Something Like the Sound of Wind in the Trees
by Bruce Holland Rogers
This story copyright 1994 by Bruce Holland Rogers. This copy was
created for Jean Hardy's personal use. All other rights are reserved. Thank
you for honoring the copyright.
Published by Seattle Book Company,
www.seattlebook.com.
* * *
1. White Noise
*
* *
I'm not sure. Maybe it was the sound of sand
hissing against the windowpane. Maybe it was tires on a wet road. Maybe it was
the sound of paper tearing. Maybe it was the sound of water almost boiling. It
might have been a distant river or the sound you hear in a seashell or a jar:
the sound of space contained.
* *
*
2. When the Phone
Rings at Three in the Morning
* *
*
You wake up with your heart hammering away,
but your jaw and tongue are still numb with sleep. You say hello, but there's
nothing there. Well, there's something. There's the hiss of the wires. You say
hello again. Hello? Hello? But with your tongue so sluggish, it's coming out
instead as hollow? hollow? That sound of an empty line, the hiss and buzz and
occasional crackle, is more empty than silence would be. More absent. You fumble
the receiver into its cradle, and a moment later, the phone rings again. Still,
no one. Very insistently, no one.
* *
*
3. The Ovation
Lasted a Long Time
* * *
After the second encore, the musicians had left the stage, returned,
gone away again, returned, and exited for the last time. But the applause did
not die down. Finally, one by one, the members of the audience grew tired of
clapping and stood to leave, but the sound of the ovation still hung in the air.
Even when the last person had left the auditorium, the sound persisted like the
rush of a waterfall. It remained when the building manager went home, it had not
diminished when he unlocked the place in the morning, and it was still there
even when another ensemble arrived that afternoon to rehearse. Perhaps, the
building manager told these musicians hopefully, the sound would die down by the
time of their performance. But it did not. Their music sounded thin and gauzy
through the echo of the previous night's applause. Many in the audience demanded
their money back. When the manager cancelled the next two performances and hired
a team of acoustical engineers, they installed foamrubber baffles and hung
strips of carpet from the walls. These measures seemed to dull the enthusiasm of
the applause somewhat, but they could not erase or absorb the sound completely.
The place was now useless as an auditorium. The season was canceled, the front
doors boarded up. For a time the building was vacant. Finally, the owners
converted it into a warehouse. The fork-lift operators complained about the
relentless ovation as well as the sloping floors, and they frequently went on
strike. Even so, storing dry goods made more money for the owners than the music
ever had.
* * *
4. Caribbean
*
* *
In the parking
garage, April fell asleep in her car, dreaming of islands with white beaches.
Her engine ran. Carbon monoxide crept around the door cracks, slithered in
through the ventilation. She kept sleeping. The gas was colorless and bland. It
had no sound of its own, but it borrowed the sound of the ventilation fans, the
sound of the sleeper breathing. In her dream, April felt the sea breeze in her
hair. Her arms and legs grew heavy with sunlight. The waves rushed ashore, one
after another, turning to foam with a hush, hush, hush.
*
* *
5. She Wasn't There When It Happened
*
* *
Sheila's lover, Ben, died of a heart attack
in the street in front of their apartment. It was the old coat he wore that
killed him. When he slumped against the side of a parked car, no one would help
him. They thought he was a bum.
Sheila wasn't there
when it happened, but she could imagine how it must have been: Ben curling
forward, his hand reaching out of the coat's frayed sleeve, strangers shifting
their gazes so that they could step around him without seeing him.
She tried to get on with things at work. She sent
Ben's things to his family. In short, she held together.
Once, passing the spot where Ben had died, she heard
a sound like the whisper of leaves in the wind. But there weren't any leaves.
It's nothing, she told herself. She went in, made
dinner, and switched on the television. But in the morning, the sound was there
again. She heard it on the street, in the subway, at work.
She tried to ignore it. She tried to pretend that
the louder and louder hiss didn't exist, even though at work she had to ask
people to repeat things.
The next morning, in the
subway car, the sound intensified until it was like strong wind in her ears.
Sheila looked up and saw flecks of light dancing across the faces of the
passengers. It was as though silver confetti were falling right in front of
them, glittering. As she watched, the confetti fell faster and thicker until the
faces of those around her were like television screens tuned to an empty
channel. She stared.
She missed her stop. She rode
to the end of the line, where people suddenly had their faces back, and the
sound fell off to a whisper. Because she didn't know what else to do, she went
to work, but she spent the day avoiding people.
On
the walk from the subway to her apartment that night, she came to the place on
the sidewalk where Ben had died. The sound had stopped. There was no rustle or
whisper or hiss. There were just the street sounds, shoes scraping the sidewalk
around her, cars passing.
Sheila was too tired to
take another step. Her knees felt weak, and her eyes burned. A sound started out
of her. Her shoulders shook.
On either side, people
shifted their gazes half a degree so that they could step around her without
seeing her.
* * *
6. Insomnia Cure
*
* *
When his parents fought, Walter would turn
on the old record player in his room and drop the needle on the empty spot after
the last song. Psshhhhhhhhhhhhhhh-pop, it went. If he could hear their
voices, he would turn up the volume: PSSHHHHHHHHHHHHHHH-POP.
PSSHHHHHHHHHHHHHHH-POP. Filling the room up with the absence of music.
Thirty years later, after his own divorce, he keeps
a record player in his room. Some nights, the absence of music at full volume is
the only thing that will get him to sleep.
* *
*
7. The Ultimate
Mood Maker
* * *
In the new house, Jerry had trouble
sleeping. As he stared at the dark ceiling, listening to Carla breathe, there
were things that weighed on him: The job at the planner's office that had once
been his dream and was now drudgery. The mortgage, which meant--
even with Carla's income-- that he needed to keep the job. Carla's
difficulty conceiving. What if they kept trying and she didn't get pregnant? And
what if she did? Worst of all was the thought of not getting enough sleep, of
what it would do to him the next day. His fear of insomnia sometimes kept him
awake all night.
The recorded sailboat sounds were
Carla's idea. "The house is too quiet, that's the problem." She bought the
recording from a mail-order company called The Ultimate Mood Maker. They
specialized in recorded waterfalls, rivers, cornfields, and rain
forests-- she could have bought a whole library of restful sounds.
But she bought just the sailboat.
It worked
wonderfully at first. With the stereophonic waves breaking on the bow, with the
gentle purling of the wake astern, with the occasional luffing of the sails and
the creaking of the mast, Jerry felt the whole house gently rocking him,
carrying him away to a place where the job and the mortgage and his insomnia
just didn't matter.
But after fifty minutes, the
recording would end and Jerry would be wide awake, staring at the ceiling,
wondering if maybe he should have chosen an adjustable interest rate. After a
while, he'd get out of bed, start the recording again, return to bed, and drift
off into another fifty minutes of sleep.
Carla's
solution was to buy more copies of the recording and set the stereo for
continuous play, and Jerry finally began to sleep through the night. In fact, he
found the sound of the creaking decks and splashing waves so comforting that he
began to leave the recording on all morning. On the days when he was the last to
leave for work, he left it playing so that the sounds of the waves were the
first thing he heard when he came home. Soon Carla, too, was leaving the
sailboat sounds playing around the clock. With the sound always in the
background, Jerry sometimes felt, even wide awake at the dinner table, that he
could feel the house gently rocking.
There were
hints of the coming transformation, but they were too subtle to be alarming.
When a crust of salt repeatedly formed on the front doorknob during the day,
Jerry thought it was curious, but not inexplicable. After all, it was winter,
and there was plenty of salt about on the roads and sidewalks. When the air
inside the house began to smell distinctly of kelp, well, that was surely just a
case of suggestion, Jerry reasoned. If you hear the sound of a sailboat all
night long and for much of the day, you begin to imagine the smell of the sea,
just as the feeling that the house gently rocked on the waves was an illusion.
On the morning that Jerry opened the front door and
saw, not his front walk, but blue waves stretching to the horizon, his feet had
already started down a path that was no longer there. He stepped into the sea.
The weight of his water-logged suit nearly pulled him under, but he managed to
grab onto the rose trellis and pull himself back onto the front stoop.
For a long time he sat there, dripping, looking out
at the sun-flecked waves. He should be worried, he knew. There were many things
now to worry about. But the sound of the waves lapping gently against the
aluminum siding, the sound of the house creaking as it turned slowly in the
current, these comforted him almost beyond belief.
*
* *
8. When You Let Your Head Slip Under the
Water
* * *
It's been a tough day. Well, when was the
last time you had a day that was easy? But for once you're taking care of
yourself. For once you're up to your ears in hot bathwater, and you've taken the
phone off the hook. You relax and let most of your head slip under the surface.
The water has a sound to it, a warm, cottony, muffled sound. Eyes closed, you
hear yourself breathing, but distantly. There are clicks and tappings in the
building, things you don't ordinarily hear. Life in the womb must have been like
this. This is the sound you came from. You stay until the water grows cold, and
when you open your eyes, your knees surprise you like islands sighted after a
year at sea.
* * *
9. White Noise
*
* *
I think it was the sound of my grandfather's
last breath amplified many times over. I think it was the sound of a gunshot
played back at quarter speed. I think it was rain. I think it was the sound of
swimmers dividing the water. I think it was the sound of wind in tall grass or
the sound of a brush fire. It was the sound of three degrees Kelvin, the sound
of snowfall, of ashes stirring, of smoke rising up on the cold air.
Published by Alexandria Digital
Literature. (http://www.alexlit.com/)
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