## QUOTES AND IMAGES FROM W. D. HOWELLS.

    The Project Gutenberg EBook of Quotes and Images From The Works of William
    Dean Howells, by William Dean Howells

    This eBook is for the use of anyone anywhere at no cost and with
    almost no restrictions whatsoever.  You may copy it, give it away or
    re-use it under the terms of the Project Gutenberg License included
    with this eBook or online at www.gutenberg.net

    Title: Quotes and Images From The Works of William Dean Howells

    Author: William Dean Howells
                Edited and Arranged by David Widger

    Release Date: August 27, 2004 [EBook #7546]
    [Last updated on February 17, 2007]

    Language: English

    Character set encoding: ISO-8859-1

    *** START OF THIS PROJECT GUTENBERG EBOOK QUOTES FROM W.D. HOWELLS ***

    Produced by David Widger

# THE WRITINGS OF WILLIAM DEAN HOWELLS

    Absolutely, so positively, so almost
    aggressively truthful

    Account of one's reading is an account of
    one's life

    Affections will not be bidden

    Beginning to grow old with touching courage

    Book that they are content to know at
    second hand

    Christianity had done nothing to improve morals
    and conditions

    Clemens was sole, incomparable, the Lincoln of
    our literature

    Comfort from the thought that most things cannot
    be helped

    Contemptible he found our pseudo-equality

    Critical vanity and self-righteousness

    Critics are in no sense the legislators of
    literature

    Despair broke in laughter

    Dickens rescued Christmas from Puritan distrust

    Didn't reason about their beliefs, but
    only argued

    Disbeliever in punishments of all sorts

    Even a day's rest is more than most people
    can bear

    Everlasting rock of human credulity and folly

    Exchanging inaudible banalities

    Fear of asking too much and the folly of asking
    too little

    For most people choice is a curse

    Forbear the excesses of analysis

    Gift of waiting for things to happen

    Got out of it all the fun there was in it

    Government is best which governs least

    Habit of saying some friendly lying thing

    He was not bored because he would not be

    He had no time to make money

    He's so resting

    He's the same kind of a man that he was a boy

    Heighten our suffering by anticipation

    Heroic lies

    His readers trusted and loved him

    I do not think any man ought to live by an art

    If one were poor, one ought to be deserving

    If he was half as bad, he would have been too
    bad to be

    Incredible in their insipidity

    Industrial slavery

    Lewd literature seems to give a sanction to
    lewdness in the life

    Lie, of course, and did to save others from
    grief or harm

    Life alone is credible to the young

    Livy: Well, if you are to be lost, I want to be
    lost with you

    Livy Clemens: the loveliest person I have
    ever seen

    Luxury of helplessness

    Married Man: after the first start-off he
    don't try

    Meet here to the purpose of a common ostentation

    Morbid egotism

    My reading gave me no standing among the boys

    Neatness that brings despair

    Never paid in anything but hopes of paying

    Never saw a dead man whom he did not envy

    New England necessity of blaming some one

    None of the passions are reasoned

    NYC, a city where money counts for more and
    goes for less

    Old man's disposition to speak of his
    infirmities

    Pathetic hopefulness

    Plain-speaking or Rude Speaking

    Praised it enough to satisfy the author

    Pseudo-realists

    Public wish to be amused rather than edified

    Real artistocracy is above social prejudice

    Reformers, who are so often tedious and
    ridiculous

    Refused to see us as we see ourselves

    Shackles of belief worn so long

    She liked to get all she could out of her
    emotions

    Society interested in a woman's past,
    not her future

    Teach what they do not know

    Somewhat too studied grace

    Sunny gayety of self-forgetfulness

    Secretly admires the splendors he affects to
    despise

    Self-satisfied, intolerant, and hypocritical
    provinciality

    Submitted, as people always do with the trials
    of others

    Tediously analytical

    They are so many and I am so few

    Truth is beyond invention

    Used to ingratitude from those he helped

    Vacuous vulgarity

    We did not know that we were poor

    We're company enough for ourselves

    What we thought ruin, but what was really
    release

    When she's really sick, she's better

    Wonder why we hate the past so?—"It's so
    damned humiliating!"

    You can't go back to anything

    You may do a great deal (of work), and not get on

    You marry a man's future as well as his past

    You cannot be at perfect ease with a friend who
    does not joke

> ## COMPLETE QUOTATIONS

>     Absolutely, so positively, so almost aggressively truthful
>     Abstract, the airdrawn, afflicted me like physical discomforts
>     Account of one's reading is an account of one's life
>     Adroitness in flattery is not necessary for its successful use
>     Affections will not be bidden
>     Aim at nothing higher than the amusement of your readers
>     Air of looking down on the highest
>     All in all to each other
>     Always sumptuously providing out of his destitution
>     Amiable perception, and yet with a sort of remote absence
>     Amiably satirical
>     Any man's country could get on without him
>     Appeal, which he had come to recognize as invasive
>     Artist has seasons, as trees,  when he cannot blossom
>     Authorities
>     Authors I must call my masters
>     Became gratefully strange
>     Beginning to grow old with touching courage
>     Begun to fight with want from their cradles
>     Best talkers are willing that you should talk if you like
>     Boldest man is commonly a little behind a timid woman
>     Book that they are content to know at second hand
>     Browbeat wholesome common-sense into the self-distrust
>     Business to take advantage of his necessity
>     But now I remember that he gets twenty dollars a month
>     Buzz of activities and pretences
>     Capriciousness of memory: what it will hold and what lose
>     Chained to the restless pursuit of an ideal not his own
>     Christianity had done nothing to improve morals and conditions
>     Church: "Oh yes, I go!  It 'most kills me, but I go"
>     Clemens was sole, incomparable, the Lincoln of our literature
>     Cold-slaw
>     Collective opacity
>     Comfort from the thought that most things cannot be helped
>     Competition has deformed human nature
>     Composed her features and her ideas to receive her visitor
>     Concerning popularity as a test of merit in a book
>     Conditions of hucksters imposed upon poets
>     Contemptible he found our pseudo-equality
>     Could only by chance be caught in earnest about anything
>     Could make us feel that our faults were other people's
>     Could not, as the saying is, find a stone to throw at a dog
>     Could easily believe now that it was some one else who saw it
>     Couldn't fire your revolver without bringing down a two volumer
>     Crimson which stained the tops and steeps of snow
>     Crimson torch of a maple, kindled before its time
>     Critical vanity and self-righteousness
>     Criticism still remains behind all the other literary arts
>     Critics are in no sense the legislators of literature
>     Dawn upon him through a cloud of other half remembered faces
>     Death of the joy that ought to come from work
>     Death's vague conjectures to the broken expectations of life
>     Despair broke in laughter
>     Despised the avoidance of repetitions out of fear of tautology
>     Dickens rescued Christmas from Puritan distrust
>     Dickens is purely democratic
>     Did not feel the effect I would so willingly have experienced
>     Didn't reason about their beliefs, but only argued
>     Dinner was at the old-fashioned Boston hour of two
>     Disbeliever in punishments of all sorts
>     Disposition to use his friends
>     Do not want to know about such squalid lives
>     Dollars were of so much farther flight than now
>     Dull, cold self-absorption
>     Early self-helpfulness of children is very remarkable
>     Effort to do and say exactly the truth, and to find it out
>     Either to deny the substance of things unseen, or to affirm it
>     Encounter of old friends after the lapse of years
>     Enjoying whatever was amusing in the disadvantage to himself
>     Errors of a weak man, which were usually the basest
>     Escaped at night and got into the boy's dreams
>     Espoused the theory of Bacon's authorship of Shakespeare
>     Ethical sense, not the aesthetical sense
>     Even a day's rest is more than most people can bear
>     Everlasting rock of human credulity and folly
>     Exchanging inaudible banalities
>     Express the appreciation of another's fit word
>     Eyes fixed steadfastly upon the future
>     Fact that it is hash many times warmed over that reassures them
>     Fate of a book is in the hands of the women
>     Fear of asking too much and the folly of asking too little
>     Feigned the gratitude which I could see that he expected
>     Felt that this was my misfortune more than my fault
>     Few men last over from one reform to another
>     Fictions subtle effect for good and for evil on the young
>     Flowers with which we garland our despair in that pitiless hour
>     For most people choice is a curse
>     Forbear the excesses of analysis
>     Forbearance of a wise man content to bide his time
>     Found life was not all poetry
>     Gay laugh comes across the abysm of the years
>     General worsening of things, familiar after middle life
>     Generous lover of all that was excellent in literature
>     Gift of waiting for things to happen
>     Glance of the common eye, is and always was the best light
>     God of chance leads them into temptation and adversity
>     Got out of it all the fun there was in it
>     Government is best which governs least
>     Greatest classics are sometimes not at all great
>     Greeting of great impersonal cordiality
>     Grieving that there could be such ire in heavenly minds
>     Habit of saying some friendly lying thing
>     Happy in the indifference which ignorance breeds in us
>     Hard to think up anything new
>     Hard of hearing on one side.  But it isn't deafness!
>     Hardly any sort of bloodshed which I would not pardon
>     Harriet Beecher Stowe and the Autocrat clashed upon homeopathy
>     Hate of hate, The scorn of scorn, The love of love
>     He was a youth to the end of his days
>     He was not bored because he would not be
>     He had no time to make money
>     He was not constructive; he was essentially observant
>     He might walk home with her if he would not seem to do so
>     He's so resting
>     He's the same kind of a man that he was a boy
>     Heart of youth aching for their stoical sorrows
>     Heighten our suffering by anticipation
>     Heroic lies
>     His readers trusted and loved him
>     His plays were too bad for the stage, or else too good for it
>     His coming almost killed her, but it was worth it
>     His remembrance absolutely ceased with an event
>     Historian, who is a kind of inferior realist
>     Holiday literature
>     Hollow hilarities which people use to mask their indifference
>     Hollowness, the hopelessness, the unworthiness of  life
>     Honest men are few when it comes to themselves
>     Honesty is difficult
>     Hopeful apathy in his face
>     Hospitable gift of making you at home with him
>     I do not think any man ought to live by an art
>     I did not know, and I hated to ask
>     If one were poor, one ought to be deserving
>     If he was half as bad, he would have been too bad to be
>     If one must, it ought to be champagne
>     If he has not enjoyed writing no one will enjoy reading
>     Imitators of one another than of nature
>     Impropriety if not indecency promises literary success
>     In the South there was nothing but a mistaken social ideal
>     In school there was as little literature then as there is now
>     Incoherencies of people meeting after a long time
>     Incredible in their insipidity
>     Industrial slavery
>     Inexhaustible flow of statement, conjecture and misgiving
>     Inexperience takes this effect (literary lewdness) for reality
>     Insatiable English fancy for the wild America no longer there
>     Insensate pride that mothers have in their children's faults
>     Intellectual poseurs
>     Intent upon some point in the future
>     It was mighty pretty, as Pepys would say
>     Joyful shame of children who have escaped punishment
>     Kept her talking vacuities when her heart was full
>     Kindness and gentleness are never out of fashion
>     Kissing goes by favor, in literature as in life
>     Languages, while they live, are perpetually changing
>     Led a life of public seclusion
>     Left him to do what the cat might
>     Let fiction cease to lie about life
>     Lewd literature seems to give a sanction to lewdness in the life
>     Lie, of course, and did to save others from grief or harm
>     Life alone is credible to the young
>     Liked to find out good things and great things for himself
>     Literature beautiful only through the intelligence
>     Literature is Business as well as Art
>     Literature has no objective value
>     Little knot of conscience between her pretty eyebrows
>     Lived a thousand little lies every day
>     Livy: Well, if you are to be lost, I want to be lost with you
>     Livy Clemens: the loveliest person I have ever seen
>     Long-puerilized fancy will bear an endless repetition
>     Long breath was not his; he could not write a novel
>     Look of challenge, of interrogation, almost of reproof
>     Looked as if Destiny had sat upon it
>     Love of freedom and the hope of justice
>     Luxury of helplessness
>     Made many of my acquaintances very tired of my favorite authors
>     Made them talk as seldom man and never woman talked
>     Malevolent agitators
>     Man is strange to himself as long as he lives
>     Man who had so much of the boy in him
>     Man who may any moment be out of work is industrially a slave
>     Marriages are what the parties to them alone really know
>     Married Man: after the first start-off he don't try
>     Meet here to the purpose of a common ostentation
>     Mellow cordial of a voice that was like no other
>     Men read the newspapers, but our women read the books
>     Men's lives ended where they began, in the keeping of women
>     Met with kindness, if not honor
>     Mind and soul were with those who do the hard work of the world
>     Mind of a man is the court of final appeal for the wisest women
>     Morbid egotism
>     Most desouthernized Southerner I ever knew
>     Most journalists would have been literary men if they could
>     Most serious, the most humane, the most conscientious of men
>     Motives lie nearer the surface than most people commonly pretend
>     Mustache, which in those days devoted a man to wickedness
>     My own youth now seems to me rather more alien
>     My reading gave me no standing among the boys
>     Napoleonic height which spiritually overtops the Alps
>     Nearly nothing as chaos could be
>     Neatness that brings despair
>     Never saw a man more regardful of negroes
>     Never paid in anything but hopes of paying
>     Never quite sure of life unless I find literature in it
>     Never appeals to the principle which sniffs, in his reader
>     Never saw a dead man whom he did not envy
>     New England necessity of blaming some one
>     No greatness, no beauty, which does not come from truth
>     No man more perfectly sensed and more entirely abhorred slavery
>     No man ever yet told the truth about himself
>     No rose blooms right along
>     No two men see the same star
>     No greatness, no beauty, which does not come from truth
>     No object in life except to deprive it of all object
>     Noble uselessness
>     None of the passions are reasoned
>     Not quite himself till he had made you aware of his quality
>     Not possible for Clemens to write like anybody else
>     Not much patience with the unmanly craving for sympathy
>     Not a man who cared to transcend; he liked bounds
>     Nothing in the way of sport, as people commonly understand it
>     Novels hurt because they are not true
>     Now little notion what it was about, but I love its memory
>     Now death has come to join its vague conjectures
>     NYC, a city where money counts for more and goes for less
>     Odious hilarity, without meaning and without remission
>     Offers mortifyingly mean, and others insultingly vague
>     Old man's disposition to speak of his infirmities
>     Old man's tendency to revert to the past
>     One could be openly poor in Cambridge without open shame
>     Only one concerned who was quite unconcerned
>     Openly depraved by shows of wealth
>     Ought not to call coarse without calling one's self prudish
>     Our huckstering civilization
>     Outer integument of pretence
>     Passive elegance which only ancestral uselessness can give
>     Pathetic hopefulness
>     Pathos of revolt from the colorless rigidities
>     People whom we think unequal to their good fortune
>     People of wealth and fashion always dissemble their joy
>     People have never had ideals, but only moods and fashions
>     Picture which, he said to himself, no one would believe in
>     Plagiarism carries inevitable detection with it
>     Plain-speaking or Rude Speaking
>     Plain industry and plodding perseverance are despised
>     Pointed the moral in all they did
>     Polite learning hesitated his praise
>     Praised it enough to satisfy the author
>     Praised extravagantly, and in the wrong place
>     Prejudice against certain words that I cannot overcome
>     Provisional reprehension of possible shiftlessness
>     Pseudo-realists
>     Public wish to be amused rather than edified
>     Public whose taste is so crude that they cannot enjoy the best
>     Put your finger on the present moment and enjoy it
>     Quiet but rather dull look of people slightly deaf
>     Rapture of the new convert could not last
>     Real artistocracy is above social prejudice
>     Reformers, who are so often tedious and ridiculous
>     Refused to see us as we see ourselves
>     Reparation due from every white to every black man
>     Responsibility of finding him all we have been told he is
>     Rogues in every walk of life
>     Satirical smile with which men witness the effusion of women
>     Secret of the man who is universally interesting
>     Secretly admires the splendors he affects to despise
>     Seen through the wrong end of the telescope
>     Seldom talked, but there came times when he would'nt even listen
>     Self-satisfied, intolerant, and hypocritical provinciality
>     Shackles of belief worn so long
>     She liked to get all she could out of her emotions
>     Should probably have wasted the time if I had not read them
>     Singleness of a nature that was all pose
>     So long as we have social inequality we shall have snobs
>     So refined, after the gigantic coarseness of California
>     So many millionaires and so many tramps
>     Society interested in a woman's past, not her future
>     Sometimes they sacrificed the song to the sermon
>     Somewhat shy of his fellow-men, as the scholar seems always to be.
>     Somewhat too studied grace
>     Sought the things that he could agree with you upon
>     Spare his years the fatigue of recalling your identity
>     Speaks it is not with words and blood, but with words and ink
>     Spit some hapless victim: make him suffer and the reader laugh
>     Standards were their own, and they were satisfied with them
>     Study in a corner by the porch
>     Stupefied by a life of unalloyed prosperity and propriety
>     Stupidly truthful
>     Style is the man, and he cannot hide himself in any garb
>     Submitted, as people always do with the trials of others
>     Sunny gayety of self-forgetfulness
>     Superiority one likes to feel towards the rich and great
>     Take our pleasures ungraciously
>     Teach what they do not know
>     Tediously analytical
>     The old and ugly are fastidious as to the looks of others
>     The ornament of a house is the friends who frequent it
>     The great trouble is for the man to be honest with her
>     There is small love of pure literature
>     They are so many and I am so few
>     Things common to all, however peculiar in each
>     Those who work too much and those who rest too much
>     Those who have sorrowed deepest will understand this best
>     Times when a man's city was a man's country
>     Tired themselves out in trying to catch up with him
>     To break new ground
>     To be exemplary is as dangerous as to be complimentary
>     Tone was a snuffle expressive of deep-seated affliction
>     Trace no discrepancy between reading his plays and seeing them
>     Tried to like whatever they bade me like
>     True to an ideal of life rather than to life itself
>     Truth is beyond invention
>     Two branches of the novelist's trade: Novelist and Historian
>     Under a fire of conjecture and asseveration
>     Understood when I've said something that doesn't mean anything
>     Unfailing American kindness
>     Unless we prefer a luxury of grief
>     Used to ingratitude from those he helped
>     Vacuous vulgarity
>     Visitors of the more inquisitive sex
>     Vulgarity: bad art to lug it in
>     Walter-Scotticized, pseudo-chivalry of the Southern ideal
>     Want something hard, don't you know; but I want it to be easy
>     Wasted face, and his gay eyes had the death-look
>     We have never ended before, and we do not see how we can end
>     We change whether we ought, or not
>     We see nothing whole, neither life nor art
>     We who have neither youth nor beauty should always expect it
>     We cannot all be hard-working donkeys
>     We did not know that we were poor
>     We're company enough for ourselves
>     What I had not I could hope for without unreason
>     What he had done he owned to, good, bad, or indifferent
>     What makes a better fashion change for a worse
>     What we thought ruin, but what was really release
>     Whatever is established is sacred with those who do not think
>     Whatever choice you make, you are pretty sure to regret it
>     When to be an agnostic was to be almost an outcast
>     When she's really sick, she's better
>     When was love ever reasoned?
>     Whether every human motive was not selfish
>     Wide leisure of a country village
>     Wishes of a mistress who did not know what she wanted
>     Wit that tries its teeth upon everything
>     With all her insight, to have very little artistic sense
>     Women don't seem to belong very much to themselves
>     Women talked their follies and men acted theirs
>     Wonder why we hate the past so?—"It's so damned humiliating!"
>     Wonderful to me how it should remain so unintelligible
>     Words of learned length and thundering sound
>     Work gives the impression of an uncommon continuity
>     Work not truly priced in money cannot be truly paid in money
>     World made up of two kinds of people
>     World seems to always come out at the same hole it went in at!
>     World's memory is equally bad for failure and success
>     Worldlier than the world
>     Worst came it was not half so bad as what had gone before
>     Wrote them first and last in the spirit of Dickens
>     You can't go back to anything
>     You cannot be at perfect ease with a friend who does not joke
>     You may do a great deal (of work), and not get on
>     You marry a man's future as well as his past
>     You were not afraid, and you were not bold; you were just right

    End of the Project Gutenberg EBook of Quotes and Images From The Works of
    William Dean Howells, by William Dean Howells

    *** END OF THIS PROJECT GUTENBERG EBOOK QUOTES FROM W.D. HOWELLS ***

    ***** This file should be named 7546-h.htm or 7546-h.zip *****
    This and all associated files of various formats will be found in:
            http://www.gutenberg.net/7/5/4/7546/

    Produced by David Widger

    Updated editions will replace the previous one—the old editions
    will be renamed.

    Creating the works from public domain print editions means that no
    one owns a United States copyright in these works, so the Foundation
    (and you!) can copy and distribute it in the United States without
    permission and without paying copyright royalties.  Special rules,
    set forth in the General Terms of Use part of this license, apply to
    copying and distributing Project Gutenberg-tm electronic works to
    protect the PROJECT GUTENBERG-tm concept and trademark.  Project
    Gutenberg is a registered trademark, and may not be used if you
    charge for the eBooks, unless you receive specific permission.  If you
    do not charge anything for copies of this eBook, complying with the
    rules is very easy.  You may use this eBook for nearly any purpose
    such as creation of derivative works, reports, performances and
    research.  They may be modified and printed and given away—you may do
    practically ANYTHING with public domain eBooks.  Redistribution is
    subject to the trademark license, especially commercial
    redistribution.

    *** START: FULL LICENSE ***

    THE FULL PROJECT GUTENBERG LICENSE
    PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

    To protect the Project Gutenberg-tm mission of promoting the free
    distribution of electronic works, by using or distributing this work
    (or any other work associated in any way with the phrase "Project
    Gutenberg"), you agree to comply with all the terms of the Full Project
    Gutenberg-tm License (available with this file or online at
    http://gutenberg.net/license).

    Section 1.  General Terms of Use and Redistributing Project Gutenberg-tm
    electronic works

    1.A.  By reading or using any part of this Project Gutenberg-tm
    electronic work, you indicate that you have read, understand, agree to
    and accept all the terms of this license and intellectual property
    (trademark/copyright) agreement.  If you do not agree to abide by all
    the terms of this agreement, you must cease using and return or destroy
    all copies of Project Gutenberg-tm electronic works in your possession.
    If you paid a fee for obtaining a copy of or access to a Project
    Gutenberg-tm electronic work and you do not agree to be bound by the
    terms of this agreement, you may obtain a refund from the person or
    entity to whom you paid the fee as set forth in paragraph 1.E.8.

    1.B.  "Project Gutenberg" is a registered trademark.  It may only be
    used on or associated in any way with an electronic work by people who
    agree to be bound by the terms of this agreement.  There are a few
    things that you can do with most Project Gutenberg-tm electronic works
    even without complying with the full terms of this agreement.  See
    paragraph 1.C below.  There are a lot of things you can do with Project
    Gutenberg-tm electronic works if you follow the terms of this agreement
    and help preserve free future access to Project Gutenberg-tm electronic
    works.  See paragraph 1.E below.

    1.C.  The Project Gutenberg Literary Archive Foundation ("the Foundation"
    or PGLAF), owns a compilation copyright in the collection of Project
    Gutenberg-tm electronic works.  Nearly all the individual works in the
    collection are in the public domain in the United States.  If an
    individual work is in the public domain in the United States and you are
    located in the United States, we do not claim a right to prevent you from
    copying, distributing, performing, displaying or creating derivative
    works based on the work as long as all references to Project Gutenberg
    are removed.  Of course, we hope that you will support the Project
    Gutenberg-tm mission of promoting free access to electronic works by
    freely sharing Project Gutenberg-tm works in compliance with the terms of
    this agreement for keeping the Project Gutenberg-tm name associated with
    the work.  You can easily comply with the terms of this agreement by
    keeping this work in the same format with its attached full Project
    Gutenberg-tm License when you share it without charge with others.

    1.D.  The copyright laws of the place where you are located also govern
    what you can do with this work.  Copyright laws in most countries are in
    a constant state of change.  If you are outside the United States, check
    the laws of your country in addition to the terms of this agreement
    before downloading, copying, displaying, performing, distributing or
    creating derivative works based on this work or any other Project
    Gutenberg-tm work.  The Foundation makes no representations concerning
    the copyright status of any work in any country outside the United
    States.

    1.E.  Unless you have removed all references to Project Gutenberg:

    1.E.1.  The following sentence, with active links to, or other immediate
    access to, the full Project Gutenberg-tm License must appear prominently
    whenever any copy of a Project Gutenberg-tm work (any work on which the
    phrase "Project Gutenberg" appears, or with which the phrase "Project
    Gutenberg" is associated) is accessed, displayed, performed, viewed,
    copied or distributed:

    This eBook is for the use of anyone anywhere at no cost and with
    almost no restrictions whatsoever.  You may copy it, give it away or
    re-use it under the terms of the Project Gutenberg License included
    with this eBook or online at www.gutenberg.net

    1.E.2.  If an individual Project Gutenberg-tm electronic work is derived
    from the public domain (does not contain a notice indicating that it is
    posted with permission of the copyright holder), the work can be copied
    and distributed to anyone in the United States without paying any fees
    or charges.  If you are redistributing or providing access to a work
    with the phrase "Project Gutenberg" associated with or appearing on the
    work, you must comply either with the requirements of paragraphs 1.E.1
    through 1.E.7 or obtain permission for the use of the work and the
    Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
    1.E.9.

    1.E.3.  If an individual Project Gutenberg-tm electronic work is posted
    with the permission of the copyright holder, your use and distribution
    must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
    terms imposed by the copyright holder.  Additional terms will be linked
    to the Project Gutenberg-tm License for all works posted with the
    permission of the copyright holder found at the beginning of this work.

    1.E.4.  Do not unlink or detach or remove the full Project Gutenberg-tm
    License terms from this work, or any files containing a part of this
    work or any other work associated with Project Gutenberg-tm.

    1.E.5.  Do not copy, display, perform, distribute or redistribute this
    electronic work, or any part of this electronic work, without
    prominently displaying the sentence set forth in paragraph 1.E.1 with
    active links or immediate access to the full terms of the Project
    Gutenberg-tm License.

    1.E.6.  You may convert to and distribute this work in any binary,
    compressed, marked up, nonproprietary or proprietary form, including any
    word processing or hypertext form.  However, if you provide access to or
    distribute copies of a Project Gutenberg-tm work in a format other than
    "Plain Vanilla ASCII" or other format used in the official version
    posted on the official Project Gutenberg-tm web site (www.gutenberg.net),
    you must, at no additional cost, fee or expense to the user, provide a
    copy, a means of exporting a copy, or a means of obtaining a copy upon
    request, of the work in its original "Plain Vanilla ASCII" or other
    form.  Any alternate format must include the full Project Gutenberg-tm
    License as specified in paragraph 1.E.1.

    1.E.7.  Do not charge a fee for access to, viewing, displaying,
    performing, copying or distributing any Project Gutenberg-tm works
    unless you comply with paragraph 1.E.8 or 1.E.9.

    1.E.8.  You may charge a reasonable fee for copies of or providing
    access to or distributing Project Gutenberg-tm electronic works provided
    that

    - You pay a royalty fee of 20% of the gross profits you derive from
         the use of Project Gutenberg-tm works calculated using the method
         you already use to calculate your applicable taxes.  The fee is
         owed to the owner of the Project Gutenberg-tm trademark, but he
         has agreed to donate royalties under this paragraph to the
         Project Gutenberg Literary Archive Foundation.  Royalty payments
         must be paid within 60 days following each date on which you
         prepare (or are legally required to prepare) your periodic tax
         returns.  Royalty payments should be clearly marked as such and
         sent to the Project Gutenberg Literary Archive Foundation at the
         address specified in Section 4, "Information about donations to
         the Project Gutenberg Literary Archive Foundation."

    - You provide a full refund of any money paid by a user who notifies
         you in writing (or by e-mail) within 30 days of receipt that s/he
         does not agree to the terms of the full Project Gutenberg-tm
         License.  You must require such a user to return or
         destroy all copies of the works possessed in a physical medium
         and discontinue all use of and all access to other copies of
         Project Gutenberg-tm works.

    - You provide, in accordance with paragraph 1.F.3, a full refund of any
         money paid for a work or a replacement copy, if a defect in the
         electronic work is discovered and reported to you within 90 days
         of receipt of the work.

    - You comply with all other terms of this agreement for free
         distribution of Project Gutenberg-tm works.

    1.E.9.  If you wish to charge a fee or distribute a Project Gutenberg-tm
    electronic work or group of works on different terms than are set
    forth in this agreement, you must obtain permission in writing from
    both the Project Gutenberg Literary Archive Foundation and Michael
    Hart, the owner of the Project Gutenberg-tm trademark.  Contact the
    Foundation as set forth in Section 3 below.

    1.F.

    1.F.1.  Project Gutenberg volunteers and employees expend considerable
    effort to identify, do copyright research on, transcribe and proofread
    public domain works in creating the Project Gutenberg-tm
    collection.  Despite these efforts, Project Gutenberg-tm electronic
    works, and the medium on which they may be stored, may contain
    "Defects," such as, but not limited to, incomplete, inaccurate or
    corrupt data, transcription errors, a copyright or other intellectual
    property infringement, a defective or damaged disk or other medium, a
    computer virus, or computer codes that damage or cannot be read by
    your equipment.

    1.F.2.  LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
    of Replacement or Refund" described in paragraph 1.F.3, the Project
    Gutenberg Literary Archive Foundation, the owner of the Project
    Gutenberg-tm trademark, and any other party distributing a Project
    Gutenberg-tm electronic work under this agreement, disclaim all
    liability to you for damages, costs and expenses, including legal
    fees.  YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
    LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
    PROVIDED IN PARAGRAPH F3.  YOU AGREE THAT THE FOUNDATION, THE
    TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
    LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
    INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
    DAMAGE.

    1.F.3.  LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
    defect in this electronic work within 90 days of receiving it, you can
    receive a refund of the money (if any) you paid for it by sending a
    written explanation to the person you received the work from.  If you
    received the work on a physical medium, you must return the medium with
    your written explanation.  The person or entity that provided you with
    the defective work may elect to provide a replacement copy in lieu of a
    refund.  If you received the work electronically, the person or entity
    providing it to you may choose to give you a second opportunity to
    receive the work electronically in lieu of a refund.  If the second copy
    is also defective, you may demand a refund in writing without further
    opportunities to fix the problem.

    1.F.4.  Except for the limited right of replacement or refund set forth
    in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
    WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
    WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.

    1.F.5.  Some states do not allow disclaimers of certain implied
    warranties or the exclusion or limitation of certain types of damages.
    If any disclaimer or limitation set forth in this agreement violates the
    law of the state applicable to this agreement, the agreement shall be
    interpreted to make the maximum disclaimer or limitation permitted by
    the applicable state law.  The invalidity or unenforceability of any
    provision of this agreement shall not void the remaining provisions.

    1.F.6.  INDEMNITY - You agree to indemnify and hold the Foundation, the
    trademark owner, any agent or employee of the Foundation, anyone
    providing copies of Project Gutenberg-tm electronic works in accordance
    with this agreement, and any volunteers associated with the production,
    promotion and distribution of Project Gutenberg-tm electronic works,
    harmless from all liability, costs and expenses, including legal fees,
    that arise directly or indirectly from any of the following which you do
    or cause to occur: (a) distribution of this or any Project Gutenberg-tm
    work, (b) alteration, modification, or additions or deletions to any
    Project Gutenberg-tm work, and (c) any Defect you cause.

    Section  2.  Information about the Mission of Project Gutenberg-tm

    Project Gutenberg-tm is synonymous with the free distribution of
    electronic works in formats readable by the widest variety of computers
    including obsolete, old, middle-aged and new computers.  It exists
    because of the efforts of hundreds of volunteers and donations from
    people in all walks of life.

    Volunteers and financial support to provide volunteers with the
    assistance they need, is critical to reaching Project Gutenberg-tm's
    goals and ensuring that the Project Gutenberg-tm collection will
    remain freely available for generations to come.  In 2001, the Project
    Gutenberg Literary Archive Foundation was created to provide a secure
    and permanent future for Project Gutenberg-tm and future generations.
    To learn more about the Project Gutenberg Literary Archive Foundation
    and how your efforts and donations can help, see Sections 3 and 4
    and the Foundation web page at http://www.pglaf.org.

    Section 3.  Information about the Project Gutenberg Literary Archive
    Foundation

    The Project Gutenberg Literary Archive Foundation is a non profit
    501(c)(3) educational corporation organized under the laws of the
    state of Mississippi and granted tax exempt status by the Internal
    Revenue Service.  The Foundation's EIN or federal tax identification
    number is 64-6221541.  Its 501(c)(3) letter is posted at
    http://pglaf.org/fundraising.  Contributions to the Project Gutenberg
    Literary Archive Foundation are tax deductible to the full extent
    permitted by U.S. federal laws and your state's laws.

    The Foundation's principal office is located at 4557 Melan Dr. S.
    Fairbanks, AK, 99712., but its volunteers and employees are scattered
    throughout numerous locations.  Its business office is located at
    809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
    business@pglaf.org.  Email contact links and up to date contact
    information can be found at the Foundation's web site and official
    page at http://pglaf.org

    For additional contact information:
         Dr. Gregory B. Newby
         Chief Executive and Director
         gbnewby@pglaf.org

    Section 4.  Information about Donations to the Project Gutenberg
    Literary Archive Foundation

    Project Gutenberg-tm depends upon and cannot survive without wide
    spread public support and donations to carry out its mission of
    increasing the number of public domain and licensed works that can be
    freely distributed in machine readable form accessible by the widest
    array of equipment including outdated equipment.  Many small donations
    ($1 to $5,000) are particularly important to maintaining tax exempt
    status with the IRS.

    The Foundation is committed to complying with the laws regulating
    charities and charitable donations in all 50 states of the United
    States.  Compliance requirements are not uniform and it takes a
    considerable effort, much paperwork and many fees to meet and keep up
    with these requirements.  We do not solicit donations in locations
    where we have not received written confirmation of compliance.  To
    SEND DONATIONS or determine the status of compliance for any
    particular state visit http://pglaf.org

    While we cannot and do not solicit contributions from states where we
    have not met the solicitation requirements, we know of no prohibition
    against accepting unsolicited donations from donors in such states who
    approach us with offers to donate.

    International donations are gratefully accepted, but we cannot make
    any statements concerning tax treatment of donations received from
    outside the United States.  U.S. laws alone swamp our small staff.

    Please check the Project Gutenberg Web pages for current donation
    methods and addresses.  Donations are accepted in a number of other
    ways including including checks, online payments and credit card
    donations.  To donate, please visit: http://pglaf.org/donate

    Section 5.  General Information About Project Gutenberg-tm electronic
    works.

    Professor Michael S. Hart is the originator of the Project Gutenberg-tm
    concept of a library of electronic works that could be freely shared
    with anyone.  For thirty years, he produced and distributed Project
    Gutenberg-tm eBooks with only a loose network of volunteer support.

    Project Gutenberg-tm eBooks are often created from several printed
    editions, all of which are confirmed as Public Domain in the U.S.
    unless a copyright notice is included.  Thus, we do not necessarily
    keep eBooks in compliance with any particular paper edition.

    Most people start at our Web site which has the main PG search facility:

         http://www.gutenberg.net

    This Web site includes information about Project Gutenberg-tm,
    including how to make donations to the Project Gutenberg Literary
    Archive Foundation, how to help produce our new eBooks, and how to
    subscribe to our email newsletter to hear about new eBooks.