilemma: how no one really listened any  
more, nothing registered, an audience of fifteen million was an audience of no one, the  
speed of forgetfulness was approaching the speed of light the letters he got, the cranks  
who misunderstood the simplest things that were said. He even dragged Caro back in,  
how he felt she was the first person 'in years' who actually did listen to and understand  
him: the cost of being a cynosure of the cretins and the Aunt Sally of the fastidious. 
Dan knew what was being stated: that when everyone wanted instant fame and  
significance, the lasting kinds were unattainable. Perhaps theirs really had been the  
unlucky generation. They had just caught the last of the old Oxford, which had trained  
them to admire and covet the enduring accolade of history, acre perennius as the  
supreme good... and just as the essential corollary, all the stabilizing moral and religious  
values in society, were vanishing into thin air. Reality had driven them, perhaps because  
they were pitched willyfilly into a world with a ubiquitous and insatiable greed for the  
ephemeral, to take any publicity, any celebrity, any transient success as a placebo.  
Barney's world had even fixed the rules of the game to make such shoddy prizes easier to 
gain and to bestow, and tried to cover the fixing, so that to criticize the glamorization of  
the worthless, the flagrant prostitution of true human values, the substitution of degree of  
exposure for degree of actual achievement, now invited an immediate accusation of  
6litism and pretention, of being out of touch. It infested all the morbid areas in their  
culture, the useless complications and profitobsessed excesses of capitalism, the plastic  
constructs: tellyland, popland, movieland, Fleet Street, the academic circus, the thirdrate  
mortalized by the fourthrate... Dan thought grimly of a bit ofj argon he had read  
somewhere in California. The cosmeticization of natural process. But Barney had said it.  
And now he was maintaining that the only honest year of his professional life  
was the one he had spent on a provincial newspaper before coming to London. It was  
clear that he judged himself fallen between a wise mediocrity and a genuine reputation.  
Time. Fear of death, the wasted journey, which was part of the old Puritan fallacy: life is  
either a destination, an arrived success, or not worth the cost. The soapbubble bursts,  
and looking back there seems nothing.
that he was also being manoeuvred, and more successfully than he allowed Barney to  
realize, into confessing his own selfdisillusionment that they were in the same boat in  
finally stood on the busy Covent Garden pavement outside the restaurant and shook  
hands, his was not quite a merely token grip. He would never like Barney, he would never  
forgive him over Caro, but he suddenly felt too old to hate him. He had hardly turned away 
into a taxi when a memory of Thorncombe came to him: of a rabbit dying of myxomatosis  
that he had chanced on one evening in one of the fieldshow he had stared at it, then  

walked on. He knew he should have dashed its brains out on the nearest gaterail... but  
when one has the disease oneself? 
He spent the rest of the day and evening alone at the flat. Caro was going  
straight from the office to a first night with Barney. Dan worked for a time on the Kitchener  
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would have liked to have rung jenny, but the difference in time prevented that, and he  
knew he didn't really want to discuss Barney with her. They had spoken again, and she  
knew what was happening there. He thought of ringing Jane in Oxford, but knew, or  
suspected, he would get little sympathy in that quarter, either. He couldn't work, he  
couldn't read, he couldn't face the television. In the end he wandered aimlessly around  
the flat, trying to decide whether he should sell it. Perhaps Nell had been right, and there  
Caro's inuninent departure the last good reason to keep the place, and even that, now,  
had gone. No one loves me, no one cares.
He waited till midnight, but she did not show. Soon after that, he wrote the day  
off as a loss (quite wrongly, since to feel biologically determined, fundamentally futile, was 
Solid Daughter
Caro appeared in a dressing gown. I had already finished my own breakfast. She looked  
some coffee. I asked her about the play, having just read an unenthusiastic review of it in  
the Times. It had been that sad, sour, Norwegian answer to Shakespeare's Tempest:  
When We Dead Awaken.
'I enjoyed it. It was fun.' She saw my sceptical grin. 'The evening. Not the play.' 
Did Bernard? 
'He thought the production was rather gimmicky.' 
'That's what the Times says.' 
'Yes? We had a drink with him, actually. During the interval.' 
This time I suppressed my smile at being made to feel provincial and a fool for  
not seeing that the past determination to protect her from the false glamours of my own  

world would make her leap at any other... and quite naturally. She came and sat down  
'I hear we didn't actually come to blows.' 
'All very civilized.' 
'He was grateful.' She looked down. 'Was the food all right?' 
'Yes. I was impressed.' 
'I had to bully them to get a table. It's always so crowded.' 
But then she was shy again, uncertain how to go on. 
'He didn't change my feeling, Caro. We left it that... but he's probably told you.  
As long as you're happy.'
'He said he talked too much.' 
'Not really. And it was interesting.' 
She sniffed. 'I can see I'm not going to do any better with you than I did with  
him.'
'Nothing you don't know already.' 
'I bet.' 
'Cross my heart.' 
'I bet you spent all yesterday evening tearing your hair.' 
'I did a little. But not about you. About the fiat.' She queried me. 'Whether you'll  
ever need it now. Whether I shouldn't sell it and find something smaller.' 
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'Just because I' 
'It's not that. I think I'm going to take a year off, Caro. As soon as the present  
script is finished. And live down at Thorncombe.'
'Thorncombe!' She tilted her head. 'What's going on?' 
'Nothing. Just wondering how you feel about keeping it on. I could also sublet  
until you wanted it.'
But she was suspicious now. 
'Are you sure this isn't because I'm ratting on you?' 
'Don't be silly.' 
She gave me a look under her eyebrows. 
'You'll go mad with boredom.' 
'Probably.' 
'What happened at Oxford?' 
'I've been toying with the idea for some time. And yes, a little. Even Bernard, a  
little.'
'Why him?' 
'Wanting a sabbatical? We agreed that's what we envied about academics.' 
'That's absurd. He'd die without his work.' 
'I feel like making a run for it while I've still got a chance of surviving. And now  
you're such a liberated and urban young Woman.'
She eyed me. 'You're a meanie. You've been holding out on something.' 
I won't go unless I have your permission.' 
herself some toast. She spoke as she cut the bread.
I don't know how jenny McNeil stands you.' 
Nor does jenny McNeil. Sometimes.' 
She put her slice of bread in the toaster. 
One parent moaning about living in Outer Siberia is quite enough.' 
'I promise not to.' 
She grimaced across the counter that divided the kitchen. 'You don't seem to  
realize how peculiar you are, your lot. Going around pretending what ghastly failures you  
are. Honestly, that play last night. I thought it was stupid. All that stuff about not having  
really lived. It's so depressing.' She went on before I could answer. 'Did your father keep  
implying to you that his life was all one huge mistake?'
'No.' 
'There you are then.' 
'But the first rule of his was that you never say what you really feel. Would you  
prefer that?'
'Not if it was the only alternative.' She stared down at the toaster. 'That's why I  
like Aunt Jane so much. She's the only adult in my life who actually seems to have done  
something about it.'
'About what?' 
Her toast popped up, and she came back with it to the table. 
'What you'vejust said.' She buttered, and I pushed the marmalade across. 'She  
said something about you the other day. When we had lunch. When I was going on about  
the way you've always made me feel I ought to be ashamed of what you do.' 
'What did she say?' 
'How you'd always been two people.' 
'We're all at least that.' 
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'She said you seemed to have cut yourself from your past more than anyone  
else. Even when you were all still at university.'
'I had a Victorian childhood, Caro. I had to get rid of it.' 
'Then she said you'd done the same to Oxford. When you left.' 
'There's nothing very unusual about that. So do most graduates.' 
'Then mummy.' 
'That also happens.' 
'She wasn't getting at you.' 
'I'm sure she wasn't.' 
She was taking an unconscionable time over spreading her marmalade,  
searching for words.
'She was trying to suggest why I might be a problem for you. Something you  
can't leave behind. Like everything else.'
'My dear girl, I'm not going to Thorncombe to leave you behind. I shall raise  
blue murder if you're not down there at least once a month.' 
,98 She began to eat, her elbows on the table. 'Do you think she was right?' 
'I'm not sure I like all this psychoanalysis at breakfast.' 
She gave me a very direct look. 
'Please.' 
'I could have involved you more in my working life. But I've never wanted you to 
like me for that.'
'You say my grandfather banned emotion, but you... ' then she shook her head. 
'I what?' 
'I just wish you'd talk to me more. About you. Instead of its always being rue.'  
She waved her toast. 'You suddenly spring this thing about the flat and Thorncombe at  
me, and I feel I'm back at square one. This mysterious person who flits in and out of my  
life. And who doesn't seem to understand I miss him now when he's not there.' She  
'Daddy, I'm really trying to tell you why I asked you to see Bernard. Why I told you. Aunt  
Jane didn't realize what she said was rather a shock to me. I mean, I had felt you know.  
What we said in the car.'
'Go on.' 
She picked up the toast again, breathed out. 'Just that I have a lot of past to get 
rid of as well.'
'And I could help more?' 
'I do feel much closer to you now than to Andrew. But it's absurd. I can still talk  
to him more easily.' She gave a little nod to herself. 'And I think it's because I know him,  
and I don't know you I feel I don't know you. That somewhere you don't want me to know  
you.'
I stared at the tablecloth between us. It was such a strange time and place for  
metaphysical cuckolding that must come at some point to all fathers: flesh of my flesh, but 
something beyond my genes, and her mother's. And I remembered Barney's compliment  
about her: getting people's number.
Is this to do with my going to California?' 
I did miss you.' 
Did you want to come?' 
'I thought about it.' 
'You should have said.' 
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'I felt you didn't want me.' 
'I funked your mother. I thought about it, too.' 
'I assumed it was something to do with jenny McNeil.' 
'Absolutely not. That happened there.' 
And we were left, after this little tumble of confessions, in a silence, writing  
other scenarios. I stood, and touched her shoulder on the way to the coffeepot on the  
'Caro, I suspect you have a notion that life gets simpler as you grow older  
because you can control it better. But for a lot of us it doesn't. It just exhibits a repeated  
pattern, and all one can predict is the recurrence of the pattern. As if one was fed into a  
computer at birth. And that's that. This is what begins to haunt people at my age.  
Bernard's. Whether we can ever escape what we are.' She said nothing, and I sat down  
again. 'You're asking me to pretend that I have no doubts about my life.. If I did that, then I 
think we really would be back at square one. Also I'm a writer. We're traditionally very  
poor hands at onetoone relationships in the flesh. Much better at inventing them for  
mythical other people. One reason I want to take this corning year off is to try to analyse  
all this.' I looked down. 'Perhaps on paper. I'm thinking of trying a novel.' 
'Seriously?' 
'Secretly. So please don't pass it on. That's an order.' 
'What would it he about?' 
'Tropes and metaphores.' 
'What are tropes when they're at home?' 
'All the things I can't tell straight.' 
'Why is it such a secret?' 
'Because I don't know if I can do it.' 
She gave me a mock reproving look. 'So much for rectangular things.' 
I grinned, she had harked back to a sarcasm I had once inflicted on her, in her  
more debutante days. She had asked me (with an air of accusation) why I knew 'so much'  
about 'everything'. I had said something about the difference between truly knowing a lot  
'queer rectangular things with cardboard covers' that were stacked on the shelves of the  
picked up the knack of reading. Ever since, books had become 'rectangular things' in our  
private vocabulary.
'And why are writers bad at relationships?' 
'Because we can always imagine better ones. With much less effort. And the  
imaginary ones grow much more satisfying than the real ones.' 
'Is that why you try to leave the real ones behind?' 
'I don't know, Caro. Perhaps. The real trap when we dead awaken is not so  
much that we find we never really lived. But that we can't write any more. You create out  
of what you lack. Not what you have.'
then she glanced at the kitchen clock.
'Oh God. I must go.' She stood and transferred her breakfast things to the  
counter, but then gave me a smile down. 'Can you remember what it was like? Trying to  
understand what everything's about?'
'Of course.' 
'I'm a pest.' 
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'No.' 
'You're not angry with me?' 
'Never.' 
She hesitated, searching my eyes, then went away to dress. But she came in to 
the livingroom a few minutes later, and across to the table where I worked. Then she  
to the door, but turned there.
'As a punishment for being such a miz, you're going to have to eat my veal  
blanquette tonight.'
Do you want me to buy anything?' 
She thought. 
Indigestion powder?' A grin. 'You're safe, actually. It's one of Aunt Jane's  
recipes.'
Then she was gone, and Dan was left to reflect undisturbed on the  
recipeprovider's judgment on him. It was fair, but it rankled that she should have had to  
explain him so to his own daughter. No doubt it had been put tactfully, as Caro had  
attraction to systems of absolutes that had once driven Jane into the Catholic Church and  
now apparently threatened to push her halfway to Moscow... all that had caused the  
original schisms between them. Clearly she had been hiding it when they met or rather,  
hiding it increasingly as the meeting became on the surface more open and truthful.  
Somewhere Dan was still the responsibilityshirking grasshopper, she the dutiful ant. 
But very soon after Caro had left he was already, partly proving his own  
argument to her about writers, thinking less of Jane in the flesh than of her uses, when  
perhaps precisely because of the feminine and characteristically English cast of her  
nature. The secret lay somewhere in what he had always liked least about her and  
Anthony: the streak of priggishness, of censorious insularity, of parochial ethics. Behind  
all that lay an essence of what he had to come to terms with, and let himself be judged by. 
He began to see the ghost of a central character, a theme, of a thing in the mind that  
might once more make reality the metaphor and itself the reality... a more difficult truth  
about the invention of myths than he had had the courage to tell Caro. Spending a page  
or two on it is not quite outraging verisimilitude, since that morning Dan did, for an hour,  
pushing Kitchener to one sideand very possibly some of the uncomfortable home truths  

just told start assembling a few notes on why he should leave the sanctuary of a medium  
he knew for the mysteries and complexities of one he didn't. 
The Sacred Combe
I remember, as a boy, putting the familiar old poser to my father: If God created the world,  
why did he allow evil in it? I received the familiar old answer: so that man may be free to  
choose between good and evil and then, with Christ's help, show moral perfectibility. This  
pat solution to the conundrum did not really satisfy me. Perhaps an already budding  
embryo cynic certainly wondered why the system could not have been planned to provide  
at least an equal power of choice, and of will, in the victims of it. 
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At the time I asked the question I was like every other middleclass child,  
great principles of the then English middleclass view of life, that only cads cheat, that  
sportsmanship is next to godliness, were foolishly instilled in us as overriding controls  
even more rigorously than the laws and techniques of the lessons we studied and the  
games we played. It was handing us a balloon in one hand and a sharp pin in the other.  
Sooner or later the two were bound to make contactand of course have made resounding  
contact all through English (and American) history, as time and time again the distended  
belly of social injustice has been lanced by the fairplay fanatic on the central committee of 
the national psyche.
Abbots' bellies and arrows out of secret leaves... during a brief spell between  
contracts in the early 1960s, I tried to write a script purely to please myself on Robin  
Hood. But I committed the cardinal error of making my (largely invented) version grimly  
it. Just as I failed at the time to see its true bearing to my own past, I had failed to see why 

we have turned this archetypal national myth, perhaps the only one, outside the Christ  
story, that literally every English person carries in his mind all through his life, into a  
Disneys and Errol Flynns of this world. It is a myth based on hiding, and therefore we  
have hidden its true importance ever since it first balladed and folkrumoured its way into  
being though even that genesis, from a people, not a single mind, gives the real game  
away. It is too profoundly about being English not to need endless camouflage,  
belittlement, relegation, goodhumoured contempt... for eternal children, not contemporary  
adults.
It is also a good deal more relevant to the general artistic experience than the  
fashionable parallels drawn by some English and American novelists with the Creator of  
my first paragraph. If there is a God, he or she (or it) must be supremely and chillingly  
unconcerned about a number of things to which individual thinking and feeling specks of  
matter rightly give priority pain, equality, justice, and the rest. The only sustainable divine  
parallel is with a completely aleatory artist, who composes his work on purely random  
principles, and who therefore does not compose it at all and even then this hypothetical  
God is evidently playing with such infinitely more complicated dice that the analogy is  

worthless. 
The one principle the ordinary writer tries to abolish from his work, at least in  
the finished text, is precisely that of randomness. He calculates, plans, strives where the  
in intention as rigid and preconceived as a piece of machinery or an architectdesigned  
so he is rearranging or inferring, even when he writes about what has never happened or  
even what will or can never happen.
Much more significant is the desire to create imaginary worlds other than the  

world that is the case a further matter in which the God of the theologians seems  
personally not interested. This desire, or need, has always been strongly linked, at least  
in my own experience, with the notion of retreat, in both the religious and the military  
or greenwood myth changes from merely symbolizing folkaspiration in social terms to  
enshrining a dominant mental characteristic, an essential behaviour, an archetypal  
movement (akin to certain major vowelshifts in the language itself) of the English  
imagination. 
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I can illustrate it in a very different way, once more with my father's help. He  
had another minor theological interest (as with Dissent, based on disapproval, not  
the other flirters with Rome received particularly black marks for that very singular, and  
very English, part of their heterodoxy, the theory of reserve: the necessity of hiding inner  
religious mysteries and feelings from the vulgar. To my father this showed the inherent  
'enthusiasm', who indeed in most daily matters was a perfect embodiment of the theory he 
so disliked, it was not convincing. Misled by externals, he had simply failed to see how  
quintessentially English the Oxford Movement was.
I experienced this retreat (or reserve) much more strongly when I wrote plays,  
tenuous concept with other people's themes, such as the one I was currently engaged on, 
even there it existed for as long as the treatment remained partial, fluid, still malleable. I  
might complain, but I also knew it was in many ways the most enjoyable time, and  
precisely because of this necessary aspect of retreat, of secrecy... as one might feel to be 
the first man ever to set foot on a desert island, a new planet. No one else had yet been  
there, however stale the place might turn out to be when it was finally thrown open to the  

world. 
Many years ago I chanced on an English translation of one of the most  
fascinating of all selfrevealings in European literature: that strange Frenchman Restif de  
la Bretonne's masterpiece, his romanced 1 autobiography, Monsieur Nicolas. There is a  
passage in the early part of the book, where he is describing his peasant boyhood in a  
remote Burgundian village in the 1740s, that entranced me when I first read it, and which  
has ever since given me a label for, and a key to, this inward retreat. 
He tells how one day, his father finding himself without his usual shepherd, he  
miraculously lush, green, secret, and full of birds and animals... a hare, a roebuck, a pair  
of wild boar mating. A hoopoe, the first he had ever seen, flew down and began feeding in 
a tree of wild honeypears. He felt these creatures were in some way tamer and more  
magical here than outside, so that he had a sense of trespassing. But it immediately  
passage with a gathering of other young shepherds and shepherdesses, feeling 'the state  
of man before kings and laws and prohibitions'. Using a dialect word of the region he  
baptized the place simply la bonne vaux: the valley of abundance, the sacred combe. 
Restif's is, in fact, a quite uncannily close premonition of a vision the English  
associate more readily with the Samuel Palmer of the Shoreham years: of a place outside  
the normal world, intensely private and enclosed, intensely green and fertile, numinous,  
haunted and haunting, dominated by a sense of magic that is also a sense of a  
mysterious yet profound parity in all existence. Of course it recurs again and again in  
literature and art, in one form or another, from the sublimities of the Garden of Eden and  
the Forest of Arden to the 1930S hokum of James Hilton's Shangrila. But perhaps  
because my discovery of Restif 's life, mind and sensibilities (his eroticism, his acute  
sense of presentness and pastness and his instinctively cinematic eye also appealed  
deeply) was, despite the language barrier, one of those experiences that go well beyond  
the literary and objective into something like the finding of a lost parent, a lost elder  
brother, perhaps because Monsieur Nicolas has mysteriously failed to gain its true place  
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among the other great autobiographies of European literature, and so outside France  
remains in itself something of a secret, my own favourite Quarlesian emblem for this  
phenomenon remains la bonne vaux.
It is this, the sacred combe and all it stands for, that explains why I was losing  
why the cinema has never had patience at all for the English. 
The film cannot be the medium of a culture all of whose surface appearances  
mislead, and which has made such a psychological art of escaping present, or camera,  
reality. For us English the camera, a public eye, invites performance, lying. We make  
but for our private reality we go elsewhere, and above all to words. Since we are so  
careful only to reveal our true selves in private the 'private' form of the read text must  
serve us better than the publicity of the seen spectacle. Furthermore the printed text  
allows an escape for its perpetrator. It is only the spoor, the trace of an animal that has  
language, a trace left far more in the reader's mind (another forest) than outside it, as in  
the true externally apprehended arts like painting and music. 
With filmmaking our real 'block' is our secret knowledge that any true picture of  
the English must express what the camera cannot capture the continual evasion of the  
inner self, the continual actual reality of saying one thing and thinking another. Or one  
might reverse the proposition: no novel about the English that can be successfully filmed  
is a true picture of them. The eternal bar is that the elusive and eluding nature of the  
inability to make good films about ourselves, or to produce artists of the stature of a  
Bergman, a Bufluel, a Satyajit Ray, springs very largely from that. 
I had in any case nurtured a deeper and less local quarrel with the cinema and  
these two are beyond that role now, and into that of usurpation. They sap and leach the  
experience, the effect is paradigmatic, affecting by analogy much beyond the immediately  
seenindeed, all spheres of life where a free and independent imagination matters. The  
since no one cigarette can in itself cause cancer, smoking holds no danger. 
In short, and in spite of their vaunted virtues as disseminators of Popular art  
and instant democracy, I had long begun to smell something rotten in the state of both  
have begun to wonder about the Nazi Party. I had begun to see something ominously  
stereotyping, if not yet positively totalitarian, in the machine and its servants. Somewhere  
the cinema, like television, was atrophying a vital psychic function: the ability to imagine  
for oneself. But, just as there were no doubt many Germans who did not like the Nazis, yet 
felt treachery to their country a worse crime, I had for years blinded myself to these  
feelings, and to a great extent because I was not their victim. It was illogical, to say the  
least: because Dan was proof to the drug, he could allow himself to go on manufacturing  
it. But he had found other reasons too.
As every Marxist critic has pointed out, this withdrawal from outer fact into inner 
fantasy is antisocial and inherently selfish. Every artist lives in an equivalent of my old  
community art aspects, the comparative quickness of the creation period, had at the  
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beginning seemed healthy away from masturbation into copulation, in the terms the  
industry so cherishes the same something had in the end increasingly starved me of this  
solitary pleasure in retreat, in reentering 'a bonne vaux... and perhaps made me seek  
compensation in other forms of retreat, of the kind Jane had suggested to Caro. 
I knew it was far more this that was driving me towards the idea of a novel than  
any intrinsic love of the form. As a reader, drama and poetry had always meant much  
more to me. I simply sensed a far greater capacity for retreat in fiction. In Robin Hood  
terms I saw in it a forest, after the thin copses of the filmscript... and a risk. So much of the 
work I now did in the cinema was guaranteed from the start. Only too often the money had 
occasional snags and disappointments.
I had had a sequence in the Robin Hood script that I see now was more  
prescient than I realized at the time. As a relief from the action and barbarity of some  
surrounding episodes, I imagined a summertime when the living grew fat under the  
greenwood tree (the quintessence of 'a bonne vaux is its transience), and the morale of  
sour, when the outlaws in nature became the outlawed by nature, selfindulgent and lazy,  
as privileged in their way as the privileged men outside they had first taken to the woods  
to escape. This had perhaps lain obscurely behind my feelings about Barney and his  

world and my own, by extension: of a privilege gone sour, habitual, conditioned. We had  
allowed an elision from hating our own twentiethcentury Sheriffs of Nottingham, our  
society, the way the world was going, into being content merely to retire to the sidelines. 
In the script I had solved this inertia by violence, the rape of a village girl by two 
hang the two men, the second by forgiving them, the acceptance of his own ultimate  
responsibility, as the leader and will of the enterprise. 
And now, in London that morning, under the influence of the last twentyfour  
hours, and of that at least partial confession of Caro of what I had in mind a confession I  
hadn't really intended, had half come out with to placate her, half to make it a little more  
difficult to renege I began to see the kind of trap I was in. A potentially further retreat, with  
no guarantee that I could return from it as I had made my Robin Hood (convenient man of  
action, puppet, hireling... a highscrupled brigandat least I read Byron with more  
understanding afterwards) return.
One note I wrote that morning ran: A character who must be seen in flight, like  
a bird that hasforgotten how to stop migrating. Then: What makes him stop? 
The irony is that all artists, at least in the process of creation, are much more  
'divine' than any first cause one might arrive at, theologically or scientifically, on the  
nonetheless, even that limited freedom is far greater, because of the immense forest  
constituted by the imagined, because of the permission Western society grants them to  
roam in it, than any other form of human being, except perhaps the mystic and the  
madman, can attain. That is the one reality, and it is largely unconnected with the  
reception the public accords the eventual product of the retreat. 
But the distinction between the craftsman and the true artist is09 precisely  
between knowing what one can do and not knowing which is why one occupation is safe,  
and the other always incipiently dangerous. I had only to glance back over my work to  
know which category I belonged to in the overwhelming bulk of it: it reeked of safety,  
mainly because it had been written out of what I (and my studio masters) knew the world  
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wanted to hear, and less and less out of my whole knowledge of reality, both personal and 
public. My most damaging substitute retreat had been from the awareness of that. That  
was the horror of landing that drove the bird endlessly on: the risk of the real ground. 
The wilderness, whose worst temptation is not to return. f f had a preferred line  
in the modern novel, it was the one that began with Henry James and descended through  
society, who have known, and known exile from, la bonne vaux. We all like to think such  
personal preference reflects a general criterion, but of course it also, always, stems partly  
from personal failing betrays what we lack, what we long for from and in our lack. I made  
one other note that morning.
If a life is largely made of retreats from reality, its relation must be of retreats  
from the imagined.
Ritual
A number of far more mundane things seemed in any case deter. mined not to make  
Dan's literal retreat to his own South Devon combe easy. There was the inquest and the  
they had, that evening of the breakfast psychoanalysis, talked a good deal more, and far  
decision for a while. Dan hoped her side of the havering represented a tacit recognition  
that the affaire with Barney must end one day.
Finally there was David Malevich, who had put the Kitchener hangrope round  
after he got back from Oxford, only to find, from the producer's secretary, that she had  
been about to ring him. Her boss was out of town, but flying to London in a few days' time, 
and urgently wanted a meeting. That 'urgently' jabbed Dan's conscience. Between  
domestic and family things, he tried to get back to his last. The premonition he had had  
that night in Oxford turned out to be not quite illusory. There was at least a trickle of badly  
technical problems began to seem more interesting than tiresome. Being in England again 
Malevich was a long way from the stock satirical notion some crass  
bespectacled toad surrounded by telephones, tits and cigarsmoke of the American  
producer. He did not even look the part, being tall, slim and dauntingly fit and  
younglooking, despite his nearbaldness, for his fiftyfive years. He had once reputedly  
allowed a dispute with an actor he wanted over an extra twenty thousand dollars to be  
version of the story has it that at the end of the game he went up to the net and" offered  
the money back on condition it WaS spent 011 tCI1IS1S lessons. But I doubt that. He was 
hot on budgetparing. He neither smoked nor drank, and dressed as soberly as a New  
England businessman. He would have passed very well as a successful corporation  
lawyer or a Wall Street banker, both professions he was suited for not merely physically  
and satorially.
This was the third script Dan had done for him and he knew Malevich listened  
also would not tolerate his directors improvising on final drafts which had gained him the  
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sobriquet 'Genghiz Khan' with at ]east one of them. Dan was unkind about him to Jane,  
since it was he who had once held forth about LeviStrauss's ideas... and not really tryingly 
at all. He was literate for his trade, even though he tended to use its jargon when talking  
business. Beneath the showbiz acumen and the skill at packaging, there lay a romantic  
idealist, almost a dreamer. He had come to the cinema after a successful spell as a  
almost any independence is taken as a vicious personal affront. 
He had had one or two disasters, and a high failure rate (including one of Dan's 
two previous efforts) in terms of projects he had never managed to push beyond script  
bring audiences in had proved a good deal more perspicacious than most of those of the  
big studios. He once took a script he had touted round all the majors without success and  
considerably more than the costly white elephant one of his Hollywood refusers had  
wasted a fat part of their annual budget on. A year or two later Malevich had somehow got 
hold of a copy of their internal costandreturn breakdown (not the sort of figures that ever  
see the public light of day) and promptly had it bound up with a copy of his own  
balancesheet, then sent it to the studio head concerned along with a brochure about  
retirement homes in some remote corner of Florida. He retained an engaging venom for  
anyone who had ever turned him down without good reason. 
Dan, not having done castofthousands work since his attempt at the genre in  
the days with Nell, had laughed when first presented12 with the Kitchener idea. But the  
producer had argued in his usual dry, obstinate way, his theory being that despite  
Vietnam there was a considerable latent nostalgia in the States for imperialism, and  
especially when someone else could be seen to be doing the imperializing then there was 
the war stuff, the other famous historical figures who could be pulled in by the hair of their  
Dan knew about the old man at that stage could have been written on the top of a  
matchbox. He made the error of ceding a little ground: he might just be interested if the  
folly of imperialism could be shown, and there was the nice irony of that famous finger  
recruiting for the world war imperialism had finally caused. Malevich treated this obvious  
idea as a stroke of geniusprecisely why he had come to Dan, he wanted a sound script  
before he started assembling the rest of the package. Dan didn't fall for that, and still  
played coy.
But then there was a letter assuring him there was no shortage of development  
took another lunch. But by then Dan had done a first research himself and decided that  
Kitchener was an odd enough character (there were a number of interesting preechoes of  
T. E. Lawrence, as Malevich had already pointed out) to give him a foothold. He knew the  

weird and Dombeylike mixture of acute shyness and determined megalomania could be  
turned into an agreeably complex part for any actor worth his salt (just as this same  
mixture helped him guess why Malevich, a Jugoslav Jew in his origins, had developed this 
unlikely interest in the man who invented the concentration camp). Even the lack of any  
visible sex life in Kitchener, either straight or bent, had potentiality. 
the mass of material that had to be included, all the places and events, all the Gordons,  
Bothas, Curzons, Churchills and the rest who had to be marched on. Something had to  
give, either proper dramatic development or historical facts, and the juggling Dan was  
reduced to had been what irritated him most. He had settled (rather as a drowning man  
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clings to a lifebelt) for one small formal trick. He wanted to catch Kitchener somewhere  
flashback and flashforward to the rest of his life. Many years before, when he was living  
with Andrea, he had been to Egypt. She had had a touch of pleurisy one winter, was off  
her off for a cruise down the Nile. They had stayed on a few days at Aswan, and fallen for  
one of the islands in the river there: Kitchener's Island. Dan had no very clear memory of  
it, beyond its exotic trees and liquid green peace against the surrounding desert, the  
feluccas drifting by, but that seemed a good calm launchingpad for all the sorties into the  
bloodandthunder the other countries, other times.
I knew David well enough, when he duly turned up in London and we were  
sitting opposite each other at the Connaught, not to pretend that everything was going  
dropped, baulked at another, the 1894 row with the Khedive, which I knew would cost me  
time and David money at least he'd like to see it on paper. Having won that point, he went  
on to praise the idea of using Kitchener's Island as a kind of hub for the spokes of the  
'I like it, Dan. We won't beat it.' 
'A similar island won't be too hard to find. It's getting that lesert background.' 
He eyed me, nodding his head. 'Maybe we should think again?' 
'I'd hate to do that. There must be somewhere.' 
He sipped his applejuice, then suddenly gave me a little smile. I should have  
remembered he was also a firstclass cardplayer.
'Alternatively you could ask what the hell a busy man like me's doing here.' 
'I thought you'd told me.' He had said he was going on to Rome about another  
project.
'I'm flying to Cairo first. Tomorrow.' 
'You don't mean...' 
'Want to come along?' 
'Shoot in Egypt?' 
He grinned. 'The Israelis do it. All the time.' 
'Well exactlyisn't there a slight political problem?' 
'Jews with guns and Jews with dollars are two different things.' He made a  
gesture of giving away. 'You have your island. The way their Washington embassy are  
talking... anything.'
'And you don't mind...?' 
He shrugged. 'So I'm barred a couple of bridgegames.' 
'That's marvellous, David.' 
'I hear the light's something.' 
'As good as California. Better. No smog.' 
'They even have some kind of setup down at Aswan. Studios, technicians. If we 
need them. Extras a dime a hundred. Per week. Camels for free.' He began to eat again,  
but couldn't resist prodding his fork at me. 'You still don't know a good producer when you 
see one.'
'And the Cairo scenes? Suakin?' 
'Could you make it tomorrow?' 
I explained about Anthony. 
'That's too bad.' He thought a moment. 'This is what I'd like, Dan. Soon as you  
can, you get yourself out there it'll make a nice trip? I'm flying straight back from Rome to  
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New York, but I'll have my office give you who to meet and what to see. They'll fix  
everything there. They want us in that badly.' One of his eyelids twitched. 'Daughters,  
wives... you name it.' 
'I think you're confusing Arabs with Eskimos.' 
'Not the gentlemen I've been talking to.' 
'I'm delighted.' 
'So let's enjoy it.' He decided he didn't want any more of his steak, and leant  
back. 'When's Jenny McNeil through?'
Three or four weeks. If they don't run over.' 
Take her. I hear she's earned it. He saw me hesitate. No? 
'I'm behind as it is, David. I'm not sure I shouldn't scrub it. I have been there.  
Enough for what I need.'
'And you know what I do to writers who don't deliver on time.' 
'My point.' 
We were smiling. He looked down, then up at me, more serious. 'I want this to  
be really something, Dan. Screw the date. If you need a couple of weeks more... ' he  
opened his hands. 'What's two weeks?'
's 'Let me sit on it.' 
'Just tell the London office. They'll fix the visas, all that junk.' 
'Fine.' 
He folded his arms. 'Now let's talk directors. Guess who I had lunch with last  

week.' 
But in the taxi home Dan decided firmly that he must not go. It wasn't  
manager's job, not his. He was also more behind than David had realized, nowhere near  
even half finished, and with less than half the contract time to run. In addition it seemed  
one more running away from all those lives he had just reentered: a resort to that most  
pernicious and enduring 'privilege' of the film world, the supposed freedom to be above all 
normal considerations of duty, routine, economy, selfdiscipline. He didn't even tell Caro,  
when he saw her the next morning and she asked how the meeting had gone. 
A day later he was in Oxford again, to attend the inquest. He went straight to  
the court where it was held, as his train cut the timing rather thin. Jane and Rosamund  
look after his son and heir, still ill with the mumps. There were two or three ranks of other  
people, one or two obvious reporters, what Dan presumed were a sprinkling of university  
friends and colleagues, though perhaps mainly just the unemployed curious. The medical  
and postmortem details were gone into, the nurse who had last attended Anthony gave  
she had been surprised, it had been against all his religious beliefs. He had never  
discussed doing such a thing. She could not recall ever having discussed the matter in  
general with him. There was no family or financial problem that might have caused him  
distress. He had been kept fully informed of the prognosis, he was well aware that he had  
little time left... and so on. She was very composed, levelvoiced, and especially when the  
elderly coroner asked her if she knew of any special reason why he had chosen to  
'terminate his life' on that particular evening.
'Of none at all.' She went on, 'He had seen an old friend my sister's former  
husband whom he had particularly asked to visit him. I know he was very much looking  
forward to this and so far as I could tell, both from my husband and Mr Martin afterwards,  
he greatly enjoyed it.' 
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'You were not present yourself at this meeting?' 
'My husband asked if in the circumstances he could be selfish and have Mr  
Martin to himself. They were very close friends here as students, at the same college, and 
they hadn't seen each other for many years.'
abrupt and nasty intuition that he was not going to get off so lightly. It was soon put to the  
test, when he took Jane's place.
'May I ask why you had not seen the deceased for so many years?' 
'There was considerable bitterness at the time I was divorced by Mrs Mallory's  
sister. I was very largely to blame for that. I'm prepared to explain why, if you think it's  
relevant.'
'I am concerned only with that evening. May I take it your meeting was  
essentially one of reconciliation?'
'Yes.' 
'And the mood was as one would expect?' 
'Very much so.' 
'Did you discuss other matters?' 
'What had become of us over the years. That kind of thing.' 
'Was suicide mentioned, however obliquely?' 
'Not at all. He even made fun of me at one point for having rather pessimistic  
views on the state of the world.'
'Was any other anxiety or unhappiness other than the obvious one caused by  
his medical condition mentioned?'
'He was a little sceptical of the value of his academic work. But a certain  
amount of selfdenigration there had always been a trait in his character. Ever since I first  
knew him.'
The coroner permitted himself an austere smile. 
And in your opinion of no significance to this inquiry?' 
'I am sure not.' 
'As you left, did you have any hint given you of what he intended to do?'17  
'None whatever. I said I would visit him again the next day. He showed every sign of  
looking forward to that.'
'In retrospect, is it your impression that he had formed his resolve before you  
met him? Or for some reason, after?' He stopped me answering. 'In other words, do you  
think it was premeditated or done on the spur of the moment?' 
'So far as our meeting indicated, the latter. But I think it was more in his nature  
and his profession perhaps to act in a premeditated way.'
'You are suggesting, hypothesizing, that his mind was made up before this  
meeting of family reconciliation and that in effect, once the meeting was happily  
concluded, nothing remained to hinder a previous decision?' 
'I find that more plausible.' 
'To the extent that he had been to blame for the rift between you, he felt  
atonement had been made? I believe you came from America at his request?' 
'The answer is yes. To both your questions.' 
'But he did not put it to you that some last debt on his conscience perhaps more 
considerable than anyone realizedhad been honoured?'
'He was sorry it had taken so long. So was I.' 
'But it was not said explicitly now I can go in peace?' 
'Definitely not.' 
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'Or implicitly in any manner?' 
'If I had had the least suspicion, I should have warned Mrs Mallory before we  
left the hospital.'
He hesitated. 'I am not clear why this meeting was not arranged sooner.' 
'I presume it was because I was in America.' I jumped in before he could pursue 
this line. 'I did mention when we met that I wished we hadn't left it so late... in the course  
of his illness. I can't recall his exact words, but I think this very kind but quite unnecessary 
desire not to trouble me with his personal tragedy was not overcome until recently.' 
'By which time it had evidently gained considerable importance in his mind?' 
'Yes.' 
'Did lie seem to take an undue portion of the blame for this unhappy  
relationship between you?'
'I was not only legally but morally the guilty party in the divorce action. The real  
cause of war was a play I based on the circumstances of the divorce, but which travestied  
the true parts played in it by all concerned.'
The coroner smiled. 
'Your frankness does you credit. But it doesn't answer my question.' 
'I'm sorry. I thought he was being overscrupulous in taking any blame at all for  

what had happened.' 
'May I inquire where he considered himself at fault?' 
'In not having forgiven me my sins?' 
'A deficiency in the quality of mercy?' 
'He felt he had strained it.' 
'And though unjustly, condemned himself? How severely?' 
'I mustn't give a false impression. All this was discussed quite lightly. Not  
without humour. Rather as two people smile at past mistakes.' 
'But may he not, especially in view of his religious convictions, have viewed the  
matter more seriously than his outward manner suggested?'
'I find it hard to believe that his suicide represented some form of penance or  
selfawarded punishment. His behaviour throughout our conversation was perfectly  
rational. He even told a couple of amusing stories. I found him emotionally and  
psychologically very little changed from the man I remembered.' 
'You are saying in effect that although this guilt he felt for not having healed the 
rift earlier may have been a minor factor, it cannot have been the prune cause?' 
'In myjudgment. And I know Mrs Mallory shares my view. We have, of course,  
discussed the possibility.'
He looked at his notes again. Dan had an idea that he knew he was not getting  
the whole truth and was half inclined to dig further. But in the end the coroner nodded.  
Dan could stand down. Very soon after that, it was all over. 
He went back and had lunch with them all, and met Jane's other two children,  
Paul, his only consolation being that Andrew's attempts to jolly the boy along did not  
succeed much better. There was something oddly withdrawn and sullen about him,  
death and part didn't want to belong to this family at all. He too was rather tall for his age,  
Anthony's child again, but totally without his directness. He seemed prepared to look at  
anything but other people's faces. Jane tried to cover for him, but Dan could sense her  
inner trouble.
He had no chance of speaking with her alone, but Andrew had come  
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determined to organize the family weekend at Compton, and suggested the next but one,  
in a week's time, since it was then a Friday. Anne was returning to Florence, Roz wasn't  
sure she could come, but Dan said it would suit him and, he hoped, Caro. Then it  
emerged thatJane wanted to take Paul on back down to Dartington for the Monday  
following and Dan joined in the organizing. Caro and he would drive up to Oxford and take 
son could spend the Sunday night at the farm, then she could catch the train home when  
she wanted. He could see she was inclined to refuse, she turned for tacit support to Paul  
he shrugged, 'I don't mind,' as if he did but Dan had a better ally in Rosamund. He had  
begun to take to her even more during that lunch: there was something positive about her, 
where Jane stayed veiled, oblique. Andrew had started ribbing her about Germaine Greer 
and Dan liked her forthrightness. She lacked Jenny's looks, but she had similar qualities  
elsewhere. She drove him to the station again and this time he made her promise to have  
dinner one day soon in London.
The day after the inquest saw the arrival of Jenny's 'first contribution'. It gave  
sharp, too sharp objectivity, the 'youandme' made 'them'. That she could write so candidly  

was less of a shock, since he had once, without her knowledge, read one of her letters  
home before she had sent it oil'. That had been about Los Angeles and the film, written to  
amuse, to an actress friend, but20 even there he had felt a tiny alienation, a revelation of  
someone lie did not know.
Love is so strange, so conducted, since time began, under the illusion that it  
psychological ways. But it is also based on some profoundly blind assumptions, the prime  
fantasy being that the nature of the loved one during the first passionate phase is the  
everlasting true nature. But that phase is an infinitely delicate balance of reciprocal  
illusion, a meshing of wheels so finely cogged that the slightest atom of dustthe intrusion  
of hitherto unrecognized desires, tastes, twists of character, any new information thrust  
into the idyllcan wreck the movement. I knew this, I had learnt to watch for it as one learns 
other smaller incidents earlier in my relationship with Jenny. When she discovered my  
she forgave me. Assimilated, these threatened obstacles join. I am simply saying that her  

chance that evening, since she rang me during her Californian lunchbreak, I was  
recovered, though not quite prepared to admit it.
'Has it come?' 
'Yes.' 
'Are we on speaking terms?' 
'Just about.' 
'Dan.' Yes, Jenny.' Well, say something.' 
'I can hardly say I didn't know you had it in you.' 
'You are offended.' 
'Just slightly stunned you can be so honest.' Its not you. Just an idea for a  
character.'
Liar.' 
'I dried twice today. Thinking about you. Wishing I hadn't sent it.' 
Yo write very well.' 
I wish you'd burn it. Pretend it never happened.' 
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'No chance.' 
There was a silence. 
'It's because I miss you so much. It's talking to paper instead of you. That's all.' 
'But more frankly.' 
'You don't ask why I miss you so much.' 
'Tell me.' 
'I've decided to take that part. I've said yes.' 
'Good. I told you you should.' 
'Now I feel I've burnt my boats. Done your dirty work for you.' 
'Don't be silly.' 
She said nothing for a moment. 'You know who I learnt more frankness off.' 
'Then the teacher feels taught. Professional jealousy.' There was another  
pause, I could almost hear her breathe out in frustration. 'And scared stiff that if he doesn't 
sound hurt you won't send him any more.' Still she said nothing. 'You can't leave it just  
there.'
'It was trying to tell you how it felt. In the beginning.' 
'I'm interested in how it feels.' 
'It feels you may soon be the first man to be strangled via satellite.' 
We went on like that for another five minutes, though I let her know by the end  
that she was being more teased than resented, just as her determination 'if I have written  
anything more' never to let me see it was maintained in the same spirit. By the end of the  
call I had become the one to be forgiven... or not forgiven. I was reminded that while I was 
going through a jolly evening in 'my booklined study' she would be spending her afternoon 
naked in bed with the Prick. She was not as squeamish as some actresses about that kind 
of scene, and the one I'd written (of course long before she got the part) was postcoital,  
more comic than passionate. I knew she hadn't been looking forward to it, but she had  
rung off before I realized that her call had been as much about this, to get a little courage, 
as about what she had written. I woke myself up early the next morning to ring her in the  
Cabin when she got home. The scene had gone not too badly, not too many takes, and  

we made up: I had been pretending, I wasn't really hurt, and I wanted to read more. 
I have never much liked funerals, perhaps because one of my father's  
peculiarities was expecting Aunt Millie and myself to be present when he officiated at  
those of anyone who had the smallest standing in the village, and I had sat through so  
many of the accursed things. Anthony's gave me no reason to change my mind. The  
Catholic version of the ritual provided one slight variation, and there was a nice little  
donnish speech in praise of the defunct from one of his faculty colleagues. The event  
attracted a rather sparser assembly than I had expected. ButJane told me later that she  
had encouraged people to cry off. There were still more than enough to crowd her  
livingroom for the middleclass attempt at a wakeparty that followed the committal. 
I hardly spoke to her that day, but I watched her. She seemed more under  
strain than at the inquest, perhaps because she had to play the kind of role she claimed  
She had worn a black coat throughout the service and the burial, but had rebelled enough 
and somehow this, together with a sort of vivacity she put on with her less intimate guests  
when we returned, made her seem brittle and remote. The dress was only a minimal  
flouting of convention, but it was there.
I had glanced at her in the cemetery when ashes to ashes, dust to dust, the  
coffin was lowered. She had been noticeably dryeyed, holding Paul's hand. The two girls,  
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few seconds before she bowed her head, an almost indifferent face, a shadow of that  
same buried resentfulness of our first evening in Oxford. I suppose everyone  
unconsciously glances towards the widow on such occasions, and I was not the only one.  
There, too, something was being announced. I wondered about the man at Harvard,  
whether he knew how to deal with the difficult woman she had now become. I knew he  
was not there, having managed a word with Roz before we assembled at the graveside, I  
tried to probe her mother's mask at the wake, when she came up to refill our glasses. I  
was standing with Caro and some aged aunt of Anthony's. 
'Are you all right, Jane?' 
'Yes, fine. This is the bit I can stand.' She glanced round behind her, where  
there was a scattering of Anthony's Catholic cronies, some in uniform, then grimaced. 'I  
suppose you don't know a good rite of desanctification?'
'Laughing at it will help.' 
'You think?' 
But then she moved on, as if she did not care how conventional she seemed. 
Before our weekend at Compton, I took Roz out to dinner. It meant slightly  
hurting Caro, who became inquisitive as soon as I said there were things Anthony had  
with me poking round a jewellery antique shop for something she thought Roz might like,  
by way of penance on my side for having deprived her of so many years of birthday  
presents. We finally picked out a silver and flossagate necklace, and Caro also (if you  
can't beat them, buy them) came away with something smaller that chanced to catch her  
eye.
promptly took off the beads she was wearing and put on the gift. The evening went well. I  
much more circumstantial account than I had originally meant to, though I hid even the  
faintest suggestion that her mother and I had ever known anything but friendship. I took  
the blame, tried to explain my misguided motives over the play, and made very sure that  
she knew I saw her parents' reaction had been the only possible one. A little of this she  
her that I ought never to have married Nell and that I wasn't altogether to blame. For a  
moment I had a curious sense of Jane herself having once been on the confessional brink 

with the girl opposite me. 
'Did she tell you why?'24 She smiled. 'I'm only a niece. But even I find her a bit  
much at times.'
'She's changed. Much more than your mother, I suspect.' 
'That's just her problem. Jane's. Not changing. In spite of all her talk about it.' 
, You don't take it seriously?' 
'I'll believe it when I see it. You know, it's her Catholicism. Somewhere that's  
still there underneath. It's all very well her going through the Funeral Mass like someone  

with a bad smell under her nose. Talking about the crows and all the rest. Deep down  
that's where she still is. In some strange psychological way. All the sinandguilt bit.' 
'But transferred to a different creed?' 
'We argue about it.' 
'And she doesn't agree?' 
'She usually does one of her retreats. I haven't had her life, I can't know.  
Etcetera.' 
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It wasn't difficult, after my own soulbaring, or semblance of it, to keep Roz  
talking about her parents. I didn't really discover anything I hadn't already been told by  
Anthony and Jane themselves... or guessed at. It was more a case of a new angle on  
Christian name, yet always referring to Anthony as 'my father', which seemed to reflect the 
reality of that household during the latter years... not anything so simple as a male being  
ganged up on by his females, but a zone of unspoken distance between male and female  
intelligences. She repeated a very similar phrase to one I had heard from Jane: there was  
so much that never got said. And it wasn't that she hadn't loved him, simply that she never 
knew how to approach him except a long certain prescribed lines, sometimes it was  
'terrible, almost as if we were his adopted children and he had to show an interest'. I  
asked if their following Jane out of the Church had disappointed him. 
Obviously. But it never came across like that at the time. I was Sixteen, Jane  
knew what I felt... we went off one day, just he and on one of his orchid jaunts and I spilt  
the beansand he was marvellous Talked about doubt, and faith... you know, as if it Was a  
philosophy problem. Asked me to try a little longer. But when I said at the end of next term 
that I still felt the same, he didn't argue at all. He was absolutely reasonable, never tried  
to win me back. I think with Anne he just gave upaccepted the same thing was happening. 
I see now it isolated him unbearably. It's absurd, he even protected us from ever  
remembering the problem existed. Catholics who didn't know the scene, they'd come to  
dinner or whatever, and innocently bring up something, just Catholic chitchat. And he'd kill 
it stone dead.' She paused, then said, 'I did mention it the last time I saw him. My losing  
faith.'
'Whether it had hurt him?' 
'That I was sorry it had hurt him.' 
'What did he say?' 
'That he preferred me as I was to what he had tried to force me to be.' A tiny  
tremor crossed her face, and she looked down.
'Let's change the subject.' 
'No.' She shook her head, and smiled up. 'I'm... it's just... being too late now.' 
'He was very honest and very shy of emotion, Roz. That's a lethal combination,  

when you're faced with ordinary mortals.' 
'Yes, I know.' 
'And your potential new stepfather's more outgoing?' 
'Oh, Peter's fine. He's supposed to be very brilliant, but he enjoys life. He can  
be rather a clown, actually.'
She told me a little about him. He came from the North, from Tyneside, a  
student, never looked back. There were two children by his first marriage, he had been  
the guilty party, he fancied himself as a rogue male in those days. The girl had been one  
of his graduate exstudents and there had been something of a scandal. 
'Why didn't he marry her?' 
'I honestly don't quite know. Jane says he wanted to, but something went  

wrong. His exwife's a frightful little bore, she still lives just round the corner from us.' 
Yes, I heard. 
She gave me an amused quiz. 'You seem to have heard an awful lot that night.' 
'Tile Gestapo would have been proud of me.' 
'I'm just rather surprised you got anywhere.' 
I looked down from her eyes. 
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'I was given a kind of commission by your father, Roz. Of course he didn't know 
about Peter, which rather lets me out, but he did ask me to keep the breach closed. And I  
very much want to do that. Not just because he asked me to. With all of you. If it would  
help.
'I think it already has. We also had a talk. After I drove you to the station that  
day.'
'As long as she didn't feel I forced her to say too much.' 
She smiled. 'She felt she'd forced you to listen too much.' 
'At least we have a good gobetween.' 
She touched her agate necklace. 'Now she's been so shamelessly bribed.' 
We talked about Paul then, and other things. Roz had to work the following  
Saturday, and had had to give up the idea of coming with us to Compton. But she  
promised to come down in the spring to Thorncombe with her current boyfriend. It was not 
quite mere avuncular charity. Following my reentry into the family orbit, I had begun to  
indeed, why I had bought it if one can buy ghosts. But they must wait. 
Compton
Caro had wheedled herself the Friday afternoon off, and we were on our way soon after  
lunch in my Volvo, not her Mini. She had hesitated fractionally when told her weekend  

was preempted by her need to square her conscience with her mother as much as by me  
but that was all. We had actually gone to the funeral on the understanding that the deed  
should be done at some point there. However, the fencetaker quailed when it came to it,  
and I could hardly blame her. It was neither the time nor the place, and the sight of so  
many Oxford faces had produced a febrile socializing mood in Nell when we returned to  
the house. Once again, on our way back to London, I had found myself in the  
unaccustomed role of defending mother against daughter not altogether convincingly. I  
had been the loser too long not to enjoy this proof that I was now the more conversable. 
She was a little too determined to be gay on the second journey to Oxford there 
was a touch, although she would have hated me for saying it, of her mother's febrility  
about her. It transparently hid a nervousness: Nell to be faced with Barney, myself to be  
faced with Compton. She began once more warning me, almost as if we were visiting total 
strangers, about how Country Life it all was, I must be 'good' 
In the days that had passed we had tacitly dropped all mention of Barney. She  
happened to be awake, I heard her letting herself in well after three. It showed the next  
hard I searched, unhappy. She was moving into the new flat that following week and at  
least I consoled myself that there she would not be turfed at such ungodly hours out of  
whoever's flat or bed they were presently borrowing. I couldn't quite understand why she  
matters we had both set out to understand each other better. I told her aboutJenny, about  
when she was in, she saw on my desk the messy pages, covered in corrections, from the  
an hour later, asked if she could try to type it out. 
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'Not worth it. It's so far from final.' 
came back and put it beside her, and kissed her head. She had played secretary for half  
an hour, and I used what she finally appeared with as the basis for an impromptu tutorial  
about scriptwriting and its problems. The scene still read weakly, and I explained why. It  
was really a lesson for me. She was suddenly the younger child I had never known: full of  
questions... perhaps for the first time understanding what such work was about. It was not  
what really had to be said, but it helped. 
We arrived in Oxford. I had a more private experience of the affection I knew  
existed between aunt and niece. Jane herself was in a much more relaxed mood than at  
We had an early tea with them, and then she took me upstairs while Caro, ungraciously  
helped by Paul, washed up. There was a small carton of books and botanical papers to do 
with orchids: what Anthony had asked I should take. 
'I haven't included all his drawings and notes and things, other than the ones in  
the margins. Paul's not interested, but I thought he might like to have them one day.' 
Of course. And if he'd ever like these back.' 
'I'm sorry he's being so boorish. He needs to be back at school.' 
'Taking it hard?' 
'It's difficult to get through at the moment. I think he needs either to be  
completely alone with me or away from me. These last few days, so many people have  
been dropping in. He's so unreasonable. For a basically rather bright child.' But as if she  
felt she was unfairly unloading her troubles, she smiled. 'Anyway. Roz, you have won.'  
been won by.'
I was got out of bed at midnight to hear about your evening.' 
She added, 'And the present that wasn't necessary. But was loved.' 
'Caro chose it.' 
'Roz was thrilled.' 
She looked down at the books between us, aware that I was searching her eyes 
for more than these trivialities.
'Survived?' 
'By some miracle.' 
'And what news from America?' 
'He's written.' 
The telephone began to ring outside, and she went to answer it. 
By the time she finished Caro and Paul had appeared from their chores, and we 

were four again. 
We talked in the car, of course, but somehow everything was dominated by the  
brooding young adolescent in the back seat beside his mother. The weather was heavy  
immoveable canopy of cloud. If it had needed a presiding human spirit, Paul would have  
done for the part. Caro fell over herself to involve him in whatever we were talking about,  
said that had the rest of us smiling, he would look at JaneI saw this once or twice in the  
drivingmirrorbut not in the way children sometimes look at their parents for guidance in  
though it was no more than that of ordinary civility. He sat, too, strangely thrust back, like  
someone who doesn't trust the driver. It occurred to me, when we were climbing into the  
Cotswolds, that he really wanted to be in the front seat, and I suggested he changed  
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places with Caro.
'No, I'm all right.' 
"Thank you," murmured Jane. 
He left a really killing little pause, exquisitely timed to show he was being  
coerced.
'Thank you.' 
His behaviour was so grotesque that I began to feel sorry for him. Plainly the  
recall my own childhood well enough to remember those moods when every tenderness,  
like every wellmeaning briskness, only drives you back further into your shell. But I  
couldn't remember my sulks lasting more than a day. I decided we should leave him in his  
misery, and when once more Caro got rebuffed, I touched her arm and managed to signal  
that she stop trying.
We arrived at Compton just before dusk. The lodgegates the lodge itself was  
lived in now by one of Andrew's tractordrivers, it seemed were wide open, and we swept  
up one of those endless drives that demand a barouche, or at least a Rolls, if one is to  
some impressive urns and balusters, half the faade in bleak darkness they nicknamed  
the graceful tall windows on the ground floor of the other half shone a welcome yellow in  
the twilight. A door opened: Andrew looming in a bulky white polonecked sweater, Nell  
slight beside him, a dumpy schoolgirl of Paul's age in jodhpurs Caro's halfsister Penelope, 
or Penny: two Irish setters they came down the steps, dogs and people, and there was a  
When we came into the splendidly proportioned hall, I saw a little boy in a dressinggown  
sitting at the top of the first curved flight of stairs.
'That's the Runt,' said Andrew. 'Still in quarantine.' 
Jane and Caro stood at the foot of the stairs, talking with him, and I was  
brought forward by his father.
'This is Caro's daddy, Andrew. Say howdydo.' 
The boy shuffled to his feet, and bobbed his head. 'Howdydo. Sir.' 
Nell murmured, 'He's been rehearsing that all afternoon.' 
Whatever else Andrew had had to sell to make the estate viable, it had  
evidently not been paintings or furniture, and the interior of the house came as something  
of a shock to me. It had impressed Inc long ago when J was there for his twentyfirst, but I  
had expected to be less awed this time. I think what surprised was not so much the decor  
in itself as the fact that anyone could still live in such surroundings in contemporary  
England. It lacked the frigid museum feel of stately homes thrown open to the public, it  

was 3T clearly lived in, and with an easy informality, but there lingered something  
artificial, unreal in its space and elegance, its predominantly eighteenthcentury chairs and 
sofas and pots and paintings. We had gone into the drawingroom and sat round a fire in a 
loose circle, but that still left threequarters of the room unoccupied. It was a little like a film 
set, one half expected a side open for the camera. We had drinks. Nell sat with  
curledback legs on the carpet in front of the fire, while Andrew sprawled and chatted to  
me about Volvos, he was thinking of trying one. Penny, who evidently took after Andrew  
and was a bad case of puppy fat, sat on a huge settee between her aunt and Caro, while  
Paul huddled, silent as always, in an armchair.
I was reassessing Caroline, reminding myself that it was a miracle she had ever 
escaped at all from this, and wrily reflecting that I had never really asked her what she  
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of it, the provinciality, the patent unreality in terms of the way most of the country lived  
and something more interior still, some flaw in its psyche. And I speculated a little about  
Jane as well, how she reconciled all this with her newfound. political instincts... with  
Gramsci and the philosophy of praxis. In that matter I had begun to suspect that Nell and  
Roz were nearer the truth than I had at first supposed. The subject had not been  
mentioned since it was first thrown in my face, and increasingly it came to seem a  
histrionic, if not positively hysterical, gesture of defiance... or certainly of 'consciousness  
gesture. For all that, I was glad she was there.
Nell began to tell us the weekend programme. There was only one formal  
engagement, a Miles and Elizabeth Fenwick were asked to dinner for the Saturday  
evening.
Caro said, 'Oh, you didn't ask that ghastly daughter!' 
'Darling, I do have some tact. He wants to meet you, Dan, actually.' 
'Me?' 
'It's all rather involved. His prospective soninlaw, it's a sister, not the ghastly  
daughter Caro loves so much, he's trying to enter the film business. I think putting money  
up rather than anything else, and he's got in with some character calledJimmy Knight  
have you ever heard of him?'
'No. Is there a production company?' 
'He'll tell you. Really all Miles wants is to have someone convince him it's not  
utter madness.'
'I'd be lying if I told him anything else.' 
'They're going to marry anyway. It's all rather pointless.' 
'Then I'd better lie.' 
'No, do say what you think. I'm making him sound an idiot. Actually he's an M.  
P.'
'Indisputable proof to the contrary,' murmured Jane. 
Andrew and I laughed and Nell raised a finger at her sister. 'One more crack  
like that and you'll be sitting next to him.' She turned to me. 'If you could just chat him up  
for a few minutes. Please.'
'Of course.' 
'Otherwise there's riding, walking, guided tours, pingpong, 'Table tennis.' It was  
Paul. We all looked at him. He brushed back his long hair, then stared at his knees.  
'That's it's proper name.'
'I beg your pardon. Table tennis.' 
Caro said, 'You're making it sound like some dreadful seaside hotel.' 
'Just a dreadful country one, darling.' 
Andrew broke in. 'Play snooker, Dan?' 
'I play pool in America a bit. Same principle.' 
Andrew winked at me. 'That's settled us, then.' 
Nell stretched out an accusing arm. 'But not for youknowwhat.' 
'Of course not, dear girl. Perish the thought.' 
I had her grave eyes. 'You watch him. He was down in the village only last  

week, cheating the oldage pensioners out of their beermoney.' 
'Rubbish. I was doing my squire thing. They expect me to win.' His eyes flicked  
lazily towards Jane. 'Wouldn't tug their poor old exploited forelocks if I didn't.' 
She smiled. 'No rise.' 
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'Foiled again.' 
Nell grimaced at me. She was still sitting propped on one arm in front of the fire. 
'I went down to the cowshed the other day and the two cowmen are there and  
our shepherd and the tractordrivers and God knows who else, all in a huddle round  
Andrew, and I think how sweet, how marvellous it is, the way he gets them so involved in  
running things... not a bit of it. The pools. Merely where they're going to put their wretched 
little crosses this week.'
'Jolly serious business. New opium of the masses.' 
She waved a hand at her husband. 
'I wouldn't mind if it was just a fiendish plan to keep their minds off asking for  
more money. But he's worse than any of them.' She looked at Caro. 'Do you know what he 
did just before Christmas? He offered the Vicar a free share if he'd pray for eight draws at  
midweek evensong.'
Caro grinned. 'What did he say?' 
'Good on him. That he'd do better praying for Andrew's soul.' 
Penny said, 'It was only joking, mummy.' 
'Don't you be so sure.' 
that Nell was trying to be kind, to put us at our ease, suggesting she had problems that  
A few minutes later I was being hustled. The snooker table was only halfsize,  
and distinctly dilapidated, down in a long cellar beneath the house, with a centralheating  
boiler intermittently roaring away somewhere close by. There was a pingpong table as  

'Fiver. Just for mustard?' 
'If you insist.' 
'Always get it back. Just threaten to tell her ladyship.' 
I smiled, and chalked my cue. 'Do you still gamble for serious?' 
'Absolutely not. Lost ten times more money at Oxford than in all the years  
since. Matter of principle.' He leant to cue off for first break. 'Just a hardworking farmer  
these days, Dan. Behind the airs and graces.'
'Caro's told inc.' 
As we played we got through a little conversation about Caro, and I guessed he 
had picked the game as a convenient way to say casually, between strokes, what might  
my chance to thank him for having been such an excellent stepfather. He won that first  
frame rather easily, and though I won the next, I suspect it was only because he let me.  
By that time Paul and Penny had come down and begun to play pingpong together. I think 
they must have been sent down, rather than of their own wills. Paul was evidently rather  
good at the game, and the overweight schoolgirl opposite him as plainly not. With  
monotonous regularity he smashed every third or fourth of her amateurish returns. It was  
constant running to retrieve the little white ball from some corner may have been helping  
her weight problem, it was almost demoniacally selfish on his part. He refused point blank  
to accommodate his game to hers. Andrew must have felt the same after we'd watched  
half a dozen or so of the rallies. We were leaning against the snooker table. Suddenly he  
decided to join in. 'Come on, Penny. I'll thrash him for you.' 
She gave up her racket to her father, who showed a brisk game of higher class. 
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they were 'getting sloshed' upstairs and it was time to join them. I went with her, and on  
the way she asked demurely if we'd had a nice game of snooker. 
'I always rather liked him, Caro. Much more than your mother and Jane did,  
oddly enough when we were all undergraduates.'
She pulled a face. 'It's all universal love upstairs, as well. I feel I don't know  
anyone any more.'
'I expect we'll manage a good row before we go.' I gave her a look. 'Just as long 
as you aren't the cause of it.'
'I've made a bedtime appointment.' She grimaced again. 'I don't know what I  
dread most. Her hating Bernard. Or her wanting to ask him down.' But she went on  
quickly. 'I'm sorry she asked the Fenwicks. Actually he's quite amusing. A bit of an old  
rake. It's his third marriage.'
It turned out Caro had even met the tyro Sam Goldwyn whose Venture I was to  
rather contemptuously revealed, as if she knew I would be ashamed that she'd even  
met35 such people, that he was a lord. Which at least relieved my conscience about not  
saying the truth.
We had, despite the formal surroundings, an agreeable enough supper. Nell's  
Italian housekeeper, who evidently knew how to cook, brought the dishes in, but left us to  
level. I talked farming and rural things with Andrew. Jane chatted to Nell about all the  
people she'd heard from, Caro listened with one ear to them, with another to her  
halfsister, who was clearly in the full throes of the pony mania she had once suffered from 
herself. Even Paul was forced to join in a little.
But as always happens when people are being studiously on their best  
behaviour, there was once again a faint, though not unpleasing air of unreality over the  
occasion. Perhaps it was partly the house, the deep silence outside, that curious air the  
traditional English upper classes, in their traditional backgrounds, manage to give of  
being in a play by someone else of being so used to such surroundings that they no more  
own them than actors own a theatre set. Rather absurdly give, since no class is in fact  
more tenacious of its property. Yet in all outward ways the only true member of the upper  
classes there, Andrew, was the most natural. Exhibiting another trait of the species, he  
managed to suggest that he supposed we all lived more or less like this. 
From time to time I caught Caro giving me looks, trying to guess what I was  
even suspected she hid an inward amusement, to see the grasshopper brought to bay like 
this, made to do his duty. Yet however convincingly she played the familiar guest in her  
sister's house, there remained something intensely guarded about her, not natural in  
itself, and not natural in regard to her own old nature. It wasn't quite the usual Oxford  
guardedness, of a fundamentally sceptical mind dissembling behind obedience to the  
reverse, what Roz had suggested, a faith dissembling behind scepticism. It was enhanced 
by Nell, never one to let silences grow. Jane said less as the meal wore on, and that did  
well... I glimpsed that other less attractive aspect, of a superior moral judgment, of  
eternally denying her real self to lesser mortals. It underlay her new dogma, and her old,  
was far more perennial than them, was perhaps what she unconsciously sought in them...  
a justification for something not very far removed from the Oxford Movement's theory of  
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reserve, in fact. Their value as dogmas was less intrinsic than that their abstruseness,  
their mysteries, their esoteric jargon, kept the ordinary herd conveniently at bay. 
writers I had known of a withholding, not exactly male, but springing from an  
the experience of the retreat into the imagination, but which in isolating them from the  
commonalty of their sex, isolated them too from the other. I felt confirmed in seeking some 
sanguine of success. She had evidently ended by baffling Anthony. She was not the sort  
of woman ever to be understood empirically, logicallyindeed that was part of the problem,  
that she could discuss herself lucidly and frankly, and yet still live in a darkness... not  
and this was perhaps simply a matter of selfpreservation, of knowing the feelings of the  
'dark' self would destroy too much if allowed to show. This interpretation was backed by  
something more concrete I noticed about her: how everything she said, at least that  
evening, seemed to be in inverted commas, in some subtle way distinguished from some  
hypothetical sentence she might have more truthfully said. I knew she must be making an  
effort, like all the rest of us, so in a sense this was unkind. But I was left with a strange  
impression, denying the parallel with a woman writer, of someone with a profound mistrust 
I found Nell alone when I came down to breakfast. Apparently Penny was  
already out in the stables, Andrew was amusing his son for au hour, Jane and Caro were  
not yet up, and Paul was off37 somewhere on his solitary own. The sky had cleared  
overnight, there was sunlight outside, and a gracious vista. That was hardly the adjective  
for Nell's eyes when she had poured me coffee.
'It's lucky I've sworn to be all smiles this weekend. Even if it kills me.' 
'Caro?' 
'When you'd gone to bed.' 
I tried to look contrite. 
'I have been going at her to tell you, Nell.' 
'Don't worry. You've been cleared.' 
'I was presented with afait accompli. That night I came back.' 
'It's not your fault.' She lit a cigarette. 'Or both our faults.' 
'I think she also has some of our virtues.' 
her eyes, a challenge.
'We are getting soft in our old age.' 
'More honest.' 
'And as a matter of academic interest...?' 
'I think she'll survive. As we have.' 
'In our fashion.' 
I glanced drily round the elegant diningroom, but she refused the invitation to  
take herself more lightly, and stared down at the polished rosewood of the table between  
us.
'I know you think I've tried to turn her into a daft deb.' 
'That's selling yourself short. And over Barney I'm at least equally to blame.' 
'Except that she doesn't apparently think so.' 
'Why do you say that?' 
'She seems to adore the job. London. I had to bear the full brunt of that last  
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night. As if all I'd ever been was some kind of prison governess.' 
'She knows she's been naughty. I've had the same treatment. Been reminded of 
all my sins.'
'Which are they?' 
'Still treating her as a child. Not being frank with her.' 
She left a silence, then spoke with a candour that took me by surprise. 
'What infuriates me is that she told Jane first.' 
'I gather Jane's long been the person she goes to to discuss what she feels  
about us both.'
'I am her mother.' 
'I'm not trying to excuse her over this, Nell.' 
'Is it so unreasonable?' 
'Of course not.' I felt tempted to remind her that she had hardly told her own  
'I just don't understand what goes on with her generation.' 
'You've told Andrew?' 
She mimicked his voice. 'Living it up a bit, isn't she?' I smiled, but she did not  
smile back. 'I feel conspired against.'
'Not by me.' 
'I have done my best.' 
'I know.' Her eyes remained doubting. 'Look, Nell, for God's sake, I can't stand  
the man... she told you I had lunch with him the other day? At his request?' 
'She mentioned it.' 
'At least he convinced me it's not just a coldblooded seduction. He's become a  

jaundiced TV idol who knows his world is sick and that he's trapped in it... you know. But I  
think we have to believe he has something she needs. Unlikely as it may seem.' 
'She says there's no question of marrying.' 
'I got that from him as well.' 
I told her more of what he had said to me about his own marriage. Through the  
window behind Nell I saw Paul walking across the gravel, head down. She stubbed out  
her cigarette, and then I received her wideeyed look: 'I can face anything.' 
Do you blame me?' 
'For what?' 
Letting you have so little say in her education.' 
That's got nothing to do with what's just happened.' 
But it was a mistake?' 
'I plead the fifth amendment.' 
She retreated into dryness. 'I was simply trying to work out if I have one Bolshie 
in the house, or two.' She added, 'Your daughter's always been rather silent about that.' 
I try to believe in simplicity, Nell. Rather as lapsed Catholics try to regain faith  
It's more a longing than a reality.'
'Do you think I don't miss it too sometimes?' 
'There are always prices.' 
'I know what Jane thinks of me. The way we live.' 
'My impression is she's not too sure of what she thinks of anything.' 
plantholder there, and she fiddled a moment with one of the houseplants it contained. 
'I know she's been useful as a sort of family ombudsman. It's just the way she  
plays Minerva to us ordinary mortals.' She began rather petulantly snipping away the  
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browning flowers from some succulent. It was a childishly revealing fragment of  
but finally, and absurdly, suggesting the mind of the lady who once thought brioches and  
bread were the same thing. 'I sometimes think she takes us at the silliest face value. As if  
we didn't have constant anxieties about keeping this place up. All of that.' 
'It's an old illusion of people who live outside palaces.' 
'Palaces!' She gave the embittered sniff of inside knowledge. 'You ought to see  
the estimate we've just had for repairing the roof.' I smiled, but she turned from her flowers 
and caught my expression. 'All right. But what is the answer, Dan? To let the rain in?' 
I was saved the trouble of finding a reply, forJane appeared with Caro. I didn't  
which lost Nell the good point I gave her for changing the subject when they came in. 
I wasn't alone with Jane, and then only briefly, till after lunch. We were all to go  
for a walk, and she and I were waiting outside and ready before the others. She leant in  
the weak sunshine against the stone balustrade in front of the house, in a pair of  
contrived to make it clear that in that she had not changed. She smiled as I came up to  
her.
'I hope you don't feel overorganized.' 
'It makes a change.' 
'Tile de campagne! 
Andrew had taken me before lunch on a long tour of the house and the farm  
buildings in what had once been the stable block. We had discussed Caro's news. His  
reaction was, of course, shrewder than Nell had suggested. In his own way he took my  
view: one could only keep one's fingers crossed. He had no particular feelings against  
then that horses need a fall or two. Although he didn't openly criticize Nell, I had gained  
the impression (as in retrospect what she had said to me at breakfast confirmed) that a  
point he had long argued now stood proven. Our talking did not diminish my respect for  
his social position, perhaps, but also half out of his familiarity with natural process. It was  
a virtue of privilege that became a privilege of virtue of a kind. 
'You know Caro's crossed her bridge?' 
'Only too well.' She looked down at the gravel. 'I've been severely reprimanded  
for coming between mother and daughter.'
'She's an idiot.' 
Jane smiled, said nothing. I leant beside her on the balustrade, facing the  
house, and broke the silence.
'You forget places like this exist.' 
'If you're lucky.' 
'You do very well. The hair shirt doesn't show.' 
She smiled again. 'It's not the house. What houses like this do to people.' 
'Possess them?' 
'Embalm them, I think.' She stared up at the bland front. 'Caro uses a word to  
me about Nell sometimes. Rather more doublemeaning than she realizes. Mummyish.'  
Then, 'I'm being catty.'
I can't quite work out why I mind it all so much less in Andrew.' 
He was born mummified. At least it's natural in him.' 
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'Steady, comrade.' 
Will. kept a faint smile. 'It's not politics, Dan. A little matter of free will. Every  
time I come here I go through a sibling nightmare.'
I glanced at her. 'Not in a thousand years.' 
She shrugged. 'Oh... not in this form. But there are other kinds of... not  
escaping what one is.'
'Your friend in America?' 
'No.' She shook her head, though the negative had already been firm. 'I  
suppose just my years.'
'Shall I go and fetch you a walkingstick?' 
Her lips pressed together. 
'I see Roz has found an ally.' 
'Of course. Tease the poor old thing on every possible occasion.' 
'Like a knot it would be much simpler to cut.' 
'Now you're being an idiot as well.' 
She acknowledged the reproof, but then, as if to administer one of her own and  
to justify her idiocy, slipped me a gently ambiguous sidelook. 
'How wise you were to stay out of all this, Dan.' 
'That's an odd adjective.' 
'Fortunate.' 
'Not to have had gangrenemerely amputation?' 
'I suppose I meant that in a way.' 
She was staring at the gravel, as if my metaphor had frozen something in her,  
disinterred what she had not meant. Caro and her halfsister appeared, and we stood and  
strolled to meet them .1 said nothing more, but her fortuitous reference to mummification  
had reminded me of that offer to go to Egypt or to be precise, that I could, if I cared to  
change my mind, pick up a telephone and in five minutes arrange to go there. Her remark  
about wisdom, though said without overt malice, held the now familiar warning. I had  
world. It seemed to me that here was where her real lack of freedom lay: in the incapacity  
to compromise. It was redeemed only, and only partly, by her incapacity to forgive herself  
least of all.
It was also related to Nell's unanswered question: whether it really helped to let 
the rain in. Somewhere Jane clung to a deep intuitive belief, as she had once in Catholic  
into the oldest fallacy of all, that any external change was better than no change... a credo 
no more tenable than her onetime whim for the Rabelaisian dreamland where everything  
goes. All she had substituted for that and its Catholic successor and perhaps that change  
of horses had most to do with their common unattainability, so convenient a proof of  
despair in personal freedomwas some egalitarian Utopia in which Compton would  
overnight become an old persons' home, a holiday camp for trade union officials, heaven  
knew what... functions I wouldn't have disapproved if they had been practicable, but that  

was not the issue. The only true and real field in which one could test personal freedom  
butby positing them only in some future perfect state. One could so clearly only move and  
act from today, this present and flawed world.
Which was the lawn, crossing a haha, the parkland beyond, blue and grey  
distances over the green, the two setters bounding and racing about, the casual train of  
us: Jane walked ahead between Caro and Penny, then Paul and Nell the latter perhaps  
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determined to prove that two could play at sympathetic aunt, but the boy did seem a  
shade more amenable now with Andrew and myself bringing up the rear. Figures in a  
about it during the tour after the Restoration. The baronetcy itself had come for staying  
true to the monarchy during the Commonwealth. Of course, in the manner of his kind,  
Andrew played all this down, as if his three centuries of ancestors, this same prospect,  
earth, trees his grandsires planted, meant nothing to him... that ultimate vulgar modesty of 
the very rooted and assured. I wondered how deep a hold it had on him, beneath the  
bland, dismissive surface, the man who talked with very clearly signalled inverted commas 
of 'the peasantry' and 'playing squire' and 'her ladyship'. 
By chance, later that afternoon, I was given some clue. We had walked a mile  
or so to a hill, where some forebear of Andrew had built a folly a rather gloomy stone  
tower with pointed Gothic windows, but with a nice view over the gentle Gloucestershire  
valley south and the village. Nell had wanted to go back then, to get the dinner organized, 
but Andrew had a sick ewe, we could see the flock in a field below us, and the party split. I 
went on alone with him while the others returned to the house. 
His shepherd had put the ewe in a little pen of hurdles beside a43  
greenandwhite caravan which had been rather a conspicuous eyesore when we looked  
down from the folly, Nell had even complained about it, but it was needed for the March  
lambing. A rough shelter of corrugated iron had been rigged in one corner of the pen, and 
the animal stood weakly off a litter of straw inside it when Andrew arrived. He asked me to 
stay outside, and I watched him catch and then expertly turn the invalid on her back and  
examine her. One or two of the rest of the flock watched from a hundred yards away, then  
went on with their grazing. After a minute he came back. 
'Any luck?' 
He shook his head as he retied the binder twine round the hurdle he had  
opened to get in. 'Looks like a goner. I think it's pneumonia, but I'd better get the  
horsedoctor in. Damn things invent a new disease every winter.' He saw me looking at the 
caravan, as we turned away. 'Sorry about that. But you can't turn off good shepherds for  
bad taste.'
'They're hard to come by now?' 
'Like gold. And they know it.' He went behind the caravan and came out with a  
crook, and we began to walk towards the rest of the flock. 'Ought to jack 'em in, really.  
Sheep. Bit of an economic luxury these days.'
'Then why not?' 
'Like so much else. If the dear old commissars are going to take over...' 
'I can't believe that's a serious reason.' 
'No? I wouldn't like to bet on the Runt being able to take over when I'm gone.  
The way things are going.'
'That must sadden you.' 
'Sometimes.' He shrugged. 'Has its pleasures, Dan. We're the foxes now.' 
'But surely not quite yet run to ground?' 
He grinned. 'While it lasts.' We stopped to survey the flock, but he went on  
talking. 'Years ago, when I started, just after the governor died, I hired a bad egg. Good  
ploughman, but Union up to here.' He levelled a hand to his chin. 'He started to preach  
the gospel, r had a spy down at the pub, I knew all about it. Could have chucked him his  
cards, but I didn't. Decided I'd sit it out. Then one day he said he was leaving, an uncle  
had left his wife a bit of money and he was going in for pigs. Come his last payday we had 
quite a setto. I pulled his leg a bit, about getting to know the other side of the picture. Not  
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a fool, he knew his stuff: History, statistics, all that. And that was the final thing he said to  
me. "Enjoy it while it lasts." Andrew left a pause. 'Always remembered that.' 
'Did he gain any disciples?' 
'Some of the younger ones. Didn't last. One thing about the land, the guv'nor  
doesn't work, they all know it. That's why I'll still do a day or two's ploughing, whatever.'  
He winked at me. 'Very simple fellow, your average peasant.' 
I said, 'You're not fooling me, Andrew.' 
'Just my dear sisterinlaw.' 
'Not even her, I suspect.' girl. Lot of bottom in her yet. Do hope she gets over I  
wasn't to find out, because he had spotted a ewe with a limping hindleg and had a small  
chase before he could crook her over... and then we moved on to the problems of footrot. 
We did return slightly to the subject on our way back to the house, because he  
told me about his old 'chum' Mark, from that longago day of the woman in the reeds. I had  
asked after him. He had apparently sold his Hampshire farm in the late 1950s, and now  
example. But Andrew felt he had left it too late, and anyway 'her ladyship wouldn't stand  
for it'.
All of this was as we were coming up through what was left of the park to the  
house, and I began to see he would be separated from it only by a new Cromwell and  
same time a blindness, a need to turn everything into a game, a playing of  
hareandhounds, a gamble. His now harmless love of betting, his little 'matter of principle',  

He knew the odds were hopelessly against him, but history, the overwhelming new  
awareness of personal rights that had followed universal 4j education and the universal  
publicity of the new media (let alone their political embodiment), must win now. There was 
no real argument between Jane and himself, since the matter was effectively decided. In a 
few decades at most, her side must have their way. He would double and double, but  
the gravel in front of the house I did finally see a justice in Jane's remark about being born 
mummified, since his failure to adapt was a result of the huge superstructure of land,  
the brontosaurs, whose armour dragged them down.
Monsters... and curiously, a quite literal one delayed us a minute from going  
indoors. I had been aware as we approached the house of a low jet somewhere in the  
distance behind us, but as we went up the steps its distant roar became anomalous and I  
looked back. I could see the plane four or five miles away, on a downward path. 
Andrew said, 'Concorde. They're testing the damn thing at Fairford.' 
'My God. It's the first time I've heard it.' 
'Wish I could say the same.' 
The roar was strange, skyfilling despite the distance of the aircraft, seemingly  
too allinvasive to emanate from that tiny sliver of machinery in the dimming winter sky. I  
heard a voice from the house: Caro and Jane, and the two children, stood by the front  
door, watching with us. Andrew took a breath.
'Had a great protest meeting soon after it started. Down at Lechlade. Absolute  
shambles. Local Boishies screaming at each otherthe Fairford union men were all out in  
force. Our lot no better. All our wouldbe politicos trying to sit on the fence in case they lost 
votes. Just about summed it all up, really.' 
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'Three blind mice?' 
'Sixty million of them, dear boy. If you ask me.' 
And with that comprehensive judgment on his nation, he turned his back on the  
future.
Only two nights before, in the flat, I had pulled down that old copy of the  
Shirburn Ballads inherited from my father.
Why dost thow put thy confidence in stronge and stately Towres? 
Why takest thow such pleasure in building sumptuous bowers, Reioycinge in  
thy pastures, and Parke of fallow deere?
Repent therfore, oh England the iudgment day is nye. 
The anonymous Jeremiah of the broadsheet ballad might well have got a  
certain masochistic enjoyment from our evening, as it turned out. I had been told more of  
our guests before they arrived. Fenwick was a highly successful barrister as well as a  
'countrified'. He had acted 'brilliantly' at least successfully for Andrew in some planning  
dispute that had gone to public enquiry. Rather a gay old dog out of his chambers, his  
I didn't very much, though she was more interesting than her English  
equivalent. She showed a fashionable Manhattan background and a solid Wasp frame of  
transatlantic female insistence putting even Nell in the shade on getting her fair share of  
any conversation. That is, over her fair share. She was shallowly cultivated in the arts,  
she did not diminish all she saw, she might seem passe'e. She had faintly porcine  
features, a delicate white pig. Every so often the M. P. gave her veiled, somehow  
I knew Californian equivalents on the fringes of the higher echelons of the movie world.  
Such people had always seemed to me peculiarly unAmerican, far more in love with the  
foibles and manias of caste than with the Republic. The present lady did nothing to  
play with as well.
Her much older husband interested me a good deal more. He47 still had a  
handsome mane of grizzled hair and enormous bushy eyebrows over penetrating grey  
of quizzing everyone he spoke to, being amused by themand assessing them pretty  
shrewdly at the same time. Before dinner I saw him sit by Jane, and overheard something  
other groundssome story, and she threw back her head, genuinely amused. 
I was sent off into a corner with him myself soon after that, and delivered a  
short alphabet of production company hazards. Fenwick was concerned not only as the  
father of the potential bride but as an old friend of the lordling's mother. The young man  

was very evidently hellbent on entering the visual demimonde, and the names of one or  
two wellknown fashion photographers he went about with were held out as proof of his  
artistic bent held out with a dry inquiry, as I imagine in court the Queen's Counsel might  
have pretended to support a dubious precedent in order to demolish it later. I suggested  
received instant agreement. It was very soon clear that I was teaching, in spite of the  
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folly of production without distribution guarantees, and the rest. The only slight mystery to  
me was that with all his knowledge of the world he had not guessed that this latterday  
Marmaduke was very probably laying every starlet and model he could put his hands on  
and that the daughter would be eventually happier in a nunnery. But that was hardly in my 
profound cynicism.
The dinner went agreeably. Fenwick was a good raconteur, even against  
sharper, more contradictory, more outrageous than normal convention permits. It was  
based on a supreme selfconfidence, on the certainties of a man who had lived and mixed  
a lot, but it was lightly, selfmockingly worn. I heard him reproaching poor Caro for having

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John Fowles - Daniel Martin.txt 
the essence of it, you know. Like dear old Montgomery's. I suspect it's because he wasn't  
credible as a person, even as a general, that he did become so credible as a national  
symbol. A badge. The whole nation wore him for those first two years of the war.' He  
raised the bushy eyebrows, and warned me. 'And you may find someone who can act him. 
But you'll never find that presence... that emblematic quality.' 
'We are very aware of the problem. We're toying with the idea of Max von  
Sydow the Swedish actor? We'd have to dub his voice, of course.' 
Finally Nell was on her feet. The gentlemen were to be left, it seemed, though  
she tried to lessen the ridiculousness of this old ritual by pointing down the table at  
Andrew.
'Twenty minutes. Or I shall come and pull you out by the scruffs of your necks.' 
'Yes, marm.' 
Paul went with the women, and I was left with Andrew, Fenwick, and a decanter 
Andrew had moved down from his end of the table and taken a chair beside Fenwick,  
that might have been asked earlier.
'You still a socialist, Dan?' 
'I think I need prior notice of that.' 
Fenwick said, 'I should think so too.' 
But Andrew persisted. 
'By vote.' I smiled across at Fenwick. 'Hardly out of faith in all its elected  
members.'
'My dear fellow, we all have that problem. Or rather, the country has it.' 
'The credibility gap?' 
His sceptical grey eyes examined me. 
'I think electoral blindness is a more accurate phrase.' 
'In what way?' 
Again Fenwick had two fingers splayed across the base of his balloonglass of  
brandyhe had refused the portrevolving it a little. He looked up at me. 'People like you?  
Highly intelligent chaps with their heads in the sand?' It was said halfjocularly, and not at  
all as a challengeeven faintly as if he were disinclined to broach the subject. 
'I'd like to know what I'm blind to.' 
'Mobocracy?' 
'Strong word.' 
'All the signs are there. Contempt for us poor boobies who have to represent  
you, for democratic process, for lawfor anything that gets in the way of having one's cake  
and eating it.' He folded his arms, leant back a little. 'In my view it's not even a party  
matter any more. The only difference is that my lot some of us say that the situation is  
suicidally dangerous. And your side pretend it isn't have to, to keep their masters quiet.  
But they know.'
'The unions?' 
'They too have their masters.' 
'Under the bed?' 
That amused him. 'Very much in it, I should have thought.' 
'But any remedy must seem like witchhunting?' 
He glanced with a hint of reproach at Andrew beside him, as if he wished he  
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presumption was involved as well but he would give me the benefit of the doubt for the  
time being.
I'm speaking very much off the record, among friends, after an excellent dinner.' 
He paused a moment. 'I see it like this. I don't believe in delaying inevitable  
confrontations. You two are too Young, but I watched the ostrich game being played all  
through the Thirties by my own party, among others. My generation paid51 the bill for all  
that. Hoping for the best.' He eyed me with a sort of sardonic benevolence. 'If you don't  
believe in parliamentary democracy and social order and a modicum of free enterprise,  
very well, you may sit back and enjoy the spectacle of the country sliding into chaos and  
an eventual bloodbath. But if you do have some belief in those things, however  
circumscribed by a no doubt admirable concern for the less privilegedthen I'm bound to  
suggest you're supporting the wrong party.' He raised a quick hand. 'Some good men, of  
course. Both on the Front Bench and behind. But they have less and less say. Once the  
cards are down, I give them as much chance as the moderates when Robespierre and his 
disciples set up shop.'
'There's surely still some way to go before 'I think that theory will serve as an  
excellent epitaph on the tomb of the British. Here lies a nation who believed itself exempt  
from time.'
'Are you saying the process can't be reversed? It's too late?' 
'My dear man, the history of this century is one of increasing madness. If one  
stands for reason in public affairs, one can stay sane only by assuming that the game is  
fixed. I see very little hope indeed of reversing the process, as you put it. And most  
certainly not when people like yourself and you are indisputably in the educated majority  
these days are apparently content to stand by and watch the worst happen.' 
I took the decanter that Andrew pushed to me. 'You don't see a curtailment of  
free enterprise as the inevitable price of a fairer society?' 
'Ah. Then perhaps you can tell me what is fair about a society in which there  

will be no freedom at all?' 
'But that's like saying a nuclear holocaust is inevitable. It's possible, it may  
even be probable but present reality is surely choices?'
I realized I was getting the same sort of look as his wife earlier during the  
dinner.
'Very well. Let that be conceded .1984 may never come. But my guess is that in 
twenty years' time, it may well be less, this will no longer be a free society. Your party will  
have been blown aside like thistledown. Mine won't even exist. If Parliament survives in  
some form, it will be only as a rubber stamp. All the power will be in other hands. You may 
if you wish regard me as a nervous old passenger who has the presumption to warn the  
captain and crew that their seamanship does not satisfy him. But I see no purpose in  
doing that after the Titanic has struck. And if you think our present ship of state is being  
properly navigated and conducted... well.'
He gave a little shrug. His voice, though still light, had grown obscurely  
sarcastic, as if this Tony Lumpkin and the filmworld fellow had to be taught the realities of  
life.
Andrew said, 'I wonder if the dear old proles really have that sort of energy.' 
'With respect, Andrew, that is supremely irrelevant. Their future masters have  
got the energy. It's the apathy among those who ought to know better that I find so  
distressing. In both parties, alas.' He gave me a dry smile. 'I'm certainly not attaching all  
blame to you.' 
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'Nor to some muchneeded social progress, I hope.' 
Now I was being impertinent. 'I accept virtually all that has been done by both  
parties since the war to better the lot of the underprivileged. The sick, the needy... of  
course.' He tapped the table. 'What I won't accept is the levelling downthe treating of all  
talent, energy, selfsacrifice, hard work, as a crime. I will not accept that a universal norm  
of impoverished mediocrity is conducive to social health. Why should you be paid the  
same fees as a writer ten times your inferior? Why should Andrew here be denied a fair  
reward for all the improvements he has made on his estate? What you socialists seem  
incapable of realizing is that dragging everyone down to the same level is not only a  
chimera a genetic impossibility, quite apart from anything elsebut counterproductive. It  
doesn't help the bottom half of society. Absolute justice will always be a myth, because life 
is fundamentally, unfair. But it is unfair for a purpose.' I tried to speak, but the hand was  
raised again. Forgive Inc. But put all politics on one side. No form of life can survive on  
the basis of enforced equality. That is a biological fact. The whole of evolution depends  
on the freedom of the individual to develop in his own way. All history, human and natural, 
demonstrates that again and again.'
'China?' 
He looked at me as if he were a judge examining, over the glasses he did not  
actually \vcai, sonic outrageous proposition from an inept young counsel. 
'China remains to be seen, my friend. What I say is certainly true of the West.  
Of Europe and America.'
'But I don't see, if at least half Britain thinks more equality is desirable, how it  
can be stopped from having its way except by force, of course.' 
Now I had made a faux pas, and the demon showed a flash of malicious  
delight, hidden under a pretended ruefulness, at the error. 
'I must disclaim the least desire to be a colonel a lagrecquc.' 
'I didn't meant to suggest that.' 
But I had, and he knew it. He declined more brandy. 'This country's last chance  
of waking out of its coma is very rapidly disappearing. That is all.' 
'Is this a general feeling at Westminster?' 
He gave a puff at such simplemindedness. 
'There's only one general feeling at Westminster. That independence must be  
stamped out at all costs. The New Holy Trinity is constituted by the three Chief Whips.  
That's why this whole issue, which in a sane country would dominate election debate, is  
very carefully pushed into the background. The policymakers in all three parties are in  
complete agreement on that. Heaven forbid that we should ask the electorate to stop and  
think about anything central in their lives. Beyond money, of course.' 
There was a silence, then he gave me a more natural smile, as if I shouldn't  
take him too much at face value. 'I can assure you my views are regarded as electoral  
poison by most of my colleagues.' He glanced at Andrew. 'Including our mutual friend, I'm  
afraid.'
Andrew murmured, 'Rather an ambitious fellow, that.' 
'So I understand. Well. Good luck to him.' 
'And you really think it will end in a bloodbath?' 
'I think the notion that we shall all obediently queue up for a place in the Marxist 
paradise is based on a fallacy about the British. Of course we're very good at enjoying  
deprivation when faced with a Hitleran external threat. My own guess is that we shall lose  
our sangfroid when it is imposed from inside. It will suddenly dawn on countless people,  
and by no means just on middleclass54 liberals like yourself, that they've been flagrantly  
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led up the garden path. I have no doubt they will be extremely frustrated and very angry.  
And at the same time they will by then be faced with a very considerable apparatus of  
state repression of dissidence. I rather doubt if the ethos of the cricketfield will see us  
through that.'
The door opened from the drawingroom, and Caro was standing there with a  
smile on her face. She held up a huntingcrop.
'I am commanded to show this.' 
Fenwick threw up his hands in mock dismay. 'My dear, you make the most  
charming whipperin. Especially as your father was just about to defeat me on all counts.' 
I left the room with a feeling of absurdity of an almost calculated nonsense. The 
port, the brandy, the eighteenthcentury room in the candlelight around us generations of  
squires must have held forth like that, worlds going to pot... with less reason, yet surely  

with more conviction than Fenwick. He had been so patently playing games, outlining his  
case with no more apparent personal involvement than if it had been some brief he had  
taken on in the course of his other profession and was explaining to two juniors. I found it  
vaguely humiliating. There was some echo of the old rotten borough days, that he should  
political and blackmilleniary beliefs, but because of his seeming indifference to their real  
import. It was very much as if they amused him far more than they alarmed him. 
In some profound way, behind all his reasons and his experience, he was no  
more than an egotist he had what I had always detected, and loathed in Conservative  
fortunate Must at all costs be allowed to retain their good fortune. It remained despite the  
talk of meritocracy, of the pseudobiological plea Fenwick himself had advanced, despite  
determination, like that of a dog being dragged towards a kennel, not to give a selfish inch 
out of the status quo. Perhaps, like all politicians, he had devilment, beei not very  
liked him better Perhaps listened harder if I had detected the faintest tinge of real despair  
or bitterness in his voice. At least Andrew had turned this surviving a huge historical and  
social change into a matter of personal challenge... still a game perhaps, but where the  
stakes were very real.
In Fenwick I sensed a far worse apathy than the one he had accused me ofif I  

could only assume that that was because he knew he would not personally have to pay its 
indemnities. He had had his rich and enjoyable private and professional life, and nothing  
could take that away now. The cynicism I had suspected as regards his daughterthat he  
was sacrificing paternal common sense to a titlemerely reflected this. He was closed off,  
more than enough intellectual equipment and experience to see that there was more to  
conservatism than a rabid selfishness, and yet who demonstrated it more profoundly than  
the most blinkered and stupid ordinary member of his party, was doubly repulsive. At  
I didn't of course analyse my dislike of him in such detail at the time. But I didn't 
forget that evening, not least because, although I remained enough of a liberal to despise  
his pessimism, I knew there must seem, to someone like Jane, a psychological similarity  
the room and the argument with a need to declare a dissociation. I knew it as soon as we  
were back with the women. I had collected my coffee and took it across to where Jane  
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was sitting just far enough away to be out of earshot of the others if we spoke in low  
voices.
'1lave you settled the future of the world?' 
'Civilized life in this country has twenty years left at most. You'll be delighted to  
hear.'
'Encouraging news.' 
'From the horse's mouth.' 
'I wish I'd been there.' 
'I'll give you the full details tomorrow.' I gave her a look. 'Then you can tell me  

where Ijoin as well. And speed the day.' 
She was smiling. 'I'm glad it wasn't all in vain.' 
'I wouldn't mind if he wasjust a plain oldfashioned reactionary. But he's Pontius  
Pilate into the bargain.'
'Anthony rather liked him. He had a thing about barristers. Professional  

jealousy, I suppose. The way they're prepared to argue for anything. At a price. 
'Is that a gentle hint that people in glass houses...?' 
She gave me a quick look, half amused, half concerned. 
'No.' 
'I'm not doing a glamour job on Kitchener.' 
She stared across at the others, who were looking at a painting by the  
'Please don't turn me into a prig, Dan. I feel quite enough of a social leper as it  
is.'
'You shouldn't have such powers of intuition.' 
'A belief in which is a prime symptom of male chauvinism. Or so Roz tells me.' 
'I've had that from jenny McNeil. I remain unconverted.' 
'Shame on you.' But then, as if to kill this polite fencing, she glanced round to  
the far end of the room, where Paul and Penny were leaning over a table playing some  
game. 'Paul has a favour to ask.'
'What's that?' 
'His term project's on ancient fieldsystems. There's some famous complex of  
the things in Dorset.'
'Go that way tomorrow? Fine.' 
'If it isn't... he has worked it all out on the map. If you could bear leaving a little  
earlier than we planned.'
Let's. It's prettier by that route, in any case.' 
'He's so absurd. Apparently we passed right by some other place he wanted to  
look at on our way here yesterday.'
Shall I go and talk to him about this place?' 
'That would be kind.' 
Penny and he were doing a huge jigsaw. Paul was embarrassed still, but there  

was an effort to sound grateful that the trip was on. e went away to find a map and a sheet 
of paper on which he had worked out an itinerary, with mileages carefully noted. He  
showed me some paperback on the subject, with an airphotograph of the site. It was 'very  
important', he told me, with an odd mixture of aggressive defiance, professorial authority  
and doubt whether I would be in the least interested. I saw some oxplough ridges in the  
first time I existed in his eyes. How wide were they, were they straight or curved... and  
when I told him there was an early nineteenthcentury deedmap of the farm knocking about 
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somewhere, when it was much larger, and with all the old hedgelines marked, I had  
had spoken of. I was saved from too long a lecture by Nell and Jane herself, who came to  
pack the two children oft' to bed. There was a discussion about the changed plans. Then  
the two kids trooped off to say their goodbyes and disappear. 
The Fenwicks left soon after eleven, and we talked about them. Andrew  
little love lost between Fenwick and their own much younger local M. P. Nell thought he  
considered himself a failure, fatally split between his two careers, too close to too many  
who had becomejudges or got cabinet posts not to be secretly soured. We didn't discuss  
his endoftheworld prognosis for Britain.
Then Caro stood and said she must go to bed, she felt so tired, although I  
suspect 'so tactful' would have been more accurate. The four of us sat on round the fire  
into the small hours, discussing her, and Barney, then Paul's problems and 'moods'. It  

was all done very equably and reasonably, and even much more frankly, as regards Caro  
and between Nell and myself, than ever in the past. The always inherent animosities  
seemed genuinely allayed, we managed to talk about her as another human being, not a  
closer contact with Barney ourselves. Jane's shrewdness and Andrew's common sense  
helped, of course.
There came a silence. Nell was sitting on a stool, her back against a settee in  

which Andrew lay sprawled and already very nearly asleep. Jane had kicked off her shoes 
and was curled up in an armchair on the other side of the fireplace. Now she received a  
look from her sister.
'Well. That just leaves one last family problem.' 
'No thanks.' 
'Jane, as we're all being so terribly sensible and understanding, I don't see why 
you shouldn't make a contribution.' Jane contemplated her, then smiled and shook her  
head. 'I know we're very square and quite delicious to provoke and... come on.' 
'Come on where?' 
'Own up.' 
'To having a mind of my own?' 
'That you aren't sure.' 
'All I'm sure of at the moment is that I don't want to talk about it. 
, We worry about you. All the time.' She nudged Andrew's leg. 'Don't we,  
Andrew?'
His eyes opened, but he spoke to the ceiling. 
'Constant topic of conversation.' 
'I'm flattered. But unmoved.' 
'I promise not to argue.' Jane drew a breath, and half flicked a glance towards  

where I was sitting. She was wearing an evening shirt and a long skirt, both rather severe, 
very muted patterns and colours compared to those the other women had worn. 'And  
you've told Dan. So don't pretend it's all a great secret.' 
'It's because I'm not pretending that I don't want to talk about it, Nell.' 
'You've decided?' 
'Not yet.' 
Nell stared at her a moment, as if she were not her fool, then invoked my help. 
'Dan, don't you think she's mad?' 
I think if she must, she must.' 
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'You sound just like Andrew.' She gave Jane another resentful look. It's so  
ridiculous. You've got more brains than all the rest of us put together.' 
Perhaps I have. On this.' 
You don't even dress like a lady Marxist.'Jane smiled. 'Let alone speak like  
one.' find that rather cumbersome to travel with.'
Because you see through it.' 
Some of it.' 
'Then why?' 
'Because a clumsily expressed truth remains a truth? 
'You might at least think of your poor children before you become the  
laughingstock of oxford.'
'I think a great deal about children. And the world they'll have to live in.' 
'The dear old saltmines?' 
Jane smiled again, and held her tongue. I watched her stare into the embers of  
gnomic and sibylline. I received some of the accusation in her eyes. 
'You can't agree with her.' 
'I understand the feeling. If not quite Jane's answer to it.' 
'Well so do we. No one expects society to go backwards.' 
a little snort in his sleep.
Nell said to her, 'All right. But just as long as you know I think you're the most  
horrid slippery eel that ever was.'
The petulance of her voice, the spoiltchild resentment that didn't quite manage  
to hide an affection, took me back very sharply to our earlier days together to when Nell  
had often played this role in our arguments... the youngest of four, the indulged in part,  
the conscious clown. Yet paradoxically, behind this superficial semblance, their real  
relationship had changed. Emotionally and psychologically Jane was somehow now the  
her feet to the ground, moved across and knelt beside Nell, bent and kissed her cheek  
briefly, then stood again.
'It was a lovely evening. I'm going to bed.' 
Nell gave her a dark look up. 
'That won't get you anywhere.' 
But she stood herself with a kind of chiding forgiveness, and pressed Jane's  
hand a moment before she turned to Andrew and shook him till he woke from his  
slumbers. A brief look passed between Jane and myself: a diffident little grimace on her  
especially hated whatever sympathy she detected in me towards it. 
Tsankawi
When I went to New Mexico, just after Miriam and Marjory walked out on me, I had plenty  
of free time. My director was busy with the Western he was shooting, and our script  
discussions had to be in the evening. The unit was based on Santa Fefor once they were  
giving the butte landscapes a miss and shooting mainly in those last southern outriders of  
the Rockies that stretch down over the desert into the state. It was my first visit, and like  
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many people before me most famously D. H. Lawrence, of course I fell for the area almost 
on sight.
Along with San Francisco and New Orleans, Santa Fe is one of the most  
skyscraper, and the literal low profile there extends to other things. I think it was Lewis  
Mumford who pointed out that most American downtown architecture is an attempt to  
create distance between people to crush ordinary humanity and all its proper scales out of 
sight. Perhaps because it has opted out of the highrise rat race, and has attracted a huge  
The Spanish Colonial adobe buildings with their pretty patios, the sweetpungent incense  
of the pilion logs that pervades every New Mexican dusk, the marvellous light and air of  
the high desert, the cottonwoods, the old colonnaded shops round the sleepy central  
plaza, the cathedral bells chiming through the night it's not at all the America of the  
European myth, and I liked it very much the first time, and have not changed my mind  
since.
But Santa Fe could have been a far less attractive town than it is without  
seriously damaging my regard for the surrounding landscapes. There are more  
spectacular ones in the United States, but none has quite the pure balance, the classical  
perfection and nobility, almost the Greekness of the ranges that border the Rio Grande  
one from my childhood, of the southern edge of Dartmoor, is like that. It has always  
different vistas. The Rio Grande valley here is also one of the great Pueblo Indian  
reservations, I fell in love with the abandoned 'medieval' mesa sites on the outliers of the  
Jemez Mountains that face Santa Fe across the rift.
Their atmosphere is paradoxically very European to be precise, Etruscan and  
Minoan... that is, they are haunted by loss and mystery, by a sense of some magical  
relationship, glimpsed both in the art and what little is known of their inhabitants' way of  
life, between man and nature. This must have been what so attracted Lawrence. Then  
they are magnificently placed, each village acropolis pedestalled on its cliffs of pink  
volcanic tufa over the endles green pineforests and vast plains. Their horizons are ringed  

with mountains, whose basal conifers dissolve into the ambergrey of the higher  
aspenwoods, then the snow and the dustless azure of the sky. The views are infinite, of a  
unvitiated, planet. The nearest European equivalent I know is Phaestos in Crete. 
I took jenny there, very briefly. She had a twoday break and talked me into it,  
since I had already been rather dewyeyed to her about my attachment. So we caught a jet 
out of Los Angeles to Albuquerque one evening and drove up to Santa Fe by night. It was  
all a little naughty, since only superstars are allowed to put themselves, and shooting  
endless Indiantrader shops with their folkpottery and rugs and jewellery, the playing  
truant.
I took her the next day to see Puye and the Frijoles Canyon in the Bandelier  
National Park, under the hidden shadow of Los Alamos. At Puye she scrambled  
enthusiastically up and down the serried rows of cliffdwellings, tried to coax the  
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to bring her to such a fantastic place, and so clever to know about it. All this went on  
again at Bandelier, which is a rather different site, secret la bonne vaux turned museum in 
of 'Red Indians' as can be imagined a timid planterculture protopolis not very far removed  
from the Garden of Eden. All their stillpresent plants, the yuccas and the cylindrical prickly 
pears, the medicine herbs and the dyeing weeds, seem to have a kind of numen, an equal 
status, all that the young Restif once felt on the other side of the world. It's almost a smile, 
said jenny, they're saying look we've lasted longer here than you mouldy old human  
beings.
We drove east back down to Santa Fe in the splendid evening air, all roses and 
ochres and greens, with the treecovered folds in the mountains behind the town lying like  
has ever captured, or ever will, since its essence is in its depths, not its colours or vertical 
planes. We wandered round the old town again before dinner. I bought her a silver and  
All of which Jenny was to describe from her own point of view, since those two  
snatched days were the basis of her last 'contribution', whose real arrival was to come

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John Fowles - Daniel Martin.txt 
Abe represented. I didn't forewarn them in any way that they were treading on slightly holy 
ground, and we climbed the halfmile or so from the road to the top of the mesa against a  
flood of lugubrious wisecracks from Abe, who is not a footorientated American. Was I sure 
the local St Bernards carried a good brand of tequila, why did all Englishmen it was rather 
coldthink they were Captain Scott, he loved Indians in movies, but could he please cancel 
the reservation... and then, when we were standing before a particularly dense  
honeycomb of cavedwellings, he said, This must have been the garment district. He did  
was I wanted them to buy. Mildred, astute soul that she is, saw I was less and less  
amused, and took me off: Abe was an agoraphobe, space and solitude like this secretly  
terrified him. Then she told me about a wood near a house where she had spent  
childhood holidays in Florida, its belonging for ever to its vanished Seminoles, how you  
never entered it without feeling you trespassed. She said, Like you broke some law. She  
felt the same here. A beautiful, beautiful place.
She meant it kindly, to set up a little AngloAmerican conspiracy against Abe's  
he was such a misery, why he couldn't leave the ghetto behind, how he had the nerve to  
call her a puritan... and so on. It wasn't fair, historically or presently, since he actually took 
a rather unJewish pride and interest in his rambling Bel Air garden. When we got into the  
car he made a sudden move to get out again.
'Ilold it. I think I left my scalp back on the trail.' 
All of which should have warned me that I could not expect other people to  
compounded it by a childish failure to see that one can't expect even the most sensitive  
first visitors to have the reactions one has oneself acquired only by repeated knowledge.  
Because for me the place was a little bit beyond words, I foolishly demanded an  
immediate awed silence in everyone else.
Jenny and I arrived at Tsankawi just after noon. It was another peerless day,  
almost summerwarm out of the light wind. We parked beside a woolly forest of rabbit  
brush, and at once there seemed a good augury: a loose flock of bluebirds, gorgeous in  
the sun, like passerine kingfishers, flying from pine to pine away from us. Again, I had not  

warnedJenny that she was about to undergo a test. We walked handinhand up the first  
slope to where a huge rock platform, a kind of natural apron stage, jutted out from the first 
low cliff. It immediately pleased the actress in jenny, she walked away to the end, struck a  
Sarah Siddons pose, grinned back at rae. She was in blue that day, pale chinos and shirt, 
went on up a slope to the second brickcoloured tier of cliffs, pitted and pocked with  
moccasined feet had worn a furrow, a foot or more deep in places, across the gentle  
all around, below us, the sea of pines, the broken valley plains, the distant snowcapped  
mountains.
We wandered along the foot of the upper cliffs and I showed her the  
petroglyphs beside each cave entrance, the Jungian mandalas and the trail sentinels,  
oddly majestic though kindergartensimple men with one raised and forbidding arm,  
of a shallow ceremonial cave. Then we collected some pi–on cones and shook out the  
seeds and cracked the cases the soft kernel is edible and got our fingers coated in the  
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shoulder, staring out over the landscape at our feet. It was very warm there out of the  
apart, aired her breasts in. the sun. We sat in silence for a minute, my hand on her bare  
waist, almost asleep in the warmth. 
'I wish I could take all my clothes off. And be had.' 
'Right here!' 
'There's no one around.' 
'You had your ration last night.' 
She gave a nudge back against my shoulder. 'All those caves.' 
'You must ask me to tell you about a spider called the Brown Recluse. To say  
nothing of scorpions, tarantulas, Black Widows, vampires, rattlesnakes, outraged Indian  
ghosts 'Fink.'
'I shall treasure the idea.' 
'You're just lazy. No imagination.' 
I chucked her waist. 'Too much.' 
She turned her head a little against my shoulder. 'Tomorrow. Horrid old  
pretending again. Sitting here will be a thousand years away already. It won't seem real.' 
'One can come back to places.' 
'Not for the first time. Its never the same.' 
'And sex would alter that? 
She said nothing for a moment. 
'Only knowing one would always be together would alter that.' 
Then she twisted her head up, kissed me quickly on the chin and sat away. She 
began buttoning up her shirt, stood to tuck it in, grinned down. 'Now let's be happy  
sexless tourists again.' And she reached out a hand to pull me up. 
We drifted a further few hundred yards along the foot of the cliffs, then found a  
place where we could scramble up to the top of the mesa. The central pueblo there has  
eroded away to little more than a circular wall of earth. It was probably founded in the  
twelfth century, but no one knows why since there is no evidence that these were warlike  
cultures or at that time threatened by any it was built so inconveniently high above the  
valley bottoms where the crops were grown. Its position puzzles anyone especially an  
clear to me that the departed Indians wanted, perhaps for some religious reason, to be  
poised between heaven and earth, in a perfect balance.
We sat on the highest mound of rubble, facing towards the Saiigre de Cristo  
desert south the WaterMelon near Albuquerque. One could see as far as the earth's  
curvature allowed. Much closer at hand, two miles away over another mesa, two ravens  
spiralled and snored, their voices indistinguishable from those that sometimes hear in  
second, to boyhood. And Jemmy beside me, her hands clasped round a raised knee,  
small tongues of wind in the licks and curls of hair that escaped from the headscarf. 
'What are they?' 
'Ravens.' thought ravens were just British.' 
Holarctic. All over the northern hemisphere. Where they have space to survive.' 
She stared at them a moment, then gave me a sly look. 'They're lot saying  
"Nevermore".'
'He got it wrong. Evermore was the real message.' 
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"Ghastly grim and ancient raven... Quoth the raven, Evermore".' She bit her  
lips. 'It's not as good.'
'And blame everything but your own species.' 
She swivelled round to face me, rested her elbows on her knees, chin cupped  
in hands, staring at me, amused.
'I've trodden on someone's corn.' 
'The foot malady or the false sentiment?' 
'Come on. What's wrong with Edgar Allan and me?' 
'The only real nevermore in this world is sticking out of the forest behind you.' 
Tsankawi is on the fringe of the Los Alamos atomicbomb laboratory area. We  
over the wire fence that runs for hidden miles in the trees. Jenny glanced round, then  
back.
'I still think it's a lovely old ham poem.' 
'That's because you're a lovely young ham actress. 
She eyed me. 'I don't like that.' 
'A bird blind to ornithornancy.' 
'What does that mean?' 
'Divination by flight and call. The Romans went in for it.' 
'Did they throw all disbelievers to the lions? Like you?' 
She was still staring at me, no longer teasing. 
'You did recognize that junco this morning. I have hopes yet.' 
'Why isn't it enough that Ijust love it here? That I don't want to know all the silly  
names and the frightfully scientific words.'
'Because you shouldn't justify contempt from ignorance. In anything.' 
'But that's just what you're doing. Despising me because you don't know how I  
feel. That being here with you means more to than just being here with time birds and the  
bees. And the raven.
She said, 'I'm a people person. That doesn't mean I'm blind to everything else.' 
'Don't let's argue.' 
'I'm not arguing. Just complaining. 
'Okay.' 
'You get so uptight when I have my own ways of seeing things.68 j didn't  
answer, and she added, 'And use words like uptight.' I smiled at her, and she held my  
eyes a moment, then turned and lay on an elbow. 'Anyway, what's the point. My next man  

will probably be just as bored with the nature bit as everyone else.' 
'I thought we'd agreed not to play that game.' 
She said nothing. There was a heap of loose earth from a chipmunk burrowjust  
in front of her. She picked out a shard, began idly brushing it clean. Then she held it for  
me to see.
'Isn't that extraordinary there's a hole in one corner. Someone must have worn  
it as an ornament.'
It was some two inches square, with a pattern of black lines and heavier  
squaw hundreds of years ago. Jenny held it against her blue shirt. 
'Isn't it pretty?' She sat up on one arm, began sifting through the earth. 'I  

wonder if there are any more.' Two more shards came to light, but smaller, less  
conspicuously marked. Again she tried her perforated shard against her shirt. 'If you had  
four or five like this, in a pendant, they'd be heavenly.' Suddenly she put a hand up and  
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tapped her forehead. 'Dan, I've got a marvellous idea. That little jeweller's studio on  
Fairfax. They could mount them on silver wire. All my people at home I can't think what to  
buy for.'
It was a subject that had already come up that morning in Santa Fe, as I had  
stood watching her sort through countless trays of rings and bracelets and beads, her  
taste in agonized conflict with her hatredhalf ancestral and half from the fierce  
determination not to be a mere spendthrift filmstar of being fleeced. With one exception, a 
necklace for her mother, what she had wanted to buy out of liking she had refused to buy  
out of price.
There speaks a true Scot.' 
Boo. They'd be much more personal.' 
And she was on her feet, looking round, then saw more spoil a few yards away.  
I watched her kneel by it, begin scrabbling in the loose earth again, and almost at once  
she was showing me another large shard.
Look, it's so pretty. Even nicer.' 
She was like a small girl, obsessed by finding the wretched shards. sat there as 
she wandered further away, every so often kneeling.
I saw her pull off her pink headscarf at one place, and then when she stood  
again, she held it by the corners, an improvised bag.
I am still not quite sure what combination of factors it was that made me feel  
offended. The double attempt on her part to raise the banned topic of our future and a  
probability that I would ever be here with her againa feeling that was more often a  
pleasure, since impermanence adds a zest to experience no fixed marriage can ever  
achieve but which now, in this vast Olympian landscape, seemed sour and bitter. 
The two ravens' calls became more frequent and I saw them attacking a  
redtailed hawk the noise even distracted Jenny and she turned from forty yards away to  
point the cause out to me that had encroached on their territory. Though the Americans  
term the bird a hawk, it is in fact a mere racial variant of the English buzzard, indeed  
indistinguishable at a distancc, just as the mobbing behaviour was indistinguishable from  
and my present, and the impossibility of weaving jenny into any lasting future. 
always even if there were not so many other obstacles stand between us. This minor  
coincidence, of seeing two species and a common behaviourism of the English  
all my lasting relationships were with this world of quasiarcane knowledge and  
experience... not merely of course in a natural history sense, but because I was  
fundamentally an observer and storer of correspondences like some iceberg, with nine  
tenths of what really pleased and moved me sunk well below the understanding of the  
people I moved among, and however intimately. I mustn't suggest I thought of all this with  
less the outward manifestations that gave the game away than this peculiarly structured  
imagination, so dependent on undisclosed memories, undisclosed real feelings. 
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long blindness I had got myself into the one artistic profession where this essence of  
Englishness, this psychological and emotional equivalent of the flashback (or  
flashforward, flashaside) lay completely across the natural grain of the medium which was 
a constant flowing through nowness, was chained to the present image. Of course I had  
used flashbacks in scripts, and indeed was about to use them massively in the one on  
Kitchener, but I had never really liked them. It was part of the gospel I had imbibed (from  
Abe, among others) that they were intrusive, clumsy, a kind of bodge good carpenters  
strive, except in one or two rare cases like Citizen Kane, to avoid. 
The tiny first seed of what this book is trying to be dropped into my mind that  
day: a longing for a medium that would tally better with this real structure of my racial  
being and mind... something dense, interweaving, treating time as horizontal, like a  
in the present, of the past and future except in terms of the presentnothere, thereby  
creating a kind of equivalency of memories and feelings, a totality of consciousness that  
fragmented modern man has completely lost.
It was an idea, a flashforward, that pronounced itself unattainable almost as  
soon as it arose and I can't recall now whether I even thought at that moment in terms of  
the novel, or a novel. If my mind ran on anything practical, it was in terms of a return to  
the theatre... partly Jenny, she retained a strong love of the legitimate stage, and nagged  
at my pessimism about it. But I felt a discontent at how vastly out of reach of my actual  
craft this actual moment, Tsankawi, jenny, the ravens and the hawk, all the steeped  
unreachable as all the landscapes beyond the limits of my eye. In that most pure and  
open of places, I felt like a man in prison.
decided, quite unfairly, that it was jenny's shardhunting. 
Never mind that the things lay in thousands all over the top of the mesa, it was  
in some way sacrilegious, almost as vulgar as Abe's inability to react to a strange  
environment except with wisecracks She was using the place, and she should have  
sensed she had j, more right to its artefacts than she would have had to those n a church  
or a museum... or someone else's house.
I am not now defending this obviously very strained analogy. I even told myself

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see how she would answer. I even approved the halfmocking, halfaffectionate way she  
said no. But I suppose I was also looking, as all nien do, for a sacrifice of her real self, or  
at least of all the parts of it that 0iiflictcd with the more concealed elements of my own. 
The continuing temptation to cozen her, to explore the possibility of a marriage, 
to lie and suggest she could be a wife, have children, live with me and lead an acting  
career, was strong enough for me to deserve some credit for having resisted it. One of the 
perennial lunacies of the film world lies in the contract squabbling I goes on over just this  
matter of credit in the titles who cedes whom, how large the lettering, how long the  
she did not show enough respect to the lost civilization of me. I was the potsherds, and all 
they apparently meant to her was ornament, cheap gifts to sisters and friends. 
She came back some twenty minutes later, with her pink scarf bulging, and  
squatted by me to show what she had found. She'd decided they would look even prettier  
framed in silver. I teased her about this abrupt departure from ca'canniness. Deception  
was easy, and she was absorbed in composing her pendants, laying out little rows of  
threes and fives, changing them, mulling over her hoard. But then we lost our solitude. A  
young couple appeared from below, and jenny rather guiltily covered her finds with her  
scarf. They passed close by us, a wave and a hi. The young man had their child on his  
students, perhaps, or from some intelligent commune. But they intruded, and not only on  
the place. I saw it in jenny's eyes as well, as she watched them walk away. She did  
something rather strange then. She uncovered the shards and stared down at them. 
Dan, do you think I'm naughty? Should I leave them here?' 
It was something to do with that young family, their being native Americans,  
I don't think they'll be missed.' 
I so want something to remember these two days by.' 
She looked up into my eyes then, with a serious, almost childlike, candour she  
sometimes had in private. I smiled, since she did not.
Then pack them up. If we're going to catch that plane It was so sad, these  
sudden bad vibes between us, and not being able to say anything, or rather saying  
anything but what we ought to have been saying, knowing I'd lost Dan, but not why.  
Guessing an Y trying to guess why. Then being frightened. Actually I felt realizing I wish  
I'd spoken. It's the most terrible feeling of all, suddenly realizing you don't know someone. 
I suspect men like it, or don't mind it, or don't notice it. But it destroys women, you've no  
idea I thought it was that couple with their baby, but I didn't know* 
And you didn't know what those two days meant to me, because was thinking  
all the time, this is what being married to him would be like, on our own, and I knew I'd  
never want to travel with anyone else, and the nature thing, honestly I was beginning to  
learn, at least not to want to fight you over it, at least to begi to understand what it was to  
you... you don't realize how close to you I'd felt all that second day the first as well. That's  

why I wanted sex, but not just sex. That's why I laughed at your ravens. You understand  
so many outer things about women, but I sometimes think none of the inner ones at all. Or 
perhaps it's even worse, you know them and pretend you don't. You know I don't really  
know what I think, who I am, where I'm going. That girls like me do really, deep down,  
need protection societies.
When you withdraw like that, and just ban me. 
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I wanted to ask you to marry me. I can remember the exact moment, it was  
when we got back in the car, and you were looking at the map to find the road. No I didn't, 
I wanted to cry. I mean, we should have settled it there, one way or the other. We were  
both cowards. You've corrupted me terribly in some way, perhaps the way the English  
have always conned the Scots. Suggesting your way is somehow subtler, more  
sophisticated, works better in the end, and our silly Gaelic honesty is just provincial. 
There. I've written nothing for five minutes, I've been crying, just out of spite.  
Hatred of you. Hatred that you aren't younger. That you're so far away. That I shan't be  
able to tell you this when we speak next over the phone.
You knew. You should have said something. 
Westwards we were on our way by half past ten, despatched in a soup of good  
must all come and spend a night at ThornCombe, with Caro and myself doing the

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form, by his father's sense of ironic humour but which would probably make him a genuine 
scholar one day, and possibly a formidably arrogant one. I hadn't forgotten how he had  
smashed poor Penny's returns at the pingpong table. He was rather pathetically in need  
of winning something.
Jane didn't say very much, just enough to coax him if he had forgotten  
something, or not explained well enough... a shade too much maternal anxiety there, and  
We turned off the A3o at Shaftesbury and went south to find Grimstone Down  

without difficulty, Paul had done his homework and sat in the Volvo and ate the  
sandwiches Nell had insisted on giving us. Paul was so eager to start looking that he left  
us before we finished. We watched him a moment, book in hand, already searching for his 
Celtic fields.
'Thank you for being so patient, Dan.' 
'He really has got it up.' .1k '1 wish he could discover some other key. Between  
being a sulk and being a bore.'76 i was in the front, half twisted towards Jane in the back,  
but I looked through the windscreen to where her son was standing, trying to orientate  
himself. long as he finds a girl with a sense of humour.' 
'Some hope.' 
'I don't know. He's not badlooking.' 
'It's not that. His hatred of being laughed at.' She added, 'Roz thinks I fuss  
about him too much.'
'Well... speaking from sad experience.' 
'I thought you never knew your mother.' 
'My substitute one. Her fussing prevented me from realizing how much I owed  
her. Until it was too late.'
'That's still better than never at all.' 
I glanced back, amused. 'I always used to envy you two. So cool and casual  
about being Foreign Office orphans.'
'We had to be, to survive. All those nannies, screens of servants. Even when  

we were en poste with them. My father wasjust someone in evening dress who kissed us  
goodnight.' She began gathering up the debris from our lunch. 'I was sorting through  
some old photos the other day. There was one of him in all his ambassadorial finery.  
Quite impossible to shed a tear over... even of anger. Like a tailor's dummy.' She said  
lightly, 'I think I'd rather fuss.'
But it's not the only alternative?' 
'I do try not to.' 
'I'm hardly one... with Caro on my conscience.' 
She left a little pause. 'We had a talk on the way back, Dan. After we left you  
yesterday afternoon.' I had her brown eyes for a moment, then she looked down. 'I'm  
going to play a more discreet role in future.'
With Caro's consent, I hope?' 
'Yes, she... agreed.' 
'I've tried to follow your advice with her these last ten days.' felt very bad about  
that afterwards.' her* Don't be silly. You've been right from the very beginning about That  
day at Wytham.'
I've forgotten.' 
You said she might need me one day. But not then.' I smiled For which I hated  
you at the time.'
'It sounds insufferable. I had forgotten.' 
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'You were right.' 
'I had no right to say something like that.' 
For a moment, what had lain behind that day at Wytham Was in the air, but  
unbreachable.
'It helped me get through those years, Jane. In retrospect.' 
'They hurt?' 
'Not nearly as much as they should have. Just once intolerably. The first time I  
brought her down here.'
'Yes, I do remember that. I heard Nell's side of it. It Upset Caro as well.' 
'It was very strange. We suddenly realized who we were. It went both ways.  
Also as you predicted.'
'The infallible Pythia of Wythani.' 
'Long forgiven. And repaid through Caro.' 
'I was so unbearably sure of myself then.' 
'We all were. In one way or another.' 
A hundred yards away, down the road, we saw Paul look back, with a vague  
reproach, towards us. I heard Jane shift.
'I think we're due for another lecture. If you could stand it.' 
We found Paul set back to discover that things at ground level were a lot more  
bend in the lane that we could see on his photograph, and we knew where we were. The  
deserted upland, brown earth covered in flints, Jane being dutifully interested, Paul  
holding forth again, a flock of lapwing wheeling over our heads, the soft green Dorset  
countryside to the south in the pale sunlight, my being treated as human by Paul suddenly 
he sought interest and agreement from me rather than his mother, as if any man was  
better than her. I rewrote history. I had married Jane, he was our son, we had such  
outings all the time... at least I wondered how different we two adults might have been by  
then, if we had spent our lives together. I might have been a better writer, or at least a  
beckoned the stage. But I rather doubted whether I should have made her a better  

woman. 
There was some clue in that reference to her welltodo an largely foreign  
childhood, not that I hadn't heard the pros and coils jI , t discussed often enough in the old 
days. Jane, and perhaps eii as well, had always been destined to search for the reality  
marriages of one kind or another. It just have been an unconscious factor in Jane's choice 
of Anthony. Their mother had always been something of an elegant cipher, far too used to 
status and money and the petrified hierarchies of the old embassy life ever to abandon  
their underlying principles. She had not been a fool, in fact rather a dry and amusing  
woman for her kind, but she was supremely egotistical at heart, a fact that her generosity  
as a grandmother in terms of presents and money had not concealed from either of her  
daughters. Nell was much more like her something I had noted again during that  
didn't really matter that she must now despise her mother's kind of life, whose  
secondmarriage American phase had not differed essentially, give or take a culture, from  
evidently absorbed by lookingat... he had that same obsessive singularity of purpose,  
seeing nothing now, or seeming to see nothing, but his fieldsystems. Any distraction, our  
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stopping a moment to look at the lapwings, another few moments when Jane and i tried to 
work out from the map what a hill across the valley with an earthwork on top of it was  
called, irritated him. One of Anthony's stances in our student days had been an only partly 
pretended contempt for poetry, indeed for fine writing of any kind. I remember one of his  
epigrams: The metaphor is the curse of Western civilization It had been no good pointing  
out that all language, even the most logical and philosophical, is metaphorical in origin, it  
was the rhetorical use of metaphor that was evil... he even tried to condemn Shakespeare 
once for having written Ham let instead of clinically forestalling Freud by three hundred  
years. He Wasn't serious, of course, merely dazzling us with arguments for the "Possible.  
But he had a much more genuine hatred, almost a fear, 0 what could not be collected,  
Dactylorchis group of British wild orchids, which hybridize with bewildering fre quencyI  
think the fluid frontiers between their species seriously upset him, and they were rather  
less a botanical challenge than nagging flaw in his wouldbe highly ordered nature of  
things. Paul consciously or unconsciously, was in his footsteps. Perhaps that was what  
Jane had really meant by 'another key'.
This very ancient earth, first turned before the Saxons came its flints broken  
and rebroken and broken again by the ploughsliare by countless anonymous generations  
even more obscure than my Pueblo Indians in the Jemez, seemed to say this silently for  
me... was a cold, austere, rather sad place. It would have done, as Jane pointed out,  
perfectly for a Tess turniphoeing or stonepicking. It was also rich with time, the mother of  
metaphors. Science was like the camera there: a prison.
We had finally, an hour later, almost to drag Paul away. He was quite evidently  
content to spend all day, and night, tracing the old ridges and whatnot over the fields. But  
I promised that I'd drive him over into Dorset again one day, perhaps in the summer, and  
give him more time to measure and explore. It would have been quicker to return to the  
and soon we were going past Hardy's statue, mournful and trafficdisapproving as ever,  
and climbing up into the coastal hills past Maiden Castle and across what is for me one of 
the frontiers of that mysterious entity, the West of England... the first glimpse of silvery  
Lyme Bay reaching down to Start Point and, on days clearer than this, of Dartmoor on the  

behind, the green and closed, dense with retreat, ahead. 
were into Devon, the first deepred fields o marl... a pearly sunset, all lemons and greens,  
the sun sinking fire into vapour, the squat dusk silhouette of Exeter Cathedral on its hill. It  
was dark by the time we were going through Newton Abbot, the nearest town of my  
childhood, every street and corner known, and better known still every bend and hedge  
and barn on the road up out of it and away. Then Paul was in the headlight', undoing the  
been listening for the sound of the car: old Ben and Phoebe waiting, as if they were the  
real hosts For nearly a year after I had bought the farm and the builders done their job, it  
was empty when I was away from it. The already derelict garden grew increasingly  
unkempt. During one absence the roof leaked over one of the bedrooms and brought half  
a ceiling down with it, a wretched mess. I had had one of the barns behind the house  
converted into living accommodation, I didn't quite know what for, perhaps as a studio,  
perhaps as a den for Caro and her schoolfriends... and somehow the place never got  
used. There was the strong feeling of a white elephant, of a silly auction bid come home  
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and face a few propertyowning responsibilities at the same time. 
Many of the older people in the village remembered me, though I rarely  
shopped or went there at all. I could hear the church bells occasionally, and that was  
enough. But one evening, soon after I was installed for my three months, I went to the  
village pub to buy some cigarettes. An old man there knew me. He had briefly helped look 
after the vicarage vegetables in the Thirtiesand I suddenly, if dimly, remembered his face.  
He had disappeared ill the war, someone else had done the digging. In fact Ben was the  
son of the bowlegged old man with the heartsease in his hat from my wartime harvestfield. 
Now he was in his sixties.
I bought him a pint of cider, and asked him, after the usual chat, if he still did a  
bit of gardening. He played Devoncanny, he wasn't Up to heavy work any more, he didn't  
know, he had a back, he'd have to ask the missus, maybe he'd cycle over one day. I did  
raise the question of money, but 'bless you, it weren't that'. It was, hOf course. It always  
is, in Devon and when I pressed, he shook his ead in disapproval at my folly. 'T'ain't like  
hpast parsimony and the present real deciding factor. But I think also e was deathly  
curious to see what this odd cup of foreign tea, 'oh' Parson Mart'ns son', had done with  
the place.
He turned up the next afternoon, as promised, and clicked his tongue over the  
accepted another glass of cider the kitchen. I made the second gesture he had been  

waiting for a marked contribution to the local inflationary spiral, and clinched j by insisting  
that he counted bicycling time into wagetime. Old Ben knows a sucker when he sees one,  
both in a rosebush and on the tree of life. Thus I acquired a parttime gardener... and a  
rather sad village history. He and his wife, Phoebe, had no children his two brothers and a 
he was also a rough character in his cups, she had twice left him in the past. My father  
simply grew to like the man. He was a slow worker, but very thorough: in spite of his  
I didn't meet her till a month later. His bicycle had a puncture one day and I  
gave him and it a lift into the village in the car. She was gossiping with another old girl at  
the front gate of their tiny cottage as we pulled up and insisted I came in for a cup of tea a 
typically Devonfaced little woman, younger than him, still faintly girlish, squirrelishly  
inquisitive, in spite of the grey hair. I took to her at once, even to her innocent curiosity  
'Ben says 'tis all so pretty what you done, Mr Martin.' I said it might be pretty, but it wasn't  
very clean, I wished (because I'd already tried to find one) all the village girls didn't go off  
to Newton Abbot for work nowadays. Nothing was said to that, except the usual comment  
on the decline of village mores, but the seed must have germinated because a few days  
later Ben turned up with a proposition. They had a neighbour who drove into Newton  
them up when he came back. She had done maid's work once, she'd clean the old place  
up proper. She got bored at home. It really was a tiny halfcottage, like a doll's house. 
though she was outwardly philosophical about 1t Phoebe's inability to have children had  
deeply scarred her sOIfl where. There was a kind of underlying metaphysical bitterness fl  
her that balanced her general disposition to mother anything82 sglit. She the boss, too,  
dcspitc Ben's occasional violence1 very O011 heard about all that as well, how he had  
broken her arm Once, how they'd had to lie to the doctor, how he'd kill himself, dreadful  
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old rotgut he would drink... and they were a mine of village gossip as well, and slowly  
linked me closer to the place. I'm sure everything about me equally got carried back there. 
I told them enough about my past since leaving the village and my present to satisfy their  
curiosity, and they met Caro. Phoebe took to cooking inc a hot lunch when she came. Her  
kitchen notions were very simple, and she boiled every green vegetable to a mash, but I  
came to look forward to it. Rather rapidly she began to take charge of the domestic side of 
remained dirt. When I had to go away, we agreed she would continue coining once a  
week to give the place a dust, while Ben kept on as usual with the garden. I left the keys  
with them without fear. 
This went on for two years or more. Then one day when I was there again they  
came in great distress: their cottage had been condemned. They didn't own it, of course,  
contesting the order... had even initiated it, according to Phoebe, to be rid of them. It  
wasn't even sure they could be rehoused in the village, a bureaucratic cruelty that  
infuriated me so much that I Went into Newton Abbot the next day prepared to have  
because they were for families, but old people's homes were planned for the village, and  
they would have priority there. She even showed me a list, with their 'lanies newly  
pencilled in.
So [took them on. They could have the converted barn rentfree, and we'd come  
to an agreement over the work they did. I made them go away and think about it for a day  
knowing that for once in their illstarred lives someh'ng had turned out well Phoebe once  
said to me, about Atheir lack of children, 'if us only knew what 'twas we done vrong, Why  
the Lord had to punish us so.' My father at least83 would have been pleased with the blow 
struck against the God Methodism, of It wasn't quite a decision I'd never regretted. Their  
personal and functional failings I grew to live with: that is, Phoebe's cooking and Ben's  
the clatter of upset pails, the bangs and dangs and bumps and buggers, as he negotiated  
the last stretch home. One such Saturday I'd gone to bed and heard through the open  

he was almost poetical then. He always walked to the village for these weekly sprees,  
being rarely in a state on his return to manage even that primary mode of transport

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philosophy that has carried generations of land people through bitter and savagely  
exploited times. Any Freudian could nail phoe but what Was obsession with polishing and 
method, habit, routine, as a prerequisite of conflict is a wisdom that only people who have  
spent their lives in a irrou1iby plantgrowing and animal tending can ever profoundly gain.  
They can't put it in words, but they feel it. I saw it in his praise for his own plants and  
would spot him staring at them or touching them. This wasn't some elementary form of  
he had nothing to live for. He had really grasped a very profound truth: that v failure is the 
salt of life.
It was the more carnal condiment in my own that was the great problem: not  
simply to make them accept that I was sleeping with someone I wasn't married to, but that  
I had no intention of marrying and also that it was a matter, or series of matters, to be kept 
secret from my most frequent visitor, Caro. I did eventually take the bull by the horns and  
explain to Phoebe that there were other masculine sins besides Ben's. If she was shocked 
it would have been more at my frankness than at the actual fact she hid it. It wasn't their  
business, they owed me so much, live and let live... I was showered with all the old  
adages of village tolerance, rather along the lines of Aunt Milhe's eternal 'Perhaps it's for  
the best'.
But if that gave me licence to live and love as I wanted, it didn't quite surmount  
all hurdles. I sensed a lingering, though completely hidden, disapproval. Perhaps Ben and 
Phoebe were shrewd enough to work out that they were better off with a succession of  
mistresses, in both senses of the word, than with a permanent wife with a domestic mind  
of her own. But I knew their profound belief was that I ought to settle down instead of  
with, by Phoebe's reaction... how much she would chat with them, how discreet or voluble  
she would be, how much put on her old maidServant self or show her real one. It was all  
learn to walk the delicate tightrope between giving her a hand in the kitchen and not  
taking possession of it. I was allowed to laugh lat her faults and more latterly, Caro but  
other women had to ea~ to be diplomats.
I had once or twice rebelled under this gentle tyranny and contC11p1ated  
easing them out of my life. But then there were all the times I was absent, and to think of  
gossip, the pleasures of an intense small world after a diffuse great one, their Devon  
voices... and the ghosts of all the others in that house.
Phillida what a plague is love! how shall I beare it? She will unconstant prove, I  
greatly feare it. She so molests my. Ininde that my wit fayleth. FShe wavers with the wind,  
as the ship saileth. Please her the best I may, she looks another way. Alacke and  

weladay! Phillida flouts me. In the vicarage days Thorncombe had been owned by a  
family called Reed. They were of that now nearly extinct class, the educated yeomanry.  
thick accents and thicker grammar, but the Reeds were different. Though they all had the  
accent of the South Ha, they articulated clearly, without most of the dialect words. There  
were six in the family headed by a widowed grandfather, the senior churchwarden, 'Old Mr 
Reed', a great favourite of my father's, constantly cited as an example of a 'natural  
gentleman.' The patronizing clichŽ is foul, but he really was a splendid old fellow, with an  
innate dignity and courtesy... almost a grandeur. With him, you could believe about the  
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backbone of England. Elsewhere you played polite to those who lacked a standard  
he had earned his Mr. I remember him best for his lessonreading. He knew many of the  
great passages of the Bible by heart, and he would recite them in a slow, deep voice  
straight from memory, not looking down at the lectern, wit a simple conviction j never  
heard in my father... or in many far more accomplished actors in later life, for that matter  
He is excepted for eternity from all I have ever hated in the Church of England. He was  
practise faith, but Old Mr Reed was it.
He was too old to work Thorncombe by the time the war came, and that was  
done by his son, who was nondescript by comparison a rather taciturn, softspoken man in  
his early fifties. He had a wife and three daughters, the youngest of whom was the Nancy  
I had once liked to watch covertly in Sunday School and who was so good at staring out.  
The elder two, the twins, Mary and Louise, helped their parents run the farm as soon as  
the war started. They were regarded as odd by the village, always dressed more like men  
brownfaced agricultural Amazons, though they were slightly built. Their skill and  
toughness and general air of selfconfidence intimidated me before I really knew themI  
thought they were very unattractive, as girls.
The Reeds had a fine herd of Guernseys and made the best cream in the  
my father wouldn't touch any other honey. Although the farm was at a far corner of the  
parish, and of course they didn't come into the category we could meet on equal social  
terms, we had quite a lot to do with them. There was church business Mrs Reed was also  
a leading light in the Mother's Union which meant that messages had often to be taken out 
there. Then during the war, food... my father shook his head at such scandalous defiance  
of the Holy Laws of Rationing, but there was a surreptitious trade in cream, butter, eggs,  
chickens, 'fat rabbit (illegally killed pork), all over the village. We did well from several  
quarters. There was an air of the tithe in kind about it, as Aunt Millie claimed. But our main 
supply line ran from ThornCOmIe I was in love with the place long before that. It was  
isolated orcharded in a little valley of its own, backed up against a steep wooded hillside  
and facing southwest. A simple whitewashed house, with just one touch of distinction, a  
plain but massive stone porch with the date 1647 carved on it. I was attached to that  
well, always with that characteristic Devon smell, rich and sweet, of old cowdung and hay  
solid old furniture, a lack of the cheapbargain trash, the linoleum and oilcloth so prevalent  
in the average farmhouse of the area. At Thorflcombe life wasn't centred round the  
kitchen, though it was used for ordinary meals. Perhaps it was the preponderance of  
women in the household. It always made me strange to myself, in those days. There was  
the class thing, the way Mrs Reed always made a fuss of me, gave me tea, lemonade, a  
and Daniel suddenly conscious that he didn't sound natural or rather, that this was one  
place where it permanently worried him that he didn't. Then it had some mysterious  
warmth, some inner life, some grace that we lacked at the Vicarage, although ours was a  
bigger, more spacious home, with an infinitely finer garden. That must have been partly  
spiritual. I always looked forward to going out to Thorucombe. My father made me share  
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my unskilled labour among as many different farmers as asked for it during the wartime  
harvests, which riled me secretly. I was for the Reeds first, and everyone else afterwards. 
And Nancy. 
The agonies of Nancy. 
I virtually forgot her for two years when I went to boardingschool. I knew she  
had gone on to the local grammarschool in Newton Abbot, was a daygirl there. I saw her  
on holiday, in church. She seemed rather gauche and fat and to have grown much shyer,  
to have mislaid her old tomboy self it was difficult to get a glance now from her eyes, let  
alone a stare. I was no better. I had card too much sex talk in the dormitory and taken  
most of it iterally, Mine was not a particularly queer school, but queer undercurrents were  
rife and they disturbed me. I had to lie and supposed I Was the only one who had to about 
my own sexual experience. Of course I had kissed girls, of course I had touched their tits  
of course... the full distance one was excused, that was for later, but 389 my real total  
blasphemous was on, thing, but secretly perverted was another. I blamed home not  
and dances and wizard parties... while all I got was the odd tennis afternoon with dull and  
standoffish creatures Who seemed far more interested in hockey and ponies and each  
other than in walks in the shrubbery. Not that even that was on, given the phalanx of adult 
chaperones who generally supervised such occasions. I was terribly scared of being  
laughed at, too, if I did make some timid advance... or if a fuss was made, and Father or  
Aunt Millie heard. School at least drove girls out of mind. We met none, saw none who  
were remotely attainable. There was work, and the feel of a shared repression and  
impossibility. But on holiday at home I was condemned to my own resources and  
Portnoy's complaint.
I was saved by the younger Mr Reed. Just before I returned for the summer  
holidays that year, he strained his back lifting a gate to its hinges. He was ordered off all  
and duly paid the consequences, a fortnight in bed, and at least four more in a chair. We  
had received too much kindness from the family over illegal food for my father to be able  
to refuse Mrs Reed's suggestion that she needed my help that summer more than anyone  
else in the parish. I arrived home to find the matter cut and dried. I was hired out for thirty  
bob a sixday week, which even for those times was slave labour. 
But the sixteenyearold slave didn't care. Those previous Easter holidays he  
had met Nancy only once and in the far from erotic setting of a Mothers' Union teaparty at  
cups and saucers to the assembled logorrhoea of ladies. Her fair hair was done in  
svelteness of a Deanna Durbin (his current ideal woman), the dark blue satin  
shortsleeved party dress she wore, puffed at the shoulders, flared skirt, showed that  
he'd grown fast, he was an inch taller than her. She was shy, probably for class reasons,  
and they hardly talked.
He wondered if he dared ask her out into the garden, but so many messes...  
and he couldn't think of a good excuse. She had lavender-blue eyes, arched eyebrows,  
long lashes, a face that might have been too roundchecked without the eyes, but  
somehow suited them as it was. She sat demurely by her mother after a while and he had  
to be content with stealing glances. But that night He was head over heels in love with her 
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endless banal questions over supper at home. Yes, Old Mr Reed had showed him how to  
scythe, he'd scythed half the orchard, all the nettles, it was terribly skilled really. The  
impossibility of telling them even that, the old man showing him how to set his hands, the  
rhythm, the slowandeasy, nottoomuchlad, who labours longest labours best, the old man  
leaning on his walkingstaff beneath the applebranches, smiling and nodding. The art of  
whetting. How hard it all was, look at the blisters on his hands. They had brought a chair  
out for the old man to sit and watch, by the beehives. He told that, but not of the girl who  
came with their ten o'clock bait, cake and tea, and gave him one smile. She wore a red  
eyes, a subdued awareness of him, that one curve at the corner of the pressed lips. Then  
'dinner'. Pasties and potatocake (Mrs Reed was halfCornish). Then mucking the byre out  
with Louise, dung to the midden, spreading straw. Then this, then that, Aunt Millie smiling, 
his father approving.
To bed at nine, dead with sleep, just two minutes to recall the Untellable worst,  
the end of the day. Collecting eggs, alone with her, holding the basket while she delved in 
the boxes, watching her profile, the stink of the henhouses, the clucking, her soft voice to  
Suddenly feeling how small she was, how frail, how female. Sensing a sudden erection,  
using the basket to hide it ducking more than he need under the roof. Better outside,  
called the Loony laid up in the straw, 'if the bloomin' rats haven't got 'em'. The hen ru in  
circles on the cobbled floor, in outrage and alarm. Nancy clambers down with two eggs,  
puts on a broader accent than her usual one.
'Oh, do 'ee be quiet, Loony!' And she bends forward, kissing at the agitated  
russet bird.
He says, 'Nothing's loony that lives here.' 
She comes and takes the other side of the handle of the basket he is holding,  
as if to see how many eggs there finally are.
'It's just a farm. Working.' 
'Don't you like it?'__ 
'Sometimes.' 
'Are you glad I've come to help?' 
Her bent head. ' 'Course we're glad.' 
'I meant you.' 
'If you're not stuck up.' 
That shocks him. 'Do you think I am?' 
'Used to be. At Sunday School.' 
'I didn't mean to be.' She says nothing. 'I wanted to talk to you. At home. Last  
Easter.'
'Do you remember Bill?' She gives a little nod backwards, to the north. 'From  
out over. Bill Hannacott?'
They have a farm the other side of the main road.
'Not really... I know who you mean.' 
She crosses her arms, in a way her mother does, speaks to the ground. 
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'We're in the same class now.' d What could be more delicately put? Yet at the  
time it seemed brutal, catastrophic, an atrocious letdown after the promise that day.  
Imminent zenith to realized nadir, all in two seconds. He saw bus to her with Bill  
Stupid! As it. i uOrI were some secret island, nonexistent without him, unknown to anyone  
but him. He felt his background again, intolerably, bow92 A i natcd froj1 this simple world  
she lived in, how he was condemned always to do the rural equivalent of slumming.  
Perhaps it should have devalued her in his eyes, this fancy for some clodhopper from 'nut  
He followed her with the eggbasket to the dairy, where Mrs Reed was and  
insisted at once he went off, it was 'after his time'. He went for his coat in the orchard. But  
as he came back past the farm, Nancy ran from the side with a paper bag in her hands, up 
to him.
'Mum says to take to Miz Martin. 'Cos you worked so hard.' 
Six of the brown eggs lying on a handful of straw. 
'oh... thanks awfully.' 
'Now doan'ee drop 'em.' 
Again that mocking exaggeration of accent. He looks hurt. 
And just for a moment she has a strange little doubtful look that somehow isn't  
you tomorrow?' as she runs to the dairy.
He sleeps on that look. 
He doesn't get much else for... how long, I can't remember now, but it must  
have been two weeks or more, the beginning of harvest. He discovered that Nancy was  
the spoilt pet of the family, most of her work was helping her mother round the house, in  
the dairy, with the meals. Usually he was out with one or both of the twins. Mary was  
Louise was also 'walking out'. They were twentyone, far too old for him, and in a way he  
found them easier to be with, though at first he felt they thought he was just a nuisance,  
they so often told him to do things and then moved to do it themselves at his slightest  
bewilderment or clumsiness. Neither of them talked much. They lived for the farm, for  
getting the work done, for proving that they could run it quite as well as the sons their  
parents must originally have hoped for. It was the first time he had really done the  
countless jobs besides harvesting at a farm demands. He learnt to use hook and hoe, how 
some of it the poetry of it too.
One late afternoon he went up on the tractor behind Louise with the haymower  
to cut the top Icy clear of its nettles and thistles. He followed after her with a pitchfork,  
heaping the cut stems for later burning. But when it was done, she unhitched the mower  
and let him drive the tractor round the field, a waste of time and rationed fuel he knew  
delightedly was also an acceptance that he was useful after all, that he began to rate as  
liked her better than her twin sister, in spite of the identity of looks. He began to admire  
much easier to cope with than Nancy's ambiguities.
But he liked best the milking. It embarrassed him, too. He had too much  
imagination, it was too near suckling and masturbation, too erotic. Yet like them, nice.  
They showed him how to do it, but he never really got the strange wristy knack of it, just  
the right pressure and timing. Mrs Reed would be through three cows before he had  
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finished one. The girls called her a showoff, muttered endlessly about the folly of not  
having installed machinery before the war and her continuing pigheadedness over it. She  
would smile and milk. No cow of hers would ever have rubber teatholders instead of  
to the churns and the separator, which gave him time to stand and watch the byre of  
themselves and to the cows. The quick spurt of the first milk on the zinc. Like the  
woodlark. 
help him bring in the cows. They spent an hour one afternoon in the orchard, picking the  
first eating apples for Louise to drive into market the next morning, Daniel up the tree,  
Nancy below to take the full haversacks he handed down and transfer them to the boxes.  
One tipped over before she could reach up to grip it and she screamed and twisted aside  
and fell in the grass under the shower of Beauty of Bath. Astoundingly, they laughed. At  
groundlevel they picked side by side and talked, shyly, politely, about her school and his,  
the war. Her parent wanted her to be a schoolteacher, but she didn't know. For the first  
time in his life he found himself talking almost like a socialist. snobbish his school was,  
how he hated it really: she said nothing but she seemed to understand. They did not talk  
about Bill or other boys and girls, or love, or anything like that. He was still the vicar's son  
and she, the farmer's daughter.
His father came out sometimes on his rounds. Daniel hated that, to be  
reminded who he was, even if it brought flattery. He came from one of the fields one day  
to find his father talking under the porch with Mrs Reed and Nancy. 'Now if only your  
school ports were as good as the encomium I've just had from Mrs Reed, Daniel, I should  
be the happiest father in the country.' Why did he have to use words like that? Nancy was 
biting her lips at me. And it wasn't fair. I always got rather good reports. 
We all had the midday meal together in the kitchen, with Old Mr Reed,  
Grandpa, at the head of the table. I think he liked me there, to have someone to reminisce 
to. He'd been a Regimental SergeantMajor in the Devonshires in the First World War, all  
his medals were under a glass frame, on green velvet, in the livingroom. I could see he  
great deal of love and tolerance in that room. It remains his room. I still eat in it, though it  
still does. Mrs Reed always sat opposite the old man, in her husband's absence upstairs,  
at the other end of the long ashwood table. Then the two twins side by side, and Nancy  
and I opposite them.
One day we were still at table drinking tea, there was always a pot of tea at the  
end of the meal, when my dreaded rival appeared in the door. I knew he was due to come, 
a huge beech had fallen in a gale the previous winter on the hill behind the farm, and  
ranch had to be sawn into manageable lengths with the twoman crosscut before they  
could be dragged down to the circular saw in the yard. Bill had promised to come and help 
do it when he could get away from his father's farm. He was a big seventeenyearold, I g in 
ignominious breed, the grammary. He bobbed to the old man, Mrs Reed, the twins.,  
Nancy.' There was a brightness in his eyes as he looked at her. I was introduced, and had 
my hand wrung. He had a cur, of tea before we started work. There was farm gossip,  

when they were going to 'cut' out over, Mr Reed upstairs. He said nothing directly to  
Nancy, just those little bright looks. He ignored me, to I couldn't tell what she was thinking, 
whether she was proud of him or thought he was talking too much. I thought he was  
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talking too much, and I bitterly envied him his ease, his knowingness, his being of their  
same earth.
inch of his body. I had had the foolish idea it was going to be (at least in work terms)  
something of a jolly afternoon off. That was before he and I started sawing the branches  
off the main trunk, while the twins stood by with the tractor and chains to haul the cut  
baulks down. Of course he was peasantsly, Nancy was also there watching, he was  
bound by rural law quite apart from what he might have already sensed in the situation, to  
turn it into a contest of strength. He set the saw across the first bough, as if! must know as 

laboriously to instruct me on how to stand and hold the thing. But once we got started he  
wouldn't stop. After a minute or two I could feel my arms ready to drop off with exhaustion  
and pain, and we weren't even halfway through. The return thrusts from my side got  
feebler and feebler. I had to stop.
'Too fast, is it, then?' 
'Of course not. Just get my breath.' 
'Smoke?' 
He thrust a packet of Woodbines at me. 
'No thanks.' 
palm and took the wretched sawhandle again. After a time he began sawing  
singlehanded, and smoking, setting a much slower rhythm, but making it quite clear  

whose fault that was. He was so blatantly determined to put me down that he gave me  
to the carttrack where the tractor, waited and chained up for dragging. He was as strong  
as an oZ had to give him that. For the first time I realized that the tS11 weren't. After a  
relentless, perhaps there was a bit of the old chapelchurch hatred in it as well, in showing  
me up as a weakmuscled tyro. Then right at the end of that afternoon of torment, I'd just  
rolled down one of the smaller branches by myself to the track... he was standing  
watching beside Nancy. 
'Turn 'im arsyVarsy, Danny.' He had kept calling me by the hated version of my  
name from about midafternoon, another gross crime. 'I keep telling 'ee. 'E'll jag else.' 
Nancy turned sharply away. The tractor engine was running, i couldn't hear  
what she said to him, but I saw him take a step after her and put his hand on her  
shoulderand have that sharply removed too. It didn't mean much at the time, I just felt  
angrier: that she had had to pity me. He was still there when I went off home, and I knew  
he was asked to supper. Even the twins saw it had been a tough afternoon's work and  
thanked me specially for it. From Nancy I got hardly a look. She had disappeared when I  
said goodbye. I cycled home aching, humiliated and furious with the world. 
The next day she had gone shopping with her mother to Torquay and I didn't  
see her at all. We were going to start the harvest in three days, this was their last day off  
reaper and file endlessly at the teeth of the mowing blades. 
The weather held good, and we were up in the two big wheatfields the following 
day scything the first swathe round the hedges for the reaper to get in. We took it in turns, 
the twins and I, tying up the sheaves by hand, then scything. Nancy brought our lunch up  
and helped for an hour with the binding, but it was very hot, and we hardly talked. Again  
she had disappeared when I looked into the dairy to say goodbye to Mrs Reed. 
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The road home led steeply up for a while, through a natural cutting, thick with  
trees and the thornbushes that must have given Tthe couibe its name. It was always  
shady, rather secretive, gloomy. here were old limekjlns to the left, cut into a small broken  
cliff. bAbove and b yond that was a common, dense with brambles and racken h at t: hes  
time of year, where we sometimes used to picnic before t e war. After the incline the lane  
cycle up the first hill. I was pushing up the steepest part, thin old nothing, counting steps.  
Then something moved, where the limekilns were hidden behind the August leaves.  
Nancy stood out in the little path that led down from them above the lane. She was  
wearing a pink and white frock, one I had seen before, school. girlish, sleeves that ended  
just above the elbow. It had a darn at the bottom she had done herself, badly. Mrs Reed  
had joked about it one day, at midday dinner, and Nancy had navely raised the hem and I 
had seen above her knees for a moment. Now she looked at me, then down at the  
sycamore leaf she was shredding.
'What are you doing?' 
'Nothing. Just a walk.' 
'Where you going?' 
'Old quarry. Mebbe.' 
'I didn't know you could get that way.' 
'There's a path.' 
She went on shredding the leaf, as if she didn't care whether I went on or  
stayed talking.
'I didn't know. 
'It's a secret.' 
She didn't smile, but she looked at me, and I knew it was a challenge, not an  
announcement. I turned my bicycle across the lane.
'Can I come with you?' 
She shrugged. 'If you want to.' 
'I'll just hide my bike.' 
She nodded, and I hastily pushed it into the undergrowth on the other side of  
the lane, then went back across and started to climb up to where she stood. She turned  
before I reached her and led the way up through the trees to where the rocks rose  
mouths of the old kilns. She stopped where the cliff gave way and there was a steep  
scramble going up. She stood to one side and smoothed her dress. 
'You go first.' 
So I went first. It was difficult at the top, one had to yank oneself d up the last  
yard or two by holding a treeroot. I turned there and held out my hand. She took it and I  
pulled her up, 0nderiflg oared keep hold of it. But she moved away and led me on up  
iough the more gently sloping trees. The sun still shone at this height. I caught a glimpse  
of the farm down below through the leaves, the sound of one of the sheepdogs barking,  
one of the twins' voices stilling it. There was no wind. The pink stripes and bands of small  
roses of her back, the fair hair. She wore old black shoes, school shoes, no socks. I knew  
I had entered the Garden of Eden.
'It's not my real secret place. 
'Where's that?' 
She pointed casually back, beyond the farm, as she walked. 'Up over.' Then,  
'When I was little.'
I wanted to say more, to make her talk, but I couldn't think of anything that  
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wasn't silly, and she walked quickly, keeping to the trees on the east slope of the valley  
crest, though I could see the common in the evening sunlight to our right. It was peculiar,  
turned up towards the common and soon we were pushing through the green bracken.  
She still led the way. Then suddenly we were on the brink of the old quarry, looking out  
across the valley to the distant village. It was nice, a surprise, the sudden openness and  
view. The rabbits running, the green sward they had won from the bracken. She pointed. 
'There's the church.' 
I was not interested in the church. 
She walked on a little, to where you could scramble over the lip of the quarry  
and climb down a grassy slope to its bottom. She began picking centaury and eyebright  
there, then knelt by a clump of the pinkheaded starry flowers. Daniel sat beside her, then  
leant his elbow. He felt abominably gauche and tonguetied, at a toss before her apparent  
actually. They won't open indoors.'
My dad likes 'em.' 
They're called centaury.' 
Earthgirls.' Her blue eyes met his a moment, then away. 'That's what we say.' e

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John Fowles - Daniel Martin.txt 
'Not when we're alone.' 
'I never know what to say.' He added, 'in case you think I in being stuckup.' 
'It's just the way you talk sometimes.' Then she said, 'I know you can't help it.'  
frnsec There was a silence. The green evening air, the humdity on the still warm rock  
behind them. Without warning she turned on her stomach, her elbows bent, her chin  
turned a little to face him. They were three feet apart. Those arched eyebrows, that  
enigmatic mischievoussimple mouth. Her eyes. They were the colour of germander  
speedwell flowers: shy and bold, dared and doubted.
'I bet you don't really like me.' 
He looked down. 'It's all I think about. Seeing you. Not seeing you. Like  
yesterday. I hated yesterday.'
'We bought you a present.' 
'Why?' 
She smiled at his almost offended shock. "Cos we all like you so much.' She bit  
the sprig of thyme again. 'It's a secret. You mustn't tell anyone I told you.' 
'Of course I won't.' 
'Cross your heart.' 
'Cross my heart.' 
She said, 'It's a book.' As if a book were some rare object, and its matter  
eyes. He stared at her face, those cheeks, those closed lashes, those much more than  
childish breasts beneath the pink cotton, those bare feet. He plucked nervously at more  
grass.
'I'd write to you. When I have to go back to school. If you wanted me to.' 
Je mis, tu es, ii est. Anio, amas, amat.' 
Now she was being much too subtle for him. What on earth was that supposed  
to mean?
'Would you write back?' 
I might.' 
'I wish you would.' 
But she gave no further promise. She just lay there, her eyes closed, as if she  
had forgotten he was present. Perhaps she would let him kiss her now? But he wasn't  
sure, all this stepping forward, dseP*g back$ noticing him, ignoring him. He felt irresistibly 
the thousand strings of convention, his home, his ignorance, everything. And supposing  
Suddenly she sat up and reached for her shoes. 
'I'm going home now. 
She was offended. He was an idiot, wet, he had missed his chance he had... he 

watched her lace her shoes, then gather up the litt1 bunch of flowers she had picked and  
stand. He followed her up the slope to the lip of the quarry again, waited while she picked  
one or two late wild strawberries, then through the bracken and back into the wood.  
Without a word. He could have walked beside her, there was room, taken her hand at  
least or tried to take it, but he trailed behind. Then. No warning. She just stopped and  
her back and simply stared at him, the old game of staring. Five seconds it lasted. Then  
she closed her eyes and raised her mouth to be kissed. He hesitated, he poised, he  
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years of it, melted.
Her lips tasted of thyme and caraway seeds, her body was his lost mother's,  
her giving forgave in a few seconds all he had thought he could never forgive. From  
gentle he suddenly grew rough, pulling her to him. He had a strange sensation: the stable  

wood around them abruptly changed into an explosion, a hurtling apart of each leaf,  
branch, bough, smell and sound that constituted it, It disappeared, in fact. There was only  
as well, until she pulled her head away without warning and buried it against his shirt.  
How small she was, how much more understanding touch was than sight, how all faults of  
size, curve, visual appearance disappeared before touch and pressure. And victory! By  
several metaphorical decibels, the loudest cocklecockadoo of all his life. 
They said each other's names, at last. 
Then they kissed again. This time he felt the tip of her tongue and began to  
have an erection. He was terrified that she would feel it. Perhaps she did, because she  
turned and knelt and picked up the flowers she had dropped. He knelt beside her, put an  
arm round her waist.
She said, 'We mustn't. Not any more. Not now. I don't want to, , you do like  
me?' She nodded. 'Very much?' She nodded again. 'i thought you were just teasing.' She  
shook her head. 'You never seem to want to work with me or anything.' 
'It was mum.' She said, 'I'll die if she finds out.' 
'What did she say?' 
'That I wasn't to make eyes at you. Flirt.' Still kneeling she spoke to her lap.  
'That day you dropped the apples on me. She must have been watching. She told me off  
afterwards. We mustn't let anyone see.'
'No.' 
'You promise?' 
'Of course I promise.' 
'She said you'd tell at the Vicarage if I misbehaved.' 
'That's stupid.' His opinion of Mrs Reed suffered an abrupt drop. 'I'd never tell  
them. Never.'
'I know. 
'Please let me kiss you again.' 
She twisted her head round, but wouldn't let it last. After a moment she took his 
hand, laced her small fingers through his, stared down.
'What about Bill Hannacott?' 
'I sent him packing. The other evening. Great fool.' 
'Was he... angry?' 
'I don't care what he is.' 
He felt her fingers lace his a little harder. It was like a dream, too delicious to be 
true. She liked him, she preferred him, she sought his protection. 
Will you come every evening?' 
She shook her head. 'I can't. She'll guess.' But she added, 'Sunday afternoon's  
best. They all go to sleep then.'
Ten minutes later, having dawdled, stopped, kissed again, gone entwined  
through the trees to the cliff over the old limekilns, scrambled down, one last kiss above  
the road, desperate, as if it were their last, a moment's blueness in her eyes, still a doubt,  
a searching, a tenderness he hasn't seen before: she leaves. He watches her run down  
the lane, then break into a walk, round the bend and out of sight, in the green and gold  
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evening light, towards the farm. Then e slowly drags his bike out of the undergrowth,  
touch of her mouth, that melting away of all her wiles and tricks, the taste of her, the feel  
of her, the mystery of her.
And the lovely guilt, the need to lie, he took singing home. 
A heavy dew, the good weather had held, the cutting would start the world was  
all Ceres and simplicity, green early sunlight in the tunnelled lanes, and Nancy. He felt,  
liberated, as she tacitly warned him by not looking at him, not noticing him at all, when he  
appeared in the byre. They hadn't finished off the milking. 
Only a snatched halfminute alone, in the dairy, before they all went up to the  
field. It was fraught with an unexpected shyness his move, this time. But when he  
managed at last to reach gingerly for her hand, as if she might leap away with a scream at 
the first touch, she turned at once. He didn't mind when she snatched away almost as  
seconds afterwards, as if to confirm how careful they must be. 
village for the day was there, and his grandsons a little tacker of twelve, and they helped.  
Even Nancy joined in. No opportunity to touch, but chances to look, to whisper a few  
sentences from time to time, the secrecy of it, the being so close, the endless rerun of that 
evening before (although she warned him she would have to stay at home this one, all the 
usual daily jobs down at the farm had to wait until the corn was 'on its legs'). But she  

wished she could, she wished she could, she'd thought about him as soon as she woke  
up. The deprivation seemed less cruel than he expected. It was the old harvest magic,  
that primeval breath of reliefthere was still the ricking and threshing to be done, but it was  
like a voyage safely done, a landfall and solstice achieved, a promise kept. Nothing could  
really go wrong now.
Treacherous England it rained out of nowhere that night an was still drizzling  

when Daniel arrived at the farm the next morning* It stopped before eleven, there was  
even some sun again in the afternoon, but no cutting was possible. He had one long, hea  
She was. They found a lace under the cliff where they couldn't be seen from the road. He  
uninventive, just one long kiss after another. He had another erection, it was very  
embarrassing, but she seemed not to notice, or, if she did, to mind. He closed his eyes to  
Her jumper and shirt rode up a little at the back and by accident his hand touched bare  
skin. Apparently she did not mind that, either.
At last they broke off to whisper. She had kissed several boys. She liked  
kissing him much the best. Yes, he kissed much better than Bill Hannacott. She never  
liked kissing Bill Hannacott, she didn't know what she'd seen in him. Then he was  
kissed in his time. He lied abominably, but there was no doubting his sincerity when he  
said that she took the palm. Then they talked of their secret, how frightened she was of  
which, at least in difficulty, was not so farfetched, after all. They were well outside the  
codes and comprehensions of both their homes, they were outlawed. They began to kiss  
again. That time his hand went straight to the naked back beneath the clothes. 
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She had to go. There was the Sunday afternoon, forty hours away, she didn't  
know, she wanted to, but if her mother... in the end a plan was agreed. They would be at  
Matins, if he saw her drop a handkerchief and stoop to pick it up, it meant she thought she 
could manage to get away after dinner. He must go round by another lane, behind the  
farm, 'up over', walk along the top of the till he came to the beechwood, enter it where  
He went to church especially early that Sunday, to be sure he h could watch the 
Reeds come in. They did, but she didn't drop the handkerchief The service seemed the  
motes of dust in the stained shafts from the church windows. There was a05 prayer for the 
purgatory was over. The Reeds left their pew, they stood in the aisle. Daniel said his first  
genuine prayer of that morning. Nancy turned and went back down her seat and stooped.  
He could hardly eat Sunday luncheon, he dreaded so much some stupid demand, some  
suggestion, some chore to be done, from Aunt Millie or his father. But his father seemed  
sleepy, and when Aunt Millie asked him how he was going to spend the afternoon, he  
risked the casual suggestion that he might bike over to the Common and 'do some  
botany'. It was an interest his father approved, and sometimes he would come with him, if  
he was working so hard, he should rest. That was easily brushed aside. 
He was at the old linhay a quarter of an hour before the three o'clock  
wood, and sat against a beechstump watching down towards the farm, which was hidden  
by the dense canopy of leaves. Part of him knew why she might be delayed, another part  
half hoped she would not come.
Instinctively he knew many of the stories he had heard at school were boasts,  

middleclass girl. She had kissed lots of other boys (it never occurred to him that Eve also  
can lie), she was much closer to the natural, the animal. She let him touch her bare back,  
she did not seem to mind that he could not control (as he was sure sophisticated boys  
could) his erections. Supposing... he knew the girl had to have a (what he then thought  
was spelt) pestlery, or the boy a French letter. It was notjust that he feared being despised 
for not having one, but Bill HannaCOtt had had spots on his chin. And then a story had  
gone round his dornutory that summer of an American G. I. who had gone out with a girl  
from the nearest town and got stuck inside, they had had to be taken to hospital and  
separated surgically (it was all to do wit" muscle cramp or something). The virgin under  
the beechtrees had been much haunted by this tragic tale. But above all he had a verY  
C3l and growing sense of impending sin. Kissing and meeting secretly like this was one  
thing. The otherhe now knew better than divine lightning and the instant thunderbolt, but  
At twentyfive past three he walked back to the linhay at the top edge of the  
wood. Nancy stood from behind it as he came near, in a shortsleeved yellow shirt, a dark  
green skirt and wellingtons, her illdng 'clompers'. She had a brown cardigan over her arm, 
and her checks were a high pink, perhaps because there was a redness about the mouth  
that was not natural indeed, rather startlingly unnatural. Not that he felt like criticizing it.  
To his eyes she looked frighteningly aloof and adult, two years older at least. 
They didn't kiss, they had a little argument, standing six feet apart. She'd only  
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end, when she lowered her head and turned away, as if she wished she hadn't come, he  
went behind her. 
, I in not really angry, Nancy. Now you've come. 
After a moment, she reached out a hand, and he took it. They began to walk  
away from the farm, to the north. He smelt eaudecologne. Their fingers enlaced. After  
twenty yards she pushed her shoulder against his, and he put his arm round her, while  
she slipped hers round his waist. Then they stopped and kissed, and it was all right. The  
lipstick wasn't lipstick after all, but cochineal stolen from her mother's pantry. 
She led him on, entwined, to her 'real secret place', which was out of the wood  
and through a patch of high bracken and gorse at the top of the farm combe, legally one  
of its fields, though it was too Steep for the plough, useless land. A large flattopped  
limestone rock stood there, the 'Pulpit', isolated in the sea of bracken. Its downhill side  
was slightly convex, there was a small platform of flatter earth in front of it Daniel and she  
stood there, chestdeep i11 the fronds. Her elder sisters had brought her there when she  
was little, they used to clear a in the terns. f Nlw they did the same, squashing the stems  
sideways with their eet, treading the stiff ends flat, till there was a close greenwalled room 
again, six by four. She dropped her cardigan and knelt. He sank facing her and they  
kissed properly, erect on their knees,07 clasped in a blasphemous imitation of that  
morning's kneeling church. Then Nancy spread out her cardigan and lay on it, sideways,  
He lay beside her and found her cochinealstained mouth. After while he moved his right  
she gave a twist of pain, and they had to sit up, lift the cardigan and press flat an  
obstinate stump of bracken. But she let him resume his previous position, half on top of  
her. She became passive, just lay there, let him kiss her cheeks and her eyes and under  
flicks of her tongue against his cheek. And the sun, the heat, the brackenflies, a buzzard  
mewing somewhere out of sight, the cool shadowy depths between the still upright  
against her thigh. It threatened to burst, he could feel its wetness, he didn't know what to  
do. Suddenly he twisted away and sat up and prayed for continence. 
"What's wrong?' 
He shook his head. She sat up beside him. 
'Danny?' 
He shook his head again. (For some mysterious reason, he didn't mind 'Danny'  
from her.)
'Danny, tell me what's wrong?' 
He leant forward. 'Nothing. Just leave me alone a minute. He said, 'Please.' 
She turned back on her elbow, away from him. There was a fraught silence. 
'I don't think you really love me at all.' 
'Yes I do.' 
'All you think of is...' 
'What?' 
'You know.' 
'I can't help it. I do try.' 
Another silence. 
'Is it when you kiss me?' He nodded. 'We'd better not kiss wY more then.' 
'It's just... 
More silence. 
Toys: He said nothing. 'It's the same for us. Only we don't make such a fuss  
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about it.'
He couldn't find the words to say that it couldn't be the same for girls. At least  
they could hide what they felt.
'Please don't be angry.' 
'i just want to kiss. That's all.' 
'I know.' 
'I'm only sixteen.' 
She spoke as if she were two years younger, instead of two months older, than  
him.
'I honestly can't help it.' 
He felt better, safely detumescent, but now he couldn't look at her. They waited, 
like strangers. Then she spoke in a low voice.
'At least you don't show off about it. I s'pose that's something.' 
The tone was resentful, but he recognized that it held some sort of forgiveness  
and some consoling information. Other boys had the same problem, it seemed. 
Did he...? 
'He was horrid.' She suddenly added, with a tiny touch of venom, 'Disgusting.' 
'Why?' 
:'tell you.' 
'I won't tell anyone.' 
But she avoided his eyes, still leaning on her elbow and half turned away, and  
shook her head.
Is that why you sent him packing?' 
Perhaps.' 
He also leant back on his elbow, his back to hers. 
I'd never do anything like that. I love you.' 
You don't know what it was.' 
I can guess.' don't want to talk about it.' She said, 'And anyway. He doesn't OW 
any better. He doesn't go to boardingschool.' he'd never understand girls. Not in a  
thousand years. e silence grew unendurable.
Nancy?' 
'Yes' 
I Wish you wouldn't be angry with me.'09 For a few moments she said nothing,  
but then he felt her turn and pull his shoulder gently round. She stared a moment into his  
eyes, then leant forward impulsively and quickly kissed his cheek. then leant away again.  
But he reached a hand behind her back and pulled her to him. Once more they lay side by 
side. Sonata form. da capo, though she pressed less against him and he did not try climb  
on top of her again. After a while they lay with their faces a few inches apart, staring into  
new closeness outside family, past, other friends. He let his hand rest on her waist and  
She closed her eyes. He ran a finger down the spine furrow, over the vertebrae. She gave 
a little squirm, but her eyes stayed closed. He began to smooth upwards under the shirt.  
The underside of his forearm on her skin, the curved smallness of her back. He touched a 
'You'm worse than Bill.' 
'Your skin's so smooth.' 
He ran his hand along the strap towards where her arm lay down her side. She  
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let it creep underneath, then pressed down.
'Please.' said you'd be good.' 
I am being good. 
'No you're not.' 
'Please.' 
'It's wicked.' 
'Nancy.' 
'I don't want you to.' 
'Just let me feel.' 
'Because I want to.' 
'You'll go all funny again.' 
'No I won't. Please.' 
She stared at him a long moment more, then she said, Close your eyes.' 
He felt her push his arm from underneath her shirt as she sat up a little. There  

was a brief movement, then she was back by his side. opened his eyes again, but now  
hers were closed. He explored her side beneath the shirt to the strap again, touched its  
loosened end, then down in front, the curve of flesh beneath the now lax cotton cup.  
touched the infInitely secret, the so often imagined, the so seemingly unattainable: a  
stiffened nipple. She lay absolutely still. He covered the small breast with his hand, felt its  
silky smoothness, softness, roundness, firmness.
'Please let me see it.' 
'You said just feel.' 
'If only I could just see it.' 
He ran his hand backwards and forwards over the breast, then down to where  
the other, pressed against the ground, curved out as well. 
'Please, Nancy. I won't do anything. I won't be rough.' 
'Do you love me?' 
'You know I do.' 
'You promise. Just look.' 
'Honestly. I swear.' 
She hesitated a moment more, then all in one movement half sat, pulled up the  
shirt as if she was going to take it off, but stopped at the armpits, then lay back with her  
head turned away, her hands still holding the sides of the shirt up, the breasts bare: a  
gesture and offering so nave, so innocent that it was quite sexless. But the breasts were  
charming, irresistible in their plumpness, their Pinky_bro excited tips, their invitation. The  
the green skirt. He put his hand out. The shirt jerked do You promised!' 
I want to kiss them.' 
"A 10119 moment, then the shirt was allowed cautiously up again. touched the  
nipples with tightpressed lips. But almost at once she Pulled the shirt right down and sat  
up.
'That's enough.' 
'Oh Please. Nancy? I wasn't rough.' 
'It makes me shy.' 
She reached behind to do up the straps of the brassiere But h sat up as well  
and drew her back against him, slipped his hands e beneath the shirt, appled the budding  
curves again. She made small struggle, tried to pull his hands away, then acquiesced  
After a moment her head came round, and they kissed. He was tumid of course, the same  
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old agony but somehow it seemed endurable after that early neardisaster. He felt  
comprehensively killed, to know that back at school the days of stupid lies and false  
boasts were over... he had kissed a girl and touched her tits. Daniel sensed dimly, at long  
were not just jamrags and protuberances, revolting blood and masturbated semen, taboo  
How long they would have sat like this, his fondling, more kisses, whispers...  
there was a distant cry, from far below, the farm. They froze. 
'Naan. Naan?' 
Mrs Reed wailing for her. 
'Oh lawky, it's mum.' 
the voice of the righteous and deceived, accusing their wickedness. It was all blurred  
hour, you could see the Pulpit Rock from the meadow opposite the fari Mrs Reed might be 
frantic licking of her handkerchief and rubbing the last of the cochi1 from her lips (and  
his), a frantic last kiss... then she was creeping away, her head bent low, through the  
bracken towards the edge of the beechhanger.
So endeth the first lesson. onung' 
It very nearly, as he learnt in hurried whispers the next In ended all. Her mother 
had given her 'such a funny look' when she arrived home. Bill Hannacott had called, it  
seemed, and was now gone away again looking for her. She had no right 'gallivanting off'  
g her own all afternoon without telling them where she was oing. Nancy had had to  
sacrifice a pawn: telling her mother she 2d gone off on her own just because Bill might  
come over. Which had led to a crossexamination under that heading. but finally a more  
sympathetic one, since Mrs Reed (it was revealed later that evening) had never liked this  
threatened liaison with chapel (though the Hanflacotts had good land and farmed well). If  
mother first. It seemed on the face of it a killing of two birds with one stone, since Bill had  
returned in due course, not seen Nancy (who'd hidden upstairs in her bedroom) and had  
been firmly dealt with by Mrs Reed. That left one weak flank, however. 
'Didn't she ask why you didn't like him any more?' 
Nancy gave him a mockprim little stare. 'Said he was always trying to kiss me.  
Said I didn't like boys like that.' Then she looked demurely down and bit her lips. They  
had to turn away from each other to choke their giggles. Deception was fun again. 
All this during harvesting. The weather reverted to good, they had it all done,  
the cutting part of it, by late on the Saturday. But they had no meetings. Though Daniel  
could see nothing changed in Mrs Reed, Nancy insisted that she was 'on the sniff'. They  
had to be extra careful so extra careful that he did not see her one single evening on his  

way home. She had promised to be by the kilns on the Wednesday, and he had passed a  
miserable halfhour waiting or her. But she hadn't come. Mrs Reed had felt tired and Nancy 
had had to help get the supper ready. She was so contrite the next Y, so frightened that  
he would be angry, that he forgave her at once. But the frustration grew intolerably. 
Gancy had already gone down to the farm to get the tea ready randpa and Mrs  
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Reed were up with them in the field and given he, bedridden father his tea also. She had  
to stay for the eggCollection van, so Daniel was sent down to fetch up the teacans and  
the cake. He found Nancy in the kitchen, just putting the big kettle on e range to boil. They 
had five minutes. She'd been up to see her father, he was asleep. The farmhouse was  
silent. It was being grownup, married. Did he want to see her bedroom? 
He crept behind her up the backstairs from the kitchen, then into the narrow  
room (the 'library' now) at the northeast corner of the house. He felt shy at first, the two  
short rows of schoolgirl romances and textbooks ranged on a homemade shelf, the  
trinkets, china horses, a present from Widecombe, Uncle Tom Cobleigh and his friends in  
hideous polychrome, the old chestofdrawers painted pink to match the small wardrobe,  
the neatly made bed, the pillow with an embroidered spray of forgetmenots in one corner,  
the heavy cretonne curtains at the one small window. It was more childlike than feminine,  
yet in some way a new dimension of her, a revealing, a baring, some kind of parallel to  
that innocent showing of her breasts 'up over'. She took his hand and led him to the  
hidden among the latter she showed him a little pressed head of pink centaury, and  
unbuttoned her shirt. He saw the cotton brassiere and its shoulderstraps, then how it fell  
loose when she unhooked it, and put her hands behind her back. This time she watched  
his face, however, as he raised the cotton, feasted his eyes and hands, then bent  
awkwardly. That time he learnt not to keep his lips pressed tight. She stroked his head  
'Oh, Danny. We mustn't. You're tickling. We mustn't.' 
Again they were interrupted: There was the sound of an engine from the front of 
the house: the egg van. He was pushed away, and there was more panic. He ran on  
tiptoe, hearing Mr Reed's voice from his bedroom down the passage, for once not  
softspoken.
'Ma? Nan?' 
And Nancy's voice calling behind him. 
'It's only the eggs, dad. I'll bring 'ee your tea in a nun. 
The eggman went straight up to Mr Reed for a little chat, gave them the chance 
to bemoan their fate as she made the tea.

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Louise and Mary had gone over to Tomes, she had to help her mother with the evening  
milking, she knew she suspected something... there was no cochineal this time, but a  
catalogue of fears and woes. She wore an old cream blouse under the same brown  
disappointed, he had come with an image of her that reality did not match at all. In the end 
she took off her boots and rubbed a sore spot beside one of her big toes. He sensed that  
he did not dissipate it. They sat side by side, obstinately waiting for each other to move  
first. It was miserable. And the weather. It was warm, but there was no sun. A tired,  
diffused light came from the lifeless canopy of clouds. There Was no wind, either. The  
summer wanted autumn, and Daniel Wanted summer till the end of time. 
Aren t you going to kiss me then?' want me to.' 
Not if you don't want to.' 
He pulled out a bracken.4iaulii beside him. 
's 'It's so rotten. All this being frightened they'll find out.' 
Well I can't help it. 
She kept rubbing the sore place. He said nothing. Then she drew up her knees, 
crossed her arms on them and, hunched up, hid face, as if he bored her. He was stupid,  
he didn't understand She turned her buried face even further away. 
'Nancy?' 
She shook her head. 
'I do want to kiss you. you don't. You think I'm just a silly country girl.' 
'That's stupid. 
'You don't think I'm pretty at all.' She sniffed. 'Stupid old clothes.' 
'I don't mind. I like them. Honestly.' 
'You doan' know what 'tis like.' 
There had been a sudden little upward break in her voice. With a shock, a  
own sulkiness blown away like thistledown by that one note of despair in her voice. He  
gently pulled her round, saw the wet rims to her eyes, then pulled her less gently down  
beside him and held her, kissed the tears.
'I do love you, Nancy. I don't mind. About anything. I just love you., He crushed  
her mouth, and they clung to each other in a fever of remorse and reawakened passion. 
exploiting an advantage in the sexual war. She'd been 'silly', he'd been generous, she  
owed it to him to be less shy. He was allowed to slip down and kiss them, to suckle them.  
She caressed his head. He took his first great initiative. He knelt back and peeled off his  
own shirt. She stared up at him a moment, then let him pull her up, and raised her arms as 
he peeled off her shirt and the tangled bra. The sweetness of those bare arms, that neck,  
the firm breasts pressing against his own, her surrender to it. He knew t was all getting out 
of hand, their tongues enlacing, searching, his 101"S bursting. He lay on top of her,  
crushing her down... until she twisted her mouth away.
'I can't breathe, Danny. You're hurting.'-it was high time hc rolled away, in any  
case. She sat up and rubbed her back, then suddenly turned towards him, knelt across  
him before he could stop her, on all fours, her hands beside his head, staring down at  
him, teasing... and something else, wicked, abandoned, much older. He reached upwards  
to the banging breasts, cupped them, then saw her eyes close as she sank down. Her  
loins pressing against his, the weight of her, the rough ground at his back, he knew it was  
awful, he couldn't stop it, he had a terrible fear the wretched red balloon had slipped off,  
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but he couldn't stop it, he didn't want to, he had to cling to her It was paradise and a little  
bit painful, and he couldn't hide it, at the same time as he sensed obscurely that she too  
could not hide something: a sudden burying of her face in his neck and trembling below in 
a strange downpressing way, once, twice, three times. By a piece of outrageous  
beginners' luck, they had achieved a simultaneous orgasm.
At least I suspect now that is what happened. We lay there so long afterwards,  

we were so silent, we knew we had done something terribly wicked, something new to  
both of us, and we felt the primeval shame. Eventually we disentangled ourselves, we  
dressed, we couldn't look each other in the eyes, we hardly spoke. I was shocked, far  
more than when I lost my virginity in the full sense three years later. The famous descent  
of sadness, which is really just V a reawareness of one's surroundings, took me by  
surprise. This girl, this silent bracken, this overcast sky, this person with nothing but a  
telltale wetness in his swimmingtrunks... they were totally strange. Everything had  
changed.
On the Monday, the next day, things seemed, after an initial moment of  
shyness, much better. Mrs Reed had appeared to Suspect nothing, the darker side of the  
previous day's madness disappeared. We managed only one kiss, but we found time to  
Whisper that we loved each other, we couldn't wait till next Sunday... though we had to, of 
course. But on the Tuesday, a Sinister incident, a premonition. I was pushing my bike up  
the hill home, when without warning a stone hit the lane six feet in front of me I thought it  
must be Nancy, though she'd been sure that she couldn't slip away that evening. I  
stopped, staring up through the trees towards the kilns, expecting her to show herself.  
Instead, another stone came sailing out of the sycamores on the cliff above the kilns. This 
time it was too big to be a signal stone and j came much too fast to have been thrown by a 
girl's arm. It was also aiine straight at me, it crashed on the road and then into the spokes  
of the front wheel. I was very frightened. I began to run up the hill, then I jumped on the  
bike and started to heave frantically up the last few yards of the gradient. Another stone  
landed and hit the road behind me. I drove down on the pedals, standing on them, in a  
panic of fear.
There were no more stones, and I got away unscathed physically. But the  
damage was done elsewhere.
I told Nancy the next day, and we decided it must have been Bill Hannacott.  
She said he was a coward, everyone at school knew he was a coward, but he hadn't  
looked like one to me at our only meeting. I dreaded that journey home from then on. It  

was like running a gauntlet, a constant terrorless of stones than of his suddenly standing  
out in the road, a fight... and what it meant that he knew about me and Nancy. That  
frightened both of us: that he might have watched us that previous Sunday. Like all the  
village boys, he was used to slinking about without being seen. Then my imagination... it  
wasn't only stones and fistfights I feared, but gunshots. I knew he had a gun, he shot  
pigeons and rabbits. I saw my gravestone beside my mother's. His choice of ambush also  
made our assignation place by the kilns impossible.
But as Wednesday and then Thursday passed, and I had still not been shot in  
the back or pummelled to dust, I felt a little more cheerful. On the Saturday afternoon Mrs  
Reed, who had gone into the village, had still not returned when I was due to go honie.  
Mary and Louise were out working, the house was empty except for Old Mr Reed and his  
son and they were talking in the bedroom upstairs. Nancy and I crept into the barn, into a  
dark far corner where there was an old stall used for storing the hay they fed the cows  
during milking in the byre next door. We had our usualU kissing and feeling, whispering  
about Bill and what his game as, how horrid he was, how had she ever seen anything in  
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him she had turned and I had pulled her back against me, my hands her breasts beneath  
her clothes, a pleasant posture we had only just discovered. Perhaps it was the darkness  
One evening. He wanted to take t out and have her 'squeeze' it. I was shocked into  
shared. 'What did you tell him?'
'I didn't tell him anything. I slapped his silly gurt face.' She said, 'Bloomin ol'  
cheek.'
'Did you let him do this?' She shook her hair against my face. 'I bet you did.' 
'You're the only one. 'Cos I trust you.' I held her breasts a little tighter. 
'And I can't help it.' 
She wriggled her bottom and put on her village voice. 'Doan'ee be naughty  
now.'
'I'm not naughtier than you are.' 
'Oh yes you are.' 
'I'm, not. 'You want me to do what Bill did.' 
'No I don't.' 
'You're all the same.' 
'I want to touch you all over.' 
'Well you can't. So there.' 
'I only said it.' 
'Saying's as wicked as doing.' You let me do this.' 
'That's different.' 
I had one hand across her bare stomach, the other on her breasts. 'Only touch.' 
Always saying "only".' 
'Didn't yo like it last Sunday?' 
'Perhaps.' 
'That's what you always say.' 
'Shouldn't ask rude questions.' There was a silence. 
'I Wish we were grownup.' you marry me?' Would you marry me?' 
'I might.' 
'a 'I'd learn to farm properly.' 
'Pooh, I don't want to marry an old farmer. I've had do u of that.' She kicked at  
the hay they were standing on. 'Rotten old 'Say you'd marry me, Nancy.' 
'Why?' 
'Because I want you to.' 
'Why do you want me to?' 
'Because you're always teasing. I never know if you really 'I'm not really  
teasing.'
'Then would you?' 
He felt her hair shake up and down. Then she suddenly turned, and they  
'Oh Danny, I love you. I love you so much.' Then, 'You don't think I'm wicked?' 
'Why wicked?' 
'Cos I tease you. 'Cos I ' 
'Cause you what?' 
'Like you touching me and...' 
'And what?' 
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She spoke into his shoulder, hardly audible. 'I'd do what Bill wanted. With you.  
If you really... if you'd love me more afterwards. If you'd promise you would.' 
'Would you let me touch you all over too?' 
He felt her head nod, still buried against him. 
'You promise?' 
Again she nodded. 
'Up over tomorrow?' 
And once more she nodded her head against him. 
They heard the sound of the tractor coming down with Mary and Louise: One  
swift kiss, one intense look from those shadow blue-violet eyes, then she was running to  
the barn door, out and down the side back to the house. He knew that they had been  
foolish, it was after his going home time. His bike was leaning in The twins full view by the 
gate outside, where he always left it. e came into the yard on the tractor. Normally he  
would have stOPPe and talked with them but now he waved, as if he was in a hurry,20 d  
went out to his bike. They might think it strange, but better that than have to lie about why  
he was still there.
So down the bumpy metalled road to the public lane, then over the bottom and  
the culvert that took the little stream, Thorncombe Leat. Up the hill past the kilns, too  
happy now, too excited to do more than give one passing thought to the possibility of Bill  

waiting there and he wasn't. Halfway to the village he met Mrs Reed in the old Riley, and  
got off his bike to let her pass. He thought she would stop and give him his wages, that  
was always on Saturday, but she must have forgotten, she drove on with merely a wave,  
her eyes on the road. Probably she knew she was late for milking. She was all dressed  
up, she'd been visiting or mothers'uniofling.
supper to come eggs and bacon and baked potatoes. I went up to my room and lay on my  
bed and thought about Nancy and her breasts and her eyes and her still unknown body  
and being married to her and living at Thorncombe and... the gong sounded downstairs.  
And still no warning, even at supper: the same old fusty nothings of conversation. My  
father was rather silent and preoccupied, but that was a familiar thing on sermonwriting  
evenings.
'I have something for you in the study, Daniel. If you would spare me a  
moment.'
I followed him across the hail into his study. He went straight to his desk,  
hesitated a moment, then picked up a small brown paper parcel. He spoke to it, not me. 
Mrs Reed came in this afternoon. She tells me her husband's recovery will be a 
slower business than was at first thought. I understand the authorities have found a fully  
skilled farmworker to help out over this winter. He starts on Monday. She will accordingly  
'lot require your assistance any more.' He held out the parcel. 'She asked me to give you  
this, Daniel. And your final wages.' He turned away. 'Let me see. Where did I... ah, yes.'  
He picked up all envelope and put it on the reextended parcel.21 I knew his eyes were on  
why Mrs Reed had passed me in the lane without stopping. I somehow managed to take  
the book and envelope from him.
'Well. Aren't you going to open it?' 
I tried to undo the knot in the string, but in the end he took it away from me and  
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was a book, The Young Christian's Guide to English History. There was an inscription on  
the flyleaf in an oldfashioned laborious hand.
To Mr Daniel Martin With all our gratitude for his help in our hour of need and  
our sincere prayers for his future happyness. Mr and Mrs W. Reed My father took it gently 
from my hands, and read the words.
'Most kind. You must write and thank them.' 
He handed the book back. 'There. Now I must get on with my sermon.' 
I was back at the door before I summoned up enough courage, or sense of  
outrage, to speak.
'Can't I even go over and say goodbye?' 
He had sat at his desk and made some pretence of settling to work, but now he  
looked up across the room at me.
'No, my boy. You may not.' He stopped any further protest by going onso  
calmly, neutrally, his eyes back on his papers. I understand Nancy is going to her aunt  
near Tiverton tomorrow. For a holiday.' I stared at him with a total incredulity, unable to  
move. He glanced up again and surveyed me for a moment. I have great confidence in  
your intelligence, Daniel. As also in your sense of what is right and wrong. The matter is  
closed. I wish you goodnight.'
to my room without saying goodnight to Aunt Millie, consumed with the most unChristian  
hatred and impotant despair that can ever have seethed inside that house's walls. The  
cruelty, the stupidity, the vile meanness of adults! The shame, the humiliation! If only he  
had raged against me, if only he had given me a chance to rage back! The duplicity of  
Mrs Reed, the cunning of her! The agony of not knowing, and never knowing, what was  
happening to Nancy at that moment, her tears, her... I would steal out, I would go to the  
farm in the night, stand below Nancy's window, we would run away together. I thought a  
Christianity, by the ubiquitous wartime creed of discipline and selfrestraint as the ultimate  
goods. But the worst of all was knowing that I had asked for this terrible disaster. I  
his power.
I came to see later that it was really my father who was to be pitied... perhaps  
even admired, in his trusting me to condemn myself and find my own way out of the  
not accused us of more than an illicit meeting, a stolen kiss or two. Whether she simply  
read Nancy's face, whether Bill Hannacott sneaked on us in some way to her, I was never  
to discover. But if the charges had been more serious, my father would not have felt free  
to burke the issue. I suppose he must have been aware what he was doing by giving me  
faults he was not a sadist. I suspect he regarded all sexual feeling as childish  
misbehaviour, something one grew out of as one 'matured'. To be fair, both he and Aunt  
Millie, whom he must have spoken to that same night (since she showed no surprise at  
this abrupt end to my labouring) did their best to ignore my melancholy and sullenness  
and to Chivvy me out of it.
I sneaked back once or twice to Thorncombe, spying on the valley and the farm 
church the day after the dreadful ukase. I had walked back to the Vicarage the moment  
the service was over. I thought the whole village must know (as they very probably soon  
did, Bill Hannacott and rural tongues what they were). I longed for a letter from Nancy, but 
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none or none that I was allowed to see. The one consolation of lug back to school was  
that she might write to me there, as I had once suggested. But I was too scared to write to  
the farm myself in case my letter would be intercepted, and it was silly to suppose she  
should not feel the same. No letter came.
That following Christmas, perhaps to make certainty twice sure my father took  
his first holiday of the war. He and Aunt Millie and I went. up to their other sister and her  
family in Cumberland. She was married to a solicitor at Carlisle: two of their children were  
her increasingly attractive in the fortnight we spent with them. We didn't kiss, except  
under the mistletoe, but we agreed it would be nice to write to each other, to become  
penpals. I thought of Nancy, and Thorncombe, less and less. I did not return home that  
Christmas, but went straight back to boardingschool.
I saw Nancy just once, in church, that next Easter holidays. If part of me felt  
sorry for her not least because Aunt Millie had written during the previous term to say that  
Old Mr Reed had diedanother and meaner part now found her provincial and farmery and  
plump beside my slim little middleclass cousin from Carlisle. We had been writing long  
letters and kept wishing we could see each other again. I had learnt my lesson and let  
those holidays Aunt Millie asked if I would like her to suggest Barbara spent part of the  
summer with us. I said yes, at once.
So she appeared at the Vicarage that following August. We cycled about  
together, did some harvesting, played tennis. I did no see Nancy once. Something  
seemed to have gone out of the Reeds' 1 religiosity with the old man's death. Mr and Mrs  
Reed still appeared in church, but the girls were never with them now. I still hate going  
past the farm and avoided it as much as I could when I W out with Barbara. The face I  
dreaded meeting in that lane was no longer Bill Hannacott's... not that I ever got very far  

with Barbara. Her shyness and niceness in the flesh proved far stronger than certain  
veiled emotion that had flavoured (or I had read into) do some of her letters. Five years  
later she was to cause a great family to by 'turning' Catholic (not Anthony and Jane's  
sophisticated kind) 2d soon after becoming a nun. Her distaste for the flesh was already  
problems with her, though we kissed once or twice at the end of her stay. I needed to  
prove to myself that I had 'overcome' Nancy. She must have known 'Mr Martin's niece'  
was at the Vicarage, poor girl. 
That autumn I had news from home that did shock me deeply. Thorncombe was 
up for sale. Mary was to marry, young Mr Reed had never fully recovered, he had the  
chance of a smaller farm near another of Mrs Reed's sisters, outside Launceston, they  
were taking the cattle with them... all the motives and details I didn't care about... but  
Thorncombe without the Reeds! I couldn't imagine it, in some way it seemed a worse  
denial of natural order than all the far greater upheavals going on in the outer world. I  
having been the precipitating cause of all their disintegration, the old man's death, the  
leaving the farm where they seemed to belong immutably, unimaginable elsewhere... it  
wasn't only Nancy. I couldn't see Mrs Reed in another byre and dairy, Mary or Louise  
perched on the tractor in any other fields, any other figure but Old Mr Reed's, bowlegged  
gaiters and gold watch, thornplant and white moustache, about the garden and the yard.  
For the first time in my life I realized how profoundly place is also people. I could live a  
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artifice of legal possession.
One last shot. 
Many years later, as they used to say in the old subtitles... the early September  
of 1969, to be precise. I was down at the farm for a fortnight, alone one afternoon, Ben  
and Phoebe had gone into Newton Abbot shopping. I came out of the front door and saw  
a man leaning over the gate down by the lane. There was a car parked behind him. I  
shouted down, he seemed lost. He opened the bale without answering and started  

walking up, so I went to meet ~rn cardigan ifway I could see he was a townee, he wore a  
lapelled with a zip, and looked like one of the countless Midland and Northcountry  
grockles that invade the West every SUmmer.
A tall, thin man of about my own age, with hair plastered back over a bald patch 
and a gold tooth: he was grinning, a shade embarrassed.
'Sorry to disturb you an' all that.' He had a faint Cockney accent He jerked his  
thumb back to the Cortina. 'The wife used to live here. Years ago. Too shy to ask if she  
can come and have a dekko.'
I hardly recognized her, she'd got so heavylimbed and stout, her tinted hair  
done back and up in a kind of bouffant style, like a pub landlady, in a pathetic last attempt 
at attractiveness. She was in absurd crimsonred pants with a giltbuttoned navy blazer  
there was still a wash in them of that old azureviolet, the germander speedwell blue. She  

was hideously embarrassed. I realized at once that she must have known I owned the  
farm now, something had drawn her back to it, but she hadn't really wanted to see me.  
Her nononsense husband had forced the issue. He was selfassured, and patently  
determined to let me know he was quite as good a man as the next. A foreman at  
clearly used to handling the shopfloor and a fat wagepacket. They'd been touring down in  
Cornwall, 'giving the old Continent a rest' this year. Nancy still had a trace of a Devon  
accent, but she was so worried about intruding, so anxious to be nothing but correctly  
polite... it was painful.
Her father was long dead. Mary still farmed, upcountry, in Somerset. She was  

just become a grandmother now. Her mother lived with them there, same age as the  
century. Louise had never married. And she herself? Had they children? Three, the oldest 
had just got into university.
'Real bright kid,' said her husband. 'None of your hippie nonsense.' 
I showed them round the inside, and she came to life a little, though she found  
was also seeing t C past. I tried to coax her, make her remember where furniture had  
one Ben and Phoebe now lived in, where 426Ali had stood in the dark corner that last  
'I crave them a drink back in the house, we talked casually about the general  
paid just one tiny tribute, even mocking, to that 'tragedy' in our adolescent past. But she  
sipped her Dubomiet and played resolutely genteel second fiddle to her husband. I had  
only one minute alone with her, when he asked for 'the gents'. 
'Has life been good to you, Nancy?' 
I hadn't used her Christian name till then. 
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'Oh well, can't complain.' She pursed lips to her cigarette. 'Harry's done very  
well. Considering.' 
'You haven't missed the old life?' 
'Not the same now, is it? All chemicals and machinery. Not like the old days.'  
She looked out of the window. 'Good riddance, if you ask me. The way we had to work.  
Don't know how we stood it, really.'
'I've never tasted cream like your mother's since.' 
'Given all that up now. Not worth it with Holsteins and Friesians.' She said, 'All  
seems so long ago somehow.'
I smiled. 'All of it?' 
Just for a second her eyes drifted and cautiously met mine, then looked away  

with a prim little smile. 'You don't smell those rotten old cows now. That's one thing I'll  
remember till the day I 'I still get a whiff sometimes. Like a ghost.' 
'I wouldn't fancy that.' 
I stood to refill her glass, but no, she really wouldn't, thanks Very much. Then  
she wanted to know about the carpet. I told her about copal matting. Her husband came  
back.
when I set it down. It was my fault, I played my comprehensively S son, a kind of inversion 
broken through the wretched plastic shell of that meeting, through her frightened gentility  
and my equally odious urbanity. We think we27 I grow old, we grow wise and more  
did you feel, how long did you go on missing me? Even if I'd only evoked a remembered  
bitterness, recriminations, it would have been better than that total burial, that vile, stupid  
was in some way evil and absurd... immature. Ban the green from your life, and what are  
you left with?
I walked down to their car with them. They must call in again if they were ever  
the fields again. I could see they thought I was merely 'being polite', condescending  
filmstars, I couldn't really mean it. I can't have, since they have never taken up the  
invitation.
We shook hands, I was thanked everso for sparing the time. 
'I think you've done it all beauti'Till' She gave the house one last look back. 'I  
really wouldn't have known it. Inside.'
Oh my England. 
I found a stockdove's nest, and thow shalt have yt. 
The cheesecake, in my chest, for thee I save yt. 
I will give thee rushrings, keyknobs and cushings, Pence, purse, and other  
things, bells, beads and bracelets, My shepehooke, and my dog, my bottell, and my bag  
yet all not worth a rag: Phil/ida flouts me.
¥ Thorncombe phoebe had lit a fire in the livingroom, supper was on. I showed  
Jane and Paul to their rooms, and then round the house, which seemed tiny after  
insufficiently lived in.
I had begun by attempting a very simple and exorcizing decor, all wood and  

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first tried to impose on it. I introduced more clutter, the odd print or painting that took my  
fancy, pieces of Victorian furniture picked up in local antique shops. One day I had  
disinterred the old canvas of my episcopal greatgrandfather from the junkcupboard in the  
London flat where Nell had long ago relegated it, and had it cleaned and relined. It now  
hung over the fireplace, disapprovingly grave, one of those portraits whose eyes seemed  
to follow you everywhere. I had turned a deaf ear to Caro's and most other people's horror 
of the thing. As a painting it was certainly not good enough to occupy the place of honour, 
true worth. But I had come to feel affectionate about the unremitting sternness of that  
miniatures of forgotten ancestors, a favourite Photograph of Aunt Millie and my father  
taken in 1938... the house would no longer have pleased an art director, but it felt (at least 
until I had, as that evening, to see it through other eyes) more like a home. 
deedmap with the field boundaries for him. Then I produced the little presents I'd bought  
Ben and Phoebe from America, a bottle of Bourbon for Ben knowing that with whisky his  
respect for money overcame his love of alcohol and some allegedly Navajo placemats for  
Phoebe, bought in transit in New York and (I suspect) manufactured there... but anything  
garish and suitably exotic pleased her. She had no visual taste what,,,,,. even Ben  
complained about the collection of gewgaws she lud amassed in their own quarters. No  
daytrip for her was complete without some ghastly new piece of tourist china. 
We had suppernot one of her best, though Jane and Paul were polite about it.  
He was to be handed back at ten the next morning but was desperate to get out and have  
a look at the fields before he left. So we agreed to that. He was markedly easier, perhaps  
because of the day, but also because Jane had evidently taken our little conversation  
about fussing to heart. She prompted him less, and he talked more. I told them about the  
see what he really thought of this prodigal uncle returned to the fold. 
She sent him off to bed at half past nine, and we took our coffees in front of the  
fire. Some successor of the Reeds had blocked up the wide old chimney with its  
breadoven, but I had had the suburban tiles and the backing rubble out again. I sat to one 
side, in a rockingchair, Jane on the couch in front of the hearth, in the trousers and  
navyblue polonecked sweater she had worn all day. I had laughed when she asked if she  
should change. Now she delivered judgment.
'I think you've made a conquest.' 
'I'll give him the phonenumber. It's really very close.' 
'I should be careful. You may find you've acquired a limpet. 
'I'll warn him I must work. For a few weeks, anyway.' I said, 'And you must come 
and stay longer, Jane. Seriously. And let me meet your friend.' 
'My exfriend, Dan.' She avoided my surprised eyes. 'I'm afraid.' 
'But I thought.. you said he'd written.' 
'Yes. He did. He's'... she sought for suitably oldfashioned, dismissive words..  
'he's formed a new attachment.' She added lightly, 'Not to worry. These things happen.'  
Then at last she did permit herself a less clinical, or more feminine, moment. Es pecially  
to Peter.'
'I don't think much of his sense of timing.' 
Apparently it's been going on for some months. And it did rather have to be now 
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or never. He was very contrite. Self-accusing.
'I'm so sorry. 
'It wasn't altogether a surprise. My only regret is that I didn't do the  
dear_Johlliflg myself.' She took a breath. 'Fidelity was never his strong point. I think it's  
something to do with philosophy. You so much time in a ratified stratosphere that you  
have to compensate when you descend from it. Be an ordinary mortal.' 
'Someone over there? 
, she teaches history at Harvard, it seems.' 
'You're being very brave about it.' 
She shook her head. 'I've told Roz. Now you. So I don't even have to feel very  
humiliated. And there was the age thing. It was never really on.' 
forgive her some of her calculatl distances.
'Men are shits.' 
'At least honest ones. In this case.' 
'Even so.' 
She shrugged, and I left a sympathetic silence. 
'Have you thought any more about the future?' 
'Not really, Dan.' She twitched at a horsehair that had poked through the fabric  
on the arm of the settee. 'That's not quite true, m half thinking of selling the house and  
moving to London. A flat perhaps. Somewhere smaller.'
That sounds fine. And nearer Roz.' that's a good idea.' 
What does she think?' 
'She's all for it.' 
Then why not?' 
I suppose doubting whether I could make a new life there for myself.' 
'You've abandoned the other idea?' She looked at me, rather revealingly  
unable to remember what the other idea had been. 'Following in the footsteps of dear old  
Lenin's widow?'
Not absolutely.' 
There was a reluctance, a brevity in her voice.31 'Jane, if you don't want to talk  
about it, you know ¥.. i f understand.'
please mustn't take what I said that evening too literally, Dan. I do have very strong  
leftward feelings at the moment. But I'm not at all sure of the best way to use them. Roz is  
trying to push me into taking some sort of extramural P. P. E. degree. Or a teachertraining 
course.'
'But you're not called?' 
'In a way, very much. As long as it wasn't at Oxford.' 
'A lot of women seem to do it nowadays.' 
'Yes, I know.'S 'A counterargument?' 
'No, of course not.' She looked down, then glossed that. 'Roz's motives get a  
tiny bit transparent at times. I hate feeling I'm both a problem mother and just one more  
blow for the cause.'
'Except that it's a good cause? And you do have a problem.' 
She said nothing for a moment. 'May I put my feet up?' 
'Of course.' 
She kicked off her shoes and stretched her legs along the settee, then made a  
face across at me. 'Varicose veins.' 
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'Oh God.' 
'I've had them for years. Not even worth operating on. They just ache  
sometimes.' She went on quickly, back to her psychological self, staring down at her lap. 'I 
suppose it's a burden of frustration. Having got yourself into a state where nothing seems  
sensible enough. You know? Your heart aches for a huge step and you can't face any of  
the little ones. You lose your head, as I did that dreadful evening with you. Say things you 
don't really mean.'
'But the heart wants to mean?' 
She reached an arm on the couchback, leant her head against her hand, stared 
again at the fire. 'I just feel our society has got blind. So selfish. It's all I can ever see  
nowadays. And the only people who could change anything, change it intelligently,  
absolutely nothing about it. Refuse to give up anything Share anything. It seems almost  
beyond politics. A kind 0f universal blindness. Which means you turn to anyone who  
appears to begin to see. The Maoists, the Communists, anyone.' 
But isn't the trouble if you throw out all the bad freedoms, the0d ones go with  
them?' good I know I'm in a dreamworld. Especially on the historical evidence. ' 
'The only place where I thought that wretched Fenwick character had a point  

was on biological grounds. That we can't evolve without at least some freedom to go our  
own peculiar way.'
finding sanctuary in, the fire.
'I heard a Marxist economist lecture a month or two ago. About the production  
costs of the British food industry. The ludicrous proportion of the whole that's taken up by  
advertising and packaging. Apparently it's even worse in America.' 
'No one would argue over that. A bad freedom.' 
'But no one does argue, Dan. Except the extreme left. That's the real horror.' 
'Perhaps you should stand for Parliament.' 
She smiled. 'La Pasionaria of the detergent counter?' 
'Seriously. Local government, anyway.' 
'I have thought about it.' She added, 'As schoolgirls dream of winning  
Wimbledon or dancing with Nureyev.'
You can project. That's half the battle.' 
'Could project.' 
It would come back.' 
Again she was silent a moment, searching for words. 'It's the battle in myself  
that has to be won first. When I knew Anthony was going to die, I had a sense of release.  
So many things I was going to do. It's almost as if they've all died with him. I feel a terrible  
lack of energy. Not physically. All this useless, diffuse anger churning inside me, and  
knowing I just let it churn. Never do a thing about it. Just go on leading my same old life.' 
You re not giving yourself any time.' 
But I don't have that feeling any more. of release.' She had ded her arms now,  
sat propped against the far inner corner of the couch, staring at her stockinged feet. 'I  
have a rather symptolonging to renounce all my money. I can't in fact, obviously it's  
morally in trust for the children.' ylnptomaj of what?'
'I suppose of disgust with what I am. Wanting to have it all take out of my  
hands.' She grimaced to herself. 'I know it's all onhinously like what drove me into the  
Church.'
I was tempted to go back to that, but knew, or guessed, that the past was not at 
issue.' 
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'Perhaps what you need to renounce is some of the idealism.' 
My sympathy had to be acknowledged, but she gave the impres.. sion that I had 
failed to realize the complexity of her case and her predicament. 
'It's like waking up twentyfive years too late to what you are.' 
'We all have to face that.' 
She looked up and across the coffee things at me: those always rather Socratic 
dark brown eyes.
'But you do have an interesting career, Dan. It really is rather different for us.  
My kind of woman. At my age.'
'But you also have more potential freedom now. I'm stuck with what I've learnt  
to be good at.'
shrugged.
'I suppose becoming a Labour Party activist would really be the most sensible  
thing. Our present man in oxford is hopeless.' There was another silence, then she looked 
at me again. 'Do you ever regret having been an arts graduate?' 
'And social drone?' 
'Being left helpless in front of economists and people like that. Eternal  
amateurs.'
'I once got up American corporation law in two days. Enough to kid the public,  
anyway.'
She grinned. 'That's very wicked.' 
'It's not a cheat. An audience likes to feel the details are right but that's not  

what it's all about. It's a character's general plausibility Getting the as a human being. I'm  
sure the same 's true or politics. details a bit wrong can even add to that. Look at Heath  
and Wilson.
Or Johnson and Nixon. They've all been too concerned to be right to be  
plausible. There is a place for honest innocents.' a category I belong to.' 
I shouldn't be so sure. prepared 
Our eyes met a moment, as though she wasn't p434 k ~ t contradiction as  
lightly as I said it. But then she turned and t her legs to the ground again. 
'I'd better just see if Paul's turned out his light.' 
She bent and slipped on her shoes, then went away upstairs. It was strange  
how she shifted, or had shifted as we talkedsomething still to uncover, to reveal, despite  
shifted in her voice, in the hints of the student revolutionary behind the dry selfdismissal  
widowed mother of three and the eternal ghost of a much younger self. She was away for  
stared at the bishop, who contemplated me with his usual air of disapproval. Perhaps he  
discerned the possibility that had sprung into my mind after her unvexed news from the  
exact, between an instinctive idea it had certainly come from nowhere conscious and an  
inability to see how it could be expressed. The conflict was not resolved when Jane  
returned. She was pressing a reproachful grin out of her mouth. 
'You have made a conquest. I've just been asked why we can't live in a place  
like this.'
Perhaps that's the answer. Cultivate your garden.' 
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She sat down again, and once more put her feet up. Yes, all right, she'd have a  
self behind. She spoke to Where I stood at the drinks cupboard at the end of the room. 
I do envy you. Being in touch with nature and all that.' 
It is a relief from people.' 
I looked out of Paul's window. The peace. All that darkness, things asleep.' 
I came back with the glasses. 
But unreal?' 
'A little.' 
'Still quite cheap to buy.' 
She smiled, toasted me silently. 'Get thee behind me.' 
'Anyway, I'm about to discover how unreal it is.' I sat down ¥ my rocker. 'I'm  
going to give myself a year off after this current ¡ script.' 
'And live here?' 
'If Ben and Phoebe don't drive me mad. 
'How will you spend your time?' 
I bent to replace a logend that had fallen out on the hearthstone 'God knows.  
Probably in sheer relief at not having to think cinema for a while.' Now I hesitated. 'I have  
2 ghost of a notion I might try a novel.'
She was surprised. 
'Really?' 
'Unreaily. It's rather like your dream of standing for WestIninster. 
the change of subject, more alert, amused.
'Do you have a subject?' 
'Just a ragbag of ideas that never got into my other work. The facts behind the  
glamorous movie scenes. That sort of thing. Hardly original. And potentially very tedious.' 
'Then it wouldn't be like anything else you've written.' 
I smiled down at my glass. 'You're disappointing me, Jane. I was hoping you  
might argue me out of it.'
Why on earth should I do that? 
'I thought the novel counted as egoperpetuating bourgeois decadence.' 
For a tiny moment she was inclined to take offence. Her eyes rested on mine,  
but then she looked down and murmured, you're breaking our agreement.' 
'Rather more putting a serious question flippantly.' 
'Then I don't understand it.' 
'Whether it isn't a form of selfindulgence.' 
'I should have thought that depends on the endproduct.' 
'Obviously... and when it's so uncertain?' 
'Have you read Lukacs?' 
I shook my head. 'Why?' 
She bowed her head. 'I just wondered.' 
'Tell me.' 
She shrugged. 
'Only because he's rather wise on... well, all art, but particularly the novel. Its  
proper and improper uses.'
'According to the canon? 
She looked up again. 'He was a very great humanist, Dan.' 
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'I must confess I haven't read him.' 
'Not very brave when the Stalinist screws were put on. Not a mad martyr a la  
Solzhethtsyn. Like most of us, really. Just wanting something better... inside the system.'  
think you'd like him. He's very intelligent. Behind all the isms.' 
'It's whether I could rival the supreme honesty of a novel I saw in California  
recently. It was called The Life and Times ofJonathan Doe.' 
'I haven't 'It consisted of a title page and two hundred blank sheets. All rather  
nicely bound.'
many scripts must help, if only with the dialogue.
'It's the bits between I fear. All the stuff the camera does for you. And finding an 
angle. A place to hide.'
Why must you hide?' 
'I couldn't just write a novel about a scriptwriter. That would be absurd. A  
novelist who wasn't a scriptwriter might do it. But I'm a scriptwriter who isn't a novelist.' 
Until you try.' 
I'm slightly tempted to use someone like jenny McNeil. Seeing it all through her  
eyes. If I ever could get inside a young female mad.
She sounds very intelligent.' 
A lot too much to be a good actress.' 
I would once have taken deep offence at that.' 
We smiled, looked down. My own smile was even then partly at my duplicity, fe  
ownmy knowing that Jenny's was not the only architectures head I must try to penetrate.  
011 Some new ones.37 'Not serious. Merely a touch of your own disease.' 
'I must say you seem remarkably free of the symptoms. 
'I feel my life's been rather like the lanes round here... going the long way  
nowhere between high hedges. It isn't that I haven't enjoyed the hedges. But there comes  
a time when you want to look over them. Get your bearings, I suppose.' She waited, the  
listener now. There was the sound of a car, one of the rare ones that used the lane at  
of this one die away. 'A little peck at one's liver. The whole culture's, really.' 
'Prometheus in the Augean Stable?' 
I opened my hands. 'And where the hell one would start. A Russian like  
Solzhenitsyn he's got his dragon on every streetcorner. It's where you fmd it in a society  
drifting slowly downstream into oblivion.'
'Anthony would have said that the terms of your statement answer it.' 
'The drifting? But that's not an external thing like an inhumane political system.  
Just in the nature of history and its ends.'
She mimicked the don's wife. 
'History doesn't have ends. History is the actions of men in pursuit of their  
ends.'
Sartre? 
'Marx.' 
'I wonder if he could have imagined a nation with only its past to live for.' 
'Perhaps that's where the solution is.' 
'How?' 
'Our moral tradition. Belief in personal conscience. Instead O being tied like an  
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sensed a struggle in her between retiring and going on. It was not unlike trying to  
watching birds. She hopped, shyly. 'I'm reading another very interesting Marxist at the  
moment. Gramsci.'
'Yes, I saw you were.' She glanced up. 'It was in your living room.' I smiled. 'And 
once again only a name, I'm afraid.
'He tried to evolve a socialism for the Italian situation .438 'And failed?' 
' terms of Mussolini and his own Communist Party, totally. flut he's having his  
revenge now. In the modern C. P. I.'
'And he's relevant?' 
'Not in practical terms to the British situation. But I find some of his ideas  
sympathetic.' She was staring into the fire again. 'He's really another of the Marxist  
antijacobins... a humanist, underneath the jargon. There's a thing lie labelled ideological  
hegemony.' She followed that with the faintest suggestion of a wince, but went on. 'By  

which he meant a sort of allpervasive organizing principle in bourgeois society a  
beliefsystem that more and more takes the place of the overt police state... totalitarianism  
proper. It permeates all society, supports the established system through the mind the  
unconscious. It works by what Marxists call mystification. Confuses all power relations, all  
major issues, the way people see events. Prevents them from judging them. Everything  
becomes reified, human beings become commodities, to be bought and sold. Mere  
objects, market research statistics things to be manipulated by images and all the rest.  
Which means that socialist intellectuals and activists have nothing to work on in the  
ordinary consciousness. They become inorganic, they're either driven into isolation on the 
political sidelines, or if they do get power, forced to follow the old Leninist heresy.  
Government by force and apparatus.' She paused, then ended rather bathetically.  
'Unfortunately he's far better at defining that than explaining how one could create a  
counterhegemony. The evil, not the cure.'
Gramsci than his exegetist that interested me as always, far less the political than the  
hear what had been so firmly banned the previous evening at Compton. It seemed:  
and ignorance needed reprise. I'm a victim of it in a way. Buying the American view  
Country. From over there it does sometimes seem a hopelessly lfltumed and stagnant  
place.'
Because they say so?' 
Bccaue Ut 1iat they are themselves. Ninetenths of the energy may be  
misapplied, but it still represents a power to choose that we seem to have lost. All right,  
history may be the actions men, but we've surely lost all emotional belief in the  
proposition., 'Gramsci would claim that's a function of the hegemony.' 
'I appreciate that, Jane. I have read Marcuse. It just seems deeper than... than  
media manipulation, all the rest. I think most people here do actually sense the Gramsci  
thing. That's part of the hopelessness. On the one hand we've decided history is a corrupt 

judge, has wrongly sentenced us, on the other hand we refuse to appeal. I'm not really  
arguing with you. I agree we've become almost totally the victims of social forces we can't  
control. But it seems to me something more biological in origin. I don't know. Blindness.  
Impotence. Old age. Not operable. In the nature of the process.' 
'And the young have to accept that?' 
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'I'm not sure they have a choice. Cultures are like species, they decline and fall. 
Perhaps the racial Geist is also mortal.'
perceptible, if infinitesimal, tension. I knew I was being a man of little faith, a job's  
her own pessimism was.
She said, 'I refuse to believe our children have no choice at all about the kind of 

world they live in.' 
'But the choice does get more and more limited?' 
'Perhaps physically. But not morally.' 
Anthony's ghost or something else that had been concealed, an identity  
beneath all their disagreement was suddenly very present between us. There was a lamp  
still on at the supper table at the far end of the room, but where we sat only the occasional 
flames and the red glow of the fire lit her face. She sat with her head slightly bowed,  
retreated into herself again... and I knew continued argument would drive her only further  
away. Once again the dreaded theory of reserve, our Englishness, was upon us. 
'It's not that I wouldn't like to believe as well.' 
'I realize.' 
But she didn't look at me. I stood up. 
'Let me get some more whisky.' 
'No really I... ' She glanced at her watch, one of those gestUr ht has to be  
followed by a move or else be fated to suggest oliteness conquering boredom. 'Do you  
keep country hours?', Not at all. But if you're tired.'
'just a few more minutes. This fire's so lovely.' 
I gestured with my glass. 'You're sure?' 
'Absolutely.' 
I went to get myself another Scotch, and looked surreptitiously back at her. She 

was staring into the fire again, absorbed by it. Her hair was without the silver comb she  
seemed to like to wear, or had worn, like some Tudor woman with a favourite jewel, as if it 
perhaps the lack of that, with the rather bulky sweater she was wearing, the apparent  
informality was what redeemed the distances elsewhere. It certainly wasn't a sexual  
I knew that she felt something had been skated over, words had once again failed that the 
infallible Pythia, for all her selfmockery, was still making secret oracular judgments, I  
somehow didn't wish her any other than she was: not predictable, not amenable, indeed in 
one way not too far from Nell's little gibe. A slippery eel. I had questions I should have  
liked to ask: why she had refused the previous evening to discuss what she had not shied  
what she had said to Caro of me. But I knew I didn't yet know her well enough as she had  
become.
I sat down again. She asked what wood it was we burnt and I told her: apple.  
With beech and cedar, one of the great trinity of logwoods. She shifted her head, as if she 
down, and let her have her silence. This obstinate privacy must have grown slowly all  
through those years with Anthony, and been partly formed by the deserts in their  
giving herself 10 me... to the small girl who had somewhere never forgiven the lack of love 
at a crucial stage of her life. It explained that married rejection of her outward persona as  
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a student, of what we had then iathought of as her 'natural' talents her enthusiasm, acting, 
'style', ependence. But they must always have been truly a mask, evolved to cover an  
earlier scar. The real secret behind her inarria e had been that Anthony was also to be a  
convert, but to the needs that insecure and thwarted child. The attempt must have been  
perhaps she had even half sensed it, and yet made withdrawal impossible by putting on  
the Catholic chain. The unconscious demand had totally trumped all conscious judgment. 
I doubted if Anthony had ever truly realized the role he was meant to play. He  
natural capacity for emotion, let alone passion. He had come himself from a happy and  
normal family background how could he have shared her secret, even with a far better  
balance between thinking and feeling? Jane would have retreated again behind a new  
mask, much drier, cooler, smootherarmoured, far less penetrable, until it formed a crust  
that could not be broken which might explain her apparent calm over the loss of her friend 
at Harvard. He must have been, however different in outward personality, another form of  
Anthony, a liaison entered upon almost as a perverse proof on her side that the original  
problem remained insoluble.
I began to see a chain of dim points, the first faint outline of her constellation,  
the inner destiny I had never perceived in our past: the silences, the pretence that she  
had no conventional faces left (a claim her behaviour denied all the time), the constant  
toandfro between the woman who argued every step and the woman who declared herself 
not accept hopelessness in anyone else. Then there was that one revealing phrase about  
the heart aching for a huge step and the bizarre political step she had proposed as a  
substitute... and its constantly hinted motive', universal worry, universal concern, her  
revised lay version of the old Christian escape from practical responsibility. I had heard  
my father, not two miles from that room, preach too often about universal love and the  
brotherhood of the church ever to have had much time for rhetorical and abstract  
sympathy of that kind.
The comparison between Jane and my father is not fair, of course. She didn't  
the difference between creed action, doxa and praxis. Yet just as I had been so deeply  
formed by,antipathy, so had she. My father had talked love, but seldom been able to show 
distaff side. I could hardly accuse the 01otber I had never known of not loving me. But  
Jane's had shadowed all her life until recently: a woman who had essentially never quitted 
the shallow, wellheeled 1920S of her youth.
This says what took less time to think... or to feel, because it was more an  
emphatic insight than anything very consciously arrived at. It was a somewhat odd and  
to be absorbed in meeting after so many years the changed ways, views, appearance, the 
loss of sexuality, all the alienations of intervening circumstance despite all of this, I  
perhaps saw her better now than ever before. Vanity played its part: one of those rare  
moments when one can concede more depth of understanding as opposed to  
sisterliness in her, but at least a memory of it. Of course the ghost of that one carnal  
knowledge of her, though long become far more an emotional memory, did still faintly  
haunt the air, as the Reeds would for evermore haunt the house we sat in. But I knew  
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something in Jane's presence satisfied some deep need in me of recurrent structure in  
Our silence. 
And withdrawing. I spoke, guessing at where her mind had wandered If I were a 
doctor, I think I'd recommend something very traditional and simple. Like a holiday.' 
L That's what my real doctor says. I suspect just to get me out of he, hair for a  
few weeks. Poor thing.'
She knows...?' 
About Anthony and me? Yes. She's divorced herself. We've grown quite close  
friends over the years. She's made rather a speciality of unhappy North Oxford wives.' 
Too close for you to take her advice?'43 She shrugged. 'I'm sure it's excellent.  
In itself.' She made another face. 'If it didn't seem so like chapter one in a woman's  
magazine story. Our lonely heroine looking for Mr Right at the nearest skiresort.' 
'Such cynicism.' 
'Cowardice, Dan. I don't think I could face that sort of experience at the  
moment.'
'I have a wild idea, Jane. It's just come to me. Really off the top of my head.  
Would you be prepared to listen to it?'
'I thought I had the corner in wild ideas.' 
'Not quite.' I stood. 'Just let me get a little more Dutch courage. You won't...?' 
She shook her head, and I went away to the cupboard, and began talking. 
'I have to go to Egypt for a few days soon. About the script. Cairo, then down to 
Aswan. They run rather a jolly oneweek cruise down the Nile. From Luxor.' I turned and  
smiled back at her. 'Why don't you come?'
She stared at me for a moment, as if I couldn't be serious. 
'Purely, in all senses of the word, as an old friend.' 
She let out a breath. 
'Dan, I couldn't possibly. I didn't mean...' 
I topped my whisky with water. 'Why not?' 
She put her legs to the ground, leant forward, clasping her hands. 
'Because... a thousand reasons.' 
'You haven't been there?' 
', No. 
'It's just sitting in the sun on a nice old boat. Doing the tourist bit if you want to.  
Resting, reading. I shall be busy writing and seeing people most of the time.' 
'It sounds heavenly. But I'. 
amused face of indulgent mothers faced with preposterous ideas from their offspring. I  
returned toWar her. 'I did the cruise with Andrea once. It's very relaxing, very peaceful.  
The climate's a dream at this time of year.' I went and stood in front of the fire, back to the  
bishop. 'Discount airfares. Your dragoinan for free. You'll never get such a bargain.' 
'I really couldn't, Dan. Honestly.' 
'But you've just said' 
'Not to be taken so literally.' 
'Give me one of these thousand reasons.' 
'The children.' She shrugged. 'Everything.' 
'May I go and ring Roz and see what she thinks?' 
'I've more or less promised to go and see Anne in Florence.' 
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'Nothing easier. Stop off at Rome on the way back.' 
least to force her to search for better reasons.
'Everyone would think I'd gone mad.' 
I smiled. 'Some of them think that already.' 
'I'd feel I was running away.' 
'That is mad. You've earned a break.' She folded her arms on her knees, sat  
hunched forward, staring at my feet. 'What you said to me in Oxford. About what one  
missed if one hid behind one's years.'
'Dan, it's most terribly sweet of you to suggest it. But I She gave up, as if the  
'terrible sweetness' was beyond further words and my suggestion beyond serious  
discussion. I sat down again in my rockingchair.
'It's not because of anything Anthony said. I simply think it would do you good.  
A new experience for you. And I'd love to have a companion.' 
She spoke gently, yet I sensed a relief that I had raised an obvious objection. 
'I'm hardly the person you should be with.' 
'IfJenny was here, and she knew you, she'd be urging you to go. That's not a  
problem.' But something in her face remained dubious. 'You must know from Roz. Their  
generation don't go in for false propriety.
She made a sideways movement of her head. 'I really do have so much to do.' 
'That can't wait a couple of weeks? The production office can do all the  
arranging. You'd only have to sign a visa form.' She said nothing. 'Look, Jane, I know  

what I owe you over Caro. If You'd think of it as a small token of gratitude. From both of  
us.'
'There's nothing to feel grateful for. I did it because I'm very fond of her.' 
'I know that. And also what we both feol.' 
She lay back again on the couch and stared up at the bishop, then raised her  
was like that gesture she had made the night Anthony died, in her Oxford livingroom... a  
loss for more than words.
'If I wasn't what I am, Dan. I just don't feel I have the right to oh dear.' 
'To what?' 
She took a breath. 'In view of...' 
'The past?' 
'A little.' 
'Surely we're both old enough now to be able to smile at that.' 
'But you have work to do.' 
'You forget I'm a firstclass dodger of all unwishedfor encumbrance. I've had a  
lifetime of practice at it.'
'Dan, I'm touched. But I really can't. I know I can't.' 
I stared down at my whisky. 
'Now I'm offended.'.4 'Please. That's the last thing I want.' 
'I'm still not forgiven?' 
., Now you're being absurd.' 
'At least still to be fearedwhen bringing gifts?' 
'of course not. It's just... ' She took another breath. After a moment she said, 'I  
suppose it's a kind of pride. Wanting to get through on my own.' 
'The idea doesn't attract you at all?' 
She hesitated, then said, 'of course. In the abstract.' 
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'Then you're being quite unnecessarily puritanical.' 
Again she was slow to answer. 'I'm so frightened of losing what little ground I've 
made towards being a less selfcentred being.'
'Where on earth did poor old Rabelais go?' 
'I'm afraid he long ago lost patience with me.' She watched the fire a long  
moment, then murmured, 'Like everyone else.'
I disliked intensely the tinge in her voice, as if she knew she was being very  
unreasonable in casting herself again as Christ to my Satan, and half apologized for it,  
like an unwilling martyr to her own pigheadedness. It smelt Jesuitical, of both oxford and  
common outside herd. But every war invents its new strategies, and I decided to snake a  

withdrawal. 
'Will you at least agree to sleep on it?' I said, 'And at least forgive me for having 
sprung it on you like this.'
'I'm the one who needs forgiving.' 
'Just think about it for a day or two.' 
would have liked to. 
'It's so kind of you, Dan, I...' 
I stood up. 'Not just kind. I have to go, anyway.' 
'You did say it was a wild idea.' 
'They're often the most sensible.' I gave her a small smile down. 'Especially  
when one's faced with circumventing an ideological hegemony.' 
She looked up from where she sat, as if set back by such impudence, but  
couldn't quite keep an acknowledgment of its partial justification out of her eyes. For a  
Phoebe would do that in the morning. I bid her goodnight at the foot of the stairs, killing  
any chance she might still have sought to do more eeling. She had everything she  
needed? Then sleep well.
I returned to put a guard in front of the fire, then went outside for a minute or  
two. It was very mild, one of those nights when there seems wind in the sky but not at  
spring, a haunting green must in the air, something peculiar to Devon and the first two  
months of its year, the groves and orchards of milder climates, of the Canaries, stealing  
their tentacles through the grey winter. High overhead, a curlew cried, then another,  
tawny owl, from somewhere among the beeches behind the house. The dense, traditional  
night. Then he began to wonder what he had done.
In the orchard of the Blessed
If Dan had launched a strange ship on impulse, he had behaved much more habitually in  
another matter. The truth was that he was falling very rapidly in love with the idea of his  
novel. In his continuing reticence about it with Jane he had been playing English. In  
secret fact it was daily becoming though the experience was not altogether unlike that of a 
tobogganer who discovers he is on a steeper slope than he realized, that is, Dan also felt  
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a growing trepidation less a possibility than a definite intention. He was still bare of a story 
or characters in any practical sense, but lie began to see, dimly, a kind of general purpose 
would go on it. But then, as his vehicle gathered momentum, he also began to see what  
he suspected was a very ugly obstacle halfburied in the snow ahead. 
He had already, without having admitted it to jenny, borrowed her proposed  
name for his putative hero: the ghost of Altadena Drive, the pinfound 'Simon Wolfe'. He  
didn't like the name and knew he would never use it, but this instinctive rejection gave it a  
useful kind of otherness, an objectivity, when it came to distinguishing between his actual  
self and a hypothetical fictional projection of himself.
then felt a whim to be more truly in the night. He turned and took an old coat off a hook,  
gate of the front garden. He looked back there a moment, and saw the one lit upper  

window, its translucent curtained warmth subtending a faint halo in the moistureladen  
unwittingly thrown on his problem. He went through the wicket, crossed the little drive  
from the lane up to the farm, then quietly unhooked an old gate and went into the small  
orchard lie had49 once scythed as a boy, always one of his favourite places at Thorn...  
combe. Some of the trees were too ancient to crop, and the bulk were inedible  
ciderapples. But he liked their twisted and lichened stems, their spring blossom, their age  
and always having been there. He began to walk slowly among the old trees. From the  
bottom there was a familiar low gurgle of water where the leat ran shallow over some  
stones. He did not hear it.
The obstacle was this: he was too fortunate, and this gave him, in his 'Simon  
Vlolfe' projection, a feeling of inauthenticity, almost of impotence. He had sensed it as he  
secretly criticized Fcnwick at Compton that he had no real right to criticize someone who  
so complacently forecast national disaster, since at a personal level he was guilty of the  
same crime, even though he did not predict the same disaster. And then again at  
Compton: all his talk of failure was only too like Nell's presenting the place as a white  
elephant, a constant agony to live in and he had smiled at her for that. 
In short, he felt himself, both artistically and really, in the ageold humanist trap:  
of being allowed (as by some unearned privilege) to enjoy life too much to niake a  
convincing case for any real despair or dissatisfaction. How could there be anything  
'tragic' in a central character who had some fictional analogue oT a jenny, a Thorncoinbe,  
a still warm windowjust back there up the hill announcing a longwanted reconciliation?  
With all his comparative freedom, money, time to think? His agreeable (despite his  
present grumbling) work? All artistic making, however imperfect, however tainted by  
commerce, was contenting compared to the work most of the rest of the world was  
condemned to. Even as Dan walked, he knew himself, partly in the very act of walking and 
knowing, and partly because of what had been happening during those last two weeks,  
dense with forebodings of a rich and a happy year ahead. It was as ludicrous as that:  
forebodings of even greater happiness as if he were condemned to comedy in an age  

without it... at least in its old, smiling, fundamentally optimistic form. He thought, for  
instance, revealing instance, how all through his writing life, both as a playwright and a  
scenarist, he had avoided the happy ending, as if it were somehow in bad taste. Even in  
the film being shot in California, which was essentially a comedy of misunderstandings,50  
he had taken care to see hero and heroine went their separate ways at the end. 
He was not wholly to blame, of course. No one, during all the script discussion  
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about other matters, had ever suggested anything different for the close. They were all  
equally brainwashed, victims of the dominant and historically understandable heresy (or  
cultural hegemony) that Anthony had derided by beatifying Samuel Beckett. It had  
become offensive, in an intellectually privileged caste, to suggest publicly that anything  
might turn out well in this world. Even when things largely because of the privilege did in  
private actuality turn out well, one dared not say so artistically. It was like some new  
version of the Midas touch, with despair taking the place of gold. This despair might  
sometimes spring from a genuine metaphysical pessimism, or guilt, or sympathy with the  
less fortunate. But far more often it came from a kind of statistical sensitivity (and so  
crossed a border into market research), since in a period of intense and universal  
increase in selfawareness, few could be happy with their lot. 
The dooming, selfaccusing artist thus became like an Irish keener, a paid  
exhibitor of token feeling, a mourner for the unmourning. Perhaps the more real  
comparison in the majority of cases was with some absolutist monarch coining to cautious 
good labour relations. 'Where such parallels collapsed was in the motivation. The artist  
was not in pursuit of unfair political or economic power, but simply of his freedom to create 
and the question was really whether that freedom is compatible with such deference to a  
received idea of the age: that only a tragic, absurdist, blackcomic view (with even the  
agnosticism of the 'open' ending suspect) of human destiny could be counted as truly  
representative and 'serious'.
All this had descended on Dan like an unpleasant revelation. When he had first 
begun to think of selfaccountancy or escape through a novel (actually for some time  
before that day at Tsankawi) he had genuinely attributed his depression to an  
unhappiness at what he had become. But the mere ability to recognize this already  
consciously, with all his professional experience of extracting the essential from the  
prolixhe had realized his true dilemma was quite the reverse. He was, if he was honest,  
under the lookingglass of eternity, a good deal less unhappy at what he had failed to be  
ens, in the old alchemists' sense of the word, the most efficacious part of any mixed body', 
triumphed over his outward biography. He had perhaps learnt to live much too  
comfortably with his failings but he lived in a world of far more vicious ones, both personal 
with whatever virtues he had that the first could not be removed without weakening the  
potentialities of the second.
That, profoundly, was what puzzled him about Jane. He detected in her a  
potency of selfdisappointment, selfslander, selfdistrust, that he might in the past have  
aped (as he had just aped a sympathetic pessimism), but had never really felt. One part of 
sympathy for her, of course, since the ability to empathize, to see, lay at the root of his  
ens happiness. But another side continued to feel diminished by her... as in the past,  
though for different reasons now.
It may have been something in femininity, in femaleness, but she was both her  
own, in a way he had never quite managed, and not her own, where he only too lazily and 
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tamed and transcribed. Perhaps, though once again he did not think this consciously (but  
since characteristic structures and procedures in ordinary life do seep down and shape  
those of the unconscious), she had some kind of kinship with the Kitchener script: a  
problem to crack, to be converted to another medium, though in the emotions, not on the  
page.
Already he had toyed with two solutions in his other and increasingly related  
problem with his novel. One that he had con sidered, enough to make a note or two  
concerning it, was to give 'Simon Wolfe' disadvantages he did not have: an even hollower 
career, an unhappier family background, no jenny in his life. He had even descended,  
under the real experience of Anthony (and the influence of a film he had deeply admired  

when he saw it, Kurosawa's Living), to contemplating cancer in some less terminal form.  
Part of his present malaise, so simple is one aspect of the man, was the realization of the  
through a fiction, but a fiction whose inner private syinbolisms he must face, would be a  
lie. That is, such deference to the Zeitgeist would mean that he could not honestly set out  
for the land that inspired the proposed voyage: himself.
The other solution he envisaged was to present a character less selfabsorbed,  
less concentrated on his own perceptions, less inclined to root all pleasure in them, even  

herself... largely misgrown and to be censored. But this, on reflection those eternal mirrors 
that dogged his lifeseemed what he had already always remorselessly extirpated from  
what he had written: the very reason the problem had arisen in the first place. Forbidding  
himself a real self reduced him to being a psychic investigator who began his inquiry by  
requesting a service of exorcism that, if it worked, would leave him no ghost to inquire  
about.
The least thinking reader will have noted a third solution, but it had not  
occurred to the writertobe until this moment. Dan was at the bottom of his orchard by then, 

nocturnal animal, a hedgehog perhaps, or a badger. It was too dark to see. He waited a  
moment or two, distracted from his selfpreoccupation, listening for a further sound. But  
none came. He felt, transitorily, though not for the first time, a paradoxical sort of  
determined imprisonment compared to the existence of the small wild beast he had  
Free will. 
And then, in these most banal of circumstances, in the night, in53 his orchard,  
alone but not alone, he came to the most important decision of his life. It did not arrive nor 
do most such decisions in realityas light came on the road to Damascus, in one blinding  
doubted, neglected, forgotten through most of the future of these pages. However, Dan  
may seem a supremely selfcentred declaration, it is in fact a supremely socialist one. That 
it would not be recognized as such by a nearly entire majority of contemporary socialists  
the images, the real. 
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Rain
The drizzle had turned to rain when the alarmclock woke Dan the next morning. He felt  
tempted to turn over and go to sleep again, but he could hear Phoebe downstairs and  
Paul had been promised that weather wouldn't stop their walk. So Dan tapped on his  
door, and spared his mother's. There was wind now, a gale threatening, as Phoebe, who  
never really believed anything unless it was first announced on the wireless, needlessly  
warned when Dan showed his face in the kitchen. Paul appeared, and they had a quick  
mug of coffee.
Five minutes later they were climbing up through the beechwood to the top.  
From there they were blown along to Pulpit Rock, where Dan had once lain with Nancy. It  
gave the best general view over the combe. The rain temporarily eased a little, but an  
endless grey mass of cloud, like an inverted sea, and low enough to hide Dartmoor,  
previous day's enthusiasm only too visibly dampened by the weather... Dan pointed out  
the faint remains of two Iron Age tumuli in one of the meadows below and the ancient  
ploughrigs in another. They tried to work out where the fieldboundaries had changed,  

which might have been the oldest, but it was difficult without the deedmap in hand to  
compare. They wandered on for a while, over fields that were not Dan's, along the  
northern lip of the combe. The landscape seemed far more dead by day than it had by  
night: a few leaden woodpigeons, a pair of crows torn ragged in the squally wind,  
mournful cattle.
Yet it was curious or seemed curious to Dan, since he had come back from his  
midnight stroll in the orchard under the impression that he had decided nothing... but he  
unexpectedly enjoyed that walk. He had felt it in the hanger, his beechwood, though he  
despised the notion of possession of the old trees. They were far more a noble  
congregation of arboreal patriarchs, a little where the ancient upright soul of Old Mr Reed  
had gone. Haifa dozen times during his ownership of Thorncombe sharpeyed treefellers  
had knocked on the door and made an offer for the timber there, and Dan had evolved a  
sawing jobs had sometimes to be done about the place.
the stale paradise of California's eternal smog_ filtered sun to a much tenderer, if damper, 
matrix. Such weather, drizzling and driving, interminable and saltladen, was far commoner 

when he was a boy, Paul's age. I cannot remember Dan's ever having really disliked it,  
whatever his father's and Aunt Milhe's complaints. It somehow cocooned, enwombed,  
before science, even ix earliest childhood, one knew it was necessary necessary not only  
in the sense that it bred the miraculous early springs, the celandines and violets and  
primroses of every banked hedge, and the rich greentunnelled summers, but necessary  
also in a far profounder sense. Life was more enjoyable so, with each day's weather  
always a throw of the dice, a hazard and Dan had never really become accustomed to the 
boredom of unchanging skies, or fallen in with the symptomatic modern fashion for  
equating holiday happiness with sunshine the triumph of the Majorcas and Acapulcos of  
this world over its true climatic poetry.
He wondered whether this would have meant anything to Paul, as they trudged  
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along the edge of a cabbagefield, the rain driving harder again. He doubted it. For all his  
current interest, Paul was a town boy, and with all the new towndominated media  
conforming his and his generation's mind... even the ploughmen carried transistors in  
their tractor cabins now. There was a village joke about one who had got so drowned in  
some pop tune that he forgot to lower his shares after a headland turn and was seen  
driving all the way down the return furrow with his tail cocked up 'like an ol' pheasant'. 
and loved it only because he so largely escaped it. Yet in a way this attachment to a  
climate, a landscape, was the only decent marriage he had ever made, and had perhaps  
been the deepest reason he had returned here in the first placethat is, the knowledge he  
would never make a satisfactory marriage anywhere else. 
They got off to Dartington soon after breakfast. The rain had really set in, and  
and Dan were shaking hands, the latter doing his avuncular act, renewing invitations  
already made. Paul had the number of Thorncombe, if he ever wanted a day away from  
school, with a friend perhaps... Jane disappeared inside with the boy, she wanted to see  
the headmaster, and didn't come back for twenty minutes.
Okay? 
'They seem to think he'll survive.' 
She had rung up about her train before they left Thorncombe. There was one  
she could catch at half past two, she was to spend a night in London with Roz before  
returning to Oxford, so there was time to spare and Dan drove the slow way, over the Dart 
bridge at Staverton and back through the maze of lanes eastwards. They talked about  
Paul and the school for a while. Dan was determined not to be the first to broach Egypt  
again, but it must have been on her mind. She used the first lapse in their talking to return 
to it.
'Dan, about last night, I must have sounded terribly ungrateful.' 
'Not at all. Don't be silly.' 
'It did come as a shock.' 
'My fault.' 
'What I was trying to say is that I'm not really fit company for anyone at the  
moment.'
He smiled, his eyes on the narrow lane ahead. 'I should let other people judge  
that.'
You must have so much to do while you're there.' 
Very little, physically. Bar looking at a few locations in Cairo and Aswan. On  

which I should value your advice, anyway.' 
Please be serious.' 
He smiled again. 'You can be as solitary as you like, Jane. As57 difficult as you 
like. As silent as you like. But I won't take it as a reason not to come.' 
She said nothing. He slowed down at a deserted blind crossroad, and looked at 
her face before he edged forward. 'You won't be in the way. Will you at least accept that?' 
She bowed her head, but still did not answer, clearly embarrassed by this persistence. He 
left a moment or two, then spoke again. 'What people might think?' 
'I can't imagine Nell would see it as being in the best of taste.' 
'As her last instructions to me were to win you back to the bourgeoisie, I rather  
doubt that.' She gave him a sharp look, but he concentrated drily on his driving. 'And  
since when did either of us take her view of life seriously?' 
'What did she actually say?' 
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'Beneath the sarcasms, that she loves you. Is genuinely worried for you.' He  
waited, then went on. 'I don't think she really minds what you are. She does mind that you  
seem unhappy.' He added, 'I'd be only too pleased to ring her when we get home and put  
the idea.'
'I'd rather you didn't.' 
'Then why not?' 
'It's not really Nell.' 
He drove a little way in silence. 
'What Anthony said to me? I'm just being decent?' 
'I suppose... yes, partly that.' 
'So you can't do something perfectly normal and sensible because he  
recommended it.'
'Because I'm sure he didn't mean you should put yourself out so much.' 
He left a longer silence, trying to decide his next line of attack. 
'I think he killed himself at least partly in an attempt to make the attitude you  
showed me before we knew he'd died impossible to maintain. I don't mean the attitude to  
me personally. But what it betrayed of your apparent attitude to everything else. I begin to  
think the real huge step you have to take is towards conceding some right in things as  
they are.'
'Not in things. In myself.' 
about you that night that you've repeated to me, almost word for word, since.' 
'He never understood that I can't forgive myself.' 
'I disagree. I think he did. And even if he didn'tnow you can't come because you 
can't forgive yourself. That's masochism. Selfflagellation.
'Only because everyone else seems so determined to forgive me. As long as I  
look happy.'
He gave her a glance. 'You can't treat being concerned for you as some sort of  
temptation from Satan. It's absurd.'
'Dan, I don't not know it.' But she corrected that slightly. 'I know you're being  
'Is it something to do with that old business of feeling right?' 
'I woke up this morning absolutely clear that I couldn't possibly go.' 
Dan had already noticed how, when she was cornered, she retreated into a  
thoughtless (as opposed to a merely guying) middleclass language that was normally  
retreat, of course, from the kind of frankness every other nation in the world accepts in  
ordinary conversation between people who know each other well. Yet he wondered  

whether it wasn't in fact like the rain that lashed the windscreen in front of them, and out  
of nowhere remembered that quatrain, Henry Viii's favourite, from the early sixteenth  
century: O Western wind, when wilt thou blow, that the small rain down can rain? 
Christ, that my love were in my arms and I in my bed again! 
Neither the first nor the third person that he also was wanted Jane in his arms  
certain kinds of weather always drove him back into the imagination, so this shrouding  
use of Psychological cloud and rain, of conventionality of speech and reaction and  
attitude, in denying the inner landscapes, suggested59 them, invited their future  
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just as he had dimly known as a small boy that cocooning winter weather like this was  
always required its victims to believe in its intrinsic fertility, to gamble on an imago to  
come, clearer weather ahead.
In the real present he had reached and touched the sleeve of her coat. 
'I'm only proposing a small step into the sunlight. For a change.' 
She smiled, a shade wistfully. 'I must admit, on a day like this...' 
'Will you at least talk it over with Roz tonight? If she pales in horror, I'll accept  
defeat.'
She still faintlys miled, hesitated, then gave a nod of temporary acquiescence. 
'Yes. All right.' 
now caught the other way by convention, and forced to leave the option alive. 
They came to the village by the far side from Thorncombe and he asked herthe  
rain had once more relentedif she'd like to have a look inside the church. He thought it  
might remind her that other childhoods had also had theirpurgatories. But Jane did not  
find them very obvious she liked the church, its openness, ragstone pillars, exuberantly  
carved and painted roodscreen. Then they walked in the drizzle for a few yards down  
churchyard, the house where he was born. She stood again a moment when they turned,  
reading his mother's headstone. It had tilted forward very slightly, and drips fell from one  
corner, as if in reproach for the tears her son had never, at least, to his memory, shed. 
'Why did you keep so quiet at Oxford about all this, Dan?' 
'Trying to pretend it didn't exist?' 
'I can only remember you laughing at it all.' 
'I did write that play.' 
'Yes, of course. I forgot.' She gave him a small smile, looked again at the grave. 
'I envy you. When I think of our own traipsing from one embassy to the next.' 
'It was when I began to see through it all. I had to hide such a lot.' They turned  
and began walking back to the car. 'I was far worse than Paul. At least he can show what  
he feels. I wasn't even allowed to do that.'
'What made you come back here?' 
They had talked briefly about that at supper the previous evening, but she must 
have sensed he was being less than frank. Dan looked down at the path, then slipped her  
a faintly mischievous look.
'A rather fat girl with heavenly blue eyes.' 
And suddenly she grinned, clasped her gloved hands in front of her, a flash of  
her old self.
'Oh Dan. How touching.' 
He murmured, 'Truer than you think.' 
He told her about the Reeds and his tragicomic romance with Nancy, as they  
drove back down that same lane he had once bicycled every morning. 
'And you never saw her again?' 
He told her about the seeing again. 
'Poor woman.' 
'I'd almost forgotten her. She wasn't really the reason. That first time I brought  
Caro here... I suppose it was the lost domaine thing. I felt it this morning out walking with  
Paul. It seems absurd on a dreadful day like this but a kind of innocence regained? I'm not 
sure it's very healthy. A bit too like the way millionaires buy the humble houses they were  
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born in.'
'I can think of worse things millionaires do.' 
Dan grinned at the dryness in her voice. 
'Presumably they do it to remind themselves how far they've come. At least I've  
grown to suspect that I did it to learn how little I've left.' He added, 'Which is probably why  
I have more sympathy for Andrew than you.'
'I've never laughed at that side of his love for Compton. I'ts what we so lacked  
in childhood. Belonging somewhere.'
At least Nell has it now.' 
'Yes. I envy that, too.' 
He glanced at her and she pressed her lips together in a rueful  
acknowledgment that not all sisterly differences were nierel political. Then she asked  
Dan, a shade too quickly, as if they had been sinking too far below the surface of things,  

whether he'd seen Albicocci's film of Le Grand Meaulnes. 
They ran over the last hill and came steeply down beside the limekilns with the  
farm in sight on its first slope opposite.
Her train was on time at Newton Abbot, a couple of hours later. Dan attempted  
and then stood on the platform smiling up at her in the corridor window. 
'Thank you so much, Dan. And for being so patient.' 
'You think about these ten days in Egypt. Ijust need a word, and hey presto.' 
He had not attempted to persuade her directly again, but he had talked about  
down into his eyes, trying to find words. He spoke before she could open her mouth. 
'I shall most certainly hold it against you.' 
final pretence of defencelessness now, as if she had been unfairly teased. 
She said, 'I love your farm.' 
'Prove it by coming again. Whenever you want.' 
A whistle blew, and she thanked him once more. The train began to move, and  
she raised a hand, a rather pale, selfcontained, politely receding female face, which  
seemed at this very last moment to have something puzzled and regretful about it as if  
she had come knowing who Dan was, but was not now SO sure. 
He watched the train go, long after she had withdrawn from the window to  
regain her seat, already trying to think of onv11cmg excuses for why, when she finally  
refused to come to Egypt be should have decided the trip dispensable for himself as well. 
Phoebe had come in with them to Newton Abbot to do so shopping, and he had 
half an hour to wait in the carpark near the arkct where he had arranged to pick her up.  
He sat smoking, not ally seeing anything he looked at. A part of him knew only too well  
that Jane was right to shy at the idea. It was less the loss of time the script was taking  
shape, was back on schedule, he could do some work in Egypt, and in any case Malevich  
had given him the extra lease on contract than jenny. She was not as openminded about  
miles away, was another matter. She wouldn't like the smell of it, and he would have to be 
very clear why he was taking pity on someone who for years had been a stranger, whom  
night, in ones jenny had instantly bridled against. He had said more about her in one or  
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two of the telephone calls since Anthony's suicide, but jenny had proved much more  
inquisitive about his reactions to Nell... and concerning Caro. 
So what could he say to her? There was the plea that he wanted to show he  
was not too grand and internationally successful to ignore an old friendship, to want to  
seal a family reconciliation. Gratitude for the help to Caro that, he had fortunately already  
mentioned. But this was about all. He could defuse the inevitable sexual suspicion but not 
admit the other truth, that this obscure exsisterinlaw was someone whose spirit remained  
itself, are catalytic, inherently and unconsciously dissolvent of time and all the naturalist  
tries to put between himself and his total reality.
He thought back again to the morning, that drive in the rain, to what had been  
said, and not said. It was almost a heuristic quality. h Even when she was being  
thoughtless, she made him think. It may have been connected with that opacity of  
knew it was of value to him, to both of him, Daniel Martin and liTton Wolfe'. His: e'tier had  
forced him for so long to think in terms of visual symbolisms, of sets, locations,  
creature63 belonged, or had grown to belong, to another art, another system the one he  

was trying to enter. 
though his training in an adamantly thirdperson art and angle of vision might seem to  
facilitate such autosurgery, he felt deeply unsure about it. There too he had an  
apprehension that Jane could help that the 'making him think' was essentially a making  
him look at himself through her eyes. And through her opacity... it struck him that she was  
perverse and perhaps less distorted glass of more ordinary minds. It remained that  
somewhere he did not feel right to her, whatever outward returns of old familiarity had  
began to show. She still, as she always had, disturbed images, changed voices, recast  
and as a kind of intimate extension of her professional determination not to be typecast. 
both of and of far beyond that last twelve hours, an obscure amalgam of rain, landscapes, 
pasts, fertilities, femalenesses, all of which could perhaps have been derived from that  
which would certain1) have been so derived by the vcrdigrised old sage in bronze that  
Dan had passed with no more than an amused glance, in Dorchester that previous  
afternoon.
But I didn't derive it so myself, in. the implacable first person of the moment,  
because a much more prosaic fenlaleness was suddenly standing at the passenger seat  
door and gently capping on the glass. And Phoebe brought a more prosaic reality. It was  
so unlikely that Jane would accept, and I would thus be spared my white lying. 
Yet having driven Phoebe and her shoppingbaskets home, I went straight to  
telephone Roz at her office. I knew she worked at the Kensington House branch of the B.  
weekend? I told her briefly about that, then got down to brass tacks. 
'Roz, I've just put your mama on the train in a slightly shocked state. I've got to  
go to Egypt for a few days, about the script, and64 I've rather brashly suggested she  
comes and does a week's cruise down the Nile. She told me about the end of the affaire.  
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I've been left feeling I shouldn't make such immoral propositions. In spite of having very  
carefully made it clear that I wasn't.'
I had feared hesitation, another shocked reaction. It was refreshingly quick. 
'But it sounds smashing. Why won't she...?' 
'I've asked her to talk it over with you, that's why I'm ringing. She seems to think 
she's too much of a social leper to be travelled with.'
'Oh she is so stupid.' 
'And the expense.' 
'She's not even remotely hard up.' 
'Then what would people think.' 
'I know what that means. All her miserable Oxford lefty chums.' 
'And I suspect worried about Paul.' 
'It's high time Paul was less worried about. Anyway, I can cope with him.' 
'I don't want to force her, Roz. But I can't help feeling it would do her good.  
Perhaps she just needs a push.'
'Don't worry. She'll jolly well get it. And I think it's terribly sporting of you. It's just 

what she needs.' 
'If you could let her bring it up. I don't want her to feel... you know.' 
'Of course.' 
'It's ten days, two weeks at most. She can stop off and see your sister in  
Florence on the way back.'
She said nothing for a moment. 'Fairy godfathers.' 
'Guilty ones.' 
'If she doesn't go, I shall offer myself as a substitute.' 
'I could certainly use a trained research assistant.' 
'Are you really sure you want an old drag like Jane? I'd be much more useful.' 
We pursued this treacherous teasing a sentence or two, then I went into more  
I knew there was a slight risk in invoking Roz's aidthat it might bring Jane to  
reveal things her daughter didn't know, and lend her refusal more emotional validity. She  
had also built up a life so firmly founded on original mistakes and wrong decisions that

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thought I saw a way through that. I did now and then wonder what was happening in  
London at Roz's flat, and kept half an ear open for the ring of the telephone. But I didn't  
really expect it, knowing that my own combination of wiles and forthrightness had failed  
and that Jane was not a person to be bullied, even by her daughter. 
Before I was to have that mystery solved, another was set. The telephone did  
ring, but at seven the next morning, the Tuesday. I was asleep, but Phoebe was up to  
answer it, and woke me. It was jenny. Her second 'contribution' had arrived in London  
about to go to sleep. Like Roz, she wanted to know how the weekend had been, what it  
was like being back at Thorncombe, what time it was, the weather... all, as I very soon  
began to suspect, to hide something else. There was a silence. 
'Is something wrong?' 
'Yes.' 
She was silent again. 'Jenny?' 
'I'd have caught a plane home if you hadn't answered.' 
"What is it, for God's sake?' 
'I don't know how to tell you.' 
'Something at the studio?' 
'No, it's us. Not work.' 
'You must tell me what.' 
'I've written something.' 
I relaxed, even smiled to myself. 'I thought it must be at least an orgy down at  
Malibu.'
'Oh God. Why did you have to say that?' 
'Come on. You write jolly well. I enjoy it. I don't mind all the home truths.' 
'It's not really about you this time. It's not true, Dan. You mustn't believe a word  
of it.'
'What is it about then?' 
'I posted it this morning. I spent the whole weekend writing it.' Then she said,  
almost violently, 'Promise you won't believe it.'
Dan looked uncomfortably towards the kitchen door. It was not quite closed,  
and Phoebe's usual radio was not on.
'I believe everything you write.' 
There was yet another silence. 'You don't know. And don't tease.' 
'Then I don't believe a word you write.' 
'I want you to burn it unopened.' I said nothing. 'It's my period. I went slightly  
mad. Trying to convince myself I don't need you.'
'Is something wrong at work?' 
'Please promise you'll burn it. Unopened.' 
And at last something about her voice, the constant pauses, changes of  
direction, struck me.
'Have you been smoking, Jenny?' 
'I feel so miserable.' 
'It won't help.' 
'I know.' She said, 'It's all imagination. I made it up.' 
'Is Mildred down at the house?' 
'I don't want Mildred. I want you.' 
'I thought we agreed' I was going to say something about smoking, but she  
interrupted. 'Promise you'll burn it. I swear it's not true.' 
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'Then it won't hurt.' 
'I've been such a mess today. I couldn't think of anything, I kept on forgetting  
lines. If only 1 hadn't posted it.'
'You must calm down.' A longer silence. Then a forced, more formal voice. 'Is it  
nice? Your little grey home in the west?'
'I saw the first primroses this morning. Wished you were here.' 
'Damn you.' 
'Why do you say that?' 
'Your famous imagination has failed you for once. You don't realize primroses  
seem like another planet.'
'Only seem.' 
'Dan, I don't want to be in this fucking awful game any more.' She very rarely  
used such language. 'I wish you'd go down and see Mildred.' 
'I'm all right.' She said, 'Just ashamed.' 
'You shouldn't take things so seriously. Me, least of all.' 
'You've got your awful calmthestarvoice.' 
'It is what I'm trying to do.' The silence this time was so long that in the end I  
said her name again. 'I was just trying to think liberated. Great. You gotta believe.' 
'I need a translation of that.' 
'Why I have to tell myself so many lies.' 
'That's not confined to your sex.' 
'Are you sure you aren't on the moon?' 
'Why do you say that?' Another silence. But then suddenly her voice was near  
normal. 'Tell me something you're looking at where you are. Anything.' I hesitated.  
'Please.'
'I'm a couple of feet from an excruciatingly bad watercolour of my father's  
church and the village. By someone called Eliza Gait. Dated 1864. I think it's an  
adaptation of a religious print. It has "The Lord watches over all" written in a sort of black  
rainbow across the sky.'
'It sounds ghastly.' 
'Eliza ran short of space in her sky, so "over all" looks like one word. God  

watches an overall. That's why I bought it.' 
'I thought you despised camp.' 
'Not when I feel affection for it.' 
'Is that meant to put me in my place?' 
'Don't be so touchy.' 
'You keep sounding exactly how I was afraid you'd sound.' 
'I've been back here barely thirtysix hours and I've already thought a hundred  
times, is she going to like it?'
'What I wrote, it's because I don't really know you. I just think I know you.' 
'Are you sure it isn't that you don't always know yourself?' 
'That as well.' She said in a quieter voice, 'Promise to burn it when it comes.' 
'Okay.' 
'I'm the one with the rather neat italic writing.' 
'I do just remember.' 
'Swear.' 
'Sworn.' 
'Cross your heart.' 
'You cross it. It's somewhere there beside you.' Silence. 'I want you to sleep  
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now.'
'What are you going to do with your day?' 
'Work on the script. And think of you sleeping.' 
There was the last silence of the many that studded that conversation. 
'Pick me a primrose. I love you.' 
The receiver had gone down before Dan could answer. He contemplated trying  
to get a line back to California, to ring the house and ask Mildred to go up and see if jenny 

later in his own afternoon in England. So he did that. 
It had been doubly unfortunate. He had had Egypt, and Jane, on his  
confession, since it was not yet strictly necessary, though he had decided it was wiser to  
let her know what was in the wind, perhaps to pretend he was consulting her first. But of  
course she had made even that very dubious way of easing his conscience impossible. It  
was not quite the first time he had heard her so. Earlier on there had been a bad day at  
work, bitterness, tears not unexpected, since he knew, perhaps better than she did, the  
anything more than using premenstrual depression to toy with the part of the common  
Eveand having toyed, to revert very rapidly to their usual abnormal role. But the call had  
unhappily emphasized the artificiality of their relationship. As always, Thorncombe had  
already made him retreat into the past, his lost domaine, his other world, and it had not  
the imagined from the real.
It was not fair to jenny not even fair to himself, since he had felt a protective  
times he had thought of her since his return to the farm. He cherished the idea of her  
there, at the same time as he knew it was, in any but a visiting way, the least conceivable  
of their futures: how bored she would be, if she gave up her career for this 'nowhere' and  
yet still, adolescently, dreamt situations in which, by some miraculous change of nature,  
she happily accepted such a life. He was also missing her physically: her casual grace,  
presence, voice and movement near him, as well as her naked body. 
He had long considered himself disabused of the notion that  
muchphotographed faces must axiomatically be accompanied by altogether more  
the screen, or stage, all the evidence, public and private, demonstrated the very reverse.  
forgetting how desirable she was by more ordinary male standards and would have  
remained, with far less interesting a private personality. He was like someone who had70  
captured a princess, only to discover himself captured in return by her title and all that  

the longdistance call had seemed far more indulgent at Thorncombe than those in  
London. A folly had hovered over it, almost something from Restoration comedy, a  
mannered obliviousness to ordinary reality the careless pounds and dollars spent on a  
complex technology to establish that they were simply in need of each other. It did not jibe 
from later that previous day: the very small matter of Jane's electing to travel secondclass, 
not first.
Shaved and dressed, Dan stood for a moment at his bedroom window, staring  
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everything is closer to having nothing than the unsuccessful will ever imagine. 
He went down to his breakfast. It was still cloudy, but the rain had stopped in  
the night and there was now no wind. He listened to Phoebe's chatter for half an hour, told 
her more about Jane, and Paul, and the other two daughters a little to cover the fact that  
he was not going to tell her who his telephone conversation had been with. Phoebe  
approved, though whether that was out of genuine liking for Jane and her son or because  
she felt he was at last producing some sort of family besides Caro, he could not tell. Then  
he strolled out in the garden, where Ben was already working, to be shown what had been 
happening in his absence: a ritual the weather and his visitors had prevented before that. 
He walked slowly down the paths behind the old man, listening to his  
commentaries, the spring brocs were coming on not too bad, leeks had been fair enough,  
they 'celery roots' (like Phoebe in the kitchen Ben found difficulty over some of Dan's  
more exotic demands, such as this bed of celeriac) seemed to like it... and there were the  
first of the new season's plantings, the shallots already sprouting green from the red  
earth, and the heads of the broad beam. Talk of seed potatoes, which Ben must order  
soon: a familiar debate between flavour and crop, which was always decided the same  
way. Ben grew his own King Edwards and the rest for size and sanity, and Dan was  
allowed a row or two of his Catriona and Firapples, if they could be got, for showing off to  
his fancy London friends.
From there they progressed to the iniquities of the American vegetablegrowing  
nineteenthcentury peasant's vision of the United States as the land of the blessed, where  
everything grew bigger and better, lingered in his mind, and it pleased Ben to have Dan  
demonstrate that he and his forefathers were wisest to have stayed put. They've declared  
He cannot really imagine a country where every man is not some sort of gardener, or at  
least understands the points of it (Dan is seldom actually seen spade in hand, I'm afraid). 
They stand over another of Dan's newfangled importations, a row of artichokes, 
their greygreen leaves already on the shoot. Neither Ben nor Phoebe will eat the heads,  
but the old man stoops and ruffles the leaves of the most advanced plant with an  
indulgent toleration for this foreigner. Like all gardeners he admires plants that show  
seasons, of awakening. He thinks back again to jenny, artifice, calls from California. Yes,  
the real inhabits here.
An hour later, he had returned to the unreal in his workroom, the telephone  
hash ias settled. It had finally all boiled down to two contradictory things: to a matter of  
socialist principle, refusing to travel first class, and to Jane's feeling it was not quite  
comme ilfaut what Nell might say. The latter objection Roz, in her usual manner, had  
solved by immediately ringing Compton. Nell (at least according to Roz) had laughed at  
idea, just what Jane needed... though Jane herself, it seemed, had still not been quite  
convinced.
'She kept on talking about selfindulgence. I got really angry with her, she's  
become so silly about it. I told her she wasn't a socialist at all. Just a stuffy old spoilsport.' 
'What happened finally?' 
'She did concede she was rather tempted. I think she'll come72 round. It's just  
she gets so mulish when everyone starts telling her what to do was she like that when you 
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first knew her?'
'Rather like her elder daughter, actually.' 
'Hey, that's not fair. I'm very suggestible.' She said, 'Anyway, she's going to ring 
you when she gets home.'
And once again, he was thanked. 
He then telephoned Malevich's London office, to make sure that things could be 
arranged as quickly and easily as the producer had claimed. They could, at any rate as  
regards the visas and the travelling. The secretary he spoke to would see about the Nile  
starting from Luxor on Thursday week, and she had already reserved two single cabins. It  

was not fully booked, and they could be cancelled. 
Dan went back to work. The Indian scenes began to take shape, to feed one  
another. Then there was suddenly a page of dialogue that came to life, that would be  
good to act. He ate the sandwiches that Phoebe brought him, and gave himself a break  
out of the window. It had begun to rain again. He went to the window and stared down at  
the rivulets of water on the drive up to the house, at the snowdrops that clustered round  
the two old rickstones that bordered the path to the front door. The music behind him: he  
felt an abrupt wave of happiness, richness, fecundity, as if he was in advance of the  
actual season outside and transported two months on into full spring. The seed was  
selfishness, an unwarranted optimism. Perhaps it all came from the simplicities of his  
this moment, felt he had them. Just as the greengold music had, beneath the balance, the 
effortless development and onwardness, its shadows, so also was there a component of  
sadness in Dan's happiness: he was happy because he was a solitary at heart, and that  
must always cripple him as a human being.
It had come to Dan often, working on Kitchener not only in reading the old  
man's life but in researching all those other lives interwoven with his that their Britishness, 
their obsession with73 patriotism, duty, national destiny, the sacrifice of all personal  
temperament and inclination (though not personal ambition, of course) to an external  
system, a quasimythical purpose, was profoundly foreign to him, even though he was a  
profoundly unEnglish. The whole nineteenth century was a disease, a delusion called  
Britain. The true England was freedom to be self, to drift like a spore, to stay unattached  
to anything, except transiently, but the drifting freedom. Very few were lucky enough, as  
Dan was, to be able to live that freedom in almost literal terms: live where they want and  
how they like... whence came the national evolution of the inner world and the stiff outer  
face that jealously guarded it. This Englishness was even, in retrospect, immanent in  
archetypal redwhiteandblue Britons like Kitchener. His face may have personified British  
patriotism and the Empire, but his inner soul was devious, convoluted, far more tyrannized 
by his own personal myth than the public one he appeared to be building. 
biologically rather than politically, was what was wrong with Jane's solution. 
The last movement had begun, though Dan had stopped listening to the music  
except unconsciously... or to anything else. He heard Phoebe's voice calling: the  
telephone again. He looked at his watch, thinking it might be the Californian call he had  
Phoebe said it was Mrs Mallory. Downstairs he hesitated, took a breath, then spoke. 
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'Hallo, Jane. Home safely?' 
'Yes, Dan. Thank you.' There was a tiny hesitation. 'I gather Roz has spoken to  
you.'
'She tells me it's three against one now.' 
'I feel the victim of a cabal.' 
'The beneficiary. Will you come?' 
'Only if you're absolutely sure you can stand the thought of it.' 
'I wouldn't have suggested it otherwise.' 
'You are sure?' 
'It's a lovely experience. I know you'll enjoy it.' 
'Then I'd love to come. If I may.' 
'Now I really feel forgiven.' There was a moment, she said nothing, but he  

waited. 
'That was granted many years ago, Dan.' 
'Symbolically anyway.' 
He went briskly on then, and told her about the next cruise from Luxor, and that  
he would like to be in Cairo on that day week. She flinched a little at this, as if such long  
journeys still needed a Victorian thoroughness of preparation. But he assured her all the  
bookings would be made, that the cruises were very informal, no fancy wardrobe was  
needed. If she could get up to London on the Monday, they could see about the visas  
then. He expected further flinching over the cost, but curiously she didn't ask about that...  
or perhaps had already checked on it with some local travel agency, and decided she  
would afford it. 
'You must tell me who to pay.' 
'We can settle all that on Monday. They probably won't know, it's all done on  
account. So don't worry.'
'I insist on paying my share.' 
'Of course. We're going Dutch. It's the movie business. You always pay later.  
not even being allowed to pay on the nail for her wickedness. But she did, finally, reveal  
something more innocent.
'I feel like a small child being offered a totally unexpected treat. Not quite able  
to believe it.'
'There are all those boring old pharaohs. You may hate that.' 
'I must get a book and read it up.' 
Dan told her not to buy a guide, he still had the one he had used before in  
London. They talked a minute more about the arrangements. Then she thanked him  
again, and for the night's stay, and rang off.
He went into the livingroom and poured himself a small whisky. The die was  
cast, and very soon he would have to speak to jenny and take his own decision. He need  
not tell her yet. But Dan was an old hand at deceiving. The later you left it, the more  
difficult it became to justify. He stared at the bishop, and began to rehearse. 
The booked call came through on time, sooner than he wanted Jenny was  
'I'm so sorry about last night. I won't do it again.' 
'Swill the bloody stuff down the drain.' 
'Yes I will. I promise.' 
'Where did you get it from?' 
'Just someone at the studio.' 
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He knew she was lying, he wouldn't quite say why: simply that in other  
circumstances he would have pressed to know more about the 'someone'. 
'How do you feel?' 
'Okay. I'll get through. Now you've rung.' She added. 'Perhaps you'd better read 
what I sent, Just to discover what a bitch I am.' 
He felt the relief of a chessplayer shown at least one clear move ahead. 
'You're going to feel the same about me in a minute.' 
'Why?' 
'I've got some news, jenny. I was going to tell you last night, but it seemed  
hardly the moment. I'm going to Egypt for a few days next week. I'll be back before you  
return.'
'Oh, Dan. You mean thing.' 
'I desperately need some new ideas.' 
'But I thought you said' 
'I've had to change my mind. It reads like a history cram course at the moment.  
It's getting some atmosphere in.'
'You can't delay it?' 
'I wish I could.' 
'I don't trust you with all those slinkyeyed bellydancers.' 
'I may be taking a chaperone. If that's any consolation.' 
'Your daughter?' 
'The great family problem of the moment. Her aunt.' 
'Your ex's sister?' 
'Everyone's at their wit's end about what to do with her. She's got very  

withdrawn and depressed. I just suggested it out of the blue, God knows why. When she  
was here. My good deed for the day or something.' 
It had plainly set her back. Dan waited. Then her voice returned, guarded  
sober, yet for some odd reason closer.
'I thought you were hardly on speaking terms.' 
'It's all peace and forgiveness at the moment.' 
'And she's said yes?' 
'We're all trying to persuade her.' 
'And your ex approves?' 
'Jenny, we're talking about a rather lost middleaged woman. Who you'd like and 
feel sorry for if you knew her. It really is pure charity and... well there is something else.' 
"What?' 
'Just Caroline. This ancient vendetta among us all has disturbed her a lot. I  
suppose I want to show what a decent fellow her father is at heart. In view of all my other  
sins.'
'Meaning me.' 
'Among others.' 
'How's her madness going?' 
'I gather it's being conducted in Paris this next weekend. No sign of sanity yet.' 
'If only I had a nice traditional gentleman friend like that.' But she jumped on  
before he could answer. 'Do you fancy her?'
'Passionately. That's why I'm telling you about it.' 
'Be serious.' 
'I've always liked her as a human bcing. In the days when I knew her well. But  
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not otherwise.'
'It's not pure charity then.' 
'You would like her. And feel sorry for her.' 
'That's what male rats have said ever since time began.' 
'Still true. In this case.' 
'At least I only betray you on paper. I don't think you're my Mr Knightley at all.' 
'Never one of my ambitions.' 
'You're not even trying.' 
'Because you aren't an Emma.' 
'Soapy water.' 
'What's that mean?' 
'What you wash your hands of things with.' He said nothing. 'I think you're a  
bastard not at least warning me.'
'I wanted to last night. It may not happen.' 
'If only I could see your face.' Then she said, 'Oh God, now my driver's  
knocking. Hang on.'
A few moments later she returned. 
'Dan?' 
'Are you late?' 
'No, but I must go. I'm not dressed. Will you ring tomorrow evening?' 
'Yes of course.' 
'You're enough to put anyone on the hard stuff. You know that?' 
'That's California talk. Not you.' 
'She'd just better be as scrupulous over personal relationships as you told me  
she was.'
'She's already raised that problem. And I assured her you were much too  
intelligent not to trust me.'
'Tell her that reads better without the "not".' 
'She's also a very leftwing lady. With no time for capitalist layabouts like me.' 
'Except when you invite her to Egypt.' 
'I suspect only to try to convert me. If she does come.' He said, 'I so wish it was  
you.'
'Me what?' 
'Coming. And here now.' 
'I am. By post. I'm rather glad now.' 
'Tomorrow?' 
'Only because I haven't anyone else to talk to.' 
'Of course.' 
'You needn't think I'm going to say goodbye. I'm only hanging on to cost you  
more money.'
'I guessed.' 
'How old is she?' 
'In her late forties. And with varicose veins, if you're interested.' 
'I'm not.' 
'Well then.' 
effectively in one or two of her already filmed scenes.
'I'm gone now. 
'Jenny.' 
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'Really gone.' 
Still she left a silence, but then the receiver went down. Dan was left staring at  
not over his skill at the halftruth. Yet, strangely, the hurtness in jenny's voice, an  
uncertainty of tone that was not characteristic of her, had touched him, and helped restore 
the balance he had lost after the earlier call. A fear, a loneliness, a simplicity, a  
humanity... something at any rate that remained when one had subtracted the indulgence  
He had remained standing by the telephone, but now, through the livingroom  
doorway, he saw a low shaft of sunlight, entered by the westward windows, on the rush  
matting that covered the floor. A white wall beyond shone as in a Vermeer interior. Dan  
went and opened the front door and stood under the porch. The sky was clearing to the  
south and west, and the setting winter sun had got through for the first time since his  
return. Torn wisps of dark grey vapour, silhouetted, floated against the limpid yellow  
upper air. Everything in the combe before him was stained a faint gold, the wet garden,  
the meadows, the glistening drops on the branches. To the south, over the English  
Channel, there lay a long soft bank of raincloud, curled at one end, like a fifteenmile  
plume, and tinged an exquisite and evanescent dovegrey. All the clouds in that direction  
held delicate violet and amethystine washes in their billows and folds. 
A hidden magpie chattered from the far side of the conibe, and there was an  
angry cawing from a pair of crows. They flew overhead, purposefully, in hue and cry, and  
Dan walked down the wet paving of the path to where he could turn and look back over  
the roof of the farmhouse. It was a buzzard, circling high over the becchwood, the soft  
light from the opened west catching, as in some gentle, delicate searchlight, the brown  
and white underside of the bird's flexed wings. It mewed, majestic, golden, apotheosized,  
against a dark cloud above. Dan stood and watched till it was chased off, remembering  
A Third Contribution
Written in anger.
There was a change in the Prick when you left. He even pretended quite  
convincingly to be sorry for me when he heard the next day. He was having a party that  
evening, if I had nothing better to do he made it clear there would be lots of people, it  

wasn't a pass. I didn't go, or want to. But he behaved better on set, even Bill noticed it.  
And between takes. He actually said another day it would be great to work together again. 
Perhaps he was making a bid then, but it was partly meant at face value. 
I think I'd better call him by his proper name from now on. Steve, if you  
remember.
I've despised so much in him, but there's also something I've envied the  
American thing again, I suppose. A kind of ease, a nonchalance, the way he won't be put  
down. Even the way he doesn't take his acting very seriously (behind all the talk). Life's  

fun, he's generally happy, he's got his girls and his Porsche and his tennis and his body. If 
I'm honest he relaxes me now as often as he irritates. That thing you never understood  
about us poor cattle, how we sometimes develop really rather good relationships  
somewhere between what we're acting and what we are outside the whole shmeer.  
Because no one else quite knows what being on camera's like. 
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This started happening before you left. I hid &t, because I began to see I  
understood him better than you did (in spite of your foul doubledealing, of which more in a 
moment), and I know you don't like that in people. Their understanding better than you.  
Actually we've begun to get it righter and righter since you ratted. He's not trying so hard  
to be clever and trying much harder to be natural. The smidgin of edge I like between me  
and my acting is still there. But it helps now, instead of getting in the way. 
I guessed he must have found another girl: and there she was on set one day  
this was about four days after you went. And yes, I haven't mentioned her, either. He  
introduced us. Her father's some kind of legal big wheel, drips deals, land, corporations.  
Offices in San Francisco and New York. Her name is Katherine. Kate. She was sexy, cool, 
but polite. She'd been in England last summer, and we talked about that. Then Steve said  
they were going to the new Fcllini, if I'd like to come with them... I tried to get a cue from  
her, I did quite want to see the film, but not if she minded. She didn't seem to. I thought  
perhaps he'd told her I was lonely or shy or something. I don't think it was planned. It may  
have been. It doesn't matter now.
We went to his place for drinks first. She knew Abe and Mildred slightly, it  
turned out her parents live in BelAir too. She majored in English and drama at U CL A, but 
no stage ambitions. She's known Steve 'since ever'. They were at high school together.  
We talked about the picture, Steve was nice about my work. Kate and I talked about  
drama teaching. We went and saw the Fellini, had a meal. I began to like her better, she  
seemed to have Steve and his emoting in perspective and we even sided against him in a  
bantering sort of way a couple of times. She seemed to do him good, too. Sobered him  
down, as if he knew she knew him too well to risk his cornier lines on politics and acting.  
They didn't touch, they might have been married, or brother and sister... the latter, really. 
The meal came to an end, I said something about finding a cab, I assumed  
they'd both be returning to his place. But no, he was driving her home to BelAir... and me  
as well. I still thought they were just being decent. They'd drop me and then go back to his 
place. But even that was wrong. Her house came first and he took us there. She asked us  
in for a drink, but I didn't have to speak. Steve turned it down for both of usit was midnight, 

we had to sleep. He got out and kissed her briefly. She bent down at my window and  
repeated an invitation to come over, go shopping, a drive, any time I was free. 
Two minutes later Steve and I were in front of Abe and Mildred's. I was  
suspicious by then, and very sure he wasn't even going to get the chance to refuse an  
invitation to have a last drink from me. As soon as the car stopped I thanked him for the  
evening, and made to get out.
He said, jenny, there's just one thing. Would you believe me if I said I truly  
enjoyed this evening?
I said that I'd enjoyed it too. I liked Kate. 
I kind of got us off on the wrong foot that first date we had. Right? 
I said it didn't matter. It might even have helped. 
I knew I was being English. But it was all unnecessary. It didn't need spelling  
out, we'd been working better together for weeks. He was staring down at the wheel. He  
has angles, that moustache and the hair, a sort of sensitive Jesus look. It was put on, but  
something made me feel sorry for him. I leant across and pecked the side of the hair, then 
got out.
I heard him get out as well, as I set off towards the house. I thought for a horrid  
moment that he was going to come after me. Ridiculous, when you're scared to give  
people even an inch.
I looked round, but he was standing there beside the car. 
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I'll watch you to the door, he said. Local custom. 
Yes, I know BelAir is safe, that that also wasn't really necessary. Phony  
gallantry. But it made me feel a pig.
The next day, the first time we had to talk, he went back to how nice the  
evening had been. Kate liked me, he knew she liked me. That was apparently some kind  
of feather in my cap. I said again that I'd liked her, too. 
I had a day off soon after that, while they did some of the oddsandends covers  
and sequences with Steve alone. Perhaps he let her know, anyway Kate rang and asked  
me over to lunch and suggested we go shopping. I've been good about clothes, I felt I'd  
earned a little binge. Her parents were out. We had a swim and a sunbathe and a salad.  
We talked a little about Steve. Though there were things she evidently accepted in Mm  
because they're a part of the standard young Cali male (things I couldn't take, though I  
didn't say so) she wasn't at all dewyeyed. She said they knew each other too well, they  
couldn't ever really make it. 'Like marriage, a serious commitment. You know what I  
mean?'
I didn't really. I supposed she meant they had been to bed, but now were just  
good friends. Perhaps it was a green light, and she really wanted to know if I was driving  
in that direction. But she didn't probe at all. She said she could guess how difficult he was  
to act with, he had no technique to fall back on if he couldn't 'relate'. I said he was fine  

when he did. It was all very diplomatic. 
Their pool's enormous and the house something. So are some of the paintings  
on the walls. She showed me round, there was a touch of the bored young aristocrat  
about her, very casual, not guying it as an English girl in that sort of parental shop would  
have done. Even rather modest about it, as if I probably lived in a castle a' la San Simeon  
at home and wouldn't be impressed. I suppose it's wrong to talk as I did last time about  
Americans chasing a dream, when some of them have achieved it. Steve told me later that 
her Irish greatgrandfather stood on Ellis Island with a small sack of nothing in his hand.  
Which makes it more of a fairytale. Her poise is quite something, also. 
She took me off shopping, down to a smashing place in Santa Monica. Just my  
clothes. I enjoyed it much more than I expected, perhaps because the shop knew her and  
pandered to us. I pretend I despise clothesbuying, and I don't at all really. I began to like  
Kate. There were distances, she gushed too much over England and her tourist's view of  
it, but one sort of felt one could show her the real England and she'd understand. She has 
lovely greeny eyes, rather intense. A tan I can only dream about. She's a year younger  
than me. A little bit like an Israeli sabra girl. Her mother's Italian stock (strictly nonMafia,  
she says). Rather small, apple cheeks and a boygirl's body. Long hair, very dark, almost  
black. She's cool and warm, a nice mouth. All this for your benefit. You'd fancy her. 
She asked about you, but very tactfully whether you were coming back. I said  
you weren't. And we had a general kvetch about relationships with older men. Marriage,  
working, Lib. There'd been something with one of her UCLA teachers when she was a  
sophomore, she went into that in some detail and I was probably meant to respond in  
kind, but I didn't (all this was at a socalled English tearoom in Santa M.) and it ended in  
our agreeing there weren't any rules, the one thing one mustn't do is fake it you would like 
her, Dan, even though she's a Californian-style poor little rich girl, ten planets away from  
Europe and its shabbiness and poverty and making do. She's rather refreshingly  
apolitical. Doesn't pretend, but feels as we do about studio shills and the boostering,  
things like that. The con game the success life is here. I realized it seemed years since I'd 
talked to another girl I liked, could feel with.
She was so outgoing, articulate about it, being the only daughter (she has two  
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brothers, one's at Yale and the other's a lawyer in daddy's New York office), what's wrong  
with the Coast... but all these are lines you can read between. 
She drove me home about six. There was some dinnerparty her parents were  
giving and she had to be at I could have come, her parents were dying to meet me, but it  
would have been a terrible drag. So another day. I hadn't been back in the Cabin ten  
minutes when the phone rang. It was Steve. Ashkenazy was playing downtown. He had  
two tickets, would I use one? It seemed so spurofthemoment on his part, he'd helped me  
meet Kate and I understood the situation there now (or thought I did) and that I wasn't  
twotiming her in any way. I'd bought a dress I wanted to baptize. And the evening to face.  
A restlessness. The L. A. thing. Shape up or ship out.
Most of all though, you vile rat, it was you. Something that had made me so  
angry two days earlier. The Topanga interior, Steve's comeuppance. That worked, Bill  

was pleased, he took me aside afterwards to say how pleased he was. And I gave Steve  
his due, after all it's his scene, and he'd truly given all he knows, and I said something  
about him doing pretty well for a second choice. Bill gave me a look, I could see he'd  
forgotten all about that. I said, That's what you told me. He hit his head. He said, Dan  
didn't come clean? All right, perhaps I had to be cosseted and set up at the beginning. But 
I hated you for days. I couldn't even bring myself to talk about it on the phone. It's not an  
excuse that you'd have told me if I'd ever asked pointblank. If you were honest you had to  
tell me onceit happened between us. I would have understood then. But suddenly it was  
like your practising all you claim you hate in Hollywood: fool the stupid broad, never mind  
what lies you tell her as long as she gives a better performance. It threw everything in  
doubt, you must see that.
So Steve came and I asked him in for a drink before we set off. It was odd, he  
seemed both shy and curious. To see how I lived, but not to ask about it. The new dress  

was 'sensational'. Your blue flowers watched, but said nothing. He was wearing a suit and 
bob tie, I liked that. It was the first time I'd seen him dressed fairly formally. 
I didn't hear much of the concert we got there late anyway, and they wouldn't let 
us in till there was a break. I was thinking things out, I won't pretend I wasn't. I knew it was 
there. That he probably wouldn't make a move, but expected me to. That I no longer  
flinched at the thought of it. That I felt rather like it. That I didn't want to be involved, and  
wouldn't have to be. That I felt frivolous and a little bit in heat. I'd known it beside the  
swimmingpool that morning with Kate. I'd like to have been there with a man, one of those 
anyman moods. Instead of dutifully admiring the Utrillos and the Kiecs. Of course for  
Steve I'd just be a score, something to boast about as soon as I turned my back. Just one  
more chick he'd been tailgating and could now overtake. But then the hypocrisy of it. We'd 
been to bed together in front of the camera, simulated it, he'd kissed me hard and it hadn't 
always been just for the camera. I'd felt his body a hundred times, and he mine. It didn't  
seem very much to see what it was like for real.
That left you. You had begun to seembut I said it all last time. Bar that final  
revelation of what a crook you are. You could have flown back here, Dan. If you really  

wanted me... instead of just my memory. I don't want to sound too calculated, the thought  
of you was what kept me not making up my mind at once. If you'd walked into the  
concerthall or Perino's (no expense spared) afterwards, Steve wouldn't have had a  
chance. You understand I'm trying to say how I felt that evening (or imagining how I might  
have felt if there ever had been such an evening, if you want it that waybut will you, she  
wonders). Let's call it a test run for the final exorcism: to see if it matters, betraying  
someone you think you respect. To see if it helps.
And yes, right. I'd been thinking about Steve in bed before that evening. 
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You may not think it's necessary to say any more now. But we've always been  
honest, in our fashion. No copyright. It's a present, alter and add to it as you like. Or tie it  
in black ribbons and forget.
It was quite funny, actually. I decided that at least he wasn't going to do the  
seducing. The inevitable suggestion came that we go to his place and play a few records.  
Strictly just that, he said. So we get in, and he puts an Indian raga on and fetches me the  
iced-tea from his kitchen and says he'll be with me in a moment i watch him go into his  
bathroom, then I take all my clothes off and he on his fake leopardskin couch. It's the first  
time I've ever seen him caught really off-balance. I just watch him, and he nods and nods.  
For once he really can't think what to say. He comes closer his hands in his suit-coat  
pockets, looking absolutely gauche, there's no other word for it. I sit perched up like the  
Goya painting and toast him with the glass of iced tea.
I say, As we've both got a free day tomorrow. (It was Sunday, we had.) 
He says, You're beautiful. 
He looks at me for so long that I begin to think that perhaps he's impotent or  
gay or something. It was so strange. I actually made him shy. Threatened his machismo  
or something.
I say, Aren't you going to join me? 
So I watch him undress. The little white band where he wears his  
swimming-slip. We kiss and it's nice, sexy at once. There's a light on in the far corner of  
the room, and the Indian music, and he smells nice and tastes nice. It's so nice to feel a  
lean, hard young body. He begins kissing me all over, and playing with me, exciting me.  
He's read all the books, very expert. A little too studied, but you can't have everything. He  
keeps telling me I'm beautiful. Like some sort of mantra -almost as if it's to himself, not  
me. I can't believe he's usually as gentle as this. I stroke his hair and let him do what he  

wants. 
Then we stood up and he put his hands behind me and I locked my arms round  
his neck and we rocked a little. It wasn't really dancing. Just feeling. Naked flesh and his  
thing squashed between us. Then we fell back on the couch and I let go, played wild to  
please him. I thought it was rather decent of him -all the girls he must have had, yet still  
enjoying it so much. To have it without any sort of love. Just through the body. Knowing  
yesterday doesn't matter, tomorrow doesn't matter. Only not caring matters. 
We smoked, listened to more music, talked a little. Then he came inside me  
again and we lay for hours, what seemed like hours, I don't think it was just the pot. He  
does it better than he acts. The, we had a shower together and went to bed. I slept at  
once, we didut wake up till after ten.
I haven't finished (if you're still with me). 
We were still in bed. He was still asleep, I could see sunlight between the blind  
slats and hear the traffic outside and I was thinking my body was glad about the sex and  
my mind was glad about the humiliation and there was something to do about America.  
Something in me that had stayed foreign to it and wasn't any more. An American body had 
entered mine, and I needed it. I thought about you too, Dan. How I would have to tell you  
and make sure you knew you were partly to blame.
Anyway. Suddenly I heard a door in the apartment close. It gave me a shock, I  
looked up from Steve's shoulder at the bedroom door, which was half-open. Then up at  
Steve's face. He'd woken, but his eyes were closed, he was smiling. He patted my back. 
(I probably shan't get his language quite right. But then you did once say it was  
almost an honour to get his way with it wrong.)
Relax, nothing. 
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The cleaning-woman? 
He grinned. Right. 
I said, The door's open. 
Then there was a voice close outside it. 
Steve? 
I nearly jumped out of my skin. But he was very quick. He held me tight down  
against him with his arm and with the other felt for the sheet we'd thrown aside and  
yanked it back across us.
In here, Katie. 
It all happened so fast. She was in the door. Steve said, We finally made it. 
She must have known, seen the dress and my tights and things over a chair in  
the other room. I looked from Steve to her and back to Steve again. He was still smiling.  
He turned and pecked my cheek.
Relax. She doesn't mind. 
I wanted to say, But I do mind, thank you very much. I wanted to bury my head  
under the sheet. But she was coming across the room, m a little indigo singlet and white  
shorts. A kind of knowing grin. She knelt on the bed and leaned over and kissed Steve  
quickly 11, the cheek, then me on top of my bowed head. He was still holding me so tight.  
I couldn't have got away without a struggle and it takes two embarrassments to make a  
scene. Then she sat back on the bed on the other side of Steve. Two happy people?  
Steve said, Great. Just great. I knew it would be. She's beautiful. He kissed the side of my 
head again, and I managed a rueful smile at Kate. I said, And embarrassed. But it's so  
nice when you really make it. Nothing to be ashamed of. Steve said, You're in California  
now, baby. He reached up his free arm and touched his forefinger on one of Kate's  
nipples beneath the blue singlet. Hey, girls get raped for wearing things like that. That's  
the idea. She got off the bed. I came to play tennis. Remember? OhJesus. Okay. Coffee,  
anyone? I said, I'll come and help in a minute. But she held her hands out, stopping me.  
You go together. Don't spoil it. She went out to make the coffee. He relaxed his grip, and I 
sat up. Does she always walk in like this? She's kind of a kooky kid. You know. Like I'm  
her sister. You mean brother. That's straight. She's kooky. I said I must go to the  
bathroom. He didn't stop me, there was a bathrobe behind the door and I went and put it  
on. But I wouldn't look at him, I suppose he must have realized. He said, jenny? She didn't 
mean to make you uptight. She really likes you. And not you? Hey. Come on. Ijust  

wondered. He came out of bed then and across to where I was. Put his hands on the door 
behind me, so I had to look at him. Leant forward and kissed me, then spoke down at my  
feet.
Listen. You're very beautiful, you're very sweet. You're beautiful, I wouldn't want 
you any other way. Except He did his nodding, his I'm-so-serious--I-can't-find-the-words  
bit.
I said, Stop thinking it's a private thing? 
Give a little. Learn the way we are. (He looked up, playing the director now.)  
Those first scenes we played. You knew I was shit scared. Right? So we acted like two  
other people. When all the time it could have been simple. Like last night. We never took  
the time. Find out who we really are.
He must have seen the doubt in my eyes. He dabbed my nose. 
Like she's my favourite sister. That's all. We're something different. We don't  
getjealous. Okay?
He parted the robe and put his hands on my breasts and kissed me again. I  
think he'd have made love, but I wouldn't let him. 
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When I came out of the loo I found them both in the kitchen. Steve had pulled  
on a pair of old jeans. We had breakfast, I did finally relax, though I felt out of my depth, I  
couldn't rival their naturalness, get over the feeling that sex was something that ought to  
be hidden. I also felt it was stupid to feel shy at being 'caught'. When I hadn't been shy at  
all the night before, when it came to it. And Kate's total lack of embarrassment was like  
her poise in her Bel-Air palace. Yes, all right, there was something unhealthy by home  
standards. But something else unhealthy was being rejected. And after that first exchange 
when she came in, our having made it wasn't discussed. Just three friends, a jolly  
breakfast. Though I could tell by the way she moved round his kitchen that she knew it  
backwards.
Steve still wanted to play tennis, but they'd missed their club reservation now.  
And I hadn't any clothes. So Steve drove me home and I went up to the Cabin and  
changed. He waited in his car outside. Mildred and Abe weren't around, I think they must  
have been out so you haven't been publicly cuckolded yet. We went back to Kate's, she'd  
rung some friends, there were nine or ten of us in the end. Once again her parents were  
away -down at Palm Springs this time. Some of the others played tennis on their private  
court, we swam, lay around. Kate was the best of the girls (at tennis), Steve a long way  
the best of the men. I suppose he was showing off. It was a new side of him. Apparently  

when he was in his last year at high school, he was nearly good enough to go pro. Very  
serious on court, he keeps hyping himself after a bad shot, like a Wimbledon star. That  
was the un-English thing -no one laughed at his muttering and thigh-slapping, the Jimmy  
Connors performance. I quite liked the other people, they were all our age, one or two  
married, there was a girl with a baby, a loose gang. A lot ofjoshing off court. References  
back to things I didn't understand.
I enjoyed it. Watching them and talking to them and liking them. Being  
conscious of Steve all the time, though he was mercifully discreet. Perhaps being cocky  
about his tennis was a substitute, but he didn't broadcast anything. Americans: they're so  
knowable so fast. The transparency seems so good sometimes. The lack of the old  
hide-and-seek at home. I can see you hating this, Dan, the sun and the swimming and the 
luxury and the mindless ball-hitting and the total failure to see that any other kind of world  
or feeling exists, what you once called the silly mental whore in women, and I know a  
sense of loss is also a sense of reality, both in the present and the past, but it's the  
happiest private day I've had here. That part ofit. Away from you. 
The others drifted away. Steve went off for a bit with one of the other men to try  
out some newer model Porsche than his own and Kate took me to her 'suite' to shower  
-fantastic, it's really a whole separate flat, a living-room, a bedroom, a bathroom that  

would do for a rugby team (in size), even a little kitchen of her own. Actually we decided  
to have a drink first, we both felt tired, so we lay propped up on the so, ooo cushions on  
her huge double bed, chatting about the others who'd left, she told me all sorts of things  
about them (mostly woes), and then I began to tell her what I felt about California. It was  
that nice thing, you know, when national differences begin to disappear, you start finding  
common feelings, understandings, beyond all the language and lifestyle problems.  
Female feelings, I don't know if it happens like that with men. Well, yes, you and Abe  
perhaps -translate from there. We were still in robes, just sprawled out. Like two girls in a  
school dormitory, really. If it hadn't been for the d&or and the drinking. 
Then at last-it must have been nearly an hour later-Steve appeared in a white  
bath-wrap. He'd come back and had his shower in one of her absent brothers' rooms. De  
trop so far as I was concerned. And I think for Kate a little, too. But he went and got a  
drink from the living-room, and us another, then came back and clambered between us on 
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the bed. It was absurd, a replay of that morning. But it didn't seem to matter very much  
any more. It was dusk by then, that lovely fast dusk here. I could see palm-trees, black  
plumes against a rose sky, through the window, the house very quiet. All good comrades  
together. Kate and I went on talking across him for a while. 
Then there was a break. Steve turned his ankles out and touched our bare feet  
with his own. 
I should be so lucky. Not only beautiful. But clever. Kate said, Lucky schmucky.  
Not you. You're just a kook. She hit him with her elbow. And what's jenny? Like trying to  
make it with an icepack.
She leant forward and pulled a face at me. 
This is what we call the American way of love. He put an arm round each of our 
shoulders.
You mean there are other ways? 
We're not in the mood for MCPs. Are we, jenny? I said, Certainly not. 
He pretended to be surprised. 
You mean you're really a normal pair of chicks? She said, Oh boy. Thanks for  
the Polish apology.
Then we got on to Polish jokes. Wasp jokes. Black jokes. Kate said, They kill  
my father. He's collected a whole book of them.
Then she asked me about my father, and I told them about him. About real  
home. Boarding-school, working in rep. The light outside faded, everything in the room  
lost colour, became shadowy. We'd all slumped down a bit, he still had his arms loosely  
round us. I wasn't sure he hadn't dozed off, his eyes were closed. For ten minutes or more 
it was all between Kate and myself. Then I suddenly noticed. His wrap had fallen nearly  
open, and he wasn't asleep at all. He murmured, Hey, look what's happened. 
Kate said, Why are you such a show-off, Steve? But yes? 
No. 
Jenny baby? No thanks. 
There was an odd little silence. I couldn't look at Kate, but I waited to see what  
she'd do. Then Steve spoke.
Let's reshoot this whole scene. I dig you both like crazy. You dig each other.  
We all dig each other like crazy. Friendship is loving people, right? Touching people,  
kissing people, balling people. How does that sound to you two young cats? 
I said, Over-simplified. 
He took his arms away then, turned towards me. Ran his finger over my mouth. 
So what are we scared of? 
Nothing. Just the way I am. 
Which is sweet and kind and beautiful. 
And old-fashioned. About some things. 
He moved down from my mouth and tried to tease the robe loose. I caught his  
hand, but he'd already found his way through. He whispered in my ear. 
Like school. Soft and sweet. All together. 
Steve, please, no. 
He whispered again. Katie's kidding. She wants it. 
I couldn't understand why she said nothing. No, began to understand why. Now 
he spoke to her without turning his face.
Katie baby? 
Not ifJenny doesn't. 
I don't know what it was, Dan. I was actually a little drunk, we'd been having  
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some tequila concoction Kate had made up. It didn't taste strong-anyway, I'm not making  
excuses. It all happened so fast. I did feel tricked, outraged. More at Kate than at him.  
That change of sides without warning. Then frightened at seeming what I'd just said I was. 
Knowing I was a long way from home, but perhaps I needed it. Being hung for a sheep. All 
sorts of strange things.
Steve said, One happy brave, two happy squaws. 
And then Kate again. 
We think of it like togetherness therapy. You know? 
I said, Who's we? 
Anyone you... if the vibrations feel good. And you want. 
I was holding his hand against my breast, not letting him move. Kate had been  
leaning on an elbow, but now she sat up and reached and took my other hand. It was so  
strange, but I knew she was being honest, in her fashion.
Jenny, it just happens. You feel yes, you don't, it's as simple as that. If you don't 

want to feel that way... you know. We understand. That's truly all it's about. Behind the  
crazy-people thing. Just a way of feeling close. Not only for Steve. For you and me as  
well. 
Steve said, Right. 
Kate said, But only if you feel the same. 
Then she pressed my hand, as if to give me courage, and let go of it. I know,  
perhaps she was just being clever. I think if they'd tried to argue or coax any more... but  
they didn't. There were so many places earlier where I ought to have drawn the line. She  
lay back, I felt them waiting there beside me and in spite of what she'd said I still  
suspected it was partly a set-up, but then also that I'd helped them do it. Enjoying the long 
gossip with Kate, not getting off the bed when Steve came in. Part of me was walking  
away, Dan. But another, perhaps it was the tequila, knew it wanted to wait and see. I felt  
I'd become someone else, what I'd been only a day before wasn't me any more, or no  
longer had to be me.
I don't know, but I let his hand escape. Again he was very gentle, undid the  
sash of my robe, I hadn't got anything on underneath, my swim-things had been wet. It  
really was happening to someone else by then. A few moments later I was aware that  
Kate had slipped off the bed and gone away. She came back again almost at once. She'd  
taken off her robe, and lit up. It was too dark to see much by then. She knelt beside Steve, 
helped him get out of his own wrap. Then me out of mine. We lay, smoking for a minute or 
two. The best, of course.
Nothing more was said. I tried to feel shocked, that I was taking some awful  
step into the pit of iniquity. Then for God's sake, it was hardly an orgy, even if Kate was a  
perverse little bitch who'd obviously played this game before. And if it gives pleasure and  
it doesn't hurt anyone... all right, begging questions. But somehow her taking part made it  
less -you know. If she hadn't. Just watched or something. And there was a togetherness  
of some kind. Not sexual, something in me was too nervous, I didn't know where it would  
go... it was just masturbating, in fact. Being petted.
Naughty adolescents. It even became rather trite and tame, if you can  
understand that. It did have a sort of sexiness, finally. But it wasn't adult. 
When it was over, he'd had to break the silence I didn't want broken, the usual  
moronic 'great' and 'beautiful', what a great pair of chicks we were, something strange  
happened. I knew she was like me, she didn't want to talk. Perhaps it got through to him.  
Anyway he sat up, kissed us both, then went off to where he'd left his clothes. There were  
a few moments of silence, and I was wondering what next, what have I done. Then Kate  
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moved in the darkness towards me, it was so peculiar, just like a small girl wanting to be  
held, she made me turn on my back, then lifted my right arm over her shoulders and sank  
beside me, her mouth against my shoulder, just one small kiss there. I was thinking, oh  
God. Ready to jump a mile. But she reached and found my free hand again and held it  
against my stomach, pressed it there, as if to tell me it wasn't what I thought -what you  
must be thinking. She did put a leg a little over mine to get closer, but I can't tell you how,  
I knew it was only a clinging. In the end I didn't mind feeling her warm naked body at all. It 
seemed sexless, like a child's. Her skin was very soft after a man's. It was funny, knowing  
what it is to be you (a man). To have something like that against you. It was also some  
sort of declaration. As if Steve had just been the catalyst. Not sex. Something about the  
American heart. I don't know. So many mechanical and non-human toys to play with and  
only a flip little vocabulary to cope. Only another female body to explain to. The  
loneliness. Having it all, and underneath not knowing, remaining insecure. In Kate's case,  
not even able to escape her home, her family, her money. I'm trying to say it was  
mysterious, Dan. And innocent, you can't imagine. For a moment or two, so much closer  
than my real sisters have ever felt. Somehow more moving, disturbing, than anything with  
him.
And she didn't say a word. Nor did I. 
Finally Steve came back dressed and stood in the doorway. Some light came  
through from the living-room and he could see how we lay and of course. 
So that's the way it is. 
Idyll broken. 
What is kooky about her is the way she slips out of one mood into another-as if  
the last has been an act. Suddenly she was out of that lonely clinging child into her other  
self. Steve was told to take himself off. We showered, dressed, and she went on talking  
all through it as we had before he came in, there was even a whole bit about how one's  
(women's) feelings changed over clothes colours. Just as if nothing at all had happened, it 
had all been a dream. I can't tell you how odd it was. I think she is a little round the bend.  
At least two quite different people. I mean even Steve -she cooked us hamburgers  
afterwards down in the main palace kitchen -even he admitted something had happened,  
the way he looked at us (though he too said nothing, they're so compartmented). 
I felt so far from both of them down there, suddenly. Yet so close, I can't  
explain. And released, I think even amused. Steve rooting about in the icebox for some  
special beer he wanted, Kate talking about the art of the hamburger to me, just two girls in 
a kitchen. I'm sure it didn't mean very much to them. I suppose I felt let off lightly, too.  
There must be worse things three young people can do thanjust he in the dark and play  

with each other's bodies. Perhaps next time there would be another man-lots of other men 
and girls. I didn't know, I was suddenly glad I had done it and that I was coming home  
soon. Even though you won't be there to meet me now.
Dan, writing this down has exhausted me almost as much as taking part in it  

would have done. I know it's a mass of contradictions. You'll probably know what it really  
means better than I do. It's taken two long evenings and a whole day and I'm sorry about  
all the crossings-out and alterations. And bad taste. But not sorry you may not know  
whether I'm pretending it hasn't happened or pretending that it has. 
I know this isn't what you want. But it's what you asked for. I just won't be only  
something in your script. In any of your scripts. Ever again. 
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The Shadows of Women
That little document from a different world had come by the Saturday-morning post. We  
had spoken twice more during the week. It was not altogether a shock, since by then I had 
dragged out of her, in the intervals between her interrogations concerning Jane, that it  
was 'about imagining being unfaithful to you'. The nonsense about burning the thing  
about nine that Saturday evening, for inc. There was no beating about the bush. 
'Has it come?' 
'Yes, Jenny.' 
'Do you hate me?' 
'Only for being able to put yourself down so well.' 
There was a silence. Then another question like an accusation. 
'Did you believe it?' 
'Not that it happened.' 
'But what?' 
'Whether you wanted it to happen?' 
A quieter voice. 'Why didn't you believe it?' 
'Because you wouldn't have written about it. And you haven't answered my  
question.'
'Kate exists. We have got quite chummy.' 
'Good.' 
She didn't like that, but swallowed it. 'It was based on an evening the three of  
us had together. Just a feeling in the air.'
'Dangerous liaisons?' 
'Something like that. Kate's been in that scene. Though she claims it's all over.' 
'I see.' 
'You are angry.' 
'You still haven't answered my question.' 
'Because if you don't know the answer-' but she broke off and changed tack. 'All 
right. A tiny, tiny part of me. Which I despise.'
'And it had to be him?' 
'1 don't know anyone else his age here.' 
'He's made another bid?' 
'He lets me know it still holds.' 
'And you're tempted.' 
'I'm tempted to pay you back. Among other things for the reason I wrote. Which  
I notice you're carefully avoiding.'
'All that was to help, Jenny.' 
'It hardly flatters your opinion of me as a human being. Or an actress. And don't 
for Christ's sake start quoting Falconetti at me.'
I had once told her the old story about Dreyer's cruel practical joke during the  
in some castle, to see what it was like to sit crouched in eternal darkness, and then locked 
her in until she was hysterical enough to give him the martyred Joan no other actress has  
ever come within a mile of. I had told jenny the tale was almost certainly apocryphal, but it 
had registered.
'We were over-protective. But the rushes were arguing for it.' 
'And of course the silly vain cow couldn't conceivably have lived with the  
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knowledge.'
'Jam sorry, Jenny.' 
She was silent for a moment, then changed from bitterness to reproach. 
'You don't know how difficult it is. I can't slap his face. And I still quite like this  
girl Kate, even though I know she's... I suppose a little bent. Cracked. They're so innocent 
underneath. You know what they're like.'
'Is it she who's put you back on pot?' 
'I haven't smoked since that evening. If it's your business any more.' 
'I'm just concerned that you know what you're doing.' 
'I haven't much choice. A lousy old two-timer like you or a lump of bronzed  
nothing. Neon lights or welly-boots.'
'At least you'll agree the last two aren't compatible.' 
'I spend most of my time thinking of ways they could be.' 
'At the cost of a fortune in long-distance calls.' 
'Which we can both afford.' 
'I'm not talkingjust about money.' 
She left a silence again. 'Every time we speak you seem further away. That's  
also why I wrote it.' She added, 'What might happen to me.' 
'It's precisely because you can imagine it that it won't.' 
'Optimist.' 
That was the first sign of her more normal side, and I used it to move us to less  
emotional matters.
'How's it gone this morning?' 
'Okay. We're doing the second visit.' That was a scene early in the story when  
the nanny jenny was playing had a surreptitious evening visit from the boy, her bosses  
being out to dinner... a difficult one for her partner, but fairly straightforward for her. 
'Bill's happy?' 
'I think so. We cut a couple of lines. He did ask if I thought you'd mind. I'm sort  
of treated as your agent these days.'
She told me which lines, and why. 
'All right. But tell him it's a bad principle.' 
'Yes, sir.' 
'Have you had your lunch?' 
'Now you've forgotten I don't eat on the job.' 
'That's another bad principle.' 
'I'll have a yog. Just for you. Have you got your T. B. Lawrence gear packed?' 
'It's all in town. I'm going up tomorrow.' 
She was silent a moment. 
'I get so lonely, Dan. Abe and Mildred are sweet, they do try, but it's not the  
same. I seem to have forgotten how to talk to anyone except you.' 
'And this girl?' 
'She's only a substitute. Anyway. She does most of the talking.' She added, 'It  

wasn't true.' 
I know. 
'I'm writing one last thing. You'll be gone before it conies. About New Mexico.' 
'You are an extraordinary child.' 
'I should have written it first. And nothing else.' 
'I wish I could read it now. 
She waited, then said, 'I must go.' There was the suggestion of a sniff down the  
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line. 'Be someone else you imagined once.'
'Soon over now.' 
'You do forgive me?' 
'Of course.' 
'And you will miss me?' 
'Every minute.' 
'Hold me a moment.' 
Then, as before, in the last of the silences, defeats, film without vision, she put  
the receiver down. Dan did the same with his, but remained staring at the stone flags he  
something more than she was alleging had happened. He had realized too that it was half 

course, she knew he was otherwise engaged. He would not know the truth until he  
never happy when too long deprived of a naked female body, though now it was less the  
act than the adjuncts, the mere diffuse sexualities of another close body -warmths in the  
night, dressings and undressings, domesticities (the illusions if not the realities of what  
she had called, or been taught to call, togetherness) -that he missed... this animal side of  
since her writing had not, as she perhaps intended, in any way displeased the erotic side  
of the same animal. At such times she was much more as she had made Kate at the end,  
in her adventure, than herself.., clinging, young, not independent at all. 
in the electric light of the present tells Phoebe the apple-pie was superb, but he can't eat  
a mouthful more.
Dan arrived at the somehow doubly empty -Caro being in Paris, and having in  
any case moved out -flat, the next day, feeling vaguely depressed. It was not so much  
Jenny, since on a third reading he had decided to see what she had written, and whether  
considerably more a belated wondering why he was once again forsaking Thorncombe.  
There had been a reproach in Phoebe's eyes when he had told her he was off so soon  
meant to be 'home' through most of the rest of the year ahead. By an irony he had left the  
farm on the first truly clear and springlike day since he had returned, and with a distinct  
sense of foreboding, of a potential grim smile from destiny. There would be a plane-crash, 
he would never see it again... when it was so near, need never have been left. Egypt  
seemed like an unnecessary last gamble -be even coldshouldered a quite normal  
pleasure he found in the prospect of revisiting the place, of watching its effect on Jane.  
He knew better: he was at the old game of trimming, of shuffling off decision. 
He had not spoken to Jane again except once, and then only about practical  
should come to supper at her flat and bring Caro, the evening before they left. In reality  
he knew he was beginning to lose the impulse of his good deed, perhaps because he had 
during that intervening week been reduced to so much prevarication over Jane with jenny, 
and had come half to credit what he said to her. His professional excuses had not been  
not have been conscientious enough to have bothered to go on his own. In any case he  

was too old a hand not to know that specific location recommendations in a script rarely  
survived to the final product. 
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At least he was going with general approval inside the family. He had spoken to 
Caro later the previous Tuesday, after he had toldJenny. She seemed more surprised  
consulted by proxy, and given her imprimatur, Caro warmed rapidly to the idea. They were 
to meet this day, the Sunday, after her weekend in Paris -she would come straight to the  
flat from Heathrow. That had left one other voice to face. He had not given himself time to  
hesitate: but no sooner said goodbye to his daughter than he dialled her mother's number. 
'Hallo, Nell. It's Dan.' 
'How extraordinary. I was just going to ring you.' 
'Have I done the right thing?' 
'Now I've got over the initial shock.' 
'She said something about feeling she needed a holiday. That's how it came  
up. Since I've got to go...'
'I think it's a marvellous idea. Actually I'm green with envy.' 
'It's only ten days.' 
'It'll be so good for her. Seriously. I'm just amazed it did anything more than  
precipitate another fit of the Marxist vapours.'
'It did a little. And more conventional ones. About how you'd react. Which is  
rather why I'm ringing.'
'I'm equally amazed she remembers I have reactions. After Caro.' 
'She does feel bad about that, Nell.' 
'So she should. But never mind.' 
'As long as you don't think I'm outraging propriety.' 
'My dear man, I'm not that stuffy. Yet.' As always, fatally, they were slipping into 
Honestly. Andrew and I think you were terribly clever to suggest it.' She added, 'It's left us  
a bit breathless, but not because we're not grateful.'
'I suspect the culture shock may do her good.' 
'Perhaps you can get her off with some lovely oil-sheik.' 
'I don't think IT quite promise that.' 
'Did you find her any more forthcoming?' 
'A little. I think she knows she's trying to solve the world's problems as a  
substitute for facing one or two of her own.'
'I've been trying to suggest that for years.' She hesitated, then said, 'I am  

worried for her, Dan. I know she's holding so much in. In spite of the way I talk about her.' 
'I know.' 
'You have my blessing. For what it's worth. And sincere thanks. At long last.'  
She said, 'Also for bearing the current brunt of our wicked child.' 
They had talked about Caro and her problems then. 
She continued a minor problem that Sunday night. Dan waited, drinking too  
much, for her to appear. She hadn't been sure which flight they would catch, so it was not  
himself off to an Italian restaurant round the corner from the fiat. She appeared there just  
as he was finishing his meal, a little breathless and contrite. She wasn't hungry, they had  
had an early dinner in Paris, but he ordered coffee for her. She looked tired, as always,  
but seemed cheerful enough, full of chatter about her weekend. Barney had gone for  
some interview with one of the French Common Market high-ups. It hadn't gone too well,  
but otherwise she did not mention him. Then she broke off about Paris. There was a  
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certain amusement in her eyes, as if he had been belatedly converted to a cause, when  
she asked him if Aunt Jane was excited.
'I hope. She was taken aback at first.' 
'I should think so. Whatever next. A man with a reputation like yours.' 
'I find some of you young people very behind the times.' 
She slipped out her tongue. 'And how's the other bit of young people in your life 
taken it?'
'With a becoming common sense.' 
'There was a photo of her in an old Paris Match at the hotel. I meant to tear it  
out.' She sniffed. 'Not bad. At least she was dressed.'
'Don't be catty. I want you to like her.' 
'I'll try.' 
'You do have a mistake in common.' 
She looked down at the pink check table-cloth. 'Does she think so?' 
'Rather less than I wish she would.' 
"We must get together.' 
'Hers is a special case, Caro. No comparison, really.' 
'Oh sure. I'mjust ordinary.' 
Dan smiled. 'Not worth answering. You're much luckier. Jenny's condemned  
either to independent men and long separations or dependent men who become mere Mr  
McNeils.'
'And she hasn't realized that yet?' 
'Realizing and accepting are two different things.' 
Caro looked down again. 'As Ini discovering. His wife's found out about us.' 
'Oh God.' 
'It's all right. Apparently she's resigned to it. She even told him I was an  
improvement on the last.' She gave Dan a twisted little smile, and lit another cigarette  
from a packet of Gauloises. She had begun to smoke more than he liked. 
'How did she find out?' 
'I thought you might know, actually.' She must have seen that Dan didn't  
understand what that meant. It had sounded almost like an accusation. 'There was a  
snippet in Private Eye last week?
For a brief moment Dan became his Victorian great-grandfather, a severe face  
on a wall. Fortunately she was avoiding his eyes, and he spoke gently. 
'What did it say?' 
'A year or two ago he wrote a piece in favour of marriages, lovers, being the  
same age. You know how he writes, it wasn't very serious. Just arguing a line for fun.  
They lifted a quote from that. Then something about'... she stopped, as if to get right lines  
she now knew by heart... ' "the piece is causing grave concern to his current  
twenty-year-old secretary" -they couldn't even get the age right -"who has cast modesty to 
the winds under the bizarre illusion that Boring Bernard is the only upright man in Fleet  
Street".' She added, 'They're so foully below the belt sometimes.' 
'Were you named?' 
'No.' She added, 'We've tried to keep it secret. But they're always going for him. 
Private Eye.'
The nasty thought crossed Dan's mind that Barney was not above leaking the  
leaking it. At any rate he had made part of his reputation as a student journalist, as Dan  
had had reason to know on more than the one occasion previously mentioned, precisely  
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on such gossiping innuendo. Barney, in a Fleet Street now dominated by his own  
Oxbridge generation, could hardly cry outrage at something he had helped set in motion. 
'Is he upset?' 
'For me.' She had another thin smile. 'He says he wishes the days of the  
horsewhip weren't over.'
'If he wants it to make the headlines.' 
'He's desperately sorry about it.' 
Dan ventured a tentative step further. 
'He's not talking of...' 
'Of what?' 
'Leaving her for you?' 
She stared down. 'Daddy, I'd rather not discuss it.' 
long ago forfeited at least some of the prerogatives of that relationship. She had-Dan had  
been thinking till then how rapidly she was leaving her earlier self behind -suddenly  
did not quite know where else to look. For a moment they were back to the days when he  

would probe too far, or too obviously, into her feelings about Nell and Compton -only to  
realize, too late, that he had trespassed across some invisible boundary in her mind. 
'Then question withdrawn.' 
She said nothing for a few seconds. 'It came up over the weekend. He was  
depressed about the interview. He keeps on talking about getting out of the rat-race.  
Writing a sort of autobiography. Dillon's History of a Very Small World-he jokes about it.  
And he can't really. He hasn't got the money.'
wondered whether he was being told to reflect on his own good fortune. 
She added, 'I'm not starstruck or anything. I went wandering round the Latin  
Quarter on my own yesterday afternoon while he was doing his interview. All those  
students and people my own age. I did a bit wonder what I was losing.' Then, as if she  
were giving her father too much rope, she said, 'He is terribly sweet to me. Patient. Not  
like some people.'
But that definite dig went with a mocking slide of her eyes. 
'That's because I know you're much brighter than you sometimes pretend.' 
'You hope.' 
'Know.' 
She was wearing a dove-grey corduroy trouser suit with a Liberty shirt, which  
photographable face, as Dan had discovered in the course of family snapshots... a  
a much younger girl lurked in it, as it had in her mother's at the same age. And just as he  
had secretly liked the rare -increasingly rare, alas -childlike side in Nell in the old days, he 
recognized a same feeling about their daughter. He had a sudden wish that he was taking 
She grinned. 'I wish I was free to come.' 
'You're not too unhappy?' 
She shook her head, very positively. 'I think I feel happier nowadays than I ever 
have in my whole life before.' She shrugged. 'Which proves I'm not very bright.' That  
amused Dan, and she bridled a little. 'When everything else is in such a mess.' 
'You mean the world?' 
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'It's all we ever hear at work.' 
'Newspapers live on doom and disaster. Good for circulation.' 
'The awful thing is I know I rather like it in a way. Nothing being certain. Living  
from day to day. Everything that Compton isn't.' She gave Dan a dry look. 'I didn't tell you,  
I got a real talkingto from mummy and Andrew after you left last Sunday. They were  
perfectly nice. Just incredibly square. As if you were done for if you didn't have your whole 
life planned and secure for ever.'
'The opposite theory also has its drawbacks.' 
'It's just sometimes. I read a piece we're running in the colour supp. next week.  
About nurses. It made me feel how ridiculous it is that I should get paid more than they  
do. And have all the fun as well.'
'Nursing's like acting. A vocation.' 
'It's still not fair.' 
'Do I smell your AuntJane?' 
That in turn amused her. She said with a mock primness, 'I begin to see what  
she's on about.'
'Good.' 
'Well you haven't had to hear all the anti-propaganda I have.' 
'True.' 
Now he was queried. 
'Did she talk a lot to you at Thorncombe?' 
Yes. 
'What about?' 
'You. Paul. Politics. Everything.' 
'I couldn't believe it when you first told me about Egypt.' 
Why not? 
She shook her head. 'I suppose I've always thought of you living in two totally  
separate worlds. That could never meet.'
'We once met almost literally every day of our life, Caro. At your age. We've  
even been on holiday before. We all spent a summer in Rome once.' 
'It's just that you've never seemed very interested in her.' 
He hesitated, then covered hesitation with a smile. 'I didn't only lose your  
mother when we divorced, Caro. Lack of interest doesn't always mean lack of memory.  
Rather the reverse, in fact... sometimes.
'Does she seem very changed to you?' 
'Outwardly. Not deep down. I felt she's been living in a world where only bad  
things happen. So a good happening might make a change. That's all.' He smiled again.  
'Amateur headshrinking, really. And to show I'm grateful for all the help she's given you.' 
'Did you tell her that?' 
'In Oxford. The night Uncle Anthony died.' 
Caro was silent a moment, avoided his eyes. 
'Daddy, why did he kill himself that night of all nights?' 
She asked it as if she knew that she was now the one crossing forbidden  
boundaries. Dan stared across the restaurant.
'He was a teacher all his life, Caro. I think it was a kind of lesson.' 
'Who to?' 
'Perhaps to all of us. On taking responsibility for your past.' 
'What responsibility?' 
'For having hated, lied, deceived. When we could all have tried to understand a 
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little better.'
'But why did he wait till you were there?' 
'Perhaps because I needed it more than most.' 
'But he hadn't seen you for years.' 
'Some things don't change about people.' 
Again she was silent. 
'Did AuntJane need it as well?' 
'Perhaps.' 
'You're being very cagy.' 
'Because I don't want to spoil what you quite rightly admire in her.' 
She considered that a moment. 'Is it something about their marriage? I realize I  
always rather took it for granted. I was sort of presuming it was good one day with Roz. I  
felt I'd said something silly then.'
'I think it had its problems. Mainly of temperament. Views on things.' 
'I'm so stupid. I never guessed.' 
'No one was meant to. I understand Jane turned to Roz a great deal in the last  
years. That's why she wouldn't have agreed.'
'I always feel such an empty-headed little nit with her.' 
Dan signalled for the bin to be brought. 
'You can face this supper tomorrow?' 
'Yes. Of course. I do like her really.' By which, Dan suspected, she really meant 
'envy'.
'I think you've got her rather wrong.' 
She seemed to accept that it might be so, but a dissatisfaction remained. 
'That's why I've always been so fond of AuntJane. She's the only one of the  
university graduates I seem to be surrounded by who doesn't rub it in.' 
'The only one?' 
'You're joking. You're the worst.' 
'I try very hard not to be.' 
'That's what makes it so obvious.' 
'I'll take lessons in Egypt.' She gave him a bitten smile, then looked down, as if  
he were now the ingenuous one. 'What does that Cheshire cat smirk mean?' 
She still kept it. 'You need more than lessons.' 
'Then what?' 
'That would be telling.' 
The waiter brought the bill, and Dan had to occupy himself with it. Caroline  
stood and looked for her coat, then waited for him by the door. He eyed her as he came  
up.
'Telling what?' 
'What I know about you and you don't.' 
They moved outside. 'Hopeless case?' 
'Why you are.' 
'Don't I have a right to know?' 
'Not yet.' And she took his arm then, flagrantly changed the subject. 'Hey, you  
haven't asked about my flat.'
waving her on her way. He went to bed himself as soon as he had returned home. But in  
spite of having, finally, enjoyed his hour with Caro, his earlier depression remained. He  
kept thinking of all the things that had to be done the next day. He had arranged to meet  
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Jane briefly at the Egyptian Consulate the next morning to see about the visas, she was  
travelling up to Roz's from Oxford that evening. And then Caro -he began to write one of  
his instant scenarios: in which the worst came to the worst, Barney left his wife and  
persuaded her to live permanently with him. He even added a development (and if she  
really wanted, why not?) in which he stopped playing Sidney Carton and settled into some 
similar permanent arrangement with jenny. He tried to imagine the friendship between the  
two girls he had said he hoped for... but the scenario died when it came to a plausible  
relationship between Barney and himself. Somehow he saw that too clearly through  
Jane's truthseeking, and Nell's cynical, eyes.
He had to see his London agent that following afternoon. A month before, in  
Hollywood, he had turned down a script for after the one on Kitchener, and  
discountenanced any further approaches. But he knew at least two more nibbles  
concerning other properties were now waiting, they had to be decided on. There, the folly  
easier matter. He would stick to his original plan: Kitchener, then retreat, Thorncombe,  
ordeal: a gratuitous one, but unavoidable now.
It was also, and more than partly, the old lone wolf, the hater of encumbrance in 
between all these contradictory female faces and forces in his present life. And perhaps  
an added attraction of the notion of a year's retreat to Thorncombe was its certain echo of  
that very ancient male dream embodied in Mount Athos and its monasteries. He had just  
spent long days on the Kitchener script, but aware that it was less out of true conviction  
than a subdued exasperation to get the thing over and done with. Ideas for his novel had  
kept on breaking from behind the page before him. He felt like someone who had done  
quite enough field research, who now longed to get back to the laboratory, to draw the  
conclusions.
Then he did something absurd. He got out of bed and found his notebook in his 

jacket pocket. There he jotted down not something profound about intimations of  
approaching changes of key in human minds, but the words: Remind Ben -mangetout  
peas.
He had remembered they were one of Jenny's grccds. 
Pyramids and Prisons
or at least wondered if he had not underestimated the difference between an evening  
alone with someone and the kind of companionship now in prospect. Jane also seemed to 
be caught unawares by reality: they were too trivially, tritely solicitous towards each other  
to be natural. She had been far more at ease the day before, when they had met to get  
their visas -only briefly, for she had gone off, once the formalities were completed, to meet 
family supper. It had gone well, Roz had put herself out to be nice to Caro, who had  
responded and perhaps learnt from the brisk way her cousin handled her mother teased  
her over her still-latent financial and other qualms. Indeed, she had been more at ease  
earlier that very morning, before the take-off. Roz had driven them to Heathrow, and kept  
the reality at bay. 
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Now they sat side by side, eating their lunches. She ate more of hers than he  
there was a tiny air about Jane of being determined to have her money's worth, like any  
true tourist. What conversation they had later was mainly about what they were reading:  
in Jane's case, the old Blue Guide he had brought along. He was once more jumping  
through the biography of Kitchener he was using, to refresh his mind about one or two  
locations he must visit. He was already a little on the defensive there, explaining what it  
was about the old man that intrigued him. He felt Jane's show of interest was diplomatic  
They talked for a while about the technicalities of film production. He suspected that this  
too was a sop to his vanity, her proof to herself as much as to him that she was not going  
to be critical of his way of life, but dutifully, or gratefully, concerned to know it better. 
They were much more like chance embarrassed strangers than he had  
ring on her wedding finger.
And perhaps because he had had, soon after take-off, a reminder that they  

were separated by more than private and personal things, for all their sitting side by side.  
There had been a first break in their conversation, and he had asked if she had brought  
the travelling bag by her feet and came out with a paperback and handed it to him with a  
small smile.
'You don't have to if you don't want to.' 
It was an anthology, Lukacs on Critical Realism, issued by some small left-wing 
publishing house.
'That's sweet ofyou, Jane.' 
'Since he was mentioned.' 
'I'll read it where I can concentrate. On the boat.' 
She glanced down at the book as he fingered through it, almost with a  
dismissiveness, now it had been presented.
'There are bits.' 
'I'm sure. I shall look forward to it.' He smiled. 'Actually I must read for Cairo a  
bit now.'
She did seem to be genuinely eager for the experience of Egypt. It had been  
most noticeable when they met outside the consulate the previous morning. The first thing 
would still get a visa, because she was 'so hooked' that she couldn't not go now -even if it  
had to be alone. There at least he detected in her a readiness to be amused, the tentative 
resumption of an old and more extrovert self.
The two hours' advance in local time meant that it was near sunset when they  
landed at Cairo. Malevich's London office had already arranged a programme for Dan the  
next day, and had asked for him to be met, but he was not too sanguine that they would  
the seething and galleried central hail of the terminal -so much turmoil, so many faces of  
every shade of brown, the immediate plunge into a nonEuropean world, and at first sight  
one principally indifferent to chaos and dirt. The place had the feel of a country at war, of  
an upset hive. Dan glanced at Jane beside him, as they were besieged by taxi-drivers and 
hotel touts. She snuled, but he could see this chorus of alien, demanding voices, the  
primeval mob, had set her back.
Then someone was sharply calling Dan's name, and they turned. A tall, bald  
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moustache, a broad, flat face, faintly hooded eyes, a kind of aristocratic disdain for the  
less fortunate beings around them. But when he saw he had guessed right, he smiled,  
raised his hand, and came quickly forward.
'Mr Martin? I am very pleased to meet you. I am Jimmy Assad.' 
Dan already knew of his existence. David Malevich had met him and meant to  
use him for the Egyptian side of the production.
They shook hands, and Dan introduced Jane, whose hand Assad rather  
dismissing the touts and taxi-men who still clamoured round them. He drove them away  

with one or two sharply guttural Arabic phrases, then smiled at his guests, as if to tell  
them European civility cut no ice here. He had a car and driver waiting. Dan had a  
suspicion that for once Jane did not regret leading a privileged life. 
They set off for Cairo, and found out more about Assad. He was a Copt, it  
seemed, not a Muslim. He had been in the local film industry most of his life, but had also  
worked briefly in England, where he had picked up his inappropriate first name, just after  
the Second World War. He didn't speak the language very idiomatically, but fluently  
enough, and he seemed well informed as to what was going on in the rest of the movie  
world. They took to him: he showed at once a nice dryness both about himself and the  
faults of the United Arab Republic-like the airport, Cairo was overcrowded, it was because 
of the war situation, so many refugees from the banks of the Suez. Jane asked if a  
resumption of hostilities was likely.
'You will see. In the newspapers. Every day it is going to happen tomorrow.'  
The eyelids drooped. 'You think Mr Churchill made great speeches of war? You have not  
heard Sadat. Here we call him Victory Tomorrow, Dirt Today.' He slipped a look at Jane,2  
twisted round from the front seat where he sat. 'I say dirt for your sake, madame. Arabic is 
a frank language.'
Merde? 
'Ah, très bien. Vousparlezfrancais?' 
had to come rather hastily in. His own spoken French was very limited. 
'Can one talk about the President like that in public? 
Assad raised his hand in regretful negation, but there was a glint in his hooded  
eyes.
'But we are very lucky here in Egypt. All our secret police wear a uniform.' He  
glanced towards the driver, then one of the eyelids flickered, as if with a tic. 'Une stupiditŽ 
stupejlante.'
One sensed at once with him membership of what is one of the most distinctive  
clubs in the world, and mercifully without frontiers: that of the political cynic. Dan decided  
he was probably a corrupt man, not above budget-fiddling, but an agreeable one. 
It was dusk when they came into the city, with its unique mixture of the  
medieval and the modern: shabby boulevards, khaki and tired white faades, dust  
everywhere, the blend of European clothes and the flowing galabiyas, barefooted urchins, 
stalls, harrows, donkeys with vivid green bundles of fodder, the only fresh colour to be  
seen, tied to their sides. Wafts of strange smells, dung, something acrid -according to  
Assad fumes from the Helwan industrial complex up-Nile ('We have to prove how western  

richer, more spicy scents came through the windows of the car on the mild subtropical air. 
At last they came out beside the Nile, too late to see the Ghiza pyramids in the  
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were drawing up outside the hotel. Assad came in to see their reservations were all right,  
and they had a drink in the lounge. He was supposed to take Dan to meet a ministry  
high-up the next morning, but it was apparently a mere formality, and could be skipped  
unless Dan insisted. He did not. Then they would spend the day driving round likely  
locations, the ones Malevich had already inspected and wanted the writer to look at. Dan  
had already suggested to Jane that she do the major D.M.-R513 w tourist sites while this  
the desk and fixed a set day-tour for her: the antiquities museum and the city inthe  
morning, the Pyramids in the afternoon. The eyelid showed its tic again. 
'Extremely boring, madame, but I think you must see them once.' 
Having assured himself that they really wanted an early night, and no  
entertaining, he withdrew. But the following night, he insisted, they should have dinner  
with his wife and himself and some friends. 
They found they had adjoining rooms, overlooking the Nile, and that someone,  
perhaps Assad, had jumped to wrong conclusions. There was an interconnecting door.  
Dan did not try it to see if it was open. There was no key on his side, and he hoped it had  
been left on hers. Jane was going to have a bath, and he could hear the water running,  
occasional movements, as with tomorrow in mind he read through the Cairo scenes in the  
draft script copy he had brought with him. After a while he felt like opening the duty-free  
he could bring himself neither to tap on the door between their rooms nor to use the  
telephone, which would somehow underline the awkwardness he felt. In the end he rang  
stared down at the now dark river, with the lights of Gezira opposite tranquilly reflected in  
the water. There was far more traffic in this central part of Cairo than he recalled from his  
previous visit, an almost Californian stream of crawling headlights over a bridge to his  
behind all the human and architectural differences. All cities grew one. Cairo was simply  
denser, older, more human. The medieval injustices and inequalities still existed, and  
open.
There were two taps behind him on the interconnecting door. He heardJane  
call.
'Dan? I'm ready, if you want to go down.' 
'Fine, Jane. Does this thing open?' 
'Yes, there's a key.' 
He heard her turn it, and she appeared. She had changed into the dark brown  
cottagey dress she had worn for the funeral, and made up her eyes a little. 
'I'm already beginning to feel I should have brought something dressier.' 
'Don't be absurd. That dress is charming. Really.' She gave a little mock bow of  
her head. Dan smiled. 'Sorry about the door. I suspect it's Assad trying to be  
sophisticated.'
'I think it's rather charmingly old-fashioned. He reminds me of one of the  
Arabists at home. I always thought he was trying to be more Oxford than Oxford, but  
perhaps it's universal.'
'How about a drink? Or shall we go to the bar?' 
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men who Jane said were speaking Russian. Dan asked for first impressions. She thought  
time -layers of time, so many stages of history still co-existing here. The airport had  
forgot what real borderline poverty meant.
During dinner Dan suggested they could cry off Assad's invitation for the next  
'Your treat, Jane. Your choice.' 
'I'd love to meet some real Egyptians. If they're being offered.' 
'I'm not sure they'll be very real. But let's find out.' 
'Not if you... ' she smiled, she was insisting too much. 'It's all so new to me. But  
I don't want you to be bored for my sake.'
'The other guests will probably be people Assad wants us to hire for the film.  
And I'm not the one who has that sort of baksheesh to hand out. But don't worry. Let's go.  
We can always pull out early.'
The hotel dinner then and there was rather pretentiously French, especially in  
its menu, though they decided they liked the unleavened pancake bread. But Jane did not 
them, came fresher to her than to Dan, and notjust because he had been, though not in  
this hotel, in Egypt before. He had the amused impression that she was now being her  
age, her Oxford and staid self for his S's sake. Just as a slip can show momentarily  
beneath a skirt, lie glimpsed a ghost of the girl he had known at Oxford. He could  
remember what she was like in those days before new experiences and new faces: a kind  
of impulsive intensity of interest, almost a concentration, that wasn't factitious (as it  
usually was in Nell, who had shared something of the same trait), but could be  
misleading, especially to men who didn't know her well... a directness, an absorption: this  
interests me, or you interest me, more than anything else at the moment. 
They strolled through the traffic and beside the Nile for a few minutes after they 
they leant over a parapet and watched down to where three large feluccas were moored  
an older man in a white burnoose, with a black overcoat hiding his galabiya, and two  
crouched younger ones one more small enclave from a much older world. Beyond, the  
lights of Gezira and Dokki glistened in the smooth water. Now and again one would break  
into lines as some minor ripple broke the reflection. He glanced at Jane staring down at  
the dim circle of light in the central felucca. She had put on a coat for the stroll, the rather  
Russian-looking one he had first seen her in when she had met him at the station three  

weeks previously. And she wore the silver comb again. He thought of second-class  
'What are you thinking?' 
She smiled. 'Nothing, Dan. just looking.' 
'It's a marvellous river. Day and night. You'll see.' 
'It reminds me of the Loire, I don't know why.' 
'The feluccas are a dream in full sail. They're the Nile's chateaux, in a way.'  
Those below had their masts lowered, to navigate the city bridges. 'Not the boring old  
temples.'
'I'm looking forward to them as well.' 
Once again he had that muffled, but unmistakable, feeling of being obliquely  
rebuffed: he was not to prejudge her impressions or try to reform her scale of values.  
What she had really answered was, Yes, but I am waiting to judge for myself. They said  
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nothing for a while, leaning on the parapet, and he thought ofJenny-how i6 perhaps what  
attracted him in her was also this same always incipient contrariness, this refusal to  
herself.., which was equally attractive, in its way. He had spoken twice more to her since  
in London. Her call, agreed on, had woken him at half past seven. It was really only to say 
goodbye, to tell him he was a rat, she hated him, but in the kind of voice that declared the  
opposite. She had rather noticeably said nothing about Jane. They had lost the  
met again face to face. Instead, she had demanded, and he had granted: he would write,  
he'd try to telephone from Luxor or Aswan, he'd think of her all the time... women who  
and women who always proceeded at a tangent from the male. Jane stood back and  
pulled her fur collar closer.
'Cold?' 
'It must be the river. It does seem colder here.' 
They wandered the few hundred yards back to the hotel. Was she sure she  
didn't want to go out on the town? Perhaps some belly-dancing? He hadn't proposed it  
seriously, but it precipitated yet one last conflict of politenesses... perhaps he wanted to  
go somewhere? It even continued in the lift, when he thought they had firmly established  
that neither of them had a secret desire to do anything but go to bed. Was he absolutely  
sure...?
'I should have gone to the bar and sulked if I felt thwarted.' 
She smiled, and he felt inclined to tell her to stop being so English. But they  
came to their floor and to another potentially awkward moment, which he let her negotiate. 
In the corridor outside their rooms, she held out her hand. 
'Good night, Dan. You have a very grateful acolyte.' 
'Early days yet.' 
She shook her head. 
'I was thinking when we were looking at the feluccas. That it was worth coming  

just for that.' 
'We'll see much better.' 
She hesitated, then gave him another smile and shook her head, almost like a  
small girl not to be deprived of a choice of toy, however illogical some adult tried to  
suggest it was. Then she turned away and they went into their rooms. 
Dan had very little time to think of Jane that next day. Assad had arrived to take 
him on his tour before they finished breakfast, and a few minutes later Jane left to get  
ready for hers. Dan was complimented as she walked away, a charming lady... and took  
the opportunity to explain the real situation before some Egyptian equivalent of male  
elbow-nudging appeared. The mention of Anthony's recent death took care of that. Assad  
made an Indian prayer-sign, as if he would have been even more courteous if he had  
known.
Dan discovered a good deal more about him in the course of the day. He  
even on occasion acting small parts. He had lost count of the Arabic films he had helped  
make. The local industry was very fluid, most people in it had become jacksof-all-trades,  
like Assad himself. He was very dismissive of the quality of the countless films he had  
cinema to speak of, there was not even a place for an intelligent commercial cinema. It  
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the now obligatory political propaganda, with the Muslim priesthood forming a powerful  
kind of Hays Office on another front. Assad himself had given up hope of a serious  
Egyptian cinema, which was one reason he was excited by the prospect of Kitchener. He  
seemed to feel that it might with any luck rub his own national industry's nose 'in the  
sand'-he meant in the dirt, but that was the phrase he used. 
However, he was more optimistic with the other arts. There were some good  
writers-he mentioned one or two novelists, though Dan had to confess that he had never  
heard of them -and one very interesting new dramatist, whom he hoped Dan was to meet  
that night. He wrote satirical comedies and had lived a highly dangerous life under the  
Nasser r6gime, and a still precarious one under that of Sadat. They were talking about  
this over lunch, in a Lebanese restaurant Assad had taken him to -much more inter esting  
food than at the hotel, and Dan rather wished Jane had been there to enjoy it. The  
playwright's name was Ahmed Sabry, he was a famous Cairo character, a great clown, it  
was a pity Dan could not see him in a cabaret-cum-music-hall act he occasionally did.  
Assad was obviously anxious that they shouldn't despise Sabry for not being very daring  
by British standards. He glanced round the crowded restaurant, then smiled at Dan with  
his lazily ironic eyes.
'Ahmed says nothing you would not hear at any table here. But to say it publicly 
-in this country, that is... ' he opened his hands.
'It takes courage.' 
'Or a little madness.' 
On the practical side of things Dan very soon knew that Malevich had picked a  
good man. Assad came out quickly with cost estimates for the most likely locations they  
be sure Dan saw the visual possibilities. The kind of disruption problems that bedevil  
location work in other cities, the clearing of long shots, the traffic handling and all the rest, 

had decreed. Dan took a few photographs of various old khans and Mameluke town  
houses, though all this wasn't really his province, and he didn't intend to rewrite scenes  
just to fit likely locations. He did see one thing he was looking for, a corner of the great  
souk of Mouski that might do for a small incident (to show Kitchener's almost Goering-like  
mania for collecting antiques) he had yet to write. But that was about all. 
Every so often they glimpsed the insubstantial papier InaAche of the Pyramids  
outside the city, the ochre Mokattam hills, and Dan wondered how Jane was getting on.  
But he enjoyed the day, and ended it with a better feel for Cairo... tired, unwashed,  
seemingly full of aimless soldiers and burst sandbags, a sad little emblem ot the nation's  
military pretensions-but a great city, for all that. He also culled from Assad a list of the  
Arabic phrases he needed to pepper some of his dialogue with. 
Assad dropped him at the hotel just after six, and offered to come back to pick  
them up for the dinner at eight. But his flat was only half a mile away, and Dan insisted  
was explained by a note that had been pushed under his own. She had had a 'fascinating' 
down to write some notes. A minute or two later he heard Jane enter her room, and called  
through at once, still in her clothes of that morning.
'Good day?' 
'Incredible. It's been so interesting.' 
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He poured her a whisky, and she sat in an armchair near the writing-table. She  
smiled.
'And I don't agree at all with you. They took us round one of the mastabas at  
Saqqara. I don't think I've ever seen anything more beautiful. So delicate. It's like the  
Renaissance three thousand years before it happened. All those lovely birds and  
animals.'
'And the Sphinx?' 
She tilted her head. 'A shade dŽclasse', perhaps? But the museum I could have 
spent hours there.'
He asked her what else she'd seen: the souk, El Azhar with its Muslim 'dons' ('I  
could just see Maurice Bowra and David Cecil... sat by their columns with their classes  
church, Sultan Mohammed Ali's mausoleum... and what on earth were the huge brown  
birds that floated along the Nile?
'Kites. They were city birds in Europe once.' 
'The American woman beside me insisted they were vultures. I knew they  
couldn't be.' She pulled a face. 'Incidentally she gave me a copious list of all the medical  
horrors. I shall see bilharzia and even more ghastly diseases on every plate now.  
Absolute old ghoul.'
He grinned. 'Did you tell her so?' 
'Of course not. My father would have been proud of me.' 
She had caught a little colour during the day, from the sun. 
'Were there many on the tour?' 
'Americans? No, hardly any. Just two other couples. Far more Russians and  
French.'
'I should have warned you about the beggars. They're like piranhas if they see  
you're a soft touch.'
'They warned us on the coach. It was rather curious, it must have been my  
coat. They apparently thought I was Russian too. Hardly pestered me at all, compared to  
my blue-rinse friend. I didn't realize at first. I was quite hurt.' 
'They obviously knew a hard-hearted socialist when they saw one.' 
'I did give one rather beguiling little girl something. But she was so surprised  
she forgot to ask for more.'
'Probably because you gave her far too much in the first place.' 
She smiled, then looked down at her glass. 'I bought a booklet at the museum.  
About the fellaheen.'
'People-shock?' 
'Yes. I think it's what I'm going to remember most.' 
He wondered what she really thought -how theory and intellect met a situation  

where it was so obvious that no political system could provide an answer. Perhaps she  
was playing polite again, and letting her tourist self camouflage one that was secretly  
outraged. She asked then about his own day, and Dan was left no wiser. Soon after that  
she went to get ready for the dinner-party.
Though there were a pair of cronies of Assad's from the Egyptian film world,  
surprisingly enjoyable evening. The flat wasn't very large, but it was furnished in a  
pleasant blend of the European and the Oriental. Assad's wife was a plump but still quite  
translators in the Arab world from the French. According to Jane she spoke the language  
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flawlessly, though her English was much poorer than her husband's. They were  
introduced to the other guests. Besides the two film men and their wives, there was  
another couple, an Egyptian novelist-who also did filmscripts -and his Turkish wife, and  
two unattached males. One was a professor of history at the American University in Cairo. 
Assad smilingly said, 'We have to tolerate him, because he knows more about Islam than  
any of us'-and he also knew all about the Kitchener period of Egyptian history, as Dan  
was to discover in the course of the evening. He turned out to be an untypical Texan  
promised satirical playwright, Ahmed Sabry.
with a laconic, rubbery face and melancholy, pouched eyes, that reminded Dan at once of 
a younger and sallower 'Walter Matthau. He wore an old jacket, a black polonecked  
ate. Assad apologized for giving Dan Lebanese food again, but it was excellent, countless 
small dishes and titbits, to which they helped themselves from a huge circular brass table. 
The informality suited such a hotch-potch of backgrounds and nationalities. They  
disposed themselves round the room in loose groups, in a mixture of the three great  
languages of the Levant: English, French and Arabic.
Dan sawjane across the room, talking French with Mrs Assad and one of the  
local movie-world couples. She had put on a black dress, very simple, Empire, rather  
low-cut, a cameo pendant on the bared skin, making her look like a latterdayjane Austen.  
It had made him tease her when he first saw it at the hotel -it was apparently one of her  
last-minute buys, and he informed her that she wasn't doing too badly for someone who  
had brought nothing dressy. He was sitting himself with the novelist and Ahmed Sabry.  
Assad had rather boyishly shown Dan, before they ate, his 'proudest possession' - a  
framed photograph of himself, slimmer and younger, though even then going bald,  
standing with Bernard Shaw. He had worked in England on one of Pascal's film  
productions of the plays, and the old man had come to watch the shooting one day. The  
photograph was signed by Shaw across the bottom.
Though Sabry's spoken English was erratic, and voluble to the point of  
incoherence, he turned out, once his initial mask of withdrawnness was dropped, to be a  
great admirer of Shaw, though with all that characteristic foreigner's ignorance of how the  
dead are now regarded in their own countries: an obviously intelligent man, and a heavy  
of Egypt, the 'grand folly' of the Aswan Dam, the dilemmas of Arabic socialism. 
when he and Sabry wandered over to get more food, to join them to Jane's group. Sabry  
sat beside her, and then realized she could speak French. He slipped into it himself, and  
seemed much more at home there. Then he said something that made Jane and Mrs  
Assad laugh. He was sitting on a small wall sofa beside Jane. Assad came up and winked 
made those who understood laugh. Assad translated. Those who thought two and two  
made five must leave the room -a first crack, it was to be the first of many, against the  
naivety of the political police.
stream of stories and one-liners, in a mixture of French and Arabic, began to pour out of  
him. He had the born comic's mastery of the deadpan face and there was now an  
increasing touch of Mort Sahl about him, as if the more his audience laughed, the more he 
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gave up hope for the human condition. Some of the jokes in Arabic were apparently too  
broad for European ears, but he took to using Jane beside him as a combined interpreter  
and feed, making her translate the less scandalous gibes into English. Here are one or  
two that Dan recalls.
They find a stone statue of a pharaoh at Luxor. The inscriptions are  
indecipherable, the archaeologists at a loss as to who it is. The statue is brought to Cairo  
and cleaned, but still the experts are baffled. At last a secret policeman asks if he can see 
it. He is taken to the room, he goes in and locks the door. An hour later he comes out  
pulling his coat on and wiping the sweat from his forehead. 
'It's okay,' he says. 'He confessed.' 
A well-known political suspect is recaptured after an escape, not his first. The  
chief of police racks his brains to think where to put him. A young inspector speaks up. 
'I've got it, sir. One of those old prisons outside the city. I've never seen thicker  

walls.' 
'Which prisons?' 
'You know, sir. The ones at Ghiza. Foreigners call them the Pyramids.' 
There was a joke for Assad. Sadat rings up the Coptic Patriarch. 
'Your grace, we must stop using these words Muslim and Copt. We are all  
Egyptians. That is enough.'
'Yes, Mr President.' 
'And by the way, I've decided to appoint Ibrahim Shafir as your bishop in  
Alexandria.'
'But he's a Muslim, Mr President!' 
'There you are -using that word again!' 
Some of the jokes must have been as old as Egypt herself. Nasser is reviewing  
troops. He comes on a soldier with exactly his own face. He smiles. 
'I know where you come from, my lad.' 
'Same village as yourself, Mr President.' 
'Ah. So your mother was a servant in our house.' 
'No, Mr President. My father.' 
Then there was a seditious and vitriolic group about the ignorance and  
ineffectiveness of the Egyptian army. One soldier came back from the Sinai front. 
'Allah, how those Germans can fight!' 
Or this: an army truck drives towards the Israeli lines. The officer beside the  
driver feverishly eats pistachio nuts and throws the shells out of the window. The driver  
looks at him.
'Why are you doing that, sir?' 
'So I can find my way back, you fool!' 
Sabry was obviously in the Ustinov class as a raconteur. Dan enjoyed this  
impromptu cabaret act, and guessed that they were privileged to hear it. He thought he  
detected, at least in the faces of one or two of the wives, a certain shock at the more  
rancorous, mocking, sardonic tongue. He felt his own mind being opened, since just as  
Sabry's appearance and delivery recalled Matthau and Sahi, the bitter selfdenigration of  
his jokes sharply echoed so much Jewish humour. Dan imagined his Hollywood friend  
Abe beside him, and thought of countless other acid-tongued scathers of pretention he  
knew or had known in his years in the Jewish-dominated world of the cinema. It seemed  
insane that two such identical senses of humour could think of each other only in terms of  
hatred and destruction. He suddenly saw the political establishments of the world as a  
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man as a product of history, not of his true inner, personal, nature. He might, if he had  
browsed further in the book he had picked up in Jane's drawing-room at Oxford, have  
seen that Gramsci had once said almost exactly the same thing, though he had derived  
his proof of it from the failure of mankind to make socialism universal. Dan saw it much  
more in existential terms, a universal failure of personal authenticity, faith in one's own  
inner feelings.
He wondered if Jane felt the same-probably not, she would regard it as 6litist to 
dismiss the great bulk of mankind, both rulers and ruled, as stupid and brainwashed. But  
Dan, with his usual fatalism, from his favourite stance of outside observer, saw privilege  
as something evolutionary and pre-ordained. One was condemned without choice to  
enjoying such experiences, to having knowledge of the world, to valuing wit and use of  
language because one was genetically, and by hazard of birth and career, endowed with  
the faculties to appreciate them. He felt he understood the bitterness and blankness of the 
knowledge that it was fundamentally futile, a selling to the already sold. The real clowns  
of the world, he seemed to be saying, were those in power-and who would remain in  
power.
Another of Sabry's jokes concerned Nasser's funeral cortege. A woman wails  
and wails until she is allowed to stand over the coffin and see the dead leader one last  
time. She stares down a long moment, then looks up with a beaming smile. 
'So he really is!' 
If not the funniest, it was perhaps the profoundest of Sabry's stories. He had  
beautiful in its glistening idiocy, its happy blindness to reality. Actors very rarely  
affinity, an angry despair that he rarely admitted was also inside him. 
Through all this he was also watching Jane, who had become a secondary  
centre of attention for those who didn't speak French. At first she translated the jokes into  
theatrical sense of timing, of the right turn of phrase, began to come out. There was an  
animation about her, a sudden willingness 2S to perform a little as well. When Sabry  
finally declared himself exhausted, he turned and kissed her hand-he would never again  
tell an unkindjoke against an Englishwoman.
They split off once more into separate groups. Dan turned away and talked with 
the history professor. Jane remained sitting for some time with Sabry, talking more  
seriously. He used his hands a lot. Occasionally she nodded, as if in sympathy with what  
he was saying. After a while Assad and the novelist joined them, and then she was talking 
more. She was plainly making a sort of hit. It both pleased and in some odd way offended  
Dan, who was beginning to get rather bored and would normally have been thinking of  
to suppress his slight resentment that she seemed more at ease with these strangers  
around her than she was with him. The other wives had gathered in a corner, and some  
perhaps unintentionally, they seemed to imply that they could not rival this foreign woman  
and her western ways with men.
Another Dan was rather proud that she had this power to attract still. She must  
have been the oldest woman in the room, but the black dress with its open neckline suited 
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dresses of the others. Assad's wife eventually came with more cinnamon tea to where  
Dan and the American were sitting, and smiled down at him. His 'friend' was putting them  
complained, the women, however emancipated they tried to be, ended in a conversational 
harem. The little Texan beside him tried to defend the custom, he had come to Cairo to  
escape women trying to out-talk every man in sight. But Dan was finally led into the  
harem, and became for a few minutes a centre of attraction himself. They questioned him  
chat, and at last he could face no more of it. He managed to catch Jane's eyes across the  
room, and she raised her eyebrows in quick interrogation. He nodded and stood. 
Once they were in the taxi, he looked at her. 
'Survived?' 
'I wouldn't have missed it for the world. I'm so glad we went.' 
'I think you made a hit with Sabry. 
'Extraordinary man. He gave me all his life story afterwards. He's completely  
selfeducated. His father was just a peasant.'
'I wonder what his plays are like.' 
'One sounds rather interesting. It seems to be a sort of Arab version of The  
Entertainer. He's never heard of Osborne.' She let out a little sigh. 'He's half inveigled me  
into trying to write an English version. Apparently it was done in Paris last year.' 
'I should make sure someone will put it on first.' 
'He's going to send the French translation to me.' 
'Well. Perhaps you've found your mŽtier at last.' She said nothing, as if he were 
now being the spoilsport.
'Did you like Assad's wife?' 
'Yes, I wished I'd talked longer with her.' 
'I must send her some flowers in the morning.' 
She leant forward, quickly, turned to him. 'Oh you must let me send them, Dan.  
Please. I'd like to.'
'You're in the wicked film world. Neither of us pays for flowers. The production  
does.' She looked down. 'In due course it will also pay for tonight. So don't feel  
conscience-stricken.'
She hesitated, then leant back, but the concession was reluctant. 
He said, 'All right. But we'll go Dutch on them.' 
'Thank you.' 
Her eyes had a momentary glint of an old knowledge of him behind their  
amusement, and he smiled away.
'I keep forgetting I'm with a philosopher's widow.' 
'I think there is a case for paying for one's own gratitude.' 
'Of course. And have patience. I've lived too long in a corrupt world.' 
'I begin to see its temptations.' 
'I was rather hoping you'd help me see through them.' 
She shook her head. 
'Too fresh from the cloister for that.' 
He smiled again, and there was silence between them. He slid one very brief  
covert glance towards her corner, a mere flick of the eyes as she stared out of the  
retained a ghostlike image of a much younger profile. Something in it, or in their silence,  
his sense that she did not want to talk about the evening, was disturbing. He had of  
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course accepted the presence of a residual attraction, one couldn't reject all memory.  
Some kind of analogy to what he had felt about Sabry crossed his mind as like her, he  
stared at the passing streets and embankments: the tyranny of the stupid. It was not at all  
a moment of physical lust, a phenomenon he associated with the imperative mood  
(seduce this girl, get her clothes off, bed her). Such moments were always spiced with  
more a sudden tenderness, a wish to be intimate in a way she was establishing that they  
could not be. It was absurd, in the way that the reciprocal hatred of Jew and Arab was  
absurd, that he couldn't even reach out and touch her hand, that they so scrupulously  
avoided even the most innocent physical contact.
If he did speculate a little beyond that, it was coldly, idly, purely -almost in both  
unlike those of the far more famous Jane she had already reminded him of that evening,  
equally rebuked the very idea of such multiple betrayals. It was merely his imagination  
mutinying against the pre-ordained, as children will sometimes test their parents'  
triggered by that drily meant remark about leaving the cloister, by a momentary  
impression, in the line of a cheek above a furred collar, of a loneliness in her, of someone  
too finely poised to be as secure as she seemed.
This time, back at the hotel, they did not even shake hands. The metaphorical  
formality of the previous evening had been only to set the correct key. She had thanked  
him genuinely enough-it had been a fascinating day, a fascinating evening. 
Alone, he had not undressed for a while. He poured himself a whisky he didn't  
really need. The small sounds from Jane's side of the door soon ceased. It was one  
o'clock, she had gone straight to bed.
endless, indifferent, like time itself. He felt obscurely trapped, not master of his own  
destiny at all, at a nadir from his moments of happiness at Thorncombe. Strangely his  
life, whether he hadn't... in depths beyond his conscious reach, and therefore perhaps  
qualifying for the passive tense -whether he hadn't been formed in his father's image and  
secret paternal purpose, though in Dan's case it would be more accurately called a  
paternal defect. He thought of the old man's flight into stasis, unchangingness,  
immemorial ritual and safe tradition.
Never mind that Dan had rebelled against such timidity in countless outward  

ways, he still strove, even in the shifting news of his life, always for control, a safe place.  
The nature of his work, his frequent experience of beginning a new script before the last  
one was fully realized, was paralleled in his private life, in the way he would so often think 
himself out of relationships with women long before they actually ended. That might seem  
to argue against a desire for stasis. But perhaps it was simply that the old man had  
found-by hazard and unthinkingly, since Christianity in this context was no more than the  
answer to a fear -what his son was searching for. Dan's solution had been, like some  
windblown ball of tumbleweed. His father had chosen attachment to the established order, 
otherwise his religion had been non-attachment... what the woman now sleeping the other 
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side of the door had said to his daughter. Yet somehow this seemed a very superficial  
paradox between father and son. In both cases there was a same flaw of nature: a need  
not to question, to ban certain possibilities.
He did think of Jane again while he undressed, but more practically. One  
couldn't really do anything about the situation and its minor embarrassments: it was as  
irremovable as the wedding-ring 2,9 on her finger. The scenario was already written, by  
their past, by their present, by Anthony's ghost, by their family relationships and  
Behind all this, in any case, lurked the knowledge that he might amuse Jane, that she  
not satisfied by him. Still, as he always had done, he failed where she could not relax her  
Once in bed, to stop any more of this and send himself quickly to sleep, he  
picked up the Lukacs paperback he had been given.
Barbarians
Luxor, after a further jading experience of the airport at Cairo and an uncomfortably  
crowded flight on an Iiyushin, was a relief. The actual town, with its tired corniche, its two  
or three would-be grand but apparently deserted hotels overlooking the river, did not  
acacias and poinsettias in flower, the drifting feluccas, the shimmering water tinged a  
pinkish ochre by the reflections of the cliffs of the Theban necropolis to the east... it was  
one of those landscapes, and climates, that immediately justify their reputation. Even the  
provinciality of the little town, its air of rundown indolence, of trying to get itself into a  
Graham Greene novel, was appealing after the stress and noise of the capital. 
The modern white 'floating Hilton' that was to be their home for the next week,  
and which they found moored beside the corniche, seemed clean and efficiently run, if  
lacking in the picturesqueness of the old Nile steamer Dan had taken his previous cruise  
on. Their cabins were on the same side, but separated by three others. Dan had hoped  
they might get a table to themselves in the diningroom and tried, when they went to lunch, 
cruise was a table with an American couple. There were two large parties of French and  
They turned out to be a rather shy young couple in their late twenties. Dan and  
Jane consoled themselves, when they were alone afterwards, that they might have done  

worse. He suspected she might have been happier at one of the French tables, but he felt 
loth to leave the one small Anglo-Saxon island, in the babel of tongues surrounding them  
at lunch, available. Besides, the American pair seemed to have been abroad long enough 
-they had been in Cairo some four months -to have quelled that least attractive (to Dan) of 
national characteristics: the need to overwhelm you with personal information and then  
demand yours. The occasional conversation at lunch-it was properly a rectangular table  
for six, which allowed them some separation-was almost English in its discreet generality. 
The lingua franca of the East Europeans seemed to be Germanthey were  
mainly from the Democratic Republic, with a few Czechs and Poles thrown in... 'kind of  
rivals of mine, I guess', added their table companion, who had been chatting with one of  
the ship's officers. Most of them were working in Egypt under various industrial and  
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loan from his company to the Egyptian government, training programmers at a new  
branch of the Ministry of Finance just outside Cairo.
They were all taken after lunch on their first tour, a mile or so north in fiacres, to 
the temple of Karnak. Dan had privately decided that he would cry off some of these  
any case, to see how Jane would react to the first full frontal assault of ancient  
megalomania. Somewhat to his relief the cruise guide took the four English-speakers  
aside when they were assembled outside the temple. He was embarrassed by the  
predominance of French-speaking passengers -the East Europeans had brought their  
own guide -he would have to use that language, perhaps they could follow him? Jane  
could, the Ameiican girl said she would try, while her husband and Dan held up their  
guidebooks. Neither of them, it turned out, was a conscientious tourist, and both  
preferred, amid such regimented sightseeing, to wander about on their own. The  
left Dan free to let Jane translate the essence of what the long-winded little Egyptian  
guide said or to drift off.
He soon felt the same reactions as on his previous visit. The place was  
graceless, obsessed by the monumental, by exactly that same sort of grandiose and  
bloated vulgarity some more recent dictators had favoured in their architecture. At this  
spent most of his life ripping out his predecessor's stone bellows, and trumpetings for the  
attention of posterity... as mockable as the more contemporary delusions of grandeur  
Sabry had been attacking. The large complex had a certain theatricality, but he enjoyed  
the incidentals much more than the tour proper: the names of early nineteenth-century  
French, Italian and British travellers carved high up the huge phallic columns -high,  
liked the inner lake, where the sacred barges had once been brought. That still had a  
charm. He spotted a magnificent bird there, an emeraldgreen and copper bee-eater, and  
about missing the guide's eternal lecture. He began to find her disconcertingly dutiful,  
almost Teutonic in the way she solemnly stood and listened to the outflow before each  
has-relief and building. But he found he was doing her a partial injustice. 
They were taken into a room to see a delicately incised wallcarving of the ritual  
pouring of the flood waters of the Nile, and he and she stayed on to see it better when the 
others followed the guide out. Two divinities, a male and a female, faced each other,  
holding up tilted flasks from which the water poured in two curved and crossing lines,  
cascades of little loop-topped crosses.
He murmured, 'Three stars, that one.' 
'Yes, it's very moving.' 
They stood there, alone in the shadowy room now, in silence, staring at the Isis  
had a sharp recall of Andrea, standing here with her nearly twenty years before, in exactly 
this place, this same time of year-even alone like this, and for the same reason, wanting  
to savour by themselves this clear small masterpiece embedded in the oppressive and  
elephantine architecture outside. In spite of the stylization, the scene had deep humanity,  
a green fuse. Jane turned and saw something in his face that he hadn't really meant to  
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sentimental.
'I was thinking of Andrea. Standing here with her once.' He nodded. 'She loved  
that.'
They stood a moment, still looking, and Jane said gently, 'I always remember  
that marvellous passage in Mrs Dalloway. About the only conceivable life after death  
being the memories people retain of you.'
'I doubt if that would have satisfied dear old Queen Hatshepsut and her brood.' 
'I think one has to envy them in a way. Their innocence.' 
'I wonder. I have a suspicion they were running scared. All the bad vibes in  
places like this must come from somewhere.'
'It is a bit much.' They turned away to move outside and rejoin their party.  
'Except it's so remote. Like Stonehenge.'
'I don't know if it is remote. When you think of the way we're ruining London.  
San Francisco. Andrea wanted to mount an exhibition here. Megalopolis through the  
ages.' She smiled, and they came out into the sunlight.
Dan glanced at her. 'Money back?' 
She laughed and shook her head. 'But in a way I'm glad I'm seeing it all later in  
life.'
'We saw through Rome. I think we'd have got it right. Even then.' 
'I've been thinking that as well. How Roman it all is.' 
'How Egyptian Rome was.' 
'Of course. I suppose every great civilization needs its Etruscans.' 
They were nearing the twenty or thirty passengers gathered round the guide. 
'Or its French?' 
She stared drily ahead at them. 
'They take it all so seriously. Have you noticed the one like an old-style  
actor-manager?'
Dan had noticed him, there was an outrageously handsome and unmistakably  
between aesthetic eagerness and a supercilious air of aristocracy -or at any rate  
considerable superiority over the heterosexual world around him. 
'I'd rather marked him down for you, Jane.' 
She hither lips. 
'I hereby baptize him the Barge-born Queen.' 
And Dan was left, because they had regained the group, with the image of her  
bitten lips and the clearest flash yet of her old self. She moved forward from him, in  
response to one of those mutely reproachful looks at laggard sheep guides in full spate  
employ, and he watched the back of her head. He felt the dead around him: the ancient  
sunlight. It occurred to him that be was perhaps not so remote from these ancient kings  
and queens as he liked to think. He too was haunted by remembering and being  
with a patina of contentment, one was dying perhaps, but one knew more, felt more, saw  
On the way back to the boat they stopped for half an hour to look at the other  
great temple of Luxor, where the wretched Ramses II, Ii Duce of the dynasties, had had  
himself celebrated at every angle and in every granite vista, ad nauseum. Then they were  
allowed an hour's free period. Assad had given him the name of the 'only honest antique  
dealer' in Luxor, a Mr Abdullam, and Jane and Dan strolled into the town to find his shop.  
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There seemed to be antiquities shops of a sort at every turn, and they were continually  
pestered in the street. One man on a bicycle came beside them and thrust an object  
hideous shape, like something in a Bacon painting, of twisted black and yellow and tawny  
parchment.
'Not today, thank you,' said Dan politely. 
The man insisted, with a wolfish impatience. 
:' true, is true.' 
'I'm sure.' 
'Lady!' 
The grisly thing was thrust against Jane, who raised her hands and shook her  
head. He persisted for a few more yards, but then turned to waylay a French couple  
behind him. After a moment there was an angry Gallic shout. 
'What did he say?' 
'Oh tol, tu m'emmerdes. Thou are a pain in the neck.' 
'I think the Frogs are rather better at handling the natives than we are.' 
'That's because being French is a state of mind. I heard one of them at Karnak.  
She said in a somewhat surprised voice to her friend, Ii y a des abeilles. There are bees.  
Then she said, I have also seen flies. Even insects don't truly exist until their presence  
has been announced in the only real language.'
'1 wish I spoke it.' 
'1 don't think you're missing much. They sound a ripe old bunch of Gaullist  
nouveaux riches.'
'Yes? 
Yes? 
'Actually I wish we spoke German. Apparently their guide's a professional  
Egyptologist.'
'I know. He looks a learned old boy.' 
They came to the shop they were looking for and found, talk of the devil, that  
sight-seeings and as they entered the narrow room with its glass-cased walls, they saw  
the 'learned old boy' sitting on a chair at the back talking with the hawknosed and even  
older owner. There were two small coffeecups. As soon as he saw them, the dealer came  
to meet them. He spoke a broken English. They wished to buy antiquities? Dan said they  

Assad. The old man bowed his head respectfully, though Dan suspected that the name, or 
his pronunciation of it, meant nothing. They wished scarabs, beads, figurines? He was a  
shade too eager.
'If we could just look.' Dan gestured towards the back of the shop. 'And please  
But the man there raised a hand in polite refusal. am a friend. Not a customer.' 
They smiled, surprised, his English accent was so good. He was a thin old man  

with a last forelock of ashen hair and an almost white close-trimmed Van Dyck, or perhaps 
it was an Ulbricht, beard. It was a face that had a faintly circumspect, yet alert, authority.  
He had a walking-stick beside him. Dan had seen him at Karnak, using it as a pointer. Mr  
Abdullam began to pull out trays of scarabs and beads and they stood at the counter,  
slightly embarrassed by all this attention and the watchful eyes of the old dealer. Jane  
took to some rows of beads made of countless minute sea-green discs interspersed with  
tawny cornelians, and asked where they came from.36 They came from graves. Yes, but  
she meant from which site? That seemed to confuse the dealer, and he turned and said  
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something in Arabic down towards his guest at the back, who now spoke again. 
'The beads come from different places, madame. They are put on strings here  
by Mr Abdullam. They are old, but they have no archaeological value.' 
Jane said, 'I understand. Thank you.' 
Mr Abdullam produced a key and unlocked a shallow drawer below his counter. 
That was full of better-authenticated strings, but the prices were much higher, and the  
oracle at the back of the shop was silent now -they had no idea whether they were cheap  
for what they were, or exorbitant. They went back to the made-up strings, whose prices  
seemed to vary between three and five pounds. Jane picked two for her own daughters,  
and then helped Dan pick one for Caro. But he noticed that two of its cornelians had  
suspiciously fresh-cut edges, and from some obscure feeling that one ought to at least go  
through the motions of haggling with an Arab merchant, mentioned his doubt. Again the  
authority at the back of the room was invoked. He held out a hand. 
'May I see?' 
Dan walked down with the necklace, and the old man produced a small  
pocket-glass and cursorily examined the cornelians.
'I think good.' He pointed. 'These rubbed ones are so because they are not  
fresh from the ground. They have been worn by village women.' 
I see. 
Jane had come beside him, and spoke more to Dan than to the old man, though 
he answered.
'I think that makes them nicer. Having been worn so long.' 
'I warmly agree, madame. Most certainly more human.' The old man passed the 
beads back to her.
'I'm afraid we're very ignorant.' 
'Ah. Then let me show you something.' He turned to the small brass table with  
the coffee-cups beside him and picked up an inchlong scarab in a curious stone, like beef 
marbled with fat. 'This too has been worn as ornament by a village woman. You see how  
rubbed it is.' He handed it to Jane, who turned it over in her fingers, and held it for Dan to  
see as well. 'And how a hole has been drilled through for wearing as a bead... for so many 
generations that the string has made the end of the perforation funnel-shaped.' 
'Oh yes, I can see. How extraordinary.' 
'It is a very rare class of Eleventh Dynasty scarab. I know of less than ten  
others.' He glanced down the room at the dealer. 'I have just told Mr Abdullam that in my  
opinion it is genuine.' He opened his hands a little. 'I have handled many thousands of  
scarabs, madame. I am not easily deceived.'
But...? 
'Mr Abdullam has just told me it was fabricated last year by an old man from a  
village near here. He watched it being made.'
'Good heavens.' 
The old man looked up at them with a sage smile. 'A good rule is the more  
humble the object, the more likely it is to be genuine.' He took the scarab back and set it  
affectionately beside the coffeecups.
Jane murmured, 'It's very kind of you to show us.' 
He opened his hands: his pleasure. 
'Caveat emnptor? Yes? But you may trust our friend. His prices are fair.' 
had not gone more than a few steps back towards the boat before Jane suddenly  
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stopped.
'Would you wait here a minute, Dan?' She said quickly, 'Please. No questions.' 
He watched her walk back to the shop and go in again. She came out three  
minutes later with a small round parcel of white tissue, like a wrapped orange, and  
handed it straight to him.
'OhJane... for heaven's sake.' 
'I couldn't resist it. It was at the back of one of the cases. You didn't see it.' 
'That's thoroughly naughty.' 
'Do look at it.' 
He broke the Scotch tape holding the tissue together and unwrapped the  
object. It was a broken fragment of a hollow pottery head, blandly broadfaced, mere slits  
for eyes and mouth.
She said, 'Who does it remind you of?' 
He stared a moment, then suddenly grinned up. Assad.' He looked again. 'How  
fantastic. It's the spitting image of him.'
'It's the top of a Coptic water-jar. Our German friend assured me they're too  
common to be faked.'
'How old is it?' 
'He thinks about 300 A.D. Give or take a century. 
which embarrassed her. She smiled and looked down as if he was making too much of it. 
'As long as you didn't pay...' 
'Absolutely not.' 
'It's delicious.' 
'Token.' 
'No. I really love it.' 
-and touching, the enduringness of race, the genes.
They set off again for the boat, talking about the shop, the niceness of the old  
scholar. But Dan was remembering that contretemps in the taxi that night before: her  
remembered too that little delay in her decision to buy the head, which somehow pleased  
immediate gift of her natural self or at least of their old kind of camaraderie. 
Dan was very slowly realizing something: that he was looking or seeking for her 
course, to dismiss the much greater reality of all that had happened since, but betrayed a  
retardation in himself, a quasi-Freudian searching for the eternally lost, his vanished  
mother. There too, as with his father, he was much more deeply conditioned than he could 
easily admit. Something in him must always look for that, even in much younger women  
one could invert the whole process and say he was looking for the Jenny in Jane still. All  
his close relationships with women, even his completely asexual ones (like that with  
Phoebe, which he had long recognized carried a very minor, comic, yet perceptible  
they could not support what his unconscious demanded of them. It was fundamentally  
absurd, a repetition compulsion, and his disappointments and vague resentments with  
Jane sprang very largely from it. He made a mental resolve: I must start treating this  

woman as she is. 
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They came on a more recently built arcade of shops, aimed at the tourist trade  
and full of gaudy tat, leading through to the corniche beside the Nile. They idled from  
window to window, looking at the prices. Jane wanted a basket to carry her things on the  
with a cheap rush bag. She lifted it to examine it as they came out under the arcade. A  
voice spoke from just behind them.
'That is not ancient.' 
It was the bearded old German on his own way back to the ship. He was rather  
formally dressed in a pale grey suit, a shirt and tie, a Panama hat with a black band and  
curled-up rims, as if it really wanted to be a homburg-he had an air about him of being an  
old hand in this climate, and from before the era of 'leisure' clothes. Perhaps it was the  

cosmopolitan. They smiled at his little joke, and Dan thanked him again for having helped  
They strolled on, with Jane between the two men. She said she was surprised  
to sec so many antiquities on sale.
'It is a very difficult problem. At least here, it is in the open. You do what the  
Turks are trying... 'He shrugged.
Dan asked what was going to happen to the scarab. The old man's blue-grey  
eyes showed a faint frosty twinkle. 'No doubt it will one day make some American museum 
very happy. It will pass through several hands. By then the true story of its provenance  

will, how shall I say -have been lost?' 
'I suppose, if it can deceive even an expert like yourself... 
He raised a hand. 'It deceived me to look at. But I have had, oh, much  
experience. You learn never, but never, to believe your eyes. Even when you have dug up 
an object yourself. That is because many expeditions pay workers for good finds. So.  
Good finds are sometimes arranged.' He pointed with his stick towards the Theban hills.  
'There is a village over there. Qurna. They are great masters at every kind of fake-and  
even at burying genuine things where they know you hope to find them. It is forgivable,  
from their point of view. Excavation means work, so why not?' He smiled at them.  
'Egyptology is not a pastime for innocents.'
'You trust Mr Abdullam?' 
'Trust is a grand word, madame. I trust his knowledge. He knows a great deal.  
A spurious piece has to be very exceptional to deceive him. He knows all their tricks, how  
do you say, their trademarks.' He tapped the side of his head. 'He has many ears, as they  
say in Arabic.'
'He's been at it a long time?' 
'More than you may think, perhaps. He was at the opening of Tutankhamun's  
grave in 1922. He was one of Howard Carter's workmen.'
'Good God.' 
'A very interesting man.' Then, as if all this must be boring them, he asked Jane 

where they lived in England. 
'I live in Oxford.' 
That pleased the old German so much that he missed what she had meant to  
be the operative word in the sentence.
'Ah? So. I have worked at the Ashmolean Museum. I am very fond indeed of  
Oxford. One of the most charming cities in the world.' He looked across at Dan. 'And you,  
sir, perhaps you teach...'
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widowed... and that her late husband had indeed taught at Oxford. The old man  
expressed his regrets. Philosophy was a noble subject, as a young man he had thought of 
studying it himself. Though that 'noble' made them both suspect he had a very  
old-fashioned notion of philosophy, this academic status by association apparently  
allowed him to feel that his until then guarded courtesy might become more open. As they  
strolled down the corniche he told them a little about himself. 
He was not primarily an excavation archaeologist-his field was the economy of  
Ancient Egypt. He had had a heart attack five years before and had given up his active  
professorship at Leipzig, and now lived in Cairo with a kind of emeritus status, pursuing  
papyri related to his specialization -which was what had brought him many times in the  
past to England.
He didn't seem to feel it was necessary to apologize for his present role, and  
Jane and Dan decided afterwards that they liked him for it. They supposed it brought him  
some extra money-perhaps, as the national of a socialist state, it was a condition of his  
emeritus appointment. He was seventy-two years old, and his name was Otto Kirnberger.  
learn that this urbane and friendly old man was in fact a world authority on the pharaonic  
tribute and taxation systems, and a papyrologist of 'unsurpassed breadth of knowledge'. 
Jane said, as they came to the ship, that they wished they could speak  
German, and follow his section of the tour, but he turned the intended compliment aside. 
'I think you have the best of the bargain, madame. I am much the more  
pedantic.'
They parted, and Dan and Jane went down to their cabins. 
'What a civilized old man.' 
'Yes.' 
'I wonder what he makes of his charges.' 
'I expect slightly more civilized people, Dan.' 
He smiled, knowing by the dryness in her voice that she knew what he had  
really asked: what she herself intended to make of them. True to his new resolution, he  
decided himself not snubbed this time, but deservedly and neatly turned. 
Dan waited for Jane in his cabin before dinner -the bar promised to be  
overcrowded and the price of its nips of Scotch was hairraising. The cabins gave just  
room for two to sit. Theirs had wide picture windows, and were on the starboard side,  
looking across the Nile towards the setting sun. He examined the Coptic head again. He  

was genuinely pleased with it, although he was not a collector of objects. It sat on the  
folding table by the window, in the last sun, in some way both slightly smug and slightly  
worriedthe latter because of some scratched lines above the slit eyes. 
Jane knocked on his cabin door and he called her in, then rung42 for some ice  
while she installed herself by the window. When it came and they had their drinks in hand, 
he sat on the end of his bunk. They watched the sunset, a magnificent sky of pinks and  
yellows and oranges. It changed, and died, with a tropical rapidity, but there was a superb 
afterglow, reflected even more delicately in the shot silk of the water. A pair of feluccas  
passed downstream, exquisite black silhouettes, their huge lateen sails hanging from the  
spreading wakes. Palm-groves on the far bank similarly stood a deep soft black against  
the luminous sky, and beyond them the cliffs of Thebes turned through pink to violet and  
then a deep grey. Bats began to weave past, the occasional one wheeling so close to the  
window that they could see the details of its body. There was a great softness, stillness,  
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light took place.
She had put on a long skirt and a cream shirt, and one of the necklaces she  
had bought, in case it had some ancient curse on it'. Dan had set one of his suitcases  
opposite where she sat in the only chair, so that she could rest her 'bad' leg. It ached a  
little, it wasn't the walking, but the standing about. A black shoe, like a ballet slipper,  
the sunset, occasionally sipping, until her profile too was a silhouette against it. 
But their peace was broken. They heard the engines rumble, then throb quietly, 
and a minute later the ship began to move. The cruise commenced downstream, away  
coming back to Luxor for their day in the Valley of the Kings. Jane went and got her coat  
and they went up on deck to see the departure, along with most of the other passengers.  
The dark shadows of the Luxor and Karnak temples slid past. Their voyage had started. 
and sure enough they had hardly sat down to dinner when the computer man announced  
'this', in his turn, was Jane Mallory, and... he had hoped his own name would mean  
nothing to them, but he was destined to immediate disappointment. The girl gave him a  
quick look. 'The moviewriter?'
¥1 'I'm afraid so. 
'I read about your being here. There was a piece in the Cairo English  
newspaper yesterday morning. Kitchener, right?'
'We hope. It's very early days yet.' 
Her husband eyed the girl, then grinned at the English couple. 'This is going to  
make her trip. Oh boy.'
'Mitch.' 
He ignored her reproachful voice, and went on grinning. 'She's the movie and  
books buff. I'm just a scientist.'
'We're on holiday. That's all. Like you.' 
'Sure. Great.' 
Dan's voice had been a little too anxious to kill any further questioning,  
andJane stepped in with a subtler diversion. She looked at the girl. 
'Could you manage to follow the guide?' 
'Kind of... you know. So so.' 
'If I can help.' 
Thanks. 
'Did you enjoy it?' 
The girl raised her eyes. 'Unbelievable.' Then, 'Didn't you think?' 
'I was very impressed.' Jane smiled. 'Not to say overwhelmed.' 
'Oh I know, I was just saying to Mitch before you came. It's all too much to take  
in.'
'Yes, it is rather.' 
The waiter came with the first course, and they broke off the conversation. For  
the merest fraction of a second Jane's eyes met Dan's, though with a studious  
was set. They talked, or Jane and Dan listened, between courses. The American couple  
came from Joliet, near Chicago, but 'Mitch' had worked for a couple of years in California.  
They liked Cairo, Egypt, the Egyptians. You just had to learn their methods. Like the man  
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you lost it. Mallesh, did they know that word?
with that. It was 'the way their society was structured'. They didn't want to go back to the  
States, they thought perhaps he'd try for another year here, or maybe Lebanon, they were 
ear.
Dan and Jane went up on deck after the meal. The desert air was sharp,  
especially in the slipstream of the ship's passage, but tolerable. 
They leant over a rail in the lee of the superstructure and watched the dark,  
silent shores slip by. Occasionally one glimpsed the white shadow of a house or a villa  
the quiet rush of the water. They discussed their table companions. 
'I used to hate my mother, she used to be so cutting to them sometimes. But I  
don't know if it isn't more honest than playing games.'
'You mustn't expect subtlety from the backwoods of Illinois.' 
'I'm not blaming them, Dan.' 
'Just us.' 
'In a way.' 
'If anything stands accused, I suspect it's the ridiculous notion that advanced  
technology produces richer human beings. When it's becoie only too clear that the  
contrary is true. I think those two half know it. They're on the defensive about something.' 
'Yes. I felt that.' 
'Probably about wanting out. I suppose we're lucky. Being of a race where  
you're born out.'
She stared at the bank three hundred yards away. 'You forget what being  
English means. Until situations like this.'
'I think I've become a tiny bit of a patriot in my old age. Perhaps it's having  
spent so much time over there.'
She was amused. 'Little Britain?' 
He murmured. 'If you hadn't given me that lovely present...' 
'But we have just been Little British. At least they were being honest.' 
'According to an inadequate scale of values.' 
'But we hide ours as if we're ashamed of them.' 
He stared down at the water. 'I'm a highly principled lady Marxist? I won't  
tolerate the glorification of the individual in any day or age? Do you think they'd buy that?' 
He glanced, and saw the faintly impatient curve in her mouth. 
'I thought we'd decided I was just a confused idealist.' 
'Equally beyond their ken.' She said nothing. 'They've paid hard-earned money  
to see this. The guidebooks say it's great stuff. How can they think otherwise?' 
'It is great stuff, Dan.' 
Now you're being naughty.' 
'Why?' 
'Because you know that's not what I'm talking about.' 
'I know they're not very imaginative as tourists. I'm just thinking of being at  
school there. They always seemed to be much more open, at least in terms of personal  
taste. Saying what they feel.'
'I'm not accusing them of not saying what they feel.' 
'But of not feeling enough?' 
'Not even that. Not knowing enough. Not being allowed to know enough. That  
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Gramsci thing you talked about.' He added, 'Always doing it by the book.' 
She was silent a moment. 'Peter said something like that in one of his letters.  
How first you love the straightforwardness... then long for the curves.' 
'That's my experience. The transparency's fine. Until you begin to realize it's  
less based on an intrinsic honesty than on a lack of imagination. All that so-called  
frankness about sex. They don't know what they're missing.'
'Some must.' 
'Of course. The lucky few.' 
'Isn't that the same everywhere?' 
'Probably. But the basic opportunities to join the few are so much greater there.  
If they could only see it.'
'I suppose. If you look at it like that.' 
'The absurdity is that they've managed to turn themselves into the most  
culturally deprived people in the advanced West. Outside the big cities. Therefore the  
most insular. How else could they have picked a pig like Nixon for president? And on that  
huge majority?'46 'I do hate all that politics based on image. 
He waited a moment, but she seemed content to listen, staring at the shore. He  
shrugged.
'How else could Madison Avenue function? They have no builtin standards.  
Which makes them wide open to every huckster, literal or political, who's around.' Again  
he waited, then went on. 'All the sales talk about total freedom being the greatest human  
good. Even though it's as clear as the stars up there that for the last hundred years total  
freedom has meant the freedom to exploit. The survival of the sharpest at making a quick  
buck...' He took a breath, then looked at her. 'And this is absurd. You're making me carry  
coals to Newcastle.'
Her head bowed, a ghost of a smile. She said nothing for a moment, and when  
she spoke, it seemed almost to herself, or to the night.
'I wish we could find out why they don't want to go back.' 
This time his new resolution did not help: he felt deflated. He had been talking  
of two people somewhere on that same boat-whose views he knew she must see were  
simplistic, whose language she had listened to, as he had, as a professional pianist  
'I don't think that would be too hard.' 
She spoke as if to explain. 'I was reading my booklet on the fellaheen before we 
had our drink.'
'Yes?' 
She hesitated. 'How for five thousand years they've been given nothing,  
ignored, exploited. Never helped at all. Apparently not even been studied  
anthropologically until very recently.'
'And?' 
Again she hesitated. 'What I really felt at Karnak today. Whether the way we  
lucky few live now is very different from those past lucky few. In terms of what's really  
going on outside.'
There was something unusually tentative in her voice, as if she half expected  
his scorn.
'But someone has to pour the symbolic waters, Jane. For the poor devils  
outside as well.'
'Except that at the moment there's an appalling and literal drought. I don't see  
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much use any more in symbolic waters.'
'Civilization? Scholarship, art? Everything we both felt about the Herr Professor 
this afternoon. They all come from inside the walls. No?' 
'I've heard that argument so often at Oxford. The supposed barbarian hordes  
as justification for every kind of selfish myopia.'
'I don't defend that. But if you start regarding all complex feeling and taste as a  
crime, you surely also start forbidding all finer knowledge as well.' 
'If only it didn't cost so much.' 
'But is the guillotine the answer? They do need the Herr Professors. Even us, in 
a way. As we are, for all our faults.'
Her eyes followed a winged white ghost, a disturbed egret. 
'I just wish that so many of that "us" didn't deny the primacy of the need. See  
privilege as an axiomatic birthright.'
'We can't all be activists, Jane.' She said nothing, and he went on. 'I think  
certain intellectual climates also have to be preserved. Disciplines. Knowledges. Even  
pleasures. For when the revolution's over.'
That seemed to silence her, finally, though he couldn't decide whether it was  
because he was being conceded a point or because she gave up trying to convince him.  
But then he stole a look at her profile, and sensed something else. It did have a kind of  

smallest sign that she wished they were not having this conversation. Something else in it  
had already puzzled him: her tentativenesses, hesitations, veerings, silences. He had  
supposed she must be used to much more sophisticated discussions, viewpoints,  
arguments in such matters. Something of Anthony's mind and manner of discourse must  
have brushed off on her through all those years, the outward as well as the inward of a  
philosopher's widow. He had thought it perhaps a kindness to him, a dubious one, not  
very far removed from just that secret condescension she had accused them of showing to 
the young American couple.
But now, in their silence, it dawned on him that perhaps he was being kept less  
at a distance than he imagined, that precisely what he believed he was being denied was  
propaganda. And he began to divine something else, that the more precise huge step she 

was unable to make was between a personal sympathy for her Marxist, or neo-Marxist,  
ideas and the public manifestation of them in practical, organized form. It was not difficult  
Marxism as a noble humanist theory and Marxism in totalitarian practice and the same  
conflict between personal Christianity and the dogmatic vulgarities and nalveties of the  
public Church of Rome. That must be the great stumbling-block in her: the fear of seeing  
personal feeling and judgment once more traduced. It was an important insight for Dan,  
for he was hiding something from her himself. Against expectation Lukacs had not sent  
similar to the ones he had just ascribed to her -he had felt personally drawn and publicly  
sceptical, approved a number of general premises, doubted their political consequences.  
In the here and now he guessed at an undeclared but fundamental similarity of situation.  
It was strange, almost like an invisible hand reached out to touch and reassure him. 
She spoke out of the blue. 
'Tell me about Andrea, Dan.' 
He smiled down at the water. 'That's an odd change of subject.' 
'Not really. She's another American couple I've only played games with. Or  
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listened to Nell playing games with.'
'You're not cold?' 
'Not if we walk up and down. This air smells so clean.' 
So they began to walk up and down the deck between the empty chairs, and he 
told her about Andrea: her faults, why he had liked her, why they separated, why he  
thought she had killed herself. Finally they went into the lounge and had a cup of tea, a  
conversation continued and shifted imperceptibly to what had gone wrong between him  
and Nell... at least in daily and psychological terms. They were both carefully objective,  
young man, still in full flight from his adolescence. He thought of telling her about his  
other and unforgivable infidelity with the British Open, but it was too near the knuckle, to  
the day of the woman in the reeds.
On the other side of the lounge the Barge-borne Queen seemed to have  
attracted a kind of court. Four or five of the other French passengers sat at a table with  
him. His young Ganyniede, in an expensive-looking suit, with a black shirt open almost to  
the navel and a scarf tied winsomely round his neck, kept going to a jukebox in one  
corner. Dan and Jane fell at last into silence, watching this menagerie opposite. 
'What are they talking about?' 
'I can't really hear with that thing pounding away. I think it's about modern art.  
Painting.'
'Dear i1d Frogs.' 
'One disputes. One is very logical. One shows off one's rhetoric. Above all one  
is much more civilized than that ludicrous AngloSaxon couple opposite.' She nudged his  
arm. 'What a pity you didn't bring a bowler hat.'
'Are you sure you wouldn't rather be with them?' 
'Absolutely. And I'm going to bed.' 
'I'm not staying here alone. That boy looks dangerously bored to me. 
But outside the lounge he let her go down to the cabins on her own. He felt  
unsleepy, and went out on deck again to smoke a last cigarette. But he turned back inside 
as soon as it was fmished. The night, the stars, the onwardness, were somehow  
lounge as he passed down to his cabin, that the French group had dispersed. Only the  
Queen and his companion remained. They sat on opposite sides of the table. The older  
stared sullenly down at the table between them.
Nile
The six days of their cruise were to flow almost indivisibly one into the other, as the placid 
yet perpetual river itself swam past its banks. The Nile and its landscapes they grew  
quickly to love -to love again, in Dan's case. Its waters seemed to reach not merely back  
into the heart of Africa, but into that of time itself. This was partly the effect of the ancient  
sites, and of the ancient ways of life of the fellaheen villages and fields they saw as they  
passed: the minarets and palm-groves, the women with their water-jars, the feluccas, the  
shadufs and saqiyas-the great gaunt pole-dippers, the waterwheels ringed with  
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to do with transience and agelessness, which in turn reflected their own heightened sense 
of personal present and past... a thing they both agreed they felt. 
The river moved and the river stayed, depending on whether one saw it with the 
existence, and it reminded Dan of those magnificent opening verses in Ecclesiastes, of  
which most people remember only the phrase 'Vanity of vanities', but which had always,  
perhaps revealingly, seemed to him-it had been a favourite lesson choice of his father's  
the sun. They both noted these Biblical echoes, how often they had sudden memories of  
the misunderstood yet haunting imageries of childhood. They decided it was because the  
river, like the Bible, was a great poem, and rich in still relevant metaphors. 
are passages in the Bible that must touch even the most convinced atheist, the Nile did  
seem to possess a metaphysical charm beside its more obvious physical ones. It  
cleansed and simplified, it set all life in perspective. The memory of its hundreds of  
generations, its countless races-all that had eternally vanished beneath its silt -sobered  
and dwarfed, cut the individual down to51 less than the tiniest granule of sand in the  
endless desert that haunted the skylines behind the cultivated valley. Yet so many of the  
great stream's moods and lights and vistas were ravishingly beautiful, especially at dawn  
geographical being, denied. Jane and Dan found themselves not entirely able, despite the 
poverty, the bilharzia, the thalassaemia, and everything else, to pity this antediluvian  
peasant world.
A group of women bathing, like classical Greek statues under their wet outer  
garments, or watering, or washing clothes at the riveredge, would look up, laugh, retreat  
from the inrushing wake as the opulently white ship passed. At first, when this happened,  
they felt a guilt, as if they were part of some royal cavalcade cantering through a medieval 
hamlet, or looking out of the windows of some moving Versailles. Before the inevitable  
battery of cameras when they were close inshore some of these women would turn their  
backs, or with a Moslem dignity, both simple and grave -and sometimes faintly  
mischievous, since the younger girls would flagrantly peep, evoking harem and zenana,  
through their latticed fingers -veil their faces with crossed hands until the intruders had  
passed. And then there came what was almost an envy of the simplicities of life in this  
grimmer planet might look on, and envy, Earth. Before certain such idyllic pastoral  
scenes, one's own over-complex twentiethcentury existence could seem like a passing  
they wondered whether all Western 'progress' wasn't just a result of having to fill in a  
historical wet afternoon. One morning, when they were leaning over the rail in sunlight,  
Then there were the other passengers, who also spoke parables of a kind. Dan  
and Jane derived a constant interest and amusement from observing them -and their own  
reactions to this polyglot microcosm on which they were temporarily marooned. If the Nile  

was human history, their ship was a pocket caricature of the human race, or at least the  
Western part of it. There was a certain mixing, after the first day, between the two main  
parties, the French and the52 East Europeans. During the cruising between sites, they  
shared a common mania for photographing and filming. When there were photogenic  
subjects on both banks, the crowded sun-deck became absurdly like a scene from a Tati  
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film, as the tyranny of the lens and cries of excitement pulled the would-be Cartier-.  
Bressons frantically from port rail to starboard, and back again. 
Dan used his own Nikon very little, and only then for the kind of snapshots, of  
Jane, of the odd view, for her to show at home, that he might just as well have taken with  
an Instamatic. A lifelong avoider of other tourists, he had forgotten the extent to which  
every man is now his own image-maker. It was almost frightening, this obsession with  
capturing through one sense alone, and one that required (at least at the level Jane and  
he watched every day) so little thought or concentration: a mindless clicking. It  
Perhaps it was the ultimate privilege, on that ship already loaded with unfair advantage of  
a cultural and economic kind: merely to duplicate seeing, to advertise in some future that  
one had been there. He said all this to Jane, who mocked him for being a traitor to his  
own medium.
The next day she came up to him at the site they were touring, with a pretended 
downward glance of contrition.
'Dan, I know it's most terribly vulgar and philistine, but I wondered if you could  

just duplicate my seeing. That frieze over there.' 
He took the photo she wanted, but sniffed at her. 'I'm still right.' 
She smiled. 'I didn't say you weren't.' 
On deck during the cruising, all this photography, this comparing of cameras  
and impressions and backgrounds, gave an air of international comradeship. But the  
English pair found the East Europeans too guarded, on the defensive, the French too  
hedonistic and selfcentred-duty obsessed the one group, pleasure the other. This wasn't  
without exception. It soon got about that Jane spoke French, and some of the East  
Europeans spoke passable English. Everyone showed off about their knowledge of  
foreign languages.
There was a quiet Czech mining engineer, who had spent the war years in  
photographer and a journalist, who were doing an article on the cruise for some illustrated 
magazine. They both spoke fair English, and combined Gallic charm with a certain  
cynicism about life that Dan approved. There were very few young people on the cruise  
and these two rather took up with Dan andJane, as if they were more amusing than their  
initial guess at Luxor -the young journalist, Alain, contemptuously slashed the back of his  
fingers down his jaw when the subject came up one day. He found his own national  
contingent rasant, distinctly tiresome and boring and offensively conservative. Like most  

welleducated young leftists, he retained an unhealthy respect for style. But he shared Dan 
and Jane's growing feeling that the fellaheen were as interesting as the ancient sites, and  
they forgave him. He and his colleague also shared their amusement over the  
preposterous Barge-borne Queen and his boyfriend. He was apparently a well-known art  
forget it. The boy, 'Carissinio' -Jane and Dan found they were not the only ones who  
bestowed nicknames -was Italian.
The French in fact interested them most, perhaps because of their marked  
greater individualism, the transparency of their selfcentredness. It was hard to decide  

whether they were a nation left behind by, or in advance of, the rest of Europe. They  
individualists fighting a last lost guerilla war against the necessary uniformity of the global 
future. At other times they seemed the epiphany of what the British themselves had been  
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timidly trying to become over the last three decades -depuritanized self-obsessed and  
self-indulgent... all that the word 'British', with its connotations of national duty and the  
sanctity of the done thing, had once proscribed. Occasionally Dan imagined this  
contemporary human comedy under Kitchener's fierce blue stare. From that professional  
point of view he welcomed the experience, not least because he had already in his script  
'gone long'-in what he now suspected was a lucky hunch -on the Fashoda incident of  
1898. Major Marchand, the intrepid French soldier-explorer who provoked it, had already  
taken his fancy, and he began to see him a little with their young journalist friend Alain's  
twentieth-century pulling of the nineteenth-century lion's tail. Britain and Kitchener had  
imperialist cause was even then lost.
He argued about it with Jane one evening: whether the acute new awareness of 
self-its demands, its privileges, its rights -that had invaded the Western psyche since the  
First World 'War was a good thing or a largely evil consequence of capitalist free  
enterprise whether people had been media-gulled into self-awareness to increase the  
puppet-master's profits or whether it was an essentially liberalizing new force in human  
society. Predictably Jane took the first, and Dan the second view. He thought it meant  
finally more honesty in human affairs, though he secretly told himself he could hardly  
argue anything else, given his lifelong (and altogether rather French) respect for his own  
couldn't even see useful demolition being done, and he accused her of wanting a society  
as rigid as the old, if founded on different concepts of duty and national destiny. But it was 
a matter of her feelings about feeling: worship of self channelled all feeling inward, and  
that was suicidal in an age where the world clearly needed outwardness. 
showed concern (she had borrowed Dan's biography), though in a wrong framework. She  
different grounds. To her the British Empire had dissipated a potentially good moral  
energy, and because it had fundamentally been based on power instead of justice, it had  
ruined our reputation for good. We had lost all hope of becoming an arbiter among  
nations.
Dan said, with a touch of malice, that he could live with the idea of Britain not  
being the Switzerland of the twentyfirst century.
She smiled, and held her tongue. But he knew she meant that she thought  
there were worse roles to play.
on, the occasional spanners they threw in the works of foreign stock notions. Like all  
minorities they were willy-nilly arbiters of a kind, and this brought them closer. But their  
new acquaintances, the fact that it was rarely possible to have a table to themselves in  
the crowded lounge upstairs, meant that they actually had less time alone together. By  
tacit agreement they continued to forsake the bar before dinner. Dan had drinks brought  
to his cabin when his own whisky ran out. He began to enjoy their half hour alone then,  

dinner. On his own he would have taken to retiring to his cabin as soon as the meal was  
over, but Jane seemed to enjoy the mixing more than he. She did not always say much,  
but he noticed how often she surreptitiously led conversations by a question, a polite  
disagreement. He accused her of it one night, when they went for a last stroll on deck,  
and she was faintly shocked, as if it might have been annoying him. It wasn't her fault, it  
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was Oxford's, the Socratic method, seeing all the rest of the world as students... it was  
deliberately took her place, asking the same kind of questions, venturing the same  
disagreements. At one point, after the most flagrant of these interventions, their eyes met. 
Hers had a certain dryness, of the woman unfairly provoked, almost as if he were being  
impertinent. But she said nothing afterwards.
Though it was discreet, expectable, both what he had predicted and what he  
had hoped, Dan was surprised by how quickly she entered the shipboard society around  
behaviour. It also made a final nonsense of Jane's claiming she had forgotten how to  
behave as other people wanted. He soon realized she had lost very little of her old  
expertise at suiting manner to circumstance. He knew it was not a conscious  
affectation-as the same diplomacy had once often seemed in her sister-so much as an  
show of interest with the more conventional of the French (where he knew little could  
provoked than amused.
There were two quite pretty French wives, thirty-year-olds both married to elder  
husbands, but otherwise among in general similarly aged women in both contingents,  
Jane had little competition. Dan had soon been aware that he was envied her company,  
and not only for her emancipation and intelligence, but for his presumed access to her  
cabin. The mining engineer was also a recent widower, and Dan knew very well that he  
himself was not what so often drew the Czech towards them when they were all on deck  
especially very rapidly fell into that half-mocking, half-tender manner beloved of the males 
of his race. It was done quite flagrantly, even with a teasing air, sometimes, of friendly  
dark-eyed and distinctly good-looking young man for assuming some licence. It was not  
serious. He used the same manner towards one of the two younger Frenchwomen, when  
her husband's back was turned.
All this made Jane herself seem younger, or at least younger of her age than  
there was mainly reserved for him. She gave an impression, when they were alone, and at 
table, that elsewhere she was acting: this more sober and dutiful was her real, or realistic  
self.
But that psychological distances were being dissolved did obliquely emerge in  
one or two conversations they had alone. Perhaps in return for his telling her about  
Andrea, she told him more one evening about her affaire, and Peter: his faults and  
much more confirmation of what she had suggested when she first broke the news, of a  
qualified relief. Somewhere, it seemed, Peter, too, had never really passed the test. She  
but there he felt she was still hiding something. He did not press. Affection said silence:  
her choice.
Another evening, and copying her own dispassion, he took the opportunity to  
be franker about jenny McNeil and his dilemma there. That is, he started meaning to be  
general stresses of jenny's kind of life, how they automatically forced one into a  
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pseudo-protective role, than about his real feelings or the real relationship. If he was  
unkind in one way, talking of the deja vu feeling he had at seeing jenny have her  
secondary loveaffaire with California and its ways of life and language, he tried to be fair  
in others: her common sense, her honesty, her struggle to keep her private judgment  
uncorrupted.
It was a strangely complex conversation, since as before Jane rather stood up  
for her own sex's ability to know what it needed of such relationships. In being fair to  
Jenny and praising her intelligence Dan felt he had cut the ground from under his own  
feet: he wasn't getting it sufficiently across that he knew he was being selfish, but not  
blindly selfish. He felt a hypocrisy, an artificiality (and also a treachery, since though he  
had posted a card to jenny from Luxor, he had not even bothered to inquire about putting  
a telephone call through to America), in all he said. Then he was receiving a different kind 
of sympathy -in effect, it was a kind of condonation -from the one he was soliciting: to be  
told he was wrong instead of, as it was, probably right. Indeed, paradoxically, the only real 
pleasure he took in that conversation was far less in its words than its silences and  
pauses.
For once again, as in the distant past, they had begun not to have to  
communicate by words. The situation helped, the constant occasions when they could not 
say, because of others, the Hoopers at table, what they really thought: when one had to  
use other signals. Even when they were alone, the silences became much less of a strain. 
One evening, when she came to his cabin for their preprandial drink, she sat writing  
but by steps so small, barely perceptible, that Dan was not to realize them till he looked  
back and relived those days.
Something else was changing in him, in fact changing at the very moment she  
sat in his cabin writing her postcards, since as she wrote, he read the book-and by then  
not at all out of mere politenessshe had presented him with on the flight: the Lukacs. By  
chance, as he was dipping through it that night in Cairo, reading pages at random, he  
came on a passage that immediately struck home, perhaps because it strongly echoed  
something Anthony had said to him on that unforgotten night. It ran as follows. 
Between these methods, between Franz Kafka and Thomas Mann, the  
contemporary bourgeois writer will have to choose. There is no necessity for a writer to  
break with his bourgeois pattern of life in making this choice between social sanity and  
morbidity, in choosing the great and progressive literary traditions of realism in preference 
to formalistic experimentation. (Of course, there are many writers who will choose  
socialism as a way of solving their personal dilemma. I only want to emphasize that this is  
not the only possible choice for the contemporary writer.) What counts is the personal  
decision. And today that is determined by the question: acceptance or rejection of angst?  
Ought angst to betaken as an absolute, orought it to be overcome? Should it be  
considered one reaction among others, or should it become the determinant of the  
man's behaviour and experience of life. The crucial question is whether a man escapes  
from the life of his time into a realm of abstraction -it is then that angst is engendered in  
human consciousness -or confronts modern life determined to fight its evils and support  

what is good in it. The first decision leads then to another: is man the helpless victim of  
transcendental and inexplicable forces, or is he a member of a human community in which 
he can play a part, however small, towards its modification or reform? 
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if for no better reason than that he had, many years ago, written an abortive script for a  
proposed production of Ivanhoe-and recognized at once how valuable this masterly new  
angle on Scott's faults and virtues, on the cunning mediocrity of his gentleman heroes,  
might have been then to him.59 In short, Daniel found himself falling under the great  
Hungarian critic's spell, or at least under the humanist, Erasmic side of it, that current that  
runs through Western history as the Nile itself through Africa. As usual it was principally  
because he saw something he could abstract by analogy, depoliticize, and apply to his  
own life not altogether, as he later realized, unlike Lukacs himself in his fierce refusal to  
take Thomas Mann at ('typical bourgeois arrivist, futile, useless, artificial books') Brecht's  
valuation. It was the emotional attempt to see life totally, in its essence and its  
arrived bourgeois in Dan himself did not always like its taste. But he was unexpectedly  
impressed, and felt both his worldview and his own being as a writer enlarged and  
redefined.
More so than he admitted to Jane -he did not hide that he was interested,  
artificial in the one or two rather neutral, guarded discussions they had about Lukacs's  
views and theories. He knew he was not saying what he really felt, but rather more taking  
up circumstantial positions with or against Jane herself-or to be more exact, in an attempt  
to get her to admit the truth of his insight during that first evening's conversation on deck... 
the difference between theoretical, even emotional, agreement and where it always  
seemed to lead in practice.
One knew about the cost of suppressing inequality in Eastern Europe and  
morejoyous humanity, a triumphant counter-hegemony. There was a stiff and very  
middle-class formality about many of them, much more as if they felt secretly deprived  
rather than politically and philosophically liberated. Jane had to concede that -though she  
maintained it was a racial thing, the imposition of a Russian Communism unadapted to  
other national needs -but he detected the old, irrational guilt in the background. We can't  
really judge, she seemed to be saying, we are too conditioned by our own culture.  
Nevertheless, he did become increasingly sure that underneath there was far less  
suggest it. She immediately suspected that, as if he was just being nice, merely  
sympathetic, hiding what he really thought. He gainedo another insight: she had an  
ignorance of him, of what he had become, and how he had become it, quite equal to his  
own of her.
But they also had their genuine agreements. These formed above all in their  
relationship with the young American couple and with the Herr Professor. In the first they  
They had been taken in a fleet of ramshackle taxis to visit Abydos, the day after 
road went through endless fields of sugar-cane and beside a wide and stagnant irrigation  
canal. It was hot and dusty and the poverty of the villages -they had been warned this was 
a bad bilharzia area -and their inhabitants was distressing. Some of the little girls who ran  
out to greet the passing motorcade and to hold out their hands for piastres were vivacious 
and pretty in their gay-coloured clothes, but the older women, in their funereal black,  
looked worn and emaciated. There were very few men. They saw children swimming or  
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stupid animal fatalism, even though Mitchell assured them starvation was not a problem.  
sugar-cane areas were comparatively good.
Dan sensed an obscure bewilderment in Jane at all of this, a kind of numbness, 
though it was only the practical demonstration of what her booklet on the fellaheen said.  
He guessed, or hoped, that it was less a shock at the helpless immensity of the Third  
World problem than a realization of the parochial irrelevance of so much politics at home. 
Perhaps depressed by the approach, neither Jane nor Dan took to Abydos, in  
spite of the elegance -but even they had an effete, etiolated, Flaxman-like quality -of its  

wall-sculptures. Their longwinded cicerone, the claustrophobic feel in some of the smaller  
chapels, the absence of lighting -they and the two Americans discreetly detached  
themselves after a while and followed well behind the guide and the French passengers.  
However, there was another great basrelief there, of Isis massaging up the penis of Osiris 
at her husband's annual resurrection from the dead. Dan remembered it well from his  
previous visit, a strangely eager tenderness in the goddess's face as she knelt over her  
hibernating consort, the echo of the Persephone legend... and remembered a private  
episode with Andrea. Because of her illness she had been off sex for some time, and the  
ancient erotic image, even though it had been successively bowdlerized by both Coptic  
Christians and Moslems, had brought a small resurrection to them as well later that day.  
Now he and his three companions stood before it without saying anything, each pair a  
little embarrassed by the other's presence. The atmosphere needed breaking. 
Dan murmured, 'Of course it's really D. H. Lawrence and Frieda.' 
The Americans laughed and Jane said, 'That's wicked.' 
'Even down to the censorship.' 
'I'll agree there.' 
'Religion up to its usual tricks. Kill the body.' But he realized, as soon as he had 
spoken, that he might have hurt, and glanced quickly at the other couple. 'Sorry. No  
offence meant.'
The girl answered. 'Oh no, we...' Then, 'I adore D. H. Lawrence.' Then she  
added rather shyly, as if they might not credit it without some academic evidence, that she 
had once done a term paper on him.
As they left the chapel, Jane asked where she had been at university and the  
two women began a conversation that continued spasmodically through the rest of the  
tour. Jane's side of it had, to Dan's ears as he wandered behind them, the air of a  
uninteresting, with only a degree of diffidence to mark her out from thousands of other  
applied even harsher standards to the conversability of his own sex-rather ludicrously  
unimaginative. Though he photographed so much, Mitchell seemed to have no aesthetic  
instincts whatever. He was far more impressed by size, by how the hell those guys got  
this thing up -in the eternal manner of practical America. 
Dan decided Mitchell was something of an ancient Egyptian himself. There was 
such an obsession with multiplicity at Abydos and the other places they saw on the  
several. Somewhere behind the Egyptian pantheon he detected a mathematical,  
possession-cataloguing super-god with a profound horror vacui or more exactly, horror  
uni. The Herr Professor was later to correct him on that, but Dan developed during those  
days a childish, and perhaps peculiarly English, image of civilizations being sorted into  
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cricket teams. His opponents were here, in Rome, in modern America and Russia, in  
Renaissance to well, not quite England as she is, but at least England as she sometimes  
Perhaps his deepest dislike of this Egypt-captained 'eleven' was that its art  
could not be romanticized. It was too adamantly based on conspicuous consumption and  
fire-brigade art, as Alain Maynard cuttingly put it. It reeked from the calculated precision,  
the formal, statuesque coolness of their paintings and sculptures. They had somehow  
banned personal sensibility, affection for life, all impulsive exuberance, all spontaneous  
Stalin and Zhdanov came.
But Dan was to feel kinder towards Mitchell a day or two later. Jane had learnt  
when the ship turned to Luxor, with the news that the Americans had a small tragedy in  
their life. All the gynaecological details had been vouchsafed: they could never have  
children... or at least Marcia knew that, though Mitchell still persisted in hoping that  
science would find a way. She wanted to adopt, but for him adoption had become an  
ultimate proof of failure and he would not accept it. Egypt had saved their marriage, the  
pressures to conform were so terrible in the States, Mitch's parents... their inner shyness,  
it seemed, was partly a lostness.
That was Jane's view, at any rate, and Dan did not dispute it. He tried to be  
precisely the sort of tattle and crumbs of gossip that he did not want to give in front  
ofJane... yet he took his cue from her, this simple curiosity was to be placated. 
Jane was rather rapidly cast as someone understanding -even at table the girl  
spoke much more to her, as if she knew she would meet more indulgence there. Once, at  
Edfu, Dan caught her looking secretly at Jane, who had by then told Marcia of the recent  
Dan one day, when he happened to come into lunch before Jane, that 'Mrs Mallory'  
reminded her of an English girl she'd known at Michigan. It was as if she saw Britain  
peopled with understanding and gently spoken women. She had never been there, and he 
did not disillusion her.
There was no real need by then to find out why the couple had left the United  
States, but Dan and Jane pieced together a picture: they were two young people whose  
values were changing, partly because of world events, partly because of their private  
misfortune. It was much more patent in the female of the species. Obviously the revelation 
of barrenness had hurt her more deeply. They were both Democrats, but there was a  
schism over Vietnam -all this came up at lunch one day. Marcia wanted out, they had no  
ought never to have gone in -felt they should see it through. The two of them became  
quite heated. She had a small armoury of statistics, the waste, the cost 'I'm not arguing,  
Marcia. I know the figures. If it was just figures, no argument. We cut our losses, we quit.' 
The girl looked down. 'Since when did you carry on with a programme after you  
discovered a bug?'
'It's not the same thing, for Christ's sake. These are human beings. So we abort 
the whole project. Only just don't ask me to explain it to all the guys whose lives it's  

wrecked. I mean, what do you say? Sorry, you men, we kind of accidentally sent you to  
the wrong bailgame?' 
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'There's no need to get aggressive about it.' 
'Jesus. Aggressive.' Poor hard-put-upon young man, he nodded his head  
several times, then managed a grin at Dan. 'Sorry. We get mad over all this. Maybe we  
are short of experience of backing down.'
The girl seemed unmollifled and she glanced at Jane. 
'What do people in England think?' 
'I think we're rather split. As you are.' 
Dan said, 'Jane was an active member of the Anti-Vietnam Campaign at  
Oxford.'
'If being active is distributing a few leaflets.' 
Marcia said, 'You're against?' 
'I'm afraid so. Very much against.' 
The girl flicked her husband a look. 'Mitch is against, really. He just won't admit  
it.'
'He just won't admit he's certain. That's all.' He looked across at Dan. 'Europe,  
right? I appreciate, it's all one hell of a way away. But the way I see it it's like World War  
Two. How it was with you then, and the Nazis. I mean, if you don't fight them all the way,  

where the hell are they going to stop?' 
Jane said, 'I think Hitler did announce his intention of invading Britain. I don't  
believe the North Vietnamese intend to cross the Pacific.'
Marcia said fiercely, 'Exactly.' 
'Hold on. Forgive me, but isn't that a kind of simplistic assumption to make  
about Communism? What I've heard, someone else is behind Hanoi.' 
Marcia broke in before Jane could answer. 'Okay, so we face that when it  
happens.'
'Baby, it's happening. Jesus.' 
and more a linguistic problem -perhaps in this case also a psychological one, a case of a  
a lack of a register of discourse, of other horizons. He could see what really disturbed  
conditioned young man, he had a terrifying belief in it as a universal panacea. Jane  
suggested the corruption of the South Vietnamese government hardly argued a free  
fortunate privilege of advanced democracies? But he symptomatically jumped on such  
monstrous elitism and pessimism. He didn't think 'anyone' had the right to decide people  

wondering how the 6S idea that pragmatism was the bedrock of American character had  
ever entered the world.
It seemed to Dan yet another Ancient Egyptian aspect of the United States. He  
had picked up a fact (been shown it with a smile by Jane) in the guide-book. For the  
euphemism for the dead became 'the Westerners'. That once all-pervasive fear of death  
in the exaggeration of attitude and the blindness of reason that it induced, as all the  
pharaonic mania for assuring an after-life. A million Asian peasants must die so that the  
illusion could be kept whole. The real and archetypal Red under the bed was  
subversives and brainwashers, in every act of life... and not least in the everyday  
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language of life.
They left the table to get ready for their afternoon tour without any resolution of  
the argument. Marcia was silent by then, and she did not appear when twenty minutes  
later they assembled by the gangway to go ashore. Mitchell said she was tired, she hadn't 
slept too well the previous night. But during the tour he suddenly told Dan, when they  

were on their own for a minute or two and as if only another male could understand, about 
made Marcia difficult at times, she kind of switched what she felt about that, and couldn't  
say, on to her feelings about the war. He guessed he shouldn't have argued. 
Dan said, 'That's tough.' He smiled sympathetically. 'Life can be a shit when it  
wants.' 
'You can say that again.' 
'You have tried...?' 
'The lot. I have a doctor friend. He keeps me up-to-date with all the latest  
research. If there's a breakthrough, we fly tomorrow.'
And Dan was left with this sad little faith in technology as the key to the best of  
all possible worlds. That celebrated and pernicious myth seemed to underlie all his  
companion's atittudes. In the baseball imagery Mitchell was rather fond of, he had struck  
a pitcher involved, but simply the nature of things. For this kind of innocence, Virgil and  
Voltaire were still to come. He hardly photographed that day, but drifted glumly around,  
and Dan felt sorry for him.
However, Marcia appeared again at dinner. She seemed recovered, she had  
about the Lebanon and Syria, a holiday they had had there soon after they came: Beirut,  
Damascus, Byblos, Palmyra... the latter especially, it was incredible, the strangest  
damned place on earth. Jane had heard the same from someone once at Oxford. Wasn't  
there a Crusader castle? That was feeding Christians to hungry lions -they'd been there  
too. The Krak des Chevaliers, out of this world, Dan and Jane couldn't imagine... it was  
such a pity Mitch hadn't brought some fantastic shots he took. With which Dan secretly  
thing. Yet he listened and smiled and raised his eyebrows under the impression that he  

was obeying a humble Jane-inspired version of Nelson's famous signal at Trafalgar. 
In fact, and although he had not, during that dull dinner, perhaps because of  
the too exactly pictured and specific set of Egyptian divinities closest on his mind, had the 
least realization of the honour he was being accorded, he was notj ust doing his expected  
duty -but meeting incarnate the darkest, strangest and most omnipotent god of them all. 
The River Between
A pleasure for Dan during the cruising -one Jane did not share, though she showed an  
occasional interest-was the bird life of the river. He had not this time made the mistake of  
leaving his field-glasses at home. The Nile is both a major migration route and a wintering 
place, and there were birds everywhere: hundreds of wagtails on every shore, and often  
Egyptian wild geese whose remote ancestors he also saw much closer at hand, painted  
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plover, a cousin of the English lapwings he sometimes saw on the Thorncombe meadows, 
but a far more elegant little creature, Nefertiti to a dowd. As in New Mexico, and  
everywhere else in his life, all this nature delighted and reassured him. The earth abided,  
and behind surfaces and plumages there was no new thing under the sun. 
through simplicity, they formed an alternative world to the one on the ship, a sanctuary  
from the neuroses, the oversensitivities, the time-wastings, the illusions and dilemmas of  
his own hyper-sophisticated species. They also brought him back into conversation with  
the Herr Professor. It happened when they were sailing back from Abydos to visit  
Dendera. Dan was at the rail at a place where the Nile stretched very wide and  
sandbanks showed. There was a voice beside him.
'You are watching the birds?' 
Dan lowered his glasses. 
'Yes. Though I'm a bit out of my depth here.' 
The old man pointed with his stick at a distant gathering. 'That is Chenalopex  
aegyptiacus. The Egyptian Goose.'
'I've just been looking at them.' He smiled again at the professor. 'You're an  
ornithologist as well?'
The old man raised his hand in a quick disclaimer. 'I have had to learn their  
names as part of my work. They were sometimes paid in tribute.' 
'We saw a marvellous bird at Karnak. Green... a bee-eater?' 
'Bee... ah, yes. Bienenfresser. Green like a parrot? That is Merops  
superciliosus.' He shrugged, as if his knowing the Latin name was indeed pedantic. 'That  
too was given in tribute. For its feathers. At least we think. The hieroglyph is in dispute.'  
Then he said, 'You know the Egyptians paid a great compliment to the bird? They allowed 
it to symbolize the most important word in every language. The soul. The spirit.' 
'I didn't realize.' 
Jane had until then been lying on a chaise-longue some yards away, reading  
the Kitchener biography. But now she came to join them. The old man raised his Panama. 
Dan said, 'I shan't have my bird-watching laughed at again. Professor  
Kirnberger has finally justified it for me.' And he passed on what he had just been told.  
She bowed her head in mock repentance, then addressed the old man. 
'I come with a much more banal question, professor. I wondered what that plant 
is they grow along the river bank.' She pointed back across the deck to the nearer side,  

where the river was bordered down to the water with little plots of vivid green. 
'That is barsim. A kind of winter clover. For their animals.' 
'I suppose they've been growing the same crops for thousands of years.' 
'Not at all. It is the methods that have not changed.' 
A waiter came round with coffee, and they persuaded the old man to sit with  
them. He perched upright, with his hands cupped and folded over his walking-stick. Every  
so often he would acknowledge with a nod of the head some member of his flock who  
happened to pass. Jane had smiled at him when they sat down. 
'Am I being very wicked in finding the fellaheen as interesting as the temples?' 
He hesitated, in a way he had, as if he had to compose his sentences carefully  
before he spoke. There was a little glint in his look.
'Madame, I suspect you know that your sex is never more charm ing than when  
it is being wicked.' The sere skin beside his eyes crinkled. 'So perhaps I should not tell  
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you that you are not being wicked.' He glanced out towards the bank. 'We used to spend  
all our time digging for the past.' He smiled back at them. 'When the past was still living all 
about us. That is changing now. Our colleagues in anthropology are discovering many  
things.'
And he began to tell them-they connived a little, already knowing some of it  
from Jane's booklet-about the fellaheen. The word came from falaha, to till. Their villages  

were both Coptic and Moslem, usually but not always separate. The curse of their history  
was the lack of rural landed gentry. They had always been exploited by absentee  
landlords, who for millennia had relied on a ruthless caste of overseers. But all that was  
rapidly changing since the Nasser land reforms. Dan and Jane must not be misled by the  
also very fierce over female honour. Fellaheen versions of Romeo and Juliet, said the old  
man, were still enacted every day.
Jane asked if they sympathized with the new socialist trend in Egyptian politics. 
The old man shook his head.
'It is beyond their conception. Cairo is as far away here as Berlin or London.  
They are very old, they have seen many so-called superior civilizations pass-with all their  
cruelties, their lies, their promises. For them all that remains is their river, and their land.  
That is all they care about. For them socialism is no more than another foreign culture.  
Perhaps good, perhaps bad. Colonel Nasser gave them some of their land back. So good. 
But he also built the Aswan Dam, which means their soil is no longer refreshed by  
alluvium every year. That is very bad. What need have they of hydro-electricity? They  

wait and see-yes? From the beginfling of time, and I think to the end of it.' He looked out  
to the bank. 'I admire them. For all their faults. They are brave people.' 
And finally he told them two words, without which one could never decipher the  
fellaheen character. One was qadim, which meant ancient, holding power from the past,  
therefore never to be relinquished. It was their key of life, their passport to survival. The  
other word was kayf, which meant sitting, thinking and doing nothing, existence as a  
waiting-room for a train that will never come. That was the image he used. 
Jane said, 'I find that very sad.' 
The old man shrugged. 'It is a philosophy of necessity. They are always sad.' 
'But you have sympathy for it?' 
'Let us say I have lived too long in this country not to understand.' He looked  
down, with a minute, faintly birdlike tilt of his head, his hands still clasped over the handle  
of his stick. 'It is for old men.' Then he wrily sought their eyes. 'And perhaps above all for  
old Egyptologists?'
Jane said, 'Professor, I suspect you have far too good a sense of humour to be  
a fatalist.'
That brought the old German short a little. He gave her a severe glance, as if  
he knew he was being teased, then looked down with another of his hesitations. 
'I was taught humour at the source, madame. Many years ago I did something  
no true German, no very serious young scholar, should ever do. I fell in love with an  
Englishwoman. And what is worse, I married her.' For a moment he enjoyed their surprise, 
their smiles. 'She is long dead, alas. But in our most happy years together she did  
manage to persuade me that scholarship and solemnity are not always quite the same  
thing.' Then he said, in a gentler voice, 'A lesson it is a pleasure to be reminded of.' 
'When did she die?' 
'Many years ago. just after the war.' 
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'She was an archaeologist?' 
No, madame. A doctor. I believe almost the first woman doctor in Cairo.' 
father had also been a doctor, had headed a Cairo hospital during the Protectorate. It was 
the anglophobic side of Egyptian nationalism. There were two children, both sons. One  
now lived in East Germany, the younger in America: he too had become an archaeologist, 
though his field was the Mayan. The old man was a grandfather several times over. 
He left them soon after that, and they speculated about the gaps in what he had 
said: his present political beliefs, how he had managed during the Nazi period. They felt  
he must have travelled beyond all that: behind his self-irony, his authority, his knowledge  
there lay a stillness, almost that of an Indian sage... but one didn't know if it came from  
qadirn or kayf, from his profession and long expatriation or from his heart condition.  
Perhaps he was living now on borrowed time, waiting for the final stroke. 
From then on they spoke quite often with him. They felt distinctly envious of the  
East Europeans when their party set off at the various sites. The French were beginning  
Jane were to have one small direct proof of what they were missing when by chance the  
two parties were close to each other, and given ten minutes' rest, at Queen Hatshepsut's  
temple at Thebes. The Herr Professor beckoned to them -and led them into the Punt Hall  
to show Dan some bird details in one of the paintings recording the queen's naval  
the difference between mechanically repeated and lived knowledge. 
They strolled back with the bearded old man down the incline to the waiting  
coaches, and gently probed him on this seemingly rather menial task he was performing.  
But he was quick to the defence of his flock. They were all experts in their own fields, they 
have news of home, to meet people with other interests. He learnt, always on such  
excursions, far more than he taught. And did not Oxford professors do such things, guide  
tours to Greece and Turkey? Dan and Jane agreed that they did, but couldn't quite  
convey to the old man that they felt he was doing something rather different, more truly  
democratic. Dan ventured one oblique question. He asked if there was a Marxist  
approach to Ancient Egypt. Their companion gave an inclination of the head. 
'Most certainly. From that point of view Egypt is the most studied of ancient  
cultures. With Greece and Rome.' It was a 72, carefully neutral reply, but perhaps he  
guessed the real drift behind Dan's questions. He gave him an oblique look. 'You  
understand what ka means, Mr Martin?'
'The soul?' 
The old man raised a finger. 
'Not quite soul. Etymologically it means the Greek pneuma - breath? It was  
personal. Each had his own ha. So to say, it was a man's ideal image of his own life. It  
could survive death only in connection with the personal body, which is why the ancients  

were so anxious to preserve their corpses. You understand it best by contrast with ha.  
That was not attached to the body. It was individual, but after death it joined the khu -the  
divine spirit, yes-which could not take bodily form. It is complicated. But we may say that  
ha and ha are ways of seeing man first as an individual... and then as one.' He pointed to  
one side with his stick as they slowly walked. 'As the artist does.' He pointed to the other.  
'As the scientist. As a unique experience. As a processus.' He looked ahead to where the  
two parties were boarding their coaches, then gave Jane and Dan a little smile. 'Speaking  
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for myself, I do not know which way is better. I think the ancients were wise. They knew  
neither was sufficient in itself. You understand?'
Dan smiled at the old man, then briefly across him at Jane, and then down at  
the ground.
'Yes. And agree.' 
'Good.' 
So they were left a shade wiser about the old man and, Dan had gained a new  
concept-that of ha, or personal immortality based on the body and its belongings and  
leavings, even if no more remained than Mrs Dalloway's memories in other minds. 
He and Jane talked about it before dinner that evening, overtly in connection  

with Kitchener, because Dan had immediately seized on an idea there... some scene  
between Kitchener and a Victorian Egyptologist, just such an explanation of what ha and  
the shrewd old selfpromoter saw the valency of the concept in some ancient monument...  
all this, Dan secretly thought that these two terms, ha and ba, applied also to their own  
They persuaded the professor to sit with them again one morning, when coffee  

was brought round, though this time the Czech mining engineer was also there. Dan had  
revealed the real reason for his presence on the cruise, and the old man was interested.  
He had not come to Egypt until after the British Protectorate was ended in 1922, but he  
had memories of those days. His English father-in-law had even met Kitchener several  
scene in mind ended by suggesting that the more megalomaniac pharaohs must have set  
a bad example to the proconsul. The old German was amused, and turned to the Czech. 
'These English set a very bad example for us other nations. They have no  
respect for their heroes.' But he got no support. That was one of the things, the engineer  
declared, that he admired in the British. The old man nodded at Dan. 'Very well. You may  
be rude to Lord Kitchener. But not to Ramses the Second.' 
Dan grinned. 'Were they so different?' 
He received a severe look. 
'Such cynicism, Mr Martin. This is most shocking.' 
'I rather hoped it was allowed since the Twentieth Congress.' 
They had already established that the Czech was not a Party member and far  
again, with a wink, he took Dan's side.
'I think there is here too much cult of the personality.' 
'You must not use these modern terms, my friend. They are most incorrect.' The 
old man wagged his finger at the Czech. 'As I told you on our first visit, if you had been  
listening, even "slave' IS misleading.'
Jane said, 'Why's that, professor?' 
'Because it requires a certain concept of freedom, of not being a slave. Of free  

will. There was no such thing in Ancient Egypt. In fifth-century Greece, yes... perhaps. But 
not here.'
Dan risked one more provocation. 'At least the early tomb robbers believed in  
free enterprise?'
But the old man would not treat it lightly any more. 'That is not what I am  
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saying. Of course. There were bad men. Ambitious men. Dishonest men. But not groups  
of men who doubted the very principles of their society. How should they? They had no  
models. No comparisons to draw.' He gently reprimanded Dan. 'We must not think with  
modern minds, Mr Martin. Then we understand nothing.'
taken to task again for the gross heresy of ahistoricism.
'These are people from the very beginning of our modern age. Life is very  
precarious, all its processes are mysterious. Very slowly these men see that in small  
places it can be controlled. They make many mistakes. But they also see controlling is  
knowing, and that the greatest tool of knowing is the symbol that allows you to represent  

what is not present before your eyes. They are like children, perhaps they grow too proud  
of this little control. But how can one laugh at a child because he wants to learn?' 
'But that's just what I feel is missing. The childlike -the simplicities of Minoan  
and Etruscan art.'
'Forgive me, but you betray your ignorance. There was no art in cultures as  
ancient as the Egyptian and the Minoan. Conscious art did not exist for them. They  

wanted only to control. That is how they would want us to judge them -by how well they  
controlled. Not by how pretty they look to us modern men.' He opened his hands. 'And  
why did those other civilizations last so short a time?' 
'Perhaps it's only that I find their... methods of control more sympathetic.' 
The professor shook his head. 'No, Mr Martin. More ignorant. More primitive, if  
you will. And I think you like them because you are over-civilized.' He raised a hand  
before Dan could speak. 'I know. Here it often seems so cold... formal, so royal. You wish  
there was more folk-art, art of the ordinary people. Just as I sometimes long for the  
Kaffeehaus music of my youth. But you must not blame the pharaohs. You must blame  
time. Time is the source of all human illusion.'
'Which we're condemned to?' 
'In our bodies. But I think we can try with the imagination. The other day you  
listened most sympathetically when I told you about the land-owners who once exploited  
our fellaheen friends. Yes?' Dan smiled, and nodded. 'In history we are all absentee  
landlords. We think, those stupid people, if only they knew what I know. If only they had  

worked harder to please me, and my taste. Is that not true?' Dan smiled again, and had to  
concede that it was so. 'And then-who made all these beautiful sculptures and paintings  
you are seeing every day?'
But that's it. I think the wrong names got remembered.' 
The old man smiled. 
'That is the voice of this epoch. Not the past.' 
Dan murmured, 'The voice of my ka.' 
'That is natural. You are a writer. Ever since the Greeks all artists have wished  
to be remembered by name like the ancient pharaohs. Perhaps they are the only true  
pharaohs left in this world. I think you have had your revenge. 
They began to talk of other things. But Dan had glimpsed another great spell  
belief in an after-life died away and people more and more turned to the arts for escape  
something the very opposite of that fellaheen resignation, waiting for the train that would  
morbid need to pupate, to build a chrysalis before the grub was fully grown, and even  
though reason told one that there was no world in which an imago, the released ka, could  
ever emerge. And was Dan himself essentially different from the unknown mason carving  
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a head of Rameses? He might claim he was examining, or even debunking, much more  
strongest motive in the drawing attention was not really the object, Kitchener, but the act  
of pointing itself, one's own reputation, the element of parasitism was obvious. For a  
private self-mocking moment Dan wondered whether he should be the first screenwriter to 
demand not a larger credit, but none at all.
All this, though rather paradoxically, strengthened his decision76 to try a new  
was gaining new ideas for it every day-it was at last beginning to brew, to grow rich.  
Perhaps the clue had lain in the Herr Professor's suggestion that artists were the only true 
abandon all the work on other tombs and monuments. He sensed a great need to jettison,  
to simplify, almost like some painfully obese gourmet craving a stay at a health farm. Even 
variation on superstitious tomb-making, absurdly elaborate and futile insurance against  
the unknown, the seeing brought a sense of freedom... or perhaps it was more a retreat  
into Englishness -conviction of the sheer silliness of taking anything in life (such as  
Lukacs and theorists of total consciousness and authorial responsibility) very seriously. It  
was all also a game of chance, in which the part played by skill was far smaller than the  
world would admit. Not to see that was to be like the young American, for he also taught. 
One was best: that passive third person. 
The desert crept nearer as the days passed and they approached the Tropic of  
Cancer. Even the amateur photographers grew satiated, and increasingly the scenes on  
the banks, the passing feluccas, were allowed to go by uncaptured. 
They visited Esna, a dirty town, with a temple in a huge pit in the centre of it.  
Crowds of beggars besieged the tourists on their way to and from the site. A man with two 
reed panthers at his waist was especially insistent and one of the French gave the  
baksheesh he clamoured for: a snake was produced, then from the smaller basket a huge  
scorpion, held by its depointed sting, its legs slowly crawling through the air. Suddenly the 
cameras appeared again in their dozens, a circle formed. One of the showman's friends  
began to block views, demanding more money. The picturesque was not to be had free.  
Without warning there was a fracas in embryo, as he pushed one camera aside and was  
shouted at and pushed sharply off balance himself in return. it was the Barge-borne  
Queen's Italian friend. He was calmed, but the Arab continued shouting insults. 
In the background, outside a coffee-shop, a line of old men sat, D.M.-T577 two  
of them smoking narghilehs, watching all this with inscrutable eyes. Dan and Jane stood a 
little apart, with the French journalist Alain beside them. His photographer friend was  
busy, a neutral eye, snapping the snappers, with an obliviousness to anything but angle  
and rapidity of take. Alain said something in French to Jane, which she passed on to Dan: 
nature, against humanity, against -themselves... man the ape, all the babooneries, the  
wrong motives, of package travel. 
Later that day they moored at Edfu to see the Ptolemaic temple of the winged  
sun-god Horus, with its magnificent granite falcons. Living kestrels still clipped and wove  
between the Assyrian-looking towers and in the evening light the place had a certain  
serenity. But there was something brooding also in the massive fortress walls of the  
remote, and perhaps as repellent, as the white sides of their ship to the peasants they  
passed each day. 
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A cabaret and dancing had been announced for that evening after dinner, and  
Dan and Jane arrived in the dining-room to find their own slight concession to this -Dan  
had put on a suit and Jane wore the same black dress she had baptized at the Assad's  
party far outdistanced by the other passengers. They had treated it as a fancy-dress gala. 
There were some unlikely-looking peasant outfits among the East Europeans, a selection  
of would-be corsairs and toreros and the rest among the French. The only thorough-going 
costume, obviously brought in preparation for this evening, was that of the Barge-borne  
Queen's young fly-by-night. He was rigged out, bare-chested, and with some massive  
imitationjewellery, as Tutankhamun. The face was elaborately made up, and he looked  
alarmingly hermaphroditic. The Queen himself was got up in a puce coat with a large  
seemed hardly to eat, but flitted from table to table among the French party, showing off  
his bare torso and his finery, striking poses, oblivious to the ludicrousness of it all. 
Even the Hoopers had fallen slightly prey to this madness. Marcia wore a long  
dress with a gilt cardboard crown over her republican hair. She wasn't quite sure who she  
was meant to be,78 the purser had lent her the crown. Mitch had similarly acquiredby right 
of nationality, he explained, not because he had any connection with Texas -a stetson.  
They were clearly worried by Dan and Jane's ordinariness -the purser had a whole  
cupboardful of hats and clothes, they were sure there were some left In a while the  
Hoopers took their headgear off, and the table showed a solid Anglo-Saxon front of  
refusal to conform to the nonsense around them. Dan had Jane's eyes at one moment. 
'They must think we're the most awful snobs.' 
'Someone has to show disapproval of such rampant bourgeois narcissism. I  
wish I'd come as a K. G. B. man.' 
She smiled, but her eyes lingered on his a moment more before looking down.  
He was still not allowed, or only just allowed, to make jokes about such things. 
He said, 'You've caught the sun today.' 
'I can certainly feel my cheeks burning.' 
'Gives you a nice gipsy air.' 
'Home will soon take care of that.' 
He smiled back, but it struck an unwelcome practical note. She looked past him 
to the animated other tables. Even the East Europeans seemed to have relaxed a little.  
anyone else there. She had caught the sun, and in fact looked much younger. And the  
dress: already, on their way to their table, Dan had seen a discreet Gallic gesture of  
approval of that from Alain Maynard.
They were among the last to go to the upstairs lounge after the meal. All the  
tables seemed crowded. It had been festooned with decorations, and a makeshift  
folkband had been assembled out of the crew. They saw their own soft-spoken Nubian  

waiter, in native clothes now, crouched over a pair of drums at the end of the room. There  
amplifier, a pounding din. Dan and Jane stood watching a moment through the glass  
doors, and decided not. They turned away to the bar and bought two brandies, then  
carried them through to another small lounge that opened out on the sun-deck at the aft of 
the ship. They had expected it to be empty, but unexpectedly the Herr Professor was  
there.
They had noticed that he wasn't at dinner. He seemed to miss meals  
sometimes, or perhaps took them alone in his cabin. He sat now in a corner with a glass  
and a bottle of mineral water on the table beside him, reading a book. But he looked up as 
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they came in and gave a dry bow of the head.
Dan said, 'The noise is too much for us.' 
'You have my sympathies. My cabin is beneath the orchestra. Tonight I am  
homeless.'
He explained that the company let him have a cabin away from the engines, as  
Dan asked if he might buy him a brandy. The old man refused: he had a touch of  
indigestion. But please, they must sit with him, he was reading only to pass the time. The  
book had been lent him by one of his party. They could see it was in German, and he said 
it was a summary of the economic progress made in the D. D. R. since the division of  
Germany. The old man contemplated the cover for a moment, then gave them one of his  
delicately ambiguous smiles.
'It is not light reading.' 
'Do you go home very often?' 
He shook his head. 'I have a sister. And my son and grandchildren. That is all  
now to take me back.'
'You must find many changes.' 
'They were invited.' He added, 'Especially by my generation. I think we cannot  
complain.'
Jane asked him what his son still in Germany did. 
'He is a doctor. Like his mother and grandfather.' 
'You must be proud of him.' 
'Yes, he is a surgeon now. Of the eyes. I am told very good.' But they sensed a  
tiny tinge of paternal regret in his voice: a fate accepted, but not quite welcomed. 
Jane said gently, 'You wish he didn't live so far away?' 
The old man shrugged. 'He has his work, his friends... and at least I have my  
memories.' He gave Jane a small smile. 'Which you awoke a little the other day, madame.' 
'Why was that?' 
'You will think me very sentimental.' 
'Please.' 
He hesitated. 'My wife's poor patients often had no money too pay her. They  

would bring her small presents instead. Sometimes they would be strings of beads of the  
kind you bought in Mr Abdullam's shop. As an archaeologist, I would tell her they were  
worthless. But she would say... what you said that afternoon, madame. And something in  
the way you touched your beads. Your voice.' He smiled drily at Dan. 'I am sorry. Forgive  
me.'
Dan indicated that there was nothing to forgive. Jane was staring down at her  
lap. There was a little silence. Then she looked up.
'I think I envy your wife, professor. For having been able to do so much more  
than feel.'
'That is already more than most. Alas.' 
'She died here?' 
'In Germany. At Leipzig. After the war. 
'You spent that there?' 
The old man shook his head, and spoke with a certain grimness. 'In Palestine.  
In a British internment camp.'
Then slowly, under their further questions, he must have sensed their curiosity,  
he began to talk more in detail of his past -quite objectively, as if he were a site, not  
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Thebes.
He had never been a fascist, but he took little credit for that. He had lived too  
much out of Germany in the 193os. He had found the demagogy, the mass rallies, the  
appeals to Volk, unattractive, but no more than the vulgar trappings of a fundamentally  
necessary government. He could not remember 'der FŸhrer' and the rest of National  
Socialist jargon ever cropping up in conversation with most of his friends and associates  

without a certain irony. At the time it all came from another world, it was beneath serious  
discussion. One conveyed one's attitude by not talking about such things. Then there was 
his wife, and the entrŽe he had through her into English circles in Cairo. There too the  
subject was rarely discussed. The moment of truth had come when Hitler revealed his true 
colours in 1939. Many of his German colleagues in Egypt had returned home and he was  
ordered to do so himself.
'So. At last I was forced to think of a world beyond that of ancient Egypt and my  

wife and children. She helped very much. We decided our marriage was more important  
than our difference of nationality. That I would take my luck here. I had begun to suspect  
my country was wrong. I would not fight against it. But I would not fight for it.' 
During a year, in the phony war, he had been allowed to continue his  
archaeological work. Then he was interned, and had spent the remaining years in a camp  
in Palestine. He said the conditions had not been comfortable, but the company had been  
valuable. He had learnt a great deal about something of which he had hitherto been 'a  
little ignorant': other men.
'Of course I knew when the war ended that my country had deserved its defeat.  
The Jewish genocide. I was brought that news the first discovery of the concentration  
camps -by my wife. I can still see the newspaper. The Daily Telegraph. The photographs.  
I wept, but I am afraid it was not for the dead Jews, it was for myself. My race. I could not  
look at my wife. She had supported me and my children so bravely through those  
unhappy years.'
Jane said gently, 'But she can't have blamed you?' 
'No. Not at all. But our two sons... it was difficult for them, poor boys. I think  
perhaps they judged better. They knew their father had failed. As his fatherland had  
failed.'
'By omission?' 
'I thought of it by an example from my work, Mr Martin. If I had transcribed only  

what I could read easily of a papyrus, and pretended what I needed more patience more  
examination, did not exist. I recalled so many things, so many signs I had preferred not to  
see or hear before the war. The part of the papyrus I had neglected to read-that was not  
difficult to see.'
Then outside circumstances took a hand. His 'unpatriotic' attitude at the  
outbreak of the war and the fact that so many contemporaries in his field had died or  
disappeared, or elected now to stay in the West, made his specialized knowledge a rare  
commodity. Out of the blue he was asked back to Leipzig to rebuild the faculty -'if you can 
call a faculty a large hut without students. A collection of packing cases. An almost total  
loss of records.'
'We had much discussion. My sons did not want to go. But their mother knew I  

would not be at peace if I did not go. We tried to explain to the boys why it was our duty to 
go.'
'The political side didn't worry you?' 
The old man smiled. 'A little, yes. You must understand, we were 82, not  
sophisticated people in that way. There was work for Constance -she had always worked  
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by preference with children. I had my old university. My great feeling I must help now,  
even though it was too late.'
So they had gone. His wife had died during their third year in the ravaged city  
-a great shock, an unexpected haemorrhage after a hysterectomy. But he thought her last  
gift had 'in a most sad way' been to leave him a German alone in Germany he now  
belonged to more out of a sense of duty than from any deeper attachment. He was forced  
to re-examine his beliefs. He had never joined the Communist Party, and his status as a  
come to accept that socialism was best for the country and at the time in history. It had its  
Though he had passed very briefly over his wife's death, and left so much  
with only their mutual respect and love to sustain them, their professional work. He even  
said as much, how his two sons' practically demonstrated division of feeling reflected  
something of his own.
He told them then that his younger son, the one who was now an archaeologist  
in the United States, had originally escaped to the West. The old man smiled. 
'He took after his mother. In character. I call him my English son.' 
There had been nothing dramatic in his escape. He had been on holiday in  
London with relations of his mother, and had simply not returned. He had just had his  
twenty-fifth birthday. The professor had tried to make him come back, but not very  
seriously.
'At his age it is sometimes more important to take decisions than to be sure  
they are right.'
Dan said, 'At all ages?' 
'Perhaps.' 
Jane asked if the two brothers remained on good terms. 
'Yes, madame.' He added, 'Now. Hans, my older son, the doctor, he would not  
accept such treachery to begin with. But he is wiser now. I believe they sometimes argue  
very much. When they meet. But like brothers.'
'And you don't take sides?' 
'I find my younger boy a little too American now. We do not see things the same 

way. But why should we? My generation were blinded especially we so-called students of  
history. We must pay for it. His is innocent. And as I say, he takes after his mother. Or her 
country.' He smiled at them both. 'The Sphinx of Europe.' 
Dan said, 'More familiarly known as the Sick Man of Europe.' 
'If obstinacy is a sickness.' 
'Surely not very enigmatic?' 
'There I must disagree. To us foreigners 'But your English...' 
'Oh yes. I speak the language. I understand English ways. I even grew to like  
English cooking -steak-and-kidney pie...' and he lingered a moment, as if over the  
memory of some rare claret. 'But your soul. That is another question.' He raised one of his 
admonitory fingers. 'And above all in this matter of freedom. A German cannot think of  
freedom without rules. That is much more than our love of goose-marching and military  
discipline -which is a Prussian matter, in any case. It is in our philosophers. In Kant, in  
Marx. In Bach. Goethe. For us, all freedom is no freedom. We may dispute over the rules,  
but not that they must be there.'
Dan smiled. 'But our freedom is largely an illusion. As we're beginning to  
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realize.'
The old man was silent a moment, then quizzed them. 
'You know the story of the West German cousin who visited his East German  
relations? The talk came to politics. The West German told his relations that their lives  

were dictated by the state, by the Russians. They retorted that his half of Germany was no 
better -it was the most Americanized in Europe. Perhaps, he said, but at least we have  
freely chosen it, in the democratic Anglo-Saxon way. Ah, said his uncle, but so have we  
freely chosen, my boy. And what is more, in the democratic German way.' The old man  
acknowledged their smiles, but went on. 'I think the point is this whom is the joke against?  
I have heard it told as a satire on East Germany. Yet I think it may be told also in its  
favour. It depends you see, on how you defme the contrary of freedom. For us, it is chaos. 
For you...'
'Authority?' 
He nodded. 'That is the true curtain between East and West. In my opinion. We 
sacrifice some of our freedom to have order our leaders would claim social justice,  
equality, all the rest. While you sacrifice some of your order to have freedom. What you  
call natural justice, the individual rights of man.' He suddenly smiled, as if they were  
becoming too serious. 'May I tell you one more story? It is against the English, but it was  
told me many years ago by a compatriot of yours.'
'Of course.' 
'An Englishman in French Africa goes swimming towards a place where there  
are crocodiles. A native on the bank who speaks English cries to him. "Turn back!  
Danger! Turn back at once!" The Englishman hears, he looks round, the black man cries  
again. But the Englishman takes no notice at all. He goes on swimming. And he is killed.  
The French authorities hold an inquiry -no one can understand why the victim ignored the  

warning. But another Englishman stands up to explain. The warning had been given in  
incorrect language, it would not have been understood. Ah. Then would monsieur please  
tell the court the correct call, in case such an unhappy event occurred again? The  
Englishman thinks, considers very deeply, then he says, "Would you mind awfully turning  
back,,,, sir, please?" smiled, a little less genuinely than before. 
'It is cruel. But I have a suspicion that something in your country would still  
rather drown than be given good advice by a foreigner. That is the freedom I do not  
understand.'
'We don't understand it very well ourselves.' 
The old man smiled. 'Never mind. Who knows? Perhaps that Englishman  

wanted to be eaten by crocodiles.' 
gentleness in her eyes, an agreement, at least as regards the old scholar. They looked  
down, then Dan spoke again.
'Do you have any hope for the conflict between East and West?' 
'I used to feel guilt that I have spent so much time studying the past. I saw my  
papyri as screens I had put up to hide what I did not85 wish to understand. I now see  
everything is a kind of screen if one wishes it so. An excuse for not understanding.' He  
paused, then went on. 'I remember -this is before the war -a dispute between two villages  
on opposite banks of the Nile. North of Luxor, where I was then working. It was over rights 
of fishing. It became very bitter, blood was shed. One day I asked one of the headmen  
concerned -a peasant, illiterate, but a very wise old man -why he and the other village  
leader could not settle the matter by compromise. He reprimanded me for such foolish  
optimism. He told me there would never be peace among men, on either bank. Only in the 
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river between.'
'The one place we can't live.' 
The old man opened his hands. 
And then he told them a last story: a personal one, what he called a ghost story 

without a ghost. It had happened soon after he first came to Egypt, in the late 192os,  
before he had specialized in his subsequent field. He had been working one day in one of 
the recently excavated noble-as opposed to royal -tomb-chambers in the cliffs opposite  
later than usual. Working by artificial light, he had not noticed that dusk had fallen  
outside. But then something, perhaps caused by his long hours of concentration, perhaps  
by an unconscious realization that all was now silent on the site, happened. He had a  
curious sense of a living presence that was not his own. It was for a moment frightening,  
indeed he shone his light round the tomb, but he was not in the least a believer in the  
supernatural... in 'curses and such nonsense. His fear was a more straightforward  
physical one -that some thief had sneaked in. But there was a nightwatchman who  
guarded the access to the site. He thought perhaps it was this man, he even called his  
name. There was no answer, and then he had stared again at the wall-painting, which  
happened to be in an exceptionally fresh state.
He had paused at that point in his story. They heard someone come into the  
again.
'I have had this experience again, but never so vividly as on that first occasion.  
It is of a most strange... like a broken link in time.'
'A dislocation?' 
'Yes. Thank you. That is a better word. For a little interval time does not seem  
to exist. One is neither the original painter nor one's own self, a modern archaeologist. If  
one is anything-1 speak metaphorically, forgive me, I lack words to express it in any other  

way, one is the painting. One exists, but it is somehow not in time. In a greater reality,  
behind the illusion we call time. One was always there. There is no past or future. One's  
knowledge of history, chronology, seems like one of those screens I spoke of just now.'  
He smiled at them. 'This is not to do with mysticism. It is almost physical, something  
hidden in the nature of things. I once had a similar experience, also after many hours of  
work, with a difficult papyrus. I became the papyrus. I was beyond time. Yet it did not help  
me decipher it at all. So. It was not in that sense that I was the papyrus. Perhaps I was the 
river. For a few moments whatever in the river does not pass. That river between.' He said 
nothing for a few seconds, then gave Jane and Dan a little look. 'I am afraid that is what  
they will never understand. The river between.'
Jane murmured, 'Who is "they", professor?' 
He gave her another look, as if she were teasing him again. 
'I think you and Mr Martin know, madame.' He left a moment's pause, and there  

was a glint, both of latent irony and of conspiracy, in his old blue eyes. 'There are many  
languages on this planet. Many frontiers. But in my experience only two nations.' 
In the silence, they heard the faint continued throbbing and pounding of the  
his Germany, or their England.
Kitchener's Island 
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The boat's constant progress, the transience of each landscape-it might in many ways be  
a delightfully indolent way of travelling, but it had mysteriously heightened some obscure  
metaphysical pressure in Dan. It was all very well the Herr Professor talking about time  
being an illusion, but time seemed both ever-present and distorted on that southward  
journey. It gained a strange brevity: the cruise had hardly begun before it was nearly  
ended, almost as if there was a cheat about it, a temporal sleight of hand. 
His malaise came from a blend of that and of an even vaguer awareness of  
shifts in the equilibrium of his life, beyond what he could consciously detect. But more and 
more he knew these shifts were in response to a sense of incompleteness that was also  
one of predestination. This lay behind, or deeper than, the effects of experiencing the Nile 
and the events and meetings of the cruise. He still clung to his inmost grain of  
conviction-that freedom, especially the freedom to know oneself, was the driving-force of  
its expression, since that was where, in social terms, the fundamental magic (or chink in  
the door) of mutation inside the nucleic acid helix took place. All through that long last  
conversation with the Herr Professor he had secretly watched Jane's face, to see whether 
she was recognizing this implicit support being given to his case. But when the old man  
had left them, soon after the summary but touching reduction of the Tower of Babel to two  
tribes, he had not pressed it home. They had talked about him, not of what he had been  
had sensed that Jane, though approving of the old man's humanity, was not convinced. It  
was too like quietism. Western mankind was an unruly child, and could not be spared its  
left-wing rod.
The net result of all this was that Dan found himself wishing - though not  
overdoing a good thing was such a salient feature in Ms practical philosophy of pleasure  
-that the cruise were longer: another week, perhaps. It also suspended, postponed all  
spent those days balanced between outward enjoyment and inward anxiety-or enjoyment  
in the now, anxiety about the future... a worry beyond normal worries, a fear of its arrival.  
It even worried him that he could not clearly ascribe this premonitory anxiety to anything.  
He did not need the passage he had marked from Lukacs to feel that it was self-indulgent, 
unnecessary. In simple fact he felt a little bewitched by what these few days on the Nile  
seemed to have done to him: both calmed and unsettled.
But the Herr Professor had without knowing, without Dan himself seeing it,  
admit what it really was on their very last stop, the morning of the afternoon they were to  
arrive there.
This last halt was for a brief visit to the temple-complex at Kom Ombo. Set in a  
posedness, a sunbaked peace reflected in the blue water. It was much more as the other  
temple sites ought to have been: both beautiful in itself and beautifully framed. For some  
reason Dan had no memory of it from his previous visit.
The ship moored close by and they strolled across the sand. A band of  
mischievous Bedouin children ran and danced along the ridges of the dunes around them, 
and bronze-collared doves cooed in the acacias by the waterside. This time Dan and  
Jane did not even go through the motions of listening to their guide. The stone pavements 
and terraces over the river were too pleasant to stroll on. Then Dan was given an  
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ornithological treat. He looked through his fieldglasses at a robin-like bird hopping in the  
shade by the river's edge. It was a very handsome little creature, a bluethroat, the first of  
the species he had ever seen. He stopped a minute or two to watch it, and Jane went idly  
on to sit at the corner of the terrace overlooking the river, facing upstream. Then she  
changed her mind and went out of sight, somewhere lower. 
When he got to the corner himself, he saw a collapsed wall made it easy to  
clamber down nearer the water. She was sitting on one end of the drum of a fallen  
column, in the thin shade of a sunt tree, her back to him, looking at the curving reach of  
the water to the south. He scrambled down to join her.
'Isn't this a delectable place, Jane?' 
She nodded. But something in the way she nodded, and did not turn, both  
contradicted his light tone and warned him. He came beside her. She gave an  
embarrassed downward glance towards his feet, then looked back at the view. After a  
moment a hand came up and she touched her eyes.
'I'm sorry. It's nothing.' She shook her head, to dismiss his solicitude. 'Its all  
being over. And thinking of Anthony. How he would have liked it here.' 
He sat down beside her on the drum of stone, then asked gently, 'Why now?' 
She had said nothing. 
Then without warning her right hand had reached out and taken his, as if she  

were apologizing for turning female. She would have withdrawn it, but he caught it and  
made it lie still, under his own now, resting on the stone between them. They stayed like  
saw her look down at the hands, as at things detached from the rest of their bodies. And  
suddenly he knew that something else was being said -in that way she looked down, as in 
that original gesture of reaching. He felt moved, yet strangely frozen. It was in those  
round her shoulders, but he knew that the instinct was in some way, echoing the curious  
at all.
'My dear, he wouldn't want it.' 
'I know.' 
'And we could easily make this an annual thing.' 
She smiled, as he had meant her to, and quoted Eliot to the river. 
'"I read, much of the night, and go south in the winter."' 
'In a manner of speaking.' 
They heard voices behind them, some of the French at the corner of the  
shade. Three snow-white egrets flew across the river, but Dan saw them without thinking.  
It had been in that downward look at the joined hands. It had been a declension, out of the 
theatre of their behaviour on the cruise into something undeclared not only between them, 
look, not a neutrally companionable one. Almost reluctant, admitting nothing but its brief  
It had glossed that 'its all being over', which had meant not just the cruise, the  
experience. He knew it had referred mainly to the past, and not to any specific past  
also some tinge in it, if only derived from the fact that it had been given in the now, of a  
present regret... for what had been rediscovered, for what, beneath all the change, had  
remained. Perhaps he had read too much into it. Yet what it really revealed was  
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something in himself: the arm that had wanted to move, the knowledge that he hadn't  
honestly examined why he wanted the cruise to continue, that he shared this sadness at  
experience, the restoration of the old empathy, far more than he was prepared to admit. It  
stayed stubbornly attached to the thought of jenny, and not just out of fidelity. It was far  
more a matter of that sense of incompleteness -the extent to which it would increase when 
they went their different ways, a glimpse of a reality in the old Platonic myth, an echo of  
the old Rabelaisian one, Pals ce que voudras... it also frightened him. 
He found his cigarettes. She took one and they smoked, both staring out at the  
river. The tears were quite ended now, as she proved when she broke the silence. 
'I was also crying because I suddenly realized I was glad to be alive again,  
Dan. After what seems rather a long time.'
'I prefer that.' 
'It was your stopping to watch that bird... we had an absurd row in Greece three 
years ago-our last proper holiday alone together. Because he'd held us up with his  
botanizing one afternoon, when all I wanted was a beach and somewhere to swim. He  

was so happy and I was so unreasonable.' 
'Are you sure he wasn't being unreasonable as well?' 
'I sat under a tree reading. I only took it out on him later. He wasn't to know.'  
She flicked ash from her cigarette. 'Behind our screens.'
'An accepted part of every civilized marriage?' 
She smiled, but sadly, then took a breath. 
'I think they must be right, the young. About the antiquatedness of the  
institution.'
'Their theory also has its price.' 
She left another silence. 
'Have you ever missed it?' 
'Sometimes.' But that seemed not enough of an answer. He looked down. 'Not  
often. If I'm honest.' He added, 'And once burnt, twice shy. Laziness. The other kind of  
relationship becomes a habit.'
'And the freedom?' 
'To be an aging Don Juan?' 
She murmured, 'That lovely innocent young man I knew at Oxford.' 
'Beyond salvation now.' She glanced at him, but he avoided her eyes, knowing  

why she looked. 'I'm only smiling because you know perfectly well he was never innocent.  
Lovely, perhaps.'
She too looked down at the ground, then said slowly, almost as if to herself, 'I  
always remember you as innocent.'
'Unlike you?' 
'I was so frightened of my real feelings.' 
Before he could answer there came, from behind them, a wail from the ship's  
horn. It was time to return.
'That's still a kind of innocence.' 
'It never seemed it. Even then.' 
'I think you're playing Cassandra backwards. My memory of you's quite  
opposite. That you always did show real feelings. When it mattered.' He said, 'Or much  
more than the rest of us ever managed.'
'Emotions. They're not the same.' But then she said, more lightly, 'I'm trying to  
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say thank you, Dan. That is a real feeling.'
There was another peremptory wail from the ship. She stood and reached out a 
hand with a composed smile... long live convention, the foolishness was over. He pressed 
it as he stood, and they started back for the boat.
He remained disconcerted. There was something disturbing in the  
put on dark glasses, and they strolled back through the ruins towards the entrance. A row  
of crocodileheaded divinities, Ailain coming up to greet them, some joke Jane smiled, and  
lightly guarded as always. Dan had a sense of missed chance, he should have put his  
arm round her shoulders, at least closed that space... this ludicrous emotional  
no-man's-land they had decreed between them, which perhaps their conversation had  
been directed, on her side, after the holding hands, to re-constitute. It had been like  
accidentally seeing a woman in her underwear through a bedroom door. Even though the  
undressing had been of a very different kind, he could not deny that, just as with the  
hands, it had held an erotic charge for him.
Later, when the ship was on its way again, and they sat on deck before lunch  
-their Czech friend and Alain were sitting with them -he found himself constantly  
contemplating Jane in secret... or at least if not literally so, then mentally. Alain was flirting 

with her again, in English, it was all innocent, she must come to Paris and let him take her 
to all the new boi'tes and restaurants -and Dan let himself slip into the young Frenchman's 
imagined place. Perhaps that was at the root of it: a resentment on her side, though  
almost certainly unconscious, that Dan had so scrupulously not acknowledged what other  
males around them did: that she wore her age well, she retained an attraction. It had  
worried him slightly from the beginning, which was why he had been careful with  
conventional compliments about clothes, about how she looked. 
On the other hand he was very clear that whatever else that gesture, that  
because of the memory of what Jane had told Caro, her view of him as someone in flight,  
So much bound them apart, and not least sheer ignorance of each other's  
secret feelings and emotions-as her very distinguishing between the two words had once  
more proved. Yet Dan fell, in his habitual hypothetical way, to imagining what, if he  
proposed when they transferred from the ship to the hotel in Aswan that they take a  
double room, her reaction might be. The only speculation involved was over how she  

would refuse: with anger, with disbelief, with irony, perhaps even with affection. What was 
certain was that she would refuse -or he knew nothing of women. He wondered if what  
nagged at him was merely her impossibility -or their joint impossibility. He remembered  
affaire, a night, with Alain, if he himself had not been there -a letting him into her bed if he  
insisted enough. But that would never do for them. And he knew, in some strange way,  
that even if she might, out of some part of herself so hidden that he had not even guessed 
at its existence, out of some brief conquest of feeling by emotion, not have refused, he  
would have felt betrayed. 
The Hoopers, or their presence, made him say very little at lunch. He worried,  
like a dog with an old bone, at those brief tears, that one downward look: had it  
reproached him, or warned him? Jane gave no clue now, it was as if nothing had  
happened. Any reference, she managed to suggest, would have been to exaggerate the  
incident. But he wouldn't quite let her get away with that. She smiled at him as they waited 
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for their dessert, her chin poised on her clasped hands.
'You're being very silent. 
'That's how men cry.' 
'What's your woe?' 
'I smell the return of reality.' 
'There's still your island. I thought that was why we were here.' He tilted his  
head in reluctant acknowledgment: yes, one treat left. As if to cheer him up, she added,  
'And lovely memories.'
will, he was conscious that his smile had been too thin, made him seek her eyes again. In  
seemed to her merely inquisitive, or contradicting the last words she had said. At any rate  
she gave a little interrogative shake of the head.
'No?' 
He smiled more naturally. 'I shall try to forget the food.' 
Their waiter came with the dessert, creamed rice sprinkled with cinnamon, and  
Jane began to eat at once, as if to tell him he was being unreasonable, spoilt indeed. 
The landscape changed as they neared Aswan, The Nile ran through desert.  
Limitless sands broken by harsh black basaltic outcrops, scorched by millennia of  
unrelenting sun, stood and waited, or so it seemed, for the great river to run dry. Tropical  
cabbage palms became the only trees along the banks, and desert ravens, recalling the  
Bible again, manna, as well as Dan's more personal memories, were the only birds. The  
sun burnt down through a cool north wind.
Aswan itself came as a shock, brutally interrupting an increasingly barren  
solitude. The town had changed considerably since Dan's previous visit in the 195os.  
Now it had the air of a boom city, with an imposing and traffic-filled waterfront, high-rise  
buildings, a monstrous new hotel complex on Elephantine Island. There were crowds of  
pale yellow with the dust from the dam and its surrounding industries. The horizon there  

was festooned with wires and pylons, radar, all the ugly adjuncts of twentieth-century  
higher still the azure was lacerated with white con-trails. 
happen if the Aswan Dam was breached, the terrible tidal wave that would destroy the  
whole length of the Nile Valley and half Cairo with it... and which made all bluster about  
total war with Israel a sour joke -the 'final irrigation scheme', as Ahmed Sabry had  
sardonically named this sword of Damocles. Aswan was the return of reality with a  
of the dream of a different voyage, far longer.
Assad had wanted to put him in touch with the manager of a local studio,  
indeed offered to fly down himself, but Dan had dedined. The studio facilities were not his  
business, there were obviously desert locations galore, and he merely wanted the feel of  
the place. He was even gladder now that he had been firm. They did not have to leave the 
ship until the next morning, when they would transfer for a couple of nights to the Old  
Cataract Hoteldwarfed, he noted, by the ugly New Cataract beside it. On his own he  

would have moved ashore at once, but he knew that that would have offended Jane's  
tour that afternoon, but went under their own steam... or sailed, hiring their own felucca.  
He presented the idea as a professional necessity, he didn't want to rush things. Jane  
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seemed content.
So they waited until the others had left, and then walked down the corniche to  

by the first boatman who approached them. He was a grave young man, in a white  
galabiya and blackbanded headscarf, with a small boy at his side. His name was Omar,  
strangely Anglo-Saxon features and rather pale eyes. There was a ghost of T. E.  
Lawrence about him. They tacked slowly into the wind as they headed north for the sandy  
cliffs on the uninhabited west bank, round the tip of Elephantine Island. The motion was  
were terns fishing, a falcon circling over the ochre cliffs, and a huge bird flapped off the  
buoy at the end of the island, an osprey. Dan began to feel happier as the busy town  
receded. He found their helmsman's taciturnity pleasing. Kitchener's island came in sight,  
upstream of them, green and dense with vegetation, and he knew that there at least he  
would not be disappointed. Jane, too, was obviously enjoying this new scenery. 
They landed and climbed up to see the rock tombs in the Kobbet el Hawa cliff,  
where the Herr Professor had had his strange first experience of timelessness. They had  
been too long occupied by nomads to show much more than pretty fragments and  
perversely, though he had complained so much at the royal sites, Dan now found himself  
missing their craftsmanship and finesse of detail. From outside the tombs they could look  
back over the mid-river islands and survey the mushrooming town to the east, the  
industrial landscape stretching behind it and to the south. It was like a huge scorpion,  
Los Angeles, seen from Muiholland Drive -or indeed, from jenny's apartment. In some way 
this depressing sense of a spatial invasion transferred itself to his sense of personal  
time... how briefly they were there, how short the permitted entry into the oasis. The man  
who had guided them round the tombs pointed out various landmarks in the town, but Dan 
was lost in his own thoughts. 
Then he had a very peculiar few moments of disorientation. Perhaps there  
really was some genius loci, though his experience was not oftinielessness, but of  
somehow being outside his own body, as if he were a camera, merely recording, at a  
remove from present reality. For a brief but abyss-like space he was not at all sure where  
he was, what he was doing. This landscape, this voluble guide, the way the wind moved  
this woman's hair... it was like a mechanical trip in the normal current of consciousness, a  
black-out, an epilepsy, and he found it, during the few seconds it lasted, ominous,  
He paid and tipped the guide, then followed Jane down the narrow path to  
where their felucca and its two attendants waited. He would have liked to try to describe to 
would seem silly, like exclaiming over some experience of dejˆ vu, whose metaphysical  
strangeness could not be conveyed, and must always sound suspect to an outsider. The  
evanescence, the illusion of lost angle he had had the same feeling once or twice before,  
when he was tired, on film-sets. Nothing existed except as a record of another pair of  
a back-projection... and behind, nothing. Shadows, darkness, emptiness. 
He watched Jane's back, as she descended the steep slope just before him.  
She was wearing bell-bottomed jeans, a pale terracottacoloured shirt beneath a kind of  
loose woollen cardigan-cum-coat, too long to be one, too short to be the other, that she  
had often worn on their forays from the ship. It was unashamedly sui generis, and  
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managed to hit, more than anything else she wore, that blend in its owner between the  
ancient blue-stocking's indifference to clothes and a contradictory, but not altogether  
casual, respect for how personality is conveyed through choice of them. Then the  
rush-basket she was carrying-that touch of domesticity, of being on a shopping expedition 
as well: she was wearing the silver comb in her hair, but a dark strand had escaped. 
And once again Dan had a moment, like that one on the Dorset down, of  
escaped strand, an indulgent little marital nothing. Then he felt frightened again. Perhaps  
his brief experience above, which part of him was already dismissing as a curious trick of  
the brain-cells, a second or two's lapse of those responsible for maintaining one's normal  
happened, slipped from an outer spatial to an inner temporal analogy over the invading  
town, perhaps there had been some warning of an imminent greater slip, into something  
pathological, a madness, a declared schizophrenia... the ground levelled out and he came 
beside her, damning death and introspection.
They set off again, against the current but with the breeze behind them, down  
the reach towards Kitchener's Island. The sun was beginning to decline and high on the  
sandy dunes that crowned the western cliffs there was a congregation of the kites, some  
twenty or thirty of them, perched on the sand, dark brown and hieratic. Omar brought them 
one might, as they came closer still beside the towering wall of sunlit vegetation, with the  
quiet water, have been on one of the summer Oxford rivers. Some hidden warbler bubbled 
an out-of-season song. It was delicious, after the arid desert of earlier that day: a  
profound and liquid, green and eternal peace. Once again Omar moored. They  
disembarked, and after a few steps up under a huge canopy of bougainvillea, found  
themselves in one of the island's walks.
Though some attempt had been made to maintain the island as the great  
botanical garden Kitchener had initiated-here and there massive leaden labels with exotic  
Latin names and distant countries of origin still hung suspended round trunks, and from  
time to time they saw gardeners at work -the place had a charmingly haphazard and  
unkempt quality. It had literally run to seed, and bred the pleasing air of a once stern  
scientific purpose succumbed to the mere existing of shady vistas, countless birds,  
coolness, simplicity... the simplicity of the finest Islamic architecture, of centuries of  
folkknowledge exercised on sanctuaries against the sun. It was an Aihambra composed of 
had remembered it -one of the loveliest and most civilized few acres in his knowledge of  
this world, a tropical bonne vaux. He was careful not to prompt Jane, but she too fell for  
the place at once. They had strolled hardly a hundred yards before she touched his  
sleeve.
'I want a house here, Dan. Please.' 
He grinned. 'That's what Andrea and I felt.' 
'It's like a Douanier Rousseau version of the Garden of Eden. And how clever  
of you to think of it for your film.'
'I hope they'll use it. It'll make a nice point of return.' 
After a while they sat on a bench in one of the sidewalks. There were other  
strollers on the main paths, specks of distant colour who idled through the sunshot  
shadow like figures not from a Rousseau, but in a Manet or a Renoir. They discussed  
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what they would do those next two days, the other things to see, whether they should fly  
down to Abu Simbel or not... a number of their fellowpassengers were going to do so, the  
Hoopers had reported it was worthwhile, or so they'd been told, just for the vast  
landscapes of Lake Nasser -and the engineering side of it, of course, the 'fantastic' raising 
of the temple from the ancient site. Jane had resisted the idea on the cruise, but now she  
gave way, one might never have the chance again... the day after next, they decided.  
Then a band of some dozen or so young Egyptians came by, a mixture of boys and girls,  
in European clothes. There were looks, things said, as they approached the two  
foreigners. And as they passed one of the boys cried, as if it were a joke, in English,  
'Good morning!'
Dan smiled and said, 'Good evening.' 
'Ingleesh?' 
'English.' 
'Very good. Ingleesh very good.' 
And suddenly the kids gathered round Jane and Dan, in a close little crescent,  
amused brown eyes, the girls biting their lips.
'You make holiday?' 
'Yes. And you too?' 
pretty, less broadfaced than most Arab women, with long dark hair and finely shaped  
eyes.
'We have free day today. No work.' 
'Speak Ingleesh very good,' said the first boy. 
She was shy, but she did speak better English. Her father was an engineer at  
the Dam, a year ago a young sister had had to have some complicated heart operation,  
and she had spent three months in London with her mother and the sick sister. She was  
seventeen, she and her friends were from the leading high school in Aswan. She wished  
she could live in Cairo, they all wanted to live in Cairo, or Alexandria. It was too hot here,  
too 'dirty'. Jane asked if it ever rained.
'I live here two year, I never see rain.' 
There were giggles from her companions as she spoke, murmurs in Arabic, and 
every now and then her dark eyes would flash sideways reproachfully at whatever taunt  
she was receiving. She talked mainly to Jane, and the others began to drift away, until  
only the gazelle-eyed girl and two others were left. They learnt English at school, but they  
had to learn Russian as well. They didn't like it, but it was the law. They liked English  
much better. She wished she could find an English pen-pal. 
Jane smiled. 'If you give me your name and address, I'll try to find one for you  

when I go home.' 
The girl bit her lips, as if set back by this direct response, and said something in 
Arabic to one of the other girls. Jane reached in her rush-basket and produced a pencil  
and a pocket-book. The girl hesitated, then urged silently on by one of her friends, sat  
beside Jane and laboriously printed out a name and address. 
'Which would you like -a boy or a girl?' 
'A boy?' Again she bit her lips. 'You will not forget?' 
'Of course not.' 
'You are very kind.' oo One of the boys called back impatiently from the  
opening in the main path.
'I must go. We have boat.' But she stayed sitting a moment. 'You have  
daughter?' 
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'Yes. Two daughters.' 
Impulsively, quite without warning, the girl took the long necklace of beads she  
was wearing and ducked her head out of it, pulled it free of her long hair, then put it on the 
bench beside Jane's basket.
Jane said, 'oh but...' 
The girl was standing and made a bowing gesture, her hands folded one over  
the other between her breasts.
'Please. Nothing. So you will not forget.' She bobbed again. 'I must go now.' 
Jane picked the beads up. 'But really I...' 
The girl opened her hands as if to tell Jane it was fate, the deed was done, she  
mustn't remonstrate -then suddenly she had snatched one of her companion's hands and  
they were running away like girls half their age. There was a suppressed shriek of  
laughter, as if they had done something enormously daring. Their friends gathered round  
them on the main path to find out what it was all about. There was more laughter, but as  
they turned away the group waved back through the foliage towards Jane and Dan. She  
stood, they both waved back. Then she stared at the beads in her hands. They were  
brown, polished, some kind of seed. Her eyes, amused, still a little aghast, sought Dan's. 
'What an extraordinary thing to do.' 
'As long as they aren't coated in some deadly poison.' She threw him a look for  
such an unkind thought, then, as if to contradict him still further, sat and slipped the beads 
'Wasn't she pretty?' She examined the beads again, then lifted them and  
sniffed. 'Oh they've got some strange scent. Like patchouli.' Dan bent forward and smelt  
the end she held out: a musty sweet fragrance.
'Mm.' 
She sniffed at them again herself, then murmured, 'It's so sad. All these young  
people so eager to make contact.' oi w 'I was just thinking -what could any Israeli boy in  
his senses want to do to a face like that? Except kiss it.'
'I wish Paul was a year or two older.' 
'You could always try. She might enjoy the monthly ten pages on medieval  
English hedge-systems.'
this trivial gift, they were obviously bazaar beads, of no value, had moved her, penetrated  
that old openness to, recognition of, right feeling. He left a silence, then said in a lower  
voice, 'Are you really happy to be alive again, Jane?'
'Yes.' 
'I've enjoyed these last few days so much more than I thought I would. Which  
sounds terribly backhanded. But it's true.'
'Not fair. You've pinched my speech.' 
'Writer's privilege.' 
did need something like this.'
'And you'll leave the past behind now?' 
'What I can of it.' 
'You've done your penance.' 
She made a sideways movement of the head. 'By Ave Maria standards.' 
'Come on. What was that existentialist bit about using the past to build the  
present?'
'I think that really derived from the famous pre-Sartrean philosopher Samuel  
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Smiles.'
He persisted. 'But at least the journey hasn't been quite wasted?' 
'Of course not.' 
'I don't want to leave it behind here, Jane. That's all.' 
She didn't even answer that, but gave a small nod. She sat with her head  
bowed, quite unintentionally with something of the shyness of a schoolgirl, as if it had  
straightened and looked up through the trees before them. What he had, taken as  
embarrassment was perhaps simply thinking along other lines. 
'That night... when he killed himself. What upset me so much was the feeling  
that he'd just turned me into an impediment. A sort of white elephant.' 
'That's ridiculous.' 
'I'm not defending what I felt, Dan. It wasn't a gender thing whatever I said  
afterwards. just that I felt I was relegated to being a burden on other people's  
consciences.'
'Which is what they're for. If it was true.' 
'I think what this experience has done has made me see I never tried hard  
enough with Anthony in the last years. That's really why I cried this morning. But that in  
turn's because I feel better in myself. Less hysterical.' She gave him another partial  
side-glance. 'Whatever unfair demand was made of you in that last unofficial testament,  
consider it fulfilled.'
'It wasn't unfair. That was what I was trying to sayjust now. I've also been  
realizing something here, Jane. How much I lost you both over all those years. The debt  
goes both ways.'
She smiled. 'You should have been a diplomat.' 
'The last thing I meant to sound.' 
'I think my debt is much larger.' 
'Why?' 
before.
'I think it's time I tried the reality of independence. Instead of leaning so much  
on kind friends and daughters.'
'Perhaps they like being leaned on.' 
'Not fair to them. Or to myself.' 
'So you must leave it behind here? Otherwise you'll be back in prison?' 
She said wrily, 'I'm not putting this very well.' 
'Then try again.' 
'It'sjust that... 
'Just what?' 
'Whether in the long run kindness is what I need. What should be prescribed.' 
'Is this a theory of your lady doctor friend's? 
'A little. She is quite strong on self-reliance in her female walking wounded.  
Rather aggressively so at times. But I think she has a point.' 
'And all males are to be feared, especially when bringing gifts?' 
'I'm giving a wrong impresssion of her. She doesn't spread that creed at all.  
Much more that one should face up to the evidence of one's own past. That where there's  
a wrong man there's usually a wrong woman as well.' 
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'Did you consult her about coming?' 
'As a friend. Not as a doctor.' 
'What did she say?' 
'That it was time I learnt to take my own decisions.' She shook her head, as if  
that were not quite the truth. 'And that I did need to get away from things.' 
There was a silence. Through the trees Dan saw the French party from the  
two of them looked across to where he and Jane sat. But Alain and the photographer  
package disintegrated, the illusory togetherness dissolved. He spoke more lightly. 
'Then I must learn to be unkind?' 
She smiled. 'Understanding. To someone who's much more grateful than she's  
managing to sound.' He said nothing, and after a moment she put her hands in her  
coat-cardigan pockets and went on. 'You've lived a so much richer life than I have, Dan.' 
'Are you sure you don't mean more corrupt?' 
'No, not at all. Just... with different values.' 
'Which you mistrust?' 
She hesitated. 'Which I fear a little.' 
'Why?' 
She showed a pressed, reluctant mouth, someone trapped in a chess-game,  
and did not answer for a few moments.
'You're very successful -sure of what you are. As you have every right to be. In  
a sense I'm onlyjust facing up to something you did over twenty years ago. Leaving  
Oxford.'
'What on earth makes you think knowing what you are is the same thing as  
being sure of it? Or even liking it?'
time it turned out to be a very old one.
'It's probably something to do with male and female minds. You said at  
Thorncoinbe -I understand how you feel about your work. But I don't even have that. A  
direction ahead.'
'You have a political one.' 
She took a breath. 'My feelings there change every day. It seems like every  
hour sometimes.' She stared at the gravel on the other side of the path. 'I think the curse  
of my life is having been born with a small gift for acting. Hating being able to pretend I'm  
someone else. Then using what I hate to be it.' He had reached an arm along the bench,  

wondering why she was so deaf to it. In the end she said, 'I don't know quite know how we 
got into all this.'
'For a very simple reason. I don't want you to think I shall breathe a huge sigh  
of relief as soon as we land at Rome.' She looked down, as if she were unconvinced. He  
took his arm from the back of the bench and leant forward with his elbows on his knees.  
'Jenny's very young, Jane. With her I have to live very much in the present. In today. The  
past becomes like an infidelity, something one has no right to remember or refer to... like  
a past mistress. You've given me a quite marvellous relief from all that.' He left a pause.  
'That's my debt.' He added, 'And I won't have a perfect travelling companion going  
independent on me like this.' 
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A moment, then she shifted slightly forward, gathered the handles of her  
'Not quite perfect. Actually she must have a wee before she goes sailing again.' 
'There's a place at the end.' 
They walked down towards it, more briskly. It was cooler now. He held her  
river and the shadowed cliffs o5 beyond. In some way the conversation had gone wrong  
chasing its own tail. He felt a distinct irritation, with himself as well as withJane. He  
thought ofJenny, of a letter he had written her, in his cabin, nearly ready to post. He had  
already lied in it, claiming he had tried to telephone her from Luxor, but had been unable  
to get a line.
Lies: not really saying what one felt. 
Uncannily there came to him a faint echo of his experience outside the  
rock-tombs of an hour or two before. This time it was more with a sense of truancy: he had 
no right to be standing there, in this remote corner of an unknown country, he had  
forgotten what he was doing, the afternoon was somehow spellbound... he felt strangely  
purposeless, and he almost shook himself physically. It had also something to do with that 
little Egyptian girl, with her liquid almond eyes, the tight jumper she had been wearing.  
Watching her talk to Jane, he had approved her sexually, even jumped on to finding some 
tiny part for her in the film, in his early days Kitchener must have been offered such  
creatures... and he also knew, it had been building up, that the real scenario that was  
haunting him was not Kitchener's, but his own. He was approaching a fork, the kind of  
situation some modern novelists met by writing both roads. For days now he had been  
split, internally if not outwardly, between a known past and an unknown future. That was  

where his disturbing feeling of not being his own master, of being a character in someone  
Jane came beside him and took her basket back, and they returned to the  
felucca. This time they went south, heading for the old Cataract, where Dan wanted to  
confirm their room bookings. The breeze had dropped and they drifted slowly through the  
islets, rocky and green, oddly Nordic, in the middle of the Nile. There was an obscure  
distant wail from the town, floating mournfully on the still evening air: the muezzin, relayed 
through loudspeakers. Oinar asked Dan to take the tiller, then he and the boy knelt in the  
bows, facing Mecca, muttering, touching their foreheads to the deck. Jane and Dan sat in  
silence in the stern, embarrassed, like all intellectuals presented point-blank with simple  
faith. But when the helm was restored to the boatman, Jane murmured, 'I may not have  
my house yet, but at least I've picked my chauffeur.'
'Wouldn't it be nice. What would you do?' 
'I'm sure I should find something.' 
'Good works.' 
'Of course.' 
'The Angel of Aswan.' 
She smiled. 'With her out-of-tune harp.' 
After a moment he touched her hand. 
'You're not cold?' 
'I don't mind. The light's so beautiful.' 
They arrived where the river ran beneath the gardens of the famous old hotel.  
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Omar would have waited still, but Dan paid him off, they would walk along the corniche  
appointment. He would take them again to Kitchener's Island. They climbed up through  
the gardens. The interior seemed mercifully not to have changed: the same pierced  
screens, huge fans, tatty old colonial furniture, stone floors, silence, barefooted Nubian  
museum-like. Dan settled Jane at a table, ordered drinks, then went through the arched  
about seats to Abu Simbel. They were lucky, there were two left for the day after  
tomorrow, and Dan took them. Finally he asked the girl to get him a Cairo number and  
went into a booth to take the call. 
Jane had nearly finished her beer when he returned and sat. 
'Sorry. I thought I'd better give Assad a ring. He sends his regards.' 
'I've been happy just sitting here. Absorbing the ambience.' 
'If only you had a nice print dress from the Thirties.' 
'And you in your linen suit and old school tie?' 
'I think I'd have gone native, actually.' 
'That reminds me. I must buy one or two galabiyas before we leave. 
'Me too. For Caro.' 
'I'm wondering if I ought to cable Anne to confirm Monday. If the post's as  
unreliable as everyone says.'
He hesitated, staring at the brass table between them, then smiled up. 'Could  
she stand a delay of three days?'
'Why?' 
He looked down before her eyes. They were suddenly alert, faintly alarmed. 
'We can fly back to Europe by Beirut. No extra charge. It only takes a few hours 
to get to this Syrian castle of yours and Palmyra. One can stay the night there. Then on to 
Rome.'
Her shoulders slumped. 
'Dan. This is wicked.' 
'Wonders of modern transport.' 
'But you know I feel bad enough already about - 'You can pay me back in  
twenty-four monthly instalments.'
'That's not what I meant.' 
'You have to go by taxi. The Syrians won't let you in otherwise. They're very  
cheap. Assad says thirty pounds at most.'
She folded her arms, sat up again. 
'Is this why you rang him?' 
'It may not come off. It's the Mecca pilgrimage season, and they apparently all  
go via the Lebanon. But he'll try and wangle us seats.' He eyed her blandly, pressing a  
smile out of his mouth. 'At this very moment Madame Assad is ringing her sister to find us  
a good driver.'
She said nothing. Then, 'I feel shanghaied.' 
'Wrong country. Valentinoed.' She was not amused. 
'I've got so much to do at-' 
'You shouldn't have played up so to the Hoopers.' 
'I was only trying to be polite.' 
'Now you must suffer for it.' She gave his smile a doubting look. He said, 'Be  
brave. Palmyra's like the other place. Worth a mass. Even Assad says it's not to be  
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missed. I'd like to see it too.'
'Your script...?' 
'Three days' rest will do it no harm at all.' 
'Doesn't one need visas?' 
'They give them at the frontier.' He bit his lips, aware that her primness was  
fighting a losing battle against something tempted in her. 'Scout's honour.' 
But he was not yet off the hook. He had her brown eyes again, suddenly very  
intellectual and authenticity-obsessed eyes, accustomed to dissecting ethical problems  

with a microtome. 
'Have you been planning this, Dan?' 
mumbled, like some small boy accused of cheating by a dragon of a headmistress, a truth  
he did not expect to be believed.
'No. And please.' 
In the Silence of Other Voices
They had no time alone together, the rest of that evening, their last on board the ship. For 
a few minutes in his cabin while Jane changed, Dan read through his unfinished letter to  

jenny. He had written to amuse her, playing down the pleasures, exaggerating the  
boredoms... to suggest there was nothing very much to envy. It was not even honest at  
drawing-room socialist being taught reality -and virtually nothing about his own deeper  
feelings and perceptions, it was a tissue of lies by omission, a cheap throwing of dust, an  
odious placebo, an insult to all her own recent written honesties. He crumpled the pages  
up, opened the cabin window, then let the ball of paper fall into the Nile a few feet below.  
It drifted sluggishly away, disappeared. He found a postcard of Kitchener's Island he had  
bought at the Old Cataract and wrote the following.
Set this with New Mexico, Jenny. I've fallen in love all over again with it. Water,  
silence, leaves, peace, out of time -too good for filming really. Though mercifully its real  
self can't be filmed. If this beautiful and noble river had one central place. It's all helped  
the script, more than I expected. And Jane. He hesitated there, half a minute or more,  
then went on writing. I was right to bring her. I think it has helped. We'll be here two days,  
then back by Beirut to visit a place called Palmyra two other passengers have sold us on.  
See you soon. D.

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difficult future there, a marriage that must break one day. Dan had managed the grace, at  
dinner, to tell the couple that Jane and he were taking their advice and hoping to visit  
Palmyra on their way home. If the Englishman in him disliked having to concede that their  
opinion on such matters was worth something, a less snobbish self was amused, and  
showered new descriptions, unnecessary advice, Syria itself was drab as all hell, a real  
police state, you had to watch with cameras.. Jane did not say much, as if to warn Dan  
that she still did not totally approve this wild departure from plan, but he felt that at least  
she seconded the little fillip he gave to the American pair's lack of confidence. 
The next morning they hired a droshky and were trotted with their bags to the  
hotel. There was a cable waiting from Assad. They had air reservations for Beirut, and a  
hotel, a car and a driver booked there. Whatever last reservations of the other kind Jane  
harboured were quelled, and she sent her cable to Anne about the postponed arrival in  
Rome. They went shopping, and bought their galabiyas. Then they drove to see the  
the submerged columns, shadowy shafts in the translucent green water. An exquisite light 
shimmered and danced on the parts that rose into the air. They and the guide were rowed 
by two old men, with scrawny wrists and mummified bare feet. Every so often, on the long  
haul, the pair would break into a strange question-and-answer boatingchant, half sung,  
half spoken. Work on transporting the temple to its new site, the guide proudly told them,  
abusimbelized. They didn't argue with him, but voted it a vulgarity, the whole project, over  
no longer ran a restaurant.
The place was crowded, mainly with Russians working at the dam, though they  
saw and nodded to some of their recent fellow_ passengers from the cruise. But the  
Russians seemed to dominate the place: stolid-faced men and solid women, seemingly all 
worse, a ghastly hybrid between bad Egyptian and bad European interior decoration. It  
seemed particularly unforgivable with the model of the calm and elegant older hotel so  
decent architectural principle butchered on the altar of Mammon and Chauvin. 
'Christ, one might as well be in Miami.' They had just sat down at their table.  
'Even the people look the same.'
Jane murmured, 'Aesthete.' 
'Sorry.' He cast sarcastic eyes down the long room. 'I was forgetting how  
socially useful they all are.'
hideousness of the restaurant, at the memory of Philae, at Jane herself, very nearly made  
him force an argument on her. But then he remembered Philae again, the green water, the 
shadows, the way a ray of reflected sunlight from outside one of the cellae had  
momentarily caught her face, lighting it from below in a way that was natural in itself, yet  
artificial in ordinary terms: a strange softness, a gravity, she had been looking down  
through the water. It would have made a lovely photograph, but the moment was too  
Many years before he had taken a brief interest in the Zen philosophies then  
popular in California, and discovered, with some surprise, that there were parallels with  

what he had always thought of as a product of his English country childhood, a mere way  
of looking at things induced by solitude and repression. Moments of intense vision had  
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then always seemed an escape from the monotony of predictable weeks and years. He  
was too English, of course, to take Zen very seriously as a philosophy, but it had  
strengthened in him a feeling that some inner truth lay in the perception of the transient.  
He would have been embarrassed to define and justify it, but it lay somewhere in the  
demanding or expecting more of the present than it was usually prepared to give. This  
was why, for instance, he had no deep political convictions, since they must depend on  
his actual feeling of irritation to the experience of Philae, a present about to disappear for  
ever, and to this crammed horror of a restaurant, a present one wished would disappear  
would-be socialist and independent self, a present that barred him from what little was left 
of the first kind.
All this thinking took place against a resumption of their conversation: about the 
shame of raising Philae, their afternoon plans, the food... but that one brief glimpse of her  
face in the haunting liquid and mobile underlight inside the temple had, so to speak,  
signalled the arrival at the fork, his growing feeling that some choice was very close, he  
distinctly sensual. Even as they talked about the afternoon, he knew he would really  
prefer to spend it, very close to her, saying all these things he could not bring himself to  
exercise, perhaps even a little to exorcize, a deep and growing affection. 
past, his lifelong need for emotional relationships with the female, with mother-substitutes, 
or younger women carefully if unconsciously chosen to avoid that accusation, if such it  

was. He speculated again whether Jane was not indeed taking a small revenge by  
remaining so adamant over frontiers, so implicitly certain that no sexual current could  
pass between them because she did not possess that kind of attraction any more. But he  
dismissed it. She was simply too proud, or too sensible, or too sure that she felt no  
equivalent being drawn towards Dan himself-the humiliation was his also, in other words.  
He kept thinking ofJenny, too. His childish old vice: wanting the impossible, so living it in  
his mind.
They found the silent Omar duly waiting when they went down to the landing  
bank. This time they landed below the Aga Khan's mausoleum, then walked a mile over  
the dunes to the ruined Coptic monastery of Saint Simeon: vandalized by six centuries of  
Bedouin nomads, but still a powerful ghost.
contrasting, beauty to that of Philae. They spoke of what was before them, like dutiful  
tourists, but Dan grew increasingly conscious of all that was not being said. It was far  
him almost silly, painfully adolescent-to have to think twice, as he did, about reaching out  
a hand to help her over rubble or on the erratic stairs to the upper terraces of the  
When they returned to the river, Omar took them back across to Kitchener's  
Island again. They wandered and Dan took some unnecessary photographs. Then they  
sat for a while, in a different place, a more formal garden over the river, among beds of  
gerberas and geraniums. It seemed to Dan that they had regressed since the previous  
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not thinking of him, or their relationship.
They went to their separate rooms as soon as they returned to the hotel, earlier 
miserable half-hour. In the end he telephoned up from the desk. She had fallen asleep.  
She appeared ten minutes later, her face clasped in her hands in mock dismay, as if he  
might never forgive her.
They found their table had gone, the huge room seemed even more crowded  
than at lunch. But there was a voice. It was Alain and the photographer, there were two  
seats at their table. Dan would have refused, but Jane seemed to welcome the idea. She  

was suddenly more animated, as if relieved to have someone else to talk to. 
The talk was about Philae, where the two Frenchmen had also been that day:  
the pros and cons of raising it. There was no argument there, they were all against, and  
then, as if they must find something to disagree on, they somehow moved to general  
attitudes towards public art, what mattered most, utility or good taste. Dan, who lacked the 
courage to be as silent as he felt, put a version of his thoughts earlier that day: being was  
now and anything that destroyed or diminished the quality of life now-let expediency trump 
taste -must be inherently wrong. Jane thought that if the choice was between ugly building 
and no building, when there was a need, then... it went on and on, social art and socialist  
art, the onus on education. Gaullist elitism, gloire and patrie... a cloud of words. They  
began to distress Dan, and he said less and less. Alain sided with Jane, and he felt  
almost like snarling at times -the absurdity of this sophisticated conversation, use of  
language, being employed to argue a jettisoning of all other intellectual and artistic  
values, pell-mell, before the enormity of the socialist task: it seemed to him suicidal, a  
secret death-wish, precisely what Lukacs had been essentially arguing against: the notion 
that the despised bathwater did not also contain babies. Yet he said nothing. 
In fact the conversation split in two -Jane and Alain slipped into French, though  
still, as Dan could tell by the occasional word, discussing politics, while he and the  
photographer, who had done stills work in the past and knew the French industry quite  
well, started talking shop. He kept up a fa ade of interest, but one ear was listening to the  
other side of the table. He came away convinced thatJane had been using her  
table-companion to demonstrate to him the reality of that business of 'different values'. 
At last they were walking back to the older hotel together. Alain and the  
photographer were going on to some nightclub, but Dan and Jane had declined the  
invitation to join them. They had to get up early to catch the plane to Abu Simbel. 
After a few steps in silence, she said, 'I'm sorry. You wanted to leave.' 
'It doesn't matter.' 
'You should have given me a discreet kick on the ankles, Dan. 
'Because you were enjoying it?' 
'Because I was slow realizing that you weren't.' 
'Never mind. It's that damned restaurant.' 
She left a pause. 
'Are you sure you want to go to Abu Simbel tomorrow?' i 'Don't you? 
'Yes, but... I mean, if you'd rather go off on your own. Your work.' She added  
self-mockingly, 'You worry me. I thought you'd be frantically scribbling notes all the time.' 
'Appearances aren't myjob.' 
'I forgot. Just the soul.' 
'Plus dialogue.' 
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They went into the Old Caratact. He thought of suggesting a night-cap, but  
decided his greatest need was to punish her... or perhaps, himself. He fetched their keys  
and they climbed the stairs. Their rooms were several doors apart. She reached out and  
took his hand as they came to hers, and pressed it a moment, staring at the tiled floor. 
'Are you sure it wasn't me?' 
'Of course not.' 
and released it.
'Sleep well, Dan.' 
'And you.' 
faint, obsessive sound of Arab music from some cafŽ loudspeaker on the waterfront to the 
shutters and stood smoking, wallowing a little in an attack of the traditional  
twentiethcentury nausea: the otherness of the other. Everything was other: one's faults,  
one's situations, one's blindnesses, weaknesses, sullennesses, boredoms. They stood as  
unpossessed, as alien, as indifferent as the tired furniture in a tired room. He looked at his 

watch. It wasjust after eleven. 
He went to get a yellow pad out of his suitcase, with the intention of sketching  
out the scene where Kitchener encountered his ka in the guise of an ancient monument.  
But then, seeing the Lukacs book lying there, he took that out as well, and turned to a  
passage he had read on the boat and marked, since he had seen a relevance in it to  
Kitchener. It was in the disquisition on Walter Scott.
The 'hero' of a Scott novel is always a more or less mediocre, average English  
gentleman. He generally possesses a certain, though never outstanding, degree of  
practical intelligence, a certain moral fortitude and decency which even rises to a capacity 
for self-sacrifice, but which never grows into a sweeping human passion, is never the  
enraptured devotion to a great cause.
And having read that, Dan's eyes flicked to another passage, a little earlier in  
the essay, that he had also marked.
Scott ranks among those honest Tories in the England of his time who  
exonerate nothing in the development of capitalism, who not only see clearly, but also  
deeply sympathize with the unending misery of the people which the collapse of old  
violent opposition to the features of the new development repudiated by them. 
Mirrors: he knew why he had marked those passages and who was really being 
defined, and it was neither Scott nor Kitchener: but his own sense of defeat. He might  
have turned a page and seen how Lukacs defended Scott and average heroes against  
the Romantic and demonic type of protagonist brought into popularity by Byron. But he  
had already read that, and seen in it nothing but literary criticism: not a partial defence of

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extent of one's own inability and -in Dan's case -a contempt for his own safe, aided,  
compromising and communal art. His one hope had lain in the theatre, and he had stifled  
He suddenly saw the proposed novel as a pipe-dream, one more yearning for  
the impossible.
The terror of the task: that making of a world, alone, unguided, now mocked,  
like some distant mountain peak, mediocrity in his dressing-gown. He could never do it.  
Never mind that what he felt was felt by all novelists, all artists, at the beginning of  
creation -that indeed not feeling the terror was the worst possible augury for the  
artistic creativity, but the face he had said good night to in the corridor outside. 
The cobbler and his last: taking sanctuary in his certain degree of practical  
intelligence, Dan put Lukacs aside, sat down and began working on his scene. Half an  
hour later he was re-reading the three pages he had filled. He started striking out  
dialogue. Gradually it became clear that the gist could be conveyed in the way Kitchener  
could all be done in the silence of other voices, was better so. 
Dan wrote a second draft, only a page long now. He knew it was the kind of  
problem. But he circled that one phrase as he re-read the new draft: in the silence of other 
voices.
Then he went to bed, able to sleep at last. 
Flights
They did not enjoy their day at Abu Simbel.
The civilian airport at Aswan had been taken over by the military, and they were 
driven many miles out into the desert, it seemed halfway back to Luxor, to find the  
temporary replacement. The flight south, over the moonscape and amoebashaped islands 
of Lake Nasser, the limitless rippling dunes of the Nubian desert, was spectacular  
factitious, a quite literally monumental waste of effort and money. Dan felt it most strongly  
inside the artificial hill raised to buttress -once more -the megalomania of Ramses II.  
Inside, it was a vast iron-plated cupola, a maze of steel ladders, generators, machinery...  
yet more misguided ingenuity, Ramses redoubled. It reminded him of a stage on a  
They snatched a quick packed lunch by the water's edge, facing a horizon  
he began to fear Syria, the possibility of the same boring and dusty journeys to nowhere  
for nothing.
However, he hid his feelings better than he had the evening before. Jane  
helped, at least by playing the perfect travelling companion in a more literal sense than  
Dan had meant -by making light of the day's minor setbacks and disappointments.  
Secretly this cautious, solicitous role grated almost as much as the argumentative one of  
the previous day. It was all very well knowing she was being nicer than she need as a sort 
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consideration for him. It seemed to him much nearer gentility than a true gentleness. But  
he could not complain.
They finally got back to the hotel about half past four, and had tea. When he  
asked her at the end of it whether she felt like a last--ig visit to the island before dinner,  
he half wanted her to refuse, to let him go on his own, so much had her presence beside  
him that day resembled an absence.
'Do you want to go alone?' 
He very nearly betrayed himself. But then he remembered the tears at Kom  
Ombo, and what happened if one turned on Eurydice during her ascent from the  
underworld.
'No. But if you've had enough...' 
She was smiling. 'I was rather hoping you'd suggest it. I prefer that as a last  
memory.'
There was a thin veil of high cirrus over the sky, but it was warm. The usual  
breeze seemed less, and a lethargy hung in both sail and landscape. When they came  
under the lee of Elephantine Island, the two boatmen -they had failed to find Omar again  
-began to row. But their destination seemed, in spite of their growing familiarity with it,  
even more delicious in its airy peace, its birds and water, after the dead landscapes they  
had driven through and flown over earlier in the day: a remarkable place, it had an almost  
human personality, vaguely feminine, at somehow touching variance with the character of  
the man whose name it bore. It also remained English in some mysterious way, behind  
little shocked at dinner the day before to detect indifference in Alain and his friend, as if to 
them the island was just one more jardin public. The two Frenchmen had been much more 
enthusiastic about a Bisharin village they had visited.
NowJane and Dan strolled for a while, talking about French taste, its obsession 

with the formal, style as thought. Dan felt at last more relaxed, in sanctuary again. They  
sat to restJane's leg, it was aching, on the steps of a crumbled jetty at the southern end of 
the island, over the water, in the thin declining sun and listless air. 
Jane leant back, her hands clasped round a knee, looking at the water below  
them.
'I came to a decision last night, Dan.' 
It was unexpected, and he glanced at her. 'Yes?' 
She shrugged. 'Nothing very momentous. But I think I'll definitely try for a  
teacher-training course when I get home. If I can find a place.'20 She gave him a smile, as 
if she hoped this modest crossing of the Rubicon would please him. He remembered he  
had backed the idea when it had come up at Thorncombe. But now, for some reason, he  
read a rejection in it, yet another translating of 'different values' into practice -and saw her  
behaviour that day in a new light. Perhaps she had simply felt the contented peace of a  
resolution taken.
"What's made you decide?' 
'I've been thinking about it quite a lot these last days.' She added, 'And  
something you said last night. About the world people want becoming the enemy of the  

world that exists. Selling the present short, as you put it.' 
'I'm not quite sure how you teach that.' 
'Nor am I. But I think it might be good for me to try to find out.' 
She spoke with a kind of dull brightness, like that in the light around them. 
'Now I feel I've corrupted a revolutionary socialist.' 
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'It was high time she was suborned. Not from socialism. But into something  
more realistic.'
He detected a patness in her voice, as if everything was clear now: a nice  
simple duty lay ahead, she need never bother him again. It was rather as if she had asked 
for a direction and was thanking him, with the careful politeness of urbans to rustics, for  
providing it before she drove on.
'I thought I was sowing on stony ground. Last night.' 
'You must make allowance for the fact that I'm only just beginning to realize that 
I've always been under Anthony's dominance intellectually. Even when I disagreed with  
him.' She stared at the water swirling idly past the dilapidated foot of the steps on which  
they sat. 'I've forgotten what it's like being with someone who keeps suggesting he's  
probably wrong.' She said in a lighter voice, 'Especially when he knows he's generally  
not.' She leant forward and picked up a longtoothed leaf by her shoe, began smoothing it.  
'I have an awful feeling I hurt you that first afternoon here, Dan. By different values I didn't 
mean inferior ones.'
'No. I understood.' 
from resentment: into self-reproach, for having doubted her sensitivity to the unsaid. 
'I meant really to suggest doubt about my own. It's like changing into a remote  
key. Not quite knowing how one does the modulation.'
'Now I think something else is being sold short.' 
wrily, she knew better, though she would not argue. Silence fell, as if they were doing no  
more than kill time, chat idly, waiting like the fellaheen for a train that would never come.  
He had a return of the sense of unreality, of being outside himself, that seemed to have  
strongly tinged with fatalism. He even asked himself-do I really want this resolved? Was it 
not merely some revenge of his childhood self, permanently unforgiving of its  
deprivations, on his adult philosophy of detachment? Perhaps that was why he had fled  
so long ago to the cinema, to its obsession with 'moving somewhere', with peddling opium 
to the intellectually deprived.
Anyone intelligent who went in for the medium commercially must have a  
infatuation for a deeper relationship with far more than the ambiguous woman beside him  

went against every practical lesson he had learnt from life. That with Jane it would, if  
carried to a conclusion, lead to a closing of all kinds of sexual and career and domestic  
options worried him a great deal less than the prospect of an irreducible obstinacy, a  
permanent psychological awkwardness she would bring. She was again wearing the  
could ever abrade.
doubt saw him as far more worldlywise than he was, so he saw her -still like some  
freshman unable to credit the old quip that every don is half a donkey -as the product of a  
finer honed moral world. He remembered the sitting beside another river so many years  
before... at least one had had the wit, the poetry, as well as the will, to take risks then. 
'So what shall you teach -the river between?' 
faintly prim voice again. 'I shall teach set texts and French grammar. Racine and Balzac  
and the agreement of past participles.' 
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'Pearls before young swine.' 
while, the advantages of teaching children as against adolescents. It was a little to do with 
Paul, she felt he had not been well handled at his school in those years. 
Dan realized, of course, that all this was being presented as an apology, as her 
way of saying that this new-found affinity between them was more important than  
gained and so on. But he had a sharp inner feeling that it was a decision almost as ibsurd  
schoolmarm. She must have sensed his underlying disapproval, for after another silence  
came, she had gone back to holding her knees and staring across the river, she said, 'I  
must do something, Dan. You can't imagine how strongly I feel I've wasted my life and-'  
but she broke off. 'Not my life. But things I could have given life.' 
'We've all felt that, Jane.' He added, And done that.' 
'But not quite with my consistency.' He said nothing, and after a moment she  
challenged his refusal to comment. 'You still think this isn't the right answer?' 
'My dear girl, it's up to you. If it feels... that famous instinct of yours.' 
'But?' 
He murmured, 'Chateau Lafite in a tin mug?' 
'That's not fair to the tin mug. And an absurd overrating of the wine in question.' 
He stared out over the river to the shadowed far shore. 
'I don't know how people like us were meant to live this age, Jane. When it  
gives you only two alternatives... feel deprived or feel guilty. Play liberal or play blind. It  
seems to me that either way we're barred from living life as it was meant to be. I think if I  
ever had another child, I would pray that it was subnormal.' 
'That's a terrible thing to say.' 
'In a world where the future gets more horrible to contemplate every day?' She  
gave him a sceptical look. 'Oh yes. I travel. I write. I meet film-stars. I'm a very lucky  
fellow.' He added, 'The last of the ancient rŽgime.'
His voice had been dry to the point of bitterness, and the delay in her answer  
underlined it.
'Then it is a privileged form of pessimism.' 
'Of accidie. Powerlessness.' 
'It's not very obvious, Dan. I think most innocent strangers would say you've  
acquired a rather formidable sense of balance.'
'Alias the deadweight of inertia.' 
'Which still somehow manages to produce very literate scripts. Seen by millions 
of people.'
'And forgotten by them. The next day.' 
'You're being naughty.' 
He smiled, half conceding the reproach. 'It's not very difficult for people who  
never take risks to seem balanced.'
'But even to seem requires some kind of effort? I should have thought a  
courage also.'
'I don't think so. When it makes daily life easier. In an unbalanced world it can  
only be a kind of surrender.'
'For so many years I've only known you through Caro's eyes.' 
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'As a lousy father.' 
She said gently, 'A difficult one.' 
'All those mirrors and masks in my room when I was a student. I think theyjust  
about summed it up.'
'You should have tried the alternative. Surrounding yourself with booklined  

walls. And minds.' 
They were both staring across the water at a trading felucca. It moved slowly  
down beneath the sandy cliffs opposite, floating on the current. He gave Jane's face a  
surreptitious glance. There was something both set and peaceful about it, keeping its own 
restored between them and knew she could not be totally unware of it... that they sat on  
that remote, forever past, other river bank again. Forever barred, forever close. He  
remembered the phrase he had circled in his draft scene the previous night. Their truth  
lay in their silence, not the other voices of what they had just said to each other. He knew  
he wanted to speak, he was a man on a brink about to plunge: to make it explicit, she  
must feel it, she must know... yet something held him fatally back. Doubt of her, doubt of  
himself, fear of rejection, fear of response. Suddenly she tilted her head a little towards  
him, smiled.
'You're spoiling my good deed for the day.' 
He had been right to stay silent. 
'What was that?' 
'Cheering you up.' 
'I hate last days in places.' 
'But you'll be back when...?' 
'I doubt it. Anyway. I shall miss my perfect travelling companion.' She smiled  
noted, used this mention of perfection to prove a mundane opposite. 
'I must have a bath and wash my hair before dinner. All that dust.' 
'Yes, so must I.' 
But he did not move, stared down at the water. She gave him a scrutiny, a  
moment, then she silently stretched out a hand and gave his wrist, beneath the sleeve ot  
his coat, a squeeze of encouragement, sympathy, tacit appeal, he didn't know, except that 
this time it was not meant to say more than affection and friendship. Even if he had  

wanted to reach and hold the hand there, it left his sleeve too quickly, the gesture once  
made. Again it was oxymoronic: offended him by its tact, its timing, touched him in its  
seeming to know and remember more than it revealed. They stood, and remounted the  
steps, and she wondered how much colder it would be in the Lebanon. He knew she  
meant to say that it was not really their last day, but all he heard from then on was other  
voices. The compromises of his life seemed to lie on him almost physically, like warts. He  
no longer knew quite what was happening or what he was doing. 
But alone in his room back at the hotel he decided, finally, that he must give up  
this adolescent toying and dithering. It must demon strate that he didn't really know what  
reading each other's moods and meanings had started the rot, its clear failure to bring  
them closer ended it. She must know where he had once or twice been leading, and had  
not followed. He had had his moment of decision on the steps over the water, and let it  
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So when Jane came down and found him at the bar, he was much more the  
equable self of the earlier days of their cruise. And as if to confirm his admission of  
defeat, Jane herself seemed more at her ease. They had dinner, and carefully avoided  
coffee in the Old Cataract, in a long lounge beside the terrace over the garden. There  
were normally few other guests there, but it began to fill almost as soon as they had sat  
down. They saw faces they had seen in the dining-room, Russian faces, coming as if to  
some meeting. Then a plump middle-aged lady, in an old-fashioned evening dress, heavy  
bare forearms ending in strangely delicate hands, went to the grand piano that stood at  
one end of the room. A man helped raise the lid. She began to play at once, without any  
formality, but the sudden quietening of voices, the way the people around them shifted  
chairs to face the piano, made Dan and Jane realize that they had inadvertently  
gatecrashed an impromptu concert. The lady began with a Chopin mazurka. Dan had no  
practical knowledge of music, but she was obviously either a very gifted amateur or a  
professional on holiday. There was discreet applause from the surrounding tables when  
the first piece ended, and he glanced atJane for her opinion. She pressed her lips  
together: she was taken. More people, East Europeans and Russians, engineers and their 
wives, one or two of what must have been Egyptian colleagues, gathered at the end of the 
room. They had to stand, since all the. chairs round the other tables were now occupied.  
The pianist played another mazurka. When she finished, to longer applause, the man who 
had helped with the lid stood and spoke in Russian evidently what had been played, what  
was to come next. 
Dan said, 'I feel we're a little bit tie (Top.' 
'I know. It's just so nice to hear music again.' 
'Perhaps we could eavesdrop on the terrace?' 
'Yes.' 
So they rose quickly and left, with a gesture from Dan to a standing couple near 
the door to take their vacated table.
'I think I'll go and get a coat.' 
'Fine. I'll find us a couple of brandies.' 
He went and did so, then took them out on the terrace and along the line of  
shutters to the one nearest the piano. There was a table there, and the window behind the 
shutter was open. The night, the faint smell of the river, stars, the filtered lamps from  
inside reflected in the exotic foliage below the balustraded terrace: Jane appeared, a dark 
figure, and walked down towards him, in and out of the latticed light. Inside, the lady was  
playing Chopin again.
'It's not too cold for you?' 
'No. It does seem much warmer tonight.' 
She sat beside him. 
'She's good?' 
'That lovely Russian touch. I think she must have been listening to Richter.' 
They listened to her. After another Chopin piece, she played a Mozart sonata.  
Russian. The woman inside began to play Bach. Dan looked atJane inquiringly, and she  
smiled.
'The Goldberg. You're excused, if you want to be.' 
'No, I'd like to. I haven't heard it for years.' 
They sat in the endless sound, the precise baroque complexity, so calculated,  
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the stars: saw the pair sitting down there, before a table, three feet apart, in what seemed  
to possess the lifelessness of sculpture, of waxworks, of unplayed instruments. And  
gradually there stole on him, both with the music and from outside it, a sense of release, a 
liberation from lies, including the one he had told himself before dinner. It was less that  
the music particularly moved him, he had never really enjoyed Bach, but it did carry a  
belief that it was words, linguistic modes, that mainly stood between Jane and himself.  
Behind what they said, lay on both sides an identity, a syncretism, a same key, a  
thousand things beyond verbalization. Strangely, out of nowhere, out of the distant night  
of his own past, perhaps out of facing across the Nile to the desert where Saint Simeon  
on the long hill of their own two existences. It was not a wanting to possess, even  
uxoriously, but a wanting to know one could always reach out a hand and... that shadow  
of the other shared voyage, into the night. She was also some kind of emblem of a  
redemption from a life devoted to heterogamy and adultery, the modern errant  
true difference between Eros and Agape.
freedom from circumstance, but from what was false and temporizing in it... in terms of  
that old Kierkegaardian catch-image of their student days, the ability to step and to prize  
the step above the fear of the dark. Not stepping became the supreme folly and  
one must step back.
There came a very slow variation, which seemed, or was made to seem by the  
pregnant manner in which it was played, to hesitate, to suspend, to hang on the brink of  
silence. It appeared to Dan isolated from the rest, symbolic of things he had buried or was 
Slavonic voices.
Dan said, 'That variation near the end. I don't know why people think he lacks  
feeling.'
'Yes. I've never heard it taken so slowly. But it seemed to work.' 
'The stars help.' 
'Aren't they beautiful.' 
And she looked up, as if she hadn't noticed them till then. He had a last  
moment of weakness, or irresolution. Perhaps if she had gone on to say something else...  
but she did not, as if she still heard the music, wanted to recollect it in silence a few  
moments more.
He hesitated, unendurably, staring at the garden without seeing it, then took his 
step.
'Jane, four days from now we shall have gone our separate ways. Does that  
distress you at all?'
'You know it will. I've enjoyed-' 
'I'm not talking about that.' 
He looked down at the table, at his empty brandy-glass. 'I've become more and  
more aware these last two or three days that it's going to distress me very much. You  
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must at least have suspected that.'
There was a pause in Jane, not unlike one of those in the music they had just  
instinctive feeling. But the very fact that he already knew, in that telltale silence, what she  

would say, consoled him a little. 
'I have the very greatest affection for you, Dan.' 
'But no sense of the wheel having come full circle?' 
words. 
'I also have a very real sense of reconciliation.' She added, 'Far more than I've  
been able to express to you.'
'That music. It made me feel the absurdity of this distance between us. When  
there's all that frozen distance up there. I'm sorry, this is very trite, but...' She waited, as if  
she was still taken by surprise. He said, 'I had no idea this was going to happen. You  
please mustn't feel I've tricked you in some way.'
Out of the corner of his eyes, he saw her shake her head. 'I feel I've tricked  
you.'
'How?' 
'I have been on my best behaviour this last week.' 
'I've allowed for that.' 
'You can't. Because you don't know what goes on underneath. 
'And as regards me?' 
She murmured, 'Unlimited friendship.' 
'I want you nearer than that. Not only that.' He half turned and smiled wrily in  
her direction. 'You did do this to me once. It is my turn.' After a moment he said, 'This can't 
have come entirely as a surprise. You know what upset me yesterday evening.' 
'I knew you were upset.' 
'I know we disagree on many things. Intellectually... politically. It's when you  
use that to hide something else. Where we do agree.' He hesitated. 'I honestly thought  
that long-ago day in Oxford was dead, when I suggested this. But I can't forget it. It keeps  
on coming back now. It was what I was trying to say that first afternoon on Kitchener's  
Island. I know we did it for all the wrong conscious reasons at the time. But something in it 

wasn't wrong. I've only just fully realized that.' 
She said gently, 'I so want not to hurt you, Dan.'1'm wrong to think ofit like this?' 
'Wrong to suppose that what we were then is what we are now. What Jam now.' 
'Which is? 
'I have so little to give.' 
'That exit's closed. And not for you tojudge.' Such finality reduced her to  
unanticipated, though he felt some of the disappointment of the eternally optimistic  
would be cold, but still finds it colder than the foreknowledge. Yet his old capacity for  
seeing alternative presents helped. She had not been shocked, not walked away, not  
'This business withJenny McNeil?' 
'That really isn't for me to judge.' 
'But am I talking in an empty room? You've felt nothing else?' 
'Women feel all sorts of things. That they know can't survive the situation that  
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gives rise to them.' She added, 'Or the ones they would give rise to.' 
'What Nell would think?' 
'Among many other things.' 
'I think she'd understand. Even approve. Oddly enough.' That too was met with  
silence. 'Jane, a great deal of what you really feel is totally hidden from me. I may have  
misread things completely. But I keep on imagining what it would have been like if we'd  
spent our lives together instead of the last few days. And it seems like something so much 
better than actual history.'
'I think the thing you're misreading is actual marriage. Especially to someone  
like me.'
'And I think you're misreading something very real between us. We couldn't  
face it then, we're still failing now.'
She hesitated, then spoke in a more placatory voice. 
'Dan, I really have been keeping up a front these last few days I don't mean  
that's a bad thing. As some parts are good for an actress... help her see outside herself. I  
do feel much more able to face all kinds of ordinary things. It's just what's still boiling away 
underneath.'
'Such as?' 
'Self-hatred. Guilt. Anger. Things without name. 
'And I can't help?' 
'You have helped. Very greatly.' 
'Then why can't I be allowed to continue helping?' 
There was another suspension. 
'Because I have no right to inflict all this on someone I... I do have emotions. Of 
course I haven't forgotten that day, all those months, in Oxford.' 
'But it all happened to someone else.' 
'You were also someone else.' 
'For whom you now only feel friendship?' 
'For whom I can't allow myself to feel more.' 
'That's an evasion.' 
'I also have normal female feelings, Dan. If that was 'The only obstacle?' 
'If I was less... confused.' 
'I don't like the implication that I'd confuse you further.' 
'I didn't mean that.' 
'The last thing I'd want is to stop you living as you like. However, wherever.  
Being a teacher. An active Marxist. Anything. I'd just like us to try living together. For  
better or for worse.'
'But you can't do that if you have no confidence at all that it would be better.'  
She went on before lie could object. 'Quite apart from anything else, at my age of life...' 
'You're not being honest. You know perfectly well half the men on the cruise...' 
'Beside someone like your friend.' 
'That's not the comparison I'm making. And since when was it a time when  

women needed solitude?' 
Beyond her he saw one of the barefoot Nubian servants come out for a moment 
on the terrace and look down towards them. Though the man made no offer of service,  
Dan waved his hand sideways, dismissing him. Jane glanced down to see what he  
wanted another brandy. 
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'No thanks.' 
But she said nothing more. The servant went back indoors. High in the  
darkness over the river there was a thin trisyllabic call, piercing the stasis between them. 
Dan said drily, 'Special effects.' 
'What was it?' 
'A sandpiper. Looking for somewhere warmer to live.' He nearly added, Poor  
fool. Jane stared down at the table, very much as if she was too frightened to speak, to  
leave, to do anything. Her face was in shadow, but the edge of a bar of light from inside,  
through one of the shutters, caught the silver comb in her hair. He found a tone of  
resignation. 'I suppose it's that third person who's always with us. Between us.' 
'Anthony?' 
'Our familiar compound ghost.' 
'Which also joins us?' 
'As crossbeams join girders. Making sure they never touch.' 
'But I am touched, Dan.' 
He stared out into the darkness. 'It doesn't feel right?' 
'It's felt right several times during these last few years that I should have taken  
an extra dose of sleeping tablets. There was a period... just after Peter took himself off to  
Harvard... when I thought the only good reason not to do it was that it would have meant  
some kind of victory for Anthony. I'm not defending that. But it felt right.' 
'But if your instinct was wrong there...' 
She sat with her hands in her coat pockets, hunched, head bowed. 
'Thcre've only been three men in my life -of whom you're one. The end product  
of all three relationships has been more pain than anything else. In our case, pain to you.  
In my last... adventure, pain to me. With Anthony I suppose a drawn match. I can't not  
presume that the fault lies in me.'
'And no pain for you, in our case?' 
'Of course. At the time.' 
'And we never gave our relationship a chance.' She said nothing. 'I simply can't  
understand why your sense of guilt about it has to be kept alive in this absurd way. Why  
must self-hatred be more important than... what I feel we could still be?' 
'It's not self-hatred... much more self-doubt. I can't control it. If it was just a  
matter of some freely takeable decision... ' but she broke off. 
'Then? 
'I think even then it would seem like a daydream a much younger me is too  
selfish to give up. When the reality's a middleaged woman who talks about teaching,  
simple little plans for doing good and keeping herself busy -and who secretly doubts her  
ability to go through with them almost as soon as she's spoken.' 
'Why can't these doubts be shared between us? Lived between us?' 
He felt a growing frustration, as if all that really lay between them was a pane of 
'It's nothing in you. You must believe me. I know you're a very gentle and  
understanding man...' Then she said, 'if I need anyone it's someone quite new, who  
probably wouldn't be sweet and gentle at all... someone who could carry me off and make  
me leave all my old world behind. Not set me right back in the heart of it.' 
'I've lived in exile too long to take nonsense like that. You can't leave old worlds 
behind. It's not on.'
'I'm not trying to defend what I am.' 
'Then you're simply being perverse.' 
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'I know I must sound that.' She added, 'Am that.' 
'You've tried to escape by joining outside things. And it hasn't worked. I've  
never even tried. And that hasn't worked, either. Which leaves us much closer than you  
imagine.' He waited, then went on. 'You can't talk about my so-called success as if that  
makes a difference between us. I know you meant it kindly this afternoon, but it's insulting, 
Jane. To all we both know we once believed in. And still try to believe in our fashion.  
When I decry it like that, all right, it is a privileged pessimism. But I know how the  
intelligent world judges what I am, and so do you.' He paused, to see if she would speak,  
but she didn't. 'You keep on talking as if you've changed completely. I can't tell you how  
little the part of you I always loved best hasn't. That night at Oxford after the suicide it was 
suddenly still there again. It's been with us on the cruise. It's here now.' He managed  
another smile at her. 'I really wouldn't go on like this with anyone else in the world.' He  
added, 'Because I know no one else would understand.' She was still staring down at the  
table. Again he waited, and again she refused to speak. 'Does this mean nothing to you?' 
'It means I feel more and more guilty.' 
'I didn't intend to provoke that.' 
Silence came again. There had been something in her answer, a hint of wistful  
no accepted English verb... to long-suffer her.
'You've had so much freedom, Dan. You choose prison just as I'm trying to  
leave it.'
'My dear girl, all my freedom's done has been to land me somewhere out there  
in the desert. You'll find out. It's not the way to Kitchener's Island.' 
"Where neither of us could ever really live. Alas.' 
'Then subtract all the romantic nonsense. But why should it have to be prison?' 
'Because love is a prison.' 
He smiled in the darkness. 'So if I felt less, the proposition would be more  
tenable?'
'I'm not nearly as independent as you imagine. That's why I feel I have to cling  
to what little I have.'
He leant back, folded his arms. 'I sometimes wonder if you ever really left the  
Church.'
'Why do you say that?' 
'Self-denial and celibacy as the road to good works?' 
'It was the other road that seemed the self-denial.' She searched for, then found 

words. 'If all I needed was somewhere to close my eyes and feel protected 'But the  
imagery's wrong, for God's sake. The last thing I want you to do is to close your eyes. You 
seem to forget the knight is just as much in distress as the damsel.' He knew her silence  
disagreed, that perhaps here was where she remained most adamant. He leant forward  
again. 'Men like me can always find sex and new female minds to play with. What I need  
from you is that something inside you, between us, that makes half-living, half-loving like  
that impossible. It's not a function of intelligence, Jane. Jenny McNeil knows she's being  
used, she's as objective and open about it as... as any intelligent girl of her generation.  
Brutally honest about how she sees me. But then goes on letting herself be used. Which  
relegates me to the status of interesting experience. In terms of your new religion, she  
and I both reify each other. Become characters in a fiction. Forget how to see each other  
totally. So we invent roles, play games, to hide the gap. I meet you again, I suddenly see  
all this, what was wrong from the beginning, why you were the one woman who might  
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have led me out of it.' He paused a moment. 'I didn't really expect you to say yes. But I've  
felt these last few days that we two are behaving like someone else's-or something else's  
-creatures. Behaving as all that was always wrong in our past expects. Not saying what  
we really think. Not really judging for our true selves. Ijust wanted to give us both the  
chance. That's simply all.'
could tell from his own body. He glanced at her, and something in the way she sat, her  
hands still inside her coat pockets, contrived to seem both obstinate and defenceless. He  
left a moment, then abruptly stood and went round the table and stood by her with his  
hands out.
'Come on. Before I freeze you to death both ways.' 
She took her hands slowly out of her pockets, let him draw her up, but then  
made them stand there a moment. He was not allowed to see her face. 
'If 1 could only explain 'It doesn't matter.' 
'It's not in you. It is in me.' 
She pressed his hands, and they stood a moment longer. Then she withdrew  
her own and put them back in her pocket. They turned and began to walk back towards  
and for the first time since that conversation had begun, she looked him in the eyes. 
'Dan, don't you think I ought to fly straight to Rome tomorrow?' 
He smiled. 'If you want me never to forgive you.' 
She searched his eyes, unsmiling, then looked down, unconvinced. 
He said, 'Anyway. It wouldn't be fair to the Assads. Now they've made all the  
arrangements.'
'It's just 'And I thought someone said something about unlimited friendship.' 
She did at last, though reluctantly, bow her head in acceptance. He took a step  
towards her, put his hands on her shoulders, kissed the still-bowed head. 
'You go on up. I want a drink. Just one. Alone.' 
'I feel I should buy you the whole bar.' 
'Now you're being vain. Go on.' 
She went, but at the doors turned back a moment to look at him where he stood 
in the semi-darkness. It was a look of doubt, as if she still wanted to ask if he was sure  
unfairly dismissed, of a child being sent to bed. Then she passed through the doors. He  
turned away and stood by the balustrade at the edge of the terrace for a brief while,  
enough time for her to claim her room-key and disappear. He did not really want a drink,  
but simply to avoid the embarrassment of a goodnight in the corridor, with its solemn  
brass pots and aspidistras, outside their rooms. He felt oddly calm, almost assuaged, as if 
a burden had been lifted from his shoulders. It had been said, and something between  
them, if not his -or Eliot's -compound familiar ghost, had been removed. 
A minute or two later he went up to his room, and forced himself to pack for the  
morning. Nothing had happened, it was all a dream, an imagined scene. Yet something in  
him also listened for a tap on his door, a standing there, a solution that would need no  

He experienced a strange conflict of feelings -like some equation too involved  
for his knowledge of emotional mathematics to solve. The pique of rejection, the trivial  
consolation that at least the barrier was apparently not physical, the irrelevance of that,  
the absurdity of her presenting refusal as some sort of kindness to him, the terrible fixity of 
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her preconceived notions both of him and of herself, the growing physical desire he felt,  
the gauche suggestion about flying straight to Rome, how far apart they remained, how  
close they really were, jenny, Caro... he gave up. Perhaps it was best as it was, left a  
secret between them, a cancelled possibility.
In darkness, bed, that eternal nocturnal re-entry into the womb, he lay for a  
knowing to the furthest roots of one's existence that it was all, finally, a comedy, even  

when one was the butt, and the great step in the dark only from terra firma to banana-skin. 

North
He woke up, much earlier than he wanted, at dawn. He lay there for a few minutes, in the  
silence of the hotel, the grey light through the shutters, trying to re-summon sleep. But he  
remembered at once what he had done the previous night, and now felt nothing but a  
condemned man's distress. The long day ahead, all the travelling, the leaving behind. He  
had a sad old memory of waking up on last mornings of holidays, at home, in the  
Millie and now hanging on a chair, waiting to be assumed, had represented. 
In the end Dan got up and opened the shutters and the windows. The air was  
sharp, the sun had not yet quite risen: a great stillness, voiced only by the occasional  
raucous cry of inland gulls out towards Kitchener's Island. It was a time of day Dan always 
of nature before man sullied the world. He stood before its Egyptian equivalent: the smell  
of verdure, water, the Nile landscape. Somewhere down in the hotel garden, by the bank,  
a warbler 'recorded' softly-its sub-song, not that of the breeding season. Of some  
unknown species, it chattered and fluted to itself, a smoky, princely, invisible babble,  
craned out and looked down at the terrace where they had sat the previous night. He  
could even see the table to his right: the two chairs pushed back, the two brandyglasses  
still waiting to be cleared.
A minute or two later the first sun struck the tops of the taller cliffs across the  
other side of the hotel, facing the town. Then two men rowed past beneath where Dan  
stood, fishermen, nets piled in the bows of their small boat, and the suspension of time  

was lost. All moved again, into predestined pattern. 
An hour later he knocked nervously, on Jane's door. She called, and he went  
in. She was dressed, latching a suitcase on the bed, and she smiled at him in the  
'My watch has stopped -are we late?' 
'No. I wasjust going down for breakfast.' 
'I'll leave the rest. It won't take a moment.' 
She was wearing trousers, a dark green polonecked jumper. She turned and  
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repentance.
Am forgiven?' 
No. 
She looked at him, and he managed a smile. Her look across the bed lasted, as 
if she was not to be let off so lightly. She came round the bed, but stopped again short of  
'It's not you, Dan.' 
'Neither of us. Two other people.' 
She searched his face for a long moment, gave him a still faintly doubting smile 
back, then lifted her jacket to put it on. He took and held it up while she turned and  
away.
'You know how I feel now. I won't bring it up again. I promise. Let's at least hold 
on to what we've gained.'
She stood motionless a moment, then raised a hand and pressed his where it  
lay on her left shoulder.
'I felt so dreadful last night. All I hate in my sex.' 
'I understood.' 
Her hand dropped away, but she did not move. 
'If we were just... 
'I know. Born heavies.' He pressed her shoulders, then took his hands away.  
'Palmyra? Then we're quits?'
There was an infinitesimal hesitation, then she bowed her head in  
acquiescence.
Four hours later they were coming down in the Ilyushin over Cairo. Dan's mood  
had changed disastrously. Though they had talked, even smiled over one or two things,  
they were further apart than ever. They had been much closer only twenty-four hours  
remarks about what was directly in front of their eyes, their conversation demonstrated  
that everything else was fraught, dangerous, forbidden. In spite of his promise, he had  
several times to suppress things he wanted to say. Pride helped. He began to imagine her 
straight for the flight to Rome.
They landed just after noon. Assad was there to meet them. Their flight to  
Beirut was not till five and it had been agreed they should all have lunch together, do  
some last shopping in the Mouski. Assad's presence turned out to be more of a relief than 
Dan had foreseen, though it irritated him that it should be so. Jane and the Copt seemed  
least Dan smelt that, in his hypersensitive mood. Assad's smiles and eyes, an even darker 
polite and Dan had no more right than he had cause to feel jealous. According to Alain, all 

well-to-do-Egyptians, however far beyond traditional Moslem polygamy in cultural terms,  
still allowed themselves younger mistresses, and he guessed at something like that with  
the Copt -some comfortable socially sanctioned arrangement where he had the best of  
both worlds his cultivated and intelligent Lebanese wife (he had brought from her an ad  
hoc guide, typed in French, to the delights of the Lebanon) and his secretaries and local  
starlets as well. He saw himself in Assad, in other words, and he knew what his real  
irritation was about: his suspicion thatJane saw Assad in him. 
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It was also something to do with that equating love with prison. He brooded  
She could enjoy this lunch, this chatter with Assad, only because he was at her  
side -was here only because of him. He called himself a male chauvinist, but the  
self-accusation came from liberal convention, not personal conviction. He remembered  
too what the Herr Professor had said about the German and English notions of liberty.  
They had a foul flight to Beirut. The plane was crammed with Mecca pilgrims,  
there was constant turbulence, constant cloud outside, people vomiting, a mysterious  
silence from the pilot's cabin.., even Dan, seasoned air traveller though he was, felt  
anxious. He hid it for Jane's sake. As usual, one saw the headlines, the future without  
far worse flights, as a substitute for holding her hand.
It had been raining heavily when they finally arrived in Beirut. The tarmac  
gleamed wet under the lights, and it was much colder, much closer to winter at home. It  
or African -the lights, the cliffs of lit hotels and flat-blocks, the traffic, with seemingly every  
distancing everything but the world of the expense account, the international executive.  
driver-one was not allowed into Syria except under such supervision-would be in front of  
the hotel at eight the next morning. They were asked out, but he turned it down, without  
consulting Jane -or even telling her, when they met again before dinner, that he had done  
so.
They walked afterwards in the brilliant sea-front streets, shopgazing. By this  
time Dan felt appallingly depressed-less, or so it seemed to him, because of Jane than  
because of some feeling of having lost all the perspective he had gained at Aswan.  
Obstinately, in spite of what she had said, it attached itself to Kitchener's Island: a green  
place out of time, a womb, where all had seemed potential, something in the future as well 
as betweenJane and himself melting he had seen it too late, left it too late. Now they were 
back in the real contemporary world, consumer-obsessed, Gadarene, ephemeral he could 
metaphysical humiliation, the world gone black and vulgar now, not comic at all. 
He knew he was being burnt in the oldest of fires, but still could not understand  

where it had come from-like some medieval disease, the bubonic plague, that modern  
happyever-afterwards device from fairy tales, a ludicrous myth. It was almost as if that  
other great myth, destiny, was having its revenge on him for so many other affaires so  
coolly and calculatedly entered and enjoyed... he thought back to jenny, the first weeks of  
that, how easy, balanced, amusing, agreeably exciting, all that seemed in restrospect.  
One stands beside a woman in front of a window of couture dresses and one wants to  
say, I need you beyond all my verbal capacity of defining need. Instead one plays pocket  
interest in gewgaws she patently exhibits only to fill a vacuum, a withdrawal... almost as if  
to show she is normal to the indifferent passers-by.
Their rooms were side by side again, though they were spared the previous  
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communicating door. Dan wanted, no, stated he was going to have a drink, and this time it 
was no subterfuge. If he didn't mind, she felt tired... whether it was diplomacy or not, he  
couldn't tell. She did look tired. There wasjust a moment, as she turned with her key, a  
circumstantial smile, when her eyes stayed on his: they showed both a probing and a  
solicitude, almost nurselike, but impotent, which he loathed. 
He did not go straight to the bar, but stood at a kiosk in the lobby, staring at the 
English-language newspapers, as if the outer world and its affairs might cure him. But  
they only repelled. He wished he could have reduced the slick, plastic edifice around him,  
and all in it, to a pile of smoking rubble... a wish, had he but known, that history was to  
realize only a year or two after he made it.
He found the American-style bar and sat at one end of it with a double Scotch  
on the rocks before him. Two girls in black dresses, they looked German or Scandinavian, 
sat at the far end. Occasional glances in his direction said what they were. He stared  
through the shelved array of bottles on the glass wall in front of him at his own face:  
sullen, impassive, humourless, a locked suitcase with a destination label one couldn't  
It was also an alienation from the distant dawn of that day, seven hundred miles 
overwhelming longing for the peace and solitude of Thorncombe. Retreat, to lick wounds,  
to discover what had gone wrong, not only with Daniel Martin, but his generation, age,  
not only a trip to nowhere, but an exorbitant fare for it. All the thoughtless effort,  
attachment to trivia, which was really a sloth-mindless energy as a substitute for true  
intelligence. Perhaps this always attacked writers worst. Other men could take refuge, as  
guilt of the futility, the tedium of the treadmill, the horror of existence passed so, like  
caged animals.
The barren pursuit of false privilege: sitting, a shut-faced cosmopolitan, in an  
expensive bar, having only to turn, to mutter a word to the barman, to have the freedom of 
reflected in the mirror behind the bar. A tousle of Bardot-blonde hair, the back bare to the  
coccyx, bralessness flaunted, the ease with which, one movement of the hands, her dress 

would fall. He felt momentarily tempted to that, out of his oldest and worst self: to plummet 
in one hour back to where he belonged. Which Jane also knew, and perhaps feared  
worst. He ordered another double Scotch. 
Like a spoilt child deprived of a toy, barred by his past and his present from  
feeling anything but eternally spoilt... excluded, castrated by both capitalism and  
socialism, forbidden to belong. Our hero, spurned by one side for not feeling happier,  
a bourgeois melodramathat short-lived theatrical fad, as he sourly remembered,  
despatched into a deserved oblivion during the great crack-up of 1789. 
obstinately growing recognition that in some way his freedom had lain in what might have  
some true consolation. She had been like some radioactive particle slicing out of infinity  
and now away into it again: leaving nothing behind but a tiny damage to grow into an  
irreparable fault, the loss of the one good hope both heart and mind had needed. And  
twice in his life. The remembrance of a similar female particle that had sliced through his  
destiny came strangely to him out of the past: Nancy Reed. Perhaps that had been the  
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essential predisposing event of his emotional life-less a particle than a first crystal,  
preforming all future relationships in his life to its particular polyhedral shape... the illusory 
pursuit of a lost innocence, the seeking, or fascination, for situations that carried their own 
death in them from the beginning, that ensured an eventual determinism in the process...  
the appearance of it, whether it was really there or not. 
Something in him did see, or was later to see, that the very perception of this  
which it collapses both internally and externally. But that night it seemed one more proof  
of how determined he was.
He drained his Scotch and stood abruptly. As he passed the two girls on his  

way out, the one facing him turned with an unlighted cigarette, with an obviousness that  
on. But if there had been witnesses upstairs, none would have realized that he had left  
the bar determined to have it out with Jane. When it came to it he walked past her door  
without a glance, not even the faintest hesitation, and went into his own carpeted,  

The End of the World
At least the monk without a faith, or indeed even a monastery, slept better, and the  
weather, when the desk woke him by telephone, seemed to favour their trip: a blue  
window and sunshine, the springlike air of the winter Mediterranean. Soon after eight they 
were heading north out of the city, and in unexpected comfort -a nearly new Chevrolet, an 
Maronite Christian, he explained in an English that kept stumbling, if not stopping, for lack 
of grammar and words. But it soon emerged that his real religion was the machine he was  
sitting in. He drove at a speed that made even Dan, not a particularly patient driver  
himself, catch his breath a few times. But the young man negotiated several at first sight  
rash attempts to overtake with a casual nonchalance. He clearly knew how to handle his  
chariot and after a while they grew hardened to his hatred of being made to wait by  
landscapes.
They were on the coast road to Tripoli in the north of the country. For many  
miles the littoral had been ruined by uncontrolled development, like the South of France,  
certain parts of California. But the sea was a deep, fierce blue, and inland, to their right,  
ran the long range of snow-covered mountains that spines the Lebanon. Past Byblos, the  
water, lay dazzlingly white rectangular saltpans. 
After a while they had to travel more slowly, since the road narrowed and there  
were far fewer places to overtake: for minutes on end the red-haired driver would slowly  
tap his hand on the wheel. It was all the government's fault, they talked about tourism but  
they wouldn't build proper roads-he had a brother working for Volkswagen in Germany  
and had stayed on holiday with him, he knew what proper roads were. 
Risking the young man's eyes in the driving-mirror, able to combine at least  
against this, Dan and Jane exchanged one or two covert glances: the sad innocence of  
backward countries. They were also warned about Syrian roads, that they were going into 
'a place where all is crazy, crazy people'-mainly crazy, it seemed, because they had no  
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money under the Baathist rŽgime. Labib liked driving customers there. 'It make me so  
happy when I leave.' And he grinned back at them, pleased at this wit. Dan gave Jane a  
dry little inquiring tilt of the head, and she smiled guardedly. Perhaps, she suggested  
politely, ordinary people were better looked after now? A dismissive hand waved back. 
'Fool people. You will see. Not know what is money.' 
They gave up trying to convert this evident stormtrooper for laissez-faire  
capitalism. He switched on the radio and the car was filled with folk-sound. He fiddled for  
'American music', but they made him return to the original wavelength: a woman's voice,  
sinuous, alternately sobbing and languorous, against a plangent rhythm. She was famous, 
they were told.
'Every man in Middle East like for wife. Even Israel men.' 
They sounded him discreetly there, without need. He was happy to air his  
views. Though he was pro-Arab, he seemed to have a grudging admiration for the  
Israelis, and very little sympathy for the Palestine refugees. They were stupid people, lazy 
'I no have money, I no have work, so I much better man than you.' 
And again he waved his slack-wristed hand back over his shoulder at them,  
eyes on the road. It was a gesture they were to become very familiar with: the supreme  
asininity of the human species in allowing so many things to keep a man from making  
money. He was strange: both crass and open, and finally rather likeable. 
They by-passed Tripoli, then turned inland. Dour uplands began to rise ahead,  
and banks of cloud. They came to the frontier in the last sun. Dan handed over their  
later he reappeared with two men in uniform, who came and stared at Dan and Jane.  
Some kind of argument was going on. There was a hostility, an indifference in the  
soldiers' eyes, that somehow chilled.
The senior finally spat some word and turned away. It seemed, when Labib  
climbed back in and explained, it was nothing to do with them, but with some minor  
infraction of regulations he had committed on another trip a month before. He seethed  

with resentment over it for several miles, like some innocent landed in the middle of a  
afraid to ask for it, and took their frustration out on him. 
Meanwhile, they were climbing under heavy cloud. The country got bleakly  
grim. They seemed in twenty miles to have jumped twenty degrees in latitude-into  
Scotland, or Scandinavia. One or two miserable villages squatted in desolate glens. A thin 
drizzle started, and the grey cloud pressed lower as they went on. The volatile Labib grew 
equally gloomy. He didn't think the cloud would lift. It was a bad time of year. He also had  
suspension in a pothole only a week before.
They branched off, past the towniet of Tell Kalakh, for the Krak des Chevaliers.  
forbidding catafalque of a castle that seemed tilted and sliding off its steep hilltop. They  
skirted the plain, through villages that recalled, in their poverty, if not their climate,  
Egypt... or medieval England, perhaps. There must have been a lot of rain recently, there  

was mud everywhere. Men in baggy black trousers, muffled in their chequered kuflyas,  
world the rest of the world had forgotten, as far from the glitter of Beirut as the landscapes 
of the moon. Then the road wound endlessly up over bare, windscorched slopes, with  
runnels of water everywhere, towards the louring Crusader stronghold. For the first time  
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that day Dan felt happier. All this suited his mood. It seemed almost a welcome reality  
after the last twenty-four hours.
They arrived at the bottom gate of the immense fortress in an icy spatter of  
driving sleet. By the foot of the wall beside them there were cushions of unthawed snow.  
Luckily Assad's sister-in-law had warned Dan it would be cold, and they had brought what 

warm clothes they had. Jane pulled on a cardigan, Dan a sweater, then jackets and  
overcoats again. They followed Labib up through a long tunnel. The roof dripped water,  
the wind moaned, there was a dankness everywhere, one almost expected to see the  
Thane of Glaniis stand out. Instead, a resigned Arab in an ancient black overcoat came  
from a boarded-up recess at the foot of the inner wall. Their guide, he spoke a tired,  
guttural French.
Labib disappeared, and they followed the man and his monotonous voice  
down over sombre grey distances from occasional windows... and gradually, despite the  
cold and the wind and the desolation, felt their visit was worthwhile. It was the size of the  
levels, the still sensible ghost of thirteenth-century elegance, the ruined stairways and  
delicately columned arches and terraced courtyards its theatricality there appealed to  
both of them. On the highest battlements there were stupendous views. In one direction,  
back down towards the sea, they could even still see a countryside in sunshine. But to the 
north-west, where they were heading, there was nothing but endless cloud. They hardly  
rightness in being at this monument to primitive power politics and human greed at this  
inner exile from its endless historical errors. It drew them close again, outside their own  
situation, since it was what had been lacking down the Nile: there, always the obscuring  
presence of their fellow-passengers.
They ended in a merciful v trmth, in a room at the foot of one of the dilapidated  

tasted. It was somehow Russian, very primitive and simple, a station waiting-room from  
Tolstoy. Labib and their guide talked in Arabic, the boy stared solemnly at them. But then  
Labib caught Dan's eye and tapped his watch. Dan glanced at his own, then grimaced at  
Jane as he prepared to stand.
'You could just about have been sitting down to a delicious Italian meal you  
realize that?'
She did not answer, merely smiled. But a little later, when they were following  
Labib down a long flight of stone stairs to the lower levels and the tunnel out, she took his  
They drove back to the main road, then turned on for their next stop, the town  
of Horns. The route lay over long and treeless uplands, a barren and colour-drained  
moor. Solitary lapwings stood by mournful pools. The road rose now into the base of the  
clouds. A thin mist settled, cutting visibility down to a mile at most, less in places. Labib  
shook his head. He had heard of weather like this, but not met it before. It was very  
evident that it was getting worse. A motionless human figure loomed beside the road,  
holding out a dead bird with an outstretched arm. Dan glimpsed a flat bill, a spiral of red  
and green on the head.
'What was it?' 
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'A teal.' 
He looked through the rear window. The man stared after them, the small duck  
still hanging from a disappointed outstretched hand.
Labib grinned round. 'That is how they think business in Syria. I give you bird,  
you give me two packet cigarettes.' The hand waved again. 'Very stupid country.' 
After a few moments Dan murmured, 'I handpicked him specially.' 
'I suspected you had.' 
He held her eyes. 'Do you want to call it a day? I don't like the look of this.' 
'Faintheart.' 
He smiled ahead through the driving-window. 'Only thinking of you.' 
'Adventure. I'm enjoying it.' 
But it began, as they came into Horns, to look more like the edge of a limbo  
nearest to a hell. It had started to rain. The town was awful in its feeling of ramshackle  
depression, of a society selfcondemned to the utmost austerity. A drab greyness hung  
over everything: buildings, people, shops. They had expected a great contrast with the  
humour of Egypt. Labib parked in the main square, carefully, opposite a restaurant  

window where he could watch his car while they ate. Hubcaps, even wheels, would be  
The restaurant owner was a Beiruti, and the meal adequate, but the shabby  
decor of the place reminded Dan of the British Restaurant days of immediate post-war  
England. They sat with Labib in the window. He could see Jane was unsettled by the sight 
kept drifting out there, as if she were looking for some redeeming feature. There seemed  
to be many armed soldiers and army trucks about, which added a disagreeable air of  
enforced suppression to an already quite sufficient gloom. Dan observed her reaction with 
a kind of sour pleasure, wondering if she saw the parallel with the Krak des Chevaliers.  
This seemed to lack even the privileged graces for the few. He tried to discover more of  
political Syria from Labib, but the young man quickly shook his head and raised a finger. 
'Not talk here.' 
It was like slipping back thirty years: Careless talk costs lives. 
The Beiruti owner came up towards the end of the meal and chatted with Labib. 
He had heard there was fog on the road to Palmyra, still a hundred miles off across the  
desert. Traffic was getting through, but it was a slow business. They had a discussion.  
which would give them only tomorrow morning to see the ruins. But having said that,  
Labib declared himself for going on. He could get them there. They sensed that his  
professional mettle and his beloved Chevrolet were challenged. It was almost as if the  
threatened mist stood for everything he despised about the country. Dan wanted to go on  
so far... or perhaps it was to demonstrate that she would not take the present appearance  
of Syria for its only reality.
They settled the bill and moved off again. For ten miles or so, the mist seemed  
no worse. But then, as soon as they branched off on the unmetalled desert road to  
Palinyra, it thickened down to lesso than a hundred yards. On either side, the sand  
the road for potholes, down to fifteen miles an hour in places. At one point he swerved off  
the road without warning and stopped, his alert eyes having seen headlights ahead. An  
army truck thundered past going a good deal faster than they had been. It was to happen  
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several times more during that afternoon. Apparently the road was notorious for it, the  
would have the blame. 
After some miles, they passed a congregation of domed clay huts, white and  
grew silent, the enclosed solitude and the monotony grew hypnotic. The strip of desert  
beside them seemed like an ochreous snow. One turned and looked at the tiniest  
became far stranger than anything they had bargained for: a fog in a desert. 
Two cloaked figures, cowled and faintly monastic, hove into sight. Shepherds.  
Their flock grazed in a thin green rash of grass along the ruts beside the central camber  
of the road: the small ewes a soft orange-brown, the lambs piebald. One of the shepherds 
raised his hand gravely, almost forbiddingly, as if commanding them to stop, but Labib  
accelerated slightly and drove past. The road went arrow-straight, never deviating an  
inch. About four, when the light was already failing, the mist lifted slightly, and they could  
suddenly see a mile or more, only to realize they had been missing nothing -or a  
something that was in fact nothing: an endless expanse of sand, faint dunes,  
imperceptible escarpments, a huge emptiness like blank paper. They came over a small  
rise, however, to find something more interesting -two hundred yards away squatted a  
black Bedouin tent, fixed with long guy-ropes. Dan made Labib stop, and he and Jane got  
out for a few seconds while he took a photograph. It was bitterly cold, inhospitable,  
menacing. They retreated gratefully to the warm interior of the car. 
Night had already begun to fall when they came to the Transjordanian pipeline  
headlights. The cloud at least had risen, and there was less mist. From time to time they  
saw orange specks in the desert, kerosene lamps in other Bedouin tents. Then a moment  
of drama -a chain of weird shapes in the headlights, strutting with a slow, awkward dignity  
across the road: a string of camels, each ungainly beast attached by a rope to the one  
ahead. They were very mysterious, not least because they seemed unattended. Labib  
cased forward, but just as they passed the place where the camels had crossed, there  
was a metallic bang behind the car. Dan thought it was a spring, a loose exhaust pipe, but 
Labib raised his right arm and made a throwing gesture. 
'Stone.' 
'I didn't see anyone.' 
'He hide.' 
That, it emerged, was why he didn't slow down to exchange friendly greetings.  
The Bedouins were not friendly people. It was the army trucks. They killed too many of  
their sheep.
Dan slid a glance at Jane. 'You may have your adventure yet.' 
'I already am. I feel as if I'm on another planet. Nothing seems real any more. 
courage, and would have relinquished it, but the pressure was returned, and the two  
Dan said, 'Who would have dreamed this, all those years ago.' 
'I know. I was just thinking the same thing.' 
covered by her reaching down for her basket and fishing for cigarettes. 
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Labib spoke pointing ahead in the sky. 'Palmyra.' 
There was a distant luminescence. The country seemed more hilly. They  
climbed a slope and there ahead, below, lay a dim cluster of lights, the modern oasis. At  
last the road bent, as if it had decided to grow human again. A shuttered house, then a  
brief glimpse of a distant ruined arch as the headlights swept round. The car slowed, then  
swung at right angles off the road and bumped through an unreal petrified forest of broken 
walls, colonnades, fallen capitals. A few hundred yards on it drew up outside a long  
bungalow, bizarrely like the jerry-built 1920S clubhouse of some impoverished  
golf-course.
'Zenobia,' said Labib. 
It was Palmyra's only hotel, isolated in the huge graveyard of the dead city.  
They stood out in the windy darkness, the freezing air. The irregular stacks of a roofless  
temple stood obscurely silhouetted a hundred yards away against the lightstained clouds  
above the invisible modern village. There was a profound silence, macabre in the oldest,  
and appropriately Arabic, sense of the word. Then a door opened and a shaft of yellow  
light fell across the sand. Labib called curtly and the man in the doorway raised his hand. 
If they had imagined relief from unreality at the Hotel Zenobia, they were not to  
get it. Its interior proved as strange as its site. They found themselves in a large-room  
dominated by a huge stove, around which sat three men on wooden chairs. One, the  
oldest, had a squint, the other wore a long white, or once white, apron, the third was the  
younger man who had stood at the door. Dan and Jane were ignored. There was a  
conversation in Arabic, questions asked of Labib. The rear part of the room was arranged  
or two carpets, on the wall. Behind the stove in the middle of the floor, against a wall,  
stood a high-backed old sofa, some relic of more bourgeois or more French days, covered 
except that there was a newspaper and an indentation where someone had sat recently.  
The whole room was like a stage set eternally without a playwright. The cold and silence  
splendidly disinclined to show it by any welcoming courtesy or service. 
Labib appeared to be giving a mile-by-mile account of the journey, but one of  
the men's questions must have concerned them, since the driver, as if remembering their  
presence, turned and asked if they wanted to see their rooms. 
The oldest man, the one with the squint, stood and beckoned them to follow.  
They went through a door, into darkness and a much colder atmosphere. He twisted an  
old ceramic switch and a feeble bulb lit a long barrack-like corridor, a row of doors. He  
turned to Dan and questioningly raised one finger, then two. Dan raised two in return. The 
old man limped a few steps down the corridor, and opened a door. A bed, a chair, a  

wardrobe, two strips of worn carpet on a tiled floor, a paraffin dripstove. The old man bent  
joined them. 
'It's a bit larger. Would you rather have this?' 
'I think it's even colder. Do you suppose there's a bathroom?' 
Rather to their amazement, there was, further down the corridor. The water ran  
cold, but the old man pointed to a plastic bucket, then to himself, made washing  
gestures-he would fetch warm water if they wanted. Labib appeared behind them. He had  
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and rice.
Five minutes later Dan and Jane sat, obediently waiting, but at least warm, on  
the couch in the main room. The cook had disappeared, but the other two men now sat by 
the wall across from the stove, staring at the English couple in silence, as if they resented  
this irritating disturbance of their winter nights around the stove. Labib sat at one of the  
tables in the diningroom part, reading the newspaper. From behind a curtain at the back  
there came the sound of Arabic music on a wireless, the occasional scrape of a moved  
pan. But in the room a great silence, a formidable aura of waiting. Jane bent her head. 
'I'm going to burst into giggles if you don't say something.' 
'I think that's the idea. They've had a bet on which of us will break up first.' 
'What an extraordinary place.' 
'End of the world.' 
'It reminds me of one of those time-warp plays.' 
He gave her a quick smile. 'That's exactly what I felt. When we came in.  
Whether we've actually really got here.'
'We're lying on the road out there somewhere.' 
'Labib's going to read about it in that newspaper. Any moment now., She looked 
pretending bated moment, they both watched. But then he merely felt in his pocket for a  
packet of cigarettes. Jane smiled down.
'What do you suppose happens if we ask for a drink?' 
'At least ten years in the salt-mines, I should think.' 
back to the two by the wall. The younger man disappeared into the kitchen and came  
back with glasses and two label-less bottles. It was local beer, very thin, but drinkable.  
The silence welled back, the two men continued to stare across the room. Outside, on the  
road from Horns, they heard a truck. But it passed on. Somewhere out in the ruins a  
pariah began to bark, short intermittent yaps. Labib put down his paper and stared across  
of calculation -or so Dan guessed, since the pencil was more poised than writing. He  
Jane.
'Wish we hadn't come?' 
'Don't be absurd.' 
'All that drag back tomorrow.' wouldn't have missed this for anything. Now it's  
happened.
I feel the same. He murmured, A loaf of bread. And thou. 
She was dry in return. 
'I don't think I could sing in this wilderness.' 
'I'd forgotten that part of it.' She stared down at the glass she held perched on  
her crossed legs. He said, 'Not breaking my promise. Just that I'd have hated every  
moment of today without you.'
She said nothing, as if it could be treated as a remark that needed no answer.  
But the other silence, in the room, forced her to speak.
'It's all the other days, Dan.' 
seemed almost to address him, though their voices had dropped so that Labib couldn't  
hear.
'In which we travel alone.' 
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'At places like this... 
He glanced at her out of the corner of his eyes. 'But elsewhere, sentimental  
aberration?'
She still looked down at her glass. 'What one feels one must.' 
Again he waited. 
'I wish it was several hundred years ago.' 
'Why?' 
'When it was literally a nunnery, one knew what one was fighting against.' 
'I'm sorry it seems like that.' 
'But it is a little?' 
'In the sense that I feel I have no other choice.' 
Then lack of courage of a kind?' 
I suppose. 
But she said it like someone who had weighed the two sides, and accepted a  
lesser accusation to spare herself a greater. Dan stared across at Labib, who yawned and 
heard him say something to the cook.
'And you don't think I have enough for both of us?' 
'One can't transmit courage like that, Dan. It's either inside you or...' 
She shrugged, and her voice died away, as she clearly wished the subject  

would. Once again he stared at the two mute spectators opposite. Yet he clung to  
something. After all, she was there. She could have insisted that she did fly straight to  
of the disobedient schoolgirl, the waiting for further reprimand. Dan spoke quietly. 
'We've just been through what must be one of the loneliest landscapes in the  
world. You called it unreal. For me it had trcmendous reality. Symbolically, anyway.' He  
glanced surreptitiously towards her still bent head, 'Do you want me to shut up?' 
She shook her head. He stared down at his own glass. 
'I feel I've become a man driving through nothingness. Behind the screens the  
Herr Professor was talking about. This girl in California is just a carpet hung up to keep  
out the wind. I can't go on using her like that. Apart from anything else, she knows it.' His  
voice was very quiet, as if they were discussing someone else.
'I'm making it sound as if I want you to save me from her. It's not that at all.' 
'Nothingness is a very comparative thing, isn't it?' 
'Meaning I'm not allowed to feel it? Economic privilege deprives you of all other  
human rights?'
'Of course not. Just that... nothingness is part of the vocabulary of despair.' 
'I shouldn't talk like Beckett?' 
'Only to the extent that you are privileged in other ways.' 
tender towards even this in her.
'That's even worse. The more you feel, the happier you have to sound?' 
She made a little sideways movement of the head. 
'I was thinking of that man by the road. Holding out the duck.' 
He knew what she meant: the real nothingness of some lives of many lives. The 
old man with the squint dropped his head, as if he had dozed off. 
'I know everyone like us is profoundly lucky in a biological sense. Education,  
culture, money... all the rest. The logic I don't follow is that allowing a guilt about that to  
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dictate every decision will help at all. I'm not saying that we haven't largely abused the  
gifts we were given. But when you even deny them intrinsic or potential validity-' 
'I don't deny them that.' 
'Perhaps not in some abstract sense. But you do effectively. I'm not even  
allowed to have a real sense that I've abused them.' He looked briefly at her face, then  
away. 'We haven't tried enough, Jane. We've ratted. With less excuse than any other kind 
of human beings in the world. Anthony should have been a priest. You should have been  
my wife. I should have tried to be a serious playwright.' Still she did not speak, and he  
lightened his voice a little. 'I'm not sure you're not the most guilty of us all. You did half  
glimpse it at Oxford. That we were living in a dream-world.' 
'And promptly entered an even worse one.' 
'I'm arguing for your instincts. Not your actions. And trying to suggest that once  
more you're making a wrong decision on right feeling.'
'Dan, I'm simply trying not to hurt someone I'm very fond of.' 
'You may be trying. But you're not succeeding.' 
She hesitated, her voice dropped. 'Because of what you say. My formidable  
past record of wrong choices.'
'Did you mean what you said on Kitchener's Island? About my having helped  
you over what you'll do when we get back?'
'You know I meant it.' 
'I can't understand why you'll listen to me there. Yet not over this., 'Because I  
do value your opinions of life in general.'
'But not of you. Or us.' 
'You're romanticizing what I am. Or not understanding what I've become.' 
'No man and woman ever fully understand what they've each become. If that  
condition has to be fulfilled, the two sexes ought to be living on different planets. It's an  
untenable thesis.'
'But the pain it might cause isn't, is it?' 
'Only if you grant it more probability than happiness.' 
Her head was bowed. 'It isn't a deficiency in you. You must believe that.' 
'I think you're lying. Perhaps out of decency. But still lying.' 
'Why?' 
'Caro told me something you'd said about me recently. About my being  
someone in permanent flight from his past. From all enduring relationship.' 
She took a tiny breath. 'She shouldn't have told you that.' 
'Perhaps. But she did.' 
'It was meant to make things easier for her. Not to blame you.' 
'I'm sure. And I'm not disputing the diagnosis.' 
'I didn't suggest you were in flight from her.' 
He tilted his beer. 'But you are afraid I might soon, once more, be in flight from  
you?'
'I do wish she hadn't told you that.' 
He looked at her. Something in her face was shrouded and embarrassed, at a  
kept stored for use.
'But since she has?' 
'My fear is much more that I should make it only too justifiable.' 
'That's a kind of morbid false modesty. Assuming disaster before it's happened.' 
'I'm sorry. The fear is very real.' 
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'I wish we could kill this notion of yours that secretly I mean to corrupt you in  
some way. I accept absolutely what you are. What you want to be.' He took a breath. 'And 
not only because I want to. I couldn't make you in my image. Not in a thousand years.' 
She shook her head, as if in despair at all these cross-purposes. 'If it was just a 
matter of tolerance between us 'That is something.'
'Which I fully recognize.' 
Once more they came to a baffled halt. 
'It's not only the past, Jane. I have had to get to know you again. What you've  
become. I feel very close even to that.' He waited, then forced an answer. 'Don't you  
recognize this at all? Some kind of elective affinity?'
'Yes. Sometimes.' 
'What I was feeling in Egypt was that for the first time in years I was undergoing 
a flight towards something. I haven't illusions about us. I know we've a formidable list of  
misunderstandings to sort out. If you could just accept that on my side I'm prepared to  
contribute endless patience. Sympathy. Love, whatever you want to call it. I want to write,  
but I can write anywhere. I just want to be beside you. With you. Wherever you are. Even  
if it never improves very much on this. I'd still rather have that than nothing. Than not at  
least having tried.' He left a silence, but she seemed imprisoned now in a far deeper one.  
He spoke less urgently. 'I can really see only two possibilities. One is that the old physical 
rapport between us no longer means anything to you. In which case -of course, I'll shut  
up. One can't dispute things like that.'
'And the other?' 
'Means you are just as much in flight as you claim I am. In a different direction,  
but no more honestly.'
'Where?' 
'To the idea that what's wrong inside you can be solved by sacrificing  
everything to social conscience... helping the under privileged. All of that. At least I'd  
claim for my solution that it's much nearer home. I've betrayed the only two things for  

which I ever had any talent. Handling words, and loving one single other human being  
wholly.' He added, 'And that last one, you share.' Strangely, it must seem very strangely in 
view of what he next said, there came to him the memory of that remote, endlessly  
murdered something in all three of us, Jane. Largely without knowing it, and perhaps  
murder is an unkind word. But you made certain choices, developments, impossible.  
We're sitting surrounded by what you did to us. Out there.' 
have harboured of keeping the conversation within bounds. He went on. 
'I can't forgive that analogy of the prison you used. I'd much rather you said you 
didn't trust me. At least that would be honest.'
She leant back a little, again shook her head. 'I don't have to look outside  
myself for lack of trust.'
'I think the difference between us is that there's a part of you I don't understand. 
That I'm even happy in a way not to understand. While for you I'm something in a cage.  
Only too easy to label.'
'You know how to live with yourself, Dan. I don't.' 
'For which I get a black mark.' 
'That's not fair.' 
He looked down with a wry smile. 'It doesn't have to be. My condition is  
traditionally excused.' But even that plea for a shade less seriousness went unheard. He  
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sensed that something in her was receding, not only from him, but in time, to well before  
'Perhaps that's the real difference. Only one of us is in love with love.' 
'In a fit state for it.' 
'It's not communion, for heaven's sake. States of grace aren't required. Or  
absolution.' She said nothing. 'We're two very imperfect beings, Jane. An egoist and an  
idealist. Not the Platonic dream at all. But that doesn't mean we couldn't give a great deal  
to each other.' Still she would not speak. 'Then we're back to animal facts.' 
He knew there was something panic-stricken in her, despite the stillness of her  
'You make it so difficult for me.' 
'Then let me make it easier. I'd much rather it was something physical than  
what you're seeming to suggest.' 
that it could not really be so. At last she looked up, across the room. 
'I didn't go to sleep for hours in Aswan. If I felt nothing in that way, I wouldn't  
have talked about prison.'
'Then what in God's name is it?' 
'I suppose God himself. In a peculiar sort of way.' 
'What does that mean?' 
'Whatever made me glad, the next morning, that nothing had happened.' She  
added, 'I know I should have been lying to you. It wouldn't have been for the right reason.' 
'Then out of what?' 
'You've had lots of sexual experience, I don't suppose you can imagine what it's 
like for someone who hasn't had very much. How you... store the memory of what little you 
have had. This was one reason I hesitated so much over coming. Knowing... but she  
broke off.
'Knowing what, Jane?' 
'That old feelings might return.' Now she went on quickly before he could  
speak. 'It's partly Anthony, Dan. I'm not really over that yet. I don't mean the death. The  
living with him. All the failures there.'
'But I suspect he half hoped this would happen.' 
'For reasons I can't accept. Even if his ridiculous scheme of metaphysics was  
true, he has to do his own penance.'
'But you're behaving exactly as if it is. As if he's watching us, and you have to  
spite him.'
her head turned a little. 'And of what something female in me also wants.' She looked  
down again. 'When you took my hand in the car just now, I wanted to cry. I know it must  
seem absurd. So much of me would rather be... not like this.' She fingered the rim of her  
glass, letting the silence grow. Outside, the pariah was barking again. But then she  
continued. 'It's as if the one part of you you don't want to be the acted part, the part that  

wants to give, to say yes, for some terrible reason still insists on denying the rest. What  
you expect from me is like something I'm told exists, I know exists, but in a country where I 
can't go. I lay awake that night in Aswan trying to be someone different. Telling myself this 
man has always attracted me, so why not. As an adventure. As as it happened before. But 
I knew I couldn't.' She waited, but now he was silent. 'It's partly because I can't think of  
you objectively like that... as "this man".' She hesitated again. 'I was given a little test on  
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the boat. I was propositioned one evening by Alain in a nice, discreet, traditional French  
way. As one makes an opening bid at bridge. But I looked across the room at you. If you  
could only understand the reason it would have been like betraying you then is the same  
reason behind now.'
'And supposing I'd come, at Aswan?' 
'I shouldn't have had time to think about it. But now I have. 
He contemplated his glass. 
'You can always tell a really bad film-script when the story depends on missed  
opportunities.'
'But ours has. You said just now I killed a choice in all of us. I can't risk doing  
that again.'
'Then we've learnt nothing all these years. Except how to make deserts even  
more barren still.'
'I really shall cry, if you talk like this.' 
'I might well join you.' 
But he reached his hand, as if to stop such nonsense, and took hers. After a  
moment she returned its pressure. The joined hands lay on the rug between them. 
'The one mystery to me is how I can have fallen twice in my life for such an  
impossible bitch of a woman.'
'At least we can agree on that.' 
He banged her hand gently against the rug, but then let silence come. Both his  
tenderness and his irritation deepened: the tenderness because he knew what lay behind  
her refusal was also what he loved in her, the not being like any other woman in his life,  
despite the fact that this uniqueness came so strongly tinged with Anthony's old argument  
not only because she had admitted both nature and reason were on his side, but also  
because it offended some archetypal sense in him of right dramatic development... they  
had come to the end of the world, and not, at last, to be able to meet there denied that  
remote but all-powerful place in the unconscious from where his deepest notions of  
personal destiny came. He could have tried for years to imagine a better place and failed  
crying the truth of the human condition. He stared across at the particle of the human  
condition opposite, his head now sunk sideways, deep on a lapel of the old European  

jacket he wore over his galabiya: Tiresias, Moslem style. 
Stalemate. But he would not relinquish her hand. He felt a more general  
irritation, against their history, their type in time. They took themselves, or their would-be  
moral selves, so seriously. It had indeed all been summed up by the mirrors in his student 
room: the overweening narcissism of all their generation... all the liberal scruples, the  
concern with living right and doing right, were not based on external principles, but  
self-obsession. Perhaps the ultimate vulgarity lay there: in trying to conform to one's age's 
notion of spiritual nobility -as if, though one laughed at the notion of an after-life, one was  
not just an animal with one brief existence on a dying planet, but still had an immortal soul 
and a judgment day to face. And when what one wanted was so innocent, private, small:  
he felt tempted to put this to Jane. But then, perhaps knowing it was a lost cause, skipped 
the argument for the conclusion. He turned his head and looked at her. 
'Jane, why don't we behave like two normal human beings and make it one  
room tonight?'
'Because it wouldn't solve anything.' 
He murmured with a mock tartness, 'Speak for yourself.' But she was beyond  
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response, even the faintest smile. He pressed the hand, and spoke in an even lower  
voice. 'You know it's not that. I'd just like to hold you. Be close to you.' 
She stared at the floor-almost through it, at something far beyond. He  
squeezed her hand again, but it was lifeless. He could detect no softening of the bleak  
still an inability to surrender.
How that silence might have been broken he was not to know, because  
Labib-and by then it began to seem mercifully-reappeared and came to them. If they  

side of the room from his, they felt more exposed, within earshot. The younger man  
servcd. A lamb stew on a small mountain of pilaf, very simple yet not unappetizing... a  
flavour of cumin, other exotic herbs, and the rice was good. Dan had another beer. They  
sat facing Labib, who ate the same meal twelve feet away. He seemed pleased to show  
off his English. The old man with the squint had woken up, between servings the waiter  
to concede something not absolutely bad about Syria-he had known the cook before,  
when he worked in a hotel in Damascus. They should go to Damascus, the souk was very 
good, very cheap, many folk-dresses, jewellery... Jane answered far more than Dan,  
playing the polite diplomat again, her father's daughter, across the space between their  
They discussed tomorrow with the driver. He wanted to be on his way back by midday.  
There was the museum to see, the baths, the tombs, the dead city itself.., too much, they  
must rise with the dawn, at seven, if they wanted to see it all. He had heard a weather  
report on the wireless. The mist was not expected, but there would be cloud, perhaps rain. 
Tomorrow seemed already fraught with the press of time, with duty and gloom, by the time 
he had finished. Then he mentioned that there was an old French guide they could read if  
they wanted. He made the old man find it.
They retreated with the dog-eared pamphlet to their sofa behind the stove. His  
table cleared, Labib stayed where he was and began some kind of backgammon game  

with the cook. They played not with dice, but cards. The other two men moved and  
Meanwhile Jane translated the guide book for Dan's benefit, as if glad of this excuse to  
her sins. He listened to her voice, not what she was saying. If one part of him felt inclined  
to snatch the guide out of her hands and throw it across the room, yet another was in  
some way tranced by the strangeness, the suspense, the being there. He glanced at his  
watch. It was still not nine. It seemed they had been there for days, not in fact, less than  
three hours. She came to the end of her reading. There were exclamations from the four  
begun.
'Shall we take a sniff outside? 
'If you like. It is rather overpowering, this heat.' 
They stood, and Jane went through to their bedrooms while Dan explained to  
Labib what they intended.
The driver pointed. 'Not that way. In ruin. Bad dogs.' And he bit fingers against  
a thumb, to show what he meant.
'That way?' Dan pointed towards the road. That way, it seemed, was all right.  
Labib spoke to the younger man, who went and fetched a torch. 
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Dan found Jane with her Russian coat on, tying a headscarf, in the doorway of  
her room. There was a reek of paraffin.
'Oh Christ.' He went past her, into the stench. 'You can't sleep in this.' 
'It'll be all right. I'll open the window.' 
'And freeze to death.' 
'Not with all those blankets.' 
Outside they found the wind had dropped, although a bitter dankness hung in  
the air. In spite of Labib's reported forecast, the mist had descended. Serpentine swathes  
of it wafted in the torchbeam, impelled by some ghostly breath. They moved past the  
black shape of the Chevrolet and down back towards the road, speculating about the  
mysterious dogs... perhaps he had meant jackals, neither of them was quite sure if they  

speak. But it was soon clear that she did not want to return to that. 
Nor would she allow silence. She played the perfect travelling companion  
again: set the immediate between them.
To the north the sky remained faintly lighter, but around them brooded  
darkness and the scattered, veiled debris of a lost civilization: crumbled walls, a  
serene aura out of classical antiquity, reduced it to its constituent parts, its lostness,  
goneness, true death... and the contrast of the reality with the promise of the name:  
Palmyra, with all its connotations of shaded pools, gleaming marble, sunlit gardens, the  
place where sybaritic Rome married the languorous Orient. It was much more like  
wartime years. 
They came to the harder surface of the road from Horns and walked a little way  
down that, but the vapour-laden cold was terrible. Somewhere in the mist to their right a  
sharp-eared dog, invisible but seemingly quite close, perhaps the same one they had  
heard earlier, began to bark with intense suspicion. They turned, defeated, menaced by  
the canine voice. It followed them sporadically, a soul caught between anger and despair,  
all the way back to the Hotel Zenobia.
The men looked up grinning from their game, as if amused to see these  
foreigners so soon thwarted and brought to sanity. Jane stood warming herself at the  
stove, while Dan exchanged a few words about the dogs. They were domestic ones gone  
feral, it seemed, breeding in holes in the ground, in the ruins. Their waiter at supper  
which appeared vaguely sinister, glistened in his eyes. He said something in Arabic in a  
low voice, and the other men smiled.
'What did he say, Labib?' 
'He say, like Israel men. When he shoot dogs.' 
Dan gave the upturned faces a circumstantial smile. 'They'll wake us?' 
'Sure. Seven o'clock.' 
He turned back to Jane. 'Unless you want to sit and read?' 
'No.' She turned from the stove. 
'Let's swap rooms.' 
'No, really...' 
'You can't sleep in that stink.' 
'Then why should you?' 
She said goodnight to the men, and he added his own raised hand, then they  

went through into the corridor. She stopped at the closed door of her room, head  
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half-down: as if she knew nothing she might say would be adequate. 
'At least let me turn the damn thing out for you.' 
She hesitated, then nodded and opened the door. The smell hit them at once.  
He drew a breath, then squatted beside the ancient stove and turned a tap on a fuel-pipe.  
It was wet with leaked paraffin. Another cogged wheel: the flame shone white a moment,  
then began to phut and smoke. He grimaced back up at her. 
'Do let me get them to open another room.' 
She was staring down at the floor, her hands in her pockets. He stood and went 
in front of her.
'Jane.' 
Very slowly her gloved hands came out of her pockets, then timidly reached for  
his. Her head, the green scarf she still wore, remained bowed as if ready to butt him away. 
He took the hands. Her voice was so low that he could hardly hear it. 
'It wouldn't change what I said.' 
'But in spite of that?' 
'I feel so cold, Dan.' 
He smiled, the statement was almost insulting, as if this fraught giving-way was  
a matter of temperature and quite beyond his powers of remedy. 
'Any warmth. In a wasteland.' 
his.
'I'll come in a minute.' 
He leant and kissed the top of the scarf, squeezed the leather fingers back in  
warm now. He stooped to turn the stove out, then changed his mind, undressed, switched  
off the light, got into the cold bed. The sheets felt rough, unironed, distinctly damp. A  
phosphorescence shone on the ceiling from the blue flame of the stove. He heardJane go  
along to the bathroom, then back to her room. Her door closed, and there was silence. He 
was five minutes now since she had gone back to her room across the corridor, far more  
than she could have needed to undress, and spoke a terrible reluctance. He began to  
dread some change of mind. He saw her sitting on the side of her bed, with all her clothes 
on, unable to move.
and closed very quietly. She came in. He leant up on an elbow, and at first sight thought,  
realized, as she turned to close the door, that it was being worn as a dressinggown. She  
came quickly to the bed and in one swift movement discarded the coat and threw it over  
his own clothes on the one chair. A moment later she had slipped under the bedclothes  
he held extended. Her face sank against his neck as he immediately strained her close  
in that buried head, that he was being allowed this body, not given it, there was no time,  
no lost years, marriage, motherhood, but the original girl's body. He had an acute and  
poignant memory, re-experience, of what it had been like, once, before so many other  
undressings and goings to bed had numbed it, to drop like this out of the intellectual, the  
public, into the physical and private... the strange simplicity of it, the delicious shock, the  

wonder that human beings bothered with any other kind of knowledge or relationship. 
They lay embraced like that for half a minute or more, then he kissed her. She  
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responded, yet he felt, if not a physical shyness, a reserve still. He released her a little  
and they lay like two children, noses almost touching.
'V/hat took you so long?' 
'When I was a Catholic, we used to call it praying.' 
But there was a smile in her eyes and mouth, and he smelt perfume as well, a  
more secular vanity.
'For both of us?' 
'Mainly for you.' 
He smoothed down the side of her body beneath the bedclothes. 'You're still so 
nice like this. You haven't changed.'
'No memory.' 
'Every memory.' He found a hand, laced fingers through it. 'Haven't you?' 
'Not physically.' 
'Emotionally?' 
She stared for a long moment into his eyes. 
'Do you remember that night at Tarquinia? When we had our night-bathe and  
all had to sleep in the same room?'
'Very vividly.' 
She looked down. 
'I remembered it then.' 
'Tell me.' 
'I knew I was still in love with you.' Her eyes stayed down. 'I tried to tell Anthony 

when we got home. But I couldn't. Then to confess it. But I couldn't do that, either. I  
couldn't decide which was the worse sin. Still feeling it, or thinking it a sin to feel it.' 
She looked up into his eyes again then, with a strange mixture of gravity and  
knew that for some incomprehensible reason this was not a secret that brought them  
remain so.
The wretched dog began barking again somewhere outside, and he thought  
once more of T. S. Eliot: oh keep the Dog far hence... but couldn't stop to remember how  
against so many recent contradicting public images of her -the don's wife, the poised, the  
discreet, the middle-aged Englishwoman... and now so disconcertingly reduced to a  
nakedness in more ways than the literal.
'The sheets are damp.' 
'It doesn't matter.' 
'Do you want mejust to hold you?' 
The head shook, and she closed her eyes. Her feet did feel cold, but not the  
rest of her body. She let herself be pulled to him, her head once more buried against his  
neck. In spite of her passivity he sensed an inner turmoil, a teeming race in the darkness  
of her mind. Haifa minute passed, but then, in response to a movement he did not try to  
control, her hand slipped from his waist to the small of his back, and a moment later her  
them a tired bedspring creaked, when he came on top. She let her arms fail sideways, but 
was indeed a physical longing for this, but her arms and hands could not sanction it. 
It seemed to him, as they let sexual feeling dominate the next few minutes, that  
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someone else was aroused, had taken over her body. It was not that she remained  
way made it seem a ritual, a concession to physical convention. For once in his life he  
would have liked his partner to talk, to know what she felt. He had pushed back the  
bedclothes and his own eyes, now accustomed to the dark, kept searching her face for  
than he expected-in the dim light from the fire it still looked, was young: slender-armed,  
small-breasted... and that side of it came almost as a last secret she had kept, an added  
unfairness.
Yet it did not take place as he had dreamed, did not reach that non-physical  
climax he wanted, fused melting of all further doubt. She had been wiser in not expecting  
expected. But nor, finally, was she merely indulging him, comforting him. For a brief while  
immediately afterwards, when he was still lying half across her, that the failure could have 
been put in terms of grammatical person. It had happened in the third, when he had  
craved the first and second.
It left, too, a sad, sour little presentiment of age, of the death of the illusion that  
they could find each other as simply as this. It was too small, too short, too childlike a  
thing. Perhaps that was why he had always preferred, in more recent years, younger  

women: Jennies too green not to stay one with the myths of their bodies. 
He moved beside Jane, lay on an elbow, an arm across her. She had opened  
her eyes and stared at the ceiling. That they were dry, still immersed in an inner self,  
seemed a final small confirmation of what he had just thought. It was beyond his power to  
change what she had said. It seemed almost as if she had let him 'make love' only to  
demonstrate that a real love could never be made between them. In the end he  
whispered. 
'What are you thinking?' 
She smiled, then turned her face to him in the bluish light. 
'How I wish tomorrow would never come.' 
There was at least a tenderness in her look, a confession of a kind. 'Which  
means you're glad now has?'
'You were so nice.' She reached and found his hand. 
'You feel a little warmer?' She nodded, still smiling. 'Why did you change your  
mind?'
'Because I wanted you to know it wasn't this.' 
He raised their joined hands, kissed hers. 'I'm not going to accept just one  
proof. Now I've discovered what a sexy thing you are.'
Her dark eyes stared gently into his. There was something in them that was  
both maternal and unchanged. She was still the girl who had never understood him, or  
knew finally, he couldn't say quite how, but it was in the eyes, that nothing had changed.  
this could not remove some profound incompatibility between them. Her eyes closed. 
'Tired?' 
'Mm.' 
'I'll turn the stove out. 
He bent over and kissed her mouth. Her arm came round him and held him  
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close a moment, as if to ask forgiveness for what he had just read in her eyes. Then he  
an inch or two open. Meanwhile Jane had pulled the bedclothes back. He came beside  
her again. They kissed briefly once more, then she turned her back. He slipped an arm  
the other hand over her waist, to her stomach, and pulled her close. Her own hands came  
and lay on his, as if to keep them there. He began to feel, as they gathered warmth, knew  
each other awake in the darkness, that this innocent, silent nakedness was a nearer,  
literally possessed her. The scent, light touch of her hair, enfolded body, those hands on  
his... it was an enigma to him that she still could not see her fears were groundless, her  
scruples nonsensical, her obsession with solitary independence totally foreign to her real  
willed this. 
Perhaps twenty minutes later he realized she had gone to sleep. He quietly  
removed his now stiff arm, then turned away. It must have woken her a little. After a  
moment he felt her turn as well and lay a hand, instinctively, like a sleeping wife, across  
asleep when the knocks came on the door. He called, or groaned, from where he lay.  
There was an obscure mutter, footsteps went away. A cold first light came through the  
he lay trying to conform the room to his bedroom at Thorncombe, in a familiar maze  
between sequencedespising dream and coherent reality. Then he was aware that he was  
not wearing pyjamas. He remembered. Yet for a few moments more he continued lying as  
he was, knowing he had only to turn, to reach back a hand. Something in whatever he had 
silence, dawn, he would always regain her. He reached back a hand. But it met  
bedclothes, not the smooth, warm, female skin it expected. He turned sharply on an  
elbow, fully awake now.
There was no one there: an indentation in a pillow, the blankets carefully pulled 
up. Her coat had also gone from the chair. He thought perhaps she had slipped out to the  
minute or two before. He stared down at where she had been, then across at the closed  
door. The air was cold on his shoulders, but even colder in his heart. He tried to suppose  
it might be some curious respect for the conventions, but already sought other reasons.  
Love, let alone tact or affection, could not have left him to wake up like that. Something  
else had to be shown, and brutally. It was almost as if she wanted to trick him into thinking 
he had imagined that previous night. But he could still smell traces of her perfume. 
He got out of bed and pulled on the raincoat he had brought. Outside the door  
stood a bucket of water, steaming slightly in the cold. There was none outside Jane's  
room. He went across, knocked, then opened the door. Her bag stood packed beside the  
bed, her coat lay across the foot of it, but otherwise the room was empty. He went back to  
his own and threw the shutters open. And that too was a shock. The mist had risen, as  
promised, though the tops of the hills around the plain before him were only just clear of a 
grey ceiling of cloud. But he hardly noticed that.
The plain itself, which ran for two miles or more, was so extraordinary: an  
endless vista of ruins and isolated heaps of rubble, like a city stricken in some ancient  
nuclear holocaust and half buried again in sand. Forbidding square towers stood on a  
skyline to the west, above the plain. The scattered ruins were a heavy grey, tinged with  
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russet and ochre. There was not a house, a tree, a figure in sight. One could not believe  
that the night had hidden so much, such a unique landscape, so chilling, so hopeless, so  
Herculaneum or Pompeii or any other ancient site Dan had ever seen. Indeed for a  
moment or two his reaction was purely professional: an amazement that this unforgettable 
scene had never been used by any film-maker, did not form a part of every educated  
person's common visual memory. He looked for Jane closer to the hotel, but could not see 
her. The entire landscape was lifeless.
could not even share the first sight of the dead city outside. He went through into the room 

with the stove. She was sitting at the table where they had had their supper the evening  
before, a brass coffee-pot beside her. There was no one else there. She smiled across at  
where he stood for a moment, and held his eyes as he crossed to the table. He stood  
again a second there, searching her expression. Reading his own, it assumed apology. 
'I woke early. I couldn't sleep.' 
'How long have you been up?' 
'An hour.' 
He sat down, waited for some gesture, a reached hand. But she lifted the pot  
and poured him coffee, as if a banal domesticity could hide reality. It was so unexpected  
that it made him, quite against his will, fall in with it. 
'I wish you'd woken me.' 
She smiled. 'You were fast asleep.' 
the mistress of a situation, of a wife, of someone who had slept beside him for years. She  
passed him the bowl of sugar, but he caught her hand before she could withdraw it. 
'Jane?' 
And as she had at Koni Ombo, she stared down at their two joined hands. She  
beyond that, they seemed to him to concede nothing. He spoke again. 
'What's happened?' 
'Nothing.' 
He tightened his grip, but now her hand remained inert, without response. 
'Nothing?' 
She looked down at the hands again, squeezed his, then released her own. 
'Yes, of course something.' 
his coffee.
'Why did you have to get up?' 
'A need to rehearse?' 
'For what?' 
'Rome and reality?' She sought his eyes again. 'After the tenderest of dreams,  
Dan.'
He felt outraged, and not least because she could now look him in the eyes as  
will not function, although he has followed to the letter all the instructions for starting it. He 
thought of all his arguing and pleadings, both verbal and physical, and had an abrupt and  
hideously objective foreboding that he was dealing not with the psychological, but  
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something pathological, conditioned beyond remedy. Already, perhaps even before the  
act, she had made up her mind to this: to give in order to prove that she could not. He  
million miles from civilized adulthood. He stared at the table-cloth. 
'Why did you tell me last night about Tarquinia?' 
'To try to regain what I once did feel for you. When I had a whole being.' In his  
silence she said gently, 'Have you seen outside?'
Yes. 
'That part of me can't. For your sake.' 
'Christ, and you talk about the language of despair.' She looked down, and he  

went bitterly on. 'That's what that bloody ring on your finger stands for. Eternal marriage to 
yourself. Undying love for your own mistakes.'
The old man appeared from the kitchen with a bucket of fuel for the stove, with  
the cook behind him. The latter gestured to see if they wanted more coffee, but Dan curtly 
went to the stove, and the old man riddled it, with the cook watching. They spoke in  
Arabic, evidently something about the stove. Dan and Jane, her head bent, sat in silence,  
waiting for the others to go. But when the fire had been attended to, they drew up wooden  
chairs and sat by it.
She said in a small voice, 'Do you want more coffee?' 
'No. It tastes foul.' 
She swallowed that rebuff, used the same voice. 'Then may we go for a walk?' 
Dan hesitated. 'I suppose.' 
'I'll go and get my coat.' 
once inside his own, waited till he heard her return to the main room before he followed.  
He managed to explain to the two Arabs, by pointing at his watch, that they should tell  
Labib he and Jane would be back in an hour's time. He had not appeared. Then they went 
out.
In the distance they now saw the date-palms of the modern oasis, and some flat 
roofs, but it seemed as if the modern town had retreated, lay in hiding, from the old. Its  
lifelessness was appalling, beyond all powers of humour or belittling. Now and then some  
nothing else. The wind had returned, the some bitter, penetrating cold, and they had to  

walk quickly to keep warm. 
'c Dan's face was set, shut, he would not look at her. When they had come out  
of the hotel she had pointed to the most conspicuous ruins. 
'I think that's the Temple of Baal.' 
'Okay.' 
He knew as they walked that she wanted to speak, and he was ready to bite off  
In any case, even at the best of times, their wordless march would not have  
been inappropriate. The vast plain, the endless ruins, were their own inexorable  
commentary, as well as one on what lay between two marchers. When they came closer  
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mankind and Edgar Allan Poe have always seen them, not as symbols of freedom and  
survival, but as the harbingers of ill-omen and death. They did give Jane an excuse to  
speak.
'What are they?' 
'Ravens.' 
His tone forbade any further questions. They came to the temple and went  
inside. It had a massiveness more reminiscent of Egypt than Rome, a lingering smell of  
brutish heresy. Dan made it clear that it displeased and bored him, almost as soon as  
they entered. He watched the ravens circling overhead, croaking, then making a strange  
sound like dry bones clicking, a stick run down a lattice, while Jane wandered off for a  
minute on her own. He stood by the entrance gate, out of the wind, until she returned. 
'Enough?' 
She nodded, and he turned, like someone who had been unreasonably made to 

wait. They walked back through the centre of the ancient city, under a triumphal arch,  
collapsed building, towards Diocletian's Camp. They had, in the theatre and the forum,  
they fell silent.
They looked, yet -and both knew it -did not see what they were looking at. It  

was as if they had travelled one fatal day too long, and all their previous realities and  
pretences had crumbled like the city. They were reduced to what, in their two sexes, had  
never forgiven and never understood the other. Now they walked without purpose, as if on 
some insane constitutional, its only recommendation that they did not have to put on faces 
for other people. Jane began to look peaked and haggard, her face as set as his. He felt  
all his hope for her, and of her, dwindle. It was crushed by her intransigence, drained  
away through some deep crack in her psyche. They had no free will, they were back, but  
in a far worse way than before, in this bitter, forsaken place, to not touching, not saying,  
not looking.
Palmyra itself stood between them: remorselessly dividing them because they  
what life had made of her. More exactly, it was what he claimed of his life in his more  
was something much deeper, though he saw it as a mulish irrationality, almost a  
snobbism, only too similar to certain kinds of intellectual Catholicism. 
In her secret eyes he was eternally superficial, not an initiate, not able to see  
deep enough. He might use the landscapes of the last twenty-four hours as illustrations,  
parables, but somehow they remained external to him, while they were inside her... all that 
barely comprehensible talk of not being able to love, as if it were some impossible foreign  
language, like Arabic itself. Somewhere, deep down, she must, now, want it so. 
Aided and abetted by his wounded vanity, he churned over the fallacy in her  
seeing, in all closet-intellectual seeing. It had no lateral or horizontal scope, it was all  
verticality, obsessive narrow penetration to supposed inner cores and mysteries -souls  
making-do, as if such qualities could not be a part of the whole, of truth, because they  
were so frequent, universal and necessary... and had to be demoted to the status of the  
mere mis leading epiphenomena, like moments of animal closeness in the night, of a more 
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Žlite reality. He blamed the mental influence of Anthony and all he had stood for:  
Oxbridgery... felt a growing seethe of anger with her, with this oversophisticated,  
hypersensitive system of valuation that immured her. Nunnery was right. The air of  
enclosure, masochism, of self-absorption disguised as self-immolation, louche and  
mystical marriages to Christ-figures... he loathed it all profoundly. 
They stood at the opposite poles of humanity, eternally irreconcilable. 
They had walked for several hundred yards in silence and were nearing the  
Camp at the end of the plain. He felt petrified in sullenness. She was behaving like an  
inverted Phaedra, a tragedy queen. He had also a blackly sardonic intuition that all his  
recent life had been leading here: to this potential climax and focus... and now all it  
his career had given him 'success' in a world that also became lost ruins in a lost desert  
almost as soon as it was achieved. And even that other, original, destiny had been  
inflicted on him by her. He cursed the day, that evening at Thorncombe, when he had first  
situation Then something he could not have imagined, or would not have imagined,  
happened.
Now very near the Camp, they passed a collapsed temple some forty yards to  
their right. It was no more than a gigantic pile of rubble. Huge squared stones, drums of  
fluted columns, fragments of carved cornice and capital, stone foliage and volutes, lay  
massed as they must have fallen in some earth-tremor centuries before. But across the  
sand there seeped a sound from it: a whimpering, an unhappiness from the very  
beginning of existence. Involuntarily they stopped, puzzled, then Dan-almost with  
impatience, as if even distraction was an insult to his mood-walked to where the first  
stones had spilt out across the desert. Then he saw the source of the sound. 
Two dun-coloured puppies stood at the mouth of a dark crevice in a  
conglomeration of cornices and column-drums littered against part of the temple platform.  
stared at Dan from their hole without retreating as he went a step or two closer, though  
they fell silent. He looked back at Jane. She had stopped a few feet behind him, to one  
side. She too stared at the puppies, her hands in her pockets, as if she did not like being  
so close.
He said, 'The last inhabitants.' 
Jane nodded to the left of the mound of debris, then said in a flat voice, 'Their  
mother's over there.'
He looked. A mangy bitch had appeared some sixty yards away, watching  
the swollen dugs -the size of a small greyhound, an air of being both cowed and vicious. 
Watching the puppies again, Dan said, 'Better not come nearer'. 
Jane did not answer. 
He glanced back. She had turned away, as if out of boredom, and was walking  
slowly back across the sand towards the track they had left. He followed, came beside  
her.
'Poor little sods.' 
There was a movement of her head, a cursory ghost of a smile, as if, in spite of  
appearances, to acknowledge this tiny incident. But her head stayed down, her hands in  
arm. 
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'Jane?' 
But she shook her head: it was nothing. They walked a few steps more. This  
time he took her arm more firmly and stopped her.
'Jane.' 
Again she shook her head, almost as if to drive him away. But he saw her bent  
face, and put an arm across her shoulders. For a moment they stood like that. Then,  
slowly, she turned against him, her face to his shoulder. It was so contrary to his mood  
that it took him foolishly by surprise. His other hand moved almost gingerly to pat her  
back. He looked across the sand to where the bitch stood. The animal at last allowed  
itself a more normal canine behaviour. The muzzle lifted, scenting. He bent his head. 
'Tell me what's wrong.' 
But her only answer was a pent-up expulsion of breath. Still she 8o stood with  
more tightly, kissed the top of her head, but did not try to calm the sobs. She held herself  
so stiffly, and they seemed to force their way out of her, as out of a child. He divined, he  
quarters of an hour was also sand.
Beneath all her faults, her wrong dogmas, her self-obsessions, her evasions,  
there lay, as there had always lain -in some analogue of that vague entity the Marxists call 
totality, full consciousness of both essence and phenomenon -a profound, and profoundly  
unintellectual, sense of natural orientation... that mysterious sense he had always thought 
of as right feeling. But he had also always thought of it as something static and  
living, mobile, shifting and quivering, even veering wildly, like a magnetic needle... so  
easily distorted, shaken out of true by mind, emotion, circumstance, environment. It had  
never meant that she could see deeper. In a way it must be a thing that limited and  
confused rational vision, that would provoke countless errors of actual choice. Followed, it 

conscious course because the unconscious knowledge of the true one always lay  
set in an arctic where no incarnate mind can exist.
The wind shook a patch of sere foot-high thistles that stood between them and  
twenty yards -then once more stood and watched: the two bipeds as one, frozen, a  
hundred yards away. At lastJane managed to speak.
Oh Dan. 
He kissed the head again. 'It will come. It will come.' 
Her face still buried, she was silent for a long moment. There was another sob,  
almost of disgust.81 'You must hate me so.'
'That's also a symptom.' 
'I don't know how you can stand me.' 
'Because you're such a clown.' 
'Alias ghastly neurotic female.' 
'I don't know how you can't read this place. What it really means. 'It feels so  

without hope. Those puppies.' 
He held her closer to him. 'Then why do you reject all warmth?' She shook her  
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daylight usurp everything all our instincts, all we don't know in ourselves. When we're still  
just as much animals as that poor creature over there.' He raised a hand and pressed the  
back of her head. 'It felt so right last night. Afterwards. Just holding you. Your being there.' 
She moved a little, and one of her hands went up to her face. There was a last  
small shudder of breath.
He said, 'Didn't you feel that?' 
'Of course I did.' 
'Then why did you run away?' 
'Because I felt I'd done something dreadful. I didn't know where I was, who we  

were. How it could have happened.' She sighed. 'It suddenly seemed exactly as it was  
before. A sort of madness. A blindness to all the realities.' 
'Except the one you've just felt.' 
She stood slightly away, though her bent head rested against him and he still  
took a breath, but this time it was more banal, of apology. 
'I don't seem to have brought a handkerchief.' 
So Dan released her, and made the oldest male gesture in the world. She  
would not look at him, but after a moment she turned and glanced over her shoulder back  
towards the dog.
'Why did she leave her puppies like that?' 
'Why do you always jump to the wrong conclusions?' He took her shoulders  
and made her turn fully, then held her back against him, spoke in her ear. 'It's not a lack of 
love, Jane. It's a well-known trick. What biologists call distraction behaviour. Birds do it as 

well. She's offering a trade. To be hunted and shot, if we'll spare her young. That's why  
she's standing just out of gunshot. To lure us away.'
She stared, curiously and touchingly like a small girl facing up to adult reason  
and life without tears.
'I thought she wasjust frightened.' 
'If she was just frightened, she'd be like you. Streaking for the horizon.' 
They watched, the bitch watched back across the sand. 
She said slowly, 'I should never have left the Church.' 
'You should never have gone into it in the first place.' 
'It's designed for people like me.' 
'Who won't believe in love?' 
'Who fear it so much.' 
The bitch circled again, then disappeared behind the mound of stone. 
'Will she go back?' 
'Of course. As soon as we've gone.' 
looked down at the ground for a moment. Then one of her hands came up and touched  
one of his where it still lay on her shoulder.
'Dan, I want to be left alone here for a minute. Would you start walking back?  
I'll catch up.'
He was disconcerted, as much by a shyness in her voice as by the  
unexpectedness of the request.
'Why?' 
'I want to do something. Alone. It won't take a moment.' 
'You mustn't go near the puppies. She might-' 
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'I know.' 
He tried to read the profile of her face from behind, but it revealed nothing. He  
pressed her shoulders, then began to walk away, slowly, towards the distant low speck of  
could not resist a glance back. To his astonishment she was sitting on the sand: her back  
to him, propped on an arm, her legs curled to one side, looking down at something in front 
of her. He stopped, infinitely puzzled-assumed some sort of prayer, a being too shy to  
kneel formally when he might turn like this and see her.
He would never forget that extraordinary, almost surrealist sight: the bitter wind  
ruffling the fur collar of her coat and an end of her headscarf, the desolation, the hills  
behind with their grim watch-towers, the silent back, her sitting as if before an invisible  
Tsankawi, pursuing Pueblo Indian shards. But that at least had been a rational pose, and  
one with movement. Jane seemed transfixed. It was like a supremely bizarre cinema still,  
of the kind that evoke far more than the film they transiently appeared in. 
already on her feet and walking towards him. He waited, trying to tell from her face what  
she had been doing. But it was without expression until she was close, when she made a  
'Do my eyes look awful?' 
He shrugged and smiled. 'The wind.' 
She extended her hand before she reached him, to make him walk on. He  

waited for some explanation, both in the particular and in the general: what she had been  
doing there, what resolution, in both the decisive and the musical sense, they were  
brought to. But all he was granted was the hand. They walked fifteen or twenty steps in  
silence, then she pressed his.
'Tell me about distraction behaviour.' 
'That's a perfect example of it.' 
His hand was pressed again. 
'Talk about anything, Dan. But not me.' 
Half an hour later, when they were sitting and having a second coffee in the  
hotel, he was no wiser as to what was going on inside her. On the way back they had  
talked, in the end, about the site: the things they had not said before. Tourists again, old  
friends, at Oxford together-or so it had seemed to him, still bewildered by that enigmatic  
image of her sitting figure, by the emotion that had preceded it, by the speed of the  
recovery. It was almost as if she had made a resolution of a much more ordinary sort as  
she sat: not to bother him again with her 'ghastly female' neuroses. Yet there was no  
to have returned to the Nile, to mere close companionship. Labib, the other men, were in  
that. He felt that needle still shivering, and was wise enough not to demand where it now  
settled.
It was to continue, as Labib drove them around. First into the shabby little  
of the guide who was to accompany them for the rest of the morning. A wizened old man,  
cramped in a threadbare suit, but who spoke a fluent, old-fashioned French. He knew his  
stuff, even had a certain dryness about it, which they shared, faced with the endless stone 
heads the ancient citizens of Palmyra had liked on their tombs: wall upon wall of them, in  
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in their best jcwellery, so many earnest gentlemen aping Cato and Mr Gladstone. Dan  
or two comments from the guide.
Un beau visage d'entrepot, West-cepas, madame? 
A nice eternal middleman's face. 
themselves, another bizarre moment, in what seemed more like a football changing-room  
than anything else: a stinking steam, pegs of clothes, men in towels, laughter. They  
descended dank steps to an extraordinary basin of pale green soup, one of the warm  
subterranean sulphur baths that had attracted the Romans in the beginning. Another  
dozen men, in white drawers, coffee-coloured torsos, stood in the steaming water. Some  
smiled at the two foreigners, one or two turned their backs. Modern Syria, it seemed, still  
retained its sybarites, even if only underground.
Dan was to keep only the vaguest memories of those two or three hours. He  

would happily have foregone the tour, in fact. It was Jane who now seemed to want it -to  
be her housewifely self again, not to be short-changed of what had been paid for. In some 
of his love of loss, he secretly enjoyed prolonging it a few hours more. He avoided her  
eyes, rather than she, his. Twice, when they were in the car, her hand felt for his, but as it  
had at the Krak des Chevaliers, to comfort, to give patience. It was almost as if he were  
being obscurely teased, made to wait till they returned to Beirut for a full explanation. Now 
it was the tears that had never taken place, as earlier it had been the night. 
Finally they were driven to a valley in the hills to the east, above the plain, the  
cemetery of the old town. They visited a tower-tomb, a kind of four-storey columbarium,  
though stacked with stone sarcophagi, not urns. Even here, the guide told them, the  
Roman eye for business had triumphed -spaces in the best tombs had been excellent  
speculative ventures and had been bought and sold like contemporary flat-leases. A  
warren-like catacomb he also took them to had fetched especially high prices, since it was 
translated to the old man what Dan said of Forest Lawn in California. The old man's  
tortoise eyes crinkled. Plus a change... they could not tell him anything new about human  
folly.
Soon after noon -they had deposited the old guide back at the museum -they  

listening to Labib expatiate once again on the Syrians' stupidity in not making more of the  
place... better roads, better hotels, a casino, an airstrip. When he fell silent, they risked a  
covert glance of knowing better. Dan, resigned now to being left in ignorance, moved his  
hand and took Jane's. After a few moments he gently rubbed a thumb across her  
knuckles. He had had all of their second breakfast to realize, and other occasions when  
she had taken off her gloves, but even usually observant men are peculiarly blind at  
times. He looked sharply down at the hand. The impression was still pinkly on the skin of  
the wedding-ring finger, but the band of gold was no longer there. 
He gave Jane an almost reproachful look. She contemplated her own ringless  
was something in her face, both self-deprecating and shy, as if she wasn't quite sure it  
was her own hand. But when she looked up and met his eyes, though it was only very  
briefly, he knew he received his answer and his resolution. She looked away out of her  
window, and he through the windscreen, but their grip tightened. Nearly half a minute  
passed before she spoke, still staring out of the window. 'Do you think she will be shot?'  
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He pressed her hand again. 'Not now.'
Future Past
At the hour when one day ends and the next has not begun at the hour when  
time is suspended you mustfindthe man who then and now, from the very beginning, ruled 
your body you must look for him so that someone else at least willfind him, after you are  
dead.
GEORGE SEFERIS: Fires of St John 
Dan watched jenny standing at the bar, longer than she needed to buy the drinks. The  
ground, this northern part of London had always been foreign to him. The wall behind the  
once in Los Angeles that the pub was an informal theatrical agency... where you  
even if, like her, you had made it, but retained a belief that you were nicer if you  
sometimes pretended you hadn't. Dan had not liked the sound of it then, and did not like  
The man she talked to, the landlord, evidently knew all about her, and was  
being brought up to date. She turned from him with a smile, some last remark over her  
shoulder, and came back to the table with the drinks. A solitary young man at the far end  
made her look less conscious, more simple, more of an open-air girl, than she really was. 
She put the glasses down: his whisky, her half-pint of draught Guinness, then  
sat on the padded bench beside him.
'It's only Glenlivet. He doesn't stock Dettol.' 
He smiled. 'Dettol' was her nickname for Laphroaig, which she knew he liked,  
though he had asked simply for Scotch.
'You seem very at home here.' 
'Sorry.' 
'I hear the studio are high.' She gave a little shrug. 'Bill rang the other day.' 
'Me too.' 
'You've signed and sealed for the new one?' 
'Not quite. David's waiting for the good news to get round. So he can screw a  
bit more from them.'-David was her agent.
'But you will?' 
'Like what?' 
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'Like "like what".' She said. 'I'm not your daughter.' She added quickly, 'Which  
reminds me.' She bent to a basket beside her, and passed a small cardboard box without  
looking at him. 'I thought you might like to give her this. You needn't say it's from me.' 
He took the lid off, and opened a fold of jeweller's lint. Inside that lay a silver  
chain, with one of the Tsankawi shards, framed in a rim of silver, hanging from it as a  
pendant.
'That's very sweet of you, jenny.' 
She gave the pendant, or his examination of it, a brief sideways look. 
'Perhaps it will bring her bad luck as well.' 
'I'm not going to rise to that.' He turned, leant, kissed the side of her head, then  
looked at the pendant again. 'And of course I'll tell her it's from you.' 
She said, gauchely, 'I went a bit mad. I had too many made.' 
'It's charming.' He hesitated. 'I bought you something in Egypt. But I didn't have  
the face to bring it.'
'What was it?' 
'Some old tomb-beads. You probably wouldn't have liked them.' 
She shrugged. 'It doesn't matter. I'm going anti-jewellery anyway.' 
He folded the lint back over the pendant. 'Caro will love this.' 
She sipped her Guinness. 
'Is she still...?' 
'He's talking of getting a divorce now. 
'And she?' 
'I'm down to crossed fingers.' 
'Is she pleased for you?' 
'She's always been very fond of her.' He went on, a shade too quickly and  
lightly. 'It allowed her to kill two parents with one stone. The first thing she said was, I  
always knew you'd picked the wrong sister.'
Jenny did not smile. The interrogation proceeded. It was very tentative, and she 
did not look at him.
'And your ex?' 
'She seems to have decided she can still speak to us. Since we were always  
two totally impossible people. As she delicately put it.'
'What were you doing in Italy?' 
'We stopped off a day or two to see Jane's younger daughter. She's doing a  
language course in Florence.'
'And wrote me my letter of dismissal.' 
'Of reasons why, Jenny.' 
'I knew. That postcard you sent from Aswan.' She picked up her tankard of  
Guinness, but did not drink. 'I just wish you'd told me what was happening before you left.' 
'I honestly didn't know. You must believe that.' 
'You must have had some idea.' 
'Only that I was sorry for her. What I tried to explain in the letter.' 
There came a longer silence. Jenny drank some of her Guinness, then stared  
across the room at the bar. Dan hated it, he had come determined not to allow this. But  
from the first moment, the first sight of her, she was already waiting for him, her aloneness 
insistence (they were back in London now) that she should buy the drinks... any chance of 
being natural had vanished immediately in the artificial naturalness they had both  
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assumed. She spoke, still staring across at the bar.
'Every day I wonder what you're doing. Even though I know what a devious,  
lying bastard you are.'
'You promised we-' 
'I'mjust telling you.' 
He left a pause. 
'I sometimes wonder what I'm doing as well. If that's any consolation.' He was  
aware of her glance at his face, but did not return it. 'It gets tough when you're both older.  
All those bits of armour you've acquired and forgotten how to take off. The bastard knows  

what he's lost in you.' 
'I don't want your candy, Dan.' 
'I wish it was.' 
She put down her tankard, sat back, folded her arms. 
'I'm going home tomorrow. Up to Cheshire.' 
'They know?' 
'I've pretended you've been the perfect gentleman. God knows why.' But she  
made an immediate grimace down at the table. 'You're making me say all the lines I meant 
to cut.' Then, 'I only met here so that I'd be too ashamed to cry.' 
'You knew what I felt. Before I left.' 
She unfolded her arms, put her hands on her lap, smoothed a hem of herjacket  
sleeve.
'But you never knew what I felt. Deep down.' She said in a lower voice, 'Would  
it have made any difference if I'd written about Tsankawi first?' 
He said nothing. He had come also determined to raise that as soon as  
since he had guessed that his silence over it lay behind the brief telephone conversation  
at him.
'You did get it?' 
'Yes, jenny. And bullseye. Where it was aimed.' She stared down, and he said  
gently, 'The timing was appalling. I'm so sorry about that.' 
'And if it had been better?' 
'1 think one day you'd have been far unhappier than you are he still looked  
down at her lap. 'At least we'd have tried.'
'My dear, you can't short-cut experience. How you handle all thi. Discovering it  

with someone your own age. Who's also lea%11111g. 
'J went through all that with Timothy.' 
directly or 1Ot.
'Jf only you could have understood that stupid pretence of being horlest about  
you wasn't really about why I couldn't love you. But cut why I did. ' She said. 'That's the  
part of your letter that was so. vrong. That hurt most.'
It wasn't stupid. It was brave. And very perceptive.' 
,)For an actress.' 
'for anyone of your age. He's going to be very hard to find, JenY. But you do  
know what you're looking for.'
'fm all right, then.' 
'You know I didn't mean that.' 
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J-er face was growing more and more ungiving. 
'j: wish you'd let me have them back.' 
'1'o destroy?' 
"Jhat third one makes me flush every time I think of it.' 
'J3ecause it was honest?' 
'(Ake masturbating on camera.' 
'r'ow you're being ancestral.' 
't know you still think it all happened.' 
'j never thought that. I also know it doesn t matter whether it did or not.' sue  
took a breath, then looked up. 'The only thing I did in real life was not to go out with them  
together again. I think they decided I was rather dull, anyway. British.' She sipped more of 
her black beer, then her mind made one of its jumps. 'Can you remember your first return  
here?'
'That shock doesn't stale with age.' 
'Missing all sorts of things over there you thought you despised. 
Rediscovering so many things here you'd always taken for granted.92 When I  
picked up the first milk-bottle outside my flat, I nearly kissed it.' Then, almost without a  
break, she said, 'I'll never forgive you if you ever show them to anyone.' 
He smiled. 'I might borrow the general idea. As you said I could.' 
'I know your game. We're all so much easier to live with when we're just notions 
in your past. I think you're the original male chauvinist pig.' 
'All writers are. Even women ones.' 
disagreement on the far side of the room.
'And where's that at?' 
'Where I suspect it always will be. In contemplation.' 
'The script?' 
'Being typed out.' 
'Pleased?' 
'I enjoyed writing the final fade. 
'As elsewhere.' 
'Not true.' 
'I suppose it's what it does to all of us. Two months on this. Then two months on 
that.' She gave Dan a look. 'I don't think you'll ever have the patience for a novel.' He  
you'll be back on scripts within six months.'
'Not even a year?' 
She shook her head, but in a way that made him, for the first time, look properly 
'This is why I didn't want us to meet.' 
She sat forward and put an elbow on the table, the other hand against her  
cheek, stared down at her Guinness. The pub was slowly filling, there were now eight or  
nine people at the bar.
'I'm not going to cry. It's so humiliating.' She took her hand away from his, and  
sat back. 'I can't even face ringing up friends. Going home tomorrow. It's having to talk  
about it. Pretending it doesn't mean anything.' She looked down. 'If only you'd left me with  
some nice ordinary disease. Like syphilis.'
'As opposed to?' 
'A man tried to pick me up on the plane coming back. It was jam-packed. He  
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was sitting beside me.' 
'And?' 
'He was rather nice. Very interested in the arts. The theatre. A merchant  
banker, just been divorced. He told me all about it. She was an upper-class idiot. I'm  
supposed to be having dinner with him.'
'Young?' 
'Early thirties.' 
'You liked him?' 
'He was rather sweet. Fun. He'd been on business in New York, he told me  
about some high-class call-girl they'd tried to fix him up with one evening. How they'd  
spent it just talking. They didn't go to bed. She told him it happens all the time.' 
'Why are you telling me?' 
'Because I shan't have dinner with him.' 
'Why didn't he go to bed?' 
'He thought it might be some kind of blackmail hustle. And don't change the  
subject.'
'Tell me the symptoms then.' 
opened her eyes and mouth as she sawJenny, who raised a hand. The girl made a  
on, still watching them.
'All the time I was on the plane I wished you were beside me. To tell me what to 
do. Find out what I felt.'
'Then I was beside you.' 
'That's like so many of your lines. How things ought to be. Not how they are.'  
realize this about you?'
He saw one or two covert glances towards them from the group of young  
they wondered why she spoke so seriously, her face down at the table. 
'You know me in cross-section, Jenny. She knows me historically. It comes to  
the same thing.'
'Does she mind your coming to see me?' 
'Not at all. She was quite a good student actress herself at Oxford. You've more 
in common than you might imagine.'
'Except you.' 
It was said so humourlessly that Dan had to smile... and to think what they did  
not have in common: how much easier, if he were inventing it, jenny's dialogue would  
have been. He was hiding so many very recent memories of Jane, and hiding now a  
certainty that destroyed the small hope he knew still lay buried in the girl beside  
him-though he knew also that it had not prompted their meeting, but had arisen, against  
her will, certainly against her original intention, as soon as it took place. It defined her  
nature far more than it flattered his vanity.
'I suppose you've told her all about me.' 
'All about why I never deserved you.' 
'I wish you'd write a script about a woman who kills a man out of rage at the  
phoniness of his decency. I could do that now.'
'The actress in you.' 
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'I didn't think you believed there was anything else.' 
'I wouldn't be here now if I believed that.' 
'It's almost as if you want me to become a hard-faced little ambitious bitch.' 
He left a silence, then spoke. 
'Why do you think the friends of your friend over there keep sliding looks at us? 
The boys?' She said nothing. 'They fancy you for your looks, jenny. But even more for  
what you're becoming. You're condemned to be a sort of goddess. Still, even today. An  
untouchable vestal virgin. What every girl wants to be, what every man wants to have. It  
doesn't matter that they know you're not a virgin. Very soon you'll be sacrosanct in the  
popular imagination. You know the alternatives. You turn your back on that, refuse to play 
ikon. Or you accept its cost.'
'I make a last phone-call and he's too important now to answer.' 
'Wrong culture. You'll never be Monroe. And fate settled that score.' Again she  
said nothing. 'You can't have both, I've been there too long. I know.' 
'I won't give up what I am.' 
'Then you can only choose which kind of new-style vestal virgin you'll be.  
Remembering you're in the sickest art of them all.
Where even the best have been buggered almost before they've got their foot  
through the door. Where cretins have always ruled, and always will. Where the stock  
model for every relationship is that between a ponce and a whore. You know all this. And  

why.' 
'I think you have been there too long.' 
'I'm only making a plea for you not to give up what you are. But it doesn't come  
for free.'
'I used to make nice bright clean decisions about things. All you've done is  
hopelessly confuse me.'
'That's growing up. Not me.' 
'I was growing up perfectly well before we met.' 
'I'm not going to be cast as the Lovelace in your life.' 
'Who was he?' 
'The seducer in Clarissa. Richardson.' 
say. There was something far more sullen and unconceding in her than Dan had  
foreseen, as if the return to her home environment had discharged an emotional static she 
things other eyes in that room might see in her, small and fiat and resentfully forlorn. He  
also knew what the end of roles sometimes did to actresses, and that her mood was partly 
dependent on circumstances beyond his responsibility. Yet he felt miserable, knowing he  
could not comfort her in the only way that might have worked. She broke the silence, in a  
fittingly mundane and dispirited voice.
'Do you want something to eat?' 
'If you like -a sandwich?' 
'I'll have smoked salmon if they've got it. It'll get so crowded soon., 'Another  
Guinness?'
She shook her head. 'Jut a coffee.' 
Dan went and waited at the bar for the sandwiches to be served. He saw jenny  
something very briefly to her as she passed, ignoring the young men. He tried to read the  
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never seen before. When jenny came back-he was already sitting again -she plumped  
down with a little air of newgained resolve.
'I only wanted to see you once more. To let off steam.' She squeezed lemon  
over her smoked-salmon sandwiches. 'If we ever meet again, you'll just be that peculiar  
mixed-up writer man I once had an affaire with.'
'I shall keep you much closer than that.' 
She started eating. 
'Was Egypt interesting?' 
him now he would be got over, it would be got over. Our time's slick comedown from  
Forster's Only connect... only reify. Then two girls came and sat in the chairs on the other  
side of their table. Dan and Jenny were silent for half a minute, unwillingly listening to  
their chatter. Then she said abruptly, 'Shall we go?'
She pulled on her outdoor coat, suede patchwork, an extravagance she had  
pavement and the open air. Passers-by, traffic crawling up towards Hampstead. It was a  
fine day, presaging spring, a clear sunlight on everything. She held her wicker basket with 
both hands in front of her, and faced him, a brittle smile. 
'Well. It was kind of you to spare me an hour. Mr Martin.' 
He stared at her for a long moment, and she looked down. 
'There's another opposite to how things ought to be, jenny. How they ought not  
to be.'
She gave a minute shrug, but still stared down. 
'I haven't your gift for tasteful dialogue.' 
It was strange, Dan suddenly recalled talking with her on the beach at Malibu  
one day, the day she had written about: the same kind of aggressive shyness, even  
though it had been much more buried then... as if it was used, almost deliberately, to  
precipitate something better. There was something else, a much remoter ghost at his  
understanding it, despising it for all the inanities it generated, boring old parties one had  
to be polite to, endless chitchat over nothing... but a greater humanity than this. And a  
much closer ghost, ghost only in not actually being there, also watched him watching  
himself-stood beside him and told him that however much the needle veered, it was never 
as far from true course as this.
'Is there somewhere in the open we could walk for a bit?' 
'The Heath. We could take a cab.' 
'Okay. Let's do that.' 
outstretched arm. Jenny told the driver where they wanted, but once inside they sat in  
silence again. He took her hand, but she stared out of her window. Another battle with  
Five minutes later he paid off the taxi at the Whitestone Pond. Over the trees  
below, distant London lay spread, anaesthetized, soft blues and greys and pinks,  
deceptively of its past still, Constable's London. They left the road and walked off down a  
listened in silence, just an occasional question. He was aware, now that it came to it, the  
first time in words, not only of the difficulty of putting flesh on such remote bones, but  
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even of articulating them: a world of value-systems, prejudices, repressions, false notions  
of faith and freedom, that he sensed she could hardly comprehend. He tried to tell her all  
his letter had lacked the honesty to tell: the real enemy she had always been pitted  
against. The day of the woman in the reeds, and all that lay behind it. And a little of  
Aswan and Palmyra, too. All rather drily, matter-of-factly, as he might have outlined an  
idea for an original to a sceptical but shrewd producer like David Malevich -slighting it  
rather than selling it, casting Jane and himself as middle-aged fools... strictly for that  
trade, not the younger generation.
Jenny was silent when he fmished. They had stopped and sat on a seat for a  

which led up to Kenwood House. 
"Why didn't you tell me all this before, Dan?' 
'Because I've never told anyone, Jenny.' 
She went a few steps without speaking. 
'You're really in love with her?' 
'In need.' 
'Has she changed very much?' 
'Physically. Not otherwise.' 
'Soul-mates.' 
'Hardly. We disagree about too much.' 
'That doesn't fool me.' 
'I'm not trying to. We do agree where it matters.' 
Again they strolled steps in silence. 
'I can see there were always casting problems. With us pale shadows who  
offered for the part.'
'I'd long ago put it beyond the realm of the playable.' 
She slid him a look. 
'I wish I'd known. I'd have put on my long nightie and danced through the  
palm-trees on Sunset.' She struck a little pose and put on an ingenue's face. ' "You can't  
arrest me, officer. I'm a figment in someone's imagination".' She saw him grin, then  
suddenly came closer and slipped her hand through his arm. 'I wish you'd get us all  
together. Then we could swap notes.'
'I have got you all together.' 
'Like Bluebeard.' 
'Nonsense.' 
She jerked his arm. 
'Only what you think we are.' 
'I won't have the great secret of my life treated as a subject for unseemly levity.' 
'Diddums. Did the naughty girl laugh at him?' He smiled. Her hand slipped  
down and found his. After a moment she said, 'I only wanted to feel close to you once  
more.'
'It's not that I feel any closer to her, Jenny.' 
'But what?' 
'Perhaps we're a little sorrier for each other. And with better reason.' 
She looked down at the grass. 
'Is she in London now?' 
'In Oxford. She's going to put her house on the market. She's there about that.' 
'And you'll play Darby and Joan in glorious Devon?' 
'I've given up trying to sell that to the women in my life. We'll probably try to get  
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a house here.'
'And sell your farm?' 
'Just use it as before, Perhaps a bit more often.' He said, 'Jane wants to go into  
local politics.' He smiled rather sheepishly at her. 'You're walking with a fully paid-up  
member of the Labour Party, by the way. As of last week.'
'Seriously?' 
'It doesn't feel it. But we'll see.' 
of amused curiosity.
'Is she really very left-wing?' 
'We're like two characters in a difficult play, jenny. We know we both feel we  

want to do the parts. But we don't know how we'll get into them yet.' He added, 'Especially 
as neither of us has very much confidence in the director... or directors.' 
'That must be a very new experience for you.' 
He smiled at her dryness. 'Where writers count for even less. That's the real  
problem.'
relinquish the role she was now playing. For he also knew she was acting, though  
'I think you'd make a jolly good politician. With your skill at conning and lying.' 
'I may surprise you yet.' 
She stole a look up at his face. 'And really goodbye, screen?' 
'I don't know. If a novel defeats me, I think I might risk my neck in the theatre  
again.'
'I wish you would. With a nice fat part for me.' Then she said, 'I so wish I was  
going back into that. Now. Next week.'
'Then do it when the next film's over. David's a good agent, but he'll run your  
life for you. If you let him.'
She gave a small nod. More steps without speaking. Then she took his arm  
again.
'You will let us meet occasionally? Let me have a whiff of your rotten old mind.  
Even if it's only so you can tell me what a lousy vestal virgin I'm becoming.' 
'Of course.' 
'We'll walk here and then I won't see you for another year. 
He made one of her own jumps. 
'As long as he sees through Jenny McNeil.' 
'I shall bring him to be vetted.' 
'He won't stand for that. If he's any good.' 
'Then I'll use it as a test. If he knocks me to the floor at the very idea, I'll know  
he's all right.'
'I should try this merchant banker.' She shook her head. 'Why not?' 
'I'm off nice straightforward men.' 
They walked slowly up the slope to the cream fa  
again, but she still kept her arm lightly linked through his. A few old people sat on  
benches in the winter sun and there was a dim roar of traffic from around the Heath. As  
they came to the steps up to the gravelled terrace before the house, she reached down  
and squeezed his hand, but mischievously.
'I didn't tell you how sweet Abe and Mildred were. When you junked me.' 
Yes? 
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'He offered to divorce Mildred and marry me himself.' 
'In front of her, I hope.' 
'Of course. And you're never to have the Cabin again.' 
'But you are?' 
'Any time I want.' 
He pressed her hand. 'I'm glad.' 
After he had posted the letter in Italy, he had rung Mildred to warn her it was  
Mildred had said drily that she was doing his 'dirty work' for him, but he knew whose side  
she was really on. He said nothing now. They came to the terrace and walked to where a  
tunnelarbour led beside the eighteenth-century house. Then jenny suddenly pulled him to  
a halt, as if they had reached a mark on set.
'I'm going to say goodbye now, Dan.' 
She turned in front of him, mimicking a niece at the end of a treat. A smile, a  
look into his eyes. 'Thank you for having me. In all senses. And I think the rewrite of this  
scene's been so much better than the first draft.'
'But how are you 'If you walk through here and up the drive, you'll be in  
Hampstead Lane. You can get a taxi there.' She smiled again. 'I'd rather walk home  
alone.'
They stood frozen a moment, then she moved. Her mouth hardly touched his,  
away. He stood watching her, feeling obscurely tricked, even in some way hurt that it had  
been her decision-which told him that it had been one that still, somewhere deep inside  
himself, he had not absolutely taken. At the top of the steps down, fifty yards away, she  
glanced back at him, and extended a discreet arm with the hand cocked up slightly, as if  
they were just saying goodbye for a few hours and she was late for some next  
appointment. Her face had turned away before she could have seen his own hand raised  
in return. He watched her walk quickly down, the woollen cap, fair hair, patchwork coat,  
brown wicker basket, over the long slope of grass to the footbridge that led across a brook 
and up over another slope to the woods. She did not look back again. He moved a few  
yards and sat on an empty bench, and watched her still, a speck with a basket, until she  
landscape in front of him.
of himself he had arrived at over the last two months, and which he had tried to convey to  
poison of her mood in the pub, he was left poisoned by it himself. In the end he stood and  

went through the hornbeam tunnel beside the house -but there, instead of walking up the  
drive to the road outside, on some impulse given realization by seeing two other people  
enter, vaguely remembering it was a public gallery, he went in himself. He walked round  
the place, not really looking at anything, until, by chance in the last room he came to, he  
stood before the famous late Rembrandt self-portrait.
The sad, proud old man stared eternally out of his canvas, out of the entire  
knowledge of his own genius and of the inadequacy of genius before human reality. Dan  
stared back. The painting seemed uncomfortable in its eighteenth-century drawing-room,  
telling a truth such decors had been evolved to exclude. The supreme nobility of such art,  
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a profound and unassuageable vision.
Dan felt dwarfed, in his century, his personal being, his own art. The great  
picture seemed to denounce, almost to repel. Yet it lived, it was timeless, it spoke very  
directly, said all he had never managed to say and would never manage to say -even  
though, with the abruptness of that dash, he had hardly thought this before he saw himself 
saying the thought to the woman who would be waiting for him on the platform at Oxford  
trees, knowing she would understand. He had lied a little to jenny, to make it easier for  
imagining of the real and the realizing of the imagined. Standing there before the  
Rembrandt, he experienced a kind of vertigo: the distances he had to return. It seemed  
encountered, so punctually after a farewell to many more things than one face, one  
choice, one future, this formidable sentinel guarding the way back. 
He could see only one consolation in those remorseless and aloof Dutch eyes.  
choosing and learning to feel. Dan began at last to detect it behind the surface of the  
mankind is allowed, the ultimate citadel of humanism. No true compassion without will, no  
true will without compassion.
Some young schoolchildren came in, a babble of voices. The peace was  
broken, and Dan moved away. But as he left the room, he turned a moment by the door  
and looked back at the old man in his corner. The children were restlessly gathered  
before the painting, while a harassed woman teacher tried to tell them something about it.  
many years before, when he was their age, his father had once unwittingly terrified him by 
insisting that Christ's eyes followed... wherever you went, whatever you did, they watched. 
That evening, in Oxford, leaning beside Jane in her kitchen while she cooked  
supper for them, Dan told her with a suitable irony that at least he had found a last  
which is perhaps why, in the end, and in the knowledge that Dan's novel can never be  
read, lies eternally in the future, his ill-concealed ghost has made that impossible last his  
own impossible first.
The End

The highs and lows of being John Fowles
Robert McCrum
Sunday November 13, 2005
The Observer 
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The life of John Fowles, which sadly ended in Lyme Regis on 5 November, offers a  
moving snapshot of English literary life that is close to a parable. Often described as  
'England's first postmodernist', an innovator scorned by the critics, by the end his career  
had mellowed into a pattern familiar to his literary forebears. 
First, there was the decade of dizzying acclaim and creativity. From 1963, the  
year of his chilling first novel, The Collector, to The Magus (1965), to The French  
Lieutenant's Woman (1969), Fowles had his moment in the sun like few of his generation.  
In retrospect, the innovations of his fiction seem much less significant than his more  
traditional gifts.
Still, an autodidactic experimentalist, Fowles gave provincial English readers a  
frisson of French literary theory, and they revered him for it. At the height of his powers in  
the mid-Sixties, he was a fashionable, but reclusive, member of swinging Britain. 
But styles change. The Ebony Tower (1974), published in the afterglow of The  
French Lieutenant's Woman, was a novella and some linked stories from a writer drained  
by his achievement. Daniel Martin (1977), a self-hating portrait of a British writer enslaved 
by Hollywood contracts, was a sad coda. Later, there was Mantissa (1982) and A Maggot  
(1985), but these were the embers from a much fiercer blaze. Most successful writers  
have their moment and then have to cope with indifference and neglect. Fowles  
experienced this fate in an acute form.
This brings us to the key to his astonishing contemporary success. This, too,  

was archetypal. Like nearly all the most renowned English writers, his art was a winning  
high-low confection, an acute literary sensibility mixed with a storyteller's ear and eye for  
when retrospectively addressing his cult book The Magus, he wrote that it was 'a novel of  
adolescence written by a retarded adolescent'. Until the critics turned on him for the  
books of his late middle age, the high-low combo guaranteed huge sales, colossal film  
deals and the kind of attention that later generations of Booker wannabes can only dream  
about.
His work also made strikingly successful transitions to the screen. Pinter's  
screenplay for The French Lieutenant's Woman is one of his best. The exception was The 
Magus. Of this, Woody Allen famously remarked: 'I would do it all exactly the same, only  
next time I'd skip seeing The Magus.'
Allen's remark raises another resonant irony: Fowles's achievement was far  
more fully recognised in America than Britain. Like many of our finest postwar writers, he  

was more honoured abroad than at home. It was the American literary press that saluted  
I'm not going to re-heat that argument, but there is no doubt that his rejection  
helped to enforce his internal exile in Lyme Regis, and sponsored a bitter and dismissive  
attitude towards the metropolitan critical establishment. 
But there in Lyme, working through a slow decade of ill health after a stroke in  
1988, he gave a generation maddened by deal-mania and advances a masterclass in the  
commitment necessary for literature of consequence. To the end of his life, he did what  
the best writers always do: he wrote for himself.
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Fair or Fowles?
Sunday October 12, 2003
The Observer
He is notoriously private. So why, asks Adam Lee-Potter, is the author of The French  
Lieutenant's Woman publishing his diaries?
[Journals by John Fowles
Buy The Journals of John Fowles at Amazon.co.uk]
speech is slurred and his gaze is rheumy. Fowles has not written a novel (since A Maggot 
) for 18 years and his newly published diaries are almost certain to be his last work. 
However, as he says: 'I do think a lot, though.' The intellect that has dazzled  
readers since the publication of The Collector 40 years ago is still razor-sharp, if  
haphazard. His recall is patchy, and he is forever wafting a questioning hand at Sarah, his 
second wife: 'She is my memory now.' He sporadically forgets the titles of his books,  
referring to The Magus as 'that Greek book I wrote a long time ago' and Daniel Martin as  
'me in America'.
This is probably the last interview John Fowles will do. In 1988, two years  
before Elizabeth, his wife of 33 years, died of cancer, he had a stroke, followed by heart  
surgery. Today, he is nursed at his rambling seaside refuge in Lyme Regis by Sarah, 20  
years his junior , an old friend of Elizabeth's. They make a touching couple. He is her 'sick 
Fowles is constantly tripping off at bizarre tangents, zooming from his father's  
'ghastly' attempt at a novel to his love of France, a recurrent theme: 'I think in French, you  
know.' He looks across to his wife, sitting quietly in the corner. 'Can I say that?' She  
shrugs indulgently: 'You do what you fucking like.' Sheepish, he grins. This is, I realise, by 
far the best way of dealing with Fowles, as a supremely gifted but slightly naughty  
schoolboy. Sarah, who handles him in the manner of some public school matron, says  

wearily: 'I do adore him, but it is very difficult. He is demanding beyond belief.' 
Fowles is hard work. A born recluse, he despises parties and pomp, is uneasy  
around other writers - he dislikes 'vain' Martin Amis in particular - and shuns fame even  
more than he craves attention. Hence his self-imposed, 40-year exile, hidden away in this  
magnificently shambolic house on the south coast. 'I know I have a reputation as a  
cantankerous man of letters and I don't try and play it down. But I'm not really. I partly  
propagated it. A writer, well-known, more-or-less living on his own, will be persecuted by  
his readers. They want to see you and talk to you. And they don't realise that very often  
that gets on one's nerves.'
These days his visitors are scarce. Even Sarah, a senior advertising executive,  
spends much of the week in London. He only leaves his bedroom to sit in the delightfully  
overgrown garden below, looking out across treetops to the sea, rather like the  
eponymous heroine of The French Lieutenant's Woman - or, as Sarah abbreviates it,  
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TFLW. It seems a tad rich of him to complain, however mildly, of gawpers, especially  
since TFLW - made, in 1981, into a five-Oscar-nominated movie with Meryl Streep -  
single-handedly catapulted Lyme Regis into the spotlight. Fowles admits: 'Well, exactly,  
by irony I wrote a book which made this town popular. You can think, "Oh God, the bloody 
grockles", but then you realise, "I caused it, I made it happen".' 
Fowles was born in Leigh-on-Sea, Essex, the son of a tobacconist and a  
schoolteacher. He adds with mock grandeur: 'She was the daughter of the chief lingerie  
buyer for John Lewis.'
Fowles's greatest bugbear is his background, his parents. Both were  
irredeemably suburban, a trait which he loathes. Fowles's leading characters are  
invariably womanisers, middle-class, caddishly intelligent and orphans. From Nicholas  
Urfe to Daniel Martin to Charles Smithson, he never hesitates to kill off the parents.  
Fowles sees himself as a one-off genetic fluke.
'No one in my family had any literary interests or skills at all. I seemed to come  
from nowhere. I didn't really have a happy childhood. What bored me about my mother  

was her lack of taste. My father's great fault was that he hated France from his  
experiences in the war, at Ypres. And he liked Germany. We had a geographical falling  
out. I deviated at the wrong branch of European culture. When I was a young boy my  
parents were always laughing at "the fellow who couldn't draw" - Picasso. Their crassness 
horrified me.' Was his father an intellectual? 'No', Fowles snorts with contempt: 'he was a  
tobacconist'.
Sarah breaks in: 'They never under stood him, but they were proud. He was  
good at cricket, and they were pleased about that. As for what they thought of his books, I 
don't know. Nor does John. For such a curious man, it's extraordinary he doesn't know  

what his parents thought.' 
Fowles all but jumps out of bed at this: 'Correction, correction, correction. I do  
not want to know what my parents really felt. And that's part of growing up. It's not  
knowing how your parents judge you or esteem you. To get a response, you have to ask a 
question. And I never asked them what they thought of my books. I knew they would find  
my books difficult.'
The novels are everything to Fowles. He has lived vicariously through them.  
'You are every character you write. In Daniel Martin , where I describe myself travelling all 
over America, I probably revealed more of myself than anywhere else. Daniel is a  
grown-up Nicholas Urfe. They are both changed by women. And so was I. There has been 
a succession of her [Sarah's] predecessors.'
After Elizabeth's 'dreadful' death, and before his marriage to Sarah five years  
ago, he embarked - 'I'm sorry to say', he says, sounding not remotely sorry - on an  
eight-year-long string of affairs.
But here Fowles is the master of reinvention:'I am a feminist. Men need to  
realise that a great deal of truth in life lies in the woman. A woman's main task is to  
educate us, to make us see we're not fully educated yet. Can a feminist be predatory? I  
certainly at one point used to make after women. But sex is nothing more now than a  
happy memory.'
Fowles is an atheist and has no children. Does he have regrets? 'I wish I knew  
more. But that's a matter of luck. I don't spend much time in self-loathing or  
self-admiration. I have a great deal of contempt for writers who are vain, who want fame.  
You do have to have a certain amount of vanity to be successful, to sell books. But you  
have to keep it under control, you can't take yourself too seriously or you become what  
you pretend to despise.' 
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So why publish his diaries? Fowles hesitates. 'I just hope they give a detailed  
picture of what I have been.' He shakes his head sadly: 'I do not begin to understand my  
own personality myself.'  
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