CHARMED
6X02:  VALHALLEY OF THE DOLLS (PART 2)
ORIGINAL AIR DATE ON WB:  09/28/2003
TRANSCRIBED FROM WB

Written by BRAD KERN
Directed by JAMES L. CONWAY

Transcript by Intrepid
Courtesy of http://www.webphilia.com/~anthology/wnp.html

Do not archive this transcript without permission from the Transcriptionist.

RATING:  TV-PG-LV
==========================
DISCLAIMER:  
==========================
"CHARMED", "The Charmed Ones" and other related entities are owned, (TM) and (c) 
by CONSTANCE M. BURGE, AARON SPELLING Television Inc (A Paramount / Viacom Co.) 
and WB (AOL Time Warner Company). All Rights Reserved.  This transcript was made 
without their permission, approval, authorization or endorsement.  For Fair Use, 
for Entertainment and for Educational Purposes Only.  Any reproduction, 
duplication or distribution of this material in any form is expressly 
prohibited.  It is absolutely forbidden to use it for commercial gain. 

CONDITIONS OF USE:  (1)  Do not alter the content of this file.  (2)  Leave the 
headers/disclaimers in tact because it lists all those who have made this 
transcript possible for your enjoyment.  (3) Provide a link back to the site 
where this file originated:  http://www.webphilia.com/~anthology/wnp.html

Contact the Transcriptionist at (intrepidly002@yahoo.com)
==========================
SUMMARY:  Phoebe and Paige successfully rescue Leo from the Valkyries only to 
loose Piper to them in the process.  They must find a way for Piper to deal with 
her feelings so that she can come home.
==========================
CHARMED
6X02:  VALHALLEY OF THE DOLLS (PART 2)
==========================



FADE IN.

SCENE #25:  

[EXT. ALLEYWAY -- NIGHT]  

(The THUG is still in the back of the police car where DARRYL had put him.  He's 
braced himself at the back of the seat and uses his legs to kick at the grid to 
the front seat.  He continues to kick at the grid and grunts in frustration when 
he can't get through.)  

(He hears something, turns around and sees the greenish light of the vortex 
opening at the back of the alley.)

(The vortex opens and everyone steps through.  PHOEBE warns them to be 
cautious.)

PHOEBE:  Be careful of Darryl's body.

DARRYL:  Thank you.  (He looks down worriedly at his body.)  Is he--I mean, am I 
still alive?

PHOEBE:  Barely.

DARRYL:  Barely?

LEO:  We got to go back and get Piper.

PHOEBE:  How?  By force?  She won't come.  She's withdrawn.

PAIGE:  Besides, we can't go back now.

LEO:  But we can't just leave her there.

PHOEBE:  Leo, they're not gonna hurt her.  They need her to get to us.

DARRYL:  Listen, about my body ... 

PAIGE:  Oh, I'm sorry.  You can just step right back in.

DARRYL:  That's it? I mean, even though I'm solid?

PAIGE:  You're still a spirit.  Trust me.  

PHOEBE:  (smiles)  We got to go and figure out what to do.  Thanks again.

(LEO and everyone orbs out leaving DARRYL behind with his body.)

DARRYL:  Don't mention it.

(DARRYL turns and looks at his body on the ground where he died.  He approaches 
the body slowly and cautiously, unsure of what to do.  When he gets close 
enough, his body sucks his spirit back inside.)

(DARRYL gasps and wakes up.)

(He sits up suddenly and puts a hand to his heart, shoulders, arms and just 
about every where else to make sure he's alive.)

(Satisfied, he stands up.  He dusts his jeans and sighs with relief.)

(He also turns when he sees the vortex open and the three warriors step out into 
the alley.)

DARRYL:   (mutters)  Great. That's just great.

(Cut to:  The THUG watches behind.  He gasps, his jaw dropping when DARRYL comes 
flying out of the alley toward the car.)

DARRYL:  Aaah!

(DARRYL hits the glass with a thud and slowly slides down to the ground, his 
face mushed up against the glass.)

(The THREE WARRIORS steps out into the alley and look around.)

(DARRYL closes his eyes, exhausted.)

CUT TO:



[EXT. HALLIWELL MANOR - NIGHT]



SCENE #26:

[INT. MANOR - SITTING ROOM -- NIGHT]  

(LEO, PAIGE and PHOEBE orb into the sitting room.  CHRIS hears them and walks up 
to them.)

CHRIS PERRY:  Jeez, it's about time.  I was starting to get wor-

(He pauses and looks at them.)

CHRIS PERRY:  - where's Piper?

LEO:  Son of a bitch.  

(LEO steps forward and punches CHRIS in the face.  He grabs CHRIS and pushes him 
up against the wall.)

LEO:  Why'd you do it?

CHRIS PERRY:  Do what?

(LEO throws CHRIS across the room.  CHRIS flies over the couch and hits the 
table where he falls to the floor.)

PAIGE:  Leo, stop it!

(CHRIS orbs out.  LEO rushes over, grabs CHRIS through his orbs and throws in 
across the room against the wall where the framed wedding picture falls and 
cracks.)

(PHOEBE steps up between LEO and CHRIS as LEO takes a step forward toward him.)

PHOEBE:  Leo, enough!  This hostility is killing me.

PAIGE:  What is wrong with you?  You've been playing gladiator too long?

(CHRIS gets to his feet.  LEO glares at him.)

LEO:  You didn't tell them, did you?

PHOEBE:  Tell us what?

LEO:  That he was the last one to see me.  Right afterwards, I was mysteriously 
trapped in Valhalla.

CHRIS PERRY:  Oh, so what? That makes me responsible?  Is that what you're 
saying?

PAIGE:  Ok, why would Chris do that?

LEO:  Why else?  To get rid of me.

PAIGE:  It doesn't make sense.

LEO:  Doesn't it?  You manipulated things so I'd become an Elder.  Forced me out 
of the house, didn't he?

CHRIS PERRY:  So you could save the world.

PHOEBE:  All right, Leo, I know how upset you are and by "know," I mean I 
literally know.  But you're way off base here.  Chris has been the model 
Whitelighter since you've been gone.  He's done nothing but good.

PAIGE:  He sent us after so many demons.  If anything, he's been too good.

PHOEBE:  He's the reason we were able to save you.

CHRIS PERRY:  (mocks)  You're welcome.

LEO:  Where'd you get the pendants?

(CHRIS spreads his arms out, as if he's going to answer that question.)

PHOEBE:  (interrupts)  Leo!

LEO:  (lets it go)  All right.  All right. I'll let it go for now.  So where's 
Wyatt?  Can I see him?

PAIGE:  No, you can't.  He's staying with Sheila until we can figure out how to 
rescue Piper.

PHOEBE:  Which is gonna be hard because she doesn't want to be saved.

PAIGE:  Well, if we're gonna save her, it's gonna have to be as witches, not as 
Valkyries.

(PHOEBE and PAIGE both take the pendants off and immediately transform back to 
their selfs.)

PAIGE:  Book of Shadows?

PHOEBE:  You got it.

(They both head out of the room.  LEO glares at CHRIS who doesn't seem thrilled 
to see him there also.)

CUT TO:



SCENE #27:

[INT. VALHALLA - CAVE -- DAY]

(PIPER sits on the chair and lets MIST 'read' her.)  

FREYJA:  Well?

MIST:  She's Valkyrie.  But it's not pure.  Deep inside I sense - 

KARA:  Witch?

MIST:  Yes.

KARA:  I told you. She came with the other witches.  She has to be one, too.

MIST:  But it's very faint.  I could barely read it.

FREYJA:  Still, she helped them escape with the warrior, didn't she?

MIST:  Yes, but she didn't escape with them.

KARA:  Maybe they left her behind.

MIST:  Why would they do that?

KARA:  Because they would have been caught if they hadn't.

FREYJA:  Either way, she can be of value to us.  She wouldn't be the first witch 
to convert.  And if she has, then we've gained a powerful sister.  But if it is 
just a spell and she's not truly one of us, then we'll use her to lead us to the 
other two.  After all, we can't have anybody knowing where to find us and 
risking what we do, now, can we?

KARA:  What about the warriors who followed them?  Aren't you concerned about 
them being exposed?

FREYJA:  They're well trained.  They'll know how to avoid it.  Besides, 
hopefully they'll find the witches and take care of the problem for us.  What do 
you think about that?

(PIPER stands up.)

PIPER:  I think that if they don't, we will.

CUT TO:



SCENE #28:

[EXT. STREET -- NIGHT]

(The WARRIORS are fighting several MEN.  One MAN falls with a knife in his gut.  
The second MAN is on the floor as the WARRIOR plunges his sword into him.  The 
third MAN is dead against the back of an open truck.  The SWORDSMAN swings his 
sword around from the kill.)

(The MAGI looks around.)

(The three WARRIORS walk away from the area leaving six dead bodies behind.)

CUT TO:



SCENE #29:

[INT. MANOR - ATTIC -- NIGHT]  

(Everyone is gathered in the attic as they discuss how to get PIPER back.  PAIGE 
flips through the Book of Shadows.  While the others talk, PHOEBE remains very 
quiet.)  

CHRIS PERRY:  I don't understand.  Why don't we just storm the place and find 
her?  It's not like we don't know where she is.

LEO: Because they would be expecting it, that's why.  It'd be suicide.

CHRIS PERRY:  We got you out safely, didn't we?

LEO:  But it cost us Piper.

(As the discussion heats up, PHOEBE channels their emotions.)

PHOEBE:  Ok, you guys, would you knock it off?  I'm still reeling from Piper's 
emotions.  I don't need this.

CHRIS PERRY:  (sighs)  Sorry.

PHOEBE:  So how's it going?

PAIGE:  I am almost done.  I don't mean to burden you with my emotions, but I 
don't quite see how reversing the memory spell is gonna help.

PHOEBE:  Piper needs to believe she's a Valkyrie because it's too painful for 
her to be herself.  Way too painful.  Believe me, I almost passed out back 
there.

CHRIS PERRY:  Well, then believing she's a Valkyrie is the perfect option.  To 
serve the greater good, they're always in control.  And they don't have to deal 
with pain or loss.

PHOEBE:  Well, that's why we have to make Piper believe she's Piper again.  
Because if we don't get her back mentally, it won't matter if we get her back 
physically.

PAIGE:  Ok, but Piper wasn't exactly back before the spell either.

LEO:  What do you mean?

PAIGE:  Well, that little magical whammy you performed on her kind of, um, 
backfired.

PHOEBE:  Yeah.  You see, after you left, Piper was really ... 

PAIGE:  ... chipper.  Yeah, incessantly, increasingly ... annoyingly chipper.

PHOEBE:  What she said.

LEO:  Well, it was supposed to make her feel less pain.  I guess with me not 
around to pull it back a little bit she got happier and happier.

PAIGE:  Uh, no.  Psychotically chipper.

(CHRIS claps, rubbing it in.)

CHRIS PERRY:  Way to go.

PHOEBE:  (annoyed)  Chris ...

CHRIS PERRY:  What?

(PHOEBE puts her hand to her forehead.)

PHOEBE:  I swear my new power is gonna drive me crazy.

LEO:  (reassures)  You'll get the handle of it.  Just be patient.

PHOEBE:  (looks at LEO)  Are you sure? Because I remember Prue almost being 
destroyed that time that she was an empath.

LEO:  Well, she wasn't supposed to become one.  You are.  Maybe all this with 
Piper has made it happen a little sooner.  But you can handle it.  I know you 
can.

PHOEBE:  I just wish I knew how to turn it on and off.  I feel like I'm at the 
mercy of everyone else's feelings.  And it sucks.

PAIGE:  Bright side? Maybe you can actually find out how Jason feels about you.

PHOEBE:  Yeah, but what if it's not good news?

PAIGE:  Ha! Then you dump him before he dumps you.  

(PHOEBE can't help but smile at that.  Even CHRIS smile a bit.)

PAIGE:  Uh, I think the spell's finished.

(Downstairs, the doorbell rings.  A dog barks.)

(Just then, OSCAR runs into the attic.  He heads straight for PAIGE.)

PAIGE:  (rolls her eyes)  Oh, great.

LEO:  You got a dog?

PAIGE:  No, I got a career.

CHRIS PERRY:  Sore subject.  Don't ask.

(OSCAR barks twice.)

PAIGE:  All right, I'm coming.

(PAIGE heads for the door.  As she passes PHOEBE, she holds out her hand.  
PHOEBE grabs it, stands up and they both head out the door.)

CUT TO:



SCENE #30:

[INT. MANOR - FOYER / FRONT DOOR -- NIGHT]  

(The door opens.  PHOEBE and PAIGE stare at DARRYL in shock.  His face is cut up 
and bleeding.  He appears exhausted.)  

PHOEBE:  Oh, my god.  Darryl, what happened?

DARRYL:  I think I just got attacked by Attila the Hun.

CUT TO:



SCENE #31:

[EXT. VALHALLA - JUNGLE -- DAY]  

(On the bank of the waterfall pool, FREYJA and MIST attend to PIPER.  KARA runs 
up to them.)

KARA:  Freyja, I need to speak with you.  (She eyes PIPER warily.)  In private.

FREYJA:  You can speak freely.

KATA:  The warriors who followed the witches -- they've killed civilians.

MIST:  What?

FREYJA:  Innocents?

KATA:  I don't know. But they turned off their locators.

PIPER:  What does that mean?

MIST:  They're trained to do that when the final battle between good and evil 
begins.

KARA:  We have to stop them.

MIST:  But how can we?  We have no way of finding them in the city.

PIPER:  I'm from the city.  I can help you find them.

(FREYJA and MIST turn to look at KARA who appears that she must reluctantly 
accept PIPER'S help.)

(Camera holds on PIPER.)

FADE OUT.

(COMMERCIAL SET)



FADE IN.

[EXT. HALLIWELL MANOR - EARLY MORNING]



SCENE #32:

[INT. MANOR - SITTING ROOM -- DAY]  

(DARRYL leans back against the sofa as LEO heals him.)

LEO:  Feeling better?

DARRYL:  Yeah. Thanks, man.  It's good to have you back.

LEO:  Thanks for helping me get back.

CHRIS PERRY:  (interrupts)  Ah, don't mention it.

(LEO glares at CHRIS, finding his interruption not funny at all.  PHOEBE reaches 
out and whacks CHRIS on the leg.)

PHOEBE:  Would you ...  

(CHRIS shuts up.  PHOEBE turns to look at DARRYL.)

PHOEBE:  How long after we left did the warriors show up?

DARRYL:  Not long. Maybe a couple of seconds.

PHOEBE:  They must have followed us from Valhalla.

PAIGE:  Great. That means they're after us now.

DARRYL:  Except they didn't hang out long enough to ask me where to find you.  
Granted, I was looking through swollen eyes, but they just seemed lost and 
confused.

CHRIS PERRY:  So what? They just took off?

DARRYL:  Thank goodness they did because--

PHOEBE:  We should have never put you in that situation.  We should have come up 
with another way.

DARRYL:  Forget it.  You know, it worked.

CHRIS PERRY:  Yeah, for you maybe.  What about the next poor guy that runs into 
those warriors?  They're trained killers.

(OSCAR barks and jumps up to sit with PAIGE.)

PAIGE:  Yeah, but they only kill evil.

CHRIS PERRY:  (points to DARRYL)  He's not evil.

LEO:  Chris is right.  Not everything is black and white in this world.  And 
warriors can't always tell the difference between good and evil.

PHOEBE:  What do we do?

LEO:  We need to find them fast.

DARRYL:  That shouldn't be too hard.  They're gonna stand out ... even in San 
Francisco.

LEO:  Which is why we need to move fast.  If they're exposed, so are the 
Valkyries.

PAIGE:  You're awfully forgiving, considering everything they put you through.

LEO:  They still have a noble purpose to perform.  Keeping their secret is key 
to them fulfilling it.  Besides, it's not the Valkyries' fault that I ended up 
there.

(LEO glares pointedly at CHRIS.)

CHRIS PERRY:  Which brings us back to the warriors.

PHOEBE:  And let's not forget about Piper.

LEO:  Maybe we should split up.  (to DARRYL)  You should go to the police 
station.  They're gonna show up on the radar screen in a big way.

(DARRYL'S pager goes off.  He glances at it.)

DARRYL:  You know what?  Office is paging me anyway.

(DARRYL gets to his feet and heads for the door.)

LEO:  Make sure you're the first cop on the scene.  We might need you to buy us 
some time.

DARRYL:  Ok. You got it.

(DARRYL leaves the house.)

(PHOEBE gets to her feet.)

PHOEBE:  Uh, maybe I should go to the newspaper and do the same thing.

LEO:  Good idea. Paige -

(PAIGE stands up.)

PAIGE:  I should take Oscar home before I get fired.

LEO:  You're kidding, right?

PAIGE:  No. I promised the temp agency I'd have him back in the morning and, 
huh, it's the morning.  

LEO:  Uh, ...

PAIGE:  Before you say anything, you've been gone, some things have changed, and 
one of those things is that I'm determined now more than ever to have a life 
separate from being a witch.

LEO:  Fine, but now?

PAIGE:  Yeah. I've already done the reversal spell.  Can't do it without Piper, 
and we don't know how to get her, so ... I'm just an orb away if you need help.

(PAIGE leaves the room.  LEO tries to stop her, but PHOEBE stops him.)

LEO:  Paige --

PHOEBE:  Let her go.  It might seem silly to you, but it's important to her, I 
know.

CHRIS PERRY:  See?  It helps to be an empath.

PHOEBE:  No, it helps to be a sister.  And while we're on that subject, we have 
to come up with another plan to get Piper out of Valhalla.

LEO:  She's right.

(PHOEBE turns to leave the room.  LEO moves toward CHRIS.  He grabs CHRIS' arm 
and orbs them both out.)

LEO:  Come on, let's go.

CHRIS PERRY:  But-

(They orb out of the manor.)

CUT TO:



[EXT. VALHALLA ISLAND - DAY]



SCENE #33:

[INT. VALHALLA - CAVE / CAGE -- DAY]  

(OTHER WARRIORS walk through the cave past the cage.  They turn as they hear 
voices.)

LEO:  (o.s.)  Come on.  Get in there.

CHRIS PERRY:  (o.s.)  Easy.

WARRIOR:  Who goes there?

(LEO drags CHRIS in to the cave.  LEO turns to the other WARRIORS.)

LEO:  What's the matter, don't you recognize me?

WARRIOR:  Leo. But we'd heard that the witches had broken you out.

LEO:  Disinformation.  Enemy's favorite tactic.  Don't fall for it again.

WARRIOR:  Right. Sorry.  It's just that everyone's a little on edge, especially 
since the alert's been sounded again.

LEO:  I know. I found the intruder.  (LEO turns to look at CHRIS.  CHRIS looks 
back at LEO in alarm.)  Where's Freyja? She'll want to question him.

WARRIOR:  She's not here.  She went after the warriors in the city.

LEO:  And the new Valkyrie?  Where is she?

WARRIOR:  They took her with them.

LEO:  All right. Then I'll have to question him myself.  

(LEO opens the cage door and tosses CHRIS inside.  The WARRIOR takes a step 
forward to assist.  LEO turns to him.)

LEO:  Alone.

(The WARRIOR and the others turn and leave the cave.)

(Once alone, LEO shuts the cage door behind him, trapping both him and CHRIS in 
the cage.)

(LEO leans down and picks up two swords from the ground.)

CHRIS PERRY:  What are you doing?  (alarmed)  Leo, what's going on?

(LEO starts to circle the cage.  CHRIS moves away from LEO.)

LEO:  I'm gonna get the truth out of you one way or another.  No sisters around 
here to help you this time.  No orbing ... no way out.  

(CHRIS trips over the skull.)

LEO:  Just you and me.

(LEO tosses the sword on the ground at CHRIS' feet.)

CHRIS PERRY:  You're joking, right?  I mean, shouldn't we be getting back to 
filling in Phoebe and Paige and find Piper?

LEO:  I already lost Piper.  Pick it up.

CHRIS PERRY:  You know, this isn't funny anymore.  This isn't very Elder-like 
either.

LEO:  Yeah, being trapped here for five weeks and fighting for my life has 
changed me a lot.  Pick it up.

(CHRIS glances down at the sword and shakes his head.)

CHRIS PERRY:  Forget it.  

(LEO kicks the shield up into CHRIS' arms, then charges at CHRIS with the sword, 
swinging and forcing CHRIS to protect himself.  LEO hits the shield.  CHRIS 
falls down under the shield as he picks up the sword.  They fight.)

(With ease, LEO strikes CHRIS down to the ground.)

CHRIS PERRY:  (panting)  I didn't do it.

(CHRIS tries to stand up, LEO kicks the sword out from his hand and across the 
cage floor.  CHRIS goes after the sword, LEO'S right on top of him.  LEO has 
CHRIS down on the ground with the tip of his sword at his neck.)

CHRIS PERRY:  You can't kill me.  I'm a Whitelighter.

LEO:  (softly)  No?  Then why are you sweating?  ...  I'm gonna find out the 
truth.  I'm gonna find out who did this to me,  I promise.  Right now we're 
gonna go catch up with Phoebe and Paige and have a little chat with the Elders.

(LEO pulls CHRIS up to his feet.)

WHITE FLASH TO:



SCENE #34:

[EXT. STREET -- DAY]  

(A camera flashes.  The POLICE OFFICERS snap photos of the crime scene.  One of 
the dead bodies has a knife sticking out of his abdomen.)  

(Crime scene tape is being put up to keep the curious bystanders away from the 
area.  The Medical Examiner's van back up.)

(In the nearby alley, a vortex opens and the four Valkyries step out.  The 
vortex closes behind them.)

(They walk out to the mouth of the alley and see the activity and dead bodies 
outside.)

KARA:  This is the last place they were before they turned off their locators.

FREYJA:  Why did they do this?  This is not what we're training them for.

PIPER:  Maybe they were confused by all the evil in the city.  It's everywhere.

MIST:  Then how will we find them before they hurt anybody else?

PIPER:  I could scry for them.

KARA:  (distastefully)  You mean like a witch can?

(PIPER doesn't say anything.)

FREYJA:  What do you need?

PIPER:  Something of the warriors'.  The knife.

(FREYJA holds out her hand and the knife disappears from the victim's body and 
reappears in her palm.)

FREYJA:  Anything else?

BIKER: (o.s.)  Well!  

(They turn around to see a BIKER walk out of a bar.)

BIKER:  Hell's bells.  What have we got here?  Ha ha ha ha!  What, is there a 
Xena convention in town or something?

(KARA steps forward.)

KARA:  On your knees.

BIKER:  Excuse me?  I got a better idea.  How about you get on your knees 
instead?

(KARA steps forward and with a wave of her hand, 'forces' the BIKER to his 
knees.)

KARA:  Who are you to speak to us that way?

FREYJA:  (warning)  Kara.

KARA:  You don't command us.  We command you!

(PIPER steps forward and pushes KARA'S arm down, letting the BIKER go.)

KARA:  (to PIPER)  How dare you!

PIPER:  This isn't Valhalla.  You don't have dominion over men here.

(The BIKER gets back up to his feet and runs into the bar.)

FREYJA:  Then how do you train them? How do they take orders?

PIPER:  They don't. They do what they want.

(The BIKER comes back out to the alley with reinforcements, about a dozen other 
BIKER MEN and WOMEN from his gang.  He spreads his arms out as if in challenge 
to the VALKYRIES.)  

(MIST, PIPER, FREYJA and KARA stare at the group, unperturbed by their numbers.)

PIPER:  You know, I have an idea of how we can blend in better.

CUT TO:



SCENE #35:

[EXT. ALLEY WAY BEHIND BAR - DAY - SHORT TIME LATER]  

(Camera close up of a leg pushing down on the bike motor as its engine roars to 
life.  PIPER settles herself comfortably on the bike.  She is now dressed in 
leather and jeans.  She puts on her sunglasses and glances over at the other 
girls, also dressed in leather and jeans.  They each command their own bike.)  

(Leading the way, PIPER rides off.)

(Behind them, they leave the dozen members of the BIKER GANG tied up and 
subdued.  Camera rests on the final BIKER MAN sitting in a trash can with a 
bandana stuffed in his mouth.  He watches them ride off and shakes his head.)

(Cut to:  [EXT. STREET - DAY]  PIPER and the other VALKYRIES maneuver their 
bikes down the street past the crime scene.)

(DARRYL turns around and sees PIPER on the bike riding by.)

CUT TO:



SCENE #36:

[INT. BAY MIRROR - BULLPEN -- DAY]  

(PHOEBE walks into the bullpen.  She's on the phone talking with DARRYL.)

PHOEBE:  (to phone)  A motorcycle, Darryl?  Are you sure?  That is just so not 
Piper.  Leo did say that she might be back.  All right. Well, I'll call Paige, 
and you keep an eye--

(PHOEBE glances up and sees JASON DEAN walk out of his office.)

PHOEBE:  Oh, my god.  

(PHOEBE holds up her phone trying to hide behind it, but he definitely sees 
her.)

PHOEBE:  (to phone)  Let me call you back.  Let me call you back.

(PHOEBE hangs up.)

PHOEBE:  Jason, hi.  What are you doing here?

JASON DEAN:  Who, me?  I own the place.

PHOEBE:  Right. And I work here.  That's why I'm here.  Hmmm ...

(He steps forward and kisses her.  The other staff members watch them as they 
kiss.)

(He pulls away.  PHOEBE is disoriented and completely out of it.)

PHOEBE:  Oh ... I ... 

[CUE SOUND:  PHOEBE'S EMPATH ABILITIES]

PHOEBE:  Wh-what was I saying?

JASON DEAN:  Did you forget I was flying in today?

PHOEBE:  No.  Of course I didn't forget that you were flying back today.  I'm 
just a little scattered, that's all.  Is the air conditioning not working in 
here or what?

(PHOEBE starts fanning herself with her hand.)

JASON DEAN:  Uh, it feels fine to me.  Phoebe, you look great.  Really.  I like 
your hair.

PHOEBE:  (smiling)  Thanks.  I like yours, too.

(JASON turns and leads PHOEBE back to his office.)

JASON DEAN:  Uh, listen. I was gonna go home, unpack, take a shower, but I was 
hoping that maybe later we could get together and have some dinner.  

[INT. BAY MIRROR - JASON'S OFFICE - CONTINUOUS]

JASON DEAN:  You know, I know we don't have anything planned officially, but I 
was thinking that because ...

(Once inside the office, PHOEBE grabs JASON by his shirt and pulls him into 
another kiss.  She really gets into it, completely carried away by what she's 
feeling.)

JASON DEAN:  I'm gonna take that as a "yes," then?

(PHOEBE starts backing away from JASON.)

PHOEBE:  Oh, no, no, no, no.

(She backs away and trips over the chair in front of his desk.)

PHOEBE:  No, no, no, no.  No.

(JASON moves forward toward her.  PHOEBE continues to back up moving behind 
JASON'S desk, trying to put some distance between them.)

JASON DEAN:  No?  All right, uh ... I just really missed you, Phoebe.

PHOEBE:  Oh, I know.  I can tell.

PHOEBE:  Uh ... it's just, uh ... it's very hard -- I mean, I mean ... hard to 
explain.  That kind of hard, you know.  Not the other kind of hard.  Am I making 
any sense?

JASON DEAN:  (shakes his head)  Phoebe.

PHOEBE:  No, no, no, no.

(PHOEBE maneuvers herself around the desk and back toward the door.)

PHOEBE:  Don't come any closer.  It'll just get harder.  Phew.

(JASON follows her and leans forward to kiss the back of her neck.)

PHOEBE:  Oh, god.  

[CUE SOUNDS OF PHOEBE'S EMPATH ABILITIES]

(JASON continues to kiss PHOEBE.

PHOEBE:  Oh, god. I ju ... I ca ... I ca-ca ... I can't.  Say bye-  ye.  Bye-
bye. Bye-bye.  B...

(She whirls around and grabs JASON.  They start to kiss oblivious to the 
audience staring at them through the open door.)

(JASON raises his eyes and notices the office staff staring at them with 
interest.)

(He reaches out and shuts the door.)

(The office staff groans with disappointment.)

CUT TO:



[EXT. SAN FRANCISCO CITY (STOCK) - DAY]



SCENE #37:

[INT. CHOP SHOP  -- DAY]  

(At another area that looks like a car chop shop warehouse of sorts, the 
WARRIORS have just finished killing more MEN.  A MAN'S cries can be heard off 
screen.)

(The SWORDSMAN turns to look at the entrance when he hears motor bikes outside.)

(PIPER and the other VALKYRIES ride into the warehouse.  The WARRIORS line up 
side-by-side, preparing themselves to fight again.)

(FREYJA takes off her sunglasses and gets off of her bike.)

FREYJA:  No, wait.  It's me.

(She steps up toward them.  The other VALKYRIES follow.)

FREYJA:  You're making a mistake.  This is not the final battle.  We've come to 
take you back to Valhalla.

(The WARRIORS look at each other.)

SWORDSMAN:  What do you think?

MAGI WARRIOR:  I think the enemy wears many masks.

SWORDSMAN:  Hmmm

(Giving out a loud battle cry, they raise their weapons and charge toward the 
VALKYRIES.)

FADE OUT.

(COMMERCIAL SET)



FADE IN.

SCENE #38:

[EXT. SIDEWALK -- DAY]  

(PAIGE is on the phone while walking OSCAR the dog.)

PAIGE:  (to phone)  Look.  You're the agency.  How could you not know they were 
leaving town?  They abandoned their dog.  That is animal cruelty, ok?  No! I 
can't take care of the dog.  I've got responsibilities, pressing ones, too.  And 
besides, I need to make a statement to my family.  This is not helping here.  
(pauses)  Hello?  Hello?

(She hangs up and looks up at the sky.)

PAIGE:  What am I doing?

(OSCAR barks.)

PAIGE:  Ok, I'm just gonna have to trust the universe.  Things happen for a 
reason.

(Come to think of it, there are a lot of dogs barking and making a big ruckus.  
PAIGE notices the barking.)

PAIGE:  What is going on here?

OSCAR (THE DOG):  Bad-ass fight, that's what.

(PAIGE looks at the empty sidewalk.)

PAIGE:  Who said that?

OSCAR (THE DOG):  Whoa. Wait. You mean you can hear me?  

(PAIGE turns to look down at OSCAR.)

OSCAR (THE DOG):  Well, hallelujah.  It's about time.

PAIGE:  Please don't tell me you're talking to me.

OSCAR (THE DOG):  Are you kidding?  I've been trying to get your attention for 
two days now.  I'm in serious trouble, here.  

PAIGE:  Ok. It's ok, Paige.  You've dealt with weirder things than this.  Hey, 
maybe-maybe my powers are just advancing.  Maybe I can understand animals now.

OSCAR (THE DOG):  Oh, please.  Give me a break.  Until you accepted that there 
might be a reason you got this job, you weren't gonna be open to helping me.

PAIGE:  Help you do what?

OSCAR (THE DOG):  Reverse an evil witch's curse and make me human again.  Come 
on.  If I'm evil, too, it won't work.  You know that.  What have you got to 
lose?

PIAGE:  Well, that's a good point.  This day couldn't get much suckier.  Ok, 
here goes. Uh ...  
     I call upon the Halliwells, 
     I call our powers to undo this spell, 
     make right again, that we must, 
     reverse the curse that made this mutt.

(OSCAR glows a bright and suddenly transforms into a MAN.)

OSCAR:  Whew.  That's better.  Thanks.

PAIGE:  All right, don't mention it.  As long as you don't hump my leg anymore, 
we'll be cool.

OSCAR:  Ahem. Yeah. Sorry.  That's just what dogs do when they like someone.

PAIGE:  Aw. That's very sweet.  Why did an evil witch turn you into man's best 
friend, anyway?

OSCAR:  Well, it's kind of complicated.  Let's just say there were a million 
reasons.  But let me help you.  All those dogs out there, they're barking 
because there's some serious magic in the air, the kind of magic that you might 
be looking for.

(PAIGE thinks about that comment.)

CUT TO:



SCENE #39:

[INT. BAY MIRROR - JASON'S OFFICE -- DAY]  

(PHOEBE reaches up and grabs the desk.  She pulls her self up. Her top is uncone 
and she's panting.)

PHOEBE:  I am so sorry.  

(JASON also sits up from behind the desk, pulling his shirt on.  He's also 
panting.)

PHOEBE:  I didn't mean for that to happen.

JASON DEAN:  Why not?  Why are you apologizing?  You were unbelievably--

PHOEBE:  (interrupts him)  Oh, please don't say it.  Just don't.

(JASON starts buttoning up his shirt.)

JASON DEAN:  Well, it wasn't just you, you know?

PHOEBE:  Oh, yeah, I know.  I just--I, uh,  I wasn't myself that's all.

(PHOEBE pulls the straps to her blouse up over her shoulders.)

JASON DEAN:  (shakes his head)  I don't understand.

(PHOEBE stands up and walks over to the sofa.)

PHOEBE:  Yeah, I know you don't, and that's ok.  As long as you stay on that 
side of the room, everything should be fine.  It's the only way that I really 
know what I'm feeling.

(She sits down on the sofa, well away from JASON.  JASON takes a step forward.)

JASON DEAN:  Phoebe.

(She holds up a hand to stop him from coming too close to her.)

PHOEBE:  Please, please.  Don't. Don't.

JASON DEAN:  Hey.  (concerned)  What's the matter?  You can talk to me.  We like 
each other, Phoebe.  You don't have to be afraid of that.  I'm not gonna hurt 
you.

PHOEBE:  (smiles)  Really?

JASON DEAN:  Really.  Come here.

(He holds out his hand.  She stands up and he holds her in his arms.  She rests 
her cheek against his chest.  All fine for about a couple of seconds.  Then 
JASON starts kissing the back of her neck.)

[CUE SOUND:  PHOEBE'S EMPATH ABILITIES]

(PHOEBE'S eyes open.)

PHOEBE:  Oh, no. Not again.

(She pushes herself away from JASON and out of his arms.)

JASON DEAN:  (puzzled)  What?

PHOEBE:  (glances down at him.)  What do you mean, what?  Don't think I don't 
know.

(JASON shrugs.  There's a knock at the door.  PHOEBE turns to answer it.  PAIGE 
is standing there.)

PAIGE:  Hi.

PHOEBE:  Hi.

PAIGE:  Excuse us.  You got a minute?

(PHOEBE turns around to look at JASON who nods.)

(PAIGE grabs PHOEBE and pulls her out of the office.  PHOEBE shuts the door 
behind her.)

[INT. BAY MIRROR - BULLPEN - CONTINUOUS]

(PAIGE starts to scold PHOEBE.)

PAIGE:  What is the matter with you? Weren't you supposed to be--

PHOEBE:  ok, but you don't have to yell at me, because I can sense how mad you 
are.

PAIGE:  Ok, just because you can sense doesn't mean I can't vent.

PHOEBE:  Where are we going right now?

PAIGE:  To find Piper, I hope.

PHOEBE:  You know where she is?

PAIGE:  Yeah. A little doggie told me.

(They both leave the office.)

CUT TO:



SCENE #40:

[INT. CHOP SHOP -- DAY]  

(PIPER and the other VALKYRIES fight with the WARRIORS. PIPER fights with the 
SWORDSMAN, FREYA and MIST fight with the MAGI while the BARBARIAN stands on the 
catwalk above holding KARA high up above his head.  PIPER turns and sees him 
throw her down on the car below.)

(KARA watches as the BARBARIAN jumps down to the car below.  PIPER sees it also.  
She quickly jumps onto the car, grabs the chain and rides the pulley toward the 
BARBARIAN just as he pulls out his sword to finish KARA.)

(He pulls his sword back when PIPER kicks him in the back and knocks him off of 
the car.  She lands on the car in the spot where he once stood overlooking 
KARA.)

(KARA turns to look at PIPER who has just saved her life.)

PIPER:  Come on. Get up.

(PIPER holds out her hand and pulls KARA to her feet.  KARA looks at PIPER 
gratefully.)

(The BARBARIAN gets to his feet.  The SWORDSMAN also gets to his feet.  Both 
PIPER and KARA go to continue the fight.  This time, KARA faces the SWORDSMAN 
while PIPER fights the BARBARIAN.)

(The SWORDSMAN charges toward KARA.  She hits him and knocks him onto the nearby 
car.  She grabs a tire iron.)

(PIPER and the BARBARIAN fight.  He swings at her, she does a back flip out of 
the way.  She holds out her hand and pulls a tirecap to her.  The BARBARIAN 
swings down on her.  PIPER blocks the blow with the tirecap.)

(KARA and the SWORDSMAN fight.)

(MIST and FREYA fight with the MAGI.)

(PIPER holds her own with the BARBARIAN.  She manages to hit him in the abdomen, 
knocking him back to the ground.)

(The SWORDSMAN jumps over KARA and kicks her in the back.)

(The BARBARIAN gets to his feet and continues to attack PIPER.  She uses the 
chain to block the sword's blows.)

(PAIGE and PHOEBE orb into the chop shop.)

(They look around and see the fighting and look around to find PIPER just as she 
kicks the BARBARIAN in the groin.)

PHOEBE:  Ooh! Way to go, Piper.

(PAIGE taps PHOEBE on the arm and glares at her.)

PHOEBE:  What? She's good.

(PAIGE and PHOEBE wait for PIPER who finishes with the BARBARIAN knocking him 
out.  She looks around the chop shop and sees them at the other end.)

(PIPER looks over at FREYJA who has also noticed PAIGE and PHOEBE.)

PIPER:  (to FREYJA)  I'll take care of them.

(PIPER starts walking toward them.  PHOEBE sees her and quickly motions for 
PAIGE to say the spell.)

PHOEBE:  Reversal spell!  Reversal spell!

PAIGE: All right, uh, 
(reading)
     Spell was cast.  
     Now make it pass.  
     Remove it now.  
     Don't ask me how.

(Nothing happens.  PIPER swings her arm and sends PAIGE into the wire cage 
behind her.  PAIGE hits it with a force that sends her crashing to the ground.)  

PHOEBE:  (to PAIGE)  Well, it serves you right.  What kind of spell was that?

(PIPER continues to advance on PHOEBE.  PHOEBE turns around to look at PIPER.)

PHOEBE:  Ok, Piper, I know why you would rather be one of them.  It's because 
you don't want to feel pain.  But you have to feel the pain, because if you 
can't feel the pain, then you can't feel the good stuff either, you know?  

(PIPER stops and stares at PHOEBE.)

PHOEBE:  Right?

(PIPER whirls around and kicks PHOEBE sending her down to the ground also.)

PIPER:  Hyah!

(PIPER tosses her hair back.  PAIGE is still on the ground.)

PAIGE:  (scoffs)  Oh, and that was so much better.

(They both get to their feet.  PIPER starts walking toward them again.)

PHOEBE:  Oh, well, uh, you--it...

(Outside, tires screech as a police car arrives at the scene.  DARRYL gets out 
of the car, gun drawn.  PIPER squints at him as she recognizes him.)

(DARRYL rushes into the warehouse.  He raises his gun at the fighting in front 
of him.)

DARRYL:  Police!  Drop your weapons!

(Behind DARRYL, the BARBARIAN comes to and stands up.  While his attention is on 
the people in front of him, DARRYL is unaware that the BARBARIAN has just taken 
out a knife.  He gets ready to throw it.)

PHOEBE:  (warning)  Piper.

(PIPER watches as the BARBARIAN throws the knife at DARRYL'S back.)

(PIPER freezes the throw.)

(The BARBARIAN stare at the knife, surprised.  DARRYL slowly turns around and 
finds himself staring at the knife in mid-air.  He glances up at the BARBARIAN.)

(DARRYL turns to the side and sees PIPER.)

(Taking the opportunity to show the WARRIORS, FREYJA touches her pendant and 
opens the vortex.  The MAGI, the BARBARIAN and the SWORDSMAN look at the 
vortex.)

FREYJA:  Now do you believe me?  

(The MAGI lowers his eyes.)

FREYJA:  Go. Get in.

(One by one, they head for the vortex.  The BARBARIAN steps forward and takes 
his knife out of the air in front of DARRYL'S  face.)

(He turns and leaves with them.)

(One by one, they enter the vortex.)

FREYJA:  Piper, let's go.

PAIGE:  Piper, don't go.

(PIPER turns and looks at PAIGE.)

KARA:  (cc)  Piper.

(PIPER turns to look at KARA at the other end of the warehouse.  She motions for 
PIPER to come.  An invitation.  An acceptance.)

KARA:  Hurry.

PHOEBE:  Please.

(PIPER doesn't turn around.  KARA looks at PIPER and silently urges her to joint 
hem.  PIPER steps forward and rushes toward the vortex.)

(Without a backward glance, she enters the vortex.)

(It closes behind her.)

(PHOEBE turns to look at PAIGE who stares at the empty space where PIPER used to 
be.)

FADE OUT.

(COMMERCIAL SET)



FADE IN.

SCENE #41:

[INT. MANOR - CONSERVATORY -- DAY]  

(Everyone has gathered to discuss how to get PIPER back.)

PHOEBE:  There's got to be a way to get Piper out of there.  I know it.

PAIGE:  Unfortunately, the reversal spell, as you so kindly pointed out, didn't 
exactly help Piper remember who she was.

PHOEBE: What do the Elders think?

CHRIS PERRY:  They think it had to be a Demon who stuck Leo in Valhalla.

LEO:  But they're not sure.

CHRIS PERRY:  Still, it's their leading theory.

PAIGE: Guys, this is about Piper.

LEO: Actually, the Elders believe your new power is key to helping save Piper.

PHOEBE:  My new power?  How do they figure?  All it's done is make things worse.

LEO:  There's a reason you received it, and they -- we believe it's to help save 
Piper.  So what exactly did you feel the last time from her?

PHOEBE:  (sighs)  Ah, not much.

PAIGE:  And yet you said you felt something familiar -- little things.

PHOEBE:  Well, I mean, obviously I felt pain ... (realizes) ...and desire ... to 
help.

PAIGE:  Ok, well, she helped Darryl, and that wasn't with her Valkyrie powers.  
That was with her Charmed powers.

CHRIS PERRY: The witch within must still be alive.

LEO:  And that's how you're gonna reach her.

PHOEBE:  But how? I mean, just because I could feel some glimmer of Piper's 
feelings doesn't mean she can.  She's completely cut off from them.

CHRIS PERRY: Wait.  Wait.  Wait. Hold it.  Isn't there a spell in the book that 
allows somebody to feel what you feel?  Which, in this case would be Piper 
feeling what you're feeling Piper should be did that make sense?

PAIGE:  Um, frighteningly, it did.  What about that spell I used on Cole last 
year, the one to make him sense whether or not you loved him?  I could reword it 
for Piper.

PHOEBE:  Actually, that's worth a shot.

CHRIS PERRY: The problem is, you still have to get close to her to try it, and 
that's not gonna be easy.

PAIGE:  Yeah, especially with Piper's powers.

LEO: Maybe I could orb you--

PHOEBE:  No. Leo, you're the reason she's in this emotional cocoon.  You need to 
stay far away from her.  No offense.

PAIGE: Then the question is, how do we get close enough to her without her 
kicking our butts?

PHOEBE:  I could use my new power to counteract hers.

CHRIS PERRY: How do you figure?

PHOEBE:  Well, our powers are emotion-based, right?  If I can channel Piper's 
feelings, why can't I channel her powers and then use them against her?

CUT TO:



SCENE #42:

[EXT. VALHALLA - CLEARING -- DAY]  

(PIPER walks along the path.  PAIGE and PHOEBE step out from the foliage 
directly in front of her.)

PIPER:  What are you doing here?

PHOEBE:  We're here to take you home.

(PIPER stares at them for a moment, the swings her arm sending PAIGE to the 
brush.  PAIGE flies to the side and hits the ground.)  

PAIGE:  (groans)  Why does she always pick on me first?

(PHOEBE gears up to face PIPER.  PIPER swings.  PHOEBE absorbs the blow.)

(PIPER swings again.  Again, PHOEBE absorbs the blow.)

(This time, PHOEBE swings and sends PIPER backward with the force of her own 
power.  PIPER gets to her feet ready to swing again at PHOEBE, but PHOEBE'S 
quicker.  She swings and sends PIPER backward again.)

PHOEBE:  Paige, now.

PAIGE:  (reading)  
     Open Piper's heart to reveal 
     that part which only Phoebe feels.  
     Send it back from whence it came, 
     but don't protect her from the pain.

(Yellow orb lights come out from PHOEBE'S chest and travel toward PIPER.  Fast.  
PIPER gets to her feet just as the yellow orb lights hit her square and full in 
the chest.)

(PAIGE gets to her feet to stand next to PHOEBE.)

(The other VALKYRIES rush and surround them.)

PIPER:  No! Wait.

FREYJA:  Did they harm you?

PIPER:  No. They helped me.

(PIPER steps forward and looks at FREYJA.)

PIPER:  I know what you do here.  I understand its purpose, so you can trust 
that your secret is safe.  But I think it's time for me to go home.

(PHOEBE and PAIGE smile.  The spell worked.)

(FREYJA smiles.)

(Camera holds on PIPER.)

DISSOLVE TO:



[EXT. VALHALLA ISLAND - DAY]

(Camera slowly pulls back from the tops of the cloud-covered mountains.)

(Dissolve to:  Camera moves low and fast along the ocean water heading straight 
toward SAN FRANCISCO BRIDGE.)

(Dissolve to:  SAN FRANCISCO CITY (STOCK) - SUNSET)

DISSOLVE TO:



SCENE #43:

[INT. BAY MIRROR - JASON'S OFFICE -- NIGHT]  

(The janitor pushes his cart along the dark bullpen.  Inside the office, JASON 
DEAN works at his desk.  His phone rings.  He answers it.)

JASON DEAN:  Jason Dean.

INTERCUT WITH:

[PHOEBE]

PHOEBE:  (smiling)  Hi.

JASON DEAN:  Hi. Phoebe, I was starting to get a little worried.  Did you get 
all my messages?

PHOEBE:  Yeah.  I did. And I'm sorry I didn't call you back, but -

(PHOEBE takes a couple of steps forward.)

JASON DEAN:  Let me guess.  Something came up.  You are a mysterious woman, 
Phoebe.

PHOEBE:  Is that a bad thing?

JASON DEAN:  No.  It's a good thing, except for when I'm trying to figure you 
out.

PHOEBE:  Well, if it makes you feel any better, I'm having a hard time figuring 
myself out these days.

JASON DEAN:  I'm glad. I mean, I'm, you know, not that you're having trouble.  
It's just that it's not about me.  It's not about me, is it?

PHOEBE:  No. It's not about you.  It's just that, uh ... my feelings have been a 
little mixed up lately.

JASON DEAN:  Well, long-distance relationships are not easy.

PHOEBE:  No, they're not.

JASON DEAN:  So, am--am--am I gonna see you again before I leave?

(PHOEBE steps forward and looks through the window at JASON sitting behind his 
desk.)

PHOEBE:  Uh, I want to.  I really do, but I'm not so sure that's a good idea.

JASON DEAN:  I understand.  No, that's a lie.  I don't.  It's just that my 
favorite advice columnist once wrote that it's important for guys to be more 
understanding.  So how am I doing?

PHOEBE:  (chuckles)  Doing great, really great.

(JASON clears his throat.)

JASON DEAN:  So should I call you?

PHOEBE:  Yeah. You better call me.  Have a safe flight.

JASON DEAN:  Thanks.

(She takes a deep breath.)

PHOEBE:  Bye.

JASON DEAN:  Bye.

(PHOEBE hangs up and looks through the window and sees JASON hang up also.)

(PHOEBE turns to leave.)

CUT TO:



[EXT. HALLIWELL MANOR - NIGHT]



SCENE #44:

[INT. MANOR - LIVING ROOM -- NIGHT]  

(PAIGE walks down the stairs.  She sees CHRIS cleaning up the mess in the 
damaged living room.)  

PAIGE:  Hey, Chris, what are you doing?

CHRIS PERRY:  Wow. You look amazing.

PAIGE:  Thank you.  Um.  Leave it. I'll help you clean it up tomorrow.

CHRIS PERRY:  It's ok. I don't mind.  It's the least I can do.

PAIGE:  What do you mean, the least you can do?

CHRIS PERRY:  Oh, you know, for fighting with Leo.  

PAIGE:  Oh, he attacked you.

CHRIS PERRY:  Don't worry about it.  Yeah, I know.  Like I said, it's cool.

(The front door opens and PHOEBE walks into the house.)

PHOEBE:  Hi.

PAIGE:  Hey. Guess it didn't go that well with Jason.

PHOEBE:  Well, I went all the way down there to talk to him, and then I figured 
maybe it wasn't such a good idea that I even see him, at least not until I can 
control my new power.

PAIGE:  Judging by how it's been going, it might be just a little bit.

PHOEBE:  I know, but what am I supposed to do?  I'm gonna have to figure out how 
to use it sooner or later.  And until then, I'm just gonna stay away from horny 
men.

PAIGE:  Huh. Good luck.

CHRIS PERRY:  At least your new power helped save Piper.  That's got to be a 
good thing, right?

PAIGE:  Yeah.  It won't help her with what she's going through, though.

PHOEBE:  But at least she's going through it now.  And that is a good thing.

PAIGE: Well, let's hope.  Well, I'm off to see Oscar.

(PAIGE turns to rush out the door.  CHRIS gets to his feet to stop her.)

CHRIS PERRY:  Whoa. Wait.  (confused)  Oscar the dog?

(PAIGE turns around.)

PAIGE:  Yeah. He's having a bit of a tough time adjusting.  I don't really want 
him roaming the streets by himself, especially since I'm the one who rescued 
him.  You know, I was having trouble with the whole idea of that temp agency 
thing.  But I'm kind of digging it now.  It's all right.

PHOEBE:  Wait, wait.  About Oscar--

PAIGE:  Bye.

(PAIGE opens the door and leaves.)

(CHRIS and PHOEBE stare at each other, their confusion evident.)

CUT TO:



SCENE #45:

[INT. MANOR - PIPER'S BEDROOM -- NIGHT]  

(PIPER is in her room sharing a moment with WYATT.  He's sitting on her lap and 
she's playing with him.  There's a knock on the door.)  

PIPER:  Who is it?

LEO:  It's me.

PIPER:  Come in.

(LEO opens the door and walks into the room.)

PIPER:  Hi.

LEO:  Hi.

(PIPER puts the rattle down and stands up with WYATT.)

PIPER:  Want to hold him?

(LEO walks toward them.)

LEO:  Are you kidding?  

(PIPER hands WYATT over to LEO.)

LEO:  Oh, he's gotten so big.

PIPER:  Yeah.

(LEO puts WYATT down in his playpen.)

LEO:  Look out. Whoa.  Yeah.

(LEO turns to talk with PIPER.)

LEO:  Look, Piper, I ... want to say I'm sorry for taking away your feelings.

PIPER:  Leo, you don't have to apologize.  I know that you were just trying to 
help me.  I do.  And it wasn't your fault you weren't around to take the spell 
away.

LEO:  Well, it's somebody's fault.  And I want to find out whose.  The other 
Elders want me to stick around until I do to make sure nobody's targeting us 
again.

PIPER:  So you're still an Elder, then.

LEO:  Yeah.

(PIPER walks past LEO.)

PIPER:  Um, I need to ask you a favor.

LEO:  Anything.

PIPER:  I need some space from you.  I mean, who knows?  This might actually 
turn out to be a good thing for me in the long run.  I might be able to live 
some semblance of a normal life, not being married to an angel.

(LEO chuckles sadly.)

PIPER:  I get why you have to leave, Leo.  And I understand that you can't 
ignore your calling.  But I do have to deal with it somehow -- with being alone 
... with being a single mother ... and I can't really do that with you hanging 
around the house.  

(LEO doesn't say anything.)

PIPER:  I'm sorry.

(LEO still doesn't say anything.  Both of them reeling from the hurt.)

PIPER:  Leo, please ... I need this.

(LEO turns around and kneels down to look at WYATT.)

LEO:  I won't be far.  

(LEO straightens and turns to look at PIPER.)

LEO:  You deserve a normal life, Piper.  I really hope you find it.

(PIPER nods.  LEO orbs out of the room.)

(PIPER takes a couple of steps forward and stands in the middle of the room, her 
arms crossed protectively in front of her.  The camera holds on her, then pulls 
back away from the room, out through the window looking in.)

(Camera holds on PIPER.)

FADE TO BLACK.

==========================
THE END
==========================

[Captioning made possible by Spelling Entertainment, Inc. Captioned by the 
National Captioning Institute www.Ncicap.Org]

Courtesy of http://www.webphilia.com/~anthology/wnp.html

Contact the Transcriptionist at (intrepidly002@yahoo.com)

Do not archive this transcript without permission from the Transcriptionist.

==========================
TITLE/OPENING CREDITS 
==========================
CHARMED
6X02:  VALHALLEY OF THE DOLLS (PART 2)
ORIGINAL AIR DATE ON WB:  09/28/2003
TRANSCRIBED FROM WB

Starring:
ALYSSA MILANO as Phoebe Halliwell
ROSE McGOWAN as Paige Matthews
and
HOLLY MARIE COMBS as Piper

BRIAN KRAUSE as Leo Wyatt
DREW FULLER as Chris Perry
DORIAN GREGORY as Darryl Morris

Created by CONSTANCE M. BURGE

Guest Starring
MELISSA GEORGE
IVANA MILICEVIC
COLLEEN PORCH

STEPHEN SNEDDEN as Hangin' Chad
SANDRA PROSPER

with 
EVAN MARRIOTT as Oscar (the dog)

and
ERIC DANE as Jason Dean

Special Musical Guest
SMASH MOUTH

Music by:  J. PETER ROBINSON

Edited by: PAUL FONTAINE
Production Designer: PAUL STAHELI
Director of Photography: JONATHAN WEST, ASC

Consulting Producer:  JONATHAN LEVIN
Consulting Producer:  DAVID SIMKINS

Co-Producer:  PETER CHOMSKY
Co-Producer:  CURTIS KHEEL

Producer:  HOLLY MARIE COMBS
Producer:  ALYSSA MILANO

Co-Executive Producer:  DANIEL CERONE
Co-Executive Producer:  JAMES L. CONWAY
Produced By:  JON PARE

Written by BRAD KERN
Directed by JAMES L. CONWAY

==========================
END CREDITS 
==========================

Executive Producer:  BRAD KERN
Executive Producer:  AARON SPELLING
Executive Producer:  E. DUKE VINCENT

Featured music by:
*  BALLIGOMINGO (feat. Lucy Woodward), "Charmed, the soundtrack", promotional 
consideration furnished by Private Music.
*  SMASH MOUTH, "You are my Number One", promotional Consideration furnished by 
Interscope Records.

Spelling Television Inc., A Paramount / Viacom Company

Executive Story Editor:  HENRY ALONSO MYERS
Executive Story Editor:  JEANNINE RENSHAW
Story Editor:  JULIE HESS

Co-Starring
TRACEY AILEEN LEIGH as Leysa
DAN LEMIEUX as Soldier
LEE COLEMAN as *** Warrior
ARIA WALLACE as Crying Little Girl

TEDDY CHEN CULIVER as Asian Perp
ARNOLD CHAN as Samurai Warrior
DAMION POITIER as Magi Warrior
NICHOLE BASSANSA as Valkyrie Trainer

Music by:  JAY GRUSKA

Casting by:  LESLEE DENNIS, C.S.A.

Original Casting by VICTORIA HUFF, C.S.A.

Unit Production Manager:  JON PARE

First Assistant Director:  DEREK JOHANSEN
Second Assistant Director:  VINCENT GONZALES

Executive in Charge of Talent:  PAMELA SHAE
Costume Designer:  EILISH

Camera Operator:  KRIS KROSSKOVE
1st Assistant Camera:  RICHARD SOBIN
Chief Lighting Technician:  KURT JOHNSON
Asst. Chief Lighting Technician:  DON LEHMAN

Set Designer:  ROLAND HILL
Set Decorator:  ROBINSON ROYCE, S.D.S.A.
Leadperson:  MICHAEL ZUFELT
Property Master:  ROGER MONTESANO
Assistant Property Master:  SCOTT COCKEREIL
Script Supervisor:  NANCY SOLOMAN

Costume Supervisor:  DANIELA GSCHWENDTNER
Dept. Head Key Make-Up Artist:  NANETTE NEW
Key Make-Up Artist:  ANI MALONEY
Key Make-Up Artist:  BRET MARDOCK
Dept. Head Key Hairstylist:  AUDREY FUTTERMAN-STERN
Key Hairstylist:  LANA HEYING

Sound Mixer:  BRETT GRANT-GRIERSON
Location Manager:  BOB BOYLE
Transportation Coordinator:  DAVE BASSETT
Production Coordinator:  RICK NAPOLI
Post-Production Coordinator:  LARRY GOLDSTEIN
Production Accountant:  CHRISSY CORNWALL

First Company Grip:  STEVE GAUSCHE
2nd Company Grip:  TOM HAM
Construction Coordinator:  STAR FIELDS
Stunt Coordinator:  NOON ORSATTI
Special Effects Coordinator:  RANDY CABRAL
Visual Effects Supervisor:  STEPHEN LEBED

Executive Associate:  RENATE KAMER
Casting Associate:  MEGAN ENTRIKEN
Assistant to Brad Kern:  DOUG E. JONES
Assistant to Jon Pare:  JULIE SWARTSLEY
Assistant to the Writers:  NATALIE ANTOCI

Assistant Editors:  ERIC LEA
Music Editor:  NINO CENTURION
Supervising Sound Editor:  JEFF CLARK
Music Coordinator:  CELEST RAY
Re-Recording Mixers:  JOSH SCHNEIDER / BRUCE MICHAELS / KEVIN VALENTINE

Film and Electronic Laboratory (tm) by LASERPACIFIC MEDIA
Lenses and Panaflex(R) Camera by PANAVISION(R)
Digital Sound Editing and Mixing by LASERPACIFIC MEDIA
Digital Visual Effects by ENCORE VIDEO
Animals Provided by: ALVIN'S ANIMAL RENTALS

Executive in Charge of Production:  GAIL M. PATTERSON
Executive in Charge of Post-Production:  KENNETH MILLER

This motion picture is protected under the laws of the United States and other 
countries.  Any unauthorized duplication, copying, distribution, exhibition or 
use may result in civil liability and or criminal prosecution.

The places and characters depicted herein are entirely fictitious, and any 
similarity to any real places or people is purely coincidental.

(c) 2003 by Spelling Television Inc., A Paramount / Viacom company.  All rights 
reserved.

Country of First Publication:  United States of America

Spelling Television Inc., is the author of this film / motion picture for the 
purpose of Article 15(2) of the Berne Convention and all National Laws giving 
effect thereto.

AOL Keyword:  The WB
TheWB.com

Dated:10/10/2003~lky
http://www.webphilia.com/~anthology/wnp.html


