The Dead Cat Bounce
by
Sarah Graves



THE DEAD CAT BOUNCE
By SARAH GRAVES

THE DEAD CAT BOUNCE
A Bantam Crime Line Book / September 1998

Copyright 1998 by Sarah Graves.

ISBN 0-553-57857-X
This book is for John Ellerson Squibb.
dead cat bounce n. Stock market jargon for a small,
temporary rise in a stock's trading price, after a sharp drop


Thanks to all who helped: John Squibb, David and
Kathy Chicoine and Bullet 'n' Press, Bob and Ravin
Gustafson, Rebecca Robinson, John Foster, Charlie
Graham, Judy McGarvey, Sandi Shelton, David Orrell,
Kay Kudlinski, Amanda Clay Powers, Kate Miciak,
Al Zuckerman, and the friendly folks at the Kissing Fish
dive shop in Calais, Maine.
the dead cat bounce


1

My house is old, and rambling, and in some disrepair,
and I think that it is faintly haunted: a cold spot forming
inexplicably on the stairway, a scuttling in the hall. Then
of course there is the matter of the enigmatic portrait,
whose mystery I had not yet managed to resolve on that
bright April morning when, after living cheerfully and
peacefully in the house for over a year, I found a body in
the storeroom.

Coming upon a body is an experience, like childbirth
or a head-on collision, that takes the breath out of a
person. I went back through the passageway between the
kitchen and the small, unheated room where in spring I
kept dog food and dahlia bulbs, and where apparently I
now stored corpses.

"Ellie," I said, "there's a dead man out there on the
floor."

Ellie White looked up from the kitchen workbench
where she was planting pepper seeds, sprinkling a few
into each little soil-filled peat pot, to be set out later in
the cold frame. Ellie has coppery hair cut short around a
thin, serious face lightly dusted with freckles; her pale
blue eyes are so intense that even through her glasses, her
gaze makes you feel your X-ray is being taken.


Her index finger paused in the act of tamping soil onto
a pepper seed. "Who?" she asked.

Sometimes I think Ellie has formaldehyde in her veins.
For instance, when I moved to Maine I thought sill work
meant painting them, and if you have ever restored an
elderly house you will understand the depths of my innocence;
sill work is slightly less radical than tearing the
house down and starting over entirely, and almost as
expensive, and if you don't do it the old house ends up at
the bottom of the cellar-hole.

Ellie, upon hearing that this was what my old house
needed, merely remarked how lucky I was that I could
pay for it, because she knew of another woman whose
house had needed sill work, too, and that woman was
now living in the cellar-hole. Ellie's comment shut me up
pretty quickly, as she had intended, and I resigned myself
to getting the job done in spring, but along about March
I'd discovered that sill work was only the beginning.
There was also the poignant little problem of the rot-raddled
floor joists, and of the support beams holding up
the floor joists.

Or rather, not holding them up. "I don't know who.
He's lying face-down in the corner where everything sags.
I should have had that floor jacked up last autumn."

Ellie was wearing denim coveralls, a bright yellow
turtleneck with jade-green turtles satin-stitched onto it,
and shiny green gardening clogs over thick, yellow socks.
On anyone else the outfit would have been hilarious, but
Ellie is so tall and slender that she could wear a painter's
drop cloth, possibly with a couple of frayed dishrags
belted around it, and still look just like a Paris runway
model.

"I don't think the floor is the issue here," she said.

"That's because it's not your floor. The only thing
holding that floor up now is habit, and when the homicide
detectives and the medical examiner and I don't
know who all else start tramping in and out of there,
then that floor is going to ..."

She was looking at me as if I'd just arrived from Mars.
"Jacobia," she said, "I don't know what kind of law
enforcement you got used to, back in the big city where
you come from."
She picked up the telephone, dialed George Valentine's
number, and let it ring. "But in case you haven't
noticed, you're not in New York anymore. You're in
Eastport, Maine, three hours from Bangor and a heck of
a lot farther from anywhere else, and the only person
tramping in and out of that storeroom is going to be
George. That is, if he ever answers his phone. He was
over at my house earlier, but I don't know where he is
now."

Of course it was George's number. In Eastport,
George was it: if you had a fire, or a flood, or a skunk in
the crawl-space, George was the man you wanted, which
was lucky since the rest were out on fishing boats: dragging
for scallops, hauling lobster pots, or collecting sea
urchins, depending upon the season.

"I'm going out there," Ellie said, after George had
picked up at last and promised to be right over.

People in Eastport do not think the telephone grows
naturally out of the tympanic membrane, and some of
them will actually decide whether to answer it or not
based on what sort of news they are expecting. But
George always answered his telephone sooner or later on
account of being the clam warden, on call to make sure
diggers had valid clam licenses, chase poachers out of
forbidden clam areas, and spot-check the clams themselves
with his two-inch metal clam ring, through which
a legally harvestable bivalve must not be able to pass.
"I think," Ellie added, "we should make sure the man
is really dead."

This struck me as pointless, since an ice pick in the
cranium promised little in the way of future prospects.
But Ellie was determined; it was part of her downeast
Maine heritage, like being able to navigate in the fog or
knowing how to dress out a deer.

"It might be he's only wounded," Ellie said. "It might
be we can still do something for him."

Right, and it might be that next we could multiply
some loaves and fishes. When she had gone I ran a glass
of water and stood there by the sink, pondering whether
to drink it or not. Just breathing in and out suddenly
seemed to require a series of massive, separately considered
decisions, as if each small action of mine had
abruptly become huge compared to all the ones the dead
man was not taking.

Outside my kitchen window a flock of cedar waxwings
descended on the crab apple tree and began devouring
frozen fruit, their short, metallic cries creating a
happy clamor. A shower of snow as fine as salt fell
around them, whitening the snow already lying on the
ground, so their lime-green feathers and candy-corn beaks
stood out as brightly as paint drops.

Down at the breakwater, the big ship Star Verlanger
sounded her massive horn and cast off, loaded with
paper pulp, and the dockworkers jumped in their pickup
trucks and headed for a well-earned bottle of Narragansett
beer, no bottle of which the dead man would be
enjoying. I wondered if his absence would be noticed, or
if he was from away. Whichever; by tonight, news of his
death would be all over town.

That was what I thought when the whole thing began.
But back then, I didn't know the half of it.


2



My name is Jacobia Tiptree, and my ex-husband says
I am insane. I have proved this, he says, by giving up a
perfectly charming little townhouse on the upper east
side of Manhattan--complete with doorman, elevator,
and building superintendent--for a huge antique structure
every centimeter of which needs paint, plaster, or the
underpinnings required to hold up both. The roof leaks,
the gutters dangle, and the bricks in the chimneys are
quietly turning to sand; when the wind blows hard,
which it does very often here, the windows rattle as if
they are trying to jump out of their frames, and if you
put a marble down on the kitchen floor it will probably
roll forever.


I found the place on a warm August day when the
garden was clotted with raspberries and zinnias, poppies
and Michaelmas daisies whose blooms were wide as
saucers. I was coming back from Halifax and the kind of
contentious stockholders' meeting that sets one to wondering
how early man ever found his way out of the cave,
and why, considering his natural tendencies, he didn't
stay there, when on impulse I drove over the long,
curving causeway connecting Moose Island with the U.S.
mainland.

I bought my lunch of a sandwich and coffee at the
IGA, and walked all over town before sitting down on
the green-painted front steps of a big old white house
whose bare windows showed a shimmeringly vacant
interior. In front of the house I stood on tiptoe and
peered in, watching a patch of sunshine move slowly
across a pale maple floor that was badly in need of refinishing.
Someone had torn the carpeting down from the
stairs; the risers looked wormy with old nail holes.

I noted with surprise how certain I felt, how calm.
Later I found my way to a tiny storefront real-estate
office on Water Street, overlooking Passamaquoddy Bay,
and that evening when I drove back to the mainland, the
house belonged to me.

What were you thinking of? my ex-husband asked,
and so did my relatives and friends. Even my son
Sam looked doubtful, although at sixteen he had begun
looking doubtful about everything. With a brain surgeon
for a father and a money expert for a mother, he was
unhappily aware of the problem of living up to all the
brilliant genes he had supposedly inherited.
The trouble was, Sam's brains were not of the quick,
flashy variety so popular with Ivy League admissions
committees. He was the type who could take one look
at a broken washing machine, come back from the
appliance store with a part that cost five dollars, and
a little while later the washing machine would be fixed.
He could do the same with an ailing cat, or the gizmo
that makes (or doesn't make) a doorbell ring. What he
couldn't do was explain how to fix the washing machine,
or what sort of attention to give the cat; his perceptions
were visceral and immediate, not filtered by words and
numbers. They weren't particularly quantifiable, either,
unless you happened to have a broken washing machine.


Which is to say that despite every effort of mine, he
was flunking out of school, and so angry about it that he
had turned to a group of similarly estranged young outlaws,
each with a bad attitude and a ready supply of marijuana,
and I was worried about him.

"Just come and look at the place," I said. "Will you do
that? And if you don't want to, you don't have to stay."

"Yeah, right," he muttered. "Like I can go and live
with Dr. Doom."

That was what he had taken to calling his father, on
account of the dismal prognosis of most of his father's
patients; my ex-husband's operating room is a sort of
last-chance hotel for the neurologically demolished.

"Dr. Doom," I told my son, "would be delighted to
have you." Over my dead body, I thought but did not say.
Sam's father is a charming fellow when he wants to be,
but too many years inside other people's heads have convinced
him that he is an authority on all that goes on there.

Which he is not. When it comes to the sport of human
beingness, my ex-husband knows the rules but not the
game, and it is never his blood on the playing field. After
six months in the presence of his super-achieving father,
nothing would be left of Sam but a little pile of bones
and hair.
"But that won't be necessary," I told Sam, "because if
you don't like Eastport, I'm not going there, either."
Then I held my breath for three days: one while we
drove up Route 1 through Bucksport and Bar Harbor
and 1A through Milbridge toward Machias, and two
more while Sam auditioned Eastport. He explored
Wadsworth's hardware store, and pronounced its nuts-
and-bolts selection adequate. He stood on the wharves
where the cargo ships come in, the massive vessels looking
as incongruous as twenty-story buildings plunked
down in the midst of the tiny fishing village. He sat
on the bluffs overlooking the whirlpool, Old Sow--
the largest whirlpool in the Western Hemisphere--and
watched the diurnal tide rise its customary twenty-eight
feet, which is nine-point-two inches every ten minutes.


During this time I did not smell marijuana, nor did
I see the unhappy look I had grown accustomed to back
in the city: the look of a boy with a dozen extraordinary
talents, none of them valued or even recognized on
Madison Avenue, and by extension not in the rest of the
world either, because their possessor was unlikely to earn
enough money to buy a lot of expensive products.

On the fourth morning I found him sitting at the
oilcloth-covered table, in the big old barnlike kitchen
with the tall maple wainscoting and the high, brilliant
windows. He was drinking a cup of coffee and looking at
a set of papers, registration forms for the upcoming year
at Shead High School. Carefully, in the labored but rigorously
correct block printing that, at age ten, he had
finally managed to master, Sam had filled in all the
spaces except one.

Parent's signature, the line read. "I think," Sam said,
"that you should sign this." So I did.

And that, as they say, has made all the difference.


3



George Valentine came up the back steps, wearing a black
cap with Guptill's Excavating lettered on it in orange:
script. Dark-haired and with the milky-pale skin that
downeast Maine people have been passing on for generations,
George had the stubborn jaw, diminutive build,
and sharp, banty-rooster bearing of a man who, if he did
not always have a lot of other people's problems to solve,
would chronically be creating a lot of them for himself.
As it was, I had been depending on George since practically
the day I moved here, and while I was not convinced
that he could walk on water, I thought he would
probably take two or three steps before he went down.


"Miz Tiptree," George said, slapping his cap against
his leg and stomping snow off his boots. Outside the sky
had gone grey; to the west, past Carryingplace Cove and
the Moosehorn Refuge, loomed a wall of clouds as blue
and heavy as lead.

"George," I began, "I can't explain this. I don't even
know who that man is. I just found him a few minutes
ago and Ellie went out there to make sure he's really
dead, but--"

Just then Ellie came back, looking pale and oddly
shaken.

"H'lo, Ellie," George mumbled, and if he'd been
wearing his cap he'd have tipped it gallantly at her. If
he'd been wearing a cape, he'd have spread it across a
mud puddle for her, too, and if any dragons had been
present he'd have slain them or died trying.

"Hi, George," she said, breezing past him. George
said privately that Ellie was still the prettiest woman he'd
ever seen, and Ellie said privately that she had survived
thirty years unmarried, and thought she could stand
another thirty years the same way, but if she did get
married it would certainly not be to that tongue-tied,
beer-drinking, pickup-driving, gimme-cap-wearing little
Eastport clam warden, George Valentine.

I did not point out that George was also a part-time
police officer, and thus a very responsible young man
in town, since in Ellie's opinion this was only a ploy to
get his beer-drinking buddies out of whatever trouble
they might, and by Ellie's report habitually did, get their
own damn-fool selves into. Somewhere along the line, I
thought, George Valentine had said or done something
that marked him in Ellie's book as no-account, and that,
in Ellie's opinion, was the end of it.


Now his mouth wobbled as in her presence it tried
and failed yet again to form a simple English sentence.

"Jacobia," Ellie said, "I'm going home. Mother's got a
doctor visit to go to and a hair appointment at Shirley's,
and Dad's got his lunch at the Happy Landings."

When she wasn't at my house, Ellie spent much of her
time taking care of her aged parents, for while her ferociously
independent mother still insisted on driving the
car and her father kept in touch with his broker, in other
respects both old people depended utterly upon her.
Today, Ellie had promised to do driving duty, since her
mother could not take her dad to his weekly social group
while at the same time getting a blue rinse put into her
white hair.
Ellie dropped the pepper-seed packets into her coverall
pocket and swept crumbs of potting soil from the
kitchen table, dusting her hands over the wastebasket.

"I'll call you later," she said, sounding oddly
detached, "and see how things turned out. I couldn't,"
she added, "do anything for him."

This did not come as a surprise, but the look on Ellie's
face did. Everything okay? I telegraphed wordlessly at
her, and her gaze back at me was as loaded with meaning
as the clouds barreling down out of the mountains at us
were full of April snow.

"I'll talk to you," she repeated, "later." Then in a
burst of cold air from the back door, she was gone.

"Have a nice day," George managed at last as the
door closed, but when he turned back to me he was all
business again.
"Now," he said, "about this body."

I don't know why I suddenly wanted to stall him. The
dead man felt all at once like a dreadful embarrassment,
the sort of thing no good Eastport housewife would
ever let happen. Ellie's look bothered me, too; her eyes,
ordinarily as clear as spring water, had been full of the
old, hard-bitten Yankee secretiveness you still run into
now and then in places like this, mingled with what I
thought was a plea for help.


George pulled the storeroom door open and our little
black Labrador retriever, Monday, made a beeline for
the forbidden area, rolling a defiant eye at me.

"Go on, you knucklehead," George said, "get out of
here," but she ignored him, flinging herself into the storeroom
and locating the scent of the mysterious visitor
without delay. Her tail began wagging in the joyous
frenzy she reserves for human beings of the unmet persuasion;
to this she added the canine version of a buck-and-wing,
her nails clicking delightedly on the ancient
linoleum.

And then she stopped, her tail curving down like a
lowered flag. She stared at the body for a moment as if to
make certain of its condition. Finally she turned and
walked back out of the storeroom, into the kitchen, and I
heard the soft shushing of the sleeping-bag material in
her bed as she turned around on it and lay down.

"Well, that's a body, all right," said George. He
looked at the door leading outside, which was closed but
unlocked, and at the floor, across which someone had
tracked snow. The storeroom was too cold for it to melt,
so it lay there in the shapes of boot prints.

"Miz Tiptree," said George, "do you have a Polaroid
camera?" For while he was indeed a tongue-tied, cap-wearing,
beer-drinking, pickup-driving little Eastport
clam warden, he was also no fool. I fetched the camera
while he called Bob Arnold, the Eastport police chief,
and told him what we had found.

"We don't need the ambulance, and we don't need
sirens," said George. "And we don't need any hurry.
Sand trucks aren't out yet, and it's snowin', and this
fella's not going' anywhere."

I wished he hadn't said not to hurry. Except in emergencies,
Bob Arnold had two speeds--slow and reverse--
which after being in Eastport a while I'd found I liked a
lot. Bob would think it over before letting his heart beat
if he could, which meant he tended to make good cop
decisions. Under his slow, non-confrontational scrutiny,
guys who would otherwise have charged him with their
hats flying and their arms windmilling ended by being
driven home peaceably in the back of the squad car to
sleep it off. The next day they wound up greeting him on
Water Street, too, just as cheerfully as you please, once
their hangovers had ratcheted down a notch.


But now Bob was going to take his sweet time, and I
wanted that body out of there, pronto. For one thing,
nothing makes a place look so decrepit as a body. Also,
the body in question didn't seem to have an ice pick in its
head anymore, and where that had gotten to worried me.
The size of Ellie's coverall pockets, for instance, sprang
to mind.

"Could be worse," George said. "Could be summer."
He said it the Maine way: summah. "We'd have to get
ice."

"Here's the camera." He took it and, without looking
at it, lifted the flash mechanism. It struck me that he had
done this sort of thing before, which I suppose should
not have surprised me. Not all Maine law enforcement
consists of rounding up the good old boys out carousing
on a Saturday night. A week earlier, a man in a township
so remote that it didn't even have a name had been
charged with double murder, for burning a mobile home
with his aunt and uncle in it. And when the fire marshall
investigated, he found that in addition to cutting the
phone wires and dousing the place with kerosene,
someone had nailed the door shut.

George aimed the camera at the boot prints. "Too bad
Ellie had to go," he said. "I sure like Ellie."

My heart hardly jumped at all in my throat. "I like
her, too. She's been a friend since the day I came here. I
don't," I added, wondering if my voice sounded as
strained to George as it did to me, "know what I would
do without her."

The boot print nearest the dead man had finally begun


melting. A trickle ran down the sloping floor into the
corner where he lay. An inch above his ear, a small
purple hole showed through his hairline; from it ran a
thin red track along which the hole had bled, across his
forehead and onto the floor.

George took a picture of the hole, and a picture of the
blood track, and a picture of the puddle on the linoleum.

"It's good," he said, backing up to frame the whole
scene, "that Ellie takes care of her parents the way she
does. Otherwise they'd be in a nursing home. 'Course it's
her dad, mostly, that she does it for, but still."

"Yes," I said foolishly. "Very good." I was babbling,
and I couldn't stop. "Of course, it's good that her parents
have money, too. Or Ellie would have to get a job."

George crouched by the body, wrinkling his nose at
the pack of cigarettes showing from its shirt pocket;
George has asthma, and he hates cigarettes like poison.
"Don't happen to know who this is, I guess."

"No, "I said. "I don't."

He touched the man's sparse strands of silvery hair
with his fingertip. Someone, I decided, had come in and
taken the ice pick, and gone out the back door. As I
thought this, George got up and opened the door, aiming
the camera at the single set of footprints leading to it.
The footprints were filling up with snow.

So much for that idea. The problem was, I couldn't
think of any good reason for Ellie to have taken that
ice pick, but obviously she had, and saying so could get
her in trouble. On the other hand, no one else had seen it
but me.

"I wonder," George said, "where the ice pick went."

I just stared at him.

"Head wounds bleed," he explained, "but a puncture
wound won't till you take the weapon out. That's why
you never pull the knife out of a stabbing victim, if it's in.
Ice pick," he added, "makes a little round hole like that.
Or a tanner's awl."

He pointed. "See that gash?"
It was a long, jagged cut in the dead man's scalp, half
an inch from the less dramatic but more deadly little
puncture.

"That bled straight down his head; he was upright
when he got it. Somewhere else, or there'd be more blood
right here. But see, you can tell by the way this other
trickle ran, he was down when the weapon got pulled
from the main wound. Or he'd have bled toward his
neck, the way the scrape did, not to the side."

George turned the body over. The dead man was in
his sixties, with light green, half-open eyes and white,
bushy eyebrows. His nose, which was pushed to the side
from pressing against the floor, was large and had been
handsomely shaped. At his throat was a blue-and-red-striped
silk tie with a bit of dreadfully familiar gold jewelry
glittering in it.

He looked like old money of the kind I used to meet
regularly with back in my previous career, trying to persuade
it to snuggle down safely in blue-chip securities
wrapped up in charitable remainder trusts, and it hit me
all at once who this guy must be; Eastport is lovely, but
the fabulously rich were not yet flocking here, or at least
not in great numbers.

Only one was doing much flocking here, in fact.
"Threnody McIlwaine," I said.

George nodded glumly. "You knew him?"

"No. I just know he's a friend of Ellie's father, and
I've seen him from a distance. But that's who wears a tie
pin shaped like an infinity symbol with a dollar sign
crossed over it." It had been in Fortune magazine.

I wanted to sit down, but there weren't any chairs in
the storeroom. "George," I said, "when I found him,
there was an ice pick in his head, and I'm afraid Ellie
took it with her."

Threnody McIlwaine was one of the fifty wealthiest
men in the world, a corporate raider so aggressive
that it was said, only half jokingly, that his limousines
ought to fly the Jolly Roger. It was all in the Fortune


piece I'd recently read about him, along with his shameless
tie pin.

No way were we going to have a nice, quiet little
Eastport police investigation. By tonight, the news of
McIlwaine's murder wouldn't only be all over town; it
would be all over the globe.

Which meant Ellie needed help. "Oh, hell," George
said, "I thought you two looked a little hinky. Guess I'd
best get on the horn to Arnold again."

He made a careful, experimental jumping motion on
the floor; it sprang up and down vigorously. "Better call
Tim Guptill, too," he said, "see if he can get over and put
a few jacks in, brace these boards up. Going to be a lot of
people tramping in and out of here."

And so much for Ellie's prediction; on the other hand,
Maine weather has a way of establishing its own priorities.
"Um, maybe not," I said, glancing out the window.

Snow on Moose Island is not as common or plentiful
as it is on the mainland. But when we get a blizzard, it is
the kind that awakens human genetic memories of snow:
fat white flakes falling thickly and determinedly straight
down, piling up in driveways and dooryards, deepening
in drifts and closing the roads so swiftly that the plows
may become trapped in the public works barns before
the operators can slog their way over from homes and
businesses, to get them running.

An ominous creaking sounded from the century-and-a-half-old
rafters. "You know, George," I said, thinking
about the weight of a couple of feet of snow on the roof,
"maybe you'd better call Tim Guptill, first."

The winter had been freakishly dry, allowing me to
think that I might really squeak by until spring, but now
the snow was coming down fast. I had the clear mental
image of a dump truck, unloading a ton of white.

"Tell Tim," I added, "maybe he should hurry."
4



Back in the eighties, I was a money trader for one of New
York's largest financial institutions. Unlike most traders,
I made versatility my strong suit: betting dollars against
Deutschmarks, selling pesos against pounds sterling,
squeezing the last fraction of a percentage of profit out of
a momentary spread between rubles and drachmas, and
playing chicken against the legendary yen masters, faceless
syndicates who moved blocks of Japanese currency
across the trading wires with what some said was inhuman,
even supernatural skill.


I earned a lot of money at that job, and nearly ruined
my digestion. By eleven each morning the office corridors
were filled with currency traders rushing to the lavatories
to upchuck their breakfasts; when I caught myself
thinking about buying Maalox in large, institutional-size
bottles, I decided to pack it in before I, too, became what
was known on the street as gut-busted.

Next I became a financial advisor to the wealthy,
which some might say is also an anxiety-provoking line
of work. Rich people get rich and stay rich by caring
about money, and the richest ones care about it a lot. I
once met a dowager who dressed like a queen and whose
face resembled your sweet old grandmother's, who was
later arrested for beating her husband with a stick,
injuring him quite severely, because she thought he had
cheated her out of the return deposits on a case of Hire's
Root Beer bottles.

But the super-rich are as little lambs when placed up
against an ex-Wall Street money hustler, equipped with a
take-no-prisoners mentality and fully accustomed to the
piquant sensation of having half a billion of the bank's
favorite dollars burning a hole in her trading account. I
found that advising the well-fixed set suited me fine,
especially after I got married and had Sam and the
bottom dropped out of the money business.

Well, you couldn't expect the world's governments to



sit quietly while packs of hyenas savaged their currencies,
could you? So by the late eighties they began building in
safeguards to make money's value reflect more closely
what went on--productivity, national revenue, other
real, at least putatively measurable factors--and this
went directly against the whole underlying idea of money
trading in the first place, which was to make it reflect
whether or not somebody felt lucky.


I certainly did. My clients paid huge fees, in return for
which I kept them from having to pay the IRS even more.
Meanwhile, currency reform sent thousands of my ex-colleagues
trudging back to graduate school, or worse,
out into the imploded job market (the swishing sound
they all heard was their employment prospects circling
the drain), and I was happy not to be among them.

Or at least I was happy until I learned that besides
being a brain surgeon and the father of my ten-year-old
son, my husband was a lying, cheating, son of a bitch
with a stone where his heart belonged.

Fortunately, I had not spent all that time on the currency
desk for nothing, or in the confidence of flinty-eyed
tycoons with smiles on their faces and larceny in their
hearts, either. By the time I discovered the obligatory bit
of black lingerie stuffed into my husband's coat pocket, I
was an expert not only at getting blood from a stone, but
at making it spurt bright green cash.


5



I couldn't very well not tell Sam about the dead body,
which I was reluctantly coming to think of as our dead
body on account of its having been in the house for hours
and hours, but I didn't want to upset him or worry him,
either. So when he got home from school that afternoon,
I sat him down calmly and explained to him that there
was a deceased person in the storeroom. I said that the
care of a human being's physical remains was a very
special duty, and the two of us should try to think positive
thoughts about the departed, and maybe even pray for
him, and that the presence of the body was also an
opportunity for Sam to consider the immense preciousness
of life.


"Wow," he breathed happily when I was done, "a
stiff!"

"Do not," I commanded him in my best I-am-your-mother-and-I-control-your-allowance
voice, "touch that telephone."

But it was too late; Sam's ten best friends were programmed
into the speed dialer, and for the next hour and
a half I could hear his excited murmurings, interrupted
by periods of silence during which he did his homework,
and by tiptoeing trips to the storeroom door so he could
observe and report the latest details of what was happening
out there.

Which, I am sorry to say, was not very much. Some
men from Guptill's had come over with jacks and
crawled down into the space beneath the storeroom, set
the jacks up, and began hauling on them, which was
when I discovered that jacking a floor up is not at all the
same as changing a car tire. When you jack up a floor,
you are allowed to raise the jack a scant quarter-inch per
day; otherwise you end up with nice, high floor jacks
around which the house has collapsed. Also, no one had
told me about the sounds an old house makes while it is
being lifted. An antique house, as it turned out, sags
because it wants to, and the unholy creaks and groans of
agonized protest that I endured all afternoon made a
dead man's presence seem not only natural, but positively
required.

Sam hung up the telephone, and I heard him rummaging
in the closet under the stairs. A moment later he
appeared in the living room doorway with his cross-country
skis over his shoulder.

"Hey, Mom, the guys say it's gonna snow three feet!
And all my homework is done, so can I go out in it
before it gets dark?"


Sure, I wanted to say, and take the stiff with you. Special
duty or not, I was feeling less reverent by the minute.

Sam took my silence as assent; it was a trick of his,
lately. First he hit me with some thoroughly mind-boggling
request, like could he drive to Caribou to go ice-fishing?
The other guys' moms had already all said okay
so could he please, please go, and he would only need the
car for two days? And then while I was still struck dumb
by the outrageousness of it, he went ahead and did it.

Only this time he didn't. "Unless," he ventured, "you
want me to stay with you. While he's out there, I mean.
The dead guy."

Occasionally, and by that I mean very rarely, a teenaged
boy will happen upon a perception so accurate, and
react to it so sweetly and manfully, that it takes all the
strength a mother has not to throw her arms around that
boy and weep. George had gone down to the office on
Water Street to file a police report, and after that he had
traffic duty, because in the snow a few cars would be
certain to slide off the causeway. In weather like this,
his habit was to sit in a squad car at the causeway's end
until the tide went out, so that any drivers who did slide
off the road would not compound their bad luck by
drowning.

"No," I told Sam, "if you've finished your homework
and left it out for me to look at, then you go on and ski."

For a sixteen-year-old, it was a very conservative
request, and I was saving my ammunition; next time he'd
be demanding to know if he could row to Deer Island, or
go bear hunting. "Bob Arnold's coming," I added.

I let my hand rest on his arm for the instant of contact
allowed to mothers of teenaged boys. He was taller than
I was, and solid muscle on account of all the outdoor
exercise he got, and I remembered with a burst of nostalgia
when he was a skinny little twerp. "Besides," I
said, "I think your dad's going to call, and I want to be
able to tell him you're out."

Sam nodded. He'd been putting off discussing his
college plans with his father, whose wish list included Harvard
and Yale.


"Thanks. Mom, do you think Dad will ever understand?"

No, I thought. "Yes," I said, "of course he will."

Sam's own plan was for the local technical college,
and a course in the fundamentals of boat building. He
was looking forward to a two-day visit to the school, but
had not yet informed his father of his intentions.

"Go on, now. And be careful," I called after him as he
went out into a rumble of young male voices.

"Be care-ful, Tiptree," rose a mocking falsetto as they
glided away in a mob down the snowy street. I recognized
the voice as that of Sam's closest pal, Tommy
Daigle. "Don't get hurr-un."

He would, though, and probably soon; to my
ex-husband, the technical school was about as real an
education option as one of those earn-your-veterinary-assistant-certificate-at-home
schemes they pitch on cable
TV. In his view, Sam just didn't try hard enough; never
mind that Sam would have sat down in front of a freight
train if he thought it would please his father.

And then I was alone. All around me, the big old
house seemed to hunker down against the coming blizzard;
what we'd had so far was only the teaser. Reports
out of Bangor and Augusta said Routes 9 and 1A were
closed, which meant that about a trillion reporters
were holed up in Holiday Inns and Ramadas, waiting
to descend. I went around checking windows for drafts
and plugging them when I found them, trying not to
remember that what I saved in heating oil I was probably
spending on rope caulk.

Trying not to think, too, of a certain harbor pilot of
my acquaintance, who if memory served was right now
out on the icy water, guiding a freighter into port. It ain't
the fog that'll do you, he'd said of his job, nor tides, nor
the ledges, neither. It's the wind. When the wind comes,
look sharp.



Another gust rattled the windowpanes. As real weather
came on, the wind was rising and swinging around out of
the northeast. By the time Wade Sorenson got the good
ship Amaryllis within sight of the harbor beacons, it
would be blowing a gale.


I caulked the last window and started on the drafty
doorways: tacks and felt weather stripping. One of the
pleasures of fixing up an old house is knowing that you
can never be finished; there is always another small task,
a creaky floorboard or a leaky radiator valve, to keep
your hands occupied and your mind from becoming the
devil's playground.

A creaky floorboard, for instance, like the one on the
other side of the storeroom door.

Which was ridiculous; there was nobody out there but
the dead man. Probably the jacks were making the floorboards
creak.

Only, not to the rhythm of stealthy footsteps.

Steeling my nerves, stiffening my spine, and praying
hard for whoever it was to go away, just go away and
leave me alone, I yanked open the storeroom door. This,
in retrospect, was probably the stupidest thing I could
have done, but at the time I'd had it to the eyes.

"What's going on out here?" I bellowed, loud enough
to bring Monday barking to defend home and dog chow.
Seeing who it was, she gave me a look and ambled back
to her fort beneath the dining room table, where she had
been dismembering a rawhide bone.

The bare light-bulb hanging in the storeroom swung
wildly in the gusts from outside, hurling Ellie's shadow
against the walls and snatching it back before the door
leading to the yard slammed shut. "Jacobia," she said
weakly, jumping up, and her tone broke my heart; Ellie
never sounded weak.

For an instant I thought of asking her why she had
come in by the storeroom door. Then I saw the ice pick,
glinting from beneath the body where she had been
trying to hide it. The idea, I supposed, was that while
McIlwaine was still alive the weapon had fallen from the
wound, or he had taken it out, and then he had rolled
onto it. The theory might have flown--maybe he really
wasn't quite dead when I found him--if George hadn't
turned the body over, then turned it back. But now Ellie
might as well have left the police a little note: Weapon
Not Here Earlier.


She might as well have signed it, also, because there
would be fingerprints, and because I had already told
George the truth.

She saw it in my face. "It's okay," she said. "I'd have
told him, too."

I went to the outside door, opened it, and peered out.
The wind had dropped off, gathering its gumption for
another blast. In the moment of stillness before I pulled
the door closed again, I glanced across the yard to the
pale lighted windows of the Whalen house, ghostly in the
snow, and the arrowhead shapes of the pines forming
a windbreak along its white clapboards. To the side, a
low palisade fence separated my driveway from Victor
Sawtelle's trim, empty bungalow; Bath Iron Works
was hiring, and Victor was bunking over there for the
duration.

The foghorn at West Quoddy Light honked in the
dusk. It was only four-thirty, but the snow had pulled
around us like a thick curtain, smelling of salt and
woodsmoke. The red glow of the sanctuary lamp in
Christ Church spread bloodily through the plastic-sheeted
windows, diffusing onto the white lawn.

One street over, Sam and his friends were having a
snowball fight, their shouts muffled by the falling flakes. I
latched the door, and the silence in the icy room was
huge. "At least you've got the money to hire a lawyer."

"Not anymore." She broke off staring at McIlwaine
and looked up at me, and I thought that if it came to a
choice between the truth about the ice pick and the truth
about the expression on her face, I'd take the ice pick.

"Not after what he did. Threnody McIlwaine," she
spat, "the big-deal expert. I wish I'd slit his throat for
him, that's what I wish."


Which was when I got the message, finally, or thought
I did. "You know, Ellie," I told her, taking her arm and
guiding her through the passageway, sitting her down at
the kitchen table, "you need to shut up."


I filled the kettle and smacked it onto the stove.
"Because," I went on, determinedly filling air time since
if I did not she was only going to talk some more, which
in her situation was about as helpful as washing cyanide
down her throat, "you and I may be good and dear
friends, and we are, but what we aren't is married."

I slapped mugs onto the table. "And that means," I
said as she opened her mouth and I gestured sharply to
make her shut it again, "that means I can be required to
testify against you. Which naturally I would be loath
to do, and I would go to jail to avoid it, except of course
that if I did get put in jail, Sam would have to go and live
with his father and I don't know what might happen to
Monday."

I flung tea bags into the mugs. "So don't put me in
that position any more than I am already."

Back in the old days, Ellie's ancestors had made a
living off the blockades intended to keep Americans from
trading with the British, many of whom lived within
sight of Eastport just across Passamaquoddy Bay. After a
few skirmishes, both sides figured out what a silly waste
of ammunition this was, what with the War of 1812
going on and all. Thereafter, the American traders began
quietly allowing the seizure of meat, grain, and other
delicious items much hungered after by their British
neighbors--cargoes they just happened to have taken out
for a sail, of course, just to give them a breath of fresh
air--and the British traders in ports like St. George and
St. Andrews bought the seized cargoes. Finally, the payments
made their way back to the American traders, who
promptly ransomed their boats and went home to start
the process over again.

All of which was of course very strictly forbidden, and
subject to punishments including fines, confiscation of
boats, and in the worst cases, being hung for the crime of
treason, and this, if you ask me, is among the many historical
reasons why downeast Mainers are such silent
types: like navigating in the fog or knowing how to dress
out a deer, it runs in their blood.


Ellie watched me pour boiling water onto the tea bags,
and waited for me to set out the sugar and cream, then
dosed her mug liberally with each. Putting her face over
the rising steam, she inhaled it gratefully, then lifted her
mug and took a sip.

"There," she said, seeming to accept my warning.
"That's much better."

And then we said nothing, sitting companionably
together while the windows rattled and the clock ticked
and the woman in the portrait propped on the kitchen
mantelpiece watched over us, her eyes luminous and
intelligent. In the portrait she was wearing a white linen
shift, shirred at the smooth, round neckline, and a strand
of pearls. Her dark hair was beautifully cut to take
advantage of its wave, and side-lit so that it shone like sun
on water; her complexion was smooth and apparently
without makeup, her expression serene but not dramatically
so.

There was nothing of theatricality about her, and
nothing of impatience. She neither smiled nor frowned.
She simply was, in that long-ago moment when the
shutter snapped and the image of her became captured,
to be passed down through who knew how many years
and generations until one day, while sorting through a
pile of age-stiffened draperies in a forgotten cupboard, I
came upon her.

No one knew her: not her name, or whose wife or
mother or sister or cousin she was, or if my house had
once been hers. She might have lived twenty years ago or
two hundred, so timeless was her unspoiled serenity. I
was about to ask Ellie again if she could think of anyone
else in town who might remember, when footsteps
clomped up the steps.
Sam, I thought hopefully, or Wade Sorenson, back
early from the boat. But of course it wasn't, and now
here was Ellie at the scene of the crime.


"Jacobia," said Bob Arnold, his round face ruddy
with cold. Snow crusted his hat brim and the furry rims
of his earflaps. "Hey, Ellie. Wicked bad out. Cars all over
the side of the road."

He looked hopefully around for coffee as two more
men came in. The insignias on their jackets said they
were from the Washington County Sheriff's Department
and the Maine State Police. I shot Ellie a look to tell
her to keep quiet; if she had anything on her conscience
she could unburden herself later, preferably to an attorney,
should unburdening prove necessary.

But it was no use. Ellie looked at Arnold and smiled,
her silence not bred in deep enough, or perhaps it was,
but some long-ago pirate's briny lies were bred in
stronger and deeper. Cargoes are not only for trading,
after all, but for heisting, and this is especially so for
illegal shipments, and that was how Ellie's forebears had
made their bloody livings: by the hissing of steel cutlasses,
at the dark of the moon, on nights so cold that
rags of sea smoke trailed over the water like remnants of
tattered sails.

"I did it," she announced. "I killed Threnody McIlwaine
with an ice pick, after he swindled my father out
of a fortune."

The men looked wonderingly at her.

"And," she added in bold, ringing tones that I thought
owed plenty to her rascal ancestors, damn their eyes, "I
would do it again."


6



"So they let her go home," said Wade Sorenson. "That's
good. Makes good sense."


It was two in the morning, and the Amaryllis stood
safe at harbor. From the dining room window I could see
her glowing through the gale-driven snow like a beacon
somebody has thrown a sheet over, her decks floodlit for
the line-haulers laboring to make her fast.


Waking from an uneasy half-sleep, I'd come downstairs
to see whether Wade had returned from the water
and found him at the dining room table, cleaning an
antique Smith & Wesson revolver. The room smelled
sweetly of gun oil but not, I noticed gratefully, of
Hoppe's No. 9 Bore-Cleaning Solvent, which is so awful
I sometimes wonder why people bother shooting actual
bullets; the stink alone could kill you at twenty paces.

"Hi," Wade said, reaching up to put an arm around
me, and for a moment I just leaned against him. He had
his own little bungalow down at the water's edge, on
Liberty Street, but in his quiet way he had recently
installed a spare shaving kit at my house. Coming from
Wade, it was a gesture akin to a gift of diamonds.

I let my arm rest on his shoulder, and my head on his
wiry hair. He smelled of soap, shaving cream, and the
bay balm he used to keep his hands from cracking in cold
weather; his body, squarish and solidly muscled from
years of activity on and around the water, had nothing to
do with workouts and everything to do with work.

"Glad you're back," I said.

"Glad to be back. Didn't mean to wake you." He
squeezed hard around my waist once, then gazed up
assessingly at me as if checking the status of some complex
machinery that he very much wanted to make sure
was operating properly.

"You didn't wake me." I gestured at the table, unsurprised
that he was still busy at this hour. A harbor pilot
in the act of guiding a thirty-six-thousand-ton commercial
vessel up to a cargo dock is one of the more wide-awake
persons you will ever meet, and he will stay that
way for hours after a job. "What's the project?"

He grinned like a kid with a new Christmas present.
"A six-shooter. Cowboy gun. 1876. Smith & Wesson
made a zillion of them for the Russians, but it turned out
a lot of guys here liked 'em, too. See, it's a top-break, the
barrel's on hinges, opens down." He broke open the
most recent addition to his antique weapons collection
and handed it to me, and I took it unhesitatingly.


Which right there was pretty remarkable. When I first
came to Maine I believed that if I even touched a gun, my
right hand would shrivel up and fall off. Guns were for
guys who drove old pickup trucks riddled with body
rot, who took their girlfriends line-dancing on Saturday
nights and beat them bloody-faced afterwards, who
drank Lone Star and spat plugs of chewing tobacco and
said things like, "Ma'am, you look vurry, vurry purty
tonight," while the jukebox played Johnny Cash singing
"Ring of Fire."
And mostly, guns were for guys. But then I got to
Eastport, and the first thing that happened was this: a
skunk settled in under the porch. Every night at ten
o'clock, that skunk would come home and direct an
aerosol of the most astonishingly penetrating poison
fumes I have ever smelled in my life, straight up through
the floorboards of the house.

Well, we just about died. You couldn't think, you
couldn't sleep, the reek drilled into your sinuses and
poured out through your tear ducts. It got so bad that
Monday would run up two steep flights of stairs into the
attic, which was as far as you could get from the skunk's
residence, and hide in a closet and howl.

That was what I felt like doing, too. We tried blocking
the skunk's entry-hole with chicken wire, and after he
chewed through that we tried filling it with bricks, which
the skunk most definitely did not like, and his protest
nearly gassed us to death. We bought one of those catch-and-release
traps and were all ready to use it, only neither
Sam nor I could figure out what to do once we
captured the skunk, since neither of us owned a chemical
warfare suit and the release portion of the program
seemed likely to be fatal without one. We even thought
of putting out a bowl of delicious (to skunks) antifreeze,
so that he would drink it, stagger away, and die, but then
Sam had a bad thought: what if he didn't stagger away?
What if he crawled up under the porch, into the wall,
and decomposed there?


So it was a skunk stalemate. He wanted to get rid of
us so he could live in the whole house, and we wanted to
get rid of him so that we could live in any portion of it at
all; by now even the orange juice in the refrigerator
tasted like wild animals, and people were beginning to
look oddly at us when we went into the library or the
grocery store, on account of the aroma we had begun
radiating.

And then one day a fellow came to the door, who said
that his name was Homer--only of course he pronounced
it the Maine way: Homah--and that he had
heard we had a skunk problem.

I didn't quite fall down and kiss Homer's feet, but I
did bring him into the kitchen. I poured him a cup of
coffee and gave him a sweet roll and begged him, positively
implored him, to tell me how to get rid of the
skunk.

"Oh, that's easy," Homer said, chewing appreciatively
on the sweet roll. He swallowed. "I come ovah, late one
night, and blow 'im to nevah moah. You can keep the
cahcass if you want, or I can take it with me."

I told Homer he could keep the cahcass, and any
others he happened to find on the property, at which he
brightened. "There is," he confided, "a nest of squirrels
in your shed roof, fouling your attic ventilation."

But there wasn't for long. One night soon after I met
Homer, our whole neighborhood sounded like a battle
between the Hatfields and the McCoys, and the next
night we did not get fumigated by a skunk. It wasn't a
solution any animal-welfare advocate would have appreciated,
but we enjoyed being able to go to bed without
having to wear gas masks; soon even Monday would
come downstairs without whining, and my eyes stopped
resembling peeled grapes.

So I had to rethink my attitudes about firearms, and
without getting too deeply into the murky area of my


childhood history--deeper, that is, than my knowing all
the words to "Ring of Fire" must inevitably, I imagine,
suggest--may I simply say right here that for one thing,
the whole idea of shooting a varmint without having to
pick the birdshot pellets out of it and eat it afterwards
came as a revelation to me. Then in my fast-paced city-
dwelling adulthood--before I came to Eastport to work
on the house, relax, and just breathe in and out for a
while--the word "shoot" got itself linked with such
tabloid phrases as "convenience-store clerk," "domestic
dispute," and "postal worker," not to mention the ever-
popular "gang-style execution" and the ubiquitous
"romance gone tragically awry."


But here in Maine, I was learning very quickly, things
were different. People had shotguns, rifles, and handguns
of all descriptions, and mostly they didn't shoot their
neighbors, their co-workers, or their kids. Women didn't
blow their husbands' heads off, men didn't romp around
the household threatening to add extra apertures to their
wives, and generally if somebody wanted to use a weapon
on someone, they bonked them with a telephone or
smacked them with a two-by-eight, or in the tougher
cases ran over them with their cars. Maine could be
violent, especially in winter when people drank more--
witness the trailer-home fire up there in the numbered
township--but it was low-tech violence; for one thing,
ammunition was so expensive. Guns, I decided, especially
rifles, weren't so bad, particularly during deer
season when they put venison on the tables of people
who otherwise couldn't afford to eat meat.

And that was where I had gotten to on the topic of
firearms, on the morning--about six months before
McIlwaine died--when a big, burly fellow named Wade
Sorenson waltzed into my life, carrying a six-shooter the
size of a cannon and enough cartridges to re-enact the
gunfight at the OK Corral. He was going, he said, target
shooting.

And at the confident look in his pale grey eyes, the
soothing, unhurried sound of his big, deep voice, and the
easy, no-problem expression weathered into his rugged
face, I'd felt a bull's-eye forming in bright, iridescent circles
around my heart.


Now Wade took the revolver back and closed the
barrel up. "So how'd that happen? Them letting Ellie go
home, I mean."

"Well, the state guys didn't want to, at first," I replied.
"There was too much wind to drive anywhere by then,
but they were all for putting her on a fishing boat to
Lubec, and having someone from Machias pick her up
there. Or calling in a helicopter, if you can imagine that. I
don't know who they expected would fly it, in this
weather."

Ordinarily, Bob Arnold would have had to drive Ellie
thirty miles to Machias, where they had modern conveniences
like fast-food restaurants and jail cells, but
because the sheriff's deputy and the state guy were
already here, Arnold said that one of them would
probably end up doing it after the snow stopped.

"Arnold could have put her in the lock-up at the Coast
Guard station," I said, "but that would have meant
putting a seaman on duty there, and in an emergency he
couldn't stay with her."

Once they realized the tabloid nature of the situation--
murdered billionaire; remote, snow-choked town; beautiful
young suspect--neither the deputy nor the state
officer had wanted to take custody of Ellie without first
receiving further instructions from his superiors. A case
with national publicity could kill you or cure you, career-wise,
Arnold had explained, and in the event one of their
agencies decided later to punt, they didn't want to have
created a tar-baby.

"And since they couldn't get a lawyer over here in the
storm, anyway--"

The district attorney in Calais had been notified, and
had promptly passed off to the attorney general and his
crack team of prosecutors and investigators in Augusta.
The state police out of the barracks in East Machias
would still begin the investigation, and a local assistant


DA would file a complaint in district court, but all of
that, Arnold had said, was just the opening act. In
Maine's two-tiered judicial system, district courts handle
mostly misdemeanors, sending serious offenses up to
superior court.


"They read her rights to her, but they didn't want to
take her statement until she'd had legal advice," I added
to Wade. "So the way it ended up was, Ellie promised to
surrender into custody tomorrow morning, and then she
went home and the state cops went down to the Baywatch,
had dinner with Arnold, and went to Motel East
for the night."

Which to me had been absolutely astonishing, but
when you came right down to it, what else were they
going to do? The town's only attorney had made it off
the island ahead of the blizzard, which made him about
as accessible as the moon; snow alone probably wouldn't
have stopped anyone, but the wind was now truly
ghastly.

Meanwhile the phones in Eastport worked perfectly
well--we are nothing here if not self-sufficient--but the
mainland phones went out soon after Arnold had his
chat with the district attorney, and Bangor and Augusta
were both shut down for the night anyway--on the
mainland, the storm was what old-timers called a gullywhumper,
massive and paralyzing--so that even via
radio the officers couldn't get fresh orders immediately.

"Not to mention what would have happened to her
parents," I went on, "if she'd had to go so suddenly,
without any warning. The upset alone would have been
awful for them."

And as Arnold pointed out, if Ellie didn't mean to turn
herself in tomorrow, why confess? It wasn't as if she had
a big city to vanish into, or even any way to get out of
town. Besides, he'd told the state and county men
stoutly, he'd known Ellie all her life and she'd never
broken a promise yet that he knew of; he doubted she
would start now.
"So Arnold talked the deputy and the state cop into
waiting," I finished. "No one's going anywhere tonight."


Actually, Arnold hadn't precisely talked them into
anything, but he can move block granite with his voice
box when he's motivated. Discovering that neither of the
officers knew what their next move should be, he'd
simply told them what to do, and they had done it as if
by reflex.

Wade popped the cylinder back into the revolver and
tightened the catch-screw. "Nothing more to be done
about it, then, for now. Things'll start straightening out
in daylight, I expect."

Wade's idea of trouble was no land, no lifeboats, and
a bilge pump operating as ballast. Boarding a big vessel
preparatory to bringing it into port, he would step from
the pilot boat's open deck to a gangway up the vessel's
side. Sometimes the gang led to a hatchway and an
enclosed stair. Sometimes it didn't, and Wade scrambled
up over a rolling sea.

"I hope so," I said. Upstairs, Sam had turned off his
stereo and gone to bed hours earlier, tired out from
skiing and exhausted from a long conversation with
his father, which I had not after all been quick-witted
enough to prevent, nor had the phones gone down early
enough to do it for me. And then there was Ellie, who
was clearly in terrible trouble, and I didn't know what to
do about it.

Wade looked up questioningly at me, seeing something
in my face, then got up and put his arms around
me. "Cat got your tongue all of a sudden?" he asked
softly, and I nodded against him.

He chuckled. "They'll do that, sometimes. But they let
loose when they're ready." He put his face against my
hair. "Anyway," he said in tones of quiet amusement,
"the spoken word can be a highly overrated item."

I smiled in spite of myself. "A lot of times," he went
on, "words don't even make sense."

He lifted his hand and moved it in a flying-away
gesture. I could feel his muscles, as powerful as heavy-
duty springs, through his flannel shirt.


"You don't," he assured me, "have to bother with 'em
anymore, tonight."

Whereupon a little clamp, tight and sharp-edged as
steel, unpinched itself somewhere in my chest.

Later, after he had cleaned up the newspapers and put
away his gun things, we went upstairs, and for a while
we said nothing that made sense to anyone but us.

To whom it made perfect sense, indeed.


7



Just before dawn I got up and stood at the hall window,
and watched the snow as it swirled on down through the
streetlight.


At this hour, when the house shoulders into a storm
and the windows are rattling like snare drums, it is possible
to remember how exposed we are, here on our little
bit of rock out in the Atlantic. For that is where we sit;
only the Canadian islands and Nova Scotia are farther
out in the chilly ocean than we are. The Vikings even
made it here in wooden boats, leaving runic artifacts not
two miles off as the crow flies, in what is now Lubec.

The Vikings were newcomers to Maine, of course, as
are we. Before them were the Abnaki and the Etchimin,
People of the Dawn and People of the Sea, and before
them the mysterious Red Paint People. No one knows
where they came from or what they believed, only that
they buried their dead with red ochre and that their
remains predate five-thousand-year-old shell heaps--
remnants of much later native shore picnics--still found
along the Maine coast. In all, it is believed that people
have been living on Moose Island--one and a half miles
wide, four and a half miles long, with an elevation of two
hundred feet at its highest point--for perhaps ten thousand
years.
Which tends to put my little problems into perspective,
but it didn't this time.


Downstairs, I found the issue of Fortune magazine
that contained the McIlwaine profile and settled on the
sofa with it. McIlwaine had originally been an Eastport
boy, which explained at least in part why he made a
habit of returning to the tiny town on the island just off
the northeast seacoast. As a young man, the article said,
he had gone to New York immediately after high school,
swiftly displaying a cutthroat talent for business as well
as the ferocity and drive for acquisition that, over the
years, had become legend.

He'd started out in the trucking game, short-haul
transport and trash collection, mostly, but by the age of
thirty he'd diversified so much, you couldn't really tell
what business he was in, only that it was all profitable.
Now the McIlwaine empire spanned the globe, with
emphasis on mining, shipping, timber, and resort properties,
although he would snap up anything if it looked the
least bit vulnerable.

Or if he could make it vulnerable. Skirting the libel
laws, the Fortune writer managed to note that unions
had a habit of getting out of the tycoon's way; that house
fires, car crashes, and sundry other instances of bad luck
had a tendency to afflict his more stubborn opponents;
and that his string of ex-wives, in particular, routinely
refused comment about him. The exception, a fiery Bolivian
beauty who had agreed to be the primary source for
a book about him, had actually been on the point of traveling
to New York to work with the author on the project
when, on the eve of her departure, she was struck by
a violent gastrointestinal illness and died, apparently
after eating a bad oyster.

The rest of the article had to do with the nuts and
bolts of the business magnate's major interests: board
feet of lumber, rates of occupancy, short tons shipped,
and outlooks for tourism in the various exotic places
where McIlwaine had put his luxurious resort destinations.
The photograph showed him gazing out through
the French doors of his Chicago mansion, across a slate
terrace onto what looked like approximately ten acres of
lawn manicured to the fineness of a putting green.


On the terrace were two large Irish wolfhounds,
relaxed and smiling with the illusory good humor of a
couple of well-trained hit men. The wolfhounds' grins,
wide and predatory, were very much like McIlwaine's
own as he posed for the photographer.

McIlwaine, the article said, had only two children:
Patricia, the product of his marriage to his first wife, and
Janet, whom he had adopted from a New York orphanage
when she was an infant. His current wife--his sixth
or his seventh, depending upon whom you believed; the
Bolivian's status, since her death, had apparently come
into question--was "a young foreign-born beauty who
manages the family's social and charitable activities."

In other words, she went to parties. I had met Nina
McIlwaine briefly around town. About a year before the
article was written, she had taken a fancy to Eastport
and now spent most of her time here. McIlwaine's two
daughters, Patty and Janet, had come with her, and Patty
had even married a local fellow.

But parties here were mostly of the church-supper
variety, and I had no idea what Nina did with her time
these days. McIlwaine himself flew in and out on a
regular basis, his Learjet cutting through the sky with a
racket that rattled the dishes in every cupboard in town
before settling on the island's airstrip, which he'd had
lengthened to accommodate the aircraft. Soon after Nina
had indicated her liking for the place, he had built a
house for her, putting up in record time a dwelling that
in Eastport was the equivalent of the Taj Mahal, out at
Mackerel Cove.

I put the magazine down thoughtfully. In his career, a
guy like McIlwaine would have made enemies: bitter,
even murderous enemies. Ironic, then, that he should
have been done in by a woman with all the killing potential
of an embroidered handkerchief.
If she had, which despite her unfortunate remarks I
did not believe for a minute.


Wade had switched on a lamp when I got back into
bed, and shadows gathered in the stamped tin ceiling's
wreathed acorns-and-oak-leaves pattern. A fleck of rust
showed in one corner, hinting at a leak above; the third
floor of my old house is still piped for gas lamps and
chimney-flued for wood stoves, but it is not yet equipped
with storm windows.

Prybar, I thought automatically; a scraper and a
sander.

"Masking tape," Wade added to my mental list as he
followed my gaze. "And paint. Putty, and a putty knife.
And glazier's points, of course."

Of course. I closed my eyes.

"You know," Wade said after a while, "I'm thinking
about what Ellie said. Making such a production of
saying she killed the guy. And it reminds me how, in the
old days, there were sardine canneries up and down the
wharf. Big old buildings, with hundreds of people
working in 'em."

I nodded against his shoulder, not making the connection
but remembering the sepia-tinted photographs of
long wooden structures jutting out over the tidal waters,
supported by forty-foot pilings too thick to put your
arms around.

Wade's voice was like the sound of an outboard
engine idling, steady and slow. "People worked their
whole lives in those canneries, cutting and packing,
sealing cans, putting the labels on. Tin, you know. Soldered
seams. A fellow could make a career of sealin' the
leaky ones, he had a mind to."
He got up, and I settled into the warm spot where he
had been. "Gradually, though," he said, "sardines went
by. Catch fell off, and people didn't eat them anymore,
or not so much. Canneries closed until there was just the
one left, and that one had a steam whistle my great-grandfather
used to tell me about."
He began pulling on his pants. "Whistle used to call
people to work, sound the break, send 'em home at the
end of the day."


I wondered if the woman in the portrait had lived here
then. She looked too fine to be a cannery worker. As if
replying to my thought, the open bedroom door swung
smoothly closed and latched itself shut with a crisp,
interesting little click.

Wade tipped his head, smiling curiously. One day
when he had been hammering on the attic hatchway,
blocking off the drafts to the rafters that warmed up the
roof and made ferocious ice dams of the melting snow,
he had reached out for the nails and instead put his hand
on a ribbon: pink, with tiny seed pearls sewn onto it.
He'd put the ribbon in his toolbox to show me, he'd said,
but when he looked for it again, it wasn't there.

"Anyway," he went on after a moment, "my great-grandfather
said that at the end of the last day, the
foreman sounded that steam whistle for the final time, a
great big mother of a blast. And as the sound faded, the
boiler ran dry and the machinery went dead. And that
was the end of the cannery."

There was a restaurant now where the cannery had
been, out on the dock. Polished floors, and a grand piano
with a fellow playing cocktail music, weekends.

Wade finished dressing, and fastened his wristwatch.

"A loud noise," I said.

Wade nodded. "Sound and fury."

"But nothing behind. You don't think she did it,
either."

He paused, adjusting the slide on his string tie. The
first time I met him, he told me sincerely that if you touch
the two metal ends of a string tie together, they will make
a spark.

"Ellie and George were engaged to be married, once.
Neither of 'em 'll talk much about it now," he said, "but
they were. Story around town was, Ellie's mother put the
brakes on it."
The revelation didn't surprise me as much as it might
have. I'd always thought Ellie's disparagement of George
as a romantic prospect was a case of protesting too
much--although I wouldn't have told Ellie so. She could
be prickly about her privacy.


Wade sat down and bent to tie the black leather,
rubber-soled utility shoes that he wore for work. "Ellie,"
he said, "should have got shut of that old woman a long
time ago."

Wishing Ellie's mother would take a sudden notion to
walk east until her hat floated was not a new idea to me,
either, or to anyone who knew Ellie. I looked at the door,
which had opened again a fascinating quarter-inch. "You
think Ellie is protecting George?"

The idea of George as a killer was almost as bad as the
idea of Ellie as one, and more plausible from the upper-body-strength
point of view. George performed hard
physical work all day, and never mind that he didn't
have any motive, since as far as I was concerned, Ellie
didn't, either, despite what she'd said about a swindle. I
made a mental note to find out more about this, if only
to discount it, since the notion of Ellie killing over money
was, to me, outlandish.

"No," Wade said, "I don't. But it might be I just don't
want to. Because if Ellie didn't do it, and she's confessing,
it stands to reason she's protecting someone,
doesn't it?"

Over on my dresser, McIlwaine's tie pin glittered spitefully.
Bob Arnold had given it to me for safekeeping the
evening before, asking me to return it to McIlwaine's
widow, Nina, when I could, as he imagined that he would
be on the job all night and who knew where he or it might
get to by morning. As if to prove this, the radio on his belt
had begun sputtering, so I'd taken the thing reluctantly,
McIlwaine's body itself having at last been removed to
Flagg's Funeral Home at my absolute insistence.

"Paintbrush," Wade said. "Silicone caulk."

The bedroom door sneaked open another inch.
8



"I'm not going," Sam insisted a couple of hours later, his
face set into the hard-jawed, mulish expression that
reminded me so much of his father. "I'm not, and you
can't make me."


I dropped two bagel halves into the toaster and
poured myself a glass of V8. Sam made a face; he regards
vegetables as garnish, mere obstacles between himself
and the meat and potatoes.

"Dad said I shouldn't go." Sam sank into a kitchen
chair. "He says boat building is for losers. He says I'm
getting to be a local yokel, all I want is a dog, a shotgun,
and a pickup truck."
At the word "dog," Monday got up and put her head
in his lap, and gazed up at him adoringly. He smoothed
her ears.

"Dad says," Sam went on, "I'm wasting my life. He
says you're making me waste my life, up here."

I did not look at Sam, just kept buttering the toasted
bagel halves, while in my head the coffeepot smashed
against the wall and the knives all flew out of the kitchen
drawers, gnashing their blades together and impaling
themselves in the countertops.
"Is Wade wasting his life here? Or George?" I asked.
"Or," I went on, my voice rising despite my resolve, "the
men who go out on fishing boats, and risk their lives
trying to support their families? Do you think," I
demanded, "those two guys who drowned trying to
bring the scallop dragger over from Lubec in the storm,
that those guys were yokels'?"

The bad news had come in a call for Wade, just before
he left for the Federated Marine office. The previous
evening in Lubec, the next town down the coast from
Eastport, four men had set out in a sixteen-foot wooden
skiff, trying to reach a dragger that one of them had left
moored offshore. Their plan was to get the big boat into
the boat basin, where it would be safer from the weather.
Instead, a wave swamped the skiff. Two of the men
had clung to mooring balls, and two drowned, their
bodies swept out by the tide. Wade was part of the
recovery team.


Sam looked momentarily shamefaced, but where his
father's advice was concerned he was like an alcoholic:
knowing it was bad for him, hoping this time it would
come out differently.

"I know I'm not doing so good in school, but I'm
going to get a tutor, and work harder," he insisted. "Dad
says if I do, he can still get me into Yale." He frowned at
his clenched fists.

"And I know what you think," he went on. "That I'll
fail. But you want me to fail, you want me not to be anything
like Dad."

His tone was growing frantic; this, in a nutshell, was
the trouble with calls from Sam's father. His vindictive,
grandiose notions seeped through the phone lines like
poison gas.

"Look," I said, mustering a smile that felt nailed on,
"it's no big deal. I'll just call the school and have them
take you off the tour list."

Twelve hours earlier, Sam had been enthused about a
plan that I thought was just perfect for him. But in only a
few minutes his father had convinced him that learning
to build ships, a skill that would make Sam employable
anywhere in the world, was about as worthwhile as
learning to carve tugboats out of bathtub soap.

"Okay," Sam relented. "I'm sorry. I know you don't
want me to fail, and I don't think those guys are yokels.
It's just..."

He spread his hands helplessly. "Why can't I be smart,
like you and Dad?"

I looked at my son, with whom I had always tried to>
be honest. "Because," I said, "you have to be smart like
yourself."

"Yeah," he snorted dismissively, "me and Bozo the:
Clown."

Which was when I decided that what Sam needed was;
lies: the sort of low trickery and shameless, silver-
tongued deceit that only a seasoned financial professional
can properly deliver.


"You know," I ventured, "in a way, your father is
right. If you visited the boat school, you'd probably find
out you didn't like it, anyway. So in that sense, it would
be a waste of time."

Sam looked up, his expression doubtful. But he was listening,
and all I'd ever needed was to keep them listening.

"Still," I said slowly, as if just now thinking it
through, "I'll bet they could hook you up with a good
tutor. Some of their students must want extra help, too,
wouldn't you think?"

Sam brightened. "Yeah, I bet they could," he allowed.

"And," I said, moving in to close the sale, "it would
be too bad to make Tommy Daigle go alone, when he's
been counting on you all this time."

Sam looked vexed as he remembered his commitment to
his friend. "Daigle," he moaned, clapping his hand to his
forehead. "Oh, man, he'll kill me if I wimp out on him."

"Besides," I continued smoothly, "I've heard that
some of the students over at the school have some pretty
cool tattoos. Not," I added, "that I am going to allow
you to get any such thing."

The tattoo question had been bouncing around the
house for weeks, with Wade saying I ought to just let Sam
do it, and me quailing at the idea of some coarse Hell's
Angel type sticking a dirty needle into my baby boy.

Sam eyed me speculatively. He really wanted to go
on the boat school tour. "A tattoo would make Dad
bonkers."

"Indeed," I agreed, "it would. If you had one,
which you won't, and if he saw it, which he wouldn't.
Would he?"

"No, of course not." He got up. "You know, Mom,
maybe you'd better hold off canceling me out. Just, you
know, let me think it over a little while longer."

My throat opened, allowing a morsel of bagel to pass
through. "Good. That's all I want you to do. Think it
over, maybe talk it over with Wade."


After the first night Wade had stayed with me, Sam
met him coming out of my bedroom in the morning. The
two men eyed one another cautiously, then went on
about their business: Sam to eat breakfast and head on
off to school, and Wade to go down to the Federated
Marine office on Water Street.

Later that day, though, I spotted them together on the
fish pier, Sam with a Coke in his hands and Wade with a
bottle of Narragansett. Neither of them ever told me what
they talked about that day, and I have never asked. But I
had noticed Sam beginning to ask Wade for bits of advice,
and Wade thinking carefully before providing any.

"I don't suppose we even need to worry your dad
about it, at this stage. Do we?"

Sam paused, and I thought I might have gone too far.

"No," he said at last. "We don't. At this stage."

And with that it was, as they say, a done deal.

Or so I thought. Moments later Sam was gone in a
whirl of books and athletic gear. So many high school
teachers lived on the island, and so many high school students
had serious summer jobs, that a snow day was out
of the question even though it continued snowing hard,
with the forecast of a foot or more still to come.

What I ought to do, I knew, was call Sam's father, but
what I wanted to do was kill Sam's father, and this desire
would surely lend an unhelpful note to the tenor of our
conversation. So in the end I settled for cursing Sam's
father, fervently and colorfully, while doing up the dishes
that always got heaped in the sink somehow between
midnight and seven a.m. And gradually, under the influence
of a sinkful of hot soapsuds and the hushed,
marooned feeling of a major snowstorm, I grew more
cheerful.

I had lost the tattoo battle, but this was a concession I
would willingly make in order to save Sam from a type of
schooling that I thought was about as suitable for him as
an ax-murderers' academy. And even Ellie's problems, I
felt, could be resolved; surely no one would believe she
killed McIlwaine, or that George had. There was another
explanation and it would be revealed, I assured myself
confidently.


Thinking this, I hung up the dish towel--smiling at
the polka music oompah-ing out of the Canadian radio
station, enjoying my solitude in the big old house--and
contemplated taking a bath.
Which was of course when the telephone should have
rung, but instead the back door opened without warning
and Can Man strolled into my freshly neatened kitchen
as if he owned the place.

"Keep your chin up," he advised cheerfully, shedding
snow down onto my newly mopped floor and dropping
his burlap bag full of bottles and soda cans onto my
clean kitchen table. "Look on the bright side. Don't," he
counseled, "take any wooden nickels."

Can Man was in his forties, tall and slender, with thinning
blond hair and long, spidery ringers that were
always in motion, plucking up the returnable aluminum
and glass beverage containers he found on his tramps all
over the island.

"You should knock," I said, but I couldn't be angry.
Can Man's pale face was so simply, guilelessly sweet and
his manner so harmlessly friendly that even though I had
asked him not to a dozen times and he still kept walking
right on in anyway, I kept saving all our bottles and cans
for him; everyone did.

"A rolling stone gathers no moss," he observed.
"Could I have a glass of milk?"

"Of course. Wash your hands," I added. "Do you
think that if I gave you a pair of gloves, you would
remember to wear them?"

His answering smile was beatific. "Uh-huh." Then
without washing his hands or accepting the gloves I
offered him, he drank his glass of milk standing up.

He wasn't ever going to remember to knock, either.
What Can Man remembered was every old proverb ever
minted, every bright color he had ever seen, and three other
unchanging facts: where he lived (with his mother, in
a house on High Street), what he did (pick up bottles
and cans), and where to take returnables for the deposit
(Sawtelle's Redemption, which when I first came to
Maine I thought had something to do with born-again
Christians).


"When interest rates rise, liquidity dries," I said,
taking the emptied milk glass from him, and he looked at
me, delighted.

"If the currency's weak, inflation will peak," he
replied, stunning me in return; it was one I'd told him
months earlier.

"How do you find cans when it snows?" I asked,
handing over the clanking sack of containers I had saved
for him. "Don't they all get covered up?"

Can Man emptied my paper bag into his burlap one.
"It's not easy," he replied. "It's not easy at all."

He slung the burlap bag over his shoulder. "But," he
added with another of his purely happy smiles, "hope
springs eternal."

A thought struck me. "You didn't happen to be out:
yesterday, I suppose?"

He nodded. "Oh, sure. Work," he confided seriously,
"expands to fill the time allowed."

"But not here on Key Street? Seeing," I added, "since:
you're here today. Yesterday, you probably went somewhere
else."

"I was here." He gestured at his bag. "First come, first:
serve. The early bird gets the worm."

Something occurred to him, and he looked alarmed.
"Fish and visitors. Two days. Yesterday, today." He:
counted on his fingers. "Two days."

"No," I assured him. "That's all right. You can come:
here as often as you like. I just wondered if maybe you
saw anyone at the Whites' house, yesterday."

Because if Ellie didn't do it, and George didn't do it,,
who did? But Can Man wouldn't remember. He never remembered
anything outside of his categories.
"Red," he blurted, startling me. "I saw George's red
truck. I saw Ellie's green shoes. I saw a gold thing, like a
bottle cap, on a man's front." He pointed to his chest.
"Right here."


McIlwaine, I realized, and his tie pin.

"And . . . blue!" Can Man exulted.

McIlwaine drove a blue Lincoln, I remembered, but it
hadn't been anywhere around when his body turned up.
And when he was on the island, he didn't have a chauffeur.
I wondered if maybe Nina had driven him in from
Mackerel Cove, and dropped him off.
"Blue," Can Man murmured, and looked frightened.
Then he seemed to give himself a brisk mental shake, like
a dog coming out of the water.

"I have to go now. My mother says don't stay unless
you're invited. She says, never ask for anything but bottles
and cans."

He looked strickenly at the milk glass on the table.
"White," he whispered.

"Tell your mother I said it's fine. About the milk. Tell
her I said don't worry."

His face cleared; he hoisted the burlap bag. "Have a
nice day," he said, heading for the door, and at that
point I still believed I might.

Can Man stepped out onto the porch, where his footprints
and Sam's had already filled completely with new
snow. Just then McIlwaine's big blue Lincoln went by,
toiling in the wake of the orange town snowplow.

"Blue!" Can Man said, and it seemed to me that the
Lincoln slowed slightly, as if the driver had spotted him,
then drove on.

"Don't count your chickens before they're hatched,"
Can Man advised as he went away down the sidewalk,
his face lifted bravely into the whirling snow, and I
should have listened to him.

Instead I wiped the burlap shreds off the table and
washed out Can Man's milk glass. Through the kitchen
window I spotted a dozen bobolinks, each appearing to
wear a black-and-white tuxedo scarved with butter


yellow, sheltering in the raspberry thicket at the rear of
the lawn and eating (I hoped) plenty of weed seeds.


The radio stopped playing polkas and began playing
show tunes. Monday sighed and stretched, smiling in her
sleep. The coffee-maker burbled and fell silent, and I
poured myself a cup.

That bath, I thought hopefully.

Which of course was when the telephone did ring.


9



"Girl! Where's my tea?" Hedda White thumped her cane
on the Oriental rug, in the Whites' back parlor.


"It's not ready yet, Mother," Ellie called patiently
from the kitchen. "You know you don't like it too
weak."

Hedda rolled her eyes, which were heavily outlined in
black, fringed with thick, dark mascara; her wig, elaborately
arranged in a coiffure that would have been appropriate
for a costume ball, was the metallic color of a new
penny. Apparently she hadn't cared for the rinse put into
her own hair at the beauty shop the day before, but then
not much ever pleased Hedda.

"Oh, come off it," she bellowed back at Ellie. "Too
strong, too weak, who cares? I'm a helpless old lady,
nobody worries about what I like anymore."

all contraire, I thought, determinedly saying nothing.
Hedda was as helpless as a scorpion, and nearly as
pleasant, her moods ranging from manipulatively charming
through irascible to the one she had chosen to inhabit
today: hell on wheels. For her morning at home,
she wore a gold brocade dressing gown belted with a
gold tasseled cord, along with more jewelry than she
should have been able to lift, given the severity of her
arthritis.

"Just hurry it up," she ordered, banging the cane
again, "and never mind your excuses."
"Yes, Mother," Ellie called from the kitchen, exhibiting
more forbearance than I could have summoned to
save my life.


Hedda let out a heavy sigh of impatience. Ranged
around her in the Whites' large, over-furnished parlor,
perched on the mantel and massed against the gold-patterned
wallpaper, were photographs of her in her heyday,
the thought of which I found terrifying: Hedda with
even more malignant energy than she possessed now.

"Everyone cared what I liked back then," she said,
seeing me examining the photos. With Hedda, I never
knew where else to look; if I stared straight at her I
wouldn't be able to keep my opinion of her out of my
face, and that would spell disaster.

At any rate, there she was, out nightclubbing with the
fast set she'd been part of in New York, thirty years ago:
politicians, movie stars, rock idols, gangsters, and their
retinues. Other photos showed her on stage in a spangled
leotard, fishnet tights, and the sort of precipitously high-heeled
pumps that showed just how immortal she must
have felt back then. Like McIlwaine, she had left Eastport
in her dust when she was young, and like him she
had returned.

"And do you know why they cared?" she demanded,
her gnarled ringers gripping the head of her cane. "I had
great legs."

She did, too, although in the photos it was mostly
her face, heavily caked with stage makeup, that you
noticed--that, and her massively teased, bleached-blonde
hair. For one brief, glorious season she had been a dancer
in a chorus line patterned after the Rockettes. Some of
the photos caught her in action, high-kicking, her smile
vivacious and her eyes as wide as the ones you see when
a deer appears suddenly in your headlights at night, only
not a bit scared. That face, so painted as to look barely
human, shone with manic energy and the thrill of being
in the spotlight, smack at the center of attention. The
world had been her oyster in those days and she'd gulped
it down alive, just as she now devoured anyone unlucky
enough to get near her.


"But I came back. To my home and my family. I knew
where I belonged," she said to me, who so patently
did not.

In Hedda's view, anyone who sold an old Eastport
house to somebody from away, like me, might as well
burn it down. Worse, the house I had bought once
belonged to some of Hedda's relatives, and from the way
she carried on about it when I first came here, you'd
think I was desecrating their graves.

For my part, I thought there was more to the story
behind her return to Eastport than she let on. Still, she
had come back, married Alvin White, and produced
Ellie, all in a single year, with the swift efficiency of a
sharpshooter knocking down clay pigeons. For whatever
reason, Hedda had known what she wanted.

As she did now. Stomping her foot, which was encased
in one of the flat, hard-soled slippers she insisted
on wearing in order she said, to keep her step from getting
sloppy, she yelled again to demand refreshment.

"Coming, Mother," Ellie called. "Jacobia, why don't
you come in here and help me?"

I got up gratefully, Hedda's querulous tones rising
at my back. "Sure. Leave the old lady by herself. That's
typical of you young girls, today. No consideration."

Ellie shut the kitchen door on her mother's voice and
leaned against it. "Jacobia, what am I going to do about
her?"

There were no photographs of Hedda before New
York in the house. Hedda had burned them, Ellie said,
before Ellie was born. This is who I am, Hedda seemed
to feel about her New York memorabilia, and god help
anyone--or anything--daring to suggest otherwise.

"Well," I told Ellie, "I suppose you could have her
stuffed and mounted. She'd have to be shot, first, but I
don't see that as a problem."

On one of the kitchen countertops, a radio scanner
sputtered static and occasional bits of dispatchers' voices.
It was a common diversion here in town, listening to the
radio traffic, and with the storm there was plenty of it.


I went over and turned the volume all the way down.
The Whites' kitchen was the after picture to my old
house's before: smooth white cabinet fronts, Corian
countertops, state-of-the-art appliances, all installed at
the behest of Ellie's father, Alvin, who from the day of
his marriage to Hedda had decreed that Hedda should
have the best.

Not that Hedda cooked, washed dishes, or performed
any of the other tasks essential to running a household.
Hedda's contribution consisted of emptying her highball
glass. The ice-making machine in the pantry was big
enough to supply a hotel bar, and from little hints Ellie
had dropped here and there, I gathered that Hedda had
kept it running steadily until her doctor delivered an ultimatum:
one single cocktail, its size monitored by Ellie,
per evening. Personally, I'd have doped her to the eyes
and let her liver go hang. "Have you told her about last
night?" I asked. "About confessing?"

"No, I haven't told her," Ellie said, then sighed. "They
both know about the murder, and I told Dad about what
I said to the police. He understands, I think, what's going
to happen. She's ..."

"A mean old bat," I supplied, and Ellie shot me a
look; the topic of Hedda was a perennial land mine in
our friendship, and I insisted, perhaps too stubbornly, in
stepping on it.

"Jake, you know how I feel," Ellie began.

"I know." Her patience made me even more rebellious.
"But if she were my mother ..."

"Lucky for both of you, she's not. Besides, I promised
Dad a long time ago I'd never do anything to ..."

Her voice trailed off, but I knew. To get back at
Hedda for her miserableness, Ellie meant, for her constant
complaining and criticizing and demanding. And
Ellie's record of keeping promises, as Arnold had told the
mainland cops, was sterling.
"Anyway, that's not why I called you." Ellie got the
spoons out, setting each one on the tray with a meaningful

clink!


"Well, why did you, then?" I asked, but she didn't
reply.

According to Ellie, Hedda's vicious temperament
dated from a mugging in Manhattan, thirty years earlier.
A pair of young thugs, a robbery and beating, her ankles
broken. Hedda never danced again.

Ellie used the story to explain why she made such
allowances, but I was not nearly so inclined to forgive
Hedda's chronic abuse of my friend, which was
almost as wearing to witness as it must have been to
endure. In fact, if her hands hadn't been too arthritic
to wield an ice pick, I might have wondered whether
Hedda killed McIlwaine herself. She was mean enough,
and with her, no obvious motive for wickedness was
required.

In the pantry, the ice machine hummed quietly. Hanging
beside it was a metal scoop for getting ice out. No ice
pick was anywhere in evidence; probably one of the officers
from away had taken it.
"Jacobia," Ellie began again; the silences between us
never lasted. "The thing is, I'll be going to jail."

"Don't be silly. Of course you won't." I filled the
creamer. "You'll say you didn't mean it, you were in a
state of shock. Or something." I tried to think of what.

"Jake." Her voice was gently amused, probably at the
idea of her ever being in shock. Despite her ethereal
looks, Ellie was as tough as an old boot.

And stubborn. Dear god, but she was stubborn.
"Listen, could you keep an eye on my folks while I'm
gone? You won't have to stay here or anything," she hurried
on, "they're fine at night and I've got someone to
come in, daytimes. Just. . . watch out for them."

I set the sugar bowl on the tea tray. "So you're
sticking to your story. I can't believe this. Ellie, why?"

"You told me not to talk to you about it. That was
good advice." She lifted the top of the teapot, sniffed the
contents, and set the teapot on the tray with the rest of
the things.


"Anyway, I will be going. Bob Arnold's coming over
in a little while to tell me what to expect. But he thinks
it's pretty certain I'll be charged with murder."

She made it sound like a parking ticket. "So what
I want to know is, can I count on you?" She lifted the
tea tray.

"Ellie, I ... yes." I faced her helplessly. "Of course.
With Hedda. Keeping an eye out, and so forth."

She turned to me and for a moment I had the feeling
she was about to ask something more. But all she said
was, "Good. I knew I could. Do you think I should
pack?"

Already I felt bereft. "What? No. I'm sure they supply
your clothes."

Prison greens, I thought, the memory of Can Man
flickering and vanishing, or blues; dear god. But Ellie's
composure bolstered me, as it was meant to do.

"You'd better bring change for the pay phone,
though. Soap, shampoo. And your toothbrush. Personal
items," I added sorrowfully. "I don't know how much
they'll let you keep."

A lump rose in my throat at the thought of Ellie's
dressing table upstairs, its silver-backed mirror and hairbrush,
her jars of scented creams. She was clean as a
cat, and as particular about her things. "Ellie, why are
you--"

Her look stopped me: clear-eyed, resolute. "I'm
depending on you, Jake," she said, and I thought she
meant with Hedda.

Which of course in a way she did. When Hedda could
get around better, she got a ladder and put rat poison
into the bird feeders Alvin had hung in the yard, so
pigeons wouldn't mess up the lawn.

When Hedda first met me she was sweet and amusing
to my face, then told anyone who would listen that Sam
was not really my son at all, but a teenaged lover whom I
had kidnapped out of a reform school.
When Ellie began spending time at my house, Hedda
summoned me one day to inform me that Ellie was a seriously
disturbed young woman who had been known to
become violent without provocation.


I thought that if I had a provocation like Hedda, I
might get violent, too, possibly even enough to start murdering
old ladies in their beds. And that, I supposed,
would be my main challenge while Ellie was gone: not
killing Hedda.

"Anyway," Ellie said, "Janet Fox will be coming to
help out during the day. I've been having her in a few
mornings a week, and it seems to be working all right.
Mother treats her badly, but Janet doesn't seem to mind.
I suppose she got used to it with her father. I spoke with
her early this morning."

I nearly dropped the plate of toast I was holding. Janet
Fox was a terminally shy young woman with chewed
fingernails, a tragic manner, and almost as much long-suffering
patience as Ellie.

She was also, as the Fortune magazine piece had
reminded me, Threnody McIlwaine's adopted daughter.

I stared at Ellie in disbelief. "Would you care to
hazard a guess as to why the daughter of a murder victim
wants to help out with the mother of his confessed
killer?" I asked.

"I'm sure I don't know, but I didn't feel I was in a
position to quibble. Mother's temper is pretty famous, so
there weren't a lot of candidates for the job."

"You could have asked me. I'd have done it."

A horrible thought, but still; she'd have done it for me,
had our circumstances been reversed.

Ellie managed a smile. "Thank you. But Janet gets
along with my mother, and you don't. Besides," she
added in a thoughtful tone that produced a quiver of
apprehension in me, "I've got another chore in mind for
you, Jacobia."

I was about to ask what, but just then Hedda's voice
rose from the parlor, accompanied by the thump of her
cane. I wondered if the cane could be fitted with a hand
buzzer, of the kind available from catalogs also offering
whoopee cushions and exploding cigars, so that Hedda
would receive a corrective little shock each time she
thumped it.


Ellie picked up the tray, then stopped me with a look
as I moved past her to open the door.

"Jacobia," she said. "I need you to find out what
happened."

At first I wasn't sure I had heard her correctly. Feeling
dazed, I gazed out the back windows of the kitchen at the
little frame shed filled with Ellie's gardening supplies--
bags of peat moss, bark chips for edging, and sacks of
lime--and at her neat rows of herbs and perennials covered
for the winter with compost. In the summer, Ellie's
garden was a paradise.

"What?" I asked, coming back to myself with an
effort.

"I need you," she repeated patiently, "to find out. The
way you've found out things for me, before."

"Ellie, I don't understand--"

"Tea! Tea! Tea!" A crash stopped my questions and
sent us both running to the parlor, where the old woman
sat smugly amidst the ruins of a lamp.

"So, I got your attention, did I? That'll teach you to
leave your mother out of the conversation."

Greedily, she eyed the tea tray. "Give that here."

"Oh, Mother," Ellie scolded sorrowfully, and went to
get a dust pan.
Setting that tray down and backing away from it took
every ounce of self-control I had. "You should be
ashamed of yourself," I told her angrily, "the way you
behave."

Unfazed, she lifted her cup with both half-crippled
hands and slurped from it. "You girls are the ones who
had better behave," she retorted, "or I'll shoot you with
my pearl-handled revolver."

Ah, the famous pearl-handled revolver, yet another
charming conversational gambit of Hedda's, much threatened,
never produced. "You ever pull a gun on me and
I'll brain you with it."


"Ellie wouldn't let you," she snapped back at me. "I
want more toast."

"Do I look like I'm wearing the maid's uniform?"

She shot me a poisonous glare and got to her feet, then
decided she didn't need further nourishment after all and
sank down again. That was the worst thing--when she
wanted to, Hedda could do for herself. An ice pick or a
fountain pen were too slender for her bent hands to
grasp, but she had no trouble with a steering wheel, after
wrapping it with layers of tape and gauze to make it
thicker; driving the Whites' Buick she was slow but no
less safe than most people. She wasn't even really old; I
calculated sixty or so at the outside and probably much
younger.

Only her hair, which had whitened early--probably
on account of systemic meanness--truly aged Hedda's
looks, and it was typical of her that she took endless
trouble with it, keeping it rinsed to a really rather
shocking shade of blue, then covering it with turbans and
wigs suitable for a much older woman. An appearance of
aging infirmity suited her purpose, which was to keep
Ellie hopping.

The telephone rang just as Ellie got the room set to
rights. Hedda's eyes snapped open.

"Who's that?" she demanded. "I want to talk. I've got
to let someone know about the shabby way I'm being
treated."

"Never mind, Mother, I'll get it." Ellie slid open one
of the pocket doors between the parlor and the front
room that served as her father's office. But he had
already answered.

"Hey? Who's there?" he shouted into the phone.
"Damned fool won't speak up."

In the doorway, Ellie turned. "I know what you think
of me, Jacobia. It's what this whole town thinks--that
I've been brave and strong."
She glanced at Hedda. "And very foolish."


Hedda bridled at Ellie's tone. "Why, what do you
mean?" she demanded. But she knew, and for an instant
she looked ashamed.

"Only they're wrong," Ellie said, "and so are you. I've
been a coward, and a foolish one at that. But I'm not,"
she finished softly, "going to be a coward, anymore."

Turning, she took the telephone from her father,
whose growing deafness made it a frustrating instrument.
At the same time she placed her hand gently on his
shoulder, and if a lifetime of devotion could be conveyed
in a single gesture, that one did it.

But it didn't comfort Alvin, who glimpsed me
through the narrowing gap of the pocket doors as Ellie
closed them. I caught his look of appeal in the instant
before they slid shut.

"You're the cause of it all," Hedda told me sourly.
"Before you came, everything was hunky-dory around
here."

"I'm sure it was," I said, knowing she would hate this.
Hedda adored a battle.

"You know, though," I said, "if I were you I'd watch
my step. Because," I went on, hearing Ellie still murmuring
into the phone, "you're on thin ice."

She opened her mouth in outrage, ready to blast me.

"Quiet," I told her sharply, and she blinked in surprise.
"That lamp, now, for instance. That's a perfect
example. Smashing things, violence toward caretakers."
I'd seen her swing at Ellie often enough, and suspected
that sometimes she connected.

"That's not normal, Hedda. It's the sort of thing
health care professionals look at when they're wondering
whether a person can go on living at home, or whether
they might be better off in some other setting. A more
controlled," I emphasized, "setting."

Her lip curled. "Ellie wouldn't let them." It was
her mantra whenever unpleasantness threatened, and it
always made me want to throttle her.

But now was my chance to put her on notice that
her reign of terror might be ending, and if it was, she
had better watch out for me. "Ellie might not be able to
stop it."


A flicker of alarm showed in Hedda's malevolent
eye. Just then the pocket door slid open again and Ellie
reappeared.

"You took long enough," Hedda snarled, then glanced
warily at me. "And I hope," she modulated, "it was a
fine conversation."

Mission accomplished, I thought.

"Not exactly," Ellie said. "Jake, that was Mrs. McIlwaine,
and she says ..."

The tie pin; I'd forgotten it completely.

"Bob Arnold told her you might be here," Ellie went
on, "and she's worried about where her husband's pin
has gone. I guess," she added uncomfortably, "she
thought I'd be gone by now, too."

Of course the news about Ellie's confession was
already all over town. Arnold wouldn't have talked
about it, but the deputy and the state cop would, and in
Eastport news travels fast. And although the weather had
given us a brief reprieve, very soon now the story would
be all over the country.

"Gone where?" Hedda demanded. She was going to
go ballistic when she found out. I felt torn between
hoping not to be around when it happened, and wanting
to be, for Ellie's sake.

"Who's that?" Hedda's look of anxiety ratcheted up
to alarm as footsteps sounded on the porch, a man's
shape moved across the frosted glass of the panes at
either side of the front door, and the brass knocker rattled
as Bob Arnold let himself in.

"Hello? Anybody home?"

"Oh, the police!" Hedda struggled up theatrically.
"Why is he here?"

Ellie took three swift steps, put her hands on her
mother's shoulders, and replaced her in her chair.

"Now, you sit there," she said, in a low, fierce tone I
had never heard from Ellie before.


Hedda's eyes filled with tears; her lip began trembling.
It was a wonderful act, but this time Ellie was having
none of it.


"No shouting," she instructed. "No getting up. And if
you hit anything with that cane, I'll take it away from
you and burn it."

She turned to me, visibly composing herself. "Jake,
will you please stay here with my mother for a little
while? I need to talk to Arnold before the rest of them get
here."

"The rest of who?" Hedda asked tensely, cranking up
the drama--but without, I noticed, budging from her
chair.

"But. . . the tie pin." All at once I badly wanted it out
of my possession; it seemed such an evil little icon of
everything that was happening.

Ellie's calm fled. "Oh, the hell with the damn tie pin.
Can't anyone just do what I want, for once?"

It was the most refreshing thing I'd heard from her
since the whole unpleasant business began. "Why, Ellie,"
I said, "I believe you may be growing a spinal cord."

She made a face at me--there had never been any
doubt about the existence of Ellie's spinal cord, only its
activity in Hedda's presence--and went to have her chat
with Arnold out in the dining room, while Hedda sat
trembling furiously but so far obediently.

"Hedda," I said, "I think I'd better tell you--"

"I know what I need to know," she spat, her eyelids
lowered balefully, but I noticed that from beneath them
her gaze kept returning to the door of the dining room.

There was something repulsively stagy about her
distress--her frightened outrage, expertly mingled with a
touch of frailty; heartrending, if you didn't know her--as
if the whole point of a man with an ice pick in his head
was to illustrate something about her.

"And it's all your fault," she complained, "you're a
very bad influence, and I don't mind saying I think you
should pack up your things and go back to wherever it
was you--"
With any luck, I thought, she would just drop dead.


"You know Threnody McIlwaine has been murdered,"
I told her flatly, "but what you don't know is
that Ellie has confessed to the crime. She'll be charged
with it soon, and you need to be prepared for considerable
uproar. The house will be examined, of course.
There'll be an investigation."

Hedda's face smoothed as if it were made of wet
plaster and someone had gone over it with a skimming
trowel. I'd seen the same shocked reaction before, in
other contexts; informing people that their financial lives
have fallen into ruin, for example, that they have come to
me too late and must now sell the racehorses, the jewels,
the paintings, and the speedboats has a similar effect.

"Ellie," Hedda repeated slowly, "charged with his
murder."

She got up, seeming to look past me into the distance,
but when I turned, it was one of the old photographs she
was staring at: Hedda, all made up like a movie star, and
a famous gangster, now deceased.

"The snow has given us time," I said, still waiting for
the explosion; I have seen Hedda apoplectic at the discovery
of a dry-cleaning error. "If it weren't for that,
they'd have been all over the place by now. But they will
come, and soon."

"Ellie," Hedda murmured. She tottered, and nearly fell.

Fortunately I caught her--she timed her collapse to
put me conveniently within reach; she shall have drama
wherever she goes, I thought--and it didn't take long to
revive her. We propped her on the sofa with a pillow
under her feet, and her eyelids began fluttering almost
immediately. Tucking the gold brocade dressing gown in
around her legs, I noticed the old scars marring her
ankles. But I didn't stop to think much about them, too
worried about what might happen next to give thought
to what must, after all, be ancient history now.

Alvin hovered on the periphery, frowning and clasping
his pale hands together, shooting anxious, communicative
glances at me. Clearly he was torn between his
concern for Hedda and a desire to get me away from her
as quickly as possible, and into the privacy of his office;
we ex-hotshot financial disaster-management specialists
can just sense these things.


Meanwhile I remained readied for the blast: it was a
favorite trick of Hedda's, collapsing in distress to draw
people near, then erupting when everyone was conveniently
within killing range.

But the explosion never came. Hedda's first words
when she could speak again were so out of character that
I thought she must have suffered a stroke.

""Ellie," she said, in mild tones that I had never heard
out of Hedda before, and I was willing to bet Ellie
hadn't, either. "My dear, I support you completely."

She did, too, only not in the way I thought, until
the end.

Or almost the end.


10



Once we got Hedda settled and the terrible wig had been
straightened once more over her hair, I followed Alvin
into his office and closed the pocket doors behind me. He
had a story to tell, I could see by the way he had set out
his financial records on a long oaken table, the ledgers
and folders with covers laid open in the soul-bearing,
confessional way desperate people arrange when they
have decided to fling themselves on the mercy of somebody
like me.


Alvin was older than Hedda, well into his seventies: a
stoop-shouldered man with bushy grey eyebrows, pink
cheeks, and a bald, freckled head. Wearing a white shirt,
bow tie, and blue knitted cardigan, he resembled a
retired attorney or college professor, neither of which he
was. Instead he had run the town lumberyard for half a
century, inheriting it from his father and operating it
until it closed, a victim of super stores and a dwindling
regional economy.


I found his frankness touching, and after a moment's
thought, frightening. Alvin's reserve was ordinarily
implacable, a wall of quiet dignity and privacy behind his
courtly manners.

But not today. I thought about the previous evening's
sequence of events: first we found McIlwaine; then Ellie
went home and told Hedda and Alvin that McIlwaine
was dead. But she'd told only Alvin about confessing to
the crime herself, perhaps for fear of Hedda's reaction.

"Thren and I were arguing yesterday," Alvin said.
"About this, and I'm afraid Ellie must have overheard us."

Then he sat in silence while I turned the pages of his
books. The records spanned decades, but absorbing them
didn't take long; they were impeccably kept and he had
opened them to all the right sections, so the important
parts jumped out at me. When I was finished, I had two
clear thoughts:

First, the charming little fishing village of Eastport was
nowhere near as isolated from the world and its sordid
workings as I had imagined. The tale Alvin's books told
was connected to one I knew well from The Wall Street
Journal, and from ex-colleagues with whom I still kept in
touch. And second, Ellie was in more trouble than I'd
thought, because the story went like this:

Once upon a time, in a country far away--but not so
far that it didn't have extradition treaties--an enterprising
fellow named Charlie Finnegan discovered some
platinum.

Well, actually, it wasn't just Charlie; it was his American
mining company, and it wasn't just some platinum.
It was a huge deposit, and rich as Croesus according to
the core samples analyzed by the geologist Charlie had
hired.

Somewhat later, the geologist jumped off a tall building,
or fell, or was pushed; details of the event remain
murky. At which point, people began asking why a
geologist hired by Charlie, paid by Charlie, and in
essence held captive in the middle of a jungle by Charlie
(that was where the platinum was, in a jungle in
Surinam) would report anything but what Charlie
wanted him to.


Which was that the platinum in the core samples had
been drilled from the exploration site. But that, as I say,
was later.

At the time, when the core sample results came in,
Charlie's company immediately went public: people
could buy shares in it, for money that Charlie would then
use to go back and dig up the platinum. (The geologist,
at that point, had not yet fallen, or jumped, or been
pushed, off the building.)

Which was where I entered the tale, peripherally but
decisively enough to keep its plot points fresh in my
mind: one morning soon after I arrived in Maine, I'd
gotten a call from one of my old clients, talking about a
new offering of platinum stock he'd heard of and
wanting my opinion of the issue.

I'd never paid much attention to initial public offerings,
other than the ones I privately called BFGs: buy, fly,
and goodbye. These I chose by asking myself one question:
how cool?

The common stocks of Reebok, Snapple, and Netscape,
for example, passed the test; people liked those
products in a big, special way: they were popular, yet
they felt somehow exclusive. You had to have a certain
tuned-in awareness of the culture, an awareness you
believed not available to everyone--although of course
it was; the culture was saturated in these products--
to know you were supposed to like them: that they
were cool.

Until they weren't anymore. One day Sam came home
wearing Nikes, drinking Fruitopia, and talking about
logging onto AOL (not all on the same day, naturally,
but you get the idea). I sold each of my BFGs a quarter
before it plunged, and since that era in my financial life
there hasn't been another BFG worth talking about,
although I will admit I've got my eye peeled for the next
Amazon.com.


But back to Charlie and the platinum stock: Platinum
was not cool. Furthermore, I'd known Charlie in the old
days when he was finding other platinum, along with
silver and gold and the gemstones set into them, inside
the jewelry boxes of ladies whose houses he entered by
crashing parties to which he had not been invited.
Charlie was always a persuasive, dashing-looking fellow,
a fact that helped him get into the houses in the first
place, and one that assisted him also at his sentencing
hearing--no mention of which appeared in the prospectus
of his new company.

I advised my ex-client to avoid the stock; if what he
wanted was to lose his money, I said, he could do it by
visiting the racetrack. But this was a decidedly contrarian
opinion at the time; Charlie had enlisted one of the best
underwriters in New York to assist him in his capital-amassing
project. Pretty soon everybody who was anybody
was on board: investment companies, pension
funds, all the big opinion writers in the financial newspapers,
here and abroad.

Nobody seemed to care that there was no independent
assay of the core samples, or that a mysterious gang of
thugs had destroyed Charlie's office trailers, or that the
government of the country where the site was located
had jacked up its permit fees. The point was, the platinum
was there and they were going to get rich.

Until the geologist took his fall, and they weren't getting
anything. It was a debacle of massive proportions,
one all the big names on Wall Street claimed they had
gotten safely out of before the crash came.

They hadn't. Charlie had hoodwinked them all. Many
individual investors got badly burned, too. One was my
ex-client, who ignored me. Another, according to his
books, turned out to be Alvin. But that wasn't the most
remarkable thing in Alvin's financial records.

"These are all your brokerage statements?"

He nodded, and I paged back through them: listings of


stocks he'd bought and sold over the years, the prices
he'd paid and what he'd gotten. Twice, he'd taken enormous
fliers on small companies, selling everything to
acquire huge holdings in unpromising-looking little businesses
no one had ever heard of.

It was most emphatically not what I would have
advised. Sailing out onto the perilous sea of a single
holding--instead of a well-managed, well-diversified set
of investments--may be fine for young men with whole
lifetimes ahead in which to recover from their errors. But
it is not recommended for fellows like Alvin, who by
their forties should be constructing deep, tranquil ponds
of financial security upon which to float their golden
years.

Contrary to this wisdom, Alvin had sold everything in
his portfolio--mutual funds, T-bills, municipal bonds
with coupons so generous they were to die for--to amass
his risky positions.

And he had done it twice. What happened after that
had me squinting at the statements in disbelief:

Each time, the shares had begun their plunge soon
after Alvin bought them. He had ridden them stubbornly
into the cellar. His losses had been huge, and not all on
paper, either. He'd sold big blocks, probably to keep his
cash flow going; some of the things he'd held earlier were
income producers, utility companies with interest-bearing
nuclear exposures, and pharmaceutical blue chips.

But then, just when his buys started edging into free-fall,
the stocks began rising. And the reason it was all so
amazing to me was this:

Stocks do not generally crash without warning, all at
once. Instead the collapse comes in stages: first the
insiders sell, then guys who are watching the insiders,
then people who are primed to get out at certain levels or
who have entered stop-losses, and finally the general
public. This results in predictable waves of selling: not a
single plunge but a series of definitive drops.

Now, if you look at the chart of a stock that has
suffered a collapse, you will see that at the bottom of each
drop there is a small uptick, a rise in the price. This
uptick, representing the smart money getting out because
it knows what is coming, and fools getting in because
they don't, is known as the dead cat bounce, so-called
because if you drop a dead cat off a skyscraper the cat
will bounce, too, but the movement doesn't mean the
cat is alive.


Alvin had done the impossible: he had bought dead
cats and survived them, not once but twice. In each case
the market for the stock had revived with a vengeance,
and Alvin had made a killing.

But then came the third time: Finnegan's platinum
company.

On that one, Alvin had gotten killed, and it was McIlwaine's
fault.

I turned back to the beginning of the books. There
were small mysteries in them and I wanted Alvin to
explain them to me. But Alvin had come to the end of his
patience, waiting for me to decode his financial doings--
and, as it turned out, Threnody McIlwaine's deep
involvement in them. Now Alvin wanted to talk about
Ellie and the events on the morning of McIlwaine's
murder.

I sat and listened to Alvin for a long time.

"So, can you help me hide this?" he wanted to know
when he was done, meaning the information in his
ledgers. "Because," he finished, "it's all going to look so
bad for her."

Alvin was a sweetheart, but nobody was going to mistake
him for Mr. Wizard. Gently, I explained to him that
mocking up a whole new financial history was beyond
even my considerable ability, and advised him to keep
quiet unless someone asked a direct question. It was the
best I could do for him under the circumstances, but I
could tell he didn't think it was good enough. I didn't,
either.

As I was leaving, I met Bob Arnold in the hall, looking
like a mile of bad road. From his red-rimmed eyes and
unshaven face, it was obvious he'd been up all night. He
was leaving, too.


"Alvin say anything pertinent?" he asked.

"I don't know," I lied. "He's pretty shaken up."

Arnold nodded, undeceived. I was sure he could tell
from my face that Alvin had said plenty. But Arnold was
patient.

"Well, it'll all come out in the wash, I guess. Anyway
it's out of my hands now. State people are on the way."
He glanced at the window. "Storm's layin' off a tad."

"Did she tell you anything," I asked, meaning Ellie,
"about how she did it, or where?"

In other words, could she substantiate her story?

I already had a why. It had been in the tale Alvin had
told me, and it was a beauty: that Threnody McIlwaine
had ruined Alvin White as surely as if he'd taken a
hatchet to him, because Alvin's disastrous investing had
been on McIlwaine's advice. But I wasn't going to volunteer
it, which Arnold understood; let someone who questioned
Alvin on an official basis get the why out of him.

He shook his head. "Won't. She did say it happened
here, which if I'd known, I'd have had to seal the place
off. I guess she didn't want that. Wanted a last night,
here, what I figure.'

Sighing, he added, "Too late now. Scene's all contaminated.
Plenty of people're gonna be mad about that,
but hell, it's water under the bridge. I know Janet Fox
was here with Hedda, they were upstairs together, and
McIlwaine was down here in the office with Alvin. As for
the rest, Ellie says she'll tell it all at one time, not string it
out in dribs and drabs."

Arnold looked miserable. "What a mess. And on top
of the Lubec thing, too."

"They find them?" The drowned men from the
dragger, I meant.

"Yeah. One of 'em." He added a few details. "I saw
Wade coming off the boat. Said it was bad. Tide and
waves, knocked the body around some, before they
spotted it."


"But why did those guys go out last night in the first
place? They must have known the weather had gotten
too bad."

"Well, a boat's a big investment. Fellow wanted to
save it. Other fellows, I supposed they'd promised to
help. That's the way of it, sometimes, on the water. You
do what you say you'll do. Plenty of times, you squeak
through. Skin of your teeth."

And other times not. Arnold shrugged his parka on,
pulled his earflaps down over his ears. "Bad day all
around," he said, going out the front door.

When he was gone I stood in the hall, thinking it over.
Alvin was still in his office, and Ellie and Hedda were
upstairs in Hedda's room; I could hear their footsteps
over my head.

Outside the snow had stopped falling in honest, steady
bucketsful; instead, it sneaked down. One minute a few
sly flakes floated from the sky, and in the next another
inch had accumulated, everything coated in white again.

Until I talked with Arnold I hadn't been sure what to
do next, but now I was. Helping Ellie was going to
require some thought before I could take action. And
that tie pin, I decided, could wait.

Instead I went home and got my own gun from the
lockbox Wade had built in the corner of my cellar,
zipped it along with some other things into my backpack,
and walked downtown through the shrouding, deceitful
snow to the Federated Marine building.


11


Federated Marine was a no-frills, white-painted frame
structure on the north end of the waterfront, overlooking
Deer Island. Outside, it seemed to blend into the snow
falling in bursts from a squall that had whipped up over
the water. Inside, its walls were plastered with navigation
charts.


"Want to go shooting?"

Wade looked up from his battered, grey metal desk.
His face, ordinarily so good-humored, was drawn and
disconsolate.

"Yeah." He pulled on his heavy parka and strode out
of the building ahead of me without another word.

We got into his pickup, a rusting Toyota with a cherry
beacon on the dash and a marine-band radio mounted on
the console. The squall of a moment earlier had dissolved
as suddenly as it came, and now the background snow
had begun slacking off as well, the wind gusting up only
to settle again into a damp, steady blow that was moving
the storm's first blast out to sea.

Wade cast an eye up, unfooled. "Not over by a long
shot."
"No. Just enough for the flatlanders to get in." It was
what downeast Maine natives called inland folk, who
retaliated by calling the vicinity a backwater. I supposed
it was, too, if you thought of it only in economic terms:
so thinly populated as not to be worth ruining with the
commercial graffiti of billboards, neon signs, and strip
malls. When I came here, it stunned me at first to realize
how much of what I had thought of as civilization was
really just advertising and marketing, incessant urgings
to buy, BUY, BUY.

At any rate, the storm's second punch was holding off
long enough to let them onto the island: more deputies,
state cops, crime scene investigators, and of course the
newspeople. By nightfall they would all be holed up in
Eastport's bed-and-breakfasts or at the Motel East,
gawking at the locals--who would not deign to gawk
back--and wondering how in the world they would get
out again.
"What did you bring?" Wade downshifted, and we
made our way up Washington Street past the U.S.
Customs building, whose massive granite shape hunkered
squarely over the harbor.


"The Bisley, and a box."

Of ammunition, I meant. We rode in silence on 191
out of town, across Carlow Island and onto the two-lane
causeway. Close on either side of the narrow, curving
strip of road, the heaving waves were black, bannered
with grey foam.

When we got to Route 1, there was a fender-bender
sitting crosswise in the intersection. The first vehicle was
a white Econoline van with a Bangor TV station's call
letters on the side, its driver wearing a blue suit and tasseled
loafers but no hat or gloves, stomping around in
the slush. The van had tangled with a scummy-looking
green Ford sedan with a bumper sticker that read: Don't
Like Loggers? Try Plastic Toilet Paper.

"Damn fools," Wade said grimly, not meaning the
drivers. The body of one of the fellows drowned at Lubec
had fetched up in some rocks out beyond the Narrows. I
could see the icy water reflecting in Wade's eyes, hear
raw sorrow in his voice. He would talk about it when he
was ready, if he ever was, and that was fine with me. For
some things, a decent downeast silence was the only
good response, at least in the immediate aftermath.

South on Route 1, the pines reared up blackish-green
on both sides of the highway, their boughs bending low
under heavy loads of white as if shielding the red fruits of
the savagely thorned barberry brush beneath, but the
pavement itself was mostly clear beneath an iron-grey
sky. A couple of miles beyond Pembroke Center the
snow stopped entirely, and Wade turned off onto an
unmarked road that wound between tiny, picket-fenced
cemeteries with small American flags poking up through
the snow and widely separated mobile homes set on
cleared quarter-acres of brushlot.

Bud Abrams' place was a neat, double-wide prefab
with a wide, pristine blacktop driveway, perfectly
cleared. Nobody was around but Bud's dogs, a couple
of shaggy tan mongrels who charged us, teeth bared
and sounding like the hounds of hell, until they caught
our familiar scent. After that they trotted back up onto
Bud's deck, satisfied that they had performed their canine
duty, and flopped inside the plywood lean-to he had built
for them.


We carried our weapons and ammunition out to the
picnic table behind Bud's shed. Wade unlocked the shed
with the key Bud had given him and got out the paper
targets and steel fall plates, while I carried the Bisley and
cartridges to the clearing behind.

"Ready?" Wade managed a smile, grateful to be active
and outdoors. It was the only medicine that ever worked
on him.

"Ready," I replied, putting a hand on his arm for a
fleeting instant.

A small laugh escaped him; he knew what I was
doing--not cheering him up, exactly, just getting him
out here.

"Think you're pretty smart," he said.

"Sometimes," I replied, and then we got back to
business.

In the thicket of mixed hardwood and stunted pine
that bordered the granite outcropping where Bud had
placed his shooting range, a bluejay screamed into the
silence as if protesting our disturbance of his peace. I
cleared the table of snow, spread a tarp on it, and opened
the locked weapon box and the boxes of ammunition.
Wade set up the fall plates and thumbtacked the paper
targets, tramping a path fifty feet through the snow to
the target butt that Bud had built out of two-by-fours
and a steel backdrop.

A few flakes were drifting from the sky as we got
everything set up. When we were ready, Wade watched
as I pulled the hammer back two clicks to the loading
position, slotted the cartridges into the Bisley's cylinder
chambers, and took my stance: at a forty-five degree
angle, resisting the temptation to turn my body.

As I pulled the hammer back a third click to the firing
position, I took a deep breath and let it out, slowly, getting
my sight line, squeezing with my whole hand, as
Wade had instructed me to do when I first began
shooting the revolver.


The Bisley's polished walnut grip felt warm and alive,
even in the cold, and through the earmuff-like hearing
protector I wore, its report was a distant smack! The gun
jumped sharply but not crazily, and I did not attempt to
prevent this, but tried not to anticipate it. Then I took
another deep breath and stopped trying altogether, just
looked and fired, and things went better for the next five
shots.

When I had gotten off all six, I opened the loading
gate, dropping the spent cartridges, and lay the Bisley
open on the tarp while we went to examine the target.

"Nice group," Wade said, sounding less dismal than
before, and it was, for me. Five holes bunched in the
lower left sighting-in target, two or three inches between
them. The first hole was high and wide, almost into the
black silhouette of the man-head centered on the target
paper.

"You could work on your sight picture, still," Wade
said.

The trick isn't in seeing it. The trick is to keep on
seeing it, right through the moment of the event.

"Dry-fire it if you want, at home. Keep the seeing and
firing as one thing, unified."

He said this quietly, without any special, heavy import.
He was a good teacher, and we'd been coming here
once a week for months, since I found out he collected
the old Wild West replica handguns. The Bisley was a
.45, Italian-made, not as fast as a modern .38 semi- but
with a load that would, as Wade said, sit 'em down if
you ever had a call to shoot somebody with it.

Not that I expected to do any such thing. "Again?" he
asked.

I shook my head. "After you."

Then I stood back and let him go to it, watching the
smooth routine of handling the Bisley, loading and
looking and firing, resetting the fall plates, and walking
back under a silent sky, wipe the horror of the morning
from his mind.


"It was just a god damned boat," he burst out
abruptly, reloading for the third time. "It wasn't worth
dying for."

"No. It wasn't. I wish they hadn't gone out, too."

He looked at the fall plates, grimaced, and shot
them down.

"But they did. There wasn't a thing I could do about
it," he argued.

Arguing with himself. "No," I said quietly. "You
couldn't."

He lifted his chin, raised his hands, and gripped the
weapon stubbornly, sighting over the fall plates. On a
deadfall beyond the targets, silhouetted against the snow,
the bluejay had settled stupidly, accustomed I imagined
to the sound of the firing range.

Wade's eyes narrowed purposefully at it. A long
moment passed.

Then he lowered the gun. "But they did," he repeated,
his shoulders dropping. "They did go out, and now it's
over and done with. And damn, but that water was
wicked cold."

The bluejay flew off. "You got one body recovered,"
I assured him. "So his family can have a funeral. You
did that."

He thought about it. "Yeah," he said at last, accepting
it reluctantly. "And the other one might still show up. At
least we know where it didn't go, so the searchers can
rule out some areas. It doesn't undrown them, but yeah, I
guess that's something."

"Under," I agreed, "the circumstances."

Wade is ordinarily so stoic that the only way you'll
know he has smacked his thumb is by spying his blackened
thumbnail. This time, though, it was what he needed:
not comfort, but company, and a little talk. Under the
circumstances.

"Thanks," he said quietly, and went back to shooting.
By the time he finished and I'd had a few more turns, the
box of cartridges was emptied and the air was peppery
with the smell of nitrocellulose powder. And when Bud's
shed was locked securely once more and we were headed
back through Pembroke, Wade was himself again.


"So Alvin spent more on the bad stocks he bought
than he got for the good ones he sold," he said. I felt
better, too. Before I came to Maine I'd spent most of my
adulthood in competition as cutthroat as any shootout.
The principles, clear sight and pure, purposeful action,
were exactly the same, and nowadays I was content with
paper targets.

Almost. "He spent a lot more," I said. "A hundred
and fifty thousand each time, that didn't show on any
of his 1040s." A deer stepped delicately from the thicket
alongside the road.

Wade whistled. "Undeclared. So where'd he get it?
And what's it got to do with what's going on now?"

"Well, it was a little bit difficult, getting that part out
of him."

The deer bounded across the road in front of us,
through the snow that had begun sifting down heavily
again, and vanished into the brush on the other side.

"I asked him where the hundred and fifty grand came
from. Bottom line, he says McIlwaine gave it to him,
along with stock tips. But he's vague on why. All he
would tell me was that it was for old times' sake, which I
don't understand, and he was in no mood to enlighten
me. He's frantic about what might happen to Ellie."

I explained what Alvin had wanted: for me to kick dirt
over the fact that McIlwaine had as good as ruined him.

"He thought if I did that, it might help get rid of
Ellie's motive, that she was angry over what McIlwaine
had done, that somehow she thought it was deliberate."

"Was it? McIlwaine ruining Alvin, I mean?"

"I don't know. Alvin says not. But Alvin's not making
a marvelous amount of sense, right now. Besides wanting
me to clear what he thinks could have been Ellie's motive
for killing McIlwaine out of the picture, he also seems to
think I can kick a clear, ongoing scheme of insider
trading under the rug.


"All those tips from McIlwaine," I explained, "over
all those years--that's big-time illegal. The SEC should
have been onto it, bells and whistles should have gone
off--the second time for sure, if not right from the start. I
have no idea how Alvin and McIlwaine could have managed
to pull it off. But there's got to be a reason the
authorities didn't nail them. Nobody gets away with
being so blatant as that."

I frowned at the memory of Alvin trying to persuade
me. "As if I could do magic," I finished, annoyed at
Alvin's simplistic expectation. "As if I could just make it
go away."

Wade shrugged. "Alvin's not the sharpest knife in the
drawer, that's for sure. But he did raise Ellie pretty much
single-handed. That's got to count for something."

"Oh, it does. Of course it does." Ellie had told me
how he'd been there every step of the way: sitting with
her every night while she finished her homework, helping
her with her spelling. Listening, year after year, to her
hopes and dreams, and trying to explain why Hedda was
the way she was, letting Ellie know Hedda's meanness
was not Ellie's fault, that it was just something neither of
them--not Alvin, and certainly not Ellie--could help.

Alvin had made Hedda not so terrible as she might
have been, and this in the end was perhaps his greatest
accomplishment: that Ellie was not an emotional cripple--
far from it--on account of her mother.

"He did a fine job," I said. "It's just when people
dump their money troubles in my lap, I always wish
they'd done it back when they first started making them,
instead of now when it's too late."

"Uh-huh," Wade agreed. He took the long turn out
of Pembroke without slowing, then eased back for the
straight stretch, which ices up suddenly and treacherously.

"As for old times' sake," Wade went on, "that's easy.
Everyone around here knows they grew up together. Alvin
stayed home; he was the steady one. McIlwaine went off
to make his fortune, and people said he was the crazy
one of the pair. Now he's built that big, ugly house out
on the point, lawn looks like a damned landing strip, to
show the home folks they were wrong. Rub their noses in
it, you might say."


"Oh," I said inadequately, struggling to absorb yet
another thing that everyone knew around here: that
McIlwaine was not only an Eastport native but Alvin
White's old pal. Sometimes I felt as if life in this state
consisted mostly of discovering facts that everyone else
had known since the day they were born.

Or earlier. Soon after I came to Maine, for instance,
I'd learned that fresh scallops could he had by the gallon
or half-gallon from the Dockside Cafe, so I'd gone in one
day and asked about them.

The decor in the Dockside consisted of red-checked
plastic tablecloths, a round-shouldered old Frigidaire, and
a galvanized sink crowded in by the smoking grill and
the Fryolator. At the tables by the windows overlooking
the waterfront, men in boots and overalls hunched over
coffee as black as crankcase oil, platters heaped with
french fries and onion rings, and haddock sandwiches
dripping with tartar sauce.

"Ayuh," said Greta Holabird, her muscular arm making
sweeping motions as she wiped down the counter.
"Wrap 'em in butchah papah, lay 'em in the freezah. Sell
you the butchah papah, if you want."

She named a price and I allowed as how it seemed reasonable,
her downeast Maine twang still sounding exotic
to my ears. "When can I have them?"

"Well," Greta replied, "it depends. Y'see, some days
the men go out scallopin'. And other days, they go out
whorin'."

Taken aback, I was about to agree that this too
sounded eminently reasonable, when a rumble of men's
laughter began rising behind me, and after a moment
even dour Greta cracked a smile.

"That's what they call the sea urchins," she explained.
"Whore's eggs."


A sea urchin is a creature about the size of a baby's
fist, round and covered with green spines; a less edible
looking item could not be imagined, but there is a market
for them in Asia and when there is a market, a downeast
fisherman knows what to do.


"You come along when the season opens," Greta said,
"bring a bucket, take your scallops home in. For a pretty
girl like you, I expect even these boys can leave the
whores be, day or so."

I'd felt the men's eyes following me out into the
bright, salt-washed morning. Across the street, Henry
Wadsworth had been unrolling the green-striped awning
in front of the hardware store his ancestors had founded,
back around the time their cousin was writing Hiawatha.
Margaret Smythe was setting chrysanthemums in the
bent-twig planters on the sidewalk outside Fountain
Books, where you could buy the latest issue of Wired
magazine or a copy of Sarah Orne Jewett's Country of
the Pointed Firs, depending on what you were feeling
short of that day.

On the dock, yellow forklifts beetled between the
Rustoleum-red quonset warehouses and the dangling,
many-hooked grappling cranes of a Swedish container
vessel, the Selander, her cargo holds gaping and her flags
snapping in an onshore breeze. Half a mile off, the lighthouse
on Deer Island twinkled in the sunshine, under a
cloudless sky.

I walked home slowly, feeling a realization form and
storing it away for future use, like a scallop on ice. Over
the months since then I had told the sea urchin story
many times, always with pleasure and amusement.

But I'd never confessed the rest of my downeast tale,
the verdict in the laughter at the Dockside. For while I
was accepted pleasantly enough when I came here, and
everyone was friendly and helpful in the extreme, the
undeniable fact was that I was from away, and could not
ever be expected to understand some things.

"The first two times," I went on to Wade as the low
frame building of the Wabnaki store with its ocean
sunrise mural came into view, signaling the turn to
Eastport, "McIlwaine's stock tips panned out and Alvin
made a bundle on takeover rumors that ended up being
true: McIlwaine bought the companies, and the stocks
rocketed."


Wade slowed for the turn. The fender-bender was
cleared, with only a sprinkle of orange taillight glass to
show where it had been.

"Alvin never changed his way of living," he said.
"That's standard in this neck of the woods, not lettin'
your neighbors know you've got money. Bet he never
spent a dime of it, or even told Ellie or Hedda."

"Right. They were comfortable anyway, on account
of the lumberyard--Alvin closed the business early
enough so that ending it didn't bankrupt him, not by a
long shot. And he said he kept thinking the money he
made by following McIlwaine's advice would disappear,
that it was all too easy. Which it did, because the last
time," I went on, "McIlwaine changed his mind, found
out the company was a loser before anyone else did and
canceled his takeover plans. Trouble was, he didn't tell
Alvin about it, and Alvin took a bath. That was about six
months ago."
Wade raised his eyebrows. "And Ellie found out about
it, thought McIlwaine double-crossed her father."

Out over Moose Island, clouds bunched together like
dark fists mounded one on top of the other, ready to
hammer down.

"Nearly half a million is a lot of money for old times'
sake," I said, "no matter what good buddies they used to
be; that part still doesn't make sense, and that's how
much McIlwaine gave Alvin. But what I do know is,
Alvin didn't invest only McIlwaine's contribution. He bet
his whole stake, all three times--including this last one."

"So now he's in trouble."

"Right. Serious financial trouble. I'm going to have to
take another look at his situation, but at a glance I'd say
he'll be lucky to hang onto his house."

Wade digested this as we came back into town, past
Shead High School and the ruins of Fort Sullivan where
the War of 1812 was lost--at least for Eastport--
without a shot fired, the British having simply engulfed
the strategically crucial location with a massive armed
fleet. After that, the town languished under British rule
for six years, the only piece of post-colonial-era U.S. soil
that has ever been occupied by a foreign power.


"Well." Wade finally spoke as we continued down
Washington Street toward a row of nineteenth-century
red brick storefronts and the pea green water churning
beyond them. "That's a motive, all right. Ellie thinks the
sun rises and sets on old Alvin. I can see her getting mad
about it."
"I wish," I said, "it was only that."

He pulled the Toyota to a stop on the street outside
my house, glanced in the rearview to make sure the snowplow
wasn't coming, and looked inquisitively at me.

"Alvin also says McIlwaine promised to leave him
some money," I said. "A lot of money."

Wade closed his eyes momentarily at this further piece
of bad news. "Ellie believed it?"
"Alvin says she did. He only told her about it recently.
But he says George Valentine also knew that when McIlwaine
died, there would be something set aside for Alvin.
Something big. Seems Ellie and George have been seeing
each other again, recently, on the quiet. Or," I added,
"as quiet as you can be here."
At the end of my driveway loomed a huge pile of
burlap bags, each filled with construction gravel, that the
truck from Eastern Building Supply had unloaded while I
was out shooting. I made a mental note to let George
know they had arrived, as they were for a project he was
working on in my cellar.

Meanwhile Wade and I went on sitting in unhappy
silence, watching an unmarked state cop car pull up in
front of the Whites' house. Three men and a woman got
out, one officer in uniform, the others wearing sober
business attire.

"Money solves problems for people," Wade allowed
regretfully. "Or they think it does." His tone expressed
his own opinion: that money might raise a sunken boat,
but it wouldn't bring back the guys who'd drowned
on it.


"Uh-huh." The state people went up to the White's
front door, knocked, and were let in by someone I
couldn't see.

"If Alvin could afford to hire full-time people to help
with Hedda, maybe Ellie would feel she could get free of
Hedda. Maybe," he added, "even take up serious with
George again."

"The thought crossed my mind."

There had been, Alvin said, an argument between
himself and Threnody McIlwaine, yesterday. It degenerated
to shouting; Ellie couldn't have helped but overhear.
Then McIlwaine went out to the pantry, where the ice
maker was, for another drink; he liked his eye-openers in
the morning, though Alvin had stuck to coffee.

When McIlwaine didn't come back, Alvin thought
he'd changed his mind and gone away angry. Alvin had
wanted McIlwaine to make good on Alvin's loss, seeing
as he felt McIlwaine was responsible for it, but McIlwaine
had refused.
"George was working there yesterday," I added unhappily.
"He could have overheard the argument, too."

The uniformed officer came back out of the Whites'
house, unholstering his radio and speaking into it, then
waiting by his car for a second squad car to pull up.

"If he did overhear, he'd have realized," Wade agreed,
"that the little boat he was maybe hoping for was
sinking."

He rested his hands on the steering wheel, thinking
aloud. "Ellie turned her back on him, hard, when they
broke up. No sense wanting what you can't have, I guess
she thought. But if her folks were taken care of, that
might change, he could've figured."

"And the only way to refloat that particular boat, now
that Alvin had lost his financial holdings, was over McIlwaine's
dead body, with the money he was supposedly
leaving Alvin. Either one, Ellie or George, might have
worked that out. And so will the police," I added.


From the second squad car emerged a young Asian
man with thick, dark-rimmed glasses. A blonde woman,
clearly his assistant, carried a large, crush-proof metal
equipment case and looked deferentially to him as they
went up the sidewalk, another uniformed officer following.
All three newcomers accompanied the first uniform
into the house and closed the door behind them.

As they did so, the Bangor TV van we'd seen earlier
pulled up, follow by another van and three late-model
sedans with sun-faded, weather-buckled "Press" placards
on the dashboards. Some of the men and women in
the vehicles got out and gazed around at the sweetly
silent, snow-filled neighborhood of venerable old Federals
and white clapboard Colonial houses. The rest
began unloading sound and video equipment from the
vans, scouting places to set it up.

"But Ellie," I finished, "is the one who's confessed."

"Yeah, that's the hell of it, all right," Wade agreed
grimly, watching the TV technicians train their camera-eyes
on the Whites' front door. With their bright winter
outerwear flashing against the snow, the news crews
looked as exotic as tropical birds, and as misplaced.

"Is there anything else I ought to know about Ellie?" I
ventured. "Any trouble she's in, anything she's got going
on that she might not want to say right out? Something
she needs done?"
I couldn't shake the renewed awareness that there
was still a great deal I didn't know about Eastport, and
even about Ellie. Nor did I know what to make of her
request. If she was confessing to keep the truth from
coming out--or, god forbid, because she really had killed
McIlwaine--why ask me to try to figure it out?

"Ellie has her head on straight," Wade asserted stoutly,
reinforcing my own belief. "I've known her a long time,
and if that's the feeling you got, it's the one she meant to
give. But I sure don't know what she's got in mind now,"
he finished a little helplessly. "I wish I did."
One of the reporters began staring at the Toyota. I
could see the idea of interviewing the neighbors forming
in his brain.


"How about driving me around to the back and letting
me out there?" I asked Wade, and in reply he dropped the
Toyota into four-wheel, energetically attacking the snow-choked
alley. But the back door to my house, as it turned
out, presented its own problem.


12



Hedda White didn't like any adults but she did like
naughty children, which was lucky for little Sadie Peltier.
The youngster visited Hedda whenever Ellie was away or
otherwise occupied, to load up on the sweets and soft
drinks that Sadie was forbidden to accept and Hedda
was forbidden to give, but of course Hedda did it
anyway.


Now as I slogged in from the alley through my side
yard, I found Sadie swinging around the lamppost at the
end of my back walk, licking a lollipop that she clutched
in her grimy mittened hand and singing, I thought, a
rhyming song to herself.

From a distance, Sadie was charming: long, black
ringlets, snapping dark eyes, a blue quilted jacket over a
flowered dress, leggings, and loose galoshes, her urchin
face smeary with lollipop juice. As I neared, though, I
could hear the words that she was singing:
"Dead, dead, smash her head, put dead bugs into her
bed . .."

She glanced up brightly as she caught sight of me. "Do
you know if Mrs. White's still home?"

"Well, yes, I think she is," I replied. "But I don't think
she's taking visitors right now. Besides," I added, gesturing
at the candy, "I can see you've already been there
once today."

Sadie's parents never gave her candy, in the hope (so
far unfulfilled) that restricting processed sugars might put
a damper on the little girl's destructive energy. No cats or
dogs had gone missing from the neighborhood yet, but
people kept watch on them; Sadie was a terror.


"I can go back," Sadie informed me freshly, "anytime
I want." She took a tentative poke at me with the lollipop.
"So there."

Her small nostrils flared in defiance, and it crossed my
mind that I would be seeing that face on a wanted poster
someday. Sadie's parents were really very lovely people,
and by all accounts at the end of their rope with the tiny
sociopath they had produced, but that didn't keep Sadie
from tormenting the neighbors. Pulled flowers, broken
fences, and smashed windows trailed in her wake like the
path of destruction after a small tornado.

"Because," Sadie added, "I'm her helper. Anyway, I'm
guarding this sidewalk. So you better get out of my
way."

She let go of the lamppost, pretending to fall so she
could swipe the sugary-red, dripping lollipop at me.

I stepped aside quickly as a smile of satisfaction lit her
face. Then I feinted past her and hurried up the steps
to the back door before she could strike again. There
was no use arguing with Sadie, or trying to scold her. But
if I ignored her, she would get tired of me and leave--
eventually.

The trouble was that with Sadie, eventually was never
soon enough. If you chased her off, she found a method
of getting back at you: a broken window, a tipped-over
trash can, a scratch on your car. And no way, of course,
to connect it to Sadie, except that for the next week or so
the child would hang around you, sweet as cream but
with those bright points of triumph dancing in her dark
eyes. All I wanted was for her to forget about me.

But Sadie's attention, once captured, was as focused
as a laser beam, and she had sensed my annoyance. For
the next half-hour, as I laid the Bisley open on the
kitchen table and got out the soft cloths and gun oil and
began cleaning the weapon, and later when I came up
from the cellar after locking the gun away, I could hear
her stomping up and down my back porch.


When I glanced out, impatiently and in spite of myself,
I could see her, too: swinging the lollipop, kicking
my steps, and singing the bug song at the top of her
horrid little lungs.

So that eventually, and even though I knew I ought
not to, I went out and shooed her away.


13



An episode of family psychodrama was not what I was
after later that afternoon when I finally headed out to the
McIlwaine house, a huge faux-Victorian eyesore too top-
heavy with turrets, towers, gables, and other items of
conspicuous architectural consumption, perched on the
bluff at Mackerel Cove.


But that was what I got, along with a creeping sense of
unease that began when Nina McIlwaine opened the
door herself, greeting me like a long-lost pal.
"Darling," she exclaimed, enveloping me in a cloud of
Joy perfume.

Nina was a determinedly well maintained thirty or so,
with dark, straight hair, gold-flecked brown eyes, and the
kind of lean body that always reminds me of a switchblade,
the product of careful diet and a long line of
skinny ancestors. A white silk tunic, black trousers, and
espadrilles completed her elegant appearance.

"You are truly a courageous person to come out in the
storm," she said, welcoming me in.

"It wasn't so bad," I replied, stomping snow onto the
mat. I'd followed the town plow out County Road,
squinting past the snow and the flapping of my windshield
wipers to spot the turnoff for the cove road. A
sudden downhill swoop led me along an inlet whose
stony beach glistened wetly, with little waves slopping up
to nibble the edges of the melting snow.
Finally I'd reached the ornate iron gates that stood
open at either side of the narrow private lane leading to
the McIlwaine compound: twenty acres of professional
landscaping with tennis courts, a domed indoor pool,
guest quarters, and a putting green. McIlwaine's own
plow and truck kept the lane clear, so driving the
quarter-mile to the house had been no problem. Still,
coming from the deliberately plain style of Eastport,
where gratuitous displays of wealth were about as welcome
as a plate of bad clams, the grandeur of the compound
made me feel like I ought to have a visa to get in.


I wasn't the only one hoping for entry papers. Around
the gates huddled little groups of bundled-up reporters,
squinting between the bars and hunching ineffectually
against the wind, which must have felt razorish out here
without any protection from the weather. They moved in
on me as I pulled between the gate posts, pressed the
small black button on the intercom, and announced
myself, whereupon a fellow in an enormous hooded
down jacket appeared from a gate hut just the other side
of the iron fence, and waved me in, the reporters gazing
hungrily after me.

"Is kind you made this trip only for me," said Nina in
her heavy Eastern European accent, her face revealing
nothing but eager avarice.

The tie pin Nina wanted was in my pocket, but once I
got into the tiled foyer I resisted handing it over at once.

Aside from getting the pin out of my possession, this
was perhaps my only chance to snoop further into the
topic of McIlwaine's money, specifically why he had
handed so much of it over to Alvin. So I did the only
thing any reasonable, forward-thinking person would do
under the circumstances--I barged in.

"I'm very sorry for your loss," I murmured, pulling
off my parka and handing it out for her to take.

"Oh," Nina answered, nonplussed, but then a quick
recalculation occurred in her dark eyes. Moving to hang
the parka on a coat tree among a rich-looking collection
of minks and curly lamb, she hesitated at its damp aroma
of dog; when Monday could get at the parka, it was her
favorite bed.


"Let's just dangle it here for a while," Nina said,
finally dropping it on a doorknob. "That way, it be drying
quicker. Now, what can I get you?"
Having adjusted at once to my intention to stay, she
made it seem she'd thought up the idea herself. "I can't
thank you so much for coming, you know," she added.

Despite my having met Nina a few times around
town, her accent and word choices were still jarring to
me, a weird mixture of central Europe and old Hollywood
movies: Katharine Hepburn, I thought. McIlwaine,
I remembered hearing somewhere, had met and married
Nina in one of those tragic, impoverished little countries
whose precise borders and ethnic/religious identities the
inhabitants are always killing one another about, apparently
on account of having so little else left to fight over.
That these wars have been engineered specifically to
enrich strongman dictators and arms-dealers does not
occur to them, mostly because--again deliberately--they
are all too hungry, cold, and tired to be able to worry
about it.

Biting back the anger that assaulted me whenever I
thought of this, I followed Nina past a hall table covered
with silver-framed photographs into the living room,
where a broad expanse of windows looked out over
Prince's Cove and across the bay to Campobello.

"Everyone," she announced a bit too enthusiastically,
"look who's there."

Beyond the windows, an elaborate wooden deck hung
over the precipitous cliff atop which the house was built,
jutting out into the emptiness as if thumbing its nose at
the sheer drop. The latest snow squall was drifting down
the cove toward the Narrows, looking like salt being
steadily poured out in a stream.

"Jacobia, you know Patty and Gerry," Nina said, "my
husband's daughter and son-in-law." She waved me into
the sleek, modern room: white walls, wool carpeting,
plushly upholstered furniture. There had been an attempt
to make it look homey with expensive bric-a-brac, but
there wasn't a green plant in sight, or a pet, or a magazine,
except for the six issues of Architectural Digest

fanned out on the cherry coffee table.


"Hello, Jacobia," Patty Porter mumbled, her voice
dull and her eyes puffy-red with weeping. A handsome,
athletic-looking woman with big, all-American-girl features,
a rangy build, and masses of wavy yellow hair held
back by a covered elastic, she was wearing a navy warmup
suit and running shoes.

"Gerry," Patty ordered, "get me a new drink. This is
watery."

Gerry Porter sprang alertly to obey, nodding a nervous
greeting to me as he crossed to the drinks cabinet.
Unlike Patty, he was an Eastport native, owner and operator
of a gas station over on Route 1. He was also a fine
mechanic and a good-hearted soul. It made me wince to
see him jump at Patty's command.

"Hi, Jake," said Bobby Taylor, grinning at me. He
had a Coke in his hand. "Patty, you shouldn't drink so
much. It'll make you feel worse."

Bobby was local, too, a painter and sometime carpenter,
tall and sandy-haired like Gerry--probably some
relation; there were more cousins on Moose Island than
you could shake a stick at.

"Oh, shut up, Bobby," Patty retorted, grabbing the
drink that Gerry had gone to pour for her. "What do you
care? Everyone knows you're happy Daddy's dead." She
took a deep, consoling swallow.

Bob shrugged and sent an amused, what-can-you-do?
look at me, while Nina looked on but did nothing to halt
the hostilities. Beside him, Janet Fox sat looking uncomfortable,
staring at her hands and picking steadily at a
cuticle, which had begun to bleed.

"And here is Janet, of course," Nina said at last, not
quite able to disguise the dislike in her voice. Not that
Janet was particularly likable.

'That's not true, Patty," she uttered just loudly enough
to be audible. "You know it isn't. You say those
things to be mean."


Janet was small and dark-haired, with a delicately
pretty face that was spoiled as usual by a woe-is-me
expression, wearing her standard drab outfit of jeans and
flannel shirt, as if she wanted to disappear. I knew her
story as well as I did that of all the others in the room; in
Eastport, gossip is the equivalent of a national sport, and
no one needed a Fortune magazine article to know about
McIlwaine's adoption of Janet when the girl was an
infant--the magazine had called it, rather meanly, his
only recorded act of charitable whimsy--or that her
glum, obstinate search for her birth mother was the central
preoccupation of her life.

"I say it," Patty retorted, "to be accurate. Someone
might as well be honest around here," she added, with a
poisonous glance at Nina McIlwaine.

I crossed to the sideboard, examined the ranks of bottles,
and selected the Laphroaig, whose smoky flavor I
thought would go nicely with fumes of brimstone. At
that point I still wasn't quite sure how knowing more
about McIlwaine and Alvin would help Ellie, only that I
found the combination of murder and half a million dollars
very intriguing.
"I'm trying," Patty went on sloppily, "to keep you
from making the same stupid mistake I did. He's a
drunk," she said, jerking her head at Bobby Taylor, "and
he only wants your money. That's why Daddy didn't
want you marrying him. Daddy did care about you, even
if you were only his adopted daughter. Not," she added
with another hate-filled glance at Nina, "that it'll do you
any good, now."

She had already had a lot to drink, and either didn't
notice or didn't care how many people she wounded.

"I mean," she went on after another long swallow,
"it's not your face or your body Bob's after, or the mystery
of your missing mother who you're never going to
find, is it?"
"All right," Bobby Taylor said evenly, "that's enough.
You should keep a civil tongue, Patty, and not go blathering
on about money when your dad's not even in the
ground yet."


He got up. "And for your information, I was a drunk
until I gave up booze, which I advise you to consider
doing, too. Unless," he added with a good-tempered
twinkle in his eye, "you want to end up going along with
me to meetings."

He drew Janet up from the sofa. "Come on, kiddo.
Your sister didn't mean what she said. Let's go watch
ourselves a ball game on that great big satellite TV your
dad put in the rec room."

Wanly, she followed him out, looking as limp and passive
as it is possible for a woman to be without actually
dissolving into a spot on the carpet. As she went, she fingered
a bright, beaded Passamaquoddy pendant that hung
on a narrow leather thong around her neck. She'd bought
it, I supposed, at the Quoddy Crafts shop where she put
in a couple of hours, one afternoon each week. On
anyone else the pendant would have been pretty, but on
her it only emphasized her sparrow-drab appearance.

Watching her go, I took a sip of my Laphroaig, allowing
its smoky burnt-peat taste to rinse away the sourness
gathering at the back of my throat.

"I did mean it," Patty spat when the two had left the
room. "You'll notice he already knows where all the
good toys are. Got his eyes on that big TV, I'll bet. How
long d'you think it'll take him to ask for it? Janet," she
finished, "is a fool."

"Honey," Gerry murmured in embarrassment, glancing
at me.
"Oh, get away from me. You're just as bad." Then, as
I'd known she would eventually, she turned her pie-eyed
gaze on me. "What're you doing here, anyway?" she
inquired owlishly, waving her drink for emphasis. Her
voice turned uglier. "You're her friend, the one who
killed him, aren't you? What," she demanded injuredly
to no one in particular, "is she doing here?"
"Jacobia is my guest," Nina answered in sharp,
warning tones, and Patty subsided sullenly.


But not completely. "Oh, sure. Janet plays nursemaid
to the mother, and you invite the friend," she muttered
thickly, not quite to herself. And then, "Why is she
taking care of that old bitch, anyway?"

Have another drink, I urged her silently, and pass out.
But aloud I answered as politely as I could. "Well, Janet's
been caring for Mrs. White all along, when Ellie
couldn't. Perhaps Janet feels that now is the time she's
needed most. Maybe," I finished into the sudden silence
in the room, "Janet is like all of us, and wants to feel that
somebody needs her."

As soon as I said it, I felt that it was at least partly
true. Janet wasn't sticking with Hedda for no good
cause; she was doing it for a reason. But Patty made a
rude noise, incredulously.

"Yeah, needs her. Like I need typhoid." She took
another gulp, to express her opinion of this theory. "I
say," she asserted thickly, "someone oughta burn that
house down, with her in it."

Ellie, she meant, and I folded my hands as to avoid
wrapping them, firmly and fatally, around this poor
soused idiot's throat. But just then a funny expression
spread across Patty's face: one part sudden unhappy realization,
one part pure green-gilled misery.

"Oh, damn it." Putting a hand across her mouth, she
bolted unsteadily from the room, with Gerry following
behind.

Which left me and Nina. "My family," she commented
in tones that, if she had been a poisoner, would
not have reassured me--whereupon a small light bulb
went on in my head: why had that particular thought
occurred to me?

She waved a graceful hand. "Sit down, please. I think
it's safe to do that, now. The piranha are left. I mean
gone."
She sank onto the tan suede sofa that Janet and Bobby
had vacated, and I sat on a matching chair across from
her, placing my glass on a low table whose surface was
made from a gleaming slice of polished onyx.


The room smelled of lemon oil and Windex, and had
the staged, spotless look that you can only really get in
houses where there are plenty of servants: wiping fingerprints,
plumping pillows, sweeping crumbs by hand from
the carpets with brush and dustpan. I hadn't seen them,
but I felt them--a not-quite-silent presence, like squirrels
in the walls.

"I really am sorry about your husband," I began.

She nodded. "Thank you. He was kind to me."

An interesting way of expressing wifely grief. It
emboldened me to cut to the chase. "But I wonder if
I could ask a question." Hey, all she could do was toss
me out.

"Sure. Any you like." She was dry-eyed and calm, and
I thought--again--that her composure was not artificial.
McIlwaine was dead and Nina didn't give a damn.

"I was going over Mr. White's books this morning, at
his request. From them, I learned that your husband and
Mr. White were financially . . . entangled."

She eyed me acutely, her gaze narrowing at the mention
of money. "Maybe. They were old friends. My husband
told me that when Mrs. White was in New York,
he spied an eye on her. Kept her out of troubles."

Then she smiled. "I was not even born, then. Did you
know he had six wives before me?" Now that Patty and
the others were gone, she was relaxing a bit, dropping
the lady-of-the-manor act, and her accent was more
audible.

Bosnia, I thought, or some other difficult place. Somewhere
hard and dangerous. For all her china-doll prettiness,
she wasn't fragile; you could see it in the determined
lift of her chin, the firmness of her carefully painted lip.
And despite her casual manner, I could see that her brains
were fully operational, thoughts clicking back and forth
in that sleek head like beads on an abacus.

She hadn't, I noticed, tossed me out, or told me that
none of this was any of my business. Instead, while
denying she knew the answer to my question, she'd elaborated
in another direction, diverting me from the topic
without making a point of it.


The topic being money, and when people divert me
from it, it alerts me. But for the moment, I let her steer
me into less tricky territory. "That must have been complicated
for you, sometimes. How did you meet him?"

Her smile twisted wryly. "Complicated, yes. I lived in
a tiny village. Lots of war, fighting, getting worse. Everything
broken."

Another diversion, as she mentioned a place name I
didn't recognize and couldn't have pronounced without
practice. "We had a cow, and chickens. So we were rich.
My father would have given a good dowry for me, but I
did not want the men who wanted me."

"You wanted to come to America," I guessed. A beautiful
girl in the midst of a civil war that was simmering,
rising to a boil; of course she would want that.

"Oh, yes. I saw magazine pictures, and at the hotel
there was a television." She smiled at the memory.
"Everything on TV was so beautiful and clean. People
were eating delicious foods, driving around in shiny
cars."

She looked at me. "Do you want something else to
drink, or to eat? A sandwich? The cook will fix. Have
something, please."

All her brittle manner of earlier had vanished,
replaced by the simple hospitality of a girl taking pleasure
in the ability to offer food. The golden flecks in
her eyes still gleamed with avarice, though, undiluted
by grief. I asked for coffee, and moments later a carafe
and cups arrived, confirming my squirrels-in-the-walls
theory.

"I don't quite see what your late husband was doing
in your village, though. Was he on business?"

Nina waved a dismissive hand. "One of his companies.
There was a river, and they thought they would put
a dam and a factory. But it didn't work out. Too much
fighting. Not like here."
"So all he got out of it was you."


Her eyes crinkled but the effect did not charm, for the
accompanying smile was coldly calculating. "And my
mother, my father, two sisters, brother. All in America,
now. Only my ..."

She paused, searching for a word, and a shadow of
caution muted her voice. "My cousin," she seemed to
decide finally. "He is still there, somewhere."

She fell silent, gazing past me out the windows at the
storm, which was again struggling to revive itself. The
bouts of snow just kept coming, dying away only to
resume when you were sure they were finished, like a
mean fit of coughing.

"Fighting," she said at last. "I wanted to keep searching
for him, but my husband said he was a ... a killed
issue."

I thought about the strength it must have taken to
keep her father from handing over that dowry, to learn
her English from television and old magazines, to spy her
chance in the visit of an aging industrialist--Threnody
McIlwaine--and snatch accurately at it.

Accurately and, I thought, mercilessly; if it had suited
her purposes, I felt sure as I sat there across from her,
she'd have had his liver for her lunch.

Nina blinked, seeming to come back to herself. "What
else have you wanted to ask me?"

Either she really didn't know why McIlwaine had
given Alvin all that money, or she wasn't saying. I ran at
it from another angle.

"Well, it's a bit awkward, actually. I don't mean to
pry, and I know this is a bad time. But I wonder about
your husband's will. Whether his death might benefit the
Whites, or they might think it would."

"Maybe. I don't know," she replied again. "The
policemen say they will come back and ask me more
things about it, too."
Then she laughed, a startlingly merry sound in a house
so recently visited by death.

"Forgive me. You will think I am terrible. But it is just
the idea of knowing about my husband's money, where it
all is or where it will go."


I sipped my coffee. "I'm afraid I don't understand."

Her eyes remained mirthful; she had decided to level
with me a little.

But only a little. "In New York," she said, "my husband
showed me once a man on a street, playing a game.
He was moving some cups around very fast. One had
money underneath it, and the people watching, they are
trying to guess which cup. To make the bet on it."

She tipped her head at me. "You know about this
game, yes? You could not see which cup it was, with the
money under."

I knew about this game, yes. On a larger scale, it was
called Hide the Assets, and in my heyday I had played it
against some of the meanest divorce lawyers in town.
Just as with the shell game, there were two tricks to winning,
the first being to keep the cups moving faster than
the human eye could track.

A thought struck me. "You do," I probed delicately,
"know what your own arrangement will be? Financially,
that is. To cover your living expenses, and so on."

The other trick to winning the game, of course, was
that by the time it was over, none of the cups had any
money under it. I felt certain that McIlwaine had known
that, too.

"Yes," she replied with a brilliant, confident smile. I
had again the sense of a ravening ego no longer forced
to hide behind feminine wiles. "My husband explained
my part," she went on, "and I have seen the papers
about this money he leaves to me. Nothing else, but I
saw that."

She sat up straight, like a child reciting. "The other
wives, he didn't take care of them anymore if they got
married again, and they all did. Except," she added, "the
one who died. A sorrow about her, yes? But I was more
careful, so his dying makes me become, how do you say
it? Filthy rich."

That was how you said it, all right.


"He shouldn't," she ended with unconcealed satisfaction,
"have showed to me that cup game. Although I
do not see," her slim shoulders moved under the silk as
she glanced around the sumptuous room, "how that is
making any difference, now."


Nicely done again, separating the topic of her inheritance
from that of her husband's death, and she had a
point; she'd been filthy rich when he was alive, too.

She looked up openly at me. "You are wondering
how I fooled him," she said. "The big, smart businessman.
But I didn't fool him. He made a deal. And I," she
finished--coldly, terrifyingly--"made a deal, too."

Part of the deal being that now she could stay rich,
even if she remarried. In the financial world McIlwaine
inhabited--not to mention that of the police--it was a
point that would swiftly become public, and she'd gotten
it out right up front.

She'd seen the question in my face, of course. My estimation
of her went up another notch. What I didn't yet
understand was why she'd answered it; after all, I wasn't
the police, and I hardly thought she cared about public
opinion.

But in this--as in so much about Nina--I turned out
to be wrong.

"What about his children?" I asked. "Did he also tell
Janet and Patty what they would inherit?"

She looked at me acutely. "Mr. Arnold said that
Mr. White's daughter Ellie had confessed to killing my
husband."

"So she did," I agreed. "I didn't mean to imply otherwise.
I only wondered ..."

"I know what you wondered," she said, her eyes
unfooled.

She went to the window. Through the snow, the
bridge at Lubec was etched in charcoal against a grey
sky, while the island of Campobello lay blanketed in
white, clouds still hanging behind its long, low rise of
land as the weather moved off toward Halifax.

"My husband kept his money matters under his vest,"
Nina said. "But I told him that I must know before
I married him what I would have, I must see the papers
to be sure. Otherwise I would not marry him. I think,"
she finished, "that maybe his daughters were not so
particular."


An ultimatum to the wicked old pirate of Wall Street;
the idea was hilarious, or terrifying, depending on how
much you knew about McIlwaine. He must have wanted
her very much.

Underestimated her, too, I thought, which was possibly
the funniest thing of all--although you had to know
just how heartless he'd been in his own business dealings
to appreciate the humor of it. Now his widow turned,
having told me precisely what she wished me to know,
and no more: that she herself was going to make out like
a bandit, while Patty and Janet got nothing.

The question was, what did she want me to do about
it? For I no longer believed she had welcomed me in as
an antidote to the always unpleasant company of the disinherited.
She had a use for me.

"I brought your husband's tie pin," I said. "It's in my
coat; I'll give it to you on my way out."

In the hall I handed it over at last, and made one more
try at my own agenda. "Why was your husband at the
Whites' house, do you suppose?"

She shrugged. "Visiting, maybe. I told you, the two
old men were friends." Then her voice grew somber.
"You think badly of me, now. Everyone will."

I turned. "Not exactly." Hey, two can play the honesty
game, and there are worse things than merry widows.
Unless, of course, they've made themselves widows on
purpose.
She followed me to the door. "In my old country, a
woman like me is weeping, tearing her clothes. No one
can console her, because her husband is dead."

She looked out onto the grounds, an artificial park
created amidst the harshness of the Maine seacoast, the
clipped hedges and topiary shrubberies standing out
sharply against the fresh snow.


"You wonder." she continued after a moment, "why I
am not doing those things. Why I don't behave like a
proper widow."

Because you've been waiting for him to kick off since
you married him, I thought. And if I could figure out
how, I might even believe you'd killed him. But all I said
was, "You are in America, now."

"You are kind," she responded. But her smile did not
reach her eyes.

"My husband," she went on slowly, "was not always
a nice man. If you went against him, he was ..." She
shook her head.

There was a story on the street about McIlwaine,
around the time I got out of the money business: that
whenever he went after a new company, union leaders in
the factories he had targeted sent their wives and children
on vacations and bought life insurance, double indemnity
if they could get it. Union guys were not high on his
favorite persons list, and when push came to shove as it
often did when he was around, they had a tendency to
suffer accidents.

"Look," I said, "why don't you just tell me what you
want me to do for you?" It had to be something; nobody
dances you around like that for no reason.

She looked down at the vulgar tie pin in her hand. "I
decided I want to live here. Not in the mansion in
Chicago, or the place in New York. I want to stay where
I can see the bay, and watch the little boats."

"You don't need me to help you do that."

"Oh, but I do." Her voice was childishly eager. "I do
not want my neighbors to turn away in the street because
I am a bad widow. I want you to tell the people in town I
am sad my husband is dead. Tell them I am weeping, no
one can make me stop to weep."

Little boats, my great-aunt Fanny; she could buy every
little boat in town with a day's worth of her spending
money. It occurred to me suddenly that she might have
other reasons to want to stay here, out of the public
eye--reasons she was keeping the media away, too. But I
didn't know what they were. Yet.


"Tell them," Nina begged, dry-eyed, "I am tearing my
clothes."

"Excuse me." Patty Porter had come up silently
behind us. "Nina, Bob Arnold is on the phone for you."

Nina gave me her smooth, cool hand very briefly and
hurried away, leaving me to zip my parka under Patty's
flat gaze.

"So, has she given you the helpless-peasant-girl act?
It's what she used to get out of that rat-hole of a country
she came from. Worked pretty well, wouldn't you
say?"

Pausing by the table with its gallery of photographs,
she laughed contemptuously. I could smell the alcohol on
her breath.

"What a crew," she observed scathingly of the pictures.
"You know what they were eating when he found
them? Potatoes and acorn coffee. The dental work alone
must have cost my father a fortune."

I bent to inspect the photographs. Nina had her
father's high cheekbones, her mother's wide smile. They
all looked ragged and vitamin deficient: gaunt necks,
bony wrists. All had Nina's dark hair and dark, thick-lashed
eyes.

"And then there's this guy," Patty went on, picking up
the smallest of the frames. It contained a shot of a grinning
young man with intelligent eyes, curly hair, and a
wolfish expression. "He's the real interesting one of the
bunch, don't you think?"

She thrust the photograph at me. Unlike the other
frames, this one was made of some cheap metal, dinged
and scratched as if from being carried for a long time at
the bottom of a handbag.

I set the photo back where it had been on the table.
The battered item looked out of place amidst the silver
and platinum frames, yet had been given the place of
honor: center stage, up front. The pallor of the rest of


Nina's people contrasted sharply with the healthy complexion
of this handsome fellow.

Patty seemed to read my thought. "Cousin," she
snorted. "She just put that picture out this morning.
Until my father died, we only had to put up with looking
at the rest of the motley clan."

"Patty?" Gerry Porter's voice rose from the service
part of the house. "Where . . . oh, there you are."

He looked discomfited at finding his wife with me.
"Honey, I hope you haven't been saying anything too
awful to Mrs. Tiptree. I know you're feeling blue, but
you gotta believe things are going to look better,
tomorrow."

Patty blinked at her husband in boozy wonder. "You
think," she pronounced carefully, "it will be better
tomorrow. My father's dead and that Transylvanian
bimbo is going to get everything, but I should look on the
bright side?"

Her voice rose hysterically as she turned to me, her
90-proof breath gusting sickeningly into my face. "Is that
what you think? I should look on the goddamn bright
side?"

"Now, honey," Gerry began placatingly, but it was
no use.
"What should I do now, Gerry, huh? I thought I'd be
able to get out of here, that once he was dead I'd finally
have some real money of my own, but now it looks like
there isn't going to be any money. Should I hang out at
the gas station, listen to the goddamn police scanner all
day long?"

"Patty ..." Gerry tried again, but she was unstoppable
by now. In a minute she would be passed out.

"You know, my father was pretty smart about some
things. But in other things, Gerry? He was almost as
dumb as you."

She snatched up the cheap frame, grimaced at it, and
flung it down. Its machined metal corner dug a gash in
the gleaming surface of the table.

"Cousin," she pronounced, "my ass."
14



Other than the prospect of being hanged, nothing concentrates
the mind so wonderfully well as a session of
scraping paint.


When I got home I set up the stepladder in the bathroom,
fitting its legs between the pedestal sink and the
claw-footed tub. I had already pried the crown moldings
away from the ceiling; under the moldings lurked layer
upon layer of antique wallpaper, and finally the original
horsehair plaster.

The ceiling was a textbook project: some of the sagging
plaster could be screwed back up again, using drywall
screws and pierced washers called plaster buttons.
With an electric drill you run screws into the lath,
predrilling the holes and using a plow bit to sink circular
depressions for the plaster buttons. Once they are in, you
float the whole surface with a coat of patching material
mixed to the texture of oatmeal.
The result, especially if you practice on holes in the
attic until you have got your plastering chops together, is
a pristine surface that looks even better by contrast with
the rest of the house, which of course is still crumbling
around you.

Repairing almost anything in an old house, however,
involves scraping paint as a sort of soul-testing prologue.
Each swipe of the scraper should have brought down an
avalanche of paint chips, but this was lead paint, the
most infuriatingly adherent material ever invented.
Perched atop the ladder with a dust mask strapped to my
face--I'd have used a respirator, but these were big
chips--I concentrated on removing the stuff, one too-loose-to-leave,
too-tight-to-fall-off bit at a time.

Item: Nina McIlwaine had called all over town that
morning looking for me, supposedly to retrieve her late
husband's tie pin. But when she did get it back, she
barely glanced at it.

Theory: What Nina really wanted was for me to put a


story around town, the theme of which was to be how
devastated she was by her husband's death.

Item: Patty Porter, supposedly weeping her heart out
over her late father, apparently knew enough about the
terms of his will to be enraged by them, so much so as to
make a drunken scene in front of me. But something
about her performance felt false, as if what she really
wanted was to get some information across.

Theory: The real point of Patty's outburst was the
fellow in the photograph. Patty had arrived in the foyer
when she knew I was there, and had deliberately drawn
my attention to him.

Conclusion: Like the rock-hard little refugee survivor
she was, Nina had taken my measure and decided to try
enlisting my sympathy by seeming to speak frankly with
me. But the appearance of grief she wanted me to help
maintain had nothing to do with keeping her reputation.
Instead, she wanted a smoke screen for an ongoing relationship
with the supposed, and supposedly lost, cousin.
Patty, on the other hand, wanted me to comprehend the
truth about Nina's ruse . . . why?

Simple mischief, perhaps, and anger over a lost inheritance;
there was clearly enough malice there to float a
barge. I even found myself sympathizing with Patty and
Janet. Having a father who married young girls, divorced
them, and went on to marry new ones had likely made
their family life feel about as secure as something built
out of Tinkertoys.

The money questions, though, were what really interested
me. How, for instance, had McIlwaine gotten that
much money into Alvin White's hands without setting
off IRS alarm bells? Alvin had paid capital gains taxes
when he took profits, which should have raised questions
about the money he used to buy the stocks, since it was
more than he could account for with declared income.

Then there were the SEC questions. One lucky pick on
the order that Alvin had made was plenty to set the"
hounds howling; two was indictment time, and three was
when you got the tailor working on your wardrobe of
prison stripes.


And these, at least, were questions to which I could
find answers. Between modern banking regulations and
electronic methods of tracking any fund transfer short of
handing over a wad of bills, there are only a few good
places left to hide money nowadays. And while I couldn't
poke into each of them, I had friends who could: tax
attorneys, IRS investigators, even guys skilled in tracing
cash to its former, unsavory associations--girls, guns,
gambling, and so on, right down to the last load of substandard
concrete. These were guys who, as they themselves
put it, could find a penny in a privy-hole, and one
of them just happened to live right here in Eastport. I
made a mental note to call my old buddy, Jemmy Wechsler,
as soon as I got down off the ladder.
As for why McIlwaine would give money to White at
all, the answer felt tantalizingly at my fingertips.

Item: Over a period of thirty years, White receives
money and stock tips from McIlwaine, amassing a fortune.
Over the same time, he's led to expect big benefits
in the event of McIlwaine's death.

But then an about-face: McIlwaine puts his old friend,
whom he's known since childhood, into a stock that
takes a cataclysmic dive, wiping out not only McIlwaine's
contributions and the profits on them, but everything
White owns.

I slipped the scraper under a paint chip and flipped the
chip off the ceiling. McIlwaine hadn't become a world-class
financial power by committing many foolish errors,
and certainly not ones of that magnitude. In his fifty
years of financial swashbuckling, in fact, he had hardly
made any missteps, financial or otherwise; at least, not
any that anyone could prove.

Except maybe his old friend Alvin.

Theory: McIlwaine had engineered Alvin's disaster on
purpose. The money he'd paid over the years to Alvin
was blackmail, and the crash was McIlwaine's revenge.


15



He lied, he cheated, he threatened me with mayhem, but
if you want a really straight answer, go ask a neurosurgeon.
They are accustomed to telling the most awful
truths, as long as the truths are not about themselves.

"Arterial spasm?" my ex-husband mused over the
telephone. "Maybe an intracranial bleed? How far in did
you say that weapon was? And where?"

Of course the police would also be pursuing all of this.
But their agenda was entirely different from mine: they
thought Ellie was guilty. Meanwhile, my ex-husband
knew all about the connections inside people's heads. It
was his job to reconnect them, or if that was not possible,
then to core them out like a rotten spot at the
center of a piece of fruit.

Outside, helicopters were arriving in town thick and
fast, whap-whapping over my house toward the airport,
and the vans with radio and TV stations' logos had
multiplied in the couple of hours since Wade and I
had seen the Bangor station's Econoline, out at the
Route 1 intersection. Key Street was lined on both
sides with recreational vehicles fitted out with rooftop
transmitters; crews of goosedown-jacketed broadcast
technicians swarmed importantly on the sidewalks; and
smart-suited, sleekly-coiffed reporters of both sexes
jostled for good camera angles, their expressions under
their full on-air makeup grimly avid.

It was turning into a no-holds-barred feeding frenzy,
with everyone from the Calais Advertiser to the National
Enquirer represented: the major U.S. networks, Maine
Public Radio, and the Canadian Broadcasting Company
out of Halifax were there, someone had set up a coffee
wagon on the church lawn, and at the corner of Key and
Middle streets a flatbed was unloading Port-a-Potties.

"Jacobia?" my ex-husband demanded. "Are you
there?"
"Yes," I replied distractedly, wishing I weren't. Across
the street, the Whites' house had taken on the appearance
of a building under siege, and it occurred to me that
I had better get over there to check on Ellie and her parents,
before the milling crowds of story-hungry reporters
started throwing flaming torches and actually tearing
people limb from limb.


"What I'm trying to do," I told my ex-husband, "is
figure out exactly what could have happened."
I described the wound McIlwaine had suffered.
"They'll be taking him to Bangor for the autopsy, I
think, but I don't know which hospital." My ex-husband
hadn't asked about Sam and I prayed he wouldn't; I
wanted this conversation to remain friendly.

"Probably a bleed," he theorized. "Slowly diminishing
function, irreversible when the intracranial pressure rises
too high. Enough blood leaks into the skull," he translated
for me, "it squeezes the brain to death."

That might account for the single set of footprints out
in my yard. With his awareness level dropping, McIlwaine
could have made it into my shed and collapsed
there. My train of thought, though, kept traveling straight
back to the money: why, specifically, had McIlwaine been
paying Alvin, and why had he suddenly stopped?

"We had a guy last year, got shot through the skull
with a crossbow," my ex-husband went on. "Same kind
of injury as the one you're describing, but through and
through. The guy looked like he was wearing one of
those trick hats with the fake arrow through it, only this
one wasn't a trick."

Just then Same came home, slamming the back door
and dropping his books in the hall, thundering in to
find me.

"Hey, Mom--" He looked agitated.

I shushed him violently with my hand. If his father
knew he was here, he would insist on talking with Sam,
and the first thing he would want to know was about the
boat school tour. Had Sam stuck with his decision not to
go? Or had Sam's mother undone all his father's good
work?


Which of course Sam's mother had.


"But Mom ..."

Not many years ago, in New York, I got a call from a
trader friend of mine in Hong Kong. In a badly concealed
panic, he said he needed to sell off a certain position;
could I help him out?

Translated, this meant my friend's account was being
audited, and the auditors were going to come up with a
row of zeros where a pile of glowingly reported profits
were supposed to be. Nothing else could account for
such a naked appeal for help.

I said I was sorry, but I was fully bought up; if only he
had called a day earlier I'd have been in all cash.

Right, he'd replied, undeceived, and later I watched
him being marched through an airport on the evening
news, on his way to a Belgian jail. But even then I didn't
regret my decision; he'd bought that trip.

And that was how I felt about Sam and my program of
defusing his father's influence over him: sorry and cold.

Sam was hopping with urgency; I waved him off,
giving him my worst I'll-kill-you-if-you-don't-stop-it
look, at which he rolled his eyes in the time-honored way
that smart teenagers have been inflicting on their hopelessly
stupid parents for generations, and stalked out.

"So what happened?" I asked my ex-husband, keeping
my voice light and unconcerned, as if I had not just
deprived him of another chance to run his son's life off
the rails. "Did the guy die?"

"Oh, no," my ex-husband said. "Once we got the
shaft out of his skull and cleaned up the damage, he
healed up fine. Well," he amended with a little laugh,
"he's sure not going to be a nuclear physicist. But he's
alive."

And that, in a nutshell, was my ex-husband: the little
laugh while the guy with the arrow through his skull tries
to pick up the shattered pieces, tries to fit them into the
pattern that once was his life.

"So why," I said, "did he live and the guy up here
died?"
"Two things," my ex-husband responded swiftly, like
the gold-star, head-of-the-class student he was. "First, it
could've been a freak thing, kind of thing no one's ever
going to be able to say for sure, even after the autopsy."


He was enjoying this. "But you said the guy was older.
What was he, mid-seventies?"
I allowed as how that sounded right. Even in death,
McIlwaine had looked well taken care of, plump and
glossy as a prize pig, but if he was a contemporary of
Alvin White, he'd been older than he looked.

"So maybe he was on some kind of a blood-thinning
drug, like Coumadin," said Sam's father. "They stop
clots when you don't want them, after coronary artery
bypass, for instance, or if you're on an anti-stroke regimen.
But they also stop them when you do."

When, for example, you have an ice pick in your head.
I asked my ex-husband to find out if McIlwaine had been
taking Coumadin or any other blood thinner. I asked
him also to learn what he could about the autopsy
results--this, for a New York neurosurgeon who is well
known both here and abroad, is not as difficult as you
might think--and let me know.

This exhausted the number of favors I would request
from him, since I knew he would use them as an excuse
to call me. That I had asked at all he would regard as a
major breakthrough; it is amazing how desirable I have
become, now that I reside in a separate state and would
prefer, actually, a separate planet.

Once again I assured him that Sam was not home, that
I really had no idea when Sam would be home, and that
when Sam did get home I would be certain to have him
call his father.

Then I hung up and went to Sam's room, meaning to
tell him that he could stay the night at Tommy Daigle's
house after all, and watch the prize fights there on
Tommy's satellite TV. Sam has no skills at lying or disguising
his voice, so I thought it might be better if he
didn't answer the telephone at all for a while.

But when I knocked and went in I found him kneeling
on his bed, peeking out through the edge of the window
shade.


"What's going on?" I moved up alongside him.
Reporters were clustering excitedly in the street below;
something was happening.

"That's what I tried to tell you. Man, look at those
people. They practically attacked me when I got home."

"Did you talk to them?"

"Yeah, I blabbed my head off. Not." He pressed his
face to the crack between shade and sill. "Uh-oh. Here
she comes."

"Who?" I squeezed in beside him, noticing that
among the mobile news vans was a blue-and-white from
the Washington County Sheriff's Department.

Then I saw Ellie, her coppery hair swinging against
her face, shielding it, shoulders hunched tightly against
the forest of microphones thrust at her, flanked by two
sheriff's deputies who were guiding her toward the squad
car.

"That's what I was trying to tell you, Mom," Sam said.
"The reporters were all saying it. Any minute now, they
were saying."

The deputies helped Ellie into the back seat and shut
the door, and made their way through the reporters to
the front seats. The long black microphones bristled like
a mass of waving insect legs as the squad car moved from
the curb, the reporters breaking ranks to let it pass, the
cameras swinging around to record its progress down
Key Street.

Under a brightening sky, the bay was the color of tarnished
nickels lightly scratched with silver. Ellie would
be looking at it, memorizing it. On account of the blizzard
it had taken them about twenty hours after Ellie's
confession to get out here and get themselves organized.

But now they were taking her away.

As soon as Ellie had gone, I hurried across the street to
see about Alvin and Hedda, shouldering my way through
a gang of journalists whose rudeness would have
shocked all their mothers permanently speechless. One of
them shoved himself in front of me, his face thrust vehemently
up into mine, and poked his microphone roughly
at me.


"Do you know her?" he demanded excitedly. "What
was she like? Was she ever violent? And how do you feel
about a brutal stabbing right here in your neighborhood?
What can you tell our viewers?"

"That they should mind their own damned business,"
I snarled, and pushed him aside to hammer on the
Whites' door.

"Alvin," I shouted, "Alvin, it's me! Open up!"

The door opened and he yanked me inside before
slamming it shut again on a babble of shouted questions.
From this angle the camera lenses looked like alien
feeding apparatus.

"My god," Alvin panted, his eyes huge and his bow tie
hanging askew. He peered out the window. "My god, my
god."

He seemed to be in shock. "They've taken Ellie. Did
you see them?" he demanded insistently. "Did you?"

This was not a good sign. "Alvin, look at me." I seized
his shoulder. "Look at me, Alvin. It's me, Jacobia. Hey,
buddy, get a grip, now. Ellie needs you to be all right."

It was the last bit that did the trick. He stopped suddenly
and a shudder went through him, as if he were
shaking off some awful fever. "Yes," he murmured.
"Ellie needs me. I've got to be strong."

"Right. Now let's get you settled down a little.
Where's Hedda?"

"I'm right in here," came the furious blast of her voice
from the parlor, "and I can tell you that I have never
been so insulted in my--"

Well, at least Hedda was all right. "Okay, Alvin,
here's the deal. You need to get Janet over here, see if she
can stay the night. Have you got everything you're going
to need--food, any medicines you or Hedda are taking,
all that kind of thing?"

He nodded resolutely--feeling better, clearly, now
that someone was helping him. "I think we're fine on
that score," he said, his voice steadying. But then a
thought struck him.


"What about Ellie? What'll they do with her?" he
inquired plaintively.

"She'll be fine," Hedda boomed from the parlor.
"She's young, she can take anything."

I felt like punching her, but Hedda's reply seemed to
cheer Alvin. "It's true, you know," he allowed fondly.
"Ellie is a tough little nut, always has been. I made sure
she could handle herself no matter what happened."

"All the more reason, then, to take care of yourself.
That's your job, now, to make sure you and Hedda come
through without any damage. Can you do that for
Ellie?"

"Ayuh." He squared his shoulders. "I guess I can, for
her."

"Good." I gripped his arms. "We'll get through this,
Alvin. One foot in front of the other."

His lip trembled, but he stiffened it bravely. "One
foot," he repeated, "in front of the other."

But he didn't say that he was sure it would all turn out
all right, and I didn't either; neither of us could have
stood it. He went to his office to call Janet Fox and I
stayed over there--checking the pantry, the freezer, and
the refrigerator, making sure there was fuel oil in the furnace
tank and propane gas for the cook stove--until she
arrived.

From the window I watched as she made her way
through the hordes of reporters. She kept her head
bowed, eyes down, her shoulders hunched, and her
mouth shut--which for Janet was no particular feat; dull
silence was her usual condition. Only her eyes, glittering
darkly with dislike once she got inside, showed how
intense an ordeal the trip up the front walk had been
for her.

"Fine," she said, surveying the downstairs rooms as I
went through them with her, listing things I thought the
Whites either wanted or needed: some conversation, a
little distraction--but not the TV, which was packed
with news of the murder and Ellie's arrest--and of
course decent nourishment.


"I'll be right across the street, so call me if you need
anything, and good luck. And Janet, thanks a lot for
this."

She eyed me curiously. "I said I would do it. I told
Ellie," she replied in a flat, affectless voice.

"Yes, well. I appreciate it anyway." I went to the
door; if her odd expression struck the tiniest of sour notes
with me, I managed to rationalize it. After all, it
was her father who had just been murdered.

Then I let myself out, steeling myself for the reporters'
gauntlet, and ran it successfully--a good, sharp elbow,
properly placed and accompanied by an obviously insincere
apology, can do wonders--reaching my own door in
record time and flattening myself in immense relief
against it, once I was inside.

Duty, I thought gratefully, discharged.

For now.


16



The rest of the early evening was taken up with chores:
dinner, dishes, Sam's homework, several loads of his
laundry--the doing of which I had traded for a couple of
hours of his work on that bathroom ceiling--and a walk
for Monday, who had been getting rather short shrift in
the fresh-air-and-exercise department.


Meanwhile the state police investigators had been in
the storeroom, taking photographs and measuring distances
and doing whatever else they do in locations where
dead bodies have been discovered. They had also questioned
me, but without, I thought, any particular urgency.
Having a confession, they seemed to feel (although of
course they would have denied this fervently), made the
rest of their activities merely pro forma.

Also, as it turned out, the prize fights had been put off


on account of some difficulty with the referee. An outstanding
warrant for arrest on racketeering charges was,
I gathered, an impediment to his employment. So now, at
midnight, Sam was in his room working on a model of
the warship Calypso, a coal supplier to a World War II
gun flotilla that stood in Eastport harbor on July 23,
1916--two years later, the Calypso vanished in the
Bermuda Triangle--and Wade was in the living room in
front of the television, asleep.


It was a talent I admired, his ability to sleep while life
went on without him in the rest of the house. My ex-husband
couldn't sleep if a single unrinsed cup stood
lonesomely in the kitchen sink. He wouldn't even lie
down until every light in the apartment was switched off
and every appliance double-checked. His eyes would
snap open alertly if, two rooms down the hall from our
bedroom, Sam turned over in his crib.

For a while I had tried reading in bed, using one of
those clip-on book lights angled away from his head, but
he complained that he could hear the hum of the electrical
circuit, that I might forget and leave it on, setting
the bedclothes afire, that even after he turned away from
me on his side, he could feel the light particles seeping
into his skull.

Now, sitting alone in the kitchen while Wade slept in
the recliner two rooms away, I thought about a short
conversation I'd had with Ellie at this same table, the
night before. It was right after she'd confessed to McIlwaine's
murder, and before they had let her go home.

"Jacobia," she'd said, while the state and county cops
tried to get hold of their superiors by radio or telephone,
"do you remember last fall right after you first came to
Eastport? Hedda needed to have her hip replaced, and I
was so awful spleeny about it?"

Spleeny. nervous, upset, unnecessarily anxious. It was
among my favorite bits of downeast dialect.

"I remember," I'd told her. "You came over for coffee
one afternoon and you ended up telling me the whole
story."
She nodded. "It was the first I'd even met you, but by
the next day you'd called all over the country, finding out
whether the surgeon in Bangor was good, or if there was
someone else we should go to."


Being the ex-wife of a famous neurosurgeon has its
perks: The surgeon in Bangor, as it turned out, was
board-certified and so expert that patients came from
New York and Philadelphia. The day after Hedda's successful
surgery, Ellie and I drank champagne at lunch
and went to the Bangor Garden Show.

On the way home the next afternoon, the sun shone
slantwise on the blueberry barrens: high, Alpine-feeling
hills with granite boulders the size of Volkswagens pushing
up out of them, blanketed with the ankle-high
shrubs. Winter had come early and the remains of last
year's growth were the color of raspberry syrup spilled
out across the snow.

Now I thought of her reminding me about it: that I
had found things out for her before. As for why I might
trouble to do so again, I needed no reminding.

Once, when my ex-husband telephoned in a fury,
demanding to speak to me for some reason that I cannot
now recall--I had bought Sam an air rifle, perhaps, or
allowed him to go fishing; my ex-husband thought hunting
and fishing were marks of impending degeneracy--
Ellie answered the phone and told him I wasn't home,
and that by the way, she had heard a lot about him and
wanted to congratulate him on being so flexible.

Flexible? my ex-husband asked, puzzled.

Yes, she had told him, she was sure he must be very
flexible. Otherwise, how could his head have gotten up
there where it was?

I could hear his reply boiling out of the receiver like an
eruption of lava. This was just shortly after Ellie and I
had gone together to Bangor; the lunchtime champagne
had made me talkative, and I may have mentioned one or
two things about him.

Calmly, Ellie had hung up. "Excitable, isn't he?" she'd
said, turning back to the rhubarb pies we had been


making, and I was so astonished and terrified by her
action that it wasn't until much later that I realized what
she had done for me.


The thing was this: after I left New York, my ex-husband
had begun threatening me. It sounds unbelievable
now, but at the time it was frightening, and at first it
was about Sam: that he would sue for custody, or cut off
all contact, or take Sam to Europe on vacation and forget
to bring him back.

Later, it became more personal: old houses like mine
were notorious firetraps and it wouldn't take much to
light one up. I should check my groceries when I bought
them; something could have been tampered with. I had
better lock my doors and windows when I was home
alone, in case someone tried to sneak in with a knife.

It was totally bizarre and unexpected, and it got worse
and worse. I consulted my attorney, who said little could
be done. The threats were indirect; my ex-husband, while
obnoxious, was still within the law. I spoke to a psychiatrist,
who advised me to call the police if the remarks
grew more explicit, or if my ex-husband did anything
overt.

But after Ellie hung up on him that day, I began doing
as she had; nervously at first and then with increasing
confidence. I would stay on the telephone while he
was civil, but if he started threatening me I put the
receiver down.

And after a while the threatening went away, like a
child's tantrum if you ignore it long enough. Ellie had
done exactly the right and proper thing, though at the
time I was horrified by it, believing it could only make
matters worse.


17



When I opened my eyes the next morning, the first thing
I heard was foghorns. From the upstairs hall window,
the rooftops of Eastport floated on an ocean of grey;
gulls perched sullenly on the rooflines, grounded by the
weather, and the few cars moving in the street had their
headlights on.


Wade kissed me hard on his way off to work, causing
me to linger dreamily in the kitchen for several moments
until my nerve endings had settled down again. Sam
had gone over early to Tommy Daigle's to see the old
Ford jalopy Tommy had bought in hopes of fixing it
up by the time he could afford to insure it, so Monday
and I were alone. At the back door, she waited impatiently
for me to pull on my green rubber rain boots,
black oilskin hat, and yellow slicker--one of the pleasures
of Maine weather, I have found, is the chance to
wear the costume--then bounded into the yard.

Outside, droplets plinked steadily in the down spouts,
the cool, drifting fog was tinctured with the smell of
woodsmoke, and the snow on the ground was shrinking
as if sluiced away; it was what the old-timers called a
snow-eating fog.

No activity was evident across the street at the
Whites' house--it was 7:30, too early for the reporters,
apparently--and Janet's car was marooned behind a foot
of icy muck thrown into their driveway by the snowplows.
Then Monday reappeared from the murk and we
went back inside, where the telephone was ringing.

"Hey, Jacobia," said Toby Alderman. I pictured Toby
in his tiny, neat-as-a-pin law office on Water Street, with
its big window looking out on the best view in the world:
water and sky.

"Hey, Toby." On a clear day, you could see to St.
Andrews from Toby's desk; in a way, it was the opposite
of the view you got when you looked at Toby. His eyes,
like his office window, were wide and blue, but they gave
away nothing.

Nor did his voice. It was a matter of principle with
him. "I talked to Ellie this morning," Toby said.

"And?"

"She asked me to let you know that the arraignment's


this afternoon. That's when they'll be reading the formal
charge, and she has to plead."


I already knew what an arraignment was. "What
time?"

He told me, but then he added, "She doesn't want you
to be there."

"What? That's ridiculous, of course I'm going to--"

But he was firm. "Listen, I had to practically break her
arm to get her to agree to accept counsel at all. The only
reason she did was that the judge won't let her plead
without legal advice. If she sees you there, I don't know
what's going to happen."

"So she's going through with it." Somehow I'd hoped
that when some time went by, she would see reason.

I should have known better. "She's just bound and
determined, Jacobia," Toby said, "and you know how
she is when her mind's made up."

"Yeah, I do. So what happens next?"

"Well, I think the judge will decide not to accept her
guilty plea, send her up to superior court, and wash his
hands of her. If that's the case we'll have a little more
time, maybe a few months, to try straightening out this
nonsense."

"What happens meanwhile?"

"I can try to get her out on bail. She's going to look
like a decent bail risk: roots in the community, no prior
record, so on. Maine's funny about bail in a murder case,
though."

"Which means?"

"State constitution. It says every citizen has a right to
bail except in capital cases. Now," he went on, "we don't
have the death penalty in the state of Maine, anymore--"

For which I was fervently grateful.

"--but murder is still defined as a capital offense."

"Bottom line, Toby. What are the chances?"

There was a silence. While I waited, a picture of Ellie
popped into my mind: coppery hair blowing, she perched
on the flying deck of Wade's summer runabout, the Little
Dipper, her eyes alight and her arm joyously outstretched
as she pointed to the sleek, arched back of a surfacing
minke whale, out on the water almost in sight of Head
Harbor.


"One in a thousand," Toby Alderman said. "Boy,
criminal law is tough when your clients are your friends.
I like real-estate law, where hardly anyone goes to jail."

"I know. If we could get another lawyer in this town,
then you could give it up." But it wasn't likely; there was
enough defense business here to support one, but not in
the style to which most modern attorneys have become
accustomed. It's the big crimes of wealthy clients that
generate the big bucks.

"Thanks, Toby, for helping her out," I told him.
"Anything else?"

"Oh, yeah, nearly forgot. She said to tell you not to
give up on that portrait, if that means anything to you.
Said you should try again, because it's important."

I had a minute to think that over while he put me on
hold to pick up a call on his other line. While I did, the
woman on the mantel gazed down at me, inscrutable
as ever.

What the hell was Ellie talking about? Finally I decided
her remark was only meant to cheer me--as if that
were possible--and that Toby, who disliked nuance and
implication, had conveyed her tone inaccurately.

When he came back, he said, "Listen, Jacobia, I took
this case as a favor. Not to Ellie, she still wants me like
gum on her shoe, but for her dad. But I've got to tell you,
if she goes on sticking to her guns on this guilty business,
I'm not sure how much I can do. And she sounds like she
is going to."

If Toby had already talked to Alvin, he knew he
was working Ellie's case pro bono; I had a sad, momentary
picture of Alvin, going hat in hand. Not that
Toby expected to be tied up on it for long. The way he
was talking, there wasn't even going to be a trial, just
a guilty plea followed by a sentencing hearing. He
was warning me, in his careful way, not to get my hopes
too high.
"I understand, Toby. I appreciate your calling. She
didn't say anything else about this portrait business?"


"Nope. Didn't even make that big a deal of it. Just
said she'd rather do the arraignment alone, and that
you've got plenty to keep you busy right here in town.
Anyway, I'll be there with her, and I'll call if things don't
go the way I'm expecting."

If the district judge took her guilty plea, Toby meant.
If it was all over, right then and there. It wasn't likely--
serious crimes, Bob Arnold had pointed out, were supposed
to go right up to superior court--but I'd been
consultant in enough bankruptcy proceedings to know
that in the judicial system, almost any damn fool thing
was possible, and judges could be as jealous over their
turf rights as anyone else.

"Okay," I said. "If she needs anything, let me know
and I'll take care of it. Let me know either way about the
plea, will you? And be sure and call me as soon as she
can have any visitors."

Another brief silence told me not to hold my breath.
"Right," he said then. "Well, I'd better get busy."

Me, too, I thought, hanging up.


18



I do not think money is the root of all evil, but I know it
makes an effective fertilizer. And money, I felt sure, was
at the root of this mess. Snapping Monday back onto her
lead, I tucked my scarf down into the neck of my slicker
and set my sou'wester on my head, then waited for one
of the mobile broadcast vans to block the reporters' view
of me as I started for town. It was time to talk to Jemmy
Wechsler.


The fog thickened as I neared the harbor, lending a
hushed, ghostly atmosphere to the streets. The antique
red brick of the Arts Center building glistened in the
mist, and the green silk "open" banner hanging from the
upstairs window of Ted Vinson's pottery shop flapped
wetly. Passing the Mexican restaurant with its gay strings
of Christmas lights twinkling through the salt-smelling
murk, I shot a wistful glance at the grey, weathered
timbers of the Happy Landings Cafe, where hot coffee
and good company--not to mention fine blueberry
pancakes--were always on the menu.

But they were pleasures I would have to defer, I
thought regretfully, crossing the street toward the fish
dock, where the squat, grey tugboat Ahoskie rolled at the
half-tide, the lights on her bridge faint gleams through
the enveloping mist. Beyond her, the Star Verlanger
loomed up out of the fog like an apparition, her cranes
grappling white-wrapped pallets of particleboard and
swinging them into her cargo bays.

Past the roar of the trucks lining up to be unloaded
and the payloaders scuttling among them, the gangway
to the Hoodathunkit was a metal stair leading down past
a forest of weed-draped dock pilings toward water level,
which was dead low tide. I slipped Monday's leash and
she scampered fearlessly ahead of me, her toenails
clinking on the metal steps, which in addition to being
nearly vertical were also moving, on account of being
attached to the floating dock.

By the time I made my own way down, she had
already leapt from the dock and nosed into the cabin,
and Jemmy Wechsler was calling out my permission to
board the Hoodathunkit.

"So," Jemmy inquired a few minutes later when he
had supplied Monday with biscuits and me with a strong
hot toddy, "to what do I owe the honor?"

Drinking in the morning is not by any means my
habit, but around Jemmy Wechsler almost any action
seems permissible; the things he has done and seen are so
far beyond the pale that a toddy for breakfast is as
nothing. His final act before leaving New York two years
earlier was to transfer something approximating a king's
ransom to a series of confidential accounts at a large,
well-known bank in Zurich; the numbers and ID codes
of these he had committed to memory and also--he
had informed me recently--to the links of the
Hoodathunkits anchor chain.


"To my need for information," I said. Monday glanced
at Jemmy, got a nod of assent, and hopped up to settle
herself on his lower berth, while Jemmy's Irish whiskey
warmed me from within, burning off the fog's penetrating
chill.

I'd gotten one phone call from Jemmy, soon after his
hasty departure, and I'd had to do some fast talking--
first in English and then in my few little broken bits
of French, German, and Italian; the only thing I can talk
about in any of these latter languages is, of course,
money--to persuade the Zurich bank to accept him as a
client. The bad publicity the institution had gotten over
its private accounts made it leery of deposits in cash.
Only my threat to take the deposit to nearby Lugano,
some of whose bank managers are equally silent about
the identities of their account holders but less inquisitive
as to the gory details--such as, for instance, the precise
method by which the cash had entered the country in the
first place--had turned the trick.

"I'm following some money around," I revealed cautiously.
"Last time it stuck its head up, it belonged to
Threnody McIlwaine."

Lean, brown, and bearded, Jemmy wore a black fisherman's
sweater, faded blue jeans, and work boots. To
look at him, you'd think he was just another downeast
lobster man, but a glance around his living quarters dispelled
that notion; from the outside, the Hoodathunkit
was a common dragger with a high, nosy prow and the
bare necessity of an operator's shack plopped amidships.
But below decks, she was all gleaming teak and polished
brass, fitted out with enough electronic gear for the flight
deck of a 767. In addition to the usual loran, global satellite
positioning, wind speed indicator, and depth finder,
he had built-in racks of other stuff I knew nothing about,
only that it looked complicated.
Jemmy grinned. "Mac was one of the big boys." He
raised his mug. "To the undear departed, may his soul
get what it deserves."


I felt my eyebrows go up. "Connected?"

"Like the Pope," Jemmy replied, "is Catholic."

And as to that, who should know better than Jemmy?
Before he left New York, he was a banker to the mob
from Providence to Newport News; if the guys who were
looking for him ever found him, Jemmy was fish food.

I told him what I wanted, and asked what it would
cost me in return, meanwhile mulling over the idea that
McIlwaine was mob-related. It made sense; a lot of the
industries McIlwaine had been involved in were traditional
organized-crime territory--trash collection, construction,
and so on. And the people he'd bullied and
terrorized, possibly even murdered, in order to be so successful
in those businesses--well, nobody believed that
the tycoon had gone out on any leg-breaking expeditions,
himself.
Or anyway, not recently. "Send Sam down here when
he gets home from school," Jemmy replied. "One of my
outboards is turning over funny, I need him to take a
listen."

Hearing Sam's name, Monday thumped her tail happily.
"You in a hurry?" I asked. My eyes kept returning
to the space under the neatly made berth. Last time I'd
seen it, it had been packed full of Jemmy's favorite
method of filling his time: books.

"Little bit," Jemmy replied, following my gaze.

The space under the berth was now stuffed with
diving gear: I recognized a Diver's Unlimited International
dry suit, the one-piece kind with latex seals and
neoprene hood and mitts. With it I could see a mask, a
set of fins, a snorkel, a tank and regulator, and a BCD--a
buoyancy compensation device. Stuffed in alongside were
what looked like several sets of thermal underwear, the
kind local divers wear under dry suits to protect them
against the fifty-degree water of the bay.


All these items were similar to ones I'd seen on various
trips to Federated Marine--a lot of the guys who work-
there are divers for the aquaculture outfits, or on boat-
repair crews--but with one difference:


The DUI dry suit colors are orange and black, for
safety; their brilliance makes a diver visible in the dark
water. Jemmy--or somebody--had covered the orange
parts with strips of black friction tape.

Jemmy watched me assess the gear without comment.
I didn't make one either; I knew better than that. But it
looked to me as if he planned to be underwater. And
invisible.

Monday descended from the berth and I clipped her
back onto her lead. "A little bit of engine repair isn't
much of a return favor, especially since I'm not going to
be the one doing it. Am I running up a tab?"

Jemmy grinned, his teeth gleaming white behind his
beard. Half his mouth was a product of space-age materials
and high-tech dental reconstruction, the result of an
argument between Jemmy and a fellow with a nail-studded
two-by-four. The guy (and I knew this for a fact)
had not survived the encounter.

"Have you broadcast my whereabouts yet?" he asked,
taking our mugs to the galley where he washed, rinsed,
and dried them, then stowed them neatly away. Back in
Manhattan, his attention to detail had been legendary.

"Not yet." It was a running joke between us, funnier
to me than it was to Jemmy, perhaps. Imagine his surprise
when, after absconding with a pile of the mob's ill-gotten
gains and going on the lam for almost two years,
Jemmy chose Eastport as the bolt-hole where he was
least likely to be spotted, only to find me, an old Wall
Street chum, already snug in it.

"Then you don't owe me anything," Jemmy said.
"Might take a while, though. I can't exactly call those
fellows direct, can I? But I left myself a few back doors,
and it's time to put an ear to a couple of 'em, anyway.
Find out," he added, "what the opposition is up to."

As if he didn't know. I had a feeling his knowledge
might have something to do with all that diving gear, but
I wasn't about to ask that, either.


He closed up the galley cabinets. "I find out what you
want, I'll give you a holler."

"Fair enough." I sent Monday back up through the
hatch, and followed her. Jemmy came topside, too,
stretching and breathing the raw, moisture-laden air with
pleasure.

Breathing any air at all was a luxury to Jemmy; what
he was up to was no joke. But once he got over the shock
of running into me in Eastport, he'd said he was glad to
see me, to have someone that he could talk to. Running
from the mob was a lot of things, he'd said, but mostly it
was lonely.

Above our heads, the cargo vessel cut off the sky;
beside us, the dock pilings were like a forest of dark,
dripping tree trunks. The water in the boat basin was flat
calm, the waves slopping softly against the cannery foundation
ruins.

On the deck, several boxes lay under a blue tarp. The
tarp had come loose at one corner, fluttering in the
breeze. Jemmy strolled casually over to it, and tucked it
in, but not before I glimpsed what was printed on one
side of the exposed crate.

"I hear your friend Ellie was the one stuck a sharp
thing in McIlwaine," Jemmy said. "These questions of
yours, they wouldn't by any chance be connected to
that?"

The roar of truck engines rumbled distantly. "You
always were a quick study."

He laughed. "Yeah, that's why I got the hell out of
Dodge. Thing is, you're not the only one interested in
that money."

"What makes you think that?"

Jemmy shrugged, watching a pallet of particleboard
sail up off the bed of an eighteen-wheeler, swing around,
and hover over the Star Verlanger's open cargo bay.

"So I'm in the Baywatch the other night," he said,
"minding my own business, having a quiet nightcap. My
back's to the room, but I could still hear pretty much
everything."


Of course; if his hearing weren't good he'd be resting
in pieces, surrounded by a forty-gallon drum at the
bottom of the East River.

"And I hear these two talking about just what you're
talking about," Jemmy went on. "Quiet, but I hear it. So
after a while, I look in the mirror behind the bar and
there's the two of them with their heads together."

Impatience overcame me. "The two of who?"

Monday glanced up, then returned to crunching one
of the urchins whose crisp, sea-green shells blow like
small tumbleweeds all around the perimeter of the island.
I glanced again at the tarp-covered crates on Jemmy's
deck, now safely concealed again.

Back in another life, before New York, before what I
thought of as my real life even began, I'd seen a lot of
those crates. For an unwelcome instant my first sight of
them came back to me, along with the unwanted recollection
of a smell that had permeated my entire existence
back then: the thin, sour reek of poverty.
Once I'd gotten out of it, I never went back, but the
scenery stuck, vivid and unerasable, in memory.

Explosives, the legend on the side of the wooden crate
had read before Jemmy covered it up; that and the bright
yellow danger triangle and health-hazard warning. I
remembered them well.

But now all I smelled was salt water, seaweed, and a
whiff of diesel from the trucks moving busily above. That
old life of impoverishment and of struggling up out of it
was in the past, and I would never have to live it again,
except in a few unhappy memories.

Money may be the root of all evil to some, but it is
better than the alternative; take it from one who knows.

"It was Ellie," said Jemmy, "and George Valentine."
19



When I first came to Eastport, I was optimistic about
doing small repair jobs myself, and I thought replacing a
toilet seat was within my home fix-up capabilities. So I
went to Wadsworth's and bought a new toilet seat, with
plastic attachment bolts.


Unfortunately, someone had attached the old seat
with metal bolts, securing them with metal nuts, and
over the years these items had fused themselves together
via the miracle of rust. No turning or twisting had any
effect whatsoever on them.

Undeterred, I went back to Wadsworth's and bought
myself a hacksaw, sat down on the bathroom floor, and
slid the hacksaw's blade between the first rusted bolt head
and the ceramic surface of the toilet bowl. Happily, I
began sawing back and forth; home repair, I thought,
took ingenuity, which I had in spades.

Whereupon the rubber seal between tank and bowl,
embrittled over the years and disturbed by the vibrations
of my energetic hacksawing, gave way, pouring water
into the crawl-space over the basement stair, where it was
my understanding that a lot of very important electrical
wires were located.

The shut-off valve broke off in my hand; I scrambled
to the basement, where pipes crisscrossed along the
ceiling. All were draped in thick, greasy-feeling cobwebs,
and a confusing number of them seemed to be connected
to the hot-water boiler, which I believed would explode
if allowed to run dry. Nevertheless I began turning
valves, since my homeowner's insurance covered explosions
but not floods, and I was certain that it did not
cover a basement stairway transformed inadvertently
into an electrocution chamber.

When I had turned off all possible water flow, I went
back upstairs and opened the telephone book, knowing it
was hopeless. It was Sunday afternoon, I knew nobody in
Eastport, and I really needed a plumber right away, which
as everyone knows is when you really can't get one.


But there was a number in the book, so I called it,
and a nice, elderly-sounding woman answered and said
that her nephew was watching football, but she would
tell him and he would get over as soon as he could. I
was about to give my address, but she said she guessed
I must be the lady who bought the big house on Key
Street.
Yes, I said, imagining her blue-rinsed hair and flowered
apron; no doubt I had called away her from her
doughnut-frying, or from the fixing of a traditional
downeast casserole dish in which potatoes and salted
codfish were important ingredients.

Well, she had to go, now, she said. She and some
friends were going to ride their motorcycles out to Meddybemps,
and she didn't want to be late.

Bemusedly, I hung up. Probably, I thought as I went
around back to open the Bilco doors, it would be days
before the plumber got here. Probably he was too busy
with football to care about me: new in town, all alone,
and in danger of drowning, electrocution, or both.

Just then a bright red panel truck pulled into my driveway,
neatly avoiding the raspberry canes on the left and
the lilac bushes on the right. A small, wiry fellow of
about thirty-five jumped out, carrying a toolbox.

"So," he said cheerfully as he strode toward the Bilco
doors, slanting metal hatchway-covers that led to the
below-ground cellar entrance. "I guess you must've tried
to fix that toilet seat."

He looked down at my hands, which were smeared
with rust from those damned bolts.

"Hacksaw," he diagnosed. "That's good. The direct
approach. Got its pitfalls, though, old houses like this
one. Got what you might call a falling-domino effect.
Well, let's have a look."

Swinging his toolbox, he hopped over the Bilco foundation,
ducked accurately under the header above the
doorway, and vanished into the basement. Moments later
I could hear him whistling down there, and then his
bootsteps going up the basement stairs.


"Wow," I heard him say to no one in particular when
he got to about the level of the wet electrical wires.

Half an hour later he had sealed the toilet tank, fixed
the shut-off valve, dried the electrical wires with my
hair dryer, and drawn a diagram of the pipes in the basement
so I would know which ones to shut off, next time
something happened; we both knew there would be a
next time.

Oh, and he had also replaced the toilet seat.

He gazed at the house. "You know, though, your water
pipes are old. You want to watch out, if you ever turn off
the water main, that you turn it back on slow. Otherwise
they could go," he gestured vividly, "kablooie."

He pulled an inhaler from his pocket and drew on it.
"Doctor gave me this," he explained at my inquisitive
look. "My whole family's got asthma, some worse'n me.
But if I take my pills and stay away from cigarette
smoke--"

His nose wrinkled just at the mention of the stuff.

"--and keep a couple of these babies on me all the
time, I'm all right." He tucked the inhaler back into his
pocket.

"Thanks for coming over so fast," I told him, getting
out my checkbook. "I appreciate this a lot. How much
do I owe you?"

He waved off the check and picked up his toolbox,
setting his black gimme cap with Guptill's Excavating
lettered on it in orange script atop his small, neat head.

"This one's on me. Welcome to Eastport."

He said it the Maine way: Eastpawt.

And that was how I'd met George Valentine.

Now the rumble of media vehicles arriving and
departing outside kept up a constant bass counterpoint
as I set a plate of scrambled eggs and toast in front of
George.

He tipped his head at the sound, sighing heavily, then
began devouring the toast and eggs. He wasn't telling me


all he knew, but for a born-and bred Eastporter that was
standard operating procedure; except for a year or so--
out in Colorado, where I gathered from Ellie that he had
been working construction, and sowing his wild oats--
George had lived here all his life.


"Thanks," he said when he had finished. "I've been
feeling too hungry to sleep and too tired to eat. That hit
the spot."

He got up and made to set his cap on his head; I'd
gotten him over here on the pretext of fixing a faucet, but
I wasn't finished with him.
"Not so fast," I said, taking the cap away. "There are
a couple of things I want to talk to you about."

I poured more coffee, and he sat down again, looking
trapped.

"A little bird told me you knew all about the big
money Alvin White had salted away. And that you and
Ellie might have been on the front burner again,
romance-wise. So what's the deal, George? This doesn't
look so good for either one of you, you know."

His face was miserable. "Maybe," he appealed, "we
could go down in the cellar. Now that the gravel is here,
I want to look at the dry-well hole again, and I talk
better when I work."

The dry well was an ongoing project I kept George
plugging away at, when no other area of the house was
actively engaged in collapsing. "Fine. Get your toolbox,
and we'll go."

In the cellar, George examined the Bilco doors that led
to the outside, and the wooden steps leading down from
them. The damp in the cellar was so persistent that even
in the winter with the furnace on, the rough concrete
floor was a patchwork of darkened wet spots, so that as
a cellar it made a great spot for a mushroom farm but
was useless for much of anything else. That, and the fact
that I now kept the Bisley locked down here along with
the ammunition, had made me determined to solve the
dampness problem.

Which, it seemed, George was actually going to fix, and
maybe even soon. "Here," he said, indicating a hole as
deep as I was tall, "is where the dry well goes. The boys'll
be bringing in the rest of the gravel this afternoon--"


The gravel, he meant, in the burlap bags at the end of
my driveway; there was already another stack of bags
down here.

"--so leave the Bilco doors unlocked for 'em if you
think of it."

"I will," I promised, "think of it." The hole was as
wide across as four large oil drums, which he had already
brought down and stood on end in the corner where the
coal bin used to be.

"But what's the lime for?" Besides the oil drums and
the sacks of gravel that he meant to use for filling the
hole once the drums were set in, several bags of lime like
the ones in Ellie's garden shed were also stacked in the
corner.

"Oh. Well," he explained, "the thing is that even after
I cut the channels in the concrete--"

He was planning to route all the water that seeped in
through the foundation into channels he had cut in the
ancient concrete at the foot of the cellar walls.

"--Even after the water gets into the channels, and
runs down into the dry well, the hole will be damp. And
where there's damp, there's a smell. Lime, see, it helps
keep the earth sweet."
"I see." That seemed a sensible answer.

"Then, after I route the water to the barrels that are
full of gravel, fill around with gravel and put the lime
on top, I cover it over with concrete, or more gravel if
you want."

"Gravel would be better," I told George. Given the
checkered repair history of my old house, I thought paving
over the dry well might be unrealistically optimistic.

He nodded. "Okay, then. Guess I'll get to work." He
reached for the first of the oil drums, turning his back as
if I might just leave him to it.

"Not so fast. You told me you were going to talk
while you worked."


He shrugged, looking caught, and peered around at
the dim, ramshackle cellar as if one of the holes in the
foundation might be about to let him out. "Well," he
began reluctantly when he realized none would, "the thing
is, I cornered Ellie at a church supper about a month ago,
and told her how I felt."


Sighing, he let his breath out hard. "I told her it was a
sin to let that old witch Hedda spoil our lives, that Ellie's
promise to Alvin didn't mean she had to be a martyr. I
said I loved her and I was always going to, and I knew
she felt the same way, and wasn't that worth something,
too?"

"She promised what, exactly? Not to hurt Hedda?
And marrying you would do that?"

He nodded despairingly. "Hedda smacked Ellie hard,
once, when Ellie was fifteen, and Ellie raised a hand to
her. Alvin got in the middle of it, got them quieted down,
and when Ellie had cooled off he made her promise never
to do anything to hurt Hedda. Not in any way at all."

His shoulders sagged under his blue poplin work
jacket. "And I can understand that. But Ellie, she takes it
too far."

Then he smiled a little, thinking of her again. "I swear,
Miz Tiptree, mostly I'm a pretty reasonable guy, but I'd
walk on water all the way to Campobello for that
woman."

"Right," I said. "I know the feeling. So then what
happened?"

He stared at his hands. "Well, Ellie talked to Alvin
about us, on the quiet. That's when he told her about the
money, how his deal had gone bad but he thought he
could get McIlwaine to make good on it, and also that
McIlwaine was leaving him some. He said he was going
to hire live-in help, either that or move into that brand-new
retirement community down in Blue Hill, the fancy
one where they do just about everything for you."

George looked up. "Either way, Ellie wouldn't have to
take care of Hedda anymore. Which everyone knows she
shouldn't have had to anyway, but she felt she did.
Because of Alvin, you know."


"What's he got to do with it?" I knew, but I wanted to
hear it from George, get his slant on it.

"Well, because he raised her," George said.

He set the last big oil drum in the bottom of the drywell
hole. "Let that lumberyard of his run itself down
into the ground, spent all his time on Ellie. Taught her
how to throw a fastball, take your head right off,"
George added admiringly.

Then the knowledge of her present situation overcame
him again. "I don't guess Alvin meant to make Ellie feel
duty-bound, but she does. She won't leave Alvin alone
with Hedda, and she won't marry me and take care of
Hedda at the same time. Says it wouldn't be fair to me or
Hedda. Ellie," he repeated, "made a promise. And you
know Ellie," he finished glumly, "when she's set on
something."

"Yes, I do. Although," I added, "it was Ellie's reputation
for keeping those promises of hers that kept them
from trying to haul her out of here on a helicopter the
other night, so I guess that's good for something, too."

"Yeah," he agreed. "I guess. But right now I sure
don't know what."

I caught him as he turned away again. "So George,
what is it you're not saying? Oh, come on," I added at
his denying look. "It might as well be embroidered on
your cap, there's something else you're not telling me."

George looked unhappily at the dry-well hole. "Still
got to wait for the rest of the gravel," he said. "The
bigger stuff, that goes inside the drums. Maybe I'll just
run over and ask the boys when they--"

"Oh, no you don't. Come with me." I herded him
back up the cellar steps; now that I had him, I wasn't letting
go until I got it all out of him.

In the kitchen, I began slapping sardines onto slices of
bread and slathering them with Raye's mustard, which is
made right here in Eastport and is a blend, as far as I can
tell (and I mean this figuratively, of course), of dynamite
and cocaine: delicious, energizing, and an excellent sinus
remedy to boot.


As for the other ingredient in the sandwiches, it
seemed to me that sardines were small, whole fish, and I
felt as likely to eat them as I was to swallow a few goldfish
straight out of the bowl. But Wade said sardines
were brain food and Sam preferred them to peanut
butter, and when Ellie disguised them with fresh herbs
and garlic in spaghetti sauce, even I devoured them.

"So what's the rest of it?" I asked. "Come on, George,
you might as well tell it all."

George reached out and plucked a sardine from the
tin, and put it in his mouth, chewing thoughtfully on it.
"Those are good sardines," he said.

"Don't stall me." I wrapped the sandwiches in waxed
paper, which Wade says keeps the damp out better than
plastic wrap, and put them in his lunch pail with a
thermos, two brownies, and an apple, sliced into quarters
and cored.
I know; it was awfully old-world domestic, wasn't it,
my fixing Wade's lunch. But when people go out on the
water, all you can send along with them is food; that,
and a vigilant turning-away from your own fear. I would
go up on the widow's walk, I suppose, but the house
doesn't have one and Wade wouldn't stand for it,
anyway. That there's little to earn and many to keep is a
fact of downeast life, but the other line of that old sea-chanty--that
men must work and women must weep--is
not a part of Wade's repertoire.
"You were working over there the day before yesterday
in the morning, weren't you?" I asked.

George's throat tightened; I saw the sardine he was
chewing go down in a lump.

"Because Ellie says she killed McIlwaine," I went on,
"but I don't believe her, and I don't think you do, either.
What I think is that she's protecting somebody. Jemmy
Wechsler overheard you two in the Baywatch," I added.

George stared at me, his milky-pale skin gone even
whiter. "We were talking about the money, about how if
Alvin got McIlwaine to replace it, we could get married.
That's all."


"And," I asked, "about what Alvin might get if McIlwaine
died? That would replace the money pretty efficiently,
too, wouldn't it?"

George shook his head. "That's crazy. Counting on an
inheritance--why, you might as well bet on the weather.
I don't believe old McIlwaine did anything of the sort,
leave Alvin White any money. And I was there, but even
if we'd done what you're thinking--planned it together, I
mean--it's a stupid way to do it. The guy," he added,
"shouldn't even have have died, in my opinion."

I closed the lunchbox. "Why not?"

"Well, you saw it. Ice pick in the head." George's
voice was full of disgust. "Buddy of mine down in Portland
is a bouncer in a bar, he got shot in the head. Week
later, he's up walking around. I don't know what's inside
a person's head, I mean, where the big connections are
and so on."

He picked up his cup and swallowed the last of his
cold coffee. "But I've seen a lot of things, car wrecks, logging
accidents and so on, and I'm telling you, that one
shouldn't have been a fatal head wound. Back of the
neck, maybe, but not front of the head. I've been wondering
about it."

He'd lost all his uncertainty, and I had to admit what
he said made some sense. My ex-husband, for instance,
dug around inside people's skulls all the time, admittedly
with more planning and awareness than your standard
ice-pick wielder, but still. And even he had mentioned
similar wounds that weren't fatal.

The sound of a helicopter interrupted us. From the
window, I could see the craft's shape through the fog--
which was dispersing slightly--and the big red M emblazoned
on the side of the fuselage, as the 'copter headed
for Quoddy Airfield.

"They're taking McIlwaine's body," I guessed. "Take
it over to Bangor, I suppose, for the autopsy." To me it
seemed like forever since he'd died, but it was really only
two days.


"No way." George stood beside me, watching the
helicopter dissolve into the low clouds toward the west
side of the island. "Arnold says someone pulled strings,
got the body released to somewhere in New York."

He sniffed. "Guess Maine Medical Center isn't good
enough for him, even when he's dead." He picked up his
hat with the air of someone about to make an escape.

"Listen," he went on, "I've got to go talk to Bob
Arnold. If the weather's clearing enough for that helicopter
to get in here, we're going to have even more
people in town pretty soon."

He was right: the influx of yesterday, intense as it had
been, represented the bravest reporters, hot to file a story
on the Bastard of Wall Street and how he died. Today,
the second wave would be coming in: stringers, freelancers,
and smaller publications. It would be good business
for restaurants and the Motel East, and a mixture of
comedy and annoyance for the rest of us who lived here.
After a year or so without twenty-four-hour Thai takeout,
while-you-wait photo processing, shopping malls
complete with international food courts and thirty-screen,
Dolbyized surround-sound cineplexes, you tend
not to miss these things very much or very often. But the
media were about to go cold turkey on the whole latter
half of the twentieth century, and the shock was going to
make them irritable.

George's mouth curved into a small, anticipatory
smile; he was thinking the same thing I was.

"I saw a guy once," George said, "in Leighton's
Variety, up there by the counter between the newspapers
and the Megabucks tickets. He's got his silver Beemer sitting
idling outside, and he's so mad, he's pounding the
counter so the little boxes of nail clippers and Red Hots
jump. And he's saying, 'What do you mean, I can't see a
real-time stock market ticker up here? What do you
people do with your lives in this damned burg?' "

George's imitation was more than passable: chest
puffed and expression terminally affronted, as if he'd
been told that the drinking water in Eastport contained
cholera germs, and that the local people sort of liked it
that way.


"You can get real-time here, now," I said distractedly.
"Buy the service, dial it up. On the Internet."

Not, of course, that it is going to do you any good.
With a real-time ticker, all you get is the benefit of
knowing fifteen minutes sooner what the real players on
the Street knew yesterday, or last week.

"Yeah," George said thoughtfully. "You can get anything
you want in Eastport, really. It's just you're not
having it forced on you all the time. 'S why I came back.
One of the reasons. Thanks for the breakfast."

"George."

He stopped at the door, smiling as if I might ask him
to pick me up some drywall screws at Wadsworth's, or
another giant economy size box of rope caulk.

Wild oats, I remembered, asking myself what he
would hate most to have revealed, and why in the worst
of all possible worlds he would let Ellie confess to a
crime instead of confessing to it himself. Then I took,
you should excuse the expression, a stab at it.

"George, have you ever had a felony conviction?"

What little color there was in his face drained away.
He pulled out his inhaler and sucked on it unhappily,
short of breath at being confronted with a question he'd
hoped no one would ask.

Damn, I thought: there was Ellie's reason.


20



Ellie's trip from her front door to the squad car had
made breaking-news headlines on all the networks. The
papers were full of it, and tonight, Larry King would be
making hay on it, on account of McIlwaine being so
famously who he was.


"I wish," I said heatedly to Bob Arnold, "the cops
hadn't taken her right past all the cameras. In fact, I wish
they hadn't taken her at all. You know as well as I do
that confession can't be true."


The Eastport Police Department operated out of an
old frame storefront on the west side of Water Street.
Two plate-glass front windows furnished a view of
passing cars and pedestrians, and of the hand-carved
Atlantic shorebirds Rollie Bach was displaying in the
window of the Eastport Gallery.

Now Arnold put his big hands together on the top of
his desk, in full view of the reporters shivering hopefully
outside. He had banished them from his office, as firmly
and completely as if he were quarantining against plague,
but he couldn't order them off the sidewalk. "I can't help
the way it worked out," he said. "What was I supposed
to say, she confessed but we all just like her too much to
let you guys do anything about it?"

He signed heavily. "I'm sorry, Jacobia. Truth is, we
stalled as long as we could, but if there was an arrangement
between the cops and the newspeople, I wasn't in
on it. What I wish is, she'd kept her mouth shut, let us
figure it all out if we were able to and not if we weren't."

In the gallery window, a pair of plump puffins with
black-and-white feathers, huge webbed feet, and bulbous
beaks as bright as orange slices waddled atop a chunk of
salvaged dock piling.
"And why did it have to be somebody like McIlwaine?
People from away," he said, "just come here and screw
things up." Then he caught himself, mortified.

"I mean, not you, Jacobia. Not ordinary people. Aw,
hell," he gave up, "you know what I mean."

"That's okay," I relented, because I did know. Exotic
as they looked, the puffins belonged here, and I at least
had transplanted myself fairly credibly. But McIlwaine
hadn't; he'd grown up here, but only returned to make a
display of his success, showing in the end how much he
really didn't belong.
"I'm sorry I got all hot at you," I told Arnold, and he
accepted this.


"Ellie says she killed him out in that pantry of theirs,
on account of some money deal. You know anything
about that?" Arnold asked.

"A little," I admitted, and told him about the stock
flop Alvin had gotten caught under. It would all come
out now, anyway.

Arnold nodded. "Alvin's a sweet old guy, but imagine
him thinking he could change McIlwaine's mind."

I was still thinking about the pantry. "So she just left
him lying there afterwards? Is that what she says?"

"Well, no." Arnold looked unhappy. "Once she'd lost
her temper and done it, she got in a panic about it. Tiptoed
into the hall, she says, to make sure Alvin was still
in the front room. Janet Fox and Hedda were upstairs.
Seeing if the coast was clear, while she tried to figure out
what to do. And when she came back ..."

"He was gone." I could picture it: McIlwaine struggling
up, stunned but not yet unconscious, maybe confused.
Key Street is quiet in the morning, with people
already all off to work or to school; he could have
crossed it unnoticed, looking for help.

But the part before that didn't sound right to me: Ellie
in a panic, or losing her temper. Ellie wouldn't panic if
you set a bomb off under her, and while she was fully
capable of skewering you verbally, I couldn't imagine her
becoming physically violent.

"Did George come and talk to you?" I asked.

"Yeah," Arnold said, glowering at me again. "Gave
me his badge and his weapon. How'd you know about
the felony thing?"

"I didn't. I thought about what might make Ellie protect
him, and him let her. It would go harder on him than
on her if he had a prior. They'd end up being together
sooner."

Arnold looked thunderous. "Now wait just a damned
minute."


"Well, that's what the state cops will think, if they
ever stop fixating on Ellie. Which they probably won't,
but Arnold, George was there. Hedda's not physically
capable, Janet was with Hedda, and Alvin wouldn't let
Ellie go to jail for him, you know that. Believe me, I hate
it as much as you do, but tell me: who's left?"


Other, I meant, than Nina McIlwaine. She felt so
right, I could practically taste the triumph of seeing her
led off in handcuffs. But so far there wasn't any point
mentioning her to Arnold; I had no real evidence she was
even near the house when the killing occurred, much less
inside. Nina was cold, calculating, shrewd, and--I was
willing to bet--as mean as a snake, but that wouldn't
cut it in the arrest-and-prosecution department. Meanwhile,
though: (a) Ellie had confessed, (b) I was sure she
hadn't done those things, herself, and (c) George--now
that he and Ellie were together again--was a fabulous
candidate for Person Most Worth Protecting, from Ellie's
viewpoint.

Which suggested that he actually had done it, or she
thought he had. I didn't much like those ideas, either,
especially the first one, and I hoped that there was (d)
some other alternative. But good alternatives, ones I
liked contemplating at all and could put forward convincingly,
were getting as scarce as bargain-priced blue
chips, lately.

Watching me, Arnold seemed to follow my line of
thinking, and it made him mad.

"Come with me," he growled, heaving himself up out
of his chair. "I want to show you something."


21



Dying in winter is a troublesome business in Eastport.
Saturated by fog and by squalls blown in from the North
Atlantic, overlaid with ice for weeks at a time, the
island's soil--and it really is an island, connected to the
mainland only by the one narrow causeway--freezes
hard as the granite ledge beneath, requiring that the dead
be committed not to the earth but to the mausoleum in
Hillside Cemetery. From this fact the serviceberry bush
received its name, for when the tiny white flowers of the
common shrub are in bloom, we may begin holding
graveside rituals for those who have passed away from us
since autumn.


Waving the reporters off curtly, Arnold backed his
squad car out of its angle spot outside the storefront,
made a U-turn in front of the fish dock, and headed back
up Water Street toward Dog Island. On our way we
passed the white clapboard Quoddy Tides building, home
of the eastern most newspaper in the United States, them
climbed the long hill past the entrance to the Deer Island
ferry and into North End, where two-story wooden row
houses gave way to frame cottages and then to the wide
grassy bluffs overlooking Harris Cove.

When we got to the cemetery, Arnold pulled onto the
shoulder. Ahead, now invisible in the mist, lay the lighthouse
at Deer Point with Indian Island beyond and the
Friar Roads to its south, to our left the Western Passage
leading up to the mouth of the St. Croix River and the
distant hills of New Brunswick. The fog had gobbled
snow at the rate of an inch per hour, so that the yellow
meadow grass and the black-cherry canes of rosa rugosa
had already begun showing through the drifts.

"I'm really sorry about George having to turn in his
badge," I began. It was what I'd gone down to talk to
Arnold about; George had seemed so horrified by my
question that I thought I'd better mend some fences.

"You didn't do anything." Arnold broke his silence
angrily. "You didn't go off and do any damn-fool thing,
get all liquored up out there in Colorado with your buddies,
smoke yourself some pot, get caught with enough of
the stuff so possession with intent would stick like stink
on a skunk. Dammit, I've known George all his life."

He pulled a cigarette pack from his pocket and rolled
the car window down; it was against the rules to smoke
in the squad car, and besides, he was in the habit of not
leaving smoke smell for George to suffer in.


"It wasn't even his. The pot the cops found in the car,
one of his buddies already had a felony pop. George took
the weight."

"You knew about it?" It was against the rules to make
a cop out of a convicted felon, too.

Arnold was silent a moment. "Yeah, I knew," he
admitted. "George told me about it when he applied
for the job. I told him I didn't give a rat's ass what they
thought about it in Augusta, the job was his, and if we
caught flak about it, we'd handle it when we caught it."

He shook his head. "Show you what a damn fool I
am. I even went out and talked to McIlwaine one time
myself, see if he could maybe use his influence, help
George get a pardon. McIlwaine had reach in the statehouse,
out in Colorado. And in just about every other
damn state, I guess."

"What happened?"

Arnold made a face of disgust. "Didn't have any more
luck with him than Alvin had. Oh, he talked a good
game. Nothing ever come of it, though." He dragged
hard on the cigarette.

"What's going to happen now?"

"Nothing," he replied, blowing smoke in a stream.
"Somebody asks me a question, I'll give an answer. Otherwise,
all of those state guys can go piss up a rope. Bad
enough George's lost his badge. And I'll tell you another
thing, he didn't kill anybody."

A breeze stirred up, shifting the mist and dropping it,
so that the yellow summer cabins on Harris Point materialized
for an instant and vanished again, like a magician's
trick.
The same thing seemed to be happening inside my
brain: a hint of something and then not. Or something
that ought to be there but wasn't.

"Aw, hell, Jacobia." Arnold broke the silence. "I'm
sorry I got so mad at you. I guess those investigators'!!
know about George's trouble, anyway. They get on a
thing like this, they run everyone through the computer."


Right. I had it: how?

"Arnold, do you know the joke about the thermos
bottle?" I asked. "Why it's the most miraculous invention
in history?"

Arnold turned his long-suffering face to me, as if
in light of the foolishness that had gone on so far, this
was just par for the course. "No," he said patiently.
"Why is it?"

"Well, all a thermos bottle does is keep hot things hot
and cold things cold," I said. "The miracle is, how does it
know?"

A grudging smile twitched the corners of Arnold's lips.
Out on the bay the mist had thickened to rain: showers
marching in angled lines toward the shore, greying the
water's surface.

"What if somebody else knew George was in trouble
while he was away? Somebody other than McIlwaine, I
mean."

McIlwaine himself was too canny a wheeler-dealer to
talk George's problem around, here or away. He might
not help if there wasn't enough percentage in it for him,
but he'd keep it under his hat, in case he ever needed
Arnold to keep something quiet in return.

Arnold frowned. "And killed McIlwaine just when
George was around, hoping he would get blamed for it?
Knowing he'd get looked at hard, because he's got a
felony record?"

"Maybe knowing the whole thing, Arnold. The
record, and that McIlwaine's death was going to help
George out. Knowing it would look like George had a
wonderful motive. But not," I added, "knowing what
Ellie would do. Her confession would have been an
unexpected piece of luck for somebody."

He put the cigarette out by holding it into the rain,
then tucked the butt into his cigarette pack. "Awful dicey.
Too many things would have to go just right. Besides--"
"Yeah, but it looks like they all did go just right,
doesn't it?" I interrupted. "That is, if we're assuming neither
Ellie nor George did it."


Which we were: I could see by his face that Arnold
would suspect George of murder when pigs flew, if then.

"Huh," Arnold replied. "I guess that's true enough. If
you were patient, you could bide your time, wait for
your chance. Some time when George was there to get
suspected, and when you could do it without being
noticed, yourself."

Then he shook his head, as something else seemed to
occur to him. "But come on, sneaking in and out of that
house while there were people in it. And anyway--"

"Never mind that," I said. "Let's assume for the sake
of argument that the chance came along, and somebody
grabbed it. Then the question isn't how much somebody
planned. The question is, how did somebody know
about George?"

Arnold sat considering this, but he still just wasn't
going for it. Below us the new section of the cemetery,
called Bayside, spread out: marble monuments jutting up
through the melting snow. Here and there among the
marbles stood stacked bricks of sod, showing the final
destination of folks who had died over the winter.

The marbles weren't the only things that were as hard
as rocks around here, I thought impatiently, eyeing
Arnold's head.

"Look at that cut work," he said in a distant voice,
indicating a monument a few yards away. "Not too
many stonecutters around can do that anymore."

The monument, in polished black marble, showed the
name and dates of a local boy lost when a dragger
snagged up and capsized off Grand Manan. Below the
stark facts, the stonecutter had created--in perfect, lithographic
detail--a dinghy with her oars shipped.

Arnold put his hands atop the steering wheel and
looked over them to the water. "You know, after my
father died, George buried him here. In February, two
years ago this week."
"But you can't dig ..." I began, but Arnold went on
as if he hadn't heard me.


"Dad had an awful horror of the mausoleum, of being
shut up in there with all the other bodies. Tried to hold
on until the ground thawed, but in the end he couldn't.
And George, he'd shot the breeze with my old man
enough to know all his stories."

He took out another cigarette and lit it. "He'd been
buried alive, my old man, in the war over in Germany. A
bunker got blown up. All his dead buddies around him,
pressing on him in the dark. And rats, he said. Lots of
rats."

Arnold shuddered, shook it off. "Dad made me
promise not to winter him over in the mausoleum, and I
said I wouldn't. But I didn't know how I was going to
keep that promise. I just said it to give the old man some
comfort. 'Long as he was alive, I didn't have to keep it.
And the old man knew that, of course. Fought for every
damned breath."

"But then he died."

Arnold nodded. "Then he died, and jeez, it was cold
outside. Worst February a lot of us had ever seen. Next
morning George went up to Calais and rented a backhoe,
brought it out here. Got down three feet, hit rock ice,
dropped some fertilizer and black powder charges in the
hole, dug it the rest of the way."

Out on the water, the big ship Star Verlanger
resembled a toy ship, making way for Head Harbor and
the open sea.

"Next day," Arnold went on, "we had the graveside
service. Only winter service I ever remember in Eastport,
and when it was over George hauled the backhoe to
Calais again. Cost him an extra hundred bucks, get it
back late, not countin' what he'd paid out to hire it, rent
the flatbed."

Arnold shook his head, remembering. "Said he didn't
want to miss the old man's last party, and he wouldn't
take a dime, not that I had two dimes to rub together,
then or now."
He pointed. "That's Dad's stone right over there."


It was a small white granite obelisk: all, I supposed,
that Arnold had been able to afford.

"Dad never spent a single night in the mausoleum," he
said, "rubbin' shoulders with a bunch of other dead
bodies. And I didn't break my promise, on account of
George Valentine."

More promises: the island seemed full of them today,
and people kept them, here. You couldn't vanish into the
anonymity of a mass of people, and pretend you hadn't
given your word. In Eastport, there wasn't a mass of
people; just you and your neighbors, every one of whom
knew your name and where you lived. It was yet another
reason I was determined to keep plugging away at this:
not only because Ellie was my friend, but because I had
given her my word.

Arnold pulled the car around the paved circle at the
end of Dog Island and headed it back uphill, toward
town. Rain spattered the windshield.

"You know," he said, "when you came to town, people
wondered about you. Here's a woman with a kid, buys a
big old house. Pays cash, she's got no job and no husband.
That's food for thought in a town like Eastport."

For gossip, he meant. Personally I didn't mind my
neighbors knowing my business, which was lucky since if
you burp at one end of Moose Island, someone will start
mixing up a Bromo-Seltzer for you at the other end.

"But you settled in real well," Arnold went on. "And
when Wade Sorenson took to you, that was a point in your
favor. People around here think a whole lot of Wade."

"I'm glad," I said drily, "I'm getting such a high
approval rating."

Arnold smiled. "You're doing okay. The thing is,
there's some things people here won't tell you, or at least
not right off."

Belatedly, I began sensing what one of those things
might be. He nodded, knowing I was getting it.
"Oh," I said, deflated.


"It's a good thought, there maybe being somebody in
town who found out George's deep, dark secret, used it
in some complicated plot to frame him up for murder.
But it depends on George having a deep, dark secret,
doesn't it?"


He pulled into his parking spot in front of the police
station. "The trouble is, just about everyone in town
knows about George's drug bust in Colorado. Everyone
who's from here, that is. Just not," he finished gently,
"many people from away."

"Oh," I said again. "Well."

"No one talks about it much 'cause they know that if
word got off the island, George couldn't be a part-time
cop any more."

He shut the ignition off. "Have to take some crap
about it now, I suppose. Kinda doubt they're going to
send a firing squad all the way from Augusta, though,
and if they do, we've probably got 'em outnumbered."

He seemed entirely unperturbed by the prospect.
"George was awfully upset about my knowing what happened,"
I said.
"He likes you. He's worried you'll think less of him. He
knows that in bigger places, sometimes people do." Arnold
turned his calm, assessing gaze on me. "So do you?"

"No. Of course not. He's George, for heaven's sake."

"Good." His eyes sought the middle distance for a
moment, and I guessed he was thinking about that
granite obelisk.

"That's how I feel, too. He's George, and he didn't kill
anybody. And if you're thinking about shifting suspicion
from Ellie to George just to get her out of trouble, think
again. I won't stand for it, and she wouldn't, either."

Nor would I; even thinking about going down that
road was about as attractive as deciding which kitten to
drown. The trouble was, at the moment I couldn't think
of any other options.
He pulled the keys from the ignition, then frowned as
an official-looking car pulled in alongside of him. "Hell. I
bet that's the woman from the attorney general's office,
called up earlier. I'd better get ready, hear some big-city
nonsense."


We got out. "Anyway," he finished, looking over the
hood of the squad car at me, "I'm sorry about the way it
happened with Ellie going, the timing of it. I couldn't do
anything. And I appreciate you trying to help."

He didn't sound particularly sincere about that last part.

"Right," I said, and then I remembered.

"Arnold. You telling me about that hole George
blasted--it reminded me."

I wasn't sure how to put it, then figured there wasn't
any good way. "Is anyone around here missing, um, any
dynamite?"

He eyed me narrowly. "Yeah. Fundy Construction
warehouse called me, couple days ago. Crate and some
radio signalers. Why, you know something about it?"

"I'm not sure. Maybe. I just overheard something
funny, not sure what it means. I don't," I lied hastily as
his expression darkened, "know where it is. I'll tell you
about it later, okay?"

I nodded at the dark-haired, blue-suited young woman
who had already stepped from her car and was sticking
her hand out at him in brisk, no-nonsense fashion.

"Yeah," Arnold said, not letting me off the hook
despite the woman's obvious impatience. "Yeah, I think
you better."

Then he turned to his visitor, and it wasn't until I was
walking home through Peavey Park, picking my way
among patches of slush between the bandshell and the
red brick library building, that it hit me: Arnold had
missed something.

If I didn't know George's Colorado drug bust was
common knowledge, maybe somebody else hadn't realized
it, either. Someone like me, from away, who hadn't
been told.

Someone like Nina. I nearly turned around, but instead
I continued uphill toward the now-untenanted VFW
Hall. It was a massive, cedar-shingled 1820s mansion on
a corner lot, once glorious but now in a sad state of
decay. In the totting eaves beneath its clipped gables,
pigeons nested profusely, and the tall windows of its
third-floor ballroom resembled blinded eyes.


On moonlight nights, an apparition was said to appear
in one of those windows, a spectral figure called the Green
Lady who glowed the same otherworldly color, it was
said, as the radium dial on an old wristwatch. But now in
the dull afternoon the windows were blank and lusterless.

Arnold wouldn't want to hear any more of my theories.
He had told me so, as nicely as possible. Still, I kept
thinking about who had a way to know--perhaps from
talking with her husband--that George Valentine had a
troubled past, maybe even that George wanted Alvin to
inherit big-time. Someone with her own motive for
wanting the victim dead.

Nina McIlwaine, I thought, filled the bill perfectly.

Approaching the corner of Key Street, I turned quickly
to avoid being seen by the reporters still hanging around
the Whites' house, making my way in by the alley to my
back door.

By the time I got there, I was in a hurry to get inside,
so I nearly missed the bit of paper caught in the antique
mail slot, no longer used officially now that I have put a
mailbox on my front porch. Only its pale color against
the dark green of the door made me spot it, and pluck it
from the slot as I let myself in.

Shutting the door quickly to keep from being spotted
by any intrepid newspersons, I unfolded the thing,
expecting a request to contribute to a bake sale or an
invitation to a potluck supper.

But it wasn't any of those. The note was on lined, colored
paper, the kind you can buy in tablets at Leighton's
Variety Store, the writing in ballpoint, shaky and obviously
disguised; it was the penmanship, I thought, of a
right-handed person producing cursive script with the left.

Or vice versa. I blinked at the note several times,
unable to believe that I had actually received such a
thing, then caught myself glancing around guiltily as if
merely touching the hideous little missive were a
shameful offense.


Mind your business, it said. Or you will be the next.


22



"Got a letter?" demanded little Sadie Peltier. Eastport's
youngest and most troublesome juvenile delinquent had
pushed open the door without knocking and was suddenly
at my elbow.


"Lemme see," she said eagerly, snatching at it.

I pulled it away, in no mood for Sadie and her fresh
ways. "Did you see who put this here?" I demanded.

She shrank back. "No," she denied exaggeratedly. "I
was over there at Mrs. White's house. Ellie got arrested
yesterday. The cops came and hauled her away."

Her face clouded; possibly Sadie had been told that
the same thing might happen to her someday if she didn't
mend her ways.

The confidence returned to her face. "Is it a love
letter? I bet it's a love letter."

Then she dashed outside again and, grabbing up some
of the remaining slushy snow, crammed it wetly together
in her hands and flung it at me.

It missed, spattering against the outside clapboards,
but in my state of mind that was no consolation.
"Sadie," I told her, "you're a brat. Get out of my sight or
I'll wring your neck."

Just then her mother's voice rose from the next street
over, calling Sadie's name in tones of hope and terror:
hope that Sadie had not yet done something truly awful,
and the realistic terror that any day now, Sadie would.

"I'm going to tell what you said," Sadie informed me.
"I'm going to tell my mother you called me a brat."

"Do that," I replied distractedly, looking at the
note, about which the first question for me was not who,
but why?
"What an idiot," I said in puzzlement, to myself.


"Idiot!" Sadie shouted at the sky as she ran off, energized
by this fresh bit of ammunition. "Idiot, she called
me an idiot!"

Once the sound of her voice had faded away, I put the
note on the kitchen table and frowned at it. Aside from
the melodramatic disguising of the handwriting and the
shoddiness of the pastel notepaper, the very presence and
message of the thing were silly.

Whether or not I believed in Ellie's confession, the police
did; otherwise she would not now be in a courtroom.
Trying to discourage my nosing further into the matter
would only alert me--and perhaps the police, too, in the
event I told them--that further nosing was warranted.

Not only that, but how had anyone known I had been
taking any interest at all?

The whole matter was so perplexing that it took me a
moment to realize: my eyes were watering, my nose was
running, and a haze was filling the room with the smell
of roasting chestnuts, if the chestnuts happened to be
made of styrofoam. As I thought this, a piercing, intermittent
howl of the type ordinarily used to signal nuclear
reactor emergencies began blaring, driving all thoughts
of notes or disguised handwriting from my mind.

The smoke detector. I grabbed the fire extinguisher
from its mount by the kitchen door. In old wooden
houses there are few blocks to prevent flames from
spreading quickly in the balloon-framed walls, so it pays
to have an extinguisher within reach even when you are
in the bathtub.

Unfortunately, once I had it in hand I couldn't find
anything to shoot the extinguisher at. The air in the
kitchen had thickened so fast that it was impossible to
see where the fire might be; meanwhile, Monday came
romping in from the dining room, expecting a biscuit, and
got instead a snootful of smoke.

Just then, luckily, Sam came home from school.
"Yikes," he said, and ran to call the fire department, then
ran back to grab a coughing Monday and take her
outside, while I alternated between flinging open windows
and yanking open cabinets, drawers, and cupboard
doors, aiming the extinguisher into them, then moving
on like a SWAT team member trying to clear a building
of terrorists.


Sam ran back in and stopped. "You know," he said,
"that smell, it's like ..."

His voice trailed off as he strode to the oven and
opened the door, leaning back as a cloud of ghastly
fumes billowed forth.

"Gripes," he said, grabbing a potholder and pulling
out the object smoldering inside. It was a package of hot
dogs from the deli counter at the IGA, wrapped in melted
plastic and sitting on the melted stuff that used to be the
hot dogs' molded foam tray.

"I didn't," Sam said, holding up his hands as the men
from the volunteer fire department thundered up onto
the porch.

"I know you didn't," I assured him as they flung open
the door and swarmed in, dressed in rubber coats and
boots and their big, yellow fire hats, dragging heavy fire
hose behind them.

We looked at Monday, who had come in with the men
to see what all the excitement was about, and to find out
if firemen carried dog biscuits.

"Nah," Sam said, looking at me. "Couldn't be. She
wouldn't cook them. Would she?"

By now the smoke was beginning to clear away, and
Sam had turned off the oven and the smoke alarm. I
made coffee for the firemen, and offered them doughnuts,
and apologized for bringing them out in the truck.
They were very nice to me in return--George would have
been with them, they said, but he had gone up to Calais;
something about a load of gravel--but I knew by tonight
it would be all over town that Mrs. Tiptree put meat in
the oven without even unwrapping it, and forgot it in
there, and jeez did it stink.

Only I hadn't. I hadn't taken any hot dogs out of the
freezer because we were having chowder, and I had
already cut up the haddock pieces, sliced potatoes and
onions, and remembered to buy pilot crackers. I hadn't
forgotten to turn off the oven, either, because I had let a
casserole bubble over in it the night before, and I remembered
turning the oven off the instant I smelled it.


"Maybe it was the ghost," Sam said when the firemen
had gone and we were going around opening more windows,
letting the breeze off the harbor blow the smoke
smell away.

"Maybe," I agreed. But I didn't really think so.

I thought whoever left the note had also been in the
house.


23



Back in New York, I used to believe that car phones were
handy gadgets that allowed me to conduct essential business
while speeding on a highway packed with road-
rage-afflicted maniacs. But now that I have become a
Maine-iac myself, my car phone has become emergency
gear; who knows when I might hit a moose?


"He had," said my ex-husband, "six months to live.
Tops."

I was driving north along a curving, narrow stretch of
Route 1 through Red Cliff, a bit of shoreline created by
rose-colored granite being slowly beaten away by the sea;
its nickname, derived from the only known case of
stranger-murder in remembered local history, is Dead
Lady Beach. To my right in the cove, a couple of fishing
boats bobbed at their buoys near the remains of a herring
weir, its thin poles sticking up out of the water in a crisscross
pattern, it nets long rotted away.

"Autopsy found an aneurysm as big as a grape," said
my ex-husband, "in his brain stem. Inoperable, and
ready to blow."

Translation: McIlwaine's head had contained a blood
vessel that was about to rupture.
"Would he have known that?"


"Oh, yeah. There's records on him. He had the full
work-up."

After Red Cliff came a straight stretch of two-lane:
hills rolling away on the left, rocky farms and ancient
Grange halls crumbling a stone's throw from the pavement,
which after the storm was mottled with salt
residue like splashes of thin white paint.

"But here's the funny thing," my ex-husband went on.
"From the rest of the autopsy results, you'd think he was
trying to kill himself. Big-time gastric erosion. The guy
was an aspirin eater."

"So?" I was entering Calais, border town on the St.
Croix River between the U.S. and Canada. Here fast-food
restaurants, new motels, and used-car lots mingle
with some of the loveliest old structures still standing
anywhere. You'll be driving along wincing at the gritty
storefront of a down-and-dirty, no-frills plumbing supply
outfit, then get smacked broadside by the sight of a
two-hundred-year-old Federal boardinghouse, set on the
original bit of sloping, unsidewalked street, its red brick
mellowed over the centuries to dusky rose and its trim
and foundation stones painted the color of the ivories
on an antique piano. Seeing it is like falling suddenly
through the viewer of an old stereopticon, and your
breath is just taken away.

"What?" I said, over the sound of my ex-husband's
voice droning on academically. "Sorry, I was distracted
there for a minute."

"I said," he replied with heavy patience, summing it
up for me, "aspirin makes you bleed."

After the note and the fire--I'd called Arnold, and
he had listened patiently but unenthusiastically--I'd had
to get out of town, off the island and away from everything,
to sort my thoughts. Thirty miles of two-lane highway
through a countryside dotted with saltwater farms,
tiny crossroads villages, and the occasional glimpse of
a bald eagle soaring overhead--along with a sense that
if I wanted to I could drive straight on to Labrador and
never be heard from again--didn't quite assuage my
restlessness.


But it was a start. In town, I slowed past the old railroad
station and the car barn where trolleys used to be
housed, back when Calais had trolleys, and looked
down river to the site of the first European settlement in
the New World north of St. Augustine, in 1604. More
than a third of the settlers died over that first winter; in
spring, the survivors moved away.

"So," he went on, "the weapon caused bleeding. In
you or me, the bleeding would stop. We'd get a hematoma,
probably need some surgery, end up with a droopy
eyelid, a little facial paralysis, something minor. But in
McIlwaine, the bleeding kept on."

I just loved all the things my ex-husband thought were
minor. No matter what might be annoying me at the
time, a peek into his world always reminded me to be
grateful that I could blink my eyes without assistance,
close my mouth well enough to drink through a straw
while not supporting my lip with my index finger.
Probably if he'd been camped on the St. Croix that first
winter, he'd have told the dying settlers that scurvy was a
minor nutritional imbalance.

"But wait, there's more," he said, whereupon the cell
phone abruptly fritzed out.

"Blast." I smacked the handset down, knowing that it
was his connection busted, not mine. Technology in
Maine works wonderfully well, for the most part, on
account of its not being swamped by so many users that
it cannot work at all. Also, when something breaks here,
there is somebody to fix it, and generally it is somebody
who cares.

I drove, and waited for the handset to beep. My ex-husband
always calls again, unfortunately, and better his
nickel than mine is the attitude I have developed about it.

It happened as I was driving home, laden with items
that can only be purchased in Calais unless you want
to drive to Bangor: Eukanuba dog food for Monday,
raw sunflower seeds, more than one artichoke at a time,
ginseng and tea tree oil from the health food store. I
never put much stock in herbs until I met Ellie, but she is
gung ho about them, and the tea tree oil has done wonders
for Sam's complexion and the ginseng has a kick
like a Kentucky mule.


"Okay," said my ex-husband, "the tracks of the
weapon."

I blinked at the plural. "What?"

"One entry, two angles. The first as the weapon penetrated,
then a second track, shifted anteriorly."

"Translation, please." Approaching the Perry post
office, I slowed for a cherry-red Ford pickup with an
Irish setter grinning out the passenger window, then
made my own turn.
"Somebody stabbed him in the skull," my ex-husband
said, "and then gave the weapon a second shove, harder.
A lot harder."

"Criminy." More pickups were pulled to the side of
the road on Carlow Island, the bent figures of clam-diggers
scattered on the glistening flats and the herring
gulls wheeling above. Cormorants clustered on the rocks,
black cutouts against the tide pools.

"You got that right," he said. "That second track was
a monster. You owe me for this," he added, which
should have alerted me. "Anyway, is Sam around? I need
to talk to him. He sounded kind of uncertain about himself
the other evening."

"Mm," I said, refraining from further comment. "I'm
on the car phone."

But he was not to be deterred; it was payback time.

"Then maybe I'll come for a visit," he said. "Next
weekend. I'm seeing somebody, and I think she might
enjoy a little rural charm."

I bit back several very uncharitable comments. "Fine,"
I lied heartily; if he sensed any reluctance on my part, it
would harden his resolve. "Come whenever you want.
As long as you understand, I'm seeing someone, too. I
wouldn't want you to be surprised."


The silence that ensued while he processed [his did my
heart good.


"Oh!" he said finally. "That's great." He was lying
through his teeth. Until I came along, no one had ever
dumped him before, and where women were concerned
my ex-husband was the original dog in the manger, as
well as the original dog.

"What is he," he went on, "some rustic practitioner
with a sign hanging off the porch? I know you always
went for doctors and lawyers, and there can't be many of
those way up in the sticks where you are."

He chuckled, and of course I could not punch his
lights out over the phone. "He's a harbor pilot. Drives
big boats around dangerous obstacles."

"Oh," said my ex-husband, losing interest. "Picturesque."

Yeah, well, picturesque this, I thought. I could hear
people talking in the background.

"Listen, I gotta go," he said hastily. "Tell Sam I'll sec
him this weekend, get his future straightened out for
him."

"Oh, good," I replied, pulling into my driveway, wondering
whether it could be moved to the moon by next
weekend, or perhaps to Aroostook County. Many of the
roads there are one-lane and the logging trucks have
right-of-way, and with any luck at all my ex-husband
might meet up with one of them.

"Listen, that might not be the best time," I began, suddenly
remembering something else going on then, although
not precisely what.

But he had broken the connection.


24



In winter, the trail to the overlook clearing on Shackford
Head is icy and steep; the woods crowding in around it
are filled with snow long after the rain has washed the
rest of the island bare. Just below the meadow at the top,
the ruins of a Revolutionary War fort run in a broken
line between cedar and jack pine, slumping where the old
stones have fallen amidst chunks of antique mortar.


"I'd think Sadie did it, if it was only the fire," I said.
"Setting fires is the logical next step in her development;
indoor fires, I mean. She's already torched a dozen leaf
piles. But Sadie couldn't have written the note."

The narrow path opens suddenly onto water and sky;
beyond, a scrub thicket ends in a sharp drop. Arnold had
decided that I had left the hot dogs in the oven, probably
to thaw them out, and that the note was some kid's
prank, even if not produced by Sadie.

"So your theory is?" Wade squinted out over the
salmon pens, which are rectangular floating docks below
which thousands of hatchery-raised fish swim inside huge
mesh cages. A small raft of eider ducks floated past the
cages on the tide, emitting their moaning calls at regular
intervals as if urging one another on.

"I don't know. Can Man said Nina McIlwaine's car
was there that morning. Dropping him off, probably, to
see Alvin White. But she doesn't strike me as stupid, and
this stunt definitely was."

A bright red dragger with black rail and foredeck, the
Becky Jo, puttered around the point of Estes Head.
Despite the decorative care her owner had lavished on her,
she looked all business as she motored out to the middle of
the cove, then idled.

I took a breath of fresh air. "It's so clean out here. The
kitchen still smells like a garbage dump burned in it."

"Yeah. Good breeze." He turned from watching the
dragger to look at me. "So what's your plan?"

That was what I'd come here for: more thinking, with
Wade along as a sounding board.
"Just keep trying to figure it out, I guess. That's what I
think Ellie wants, although I don't know why. Nor," I
went on, "do I see why she couldn't just tell me what she
wants. Why's she being so annoyingly mysterious?"
"Too bad Hedda didn't do it," Wade remarked. "Half
the town'd like to see her run out of Eastport on a rail."

"Right. I thought about that. But her fingers are so
crippled up, no way she could have handled that ice pick,
even if she did sneak away somehow from Janet Fox."

The Becky Jo's operator was wrestling with a part of
her dragging gear, which was several times larger than
himself.

"Which reminds me, I've got to get over there again
and see how they're doing. Listen," I went on, "maybe
Ellie didn't really want me to do anything like this.
Maybe I misunderstood."

I could take out an ad in the Quoddy Tides, I supposed:
I, Jacobia Tiptree, do hereby and as of this date
renounce interest in all crimes committed by anyone
other than myself.

Wade didn't answer for a while, and when he did, it
was in the oblique downeast fashion I had learned to
expect from him. Stepping behind me, he slipped his
hands into my jacket pockets and wrapped his arms
around me.

"See that fellow out there on that little boat?"

At the moment, mostly I saw fireworks behind my
eyelids; with Wade there, that beach after a snowstorm
was the warmest place I had ever been.

"Yeah, I see him." I did, too, although right then I'd
have agreed to just about anything. Whoever coined the
phrase "animal attraction" was talking about Wade
Sorenson.

The Becky Jo's operator scrambled into the shack; her
engine rumbled briefly. Then he ran back, leaning over
the stern as the engine sound cut out and was replaced by
the thrum of the hauling motor. I couldn't see exactly
what he was doing, but it looked difficult, and one false
move would have put him in the frigid water, where survival
time was a scant few minutes.
"He could've bought a larger vessel, hired along some
help. If," Wade said, "he'd wanted to boss anyone but
himself. Or if he wanted to do things by committee."
Finally the Becky Jo began easing ahead, as whatever
had been fouled got freed up. "Okay," I said, "I get the
point."


He stepped away from me and shook out the yellow
slicker he'd been sitting on, and looked out over the water.

"Place like this, way the hell and gone, it's far enough
off the beaten track that if you want something a certain
way, you can still make it that way," he said. "Unless
you let someone stop you. Or you stop yourself."

By losing my nerve, he meant, or second-guessing
myself. Halfway across the bay, the Becky Jo's low wake
spread in a fantail.

"Course, there's no shame in being extra careful," he
continued. "Putting fresh batteries in the smoke detectors,
locking up your doors for a while until this is
straightened out."

He nodded toward the retreating dragger. "Just like
on a boat: the more alone you are, the more safety gear
you want to carry."

The comment popped Jemmy Wechsler's face into my
mind; what the hell was he up to? But it was none of my
business and I couldn't do anything about it. I put the
thought of him away, at least for now. "You're right," I
agreed. "I'm just starting to wonder if anything I do is
going to do her any good, that's all."

Wade slung the slicker over his shoulder, and we
started down to the beach. In the lee of the cliffs, Broad
Cove spread ahead of us, dead low, with acres of green
rockweed sprawling up from the water's edge. "You
might be surprised," he replied at last, "at what you
can do."

We came to a stretch of low granite ledges and began
traversing them. "Sam ought to go to boat school,"
Wade said suddenly, stepping smoothly from one chunk
of rock to the next. He was too large a man to possess
that kind of grace, but he had it, and he didn't even seem
to know it.

He turned, balancing easily on one booted foot, and
caught me watching him. "What?" he grinned.
"Nothing." I felt a smile spread helplessly across my
face. "Go on with what you were saying. Boat school."


He light-footed it deftly to the next rock. "Oh.
Sam. Harpwell'd hire him right now, but he won't tell
Sam that. He figures Sam ought to get his schooling in,
first."

Ron Harpwell was a big, burly fellow who had sailed
from Halifax to the Caribbean, built boats from scratch,
and ran his marine design-and-repair business in the
same shipshape way he kept his vessels. The idea of
Harpwell taking Sam on was a gift.

"Only," Wade said, "not the kind of schooling your
ex-husband wants. The technical school is big on applied
sciences, computer-aided design, high-tech materials, all
the real hands-on stuff. And Harpwell needs a hands-on
kind of guy."

Fresh water trickled through crevices in the shale
looming up out of the beach, flowing in rivulets among
the pebbles back to the ocean. You could pluck out slices
of the ancient rock, solidified silt from the bottom of a
Paleozoic sea, and sometimes discover fossils.

"What I don't get," I said when we had tramped up
the beach almost back to the lot above Broad Cove, "is
how someone knew that George would be at the
Whites'."

We stopped to watch a pair of mallard ducks tipping
up in the shallows, only their tail feathers showing, like a
pair of twitchy fishing bobbers.

"I mean, if he was supposed to be the suspect," I went
on. "To some degree, it would have to be happenstance,
just waiting for your chance and taking it."

The thought of Nina McIlwaine seizing the opportunity
to get out of her war-torn homeland recurred to me
with some force. I had no doubt that a woman who had
accomplished such an escape would also be capable of
murder, if she were determined enough.

"But it would be better if you had some warning in
advance," I said, "just so you could . .
self up."


"Well," said Wade as the ducks' heads popped to the
surface, "maybe somebody knew where he'd be, because
he said where he'd be."


The mallards launched themselves from the water in a
flurry of quacks, their wings trailing sparkling droplets.

"I was in the IGA with George, early that morning,"
Wade continued. "We were getting coffee, and George
was talking about what he was doing for the day.
Working," he added, "at the Whites'."

He bent to examine an old iron spike. Around the turn
of the century, a half-dozen wooden warships had been
burnt on this beach, after all the useful fittings had
been scavenged from them but before anyone thought of
them as interesting. Then, they were just boats nobody
wanted anymore, and at low tide their charred timbers
are still visible.

"And while he was talking about it," Wade went on,
putting the spike in his pocket, "Nina McIlwaine walked
by with that cook of theirs, the one that doesn't speak
any English. Maybe she heard George say it. Mrs. McIlwaine,
I mean."

I looked at him. "You're kidding."

"Nope."

"She heard him?"

"I'm pretty sure she did."

So she'd known he was there, and it wasn't much of
a leap to think she had also known he would make a
great suspect. All Nina would have had to do was make
it in and out of the Whites' house unnoticed. At that
moment, I stopped wondering whether and started wondering
how.

We made our way carefully over some thick mats of
rockweed, dark green and fibrous. The stuff looks like
perfectly good footing and is slippery enough to break
your leg.
"Anyway," he said after another long pause, "I was
thinking. You might want to consider bringing the Bisley
upstairs. If," he added, "you're planning on pursuing
this."
"Don't you think that's a little extreme? Keeping a

handgun ready?"


Among the stones on the beach were red, round-shouldered
bricks, smoothed by decades of rolling under
the tide, and shards of china, their scraps of blue and
white antique glaze still visible from the days when the
schooners brought it from the Far East as ballast, when
the harbor bristled with wooden masts.

"Extreme," Wade repeated consideringly, seeming to
turn the word one way and another in his mind. He
picked up a piece of blue beach glass, its edges smoothed
and frosted away by sand, and put it in his pocket with
the spike. "I'm not sure I would call it extreme."

Broad Cove curved around to where an old pasture
rambled bumpily over the uneven fields, down to the
shore. We jogged away from the water, up a sandy path
between rugosa bushes still sagging with rose hips. Sam
said that in summer Broad Cove smelled just like
Cleopatra, although at low tide in any season, it still
smelled like low tide.

"I think," Wade pronounced finally as we made our
way through the tall grass to the lot where we had left
my car, "an ice pick in the head is extreme."

The parking lot was edged with white boulders, and
because Shackford Head was state property both the
lot and the road to it were generously furnished with
gravel. Even when roads on the rest of the island were
ghastly, you could almost always make it out to Shackford
Head.

"I didn't," I told Wade, "misunderstand."

"No. I don't believe you did. Find out what happened
. . . she meant it. Ellie's depending on you for
something, but she won't say what. Or can't."

Emerging from the tall grass, he paused. "That's the
way it works around here, though." He waved a hand,
indicated the water and the wild-looking landscape.

"We're just far enough from official kinds of help that
most times, we end up helping ourselves."

At the trailhead stood a trash barrel and a sign
prohibiting guns, alcohol, and dogs not on leash. I had
parked directly across from this sign, and the Honda
stood where I had left it.

The difference now being that all of its tires were flat.


25



Half an hour later I stood in the tiny, cluttered office of
Porter's Garage, peering through the doorway into the
spic-and-span work area where jerry Porter was crowbarring
the first tire off its rim.


"You backed out of your driveway. You backed over
a nail. You drove to Shackford Head," he said. "Then
the air leaked out."

Gerry was a wizard with cars, but he was an airplane
mechanic at heart--in his spare time he hung out at
Quoddy Airfield; that was how McIlwaine's daughter
Patty had met him, when McIlwaine's jet flew in--and as
such he tended to think that if you weren't actually planning
to take a vehicle up into the air, you would be safe in
fixing it with a few lengths of baling wire, maybe a wrap
of duct tape, and as an extra-special security measure, a
wad of chewing gum thumbed onto the critical spot.

The wonder of it was, Gerry was usually right. Like
Sam, he had a talent for the unlikely fix, but what he
didn't have was a head for nuance.

Or for malice. "I didn't back over a nail, Gerry. I
backed over four nails; one for each tire. Capisce?"

But Gerry did not want to capisce the implications of
that; it wasn't in his sunny nature. "Bad luck. You better
start readin' your horoscope. It's all," he said, "in the
stars."

Which was a hell of a lot more comforting than what I
thought it was in: somebody's cold heart.

In the corner, Gerry's police-band radio sputtered,
blurting out another request for a license plate check.

Gerry laughed. "Boy, they got that dispatcher hoppin'.
All the reporters speedin' in over the causeway,
getting' tickets. I guess Arnold's checkin' out every one.
He's not happy with 'em."

Undeterred, I began again. "Gerry. They were new
nails, poked through cardboard squares so they would
stand up straight."

The cardboard squares, of course, had gotten nailed to
the tires, proof in case I needed it, which I didn't, that the
bad luck I'd had wasn't the kind Gerry insisted on
believing it was.

Gerry paused. "Ayuh. Well. I guess you're right about
that. Can't really think who would do such a mean thing,
though. Don't know as you've been makin' any enemies,
not that I've heard."

"Haven't you?" I inquired a little too sharply, and his
face closed up the way it did when somebody spoke
unpleasantly to him.

"You come back a little later," he said quietly. "I'll
have the tires on, good as new."

I swallowed my impatience. "Sorry, Gerry. I'm just on
edge, after the fire and all. Thanks for coming out and
getting us."

We'd called from my car phone, and Gerry had been
there to rescue us in five minutes, driving Wade back
down to Federated Marine before bringing me up here.

"Aw, that's okay, Mrs. Tiptree." He wiped his hands
on a rag. "Way I figure, if you can't help your neighbors,
what's the good of having them?" He glanced outside.
"Say, you want a ride home?"

"No, thanks. I think I'll get a little exercise, clear out
my head. Maybe it'll put me in a better mood."

"Yeah. A walk'll do that, sometimes. Listen, Mrs. Tiptree,
I don't know whether you know this or not."

He looked uncomfortable. "Jeez, Patty'd kill me, she
knew I was telling you this. She likes listening, and she
says I've got a big mouth. But those scanners pick up
cell phones. And so many people in town have got 'em.
Scanners."

As I may have mentioned, in Eastport you don't have
to worry about keeping secrets, because for the most part
it is impossible. Your bank balance, your medical history,
your marital situation, and the pattern of the wallpaper
you are thinking of using in your kitchen are all
common knowledge the minute they happen, and my
strategy from the start has been to relax and enjoy it.


So I hadn't worried at all about the cell phone, and
had in fact forgotten its broadcast capabilities, since the
broadcast capabilities of the Ultra Low Frequency station
down at the U.S. Navy Station in Cutler are the equivalent
of a couple of tin cans strung together with twine,
when compared to the communications skills of most of
my neighbors.

Now, though, it hit me: Plenty of people had undoubtedly
been all ears every time I picked up the handset,
including the occasions when I'd talked to my ex-husband
about clotting times, head wounds, and the surprisingly
indirect path a certain ice pick had taken
through a certain dead person's bone, blood, and tissue.

It was, aside from the active back-fence network in
Eastport, how someone could know I'd taken an interest
in McIlwaine's murder.

"So, Gerry," I inquired casually, pausing in the doorway,
"how's Nina doing?"

He shrugged. "Well as you'd expect. Thing like that, it
comes as an awful surprise. But she's been kept busy.
Cops coming out to talk, lawyers from the old man's
company, so on. Enough to keep her, you know, from
dwelling on it. And then ..."

Gerry hesitated. "Aw, hell. Patty'd kill me if I told you
this, too. But the thing is, you shouldn't expect Nina to be
too broken up. Woman gets smacked around, can't expect
her to grieve too hard, the old guy kicks the bucket."

"He hit her? You mean McIlwaine?"

"Yuh. Nobody was supposed to know about it. You
know how it is, a woman thinks it's shaming, or something.
But he was a mean old bastard, and that's the
truth. I'd hate to see Nina get a bad name, just 'cause
she's not cryin' her eyes out over him."
"You like her?"


He paused again. "Don't know. She's , . . different. All
that money, and her coming from another country . . . [
don't understand her, is what I guess I'm trying to say."

He thought for a minute. "And then what he did to
Patty and Janet, making the one so tough and the other
so, well, you know. Janet's got no backbone at all."

He levered the final tire off the rim. "All I know is,"
he finished slowly, seeming a little embarrassed by his
own momentary flash of insight--Gerry, I reflected,
probably thought more than anyone gave him credit
for--"that old man was a son of a bitch. 'Scuse me for
speakin' ill of the dead."

"Don't worry about it," I said. "I won't tell anyone
you did. We all have to get things off our chests sometimes.
And thanks for reminding me about that scanner
business."

He nodded, falling into another of the long silences
that are a standard feature of conversation, downeast; I
used to find them unsettling, but now I find them
peaceful, these absences of verbal obligation.

"I'll be more careful," I told him, going out.

I was, too. Not that it did me a bit of good.


26



"Okay, here's the scoop," said Jemmy Wechsler. "Thirty
years ago, McIlwaine paid White a hundred and fifty
grand on a handshake deal. There've been two similar
payments since."


I'd tossed the cell phone receiver into my bag, and it
had beeped again just as I'd been leaving Porter's Garage.
Come on down, a familiar voice had said, and that was
all. No one had to remind super-cautious Jemmy Wechsler
of the broadcast capabilities of cellular instruments.

"Twice they ran it through the lumberyard books.
Phony purchase orders," said Jemmy matter-of-factly. This
sort of thing was nothing new to him. "Then Alvin
'borrowed' the money out of his own business, on the
up-and-up. The last time, it was a straight loan, or that's
what they called it, anyway. They worked it so it wasn't
income."


Which still wouldn't have put off IRS interest in where
the money came from, but that wasn't my big question
now. "And you would know that how?" I asked.

I sat in the scoured-clean galley of his boat. He was
packing shaving things into his leather kit bag. The Hoodathunkit's
decks were cleared, her fuel tanks filled to
capacity, and her big anchor hauled. Jemmy was leaving.
And the anchor chain wound around the capstan, I'd
noticed as I came aboard, was brand-new.

"Don't worry, Jacobia." He followed my uneasy gaze,
then tossed some charts out onto the table in the galley.
"You didn't blow my cover."

"I shouldn't have asked you to find out about McIlwaine's
money. You asked somebody else, and now
someone knows where you are."

He shook his head. "It's not like that."

He finished packing up his gear and began stowing
provisions: flour, salt, eggs, tins of meat and fish, boxes
of dry milk, two five-pound cans of coffee and a bottle of
brandy. Wherever he was going, he expected it to be a
long trip,

"Hey." He put his hands on my shoulders steadyingly.
"The guy I asked, he's not with the guys who
want me. He's above that. You might say several levels
above. Top," he emphasized, "level."

In the organization that wanted to kill him, he meant:
an idea that had always seemed somehow reasonable in
the abstract. But now, without warning, it was real.

"Hey, when it comes to information," Jemmy told me
breezily, "we're like animals in the jungle. All gotta drink
at the same watering hole. But the fellow I talked to,
well, you could say he's the source of the water."

He slid one of the charts into the chart rack. "Anyway,
I knew this was coming. Had to, sooner or later.
Nothing to do with you. You must have noticed I was
getting ready for it."


I sat on the lower berth. "I don't get it. I thought
Junior was the top level, now." Surely Jemmy hadn't
been trafficking with that little hoodlum.

Jemmy grinned. "You and most of the rest of the population.
Because," he added, "that's what you're supposed
to believe."

He fiddled with a knob on the depth finder, frowned,
adjusted it until he was satisfied. "Think about it. Here's
a group that controls everything, and I mean everything,
in the tri-state area. They buy judges the way little kids
buy candy, put the jurors and even the prosecutors in
their pockets."

He opened a compartment, pulled out a 9-millimeter
Clock semi-automatic pistol, and checked the weapon
over, handling it as easily as I'd run portfolio hypotheticals,
back when I was a professional.

Which of course Jemmy still was. "Then all of a
sudden," he went on, "they're lettin' the fibbies crawl
around the ceiling of a social club, buggin' the lady's
apartment that lives upstairs."

As he spoke, his speech patterns modulated and his
gestures became jerkier, more abrupt. It was as if, having
been called back into the old life, he was reassuming the
colorations that would allow him to survive in it: the
Brooklyn-tinged speech patterns, the bulky-shouldered,
faintly threatening stance.

"Gotti goes away for life. Life." jemmy turned on me.
"You gonna tell me that's an accident? Sammy the Bull's
on television, showin' his face, talkin' about the thing's
dead?"

He chuckled. "Jacobia," he laughed softly, "don't tell
me you swallowed that. You didn't used to believe everything
you heard on the news."

It struck me, what he was telling me: that the crime
families had orchestrated a major takedown, and that the
FBI had needed a win and had gotten one by mutual
agreement.
And that despite what you may hear on the news,
things are not always as they seem.


Take my own case, for instance. In the old days the
people I worked for, especially toward the end of my
career, were not all fine, upstanding citizens. In fact, they
tended to lean more toward the felonious, with lapses
into the frankly murderous.

You will forgive me, I hope, for not telling you this
sooner. But you must have wondered how I came to be
acquainted with a guy like Jemmy Wechsler, a fellow
who in his salad days did more evil deeds than Vlad the
Impaler: back then, Jemmy was a psychopath.

Which, I hasten to add, I did not know when I met
him, and by the time I found out, Jemmy was gone, vanished
out of New York with all that money. But how did
you think he knew how to get it out of the country, into
the care of the close-mouthed folks at Le Banque Suisse?
The ability to pull a trigger or wield a garrotte not being
associated with the knack for financial sleight-of-hand,
last time I looked.

My point is that when you are a financial consultant
to the dripping-with-dollars bunch, yours is not to
reason why. It is to make that money produce--the same
as when you were at the currency desk, reeling the
exchange rates through your head and facing down those
rat bastard yen-masters, whom by the way I have always
suspected of being Canadian; it would have been the perfect
foil.

Your job, simply, is to win.

"Anyway, something else I heard," Jemmy Wechsler
said.

He stowed the Clock. "The old lady, Ellie White's
mother? She was some kind of a dancer, back in New York?"

I shook my depression off. He was right: none of what
he'd said came as any sort of shock to me, any more than
it did to him. "So?" I managed a smile.

"So I heard, and this is a very reliable source here,
that the money was payment--Alvin takes a certain
blonde bombshell out of the picture. Like a conveyance
fee."


I sat up on the berth.

"And I heard," Jemmy went on, "the bombshell didn't
exactly want to go. So McIlwaine hired a couple of guys,
got the bombshell persuaded."

Those scars, I realized. That legendary, inexplicably
vicious mugging, just before Hedda came home to Eastport
for good.

"That's right," Jemmy said, seeing my face. "My
source tells me McIlwaine got a couple of goons to break
her ankles, make sure she didn't have any reason to stick
around. No future, anymore, on the stage."

I found my voice. "You're sure of this."

Jemmy looked at me. There was distance growing
already in his eyes. That, and the increasing knowledge
of what he might have to do with the Clock.

"Guy I talked to," he said quietly, "he happens to
be one of the guys did it. That's how he got so high-level,
how he got his start, doing the nasty work
for McIlwaine. One of the ways," Jemmy corrected
himself.

"So couldn't one of those guys have killed McIlwaine?"
I kept coming back to it: somebody from away. "Maybe
he'd made an enemy out of somebody crime-connected?"

Like you, I thought but did not add.

Jemmy grinned, understanding. "Jacobia, when one of
those guys wants you, he does not come along while you
are visiting a house, and stick an ice-pick in your head,
then let you wander off so maybe you will recover and
testify who he was. One of those guys, he shows up at
your own house and goes boom, you are dead. Take my
word for this."

He angled his head at the hatch. "C'mon, let's go
upstairs."

I followed him up on deck, still thinking about what
he had told me. Alvin had gotten money from McIlwaine
after McIlwaine had Hedda's legs broken, to make her
go home to Alvin.


"One thing about McIlwaine," jemmy went on. "He
never forgot an injury. Or a favor. Speaking of which."


He turned, gazing past me at the waterfront, looking
as if he were trying to memorize it, as if he'd forgotten
what he'd been talking about moments earlier. "Look at
those guys," he said.

Down in the boat basin, men moved on the decks
of the working vessels, painting and scraping, fixing
engines, tinkering with their gear. They wore old clothes
and rubber boots and ratty-looking slickers, and the
pickup trucks lined up above them on the docks showed
the scars of long service.

"Lot of 'em don't have two dimes to rub together, and
when they get 'em, a head-gasket blows or it's time to pay the
fees or the insurance, or one of their kids gets sick,
or their back goes out, or something. But I'm damned if
they don't look happy."

They did, too, shouting companionably to one another
as they stepped from the rail of one moving, rafted-together
vessel to the next, borrowing tools or trading
stories, easy as strolling down a city sidewalk.

"Anyway, about that anchor chain."

The old one with account numbers and ID codes etched
on it, Jemmy meant. "Oh, no," I said. "I don't want it."

The guys who go boom had never showed an interest
in me, a situation I had gone to some trouble to maintain.
"I'm not keeping that thing here for you, Jemmy.
You want to dump it, go ahead, but you'd better make
sure you've got those numbers memorized."

"I wasn't thinking of dumping it. Actually, I was
thinking of giving it to you."

I stared at him. "Why?" It was a lot of money.

He laughed. "Call it a reward. I've had six months
here, not looking over my shoulder. Maybe thinking
about some things, for a change. And the reason is, I
knew you would keep your mouth shut, because you
promised to."

Promises again. They were haunting my existence. For
a minute I wished I was known as a non-keeper of any
promise whatsoever, especially the ones I'd made to Ellie.


"I'll never be able to spend that money," he went on.
"Crazy to think I could. They're always going to be
watching for a guy like me, anywhere I go. If I'm living
large, you know they'll find me. But you, you could
figure out a way to dribble it back into the country, get
some good out of it."

Yeah, I thought, I probably could, at that.

But I wasn't going to. Maybe it's a fine line, but getting
paid for giving financial advice is one thing, even if
it's to a bunch of crooks. Simply appropriating the proceeds
of murder and extortion was, in my book, another.

"Jemmy," I told him honestly, "where that money
came from, the only thing I could do with it if I had it
would be to give it away."

He nodded. "Funny, but that's kind of what I figured
you'd say. So maybe I'll have to find some widows and
orphans, dump it on them. All I know is, I don't want it
anymore."

He sounded surprised, but certain. We looked at each
other.

"Hey, have a good life," he said, and the warmth in
his voice was genuine. Then, astonishingly for Jemmy, he
reached out and hugged me hard.

The metal gangway swayed with the rising tide. When
I looked down from the dock platform above the water,
the Hoodathunkit's twin outboards were already idling
and Jemmy had gone below.

I didn't think I would ever hear from him again.


27



The stairs to the attic rooms in my house are bare boards
that creak whenever you walk on them. At the top, paneled
wooden doors lead from a small, shapely entry hall
into three tiny chambers whose walls are papered with
antique cabbage roses.


These were the servants' rooms in the days when each
of the family chambers had a fireplace that had to be supplied
with wood and kept burning day and night, whose
hearth needed sweeping and whose ashes needed carrying
down interminable flights to the ash pit. In those
days the kitchen floor was kept shining by a scullery
maid who crept back and forth over it on her knees,
scrubbing it with sand.

Climbing to the attic I always imagined the dreadfully
fatigued young girls going up to it at night, each longing
only for the peace of her own narrow bed and the privacy
at last of her own thoughts. It was here that I most
felt the age of the house, its long, abiding quiet where my
own life rarely intruded.

A handful of cut iron nails lay forgotten on a windowsill.
Black iron filigree brackets supported a short shelf,
creating a makeshift mantel. A fallen strip of wallpaper
pulled down a swath of old plaster, exposing the ancient
lath.

The plastic that somebody had fastened across a
window to keep drafts out moved gently in the puffs of
air from a broken windowpane, with a sound like tinfoil
being crumpled. I crossed to examine the spot where
water had come through, leaking down to my bedroom
ceiling.

The repairs wouldn't be as difficult as I'd thought. The
long strips of wood holding the window sash in its channels
were loose, susceptible to removal without splitting.
The putty and paint had long ago flaked away, so not
much scraping would be needed. Wade had cut me a
square of the expensive restoration glass that I had
ordered from Boston--one pane of modern glass in an
antique twelve-light is as jarringly wrong as one unground
lens in a pair of prescription eyeglasses--and
after that I had cut the panes myself, using a T-square
and a diamond cutter.

Slowly, I set to work, removing the side trim and
lifting out the heavy old sash, cleaning out the broken
pane with a tack hammer and a silent apology; I never
know quite what to do with old bits of the house that
have served so faithfully for so long, yet are too ruined
to stay.


The mundane chore with its simple series of tasks put
my thoughts into order. According to Jemmy, McIlwaine
had begun paying Alvin White large sums of money soon
after Hedda's forced departure from the New York
scene.

This implied to me, as it had, apparently, to Jemmy's
source, that Alvin had done something McIlwaine
wanted him to do, at just about that same time.

But McIlwaine, if Jemmy's source was correct on the
rest of the story, was the one who had done something,
back in the days before McIlwaine took on the protective
coloration of a super-successful businessman. He had
been, at that time, just another hoodlum, albeit an obviously
up-and-coming one, and he had been behind the
attack on Hedda.

Which was fascinating, but not very useful. I hadn't
wanted to show Jemmy my disappointment, but all he
had reported, intriguing as it was, had happened a long
time ago.

What I had wanted was news of some current motivation
for McIlwaine's death: a business feud, union dispute,
or a cunningly disguised mob-related rubout.

Some news, in other words, to suggest that I ought to
be thinking about something besides Nina McIlwaine's
new status as a rich, no-longer-abused widow--for her
having, in other words, a solid-gold motive for murder.

But if Jemmy was right, there wasn't any such something.
Of the capable persons whose potential guilt I
could bear contemplating, Nina remained the one with a
credible reason to want Threnody McIlwaine dead--the
reason being that she was going to get rich and get rid of
an abusive husband.

A simple divorce, for Nina, wouldn't have been
enough. After all, look what happened to the Bolivian
beauty. But with McIlwaine dead, Nina was truly free,
and very wealthy. All she needed was the nerve, and I
knew she had plenty.


She was gutsy, greedy, and--I was increasingly
convinced--as guilty as mortal sin.

Turning this over in my mind, I kept working on the
window sash. If you coat the old, bare wood with linseed
oil before laying in new glass, the wood will not draw the
putty's moisture into itself and the putty will not embrittle
as it ages. I laid the glass in, tapping in the bright,
triangular metal glazier's points, careful to keep them flat
to the surface of the glass itself, and drew a bead of putty
over the seam with a putty knife.

The putty would need to cure before I could paint it,
but the bulk of the job was now complete and the sash
had been snug in the channel, so I replaced it, gathered
the newspaper full of glass bits, and dropped my tools
into my apron pockets. I'd been at it, I thought, about an
hour, still pondering the problem of Nina.

In terms of information, she was as remote and well
protected as the woman in the mysterious portrait, down
in my kitchen. There had to be a way to turn my near-certainty
into proof; the difficulty lay in how.

Later, I felt certain that what happened next was
linked to my thoughts, but at the time all I knew was that
the room filled suddenly with the scent of camellias.

Turning, I saw nothing but the light-bulb hanging from
the switch cord over the attic stairway, shining into the
corners of the hall and throwing the pattern of the
antique cabbage roses into relief.

But I had not switched that light-bulb on. On my
way up the stairs I had been carrying a pane of glass, a
bottle of linseed oil, some folded newspapers, and a can
of putty, plus the tools. Meanwhile, switching on that
bulb takes two hands: one to steady the hanging fixture,
which otherwise slips from your fingers as stubbornly as
a puddle of mercury, and one to turn the wickedly elusive
little knob. Both my hands had been occupied.

The scent of camellias thickened, drowningly sweet. I
had the strong, sudden sense of someone in the room
with me, almost inside my head, like the quick, certain
awareness you have when you first understand that you
are becoming ill or falling in love: as if you are discovering
consciously what you knew all along.


That's the thing about living in a haunted house: the
subtle, out-of-left-field aspect. People think it must be as
constant and obvious as a message written in blood, but
it isn't.

It isn't at all.


28



The Eastport Artisans' Guild shop, Quoddy Crafts, is
located on Water Street overlooking the harbor, and the
best advice I can give you about the place is not to bring
more money than you can afford to spend.


There were handmade baskets with sweetgrass woven
into the tops, dream-catchers spiderwebbed with silver
and turquoise beads, note cards inked with shore scenes
so sharply rendered, they might have been sketched with
a hypodermic needle. At the display shelves I paused over
a linen kitchen calendar embroidered with a flock of
chickadees, fingerless gloves made of hand-spun local
wool in the same pale mauve as a winter sunset, and
deerskin slippers with porcupine-quill motifs worked
into the sueded uppers.

Eventually I worked my way around to the counter
and to Janet Fox, who was tending it, this being her
regular afternoon to work in the craft shop.

"Beautiful, aren't they?" Janet said of my choices, her
voice a near-whisper as she put them into a bag for me.

As always, I found her too-soft speech an annoyingly
manipulative habit. "Yes, they are." I left the bag where
it was.

At the rear of the shop, a fire burned cozily in the
ceramic woodstove. On the braided seat cushion of the
rocking chair pulled in front of the stove, a cat curled
with her paws crossed over her eyes.

"You know," I told Janet, "I'm so glad to see you. I've
been wanting to tell you how sorry I am about your
father."
"Thank you." Her head lifted bravely, in a studied
motion. "No one else seems to think I feel anything
about it."

That, I thought clearly, is because you are such a little
sad sack, nobody can tell the difference.

"And I wanted to tell you, too," I went on, "how
good of you I think it is, your taking on the care of Ellie
White's mother the way you have. It must," I probed
delicately, "be awfully difficult sometimes."

In a haunting, the one with the most information is
the one who cannot be questioned. That doesn't mean,
however, that nothing can be learned; only that it cannot
be learned directly. And while I was standing in my attic
inhaling camellias, it had occurred to me that this fact
bore some relevance to my quest.

Carefully, Janet wrote my purchases in the dog-eared
spiral notebook that comprises the Artisans' Guild's
bookkeeping system. Fortunately, the artisans are not in
it for the money; the guild is a fund-raiser for the Maritime
Museum, a fact with which I assuage my conscience
each time I walk out of the shop laden with packages.

"Oh, it's not so hard," Janet said finally, after a pause
during which she seemed to be deciding how best to
answer me--if at all. "Mrs. White is an old darling, once
you get to know her."

I managed to pretend that something had gotten into
my eye; over the time I had known her I had heard
Hedda White called many things, but "old darling" was
not among them.

"I think," Janet said, still seeming to choose her words
carefully, "that Ellie is too hard on her."

"I've been wondering about that myself," I replied,
again covering my astonishment. "Of course," I added,
"I hated to say anything to Ellie about it. Still, she just
doesn't seem to have the same way with Hedda that
you do."


Oh, Ellie, I begged silently; forgive me. But the idea
was to get Janet talking, so I went on agreeing with her.

"Tell me," I said, "what's your secret? I swear," I put
my hand up as Janet looked anxious, "I'll be as silent as
the grave."

Janet eyed me warily. Then, "I let her drink," she
admitted. "It keeps her quiet. I figure, what the heck,
she's a crippled old lady. Let her have some fun in her
life." She glanced at me to see how I took this.

Janet, I thought, you little slyboots. "How do you
manage to hide it? The smell--didn't Ellie notice?"

"Peppermints," Janet confessed, "the really strong
ones that Ellie makes with the mint she grows in her
garden. I pour Hedda a couple of drinks in the morning,"
she went on, "and that holds her until lunchtime.
Sometimes I powder half a Valium in, too. First she gets
giddy, then she eats, then she sleeps it off."

"Why, Janet," I said, a faint chill coming over me,
"you are more practical than I realized." It was, after all,
one thing for me to have imagined doping Hedda into a
stupor, quite another for Janet to have gone ahead and
done it.

Apparently encouraged by my lack of outrage, Janet
preened. "You have to know how to handle people. You
can't be having a knock-down, drag-out every day. You
have to give them," she finished, "what they want from
you." But even as she said this, she kept on glancing at
me, ready to change her tack the instant she sensed disapproval.
Janet, I thought, was going to come back in
her next life as the doormat she already nearly was.

Outside, a couple of sailors pressed their noses to the
glass, shielding their eyes with their hands to see the
window display of knitted goods, hand-sewn blouses
with pin-tucked bodices, and tatted lace collars as delicately
perfect as candied violets.


"Janet," I said, leaning in even more confidentially,
"what happened over there the other morning? I am," I
added in my best you-can-tell-we-about-it manner, "just

dying to know."


Janet paused. She so seldom had any good gossip to
tell, it was really a sin to tempt her. I vowed inwardly
to make a good Act of Contrition as soon as it was
convenient.

Or possible; one of the requirements, I hear, is that
you be sorry.

"Well, I shouldn't say," she began, then glanced
around with elaborate preliminary caution.

No one was eavesdropping from among the racks of
flannel jumpers, soft and comfortable as baby's blankets,
or from under the pile of toy stuffed seals, their black
whiskers bristling and their shoe-button eyes gleaming
bright, that one of the guild's artisans had spent the
whole previous winter creating out of the covering from
an old Naugahyde recliner.

"But," she added slowly, with a little frown, "if I
don't say, people will gossip anyway, only the gossip will
be wrong."
"That is so true," I agreed, wanting to reach out and
shake her. She was being so slow, it was as if she was
trying to remember what happened instead of merely getting
ready to tell it.

"I was upstairs with Hedda," she began at last, but
just then the bell over the shop door jingled as a local
woman, Marion Waddell, floated in on a happy cloud,
having married a fellow twenty years her junior, two
weeks earlier.

Marion favored Janet and me with sweet, sympathetic
glances as she bought herbal bath salts, a white voile
nightdress luscious with lace and ribbon trim, and a box
of note cards.
"Oh, I hate that woman," Janet said when Marion
had floated out again. "Her and her silly romance."

I hated her, too; I'd had Janet right on the edge of
talking, and Marion had knocked her off the track.
"Come on. What have you got to be jealous about?
Bobby Taylor isn't chopped liver."


Janet shrugged sullenly. "Patty's right. He's only after
the family money. Not that he's going to get any of it,
now, but what else would he want with me?"

"You're being much too hard on yourself," I said.
"Now tell me what happened the other morning."

Sometimes a sharp, direct order will get people going;
in her case, it worked perfectly. Janet Fox was like a dog
who has been trained with a shock collar: so anxious to
please that it negates any pleasure you may derive from
its efforts.

"Well, I was upstairs," she said. "I heard my father
and Mr. White arguing in the study. We both heard it.
Hedda and me, I mean."

"Could you hear what they were arguing about?"

She shook her head. "No. Well, only a few words. It
was about money. Mr. White wanted some and Dad
didn't want to give it to him."

So far this agreed with what Alvin had said. "Was that
all?"

"No." She looked uncomfortable. "My dad said that
Mr. White owed everything to him. Even ..."

Janet's voice dropped to a whisper. "Even his wife."

"Really. What did he mean by that, do you suppose?"

"I don't know." She started at her bitten nails. "That's
all I heard." For a moment the comfortable crackling
of the fire in the woodstove was the only sound in the
little shop.

"Dad wasn't a nice man," said Janet softly, and all at
once I felt even sorrier for her. She was so passive and
pliant that if I'd ordered her to stand on her head, she'd
probably have tried.

"He thought it was funny, my wanting to find my
mother," she said, biting her lip. "Like it was some big,
stupid joke I'd thought up to make myself ridiculous."

She shrugged, her eyes glistening with sudden,
resentful tears. "But it wasn't a joke to me."

"No," I replied. "Of course it wasn't. It must have
been hard to put up with him, sometimes. How is that
going for you, by the way? Looking for your mother?"


Once, the previous summer, I'd asked Ellie how she
put up with Hedda. We'd been driving along the road to
Gleeson's Beach, in the sunshine after a brief spring
shower, slowing as a grouse made its herky-jerky way
out of the scrub trees, breathing in the sliced-apple smell
of fresh chamomile mingled with the perfume of rain-slaked
pavement.

"Hedda," said Ellie, "is a grim, hateful person. She is
an unnatural mother, she is never going to be anything
else. I didn't make her that way, and I can't stop her
being that way."

She looked at me. I remember she had tied her red hair
back with a purple plaid ribbon, and the effect was jauntily
harlequin.

"She is never going to love me," Ellie said. "She is
never even going to like me."

We'd rounded the last curve, past the ball field that
a bunch of the local men had carved out of an abandoned
pasture. A skinny old fellow was hauling a brace
of chains across the infield. After that the road went
to rutted dirt, opening onto a sandy spit over a tide
pond where the wreck of a dory sagged against an abandoned
pier.

"And the day I figured that out," Ellie had said, "was
the day I became able to deal with Hedda."

Ellie had come to an agreement with herself about her
mother, but Janet Fox hadn't ever gotten that far with
her father, and now she wouldn't. I thought it would
make Janet's search for her birth mother more urgent,
but Janet surprised me.

"I've decided to forget about that," she answered,
busying herself with a needless tidying of the counter. Her
gaze darted up to meet mine in a flash of hostility; that
and something else, but I wasn't sure what, only that I'd
touched a nerve.

"Anyway, a little while later I heard Ellie down there,
with my father," Janet said, resuming her normal plaintive
tone. "I'd gone down the back stairs to the kitchen,
because Hedda wanted a drink. But Ellie and my father
were together in the pantry where the liquor is, so I
stopped."


"What were they saying?"

"I don't know." Janet looked anxious and angry.
"Ellie sounded upset, but he was laughing. He would
always do that, laugh when you were mad at him. Like
you were such a fool to disagree with him, you know,
because he would always get his way in the end."

She paused, her lips tightening as she remembered this.

"I don't understand," I said. "If you could hear their
tone of voice, why couldn't you hear what they were
saying? You weren't very far away, were you?"

"No, I was only on the back stairs, where it turns. But
one of them"--she frowned, concentrating on getting
this part right--"was chopping ice. I heard the ice pick
going into a bunch of ice cubes from the bottom of the
ice maker. The sound it makes, a sort of chunk, and then
ice cubes rattling."

Damn. This was bad for Ellie. "So then what did
you do?"

"I had to go back upstairs and tell Hedda she would
have to wait."

Making Hedda wait was like shaking nitroglycerine.
"That couldn't have been too pleasant."

Janet looked up, surprised. "Oh, no," she said. "It
was no trouble. If you just explain things to Hedda, she
goes along pretty well."

In other words, Hedda had already been too plastered
to make much fuss. "So what happened when you did go
down to get Hedda her drink? And when did you?"

Something was wrong, a muddle in the sequence of
events, but I couldn't quite put my finger on it.

"Well," Janet said, "it was a while. Maybe half an
hour. I'd been doing Hedda's makeup with her, and her
hair, to distract her. Somebody came to the door and Mr.
White answered, so I knew Ellie was gone or she would
have done it. After that I went down and got the drink,
and took it back upstairs."


"Nobody was in the pantry by then. Nothing seemed
unusual."

"No. Well," she corrected herself, "the pantry floor
had been mopped, and the trash bag was tied. That's all."

"Janet, did you see Nina anywhere around that
morning? In the house? On her way in or out?" Anything,
I meant, to lend credence to the idea that Nina
McIlwaine could have murdered her husband.

Janet looked at me, blank-eyed. "No. I was upstairs
with Hedda most of the time. I told you."
"Right, of course you did. Did you tell that to the
police investigator, about the mopped floor, and the
trash bag?"

None of this was going the way I'd wanted.

"Yes," Janet Fox replied, "I did. Why, is it important?"

The last time anybody asked me that, it was a
widow--not, fortunately, my client--whose just-deceased
husband had over a period of twenty years been secretly
borrowing against his life insurance. The policy, which
other than the nickels and dimes of his Social Security
benefit was to have been her sole support, was by the
time of his death about as valuable as used Kleenex.

"Is it," the recent widow had asked, "important?"

I didn't answer that time, either.


29



After that, things just got steadily worse:


When I got home, there was another pile of gravel
bags near my driveway--those Bilco doors, I reminded
myself again--and the woman I'd seen getting out of her
car in front of Bob Arnold's office was waiting on my
doorstep. She was an investigator from the Maine State
District Attorney's office; her name was Clarissa Dow,
and it was her job--she didn't say this, but I knew--to
gather the information that would become the state's
case against Ellie White.

I let Clarissa in while the cameras crowded around her
and the reporters shouted questions, but she wasn't listening
to them and neither did I. I sat her down in the
kitchen, where in order to convey my feelings for the
nature of her task, I created a pile of fish innards. From
the look on her face, you would think she had never seen
a pollack being gutted before.

She got the when-and-where details squared away first
off: what time Ellie had arrived on the fatal morning, and
when I found McIlwaine, and what time Ellie left. She
covered Ellie's second appearance and the ice pick, and
the way Ellie had phrased her confession, too.

Overall, I got the impression that Clarissa was fairly
bored by the whole sordid story, and that as far as she
was concerned, Ellie was merely a murderous nobody
whom Clarissa would like to put away as swiftly and
efficiently as possible.

Which naturally got my dander up.

"Mrs. Tiptree, how long have you known Miss
White?"

"Just over a year." I finished with the scraper, and
picked up the filleting knife.

Clarissa looked at me as if expecting more of an
answer.

I didn't give her one.

"And do you know her parents?" she asked, a bit
more crisply.

"Yes," I replied, and cut off the pollack's head. A
carving knife is more appropriate for this task, but in the
mood I was in, one sharp implement was plenty.

Nina, Janet Fox had assured me once more, had not
been in the Whites' house the morning McIlwaine died,
or anyway Janet had not seen Nina there. In fact, Janet
hadn't seen anything useful, other than the mopped floor
and trash bag--the remains, obviously, of the cleanup
after McIlwaine's murder.
"Mrs. Tiptree," Clarissa said after a pause--possibly
she was upset at my lack of enthusiasm for her goal,
which was to help convict Ellie--"you do realize that this
is a criminal investigation."


"The victim," I pointed out, gesturing with the bloody
knife, "turned up in my storeroom."

Clarissa was thirtyish, with dark, curly hair and just
enough carefully applied makeup to avoid looking mannish.
Her nails were short ovals coated fastidiously
with clear polish, and her eyes were the merciless blue of
icebergs.

"Ellie," I added, "didn't do it."

Clarissa looked down at her hands, and when she
looked up again the icebergs had splinters in them.

"Would you say you know Miss White fairly well?"

"Yes. Yes, I suppose I would."

There was another long pause, during which she
apparently expected me to say more. Instead I slid the filleting
knife down the pollack's spinal column. It was a
tricky job and I concentrated on it, aiming the knifepoint
carefully.

Clarissa sighed heavily. "Mrs. Tiptree, we're getting
nowhere. I'm trying to get a sense of your relationship
with Miss White."

"Friend. Ellie is my friend."

"I see." Clarissa wrote this down in her notebook.
Then pointedly, "And what kind of person is Miss
White, in your opinion? As I already mentioned, she has
confessed to murder."

"Yes, I know that," I replied. "I heard her say it. But--"

Clarissa's expression reminded me of a securities
salesman I'd known, back in the bad old days, who used
to read newspaper obituaries looking for "triple crowns":
recent widows who might be expected soon to receive
large lump-sum distributions, with no adult children to
stand in the way of a killing.

For the securities salesman, that is. "I don't believe
Ellie White murdered anyone," I repeated. "She isn't
capable of it, and if you'd take the time to talk with her
yourself, you'd know that, instead of sitting here writing
her up like she's some sort of law-school assignment."


Clarissa closed her notebook with the calm precision
of a person who is deliberately not losing her temper,
even though you are being as dumb as a box of rocks.

She didn't quite roll her eyes, but she might as well
have. "Mrs. Tiptree, the forensic team has already fluoresced
blood from the floor and woodwork of the pantry
in the Whites' house, indicating that the crime most
likely occurred there; we expect to find blood in the sink
trap, and on a towel we recovered, which we believe was
used to clean up Mr. McIlwaine's blood."

"None of that means Ellie did it. We don't lock our
doors in Eastport; anyone could have walked in and
killed him."

She shook her head at me, frustrated and losing her
patience. This, I could see her thinking, was what happened
when you tried dealing with the locals in these
remote, isolated little towns. They just didn't get it.
"Traces of blood are also present on clothes belonging to
Ellie White. She had access to the purported weapon,
which on early examination matches the wound, and she
had a motive, the details of which we are in the process
of uncovering. Finally," she saved her best shot for last,
"Miss White says she did it."
Clarissa took a deep breath. "Now, in light of all this,
are you suggesting that I go out and canvass the neighborhood,
looking for some stranger who just happened
to be around, wandered into the Whites' house, and
killed Mr. McIlwaine for no reason? When I have evidence
against someone with a motive, who's confessed?"

"No, I'm just suggesting you dig deeper than you apparently
intend to. Threnody McIlwaine was a wealthy
and powerful man with rumored links to organized
crime. Plenty of people could have wanted him dead."
Including, I added silently, his wife.

But Clarissa didn't want to consider alternatives. For
one thing, if she did, that contaminated crime scene
would become an issue, which it wasn't, now.
"None of whom are saying they did it, or walking
around with their clothing smeared with his blood." she
said firmly. "Your feelings aside, Mrs. Tiptree, there is
nothing here to suggest any suspect other than Miss
White. And I must say, I don't understand your uncooperative
attitude."

I smacked the knife down. "My attitude, Miss Dow, is
that you intend to make career points by helping to convict
Ellie, put another notch in your investigator's belt,
maybe get a promotion out of it. Fine. Do that if you
want to. But I don't have to help you without a subpoena,
and I'm not. Got it?"

It was the mention of a promotion, I think, that
corked it, the comment hitting a little too close to home.

She rose abruptly and snapped her briefcase shut. "I
can see you and I don't have anything to talk about.
Maybe you'll be less hostile when you're testifying to a
grand jury."

Her comment confused me, but I didn't let that stop
me. I followed her to the door. "Oh, so you're not sure
you can get an indictment? And here I thought your case
was already so airtight."

She spun around at me. "A grand jury is standard procedure
for a crime of this type. I have no doubt an indictment
will be returned."

There was a tiny spot of something on her lapel;
chowder, I realized with spiteful pleasure.

"You think you can protect your friend," she said witheringly.
"You think you can get away with not talking to
me. But you won't when you're sitting in Federal court to
testify. For," she added tightly, "the prosecution."

Then she stopped, realizing what she'd said, glancing
sharply at me to see if I'd caught it.

I kept my game face on despite feeling I'd been sucker-punched

"Prosecution,"
I repeated slowly, making sure that I
sounded aghast at the idea. "Why, I couldn't possibly do
that."
Clarissa's blue eyes narrowed in satisfaction and
relief.


"Oh, you will," she promised unpleasantly. "You
should have thought about it before you made an enemy
out of me."

But I hadn't. She'd already been one. After she left, I
went back into the kitchen, thinking about what she'd said.

The plan was obvious, now that she'd made her slip:
Clean the case up, make sure it's all shipshape. Then
hand it over to the Federal government, which must
already have indicated its interest. Otherwise how could
Clarissa already have known that Ellie was headed for a
Federal court? That's what she'd meant by her talk of
grand juries and indictments.

Jemmy's information, plus my experience in nursemaiding
the ill-gotten gains of a whole thieves' gallery of
nervous clients, gave me a theory about why, and it was
a theory that chilled my blood.

McIlwaine's mob-relatedness--and I had no reason
to doubt Jemmy on this--could make him a potential
witness for an organized-crime probe, one of which
always seemed to be going on. He might have had good
reasons for cooperating with such an investigation, the
strongest--at least according to many of my ex-clients--
being the promise of his own immunity.

I got on the phone to Toby Alderman. "Hey, Toby,
did you see any guys who didn't belong there sniffing
around Ellie's case? Having mysterious conferences in
the judge's chambers, or hanging out in the municipal
building, anything like that?"

If they were on it, they'd be on it from day one.

"The kind of guys I mean would all have short haircuts,"
I continued, "and they'd wearing good, dark suits
but not too good, not tailored or anything. And they
would give the impression that they thought all the local
folks were ants, that they could step on them with their
wing-tips if they wanted to. A sort of aura of controlled
contempt," I went on urgently.
Toby listened intently; that's the thing about Toby.
Through the telephone, you can feel him listening, and in
person you almost have to be sitting down or the force of
it would knock you over.


"You know," said Toby, "I've been wondering about
that, myself."

Which, unfortunately, was my answer. For whatever
reason, the Justice Department had liked McIlwaine.
They'd found--and Clarissa's slip confirmed me in this--
a reason to treat his murder as a Federal crime.

And while Maine courts don't hand down the death
penalty, Federal ones do.


30



"Listen, George, I'm sorry I upset your apple-cart About
the trouble you had."


We were down in my cellar, trying to keep the house
from floating away.

"Don't worry about it," George said reassuringly.
"Would've come out sooner or later, anyway. I'm not
mad at you about it."

He gave the pipe wrench a final twist and eyed the
result.
"That ought to hold you for now. I'll be over soon to
replace all this stuff, put in copper."

"Fine," I said, following him to the stairs. "Meanwhile,
can we drink the water?"

Once the horrible Clarissa had departed, I had gone
down to the cellar to check on the floor jacks that the
men from Guptill's had put in, on the theory that one
disaster follows another, and sure enough there was a
pool of water under the steps. I'd touched the pool to
make sure it was water and not heating oil, since the fuel
tank in my house consists of old oil drums linked in
series, an arrangement that has been in place since 1938.

"Oh, sure," said George. "Might want to take a
couple teaspoons of Rustoleum, though. Keep your
innards clean."


My finger had come up red from the spreading pool,
which was when the phrase "heavy metal poisoning"
had begun flashing in my brain like a neon sign.

"Only kidding," George relented. "Put a filter on the
tap, you're worried about it. I've got one out in the
truck."

"Thanks." I watched gratefully as he hefted his
toolbox and went up. The basement was cool and damp,
its ceiling underslung with old hand-hewn beams from
which most of the whitewash had long ago powdered
away. There was a root cellar, its interior smelling mustily
of potatoes, a room where slabs of meat had hung
from iron hooks, and along the walls, numerous swatches
of deer hide nailed randomly here and there, evidence of
long-ago hunting seasons.

"When it happened," I began again when I got
upstairs. "When McIlwaine died, where were you?"

Before answering, he positioned himself on his back
with his head inside the cabinet under the sink. I thought
that if an atomic bomb were to go off in Eastport,
George would be poking his face up out of the shelter
before the ash had finished falling, peering around to see
which plumbing to fix first.

"Working on the Whites' house." His hand emerged,
landed accurately on the basin wrench, and disappeared.
The gritty sound of old metal turning came from under
the sink.

"Yes, I know, but working where, exactly?"

"Don't know. I don't know when he got killed, so I
don't know where I was at the time."

Which was reasonable but unhelpful. "Okay, so let's
go on the theory that you didn't do it yourself."

A bang from under the sink. "Yeah, let's."

"You must have seen something."

George eased out of the cabinet, as he has often done
before. The plumbing in the house has been jury-rigged
so many times over the years that I sometimes think I


ought to install a roller under there, of the kind that Gerry
Porter uses to slide in and out from under automobiles.


"I saw the McIlwaines' blue Lincoln pull up."

I also sometimes think I should install dental equipment,
for use in extracting answers out of George
Valentine.

"What else?"

"McIlwaine got out. His wife was driving, the pretty
blonde woman. Nina. Then she drove away."

"She didn't get out?"

"Not that I saw. It wasn't my job to watch her,"
George added, unhelpfully.

"Right. What did you see after that?"

He positioned the filter on the sink top. "That's it. I
was busy fixing the vent pipe. Up on a ladder, or getting
stuff from the truck."

Vent pipes insure that water exiting the plumbing
system will be matched by an equal volume of air
entering the system, and without going into messy detail,
may I just say right here that you do not want troubled
vent pipes. "Did you hear anything?"

"Alvin White and McIlwaine arguing." He tightened
the nuts on the sink, and gave the faucet handle an
experimental twist.

"Could you hear what they were arguing about?"

"Nope." The faucet spat wheezily twice and began to
run water.

"You will have to buy cartridges for this filter."

Which was no surprise. The amount of equipment
required to make a two-hundred-year-old house run
properly in the twentieth century makes operating a
space station look economical by comparison. In fact, I
have sometimes wondered if shooting the house into
space might be a viable plan, or at least an eminently
more restful one.

He closed his toolbox and wrote me up a bill from the
pad of printed slips he kept in his pocket, and put it on
the counter as he headed for the back door.

"George, why do you suppose Alvin and McIlwaine
stayed in touch? I mean, I know they grew up together.
But it doesn't seem they'd have gone on having much in
common."


"Don't know," George answered thoughtfully. "My
old man used to say he liked his old friends best, 'cause
they remembered the same things he did."
Which to me made sense. That morning, for no particular
reason, I'd woken up thinking about a night when
Sam was a baby. He'd had croup, and when he tried to
breathe he made a sound like a strip of wet bedsheet
being ripped lengthwise, violently. I'd been so sure he
was dying that I baptized him in the back seat of the
car on the way to the emergency room, using a bottle of
Perrier from my shoulder bag. And now the only person
besides me who remembered that night was my
ex-husband.

George put his hand on the door, looking woebegone.
"I wish I had done it, tell you the truth. I'd go right on
down and confess, get Ellie out of jail."

"I know you would. You're sure you didn't see anything
else. Another car, or someone else going into the
house?"

He shook his head. "Like I said, I was up on the
ladder. Only other person I saw was Bobby Taylor, up
on his own ladder, halfway across town up against the
Heddlepenny House. The one," he added, "that those
two women from Bangor are putting all that work into,
trying to turn it into a bed-and-breakfast."

I knew the house he meant. It was the talk of the
town, what color they would paint it and whether they
would recondition the old wooden windows or go for
brand-new thermopanes--more practical but less attractive
and a third the cost.

I was betting on the former; from what I'd seen--the
Heddlepenny House had eight chimneys, and all of them
were being repointed, relined, and in one case rebuilt
from the cellar up--the women from Bangor were
backed by the Sultan of Brunei.

But what interested me now was what else Bobby
Taylor could see, high on his ladder against the Heddlepenny
House. Nearby, the white clapboard clock
tower of the Congregational Church stood tall over all
the other buildings in town; so tall, in fact, that you had
to crane your neck up just to see it.


Unless, of course, you happened to be perched on a
ladder, in which case you could tell the time merely by
turning your head, and if you didn't want to do that you
could simply listen, because the clock rang the hour and
once on the half and the quarter every day from six in the
morning until ten at night.

"Bobby Taylor," I said slowly, "saw you."

"Yep. He waved to me," George agreed. And then he
got it. "He saw me, and he knows when he saw me."

Then he frowned. "But the idea isn't to clear me.
Nobody's saying I did it. Except," he added, "you, for
a little while. I'm still not quite sure how I feel about
that, Mrs. Tiptree, having you think I might be such a
sneaking kind of a person."

It was typical of George that he minded less being suspected
of bloody murder than he minded being thought a
sneak.
"You said yourself you would confess if it got Ellie
out of trouble. I was just thinking along those same lines,
trying to be helpful."

"Yeah. I'd hate to be around when you weren't trying
to be helpful. So now what?"

"Now I talk to Bobby Taylor, make sure he says what
we think he's going to say: that you were up on a ladder
in his plain sight during the time when Threnody McIlwaine
was having a little unscheduled ventilation work
done on his head."

He nodded enthusiastically. "And after that, we tell
Ellie that I was, and she stops trying to confess to something
she didn't do. And then she comes home, and we
get the whole wedding thing over with."

Then he sighed. "I swear, Mrs. Tiptree, I don't care if
we have to live in a tent in the backyard, if only we can
get all this murder business done and finished."
"It might not be as simple as all that," I cautioned.


In fact, it definitely wouldn't. George opened his
mouth to say that once Ellie withdrew her confession,
and especially once she had explained the reason she had
confessed--her desire to protect George--surely any
right-thinking, open-minded, halfway decent prosecuting
attorney worth even a modicum of his salt would believe
her, and release her immediately.

Which was precisely what was not going to happen,
on account of all the blood evidence and other stuff that
Clarissa Dow was so excited about, and I had no idea
how to get around that.
At this point, Ellie could recant her confession until
the cows came home, but it wouldn't do her a bit of
good.

What I needed was for her to recant and for me to find
who really killed McIlwaine, and then to present that
person to Clarissa Dow in a way she would believe.

Just at the moment that didn't feel very likely, but
Bobby Taylor was a start.
"What," George asked, seeing my face and deciding
not to express any optimism after all, "are you going to
do, now?"

"Well, right now I'm going over to Heddlepenny
House, get Bobby down off of his ladder, and make him
confirm what you just said. Also, I'm going to ask him
what else he saw, if anything."

Such as, for instance, whether Nina McIlwaine was
doing something other than driving swiftly and harmlessly
away; such as her going into the house and killing
her husband.

"You know what should've happened," George said,
looking grim. "Ellie should've said that old witch Hedda
did it. That'd get Hedda out of everybody's hair."

He hefted his toolbox meaning to go on, but then came
the sudden din from out in the street: the roar of an engine,
a shriek of brakes, the sound of a car speeding off down
the street very fast, and the clatter of bottles and cans.
Lots of bottles and cans.
31



"Did you see it? Did you see who it was?"


George shook his head, bent over the prostrate figure
of Can Man sprawled a few feet from the gravel pile. I
had already called the ambulance, and the police. A
crowd was beginning to gather, including some of the
reporters who were still hanging around--many of them,
now that Ellie was gone and McIlwaine's body transported
off the island, had begun packing up and leaving
like vultures headed for the next carrion-feast--but when
they discovered it was only Can Man, the reporters lost
interest.

"Is he dead?" Sadie Peltier demanded. "Is there
blood?" Her bright eyes peered avidly as she shoved herself
forward between the legs of the grownups.

"Is there," she asked insistently, "any blood and guts'?"

Somebody shushed her, and when she protested, seized
her by the raggedy fur on her jacket collar. "You," somebody
brave growled at her threateningly, "pipe down."

The child subsided, rebellious but silent for once.
Behind her tangle of dark curls, her eyes were full of
vengeful mischief that she clearly intended to accomplish
as soon as possible, and I felt sorry for whoever had disciplined
her.

"Sticks and stones," Can Man said, struggling up. "I
can do it. I can do it myself." He looked around dazedly.

"Hey, buddy," George soothed him. "Take it easy."

Can Man tried standing, then sat down defeatedly
again. "My cans," he mourned, seeing them rolling
everywhere.

There was a moment of silence. Then people looked at
each other and began collecting cans, putting them into
Can Man's bag.

"Thank you," Can Man said politely, beginning to get
his wits about him again. But fresh alarm crept into his
eyes as the ambulance arrived, with Bob Arnold following
in the squad car.
"Someone knocked Can Man off the road," George
said as the ambulance fellows got out their first aid kit.
Can Man's hands were scraped, and the knees torn out
of his pants, but he seemed otherwise unhurt and was
refusing to get into the ambulance.


"I don't think he was hit," George added. "I think
somebody just gave him a scare. Took a run at him,
made him jump."

"Anybody see it?" Arnold asked.

The people gathered around the scene shook their
heads. It was nearly dinnertime, and the kitchens in the
old houses were at the back, away from the street. Somebody
propped Can Man's bag of cans up beside him.

Arnold crouched beside Can Man. "Hey, Whitfield"--
that was Can Man's real name, Whitfield DeSautell--"who
did this to you?"

Just then Hedda White arrived home from some
errand, with Janet Fox sitting beside her in the passenger
seat of the Whites' red Buick. Hedda stalked straight in
the back door, her head in another piece of outlandish
headgear--today it was a green paisley turban--and held
disdainfully high, with Janet right behind her. Meanwhile,
not seeing them, Alvin White came out the front
door and across the street, to find out what was the
matter.

"Whitfield, who knocked you down?" Arnold asked
again. "Can you tell me?"

Can Man's eyes widened in terror. "No," he moaned,
"oh, no. Cat's got my tongue."

He gazed in frightened appeal at Alvin, who had
always liked Can Man and made a point of saving
returnables for him, even though Hedda said cans and
bottles were dirty, that they attracted vermin, and that
Can Man--she had threatened him directly with this several
times--ought to be locked away in an institution.

Can Man's mouth worked as he swiped tears with his
wrists.

"What is it, Whitfield?" Arnold put a hand on his
shoulder.
Can Man stared at Alvin. In the Whites' upstairs hall
window, Hedda stood glaring furiously down at the
scene, looking as if she could have fired the pearl-handled
revolver quite happily if she'd had one, and if she were
able to.


I saw her frown at my gravel pile. Probably she would
write a letter to the editor of the Quoddy Tides about it,
complaining about the unsightliness and squalor, dictating
her missive while Janet laboriously penned the
thing. Hedda, when she wasn't causing other unneeded
trouble, was a great one for letters to the editor.

Can Man's gaze turned from Alvin, to Hedda up in
the window, and away. His fists clenched the rolls of
gauze the medical technicians had given him to staunch
the bleeding. I noticed uneasily that Sadie wasn't around
anymore, which for Sadie was unusual, since even when
she was not provoking a crisis herself she liked to be at
the center of one. I turned back to Can Man just as a
word popped from his lips.

"Buh ... bull ... Wwe!" he said.


32



"Nina McIlwaine's Lincoln Continental is blue," I said.


Wade looked skeptically at me. The storm had not
damaged his house--he'd had his hatches battened--but
it had wreaked havoc on his neighbors, many of whom
were also his relatives.

"So," he noted, "is the sky, sometimes."
He had spent half the day nailing shingles back onto
the roof of his aunt Priscilla's cottage, and the other half
chain-sawing a cedar tree that had blown onto the marine
supply annex run by his cousin, Lester. Now he was
shaved, showered, and dressed in clean Levis and a blue
plaid work shirt, looking so strong and appealing, I
wanted to drape myself on him as if I were ivy and he
were a trellis. But I thought this would delay dinner
pretty severely, so I made a mental note to do it later.


"And everybody knows that car," he said. "Wouldn't
somebody have seen it, if it ran Can Man down? Known
it was Nina?"

He sat at the kitchen table where he was carving a
scrap of cedar into a rose the size of a baby's fist. When
he had finished a dozen of them, he would drop one into
each of the small muslin bags filled with lavender blossoms
that Ellie and I had grown in my back garden the
previous summer.

"No one," I pointed out, "saw any car. It happened so
fast. Nina was in town, though. At the Bottle Shop.
Apparently all her newly arrived relatives like American
whiskey."

Word around town had it that since the murder,
Nina's relatives had stormed the little airfield west of
town as if they were taking a beachhead, flying in on private
planes they had chartered and establishing themselves
in McIlwaine's mansion. Not that I begrudged her,
in her grief, the comfort of her relatives' presence, but the
word "opportunistic" had crossed my mind, especially
since I had decided she was probably the murderer.

"And there weren't any paint chips," I went on, "or
tire marks to trace to anything. Apparently Can Man
was scared badly, but not actually hit."

"Well, that's good. Poor old Can Man." Wade finished
a cedar rose, his blunt fingers working the jackknife
to create a thorn the size of a flea on the tiny stem, and
started on another.

"It really annoys me," I said, "that Nina thinks she
can just do all this."

His eyebrows went up. "Do all what?"

"Put a whole peaceful little town into an uproar, that's
what. Kill her husband and make it look like someone
else did it, so Ellie winds up stuck in the middle."

I squeezed about a cup of basil pesto from the freezer
bag I had preserved it in, into the top of the double
boiler. Along with the lavender, Ellie and I had grown
masses of basil in the sunny, sandy patch of soil
stretching the length of Victor Sawtelle's fence, and now
we were having it for dinner with angel-hair pasta.


"I mean," I went on, putting the garlic bread into the
oven, "you can bet your life nobody local is behind all
this. People in this part of the world aren't the kind who
do murder."

As soon as the words left my mouth, I remembered the
guy who had nailed his relatives into the mobile home
and set it on fire.

"I wouldn't," Wade said evenly. With his knife tip, he
put a dewdrop the size of a gnat's eye into a cedar rose
petal.

"Wouldn't what?" I got out the tossed salad.

"Bet my life on it. You found Bobby Taylor yet?

"No," I replied, "and it kind of worries me. It's not
like him to take off without a word to anyone."

Bobby Taylor hadn't been at Heddlepenny House. His
toolboxes had been stacked in his garage, at the little
house that had once been a cider mill out on Prince's
Cove. Bobby had put all the shingles back onto the
house and installed big eight-over-eight windows, whose
frames he had painted crisp, park-bench green.

The green against the grey of the cedar, and the perfectly
proportioned windows, created an air of elegance.
His regular work habits weren't the only reason he was
steadily employed. He was handy with a hammer, all
right, but he also had a great eye.

The doors and windows were all locked, and his truck
wasn't there. When I got home, I'd called his mother,
making it sound as if I wanted to hire him, so as not to
worry her.

But she was already worried. She hadn't seen him in
two days, and she was afraid he might have gone back on
the bottle again.

"That girl," she confided worriedly, meaning Janet,
"isn't good for him." She said it the Maine way: guhl.

I didn't think so, either, but then, I do not have a
stellar win-loss record in the romance department, myself,
so who was I to comment? I just told her I was sure
he would show up soon and got off the phone as gently
as possible.


"Did you call Janet?" Wade asked. "She might know
where he is."

I shook my head, stirring the pesto over the warm
water. If you heat it too much, it separates.

"If I tell Janet I'm looking for him, she might tell
Nina. And even though Bobby Taylor is probably a lot
harder to run down with a Lincoln than Can Man, I
don't think that's a good idea."

The sequence of events was clear, or at least it was to
me: Nina sees Can Man coming out of my house, Nina
knows Can Man saw her going into the Whites' house,
and Can Man nearly gets run over by something blue,
just like the car Nina happens to have driven into town
that day.

Wade put the cedar roses aside, and cleaned up the
wood chips. "You could," he pointed out, "just call up
that Clarissa Dow woman, put her into the big picture."

"Clarissa Dow," I retorted, "has made it plain that she
does not want to be put in the big picture. She likes
the picture right under her nose, which is the only place
she wants to look because it's uncomplicated, and it is the
one that will lead her, she thinks, to a promotion."

I stirred the pesto some more. "Which," I finished irritably,
"I'm sure is all she cares about. She really hated it
that I'd figured that out about her, which makes me more
sure that it's true."

I set the pasta water boiling, and turned from the
stove just as Sam stuck his head in.

"Mom?" He sounded worried. "I was looking at my
calendar."

I dripped olive oil into the pasta water. "Whatever it
is, you can tell me in a minute, when we sit down. Wash
your hands, please, and please do not wear your Bleeding
Skulls T-shirt to the table. The mashed eyeballs spoil my
appetite."


"Aw, Mom," he responded predictably, sloping off
upstairs to pull a sweatshirt over the offending garment,
but he didn't sound too peeved. Having a mother who
could pronounce the words "mashed eyeballs" in just the
right tones of lip-smacking irony took some of the sting
out, I assumed.


Wade looked thoughtful. "There is something I do
want you to do, though," he said. "I want you keep the
Bisley out."

I'd thought about it since he'd mentioned it, that
afternoon.

"You know my position on guns in the house with
Sam. Locked up, or not at all. I don't think I want to
make an exception."

"Sam's not a problem. I've already explained to him
that if he touches it, I will take his arms and legs off and
feed them to him." He smiled when he said it, but it was
the smile on the face of the tiger--have I mentioned that
his teeth are as white and straight as the ones in toothpaste
ads?--and I felt sure that whatever he'd really told
Sam, it had been impressive.

I put the plates I was holding down onto the kitchen
counter. "You're serious."

Wade held his big calloused hand up and counted on
his fingers. "Fire. Note. Tires. Can Man's accident. That
doesn't sound like a stretch of calm weather, to me."

"You think it's going to get worse."
He looked levelly at me. "I think the way to beat a
storm is to face right into it, not wait for it to blow you
over sideways."

"Yeah," I said reluctantly, "I guess you've got a point.
I'll think about it some more."

Which was when the oven timer went off, the pasta
kettle boiled, and the olive oil began separating out of
the basil pesto, threatening imminent ruin. So it was not
until we were all at the dining room table, with the candles
lit and a nice fire crackling in the only one of the six
fireplaces not absolutely guaranteed to burn the house
down if you strike so much as a kitchen match in it, that
Sam got to drop his bombshell.


"Mom," he said, forking up some angel-hair pasta
with basil pesto, "you know the weekend of the boat-school
tour?"

It was raining, and I noticed with satisfaction that
water was not streaming down the insides of the dining
room windows, seeping behind the clapboards and
rotting the wood below so that you could reach in
and pull it out by the crumbly handfuls. We home-repair
enthusiasts take our little triumphs where we can
get them.

"Yes," I told Sam, "I know the weekend, and yes, I
will do your paper route."

"But Mom," Sam said, unappeased, "don't you
remember what weekend that is?"

A feeling of floating, nonspecific but definitely impending
doom seized me, much like the one I felt on the
day I realized that all the thick, whitish stuff wrapped
around all the hot-water pipes in the basement was
asbestos.

And then I remembered. "Oh, no. Tell me it's not."

"It is," said Sam. "It's the same weekend Dad's
coming."
"Maybe," I heard myself say in a small, hopeless
voice, much like the one I used while agreeing to have, at
hideous expense, all that asbestos removed, "maybe they
will decide to reschedule the boat-school tour."

Sam looked pityingly at me and ate another forkful of
angel-hair pasta with homemade pesto, which might just
as well have been SpaghettiOs for all he noticed.

"Maybe," he said in equally hopeless tones, "Dad will
have to go to an emergency."

"Right," I agreed, but I knew as well as Sam did that
his father would not have to go to an emergency the
weekend he was scheduled to come here. Having been
married to a neurosurgeon for a good long while, I can
tell you with perfect certainty that on the day that you
sprain your ankle, or your son comes down with chicken
pox, or the plumbing all backs up, or you go into labor,
that is the day when a blood vessel in somebody's brain
will pop like the bulge in an old inner tube.


But on any day when you do not want your neurosurgeon
husband hanging around, all brains within a
thousand-mile radius--even ones that have not been
working well for decades--will abruptly begin functioning
flawlessly. When I was married to my ex-husband, it
got so I believed that even the embalmed brains down in
the pathology department would all start bobbing maliciously
around in their formaldehyde jars, vibrating with
healthy vigor, just on the bare suspicion that I might
need to get rid of him for eight hours or so.

I looked up to find Wade grinning at me. I had taken
care not to complain, but Wade had been present
on the day the ex-husband in question had sent me a
dozen roses, cutting them first so that when I lifted them
from the box all the fragrant, red blooms fell off like so
many severed heads, and on the day when the telegram
arrived demanding to know why--this was months after
Sam and I departed and several years after my ex-husband
and I were divorced; that was how crazy he could be--
the laundry had dealt improperly with his good white
shirts, and had not ironed his undershorts the way he
liked them.

"So he's coming for a visit, is he?" Wade asked, taking
another piece of garlic bread. There was a glint like a
lightning bolt in his eye, though his tone was innocently
cheery.

"Yeah, and at the exactly wrong time," Sam said. "But
listen, do me a favor and don't make him crazy, okay?
You're just the kind of guy who could really do it, and my
dad's already crazy enough."

Wade regarded Sam with friendly interest. "Oh? And
what kind of guy is that? Who can get your dad crazy?"

"The kind," Sam replied, "who can do a lot of things
right. And who isn't making my mother cry all the time."

There was a moment of silence as I digested this. It
is a rock-solid maxim of modern family life that one
divorced parent does not criticize the other one in front
of the children. But Sam was an observant boy, and the
realities of his life had put me in the position of having to
run interference between himself and his father. Furthermore,
for the last part of my marriage, I'd wept nonstop.
And Sam, of course, remembered it.


"When we lived in New York he would show up all
the time," Sam said. "Even after they got divorced, and
after I went back to live with my mom--I lived with my
dad for a while, I thought I wanted to--he knew how
to get her going. And when they were married, he lied.
It's better," he concluded, "that we live farther away
from him."

"Seems like you still care about your dad, though,"
Wade said, homing in with precise accuracy on the crux
of Sam's difficulty. "Isn't that the whole problem about
where you'll go to school, what you'll do with your life?
What your dad will think about your decision?"

No reply to this.

"As long as we're on that subject," I put in quietly,
"you should know, Sam, that he's bringing his girlfriend."

He seemed unsurprised. "Yeah, right," he said, getting
up. "I figured he would. If he had two, probably he'd
bring 'em both."

He picked up his plate and fork. "And you want to
know what's really scary?" he asked Wade.

Sam took a deep breath. "What's scary is, when my
dad's not screwing around with women or messing with
people's heads from the outside, his job--"

He gave the word a sad, bitter twist. "His job is to get,
like, a really sharp buzz saw, go in the operating room
and cut right into people's heads. Mess around with
them," he finished, "on the inside."

Having delivered himself of that little mixture of
opinion, information, and invective, he stomped off into
the kitchen.

In the silence that he left behind, I looked at Wade,
who appeared about as bemused as I felt.
"Where'd that come from, do you suppose?" he asked.


"No idea. I didn't realize he was so angry at his
father."

"Too bad the old man can't leave out the romantic
getaway portion of the program."

"Considering he hasn't seen Sam for nearly a year," I
agreed. "It's so hard to tell him that, though. Half the
time I want him to at least try to have a relationship with
Sam."

I poured a little more wine for both of us. "Other, I
mean, than bossing him around, trying his best to turn
Sam into a carbon copy of himself. God forbid," I added,
sighing.

"And the other half?"

"The other half, I wish he would vanish off the face of
the earth. I mean, you've seen the stuff he's pulled."

"He make you cry lately?" Wade inquired acutely.

"No. For a while, when Sam was insisting on living
with his father, there was lots of opportunity for ... discord.
But not now. Sam's right; it's better that we're farther
apart. In fact, he's been unusually mellow, recently.
Quiet, like ..."

Like the calm before storm. "Anyway, he'll be here
next Friday."

"I see," said Wade, eyeing me closely for signs of distress.
"Want me to make myself scarce while he's here?
Would that be easier for you?"

"Absolutely not." I got up. "If you can stand to stick
around I could use your help. But Sam's right about him,
so don't make him crazy. I mean, any crazier than he
already is."

Wade smiled imperturbably. The candlelight made the
glint in his eye seem to dance.

"Wouldn't dream of it," he said.
33



Later that night, I went down cellar and opened the lock-
box containing the Bisley and cartridges. The lockbox
was fastened to the wall, like a fuse box, and while I
stood there I could hear the house working all around
me: water trickling down from Sam's shower, the furnace
rumbling steadily to heat the water, the click of the
electric relay on the thermostat in the furnace.


Wade said shooting someone else's gun, as a habit,
was a way of not paying the bill. He said the only way to
know how deadly it was, to understand it on a gut level,
was to own the weapon yourself, and keep it, and be
responsible for it.

I thought Wade was correct. It was why I had gone
through the background check, and bought the Bisley.

Over in the corner, the dry-well hole waited silently
for George to come and finish it up. I wished I could
drop the events of the last few days into it, and let him
pile gravel onto them, too. Taking the Bisley out of the
box, I hefted it, thinking about Sam.

Eighteen months earlier, just before I'd found this
house, one of Sam's friends had been shot while examining
a gun he found under a pile of his father's sweaters,
on the top shelf of his father's closet. No one ever
expected the boy to find the hidden weapon, or to search
out the ammunition stored separately in a carton marked
"Xmas decorations."

No one expected him to handle the gun, if he found it.
He wasn't, everyone said even after he was dead, that
kind of boy.
Musing over this, I fingered the only key to the
lockbox. I wore it on a silver chain around my neck,
feeling that any circumstances under which Sam might be
motivated to remove the chain were also ones under
which I might want him to open the lockbox.

And otherwise not. Carefully I put the Bisley away
again, and turned the key. No one ever expects to need
seat belts or air bags, either, but they do. Your chances of
having an accident on any given day may be infinitesimally
small, but once you are having it, the likelihood
rockets to a hundred percent.


It was, I still believe, the right decision, even though I
came to regret it later, and to wish I had calculated the
risks differently.

34



Around seven the next morning, Bobby Taylor called to
say he had heard I was looking for him. He would be
working that day at Heddlepenny House, so I went over
there at ten, which was when he said he would be taking
a break.


I brought coffee in a thermos, and sour-cream doughnuts
from the American Legion bake sale. The sale was
to benefit the building fund for the Legion's new hall,
and the doughnuts were so heavy they could have just
gone ahead and built the hall out of them. But they were
also delicious, and Bobby's eyes lit up at the sight of them.

"Thanks," he said, swallowing some of the coffee
gratefully. The day was grey and foggy, with a chilly
breeze coming off the water, poking its shivery fingers
under my collar and riffling the puddles in the packed-sand
driveway of the Heddlepenny House.

Bobby looked up, measuring how much of the job
remained. The house was a sprawling old gingerbread
Victorian with big bay windows and a wide front porch
overlooking what had been a garden. Everything was in
an advanced state of decay, including the wooden gutters
that Bobby was replacing, section by section.

"How do you get them up there?" I asked. He was
working alone, and wooden gutters weigh much more
than their equivalent in aluminum.
He pointed at the staging set up against the house.
"Bring the staging platform down, put the gutter on the
platform, get on it yourself, crank the staging up. It's
okay unless you're afraid of heights."


"Uh-huh," I replied calmly, faking like mad. What I'd
been planning had seemed perfectly reasonable while I
was planning it.

The thing is, staging is a kind of scaffolding. You use
it instead of a ladder when you want to work on a wide
area of high stuff: for instance, when you are painting a
house, repairing clapboards, or performing large-scale
gutter maintenance.

And that was the problem: high stuff. The staging
consists of pairs of tall posts set into the ground in a line
parallel with the building's foundation. Clamped to the
posts are steel supports upon which are laid pairs of two-by-twelves,
so that if the post pairs were the vertical
members of capital Hs, the two-by-twelves would be the
crossbars.

Crucial to the arrangement is the fact that the two-by-twelves
are not fastened to the supports, nor are safety
harnesses issued to persons venturing onto these monstrosities.
The boards simply rest there, bouncing gaily
up and down when you walk on them and taunting you
with the fact that a pair of two-by-twelves laid together
is, count 'em, twenty-four inches wide, an amount of
space that on solid ground is no problem at all to keep
your balance on, but in thin air, it is.

I looked at Bobby's staging platform: three sets of two
planks each, laid across the supports of the staging. The
supports were attached to posts by a ratchet affair, which
you operated with your foot while standing on the platform,
clinging to the post to keep your weight off the
platform if you were lowering it.

Clinging to the post all the rest of the time, too, if you
were me. But I was only going to get one crack at getting
Ellie out of trouble, and when I went at it, I had to have
my ducks in a row.
And one of the ducks had been way up on that platform,
while Threnody McIlwaine had been getting murdered
with an ice pick.


I took another doughnut. What the hell, you only live
once, and my cholesterol probably wouldn't even have
time to rise much before I was dead of fright.

"So Bobby, what do you think of Nina?" Snooping
into murder is really just indulging in gossip, but it is
gossip with a point.

He chuckled, wiping his fingers with a blue bandanna.
"I think Nina's about what she seems to be. Young, pretty,
hungry. Saw the main chance and grabbed it. Hey, who
can blame her?"

Just what the world needed, I thought: another sucker
for a pretty face. Still, his non-judgemental attitude was
refreshing; Bobby was a good egg.

He took a final swallow of coffee and screwed the cap
back onto the thermos. "Jeez, a cigarette would go good
about now."

Out on the water, the foghorns had begun a mournful
hooting. "Sorry. I didn't bring any."

"That's okay. I don't smoke. Anymore," he added
ruefully. "This clean-and-sober business is a pain in the
tail, you take it halfway seriously."

He grinned, and I laughed with him, comfortably and
easily. Bobby had been sober for as long as I had been in
Eastport, but before that the story was that he could be
seen on the waterfront any night of the week, clutching a
paper-bag-wrapped bottle.

"Anyway," he went on, "Nina's a tough nut. Gets
what she wants one way or another. And with the situation
out there now, I just had a crawful. Patty bitching,
Gerry kowtowing, all those relatives of Nina's everywhere
you look. Not that they aren't nice people. They
all seem fine except for that one guy, the cousin."

He shook his head. "But jeez, it's like a goddam Red
Cross camp. And Janet's all screwed up. I used to think
her spending most of her time trying to finding her
mother was a crock, just a waste of time. But it kept her
busy, traveling--she took lots of trips all over the place--
and on the phone and so on. She had a lead in New York
she was excited about for a while, but I guess that didn't
pan out. Now, it's like she's lost her reason to live."


"Any idea why she gave it up?" The coincidence of
that happening just when McIlwaine died seemed too
perfectly timed.

"Nope. Unless it was just something she could do,
butt heads with the old bastard. Drove her nuts, the way
he made fun of her about it, but it was her way of
standing up to him. Since he's gone maybe she figures,
why bother? She's not talking about it."

"Yeah," I said. "Maybe."

He strolled over to the staging apparatus, leaned
against the posts at either end, and apparently found
them satisfactory. "So I took a ride out to Meddybemps
and went fishing, get away from it all. That's where I was
when you were looking for me."

"The situation makes you uncomfortable," I offered.

He looked at me. "Right. So I got out of it. And no, I
don't believe Ellie killed him any more than you do. As
for the rest, I guess I want to keep it simple, like the
saying goes. I don't know who did it, or how, or why.
And maybe I don't want to."

He stuffed the bandanna into his jeans pocket. "Tell
you one thing, though. I'm not going back there until
those relatives are gone. Man, do those people drink."

It was another reason he'd wanted to get away.
I've known a few recovering alcoholics, and most of
them didn't like hanging around people who were
drinking, not because they were worried about slipping,
themselves, but because it reminded them of the way
they used to be--like looking at an old photograph of
yourself and finding it's someone you don't even want to
recognize.

"So anyway," he said, "you've been dancing around
this staging for twenty minutes like it's a roller coaster
and you're not sure whether to buy a ticket. You going
up, or what?"
He stepped onto the platform, and reached a hand
down to me. I looked up at him: a tall, lean man whose
craggy face showed the effects of a little time and a lot of
abuse. As he waited to see what I would do, his eyes did
not flinch in the slightest from my examining gaze.


Like I say: you only live once.

35


"Steady," Bobby Taylor said to me from the other end of
the platform.


I unclenched my teeth just long enough to smile at
him, meanwhile thinking how pretty the rooftops were
and wondering if I had remembered to send in my life-insurance
policy premium.

Bobby cranked his end of the platform up with a foot
ratchet. This of course made my end of the platform
slant down. But Bobby had lent me leather gloves, which
turned out to be handy for clinging to wooden support
poles, and of course he would not crank his end up very
much.

Bobby kept cranking. Apparently responding to nerve
signals emanating from my brain stem, which I understand
is the portion of the brain responsible for basic survival
matters, my arms wrapped themselves more firmly
around the support pole.

Little rootlets, I felt sure, would soon emerge from my
arms, responding to some even more primitive brain segment
that traced its heritage back to the vegetable kingdom,
fastening me to the pole so securely that I would
have to be excised from it by a tree surgeon.

"Okay," Bobby Taylor called. "Now it's your turn.
Put your foot on the foot pad and press down."

"You," I muttered, "are out of your mind."

"I could come down there and do it," he called
genially. "But then you'd have to get out of my way, so I
could get at it."
Far off in the distance, I could see the windshields of
cars glinting on their way across the Lubec Bridge.
Turning slowly, I saw my very own rooftop, with the
flashing on one of the chimneys peeling away like tinfoil
and a patch of the shingles flapping, looking for all the
world like someone riffling a wad of hundred-dollar bills,
which was roughly what the roof work represented.


"You," Bobby Taylor clarified, patiently and kindly,
"would have to let go."

"In that case ..." I looked at my feet, remembering
that under no circumstances did I wish to look past them
to the ground below.

Near my right foot was the metal foot pad, which of
course would not just unclamp and let go. Bobby Taylor
had firmly assured me no foot pad would unclamp on its
own and send the staging platform plunging to earth. To
lower the staging you had to unbrake the pad, then turn
a reluctant crank. He'd assured me that it was not at all
an impromptu operation.

I put my foot in the foot pad and tentatively pressed
down.

"Harder," Bobby called. "Put your weight on it."

Then, seeing that I was having difficulty, he made his
way down the platform to stand behind me. Reaching
his arms around me and out on either side, he braced his
hands atop my gloved ones.

"Now, go ahead and put your foot on it."

I did as he instructed and was rewarded by the feeling
of the platform rising beneath me until the two-by-twelves
paralleled the earth. And with that, except
for the Congregational Church steeple and Heddlepenny
House itself, we were the highest thing in Eastport.

"It's beautiful," I said, all at once very glad I had come.

"Yeah. You don't miss much from up here. Look." He
extended one finger without taking his hand from mine.

Down at the harbor, a couple of fellows in orange life
jackets set out for Deer Island in an aluminum boat. Sitting
amidships, a little boy clutched the rail with one
hand and rummaged in a basket with the other. A napkin
flew away from him and he grabbed at it, then clutched
his hand hold as the bow hit a wave, bouncing, the napkin
flittering into the boat's wake, disappearing.


"And over there's the Whites' house," Bobby said.
"See that orange stuff below the roofline? That's the
Rustoleum George was spraying on his pipe fix."

Now that so many of the reporters had gone away,
Key Street looked curiously vacant. "So you could see
him." Relief hit me; part of the trick of getting Ellie off
the hook was indeed making sure that George was off,
too, or she wouldn't recant. It just wasn't the whole
trick.

Meanwhile, it wasn't enough for me to hear Bobby
Taylor say he'd seen George from up here that morning.
I had to know for sure that it was possible. Otherwise,
the way my luck was running, the dreadful Clarissa Dow
would climb up here herself and prove that it couldn't
be. Clarissa, I felt rather certain, was not afraid of staging
platforms or of anything else.

"Of course I could see him." Bobby laughed. "Why
would I lie about a thing like that?"

"I don't know, Bobby. I mean, I didn't mean to imply
that you would. I'm just so glad, that's all, because you
can see the church clock from here, and you saw George
from here when you did, and that means that Ellie
doesn't have to lie, anymore."

I felt giddy with happiness, and height.

"Yeah," Bobby said. "He was up there a long time. In
my sight all the while, as a matter of fact. He hauls a lot
of stuff up to the job with him, so he doesn't have to run
up and down."

A thought struck me. "Did you see Nina? Can Man
said there was a blue car, and I was just wondering ..."

"Oh, sure. She pulled in, went around the side. I
remember thinking that was funny."

He shot me a knowing look. "Nina's kind of sworn
off the back doors of places, you know."

His voice grew sardonic. "Now that she's not a
refugee in a war zone anymore, filling up on roots and
berries while the bombs explode. She likes front doors,
and she likes 'em best if there's a bunch of snooty butlers
and footmen standing behind 'em, wearing their uniforms
as she sashays in."

A squawk from below distracted me. Moments later,
Martha Dodd rushed out the side door of her house--the
one right next to Heddlepenny--into the garden, where
each spring she put in more labor than the yearly output
of your average chain gang.

"Oh, dahling," Bobby imitated with bull's-eye accuracy,
waving his hand in a careless, Nina-like way that
nearly made my heart stop, considering how high off the
ground we were; but I couldn't help laughing.

George hadn't gone in, but maybe Nina had.

"Anyway, I didn't see Nina for a while, maybe five
minutes, and then I did, going around to the front of the
house."

Janet had said she heard a knock on the door, and
that Alvin had answered.

"Couple minutes later, she drove away," Bobby added.

Nina, I exulted silently, had been out of the car and
out of Bobby's sight for maybe five minutes: long enough
to swing that ice pick.

Another shout from below interrupted my thoughts.
"Get out of there!" Martha Dodd urged, swinging a
broom before her as if driving a flock of chickens. A
wicked little burbling laugh came from somewhere in
the yard.

"Scat, you little pest!" Martha cried, as Sadie Peltier
crawled out from the concealment of a burlap windbreak,
her curls a mess of straw and compost.

Sadie beat feet for the garden gate, swung on it once
very hard as she was forbidden to do, and pelted off
down the street, pausing to turn and grimace defiantly at
Martha, waggling her hips and wiggling her fingers in her
ears before making good on her escape.

"Oh!" Martha mourned, crouching to inspect her
rhubarb bed, then rising to wring her apron vexedly at
the fleeing child.


"Sadie," I observed, "is an absolute menace."


"She's a caution," Bobby agreed. "Stout line might
hold her down, but not much short of that."

He craned his neck around the post to watch Bill
Blatchley's little blue scallop dragger Sally nip around
stern-first in the dark green waters of the boat basin, and
settle into her slip just as neatly as a hen settling onto
her nest.

"You know, some people around here appreciate what
you're doing for Ellie. Trying to help her, and all."

"Oh." A little bolt of happiness pierced me. "I thought
maybe people would just think I was meddling."

He shook his head. "Nope. In fact I was telling Janet
this morning, she could do worse than find a friend like
you. Instead of aping after Nina all the time, trying to get
her approval. Or sucking up to that old witch Hedda
White."

I looked out again over the pointed rooftops, like
sharp-edged cutouts snipped against the pale sky. "You
spoke to Janet," I said, wanting not to have heard him
correctly.

"Yeah, I went over early, after I called you. I figured
I'd better. Takin' off the way I did. I'm not mad at her or
anything, I just needed thinking room."

"You told her what I wanted," I said, hoping it wasn't
true.

A tiny little ping came from the support mechanism
under my feet, but I didn't pay attention. I was busy
thinking about Janet telling Nina that Bobby could see
what went on over at the Whites' house that morning,
and Nina deciding to do something about it.

"Don't," said Bobby Taylor in tones of unnatural
calm, "move an inch."

"What? What's wrong?" I turned my head slightly.
Under the year-round tan he'd acquired by working outside
all the time, his face was waxily pale.

"See that bolt down there?"

I followed his gaze. In a way whose specifics I did not
fully understand, the staging mechanism worked on
friction; everything had to be tight. And now I could see that
the bolt Bobby Taylor was indicating had a small, round
hole machined through it, a hole intended for a cotter pin.


No cotter pin. That ping, I realized coldly. The platform
descended about a quarter-inch.

"Just shut up," Bobby Taylor said fiercely into my ear,
and seized me hard by the scruff of my collar with his left
hand, and by the muscle of my upper arm with his right
hand. Turning me, he wrenched my own hands from the
support post and propelled me into, it seemed, empty
space.

"Forward," he grated out. "Believe me, you want to
do this. Go for the next support post, the next set of
boards."

The platform jolted down six inches. I had a sudden,
dizzying sense of the sky tilting and the earth rushing up
to meet me, a zooming, wah-wah distortion of perspective
that seemed to be sucking me sideways off the
narrow platform. Bobby stayed behind me, motoring me
forward, but I couldn't feel my feet and I didn't dare to
look down; it was as if fear had dematerialized my body.

There was a moment, halfway between support posts,
climbing, it seemed, a slope that got steeper by the
second. In that instant there was nothing to stop my
falling, and the two-by-twelves were sliding faster. It was
like the dream where you are running, and the awful
dreaming knowledge overcomes you that you are not
going to make it.

Bobby hit me from behind with the force of a linebacker,
and I lurched forward, slamming onto the next
set of two-by-twelves. I felt his arms wrap tight around
me, and around the support post.

A splinter stabbed my cheek. The post smelled of pine.
I could feel my heart thudding, see stars against my eyelids.
Blood oozed from my lip, tasting rusty like a
mouthful of old nails.

Bobby's breath gusted urgently into my ear. "Is it there?"

"What?" I was trying to talk, but no sound came out.

"Look down," he insisted, "is the pin there?"


And then it hit me that cotter pins do not simply fall
out. You may be able to remove one with your fingers,
but often you cannot. The whole point of a cotter pin is
that once you put it in, it stays in, unless of course somebody
hammers the hairpin portion of the pin and breaks
it, whereupon the straight section will slide through and
fall out easily.

If this pin were missing, there would be no next set of
two-by-twelves.

I squinted down. The cotter pin protruded in friendly
fashion through the bolt holding the support mechanism
to the post.

Only, not all the way through. The straight part of the
pin was pushed almost into the hole, as if someone had
tried to force it, deforming the end and giving up when
the pin stuck.

"It's there," I told Bobby. "Now what?"

I felt him sigh. "Now I'm going to lower us down," he
said. "You just stay here and hang on."

"What if the cotter pin over there turns out to be
missing?" I pointed at the final support post.

"It got us up here," he replied grimly, already setting
out across the two-by-twelves.

Which was not a particularly comforting thought,
seeing as the other one had gotten us up there, too, before
falling, but the final pin was present and intact, and
Bobby lowered us without further incident.

"Sadie," he said when he got his breath back.

"Martha Dodd yelled at her yesterday, over at my
house," I agreed.

He sank down, and I sat beside him, heedless of cold
and damp. I'd have sat on a nuclear waste dump if it
was at ground level. "Outside my house, after Can Man
got hit."

I remembered my premonition that someone would
suffer the consequences of scolding Sadie, who did not
take even the mildest correction lightly.

"Probably," Bobby said, grimly picking up the fallen
cotter pin, "Sadie came over here to get her revenge,
then. Give Martha the what-for."


The two-by-twelves had landed smack on a couple of
Martha Dodd's rhododendrons, flattening them. The
faint crack of their branches had been the only sound,
and no cars had happened to be passing on Washington
Street, so no one had even noticed us.

"Could she reach them?" I objected. "And do it?"

He nodded. "I lower 'em way down when I leave at
night, so no kids will climb up on 'em. She could hit the
pin with a rock."

He looked at the remaining two-by-twelves. "You
know what I like about not drinking? I like it that when
something bad happens, it could've happened to anyone.
But somebody's got to talk to that kid's parents, before
she kills someone."

He sounded certain, and I had to admit it made sense.
Sadie had probably been watching from somewhere
nearby when the two-by-twelves fell. She was always
around for disasters.

He tossed the fallen cotter pin at me. "Here, you can
keep it for a souvenir."

I caught the object with the sort of swift sure grab
of which I am ordinarily incapable. Something about
escaping annihilation, apparently, had sharpened my
reflexes.

And my eyes. At the hairpin end of the steel cotter
pin, which was darkened with age and the beginnings
of corrosion, were a set of tiny, thread-thin, bright parallel
lines.
Such as the lines that might be made on a metal object
if you gripped it with a pair of pliers. And Sadie was a
devil, all right, but I doubted that she carried tools.

The marks could have been made any time, during
maintenance, or repair. But as I stared at them, the
grooves on the cotter pin seemed to smirk thinly at me,
as if knowing something I didn't.
36



"What," Nina inquired, tipping her smooth brunette
head with sweet, ingenue brightness, "means this thing,
'cotter pin'?"


I'd had enough of sweet, ingenue brightness already,
and I'd only been there about two minutes.

"This," I thrust the pin at her, "means cotter pin. It
fell out of Bobby Taylor's staging platform while we
were on it."

The house at Mackerel Cove seemed outwardly unchanged:
same landscaped plantings of oversized nursery
shrubs, still in their burlap wrappings against the harsh
Maine coast winter, same bullying sense of vulgar display
trampling any potential for beauty.

Inside, though, a new air of mad gaiety prevailed. Pop
music pounded from the stereo set in the living room,
remnants of breakfast littered the dining room table,
clothes and magazines lay scattered where people had
flung them.

Nina's eyes widened. "Is maybe bad accident."

"Yes, bad accident." I gave the final word a harsh
twist, saw her catch and understand it without any
impediment.

Somewhere upstairs, someone shouted: a sharp, angry
bark, followed by a crash of furniture. On the mantel
stood a half-empty bottle of vodka, a bag of Fritos, and a
prescription bottle with the name of a Chicago pharmacy
printed on the label.

The stereo stopped blaring Metallica and began on
nine inch nails. Altogether, the atmosphere in the house
was the one I imagine must prevail in the asylum for the
criminally insane, after the attendants have been murdered
and buried on the grounds and the inmates have
taken up management of the place.

"You don't think that I had to do with?" Nina asked.

Which was an interesting leap of logic, considering
that I had so far suggested nothing of the sort, or at least
not in so many words.


"Because," Nina added with another of her language-mangling
mannerisms, all of which separately and
together were beginning to make me want to strangle
her, "I was in bed, asleeping."

"Uh-huh. So Janet didn't tell you I was going over
there to meet Bobby Taylor. She didn't say Bobby was
going to show me that George Valentine couldn't have
killed your husband."

And that you could have, I thought but didn't say
aloud. She got it, though. Her eyes narrowed, her delicate
nostrils flared, and for a moment I saw the hungry,
street-wise refugee kid she had been, peering out at me
with feral purpose.

"Nina!" A young male voice barked abruptly from the
stairs. Her eyes flickered calculatingly from me to its
source, in the hallway behind her. "Nina, you must--"

I turned. It was the fellow from the photograph, not
unshaven and frowzy with sleep in the middle of the
morning as I had been imagining, but sharp and alert as
if he had been up since dawn.

"Jacobia," Nina said, "this is my cousin." She said
his name, but I could not have done so without some
practice.

He tipped his head in acknowledgment, sizing me up
with his eyes as he put a hand on Nina's shoulder,
showing those white teeth that I remembered from the
snapshot. In person, they were even more impressive: it
was a carnivore's grin.

"I am guest in Nina's home," he said, glancing around
at the luxurious rooms he now inhabited, the rich wood
and expensive furnishings. His look had the proprietary
air of a jungle animal surveying its newly enlarged
territory.

"Welcome," I replied. "I hope you enjoy Eastport."

His nod, accompanied by a lazy lowering of his eyelids,
said not only that he intended to do so, but that he
hardly needed my good wishes; that he found them, in
fact, rather impertinent.


"I am so sorry to interrupt, but we must go soon," he
told Nina. His fingers moved briefly on her shoulder with
uncousinlike intimacy.

"Goodbye, Jacobia," she murmured in the polite,
practiced tones of a woman who would just as soon slit
your throat. "I will give Janet your greeting."

What I wanted Janet to be given was a smack upside
the head. Had she really run, like a good little sycophant,
to let Nina know what I was up to?

If she had, this fellow could have tampered with the
staging platform before Bobby got there. The morning
would not yet have been full light, so he could have
done it unnoticed, and the task might have taken only a
moment.

Finally, there were the tool marks on the cotter pin,
fresh and bright. At the door I turned again to the
cousin, whose hands, hanging loosely but powerfully at
his sides, appeared capable of wielding a pair of pliers
without difficulty.
"So pleased to meet you," I lied, as I had countless
other times to countless other bloody-minded thugs in
good clothing, in countless other huge, tasteless houses
full of knick-knacks chosen by trendy decorators. "What
did you say you did in your country, again?"

He hadn't said, of course. Moving protectively in
front of Nina, he smiled at me.

"I head government project in villages. Recording
populations, various ethnic groups."

Yeah, recording them. And reducing them, if the
prayer books abandoned in the glass-strewn, bomb-pocked
churches didn't happen to be printed in the right
language. Oh, this guy was slick.

I looked at Nina. "Congratulations," I said, "on finding
him so fast." Then I winked.

Her pretty face wrinkled into a look of such fury, I
thought she was going to spit at me, but I got out of there
in a hurry before she could, wondering all the way to the
car whether in the next instant the cousin was going to
grab me, yank my throat back, and draw a knife blade
across my throat.


I may not always know who is capable of an amateur,
spur-of-the-moment homicide, but I do know a stone
killer when I see one. After all, I used to work with them
all the time.


37



Heading into town, I drove down Washington Street
toward the Coast Guard building and the customs office.
Not much happened in Eastport to vary the customs officials'
routine of trooping aboard container vessels and
clearing the crews en masse for the couple of days the
boat would be in harbor. Checking out the so-called
cousin's travel papers might, I thought, make a nice
diversion for them. Who knew what would happen once
he felt his well-feathered nest getting jostled by a lot of
nosy immigration officials?


But as I was about to turn into the lot behind the customs
building, I spotted the blue Lincoln in my rearview
mirror, and there was really no sense in telegraphing my
punches. So I continued to the next lot, alongside the fish
pier, and went into the Eastport Gallery, where Derek
Hart had already opened up for the day.

Inside, I was greeted by the aroma of fresh coffee
mingled with the perfumes of paint and turpentine, the
fine madness of a Beethoven string quartet exulting from
the good speakers Derek had installed, and cascades of
natural light pouring in through the gallery's big second-floor
back windows, facing the water.

I paused on the top step. The gallery's old exposed
rafters and beams had been washed in thinned white paint,
as had the walls and trim. The floor was glossily coated in
dark red, and the room divided into oblique cubicles by
panels at eye level, on enameled support frames.
The effect, especially with the windows open and the
tang of salt from the harbor breezing in, was of a large,
wonderfully airy atelier with a work area in the brightest
corner.


"Why didn't I become a painter?" I asked into the
space and lightness.

"Because," Derek Hart said long-sufferingly in answer
to my question, and without turning from the canvas he
was engaged upon, "a quick martyrdom is so much more
efficient. Burning at the stake or being shot through with
arrows. Or eaten up by a lion."

He sighed, putting down his brush. "Oh, what I
wouldn't give to be finished off by a lion right this
minute."

But when he turned, he was cheerful, a ruddy-faced,
jovially grinning man of fifty or so, wearing a blue-striped
shirt with the collar open, the sleeves rolled up, and a tie
stuffed in the pocket. Navy slacks and a belt with red sailboats
embroidered on it completed his outfit, along with a
pair of deck shoes.

"Good morning, Jacobia. What can I do for you
today?" He waved at the works on the dividing panels,
the product of a dozen industrious gallery members' busy
winters.

"Something in pastel? Pen-and-ink? Possibly you're
partial to oil. Or a woodcut."
Derek's tone skewered his dual role of artist and promoter.
Once the owner of a small, wildly successful
Manhattan ad shop, he was the gentlest of men and a
canny, energetic marketer, with an eye for quality that
set the gallery's offerings a sharp cut above the blurry
daubs often seen in tourist destinations.

"Nothing today, Derek, sorry. I really just came in to
use the phone."

His face fell comically. "Help yourself," he sighed.
"Coffee, too, if you want. All I am here is a public
convenience."

The phone was downstairs with the larger paintings
and the sculptures. I pressed in Bob Arnold's number--a
request for an immigration check might be taken more
seriously, I decided on second thought, if it came from
him--but his personal line was busy and I didn't think
this was an emergency. So I waited, sniffing at a little
whiff of woodsmoke drifting in from the street while
gazing at Derek's latest finished painting: three men in a
boat, on a tossing sea, in trouble, and a fantastic fourth
figure.


In the painting, one man reached for the outstretched
hand of a drowning mermaid. Another rowed energetically,
while the third man pointed in alarm at something
outside the picture frame, on the horizon.

Or risen from the sea. The maiden's hand reaches
imploringly, with what is either her final, dying bit of
strength or a fine imitation of it. No one seems to notice
the pointing man's wide-eyed alarm, nor the fact that a
great slosh of water is slopping up over the gunwale of
the little boat, the wave's curved shape a watery reverse
of the woman's hand; no one sees the trap.

A mermaid's heart, they say, is very cold. The tang of
woodsmoke was getting stronger.

"Jacobia."

It was Derek, looking concerned. I started out of my
moment's reverie and smiled at him, ready to debate yet
again what was causing that strange wave; he loved to
talk about his paintings.

"Jacobia, I think you'd better go home right away."

The smoke smell became a stink; I could see it now in
the air outside the gallery, a faint, bluish haze acrid with
the smell of old varnish.
"Why, what's wrong?"

Derek looked stricken, his pale hands unhappily
clenched; he hated being the bearer of bad news. But like
the men in the painting I still didn't get it.

"Jacobia," Derek said, "your house is on fire."
38



Through the smoke, the sun was a strange, pale disk
hanging in the sky like a malignant omen. From the windows
of the storeroom where I had found McIlwaine's
body, orange bursts punched out like fists. Gouts of
water poured from hoses around the spot where George
Valentine was chopping a hole in the roof with an axe,
while two other firemen advanced on the storeroom's
back door, trying to muscle in close enough to battle the
erupting flames.


"Sam," I managed, slamming my car to a halt and
half-falling out of it in my fright. "Sam?"

The yard was a muddy battle zone filled with grim-faced
men in yellow coats and boots, their sooty faces
streaming with the choking smoke. "Sam!"

Bob Arnold heard me, turned, and jerked his arm
toward Victor Sawtelle's palisade fence, now wetly plastered
with charred bits of the antique newspapers I had
salvaged from behind the plaster I had torn down out
there, before it became obvious that the storeroom
would have to be rebuilt entirely.

Then I saw Sam by the fence, his denim jacket around
his defeated shoulders, a few of the neighbors trying ineffectively
to comfort him.

He was alive, and for a moment that was all I needed.
But then I saw how devastated he was: crying, his eyes
wild with shock and misery when his brought his fists
down from them.

"Mom!" At the sight of me, the last of the fight went
out of him and he sobbed.

George broke through the roof and a glut of fire
exploded from it, sending him scrambling. I wrapped
my arm around Sam's shoulders and hugged him to
me, hard.

"It's okay," I said. "Whatever happens, we will deal
with it. We will get through it, and we will be fine."
He pulled away. "Monday's still in there. The fire
guys were here when I got here, they wouldn't let me in. I
could hear her."


George crawled back up to the hole in the roof,
aiming a fire hose through it.
"She's in there," Sam insisted. "She was whining,
scratching at something. I think she might be stuck in the
basement."

Another boom of flame, and even though the fire had
not yet broken through to the main house, smoke was
beginning to drift out the back door. Pretty soon it
would be a choking hell inside, and then it would all go
at once in an incinerating rush.

"Stay here," I told Sam, gripping him. "I mean it."

He stared, nodding openmouthed as I strode away
from him through the little groups of shocked, silent
neighbors. One of them was little Sadie, of course, her
moppet face with its halo of dark ringlets gazing up at
the fire with an expression of awe and malicious glee.

Disgusted, I turned away from her toward the house,
but a hand on my shoulder stopped me.

"Oh, but you mustn't going there," said a familiar
voice dripping with sly feline charm. "It is too much
dangerous."

It was Nina, looking on as my life burned down to the
ground. A hundred feet away, the cousin lounged against
the blue Lincoln, his face composed into a look of languid
disinterest but with eyes alert.

Sighting me, he deliberately took a pack of Gauloises
from his pocket and lit one, and tucked a gold lighter
back into his shirt.

And suddenly, I'd had it with Nina and her selfish
schemes, her perfect willingness to ruin lives--and even
end them--in order to get her way. I put my hand in the
middle of her yellow cashmere sweater and shoved, hard.
She took two startled backward steps and sat down in
the mud.

The cousin moved forward, seeming to uncoil from
where he lounged against the car, a frown beginning to
spoil his pretty-boy appearance. But I moved in front of
him, leaning down over Nina to speak to her.


"Get away from here," I gritted out through clenched
teeth at her. "Get away and stay away from my house, or
getting dropped in a mud puddle is going to be the least
of your worries. Understand?"

I yanked her up by her shoulders, spun her, and
shoved her again, propelling her in the direction of the
looming cousin.

"I don't have time for you, now," I called after her.
"But I know what you did. I can't prove it yet, but I
will."

Tottering, Nina put her muddy hands out toward the
cousin's champagne suede jacket, so new it might as well
have had tags hanging from it. A look of dismay crossed
his face as she staggered at him, dripping with filth. Suddenly
her foot hit a slick patch and she pitched forward
off-balance, uttering a mewing cry of alarm.

I didn't wait to see if he caught her.

"Jacobia," Bob Arnold said as I shoved through the
knot of men clustered around the porch, and he made as
if to step in front of me, to block my way. "We tried for
the dog, but they couldn't find her. They went all
through the house, and now it's not..."

Not safe, he was about to say. I just looked at him,
and something in my expression must have told him that
if he really meant to stop me, he would have to shoot my
kneecaps off.

"Wait a minute, I'll go," Wade said, coming out of
nowhere.

I hadn't seen him arrive, but now after a hasty conference
with Sam he was bulling his way toward me, the
men separating to let him pass.

"I am going after Monday," I told Arnold. "Step aside."

"Hey," Wade said, putting his big hand on my
shoulder. "Let me do it. Fire's not in the main house, yet.
I'll look for the dog again."

"We'll do it," I insisted, and he looked at me, two
separate impulses warring in his eyes: gallantry, or equal
partners? If it was the former, I would have to stop
making those sardine sandwiches; after all, one cannot
have one's nurturing instincts mistaken for a political
position.


"Okay." Wade gave in with a chuckle of resignation.
"We'll do it together. Anybody ever tell you you're a
tough little broad?"

Actually they had, and not in such polite terms, either,
but I don't think it had ever pleased me so much. Wade
cuffed me gently on the shoulder, his gloved fist lingering
and his eyes bright with what I suddenly understood
was love.

It felt like a cross between a shower of gold dust and a
smack with a two-by-four. "Oh," I said softly, feeling
floored for a dizzying instant.

And then we went in.

It wasn't like a fire scene in New York where the
firemen and policemen will physically stop you from
doing something stupid. In Eastport, plenty of people
have made crazy decisions based on pure damn bullheadedness,
and they will put on a slam-bang funeral for
you, too, if yours goes wrong. Reluctantly, Arnold let
us pass.

The smoke inside was so thick we were swimming in
it, holding our breath and squinting against the burning
in our eyes. Wade went first down the hallway ahead of
me, feeling for the light switch and putting his hands on
the basement door, checking for heat. At least we could
breathe better, back here; the smoke was seeping from
beneath the door to the spare room, so it was worse at
that end of the house.

"Okay," Wade said in a tone that allowed no argument.
"If I see fire, we're out of here. You got that?"

"Got it. Have I thanked you yet?"

"Later," he said, with a little laugh that made me fall
in love with him all over again. Then he opened the door.

A gush of smoke black as squid ink billowed out. I
had a moment to realize how nuts this was, hearing the
nasty crackle of flames from down there, but then the
smoke cleared a little and Wade began descending.


"Smoke alarms didn't sound," he observed as he
reached the bottom.

"So they didn't," I replied, making my way behind
him. I had changed all the batteries, after the oven mishap,
and the ones in the carbon monoxide units, too.

Wade pulled the chain switch; the lights in the basement
went on. "Not," he observed with the excess of
calm that I have learned means he is beginning to get
angry, "an electrical fire."

Pausing at the foot of the stairs, I peered through the
smoke, memorizing the cellar layout in case it should
suddenly get too thick to see: to my right and behind me
were the furnace, the old coal bin, the fuel drums, and
about sixty square feet of clear floor space; the gun box
was in the far corner, unthreatened--so far--by the
flames. Directly ahead was a low, brick archway leading
to the crawl-space under the storeroom, and to my left, a
dozen or so feet from the stairs where I stood, were two
closed wooden doors behind which lay another stair;
it led up to the metal Bilco doors that opened onto the
back yard.

I swung the flashlight I'd grabbed from the hall shelf
into the coal bin, where the electric lights didn't reach.
No dog.

"Monday!" No answering whimper, no click of
canine nails on old concrete. All I could see, through the
despairing lens of my mind's eye, was a black, motionless
heap huddled against a stone foundation scarred by her
scratching to get out.

"Huh," Wade said, lifting his head at a minute shift in
air movement, sniffing it. Smoke ceased flowing from the
crude, cavelike entry into the crawl-space under the spare
room, and began flowing in the other direction; I could
breathe without coughing.

A jolt of hope bolstered me, but when Wade saw my
face he shook his head.

"Got a draft going through that hole George chopped
in the roof, like a chimney. They don't get enough water
in, she'll go fast, now."


Something heavy crashed into the crawl-space in a
shower of sparks. Flame brightened its interior: earthen
floor, crumbling stonework, a broken wooden shutter
somebody had shoved in there.

"We'd better get a move on," Wade said. "She flashes
over, we could get cooked." He started around the
cellar's perimeter.

"Maybe I should look upstairs again." I had, I realized,
only Sam's report of hearing Monday in the basement.
Maybe she wasn't down here at all.

"No." He said it flatly, from the corner where the coal
chute used to be, and where those disastrously full fuel-oil
drums stood waiting. "No fire escapes, remember. No
one's going up there. If it flashes on the first floor, you'd
have no way out."

He came back to the cellar steps. "I'm sorry, Jacobia,
but she isn't here. If she's upstairs, she might still make it
out, but I think maybe she went..."

He pointed at the blazing crawl-space, now an inferno
nothing could survive. "In there," he finished.

Another crash, louder. Shouts from outside.

"Listen," he said, taking my arm, "we'd better get
out, now. It could--"

Monday's puppy face loomed up in my merciless
memory, her cold nose bumping my elbow as she pressed
inconveniently in for the attention she adored. Oh, I
thought at her, I'm so sorry.

And then somebody hit me with, it seemed, an enormous
flaming sledgehammer as the crawl-space flashed
over with a whooshing thump! and a bulging bomb of
flames exploded from the entry into the cellar.

I stumbled back, feeling my nose hairs go crisp with
the sudden rush of heat.

"Damn." Wade's voice. We were cut off from the
stairway, backed into the corner by the fuse box and the
pipe juncture, where the water was routed to the washing
machine or to the hose in the backyard. A few yards
away, the Bisley's lockbox hung silently on the wall
where Wade had bolted it; once the heat got there, the
ammunition closed inside it would begin exploding.


The water pipes a foot from my nose reminded me of
something else: the hose, I realized bitterly, that I had
forgotten to bring indoors last fall. If only I had it now;
instead it was lying out in the yard, half-covered in slush,
probably still frozen solid.

"Come on," Wade said, and his voice was so calm
that it almost sounded dead. "Maybe the Bilco doors."

Flames shot from the crawl-space like orange tongues
licking out from the doorway of a furnace. A half-dozen
steps from the crawl-space entry, wooden steps led up to
the metal Bilco doors that would let us out into the backyard.
Or--would they? Had I unlocked the Bilco doors
as George had reminded me?

No. My mind had been in a hundred different places,
and I had forgotten about the men who would be
bringing down the gravel. We were locked in, I was horribly
sure of it, but I kept silent about it. Maybe I was
wrong; maybe I'd unlocked them without thinking.

Or some other miracle would happen. Wade rattled
the slide latch on the wooden door leading to the Bilco
hatch. It moved open easily, but now the wooden door
was jammed in the frame.
I'd stopped fixing things like that long ago; the house
settled this way, and then it settled that way, so if you
waited long enough jammed doors opened up again,
saving a lot of trouble.

Except, unfortunately, for the trouble we were in now.

Wade hurled his body once, hard, against the door,
and tore the splintered pieces of wood back, revealing
Monday's body behind them, limp and suffocated, a soft
boneless bundle of black fur as I lifted her and wept into
her warm neck, while ahead of me Wade shoved against
the Bilco doors.

Which opened at once. Air poured past me, sucking the
flames momentarily out of the crawl-space. And even as I
scrambled away from them up the hatch steps, I knew:
I had not remembered to unlock that Bilco door. It
was open because someone had gone into the house,
found my ring of utility keys, and opened it. Then whoever
it was had gone back inside, started the fire, and
gone out the Bilco doors--slamming the wooden hatchway
door in haste, so that it had jammed--to avoid
being seen from the street.


I knew it as clearly as if I had seen it: Monday was
there because she had tried to follow. After all, when you
have just committed arson, it will hardly do to have the
victims' dog following you around, frisking and begging
for biscuits. Poor Monday hadn't had a chance.

But I still did. "Here," I said, shoving her into Wade's
arms. "I'll be right back."

"Jacobia," he began patiently, but I was beyond reason.

Those water pipes were ready to go kablooie, just as
George had warned. All they needed was a little help.

The fire had retreated back into the crawl-space again,
like a dragon retreating to catch its breath. I reached up
and cranked off the water main valve; moments later and
the handle would have been too hot to touch. Predictably,
the valve began dripping as the packing inside
it, compressed but too ancient to seal, failed to close.
Then I cranked it on, again.

Nothing happened.

"Tell them to turn off the hoses," I yelled up the
hatch.
George Valentine's face appeared in the hatchway. He
looked at me, at the main valve, and at the pipes snaking
all around the ceiling.

"The fire hoses are lowering the pressure," I yelled
at him.

His face lit with understanding. Moments later, I
heard the hoses stop.

I cranked the main valve off hard, waited, and twisted
it back on again just as fast as I could.

There was a little thunk! from inside it, as I did it. Water
began spewing merrily from half a dozen pipe joints, and
then from a dozen more: soaking the cellar steps, cascading
down the brickwork over the crawl-space entry, pouring
in over the window wells and puddling in the concrete
depression where the coal furnace used to hunker.


The dripping from the main valve slowed as the hoses
went back on, but I was pretty sure that didn't matter,
anymore. The first rule of amateur plumbing is that
water prefers to flow along the outsides of pipes, and will
do so whenever it can.

Upstairs, water trickled and dribbled and splashed, as
if a team of rainmakers had gone to work inside all the
plaster walls. Under other circumstances such a flood
would have been a disaster, but at that moment I was
delighted to know that I would have to replace every
ceiling in the house.

The reason being that, as plumbing per se, old plumbing
is decidedly unsatisfactory, but when handled with the
proper amount of creativity--such as for instance the
kind that will make it go kablooie--it makes one hell of
an effective sprinkler system.


39



"Mom!" Sam sat in the back seat of Arnold's squad car.
Beside him sat Monday, alive and observing the proceedings
with apparent interest, albeit a little blearily.


I scrambled into the squad car on the other side of her
and threw my arm around her, and she let her head fall
into my lap with a low, exhausted wuff, sighed deeply,
and closed her eyes.

"One of the guys from the ambulance gave her some
oxygen and did CPR on her," Sam said. He looked worse
than the dog, his eyes huge and dark-ringed, lips bloodless
and his cuticles bitten raw. "And she woke up!"

Monday's tail thumped once in appreciation for the
story, and she sneezed.
"Then she threw up a lot," he added, "and walked
around in circles for a while. I think we'd better be pretty
nice to her." He stroked her coat, which was dirty and
dull with smoke, and she shifted comfortably under
his hand.


"Oh, you bet we will." I put my face against her soft,
smooth ear, thinking that if the house had burned flat to
the ground, leaving me only what I had here with me in
the squad car, I'd have been okay. "We're all going to be
nice to each other for a while."

The guys had finally gotten the fire under control; now
they were hosing water onto the embers. Steam rose from
the hole George had chopped in the roof of the storage
room.

"Mom?" Sam eyed the house. "With the pipes busted,
and the smoke and all, are we going to be able to stay
here tonight?"

"Tell you what," I said, "you go and stay with Tommy
Daigle tonight, prize fights or no prize fights, and I'll
camp out in the house. Maybe by tomorrow, George can
get some of the water rigged back up, and once we get
the smoke aired out of the place, it won't be so bad."

Wade came and crouched by the open car door, seeing
how we were doing. The look that had been in his eyes
on the porch came back to me, with a little rush of happiness.
As you may have noticed, it is not always easy to
know how Wade feels.

But now I did.

"Hey," he said, ruffling Sam's hair, and Sam grinned,
tolerating it.

"Fire guys want to recruit you," Wade said affectionately
to me. "Soon as they can get a rubber coat and
some boots your size, they're gonna teach you to go up a
ladder. Seeing," he added pointedly, "as you are already
so familiar with high places."

"Very funny," I said, ignoring his reference to my
adventure with Bobby Taylor; probably it was all over
town, by now. "I can't believe it didn't burn through the
kitchen wall. There wasn't a thing stopping it."

Sooty and exhausted, George heard my comment and
paused. "Uh, well, I guess I know why."
He pulled his cap off, wiped his hand across his head.
"All that asbestos I pulled out of your cellar, when you
first moved here?"


He eyed me guiltily. "Well, I was stuck for a place to
put it. And you were having that kitchen wall shored up
at the time, pulling the old plaster down and all?"

I nodded. Picking centuries-old plaster dust out of
the butter dish was just one of the charming mental
images I retained from that project; another was George,
suited up like an astronaut to remove the hazardous
substance.

"Well," George said, kicking a muddy spot with the
toe of his boot. "I figured, what's the harm? Even though
I know it is against the rules," he added shamefacedly,
"and if you tell anyone I could lose my asbestos contractor's
license. The fact is, I stuck all that asbestos in
the wall, sealed it in there real solid so none of the particles
could get out, before the wallboard went up. And I
guess it stopped the fire just long enough for you to get
that water going."

He pulled his asthma inhaler out of his pocket and
sucked on it, waited for it to take effect, then took out
another and pulled on that one, too, before tucking them
both away again.

"It's still," he added, "sealed in there; I checked.
Damn, that smoke. I can't believe anybody breathes
smoke on purpose."

"Thanks, George," I said, "for braving it. I appreciate
it."

His lip twitched minimally, in the downeast Maine
version of a broad grin. Then he tromped through the
mud to where the other men were hauling the hoses up,
tossing gear back onto the truck.

"Stay with me tonight?" Wade invited. "I mean, over
at my place. You could pack a bag, come back and get
going on all this in the morning."

On the cleanup, he meant, and the repairs. My insurance
company would have to be notified, and an adjuster
sent out, and after that a ton of phone calls would have
to be made. I'd been hoping to pull back on the house-
repair expenditures for a while, but now I thought I
might as well just nail the checkbook to the back porch,
and let people write their own.


And of course I would have to go and have a talk with
Bob Arnold, arson investigation being another of the
tasks on my to-do list, but not one that I could accomplish
myself.

"Thanks. I'd better stick around here, keep an eye on
things. You going out?" I hadn't missed the switch from
"with me" to "at my place."

He nodded. "Boat goes in half an hour. Back late. I
could get somebody else to go."

"Forget it." At a couple of thousand dollars per trip,
turning work down cost Wade big money, and the ships
weren't always as plentiful as they were right now.

"I'll be okay," I said. "Besides, I wouldn't be very
good company."

Wade leaned into the car and put his arms around
Sam and me. Monday lifted her head, smiling weakly,
her tongue lolling.

"You are always good company," he said. "And you
were great in there." He pressed his rough cheek to mine.
"See you tomorrow."

And then he was gone.

"He never kisses you in front of me," Sam observed
quietly. Monday put her head back down on my lap with
an expressive sigh.

"I know," I said. "He's careful about it. I think he
doesn't want to make you feel funny. About him and me,
I mean."

Sam watched Wade striding off toward the harbor, a
big man with a duffel bag slung over his shoulder. From
a distance, he didn't look like anything special, just
another downeast Maine guy going to his job, happy to
have the work. A regular guy.

"I don't," Sam said thoughtfully, "feel funny."


40



It's not so bad, I told myself as I went through the house,
and objectively I suppose it wasn't: lots of wet behind the
wallpaper, loosening it; plenty of ceiling plaster sagging
down. But the house itself remained standing, looking
out through the trees over the harbor as it had for nearly
two centuries. I was not the first weeping woman who
had moved through its rooms, nor would I be the last.


At first I thought I would try to create a small outpost:
a chair, a lamp, the coffee-maker, set up in the dining
room where the fireplace still worked and the damage
seemed least horrifying.

But gradually and against my own wishes I knew I
couldn't stay. There were blankets in the cedar chest
upstairs where the smoke had not seeped in, but no
water to make coffee or bathe in, or even for Monday to
drink, and the electricity was probably not safe. Nor was
I sure that, as I slept, a hot spot wouldn't flare up in the
storeroom.

Those smoke detectors, I remembered with another
throb of pointless anger. Somebody had removed the
batteries.

Thinking this, I put down some of the items I had
taken from the cedar chest, including an old Teddy bear
of Sam's that I had put away as a keepsake, and that
Monday seized upon immediately. She glanced at me to
see if I would take it away from her, but I didn't have the
heart to.

"Go on, you can have it," I told her, my voice
sounding small in the big old smoke-stinking house, and
she trotted off under the dining room table with it, circling
twice before lying down with her chin propped on
the bear's red ribbon necktie.

Which left me standing there holding a blue lace-trimmed
baby pillow, a crocheted rattle with a couple of
jingle bells in it, and a satin-covered baby book containing
newborn Sam's first footprint and a lock of his hair. Also
taped into it was the blue-bead baby bracelet that the
nurses had put on him at the hospital, and that he had
been wearing when he and I went home in a taxi, my ex-
husband being busy excising a pituitary tumor at the time.


A knock on the soot-smeared back door startled me. It
was Bob Arnold, looking as if he thought I might give
him an argument. "You can't stay here," he began, and I
put my hand up to stop him.

"I know. It's too awful. Besides, a night at the Motel
East might be just what the doctor ordered: a big, clean
bed, modern plumbing, and complete silence."

"Well. I'm glad you're seeing reason. I really just
stopped by to make sure you were okay." He gazed
unhappily at the damage.

"Nina's new house-guest is a likely looking fellow," I
said deliberately.

"Yeah, he is," Arnold replied, not missing anything.

"Think you could put a word in with the immigration
fellows? Just ask them to do a quiet checkup?"

Arnold nodded. "You and Bobby Taylor had a little
high-flying excitement, over to the Heddlepenny House
earlier today, too."

"That's right. There's a lot more than meets the eye
going on here, Arnold."

"Oh, it meets the eye," he said. "Don't worry about
that."
The fire, I thought, had put us on the same page at
last, the message being that someone had matters
arranged just the way they liked them, with McIlwaine
dead and Ellie in jail for the crime, and then I had stuck
my nose in.

"And there was the note," I said. "The threatening
note."

I got it from my bag and showed it to him. "Before
this happened, I might have agreed it was just some
prank. But this--"

He looked at a heap of sodden plaster that had fallen
from the hall ceiling, directly under the upstairs bathroom.

"Right. This was no prank. None of it is. What a
mess," he said, and I knew he was longing for the days
when he could jolly a couple of rowdy guys into the
squad car and drive them home.


"I'm sorry, Jacobia. I wish I could do more about all
this. I'm not ignoring any of it, or sittin' around on my
hind end doing nothing, either. But--"

He spread his hands. "Nothing that's happened would
make a rat's ass worth of difference to that Clarissa Dow
woman."

"But what about this?" I waved my arms, to indicate
all the fire destruction. "This didn't just happen by itself."

"I know. But if there was evidence of arson, it's probably
burnt now. And arson's got to be proved--it's not
enough for you to have a suspicion, or me, either. On top
of which, this state's got one fire marshall, seven inspectors.
For," he added meaningfully, "the whole state."
I gripped Sam's baby book. "So she's not going to
draw the obvious conclusion? That someone did this to
discourage me from trying to clear Ellie?"

He shook his head. "I've been spending a lot of time
with Clarissa, trying to get her to see reason, but I tell
you, she's about as useless as a rubber clam hoe. Stuff
that happened before this, your flat tires and so on, I get
the impression she thinks you might have done 'em all
yourself, shift suspicion away from Ellie. And this, she'll
say it was just some old wires, or something. Because for
one thing, how are people getting into your house?"

On Wade's advice, I had begun locking my doors, and
this question had troubled me, also. But the locks on my
doors are as unreliable as most of the other fixtures. Lots
of times, just rattling the knob will let you in.

Now at my look of outrage, Arnold spread his hands.
"Yeah, yeah. I know. Half the time, I feel like pushing
old Clarissa off the end of the dock."

And the other half? I wanted to ask. Something in his
voice sounded funny to me, as if Clarissa Dow were
occupying more of his thoughts than he liked. But I
understood what he meant.

"I know, Arnold. It's different here, that's all," I said.
"You can't even fault her for not seeing it, really. She's
used to the city."


"Yeah. Takes a while, I guess. I mean, to figure out
that when something happens here, it actually means
something, 'stead of just being background noise."
I felt a burst of affection for Arnold, for his being able
to put it so clearly that way. In Eastport if someone
shouts, odds are they are shouting at you, and wanting
pretty urgently for you to do something about it. In more
populous places, god forbid you should get involved, but
in Eastport, you are already involved.

"Anyway," Arnold said, "couple of things. Alvin
White asked me, could I try to find someone to stay in his
house for a night or so. He says Hedda's all bent out of
shape about the fire, scared to hell their place is going to
be next. She's a handful, that Hedda. And since you're
kind of stuck for tonight ..."

And I had promised Ellie. Still, the thought made me
quail.

"Oh, Arnold. Can't I just hire her a practical nurse?
Or a lion tamer from a zoo somewhere?"

Arnold chuckled. "Yeah, a whip and a chair is about
the right equipment. But you know how Hedda is with
strangers."

"She's nicer to strangers than she is to people she
knows," I retorted, thinking of Janet Fox.

"Alvin doesn't want Janet, anymore." Arnold dismissed
my next suggestion before I could offer it.
"Wouldn't say why, but he was firm on that. Old boy
needs a hand, though, Jacobia. He looks frazzled."

"Oh, all right," I relented. After all, I'd had a house
fire and nearly gotten my neck broken, and now that my
evening would be occupied with Hedda, at least things
couldn't get any worse.

"Thanks, Jacobia," Arnold said, heading out. "Oh,
and one other thing I meant to tell you."

He paused at the door. "There was a fellow downtown,
a guy from away, asking about you. What with the
fire and all, it kind of slipped my mind."
"Really? What kind of a guy?"


Arnold shrugged. "Don't know. Didn't see him,
myself. All I know is, he was looking for you. Pretty girl
with him, and he was driving a yellow sports car."

I began to have an awful suspicion, which Arnold
confirmed.

"What I heard," Arnold said over his shoulder as he
went down the back steps, "this fellow, he says he's your
ex-husband."


41



As I hurried into the Baywatch Cafe, I could already
hear my ex-husband's voice, loud and dripping with
self-importance.


"Of course, the people around her are almost all dirt-poor,"
he said, "so you can't expect much sophistication.
Salt of the earth folks, though. Best place in the world to
raise children."

Which was interesting to me, since I'd had to fight
tooth and nail to get him to let me bring Sam here, and
what he knew about raising children he could have fit
into his martini olive.

The part about their being poor and unsophisticated
was also fascinating, I could tell, to the local people who
were having a drink at the bar or enjoying an early
supper.

There was Watty Castleman, who had retired from a
career as a special collections curator at an art museum
in San Francisco, and Franklin Durang, until recently
first oboe with the Boston Pops. Across the room I
spotted a trio of performance artists who had rented a
house on Harris Point for the winter, and the members of
the musical group Border Crossing, fortifying themselves
with broiled salmon and butternut ale before a sold-out
concert tonight at the Eastport Arts Center.

Of course, there were also tradesmen and fishermen,
workers from the aquaculture outfit, a tableful of blue-
haired ladies in subdued silk dresses, and a scattering of
fellows whose employment I would classify as uncertain;
several of them had helped put out my house fire.


My ex-husband took another sip of his martini. He
was a commanding-looking fellow with thick, black hair
now gradually acquiring some salt-and-pepper, a strong,
patrician profile, and the eyes of an experienced riverboat
gambler, the kind who always knew the odds, and
the cards, and what he intended to do about it.

The girl sitting across from him was drinking, it
looked to me, a cherry soda, but that may have been
merely my perception of the drink appropriate for a child
her age. I crossed the dining room to their table.

"Jake!" my ex-husband exclaimed when he saw me.
"This is great, we were just about to go back out looking
for you. Where are the street signs in this town, anyway?
Locals been using them to patch their roofs up, again?"

People in Eastport used shingles like everyone else.
The girl sat silently, waiting to be introduced.

"Tiff," my ex-husband said when he had finished
being amused at his own joke, "this is my ex-wife; Jake
Tiptree, this is Tiffany Emmerling. Tiffany teaches
learning-disabled kids at the hospital clinic."

Tiffany smiled, and put her cool hand in mine. She
was very beautiful: corn-silk hair, wide, blue eyes, and
flawless skin.

"How do you do," she said. "It's kind of you to have
invited us."

"You know, Tiffany," I told her, glancing at my ex-husband,
"I think that if I were you, I'd go order a real
drink. A double, even."

The perfect little click of comprehension that occurred
in her blue eyes, accompanied by a widening smile of
such radiant gorgeousness that it nearly knocked me
backward, told me that this time, my ex-husband had
hooked a smart one.

Although of course she had already spent eight hours
in a car with him, so it wasn't all my doing. "What a
good idea," Tiffany said. "I think I'll go get it, now." She
rose with alacrity.


"But Tiff, you don't drink," said my ex-husband.

"You've known me one month. Don't tell me what I
do and don't do, all right?" she requested sweetly,
putting her hand on his shoulder briefly as she departed.

"What was that all about?" my ex-husband demanded
to know when Tiffany had left the table, and he had gotten
his eyes popped back into his head. She wore a green cashmere
sweater and beige tailored slacks, and watching her
cross a room was an education in fluid dynamics.

"She's never argued with me before." He frowned
accusingly at me.

"She's road-weary," I told him, sitting down across
from him unasked. "You shouldn't put so many miles on
them, right off the bat. You were supposed to come," I
added, "next weekend."

"No, I wasn't." Bang; his reflexive denial was as reliable
as a light switch. "You must have gotten it wrong."

Edna, the afternoon cocktail waitress at the Baywatch,
put a glass of cold white wine in front of me. She was a
motherly-looking woman with a thick shock of short,
iron-grey hair, and the warm glance she gave me as she
went away did me a world of good.

My ex-husband frowned at the wine; how had that
happened? He didn't like things occurring without his
understanding them. Then he decided how he could
twist it.

"Come here a lot, do you?" he smirked, meaning that
I made a habit of hanging out in bars, leaving Sam to
fend for himself, and so of course the bartenders would
know what I drank.

I didn't tell him that if he came in here again next
year, which I fervently hoped that he would not, Edna
would bring him a martini with three olives in it without
his having to ask.
"But it doesn't matter," I went on, ignoring his nastiness,
"who got it wrong, because I have nowhere to put
you. I had a fire at my house today, and things are a mess."
"Well, how did you do that?" he wanted to know
immediately. "Jacobia had a house fire," he added in
injured tones to Tiffany when she returned.


"Oh, I'm sorry," she said, putting her drink down.
"Are you all right? Is your son all right?"

"We're fine. Thanks for asking. But I was just saying,"
I went on, "that I'm terribly sorry, but you'll have to stay
at the motel, or at one of the little bed-and-breakfasts
here in town."

I sipped my wine. "They're really very charming, I
think you would enjoy them," I added, contemplating
pleasantly the idea of my ex-husband trapped with his
nubile honey in a room whose walls were about as
soundproof as your average hanging bedsheet.

"You could probably," I said to Tiffany, ignoring his
scowl, "still get a room at one of them for tonight."

"Oh, wouldn't that be fun!" she said, turning to him
eagerly. "Or maybe," she added, catching sight of his
expression, "not."

The look on her own face was one of amusement, I
saw with what I identified after a moment as relief; I was
getting to like Tiffany, and I didn't want her to have a
bad time.

"The Motel East is comfortable," I said, taking pity
on him for her sake. "And there's hardly anybody there
this time of year. It's quiet here, in winter."

She looked out at the water. At five in the afternoon it
was getting on for dusk; Campobello Island showed
sketchily through a hanging grey fog, in minimally connected
black ink-strokes.
"I think it's beautiful," she said, and I got up before
my ex-husband could react to any more of her attention
being stolen from him.

"I don't suppose Sam's around." He glowered at his
martini. "Our plans have changed. We're leaving tomorrow,
for Prince Edward Island."

"Well, he was expecting you next week." I tried to say
this gently, but I could see that it roused his are even more.
Of course I did not add that next week would have been
vastly more troublesome; on the order, in fact, of World
War III. Nor did I bring up the notion that his sudden
change of plan might inconvenience me; my ex-husband
leaving earlier is always better than his leaving later.


"But maybe you could see him tonight. He's staying
over with a friend on account of the fire, but you could
take him out for dinner."

This more than anything had been my purpose for
coming here. If Sam saw his father tonight, and if he
didn't spill the beans about the boat-school trip, we
might yet get through this visit without any fireworks.

"No," said my ex-husband decisively, "that's inconvenient.
We have our own plans, tonight. But there's something
in the trunk of my car for him. Take it and tell him
I'll see him later if I can."

Tiffany appeared to be studying a painting on the wall
of the Baywatch. It was one of Derek's, and she seemed
intrigued by the flat planes and unexpected splashes of
color that somehow captured the essence of the town,
without pretending to be photographic. She was, I calculated,
about seven years older than Sam.
I got up. "It was nice to meet you, Tiffany."

What in the world were you thinking, I wanted to ask
her, but of course I knew; my ex-husband exudes killer
charm when he wants to. It is only when he has you in
his clutches--for instance, when you are stuck in a
remote Maine village with only his little sports car to get
you back home again, unless you are actually desperate
enough to start reading bus schedules--that you begin
remembering the old rhyme about the spider and the fly.

"Tell Sam I'm sorry I missed him," my ex-husband said.

For his part, all he wanted at this point was to get rid
of me. I wasn't going to give him a bed, cook him a meal,
or provide any of the other domestic services he'd been
expecting, so my presence was superfluous, and as for
Sam, well, Sam would have to take what he could get.

"Tell him," my ex-husband said, "I'll catch him next
time."

"Right. If it's convenient."
He ignored this, waving for another drink, looking
around in annoyance to try signaling Edna with one of
the brisk, imperious gestures that worked so well for him
in the operating room. Soon he would start snapping his
fingers, and then he wouldn't be able to get so much as a
glass of water in this place except possibly by lighting
himself on fire.


I got out of there.


42



The walk home was chilly and depressing, through a
thin, salt-tasting rain that haloed the streetlights and
made my bones feel creaky and old. Seeing my house,
forlorn and miserable-looking in the sodium glow, didn't
help any, and knowing that I wouldn't be able to stay
there was the worst thing of all. Promise or no, the idea
of spending a night under the same roof as Hedda White
made me feel like Daniel, contemplating the lions' den.


Under my arm was the package from my ex-husband's
car trunk. The box said that it was a laser-beam level, a
carpentry tool for which Sam had no use whatsoever.
When I got into the sooty, grimy, smoke-smelling house,
I opened and examined the thing.

The directions printed on the box said that when you
pressed a button, the device emitted a pulse of ruby light
that could be spotted over long distances, so that if you
were laying out the floor of a hockey rink or putting the
sewers in a new subdivision, you could get the grading
exactly right.

On a boat, it would be a waste of toolbox space, and
this was so like my ex-husband that I nearly threw
the thing away. He had seen it, and enjoyed the idea of
it--technology!--and having no use for it himself, had
bought it for Sam as a sort of sop, to show how tuned-in
he was to what he imagined were Sam's interests.

On top of which, the laser level was broken. I scanned
the instructions again, noting the large-print warning that
on no account should the beam be directed into someone's
eyes; serious injury or even blindness might result.


Oh, good, I thought; a carpentry tool that can also be
used as a dangerous weapon. Just the thing for a teenaged
boy. But no pressing of buttons produced any light,
injurious or otherwise, nor did putting in a fresh battery
correct the problem.

Still, it was up to Sam to decide the gadget's fate, so I
left it there on the counter, where Sam would see it when
he got home. Monday, who had been all agog when I
came in, caught my mood and sank onto her sleeping-bag
bed--like almost everything else in the house, I realized
with a wave of deep fatigue, it needed a thorough
laundering--and curled her paws over her eyes.

I wanted to curl my paws over my own eyes, too. I
had gotten precisely nowhere with all my running around:
McIlwaine still dead, Ellie still in custody, Nina still
cavorting with her so-called cousin out at Mackerel Cove,
while my own place stood in shambles. Even the mysterious
portrait on the mantel seemed to mock me, the
unknown woman still wearing her soft, inscrutable--and
at the moment infuriating--smile. For an instant, I wanted
to rip her to shreds.

And then sanity kicked in: this, I told myself, would
not do. There was still some hot coffee in the thermos I
had taken along that morning to Heddlepenny House,
and two doughnuts in the bottom of the bag. As a precaution,
George had switched off the power to the house
until it could be checked, but I had the battery radio,
which was playing old Dave Brubeck numbers, and a
flashlight, so I could read the Quoddy Tides.

The Eastport Clam Board, the newspaper said, had
decided to open half of Carryingplace Cove to clamming
instead of only a quarter as originally planned, after the
clammers had gathered to picket in protest of the tighter
restrictions, outside the IGA.

The Passamaquoddy Water District announced that
the pump at the treatment plant had broken down, but
the fire department had lent them their old diesel pumper,
so no interruption in service was expected; repairs would
be complete in about a week.


Finally, the Eastport police log for the previous fourteen
days--not including the murder; the Tides is biweekly,
and went to press before that--listed seven
minors possessing tobacco, two complaints of loud
music, one unregistered motor vehicle, and a fist-fight In
the latter, the combatants were lectured by Eastport
Police Chief Bob Arnold and afterwards required to
shake hands, and no arrests were deemed necessary.

And this, I have to report, did cheer me more than
somewhat: ordinary life, going on in its ordinary way,
a perception that doughnuts and coffee did nothing
to dull. So that by the time the kennel lady came by to
get Monday and take away her for a holiday--I might
have to stay at the Whites' house myself, but there was
no way I was going to put Monday through it--I felt
better.

Monday frisked with excitement at the prospect of an
outing. She was fully recovered now, rowdying around,
begging for biscuits and flashing her pink-tongued, irrepressible
grin, and I sent her off feeling happy that she
at least would have a good time. Eastport's kennel,
located on three fenced acres overlooking the cove at
Kendall's Head, is the canine equivalent of Club Med.
But when she was gone, discouragement washed over me
again.

If Ellie were here, she would be moving around the
house with crisp efficiency: vetoing my overnight-bag
decisions, criticizing my toiletry choices, and generally
leavening her assistance with dry, downeast commentary
on everything from the weather to the organization (or
lack thereof) of my underwear drawer.

I missed her dreadfully, and when I reached the Whites'
house it was clear that Alvin missed her, too. He looked
worn and haggard, his hand trembling as he let me in.

I pressed past him and he closed the door hurriedly as
if against a rush of reporters, unaware, apparently, that
they no longer swarmed outside. Too bad, I thought, that
they hadn't been around to get film of Nina, sputtering in
a mud puddle.


Shaking his head in dismay, Alvin turned the deadbolt.
"Thank you for coming, Jacobia," he said.

"Who's that?" Hedda demanded from upstairs.
"Who's there?" she cried in a voice that sounded dangerously
on the edge of hysteria, and I saw Alvin flinch as
her cane thumped insistently on the floor above.

"In fine form," I observed, putting my things down.

"Oh, yes." He managed a smile, his voice a thready
quaver. "She's vigorous. As always."

He shuffled away from me into the parlor. I had never
seen him shuffle before, nor his shoulders slump beneath
the rumpled pullover that he wore in place of his usual
crisp shirting. He seemed on the edge of exhaustion,
which puzzled me--Janet Fox had been here for at least
part of the day--as did the reek of burnt vegetables emanating
from the kitchen. But a quick glance through the
pantry told the tale:

In the kitchen, the sink was heaped with unwashed
pots and plates, the stove crusted in spilled food, and the
trash bin overflowing. Opened cans, frozen pizza wrappings,
and an emptied bourbon bottle littered the counter.
Janet's duties, it seemed, consisted of helping Hedda
ingest junk food and booze.

"Nurse!" Hedda yelled from upstairs. "Help, murder,
police!"

"I'm so sorry," Alvin said, appearing behind me.

"Alvin, has Janet been giving Hedda drugs?" Of
course she had; she'd said so in the craft shop, but this
sounded much more serious than half a Valium tablet.

Alvin's eyes filled with tears. "I don't know what to
do. Hedda was all right until a little while ago. Well," he
amended, "she was drunk. But now she's--"

"Help! They're killing me!"

Alvin began to weep. "I'm so ashamed. I don't want
anyone to see ..."
He sobbed helplessly. "We're too old for this, Jacobia.
And without Ellie to help us, we're just falling apart."


I had seen it before in elderly clients: they were fine
until some big stress came along, but when it did, it ate
up more than their financial reserves. An accident, an illness,
or some other change in their routine suddenly
gobbled up the last of their energy. Still, the change in
Alvin was shocking.

"Alvin, believe me, this isn't your fault. Now, I want
you to find all the prescription bottles you can, and bring
them to me."

"Whenever I start to clean up," he went on, not hearing
me, "Hedda needs something, but then I can't seem
to do the right thing for her, either. It's awful, realizing
you can't take care of yourself anymore. And I'm so worried
about Ellie."

He was past being able to help me, or anyone. "Okay,
Alvin," I said. "You go sit down. Everything is going to
be okay."

I thought about calling an ambulance, getting Hedda
out of the house and into the hospital in Calais for the
night, if only to get Alvin some rest. But that would only
upset Alvin further.

"Alvin, I want you to stay right there in that chair."

" 'Don't you move,' " he quoted, with the heartbreaking
ghost of an Alvinish smile, " 'a god damned
inch.' "

I wanted to ask him why McIlwaine had paid him
all that money. I wanted to grab him and shake him,
make him tell me the whole truth. But he looked so
fragile and careworn, I just didn't have the heart to, and
besides, there was nothing I could do about it now,
anyway.

Tomorrow, I thought. Tomorrow morning will be
time enough.

That's what I thought.

Alvin's smile vanished, and when he spoke next I
couldn't be sure if he was quoting or merely reporting.
"I tell you, Jacobia," he said, "my day's just been one
long fizzle from beginning to end."
Mine, too.



43



"Pearl-handled revolver," Hedda muttered.


It was almost midnight, and outside Hedda's window,
the fog billowed up from the waterfront in thickening
waves, urged along by the foghorns in the murky night.

"I don't see why any of this is necessary," Hedda
slurred.

"Because you weren't feeling well. Some of the pills
you took reacted badly together, and the bourbon didn't
help any, either."

Hedda's sour expression, as I adjusted her pillow and
pulled the shade behind her head, showed her opinion of
that diagnosis.

"Janet gave me the pills. Janet lets me drink." She
glanced hopefully at her water glass, which she had kept
emptying all evening and I had continued refilling.

I'd called her doctor in Machias, who suggested that I
watch her carefully, and wash some of the pills out of her
system with plenty of fluids. If her condition changed, he
said, I should call him and he would come up right away,
but so far his suggestions seemed to be working: Hedda
was less crazy. Meanwhile from various caches around
the house I'd collected enough little orange bottles to
stock a pharmacy, for drugs prescribed for Janet by a
variety of physicians in Chicago and New York.

"Janet," I said, "is a fool."

She was also something of a con artist, it seemed. I'd
have bet money that all those doctors in Chicago were
not aware of one another. Janet's trips hadn't only been
to find her lost birth mother. They were also, apparently,
to feed a narcotics habit. No wonder she was so flat and
affectless; Janet was chronically sedated.
Hedda's eyes, bright and birdlike, glittered with dislike,
but her pupils had shrunk to their normal size and
her speech was not as slurred as it had been. I'd put Alvin
to bed on the sofa in the downstairs parlor, giving him
half of one of the sedatives Janet dispensed as liberally as
Halloween candies.

"I'm going . . ." Hedda began, lurching up determinedly.

I stood over her. "You're going nowhere except
maybe to the bathroom and back."

Fortunately, she could do that on her own, although by
the third or fourth trip I'd given in and started helping her
get her legs back up onto the bed, pulling the blanket up
over the scars that crisscrossed her ankles and climbed up
her lower legs. Even after thirty years, there was no mistaking
the devastation that long-ago attack had wreaked
upon her, the marks sharp and ugly as old barbed wire.

I thought again about what Jemmy had told me: that
McIlwaine was behind the attack.

"Bastards," she spat when she saw me looking at the
scars. "Ruined my life." Snatching the blanket, yanking
it over herself, she'd winced at the pain in her arthritic
hands, her fingers so swollen and misshapen with the disease
that she could barely hold her water glass.

"Damn it, I need something," she'd complained.

"I know, Hedda." Her usual arthritis medicine, a mixture
of aspirin and codeine, was in my pocket. "But I
can't give you any pills until I'm sure the mess of stuff
Janet gave you has gotten out of your system."

By that point, I really did feel sorry for her. One side
effect of Janet's unorthodox medication scheme was that
Hedda had been relatively pain-free for a couple of days.
But her doctor had warned me against putting anything
on top of the mixture she already had on board. He
would come if I needed him, he'd repeated, but he
expected that Hedda would probably sleep it off.

"And if I have to tie you into that bed to make sure
that's what happens, that's what I'll do," I assured her
sternly.
Hedda gave me a glare that could have curdled milk,
then settled back at last in defeat, her eyelids lowering
slowly like heavy crepe draperies. Gradually her harsh
breathing subsided into the regular rhythms of sleep, and
after a while I knew that it was safe to leave her.


From the top of the hall stairs I could hear Alvin
snoring softly, too, the sound reassuring because I had
felt nervous over giving him the sedative. But it seemed
to have done no harm, and with the two old people at
last safely out for the count, I went to the kitchen and
put on a pot of coffee, and turned my attention to the
dishes.

I had cleared away the trash, scrubbed out the crusted
pots, and gotten the plates and silver stowed into the
dishwasher when a tap came on the back door. My first
thought was that it was some lingering reporter, but
when I turned the back porch light on and peered cautiously
out, it was Clarissa Dow.

I opened the door. By now it was misting steadily, the
sort of thin, penetrating rain that seems to come at you
from all directions. She stood there in a too-large yellow
slicker, soaked shoes, and no hat, her sodden hair plastered
to the sides of her face. But from her expression I
could see that the weather had nothing to do with the
sea-change that had come over Clarissa.

"Can I come in?"

I stepped aside. Her stockings were mud-spattered.
She'd gotten a pair of green rubber chukkas from somewhere,
and at the ends of her slender legs they looked as
big as duck feet.
"So," she said, glancing around the Whites' kitchen,
"how do you make sure you've got all the bones out of
those fish you were cleaning yesterday, anyway?"

I held my hand out for her slicker and her shoulder
bag, and hung them on a hook. "The test is, you cook
the fish and eat it. If you choke, then you missed one."

She laughed, shivering. "Figures. Not a lot of leeway
for beginners around here, is there?" She ran a
cold-reddened hand through her dripping hair.
"Do you want a towel?"


A pause. "Yeah. Thanks, I do. And some of that
coffee, if it isn't too much trouble."

I tossed her a towel from the linen cabinet in the back
hall, then poured her a cup. "So. I guess Arnold must
have told you I was going to be here. To what do I owe
the honor?"

She let out a big breath. "To me screwing up," she
said. "And to you being so stand-up about it."

The surprise must have showed on my face.

"Hey, what can I say, you were right to be stubborn. I
saw Ellie White again, today, and if she's a killer then I
am Imelda Marcos. And her story ..."

She sighed again. "It doesn't work."

"The cleanup factor." That was the sequence-of-events
thing that had kept bothering me--when had Ellie
had time to clean up after the murder?--but in the craziness
of the day it had fallen to the bottom of my bag of
assorted miseries.

"Right." She finished rubbing the water out of her
hair and pushed the damp strands away from her face.

"Everything else worked so well: great motive, all the
blood evidence, her confession. And everybody else in
the house can say where they were, what they were
doing, vouch for one another."

"Even Alvin? Not that I think it's him, but. . ."

Alvin had only told me he was in his office at the
critical time, not that anyone could swear that he was.

"We got the phone records this afternoon," Clarissa
said. "He was on the phone with his insurance company,
trying to cash in an old policy. They record calls from
customers, and he's so deaf on the phone, the call took a
long time."

"So what's the problem?" I asked. "Ellie's the one
who's in custody, and if you don't think she did it..."

"The problem," she replied tiredly, "is that number
one, it's not my call. The judge in district court decided
not to accept her guilty plea."

Toby Alderman had probably tried to call me with
that news, but with the power at my house gone out, my
answering machine was incommunicado, too.

"So now the whole thing goes to superior court. Or,"
she added, "ordinarily that's what's supposed to happen.
But it's the attorney general who decides who gets prosecuted,
not me."

"But don't they take your recommendations? I mean,
isn't that what they send you out here for? And if you
don't believe in her confession--"

"Right again. Usually. But I'm being reassigned.
Tomorrow, I go up north to investigate some guy who
poured gasoline on a house trailer and lit it."

She shook her head. "God, why did I become a
lawyer?"

"Dog catcher jobs all taken?"

She grinned wryly. "Thanks. Anyway, the problem is
this: I told my boss what I thought, that I made a mistake.
It's not so rare, you know, that confessions turn out
to be unreliable. They are almost as unreliable as eyewitnesses,
who almost always turn out to have it wrong."

She looked down at her coffee. "So I told him I
thought this was one of those times, that I thought later
on we were going to get nailed through the foot, if we let
her plead on this. There's something wrong with it."

"Really. And how did that go over?" By now, I
thought I could guess.

"That," Clarissa replied, confirming my suspicion,
"is how I got sent to Aroostook County, where I hear
the gene pool contains approximately three working
chromosomes."

I felt my hackles rise reflexively. "Hey. That's not a
very nice thing to say about people. You don't know anything
about what they're like, up there, so why don't you
take your snotty attitude and go back to where you--"

"Sorry." She held one hand up in a please-stop gesture.

I stopped, but I wasn't finished, and I let her know it
with the look on my face. For all I knew, she might not
even be telling the truth. Maybe this was just some kind
of trick to get useful information out of me.
"Sorry, sorry," she repeated. "I'm such an idiot. I didn't
even mean that. Bad habits die hard, I guess. And stupid
habits. Ignorant ones." She frowned, chastising herself.


I backed off a little; at least she'd apologized. But after
my ex-husband's comments about my friends and neighbors,
I was feeling sensitive.

"Arnold's been taking me out to every clam shack and
lobster house between here and Camden," she went on,
"but I guess fish isn't really brain food. Or maybe," she
finished, "it's too late for me. I've been in the big city too
long."

She fiddled with her coffee spoon. "He says there
might still be hope for me, but maybe he's too nice a guy
to tell me the truth."

Then it hit me, what she'd said and the look on
Arnold's face when he'd talked about her, earlier.
"Arnold's been taking you out?"

"Yeah," she admitted sheepishly. "Working on me.
Trying to soften me up."

"So?" I squinted in mock-assessment at her and she
laughed reluctantly.

"I guess it worked a little bit. He's the one got me to
go see Ellie again, talk to her. That's when I figured out
that for the time frame to work, she'd have definitely
needed help, and there wasn't any. Earlier, I'd thought I
could finesse it, but..."

She suppressed a damp shiver, and drank hot coffee.
"That's the part she got wrong, see. She's specific about
the time she got to your house, and it agrees with what
you said."

"She knew what I would tell you."

"Right. She couldn't lie about that. We also know
what time McIlwaine's wife dropped him off here; she
and Alvin White agreed independently on that. And we
know what time it was when you found him. All
together, that time frame covers about an hour, between
when he arrived and when you found him dead."

"Sounds like a pretty big window of opportunity,
to me."
"But it's not, because she didn't have all that time. He
had to be killed between the time he got there, and the
time you found him at your place, right? But," she went
on without waiting for an answer, "within that time
frame, it turns out there are only about five minutes
during which McIlwaine was in the Whites' house and
Ellie wasn't in yours."


"Well. That is a little better. Two problems, though."

I sat across from her. "George Valentine says wounds
don't bleed much until the weapon comes out. So maybe
there wasn't very much cleanup to do."

I thought a moment. "And second, what if your times
are off? Five minutes one way, five minutes another, now
we've got ten or fifteen minutes total."

"Whose side are you on?" She grinned briefly. "But
yeah, that is exactly the way I'd have started tearing the
thing apart."

She warmed her hands around the coffee mug. "So
okay, let's do that. Give her fifteen minutes. To kill him,
lose him--and by the way, if you'd done it, wouldn't you
have followed him if he got away?--clean up, change
clothes, and get over to your house, cool as a cucumber."

"She did," I agreed, "seem perfectly calm and normal
until I found him. Even then . . . And no, I wouldn't have
let him wander off."

Jemmy Wechsler's comment on that part came back to
me; for an instant I wondered where Jemmy was now.
"Because what if he didn't die? Then he could say who
did it."

"Precisely. And I don't care what George says,"
Clarissa went on. "This wasn't your normal stab wound,
because he was a bleeder, he had chronic headaches and
he ate aspirin for them like candy. And because there was
that preliminary scalp wound. It fluoresced all over the
place. The only reason he didn't bleed at your house was,
by then he didn't have much blood pressure."

I must have looked skeptical. She shivered again, and
some of the feistiness seemed to go out of her.

"Okay, so maybe she's a fast cleaner-upper, she didn't
think of chasing him, and it could have happened the
way she says. It's close enough so that her confession finishes
her off. My point is, now that I've thought it over, I
still don't buy it."


She straightened. "Because look: I can swallow the
part about panicking, leaving the scene for a minute, for
one reason or another. After all, he was supposed to be
dead already. Then she discovers he's gone, mops up as
fast as she can, changes clothes, and zooms out, making
like it never happened. What I don't get, on top of all
that, is taking the ice pick away and then bringing it
back, hours later."

"Fingerprints?"

"Uh-uh. It came from her house, remember? There
were plenty of innocent reasons for her prints to be all
over the weapon."

"Which means?"

"Which means something changed between the time
of the murder and the time you caught her, later, in your
storeroom. Something," she repeated, "happened."

"What," I asked reluctantly, "about George Valentine?"

"That she was covering for him?" Clarissa made a dismissive
face. "I wondered about that. So I asked her. She
said he was up on a ladder the entire time, and if I didn't
believe it, I could ask Bobby Taylor."

Then she caught my expression. "Something funny?"

"Not exactly." The information hit my tired brain
with a thud. Ellie had known all along that George's
whereabouts were accounted for.

"Did you tell her you didn't believe her?" I demanded.
"Did you ask her why she's doing all this?"

"Yep. Whereupon she wouldn't say another syllable."

Which pretty much assured me, if I'd had any doubts,
that Clarissa really had been talking to Ellie, who could
be as silent as her pirate forebears when she wanted to be.

"Okay, back to square one," I said. "Let's say she knew
she had to do something to be sure her confession would
be taken seriously. She meant me to find her. She knew I'd
hear her out there, moving on those creaky floorboards."
"And," Clarissa agreed, "last time I looked, guilty
people didn't need to do that. Stand up and wave red
flags."


"The blood evidence? On her clothes?"

Clarissa shrugged. "Could have been planted, I suppose,
maybe by someone who didn't know she was going
to confess. Or a simpler explanation: she brushed against
it--at your place, or when she went home. Whoever
cleaned up after the attack on him, they were in a hurry,
didn't get it all."

She finished her coffee, got up and poured herself
some more. "I don't have any great ideas about who did
it, only who didn't. But what we're left with, I think, is
somebody getting into the house, someone we haven't
thought of."

"Have you considered Nina McIlwaine?" I went
through the reasons why I still suspected Nina: her
money motive, her marked lack of grief, and what Bobby
Taylor had seen the morning of the murder, not to mention
Can Man's frightened comments.
"And somebody definitely wants my interest discontinued,"
I finished. "She could be the reason behind all
the rotten stuff that's been happening to me--the weird
note, flat tires, the cotter pin on Bobby Taylor's platform,
even the fire at my house. And by the way, I wasn't
doing that stuff myself," I added defensively.

Clarissa's nod was grudging. "Okay, so I was wrong
about that, too. But it's still the same problem: time. If
what you are saying is right--and eyewitnesses have a
way of misremembering things, even sober ones like
Bobby Taylor--Nina wasn't on the scene long enough,
any more than Ellie was. Besides, why would Ellie confess
for Nina?"

Then she paused. "Although," she said, "if Nina had
help, it would be another story. Someone who might also
help her perpetrate the crimes against you. Someone
who's always around, maybe, whose presence wouldn't
really be noticed."
A clear mental picture of Sadie Peltier popped into my
head. But that was ridiculous; she was a child, and however
monstrous a little terror she might be, I couldn't see
her cleaning up a mess of blood, or anyway not without
shouting at the top of her lungs about it, all over the
neighborhood.


Clarissa turned her head, stretching the kinks out of
her neck, and looked out the window, which was dark
and beaded with rain.

"Listen," she said, getting up, "I've got to move, clear
my head, or I'm going to crash out, and I can't afford to.
I get behind the wheel of a car the way I'm feeling, I'll be
roadkill."

She pulled on her slicker. "Don't suppose you feel like
going for a walk?"

I did, actually. A couple of hours with Hedda had
made me feel trapped and smothered; I'd have welcomed
the fresh air. But I didn't want to leave the Whites alone.

Just then, though, Arnold's squad car pulled into the
drive. He made his way up the back steps and beamed at
Clarissa as he came into the kitchen.

"Thought I'd find you here. Just leaving?"

She pulled on her slicker. "Trying to talk Jacobia into
taking a stroll with me, help me get my second wind. But
she's duty bound."

Arnold shrugged, eyeing the coffee pot. "I'll stick
around. I doubt the old folks'll wake up, and if any calls
come in--" he indicated the radio on his belt--"I'll swing
downtown, let you know to come back. How's that?"

"Perfect." I grabbed my jacket.


There isn't much real silence left in the world, but some
of it is in Eastport at night. The snow was all melted and
our feet crunched softly in the sand that the trucks had


spread during the storm as we headed down Key Street
toward the water, past the old Victorian houses looking
ghostly and untenanted in the brackish mist.


"Not," Clarissa observed, "a lot of late-night action."

I smiled at the thought, remembering Manhattan at
this hour. "No. If you needed a cop right now--and you
wouldn't--ordinarily, you'd have to get one out of bed."
She shook her head. "I don't know if I could get used
to it. Even in Portland, there's more ..."

"People," I finished for her. "That's the difference.
More people, more chances mathematically for more of
them to be doing more things, at more hours of the day
and night. Interacting."

She laughed quietly. "That's a nice term for it.
Shooting and stabbing and robbing and fighting."

"We've got some of that. Guys around here pretty
much stick to fists, though. Statistically, I'll bet we've got
one of the lowest real crime rates in the country."

"Right," Clarissa agreed wryly. "Except for the recent
hinge of arson and murder you've been having ..."

"That," I replied a bit defensively, "is a statistical
aberration."

She laughed as we turned onto Water Street, toward
the dock. "You look at everything like that?" she asked.
"In terms of numbers?"

From out on the water, the foghorns hooted steadily.
"Hadn't thought of it that way, but yeah, I guess I do," I
said. "That and money. I've always been interested in
money, on account of growing up not having any. You
might say it focused my attention."

"Uh-huh." She walked in silence for a while. Her
stride was calm and unhurried, not rushed in the anxious
way that the eerie silence of Eastport at night can make
some people. A truly deserted, motionless late-night
street scene is a thing to behold; you keep waiting for the
flicker of movement in the corner of your eye, and when
it doesn't come you can start imagining it.

We crossed to the seawall, and the paved walk along
side it. She was looking for a way to ask, and finally I
decided to make it easy for her.


"My dad was Jake Tiptree, Jr.," I told her simply. "He
went to prison when I was three, for blowing up a townhouse
with eleven of his friends in it. All underground
social activists, like him. I don't think he actually made
the mistake with the explosives," I added, "but he was the
one who survived, so he was the one who got to go to jail."

Clarissa nodded, looking down into the boat basin
where all the fishing boats bobbed gently on the
incoming tide. "I figured there had to be a connection.
It's an unusual name. What happened to you after that?"

Just about anyone with a degree in law enforcement
knows my mother was also in that townhouse, and
Clarissa was no exception.

"I went to live with an aunt and uncle, in Tennessee.
My uncle was an explosives guy, too, for a mining company.
Interest in loud noises ran in the family, I guess.
Unfortunately, he was also a big drinker."

I remembered that for a millisecond, stopped deliberately,
as I always did. "I left there when I was sixteen,
headed for the big city, and that's where I stayed until
about a year ago."

The memory of the Port Authority bus terminal flew
into my mind--the noise, the smell, my fear, the cruising
hustlers on the lookout for girls like me--and I banished
it forcefully.

"I did," I added with considerable understatement, "a
lot of things to stay alive. But finally I got into City College,
got some loans and a part-time job in the accounts
department at St. Vincent's Hospital, and everything just
went on from there."

"Everything including a couple of years as money
advisor for the crookedest, most corrupt bastards the
world has ever known."

I glanced sideways at her. "You do get your homework
done, don't you? I pursued some opportunities,
yeah. Is that what you got me out here to talk about?"


She shook her head as we started out onto the dock.
"Curious, that's all. Wondering if there's some connection
I don't see."


Then I got it. "Like maybe one of my old customers
hired me to get rid of McIlwaine?" I chuckled in spite of
myself.

"What's so funny? People like that don't usually let
their employees retire."

"Right." The dock stretched ahead of us, a wide grey
ribbon leading out into an endless expanse of black.

"And the employees don't usually know as much
as I know, about as many as I know it about, while
being as squeaky-clean as I am. There's no law," I added,
"against giving financial advice to crooks, and I made
sure never to have any material knowledge."

That I could testify about, I meant, and she understood.
I'd made it a condition of my employment, right
from the start, and I had been good enough to be able to
demand it. Otherwise, I would still be working for the
guys with the smiles on their faces and the larceny in
their hearts.

Larceny and worse. We came to the end of the dock.
There's no rail to keep you from going over, just a low
barrier to forestall vehicle mishaps. When Clarissa
walked right up to the edge and peered into the watery
dark, I knew she had made her decision about me.

"So why'd you leave?" she asked, gazing at an isolated
light twinkling mistily across the bay, by the fish
pens near Campobello. "You must have been clearing a
world-class fortune."

"All that darkness," I said, not meaning the water.
"And one little light. It was here and I grabbed for it,
that's all."

She nodded, her face washed pale in the glow of the
dock lamps. "And that's why you're going the distance
for Ellie White? Because you've got yours, and you don't
really think you deserve it?"

I thought about it a second. "Yeah. You could put it
that way. But she does deserve it. An ordinary, happy
life--Ellie's one of the good guys. So if she gets shafted
and I don't, it'll be too . . . uneven. Besides, she's my
friend and I promised. Or does that sound corny?"


Clarissa laughed. "Nope. Antiquated, maybe. Out of
touch, and hopelessly idealistic. But no. It doesn't sound
corny to me."

The rain had stopped. We turned and started walking
back. "I can't shake the idea that somehow she's
directing all this. Ellie, I mean. That she got herself
locked up on purpose, so I'd be on my own. To do--"

"Whatever you end up doing. Like a test. Funny, that
was my feeling when I talked to her."

"Right. But it's more than that. Like I'm supposed to
do it because she can't. So," I went on, "to make sure I
would, she made sure she couldn't. If you follow me."

"Sort of." Back on Water Street, Clarissa turned to
the left and right, taking it all in: the silent storefronts
and brick chimneys, columned posts and ornate cornices,
the boats floating peacefully on the glittering black water
under the dock lamps.

Her car was parked in front of Arnold's office. "I
gotta go," she said. "I'm supposed to be in Caribou in
the morning. We'll see if I make it there, but really, I just
came over to apologize."

She made a wry face. "I came into this town with an
attitude, and got my butt kicked. Poetic justice."

I walked her to the car. "Listen, do you know why the
case is going to the Federal side? If it is, I mean. If you
didn't just say that to scare me. Maybe you're a better
actress than I think."

"Yeah. Well. Big mouth on my part. You made me
pretty mad."

I was kidding her a little, but she took it seriously, and
she didn't like remembering her slip.

"But what the hell, you earned it by sticking up for
her," she went on, "and I'm too disgusted to care. You
know the guy staying with McIlwaine's wife? Real
smooth, but he looks like a guerrilla terrorist?"

I indicated that I did.


"He's what they call the focus of some covert
inquiries."


The light bulb went on. "So I was right about him."

"Yeah, if you thought he was a slime toad. My understanding
is that the FBI agreed to let some indiscretions
of McIlwaine's go by, if he would help them out with
information about this fellow."

She frowned. "Past six months, McIlwaine was having
second thoughts about cooperating, turned out maybe he
wasn't so helpful as they hoped. Unfortunately for Ellie,
though, they had him sworn, and he's been useful to
them on a lot of other things over the years--"

Chalk up another check-mark in the "right" column
for me; too bad it wasn't doing Ellie any good--

"So now not only have the Feds got their undies in a
twist," Clarissa went on, "but they're in a position to do
something about it, payback-wise."

"Bottom line, their witness got himself murdered."

"Yeah, don't you just hate it when that happens?"

It explained a lot of things: why McIlwaine could tip
Alvin on stocks without tripping SEC alarms, how Alvin
could take three big money gifts from McIlwaine without
any IRS curiosity being stimulated ... all rewards,
probably, for McIlwaine's cooperation.

"Any idea why McIlwaine was backing down?"

She nodded. "Uh-huh. My source--and you do not
want to let on I told you this--says McIlwaine found out
about six months ago he had a brain tumor, or something,
that it was going to kill him. I guess prosecution
didn't look so scary, next to that."

That aneurysm my ex-husband had talked about:
McIlwaine had welshed on his deal with the government
at about the same time as he'd engineered the stock deal
that ruined Alvin White--and at about the same time he
must have found out he didn't have long to live. Bottom
line: in his way, he had been getting his affairs in order,
and that included screwing Alvin.

"Ellie's dad has been part of some insider stock
trading," I told Clarissa, "that involved McIlwaine. But it
started a long time ago. Could the government have been
giving McIlwaine immunity for that long? Thirty years?"


"Oh, hell, yes," Clarissa replied. "McIlwaine's been
playing both sides of the fence for so long, he ought to
have an office in the Federal Building. How do you think
he's gotten away with so much? Labor unions, restraint
of trade, monopolies . . . law enforcement loved him, and
they treated him good in the getting-away-with-stuff
department."

"Damn," I said. "So they're not going to let any kinks
in the timeline discourage them when it comes to prosecuting
Ellie."

"You kidding? If they need to, they'll get thirty
experts to swear that an hour takes ninety minutes, or
that she could have been in two places at once. They'll
make that case fly, one way or another, just to make an
example of her. You don't," she added, "want people
thinking they can knock off the government's favorite
blabbermouths."

Yeah, because for one thing it would discourage other
people from becoming blabbermouths: no future in it.
"And even if they knew it was Nina ..."

"Yeah. Don't want to upset the apple-cart with the
target in it. Darn," she added, frowning at the car door, "I
left my bag up at the house. Get in, I'll drive you back."

We didn't talk on the short ride to Key Street. I had
the sense that Clarissa was mulling something.

"An island," she said finally as we pulled in front of
the Whites' house. "Miles from anywhere."

Arnold waved as he pulled away in the squad car;
apparently he had just gotten a call and had been setting
out to find us.

"Yeah," I said quietly as Clarissa and I got out into
the kind of silence that makes you whisper in spite of
yourself. "It's great. If you like that sort of thing."

Inside, she glanced wistfully around, stalling as if she
wanted to stay. Her eye lit on the portrait of the
unknown woman; on a whim I'd brought it along with
me from my house, along with Sam's baby book and
rattle. In the Whites' place, I'd wanted the security of my
own things, talismans against the pure meanness Hedda
seemed to radiate twenty-four hours a day, and I'd
propped the portrait on the counter to puzzle at while I
scrubbed pots.

"Who's that?" Clarissa wanted to know, squinting at it.

"Oh, just another mystery. A private obsession of
mine, no connection with this mess. I'm trying to find out
who she is, or was. But I probably never will."

"Huh." She kept staring at it. "Funny. Anyway, it
reminds me: Ellie gave me a message for you. She said to
tell you she's sorry about the portrait, and if you look in
the attic, you'll figure out who it is. That must be the one
she meant, I guess."

Which was odd, Ellie's mentioning it twice: once to
Toby Alderman, and again to Clarissa. A flicker of disquiet
nudged me.

Clarissa looked at it again. "Boy, I feel like I've met
that woman, somewhere. Or maybe my brain is playing
tricks on me, I'm so tired." She opened the door. "Message
mean anything to you?"

"No. I don't know the half of what Ellie means, lately.
But thanks for passing it along."

"Thanks for the coffee," Clarissa said. "And, listen, I
am sorry. I wish I could help."

"Yeah, me too."

"If you think of anything to do, my advice is, do it
fast. Word is, they're transferring her soon. That's on the
quiet, you understand, nothing official, but I don't think
this one is going to get to superior court."

She meant the Federal hammer was going to come
down, and when it did, it would be all over. Ellie's future
would get sucked into a bureaucratic maelstrom of case
numbers, court calendars, and big career ambitions:
abandon hope, all ye et cetera.

"Call me if you want," Clarissa finished. "Arnold's
got my number."

I followed her onto the back porch, stopping as she
continued down the Whites' driveway. She reached the


sidewalk, stepped into a patch of yellow under the streetlight,
and stopped, turning her face up into the rain,
which had resumed.


"I must be crazy for what I'm thinking," Clarissa said.


45



Back inside, the only sound was the hollow ticking of the
mantel clock in the darkened dining room. Once I thought
I heard something else, but when I went into the hall to
listen it was just the water running in the upstairs commode,
followed by the creak of Hedda's wooden bedframe.


The night seemed endless; it was four in the morning,
but there was still plenty of dark left to get through. I
went around checking window and door locks and made
a last tour of the downstairs, switching off lamps and
turning off the coffee-maker

Finally I checked on Alvin, left him in the parlor
asleep with an afghan thrown over him, and climbed
the stairs. Slow, even breathing from Hedda's room said
she was asleep again, too.

Elite's things, neatly arranged in her room, made the
place feel as if she would be back any minute: her silver
dresser set with mirror, brush, and comb lined up like
shining soldiers, shoes in her closet perched as if waiting
on a shoe tree, a chenille bedspread smoothed over a pine
single bed that I imagined she had been sleeping in since
childhood.

My own belongings lay in a heap where I had tossed
them in my rush to get things under control downstairs.
Fortunately, I'd brought a change of clothes; the jeans
and sweater I was wearing felt as if I'd been in them for a
year. I took a hot, soapy shower in Ellie's bathroom, listening
all the while for sounds from Alvin or Hedda, and
put the fresh clothes on, unwilling to relax enough to get
into bed. Tomorrow I would put Sam's baby book back
in the cedar chest and take the mysterious portrait back
to my kitchen, exchanging these useless objects for practical
items like more clean socks.

On the bed was a balsam pillow embroidered with
lupines in soft tones of lavender and blue. Lying down, I
pressed my cheek against it, inhaling the sweet, woodsy
fragrance of the evergreens inside and thinking that I
would rest my eyes for a moment.

Whatever Ellie had meant to do, it had all gone badly
wrong. She couldn't possibly have meant it to come to this.

Still, it had. Maybe it was the lateness of the hour, or
my fatigue, or the unpleasant strangeness of being in an
unfamiliar house whose haunts, if any, were foreign to me.

But I couldn't help feeling that I had failed her.


46



When I woke, the sun was shining into my face through
Ellie's white lace curtains. The smell of coffee and the
sound of the Calais radio station broadcasting the weather
report rose from the kitchen, along with the clink of
plates and cups.


I got up and went to the window; the storm front had
passed, taking the chilly rain and low sky with it. Across
the bay, I could see the thunderheads vanishing behind
the mounded hills of Nova Scotia.

I raised the window, and let the clean breeze rush in.
Even the sight of my ex-husband's little yellow sports car
parked in the street below--no doubt so that he could
survey the extent of the fire, and think about how incapable
I was--failed to faze me. He didn't know where I
was now, or Sam either, and with any luck he would
simply go away.

Standing there letting a wash of chilly sunshine pour
over me, I looked upward to the windows of my own
attic. In it I had found nothing helpful, and Clarissa's
report of Ellie's message the night before had meant
nothing to me, at the time.
But now, with the advantage of perspective and a few
hours' sleep, not to mention the salutary effect of a rising
barometer, what Clarissa had said took on new
clarity.


Wrong attic, of course.


47



The stairs to the Whites' attic were in better repair than
mine, but I still had to step carefully to avoid creaks. At
the top, a big hook held the attic door shut; I pushed it
open, slipped inside, and shut it behind me. A chain
switch turned the overhead light on.


At first glance, it seemed as if finding something up
here would be easy; the attic's contents were neatly
arranged in labeled cartons. Clothes in zippered bags
hung from closet rails; golf clubs, tennis rackets, a croquet
set, and some old badminton equipment stood
together in their own well-organized area.

Taking care not to step on any loose floorboards,
I crossed to a set of filing cabinets--tax records, bank
statements, all the stuff that people tend to store up
against the dreaded day when the audit notice arrives.

Next to them lay stacks of photograph albums: more
pictures of Hedda in her flaming youth, each photo captioned
with a note of the date and place, many of the
later ones professional shots of her, costumed and
dancing on stage. Like the rest of the attic's contents, they
were well organized; someone had even taken care to
arrange them in chronological order.

From the yellowed newspaper clippings that accompanied
them it appeared as if Hedda really had been on her
way to a career. A break of about six months seemed to
indicate a spot of trouble; no photos or clippings from
this period. But then things appeared to take off again
for the budding dancer: from an anonymous location
in the chorus line at something called the Hawthorne


Theatre, she had moved swiftly to a featured spot right
up front.


One of the captions from this period identified a
Hollywood talent scout, watching from the wings. A
couple of mentions in the tabloid gossip columns--
Hedda linked with gentlemen whose names appeared in
bold type, to denote that they were social Somebodies--
wouldn't have hurt her career, either.

And then, suddenly, it all came crashing down. The
sight of those long legs high-kicking reminded me painfully
of the scars I'd seen on her ankles the night before.
The mugging had ended her career with the brutality of a
sledgehammer. The newspaper reports gave the details:
unknown assailants, motive robbery, apparent rage of the
attackers, probably because Hedda resisted.

And something I hadn't known: that there had been
another young dancer attacked in the same incident. The
other young woman had died of her injuries.

A stray breeze rattled a window sash in the corner;
getting up, I felt tired twinges in my bones, like the ache
of a lingering illness. Maybe there was something else
instructive in one of the cartons, or folded among the
neatly stowed summer clothes, but I would have to stay
up here all morning to find it.

If it was here at all. Impatience washed over me; why
couldn't Ellie just tell me what she wanted me to know?
Reaching for the light switch I took a clumsy half-step
sideways and to the right, to avoid walking into the attic
door which swung inward, the reverse of the way the
door swung in my attic at home.

My foot touched a loose board outside the normal
traffic pattern, alongside the wall. It was a short board,
about a foot long, and it gave as I put my weight on it.
Curiously, I lifted the board, and it came up as neatly as
a puzzle piece.

Underneath it lay a small, towel-wrapped bundle;
inside the towel was a box, the size and shape of a small
safety-deposit box, but without any lock.
I carried the box to the window and opened it. Inside
lay a New York birth certificate. Under that was what
remained of the portrait of the woman from my kitchen,
torn into small pieces--not the same photograph, but
another print of it, hidden here. Finally there was another
copy of the newspaper clipping detailing the attack on
Hedda, and the death of her young woman companion.


Leaving the box, I carried the birth certificate, the
newspaper clipping, and the pieces of the portrait downstairs.
Alvin and Hedda were still in the kitchen, having
breakfast. I would confront them, I decided, and demand
an explanation.

The parlor was bright with morning sun, shining
on the tops of the tables and glinting off the glass-covered
photographs of a youthful Hedda decked out in
glamour-girl costumes, her glorious blonde hair heaped
in intricate coiffures and her face a smooth, smiling composite
of youthfulness and makeup.
If you'd known her then, you wouldn't recognize
her now, I thought. Purposefully, I made for the
kitchen--maybe I couldn't find out who was guilty of
McIlwaine's murder, but I'd had it to the eyes with the
portrait business--then stopped as a familiar voice made
me want to rush back upstairs again.

Instead, I trudged dully forward. My ex-husband sat
in the Whites' kitchen, making himself comfortable at
their butcher-block counter, drinking a cup of coffee and
regaling them with a story of one of his most amusing
operating-room triumphs.

"And then," he said, his voice lingering richly, "just as
I was about to incise the dura mater ..."

He stopped when he saw me, holding the registration
papers for Sam's boat-school trip in his left hand. "Well,
hello there, Jacobia. How's my charming ex-wife and
mother of my son, today?"

His voice came down hard on "my son," and his hand
closed on the papers, crumpling them.

"You went into my house," I said, feeling as if the


blood from the operating-room story was falling over my
eyes in a thick veil of fury.


"Yes." His voice remained cordial; dangerously so. "I
rattled the doorknob, and it opened. And I'm very glad I
did, because what did I find there?"

In the corner of the kitchen, Tiffany perched unhappily
on a wooden stool, looking as if she'd been sent
there to be punished.

"This," my ex-husband said, shoving the boat-school
papers at me.

"I saw you," he went on, jerking his head upwards,
"at the window upstairs. So I knew you were here. And I
think we'd better have a little talk, you and Sam and me.
Right now."

Just outside the kitchen window, Sam sat in the righth and
front bucket seat of the yellow sports car, his shoulders
slumped in an attitude of misery. "What's he doing
out there?"

"Waiting for me to take him back to New York,
where he should have been all along. I saw him downtown,
picked him up."

"He's agreed to go?"

My ex-husband looked long-suffering. "Despite your
influence, Sam still does what I say."

He got up, flashing an apologetic smile at the Whites,
who were glancing at one another uncertainly. "I'm so
sorry you've had to hear all this," he said. "Thanks for
your time and the coffee."

Tiffany rinsed her cup at the sink and followed after
him, her glance as she passed me unreadable. "Thank
you," she murmured to the Whites.

"Come along, Jacobia," my ex-husband said, his voice
like a whip-flick. "Let's not inflict your problems on
these people."

With distant satisfaction I noticed that even Hedda
didn't know what to do about a person like my ex-husband,
who has a way of barging cheerfully in on you,
then leaving you feeling as if you'd been sprayed with
insecticide.
With anyone else, by now she'd have been ordering
him out, raving about the pearl-handled revolver. But
even when I slapped the clipping, the birth certificate,
and the portrait pieces down in front of them, they just
kept on staring after my ex-husband, looking as if they
had been nerve-poisoned.


Which was precisely what would happen to Sam, if I
let his father take him back to New York.

"Coming, Jacobia?" my ex-husband called with heavy
patience.

I turned and followed him.


My ex-husband's name, appropriately, is Victor.


"I'll wait outside with Sam," Tiffany said, "while you
two talk."

"No," Victor said irritably, "you come, too. I want
you to understand what I go through."

Understanding what he went through was, by this
time, the last thing on Tiffany's wish list. Still, she
squared her shoulders and followed him in, while Sam--
who knew a hornet's nest when he saw one--stayed in
his father's car.

With Victor in it, the kitchen of my old house
seemed to shrink back into its former cold, unlived-in
incarnation--its scuffed wooden floor, chipped woodwork,
and curtainless windows projecting a shabby,
unfriendly version of its usual spare beauty.

The smoke smell and soot marks didn't help any,
either, nor did the water stains streaking the wallpaper.
Victor glanced around with obvious disapproval, tossing
the boat-school papers onto the kitchen table with a
little moue of distaste for the hominess of the checked
oilcloth.

"I told you I didn't want him pursuing that nonsense,"
he said. "He could be using the time to study."


"Victor, he wants to go, and I don't see what harm--"


"That's just the point. You don't see. I do."

He marched around the kitchen importantly. "That's
why I'm taking him back to New York, where he can get
the guidance he obviously isn't getting here. With any
luck, he can make up the time he's lost and still get into a
decent college."

"Have you forgotten I have custody?" Which, I
wanted to say, you happily gave up when Sam's problems
got to be too much for you, but there was no point
in antagonizing him further.

"That can change, Jacobia. And it will, if Sam says he
wants it to."

He went to the window, glanced out, and turned with
a wince of dislike from the quiet serenity of the view: tall
green-black fir trees, white clapboard houses, puffs of
woodsmoke curling from the red brick chimneys.

"Jacobia, can't you see what a dead end this place is?
Sam needs somebody to set goals and limits for him, and
you're just too deep in your small-town fantasy escape to
understand that, but he does. I know if I ask him about
it, he'll agree."

Because he'll do anything, say anything, to please you,
I thought. It was a mental state I remembered sadly.

"He needs," said Victor, "some structure in his life,
some discipline. Somebody to make him perform to his
capabilities ..."

While he talked, Tiffany looked through some of
Sam's school papers, which he had left on the kitchen
table for me to see. She paused over one, tipped her
smooth, blonde head with a sharp look of enlightenment,
and turned to the next.

"As you can see," Victor told her, "my son hasn't been
encouraged in any intellectual pursuits whatsoever. His
mother is content to let him coast on mediocrity, or
worse."
He turned to me. "But when you're a parent," he lectured
me virtuously, "you can't do things the easy way.
You have to do what is best for the child."
I felt myself drifting into that dreamy, anything-is-
possible condition, the one in which you smile and nod
and meanwhile your hand, quietly and on its own
account, balls itself up into a fist, getting ready to cold-
cock somebody.


Tiffany glanced from the papers with a grimace
of annoyance, like someone who has gotten tired of
the buzzing of a mosquito. "Has he been tested for
dyslexia?"

"Yes," I said. "In New York, when Victor had him."

Victor stopped talking and frowned; he was not used
to being interrupted. A flicker of something else seemed
to cross his face, too.

"Yes, of course," he began, "I sent him to--"

"No," said Sam, who had come in unnoticed behind
us. "What's dyslexia?"

A sudden, interesting quiet settled over the room. I
looked at Victor, whose face now wore a cornered
expression.

And then I knew he hadn't just lied about other
women. He had lied about Sam, as well.

"You told me," I said, "that you'd had him tested. A
whole battery of diagnostic testing, you said: physical,
mental, and emotional, all the possible things. At the university
school."
"Because," Tiffany said gently, "I'm no expert, of
course. But I've worked with an awful lot of dyslexic
kids Sam's age, and the thing is, quite a lot of them write
this way."

She held up one of the papers, speaking directly to
Sam, now, not to his parents. Sam moved beside her,
peering with interest at something she was pointing out
to him. Together, they looked like brother and sister; I
lowered my mental estimate of her age.

Victor noticed this, too. "Oh, great," he said, "now
my son's getting learning advice from a member of the
kindergarten set."

"If you wouldn't keep choosing your girlfriends from
the kindergarten set, maybe you wouldn't have that


problem," I said nastily. "The point is, you told me
you'd had him tested."


He folded his arms. "There's nothing wrong with
him. He needs to apply himself, that's all. I'm taking him
with me."

"There's nothing wrong with having dyslexia,"
Tiffany began.

"Shut up," Sam said quietly. "Please," he added, with
an apologetic glance at her, and she nodded minutely
back at him. In that moment, I wished they really were
brother and sister.

Sam looked over at his father. "We could," he said,
"have found out about this. What to do about it."

"Son, you don't understand. Those tests--I didn't
want you labeled your whole life as some kind of--"

"Some kind of what, Dad?" Sam's voice was almost
cheerful. "A dummy? A retard? That's what kids called
me in the good school you paid so much to send me to,
in New York. When they weren't trying to score pot
off me."

Victor, to his credit, looked appalled. "But--"

"You know what, Dad? They don't have classes in six
foreign languages at the high school here, or field trips to
Germany and Japan. Here, it's pretty much just your
basic reading, writing, and arithmetic. But the kids here
don't shoot up in the bathrooms. Most of 'em don't even
smoke dope. And they don't call me names."

"He told me you'd had the tests," I said helplessly.

But I hadn't seen the results. Victor kept promising to
send them, and putting me off, while I had failed to press
him because the less contact I had with him, the better I
liked it.

Sam's face was full of love and pity; anger, too. "And
you believed him. Mom, when are you going to learn?
Where do we have to go, how far away, that you won't
listen to him anymore?"

Which was when I understood: all Sam's attempts to
placate Victor, to do and be what his father wanted him
to do and be--they weren't to get his father's approval
for himself. They were to protect me.


He went over and picked up the boat-school applications
from the table where I had dropped them, pausing
over the laser level, which I had also left there.

"It's broken," I said.

"I'll get you another one," said Victor hastily.

"No," said Sam, examining it more closely. "I can
fix it."

"Sam, you can't fix a thing like that," Victor told
him impatiently. "It's not a lawn mower or a washing
machine." His face expressed what he thought of the
ability to fix those. "It's a very complex, high-technology
device. You can't just--"

Sam put the laser level under his arm, raked his father
and me with a glance that should have killed us both,
and walked out.

"Tell Sam," said Tiffany as she departed with Victor a
few minutes later, "he should call me if he wants. I've got
some information on dyslexia that he might like to
have." She pressed her card into my hand.

"I'll call you," said my ex-husband, trying and failing
to get the old menace, the old you-haven't-heard-the-last-of-this
threat into his voice.

But I thought I had, because I wasn't listening to him,
anymore. Instead I was listening to Sam, maybe for the
first time.

All Sam's troubles in New York, truancy and lying
and staying out late, and the drugs--they hadn't been
over his own problems at all, or that hadn't been the root
of them.

They'd been over me. His mother had been crying all
the time. And when I'd said I wouldn't come to Eastport
without him, Sam had believed me.
Sam, who knew how to fix things.


49



After my ex-husband had gone, George Valentine came
over, bringing with him an electrician, and they got the
power turned on so I could make coffee and see the full
extent of the fire's destruction. It wasn't as bad as I'd
feared, but it was going to require new plaster, new lath,
and some subfloor and framing in the storeroom, which
also needed a whole new roof.


"Otherwise it's just like putting Band-Aids on cancer,"
said George. "You tear all this stuff out, though--"

With a wave of his hand, he indicated an area that
was larger than any apartment I'd ever lived in, before I
came here.

"Well, then," he finished, "that's all you'll have to do
for another couple hundred years."

Which was a line I'd heard before, but one that I had
never developed any capacity to resist.

"Fine," I told George. "Just fix it. As quickly as possible,
please."

After that I went around taking Polaroids, so I could
show the insurance company the extent of the loss. I kept
telling myself that I'd meant to replace the faded wallpaper
and the cracked plaster anyway, and now a lot of
it would just get done sooner than I'd expected. I told
myself Sam would eventually come home, too. But that
didn't stop me from feeling stomach-punched about
everything, and around noon Bob Arnold came by to
lend further glumness to the proceedings.

"I made a few calls," he said, pulling out a kitchen
chair, "to some buddies of mine, over to Customs and
Immigration."

"And?" I poured him some coffee.

"Turns out this cousin of Nina's has got himself a history.
And so," he added, "does Nina. Well known, as
they say in the big city, to law enforcement agencies."

"Yeah, Clarissa filled me in a little, last night."

"Seems like this fellow has quite a collection of pass
ports, none of 'em in his real name, on account of half
the world wants to lock him up for gunrunning, and the
other half wants to lock him up for drug smuggling,
which is the revenue-producing part of his operation."


"He uses the drug money to buy the guns." It figured.
And when McIlwaine found out about it, he took the
information to his government buddies.

"Uh-huh," Arnold said. "And the guns find their way
to the kind of people, they're not supposed to have guns.
The kind who think whole countries are their personal
little kingdoms, they come in and butcher whole villages,
if the poor people fight back."

All of which agreed with what Clarissa had said, and
what I had thought of the guy, myself.

Arnold shook his head. "Trouble is, cops over here've
been told, leave him alone. I guess the Feds want to wait
and see where the slime trail leads."

He got up. "I don't know, Jacobia. Usually in this
town, one way or another I've always been able to get
things worked around, make 'em come out the way they
ought to."

His eyes narrowed with frustration. "Guy goes out
clamming, just tryin' to feed his family, he gets busted
for some small ones, I can see he doesn't get hit too hard
for it. Guy slugs his wife, I can get him locked up. But
this ..."

I followed him to the door. "I know. Clarissa told me.
It just doesn't look too hopeful. We'll have to wait, and try
to get Ellie out on bail."

Arnold looked stricken. "Oh, hell. That's the other
thing I meant to tell you about."

We stepped outside together. Across the street, Alvin
White was getting into a car driven by one of his cronies
from the Breakfast Club; he waved wanly at me as the
car pulled away.

Hedda, I thought with grim pleasure, was probably
too hung over to perform driving duties. Still, it seemed
odd that Alvin would leave her alone in the house, and
if I remembered correctly there wasn't a Breakfast Club
meeting today. Besides, it was too late in the morning
for one.


I turned back to Arnold, who had continued on out to
the curb. "What? I'm sorry, Arnold, I was just watching
Alvin for a minute. What was it you were saying?"

"Bail," he repeated, reaching for the door handle of the
squad car. His face looked like seven days of rain. "Got a
call from the state cops, courtesy thing, keep me informed."

"And?" Ten percent was what you needed in cash,
and it wasn't like attorney's fees. With bail, you can get
the money back out of the rat-hole again, so I might be
able to do something helpful.

Or so I thought, until I heard what Arnold said next.

"Hearing was early this morning," he said sorrowfully.
"No bail. Not that it was likely, but . . . heinousness of
the crime, the judge said, lot of other nonsense means
somebody--probably those Federal guys--got the fix put
in, hang onto her. She's locked up for the duration."


50



After Arnold left, I wandered around the house for a
while, picking things up and putting them down uselessly.
Glancing across the street, I spotted Janet Fox
going into the Whites' house, which meant that soon
Hedda would be liquored up again, and the sink over
there would be heaped high with more dishes. Alvin
wouldn't like it, and I knew I'd better go over there right
away and turn off the supply of alcohol.


But I couldn't face it. My house was a shambles, my
son was estranged, and my friend was in a jail cell, and I
couldn't think of anything to do about any of it. Alvin
was right, I reflected exhaustedly, to go out and forget
about it for a few hours.

Digging into my bag, I pulled out Sam's baby book
and rattle, to put them away, then spotted the little
orange pharmacy bottle at the bottom. Cleaning up the
Whites' house the night before, I'd dropped this one in
my bag, meaning to speak very firmly to Janet about it
when I saw her.


Then I'd moved all the other pill bottles I found to the
top shelf of the medicine cabinet in Alvin's bathroom,
where Hedda couldn't reach them.

But Alvin could. Suddenly, I wondered again where he
had been headed, and thought rather urgently--Janet and
Hedda, I decided, could wait--that I had better find out.


51



I found Alvin's old friend in the Happy Landings, having
an early lunch of a haddock sandwich and coleslaw. It
looked delicious, but the twinge of anxiety in my
stomach kept me from feeling hungry.


"Left him off over to Hillside Cemetery," the old man
said. "He said he wanted a quiet place, to think. Jeez, it's
too bad about Ellie. She's such a pretty girl, and I don't
know what old Alvin is going to do without her."

"Right," I said, and raced out of there.

Hillside was peaceful and deserted, with the bare trees
towering over silent stone monuments under a pale blue
sky. I parked by the side of the road and got out, hearing
the screams of herring gulls and the putter of a fishing
boat out on the bay.

I found him in the far northeast corner, the oldest part
of the graveyard, where small, bright British flags mark
the places of soldiers who died of smallpox or consumption
while policing the town's nineteenth-century occupation.
Alvin glanced up from his seat on one of the stones.

"Jacobia," he said mildly.

"Alvin." I sat beside him.

"Children," Alvin mused. "If they're bad they'll break
your heart. But if they're good ..."

"They break it worse," I finished for him, thinking of
Sam. "You think you've done what you should for them.
When you find out you didn't, by then sometimes it's too
late."

"Uh-huh." He gazed out over the gravestones. "That's
about the size of it."

I put my hand on his shoulder. Under his flannel shirt
he felt fragile and vulnerable, like a shell made of papier-mache.
"Alvin, did you take the pills yet?"

He shook his head ruefully. "Nope. Thought I would,
I felt so damned low, but when I got here, I decided not
to. Don't know why. Too much of a coward, maybe."

He reached into his pants pocket and handed the
small bottles to me: enough, all together, to kill a horse. I
thought about the way he'd taken care of Ellie all those
years, and the way he now cared for Hedda.

"No, Alvin. You're not a coward. I think maybe
you made some mistakes, but we all do that."

We sat in silence for a while. "Alvin, why were you
able to blackmail Threnody McIlwaine? What could
you do, or not do, that he couldn't take care of, himself?"

Alvin's brow furrowed in surprise. "You know. You
must have figured it out by now. The papers you found,
up in the attic. You left 'em on the kitchen table, so I
would see 'em. Them, and that picture. You did it so I'd
know you know: I'm as guilty as if I'd stuck him with
that ice pick, myself."

Startled, I shook my head. "I know part of it, I guess,
but I still don't understand why it matters so much to
you, now. Or what it has to do with his murder. I know
you didn't kill him. Explain it to me, Alvin. Please."

Alvin sighed, but seemed relieved at the chance to talk
about it. "I hardly know how. The thing is, you never
knew Hedda back when she was young. She was so different,
not like now. Prettiest thing. I loved her the
minute I saw her."

"But she didn't want to get married. She went to New
York." It didn't seem to have any connection to my questions,
but I let him go on the way he wanted, to get to it
in his own way.

He nodded again. "Just about killed me, when she
left. Like Thren McIlwaine, though, she wanted to make
her way in the world, or at least give it a try before she
settled down."


A distant look came into his eyes. "He and I were
awful good friends, as boys. We went around and did
everything together. But he was always different, we
all knew it. Right from the start, everybody in Eastport
knew that Thren McIlwaine was going to make something
of himself."
"And she was like that, too."

He made a sound of assent. "Thren's folks gave him
their blessing and a hundred dollars, to go to New York.
And when she heard about it, Hedda run off, too, 'thout
saying a word to anyone. She was hellbent."

And still was. I said nothing, turning the pieces over in
my mind but not getting anywhere with them.

"Somehow," he went on, "she found Thren, and for a
while they were both there, him already making money
in business, getting to meet the people who could do him
good, her dancing on stage. He kept an eye on her, and
now an' again he'd report back to me, and for a while
everything was all right."

Alvin managed a smile for his own youthful innocence.
"I missed her, but I figured she'd be back again
once the novelty wore off." His face changed.

"And then?" I prompted him; clearly he didn't like
recalling this part.

"Well," he went on reluctantly, "then she got wild.
Spent her time with shady fellows, ran around and got
herself in trouble."

Light dawned. "The birth certificate," I said.

"Right. She got pregnant, but Threnody took care of
that, paid for everything, made all Hedda's arrangements
for her, kept her name out of it. Said he'd talk her into
comin' home, soon as the . . . well. Afterwards."

"But she didn't come home." The mugging had
occurred a whole year after the baby's birth.

"No." He frowned. "She didn't. Soon's the baby got
there, and he took care of finding a place for it, Hedda
went back to her old ways. Once upon a time, she'd said
I was all she ever wanted, but now it seemed like she'd
forgot me. And I started in thinking ..."


A tear leaked down his face. "I started thinking
she wouldn't come home at all. I couldn't stand it. And
so . .."

Finally, I saw the connection: McIlwaine, meeting
people who could help him--later, probably, they would
become his henchmen, but at the time they would have
been just minor wise-guys--and a mugging in which two
young women were injured, one fatally.

"By then they weren't on such good terms anymore.
So he sent along two fellows he knew," Alvin said. "To
persuade her, to make her give it up and come home."

"But something went wrong."

Even today, McIlwaine's employees--the ones who
are working off the books--are known to enjoy their
labors, or so say widows and orphans of the union organizers
they have labored on.
Alvin nodded. "The other girl died. And Hedda came
home, but she was never the same after that. That pretty,
happy girl I knew--that girl was gone. And what was
left..."

He sighed deeply. "Still, I loved her. I do even now.
It would kill me, I think, to lose her. I think Ellie knows
that--it's why she has been so good to her mother,
all these years. On my account. Because she promised
me she would be. She was always such a good girl,
Ellie."

Right; so good that now she was sitting in jail. I
brushed off a surge of anger; that, and the sudden wish
that Ellie had turned out to be more like Hedda: selfish
and hard.

"But Alvin, how did you know? Why in the world did
McIlwaine tell you what he'd done, give you something
you could hold over him that way?"

Alvin's face twisted. "But he didn't tell me, don't you
see? I told him. I told him to do it, to do something to
her, to make her come home. And he did, on account of
our friendship. And to show me, I expect, that he could
do it. That he was a big man in the big city. A real up-
and-comer."


The dismayed surprise I felt must have showed on my
face; he winced in misery away from it.

"Nothing else would convince her," he said quietly.
"Unless Thren made it so she had to come home, that
there was nothing left for her there."

His face was as hard and pitiless as a granite ledge,
unforgiving of himself. "After it happened, he wrote me
in a panic, trying to ease his mind. He never meant for
anybody to die."

Alvin looked up, and saw my disbelief. "Thren wasn't
so tough in those days," he explained, "as he pretended.
He didn't know, back then, how things can get out of
hand."

Proof. McIlwaine had written it in a letter. And
wouldn't someone love to get a thing like that on
Threnody McIlwaine: the union organizers, for one,
would have a field day with it. He'd have done anything
to keep it quiet. But with something on paper, getting rid
of Alvin wouldn't have been enough.

"Back then," Alvin went on, "for all his plans and his
fancy ways, like he was already a big shot, Thren was
just a scared kid."

"You burned the letter, of course." God forbid Hedda
should ever find it.

"Uh-huh. But he didn't know that, did he? He figured
I'd keep it to hold over him. Because, you know, that's
what he would have done."

Alvin's sigh seemed to come up from his feet, his
whole body awash in regret. "So he always made sure I
was happy, helped me on those stock deals. I never asked
him for the money, he just did it on his own hook, but I
knew why. We both did, but we never talked about it.
Until that last deal went wrong, and then the other day
when he threw it all up in my face."

"What did he say?" Out on the water, a little boat
was puttering in the sunshine, moving toward Lubec. For


an instant I thought it looked familiar, then turned back
to what Alvin was telling me.


"Reminded me how it was my idea to get Hedda crippled,"
Alvin said, "that I was as much a killer as he was
when it came down to it, because of the girl who died.
Said he was calling my bluff--even though I'd never
threatened him, nor even asked him for money until
now--and that I was a foolish old man. I'd ruined
myself, he said, and he was finished paying for it."

"He knew you'd been wiped out."

"Ayuh." Alvin grimaced. "All gone, every penny of it."

"And he knew you needed the money, so you could
hire nurses and household help. So Ellie could get married,
and not feel she had to take care of you and Hedda
all the time."

"That's right. He knew. But I was the greedy one, he
said, and look what it got me." His gaze, looking out
over the water, was bleakly despairing.

"Maybe so, but Alvin, that's not the point. The thing
is, McIlwaine lured you into buying that stock. He knew
it was going to be worthless."

McIlwaine, I remembered from the Fortune magazine
piece, was one of the few who hadn't fallen for Charlie
Finnegan. But he had put his old friend Alvin into the
disastrous venture. He must have, because he hadn't only
been funding Alvin's purchases, he'd also been giving
him tips. It was always how Alvin, never canny with
money, had decided what to buy.

"And knowing you the way he did, he figured you'd
probably take a flier on it. He ruined you, Alvin, and the
thing is, he did it flat-out on purpose."

The penny dropped. "Revenge," Alvin breathed. "For
all the years of me having that letter. Or him thinking I
did. For feeling that he was under my thumb."

Another thought struck me, worse.

Much worse. "Alvin, listen. When you were arguing
with McIlwaine, did he say anything else? Not about
the money, or the mugging. Did he say anything about
the baby?"
"Oh, yes," Alvin said tiredly. "He dragged it all out,
all that old dirty laundry. Said he'd been rubbing our
noses in that mess for years now, and we were too
foolish to see it. I still don't see what he meant by that,
maybe nothing. Probably he just said it to hurt."


He shook his head. "Enjoyed making fools of people,
he did. And hurting them. Not like when he was young."

But I thought Alvin did know; he wouldn't meet my
eyes any more. He was still lying about the attack on
Hedda, too; there was something he was too ashamed to
tell me.

I also thought that someone else heard McIlwaine's
gloating the morning of the murder, and hadn't liked
being made a fool of.
Hadn't liked it at all. "Alvin, did you hear anything that
you haven't mentioned, after McIlwaine left your office?"

He was weeping openly now. "I heard ... a woman's
voice. A young woman. Just one sharp cry . . . Ellie's
voice. I don't see how, I thought she'd gone to your
house, but . . . she did it, didn't she? And it's my fault.
All, everything my fault."
He sobbed, pushing his face into his hands.

"Alvin. Listen to me, now. Your hearing's not so
good, and you were on the phone at the time. So, what if
the voice you heard from the other room wasn't Ellie's?
What if she was with me, when you and McIlwaine were
having your quarrel?"

Five minutes one way, five minutes the other: it could
work the opposite of the way I'd theorized the night
before, talking with Clarissa. Ellie might not have had time
to kill McIlwaine at all, or even hear his outburst to Alvin,
because she had already been across the street, with me.

But it was an outburst I was sure had been heard all
over the house, given McIlwaine's anger and Alvin's
increasing deafness.

Alvin frowned, puzzled. "But how could that be? If
Ellie wasn't there, then besides Thren, there was only
Hedda and--oh."

He turned to me, and for a moment the ravages of the


years fell away from his face; he was once again a clear-
eyed young man with a future ahead of him. Then the
illusion shattered, and the reality broke over him: all that
had happened, and everywhere he had gone wrong.


Beginning, of course, with Hedda. "Alvin, what was
the real reason you were so angry with Hedda that you
wanted her attacked? And so angry with McIlwaine that
you held his crime over his head for thirty years, and as
good as blackmailed him over it, even though he'd been
your best friend?"

Over our heads, a blue jay screamed monotonously.
Out on the water a foghorn moaned as the mist began
rolling back in, its grey tendrils slithering between
the ancient graves. The little boat's shape wavered in the
fog bank.

"What," I pressed him as his elderly face began crumpling,
"was Hedda's mistake?"

A muffled thump! came from the direction of the
water, out toward Lubec. The blue jay emitted a startled
squawk and flapped away. Alvin's head turned suddenly
as smoke, darker than the fog, began boiling from something
halfway between the waterfront and Campobello.

That little boat. Jemmy, I thought. All those explosives
. . .

A stab of sadness pierced me, but I didn't have time to
think about it now. "Alvin," I urged him impatiently.
"Oh," he mourned, staring out at the smoke column,
"I wish I had swallowed those pills."

Then he looked straight at me, gathering himself,
ready to tell the worst thing at last.

"Hedda and Thren together . . . that baby was theirs.
She didn't tell me until after, but when she did, threw it
in my face and laughed at me, I was so angry. I wanted to
hurt Hedda, teach her a lesson, make her come home
whether she liked it or not."

"And?" I asked, but by that time of course I knew.

"I told Thren what I wanted--didn't tell him what I
knew about the baby, of course, only that I'd waited long
enough for Hedda to come on home--and he agreed to
do it. But it wasn't enough. It ate at me all that night
after I talked to him, it wasn't enough."


He took a deep breath. "For that short time, it was
like all my love turned to hate. Just as strong, but
somehow . . . turned the opposite. Turned to poison, and
I guess it poisoned me, too, because the next day I took
the train to Boston, on to New York."

I waited. It was pouring out now, and Alvin was right:
it was like poison, long held back, the secret he'd kept all
those years. It had made him Hedda's slave, and let him
start turning Ellie into one, to stand in for him when he
was gone.

"Hedda said I was a country boy," he went on,
hollow-eyed at the memory of what came next, "too
green for the big city, but I was crazy, didn't care what
happened to me. I left the big Grand Central Station,
went downtown, asked around, went into terrible places,
finally found the men Thren had hired. And I paid them
extra, a lot extra. Told them what else I wanted done.
But the fools got it wrong."

Not a case of brutal thugs going too far, but one of
mistaken identity: all those years ago, the wrong young
woman had died. And McIlwaine had thought he was
responsible.

"And the baby? Did McIlwaine tell you who it was,
the morning he died? To get the last laugh on you?"

"Oh, yes." Alvin nodded. "It was Janet, of course."


52



I raced back across town toward Key Street, hearing the
howl of sirens from down at the harbor-front. Alvin had
refused to come with me, still wanting to be alone, and I
didn't have any time to argue with him.


As I drove, I imagined it: the quarrel, the shouting.
Hedda and Janet upstairs together, hearing it all.

Hearing every bitter word: that Janet's birth mother


was Hedda White, and her natural father Threnody
McIlwaine. That the truth had been under Janet's nose
all along.


Hedda, meanwhile, would have learned that McIlwaine,
at Alvin's request, had arranged the attack that
crippled Hedda for life. The two women must have been
thunderstruck, and enraged.

And then one of them, the one who was able, did
something about it. That was why Hedda had lied for
Janet, and said that Janet was with her all the while: she
knew what Janet had done, and approved.

But now Janet was alone with Hedda, which struck
me as a perfect example of one down, one to go. Why
Ellie would lie to protect Janet was a question I figured
could be answered later. Right now, what I needed was
to get between Janet and Hedda before Janet could
realize the rest of her ambition: becoming an orphan.
Hedda was Janet's alibi for murder, but now no alibi was
needed, and Hedda was the only witness.

I pulled up hard in front of the Whites' house. Janet's
little car was in the driveway, behind the Buick. Arnold's
car raced past me, but he didn't spare me a glance as
more sirens rose from the harbor area, the smoke from
the explosion now rising high into the sky.

I hurried up to the Whites' front door, figuring I could
still stop Janet from killing Hedda, probably with booze
and pills as she'd tried doing the night before. Only my
arrival, plus Hedda's iron constitution and long tolerance
for liquor, had made a second attempt necessary.

And right now was the ideal time for Janet to be
making that attempt. I burst into the house, certain that
in the next moment I would save Hedda from becoming
Janet Fox's second victim--her first, of course, being her
own father.

That was what I figured.

I didn't figure on the pearl-handled revolver.
53



With the small, irrelevant part of my mind that was not
focused on the weapon, I thought: Blue.


Hedda's hair, naturally white, had been rinsed at the
beauty parlor just after McIlwaine's death.

Blue, Can Man had babbled to me, two days later.
Probably the first time he'd said it, he had meant Nina's
Lincoln.

The second time, after he'd nearly been run over, he'd
meant blue hair. He'd been so terrified of Hedda, it was
all he could say.

Compared to the Bisley, her weapon was a trifle, but
when it was aimed straight at me, it looked like a
cannon: that damned little pearl-handled revolver.

"I kept it"--she grinned horribly, enjoying my surprise--
"under my mattress. And of course, when the mattress
got turned, I tucked it into my handbag."

Her grin widened. "A lady needs a way to protect herself,
you know. Too bad I wasn't carrying it the night I
met those bastards my husband sent. My husband," she
added, "and Thren McIlwaine."

I shuddered to think who must be next on her agenda:
Alvin, of course. The next time she was alone with him . . .

She got up stiffly. "Turn around. Janet, stand beside
her," she ordered. "Now, we are going on a visit."

Janet clutched the papers and torn portrait I had left
on the table. Hedda must have summoned her here the
moment I'd gone.

"March," Hedda ordered, and we proceeded together
out the front door, across the street, and onto my porch:
three ordinary Eastport ladies the sight of whom would
not stick in anyone's mind, should we happen to be
noticed at all.

The faint reek of smoke still lingered in the otherwise
empty house. Janet shut the door behind us.

"Into the parlor," said Hedda. Janet looked frightened,
but she obeyed.
"Go down into the basement," Hedda told her, "and
make sure everything is ready."


Hedda poked her weapon into my spine. Janet did as
she was told, her feet thumping down the basement
stairs.

"You sit there," Hedda told me, gesturing at the sofa.

Her gnarled hand gripped the revolver competently.
Janet had started medicating her again, I realized. Janet
would, of course, have had more narcotic supplies, and
Hedda's tolerance was well established; her mind was
still clear. Her hand was steady, too, as was her hate-filled
gaze, and I knew she would shoot me as soon as
look at me. It was what she meant to do with the
revolver.

It was, I saw now, not the lightweight little weapon I'd
thought at first glance. With its two-inch barrel, the five-shot
Smith & Wesson .38 Chief Special may resemble a
toy, but it is the standard backup weapon of New York
City undercover cops. In Maine, thirty years ago, you
could buy one over the counter for a hundred bucks, no
paperwork required.

I'd learned all this from Wade, proudly and diligently,
as part of becoming familiar not only with the Bisley but
also with handguns in general. Someday, the information
would come in handy, Wade had told me.

But now all it did was terrify me further. Hedda's
finger was on the trigger, the hammer pulled all the way
back, and from where she was standing she could place a
shot through my heart without any trouble.

Other, of course, than the trouble it would cause me.

"Janet is going to put you in the hole in the basement,
and cover you with lime. Then Janet will fill the hole
with the gravel George Valentine has put down there. A
fine boy, George."

Her lip curled, conveying precisely what she really
thought of George. Janet reappeared in the doorway.

"Then," Hedda said, "Janet will take your keys and
credit cards, drive off in your car, park it in the long-term
lot at the Bangor airport, and buy a ticket. After that..."
Her face twisted happily. "Well, everyone knows
you're a financial expert. They'll think you've done
something clever about money, and to cover your tracks
after, you've run off somewhere. Janet will take the bus
back, and no one will even look for you, not here."


"But they will. No one would believe I'd abandon
Sam."

Hedda grimaced. "Oh, you stupid creature, of course
they'll believe that. Haven't you done it once before?
That's what your ex-husband was telling us this
morning, while you were snooping in my attic. That you
went off somewhere and left your son with him."

I decided not to argue with Victor's version of events.
"I have no reason to run away now," I said. "No one
will believe it."

"Your house burnt, your son run off, your ex-husband
with a pretty young girlfriend, and your lover tragically
drowned," Hedda recited pleasurably. "Oh, plenty of
good reasons."

My heart seized coldly. "Wade ..."

"There was an explosion. The Little Dipper. It was on
the scanner, just a few minutes ago. Gone." Her eyes glittered
with malicious delight.

I wanted to shriek, to fall down on the hardwood
floor and weep, but I couldn't, because if I moved a
muscle, Hedda was going to shoot me.

Her plan wouldn't work for very long, of course. But
by the time it stopped working, I wouldn't care. I'd be
dead, buried in a hole in the basement.
"So you'll let your own daughter go to prison for a
murder that Janet committed," I said.
"But I didn't--" Janet began urgently.

"Quiet," Hedda snapped. In the distance, I could hear
one of the town trucks coming slowly up the street. With
it would be the town's small payloader, scooping up the
sand that the public works department had spread during
the snowstorm; in Eastport, they recycled the stuff.
Together, the vehicles made a low roar that increased
steadily, as the trucks approached the house.
I realized what Hedda was waiting for: enough noise
to cover the gunshot.


"It had to be you, Janet," I said. "Hedda's hands are
good, now, but you hadn't had enough time to get her all
liquored up on the morning your father died. She
wouldn't have been able to grip that ice pick. But she'll
let her daughter suffer for it."

"Ellie," Hedda contradicted, "is not my daughter. Oh,
she is biologically," she added quickly as I opened my
mouth to protest, "but that's all. And that meant
nothing. I knew it from the moment she was born. I felt
nothing."

My heart broke hard for Ellie, remembering what
she'd said about Hedda being an unnatural mother, the
calm, forgiving way Ellie had accepted it. Then Hedda
was talking again, in an angry rush to get the words out
before the trucks got any nearer.

"This," Hedda said proudly, "is my real daughter."

Janet nodded, but Hedda was clearly not the birth
mother the young woman had fantasized about for all
those years. Watching the mix of emotions play on her
face, I almost felt sorry for her.

Almost. "Why," I asked Janet, "did Ellie protect you?
Why did she confess if she didn't do it, and how did she
know you did?"

"But I didn't," Janet insisted again, beginning to look
quite frantic; obviously this hadn't been a part of her
scheme, but now she was trapped into doing what Hedda
wanted, because Hedda had the gun.

Hedda stole an exasperated glance at Janet. "Oh, for
heaven's sake, tell her if you must. You girls are all such
blabbermouths."

"I heard them arguing," Janet said, the words coming
out in a resentful hurry. "I heard my father," she spat the
word, "saying that he was, and that Hedda was my
mother."

She took an angry breath. "And that he'd been rubbing
their noses in it, without their knowing, on account
of me being around all the time but they didn't realize
who I was."


She put the papers she clutched down onto the coffee
table, and spread out the pieces of the portrait, putting
the torn parts together like puzzle pieces.

"He knew," Janet raged, "all along."

The ripped edges of the photograph dug deep grooves
of hatred and bitterness into the serene young face portrayed
in it, as if the violence that had been done to the
paper had been done to the woman herself, over a lifetime
of disappointment and vengefulness.

And suddenly I saw, really saw who the woman was.

You never knew her, then, Alvin had told me. Or you
would understand.

What she'd lost, he meant: all that radiant serenity. Or
what she'd learned while two faceless thugs worked at
crippling her. While she listened in an alley to a woman
being beaten to death.

And when she learned that the fatal beating had been
meant for her.

She saw me getting it and laughed unpleasantly at the
look on my face: all along.

"Of course I knew. You don't think Thren was afraid
Alvin might want revenge on him, do you? Oh, no."

Her face twisted. "After all, it was Alvin's idea in the
first place. Thren just did what Alvin wanted. But I--I
had friends in the city, too. Friends who whispered. And
soon enough, they whispered things to me--who was
responsible, and that I'd been the one who was supposed
to end up dead. And that if I didn't go, I still might."

Forgotten in Hedda's monologue, Janet listened raptly
as if to a fairy tale. Every detail was, to her, another piece
of the vital puzzle of what her mother had done and
been. But what she heard next did not agree with her
so well.

"So I did. Left it all behind," Hedda went on. "If I
couldn't dance, it was nothing to me anymore. So I
turned my back on every bit of it--unless it could help
me get me what I wanted. Money--I didn't even care if
Alvin wouldn't spend it, as long as Thren kept having to
pay. And I got," she added, "the last laugh."


The hurt on Janet's face was painful to watch. "But
what," she implored, "about me? Why didn't you ever
try to find me?"

"You?" Hedda sounded incredulous. "Why, what in
the world would I ever need you for?" She dismissed the
girl with a cruel wave.

Watching Janet's eyes, I had the distinct feeling that
Hedda was making a serious tactical mistake. But Hedda
was oblivious.

"Really," she added in an obvious, deliberately
wounding drawl, "you youngsters do exaggerate your own
importance. You gave me a drink when I wanted it, and a
pill if I made myself pitiful enough. And you helped to kill
him and gave me an alibi afterwards. My overdose," she
added to me, "was a nice touch, didn't you think?"

Her hooded eyes lowered evilly. " 'Poor Hedda. It
must have been,' " she finished with dreadful relish,
" 'that awful Janet's fault.' "

"So you'd have gone on that way," I said to Hedda,
"pretty much forever. Taking your pound of flesh an
ounce at a time, but then it stopped working. Because
Threnody McIlwaine got sick, and knew he was going to
die. So nothing you could reveal about him seemed
important anymore, and he stopped submitting to your
blackmail."

A few feet away, Janet's face was still adjusting to the
fact that she'd been nothing but Hedda's tool, all along--
that she'd been used. And was being used now.

"Precisely," Hedda replied. And then, with a simpering
little smile that mingled craziness with malice,
"Well. I couldn't just let him get away with it, could I?
Not just let him escape."

Janet sniffled, and burst out with more of her hard-luck
story. "Without me knowing, when it was all I'd
ever wanted and he knew it was, he knew it was and he
laughed--"
"Stop whining and get to the point," Hedda snapped.
"I want you to tell her how stupid she was. So she'll
know."


Janet flinched, looking resentfully at the older woman.
But a lifetime of obedient approval-seeking conditioned
her response.

"Hedda wanted a drink," she resumed more quietly.
"I went down to get it, down the back stairs and into the
pantry. I didn't know he was still there, but when I saw
him I lost my temper."

This was her chance; she would never tell this story
again. Her voice strengthened as the trucks' roar grew
louder, drawing nearer.

"I screamed at him," she said. "I told him I knew the
truth, and I asked him how he could do it? Hide it from
me that way, when it was all I'd ever thought about, the
one thing that would have made me happy. How could
he do it?"

But I knew. It was part of getting back at Alvin,
another part of his revenge. And as usual he hadn't
thought how his actions might affect anyone else, only
about what he wanted.

Only about power. About pulling the strings from
behind the scenes. About being boss.

"He just stood there and laughed at me," Janet said.
"Asked me why I thought he'd adopted me at all--did I
think it was that he wanted me?"

She shuddered. "All along I was just a tool for him,
too, a way to stay one up on Alvin. He told me so." The
way you just did, her glance at Hedda said clearly, but
Hedda didn't see.

She stopped, gathered her thoughts. "I had the ice
pick, and I was so mad by then, I swung it. It scratched
his head--"

The blood, I remembered, that Clarissa said had been
there.

"-- and he grabbed at me, at my throat. I swung it
again. The ice pick. It stuck in his head."

"And that," Hedda interrupted, "is Janet's tale of woe."


The trucks were getting nearer. Hedda stepped forward
and put the tiny barrel of that damned little pearl-
handled revolver right up against my forehead. It felt like
an ice-cold fingertip.


"Get up," she told me. "Walk toward the basement
door."

"Janet," I said softly, "you don't have to go through
with this. You can stop her ..."

"I do have to," Janet whimpered. Reliving it all again
had dissolved her scanty composure; that, and realizing
how things really stood. She'd realized her dream--
finding her mother--and the dream had turned out to be
her worst nightmare.

"He attacked you," I said. "You defended yourself.
You didn't mean to kill him. People know how he was,
they'll understand."

"But--"

"Shut up," Hedda grated. "Do what I told you."

"I'm sorry," Janet pleaded; to whom, I wasn't sure. "I
didn't mean to hurt him, not really. But I was so angry,
and then Hedda came down, and--"

"Quiet!" Hedda stamped her hard-soled shoe on the
floor, the sound on the hardwood like a rifle shot.

But Janet wouldn't be quieted; not any more. "I
stabbed him, he fell, but he wasn't dead. He was just sort
of shocked, bleeding, and then Hedda came downstairs.
She wanted her drink, and she saw him lying there."

"Be quiet, you foolish girl," Hedda spat, "we haven't
time."

Janet rushed on. "He made a sound. Looking up at
her, he said something to her."

"What did he say?" I asked, stepping forward slowly.

Possibly I could push past Janet, perhaps grab the gun,
but first I would have to get closer.

" 'Sorry,' " she said. "I think he said he was sorry."

Maybe he even had been, not that it mattered. "What
happened then?"

I took another slow step, as Hedda frowned, turning
at a small sound on the back porch.
"Hedda," Janet said, "took off her shoe. I didn't
know why."


"And then?"

"She raised the shoe up. She hit the ice pick with it.
Like," Janet said wonderingly, "pounding in a nail."

Yes, just like that. Two wound tracks; the second one
fatal. A real monster, my ex-husband had said.

"We had to clean up, and get rid of him," Janet babbled
on. "So I went to get rags, and Hedda went out to
the front hall, to be sure Alvin wouldn't go into the
pantry. But he must not really have been dead. And when
we came back ..."

McIlwaine had vanished, leaving only the mess of
blood.

"Why didn't you go after him?"

"We didn't think he could live long. And Hedda said
as long as he died somewhere away from the house, no
one would suspect us. She said if we just cleaned up,
everything would be all right. We killed him," she concluded
hopelessly, "together."

So she still thought she was as guilty as Hedda, a misapprehension
that had served Hedda's purposes very
well. Once I began rooting around in the matter, it was
Janet--not at Nina's direction, but at Hedda's--who had
tried to discourage me.

Hedda, so swollen with her grandiose greed for
revenge that she had thought she could scare me off with
a bullying note. Of course, I realized belatedly, it would
have to be Hedda. No one else thought the world ran
purely at her whim.

"How did Ellie know?" I asked Hedda. The trucks were
almost here. Their racket would cover a gunshot nicely.

She sneered, relishing her victory. "Why, I told her, of
course. Told her all of it, and that she'd better keep her
mouth shut."

The trucks roared. "She would do anything for Alvin,
just as she always has. And that," Hedda finished, "turned
out to mean protecting me. So his poor heart," she added
mockingly, in an awful parody of baby talk, "wouldn't be


broken. So she wouldn't break her sweet little promise,
'cause her such a good girl."


Her face was a horror. "She actually," Hedda pronounced
with scathing contempt, "confessed to murder."
Then she looked up sharply. "Enough," she snapped. "I
want it done now."

"Listen," I began as we approached the hall. The cellar
door stood open, about three feet away, tall and narrow
as the opening to a grave. Just before me, a square of
lamplight from the kitchen fell onto the hallway floor.

I didn't remember turning on that light. An awful suspicion
hit me, worse than anything so far. Not the ghost.

"Hurry up," Hedda repeated, jabbing the gun.
As we passed the kitchen door I turned, not caring in
that moment if she shot me for it.

Sam looked up from the kitchen table, surprised. In
the din of the slow-moving trucks outside, he hadn't
known we were here.

"Mom." He was tinkering with the gift his father had
brought him, trying to repair it. That had been the sound
Hedda had heard: Sam coming in.

He didn't see the gun. "Listen, Mom, I'm sorry about
what I said."

You just don't think it can get any worse, sometimes,
but it does. "Jacobia," called my ex-husband, stomping
up the back steps.

"I want--" Victor began as he came in without invitation,
spotted Sam in the kitchen, and broke off his preemptory
demand as he saw what Sam was doing.

"Sam, I told you," he said, his voice heavy with
strained patience, as if he could not believe how stupid
Sam was being, "you can't--"

As usual, he was well into his exasperated spiel before
he bothered to notice the facts of the situation. Then he
saw the gun, and his mouth formed a soundless O.

Only Sam seemed unfazed, still peering at the laser
level with the calm, focused attitude of the born repairman.
He moved a switch on the gadget, smiled, and
moved it again.
"You, boy," Hedda snapped. "Get up and get over
here."


She swung the gun at him, her gnarled ringer tightening,
and time stretched out in the awful way that it
does in the instants before a head-on collision.

I saw my ex-husband registering the same thought as
mine: which one of us could jump Hedda faster? In a
flicker of movement that made me forgive him everything,
he tensed to leap.

But he would never make it in time. Only Sam's maddening
obliviousness made Hedda hesitate at all; she
wanted his fear, his acknowledgment that at last, she was
running things.

Then Sam looked up at us out of his own world, the
one in which nothing exists but the problem to be solved.

"Look, Mom," he said happily. "It works!"

Hedda hissed a breath in and lifted the revolver
minutely, as a light glowed from the end of the gadget.

I felt the thing's brilliance zip past: a cherry-red needle.

Hedda shrieked, dropping the revolver, clapping her
twisted hands up over her eyes as Janet stood by stolidly,
doing nothing to help her. From Hedda's mouth came a
high, keening sound of anguish, like the death wail of the
damned.

Which in a way I suppose it was.


54



"What the hell," Bob Arnold boomed, "is all this?"


He stood alertly on my back porch, feet planted
firmly, his right hand poised over his sidearm. Behind
him, her dark eyes full of recent enlightenment, stood
Clarissa Dow.

"Hey," said Wade, looming suddenly behind Clarissa.

Now I thought I was seeing a ghost.

"What's going on?" Wade asked, looking perplexed.

"I told you," said Sam, "that I could fix it."


55



It took ten days for the Federal people to get their
foolish, quacking ducks in a row. So I drove downstate
to pick up Ellie on the first real day of spring, the sky
gone definitively from its palette of chill, drizzly greys
and razor-knife blues to the pastel shades, whitewashed
aquamarine and creamy azure, which in Maine are a sure
sign that winter is over.


"Oh," Ellie said at the sight of Passamaquoddy Bay,
glittering at the foot of Washington Street.

Can Man looked up from his task of plucking a Coke
can from the gutter at the corner of Water Street, waving
at us as we made the turn into downtown. His lips
moved as we went by: No place like home.

On Key Street, Ellie got out slowly and turned in a
circle. Nothing had changed, except for the realtor's "for
sale" sign in front of her house. She looked at it calmly,
then turned her back on it and went up the green-painted
front steps into mine.

"It's wonderful," she breathed, smiling at the clean,
fresh wallpaper and smooth new plaster, the gleaming,
polished hardwood floors and immaculate tin ceilings.
When you do these things yourself, they take
forever. But contractors--paid for by fire insurance--can
accomplish them in under two weeks. And it wasn't as if
there weren't plenty of tasks left for me, on the second
and third floors: two lifetimes' worth, I calculated, down
from the previous three.

"Better come in," I said. "Everyone is waiting. And
you must be hungry."
Before I left, I had baked a batch of oatmeal-lace
cookies, by rights a summer delicacy to be enjoyed with
iced tea, but on the grounds that you never know what
tomorrow may bring, I had decided to do it now.

George Valentine stepped from the front parlor into
the hall. He held the black cap with Guptill's Excavating
lettered on it in orange script tightly in both hands.
"Hi, Ellie," he said.


"Hi, George," she replied.

"Or maybe," I said, "you're not that hungry, come to
think of it." I left them there.

Out in the kitchen, Sam was debating with his father
the merits of the wooden sailing hull over the admittedly
less work-intensive but to Sam unromantic fiberglass.
Tiffany had made coffee, fed Monday, and put together a
plate of ham sandwiches; now she was twiddling with
the radio, trying to find NPR.

"Got it," she said, and suddenly a horn fanfare,
thrilling and sweet, burst out.

Wade of course had not gone down in an explosion;
that had been just another of Hedda's lies, to hurt me
and break my spirit.

Jemmy hadn't gone down, either, or if he had, there
were post offices in Davy Jones's locker.

On the mantel in the kitchen where the mysterious
portrait used to be stood a small cardboard box; inside
was one link of an anchor chain, newly inscribed with an
account number and code word. "Give it to the widows
and orphans," the unsigned note had read.

The body of the other drowned fellow had not been
found, but one had been recovered from the incinerated
wreckage of the Hoodathunkit. It was too burnt and
blasted for identification, but because of it I had a feeling
that the guys who go boom wouldn't be looking for
Jemmy Wechsler anymore.

Or for the money that chain link represented. I made a
mental note to find out about the drowned fellow's
family, and how I might manage quietly to assist them
with half of it.

The other half belonged to Ellie, though she didn't
know it yet. There had been, of course, no money for
Alvin in McIlwaine's estate: yet another of the pirate of
Wall Street's mean-spirited manipulations. But Ellie
would know, I felt sure, what to do with Jemmy's cash,
so she and Alvin wouldn't have to worry anymore.

"Good party," Wade said, coming over to drop a
bearish arm around my shoulders. "That Tiffany's a
smart kid. What's she still doing with Victor?"


"She's not, actually. She's with Sam. Platonically," I
added, as Wade glanced at me in surprise.

"They're going with Victor back to New York on
Monday--Sam's enrolled in a special school at the university.
He's decided," I said, still a bit dazed by the
ambitious plan Sam had formulated for himself, "to
become an expert on dyslexia, starting with his own. So
he can fix it, before he goes to boat school."

Wade nodded slowly. "You know, I bet he will."

I watched Sam wash down a cookie with a long swig
of Pepsi, then return to the argument with his father. The
two of them looked so alike--dark, curly hair; long, mulishly
determined faces; thick-lashed green eyes--that I
almost couldn't stand it, and I didn't know how I would
get along without Sam.

Wade read my thought. "He'll be back. Harpwell's
already told him he's got a place for him on the design
team, once he gets his degree."

"Do you think he can do it?"

Sam laughed, and pulled a scathing, you're-so-hopeless
face at his father, who had apparently said
something too old-fogeyish. Since learning that there was
a name for his trouble, and a strategy he might follow, it
seemed the weight of the world had dropped off my son's
shoulders. Gone, too, was Sam's excessive desire to
please his father, whom to Victor's discomfiture and my
intense amusement Sam had begun calling "Pops."

Wade squeezed my shoulder. "He'll be fine, Jacobia.
And so will we. I guess if you and Sam can deal with
Victor, I can, too."

I followed his gaze to where my ex-husband sat discoursing
about fiberglass, a topic on which he had almost
no knowledge whatsoever but of course felt obliged to
pretend he did.

"Every family's got one," said Wade amusedly, which
was when I realized that ours did, too.
And that we were. "I'd better go over and socialize with
poor Alvin," I told Wade. "He looks like a lost lamb."


Wade went back to his conversation with Bobby
Taylor, who looked little the worse for his loss of Janet
Fox. She, at the moment, was fresh out of detox, languishing
in the Washington County jail, simultaneously
awaiting a grand jury indictment and protesting her victimhood
to anyone who would listen.

"Jacobia," Alvin said, shifting over gratefully to make
room for me on the sofa. He had eaten almost nothing,
and except for the sip he had taken for George and Ellie's
toast, his champagne glass remained untouched.

"Hi, Alvin. How's Hedda doing at BMH?"
Bangor Mental Health Institute, I meant. It was where
the state cops had taken her.

"Better. They've run tests, got her pills straightened
out. I went to see her, and she seems in her right mind.
Eyes are okay, too; she was more scared than hurt, I
think. And sharp-tongued as ever. I don't guess there's a
therapy for that."

In Hedda's case, I guessed not, too. "Miss Dow says
there'll probably be a trial," he went on, "but she says
with a decent lawyer, it could come down to not guilty
on account of mental defect."

Across the room, Clarissa Dow and Bob Arnold stood
together. She'd gotten halfway to Caribou, she'd said,
before she made the U-turn.

"I don't know," Clarissa had told me upon her
return, "what it is about this town."

Then she'd paused, as if searching for the right words,
and I'd wondered if any of us who were from away
would ever find them.

"But I can't see," Alvin said now, "how I'll pay a
lawyer. Looks like I'm going to lose whatever I can get
on the house, if I manage to sell it. So even if I can ever
bring Hedda home someday, I don't know where I'll
bring her to."

I sipped my champagne, thinking.
"This place, it just captured me," Clarissa had said.
"It's where I belong. Although," she'd finished, "I can't
imagine how I'll get people here to ever like me or accept
me, after what I nearly did to Ellie."


Now I thought I knew how. She was, after all, an
attorney, and a big local case would get her firmly established
in Eastport. Someday she could even defend little
Sadie Peltier, whom I had managed to shoo away earlier
in the day, bribing her with a handful of oatmeal-lace
cookies.

But she would be back. That was Sadie: she always
came back.

Arnold strolled over to me. "That fellow you knew,
from the boat basin. Guess he picked a pretty spectacular
way, end it all."

"Yeah, I guess he did."

Arnold gazed at me, unfooled. "No way of proving
that the dynamite he used is the stuff missing out of the
Quoddy boys' warehouse, though. Guess I'll have to
mark that one unsolved."

"Yes," I told Arnold. "Probably you will. Too bad.
But you know where it went, even though you can't
prove it. That ought to count for something."

Pack it against the fuel tank, Wade had explained to
me. Detonate by radio, once you're far enough away not
to be killed by the underwater concussion. It would be
simple, if you were up for that sort of thing, equipped for
the cold water and so on.

"Yeah," Arnold conceded. "Yeah, I guess it does." He
headed thoughtfully back to Clarissa's side.

"You know, Alvin," I added, turning to him again,
"I've got a feeling you'll have a good lawyer for Hedda,
after all."

She might even come home, someday: suitably medicated
and supervised, of course, so that she was no threat
to Alvin or to anyone else. He might get his wish. It was
within the realm of possibility.
Stranger things had happened.

"You think so?" he asked, unconvinced. But then, as
he looked at Arnold and Clarissa, and at Ellie and
George, something seemed to dawn on him: that this particular
bad old nightmare was over, whatever tomorrow
brought.


"Well, maybe so, at that," Alvin White said.


56



"You got those papers and the photograph Hedda had
torn up, and left them in that little box in the attic for me
to find. You knew it was Hedda, even before she told
you, as soon as you recognized the ice pick, but you
wouldn't say."


It was midnight, and everyone had gone home except
Ellie, and Wade was asleep in front of the television. I
washed another plate, rinsed it, and set it in the rack.

"I couldn't." Ellie dried another champagne glass.
"No one would have believed me, you know that. They'd
have thought I was only trying to get rid of Hedda.
Besides ..."

"I know, I know. You promised."

It was the bottom-line reason she hadn't said a word. I
sighed, expressing what I thought about the sensibleness
of this.

But on the earlier count, Ellie was right: Hedda's well-known
abuse of her daughter would have made Ellie's
accusation come out sounding like the vengefulness of an
ill-treated child, especially since Ellie had possessed no
proof.

"I was so sure that it was Nina," I said, wielding the
soapy sponge. "And her horrible cousin." They'd lit out
of town soon after my house fire, after I'd told Nina--
wrongly--that I knew what she'd done. Last I'd heard,
they'd been picked up in Canada, which had some very
interesting, little-publicized reciprocal arrangements with
U.S. authorities where war crimes were concerned.

Ellie looked at me. "Jacobia, think about it. If you knew
your husband was likely to die in six months, no matter
how much you hated him, would you risk killing him?"


"That depends on the husband," I said, thinking of
Victor.

But I took her point, which I had missed earlier on
account of Nina being such a greedy little minx.

"Anyway," Ellie went on, "I knew if I were caught
meddling with the ice pick, people would believe my confession,
and then you would go on and find out what
really happened, especially if I kept nudging you about
the portrait."
She stopped, looking down at her hands. Ellie had recognized
her mother in the old photograph, abandoned
when Hedda's relatives left my house years earlier. Alvin
would have, too, of course, but I hadn't ever gotten
around to asking Alvin.

Not that he would have answered. His own guilt had
kept him obedient, all those years.

"So," Ellie went on, "I wouldn't have to accuse her.
But I didn't realize that I'd be putting you in danger by
getting you involved. I didn't know she really had a gun."

Telling me about the portrait would have violated the
spirit of her promise to Alvin, at first because Hedda
simply didn't want anyone to see the unflattering contrast,
the before and after the photograph made clear, later
because Ellie realized how damning it was. From it, you
saw that Hedda hadn't merely aged badly, but that something
had happened to her, something devastating. And
from that Ellie had trusted me to sniff out a motive, and
put it together with where there's a will, there's a way.

Which of course there had been. All the snapshots of
her long-ago dancing days--a platinum-blonde Hedda
thickly made up in stage paint, swathed in a feather
boa--only made the portrait that much less recognizable,
an effect she would have endorsed heartily.

The girl she had been before New York, before Alvin
decided that if he couldn't have her, nobody could--

--the attack and her knowledge of who was behind it
ruining Hedda utterly, making her each year afterwards
more capable of murder, until finally she was and the
opportunity arose--


--that girl was gone, as far as Hedda was concerned,
until I propped the portrait on Hedda's kitchen counter,
and she found it there.

And from it, as guilty people will, she'd assumed that I
knew all.

Ellie couldn't say, because she'd promised. But if I
found it out myself, that would be all right.

"Remind me," I told her, "not to get into any theological
debates with you. But it's okay," I added, and I
meant about all of it: the parts that I understood, and the
parts--the risk Ellie had taken, the belief in me she'd
had--that I didn't. In the country of kept promises, after
all, I was from away, and could not be expected to
understand some things.

Or at least not all at once.

"But what if you were wrong?" I said. About, I meant,
whether she could count on me.

"Oh, I knew you'd sort it out, Jacobia," Ellie replied.
"Once you knew about the past, the present would be
obvious."

I did not comment at this display of blithe optimism.
Ellie folded the dish towel.

"And now that you have," she went on, "I believe you
may be the most experienced murder investigator in
Eastport."

"Maybe by default," I said, "until Clarissa Dow
arrives for good."

"But Clarissa won't have time to investigate things,
once she is in practice. Will she? She'll be a working
attorney, too busy with that. It will be up to us," Ellie
finished.

I turned from rinsing the last of the soapsuds down
the sink, noticing that the door to the storeroom had
sneaked open an inch and wondering what Ellie could
possibly mean by this extraordinary statement.

But of course I was about to find out.

"Do you," Ellie asked, "remember that fellow who's


supposed to have nailed his aunt and uncle into the
trailer home, up in one of the numbered townships?"


The town without a name. And he'd burnt it, after he
nailed them into it. "Yes, I remember."

"Well," she said, pouring a cup of coffee and sitting
down with it. "It turns out that this fellow, the accused,
is one of George's uncles."

I wasn't surprised. Half of Washington County is one
of George's uncles, and the other half is a nephew or
niece. Ellie wasn't only getting married, she was acquiring
a clan.

"Get to the point, please," I told her, as the storeroom
door eased shut again and latched with a decisive click!

"Well," Ellie said. "It's true that the uncle was there
that night, and it's true that there was an awful quarrel.
And he was seen speeding away just before the fire broke
out, so the police are certain he started it."

I waited while she sipped her coffee.

"And," she went on, "there is money involved. Quite a
lot of money. Forest land, with valuable hardwood on it,"
she explained. "And the fire marshall says the fire was
ignited by a cigarette. A lit," she emphasized, "cigarette."

"And the punch line?"

"The uncle has asthma. As bad as George's, maybe
worse."

Two different kinds of inhalers, I remembered, and
the pills. And George's deep hatred of cigarettes. He
really despised them.

It ran, he'd said, in the family.

I took an oatmeal-lace cookie out of the stash I'd held
back from the party. After a moment, Ellie took one, too.

Outside, the wind moved the sharply cut shapes of the
pines against a night sky bright with a full moon,
streaked with clouds streaming whitely across the scattered
stars.

"Interesting," I said, and we were off.
ABOUT THE AUTHOR


SARAH graves lives with her husband in the 1823 Federal-style
house that helped inspire The Dead Cat Bounce, in
Eastport, Maine.


Visit Eastport, Maine, on the Web at www.nemaine.com/eastportcc
--or visit in person! For information:
Eastport Chamber of Commerce, P.O. Box 254, Eastport,
Maine 04631. Phone: 207-853-4644.