Prologue The sun beat down on the hills. Count Cosimo Parigi wiped his brow as he stood looking down on the town of San Stefano in Umbria. The familiar grey stone turrets, left by the Normans, and the red terracotta-tile roofs shimmered in the haze of the baking glare. It was August, and anyone with any sense had left town. The cool water of the azure Mediterranean sea and the light breeze on the lakes to the North called the Italians to their annual vacanze. This year, more than ever, most people had left. The war had just ground to a halt and a defeated (or 'liberated', depending on which propaganda you bought) Italy was picking itself up from the dust. It was time to recoup, to snatch at the strands of a normal life. "i For most people, that was, but not for him. '. Cosimo felt no lethargy, no exhaustion. He was driven, and .he had a vision. He looked out at the rolling hills and forests and he wanted to ride through them. Brand new railway tracks that would glitter under the burning sun. An engine for Italy, to bring it out from the ashes of war. He was a second son, which meant he was an irrelevance. The faded old palazzo of the Parigi family, mounted on the crest of a hill overlooking San Stefano, was going to pass to his brother Giuseppe, il Principe Giuseppe Parigi. Giuseppe was the heir, and that was set in stone. He would inherit the farmland that no longer offered riches, the meagre rents of the cottages they owned, the crumbling palace. Cosimo was expected to live in a small house somewhere on the estate, to assist with the farming, and generally to keep his head down. But he had no interest in being forgotten, like Other second and third sons before him. Cosimo wanted more, and he had an idea how to get it. His parents and brother had not approved when he told them. Here he was, dressed in the overalls of a peasant, working with his hands in the August sun. He as surveying the land, taking samples of the soil, ilnaginmg a new, better route for the railway that had been smashed into useless smithereens by the Royal Air Force. When construction of the railway was done, he, Cosimo, would turn to the roads. All across Italy people still travelled by horse, or donkey and cart. This was unacceptable in 1946. It was a new world, and Italy had to be fit for it. Cosimo was already talking to bankers in the ravaged city of Milano. He was drawing up his plans, he was going to do his part. His future was as glorious as the landscape before him. Cosimo Parigi had drive and intelligence. He also had a good idea. Railway executives and state bureaucrats called him 'il typhoon' the hurricane. He blew through meetings, objections, and regulations. By I95O, Parigi Railways had been established, and it was thriving. His parents died in 95 I. They had never approved of what their younger son was doing. Trade! For a Conte di Parigi! It was unthinkable. But their natural laziness, and their desire to enjoy la dolce vita in their last years, had kept them silent. The old Prince wanted only to tend to his vines and taste the first pressings from his olive trees. Young people like his son did crazy things, Madonn'. But he would grow up and get over it. Cosimo wept 'or his mother when she died, and again for his father when, unwilling to endure life without her, he followed her to the family crypt in less than a month. His sorrow was lessened, though, because of his parents' advanced years, because his company was racing ahead, and because he had a new bride on whom to bestow his sudden wealth. Donna Lucia di Parenti was the daughter of another noble family, and marrying her was the one thing Cosimo did that Giuseppe, the new Principe, approved of. 'Congratulations, my dear brother,' he said to Cosimo in the rich, plummy tones he affected when speaking as the head of the family. Archbishop Fanti had just united Cosimo with his new Contessa in the chapel of the Palazzo, beneath the gaze of the busts of his ancestors, and the angels and saints carved in glorious lenaissance marble. Cosimo actually would have preferred another venue, a church in lome, perhaps even St Peter's - nothing was good enough for his Lucia - but Giuseppe had insisted they be married 2 from the Palazzo, and Cosimo had given way. In a matter like this one, it did not hurt. Family tradition, and all that. 'Thank you, Giuseppe,' Cosimo said. He smiled at Maria, Giuseppe's meek little wife, who was cradling Roberto, the new heir, in her arms. 'The little one is quiet today, it must be a good omen. Giuseppe looked at his sleeping son. 'You also will have children.' 'We hope so.' 'And may your first child be a boy,' Giuseppe said solemnly. 'Thank you,' Cosimo acknowledged, trying to suppress the thought that Giuseppe really could sound like a pompous ass sometimes. 'When the honeymoon is over, call upon me at the Palazzo. We have much to discuss,' Giuseppe told his brother. 'I will,' Cosimo promised, although he had no intention of keeping his word. Parigi Railways was about to become Parigi Transportation. He was taking over a cement-mixing and laying company. New autostrade were planned across the peninsula, and Cosimo was going to be a part of it. After the honeymoon, he would be flying to Switzerland for discussions with a consortium of investors ... Giuseppe sat brooding in the dusty halls of his once-spectacular home. The years rolled by pretty much as they had always done; some years the wine harvest was excellent, and he could repair a roof or two, other years it had blight or drought and he was out firing workers and raising rents. The Parigi estate was, under his stewardship, much as it had been for generations beforehand. He resented it bitterly. Cosimo, the little upstart, had founded a firm using his family name. He was making billions of life a year. He had modern cars, an estate, an old, but beautifully restored villa outside of Rome. But was he, Giuseppe, not the elder brother? That money should be his. He spoke of it incessantly to the Principessa. 'What belongs to the House of Parigi belongs to the Principe, cara,' Giuseppe told her. And Maria nodded her head and continued to embroider, for that was her hobby, and she had long since got out of the habit of listening to her husband. But he had an audience. Four-year-old Roberto was playing with his toy wooden train while his father spoke, and the words sunk in. Consequently he grew up loathing his upstart uncle Cosimo. Over and over, his l;ither would lift the boy on to his knee and tell him of his inheritance. 'You are to be Prince of the Parigi,' Giuseppe told his son. 'All this is yours. You must never lose the rights of the family.' I