Document1

by Unknown

Cor­mac Mc­Carthy - Child Of God THEY CAME LIKE A CAR­AVAN of car­ni­val folk up through the swales of broom­straw and across the hill in the morn­ing sun, the truck rock­ing and pitch­ing in the ruts and the mu­si­cians on chairs in the truckbed tee­ter­ing and tun­ing their in­stru­ments, the fat man with gui­tar grin­ning and ges­tur­ing to oth­ers in a car be­hin and bend­ing to give a note to the fid­dler who turned a fid­dle peg and lis­tened with a wrin­kled face. They passed un­der flow­er­ing ap­ple trees and passed a log crib chinked with or­ange mud and ford­ed a branch and came in sight of an aged clap­board house that stood in blue shade un­der the wall of the. moun­tain. Be­yond it stood a barn. One of the men in the truck bonged on the cab roof with his fist and the truck came to a halt. Cars and trucks came on through the weeds in the yard, peo­ple afoot. To watch these things is­su­ing from the oth­er­wise mute pas­toral morn­ing is a man at the barn door. He is small, un­clean, un­shaven. He moves in the dry chaff among the dust and slats of sun­light with a con­strained tru­cu­lence. Sax­on and Celtic bloods. A child of God much like your­self per­haps. Wasps pass through the lad­dered light from the barn slats in a suc­ces­sion of stro­bic mo­ments, gold and trem­bling be­tween black and black, like fire­flies in the ser­ried up­per gloom. The man stands strad­dle legged, has made in the dark hu­mus a dark­er pool where­in swirls a pale foam with bits of straw. But­ton­ing his jeans he moves along the barn wall, him­self fid­dle­backed with light, a pet­ty an­noy­ance flick­er­ing across the wall­ward eye. Stand­ing in the fore­bay door he blinks. Be­hind him there is a rope hang­ing from the loft. His thin­ly bris­tled jaw knots and slacks as if he were chew­ing but he is not chew­ing. His eyes are al­most shut against the sun and through the thin and blue veined lids you can see the eye­balls mov­ing, watch­ing. A man in a blue suit ges­tur­ing from the truckbed. A lemon­ade stand go­ing up. The mu­si­cians strik­ing up a coun­try reel and the yard fill­ing up with peo­ple and the loud­speak­er mak­ing a few first squawks. All right now let's get ever­body up here and get reg­is­tered for ye free sil­ver dol­lars. Right up here. That's the way. How you lit­tle la­dy? Well all right. Yessir. All right now. Jessie? Have you got it ... ? All right now. Jess and them is got the house open for them that wants to see in­side. That's all right. We're fix­in to have some mu­sic here in just a minute and we want to get ever­body reg­is­tered fore we have the draw­ins. Yessir? What's that? Yessir, that's right. That's right ever­body, we will bid on the tracts and then we'll have a chance to bid on the whole. They's both sides of the road now, it goes plumb across the creek to them big tim­bers on the oth­er side yon­der. Yessir. We'll get in­to that di­rect­ly. Bow­ing, point­ing, smil­ing. The mi­cro­phone in one hand. Among the pines on the ridge the sound of the auc­tion­eer's voice echoed mut­ed, re­dun­dant. An il­lu­sion of mul­ti­ple voic­es, a ghost cho­rus among old ru­ins. Now they's good tim­ber up here too. Re­al good tim­ber. It's been cut over fif­teen twen­ty year ago and so maybe it ain't big tim­ber yet, but looky here. While you're a lay­ing down there in your bed at night this tim­ber is up here growin. Yessir. And I mean that sin­cere­ly. They is re­al fu­ture in this prop­er­ty. As much fu­ture as you'll find any­wheres in this val­ley. Maybe more. Friends, they is no lim­it to the pos­si­bil­ities on a piece of prop­er­ty like this. I'd buy it my­self if I had any more mon­ey. And I be­lieve you all know that ev­er

pen­ny I own is in re­al es­tate. And ev­er one I've made has been from re­al es­tate. If I had a mil­lion dol­lars I would have it ev­er cent in­vest­ed in re­al es­tate with­in nine­ty days. And you all know that. They ain't no way for it to go but up. A piece of land like this here I sin­cere be­lieve will give ye ten per­cent on your in­vest­ment. And maybe more. Maybe as high as twen­ty per­cent. Your mon­ey down here in this bank won't do that for ye and you all know that. There is no sounder in­vest­ment than prop­er­ty. Land. You all know that a dol­lar won't buy what it used to buy. A dol­lar might not be worth but fifty cents a year from now. And you all know that. But re­al es­tate is goin up, up, up. Friends, six year ago when my un­cle bought the Prater place down here ever­body tried to talk him out of it. He give nine­teen-​five for that farm. Said I know what I'm a doin. And you all know what hap­pent down there. Yessir. Sold for thir­ty-​eight thou­sand. A piece of land like this ... Now it needs some im­provin. It's rough. Yes it is. But friends you can dou­ble your mon­ey on it. A piece of re­al es­tate, and par­tic­ular in this val­ley, is the sound­est in­vest­ment you can make. Sound as a dol­lar. And I'm very sin­cere when I say that. In the pines the voic­es chant­ed a lost litany. Then they stopped. A mur­mur went through the crowd. The auc­tion­eer had hand­ed over the mi­cro­phone to an­oth­er man. The oth­er man said: Holler at the sher­iff yon­der, C B. The auc­tion­eer waved his hand at him and bent to the man stand­ing in front of him. Small man, ill shaven, now hold­ing a ri­fle. What do you want, Lester? I done told ye. I want you to get your god­damn ass off my prop­er­ty. And take these fools with ye. Watch your mouth, Lester. They's ladies present. I don't give a fuck who's present. It ain't your prop­er­ty. The hell it ain't. You done been locked up once over this. I guess you want to go again. The high sher­iff is standin right over yon­der. I don't give a good god­damn where the high sher­iff is at. I want you sons of bitch­es off of my god­damned prop­er­ty. You hear? The auc­tion­eer was squat­ting on the tail­board of the truck. He looked down at his shoes, plucked idly at a piece of dried mud in the welt. When he looked back up at the man with the ri­fle he was smil­ing. He said: Lester, you don't get a grip on your­self they goin to put you in a rub­ber room. The man took a step back­ward, the ri­fle in one hand. He was al­most crouch­ing and he held his free hand out with the fin­gers spread to­ward the crowd as if to hold them back. Get down off that truck, he hissed. The man on the truck spat and squint­ed at him. What you aim to do, Lester, shoot me? I didn't take your place off of ye. Coun­ty done that. I was just hired as auc­tion­eer. Get off that truck. Be­hind him the mu­si­cians looked like com­po­si­tions in porce­lain from an old coun­ty fair shoot­ing gallery. He's crazy, C B. C B said: You want to shoot me, Lester, you can shoot me where I'm at. I ain't go­ing nowheres for you.

LESTER BAL­LARD NEV­ER could hold his head right af­ter that. It must of thowed his neck out some­way or an­oth­er. I didn't see Buster hit him but I seen him layin on the ground. I was with the sher­iff. He was layin flat on the ground lookin up at ever­body with his eyes crossed and this aw­ful pump­knot on his head. He just laid there and he was bleed­in at the ears. Buster was still standin there holdin the axe. They took him on in the coun­ty car and C B went on with the auc­tion like noth­in nev­er had hap­pent but he did say that it caused some folks not to bid that oth­er­wise would of, which may of been what Lester set out at, I don't know. John Greer was from up in Grainger Coun­ty. Not sayin noth­in against him but he was. RED KIR­BY WAS SQUAT­TING in his front yard next to the wa­ter tap where he used to sit all the time when Bal­lard came by. Bal­lard stood in the road and looked up at him. He said: Hey Fred. Kir­by lift­ed his hand and nod­ded. Come up, Lester, he said. Bal­lard came to the edge of the cut bank and looked up to where Kir­by was sit­ting. He said: You got any whiskey? Might have some. Why don't you let me have a jar. Kir­by stood up. Bal­lard said: I can pay ye next week on it. Kir­by squat­ted back down again. I can pay ye to­mor­row, Bal­lard said. Kir­by turned his head to one side and gripped his nose be­tween his thumb and fore­fin­ger and sneezed a gout of yel­low snot in­to the grass and wiped his fin­gers on the knee of his jeans. He looked out over the fields. I cain't do it, Lester, he said. Bal­lard half turned to see what he was look­ing at out there but there was noth­ing but the same moun­tains. He shift­ed his feet and reached in­to his pock­et. You want to trade it out? he said. Might do. What ye got? Got this here pock­etknife. Let's see it. Bal­lard opened the knife and pitched it up the bank at Kir­by. It stuck up in the ground near his shoe. Kir­by looked at it a minute and then reached down and got it and wiped the blade on his knee and looked at the name on it. He closed it and opened it again and he pared a thin peel­ing from the sole of his shoe. All right, he said. He stood up and put the knife in his pock­et and crossed the road to­ward the creek. Bal­lard watched him scout along the edge of the field, kick­ing at the bush­es and hon­ey­suck­le. Once or twice he looked back. Bal­lard was watch­ing off to­ward the blue hills. Af­ter a while Kir­by came back but he didn't have any whiskey. He hand­ed Bal­lard his knife back. I cain't find it, he said. Cain't find it? No. Well shit fire. I'll hunt some more lat­er on. I think I was drunk when I hid it. Where'd ye hide it at? I don't know. I thought I could go straight to it but I must not of put it where I thought it was. Well god­damn. If I cain't find it I'll get some more. Bal­lard put the knife in his pock­et and turned and went back up the road.

ALL THAT RE­MAINED OF THE out­house were a few soft shards of plan king grown with a virid moss and ly­ing col­lapsed in a shal­low hole where weeds sprout­ed in out­sized mu­ta­tions. Bal­lard passed by and went be­hind the barn where he trod a clear­ing in the clumps of jim­son and night­shade and squat­ted and shat. A bird sang among the hot and dusty brack­en. Bird flew. He wiped him­self with a stick and rose and pulled his trousers up from the ground. Al­ready green flies clam­bered over his dark and lumpy stool. He but­toned his trousers and went back to the house. This house had two rooms. Each room two win­dows. Look­ing out the back there was a sol­id wall of weeds high as the house eaves. In the front was a porch and more weeds. From the road a quar­ter· mile off trav­el­ers could see the gray shake roof and the chim­ney, noth­ing more. Bal­lard tram­pled a path through the weeds to the back door. A hor­net nest hung from the cor­ner of the porch and he knocked it down. The hor­nets came out one by one and flew away. Bal­lard went in­side and with a piece of card­board swept the floor. He swept up the old news­pa­pers and he swept out the dried dung of fox­es and pos­sums and he swept out bits of brick col­ored mud fall­en from the board ceil­ing with their black husks of pu­pae. He closed the win­dow. The one pane left tilt­ed sound­less­ly from the dry sash and fell in­to his hands. He set it on the sill. In the hearth lay a pile of bricks and mor­tar­day. Half an iron fire­dog. He threw the bricks out and swept up the clay and on his hands and shin­bones craned his neck to see up the chim­ney. In the patch of rheumy light a spi­der hung. A rank odor of earth and old wood smoke. He wadded news­pa­pers and set them in the hearth and lit them. They burned slow­ly. Small flames sput­tered and ate their way along the rims and edges. The pa­pers black­ened and curled and shiv­ered and the spi­der de­scend­ed by a thread and came to rest clutch­ing it­self on the ashy floor of the hearth. Late in the af­ter­noon a small thin mat­tress of stained tick­ing ford­ed the brake to­ward the cab­in. It was hinged over the head and shoul­ders of Lester Bal­lard whose muf­fled curs­es at the bull briers and black­ber­ries reached no ear. When he got to the cab­in he pitched the mat­tress off on­to the floor. A frame of dust plumed from un­der and rolled out along the cupped floor­boards and sub­sid­ed. Bal­lard raised the front of his shirt and wiped the sweat from his face and from his head. He looked half crazy. By dark he had all he owned about him in the bar­ren room and he had lit a lamp and set it in the·mid­dle of the floor and he was sit­ting cross legged be­fore it. He was hold­ing a coat hang­er skew­ered with sliced pota­toes over the lamp chim­ney. When they were near­ly black he slid them off the wire with his knife on­to a plate and speared one up and blew on it and bit in­to it. He sat with his mouth open suck­ing air in and out, the piece of pota­to cra­dled on his low­er teeth. He cursed the pota­to for be­ing hot while he chewed it. It was raw in the mid­dle, tast­ed of coal oiI. When he had eat­en the pota­to he rolled him­self a cigarette and lit it over the quak­ing cone of gas at the rim of the lamp chim­ney and sat there suck­ing in the smoke and let­ting it curl from his lip, his nos­trils, idly tap­ping the ash with his lit­tle fin­ger in­to his trous­er cuff. He spread the news­pa­pers he had gath­ered and mut­tered over them, his lips form­ing the words. Old news of folks long dead, events for­got­ten, ads for patent medicine and live­stock for sale. He smoked the cigarette down un­til it was just a burnt nub­bin in his fin­gers, un­til it was ash. He turned down the lamp un­til just the faintest or­ange glow tinged the low­er bowl of the chim­ney and he shucked out of his bro­gans and his trousers and shirt and lay back on the mat­tress naked save for his

socks. Hunters had stripped most of the boards from the in­side walls for fire­wood and from the bare lin­tel above the win­dow hung part of the bel­ly and tail of a black­snake. Bal­lard sat up and turned up the lamp again. He rose and reached and prod­ded the pale blue un­der­side of the snake with his fin­ger. It shot for­ward and dropped to the floor with a thud and ri­fled over the boards like ink run­ning in a gut­ter and was out the door and gone. Bal­lard sat back down on the mat­tress and turned the lamp down again and lay back. He could hear mosquitoes dron­ing to­ward him in the hot si­lence. He lay there lis­ten­ing. Af­ter a while he turned over on his stom­ach. And af­ter a while he got up and got the ri­fle from where it stood by the fire­place and laid it on the floor along­side the mat­tress and stretched out again. He was very thirsty. In the night he dreamt streams of ice black moun­tain wa­ters ly­ing there on his back with his mouth open like a dead man. I RE­MEM­BER ONE THING HE done one time. I was raised with him over in the tenth. I was ahead of him in school. He lost a soft­ball down off the road that rolled down in­to this field about ... it was way off down in a bunch of briers and stuff and he told this boy, this Finney boy, told him to go and get it. Finney boy was some bit younger'n him. Told him, said: Go get that soft­ball. Finney boy wouldn't do it. Lester walked up to him and said: You bet­ter go get that ball. Finney boy said he wasn't about to do it and Lester told him one more time, said: You don't get off down in there and get me that ball I'm goin to bust you in the mouth. That Finney boy was scared but he faced up to him, told him he hadn't thowed it off down in there. Well, we was standin there, the way you will. Bal­lard could of let it go. He seen the boy wasn't goin to do what he ast him. He just stood there a minute and then he punched him in the face. Blood flew out of the Finney boy's nose and he set down in the road. Just for a minute and then he got up. Some­body give him a ker­chief and he put it to his nose. It was all swoll up and bleed­in. The Finney boy just looked at Lester Bal­lard and went on up the road. I felt, I felt . I don't know what it was. We just felt re­al bad. I nev­er liked Lester Bal­lard from that day. I nev­er liked him much be­fore that. He nev­er done noth­in to me. BAL­LARD LAY IN THE NIGHT damp with his heart ham­mer­ing against the earth. He was watch­ing a parked car through the sparse pale of lean­ing weeds that rimmed the Frog Moun­tain turnaround. In­side the car a cigarette flared and lapsed and a late night D J com­ment­ed with mind­less chat­ter on the se­duc­tion in the rear seat. A beer can clat­tered in the grav­el. A mock­ing­bird that had been singing stopped. He came from the road­side ducked in a lop­ing run, a shad­ow that washed up against the cold dusty hind fend­er of the au­to­mo­bile. His breath was shal­low, his eyes wide, his ears pricked to sort the voic­es from the ones on the ra­dio. A girl said Bob­by. Then she said it again. Bal­lard had his ear to the quar­ter­pan­el. The car be­gan to rock gen­tly. He raised him­self up and chanced one eye at the win­dow­corner. A pair of white legs sprawled em­brac­ing a shade, a dark in­cubus that humped in a dream of slaver­ous lust. It's a nig­ger, whis­pered Bal­lard. o Bob­by, 0 god, said the girl. Bal­lard, un­but­toned, spent him­self on the fend­er. O shit, said the girl. On buck­ling knees the watch­er watched. The mock­ing­bird be­gan.

A nig­ger, said Bal­lard. But it was not a black face that loomed in the win­dow, that looked so enor­mous there be­hind the glass. For a mo­ment they were face to face and then Bal­lard dropped to the ground, his heart pound­ing. The ra­dio mu­sic end­ed in a mut­ed click and did not start again. The door opened on the far side of the car. Bal­lard, a mis­placed and love­less simi­an shape scut­tling across the turnaround as he had come, over the clay and thin grav­el and the flat­tened beer cans and pa­pers and rot­ting con­doms. You bet­ter run, you son of a bitch. The voice washed against the moun­tain and came back lost and threat­less. Then there was noth­ing but si­lence and the rich bloom of hon­ey­suck­le on the black mid­sum­mer night air. The car start­ed. The· lights came on and swung around the cir­cle and went down the· road. I DON'T KNOW. THEY SAY HE nev­er was right af­ter his dad­dy killed his­self. They was just the one boy. The moth­er had run off, I don't know where to nor who with. Me and Ce­cil Ed­wards was the ones cut him down. He come in the store and told it like you'd tell it was rain­in out. We went up there and walked in the barn and I seen his feet hangin. We just cut him down, let him fall in the floor. Just like cut­tin down meat. He stood there and watched, nev­er said noth­in. He was about nine or ten year old at the time. The old man's eyes was run out on stems like a craw­fish and his tongue black­er'n a chow dog's. I wisht if a man want­ed to hang his­self he'd do it with poi­son or some­thin so folks wouldn't have to see such a thing as that. He didn't look so pret­ty his­self when Greer got done with him. No. But I don't mind hon­est blood. I'd rather to see that than eye­balls hangin out and such. I'll tell ye what old Gre­sham done when his wife died and how crazy he was. They buried her up here at Sixmile and the preach­er he said a few words and then he called on Gre­sham, ast him did he want to say a few words fore they thowed the dirt over her and old Gre­sham he stood up, had his hat {n his hand and all. Stood up there and sung the chick­en­shit blues. The chick­en­shit blues. No, I don't know the words to it but he did and he sung em ev­er one fore he set back down again. But he wasn't a patch on Lester Bal­lard for crazy. WERE THERE DARK­ER provinces of night he would have found them. Ly­ing with his fin­gers plugged in the bores of his ears against the stri­dent cheep­ing of the myr­iad black crick­ets with which he kept house­hold in the bar­ren cabiri. One night on his pal­let while half asleep he heard some­thing scam­per through the room and vault ghost­ly (he saw, strug­gling erect) through the open win­dow. He sat there look­ing af­ter it but it was gone. He could hear fox­hounds in full cry, tor­tured wails and yelps nigh un­to agony com­ing up the creek, up the val­ley. They flood­ed in­to the cab­in yard in a pan­de­mo­ni­um of so­pra­no howls and crash­ing brush. Bal­lard stand­ing naked saw by palest starlight the front door full from floor sill up with bawl­ing dogs. They hung there for a mo­ment in a puls­ing frame of piebald fur and then bowed through and filled the room, cir­cled once with ris­ing vol­ume dog on dog and then swept out the win­dow howl on howl car­ry­ing first the muntins, then the sash, leav­ing a square and naked hole in the wall and a ring­ing in his ear. While he stood there curs­ing two more dogs came through the door. He kicked one as it

passed and stove his bare toes on its bony rump. He was hop­ping about on one foot shriek­ing when a fi­nal hound en­tered the room. He fell up­on it and seized its hind leg. It set up a piteous howl­ing. Bal­lard flailed blind­ly at it with his fist, great drum like thumps that echoed in the near emp­ty room among the des­per­ate oaths and wail­ings. GO­ING UP A TRACK OF A road through the quar­ry woods where all about lay enor­mous blocks and tablets of stone weath­ered gray and grown with deep green moss, top­pled II!0no­liths among the trees and vines like traces of an old­er race of man. This rainy sum­mer day. He passed a dark lake of silent jade where the moss walls rose sheer and plumb and a small blue bird sat slant up­on a guy wire in the void. Bal­lard lev­eled the ri­fle at the bird but some­thing of an old fore­bod­ing made him hold. May­haps the bird felt it too. It flew. Small. Tiny. Gone. The woods were filled with si­lence. Bal­lard let the ham­mer down with the ball of his thumb and wear­ing the ri­fle on his neck like a yoke with his hands dan­gling over bar­rel and butt­stock he went up the quar­ry road. The mud packed with tins trod flat, with bro­ken glass. The bush­es strewn with refuse. Yon­der through the woods a roof and smoke from a chim­ney. He came in­to a clear­ing where two cars lay up­turned at ei­ther side of the road like wrecked sen­tinels and he went past great lev­ees of junk and garbage to­ward the shack at the edge of the dump. An as­sort­ment of cats tak­ing the weak sun watched him go. Bal­lard point­ed the ri­fle at a large mot­tled tom and said bang. The cat looked at him with­out in­ter­est. It seemed to think him not too bright. Bal­lard spat on it and it im­me­di­ate­ly wiped the spit­tle from its head with a heavy forepaw and set about wash­ing the spot. Bal­lard went on up the path through the trash and car parts. The dump keep­er had spawned nine daugh­ters and named them out of an old med­ical dic­tio­nary gleaned from the rub­bish he picked. These gan­gling proge­ny with black hair hang­ing from their armpits now sat idle and wide-​eyed day af­ter day in chairs and crates about the lit­tle yard cleared out of the tips while their har­ried dam called them one by one to help with chores and one by one they shrugged or blinked their slug­gard lids. Ure­thra, Cere­bel­la, Her­nia, Sue. They moved like cats and like cats in heat at­tract­ed sur­round­ing swains to their mid­den un­til the old man used to go out at night and fire a shot­gun at ran­dom just to clear the air. He couldn't tell which was the old­est or what age and he didn't know whether they should go out with boys or not. Like cats they sensed his lack of res­olu­tion. They were com­ing and go­ing all hours in all man­ner of de­gen­er­ate cars, a dis­so­lute carousel of rot­ting sedans and nig­ger­ized con­vert­ibles with blue dot tail lamps and chrome horns and fox­tails and gi­ant dice or dash­board demons of spu­ri­ous fur. All patched up out of parts and low slung and bump­ing over the ruts. Filled with old lanky coun­try boys with long cocks and big feet. They fell preg­nant one by one. He beat them. The wife cried and cried. There were three births that sum­mer. The house was fill­ing up, both rooms, the trail­er. Peo­ple were sleep­ing ev­ery­where. One brought home what she said was a hus­band but he on­ly stayed a day or two and they nev­er saw him again. The twelve year old be­gan to swell. The air grew close. Grew rank and fetid. He found a pile of rags in a cor­ner. Small lumps of yel­low shit wrapped up and laid by. One day in the woods and kudzu jun­gles on the far side of the dump he came across two fig­ures hump­ing away. He watched from be­hind a tree un­til he rec­og­nized one of his girls. He tried to creep up on them but the boy was wary and leaped up and was away through the woods

haul­ing up his breech­es as he went. The old man be­gan to beat the girl with the stick he car­ried. She grabbed it. He over­bal­anced. They sprawled to­geth­er in the leaves. Hot fishy reek of her fresh­ened loins. Her peach draw­ers hung from a bush. The air about him grew elec­tric. Next thing he knew his over­alls were about his knees and he was mount­ing her. Dad­dy quit, she said. Dad­dy. Oooh. Did he dump a load in you? No. He pulled it out and gripped it and squirt­ed his jis­som on her thigh. God­damn you, he said. He rose and heist­ed up his over­alls and lum­bered off to­ward the dump like a bear. Then there was Bal­lard. He'd come up the path with his nar­row eyed and stud­ied in­dif­fer­ence and the ri­fle in his hand or on his shoul­ders or he'd sit with the old man in the bloat­ed so­fa in the yard drink­ing with him from a half gal­lon jar of pop­skull whiskey and pass­ing a raw pota­to back and forth for a chas­er while the younger girls peeped and gig­gled from the shack. He had eyes for a long blonde flat shanked daugh­ter that used to sit with her legs propped so that you could see her draw­ers. She laughed all the time. He'd nev­er seen her in a pair of shoes but she had a dif­fer­ent col­ored pair of draw­ers for ev­ery day of the week and black ones on Sat­ur­day. When Bal­lard came past the trail­er this very one was hang­ing up wash. There was a man with her sit­ting on a fifty gal­lon drum and he turned and squint­ed at Bal­lard and spoke to him. The girl pursed her lips at him and winked and then threw back her head and laughed wild­ly. Bal­lard grinned, tap­ping the ri­fle bar­rel against the side of his leg. What say, jelly­bean, she said. What you laugh­in at? What you lookin at? Why, he's lookin at them there nice tit­ties for one thing, said the man on the drum. You want to see em. Sure, said Bal­lard. Gimme a quar­ter. I ain't got one. She laughed. He stood there grin­ning. How much you got? I got a dime. Well go bor­ry two and a half cents and you can see one of em. Just let me owe ye, said Bal­lard. Say you want to blow me? the girl said. I said owe, said Bal­lard, flush­ing. The man on the drum slapped his knee. Watch out, he said. What you got that Lester can see for a dime? He's done looked a half dol­lar's worth now. Shoot. I ain't seen noth­in. You don't need to see noth­in, she said, bend­ing and pick­ing up a wet piece of cloth from the dish­pan and shak­ing it out, Bal­lard try­ing to see down the neck of her dress. She raised up. Just make your pe­ter hard, she said, turn­ing her back and laugh­ing again that sud­den half crazy laugh.

Why a cat couldn't bite it now, could it, Lester? I ain't got time to mess with you all, the girl said, turn­ing back with a grin and pick­ing up the pan. She cocked her hip and set the pan on it and looked at them. Be­yond the lit­tle trail­er the old man walked against the sky rolling a tire and a ropy col­umn of foul black smoke rose from a burn­ing slagheap of old rub­ber. Shit, she said. If you'ns ev­er got any of this you nev­er would be sat­is­fied again. They watched her saunter up the hill to­ward the house. I'd like to chance it, the man said. Wouldn't you, Lester? Bal­lard said that he would. THE CON­GRE­GA­TION AT Sixmile Church would turn all to­geth­er like a cast of pup­pets at the open­ing of the door be­hind them any time af­ter ser­vices had start­ed. When Bal­lard came in with his hat in his hand and shut the door and sat alone on the rear bench they turned back more slow­ly. A windy rif­fle of whis­pers went among them. The preach­er stopped. To jus­ti­fy the si­lence he poured him­self a glass of wa­ter from the pitch­er on the pul­pit and drank and set the glass back and wiped his mouth. Brethren, he went on, a bib­li­cal bab­bling to Bal­lard who read the no­tices on the board at the back of the church. This week's of­fer­ing. Last week's of­fer­ing. Six dol­lars and sev­en­ty-​four cents. The num­bers in at­ten­dance. A wood­peck­er ham­mered at a drain­pipe out­side and those strung heads list­ed and turned to the bird for si­lence. Bal­lard had a cold and snuf­fled loud­ly through the ser­vice but no­body ex­pect­ed he would stop if God him­self looked back askance so no one looked. IN LATE SUM­MER THERE were bass in the creek. Bal­lard went from pool to pool on the down sun side peer­ing through the bush­es. He'd been on a di­et of stolen field corn and sum­mer gar­den stuff for weeks save for the few frogs he'd shot. He knelt in the high grass and spoke to the fish where they stood in the clear wa­ter on wim­pling fins. Ain't you a fine fat son of a bitch, he said. He fair­ly loped to­ward the house. When he came back he had the ri­fle. He made his way along the creek and eased him­self through the sedge and briers. He checked the sun to see it would not be in his eyes, mak­ing his way on all fours, the ri­fle cocked. He peered over the bank. Then he raised up on his knees. Then he stood up. Up­stream be­low the ford Wal­drop's cat­tle stood bel­ly deep in the creek. You sons of bitch­es, croaked Bal­lard. The creek was thick red with mud. He brought the ri­fle up and lev­eled it and fired. The cat­tle veered and surged in the red wa­ter, their eyes white. One of them made its way to­ward the bank hold­ing its head at an odd an­gle. At the bank it slipped and fell and rose again. Bal­lard watched it with his jaw knot­ted. Oh shit, he said. I'LL TELL YE AN­OTH­ER THING he done one time. He had this old cow to balk on him, couldn't get her to do noth­in. He pushed and pulled and beat on her till she'd wore him out. He went and bor­ry'd Squire Hel­ton's trac­tor and went back over there and. thowed a rope over the old cow's head and took off on the trac­tor hard as he could go. When it took up the slack it like to of jerked her head plumb off. Broke her neck and killed her where she stood. Ast Floyd if he didn't. I don't know what he had on Wal­drop that Wal­drop nev­er would run him off. Even af­ter he burnt his old place down he nev­er said noth­in to him about it that I know of.

That re­minds me of that Tran­tham boy had them old­timey ox­es over at the fair here a year or two back. They sulled up on him and wouldn't go till fi­nal­ly he took and built a fire in un­der­neath of em. The old ox­es looked down and seen it and took about five steps and quit again. Tran­tham boy looked and there set the fire di­rect­ly in un­der his wag­on. He hollered and crawled up un­der the wag­on and com­menced a beat­in at the fire with his hat and about that time them old ox­es took off again. Drug the wag­on over him and like to broke both his legs. You nev­er seen more con­trary beasts than them was. COME UP, LESTER, SAID THE dump keep­er. Bal­lard was com­ing, he didn't need ask­ing. Howdy Reubel, he said. They sat in the so­fa and looked at the ground, the old man tap­ping his stick up and down, Bal­lard hold­ing the ri­fle up­right be­tween his knees. When we goin to shoot some more rats? said the old man. Bal­lard spat. Any time you want, he said. They about to car­ry us off out here. Bal­lard cut his eyes to­ward the house where he'd seen a half naked girl cross in the gloom. A ba­by was cry­ing. I don't reck­on you've seen em have ye? What's that? Hernie and that next to least'n. Where they at? I don't know, said the old man. They cut out, I reck­on. Been gone three days. That fair head­ed one? Yeah. Her and Hernie. I reck­on they've took off with some of these here jelly­beans. Well, said Bal­lard. I don't know what makes them girls so wild. Their grand­moth­er was the biggest wom­an for church­goin you ev­er seen. Where you goin, Lester? I got to go. Best not rush off in the heat of the day. Yeah, said Bal­lard. I'm goin to walk out thi­saway. You see any rats, why, just shoot em. If I see any. You'll see some. A dog fol­lowed him out the quar­ry road. Bal­lard gave a lit­tle dry whis­tle and snapped his fin­gers and the dog sniffed at his cuff. They went on up the road. Bal­lard de­scend­ed by gi­ant stone stairs to the dry floor of the quar­ry. The great rock walls with their can­nelured faces and feath­er­drill holes com­posed about him an enor­mous am­phithe­atre. The ru­ins of an old truck lay rust­ing in the hon­ey­suck­le. He crossed the cor­ru­gat­ed stone floor among chips and spalls of stone. The truck looked like it had been ma­chine gunned. At the far end of the quar­ry was a rub­ble tip and Bal­lard stopped to search for arte­facts, tilt­ing old stoves and wa­ter heaters, in­spect­ing bi­cy­cle parts and cor­rod­ed buck­ets. He sal­vaged a worn kitchen knife with a chewed han­dle. He called the dog, his voice re­lay­ing from rock to rock and back again. When he came out to the road again a wind had come up. A door some­where was bang­ing, an eerie sound in the emp­ty wood. Bal­lard walked up the road. He passed a rust­ed tin shed and be­yond it a wood­en tow­er. He looked up. High up on the tow­er a door creaked open and clapped shut. Bal­lard looked around. Sheets of roof­ing tin clat­tered and banged and a white dust was blow­ing off the bar­ren yard by the quar­ry

shed. Bal­lard squint­ed in the dust go­ing up the road. By the time he got to the coun­ty road it had be­gun to spit rain. He called the dog once more and he wait­ed and then he went on. THE WEATH­ER TURNED overnight. With the fall the sky grew bluer than he'd ev­er known. Or could re­mem­ber. He sat hour-​long in the windy sedge with the sun on his back. As if he'd store the warmth of it against the on­com­ing win­ter. He watched a corn pick­er go snarling through the fields and in the evening he and the doves went hus­band­ing among the chewed and bro­ken stalks and he gath­ered sev­er­al sack­fuls and car­ried them to the cab­in be­fore dark. The hard­wood trees on the moun­tain sub­sid­ed in­to yel­low and flame and to ul­ti­mate naked­ness. An ear­ly win­ter fell, a cold wind sucked among the black and bar­ren branch­es. Alone in the emp­ty shell of a house the squat­ter watched through the mote­blown glass a rimshard of bone col­ored moon come cradling up over the black bal­sams on the ridge, ink trees a facile hand had sketched against the paler dark of win­ter heav­ens. A man much for him­self. Drinkers gone to Kir­by's would see him on the road by night, slouched and soli­tary, the ri­fle hang­ing in his hand as if it were a thing he could not get shut of. He'd grown lean and bit­ter. Some said mad. A ma­lign star kept him. He stood in the cross­roads lis­ten­ing to oth­er men's hounds on the moun­tain. A fig­ure of wretched ar­ro­gance in the lights of the few cars pass­ing. In their coil­ing dust he cursed or mut­tered or spat af­ter them, the men tight­ly shoul­dered in the high old sedans with guns and jars of whiskey among them and lean tree dogs curled in the tur­tledeck. One cold morn­ing on the Frog Moun­tain turnaround he found a la­dy sleep­ing un­der the trees in a white gown. He watched her for a while to see if she were dead. He threw a rock or two, one touched her leg. She stirred heav­ily, her hair all caught with leaves. He went clos­er. He could see her heavy breasts sprawled un­der the thin stuff of her night­dress and he could see the dark thatch of hair un­der her bel­ly. He knelt and touched her. Her slack mouth twist­ed. Her eyes opened. They seemed to open down­ward by the un­der­lids like a bird's and her eye­balls were gorged with blood. She sat up sud­den­ly, a sweet fer­ment of whiskey and rot com­ing off her. Her lip drew back in a cat's snarl. What do you want, you son of a bitch? she said. Ain't you cold? What the hell is it to you? It ain't a damn thing to me. Bal­lard had risen and stood above her with the ri­fle. Where's your clothes at? She rose up and stag­gered back­wards and sat down hard in the leaves. Then she got up again. She stood there weav­ing and glar­ing at him with her puffed and heavy lid­ded eyes. Son of a bitch, she said. Her eyes were cast­ing about. Spy­ing a rock, she lunged and scrab­bled it up and stood him off with it. Bal­lard's eyes nar­rowed. You bet­ter put down that rock, he said. You make me. I said to put it down. She drew the rock back men­ac­ing­ly. He took a step for­ward. She heaved the rock and hit him in the chest with it and then cov­ered her face with her hands. He slapped her so hard it spun her back around fac­ing him. She said: I knowed you'd do me

thi­saway. Bal­lard touched his hand to his chest and glanced down quick­ly to check for blood but there was none. She had her face buried in her hands. He took hold of the strap of her gown and gave it a good yank. The thin ma­te­ri­al part­ed to the waist. She turned loose of her face and grabbed at the gown. Her nip­ples were hard and blue look­ing with the cold. Quit, she said. Bal­lard seized a fist­ful of the wispy ray­on and snatched it. Her feet came from un­der her and she sat in the tram­pled frozen weeds. He fold­ed the gar­ment un­der his arm and stepped back. Then he turned and went on down the road. She sat stark naked on the ground and watched him go, call­ing var­ious names af­ter him, none his. FATE'S ALL RIGHT. He's plain­spo­ken but I like him. I've rode with him a lot of times. I re­mem­ber one night up on the Frog Moun­tain at the turnaround there they was a car parked up there and Fate put the lights on em and walked on up there. The old boy in the car was all yessir and nosir. Had this girl with him. He ast the old boy for his li­cense and the old boy scratched around for the longest time, couldn't find his pock­et­book nor noth­in. Fate fi­nal­ly told him, said: Step out here. Said the old girl set­tin there was white as a sheet. Well, the old boy opened the door and out he steps. Fate looked at him and then he hollered at me, said: John, come here and see this. I went on up there and the old boy is standin by the side of the car lookin down and the sher­iff is lookin down, got the light on him. We're all standin there lookin down at this old boy and he's got his britch­es on in­side out. Pock­ets hangin out­side all around. Looked cra­zier'n hell. Sher­iff just told him to go on. Ast him if he could drive like that. That's the kind of feller he is. WHEN BAL­LARD CAME OUT on­to the porch there was a thin man with a col­lapsed jaw squat­ting in the yard wait­ing for him. What say Dar­fuz­zle, said Bal­lard. What say Lester. He sound­ed like a man with a mouth­ful of mar­bles, ar­tic­ulat­ing his goat bone un­der jaw la­bo­ri­ous­ly, the orig­inal one hav­ing been shot away. Bal­lard squat­ted on his heels in the yard op­po­site the vis­itor. They looked like con­sti­pat­ed gar­goyles. Say you found that old gal up on the turnaround? Bal­lard sniffed. What gal? he said. That'n was left up yon­der. Had on a night­gown. Bal­lard pulled at the loose sole of his shoe. I seen her, he said. She's went to the sher­iff. She has? The oth­er man turned and spat and looked back to­ward Bal­lard. They done ar­rest­ed Pless. That's your all's look­out. I didn't have noth­in to do with her. She says you did. She's a lyin sack of green shit. The vis­itor rose. I just thought I'd tell ye, he said. You do what you want. THE HIGH SHER­IFF OF SE­VI­ER Coun­ty came out through the court­house doors and stood on the por­ti­co sur­vey­ing the gray lawn be­low with the bench­es and the Se­vi­er Coun­ty pock­etknife so­ci­ety that con­vened there to whit­tle and mut­ter and spit.

He rolled a cigarette and re­placed the pack­age of to­bac­co in the breast pock­et of his tai­lored shirt and lit the cigarette and de­scend­ed the stairs, a pro­pri­etary squint to his eyes as he stud­ied the morn­ing as­pect of this small up­land coun­ty seat. A man opened the door and called down to him and the sher­iff turned. Mr Gib­son's huntin you, the man said. You don't know where I'm at. Okay. And where the hell is Cot­ton? He's went to get the car. He bet­ter get his ass on up here. Yon­der he comes now, Sher­iff. The sher­iff turned and went on out to the street. Mornin Sher­iff. Mornin. Mornin Sher­iff. Hey. How you. He flipped the cigarette in­to the street and stepped in­to the car and pulled the door to. Mornin Sher­iff, said the driv­er. Let's go get the lit­tle fuck­er, said the sher­iff. Me and Bill Par­sons was goin to go bird huntin this mornin but I don't reck­on we will now. Bill Par­sons eh? He's got a cou­ple of good dogs. o yeah. He al­ways has the best dogs. I re­mem­ber a dog he had one time named Suzie he said was a hel­la­tious bird dog. He let her out of the trunk and I looked at her and I said: I don't be­lieve Suzie's feel­in too good. He looked at her and felt her nose and all. Said she looked all right to him. I told him, said: I just don't be­lieve she's re­al well to­day .. We set out and hunt­ed all af­ter­noon and killed one bird. Start­ed walkin back to the car and he says to me, Bill says: You know, it's fun­ny you noticin old Suzie was not feel­in good to­day. The way you spot­ted it. I said: Well, Suzie was sick to­day. He said yes, she was. I said: Suzie was sick yes­ter­day. Suzie has al­ways been sick. Suzie will al­ways be sick. Suzie is a sick dog. HE WATCHED THE SHER­IFF stop out on the road a quar­ter mile away and he watched him ford the sheer wall of dried briers and weeds at the edge of the road and come on with arms and -el­bows aloft, tread­ing down the brush. When he got to the house his pressed and tai­lored chi­nos were dusty and wilt­ed and he was cov­ered with dead beg­gar lice and burrs and he was not hap­py. Bal­lard stood on the porch. Let's go, said the sher­iff. Where to? You bet­ter get your ass down off that porch. Bal­lard spat and un­leaned him­self from the porch post. You got it all, he said. He came down the steps, his hands in the rear pock­ets of his jeans. Man of leisure like your­self, the sher­iff said. You oughtn't to mind helpin us work­ers un­scram­ble a lit­tle mis­un­der­standin. This way, mis­ter. This way, said Bal­lard. They's a path if you don't know it.

BAL­LARD IN A VAR­NISHED oak swiv­el chair. He leans back. The door is peb­ble grain glass. Shad­ows loom up­on it. The door opens. A deputy comes in and turns around. There is a wom­an be­hind him. When she sees Bal­lard she starts to laugh. Bal­lard is cran­ing his neck to see her. She comes through the door and stands look­ing at him. He looks down at his knee. He be­gins to scratch his knee. The sher­iff got up from his desk. Shut the door, Cot­ton. This son of a bitch here, the wom­an said, point­ing at Bal­lard. Where the hell did you find him at? Is he not the one? Well. Yes. He's the one, the one ... It's them oth­er two sons of bitch­es I want jailed. This son of a bitch here ... She threw up her hands in dis­gust. Bal­lard scuffed one heel along the floor. I ain't done noth­in, he said. Did you want to make a charge against this man or not? Hell yes I do. What did you want to charge him with? Rape, by god. Bal­lard laughed wood­en­ly. Salt and bat­tery too, you son of a bitch. She ain't noth­in but a god­damned old whore. The old whore slapped Bal­lard's mouth. Bal­lard came up from the swiv­el chair and be­gan to choke her. She brought her knee up in­to his groin. They grap­pled. They fell back­ward up­set­ting a tin waste­bas­ket. A hall­tree top­pled with its load of coats. The sher­iff's deputy seized Bal­lard by the col­lar. Bal­lard wheeled. The wom­an was scream­ing. The three of them crashed to the floor. The deputy jerked Bal­lard's arm up be­hind him. He was livid. You god­damned bitch, Bal­lard said. Get her, the sher­iff said. Get ... The deputy had one knee in the small of Bal­lard's back. The wom­an had risen . She cocked her el­bows and drew back her foot and kicked Bal­lard in the side of the head. Here now, said the deputy. She kicked again. He grabbed her foot and she sat down in the floor. God­damn it Sher­iff, he said, get her or him one, will ye? You sons of bitch­es, said Bal­lard. He was al­most cry­ing. God­damn all of ye. Bet me, said the wom­an. I'll kick his god­damned cods off. The son of a bitch. NINE DAYS AND NIGHTS in the Se­vi­er Coun­ty jail. White­beans with fat­back and boiled greens and baloney sand­wich­es on light bread. Bal­lard thought the fare not bad. He even liked the cof­fee. They had a nig­ger in the cell op­po­site and the nig­ger used to sing all the time. He was be­ing held on a fugi­tive war­rant. Af­ter a day or two Bal­lard fell in­to talk­ing with him. He said: What's your name? John, said the nig­ger. Nig­ger John. Where you from. You a fugi­tive ain't ye? I'm from Pine Bluff Arkansas and I'm a fugi­tive from the ways of this world. I'd be a fugi­tive from my mind if I had me some snow. What you in for? I cut a moth­er­fuck­er's head off with a pock­etknife. Bal­lard wait­ed to be asked his own crime but he wasn't asked. Af­ter a while he said: I was sup­posed to of raped this old girl. She wasn't noth­in but a whore to start with. White pussy is noth­in but trou­ble.

Bal­lard agreed that it was. He guessed he'd thought so but he'd nev­er heard it put that way. The black sat on his cot and rocked back and forth. He crooned: Fly­in home Fly like a moth­er­fuck­er Fly­in home All the trou­ble I ev­er was in, said Bal­lard, was caused by whiskey or wom­en or both. He'd of­ten heard men say as much. All the trou­ble I ev­er was in was caused by get­tin caught, said the black. Af­ter a week the sher­iff came down the cor­ri­dor one day and took the nig­ger away. Fly­in home, sang the nig­ger. You'll be fly­in all right, said the sher­iff. Home to your mak­er. Fly like a moth­er­fuck­er, sang the nig­ger. Take it easy, called Bal­lard. The nig­ger didn't say if he would or wouldn't. The next day the sher­iff came again and stopped in front of Bal­lard's cage and peered in at him. Bal­lard peered back. The sher­iff had a straw in his teeth and he took it out to speak. He said: Where was that wom­an from? What wom­an? That one you raped. You mean that old whore? All right. That old whore. I don't know. How the hell would I know where she was from? Was she from Se­vi­er Coun­ty? I don't know, damn it. The sher­iff looked at him and put the straw back in his teeth and went away. They came for Bal­lard the next morn­ing, turnkey and bailiff. Bal­lard, the turnkey said. Yeah. He fol­lowed the bailiff down the cor­ri­dor. The turnkey fol­lowed. They went down­stairs, Bal­lard eas­ing him­self along the iron ban­nis­ter pipe. They went out­side and across a park­ing lot to the court­house. They sat him in a chair in an emp­ty room. He could see a thin strip of col­or and move­ment through the gap of the dou­ble doors and he lis­tened vague­ly to le­gal pro­ceed­ings. Af­ter an hour or so the bailiff came in and crooked his fin­ger at Bal­lard. Bal­lard rose and went through the doors and sat in a church-​bench be­hind a lit­tle rail. He heard his name. He closed his eyes. He opened them again. A man in a white shirt at the desk looked at him and looked at some pa­pers and then he looked at the sher­iff. Since when? he said. It's been a week or bet­ter. Well tell him to get on out of here. The bailiff came over and opened the gate and leaned to­ward Bal­lard. You can go, he said. Bal­lard stood up and went through the gate and across the room to­ward a door with day­light in it and across a hall and out through the front door of the Se­vi­er Coun­ty

court­house. No one called him back. A drool­ing man at the door held out a greasy hat at him and mum­bled some­thing. Bal­lard went down the steps and crossed the street. Up­town he walked around in the stores. He went in­to the post of­fice and looked through the sheaves of posters. The want­ed stared back with surly eyes. Men of many names. Their tat­toos. Leg­ends of dead loves in­scribed on per­ish­able flesh. A preva­lence of blue pan­thers. He was stand­ing in the street with his hands in his back pock­ets when the sher­iff walked up. What's your plans now? said the sher­iff. Go home, said Bal­lard. And what then. What sort of mean­ness have you got laid out for next. I ain't got any laid out. I fig­ure you ought to give us a clue. Make it more fair. Let's see: fail­ure to com­ply with a court or­der, pub­lic dis­tur­bance, as­sault and bat­tery, pub­lic drunk, rape. I guess mur­der is next on the list ain't it? Or what things is it you've done that we ain't found out yet. I ain't done noth­in, Bal­lard said. You just got it in for me. The sher­iff had his arms fold­ed and he was rock­ing slight­ly on his heels, study­ing the sullen repro­bate be­fore him. Well, he said. I guess you bet­ter get your ass on home. These peo­ple here in town won't put up with your shit. I ain't ast noth­in from no­body in this chick­en­shit town. You bet­ter get your ass on home, Bal­lard. Ain't a god­damn thing keepin me here cept you goin on at the mouth. The sher­iff stepped from in front of him. Bal­lard went on by and up the street. About halfway along the block he looked back. The sher­iff was still watch­ing him. . You kind­ly got hen­house ways your­self, Sher­iff, he said. HE HAD THAT RI­FLE FROM when he was just al­most a boy. He worked for old man Wha­ley set­tin fence posts at eight cents a post to buy it. Told me he quit mid mornin right in the mid­dle of the field the day he got enough mon­ey. I don't re­mem­ber what he give for it but I think it come to over sev­en hun­dred posts. I'll say one thing. He could by god shoot it. Hit any­thing ,he could see. I seen him shoot a spi­der out of a web in the top of a big red oak one time and we was far from the tree as from here to the road yon­der. They run him off out at the fair one time. Wouldn't let him shoot no more. I re­mem­ber back a num­ber of years, talkin about fairs, they had a old boy come through would shoot live pi­geons with ye. Him with a ri­fle and you with a shot­gun. Or any­thing else. He must of had a truck­load of pi­geons. Had a boy out in the mid­dle of a field with a crate­ful and he'd holler and the boy'd let one slip and he'd raise his ri­fle and blam, he'd dust it. Mis­ters, he could strict­ly make the feath­ers fly. We'd nev­er seen the like of shootin. They was a bunch of us pret­ty hot­shot bird hunters lost our mon­ey out there fore we got it fig­ured out. What he was doin, this boy was load­in the old pi­geons up the ass with them lit­tle fire­crack­ers. They'd take off like they was home free and get up about so high and blam, it'd blow their ass­es out. He'd just shoot di­rect­ly he seen the feath­ers fly. You couldn't tell it. Or I take that back, some­body did fi­nal­ly. I don't re­mem­ber who it was. Reached and grabbed the ri­fle out of the old boy's hand fore he could shoot and the old pi­geon just went blam any­ways. They like to tarred and feath­ered him over it.

That re­minds me of this car­ni­val they had up in New­port one time. They was a feller up there had this ape or go­ril­la, ev­er what it was, stood about so high. It was nigh tall as Jim­my yon­der. They had it to where you could put on box­in gloves and get in this ring with it and if you could stay in there with him three min­utes they'd give ye fifty dol­lars. Well, these old boys I was with they kept at me and kept at me. I had this lit­tle old gal on my arm kept lookin up at me about like a pole axed calf. These old boys eg­gin me on. I think we'd drunk a lit­tle whiskey too, I dis­re­mem­ber. Any­ways I got to studyin this here ape and I thought: Well hell. He ain't big as me. They had him up there on a chain. I re­mem­ber he was set­tin on a stool eatin a head of red cab­bage. Di­rect­ly I said: Shit. Raised my old hand and told the feller I'd try it one time. Well, they got us back there and got the gloves on me and all, and this feller that owned the ape, he told me, said: Now don't hit him too hard out there cause if Y9u do you'll make him mad and you'll be in some re­al trou­ble. I thought to my­self: Well he's tryin to save his ape a whip­pin is what he's tryin to do. Tryin to pro­tect his in­vest­ment. Any­ways, I come out and climbed in the ring there. Felt pret­ty much a fool, all my bud­dies out there a hol­lerin and goin on and I looked down at this lit­tle gal I was with and give her a big wink and about that time they brought the old ape out. Had a muz­zle on him. He kind­ly looked me over. Well, they called out our names and ev­er­thing, I for­get what the old ape's name was, and this old boy rung a big din­ner bell and I stepped out and cir­cled the old ape. Showed him a lit­tle foot­work there. He didn't look like he was goin to do noth­in much so I reached out and bust­ed him one. He just kind­ly looked at me. Well, I didn't do noth­in but square off and hit him again. Popped him right in the side of the head. When I done that his old head jerked back and his eyes went kind­ly fun­ny and I said: Well, well, how sweet it is. I'd done spent the fifty dol­lars. I ducked around and went to hit him again and about that time he jumped right on top of my head and crammed his foot in my mouth and like to tore my jaw off. I couldn't even holler for help. I thought they nev­er would get that thing off of me. BAL­LARD AMONG THE Fair­go­ers step­ping gin­ger­ly through the mud. Down saw­dust lanes among the pitch tents and lights and cones of cot­ton can­dy and past paint­ed stalls with tiers of prizes and dolls and an­imals dan­gling from guy ropes. A Fer­ris wheel stood against the sky like a gaudy bracelet and lit­tle hawk winged goat­suck­ers shut­tled among the up­flung strobes of light with gape mouths and weird cries. Where cel­lu­loid gold­fish bobbed in a tank he leaned with his dip net and watched the oth­er fish­ers. An at­ten­dant took the fish from their nets and read the num­bers on their un­der­sides and shook his head no or reached down a small kew­pie or a plas­ter cat. While he was so oc­cu­pied an old man next to Bal­lard was try­ing to steer two fish in­to his dip net at the same time. They would not fit and the old man grown im­pa­tient steered them to the edge of the tank and with a sweep of the net splashed fish and wa­ter down the front of a wom­an stand­ing next to him. The wom­an looked down. The fish were ly­ing in the grass. You must be crazy, she said. Or drunk one. The old man gripped his net. The at­ten­dant leaned to them. What's the mat­ter here, he said. I didn't do noth­in, said the old man. Bal­lard was dip­ping up fish and dump­ing them back, study­ing the num­bers on the prizes. The wom­an with the wet dress point­ed at him. That man yon­der is cheatin, she said.

Okay bud­dy, said the at­ten­dant, reach­ing for his net. You get one for a dime, three for a quar­ter. I ain't got one yet, said Bal­lard. You've done put back a dozen. I ain't got one, said Bal­lard, hold­ing his net. Well get one and look at the rest. Bal­lard shrugged up his shoul­ders and eyed the fish. He dipped one up. The at­ten­dant took the fish and looked at it. No win­ner, he said, and pitched the fish back in the tank and took the net from Bal­lard. I might not be done playin, said Bal­lard. And then again you might, said the at­ten­dant. Bal­lard gave the man a cold cat's look and spat in the wa­ter and turned to go. The la­dy who'd been splashed was watch­ing him with a half fear­ful look of vin­di­ca­tion. As Bal­lard went past he spoke to her through his teeth. You a busy nosed old whore, ain't ye? he said. He stirred as he went the weight of dimes in the toe of his pock­et. Ri­fle fire guid­ed him, a mut­ed sound that he sort­ed from among the cries of bark­ers and pitch­men. A busy booth with long legged boys crouched at the counter. Across the back of the gallery me­chan­ical ducks tot­tered and creaked and the ri­fles cracked and spat. Step right up, step right up, test your skill and win a prize, sang the shoot­ing gallery man. Yes sir, how about you? I'm studyin it, said Bal­lard. What do ye get? The pitch­man point­ed with his cane to rows of stuffed an­imals in as­cend­ing size. The bot­tom row, he said ... Nev­er mind them, said Bal­lard. What do you have to do to get them big'ns yon­der. The pitch­man point­ed to small cards on a wire. Shoot out the small red dot, he said in a singsong voice. You have five shots in which to do it and you take your choice of any prize in the house. Bal­lard had his dimes out. How much is it? he said. Twen­ty-​five cents. He laid three dimes on the counter. The pitch man stood a ri­fle up and slid a brass tube of shells in­to the mag­azine. It was a pump ri­fle and it was fas­tened to the counter by a chain. Bal­lard put the nick­el in his pock­et and raised the ri­fle. El­bow rests per­mit­ted, sang the pitch­man. I don't need no rest, said Bal­lard. He fired five times, low­er­ing the ri­fle be­tween rounds. When he was done he point­ed aloft. Let me have that there big bear, he said. The pitch­man trolleyed the lit­tle card down a wire and un­pinned it and hand­ed it to Bal­lard. All of the red must be re­moved from the card to win, he said. He was look­ing else­where and didn't even seem to be talk­ing to Bal­lard. Bal­lard took the card in his hand and looked at it. You mean this here? he said. All of the red must be re­moved. Bal­lard's card had a sin­gle hole in the mid­dle of it. Along one edge of the hole was the faintest piece of red lint. Why hell fire, said Bal­lard. He slapped three more dimes on the counter. Step right up, said the pitch­man, load­ing the ri­fle.

When the card came back you couldn't have found any red on it with a mi­cro­scope. The pitch­man hand­ed down a pon­der­ous mo­hair Ted­dy­bear and Bal­lard slapped down three dimes again. When he had won two bears and a tiger and a small au­di­ence the pitch­man took the ri­fle away from him. That's it for you, bud­dy, he hissed. You nev­er said noth­in about how many times you could win. Step right up, sang the bark­er. Who's next now. Three big grand prizes per per­son is the house lim­it. Who's our next big win­ner. Bal­lard load­ed up his bears and the tiger and start­ed off through the crowd. They lord look at what all he's won, said a wom­an. Bal­lard smiled tight­ly. Young girls' faces float­ed past, bland and smooth as cream. Some eyed his toys. The crowd was mov­ing to­ward the edge of a field and as­sem­bling there, Bal­lard among them, a sea of coun­try peo­ple watch­ing in­to the dark for some mid­night con­test to be­gin. A light sput­tered off in the field and a blue tailed rock­et went skit­ter­ing to­ward Ca­nis Ma­jor. High above their up­turned faces it burst, sprays of lit glyc­er­ine flar­ing across the night, trail­ing down the sky in loose­ly falling rib­bons of hot spec­tra soon. burnt to naught. An­oth­er went up, a long whish­ing sound, fish­tail­ing aloft. In the bloom of its open­ing you could see like its shad­ow the im­age of the rock­et gone be­fore, the puff of black smoke and ashen trails arc­ing out and down like a huge and dark medusa squat­ting in the sky. In the bloom of light too you could see two men out in the field crouched over their crate of fire­works like as­sas­sins or bridge blow­ers. And you could see among the faces a young girl with can­dy ap­ple on her lips and her eyes wide. Her pale hair smelled of soap, wom­an child from be­yond the years, rapt be­low the sul­phur glow and pitch light of some me­dieval fun fair. A lean sky long can­dle skew­ered the black pools in her eyes. Her fin­gers clutched. In the flood of this break­ing brim­stone galaxy she saw the man with the bears watch­ing her and she edged clos­er to the girl by her side and brushed her hair with two fin­gers quick­ly. BAL­LARD HAS COME IN FROM the dark drag­ging sheaves of snow clogged brack­en and he has fall­en to crush­ing up hand­fuls of this dried or frozen stuff and cram­ming it in­to the fire­place. The lamp in the floor gut­ters in the wind and wind moans in the flue. The cracks in the wall lie print­ed slant­wise over the floor­boards in threads of drift­ed snow and wind is shuck­ing- the card­board win­dow­panes. And Bal­lard has come with an arm­load of bean­poles pur­loined from the barn loft and he is at break­ing them and lay­ing them on. When he has the fire go­ing he pulls off his bro­gans and stands them on the hearth and he pulls the wadded socks from his toes and lays them out to dry. He sits and dries the ri­fle and ejects the shells in­to his lap and dries them and wipes the ac­tion and oils it and oils the re­ceiv­er and the bar­rel and the mag­azine and the lever and reloads the ri­fle and levers a shell in­to the cham­ber and lets the ham­mer down and lays the ri­fle on the floor be­side him. The corn bread he has baked in the fire is a crude mush of sim­ple meal and wa­ter. A flat taste­less crust that he chews wood­en­ly and wash­es down with wa­ter. The two bears and the tiger watch from the wall, their plas­tic eyes shin­ing in the fire­light and their red flan­nel tongues out. THE HOUNDS CROSSED THE snow on the slope of the ridge in a thin dark line. Far be­low them the boar they trailed was tilt­ing along with his cu­ri­ous stiff legged

lope, high backed and very black against the win­ter's land­scape. The hounds' voic­es in that vast and pale blue void echoed like the cries of de­mon yo­dellers. The boar did not want to cross the riv­er. When he did so it was too late. He came all sleek and steam­ing out of the wil­lows on the near side and start­ed across the plain. Be­hind him the dogs were falling down the moun­tain­side hys­ter­ical­ly, the snow ex­plod­ing about them. When they struck the wa­ter they smoked like hot stones and when they came out of the brush and on­to the plain they came in clouds of pale va­por. The boar did not turn un­til the first hound reached him. He spun and cut at the dog and went on. The dogs swarmed over his hindquar­ters and he turned and hooked with his ra­zorous tush­es and reared back on his haunch­es but there was noth­ing for shel­ter. He kept turn­ing, en­meshed in a wheel of snarling hounds un­til he caught one and drove up­on it and pinned and dis­em­bow­eled it. When he went to turn again to save his flanks he could not. Bal­lard watched this bal­let tilt and swirl and churn mud up through the snow and watched the love­ly blood wel­ter there in its holo­graph of bat­tle, spray burst from a rup­tured lung, the dark heart's blood, pin­wheel and pirou­ette, un­til shots rang and all was done. A young hound wor­ried the boar's ears and one lay dead with his bright ropy in­nards fold­ed up­on the snow and an­oth­er whined and dragged him­self about. Bal­lard took his hands from his pock­ets and took up the ri­fle from where he had leaned it against a tree. Two small armed and up­right fig­ures were mov­ing down along the riv­er, hur­ry­ing against the fad­ing light. IN THE SMITH'S SHOP DIM and near light­less save for the faint glow at the far end where the forge fire smol­dered and the smith in sil­hou­ette hulked above some work. Bal­lard in the door with a rusty axe head he'd found. Mornin, said the smith. Mornin. What can I do for ye? I got a axe needs sharp­enin. He crossed the dirt floor to where the smith stood above his anvil. The walls of the build­ing were hung with all man­ner of im­ple­ments. Pieces of farm ma­chin­ery and mo­tor­cars lay strewn ev­ery­where. The smith thrust his chin for­ward and looked at the axe head. That it? he said. That's it. The smith turned the axe head in his hand. Won't do ye no good to grind this thing, he said. Won't? What ye aim to use for a han­dle? Get one, I reck­on. He held the axe head up. You cain't just grind a axe and grind it, he said. See how sto­bby it's got? Bal­lard saw. You want to wait a minute I'll show ye how to dress a axe that'1I cut two to one against any piece of shit you can buy down here at the hard­ware store brand new. What'lI it cost me? You mean with a new han­dle and all. Yeah, with a new han­dle. Cost ye two dol­lars. Two dol­lars. That's right. Han­dles is a dol­lar and a quar­ter.

I al­lowed I'd just get it sharp­ened for a quar­ter or some­thin. You nev­er would be sat­is­fied with it, said the smith. I can get a new one for four dol­lars. I'd bet­ter to have thisn and it right than two new ones. Well. Tell me some­thin. All right. The smith stuck the axe in the fire and gave the crank a few turns. Yel­low flames spat out from un­der the blade. They watched. You want to keep your fire high, said the smith. Three or four inch­es above the tuy­er iron. You want to lay a clean fire with good coal that's not laid out in the sun. He turned the axe head with his tongs. You want to take your first heat at a good yeller and work down. That there ain't hot enough. He had raised his voice to make these ob­ser­va­tions al­though the forge made no sound. He cranked the lever again and they watched the fire spit. Not too fast, said the smith. Slow. That's how ye heat. Watch ye col­ors. If she chance to get white she's ru­int. There she comes now. He drew the axe head from the fire and swung it all quiv­er­ing with heat and glow­ing a translu­cent yel­low and laid it on the anvil. Now mind how ye work on­ly the flats, he said, tak­ing up his ham­mer. And start on the bit. He swung the ham­mer and the soft steel gave un­der the blow with an odd dull ring. He ham­mered out the bit on both sides and put the blade back in the fire. We take an­oth­er heat on her on­ly not so high this time. A high red col­or will do it. He laid the tongs on the anvil and passed both palms down hard over his apron, his eyes on the fire. Watch her well, he said. Nev­er leave steel in the fire for longer than it takes to heat. Some peo­ple will poke around at some­thin else and leave the tool they're heatin to perdi­tion but the prop­er thing is to fetch her out the minute she shows the col­or of grace. Now we want a high red. Want a high red. Now she comes. He tonged the axe head to the anvil again, the bit a deep or­ange col­or with pins of bright heat break­ing on it. See now do ye ham­mer her back from the bit on the sec­ond heat. The ham­mer strik­ing with that sound not quite metal­lic. About a inch back. See how she flares. Let her get wide as a shov­el if it takes it but nev­er lay your ham­mer to the edges or you'll take out the mus­cle you put in on the flats. He ham­mered steady and ef­fort­less, the bit cool­ing un­til the light of it fad­ed to a faint­ly puls­ing blood col­or. Bal­lard glanced about the shop. The smith laid the bit on the hardy and with a sledge clipped off the flared edges. That's how we take the width down, he said. Now one more heat to make her tough. He placed the blade in the fire and cranked the han­dle. We take a low heat this time, he said. Just for a minute. Just so ye can see her shine will do. There she is. Now ham­mer her down both sides re­al good. He beat with short strokes. He turned the head and worked the oth­er side. See how black she gets, he said. Black and shiny like a nig­ger's ass. That packs the steel and makes it tough. Now she's ready to hard­en. They wait­ed while the axe heat­ed. The smith took a splayed cigar stub from his apron pock­et and lit it with a coal from the forge. We just want to heat the part we've worked, he said. And the low­er a heat ye can hard­en at the bet­ter she'll be. Just a low cher­ry red is about right. Some peo­ple want to quench in oil but wa­ter tem­pers at

a low­er heat. A lit­tle salt to soft­en the wa­ter. Soft wa­ter, hard steel. Now she comes and mind how when ye take her up and dip, dip north. Bit straight down, thi­saway. He low­ered the quak­ing blade in­to the quench buck­et and a ball of steam rose. The met­al hissed for an in­stant and was qui­et. The smith dunked it up and down. Cool it slow and it won't crack, he said. Now. We pol­ish it and draw the tem­per. He bright­ened the bit with a stick wrapped in emery cloth. Hold­ing the head in the tongs he be­gan to move it slow­ly back and forth over the fire. Keep her out of the fire and keep her movin. That way she'll draw down even. Now she's get­tin yeller. That's fine for some tools but we goin to take a blue tem­per on her. Now she gets brown. Watch it now. See it there? He took the axe head from the fire and laid it on the anvil. You got to watch her close and not let the tem­per run out on the cor­ners first. Shape ye fire for the job al­ways. Is that it? said Bal­lard. That's it. We'll just fit ye a han­dle now and sharp­en her and you'll be on your way. Bal­lard nod­ded. It's like a lot of things, said the smith. Do the least part of it wrong and ye'd just as well to do it all wrong. He was sort­ing through han­dles stand­ing in a bar­rel. Reck­on you could do it now from watchin? he said. Do what, said Bal­lard. HE LAUNCHED HIM­SELF down the slope, slewed up in snow to his thighs, wal­low­ing in the drifts with the ri­fle held over­head in one hand. He caught him­self on a grapevine and swung about and came to a stop. A show­er of dead leaves and twigs fell over th~ smooth man­tle of snow. He fetched de­bris from out of his shirt col­lar and looked down the slope to find an­oth­er stop­ping place. When he reached the flats at the foot of the moun­tain he found him­self in scrub cedar and pines. He fol­lowed rab­bit paths through these woods. The snow had thawed and frozen over again and there was a light crust on top now and the day was very cold. He en­tered a glade and a robin flew. An­oth­er. They held their wings aloft and went skit­ter­ing over the snow. Bal­lard looked more close­ly. A group of them were hud­dled un­der a cedar tree. At his ap­proach they set forth in pairs and threes and went hop­ping and hob­bling over the crust, drag­ging their wings. Bal­lard ran af­ter them. They ducked and flut­tered. He fell and rose and ran laugh­ing. He caught and held one warm and feath­ered in his palm with the heart of it beat­ing there just so. HE CAME UP A RUT­TED drive and past the roof of a car sliced off and propped on the ground with cin­derblocks. A light cord ran across the mud and un­der­neath the car roof a bulb burned and a group of de­pressed look­ing chick­ens hud­dled and clucked. Bal­lard rapped on the porch floor. It was a cold gray day. Thick gouts of brown­ish smoke swirled over the roof and the rags of snow in the yard lay gray and lacy and flecked with coal soot. He peeped down at the bird against his breast. The door opened. Get in here, said a wom­an in a thin cot­ton house­dress. He went on up the porch steps and en­tered the house. He spoke with the wom­an but his eye was on the daugh­ter. She moved ill at ease about the house, all tits and plump young haunch and naked legs. Cold enough for ye? said Bal­lard. What about this weath­er, said the wom­an. I brung him a playpret­ty, Bal­lard said, nod­ding to the thing in the floor. The wom­an turned her shal­low dish-​shaped face up­on him. Done what? she said. Brung him a playpret­ty. Looky here.

He hauled forth the half froze robin from his shirt and held it out. It turned its head. Its eye flicked. Looky here, Bil­ly, said the wom­an. It didn't look. A huge head­ed bald and slob­ber­ing pri­mate that in­hab­it­ed the low­er reach­es of the house, fa­mil­iar of the warped floor­boards and the holes tacked up with food tins ham­mered flat, a con­sort of roach­es and great hairy spi­ders in their sea­son, peren­ni­al­ly be­nas­tied and af­flict­ed with a name­less crud. Here's ye a playpret­ty. The robin start­ed across the floor, its wings awob­ble like la­teen sails. It spied the ... what? child? child, and veered off to­ward a cor­ner. The child's dull eyes fol­lowed. It stirred in­to slug­gish mo­tion. Bal­lard caught the bird and hand­ed it down. The child took it in fat gray hands. He'll kill it, the girl said. Bal­lard grinned at her. It's hisn to kill if he wants to, he said. The girl pout­ed her mouth at him. Shoot, she ·said. I got some­thin I'm agoin to bring you, Bal­lard told her. You ain't got noth­in I want, she said. Bal­lard grinned. I got some cof­fee hot on the stove, said the wom­an from the kitchen. Did you want a cup? I wouldn't care to drink maybe just a cup, said Bal­lard, rub­bing his hands to­geth­er to say how cold it was. At the kitchen ta­ble, a huge white porce­lain cup be­fore him, the steam white in the cold of the room by the one win­dow where he sat and the mois­ture con­dens­ing on the flow­er fad­ed oil­cloth. He tilt­ed canned milk in and stirred. What time do you reck­on Ralph will be in? He ain't said. Well. Just wait on him if ye want. Well. I'll wait on him a minute. If he don't come I got to get on. He heard the back door shut. He saw her go along the mud­died rut of a path to the out­house. He looked at the wom­an. She was rolling out bis­cuits at the side­board. He looked quick­ly back out the win­dow. The girl opened the out­house door and closed it be­hind her. Bal­lard low­ered his face in­to the steam from his cup. Ralph didn't come and didn't come. Bal­lard fin­ished the cof­fee and said that it was good and no thanks he didn't want no more and said it again and said that he'd bet­ter get on. I wish you'd looky here Ma­ma, the girl said from the oth­er room. What is it? said the wom­an. Bal­lard had stood up and was stretch­ing un­easi­ly. I bet­ter get on, he said. Just wait on him if ye want. Ma­ma. Bal­lard looked to­ward the front room. The bird crouched in the floor. The girl ap­peared in the door­way. I wisht you'd look in here, she said. What is it? said the wom­an. She was point­ing to­ward the child. It sat as be­fore, a gross tot­ter­toy in a gray small shirt. Its mouth was stained with blood and it was chew­ing. Bal­lard went on through the door in­to the room and reached down to get the bird. It flut­tered on the floor and fell over. He picked it up. Small red nubs worked in the soft down. Bal­lard set the bird down quick­ly. I told ye not to let him have it, the girl said. The bird floun­dered on the floor.

The wom­an had come to the door. She was wip­ing her hands on her apron. They were all look­ing at the bird. The wom­an said: What's he done to it? He's-​done chewed its legs off; the girl said. Bal­lard grinned un­easi­ly. He want­ed it to where it couldn't run off, he said. If I didn't have no bet­ter sense than that I'd quit, said the girl. Hush now, said the wom­an. Get that mess out of his mouth fore he gets sick on it. THEY WASN'T NONE OF EM any ac­count that I ev­er heard of. I re­mem­ber his grand­dad­dy, name was Le­land, he was get­tin a war pen­sion as a old man. Died back in the late twen­ties. Was sup­posed to of been in the Union Army. It was a known fact he didn't do noth­in the whole war but scout the bush­es. They come lookin for him two or three times. Hell, he nev­er did go to war. Old man Cameron tells this and I don't know what cause he'd have to lie. Said they come out there to get Le­land Bal­lard and while they was huntin him in the barn and smoke­house and all he slipped down out of the bush­es to where their hors­es was at and cut the leather off the sergeant's sad­dle to half sole his shoes with. No, I don't know how he got that pen­sion. Lied to em, I reck­on. Se­vi­er Coun­ty put more men in the Union Army than it had reg­is­tered vot­ers but he wasn't one of em. He was just the on­ly one had brass enough to ast for a pen­sion. I'll tell you one thing he was if he wasn't no sol­dier. He was a by god White Cap. O yes. He was that. Had a younger broth­er was one too that run off from here about that time. It's a known fact he was hanged in Hat­ties­burg Mis­sis­sip­pi. Goes to show it ain't just the place. He'd of been hanged no mat­ter where he lived. I'll say one thing about Lester though. You can trace em back to Adam if you w ant and god­damn if he didn't out­strip em all. That's the god's truth. Talkin about Lester ... You all talk about him. I got sup­per wait­in on me at the house. BAL­LARD STAMPED THE snow from his shoes and leaned his ri­fle against the side of the house and tapped at the door. He glanced about. The so­fa lay man­tled in snow and over the snow lay a fine stip­pling of coal soot and cat tracks. Be­hind the house stood the re­mains of sev­er­al cars and from the rear glass of one of them a turkey watched him. The door fell open and the dump keep­er stood there in his shirt­sleeves and sus­penders. Come in, Lester, he said. Bal­lard en­tered, his eyes wheel­ing about, his face stretched in a chi­na smile. But there was no one to see. A young girl was sit­ting on a car seat hold­ing a ba­by and when Bal­lard came in she got up and went in­to the oth­er room. Get over here and warm fore ye take your death, said the dump keep­er, mak­ing for the stove. Where's ever­body at? said Bal­lard. Shoot, said the dump keep­er, they've all left out of here. The mizzes ain't left is she? Aw naw. She's a vis­itin her sis­ter and them. Ev­er one of the girls is left savin the least'n though. We still got two of the ba­bies here. How come em to all leave of a sud­den like that? I don't know, said the dump keep­er. Young peo­ple these days, you cain't tell em noth­in. You ort to be proud, Lester, that

you ain't nev­er mar­ried. It is a grief and a heartache and they ain't no re­ward in it at all. You just raise en­emies in ye own house to grow up and cuss ye. Bal­lard turned his back­side to the stove. Well, he said. I nev­er could see it. That's where you're smart, said the dump keep­er. Bal­lard agreed mute­ly, shak­ing his head. I heard you got burned out over at your place, the dump keep­er said. Plumb to the ground, said Bal­lard. You nev­er seen such a fire. What caused it? I don't know. It start­ed in the at­tic. I be­lieve it must of been sparks from the chim­ney. Was you asleep? Yeah. I just did get out of there. What did Wal­drop say? I don't know. I ain't seen him. I ain't lookin for him. Be proud you wasn't like old man Par­ton up here got burned down in his bed that time. Bal­lard turned around and warmed his hands at the stove. Did they ev­er find any of him? he said. WHEN HE GOT TO THE HEAD OF the hol­low he rest­ed, watch­ing be­hind him the while. The tracks he fol­lowed had wa­ter stand­ing in them and they went up the moun­tain but they did not come back down. He lost them lat­er and found some dif­fer­ent ones and he spent the af­ter­noon in the woods stalk­ing about like any hunter but when he re­turned to the cave just short of night­fall with his feet numb in the leaky shoes he had not found any of the whiskey and he had not seen Kir­by. He ran in­to Greer the next morn­ing. It had be­gun to rain, a small cold win­ter rain that Bal­lard cursed. He low­ered his head and tucked the ri­fle un­der his arm and stepped to one side to pass but the oth­er would not have it so. Howdy, he said. Howdy, said Bal­lard. You're Bal­lard ain't ye? Bal­lard did not raise his head. He was watch­ing the man's shoes there in the wet leaves of the over­grown log­ging road. He said: No, I ain't him, and went on. LORD THEY CAUGHT' ME, LESTER, said Kir­by. Caught ye? I'm on three year pro­ba­tion. Bal­lard stared around the lit­tle room with its linoleum floor and cheap fur­ni­ture. Well kiss my ass, he said. Ain't it a bitch? I nev­er thought about them bein nig­gers. Nig­gers? They sent nig­gers. That's who I sold to. Sold to em three times. One of em set right there in that chair and drunk a pint. Drunk it and got up and walked out and got in the car. I don't see how he done it. He might of drove for all I know. They caught ever­body. Got old la­dy Bright up in Cocke Coun­ty even and she's been sell­in whiskey non stop since fore I was born. Bal­lard leaned and spat in­to a can sit­ting in the floor. Well fuck it, he said. I sure would of nev­er thought about them sendin nig­gers, said Kir­by. BAL­LARD STOOD AT THE door. There was no car in the drive­way. A pale yel­low trape­zoid of light lay in the mud be­neath the win­dow. With­in, the id­iot child crawled in

the floor and the girl was curled on the so­fa read­ing a mag­azine. He raised his hand and tapped. When the door opened he was stand­ing there al­ready wear­ing his sick­ish smile, his lips dry and tight over his teeth. Hidy, he said. He ain't here, said the girl. She stood hip loose in the door­frame and re­gard­ed him with frank in­dif­fer­ence. What time you ex­pect him? I don't know. He's took Ma­ma to church. They won't be back fore ten thir­ty or eleven. Well, said Bal­lard. She said noth­ing. Turned off cool, ain't it? It is standin here with the door open. Well ain't you goin to ast me in for a minute. She thought about it be­fore she swung the door back. You could see it in her eyes. But she let him in, more's the fool. He en­tered shuf­fling, beat­ing his hands to­geth­er. How's that big boy? he said. He's crazy as ev­er, she said, head­ed for the so­fa and her mag­azine. Bal­lard squat­ted be­fore the stained and drool­ing cretin and tou­sled its near bald head. Why that boy's got good sense, he said. Ain't ye? Shoot, said the girl. Bal­lard eyed her. She was wear­ing pink slacks of cheap cot­ton and she sat in the so­fa with her legs crossed un­der her and a pil­low in her lap. He rose and went to the stove and stood with his back to it. The stove was en­closed waist high in a chick­en wire fence. The posts were toe nailed to the floor and the fenc­ing was nailed down as well. I bet he could push this over if he want­ed to, said Bal­lard. I'd smack the fire out of him too, said the girl. Bal­lard was watch­ing her. He nar­rowed his eyes cun­ning­ly and smiled. He's yourn, ain't he? he said. The girl's face snapped up. You're crazy as shit, she said. Bal­lard leered. Steam sift­ed up from his dark trous­er legs. You cain't fool me, he said. You're a liar, the girl said. You wisht I was. You bet­ter hush. Bal­lard turned to warm his front side. A car passed in the road. They both craned their necks to fol­low the lights along. She turned back and saw him and made a chick­en necked gri­mace to mock him. The child in the floor sat drool­ing nor had it moved. Wouldn't be that old crazy Thomas boy, would it? said Bal­lard. The girl glared at him. Her face was flushed and her eyes red. You ain't slipped off in the bush­es with that old crazy thing have ye? You bet­ter shut your mouth, Lester Bal­lard. I'll tell Dad­dy on you. I'll tell Dad­dy on you, whined Bal­lard. You just wait and see if I don't. Shoot, said Bal­lard. I was just teasin ye. Why don't you go on. I guess you too young to know when a man's teasin ye. You ain't even a man. You're just a crazy thing. I might be more than you think, said Bal­lard. How come you wear them britch­es? What's it to you? Bal­lard's mouth was dry. You cain't see noth­in, he said.

She looked at him blankly, then she red­dened. I ain't got noth­in for you to see, she said. Bal­lard took a few wood­en steps to­ward the so­fa and then stopped in the mid­dle of the floor. Why don't you show me them nice tit­ties, he said hoarse­ly. She stood up and point­ed at the door. You get out of here, she said. Right now. Come on, Bal­lard wheezed. I won't ast ye noth­in else. Lester Bal­lard, when Dad­dy comes home he's goin to kill you. Now I said get out of here and I mean it. She stamped her foot. Bal­lard looked at her. All right, he said. If that's the way you want it. He went to the door and opened it and went out and shut the door be­hind him. He heard her latch it. The night out there was clear and cold and the moon sat in a great ring in the sky. Bal­lard's breath rose white­ly to­ward the dark of the heav­ens. He turned and looked back at the house. She was watch­ing from the cor­ner of the win­dow. He went on down the bro­ken drive­way to the road and crossed the ditch and went along the edge of the yard and crossed back up to the house. He picked up the ri­fle where he'd left it lean­ing against a crab ap­ple tree and he went along the side of the house and stepped up on­to a low wall of cin­derblock and went along it past the clothes­line and the coal pile to where he could see in the win­dow there. He could see the back of her head above the so­fa. He watched her for a while and then he raised the ri­fle and cocked it and laid the sights on her head. He had just done this when sud­den­ly she rose from the so­fa and turned fac­ing the win­dow. Bal­lard fired. The crack of the ri­fle was out­ra­geous­ly loud in the cold si­lence. Through the spi­dered glass he saw her slouch and stand again. He lev­ered an­oth­er shell in­to the cham­ber and raised the ri­fle and then she fell. He reached down and scrab­bled about in the frozen mud for the emp­ty shell but he could not find it. He raced around the house to the front and mount­ed the spindly steps and came up short against the door. You dumb son of a bitch, he said. You heard her lock it. He leaped to the ground and ran to the back of the house and en­tered a low screened porch and pushed open the kitchen door and went through and in­to the front room. She was ly­ing in the floor but she was not dead. She was mov­ing. She seemed to be try­ing to get up. A thin stream of blood ran across the yel­low linoleum rug and seeped away dark­ly in the wood of the floor. Bal­lard gripped the ri­fle and watched her. Die, god­damn you, he said. She did. When she had ceased mov­ing he went about the room gath­er­ing up news­pa­pers and mag­azines and shred­ding them. The id­iot watched mute­ly. Bal­lard ripped away the chick­en wire from around the stove and pushed the stove over with his foot. The pipe crashed in­to the room in a cloud of coal soot. He snatched open the stove door and hot em­bers rolled out. He piled on pa­pers. Soon a fire go­ing in the mid­dle of the room. Bal­lard raised up the dead girl. She was slick with blood. He got her on­to his shoul­der and looked around. The ri­fle. It was lean­ing against the so­fa. He got it and looked about wild­ly. Al­ready the ceil­ing of smoke and small fires licked along the bare wood floor at the edge of the linoleum. As he whirled about there in the kitchen door the last thing he saw through the smoke was the id­iot child. It sat watch­ing him, berry eyed filthy and fright­less among the paint­ed flames. BAL­LARD WAS WALK­ING THE road near the top of the moun­tain when the sher­iff pulled up be­hind him in the car. The sher­iff told Bal­lard to put the ri­fle down but BalIard didn't move. He stood there by the side of the road straight up and down with the ri­fle in one hand and he didn't even turn around to see who'd spoke. The sher­iff reached his pis­tol out the win­dow and cocked it. You could hear very clear­ly in the

cold air the click of the ham­mer and the click of the hand drop­ping in­to the cylin­der lock­ing notch. Boy, you bet­ter stick it in the ground, the sher­iff said. Bal­lard stood the butt of the ri­fle in the road and let go of it. It fell in­to the road­side bush­es. Turn around. Now come over here. Now just stand there a minute. Now get in here. Now hold your hands out. If you leave my ri­fle there some­body's goin to get it. I'll wor­ry about your god­damned ri­fle. THE MAN BE­HIND THE DESK had fold­ed his hands in front of him as if about to pray. He gazed at Bal­lard across the tips of his fin­gers. Well, he said, if you hadn't done any­thing wrong what were you scoutin the bush­es for that no­body could find you? I know how they do ye, Bal­lard mut­tered. Thow ye in jail and beat the shit out of ye. This man ev­er been mis­treat­ed down here, Sher­iff? He knows bet­ter than that. They tell me you cussed deputy Walk­er. Well did you? What are you lookin over there for? I was just lookin. Mr Walk­er's not goin to tell you what to say. He might tell me what not to. Is it true that you burned down Mr Wal­drop's house? No. You were liv­ing in it at the time that it burned. That's a ... I wasn't done it. I'd left out of there a long time fore that. It was qui­et in the room. Af­ter a while the man be­hind the desk low­ered-​his hands and fold­ed them in his lap. Mr Bal­lard, he said. You are ei­ther go­ing to have to find some oth­er way to live or some oth­er place in the world to do it in. BAL­LARD EN­TERED THE store and slammed the iron barred door be­hind him. The store was emp­ty save for Mr Fox who nod­ded to this small and har­ried look­ing cus­tomer. The cus­tomer did not nod back. He went along the shelves pick­ing and choos­ing among the goods, the cans all mar­shaled with their la­bels to the front, wrench­ing holes in their or­dered rows and stack­ing them on the counter in front of the store­keep­er. Fi­nal­ly he fetched up in front of the meat case. Mr Fox rose and donned a white apron, old blood­stains bleached light pink, tied it in the back and ap­proached the meat case and switched on a light that il­lu­mi­nat­ed rolls of baloney and rounds of cheese and a tray of thin sliced pork chops among the sausages and souse­meat. Slice me about a half pound of that there baloney, said Bal­lard. Mr Fox fetched it out and laid it on the butch­er block and took up a knife and be­gan to pare away thin slices. These he doled up one at a time on­to a piece of butch­er pa­per. When he had done he laid down the knife and placed the pa­per in the scales. He and BalIard watched the nee­dle swing. What else now, said the store­keep­er, ty­ing up the pack­age of meat with a string. Give me some of that there cheese.

He bought a sack of cigarette to­bac­co and stood there rolling a smoke and nod­ding at the gro­ceries. Add them up, he said. The store­keep­er fig­ured the mer­chan­dise on his scratch pad, slid­ing the goods from one side of the counter to the oth­er as he went. He raised up and pushed his glass­es back with his thumb. Five dol­lars and ten cents, he said. Just put it on the stob for me. Bal­lard, when are you goin to pay me? Well. I can give ye some on it to­day. How much on it. Well. Say three dol­lars. The store­keep­er was fig­ur­ing on his pad. How much do I owe al­to­geth­er? said Bal­lard. Thir­ty four dol­lars and nine­teen cents. In­cludin this here? In­cludin this here. Well let me just give ye the four dol­lars and nine­teen cents and that'lI leave it thir­ty even. The store­keep­er looked at Bal­lard. Bal­lard, he said, how old are you? Twen­ty sev­en if it's any of your busi­ness. Twen­ty sev­en. And in twen­ty sev­en years you've man­aged to ac­cu­mu­late four dol­lars and nine­teen cents? The store­keep­er was fig­ur­ing on his pad. Bal­lard wait­ed. What are you fig­urin? he asked sus­pi­cious­ly. Just a minute, said the store­keep­er. Af­ter a while he raised the pad up and squint­ed at it. Well, he said. Ac­cordin to my fig­ures, at this rate it's goin to take a hun­dred and nine­ty four years to pay out the thir­ty dol­lars. Bal­lard, I'm six­ty sev­en now. Why that's crazy. Of course this is fig­ured if you don't buy noth­in else. Why that's cra­zier'n hell. Well, I could of made a mis­take in the fig­ures. Did you want to check em? Bal­lard pushed at the scratch pad the store­keep­er was of­fer­ing him. I don't want to see that, he said. Well, what I think I'm goin to do along in here is just try to min­imize my loss­es. So if you've got four dol­lars and nine­teen cents why don't you just get four dol­lars and nine­teen cents' worth of gro­ceries. Bal­lard's face was twitch­ing. What did you want to put back? said the store­keep­er. . I ain't puttin a god­damn thing back, said Bal­lard, lay­ing out the five dol­lars and slap­ping down the dime. BAL­LARD CROSSED THE moun­tain in­to Blount Coun­ty one Sun­day morn­ing in the ear­ly part of Febru­ary. There is a spring on the side of the moun­tain that runs from sol­id stone. Kneel­ing in the snow among the fairy tracks of birds and deer mice Bal­lard leaned his face to the green wa­ter and drank and stud­ied his dish­ing vis­age in the pool. He halfway put his hand to the wa­ter as if he would touch the face that watched there but then he rose and wiped his mouth and went on through the woods. Old woods and deep. At one time in the world there were woods that no one owned and these were like them. He passed a wind felled tulip poplar on the moun­tain­side that held aloft in the grip of its roots two stones the size of field wag­ons, great tablets on which was writ on­ly a tale of van­ished seas with an­cient shells in cameo and fish­es etched in lime. Bal­lard among goth­ic tree boles, al­most jaun­ty in the out­sized

cloth­ing he wore, ford­ing drifts of knee deep snow, go­ing along the south face of a lime­stone bluff be­neath which birds scratch­ing in the bare earth paused to watch. The road when he reached it was un­marked by any track at all. Bal­lard de­scend­ed in­to it and went on. It was al­most noon and the sun was very bright on the snow and the snow shone with a myr­iad crys­tal in­can­des­cence. The shroud­ed road wound off be­fore him al­most lost among the trees and a stream ran be­side the road, dark un­der bow­ers of ice, small glass fanged cav­erns be­neath tree roots where the wa­ter sucked un­seen. In the frozen road­side weeds were coiled white rib­bons of frost, you'd nev­er fig­ure how they came to be. Bal­lard ate one as he went, the ri­fle on his shoul­der, his feet enor­mous with snow where it clung to the sacks with which he'd wrapped them. By and by he came up­on a house, silent in the silent land­scape, a rough scarf of smoke un­wind­ing up­ward from the chim­ney. There were tire tracks in the road but they had been snowed over in the night. Bal­lard came on down the moun­tain past more hous­es and past the ru­ins of a tan­nery in­to a road fresh­ly trav­eled, the cord­ed tracks of tire chains curv­ing away in­to the white woods and a jade riv­er curv­ing away to­ward the moun­tains to the south. When he got to the store he sat on a box on the porch and with his pock­etknife cut the twine that bound his legs and feet and took off the sacks and shook them out and laid them on the box with the pieces of twine and stood up. He was wear­ing black low cut shoes that were longer than he should have need­ed. The ri­fle he'd left un­der the bridge as he crossed the riv­er. He stamped his feet and opened the door and went in. A group of men and boys were gath­ered about the stove and they stopped talk­ing when Bal­lard en­tered. Bal­lard went to the back of the stove, nod­ding slight­ly to the store's in­hab­itants. He held his hands to the heat and looked ca­su­al­ly about. Cold enough for ye'ns? he said. No­body said if it was or wasn't. Bal­lard coughed and rubbed his hands to­geth­er and crossed to the drink box and got an or­ange drink and opened it and got a cake and paid at the counter. The store­keep­er dropped the dime in­to the till and shut the draw­er. He said: It's a sight in the world of snow, aint it. Bal­lard agreed that it was, lean­ing on the counter, eat­ing the cake and tak­ing small sips from the drink. Af­ter a while he leaned to­ward the store­keep­er. You ain't need­in a watch are ye? he said. What? said the store­keep­er. A watch. Did you need a watch. The store­keep­er looked at Bal­lard blankly. A watch? he said. What kind of a watch? I got dif­fer­ent kinds. Here. Bal­lard set­ting down his drink and half-​eat­en cake on the counter and reach­ing in­to his pock­ets. He pulled forth three wrist­watch­es and laid them out. The store­keep­er poked at them once or twice with his fin­ger. I don't need no watch, he said. I got some in the counter yon­der been there a year. Bal­lard looked where he was point­ing. A few dusty watch­es in cel­lo­phane pack­ets among the socks and hair­nets. What do you get for yourn? he asked. Eight dol­lars. Bal­lard eyed the mer­chant's watch­es doubt­ful­ly. Well, he said. He fin­ished the cake and took up his own watch­es by their straps and took his drink and crossed the floor to the stove again. He held the watch­es out, ten­der­ing them un­cer­tain­ly at-​the man near­est him. You all don't need a wrist­watch do ye? he said. The man glanced at the watch­es and glanced away. Let's see em over here, old bud­dy, said a fat boy by the stove.

Bal­lard hand­ed the watch­es across. What do ye want for em? I thought I'd get five dol­lars. What, for all three of em? Why hell no. Five dol­lars each. Shit. Let's see that'n, Orvis. Wait a minute, I'm lookin at·it. Let's see it. That there's a good watch. Let me have it. What will ye take for thisn. Five dol­lar. I'll give two and won't ast ye where ye got it. I cain't do it. Let me see that oth­ern, Fred. What's wrong with em? Ain't a damn thing wrong with em. You hear em run­nin don't ye? . I'll give you three for that there gold lookin one. Bal­lard looked from one to the oth­er of them. I'll take four, he said, and pick your choice. What'll ye take for all of em? Bal­lard tot­ted fig­ures in the air for a mo­ment. Twelve dol­lars, he said. Why hell, that ain't no deal. Don't ye get a dis­count on job lots? Is them all the watch­es you got? Just them three is all. Here. Hand him the­sens back. Ain't you goin to get in the watch busi­ness to­day, Orvis? I cain't get my job­ber to come down. What'll you give for em? said Bal­lard. I'll give eight dol­lars for the three of em. Bal­lard looked about at the men. They were watch­ing him to see what price used watch­es would bring this Sun­day morn­ing. He weighed the watch­es in his hand a mo­ment and hand­ed them across. You bought em, he said. The watch buy­er rose and hand­ed across the mon­ey and took the watch­es. You want thisn for three? He said to the man next to him. Yeah, let me have it. Any­body else want one for three? He held up the spare watch. The oth­er man who had been look­ing at the watch­es straight­ened out his leg across the floor and reached in­to his pock­et. I'll take if off of ye, he said. What'll ye take for that'n you got, Orvis? Might take five. Shit. You ain't got but two in it. This here's a good watch. WHEN BAL­LARD REACHED the riv­er he looked about the emp­ty white coun­try­side and then dropped down off the road and un­der the bridge. Com­ing up the riv­er were tracks not his own. Bal­lard scram­bled up un­der the stan­chions and reached up to the beam atop which he'd left the ri­fle. There for a mo­ment he flailed wild­ly, his hand scrab­bling along the con­crete, his eye to the riv­er and the tracks there which al­ready he was trail­ing to the end of his life. Then his hand closed up­on the stock of the ri­fle. He fetched it down, curs­ing, his heart ham­mer­ing. You'd try it, wouldn't ye? he

wailed at the tracks in the snow. His voice be­neath the arch­es of the bridge came back hol­low and alien and Bal­lard lis­tened to the echo of it with his head tilt­ed like a dog and then he climbed the bank and start­ed back up the road. IT WAS DARK WHEN HE reached the cave. He crawled through and lit a match and got the lamp and lit it and set it by the ring of stones that marked the fire pit. The near­er walls of the cav­ern com­posed them­selves out of the con­stant night with their pale stone drap­ery folds and a fault line in the vault's ceil­ing ap­peared with a row of drip­ping lime­stone teeth. In the black smoke hole over­head the re­mote and lid­less stars of the Pleiades burned cold and ab­so­lute. Bal­lard kicked at the fire and turned a few dull cher­ry coals up out of the ash and bones. He fetched dry grass and twigs and lit the fire and went back out with his pan and brought it in filled with snow and set it by the fire. His mat­tress lay in a pile of brush with the stuffed an­imals up­on it and his oth­er few pos­ses­sions lay about in the grot­to where chance had ar­ranged them. When he had the fire go­ing he took his flash­light and went across the room and dis­ap­peared down a nar­row pas­sage­way. Bal­lard made his way by damp stone cor­ri­dors down in­side the moun­tain to an­oth­er room. Here his light scud­ded across a growth of lime­stone columns and what looked like huge stone urns moist and ill shapen. From the floor of the room an un­der­ground stream rose. It welled up black­ly in a cal­cite basin and flowed down a nar­row aque­duct where the room tailed off through a black hole. Bal­lard's light glanced from the sur­face of the pool un­al­tered, as if bent back by some strange un­der­ground force. Ev­ery­where wa­ter dripped and spat­tered and the wet cave walls looked waxed or lac­quered in the beam of light. He crossed the room and fol­lowed the stream out and down the nar­row gorge through which it flowed, the wa­ter rush­ing off in­to the dark­ness be­fore him, de­scend­ing from pool to pool in stone cups of its own de­vis­ing and Bal­lard nim­ble over the rocks and along a ledge, keep­ing his feet dry, strad­dling the wa­ter­course at points, his light pick­ing out on the pale stone floor of the stream white craw­fish that backed and turned blind­ly. He fol­lowed this course for per­haps a mile down all its turn­ings and through nar­rows that fetched him side­ways ad­vanc­ing like a fencer and through a tun­nel that brought him to his bel­ly, the smell of the wa­ter be­side him in the trough rich with min­er­als and past the chalken dung of he knew not what an­imals un­til he climbed up a chim­ney to a cor­ri­dor above the stream and en­tered in­to a tall and bell shaped cav­ern. Here the walls with their soft look­ing con­vo­lu­tions, slavered over as they were with wet and blood red mud, had an or­gan­ic look to them, like the in­nards of some great beast. Here in the bow­els of the moun­tain Bal­lard turned his light on ledges or pal­lets of stone where dead peo­ple lay like saints. A WIN­TER DREAD­FUL COLD it was. He thought be­fore it was over that he would look like one of the bit­ter spruces that grew slant down­wind out of the shale and lichens on the hog­back. Com­ing up the moun­tain through the blue win­ter twi­light among great boul­ders and the ru­ins of gi­ant trees prone in the for­est he won­dered at such up­heaval. Dis­or­der in the woods, trees down, new paths need­ed. Giv­en charge Bal­lard would have made things more or­der­ly in the woods and in men's souls. It snowed again. It snowed for four days and when Bal­lard went down the moun­tain again it took him the best part of the morn­ing to cross to the ridge above Greer's place. There he could hear the chuck of an axe mut­ed with dis­tance and snow­fall. He could see noth­ing. The snow was gray against the sky, soft on his lash­es. It fell

with­out a sound. Bal­lard cra­dled the ri­fle in his arm and made his way down the slope to­ward the house. He crouched be­hind the barn lis­ten­ing for sound of Greer. There in the frozen mire of mud and dung deeply plugged with hoof prints. When he came through the barn it was emp­ty. The loft was filled with hay. Bal­lard stood in the fore­bay door look­ing down through the falling snow at the gray shape of the house. He crossed to the chick­en house and un­did the wire that held the hasp and en­tered. A few white hens eyed him ner­vous­ly from their cub­by nests on the far wall. Bal­lard passed along a row of roost­ing rails and went through a chick­en wire door to the feed room. There he load­ed his pock­ets with shelled corn and came back. He sur­veyed the hens, clucked his tongue at them and reached for one. It erupt­ed from the box with a long squawk and flapped past and lit in the floor and trot­ted off. Bal­lard cursed. In the up­roar the oth­er hens were fol­low­ing by ones and pairs. He lunged and grabbed one by the tail as it came soar­ing out. It set up an out­raged shriek­ing un­til Bal­lard could get it by the neck. Hold­ing the strug­gling bird in both hands and with his ri­fle be­tween his knees he crow hopped to the small dust webbed win­dow and peered out. Noth­ing stirred. You son of a bitch, said Bal­lard, to the chick­en or Greer or both. He wrung the hen's neck and went quick­ly through the nest­ing box­es gath­er­ing up the few eggs and putting them in his pock­ets and then he went out again. IN THE SPRING OR WARMER weath­er when the snow thaws in the woods the tracks of win­ter reap­pear on slen­der pedestals and the snow re­veals in palimpsest old buried wan­der­ings, strug­gles, scenes of death. Tales of win­ter brought to light again like time turned back up­on it­self. Bal­lard went through the woods kick­ing down his old trails where they veered over the hill to­ward his one­time home­place. Old com­ings and go­ings. The tracks of a fox raised out of the snow in­taglio like lit­tle mush­rooms and berry stains where birds shat crim­son mutes up­on the snow like blood. When he reached the over­look he stood his ri­fle against the stones and watched the house be­low him. There was no smoke com­ing from the chim­ney. Bal­lard watched with his arms fold­ed. He asked Greer where he was to­day. A gray and cold­er day with all the melt­ing snow ceased from its drip­ping and run­nel­ing. Bal­lard watched the first flakes fall like ash in­to the val­ley. Where are you, you bas­tard? he called. Two minute doilies of snow set­tled and per­ished on the crossed arms of his coat. He watched un­til the silent house grew dim be­low him in the gray snow­fall. Af­ter a while he took up the ri­fle once again and crossed the ridge to where he could see the road. There was no­body go­ing up or down. Al­ready the snow was falling so that you could not see up the val­ley at all. A spray of small birds came out of the snow­fall and passed like wind­blown leaves in­to the si­lence again. Bal­lard ,crouched on his heels with the ri­fle be­tween his knees. He told the snow to fall faster and it did. AF­TER THE SNOW CEASED HE went ev­ery day. He'd watch from his half mile promon­to­ry, see Greer come from the house for wood or go to the barn or to the chick­en house. Af­ter he'd gone in again Bal­lard would wan­der about aim­less­ly in the wood talk­ing to him­self. He laid queer plans. His shuf­fling boot tracks tram­pling out the prints of less­er life. Where mice had gone, or fox­es hunt­ing in the night; The dove like im­pri­matur of a stoop­ing owl. He'd long been wear­ing the un­der­clothes of his fe­male vic­tims but now he took to ap­pear­ing in their out­er wear as well. A goth­ic

doll in ill fit clothes, it's carmine mouth float­ing de­tached and bright in the white land­scape. Down there the val­ley with the few rust stained roofs and faintest wisps of smoke. The rib­boned slash of mud that the road made up the white val­ley and be­yond it the fold on fold of moun­tains with their black weirs of win­ter tree limbs and dull green cedars. His own tracks came from the cave blood red with cave mud and paled across the slope as if the snow had cau­terised his feet un­til he left dry white prints in the snow. False spring came again with a warm wind. The snow melt­ed off in­to lit­tle patch­es of gray ice among the wet leaves. With the ad­vent of this weath­er bats be­gan to stir from some­where deep in the cave. Bal­lard ly­ing on his pal­let by the fire one evening saw them come from the dark of the tun­nel and as­cend through the hole over­head flut­ter­ing wild­ly in the ash and smoke like souls ris­ing from Hades. When they were gone he watched the hordes of cold stars sprawled across the smoke hole and won­dered what stuff they were made of, or him­self. YON­DER IT IS, SHER­IFF, SAID the sher­iff's deputy. All right. Go on to the top and turn around. They drove on up the deeply mired road fish­tail­ing slight­ly and un­reel­ing long slabs of wet mud from un­der the tires un­til they came to the loop at the end of the road. Com­ing back down you could see the ruts where they went off in­to the weeds and you could see where the young trees were crushed and where the tire tracks went on down the side of the moun­tain. Yon­der she lays, said the deputy. The car was turned on its side in a deep ravine some hun­dred feet be­low them. The sher­iff wasn't look­ing at it. He was look­ing back up the road to­ward the turnaround. I wisht we'd of been here three days ago when they was still some snow on the ground, he said. Let's go down and look at it. They stood on the side of the car and raised the door up and the deputy de­scend­ed in­to the in­te­ri­or. Af­ter a while he said: They ain't a damn thing in here, Sher­iff. What about in the glove box? Not a thing. Look up in un­der the seats. I done looked. Look some more. When he came up out of the car he had a bot­tle cap in his hand. He hand­ed it to the sher­iff. What's that? said the sher­iff. That's it. The sher­iff looked at the bot­tle cap. Let's get the tur­tledeck open, he said. In the trunk was a spare tire and a jack and a lug­wrench and some rags and two emp­ty bot­tles. The sher­iff was stand­ing with his hands in his pock­ets look­ing back up the side of the ravine to­ward the road. If you want­ed to get from here to the road, he said which you would if you was here-​how would you go? The deputy point­ed. I'd go right up that there gul­ly, he said. So would I, said the sher­iff. Where do you reck­on he went? I don't know. How long did you say his old la­dy says he's been gone? Since Sun­day evenin. They sure the girl was with him?

So they say. They was en­gaged. Maybe they took off through the woods or some­thin. They wasn't in the car, the sher­iff said. They wasn't? No. Well how did it get here? I be­lieve some­body's shoved it off in here. Well maybe they run off to­geth­er. Might bet­ter find out how much he owed on the car. That could be what ... I done have. It's paid for. The deputy nudged a few small stones with the toe of his boot. Af­ter a while he looked up. Well, he said. Where do you reck­on they've got to? I reck­on they've got to wher­ev­er that gal got to that was sup­posed to be with that boy we found up here. She was sup­posed to of been goin with that Blalock boy we talked to. Yeah, well. These young peo­ple keep pret­ty ac­tive some of em. Let's go up here. They walked up the road to the turnaround. On the far side they found shoe tracks in the mud along the edge of the road. Fur­ther down the cir­cle they found more. The sher­iff just sort of nod­ded at them. What do you reck­on, Sher­iff? said the deputy. Why noth­in. It could just be where some­body got out to piss. He was look­ing off down the road. Do you reck­on, he said, that if you was to shove a car off from along in here it might get as far as where we're parked down yon­der fore it left the road? The deputy looked with him. Well, he said. It's pos­si­ble. I'd say it might could. So would I, said the sher­iff. BAL­LARD'S NEW SHOES sucked in the mud as he ap­proached the pick­up truck. He had the ri­fle un­der his arm and the flash­light in his hand. When he got to the truck he opened the door and flicked the light on and trapped in its yel­low beam the white faces of a boy and a girl in each oth­er's arms. The girl was the first to speak. She said: He's got a gun. Bal­lard's head was numb. They seemed as­sem­bled there the three of them for some pur­pose oth­er than his. He said: Let's see your driv­er's li­cense. You ain't the law, the boy said. I'll be the judge of that, said Bal­lard. What are you all doin up here? We was just set­tin here, the girl said. She wore a sprig of gauze·ferns at her shoul­der with two ros­es of bur­gundy crepe. You was fix­in to screw, wasn't ye? He watched their faces. You bet­ter watch your mouth, the boy said. You want to make me? You put down that ri­fle and I will. Any time you feel frog­gy, jump, said Bal­lard. The boy reached to the dash­board and turned on the ig­ni­tion and be­gan to crank the en­gine. Quit it, said Bal­lard. The en­gine did not start. The boy had raised his hand as if he would bat at the ri­fle bar­rel when Bal­lard shot him through the neck. He fell side­ways in­to the girl's lap. She fold­ed her hands and put them un­der her chin. Oh no, she said. Bal­lard lev­ered an­oth­er shell in­to the cham­ber. I told that fool, he said. Didn't I tell him? I don't know why peo­ple don't want to lis­ten.

The girl looked at the boy and then she looked up at Bal­lard. She was hold­ing her hands in the air as if she didn't know where to put them. She said: What did you have to go and do that for? It was up to him, said Bal­lard. I told the id­jit. Oh god, said the girl. You bet­ter get out of there. What? Out. Come on out of there. What are you goin to do? That's for me to know and you to find out. The girl pushed the boy from her and slid across the seat and stepped out in­to the mud of the road. Turn around, Bal­lard said. What are you goin to do? Just turn around and nev­er mind. I have to go to the bath­room, the girl said. You don't need to wor­ry about that, said Bal­lard. Turn­ing her by the shoul­der he laid the muz­zle of the ri­fle at the base of her skull and fired. She dropped as if the bones in her body had been liq­ue­fied. Bal­lard tried to catch her but she slumped in­to the mud. He got hold of her dress by the nape to raise her but the ma­te­ri­al part­ed in his fist and in the end he had to stand the ri­fle against the fend­er of the truck and take her un­der the arms. He dragged her through the weeds, walk­ing back­wards, watch­ing over his shoul­der. Her head was lolling and blood ran down her neck and Bal­lard had dragged her out of her shoes. He was breath­ing harsh­ly and his eye­balls were wild and white. He laid her down in the woods not fifty feet from the road and threw him­self on her, kiss­ing the still warm mouth and feel­ing un­der her clothes. Sud­den­ly he stopped and raised up. He lift­ed her skirt and looked down at her. She had wet her­self. He cursed and pulled down the panties and dabbed at the pale thighs with the hem of the girl's skirt. He had his trousers about his knees when he heard the truck start. The sound he made was not un­like the girl's. A dry suck­ing of air, mute with ter­ror. He leaped up haul­ing at his breech­es and tore through the brush to­ward the road. A crazed moun­tain troll clutch­ing up a pair of blood­stained breech­es by one hand and call­ing out in a high mad gib­ber­ing, burst­ing from the woods and hurtling down the grav­el road be­hind a light­less truck re­ced­ing half ob­scured in ris­ing dust. He pound­ed down the moun­tain till he could run no more nor had he breath to call af­ter. Be­fore long he had stopped to buck­le his belt and he went lurch­ing on, hold­ing his side, slumped and breath­ing hard and say­ing to him­self: You won't get far, you dead son of a bitch. He was halfway down the moun­tain be­fore he re­al­ized he did not have the ri­fle. He stopped. Then he went on any­way. When he came out on the val­ley road he looked down to­ward the high­way. The road in the moon­light lay be­neath a light­ly sus­tained trail of dust like a riv­er un­der a man­tle of mist and for as far as he could see. Bal­lard's heart lay in his chest like a stone. He squat­ted in the dust of the road un­til his breath­ing eased. Then he rose and start­ed back up the moun­tain again. He tried to run at first but he could not. It took him al­most an hour to make the three miles back to the top. He found the ri­fle where it had fall­en from the truck fend­er and he checked it and then went on in­to the woods. She was ly­ing as he had left her and she was cold and wood­en with death. Bal­lard howled curs­es un­til he was chok­ing and then he knelt and, worked her around on­to his shoul­ders and strug­gled up. Scut­tling down the moun­tain with the thing on his back he looked like a man be­set by some ghast suc­cubus, the dead girl rid­ing him with legs bowed akim­bo like a mon­strous frog.

BAL­LARD WATCHED THEM from the sad­dle in the moun­tain, a small thing brood­ing there, squat­ting with the ri­fle in his arms. It had been rain­ing for three days. The creek far be­low him out of its banks, the fields flood­ed, sheets of stand­ing wa­ter spot­ted with win­ter weeds and fod­der. Bal­lard's hair hung from his thin skull in lank wet strings and gray wa­ter dripped from his hair and from the end of his nose. In the night the side of the moun­tain winked with lamps and torch­es. Late win­ter rev­el­ers among the trees or some like hunters call­ing each to each there in the dark. In the dark Bal­lard passed be­neath them, scut­tling with his ragged chat­tel down stone tun­nels with­in the moun­tain. To­ward dawn he emerged from a hole in a rock on the far side of the moun­tain and peered about like a ground­hog be­fore com­mit­ting him­self to the gray and rainy day­light. With his ri­fle in one hand and his blan­ket load of gear he set off through the thin woods to­ward the cleared land be­yond. He crossed a fence in­to a half flood­ed field and made his way to­ward the creek. At the ford it was more than twice its right width. Bal­lard stud­ied the wa­ter and moved on down­stream. Af­ter a while he was back. The creek was to­tal­ly opaque, a thick and brick col­ored medi­um that hissed in the reeds. As he watched a drowned sow shot in­to the ford and spun slow­ly with pink and bloat­ed dugs and went on. Bal­lard stashed the blan­ket in a stand of sedge and re­turned to the cave. When he got back to the creek it seemed to have run yet high­er. He car­ried a crate of odd mis­cel­lany, men's and ladies' clothes, the three enor­mous stuffed toys streaked with mud. Adding to this load the ri­fle and the blan­ket­ful of things he'd car­ried down he stepped in­to the wa­ter. The creek climbed his legs in wild batwings. Bal­lard tot­tered and re­bal­anced and took a sec­ond grip on his load and went on. Be­fore he even reached the creek bed he was wad­ing knee deep. When it reached his waist he be­gan to curse aloud. A vit­ri­olic in­vo­ca­tion for the re­ced­ing of the wa­ters. Any­one watch­ing him could have seen he would not turn back if the creek swal­lowed him un­der. It did. He was in fast wa­ter to his chest, strug­gling along on tip­toe gin­ger­ly, and lean­ing up­stream when a log came steam­ing in­to the flat. He saw it com­ing and be­gan to curse. It spun broad­side to him and it came on with some­thing of an­imate ill will. Git, he screamed at it, a hoarse croak in the roar of the wa­ter. It came on bob­bing and bear­ing in its perime­ter a menis­cus of pale brown froth in which float­ed wal­nuts, twigs, a slen­der bot­tle neck erect and tilt­ing like a metronome. Git, god­damn it. Bal­lard shoved at the log with the bar­rel of the ri­fle. It swung down up­on him in a rush and he hooked his ri­fle arm over it. The crate cap­sized and float­ed off. Bal­lard and the log bore on in­to the rapids be­low the ford and Bal­lard was lost in a pan­de­mo­ni­um of nois­es, the ri­fle aloft in one arm now like some de­ment­ed hero or bedrag­gled par­ody of a pa­tri­ot­ic poster come aswamp and his mouth wide for the howl­ing of oaths un­til the log swept in­to a deep­er pool and rolled and the wa­ters closed over him. He came up flail­ing and sput­ter­ing and be­gan to thrash his way to­ward the line of wil­lows that marked the sub­merged creek bank. He could not swim, but how would you drown him? His wrath seemed to buoy him up. Some halt in the way of things seems to work here. See him. You could say that he's sus­tained by his fel­low men, like you. Has peo­pled the shore with them call­ing to him. A race that gives suck to the maimed and the crazed, that wants their wrong blood in its his­to­ry and will have it. But they want this man's life. He has heard them in the night seek­ing him with lanterns and cries of ex­ecra­tion. How then is he borne up? Or rather, why will not these wa­ters take him? When he reached the wil­lows he pulled

him­self up and found that he stood in scarce­ly a foot of wa­ter. There he turned and shook the ri­fle al­ter­nate­ly at the flood­ed creek and at the gray sky out of which the rain still fell gray­ly and with­out re­lent and the curs­es that hailed up above the thun­der of the wa­ter car­ried to the moun­tain and back like echoes from the clefts of bed­lam. He splashed his way to high ground and be­gan to un­load and dis­as­sem­ble the ri­fle, putting the shells in his shirt pock­et and wip­ing the wa­ter from the gun with his fore­fin­ger and blow­ing through the bar­rel, mut­ter­ing to him­self the while. He took out the shells and dried them the best he could and reload­ed the ri­fle and lev­ered a shell in­to the cham­ber. Then he start­ed down­stream at a trot. The on­ly thing that he re­cov­ered was the crate and it was emp­ty. Once far down­stream he thought he saw toy bears bob­bing on the spate but they were lost from sight be­yond a stand of trees and he was al­ready near­er the high­way than he wished and so turned back. Ul­ti­mate­ly he crossed high­er in the moun­tains. A steep and black ravine in which a wild tor­rent sang. Bal­lard on a moss­backed foot log bent be­neath his sod­den mud stained mat­tress went with care, hold­ing the ri­fle be­fore him. How white the wa­ter was, how con­stant its form in the speed­ing flumes be­low. How black the rocks. When he reached the sink­hole on the moun­tain the mat­tress was so heavy with rain­wa­ter that it stag­gered him. He crawled through a hole in the stone wall of the sink and pulled the mat­tress in af­ter him. All that night he hauled his pos­ses­sions and all night long it rained. When he dragged the last ran­cid mold crept corpse through the wall of the sink­hole and down the dark and drip­ping cor­ri­dor day­light had al­ready broached a pale gray band in the weep­ing sky east­ward. His track through the black leaves of the for­est with the drag marks of heels looked like a small wag­on had passed there. In the night it had frozen and he came up through a field of grass webbed with lit­tle panes of ice and in­to a wood where the trees were seized in ice each twig like small black bones in glass that cried or shat­tered in the wind. Bal­lard's trous­er cuffs had frozen in­to two drums that clat­tered at his an­kles and in the shoes he wore his toes lay cold and blood­less. He walked out from the sink­hole to see the day, near­ly sob­bing with ex­haus­tion. Noth­ing moved in that dead and fa­bled waste, the woods gar­land­ed with frost flow­ers, weeds spir­ing up from white crys­tal fan­tasies like the stone lace in a cave's floor. He had not stopped curs­ing. What­ev­er voice spoke him was no de­mon but some old shed self that came yet from time to time in the name of san­ity, a hand to gen­tle him back from the rim of his dis­as­trous wrath. He built a fire in the floor of the cave by a run­ning stream. Smoke gath­ered in the dome above and seeped slow­ly up through myr­iad fis­sures and pores and rose in a sty­gian mist through the drip­ping woods. When he tried the ac­tion of the ri­fle it was frozen fast. He knelt on the bar­rel and grap­pled with it, tear­ing at the lever with his hands. When it did not give he threw it in­to the fire. But fetched it out again and stood it against the wall be­fore it had suf­fered more than a scorched fore­stock. He crushed wild chico­ry in­to the black­ened cof­feepot and dipped the pot full of wa­ter. It sim­mered and hissed and sang in the flames. Bal­lard's shad­ow veer­ing dark and mu­tant over the cupped stone walls. He brought out a pan of corn­bread part­ly eat­en and set it by the fire where the dry crusts lay curled like c1ayshards in a sum­mer gul­ly. In the black mid­day he woke half frozen and mend­ed up the fire. Hot pains were ri­fling through his feet. He lay back down. The wa­ter in the mat­tress had soaked through to his back and he lay there shiv­er­ing with his arms crossed at his chest and af­ter a while he slept again. When he woke it was to agony. He sat up and gripped his feet. He howled aloud. With gin­gery steps he crossed the stone floor to the wa­ter and sat and put his feet in.

The creek felt hot. He sat there soak­ing his feet and gib­ber­ing, a sound not quite cry­ing that echoed from the walls of the grot­to like the mut­ter­ings of a band of sym­pa­thet­ic apes. THE HIGH SHER­IFF OF SE­VI­ER Coun­ty came down the court­house steps as far as the last stone above the flood­ed lawn and gazed out over the wa­ter where it lay flat and gray and choked with de­bris, stretch­ing in qui­et canals up the streets and al­leys, the tops of the park­ing me­ters just vis­ible and off to the left the faintest sug­ges­tion of move­ment, a dull slug­gish wrin­kling where the main­stream of the Lit­tle Pi­geon riv­er tugged at the stand­ing wa­ter in the flats. When the deputy came row­ing across the lawn in the skiff the sher­iff watched him with slow­ly shak­ing head. The deputy swung the rear of the skiff about and back oared un­til the tran­som banged against the stone land­ing. Cot­ton, you a hell of a oars­man. You god­damn right. Where the hell you been? The oars­man stayed the oars, the boat dipped heav­ily. You goin to ride standin up like Napoleon? Rea­son I'm late I had to give Bill Scrug­gs a tick­et. A tick­et? Yeah. I caught him goin up Bruce Street speed­in in a mo­tor­boat. Horse­shit. The deputy grinned and dipped the oars. Ain't this the god­damnedest thing ev­er you seen? he said. Rain driz­zled light­ly. The sher­iff peered out at the flood­ed town from un­der his drip­ping hat brim. You ain't seen a old man with a long beard buildin a great big boat any­wheres have ye? he said. They rowed up the main street of the town past flood­ed shops and small cafes. Two men came from a store with a row­boat piled with stained box­es and loose mounds of cloth­ing. One oared the boat, one wad­ed be­hind. Mornin Sher­iff, called out the man in the wa­ter, rais­ing his hand. Mornin Ed, said the sher­iff. The man in the boat ges­tured with his chin. Did Mr Park­er see you? said the man in the wa­ter. We're just goin up there now. Seems like trou­ble ought to make peo­ple clos­er stead of some tryin to rob oth­ers. Some peo­ple you cain't do noth­in with, the sher­iff said. Ain't that the truth. They rowed on. Take care, said the sher­iff. Right, said the man in the wa­ter. They rowed in­to the hard­ware store en­trance­way and the deputy shipped the oars. In­side by lamp­light peo­ple were mov­ing about slosh­ing heav­ily through the wa­ter. A man climbed in­to the show­case win­dow and peered out at the sher­iff through the bro­ken glass. Howdy Fate, he said. Howdy Eu­stis. Biggest thing they took was guns. That's what they take. I don't even know how many. I ex­pect we'll find stuff missin for a year. Can you get the num­bers on em? Not till the wa­ters re­cede. If they ev­er do. The in­ven­to­ry sheets are in the base­ment. Well.

It's sup­posed to clear to­mor­row. Al­though at this point I re­al­ly don't give a shit. Do you? It's the worst I ev­er saw in my time, the sher­iff said. It was sup­posed to of flood­ed in 1885 they said the whole town was un­der wa­ter. Is that right? So I've heard, said the deputy. I know it's burned down about a half a dozen times, said the store­keep­er. You reck­on there are just some places the good lord didn't in­tend folks to live in? Could be, said the sher­iff. He's got a bull­head­ed bunch to deal with here if it's so though, ain't he? Damned if he don't. Any­thing I can help ye with?. Naw, hell. We're tryin to sal­vage some of this stuff. I don't know. It sure is a hell of a mess. Well. When you get those num­bers let me have em. They'll most like­ly show up over in Knoxville. I'd rather have the sons of bitch­es that stole em as have the guns back. I know what you mean. We'll do our best. Well. Well. let me get my in­board cranked up here and we'll go pick up the mail. . The deputy grinned and dipped the oars in­to the gray wa­ter among the bot­tles and boards and float­ing fruit. I'll talk to you lat­er, Fate, said the store­keep­er. Okay Eu­stis. I hate it about your bein broke in­to. Well. They rowed on up the street and beached the skiff on the front steps of the post of­fice and went m. Mornin Sher­iff Turn­er, said a pleas­ant wom­an from be­hind the barred win­dow. Mornin Mrs Walk­er, how you? Wet. What about you? Ain't this some­thin? She eased a bun­dle of mail be­neath the bars. This it? That's it. He leafed through the mail. You ev­er find any of them peo­ple missin from them cars? When we find one we'll find em all. Well when are ye goin to find the one? We'll find em. I nev­er knew such a place for mean­ness, the wom­an said. The sher­iff smiled. It used to be worse, he said. Row­ing back down Bruce Street they were hailed from an up­per win­dow. The sher­iff leaned back to see who'd spoke, eyes squint­ed against the fine rain. You goin to the court­house, Fate? Sure am. How about a ride? Come on. Just let me get my coat I'll be right down. An old man ap­peared at the top of a flight of stairs that as­cend­ed the side of a brick store build­ing. He shut the door be­hind him and ad­just­ed his hat and came down the steps with care. The deputy backed un­til the rear of the skiff came up against the stairs and. the old man, tak­ing a vi­cious grip on the sher­iff's shoul­der, stepped in and sat down.

Old wom­an told me to­day, said: It's a judg­ment ... Wages of sin and all that. I told her ever­body in Se­vi­er Coun­ty would have to be rot­ten to the core to war­rant this. She may think they are, I don't know. How you, young feller? Fine, said the deputy. Here's a man can tell ye about the White Caps, said the sher­iff. Peo­ple don't want to hear about that, said the old man. Cot­ton here said it sound­ed like a good idea to him, the sher­iff said. Keep peo­ple in line. The old man stud­ied the row­ing deputy. Don't be­lieve it, son, he said. They was a bunch of lowlife thieves and cow­ards and mur­der­ers. The on­ly thing they ev­er done was to whip wom­en and rob old peo­ple of their savins. Pen­sion­ers and wid­ows. And mur­der peo­ple in their beds at night. What about the Blue­bills? They was or­ga­nized to set against the White Caps but they was just as cow­ard­ly. They'd hear the White Caps was ridin out some­place, like Pi­geon Forge, they'd get out there and take up the boards in the bridge and lay in the bush­es where they could hear em to fall through. They hunt­ed one an­oth­er all over the coun­ty for two year and nev­er met but one time and that was by ac­ci­dent and in a nar­row place where nei­ther bunch couldn't run. No, those were sor­ry peo­ple all the way around, ev­er man jack a three hun­dred and six­ty de­gree son of a bitch, which my dad­dy said meant they was a son of a bitch any way you looked at em. What fi­nal­ly hap­pened? What fi­nal­ly hap­pened was that one man with a lit­tle guts stood up to em and that was Tom Davis. He was a wheel horse wasn't he, Mr Wade. He was that. He was just a deputy un­der Sher­iff Mi­Ilard Maples when he bust­ed up the White Caps. He made three or four trips to Nashville, paid for it out of his own pock­et. Got the leg­is­la­ture to pass a bill at­tach­ing the Cir­cuit Court to the Crim­inal Court over in Knoxville so that they'd have a new judge in Se­vierville and then he start­ed af­ter the White Caps. They tried ev­er way in the world to kill him. Even sicked a big nig­ger on him one night comin back from Knoxville. In them days you could go by steam­boat and this nig­ger come off an­oth­er boat in the mid­dle of the riv­er and pulled a gun to shoot him. Tom Davis took the gun away from him and just brought him on in to jail. By that time White Caps was leav­in the coun­ty in droves. He didn't care where they went. He . brought em back from Ken­tucky, from North Car­oli­na, from Texas. He'd go off all by his­self and be gone weeks and come in with em on a string like a bunch of hors­es. He was the damnedest man I ev­er heard of. Was a ed­ucat­ed man. Had been a school teach­er. There had not been a Demo­crat elect­ed in Se­vi­er Coun­ty since the Civ­il War, but when Tom Davis run for sher­iff they elect­ed him. You don't re­mem­ber the flood of 1885 do ye? said the deputy. Well, bein as that was the year I was born my mem­ory of it is some­what dim. What year was it they hung them two, Mr Wade. That was in 99. That was Pleas Wynn and Catlett Tip­ton that had mur­dered the Wha­leys. Got em up out of bed and blowed their heads off in front of their lit­tle daugh­ter. They'd been in jail two years ap­pealin and what not. There was a Bob Wade im­pli­cat­ed in it too that I'm proud to re­port is no kin of mine. I think he went to the pen­iten­tiary. Tip­ton and Wynn, they hung them on the court­house lawn right yon­der. It was right about the first of the year. I re­mem­ber there was still hol­ly boughs up and Christ­mas can­dles. Had a big scaf­fold set up had one door for the both of em to drop through. Peo­ple had start­ed in to town the ,I evenin be­fore. Slept in their wag­ons, a lot of em. Rolled out blan­kets on the court­house lawn. Wher­ev­er. You couldn't get a meal in town, folks lined up

three deep. Wom­en sell­in sand­wich­es in the street. Tom Davis was sher­iff by then. He brung em from the jail, had two preach­ers with em and had their wives on their arms and all. Just like they was goin to church. All of em got up there on the scaf­fold and they sung and ever­body fell in sin­gin with em. Men all holdin their hats. I was thir­teen year old but I re­mem­ber it like it was yes­ter­day. Whole town and half of Se­vi­er Coun­ty sin­gin I Need Thee Ev­ery Hour. Then the preach­er said a prayer and the wives kissed their hus­bands good­bye and stepped down off the scaf­fold and turned around to watch and the preach­er come down and it got re­al qui­et. And 'then that trap kicked open from un­der em and down they dropped and hung there a jerkin and a kickin for I don't know, ten, fif­teen min­utes. Don't ev­er think hangin is quick and mer­ci­ful. It ain't. But that was the end of White Cap­pin in Se­vi­er Coun­ty. Peo­ple don't like to talk about it to this day. You think peo­ple was mean­er then than they are now? the deputy said. The old man was look­ing out at the flood­ed town. No, he said. I don't. I think peo­ple are the same from the day God first made one. As they as­cend­ed the court­house stairs he was telling them how an old her­mit used to live out on House Moun­tain, a ragged gnome with knee length hair who dressed in leaves and how peo­ple were used to go­ing by his hole in the rocks and throw­ing in stones on a dare and call­ing to him to come out. IN THE SPRING BAL­LARD watched two hawks cou­ple and drop, their wings up­swept, sound­less out of the sun to break and flare above the trees and ring up again with thin calls. He eyed them on, watch­ing to see if one were hurt. He did not know how hawks mat­ed but he knew that all things fought. He left the old wag­on road where it went through the gap and took a path that he him­self kept, go­ing across the face of the moun­tain to re­view the coun­try that he'd once in­hab­it­ed. He sat with his back to a rock and soaked the warmth from it, the wind still cold that shiv­ered the sparse high moun­tain brack­en, the brit­tle gray ferns. He watched an emp­ty wag­on come up the val­ley be­low him, dis­tant clat­ter of it, the mule paus­ing in the ford and the clat­ter of the im­mo­bile wag­on rolling on re­gard­less as if the sound au­thored the sub­stance, un­til it had all reached his ears. He watched the mule drink and then the man on the wag­on seat lift­ed one arm and they com­menced again, now sound­less, out of the creek and up the road and then again came the far mut­ed wood­en rum­bling. He watched the diminu­tive progress of all things in .the val­ley, the gray fields com­ing up black and cord­ed un­der the plow, the slow green oc­clu­sion that the trees were spread­ing. Squat­ting there he let his head drop be­tween his knees and he be­gan to cry. LY­ING AWAKE IN THE DARK of the cave he thought he heard a whistling as he used to when he was a boy in his bed in the dark and he'd hear his fa­ther on the road com­ing home whistling, a lone­ly piper, but the on­ly sound was the stream where it ran down through the cav­ern to emp­ty it may be in un­known seas at the cen­ter of the earth. He dreamt that night that he rode through woods on a low ridge. Be­low him he could see deer in a mead­ow where the sun fell on the grass. The grass was still wet and the deer stood in it to their el­bows. He could feel the spine of the mule rolling un­der him and he gripped the mule's bar­rel with his legs. Each leaf that brushed his face deep­ened his sad­ness and dread.

Each leaf he passed he'd nev­er pass again. They rode over his face like veils, al­ready some yel­low, their veins like slen­der bones where the sun shone through them. He had re­solved him­self to ride on for he could not turn back and the world that day was as love­ly as any day that ev­er was and he was rid­ing to his death. ON A GOOD MAY MORN­ING John Greer turned out to dig a sep­tic tank at the back of his house. While he was dig­ging, Lester Bal­lard in frightwig and skirts stepped from be­hind the pump house and raised the ri­fle and cocked the ham­mer silent­ly, hold­ing black the trig­ger and eas­ing it in­to the notch as hunters do. When he fired the shov­el was com­ing past Greer's shoul­der with a load of dirt. Long af­ter the crack of the ri­fle had died in the lee of the moun­tain he could hear the gong of turned doom that rang above the man's head as he froze there with the shov­el aloft on which had splat­tered in a bright medal­lion the small piece of lead, the man look­ing at what­ev­er it was stand­ing there curs­ing to it­self while it worked the lever of the ri­fle, an ap­pari­tion cre­at­ed whole out of noth­ing and set up­on him with such dire in­tent. He flung away the shov­el and be­gan to run. Bal­lard shot him through the body as he passed and stitched a fal­ter in his pace. He shot him once more be­fore he round­ed the cor­ner of the house but he could not tell where he hit him. He him­self was run­ning now, curs­ing steadi­ly, work­ing the lever of the ri­fle again, tak­ing the cor­ner of the house, one foot al­most go­ing from un­der him as he turned and mak­ing a vi­cious slash in the mud, the ri­fle now in one hand and his thumb hooked over the ham­mer, mount­ing the steps in a crazy sort of hop­ping gait and rush­ing to­ward the door. He looked like some­thing come against the end of a spring load­ed teth­er or some slap­stick con­trivance of the film cut­ter's art, swal­lowed up in the door and dis­charged from it again al­most - si­mul­ta­ne­ous­ly, eject­ed in an im­mense con­cus­sion back­wards, spin­ning, one arm fly­ing out in a pe­cu­liar lim­ber ges­ture, a faint pink cloud of blood and shred­ded cloth­ing and the ri­fle clat­ter­ing sound­less on the porch boards amid the up­roar and Bal­lard sit­ting hard on the floor for a mo­ment be­fore he pitched off in­to the yard. Even though Greer was shot through the up­per chest him­self he wob­bled from the door­way with the shot­gun and down the steps to ex­am­ine this thing he'd shot. At the foot of the steps he picked up what ap­peared to be a wig and saw that it was fash­ioned whole from a dried hu­man scalp. BAL­LARD WOKE IN A ROOM dark to black­ness. He woke in a room day bright. Woke in a room at dawn or dusk he knew not which where motes of dust pass­ing through an un­seen bar of light in­can­desced briefly and ran­dom and drift­ed like the small­est fire­flies. He stud­ied them for a while and then raised his hand. No hand came up. He raised the oth­er and a thin stripe of yel­low sun­light fell across his fore­arm. He looked about the room. Some stain­less steel pots on a steel ta­ble. A pitch­er of wa­ter and a glass. Bal­lard in a thin white gown in a thin white room, false acolyte or an­ti­sep­tic felon,. a prac­ti­tion­er of ghast­li­ness, a part-​time ghoul. He had been awake for some few min­utes be­fore he be­gan to feel about for the miss­ing arm. It was not in the bed at all. He pulled the sheet from about his neck and stud­ied the great swathings of ban­dage at his shoul­der ap­par­ent­ly with no sur­prise. He looked about. A room scarce wider than the bed. There was a small win­dow be­hind him but he could not see out with­out cran­ing his neck and it pained him to do so.

No one spoke to him. A nurse came with a tin tray and helped him to sit erect, Bal­lard still try­ing to use the miss­ing arm to fetch his bal­ance. A cup of soup, a cup of cus­tard, a quar­ter pint of sweet milk in a waxed card­board box. Bal­lard prod­ded at the food with his spoon and lay back. He lay in a wak­ing dream. The cracks in the yel­lowed plas­ter of the ceil­ing and up­per walls seemed to work on his brain. He could close his eyes and see them any­way. Thin fis­sures travers­ing the oth­er­wise blank of his cor­rod­ed mind. He looked at the swad­dled nub that poked from the short sleeve of the coun­ty hos­pi­tal gown. It looked like an enor­mous ban­daged thumb. He won­dered what they'd done with his arm and de­cid­ed to ask. When the nurse came with his sup­per he said: What'd they do with my arm? She swung the table­top and set the tray on it. You got it shot off, she said. I know that. I just want­ed to know what all they done with it. I don't know. It don't make a damn to you, does it? No. I'll find out. I can. Who's that feller at the door all the time? He's a coun­ty deputy. Coun­ty deputy. Yes, she said. What about the man you shot? What about him? Don't you even want to know if he's dead or alive? Well. He was un­rolling his sil­ver from the linen nap­kin. Well what? she said. Well is he dead or alive? He's alive. She watched him. He spooned up some ap­ple­sauce and looked at it and put it down again. He opened the car­ton of milk and drank from it. You re­al­ly don't care one way or the oth­er do you? she said. Yes I do, said Bal­lard. I wish the son of a bitch was dead. HE ATE, HE STARED AT THE walls. He used the bed­pan or cham­ber­pot. Some­times he could hear a ra­dio in an­oth­er room. One evening what ap­peared to be some hunters came to see him. They talked for a while with­out the door. Then the door opened and the room filled up with men. They gath­ered about Bal­lard's bed­side. He'd been asleep. He strug­gled up in the bed and looked at them. Some he knew, some not. His heart shrank. Lester, said a heavy set man, where's them bod­ies at. I don't know noth­ing about no bod­ies. Yes you do. How many peo­ple did you kill? I ain't killed nary'n. The hell you ain't. You killed that Lane girl and burned her and that ba­by down in the house and you killed them peo­ple in them parked cars on the Frog Moun­tain. I nev­er done it. They were qui­et, re­gard­ing him. Then the man said: Get up, Lester. Bal­lard pulled at the bed­cov­ers. I ain't al­lowed up, he said. A man reached and pulled back the cov­ers. Bal­lard's spindly legs lay pale and yel­low look­ing on the sheet. Get up.

Bal­lard tugged at the hem of his night­gown to hide him­self. He swung his legs over the side of the bed and sat there a minute. Then he stood up. He sat back down again and gripped the lit­tle ta­ble. Where we goin? he said. Some­body in the back of the crowd said some­thing but Bal­lard didn't catch it. Is that all of a thing you got to wear? I don't know. They opened a clos­et and looked in but there were on­ly some mops and a buck­et. They stood there look­ing at Bal­lard. He didn't look like much. We bet­ter get out of here if we're goin. Earl's like­ly gone to fetch the sher­iff. Let's go, Bal­lard. They raised him up and pushed him to­ward the door and closed ranks be­hind him. He looked back once at the bed. Then they were go­ing down the wide hos­pi­tal cor­ri­dor. Past open doors where peo­ple in bed watched him leav­ing, the linoleum cold un­der his feet and his legs wob­bling a bit as he went. It was a cool clear night. Bal­lard's eyes went up­ward to the cold wash of stars that lay be­yond the pole lamps in the hos­pi­tal park­ing lot. They crossed the black as­phalt, damp from re­cent rain, and the men opened the door of a pick­up truck and mo­tioned Bal­lard in. He crawled up in the cab and sat with his bare legs to­geth­er in front of him. Men got in on ei­ther side and the mo­tor start­ed and the lights came up and the lights from oth­er cars and trucks down the park­ing lot. Bal­lard had to shift his knees like a child for the man to get 'to the gear lever. They pulled out of the park­ing lot and down the street. Where we goin? said Bal­lard. We'll all know when we get there, said the driv­er. They drove out the high­way to­ward the moun­tains, a car­avan of trucks and cars. They stopped at a house. A man left the car be­hind Bal­lard and went to the door. A wom­an let him in. In­side un­der the glare of a naked bulb he could see the wom­an and some chil­dren. Af­ter a while the man came out again and came down to the truck and hand­ed in a bun­dle through the win­dow . Tell him put these here on, he said. The driv­er hand­ed the bun­dle to Bal­lard. Put them on, he said. It was a pair of over­alls and an army shirt. He sat in the truck with the clothes in his lap and they start­ed on up the road again. They turned off on­to a dirt road and wound through low hills with black pines sprock­et­ting across the head­lights in the curves and then they took an­oth­er road, grass grow­ing in it, com­ing at last out on­to a high mead­ow where the re­mains of a sawmill stood in the starlight. A shed with the win­dows stoned light­less. Stacks of gray lum­ber, a saw­dust pile where fox­es lived. The driv­er of the truck opened the door and stepped out. Oth­er ve­hi­cles pulled along­side and men be­gan to crowd about. A sub­dued sound of voic­es and car doors clos­ing. Bal­lard alone bare­shank in his night­shift on the seat of the truck. Let Otis watch him. Why don't we just take him up here. Let him set there. How come he ain't put them clothes on. The truck door opened. Ain't you cold, said a man. Bal­lard looked at him dumb­ly. His arm hurt. Tell him put them clothes on. He wants you to put them there clothes on, the man said. Bal­lard be­gan to sort through the bun­dle for arm or leg holes. Otis you watch him now. Reck­on we ort to tie his hands.

You could tie his hands to one of his legs like a mule. Jer­ry you can put that jar right back where you got it from. This here is se­ri­ous busi­ness. Bal­lard had on the shirt and was try­ing to do the but­tons. He'd nev­er tried to but­ton a shirt with one hand and he was not good at it. He got the over­alls up and the straps fas­tened. They were soft and smelled of soap and there was room in­side for a whole Bal­lard more. He tucked the loose sleeve of the shirt down in­side the over­alls and looked around. A man squat­ted in the bed of the truck with a shot­gun watched him through the rear glass. Up on the hill by the sawmill a fire licked in the wind and the men were gath­ered around it. Bal­lard pushed the but­ton on the glove box door in front of him and it fell open. He felt among pa­pers, found noth­ing. He shut the door again. Af­ter a while he cranked down the win­dow. You ain't got a cigarette back there have ye? he said. The man leaned for­ward and held a pack of cigarettes up to the open win­dow. Bal­lard took one and put it in his mouth. You got a match? he said. The man hand­ed him a match. How you fixed for spit? he said. I nev­er ast to come out here, said Bal­lard. He popped the match on the dash­board and lit the cigarette and sat smok­ing in the dark, watch­ing the fire on the hill. Af­ter a while a man came down and opened the door and told Bal­lard to get out. He climbed la­bo­ri­ous­ly down and stood there in his over­alls. Bring him on up, Otis. Bal­lard at gun­point shuf­fling up the hill. He must pause to roll the cuffs of the over­alls. At the fire he stood and looked down at his bare feet. Bal­lard. Bal­lard didn't an­swer. Bal­lard, we're goin to let you make it light on your­self. Bal­lard wait­ed. You show us where you put them peo­ple so they can be give a de­cent buri­al and we'll put you back in that hos­pi­tal and let you take your chances with the law. You got it all, said Bal­lard. Where's them bod­ies at, Bal­lard. I don't know noth­in about no bod­ies. Is that your last say? Bal­lard said that it was. You got that ca­ble, Fred? Sure do. A man stepped from the cir­cle and came for­ward with a coiled and greasy braid­ed steel ca­ble. You goin to have to tie that one arm down. Any­body got a rope in their truck? I got one. Ask him about that, Ernest. Yeah Ernest. The man turned to Bal­lard. What did you want with them dead ladies? he said. Was you fuckin em? Bal­lard's face gave a fun­ny lit­tle jerk in the fire­light but he said noth­ing. He looked about at his tor­men­tors. The man with the ca­ble had un­coiled a part of it along the ground. There was a ring spliced in­to the end of it and the ca­ble was pulled through in a loop like an enor­mous rab­bit snare. You know he was, the man said. Just take him on. Some­one was ty­ing a rope about Bal­lard's arm. The steel ca­ble slipped over his neck and rest­ed on his shoul­ders. It was cold, smelled of oil. Then he was walk­ing up the hill to­ward the sawmill. They helped him along, down the skids, step­ping care­ful­ly, the flames from the bon­fire string­ing them in a ragged

shad­ow show across the up­per hill­side. Bal­lard slipped once and was caught up and helped on. They came to rest stand­ing on an eight by eight above the saw­dust pit. One of the men was boost­ed up to the over­head beams and hand­ed up the slack end of the ca­ble. They ain't got him doped up have they, Ernest? I'd hate for him not to know what was hap­penin to him. He looks alert enough to me. Bal­lard craned his head to­ward the man who'd spoke. I'll tell ye, he said. Tell us what? Where they're at. Them bod­ies. You said if I'd tell you'd turn me loose. Well you bet­ter get to telling. They're in caves. In caves. I put em in caves. Can you find em? Yeah. I know where they're at. BAL­LARD EN­TERED THE hol­low rock that used to be his home at­tend­ed by eight or ten men with lanterns and lights. The rest of them built a fire at the mouth of the cave and sat about to wait. They gave him a flash­light and fell in be­hind him. Down nar­row drip­ping cor­ri­dors, across stone rooms where frag­ile spires stood ev­ery­where from the floor and a stream in its stone bed ran on in the sight­less dark. They went on hands and knees be­tween shift­ed bed­ding planes and up a nar­row gorge, Bal­lard paus­ing from time to time to ad­just the cuffs of his over­alls. His en­tourage some­what in won­der: You ev­er see any­thing to beat this? We used to mess around in these old caves when I was a boy. We did too but I nev­er knowed about thisn here. Abrupt­ly Bal­lard stopped. Bal­anc­ing with one arm, the flash­light in his teeth, he climbed a ledge and went along it with his face to the wall, went up­ward again, his bare toes grip­ping the rocks like an ape, and crawled through a nar­row. fis­sure in the stone. They watched him go. God­damn if that there ain't a aw­ful small hole. What I'm thinkin is how we goin to get them bod­ies out of here if we do find em. Well some­body shin­ny up there and let's go. Here Ed. Hold the light. The first man fol­lowed the ledge and climbed up to the hole. He turned side­ways. He stooped. Hand me that light up here. What's the trou­ble? Shit. What is it? Bal­lard! Bal­lard's name fad­ed in a di­min­ish­ing se­ries of shunt­ed echoes down the hole where he had gone. What is it, Tom­my? That lit­tle son of a bitch. Where is he? He's by god gone. Well let's get af­ter him. I cain't get through the hole. Well kiss my ass. Who's the small­est?

Ed is, I reck­on. Come up here, Ed. They boost­ed the next man up and he tried to wedge his way in­to the hole but he would not fit. Can you see his light or any­thing? Shit no, not a god­damn thing. Some­body go get Jim­my. He can get through here. They looked about at one an­oth­er as­sem­bled there in the pale and spar­ring beams of their torch­es. Well shit. You thinkin what I am? I sure as hell am. Does any­body re­mem­ber how we came? Oh fuck. We bet­ter stick to­geth­er. You reck­on there's an­oth­er en­trance to this hole he's in? I don't know. You reck­on we ought to leave some­body to watch here? We might nev­er find em again. There's a lot of truth in that·. We could leave a light just around the cor­ner here where it would look like some­body was a wait­in. Well. Bal­lard! Lit­tle son of a bitch. Fuck that. Let's go. Who wants to lead the way? I think I can find it. Well go ahead. God­damn if that lit­tle bas­tard ain't played us for a bunch of fools. I guess he played em the way he seen em. I cain't· wait to tell these boys out­side what's hap­pened. Maybe we bet­ter odd man out to see who gets the fun of tellin em. Watch your all's head. You know what we've done don't ye? Yeah. I know what we've done. We've res­cued the lit­tle fuck­er from jail and turned him loose where he can mur­der folks again. That's what we've done. That's ex­act­ly right. We'll get him. He may of got us. You re­mem­ber this here? I don't re­mem­ber none of H. I'm just fol­lerin the man in front of me. FOR THREE DAYS BAL­LARD ex­plored the cave he'd en­tered in an at­tempt to find an­oth­er ex­it. He thought it was a week and was amazed at how the bat­ter­ies in the flash­light kept. He fell in­to the cus­tom of nap­ping and wak­ing and go­ing on again. He could find noth­ing but stone to sleep up­on and his naps were brief. To­ward the end he would tap the flash­light against his leg to warm the dull or­ange glow of it. He took the bat­ter­ies out and put them in again the hind one fore. Once he heard voic­es some­where be­hind him and once he thought he saw a light. He made his way to­ward it in dark­ness lest it be the lights of his en­emies but he found noth­ing. He knelt and drank from a drip­ping pool. He rest­ed, drank again. He watched in he bore of his flash eam tiny translu­cent fish whose bones in shad­ow through their frail mi­ca sheath­ing tra­versed the shal­low stone floored pool. When he rose the wa­ter swung in his wast­ed paunch. He scrab­bled like a rat up a long slick mud­slide and en­tered a long room filled with bones. Bal­lard cir­cled this an­cient os­suary kick­ing at the ru­ins. The brown and pit­ted ar­ma­tures of bi­son, elk. A jaguar's skull whose one re­main­ing eye-​tooth he pried out

and se­cured in the bib pock­et of his over­alls. That same day he came to a sheer drop and when he tried his fail­ing beam it fell down a damp wall to ter­mi­nate in noth­ing­ness and night. He found a stone and dropped it over the edge. It fell silent­ly. Fell. In si­lence. Bal­lard had al­ready turned to reach for an­oth­er to drop when he heard far be­low the tiny spungg of the stone in wa­ter like a peb­ble down a well. In the end he came to a small room with a thin shaft of ac­tu­al day­light lean­ing in from the ceil­ing. It oc­curred to him on­ly now that he might have passed oth­er aper­tures to the up­per world in the night­time and not known it. He put his hand up in­to the crevice. He pried. He scratched at the dirt. When he woke it was dark. He felt around and came up with the flash­light and pushed the but­ton. A pale red wire lit with­in the bulb and slow­ly died. Bal­lard lay lis­ten­ing in the dark but the on­ly sound he heard was his heart. In the morn­ing when the light in the fis­sure dim­ly marked him out this drows­ing cap­tive looked so in­cul­pate in the fast­ness of his hol­low stone you might have said he was half right who thought him­self so grievous a case against the gods. He worked all day, scratch­ing at the hole with a piece of stone or with his bare hand. He'd sleep and work and sleep again. Or sort among the dusty relics of a nest seek­ing a whole hick­ory nut among the bone ard hulls with their vo­lute chan­nels clean­ly un­meat­ed by wood ice, teeth pre­cise and curved as sail­mak­ers nee­dles. He could find none, nor was he hun­gry. He slept again. In the night he heard hounds and called to them but the enor­mous echo of his voice in the cav­ern filled him with fear and he would not call again. He heard the mice scur­ry in the dark. Per­haps they'd nest in his skull, spawn their tiny bald and mewl­ing whelps in the lobed cav­erns where his brains had been. His bones pol­ished clean as eggshells, cen­tipedes sleep­ing in their mar­rowed flutes, his ribs curl­ing slen­der and white­ly like a bone flow­er in the dark stone bowl. He'd cause to wish and he did wish for some brute mid­wife to spald him from his rocky keep. In the morn­ing there was a spi­der­web be­tween him­self and the sky. He seized a claw­ful of rub­ble and hurled it up the shaft. And again, un­til the web was gone ev­ery trace. He pulled him­self up and be­gan to dig. He'd wake with his head against the wall and the stone tool still in his hand and dig again. Late that day coun­ty hos­pi­tal desk. The night du­ty nurse had just come down the hall with a cup of cof­fee and found Bal­lard lean­ing against the counter. A weed shaped one armed hu­man swad­dled up in out­sized over­alls and cov­ered all over with red mud. His eyes were caved and smok­ing. I'm sup­posed to be here, he said. HE WAS NEV­ER IN­DICT­ED for any crime. He was sent to the state hos­pi­tal at Knoxville and there placed in a cage next door but one to a de­ment­ed gen­tle­man who used to open folks' skulls and eat the brains in­side with a spoon. Bal­lard saw him from time to time as they were tak­en out for air­ing but he had noth­ing to say to a crazy man and the crazy man had long since gone mute with the enor­mi­ty of his crimes. The hasp of his met­al door was se­cured with a bent spoon and Bal­lard once asked if it were the same spoon the crazy man had used to eat the brains with but he got no an­swer. He con­tract­ed pneu­mo­nia in April of 1965 and was trans­ferred to the Uni­ver­si­ty Hos­pi­tal where he was treat­ed and ap­par­ent­ly re­cov­ered. He was re­turned to the state hos­pi­tal at Lyons View and two morn­ings lat­er was found dead in the floor of his cage. His body was shipped to the state med­ical school at Mem­phis. There in a base­ment room he was pre­served with for­ma­lin and wheeled forth to take his place with oth­er de­ceased per­sons new­ly ar­rived. He was laid out on a slab and flayed,

evis­cer­at­ed, dis­sect­ed. His head was sawed open and the brains re­moved. His mus­cles were stripped from his bones. His heart was tak­en out. His en­trails were hauled forth and de­lin­eat­ed and the four young stu­dents who bent over him like those harus­pices of old per­haps saw mon­sters worse to come in their con­fig­ura­tions. At the end of three months when the class was closed Bal­lard was scraped from the ta­ble in­to a plas­tic bag and tak­en with oth­ers of his kind to a ceme­tery out­side the city and there in­terred. A min­is­ter from the school read a sim­ple ser­vice. IN APRIL OF THAT SAME year a man named Arthur Ogle was plow­ing an up­land field one evening when the plow was snatched from his hands. He looked in time to see his span of mules dis­ap­pear in­to the earth tak­ing the plow with them. He crawled with cau­tion to the place where the ground had swal­lowed them but all was dark­ness there. A cool wind was com­ing from in­side the earth and far be­low he could hear wa­ter run­ning. The fol­low­ing day two neigh­bor boys de­scend­ed in­to the sink on ropes. They nev­er found the mules. What they did find was a cham­ber in which the bod­ies of a num­ber of peo­ple were ar­ranged on stone ledges in at­ti­tudes of re­pose. Late that af­ter­noon the high sher­iff of Se­vi­er Coun­ty with two deputies and two oth­er men crossed the field from Willy Gib­son's old ri­fle shop where they'd left the car and crossed the creek and went up the old log road. They car­ried lanterns and coils of rope and a num­ber of muslin shrouds on which was sten­ciled Prop­er­ty of the State of Ten­nessee. The high sher­iff of Se­vi­er Coun­ty him­self de­scend­ed in­to the sink and sur­veyed the mau­soleum there. The bod­ies were cov­ered with adipocere, a pale gray cheesy mold com­mon to corpses in damp places, and scal­lops of light fun­gus grew along them as they do on logs rot­ting in the for­est. The cham­ber was filled with a sour smell, a faint reek of am­mo­nia. The sher­iff and the deputy made a noose from a rope and they slipped it around the up­per body of the first corpse and drew it tight. They pulled her from the slab and dragged her across the stone floor of the vault and down a cor­ri­dor to where day­light fell against the wall of the sink. In this lean­ing bole of light, stand­ing there among the shift­ing motes, they called for a rope. When it de­scend­ed they made it fast to the rope about the corpse and called aloft again. The rope drew taut and the first of the dead sat up on the cave floor, the hands that hauled the rope above sort­ing the shad­ows like pup­peteers. Gray soapy clots of mat­ter fell from the ca­dav­er's chin. She as­cend­ed dan­gling. She sloughed in the weem of the noose. A gray rheum dripped. In the evening a jeep de­scend­ed the log road tow­ing a trail­er in the bed of which lay sev­en bod­ies bound in muslin like enor­mous hams. As they went down the val­ley in the new fell dark bask­ing nighthawks rose from the dust in the road be­fore them with wild wings and eyes red as jew­els in the head­lights.