CHARMED
6X03:  FORGET ME ... NOT
ORIGINAL AIR DATE ON WB:  10/05/2003
TRANSCRIBED FROM WB

Written by HENRY ALONSO MYERS
Directed by JOHN KRETCHMER

Transcript by Intrepid
Courtesy of http://www.webphilia.com/~anthology/wnp.html

Do not archive this transcript without permission from the Transcriptionist.

RATING:  TV-PG-L
==========================
DISCLAIMER:  
==========================
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by CONSTANCE M. BURGE, AARON SPELLING Television Inc (A Paramount / Viacom Co.) 
and WB (AOL Time Warner Company). All Rights Reserved.  This transcript was made 
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==========================
SUMMARY:  The Charmed Ones find that they must deal with Wyatt's use of magic as 
he decides to conjure up a dragon out from the television set and sets it loose 
on the unsuspecting city.  They must deal with the consequences of his magic or 
someone else will.
==========================
CHARMED
6X03:  FORGET ME ... NOT
==========================



COLD OPEN:

[EXT. HALLIWELL MANOR - NIGHT]

(Thunder rolls in the distance.)



[INT. HALLIWELL MANOR - MAIN HALL - NIGHT]

(The sisters orb into the main hall.  PIPER'S carrying WYATT.)  

PAIGE:  We don't have much time.  They're gonna follow us.

PHOEBE:  We supposed to stop them?  

PIPER:  Well, we have to think of something.  We can't just let them take Wyatt.

(The air in the foyer starts to waiver as something is coming into the house.  
PAIGE sees it and steps forward.)

PAIGE:  Uh ... incoming.

(Two extremely pristine-looking MEN dressed completely in white appear in the 
foyer.)

CLEANER 1:  It's pointless to run.

PIPER:  You can't have him.

(PIPER waves her hand and sends a blast at the CLEANER.  CLEANER 1 raises his 
hand and easily catches the blast in his fist.)

(The sisters stare at him in shock.)

CLEANER 1:  You're only delaying the inevitable, I'm afraid.  Now, if you don't 
mind, we have a lot of cleaning to do.

(CLEANER 1 waves his hand and WYATT disappears from PIPER'S arms.  He reappears 
in CLEANER 2'S awaiting hands.)

PIPER:  No!  

(PIPER steps forward to attack them and reclaim her child.  CLEANER 1 waves his 
hand and sends the sisters flat on the floor and back into the next room.)

(PIPER screams for help.)

PIPER:  Leo!

(LEO orbs into the room.  PIPER points to the CLEANERS as she scrambles to her 
feet.)  

PIPER:  Wyatt!

CLEANER:  An Elder. Good.  Perhaps you can explain it to her.

(LEO looks at the CLEANERS.  PHOEBE, PAIGE and PIPER step up toward him.)

PHOEBE:  Explain?  Explain what?

(LEO glances from the CLEANERS to them.)

PIPER:  Well, do something.  Don't just stand there.

LEO:  I can't.  Nobody can.

PAIGE:  What the hell are you talking about?

(LEO looks back at the CLEANERS.)

PIPER:  (begging)  Please.  He's just a baby.  It won't happen again.  I won't 
let it happen again.

CLEANER 2:  Sorry. We can't take that risk.

CLEANER 1:  Don't worry.  You won't remember any of this anyway.

(PAIGE looks at him perplexed by what he says, but it's too late.  CLEANER 1 
waves his hand and lights flash and tingle.  Things start to change.  Little 
things are erased from existence to erase WYATT from their lives.  The toy 
carousel on the wicker table vanishes.  The play pen in the middle of the 
conservatory disappears and changes into a wicker table.  A lamp appears in the 
spot where the toy carousel used to be.)

(In the upstairs bedroom, the entire nursery disappears and changes back into 
the closet it was before WYATT was even born.)  

(The camera zooms to the framed photograph on the bedroom wall of the three 
sisters standing behind WYATT in his stroller only to find that WYATT and the 
stroller completely removed from the picture.)  

(Back in the foyer, the lights tingle.  When everything is completely "cleaned", 
the CLEANERS vanish ... with WYATT.)  

(PAIGE blinks.)

(PIPER turns and looks at LEO.)

PIPER:  What are you doing here?

(PAIGE and PHOEBE busy themselves.)

LEO:  I don't know.  I'd better go.

(LEO orbs out of the room.)  

PAIGE:  What were we talking about?

PIPER:  (sighs)  I don't know.

PHOEBE:  I'm beat. I'm gonna go up to bed.

(PHOEBE heads for the stairs.)

PAIGE:  Yeah. I'm tired, too.  

(PAIGE walks past PIPER.  She turns around to look at PIPER when she doesn't 
move.)

PAIGE:  You all right?

PIPER:  Yeah. I just feel like I'm forgetting something.

PAIGE:  Like what?

PIPER:  I don't know.  Must not be very important.

(PAIGE turns and heads up the stairs.)

(Despite her words, PIPER continues to look around the room, trying to get an 
inkling of what she's forgetting.  Camera moves in slowly toward PIPER.  
Finally, PIPER shrugs and turns to head up the stairs.)

FADE TO
END OF TEASER
ROLL TITLE CREDITS

(COMMERCIAL SET)



FADE IN.

[EXT. SAN FRANCISCO CITY (STOCK) - DAY]

WAYNE (WEATHERMAN):  (from tv)  (v.o.)  Say good-bye to yesterday's rain and 
good morning sunshine.  



[INT. MANOR - KITCHEN -- DAY]  

(PIPER is in the kitchen putting together a breakfast tray while listening to 
the television set on in the background.  She puts a plate of eggs on the tray.)  

WAYNE (WEATHERMAN): (from tv)  (o.s.)  ... It is a beautiful Wednesday in San 
Francisco, and if you're like me, you'll want to forget all about yesterday. Heh 
heh.

KINESHA ROBINSON:  (from tv)  (o.s.)  I know I do ...

(PAIGE walks into the room via the utility room and heads for the refrigerator.  
She opens the door and grabs a bottle of water.)

PAIGE:  Any infomercials for stain remover on there?

PIPER:  You have a stain that needs removal?

PAIGE:  Yes. I spilled coffee on my blouse yesterday.  So, that dork walking 
around the office with the big old stain on her shirt?  That'd be me.

PIPER:  Have you tried baking soda?

(PAIGE pours the water into the glass.)

PAIGE:   No, it's dry-clean only, so it's gonna eat up a half-a-day's pay.

(PIPER heads for the refrigerator as PAIGE drinks out of the glass.)

PIPER:  The pay is lousy.  Your boss is a sexist pig.  Why don't you just quit?  
The job sucks, and it's just a temp job, anyway.  

(PIPER grabs a large bottle of applesauce and heads back to her breakfast tray.  
PAIGE heads for the sink.)

PAIGE:  Because ... if I want a life outside of magic, I can't just quit every 
time a job starts sucking.  Besides, I stuck around at the dog-walking job, and 
hey, I wound up helping somebody.

(PIPER starts spooning applesauce into a bowl.)

PIPER:  Yeah, ok, but that was once.  What are the odds of something like that 
actually happening again?

PAIGE:  I don't know, but sometimes they say you've got to ride a lot of 
different horses on the merry-go-round before you find what you're looking for.

PIPER:  (automatically)  Carousel.

PAIGE:  (confused)  Sorry?

(PIPER heads for the cupboard to get a drinking glass.)

PIPER:  Well, a merry-go-round has lots of animals.  A carousel only has horses.  

PAIGE:  Ok.  Why do you even know that, weirdo?

(PIPER stops and thinks about it.)

PIPER:  I have no idea.

[CUE SOUND:  BABY CRYING]

PIPER:  Did you hear that?

PAIGE:  (listening and hearing nothing)  Hear what?

PIPER:  Now it's gone.

PAIGE:  Now what's gone?

PIPER;  I know this may sound crazy, but I think I just heard a baby.

PAIGE:  Yeah.   You're crazy.

PHOEBE:  (o.s.)  Piper!  

(PIPER fills the glass with milk.)

PAIGE:  Oh, my god.  I heard something.

PIPER:  Oh, be quiet.  Coming!

PAIGE:  How long do you think she's going to spend down there, anyway?  The rest 
of her natural life?

(PIPER puts the milk down on the counter and picks up the breakfast tray.)

PIPER:  Yeah. Long enough to be sure she doesn't shove her tongue down the 
throat of the next delivery guy.

PHOEBE:  (o.s.)  I heard that!  

(PIPER and PAIGE head down to the basement.)

CUT TO:



[INT. MANOR - BASEMENT - DAY -- CONTINUOUS]  

(PHOEBE has set up a small work station down in the far corner of the basement.)

PHOEBE:  (continues)  And for your information, we're lucky that that guy didn't 
sue me for sexual harassment.

(PAIGE walks into the basement doorway.)

PAIGE:  You were channeling his emotions.

(PHOEBE looks up and sees both PAIGE and PIPER walking down the basement 
stairs.)

PHOEBE:  That's not the point.  The point is, I have to figure out how to work 
my new power, or I'm going to have to lock myself down in this basement for the 
rest of my life.

(PHOEBE sees them reach the bottom and stops them from taking another step 
closer to her.)

PHOEBE:  Whoa, whoa, whoa, whoa!  Stay behind the yellow line.

(PAIGE and PIPER both look down and find that their feet are mere inches away 
from the yellow line.)

PHOEBE:  I might channel what you both are feeling.

PIPER:  So, would you like me to toss you your breakfast?

PAIGE:  (to PHOEBE)  What happened to your head?

(So, now, we look at PHOEBE and sure enough, she has a band-aid on the right 
side of her forehead.)

PHOEBE:  This?  I don't know.  I've been so scattered lately, I must've bumped 
it or something.  Now, are either one of you feeling any strong emotions?  
Anger?  Sadness?  

PAIGE:  Annoyance?  

(PAIGE grins.)  

PHOEBE:  You may proceed.

(She waves them forward.)

PAIGE: Thanks.

PHOEBE:  Wait a minute.  One of you is feeling insecure.

(She looks at them and neither one of them confesses.  Then, PIPER admits it.)

PIPER:  What?  I'm just feeling a little off today.  That's all.  Stop looking 
at me like that.

(PIPER puts the breakfast tray on PHOEBE'S desk.  She glances down at the tray.)

PHOEBE:  And you cut the crust off my toast and cut my eggs into little bits.  
And, look! There's applesauce and milk.  Piper, I'm not in second grade.

PIPER:  I just thought maybe you'd like some milk for some strong bones.

PAIGE:  Ok, what is going on with you, lady?  Carousels, hearing babies, and now 
milk for strong bones.

PHOEBE:  Wait. You were hearing babies?

PIPER:  Forget it.  I'm sure it's nothing.  (to PAIGE)  Forget it.

(PHOEBE'S cell phone rings.  She picks it up and glances at the caller ID.)

PHOEBE:  Hmm.  (She answers it.)  Hey, Elise!  How'd you like that - (pause)  
What?  No, I can't come in today, because I am very sick.

(She starts coughing.  Through the phone, we can hear ELISE yelling at PHOEBE.)

PHOEBE:  W-wait, but I didn't come in yesterday.  Oh, I did?  (pause)  Oh.  Ohh.  
Ohh ... ok.

(She hangs up.)

PAIGE:  What was that about?

PHOEBE:  That was Elise.  She wants me to come in to work A.S.A.P, or it's my 
job.

PIPER:  Your job?  Why would she say that?

PHOEBE:  I have no idea.  Something about yesterday.  Must have bumped my head 
pretty hard, huh?

PAIGE:  Well, looks like you're going to have to brave the big bad world.  Want 
me to give you a ride?

(PHOEBE stands up.)

PHOEBE:  No. I'll drive. So I can get in and out fast.

(She and PAIGE head for the stairs out of the basement.)

PIPER:  Hey! Don't forget your coats.  It might rain.

PAIGE:  Would you stop mothering us, please?

CUT TO:



[EXT. OFFICE BUILDING (STOCK) - DAY]

CUE SOUND:  (PRELAP) Phone ringing.



[INT. RITZ, TEUKOLSKY AND RUBEN - RECEPTION -- DAY]  

(We open on a ringing phone.)  

PAIGE:  Ritz, Teukolsky and Ruben, please hold. 

(PAIGE presses the hold button.)

PAIGE:  Ritz, Teukolsky and Ruben, please hold.  

(PAIGE presses the hold button.)

PAIGE:  Who are you holding for?  (pauses)  You wouldn't happen to need any help 
with anything, would you?

(PAIGE sees FLO walk past the desk carrying a box of her things.)

PAIGE:  Flo, what happened?

FLO:  I just got fired.  That's what happened.

PAIGE:  What?  (to phone)  Oh, not you.  You call back or something.  

(PAIGE takes off her headset and rushes around the desk to talk with FLO.)

PAIGE:  I don't understand.  Why?

FLO:  You ought to know.

PAIGE:  Uh, no.  I--I don't, and I want to help, believe me, but I can't help 
you unless you tell me, you know, why you were fired.

FLO:  So Mr. Stewick gets me in his office and says either I go out with him 
again or he fires me.  I didn't take his offer, so he told me to pack up.  My 
word against his, you know?

PAIGE:  I would've gone in with you if you asked.

FLO:  I did.  I asked you yesterday.  Obviously I don't rank high enough in 
importance for you to remember.

(Upset, FLO turns to leave.  PAIGE stops her.)

PAIGE:  No, no, seriously.  I would remember that.

(MR. STEWICK walks up behind PAIGE.)

MR. STEWICK:  Excuse me.  (to FLO)  Do you mind?  

(FLO shakes her head and walks away.)

MR. STEWICK:  Back to the phones, Francine.

PAIGE:  Paige.  My name is Paige.

MR. STEWICK:  Whatever.  You're a temp.  Do you want to help people?  Sit your 
pretty ass back down.  Answer the damn phone.

(MR. STEWICK walks away.  PAIGE closes her eyes and holds her temper.  She turns 
around and heads back to her seat.

CUT TO:



[EXT. P3 - DAY]



[INT. CHRIS' APARTMENT -- DAY]  

(CHRIS puts the empty beer bottle on the beer box.  He's in his boxer shorts and 
t-shirt lying on the couch.  He falls back down with a heavy sigh.)

(LEO orbs into the apartment.)

LEO:  Hey.

CHRIS:  (automatically)  Hey.  

(LEO looks at CHRIS and crosses his arms in front of him in disapproval of what 
he sees in front of him.)

(CHRIS glances at LEO and it hits him.  This is LEO.  He jumps up from the 
couch, grabs his pants and holds it in front of him.)

CHRIS:  (startled)  Oh, Leo, hey!  I didn't know you were coming here.

LEO:  I can see that.  Are you drinking beer?

CHRIS:  I was going to pay for that.

LEO:  Chris, what are you doing sitting around here?  Aren't you supposed to be 
getting to know your ... new charge?

(Just then, NATALIE, CHRIS' new charge walks out of the bedroom wearing nothing 
by CHRIS' pajama top.  Busted, CHRIS sits back down on the couch.)

NATALIE:  (embarrassed)  Oh, uh, hi, Leo.

CHRIS: Ok, look.  Before you get mad, you were the one who wanted me to have a 
charge in the first place. Remember?

LEO:  Yeah, to protect her.  

NATALIE:  Oh, he was using protection.

CHRIS:  Yeah, I don't think that's what he meant.

LEO:  Chris, are you out of your mind?  Aside from this being totally out of 
line, it's completely against the rules.

CHRIS:  (scoffs)  Yeah, you're one to talk.

NATALIE:  (interjects)  Oh, I don't think that's his point.  

(They both turn to look at NATALIE who takes it as her cue to leave.)  

NATALIE:  Why don't I just, um ... leave you two alone?

CHRIS:  Look, I was just having a little fun.  What's the big deal?  It's not 
like I have anything pressing to do, anyway.

LEO:  You don't have anything pressing?  Then why exactly did you come back from 
the future in the first place?

CHRIS:  (shakes his head)  Uh ... I don't know.  (shrugs)  I forgot.

LEO:  You forgot?

(CHRIS chuckles.)

[CUE SOUND:  BABY CRYING]

LEO:  You hear that?

CHRIS:  What?

LEO:  Never mind.  We'll talk about this later.

(LEO orbs out.)

(NATALIE comes out of the bedroom and lingers in the doorway.  She smiles at 
CHRIS.)

NATALIE:  Is he gone?

(CHRIS nods.)

CUT TO:



[INT. BAY MIRROR - BULLPENN -- DAY]

(PHOEBE walks into the bullpen.  Everyone is eyeing her warily.  She looks 
around and sees people in bandages and neck braces.  They turn around to stare 
at her.)

(As she passes by a reporter's desk, FRANK sees PHOEBE and approaches her 
eagerly.  FRANK himself is sporting a band-aid on his forehead and a bruise 
under his right eye.)

FRANK:  (encouraging)  I don't care what she says, Phoebe. I always wanted to do 
what you did, and, man, was it good to see you do it.

PHOEBE:  (clueless)  Oh, thanks for your support, Frank.

(PHOEBE turns around and heads directly into ELISE.  She's standing in front of 
her with her arms crossed and a large bruise on her left eye.  She motions for 
PHOEBE to follow her back into her office.)  

[INT. ELISE' OFFICE - DAY - CONTINUOUS]

(PHOEBE walks into the office behind ELISE and shuts the door behind her.)

PHOEBE:  Hey.  Elise, what is going on out--

ELISE ROTHMAN:  (interrupts)  Sit.  

(PHOEBE sits down.)

ELISE ROTHMAN:  I wanted to talk to you alone before I involved any lawyers.

PHOEBE:  Lawyers? What--

(ELISE moves sharply; PHOEBE shuts up.)

ELISE ROTHMAN:  Now, I'm not going to pretend that the only reason you're still 
working here is that you're an asset to the paper, but what the hell came over 
you yesterday?!

PHOEBE:  Yesterday?

ELISE ROTHMAN:  Because there are three workers out with injuries.  Jackie's got 
a broken nose.  Not to mention ... 

(ELISE points to her own black eye.)

PHOEBE:  Yeah, that does look like it hurts a lot.

ELISE ROTHMAN:  It's all I can do to keep lawsuits from pouring in.  If there 
were perhaps a reasonable explanation for your behavior yesterday ...

PHOEBE:  Elise, I'm sorry, but I honestly have no idea what you're talking 
about.

ELISE ROTHMAN:  Phoebe!

(ELISE put both her hands on PHOEBE'S upper arms in frustration.)

(PHOEBE gasps as she immediately gets a reading.)

(Quick flashback to PHOEBE'S SIGHT:  

[INT. THE BAY MIRROR - BULLPEN - DAY]

(PHOEBE is in the center of the bullpen fighting with her co-workers.)

(End of flashback.  Resume to present.)

(PHOEBE looks at ELISE who stares back at her.  PHOEBE glances off to the side 
trying to think of a way out of the office.)

(PHOEBE starts coughing ... loudly.  She stands up and heads for the door.  
ELISE doesn't say anything.)

PHOEBE:  I'm ... feeling a lot worse.  I gotta go.

(PHOEBE opens the door and makes a quick exit out of the office.)

CUT TO:



[EXT. SIDEWALK -- DAY]

(A DAD carrying a crying baby, an bag full of groceries and a package of diapers 
steps out from the store and onto the sidewalk.)

DAD:  All right, now.  Come on, Sweetheart.  No, no, don't be fussy.  What's the 
matter?  Are you hungry?  Don't be fussy. 

(PIPER stands behind her car looking at a slip of paper.  She hears the baby and 
the struggling DAD and is momentarily distracted.  She pauses to watch them.)

(The DAD tries to get a better grip on the crying baby and winds up dropping the 
bag of diapers.)

DAD:  No -- oh! Ow!

(PIPER rushes forward to help him.)

DAD:  Do you want a bottle?

(PIPER picks up the diapers and offers some advice on the baby.)

PIPER:  You know, if you bounce a little and make a little shushing sound, it 
just may help.

(The DAD tries it and the baby quiets down.)

DAD:  Shh-shh-shh.

PIPER:  (smiling, to the baby)  Hi.

(The DAD looks gratefully at PIPER.)

DAD:  Wow, that was amazing.  How did you calm him down so fast?

PIPER:  Well, the shushing sound supposedly reminds them of the womb.

DAD:  Amazing.  You must be a terrific mom to know all this stuff.

PIPER:  No. Actually, I don't have kids.

DAD:  Really?  Guess I just assumed - 

PIPER:  Oh, well, I always wanted them.  I baby-sat a lot, but ... I should go.

(PIPER turns to leave.)

DAD:  Um ... m-my diapers?

(She stops and looks down at the diapers in her hands, surprised to find that 
she is carrying the diapers.)

PIPER:  Oh! Sorry.  Here.

(She puts the diapers on the DAD'S package.)

DAD:  Thank you. 

PIPER:  Got it?

DAD:  Yep.  (to the baby)  You ok, sweetheart?  Want some chips?

(PIPER turns to leave.  The DAD turns to leave also.  As she heads back to the 
car, PIPER turns around to glance back at them.)

CUT TO:



[INT. MANOR - PIPER'S BEDROOM -- DAY]  

(LEO stands in front of the bedroom closet staring at the closet in deep 
concentration.  Something brought him there, he just can't figure out what.)

(PIPER walks into the bedroom and is surprised to find LEO standing there.)

PIPER:  Leo?

(LEO turns around.)

LEO:  Piper?  Wh-what are you doing here?

PIPER:  What am I doing here?

LEO:  No, that's not what I meant.  It's just ... I shouldn't be here.

PIPER:  No, you shouldn't.  I mean, I asked you to stay away for a good reason, 
so that I could learn to live without you.

LEO:  I know -- 

PIPER:  And ... If you just keep orbing in whenever you feel like it, that's not 
really gonna help me.

LEO:  You're right. I'm sorry.  It's just ... 

(LEO turns back to look at the closet.  His voice trails away as he once again 
is caught up with something about that closet.)

LEO:  Never mind.  I should be going.

(A little embarrassed, LEO turns to head out the door.)

PIPER:  What were you gonna say?

(LEO turns around and looks at PIPER.)

LEO:  (shakes his head)  Nothing.

PIPER:  You haven't, by any chance - 

(She takes off her jacket and tosses it to the side.)

PIPER:  Now, this is gonna sound a little weird, um -- been hearing things 
lately, have you?

LEO:  Hearing things?

PIPER:  Yeah.  You know, like ... I could swear a couple of times today I heard 
a-

LEO:  A baby?

PIPER:  You, too?

LEO:  Pretty strange, huh?  You think it means anything?

PIPER:  I don't know.  I mean, maybe it's just that we both regret not having 
children.  Which ... why didn't we?

LEO:  I don't know.  We both wanted to.  I guess it just wasn't meant to be.

PHOEBE:  (o.s.)  Piper!  We need you upstairs!

PIPER:  Be right there.  Um ... You should probably go.

(PIPER heads for the door.)

LEO:  But what if you need help? What if it's a demon?

PIPER:  Leo, you're not our Whitelighter anymore.  Chris is.

LEO:  Except he's busy.  I gave him another witch to look after yesterday.

PIPER:  Well, then, I guess we're just gonna have to handle it alone, won't we?

(PIPER turns and walks out of the bedroom.  Camera holds a beat on LEO.)

CUT TO:



[INT. MANOR - ATTIC -- DAY]

(PHOEBE and PAIGE sit in the attic trying to figure out what's going on.)

PAIGE:  So, you're saying you started a riot, but you don't  remember it?

PHOEBE:  Yeah. It must've been how this happened ... (she points to her band-
aid) ... and why Elise was so mad at me.

(PIPER walks into the attic.)

PAIGE:  I thought Elise was just like that.

PHOEBE:  Well, yeah, she kinda is.  

(PHOEBE looks at PIPER.)

PHOEBE:  Hey. You ok?  I'm feeling a very emotional vibe from you right now.

PIPER:  I'm fine.  Stop that.  What I don't understand is if you don't remember 
the riot, how do you know you started it?

PHOEBE:  I had a vision.  And, by the way, the vision occurred yesterday.

PAIGE:  Maybe you were channeling somebody else's anger.

PHOEBE:  Probably.  I just don't remember.

PAIGE:  So you both have events that you can't remember from yesterday?

PHOEBE:  Yeah, there was the riot and Paige's blouse.

PAIGE:  This thing with this girl Flo from work.  Did you forget anything?

PIPER:  You're asking me to remember what I've apparently forgotten?  I don't 
know.  I remember getting up, I remember going downstairs, but the rest is kind 
of a blur.

PHOEBE:  I think somebody's messing with us.  

PHOEBE:  Making us forget.

PIPER:  But these all seem like such random moments to forget.  Where's the 
connection?

PAIGE:  Well, that's why we wrote a spell - 

(PAIGE takes out a slip of paper and stands up.)

PAIGE:  ... to fill in the blanks.

PHOEBE:  (sighs)  We know you might be reluctant because of what happened the 
last time we cast a spell on your memory --

PIPER:  (interrupts)  No.  You're right.  Let's do it.

PHOEBE:  (surprised)  Really?

PIPER:  Something's going on.  The only thing we don't know is what.

PAIGE:  All right. Here we go.

PAIGE:  (reads)  
     Moments lost make witches wonder 
     warlock's plot or demon's plunder?  
     If this is not a prank, 
     help us to fill in the blanks."

(The spell takes effect.  The room swirls around and when everything returns to 
normal, the girls are in yesterday's clothes.)

[INT. MANOR - ATTIC - DAY - (YESTERDAY)]

(It's daylight and it's raining outside.  Thunder rumbles.)  

PIPER:  It's raining.

PAIGE:  (to PHOEBE)  Hey, your band-aid's gone.

PHOEBE:  (to PAIGE)  And you're wearing that blouse.

(She looks down at her blouse.)

PAIGE:  Except for I've got no coffee stain.

(Downstairs, we hear a baby cry.)

PIPER:  Oh, my god.

(PIPER rushes out of the attic.  PAIGE and PHOEBE follow.)

CUT TO:



[INT. MANOR - CONSERVATORY / MAIN HALL-- DAY]

(PAIGE and PHOEBE walk down the stairs.  In the conservatory, they see PIPER 
picking up WYATT from his playpen.  They stop when they hit the bottom of the 
stairs.)  

PIPER: Ohh ... I remember now!  

(Carrying WYATT in her arms, PIPER heads back to the others.  She stares at 
them, then back down at WYATT.)

PIPER:  (completely surprised)  I'm a mom!

FADE OUT.

(COMMERCIAL SET)



FADE IN.

[INT. MANOR - CONSERVATORY -- DAY]

(PHOEBE throws a copy of THE BAY MIRROR down on the wicker table.)  

PHOEBE:  Today is Yesterday.

PAIGE:  Well, the spell didn't return our memories.  It just rewound the day.

PHOEBE:  Yeah, but why?

PAIGE:  What else?  To help us remember what somebody obviously wants us to 
forget.

PIPER:  Ok, but how could I have possibly forgotten about Wyatt?  What could've 
happened to make that happen?

PHOEBE:  Piper, it's not just you.  We were all made to forget about him.

PAIGE:  Yeah, and a whole bunch of other things.

PIPER:  But I'm his mother.  It's my job to protect him, and I failed.

PAIGE:  Don't be ridiculous.  You did not fail.

(WYATT starts to cry.)

PIPER:  Ok. Now he's fussing.  Come on, sweetie.  It's ok.  And now I can't get 
him to stop fussing.

PHOEBE:  Well, you're just feeling insecure, and Wyatt is feeling ... 

(WYATT turns around to look at PHOEBE.)

PHOEBE: ... very, very sad right now.  Poor little guy.

(PIPER looks at WYATT.)  

PHOEBE:  See, this is why I lock myself in the basement.  I am a wreck!

PAIGE:  Ok, guys, we're kind of against the clock right now.  Maybe, we should 
just, you know, take it into the other room.

PHOEBE:  I think that's a good idea.

PIPER:  Ok, bud, here we go.  Here we go. Ok.

(PIPER puts WYATT down in his playpen.  She turns around to get him a toy.  She 
picks up a stuffed bear and shows him to WYATT.)

PIPER:  Here, looky!  How about this?  You like this guy?  Hello! No?

(WYATT shows no enthusiasm for the toy.  PHOEBE watches them, and scrunches her 
face as she knows exactly what WYATT'S feeling.)

PIPER:  Phoebes, a little help here.

PHOEBE:  We hate that toy.  It's yucky and crusty and gross.

PIPER:  Ok, then what does he want?

(WYATT looks at the tv.  PHOEBE turns and points to the tv.)

PHOEBE:  That.

PIPER:  Yeah. See? I am a failure.

PAIGE:  No, you're not.  We just happen to have more pressing concerns right now 
than the media's influence.  Ok?

(PAIGE and PHOEBE stands up and head into the next room.

PIPER:  Ok.

(PIPER picks up the remote and turns the tv set on to a children's program.  The 
screen is red and the word "RED" is being spelled out in the center.)

PIPER:  Ok, sweetie, mommy will just be in the next room, ok?

(WYATT has eyes for the tv.)

PIPER:  Ok!

(She puts a hand on his head, then leaves the room to join the others.  WYATT 
watches her go.  He turns and looks at the screen which is now green and 
spelling out the word "GREEN".  It moves on to the word BLUE.)

(WYATT blinks and the channel changes.  Now he's watching some old Olympic 
gymnastics footage.)

(He blinks again and the channel changes to a program about flying dragons.)

(Oh, yeah.  He likes this one better.)

CUT TO:



[INT. MANOR - LIVING ROOM - DAY - CONTINUOUS]

(PIPER clutches the rejected teddy bear and walks into the living room.)

PAIGE:  Ok, we remember everything that happened before today, right?

PHOEBE:  Yeah, but, uh ...

PAIGE:  And we know we're not gonna remember everything unless we do something 
about it, right?

PHOEBE:  Paige, don't be impatient with me.  I'm feeling so much today.  I don't 
need this, too.

PAIGE:  Ok, all I'm saying is whatever caused us to forget is what's gonna 
happen next, so we just have to relive this day and see where it leads us.

PIPER:  Yeah, but if we're not careful, where it leads will be right back where 
we started without Wyatt.

PAIGE:  Ok, except for we know something is gonna happen to him, so all we have 
to do is look for clues, keep our eyes open, and stop it.

PHOEBE:  How are we supposed to know what's important and what's not?

PAIGE:  It's all important, because it's all connected to Wyatt, so we just have 
to see what the connection is.

PIPER:  So, what--you're supposed to go to your temp job and wait for coffee to 
be spilled on you?

PAIGE:  Yeah, exactly. So much for my life outside of magic.  Now, you, you have 
got to go to work and --

PHOEBE:  Start a riot and get a cut on my head and lose my job?  No, thank you.

PAIGE:  You have to.  It's the only way to save Wyatt.

PHOEBE:  Oy. Whew.  

CUT TO:



[CONSERVATORY]

(WYATT is in his playpen watching the program about flying dragons.  Deciding 
that he really likes what he's seeing, WYATT blinks and the dragon on the 
television set orbs out from the program ... )

(Orb lights come out from the television set, through the conservatory and out 
the door where it rematerializes out in the back yard.)

(The dragon looks into the house through the windows and growls.)

(His hot breath pushes the conservatory doors open, knocking over a flower vase 
on the table.  It teeters on the edge deciding whether to fall or not fall.)

(The dragon growls then flies away.)

CUT TO:



[LIVING ROOM]

PIPER:  So I guess I'm supposed to stay home.

(Thunder rumbles.)

(There's a crash in the next room as the vase falls to the floor and breaks.  
PIPER stops and heads to the Conservatory to check up on WYATT.)

PIPER:  Wyatt?!

CUT TO:



[CONSERVATORY]

(WYATT turns from the tv to look at his mom.  On the set, we can hear the music 
from the flying dragon's program.)

(PIPER walks into the room and takes it all in.  The conservatory doors are wide 
open, the flower vase is in pieces on the floor.)

PIPER:  How did those open?

PAIGE:  Must've been the wind.

(PAIGE heads over to the doors.)

PIPER:  But they were locked.

PHOEBE:  Could be a clue.  Let's remember it.  

(PAIGE closes the doors.)

PAIGE:  You gonna be ok here by yourself?

PIPER:  Do I have a choice?

PHOEBE:  Wanna switch with me?

PAIGE:  Ok. Just call us if anything weird happens.

(PAIGE and PHOEBE leave the room.  PIPER turns and notices the television 
program about flying dragons.  This time, we see only one flying dragon on 
screen.  She turns and looks down at WYATT in his playpen watching the program.)

CUT TO:



[INT. P-3 -- DAY]

(CHRIS and LEO sit at the bar.)

CHRIS:  You're kidding, right?  I don't have time for another charge.

LEO:  Why not?

CHRIS:  Because I just don't.  Why do you want me to oversee another witch, 
anyway?

LEO:  Because I want to see what you can do, what you can handle.

CHRIS:  Oh, please. You just don't want me around the sisters all the time, 
because you don't trust me.

LEO:  Chris, protecting charges is what we do.  Besides, when I was a 
Whitelighter, I had other charges.

CHRIS:  Leo, I didn't come all the way from the future to protect and oversee 
other charges.  I came for one reason and one reason only.  

LEO:  To protect Wyatt.

CHRIS:  Yeah.   

LEO:  From some demon who will attack in the future, you're not sure which one.

CHRIS:  Hey, man, fine. Whatever.  

(CHRIS stands up and heads for the door.)

CHRIS:  Don't believe me.  All I'm saying is there's no way I'm taking on 
another charge, and that's-

(As he reaches the door, a pretty blonde walks into the bar.  CHRIS is struck 
speechless.)

CHRIS:  That ...

NATALIE:  Hi, Leo. Sorry I'm late.

LEO:  It's ok.

NATALIE:  You must be Chris.  I'm Natalie.

(They shake hands.  CHRIS turns to LEO.)

CHRIS:  Maybe just one more.

CUT TO:



[INT. BAY MIRROR - BULLPEN -- DAY]

(PHOEBE walks in cautiously to the bullpen.  Her assistant sees her.)

PHOEBE'S ASSISTANT:  Phoebe.  Thank god you came in.  The server crashed, and we 
lost column.  Do you have a hard copy?

PHOEBE:  I'll check in my office.

(PHOEBE turns around and sees FRANK walk angrily by.  ELISE follows him.  FRANK 
heads for the door.)

FRANK:  It's not what you did, Elise.  It's how you did it.

ELISE ROTHMAN:  Well, lucky I'm editor, so I don't have to care what you think.  
And don't think we're done here, mister!

FRANK:  Screw you, Elise.

[CUE SOUND:  PHOEBE'S EMPATH ABILITIES]

(PHOEBE watches the exchange and feels the full force of FRANK'S anger.  Her 
hand curls into a fist.  She reaches out and taps ELISE on the shoulder.  As 
soon as ELISE turns around, PHOEBE swings and hits her in the left eye.)

(ELISE whirls around and falls into the MAILMAN.)

(FRANK slows in the doorway when he sees ELISE fall.  PHOEBE snaps out of it and 
stares at the chaos in front of her, completely shocked by her actions.)

(FRANK sees ELISE fall and starts laughing hysterically.  The MAILMAN helps 
ELISE up.)

MAIL MAN:  You ok?

(He hears FRANK laughing and thinks that he's laughing at him.)

MAILMAN:  Oh, you think that's funny, huh?

(The MAILMAN swings and hits FRANK in the face.  FRANK falls backward right into 
two other reporters.  Soon enough, everyone is fighting with everyone else.  
PHOEBE sees the chaos and tries to stop it.)

PHOEBE:  No, hold it! Wait!  Don't!

(She rushes forward to stop the ensuing fight only to have them push her back.  
She falls and hits her head against the shelf, cutting her forehead in the 
process.)

(PHOEBE touches her forehead gingerly and sees the blood on her fingertips.)

CUT TO:



[INT. RITZ, TEUKOLSKY AND RUBEN - RECEPTION -- DAY]  

PAIGE:  Ok, stay calm.  

(PAIGE puts her hand on FLO'S back and leads her to the side.)

PAIGE:  Just stay calm.  Stay calm.  Just, you know, tell me what happened.

FLO:  Mr. Stewick has been asking me out ever since I got here.

PAIGE:  Ok, so you went on a date.

FLO:  Well, if you could call it a date.  He tried to grab my ass.  I threw a 
drink in his face.  I have avoided him ever since.  So stupid! I shouldn't have 
gone out with him in the first place.

PAIGE:  Ok, so tell me what happened next.

FLO:  Next. 

(She scoffs.)

FLO:  Next he wants me to meet him in his office tomorrow morning bright and 
early.  He says it's "official."  I need this job, but I am afraid to face him 
alone.  Do you think maybe you could come with me?

PAIGE:  Of course. Absolutely.  (to herself)  I don't know how I could forget 
this.

FLO:  Forget what?

(Behind them, a large dragon flies by the windows.)

PAIGE:  Oh, nothing.

FLO:  ... my luck with men, not that you need to hear my complain, but ... 

(One of the co-workers carrying a cup of coffee notices the flying dragon and is 
completely mesmerized by the sight.  He continues walking with the coffee, his 
eyes on the dragon outside, and walks straight into PAIGE.)

FLO:  Hey, watch out!

(PAIGE turns around and the coffee stains her blouse.)  

PAIGE:  Coffee.

CO-WORKER (MAN):  I am so sorry.

PAIGE:  It's ok.

CO-WORKER (MAN):  Something weird just flew by the window.

(PAIGE jumps on that.)

PAIGE:  Something?  Something what?

CO-WORKER (MAN):  It, uh - 

PAIGE:  Spit it out.  Spit it out.

CO-WORKER (MAN):  Well, to be honest with you, it looked a little like a ... a 
dragon.

PAIGE:  A dragon.

CO-WORKER (MAN):  Yeah.

(PAIGE looks out the window and sees the flying dragon.)

PAIGE:  Oh, that is so not good.

CUT TO:



[INT. MANOR - CONSERVATORY -- DAY]  

(WYATT starts to cry.)

(PIPER closes the Book of Shadows and gets up from her seat.  She heads toward 
WYATT.)

PIPER:  Oh, Wyatt, sweetie, come on.  Mommy's gonna find something to make sure 
nothing happens to you.  Here. 

(PIPER grabs the crusty, yucky teddy bear and shows it to WYATT, trying to stop 
him from crying.)

PIPER:  Look, look, look.  

(WYATT scrunches up his face and continues to cry.)

PIPER:  Right. You hate this.  You hate this.

(PIPER puts the bear aside.)

PIPER:  Ok ... 

(PIPER picks WYATT up.)

PIPER:  I'm sorry. Did I forget how to be a mommy, too?

(WYATT stops crying and orbs.)

PIPER:  Wyatt, what are you doing?

(WYATT orbs both him and PIPER out of the room.)

PIPER:  Wyatt!

CUT TO:



[INT. THE BAY MIRROR - BULL PEN-- DAY]  

(PAIGE walks into the bullpen.  Her eyes widen at the brawl in front of her.  In 
the center of the room, PHOEBE has someone's head under her arm as she rubs his 
head and gives him a noogie.  Then she hits him on the back of his head.  He 
falls to the floor.)

PAIGE:  Oh, my god.

(A REPORTER tosses another REPORTER across a desk.  A female REPORTER tosses a 
MAN over her shoulder onto the desk.  He kicks her in the face.)

(Meanwhile, PHOEBE continues to fight.  She elbows one woman in her face, and 
punches another man in front of her.)

(Another MAN grabs A MAN and wipes him across the counter.)

(As PAIGE stands in front of the door, a REPORTER is thrown through the door 
glass, smashing it as he lands in the corridor on the other side.)

(PHOEBE pushes a MAN in a chair up against a wall.  She gets ready to punch 
him.)

PHOEBE:  You son of a bitch!

(PAIGE rushes to stop her.)

PAIGE:  Phoebe, no!  Phoebe, no!

(PAIGE grabs PHOEBE and pulls her aside.)

PAIGE:  Snap out of it!

(PHOEBE looks around the bull pen.)

PHOEBE:  Oh, no!  Did I do all of this?

PAIGE:  Forget all that.  We gotta get outta here.  Phoebe, I figured out what 
we're supposed to be remembering.

PHOEBE:  I'd be happier just forgetting, I think, at this point.

PAIGE:  No, no. Phoebe, there's a dragon loose in the city!

(A reporter who is about to punch someone overhears PAIGE.  This is news.)

REPORTER:  Did you say dragon?

(The Reporter he was going to hit, punches him instead.)

PAIGE:  Come on.

(PAIGE grabs PHOEBE'S hand and pulls her out of the office.  They both step out 
through the door over the broken glass.)

CUT TO:



[EXT. PRESIDIO TUNNEL -- DAY]  

(A car zooms by the camera into the tunnel.)

(WYATT and PIPER orb to the side of the PRESIDIO TUNNEL.  PIPER looks around the 
area.)

PIPER:  Wyatt, you're making mommy very nervous.  What are we doing here?  What 
is it?

(Her cell phone rings.  She answers it.)

PIPER:  What's up?

PAIGE:  (from phone)  Where are you?

PIPER:  Where am I?  I'm standing outside of the Presidio Tunnel where your 
nephew just orbed me.

PAIGE:  (from phone)  Wait. What did you just say?  

(WYATT orbs PAIGE and PHOEBE to the tunnel behind PIPER.)

PAIGE:  He did what?  

(PIPER hears them and turns around.)

PIPER:  Are you out of your mind?  Aren't you afraid of exposure?

PAIGE:  Yeah, that's why we called.

PIPER:  What do you mean?  What are you talking about?

(From inside the tunnel, there's an explosion.  A car zooms out of the tunnel, 
its tires screeching as fire and smoke follows it in its wake.)

PHOEBE:  I think she's talking about that.

(A large dragon flies out of the tunnel following the car.  It hurls fire 
directly at the girls.  The girls duck as the dragon flies by overhead leaving 
fire and scorch marks on the road.)

(Camera holds on the girls and WYATT.)

FADE OUT.

(COMMERCIAL SET)



FADE IN.

[EXT. SAN FRANCISCO CITY (STOCK) - EVENING]

[EXT. HALLIWELL MANOR - EVENING]

KINESHA ROBINSON:  (v.o.)  (from tv)  Police here at the tunnel are saying it's 
a miracle no one was hurt, although three cars were destroyed.  They haven't 
ruled out terrorism, of course ... 



[INT. MANOR - CONSERAVATORY -- DAY]  

[TELEVISION MONITOR]

KINESHA ROBINSON:  (from tv)  ... but at the moment, they are focusing on some 
rather bizarre reports of a ... "giant bird," which one witness went on record 
as saying ..."shot fire out of its mouth at cars like a dragon."

(PAIGE turns the television set off.)

PAIGE:  Well, as far as clues go, I'd say that's a pretty huge one, wouldn't 
you?

(PIPER puts the band-air on PHOEBE'S cut.)

PHOEBE:  Ow.

PIPER:  Sorry.

PHOEBE:  No, it's not my pain I'm reacting to.  It's your pain.

PIPER:  Oh. Well, then, you should be feeling a little irritated then, too.

PHOEBE:  Piper, why are you blaming yourself?  It's not your fault.

PIPER:  Ok. Number one, I haven't actually verbalized guilt yet, so in the 
future, let me confess before you analyze.

PHOEBE:  Right.

PIPER:  Secondly, it is my fault, because I'm the one that plopped Wyatt in 
front of the electronic baby-sitter.

PHOEBE:  Do you have any idea what she's talking about?

PAIGE:  No, not a clue.

PIPER:  You want some clues?  Try this one on for size.  Before you left, Wyatt 
was watching a tv show about--wait for it - dragons.

PHOEBE:  No, he was watching a kid's show.

PIPER:  Well, apparently, he magically changed the channel.  Of course, that was 
before he magically orbed me to the tunnel to find his new friend.

PHOEBE:  He did all of that?

PAIGE:  Wait a second.  So, you're saying Wyatt conjured a dragon?

PIPER:  Yep, right out of the tv.

PHOEBE:  Oh, you must be so proud!

PIPER:  Yeah, or a little irritated.

PHOEBE:  Right.

PAIGE:  Ok, if this is true, your little boy is developing some serious powers.

PIPER:  Yeah, the kind that unleashes Godzilla on an unsuspecting city.  How am 
I supposed to handle this?  

PAIGE:  Well, at least now we know how we lost our memories.  I mean, obviously, 
anything connected to the dragon, no matter how remote, was erased.  You know, 
what?  Coffee stains. Riots.

PIPER:  But the question is by whom?

PHOEBE:  Come on, you guys.  So Wyatt made a little magical mess.  We've dealt 
with worse.  We'll fix it.

[CUE SOUND:  MAGIC]

(Someone magically appears in the manor.)

CLEANER 1:  (o.s.)  Perhaps we can help.

(They turn to look at the two MEN dressed completely in white standing in their 
main hall.  All three sisters step forward.)

PHOEBE:  Who are you?

[INT. MANOR - SITTING ROOM / MAIN HALL - DAY]

CLEANER 1:  We're known as the cleaners ... and we're here to help.

PAIGE:  The cleaners?

CLEANER 1:  When magic is exposed, we're the ones who cover it up, remove all 
evidence, erase any memories, whatever is necessary.

PIPER:  You're the ones who are going to take Wyatt.

CLEANER 1:  Well, we won't have to if you can eliminate the exposure risk.

PIPER:  Exposure?  You're here to take my son away, you son of a bitch!

(PIPER waves her hands and blasts the CLEANERS.  As they did before, CLEANER 1 
raises his hand and "catches" the blast.)

CLEANER 1:  I understand your anger.  Now you need to understand our position.  
We're a neutral party.  We exist only to protect magic.  To that end, your son 
has become ... a problem.

(PIPER still doesn't like it.  She motions to strike out again, but PHOEBE stops 
her.)

PHOEBE:  Easy.

CLEANER 1:  However, based upon your past success in covering up your own magic, 
we've decided to give you a chance - 

CLEANER 2:  One chance only - 

CLEANER 1:  To take care of the problem yourselves before it gets out of hand.

PAIGE:  And if we can't?

CLEANER 1:  Then we'll have to take care of it for you.

PIPER:  You can't make us forget everything.

CLEANER 1:  There may be some distant echoes that remain, maybe a sense of déja 
vu here and there, but like most people, you'll just pass it off as 
absentmindedness and move on.

PIPER:  Well, we're not like most people.

CLEANER 1:  Won't matter.  Clean it up ... 

CLEANER 2:  Or we will.

(The CLEANERS disappear from the manor.)

PAIGE:  At least now we know what happened.  Too bad we just won't remember any 
of it.

PHOEBE:  All right. I think we have the upper hand on this one, don't we?  I 
mean, we know that we're recalling the same day.  They obviously don't.

PAIGE:  Yeah, well, none of it's gonna help unless we can figure out how to 
eliminate Wyatt's dragon.

(PIPER walks toward the stairs.)

PHOEBE:  Piper.

(PIPER turns around.)

PIPER:  Go to the book.  Work on the dragon.  Do not take your eyes off Wyatt.

PAIGE:  Where are you going?

PIPER:  To call a higher power.

(PIPER heads up the stairs.)

CUT TO:



[INT. MANOR - PIPER'S BEDROOM -- DAY]  

(PIPER walks into the bedroom and starts calling for LEO.)

PIPER:  Leo?  Leo, I know you can hear me.

(There's no response.)

PIPER:  I know I told you to go away, but I really need you.  Wyatt's in 
trouble.

(LEO orbs into the bedroom.)

LEO:  What do you mean?  What happened?

PIPER:  There's no time.  Just tell me how to stop the Cleaners.

LEO:  The cleaners?  Are they after him?

PIPER:  Yeah.

LEO:  What the hell happened?

PIPER:  Well--he conjured a little dragon.

LEO:  Piper, how could you let that happen?

PIPER:  How could I let that happen?  You take off, and suddenly, I'm 
responsible for every little thing?

LEO:  This is not a little thing.

PIPER:  Yeah, well, where the hell were you?  Why weren't you watching over his 
every move up there on your lofty perch?

LEO:  Ok, that's not what I meant.

PIPER:  Well, then, don't say it, because I'm beating myself up enough already 
about this, and I don't need you beating me up, too.

LEO:  I'm sorry.  I'm just scared.

PIPER:  Yeah, so am I.  That's why I called you, because I'm about to lose our 
son, and I don't know what to do, so, please, help me.

LEO:  Piper, if I could --

PIPER:  No, don't say it.  Don't say anything about Elders or rules.  Because 
you know what?  He is your son, Leo.  There are no rules.

LEO:  I'm telling you.  The Cleaners are empowered by both good and evil.  You 
can't stop them.

PIPER:  There has to be a way.

LEO:  You don't understand.  There isn't.  Cleaners have the power to rewrite 
history.  You can't fight that.

PIPER:  No, you don't understand!  I can't do this! I cannot lose Wyatt, too!

LEO:  Piper, you weren't put in this position to lose Wyatt, which means there 
is a way.  You just have to find it.

PIPER:  But how?

LEO:  I don't know, but if anybody can find it, you can.  Maybe it's not a 
magical solution.  Maybe it's ... maternal.  Deep down inside, you can find it.  
I know you can.

CUT TO:



[INT. MANOR - ATTIC DAY -- CONTINUOUS]

(PHOEBE and PAIGE are in the attic.  PHOEBE is making a potion while PAIGE 
scours the Book of Shadows for a solution.  WYATT is in his playpen.)

(PIPER walks into the attic.  She looks down at WYATT.)

PHOEBE:  Hey, you all right?

PIPER:  I don't know.  Ask me again when this is all over.

PAIGE:  Was Leo any help?

PIPER:  I'm not sure yet.  Anything on the dragon?

(PAIGE closes the Book of Shadows.)

PAIGE:  No. Dragons predate the book.  One thing I do know is that we're gonna 
have to get a tooth, scale, some piece of him, in order to make the vanquishing 
potion even work.

PHOEBE:  Yeah, we're just kind of winging it, making the most powerful potion 
that we can.

(PHOEBE doubles over in pain.)

PAIGE:  Phoebe?  

PIPER:  What happened?  Are you all right?

PHOEBE:  I am, but someone's not.  Actually, a bunch of people aren't.

PIPER:  People?  Like people out there people?

PHOEBE:  I don't know.  All I know is I've never felt such pain and fear before 
in my life.

PAIGE:  Is it the dragon?

PIPER:  Grab the potion.

(PIPER turns to pick WYATT up from his playpen.)

PIPER:  Wyatt, sweetie, come on.  Remember your friend mister dragon?  What do 
you say we find the dragon?

CUT TO:



[EXT. STREET -- NIGHT]  

(Thunder rumbles, lightning strikes.  The streets below are a complete mess.  
Cars are being abandoned, people are fleeing and dragon fire scorch marks are 
everywhere.)

(WYATT orbs them to the street.)

1ST PEDESTRIAN:  What was that?

2ND PEDESTRIAN: Forget it.  Let's get out of here.

PHOEBE: God, it looks like a war zone.

(Right in the middle of it all, the dragon's tail sticks out from a pile of 
burning rubble.)

PAIGE: Oh, my god.  Looks like it made a nest.  Let's hope it's not laying any 
eggs.

(WYATT sees the dragon and giggles.)

PIPER:  Think you can steal a scale for the potion?

PAIGE:  Uh, I'll try.  

(PAIGE holds out her hand.)

PAIGE:  Scale!

(A piece of the dragon orbs into PAIGE'S hand.  The dragon feels the magic and 
flies off.)

PAIGE:  Ugh.  I think I woke it up.

PHOEBE:  Oh, no, I think you pissed it off.

(The dragon gets up and looks straight at them.  WYATT giggles.  PIPER watches 
his response.)

PAIGE:  Ok, if you're sensing any fear, it would be mine.  I think we should go.

PIPER:  Wait.

(She looks from WYATT to the dragon.)

PAIGE:  Wait for what?

(She gets an idea.)

PIPER:  Wyatt.

(PIPER hands WYATT over to PHOEBE.)

PHOEBE:  Wha-Piper, what are you doing?

PIPER:  I don't have time to explain.  Just make sure he sees me.

(PIPER walks toward the dragon.)

PAIGE:  Piper, come back!

(She stops in front of the growling dragon.)

PIPER:  Ok!  Come on, you fire-breathing lizard.  Come and get me!

(With a screech, the dragon pushes off into the sky.)

PAIGE:  Piper, are you nuts?

(She motions for them to stop.)

PIPER:  Stay there!

PAIGE:  We have to stop her.

(PHOEBE watches PIPER and WYATT.  The dragon circles around and heads for 
PIPER.)

PHOEBE:  I think I know what she's doing.

PIPER:  (mutters)  Come on, Wyatt.  Don't let mommy down.

(The dragon heads straight for PIPER opening his mouth to breath out fire.  
PAIGE watches.  PHOEBE'S eyes widen at the sight.  WYATT waves his arms.)

(The dragon disappears.)

(The force of the air moving toward her knocks PIPER off of her feet and back 
toward the others.)

PHOEBE:  Piper!

PIPER:  I'm ok!  I'm ok.

(PIPER gets to her feet.  She turns around and smiles at WYATT.)

PIPER:  Hi, little man.  

(PHOEBE hands WYATT over to PIPER.)

PIPER:  You did it!  I knew you could do it.  Good job.

PAIGE:  Ok. I'm confused.  What just happened?

PHOEBE:  That was the greatest power there is:  A mother-and-child bond  
Especially when that child is Wyatt.

PAIGE:  So you're saying he vanquished the dragon, and you knew he was gonna do 
it. 

PIPER:  Well, I was hoping he wouldn't want anything bad to happen to me.

PAIGE;  Ok, well, that solved that problem.  Now what do we do with this mess?

PHOEBE:  We'll figure it out.

[CUE SOUND:  MAGIC]

CLEANER 1: (o.s.)  No, actually, you won't.

(The sisters turn around to find the CLEANERS standing there.)

PIPER:  Wait, we did what you asked.  We got rid of the dragon.

CLEANER 1:  But not the exposure risk.

CLEANER 2:  The boy.

(The CLEANERS hold out their hands for him.)

PAIGE:  No. You can't.

(PAIGE grabs PIPER'S and PHOEBE'S hands and orb them out from the streets.)

(The CLEANERS look at each other, not worried nor surprised.)

CUT TO:



[INT. MANOR - MAIN HALL -- NIGHT]  

(PAIGE orbs them back to the manor.)  

PAIGE:  We don't have much time.  They're gonna follow us.

PHOEBE:  How are we supposed to stop them?

PIPER:  Well, we have to think of something.  We can't just let them take Wyatt.

(The air in the foyer starts to waiver as something is coming into the house.  
PAIGE sees it and steps forward.)

PAIGE:  Uh ... incoming!

(The CLEANERS appear in the foyer.)

PIPER:  I will not lose him.

(CLEANER 1 waves his hand and WYATT disappears from PIPER'S arms.  He reappears 
in CLEANER 2'S awaiting hands.)

PIPER:  No!

(PIPER steps forward to attack, but CLEANER 1 waves his hand and sends the 
sisters flat on the floor and back into the next room.)

CLEANER:  Don't worry.  You won't remember any of this anyway.

(CLEANER 1 waves his hand and lights flash and tingle.  Things start to change.  
The toy carousel on the wicker table vanishes.  The play pen in the middle of 
the conservatory disappears and changes into a wicker table.  A lamp appears in 
the spot where the toy carousel used to be.)

(The camera zooms to the framed photograph on the bedroom wall of the three 
sisters standing behind WYATT in his stroller only to find that WYATT and the 
stroller completely removed from the picture.)  

(Back in the foyer, the lights tingle.  When everything is completely "cleaned", 
the CLEANERS vanish ... with WYATT.)  

(The girls slowly sit up.)

PIPER:  Do you remember?

PHOEBE:  Absolutely everything.

PAIGE:  Spell must have worked.

PIPER:  But not for Wyatt.  He's gone.

(Camera holds on PIPER.)  

FADE OUT.

(COMMERCIAL SET)



FADE IN.

[EXT. HALLIWELL MANOR - NIGHT]

(Lightning flashes, thunder rumbles.  It continues to rain.)



[INT. MANOR - ATTIC -- NIGHT]  

(PIPER stares out the attic window completely removed from the others.  PHOEBE 
frantically flips through the Book of Shadows searching for anything that will 
help them.)

(PAIGE stands near the table scries for WYATT.  PHOEBE closes the book.)

PAIGE:  Ugh. Nothing.  I can't find the Cleaners anywhere.

PHOEBE:  Well, they have to exist somewhere, don't they?

PAIGE:  Not necessarily.  Not even on our plane and not even in our time.  I 
don't know.  Maybe we should just summon them.

PHOEBE:  And then what?

PAIGE:  I don't know.  Maybe we should call Leo again.

PIPER:  I don't think he can help any more than he already has.

PAIGE:  How'd he help last time?

PIPER:  By reminding me that I can do this.  

(PIPER turns away from the window.  Obviously, she's been thinking about this.)

PIPER:  You know, maybe we are going about this all wrong.  Maybe instead of 
trying to stop them, we should be trying to get them to stop us.

PHOEBE:  You lost me.

PIPER:  Well, when magic is exposed, it's their job to clean it up, right?

PAIGE: Yeah. So?

PIPER:  So why can't we expose our magic and force them to deal with us?

PHOEBE:  Yeah, but if we do that, what's to stop them from erasing us?

PIPER:  They wouldn't dare.  So ... let's give 'em something to clean up.

(PIPER looks at them.)

CUT TO:



[INT. KLMV-6 NEWS STUDIO -- NIGHT]  

[CAMERA MONITOR]

(WAYNE, the WEATHERMAN, is giving his nightly report.  Camera moves over to show 
WAYNE standing in front of the green screen.)

WAYNE (WEATHERMAN):  Doppler radar for the bay area shows us that storm is 
already on its way out, so looks like San Francisco is finally gonna get some 
good news:  Those scattered showers overnight turning partly sunny by morn--

(PAIGE and PHOEBE orb into the newsroom directly in front of the green screen 
right next to the WAYNE.)

WAYNE (WEATHERMAN):  Whoa! What the --

PHOEBE:  Hi.  How you doing?

(KINESHA ROBINSON gasps.  PAIGE smiles and waves gleefully at her.)

PHOEBE:  (to WAYNE)  Why don't we get a skycam view of that, shall we?

(PHOEBE grabs WAYNE and flies him up.  The camera follows them up.)

WAYNE:  Aah! Aah!  Help!  Get me down from here!  Don't let go!  Don't let go!  
Don't let go!

KINESHA ROBINSON:  (laughs)  I don't know what's happening here--

PAIGE:  Well, it's called magic, Kinesha.  Witchcraft, specifically.  I really 
love your ... jacket!

(PAIGE holds out her hands as KINESHA'S jacket materializes in her arms.)

(Behind KINESAH, WAYNE falls down to the floor.)

WAYNE (WEATHERMAN):  Whoa!

(PHOEBE lands next to KINESHA.)

PHOEBE:  Wanna see more magic?  Let's check in with Piper at the Golden Gate 
Bridge.  Take it away, Piper!

(With a flourish, PHOEBE points to the next camera as the monitor shows PIPER 
standing in front of a view of the Golden Gate Bridge.)

(PIPER smiles for the camera.  She turns to face the bridge and recites.)

PIPER:  
     Let the object of objection become but a dream 
     as I cause the seen to become unseen.

(Before everyone's eyes, the entire bridge and all its contents disappear from 
sight.)

(PIPER turns to look at the camera.)

PIPER:  You might want to take an alternate route to work in the morning.

CUT TO:



[INT. MANOR - ATTIC -- NIGHT]

(PIPER, PAIGE and PHOEBE orb back into the attic.)  

PAIGE:  Oh, not so bad.  You should get out more often.

PIPER:  Yeah, Phoebes.  Time to come out of the basement.

PHOEBE:  Mm-hmm.  Maybe you're right.

[CUE SOUND:  MAGIC]

CLEANER 1:  (o.s.)  What do you think you're doing?  

(They turn to see the CLEANERS in the attic walking toward them.)

CLEANER 1:  Are you out of your minds?

PIPER:  Oh, hey, hi.  Did you see our little magic act?

CLEANER 2:  How is it you still have your memory?

PHOEBE:  Oh, I think we still have a few surprises that you don't know about.

PAIGE:  Yeah, and if you don't return our nephew, you might find out about just 
a few more.

CLEANER 1:  This is pointless.  Whatever you do we'll simply erase.

CLEANER 2:  Or we'll erase you.

PIPER:  You can't.  Not if you're truly neutral, that is.  'Cause, you see, if 
you get rid of us, you tip the balance of power from good to evil.  Now, that's 
hardly being neutral, now, is it?  

(CLEANER 1 turns to glance back at CLEANER 2.  She has them.)

PIPER:  You will give me my son back, or I swear to you, the only thing you will 
be doing for the next fifty years is cleaning up after us.

CLEANER 1:  If we do return him, how do you know you'll be able to control him?

PIPER:  I'm his mother.  If anybody can, I can.

(CLEANER 1 waves his hand.  WYATT in his playpen materializes in the middle of 
the attic behind them.  PIPER turns around and smiles as she goes to pick him 
up.  PHOEBE and PAIGE smile with relief.)  

PIPER:  Oh!  Hi.

CLEANER 1:  Everything is as it was.  We've erased all evidence of your son's 
magic.  We'll leave him ... in your care.

CLEANER 2:  For now.

(CLEANER 1 waves his hand to leave.  PHOEBE steps up and stops him.)  

PHOEBE:  Oh! Oh!  One more thing, please, if you could just do me a little 
teensy-weensy little favor and erase that whole riot I caused at the office.  
You know, 'cause I don't want to lose my job.  That would really suck.  Might 
throw off that balance thing, 'cause I'd be distracted, you know?

(CLEANER 1 closes his eyes and waves his hand.)

CLEANER 1:  It's done.

(PHOEBE smiles at him in thanks.)

CLEANER 1:  Good luck.  Because believe me ... you're going to need it.

(PHOEBE turns around to hold WYATT.)

(The CLEANERS disappear from the attic.)  

PHOEBE: You're ok.  I'm so happy to see you.

PIPER:  Don't smash him.

PHOEBE:  I'm so happy to see you.  I can't--I can't help it.  This is just very 
exiting.  He's back.  We're back.

PAIGE:  Coffee stain and all.  

PHOEBE:  Yeah, what are you gonna do about your job?  Are you gonna keep it?

PAIGE:  Yeah, I think I will, just so I can see what happens next.

CUT TO:



[EXT. SAN FRANCISCO GOLDEN GATE BRIDGE (STOCK) - EARLY NEXT MORNING]

[EXT. OFFICE BUILDING (STOCK) - MORNING]



[INT. RITZ, TEUKOLSKY AND RUBEN - MR. STEWICK'S OFFICE -- DAY]  

(Camera opens on a foot tapping impatiently.  FLO sits in the chair across from 
MR. STEWICK'S desk.)

PAIGE (AS FLO):  Exactly what are you saying?

MR. STEWICK:  Unless you make it ... worth my while, I may find your performance 
here ... lacking.

PAIGE (AS FLO):  Mr. Stewick, please.  I need this job.

MR. STEWICK:  And that is why I'm giving you an opportunity to keep it ... if 
you catch my meaning.

(FLO considers it, crosses her legs and smiles invitingly.)

PAIGE (AS FLO):  Absolutely.  You know, I like a man who knows what he wants and 
isn't afraid to ask for it.  Now are you afraid to come...get it?

MR. STEWICK:  You mean right here and now?

PAIGE (AS FLO):  Mm-hmm.

MR. STEWICK:  Yeah?  Uh ... 

(MR. STEWICK sits up and presses the intercom button.)

MR. STEWICK:  Yeah, hold my calls, please.

SECRETARY:  (from intercom)  Yes, Mr. Stewick.

(He stands up.  She stands up.  She holds out her hand and calls.)

PAIGE (AS FLO):  Flowerpot!

(The flowerpot orbs off of the shelf and PAIGE hurls it toward MR. STEWICK'S 
head.)

(It blindsides him and knocks him to the floor.  He moans.)

("FLO" changes back into PAIGE.  She looks down at him and shakes her head.  
PAIGE heads for the door and opens it.)

FLO:  (surprised)  Oh, Paige!  Uh, I thought you were out ... 

(MR. STEWICK groans.  FLO looks into the office and sees him on the floor.)

FLO:  What happened?

PAIGE:  Well, you see, I overheard Mr. Stewick threatening you.  He'll be real 
lucky if you don't sue.  Just go with it.

FLO:  Um...

(She looks in the office and at MR. STEWICK on the floor groaning.

FLO:  Thanks, Paige, for whatever you just did for me in here.

(She gives PAIGE a hug.)

PAIGE:  I was wondering why I took this job, and now I know.  Thank you.  

FLO:  Thank you.

(PAIGE walks past FLO and back to her desk.)

CUT TO:



[INT. CHRIS' APARTMENT -- DAY]  

(LEO orbs into CHRIS' apartment.  He crosses his arms in front of him.  CHRIS is 
sitting on the couch and putting on his shoes, his rumpled bedsheets around him.  
There is no empty beer bottle on the empty boxes in front of him.)

LEO:  Hey.

CHRIS:  Hey.  I didn't know you were coming here.

LEO:  What are you still doing here, Chris?  Shouldn't you be getting to know 
your new charge?

CHRIS:  Yeah, about that.  I'm, uh--I'm going back to what I originally said.  I 
don't have time for her.

(CHRIS finishes putting on his shoes and stands up.)

LEO:  Chris --

CHRIS:  Leo, I mean it.  Because, whether you believe me or not, I'm here to 
protect Wyatt, not other charges.  Other than the sisters, of course.

LEO:  If that's how you feel about it, I guess I'll reassign her.

CHRIS:  Thank you.

(LEO orbs out.  CHRIS sighs.)

CUT TO:



[EXT. HALLIWELL MANOR - DAY]

(Establish.)



[INT. MANOR - CONSERVATORY -- DAY]  

(PIPER sits quietly in the conservatory in the wicker rocking chair holding 
WYATT in her arms and enjoying the moment.  He's awake, but she doesn't care.  
She simply holds him and smiles down at him.)

(The Camera moves back on the scene.)

FADE TO BLACK.

==========================
THE END
==========================

[Captioning made possible by Spelling Entertainment, Inc. Captioned by the 
National Captioning Institute www.Ncicap.Org]

Courtesy of http://www.webphilia.com/~anthology/wnp.html

Contact the Transcriptionist at (intrepidly002@yahoo.com)

Do not archive this transcript without permission from the Transcriptionist.

==========================
TITLE/OPENING CREDITS 
==========================
CHARMED
6X03:  FORGET ME ... NOT
ORIGINAL AIR DATE ON WB:  10/05/2003
TRANSCRIBED FROM WB

Starring:
ALYSSA MILANO as Phoebe Halliwell
ROSE McGOWAN as Paige Matthews
and
HOLLY MARIE COMBS as Piper

BRIAN KRAUSE as Leo Wyatt
DREW FULLER as Chris Perry

Created by CONSTANCE M. BURGE

Guest Starring
REBECCA BALDING as Elise Rothman
KIRK B.R. WOLLER as Cleaner 1
MELISSA GREENSPAN

SCOTT KLACE
SHAUN ROBINSON
SARAH ALDRICH

RICK HALL
MICHAEL MANUEL

Consulting Producer:  JONATHAN LEVIN
Consulting Producer: DAVID SIMKINS

Co-Producer:  PETER CHOMSKY
Co-Producer:  CURTIS KHEEL

Producer:  HOLLY MARIE COMBS
Producer:  ALYSSA MILANO

Supervising Producer:  DANIEL CERONE
Co-Executive Producer:  JAMES L. CONWAY
Produced By:  JON PARE

Written by HENRY ALONSO MYERS
Directed by JOHN KRETCHMER

==========================
END CREDITS 
==========================

Executive Producer:  BRAD KERN
Executive Producer:  AARON SPELLING
Executive Producer:  E. DUKE VINCENT

Spelling Television Inc., A Paramount / Viacom Company

Executive Story Editor:  HENRY ALONSO MYERS
Executive Story Editor:  JEANNINE RENSHAW
Story Editor:  JULIE HESS

Co-Starring
DARIN COOPER as Cleaner Two
CHRSTIAN KEIBER as Frank
ANDREW REVILLE as Co-Worker
AMANDA SICKLER as Sophie

Music by:  JAY GRUSKA

Casting by:  LESLEE DENNIS, C.S.A.
Original Casting by VICTORIA HUFF, C.S.A.

Director of Photography:  JONATHAN WEST, ASC
Production Designer:  PAUL STAHELL
Editor:  DEREK BERIATSKY
Unit Production Manager:  JON PARE

First Assistant Director:  RICHLEIGH HEAGH
Second Assistant Director:  VINCENT GONZALES

Executive in Charge of Talent:  PAMELA SHAE
Costume Designer:  EILISH

Camera Operator:  KRIS KROSSKOVE
1st Assistant Camera:  RICHARD SOBIN
Chief Lighting Technician:  KURT JOHNSON
Asst. Chief Lighting Technician:  DON LEHMAN

Set Designer:  ROLAND HILL
Set Decorator:  ROBINSON ROYCE, S.D.S.A.
Leadperson:  MICHAEL ZUFELT
Property Master:  ROGER MONTESANO
Assistant Property Master:  SCOTT COCKEREIL
Script Supervisor:  NANCY SOLOMAN

Costume Supervisor:  DANIELA GSCHWENDTNER
Dept. Head Key Make-Up Artist:  NANETTE NEW
Key Make-Up Artist:  ANI MALONEY
Key Make-Up Artist:  BRET MARDOCK
Dept. Head Key Hairstylist:  AUDREY FUTTERMAN-STERN
Key Hairstylist:  LANA HEYING

Sound Mixer:  BRETT GRANT-GRIERSON
Location Manager:  BOB BOYLE
Transportation Coordinator:  DAVE BASSETT
Production Coordinator:  RICK NAPOLI
Post-Production Coordinator:  LARRY GOLDSTEIN
Production Accountant:  CHRISSY CORNWALL

First Company Grip:  STEVE GAUSCHE
2nd Company Grip:  TOM HAM
Construction Coordinator:  STAR FIELDS
Stunt Coordinator:  NOON ORSATTI
Special Effects Coordinator:  RANDY CABRAL
Visual Effects Supervisor:  STEPHEN LEBED

Executive Associate:  RENATE KAMER
Casting Associate:  MEGAN ENTRIKEN
Assistant to Brad Kern:  DOUG E. JONES
Assistant to Jon Pare:  JULIE SWARTSLEY
Assistant to the Writers:  NATALIE ANTOCI

Assistant Editors:  BRIAN JONASON
Music Editor:  NINO CENTURION
Supervising Sound Editor:  JEFF CLARK
Music Coordinator:  CELEST RAY
Re-Recording Mixers:  JOSH SCHNEIDER / BRUCE MICHAELS / KEVIN VALENTINE

Film and Electronic Laboratory (tm) by LASERPACIFIC MEDIA
Lenses and Panaflex(R) Camera by PANAVISION(R)
Digital Sound Editing and Mixing by LASERPACIFIC MEDIA
Digital Visual Effects by ENCORE VIDEO

Executive in Charge of Production:  GAIL M. PATTERSON
Executive in Charge of Post-Production:  KENNETH MILLER

This motion picture is protected under the laws of the United States and other 
countries.  Any unauthorized duplication, copying, distribution, exhibition or 
use may result in civil liability and or criminal prosecution.

The places and characters depicted herein are entirely fictitious, and any 
similarity to any real places or people is purely coincidental.

(c) 2003 by Spelling Television Inc., A Paramount / Viacom company.  All rights 
reserved.

Country of First Publication:  United States of America

Spelling Television Inc., is the author of this film / motion picture for the 
purpose of Article 15(2) of the Berne Convention and all National Laws giving 
effect thereto.

AOL Keyword:  The WB
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Dated: 10/12/2003~lky
http://www.webphilia.com/~anthology/wnp.html


