THE DEVIL of DELERY STREET
by POPPY Z. BRITE

MARY LOUISE STUBBS was thirteen the year the family troubles began. She was called Melly because four of her younger siblings could not say her full name, or hadn't been able to when they were younger. Her fifth sibling, Gary, was only a baby and couldn't say much of anything yet. Once that strange and dreadful year was over, her mother, Mary Rose, would not allow its events to be referred to in any more specific way than "our family troubles." That was how Melly always remembered them.
Her memories seemed to date from the afternoon of her cousin Grace's funeral. Grace, the younger child of Mary Rose's sister Teresa, had been carried away by a quick and virulent form of childhood leukemia. Now everyone was busy pretending that she had been a saint among nine-year-old girls. With the terrible unambiguous eye of an adolescent, Melly saw only hypocrisy in this. Grace hadn't been any saint; she was actually kind of a sneaky kid who liked to pinch smaller children when no grown-ups were looking. Melly had loved her, but didn't see the need to pretend she was now perched on the knee of the Blessed Virgin Mary.
The Stubbs family was gathered in their regular pew at Saints Peter and Paul, a dusty old brick church in downtown New Orleans, and Melly was having a hard time staying awake. She didn't usually sleep during regular Mass, let alone funerals, but a scratching in the wall of her bedroom had kept her up last night. She'd meant to ask her father if he would buy some rattraps, but the memory of wakefulness had left her as soon as she brushed her teeth and combed her long, coarse dark hair. She had the Sicilian coloring of her mother, a former Bonano, as did most of the other kids; only Gary was shaping up to be Irish-fair like their father.
Now, though, she began to nod off. Her brother Little Elmer, the next oldest after Melly, extended a finger and poked her in the ribs. "Father Mike ain't that boring," he whispered.
"Shhh," she replied. Father Mike was young, with soft dog eyes and a thick shock of wavy hair, and Melly had a little crush on him. Not a sexy crush—it would be almost a sin to think about a priest that way—but a little warm feeling in her chest whenever she saw him.
"You the one falling asleep, not me—"
"Y'all both hush," their father murmured from Melly's other side, barely audible, and they shut up. Elmer Stubbs was a mild-tempered man, but there'd be misery later if Mary Rose caught them talking during a funeral Mass. Fortunately she was at the far end of the pew, twisting a Kleenex in her small, expressive hands. It was warm for March, and occasionally she'd reach up to blot the sweat from her brow, though she always pretended she was patting her jet-black beehive hairdo. How Melly loathed that beehive! 
"It's 1974, Momma," she said frequently, "time to comb it out." 
And Mary Rose always replied, "Nuh-uh, babe, I don't want to look like a hippie," as if a slightly more modern hairdo would transform her from a diminutive Italian housewife into a pot-smoking flower child.
Melly sat up straighter in the pew, stretched her eyes open, and hoped the rat would depart for more attractive horizons by tonight. They lived in a poor neighborhood, the Lower Ninth Ward, but their house on Delery Street was clean. Melly knew it was, because she had to do a lot of the cleaning. Some of their neighbors' yards were full of chicken bones and crawfish shells and Melly didn't know what-all else, scattered among rusty garbage cans and hulks of old cars. Surely a rat could fill his belly more easily at one of those houses.
Her wishes went unanswered for the time being; at home later, as she was changing the baby in the upstairs bedroom he shared with four-year-old Rosalie, she heard more scratching and a series of bangs behind the wall. "What you doing, Mr. Rat?" she muttered. "Building you a whole 'nother house back there?"
Gary laughed and showed her the clean pink palms of his hands, as he did when anybody spoke in his presence whether they were talking to him or not. He was the sweetest-natured baby she'd ever seen, and the only one of her siblings who made her think she might want kids of her own someday. He had a little fluff of sweet-smelling curly hair on the top of his head, and his eyes were the warm brown of pecan shells, not so black you couldn't tell the irises from the pupils like her own. She pinned his clean diaper shut and hoisted him onto her shoulder. "You gonna kill that old rat for me?" she asked him, and he laughed again.
Life went on as usual in the big old clapboard house, Little Elmer and Carl playing touch football after school, Henry with the other seven-year-olds in the decrepit playground down the street, Melly watching after Rosalie and the baby while Mary Rose went to Mass or fixed dinner. The house smelled of garlic and red gravy, of boys, of the sweet olive bushes that bloomed on either side of the stoop in March. They were nothing to look at the rest of the year, but every spring they turned even the poorest corners of the city luxurious with their scent.
The rat was gone for a week or two, and Melly figured her lather must have put down some traps. Then suddenly it was there again, scratching behind the wall above her bed. This time the sound came deep in the night and didn't seem funny at all. She had shared her bedroom with Little Elmer until last year, when her mother said a growing girl needed her privacy and made Little Elmer bunk with the younger boys. And Melly had certainly been a growing girl: she'd gained five inches last year. She didn't like sleeping alone, though, had never done it in her life and wasn't used to the way shadows could mass around you when no one was breathing in the next bed. The creaky old house was no longer the well-known friend of her childhood, but a strange place that wanted to trap her somehow. What would happen when it caught her? Melly didn't know, but something deep in her gut seemed to liquefy when she thought of it.
She lay awake listening to the rat in the wall. Little Elmer had moved his toys into the boys' room, and Melly had put hers away in the attic, certain she would never need them again. Even Trina, the baby doll who'd been with her almost since her own babyhood, was stifling up there in a heavy garbage bag to keep out the dust. The room felt very empty. If a shadow should appear on the wall, she would know nothing was there to cast it.
The rat gnawed more loudly. Melly sat up, meaning to bang on the wall and scare it away. She did so one, two, three times. The rat banged back in perfect imitation.
She drew away, indrawn air hissing between her teeth. No rat could have made that sound, three sharp, deliberate knocks. She extended her fist toward the wall, hesitated, then knocked once more. A mocking flurry of raps answered her, coming from the spot her knuckles had touched, then six feet above that, all the way to the right corner, to the left corner, to the ceiling, and finally under the bed. The mattress quaked. She flung herself off it, crossed the room without seeming to touch the floor, and shot into the hall screaming.

The next day was Saturday, and Mary Rose had to go to Canal Street to start looking at suits for Henry's First Communion. Carl tagged along in hopes of getting something from the bakery at D. H. Holmes. In a display of sudden, perceptive kindness typical of Stubbs males, Little Elmer volunteered to watch Rosalie and Gary. "Why don't you go shopping with Momma?" he said to Melly. "I bet she lets you get a dress or something."
"She's not gonna let me get any dress. I got all my spring school clothes already, and you know the rent's due next week."
"Well, but you like to look at stuff. Go on—I'll watch the babies."
"I ain't no baby," protested Rosalie, who was listening. "I'll believe that when you get big enough to quit saying ain't." Little Elmer lifted her onto his lap. "Go on, Mel."
Full well knowing that her brother had given up a Saturday afternoon of street football in order to let her have a few hours away from the house that had frightened her so badly last night, Melly tried to enjoy herself. The life of Canal Street whirled around them, car horns, billboards, pink and gold neon signs, old ladies in their best shopping clothes, hippies in tattered regalia, a trio of lithe young black men with Afro picks embedded in their fantastic poufs of hair. Every breath was a melange of exhaust, fried seafood, perfume, and, on the French Quarter side of the street, some mysterious tang that Melly thought might be the smell of burning marijuana. She walked beside her mother and admired the displays in the windows of the big department stores. She didn't argue when Mary Rose tsked at how short the skirts had gotten. The boys danced behind her making devil horns with their fingers and singing: "'Takin' care of business... it's a crime... takin' care of business and workin' overtime!"
"They don't say 'it's a crime,'" said Melly, who spent just as much time listening to the radio as they did.
"Yeah?" said Carl truculently. "What they say, then?"
"'It's all mind,' I think."
"That don't make no sense!"
"Doesn't make any sense," said Mary Rose.
"But Momma, you say 'don't make no sense. '"
It was an old family game, and all three children chorused with their mother: "Do as I say, not as I do."
As they were riding up the escalator at Maison Blanche, Melly felt safe enough to say, "Momma, what happened in my bedroom last night?"
"A bad dream," said Mary Rose firmly and without hesitation, as if she had been waiting for this question. "You just had a bad dream."
"I wasn't asleep yet, Momma. I was wide-awake, and that's not any rat in my wall."
"You make an Act of Contrition tomorrow, babe. That rat ain't gonna bother you no more."
"An Act of Contrition?" Melly didn't know what she had expected her mother to say, but it wasn't that. "Why I gotta make an Act of Contrition? What'd I do wrong?"
"Nothing, Melly, nothing." They reached the top of the escalator. Mary Rose stumbled as she stepped off it, and Melly reached to steady her. "It's just to be safe."
Melly saw that her mother's eyes were frightened.
"Just to be safe," Mary Rose repeated. "It never hurts to be safe."

Saint Joseph's Day fell on a Tuesday that year, and Melly was allowed to miss school to join her mother on her altar-visiting rounds. They went to the altar at Saint Alphonsus and the one at Our Lady of Lourdes, then a tiny one belonging to a lady in their own neighborhood, and last to the altar of Mary Rose's sister Teresa. It was generally known in the Stubbs and Bonano families that Teresa was rich; her husband, Pete, was whispered to make more than $10, 000 a year. They lived across the parish line in Chalmette, in a one-story brick house smaller than the Stubbs's but far newer. No one had expected Teresa to make an altar so soon after the death of her child, but Teresa said Saint Joseph had been helping her all these years and she wasn't going to turn her back on him now. "This year is more important than ever," she had told Mary Rose, and while Melly wasn't certain what she meant, Mary Rose seemed to take comfort in the words.
The altar was set up in the carport, three long tables groaning with roasted fish, stuffed artichokes, anise cookies, devotional candles, a big gold crucifix, and a tall statue of Saint Joseph holding the baby Jesus. The statue was wreathed with Christmas lights that blinked on and off, creating an intermittent halo effect. Mary Rose tucked a few dollars into the brandy snifter that had been set on the altar for donations, took a lucky bean from a cut-glass bowl full of them, and grabbed herself a plate of food. "You want some spaghettis?" she asked Melly.
"No, Momma." Melly did, but she had vowed to go on a diet for Lent. She was already planning to make the Rosy Perfection Salad she'd found on a Weight Watchers card, even though the picture looked like a bad car wreck garnished with parsley. Instead she joined some other kids, mostly cousins and neighbors, to hear the music in the side yard.
Teresa had bragged about having a live band, but it was just an accordion player and an old man with a microphone. As was often the case at any Italian party, they were playing "Che La Luna." The kids began a circle dance as the old man sang, " 'Mama dear come over here and see who's looking in my window... It's the baker boy and oh, he's got a cannoli in his hand... '" The circle parted to let Melly in. On her right was her cousin Angelina. On her left was a boy she didn't know, maybe her age, with big brown eyes and a Beatles haircut. In fact, he looked a little like Paul. She hoped her hand wasn't sweaty as he grasped it. "In the middle!'  the old man cried. The kids screamed with laughter as they raised their arms and crowded toward the middle of the circle. The music went faster and faster, and the dance followed suit. Caught up in the moment, she squeezed the boy's hand, and she was almost certain that he squeezed back. A strange warm feeling welled up just under her rib cage, like a line of electricity being drawn out of her.
She thought the shrieks of the women behind her were part of the festivities, so she didn't know anything was wrong until something hit her in the back. It didn't fall away, but clung there, heavy and hard between her shoulder blades. A bug was her first thought, but reaching back, she could feel that it was bigger than even the largest New Orleans cockroach. Something cold, with four arms and a lumpy part in the middle. A crucifix—it felt like the big metal one that had been on the altar. Melly couldn't understand how it was stuck to her, and she couldn't pull it off.
"Get it off me!" she yelled. The band stopped playing with a squeal of accordion feedback. The other children backed away. The boy who looked like Paul wiped his hand on his pants as if cleansing himself of her touch. She knew the gesture was probably automatic, but that made it hurt all the worse. "Please get it off me!"
Here came Mary Rose, pushing through the crowd of children, spinning her daughter around and yanking hard at the crucifix. It clung to Melly's back as if some immensely powerful magnet were buried deep inside her, perhaps where her heart should be. "Please, Momma," Melly sobbed, and Mary Rose yanked even harder, but the crucifix didn't budge.
Now here was Aunt Teresa with a little pitcher that had been sitting on the altar, a pitcher labeled holy water. She upended the pitcher over Melly's back. A couple of the kids giggled. "Pull on it again," said Teresa. Mary Rose did, and the image of Jesus came off in her hand, but the cross stayed stuck to Melly. Several women in the crowd crossed themselves and fumbled rosaries out of their pocketbooks.
Melly pushed away from her mother, out of the circle, out of the little fenced yard. She had never felt more alone and freakish than she did standing there in the sun-baked street, one small person with a big holy-water stain running down her back and at least thirty people staring at her from the other side of a fence. The warm electric feeling abruptly left her and the cross clattered to the asphalt.
Everybody was silent except for one old lady still praying: "Hail Mary, fulla grace, the Lord is with thee..." 
"Grace?" Teresa whispered. "Grace?"
Melly turned her back on all the staring eyes. There was a soft collective intake of breath. Through her thin nylon blouse, it was easy to see the raw red cross-shape that had been printed in her flesh. Melly had only disjointed flashes of the next few hours. She remembered repeating through tears, "I'm sorry, Aunt Teresa, I'm sorry," as Teresa stood holding the figure of Jesus and the denuded cross, looking from one to the other as if she couldn't quite understand how they went together. She heard people telling each other what had happened: "Did you see the way it jumped off the altar, just flew?" She didn't remember the ride home at all; the next thing she knew, she was in her own bed, half-asleep, rocked by some strange nausea that seemed to originate in her chest instead of her stomach. Over and over she nearly drifted off; over and over the bed jerked just as she slid over the edge of consciousness, yanking her back to wakefulness. "Please let me sleep," she moaned, and a voice answered her.
"You can sleep when you're dead, Mary Louise...." It was a harsh and guttural voice, a voice that might have last spoken a thousand years ago or never. The words seemed to result from an intake of breath rather than an outflow, as if the speaker were suffocating. It was the worst voice Melly had ever heard, and yet suddenly she wasn't scared so much as angry. If this thing had a voice, then it had a personality, and if it had a personality, then she could damn well tell it why it shouldn't be pounding on her walls and making holy objects stick to her back. "Who are you?" she said, sitting up. 
"The Devil."
"No you're not. The Devil wouldn't waste his time scaring some poor girl from Delery Street. Who are you really?" Silence. 
"Are you Grace?"
Still nothing. She felt that she had offended it. And now she was frightened again; how had she dared to speak to such a thing, surely not the Devil but maybe some low minion? Even if it was only a ghost—she laughed at herself a little, thinking 'only a ghost'—she oughtn't to be talking to it.
Melly sighed, got her beads out of the nightstand drawer, and started saying the rosary. She got all the way to the second decade before the beads were snatched out of her hands and scattered across the room.

Mary Rose got Father Mike to come over and bless the house. He made clear that it wasn't an exorcism, that he wouldn't perform an exorcism if she asked, that furthermore he didn't believe the Stubbs house was haunted; he was doing it only to put her mind at rest and maybe calm Melly down a little. Melly thought that was ridiculous. Right now she was the calmest person in the house. She found that she no longer had the warm little crush on Father Mike.
One day when her parents thought she was upstairs, she overheard the tail end of a conversation between them. Though she knew her father was an uncommonly good man, she would never quite forgive him for asking Mary Rose, "Don't you think there's some chance she's doing all this to get attention?"
"No, I don't think so," Mary Rose had replied. "This isn't the first time crazy things happened in my family. You know that little end table my momma used to keep by her sofa?" 
"I can't say I do."
"You know, Elmer, that little black table with the Italian patterns. It was hand-painted by my great-grandmother in Sicily. Lord, how that woman hated cursing and arguing—at least that's what Momma told me. Well, she passed away long before my grammaw brought the table to America, but whenever anybody in the house would start cursing or hollering at each other, the table would rise up and beat them!"
"Mary Rose, nuh-uh."
"I swear on my mother's sweet name. It happened to me a couple times, when I was real little and pitching a fit. I remember seeing that thing fly through the air toward my head—Jesus Lord! But when it hit you, it never hurt. It'd just tap you real soft, like it was saying, You better behave."
"What happened to it, then?"
"The effect just wore off, I guess. Teresa's got the table now, and you know how bad her kids cut up sometimes, but that table ain't moved in thirty years. At least not that I know of."
"Well, maybe this thing with Melly will kinda taper off."
"I hope so," said Mary Rose with a long-suffering sigh. "It's hard on her, and it's hard on me too."

It was not at all hard on the younger kids. They loved it, and got to the point where they would egg it on. "Bet you can't lift me up in this chair!" Henry would say, pulling his feet up in expectation of a ride. The spirit never gave him one, but sometimes it would tilt the chair and dump him onto the floor, reducing Rosalie and Gary to helpless giggles.
"Draw something in my book!" Rosalie would demand, leaving her scratch pad open with a crayon on top and hiding her eyes. When she looked again, often as not there would be a page full of meaningless scribbles.
"The baby done 'em," Melly said one time, trying to vacuum around them.
"He did not! He was right here by me the whole time, weren't you, Gary?"
"Lady draw," said Gary.
"Huh, you mean you can see it?" said Henry. "Aw, Melly, I wish he could tell us what it looks like! A lady, huh?"
"Shut up!" Melly told them. "Don't talk to it, don't ask it to do things, just leave it alone! You don't know how it makes me feel."
"It's not yours," Henry said unkindly.
"Yes, it is!" she screamed at him. The startled look in his eyes made her feel bad, but she couldn't stop. "It is too mine! Do whatever you want, but give me... give me... oh, I don't know what I'm saying!" She ran from the room, leaving Henry to get up and turn off the vacuum.
Little Elmer and Carl did not enjoy the spirit and stayed away from home a lot that year, immersing themselves in boy business. All in all, though, Melly thought it was amazing what people could get used to. When she heard scratching and raps in her wall, she rolled over and tried to go back to sleep. Sometimes it stopped there; sometimes things began flying around, toilet paper and jigsaw puzzles and sausages strewn around the living room, every flowerpot in the house turned upside down. Sometimes an object would hit her, but she was never hurt or (after the Saint Joseph's Day incident) even seriously humiliated. Once, when she was sitting in the kitchen watching Mary Rose make a lasagna, there was a popping sound near the refrigerator and an egg rose into the air. Mary Rose hadn't had any eggs on the counter, so it must have come from inside the fridge. It floated lazily toward Melly, then hovered over her head. Great, she thought, it's gonna smash in my hair. Instead it tapped her lightly on the forehead, then fell and splattered gaudily against the faded old linoleum. Melly got up to fetch the dustpan, no more upset than she would have been if a dog had piddled on the floor. Once it was clear that no one was going to be hurt, the incredible had come to seem almost normal. She wondered if this had anything to do with being Catholic, with accepting as unquestioned fact the existence of saints watching over you, helping and perhaps even hindering your enterprises; with taking for granted that the wafer in your mouth would change into flesh, the wine into blood; with praying to a ghost. She did not ponder this very deeply, because she was not a deep girl and she knew no other way to be but Catholic. When she said her prayers, she sometimes added some extra ones for the spirit in case it was a soul in purgatory.
It never spoke to her again after the night it said it was the Devil. Melly thought it might be embarrassed to have made such a claim, or possibly embarrassed to have provoked her angry response, like an overtired child who doesn't realize he's being obnoxious until he goes a step too far and his mother yells at him. She did not feel that the spirit had ever been angry with her; in retrospect, even making the crucifix stick to her back seemed little more than a desperate way of getting attention. Why it had wanted her attention so badly she didn't know, nor did she wish to ponder the question.
The nights of rapping and banging came farther apart; there would be two in a week, then one, then none for two or three weeks. When they did come, the raps and flying objects seemed weaker somehow, as if the force behind them were winding down. No further scribbles appeared in Rosalie's drawing pad. Gary, though he was talking a blue streak now, said nothing more about a lady.
As Melly lay in bed one night, she felt something strange happening in her viscera. At first she thought she was bleeding, but there was no wetness, only a sensation of something warm draining from her. She put her hand on the concavity beneath her breasts, but it began to tingle unpleasantly and she took it away again. A few minutes later the sensation stopped. She felt wonderfully relaxed. It was as if she had been in pain for a long time, and had gotten so used to it that she no longer noticed the pain until it stopped.
After that night there were no more noises, no more strange happenings at all. For some time there was an undercurrent of tension in the house and among the family, as if they were bracing themselves for another assault. None came, "I miss the ghost," Henry said at the dinner table one night.
Mary Rose turned on him. "There was no ghost in this house, young man! Say anything like that again and I'll warm the seat of your pants for you!"
Henry's mouth fell open, affording everyone an unlovely view of half-chewed braciola. Poor Henry, Melly thought. That was probably the most exciting year of his life, and Momma's never even gonna let him talk about it.
She didn't want to talk about it either, though. Henry would have to sift through his memories alone.
Another year passed. Melly grew a couple more inches, but nothing like the rapid stretch she'd experienced just before the odd events began. Gradually she stopped fearing that she was going to be a circus freak, the Giant Lady. She'd probably gotten some extra height from Elmer, that was all. She joined the math club at school, went out on a few dates, got involved with Saints Peter and Paul's youth group. All she wanted in the world was to be a normal teenage girl; she wanted that so badly that she thought she could taste acceptance, sweet on her tongue, when other kids treated her as just one of them. Kids who had no idea that a crucifix had once clung to her back like it was a magnet and she was iron, kids who never suspected that something possibly dead had once knocked on her bedroom wall.
When the scratching started up again, so soft and sly that at first it might have been her imagination, she thought for one black moment of just putting a bullet in her head. Elmer didn't like guns, but crime in the neighborhood had begun to spiral upward, and he had one on the high shelf of the bedroom closet. Melly knew where the bullets were kept. But she didn't want to die, and she wasn't going to let this stupid mindless thing tempt her into it. She rolled over and went back to sleep.
At breakfast the next morning, the saltshaker rose off the table and floated across the kitchen. Henry's face lit up, and he began to say something. As Mary Rose's eye fell upon him, he shut his mouth with a snap. Everyone else ignored it, even Gary, who at three was exquisitely sensitive to the feelings and wants of his family. He got along with everybody, and wouldn't dare mention the floating saltshaker once he'd observed that the others didn't want to see it. Melly could see that Henry still wanted to say something, but she added her own glare to Mary Rose's, and he wilted.
There were a few more raps, a few more scratches. Then the sounds stopped again, and for a few days there was a distinctly injured air to the house, as if some unseen presence felt rejected. Then there was nothing except the usual vibrant atmosphere of a house full of children.
Melly had skipped Saint Joseph's Day last year, but this year Gary and Rosalie were going to be angels in Teresa's tupa-tupa, the ceremony in which the Holy Family entered the home and were fed from the altar. She couldn't stand to miss that, so she squared her shoulders, steeled her spine, and accompanied the family to Teresa's house.
Cousin Angelina was playing the Blessed Virgin Mary. As soon as they got there, Melly saw her standing near the altar, slightly pudgy in a white dress, a light blue headscarf, and her usual pink-framed glasses that made her eyes look a little like a white rabbit's. She stuck out her tongue at Melly. Melly held her nose and crossed her eyes. "Who's gonna be Saint Joseph?" she whispered to Mary Rose.
"Well, Teresa wanted Pete to do it, but he said that'd be incestuous since he's Angelina's father. So they got some boy from the neighborhood. I don't know his name." As she spoke, Mary Rose herded her pair of angels up the driveway toward the carport. They were dressed in white gowns with posterboard wings and tinsel halos. Flashbulbs started going off as if they were walking the red carpet at the Academy Awards. Gary looked a little scared. Rosalie looked smug, as if she'd always known she was destined for stardom.
Drawing closer to the altar, Melly caught sight of Saint Joseph, a tall, slim boy wearing a rough brown robe and carrying a crooked staff. He turned, and she saw that it was the boy who had held her hand in the circle dance two years ago, the boy who looked a little like Paul McCartney. The boy who had seen her crying in the street with the shape of a crucifix embedded in her flesh.
Just as she was about to look away, he gave her a smile so sweet it made her stomach flutter. "How you doing?" he said. "I looked for you last year, but you weren't here."
"I... I wasn't feeling too good last year."
"Well, nice to see you. Maybe you'll dance with me later, huh?"
"Sure." Then, before she knew what was going to come out of her mouth, she said, "But I'm staying out of the circle dance!"
For a moment he looked almost shocked, and she was sorry she'd said it. Then something else dawned on his face, a mixture of surprise and admiration. He hadn't thought she would have the guts to bring it up, she guessed. From the corner of her eye she saw Angelina watching them jealously.
"Yeah," he said. "I'd do that if I were you. This year the whole altar might just rise up and bash you on the head."
"You never know."
He turned away and headed for the house. Behind her, Melly heard Mary Rose urging the angels, "Follow Mr. Joe. Y'all gonna eat soon."
"I'll take em," said Melly. She coaxed Gary and Rosalie into the house, dropped them off with the ladies who were coordinating the tupa-tupa, and went into the kitchen to see if she could help with the food.
Aunt Teresa was at the stove fussing over a huge pot of red gravy. She turned and saw Melly, and for a moment fear flickered in her eyes, or maybe just sorrow. Melly wondered if she should have come after all. Then Teresa smiled, held out her arms, and drew Melly to her.
Later, as she was standing with Paul (whose real name turned out to be Tony, but she couldn't get that first impression out of her head, wasn't even particularly anxious to do so) looking at the altar, she saw the gold crucifix that had stuck to her back. She could tell it was the same one because there was a big blob of dried glue showing between the figure of Jesus and the cross. A rosary made of painted fava beans was looped over it, and there were oranges arranged around its base. Melly reached out a hand, hesitated, then gently touched the crucifix.
"Good-bye," she said under her breath, and was relieved when nothing answered her.