Nightmare Mountain

Kage Baker

 

There was once a poor man, and he had a daughter.

He wouldn't for a second have admitted he was poor. He owned a fifty-acre almond ranch in San Jose, after all. He came of fine stock from the South, and all his people on both sides had owned property before the War. It was true their circumstances had been somewhat reduced in the days following the capitulation at Appamattox; it was true he and all his kin had been obliged to flee persecution, and head West. But they were people of account, make no mistake about it.

Great-Aunt Merrion would sit on the front porch and look out over the lion-yellow hills, and recollect: "My daddy once owned three-fifths of Prince County, and the farm proper was seven miles to a side. Nothing like this." And she would sniff disdainfully at the dry rows of little almond trees.

And Aunt Pugh, who sat on the other side of the porch and who hated Great-Aunt Merrion only slightly less than she hated the Yankees, would wave her arm at the creaking Aeromotor pump and say: "My daddy once owned a thousand acres of the finest bottom-land on the Mississippi River, as verdant as the gardens of Paradise before the fall. How happy I am he cannot see the extent to which we are reduced, in this desert Purgatory!"

Then they would commence to rock again, in their separate chairs, and little Annimae would sigh and wonder why they didn't like California. She liked it fine. She didn't care much for the ranch house, which was creaking and shabby and sad, and full of interminable talk about the Waw, which she took to be some hideous monster, since it had chased her family clear across the country.

But Annimae could always escape from the house and run through the almond trees, far and far along the rows, in spring when they were all pink and white blossoms. Or she might wander down to the edge by the dry creek, and walk barefoot in the cool soft sand under the cottonwoods. Or 79 she might climb high into the cottonwood branches and cling, swaying with the wind in the green leaves, pretending she was a sailor way high in the rigging of a ship.

But as she grew up, Annimae was told she mustn't do such things anymore. Running and climbing was not proper deportment for a lady. By this time there were two mortgages on the ranch, and Annimae's father went about with a hunted look in his eyes, and drank heavily after dinner, bourbon out of the fine crystal that had been brought from Charleston. As a consequence Annimae very much regretted that she could no longer escape from the house, and sought her escape in the various books that had been her mother's. They were mostly such romances and fairy tales as had been thought proper for genteel young ladies a generation previous.

To make matters worse, the money that had been set aside to send her to a finishing school had gone somehow, so there was no way out there, either; worse vet, Great-Aunt Merrion and Aunt Pugh took it upon themselves to train her up in the manner of a gentlewoman, her dear Mamma (whose sacred duty it would have been) having passed away in the hour of Annimae's birth. They had between them nearly a century's worth of knowledge of what was expected of a fine planter's lady in charge of a great estate, but they so bitterly contradicted each other that Annimae found it next to impossible to please either of them.

When Annimae was fifteen, her father sold off some of the property to the county though Great-Aunt Merrion and Aunt Pugh warned that this was the beginning of the end. He bought Annimae a pianoforte with some of the money, that she might learn to play. The rest of the money would have paid off the mortgages, if he hadn't speculated in stocks.

By the time Annimae was seventeen she played the pianoforte exquisitely, and across the sold-off fields the new Monterey Road cut straight past the ranch house, within a stone's throw of the window before which she sat as she played. Great-Aunt Merrion and Aunt Pugh were mortified, and thenceforth withdrew from the porch to the parlor, rather than be exposed to the public gaze on the common highway.

One night Annimae came to the end of an air by Donizetti, and fell silent, gazing out into the summer darkness.

"Do play on, child.," said Aunt Pugh irritably "The young have no excuse to sit wool-gathering. A graceful melody will ease your father's cares."

Annimae's father had already eased his cares considerably with bourbon, upstairs at his desk, but ladies did not acknowledge such things.

"I was just wondering, Aunt Pugh," said Annimae, "Who is it that drives by so late?"

"Why, child, what do you mean?" said Great-Aunt Merrion.

"There's a carriage goes by every night, just about half-past nine," said Annimae. "It's very big, quite a fine carriage, and the driver wears a high silk hat. The strangest thing is, the carriage-lamps are all set with purple glass, purple as plums! So they throw very little light to see by. I wonder that they are lit at all.

"The horses' hooves make almost no sound, just gliding by. And lately, it goes by so slow! Quite slow past the house, as though they're looking up at us. Who could they be?"

Great-Aunt Merrion and Aunt Pugh exchanged a significant glance.

"Purple glass, you say," said Great-Aunt Merrion. "And a driver in a top hat. Is he an old buck—" and I am afraid Great-Aunt Merrion used a word no true lady ever uses when referring to a member of the Negro race, and Aunt Pugh smiled spitefully at her lapse behind a fan.

"I think so, yes," said Annimae.

"I expect that must be poor crazy Mrs. Nightengale," said Aunt Pugh.

"Poor!" exclaimed Great-Aunt Merrion, with what in anyone less august would have been a snort. "Poor as Croesus, I'd say. Nouveau Riche, child; no good breeding at all. Do you know how Talleyrand Nightengale made his money? Selling powder and ball to the Yankees! For which he most deservedly died young, of the consumption (they said), and left that bloodstained and ill- gotten fortune to his wife.'

"I heard he shot himself in a fit of drunken despondency and shame," asserted Aunt Pugh. "And she's nobody. Some storekeeper's daughter from New Orleans. And there was a child, they say; but it was a puny little thing, and I believe she had to put it into a sanatorium—"

"I heard it died," stated Great-Aunt Merrion, and Aunt Pugh glared at her.

"I believe you are misinformed, Miss Merrion. So what should this foolish woman do but take herself off to the Spiritualists' meetings, and venture into the dens of fortune-tellers, like the low-bred and credulous creature she was."

"And what should that foolish woman come to believe," said Great- Aunt Merrion, cutting in with a scowl at Aunt Pugh, "But that all her misfortunes were caused by the unquiet spirits of those who perished due to Northern aggression supplied by Nightengale Munitions! And one evening when she was table-rapping, or some such diabolical nonsense, her departed husband supposedly informed her that she had to run clean across the country to California to be safe."

"Nor is that all!" cried Aunt Pugh, leaning forward to outshout Great- Aunt Merrion. "She believed that if she built herself a house, and never let the work stop on it, she would not only escape the predations of the outraged shades of the Confederacy, but would herself be granted life everlasting, apparently in some manner other than that promised by our dear Lord and Savior."

"I do wish," said Great-Aunt Merrion, "Miss Pugh, that you would not raise your voice in that manner. People will think you lack gentility. In any case, child—the Widow Nightengale has built herself a mansion west of town. It is a vile and vulgar thing. She calls it Nightengale Manor; but the common children of the street refer to it as Nightmare Mountain. I do hear it has more than a hundred rooms now; and night and day the hammers never cease faking. One wonders that a lady could endure such appalling clamor—"

"But they do say she shuts herself up in there all day, and only ventures forth by night, in that purple carriage of hers," said Aunt Pugh. "Or goes occasionally to make purchases from shopkeepers; yet she never sets a foot to the ground, but they come out to her as though she were the Queen of Sheba, and she picks and chooses from their wares."

"It never ceases to amaze me how common folk will abase themselves before the almighty dollar," said Great-Aunt Merrion with contempt, and Aunt Pugh nodded her head in rare agreement.

But on the very next evening, as Annimae's father was lighting the fire in the parlor himself—for the Chinese servants had all been discharged, and were owed back wages at that—Annimae looked out the window and saw the strange carriage coming up the drive.

"Why Daddy, we have callers," she exclaimed.

Annimae's father rose up swiftly, white as a sheet, for he was expecting the Marshall. When the gentle knock came, his mouth was too dry to bid Annimae stay, so she got up to open the door; though Great-Aunt Merrion hissed, "Child, mention that our house boy just died, and you do not yourself customarily—"

But Annimae had opened the door, and it was too late.

There on the porch stood an old, old man, leaning on a stick. His hair was snow-white with age, his skin black as Annimae's pianoforte. Though it was a moonless night, he wore smoked spectacles that hid his eyes. He was dressed in a black suit of formal cut, and was just drawing off his tall silk hat. Holding it before him, he bowed. On the drive behind him was the carriage, indeed painted a deep violet, with two great black horses hitched to it. Visible within the carriage was a tiny woman, swathed in a purple lap robe. Perhaps there was something behind her, huddled up in the shadows.

And Annimae felt a wave of summer heat blow in from the night, and it seemed the perfume of strange flowers was on that wind, and the music of insects creaking loud in the darkness.

"Good Evening, Miss. Is Mr. Devereaux Loveland at home?" the old man inquired, in a nasal voice.

"What do you want here, boy?" demanded Great-Aunt Merrion.

"I do beg your pardon, Ma'am, but my mistress is crippled with the rheumatism and hopes you will excuse her if she don't get out of the carriage to speak to you herself," said the old man. "She wishes to know if Mr. Loveland would be so kind as to call on her at Nightengale Manor, at any convenient hour tomorrow."

Annimae's father started forward, and stared past the old man at the carriage.

"You may tell her I would be delighted to do so, boy," he said hoarsely. "What is it your mistress wishes to discuss with me?"

"Matters of mutual advantage, Sir," said the old man, and bowed again.

"Then I shall call on her at one o'clock in the afternoon," said Annimae's father.

When Annimae had closed the door, Aunt Pugh said scornfully:

"A lady would have left a caking card."

But the next day Annimae's father dressed in his finest clothes, saddled his white horse and rode away down Monterey Road, well ahead of the hour so as not to be late. It was seven in the evening before he came riding back.

When he had led his horse to the stable himself (for the Mexican groom had been discharged) he returned and came straight into the house, and standing before his hearth he said to Annimae: "Daughter, I have arranged your marriage. You are to become the wife of Daniel Nightengale."

Annimae stood there stunned. Great-Aunt Merrion gasped, and Aunt Pugh sputtered, and then the pair of them raised twenty concerted objections, as her father ignored them and poured himself a glass of brandy from the parlor decanter. But Annimae felt again the strange warm wind, and a reckless joy rising in her heart.

"What d'you mean, that woman has a son?" roared Great-Aunt Merrion. "A marriageable son?"

"I am given to understand he is an invalid," said Annimae's father, with a significant look at the old women.

A certain silence fell.

"And he is the only child and heir?" said Aunt Pugh delicately.

"He is, Madam," replied Annimae's father.

"Mm-hm," said Great-Aunt Merrion. Adamant was not so hard and bright as the speculative gaze she turned on Annimae. "Well, child, you have indeed been favored by fortune."

Annimae said: "Is he handsome, Daddy?"

"I did not see him," said Annimae's father, studying the ceiling beams. Taking a drink of the brandy he went on: "The, ah, the young gentleman is unable to receive visitors. Mrs. Nightengale offered his proposal."

"But—how did he fall in love with me, then?" asked Annimae.

The two Aunts pursed their old lips tight. Annimae's father lowered his head, met his child's eves and said:

"I was informed he goes out riding a'nights in the carriage, and has glimpsed you seated at the window, and was entranced by the vision of beauty and gentility you presented. And he burns for love of you, or so his dear Mamma says."

"Why then, I will surely love him!" said Annimae with firm conviction.

"That is your duty child," said Great-Aunt Merrion.

But neither Great-Aunt Merrion nor Aunt Pugh were pleased with the conditions set on the match: which were, that there was to be no grand church wedding, blazoned in the Society Pages, no pubic ceremony or indeed a church ceremony at all, but one conducted in Mrs. Nightengale's private chapel, and that within the next three days. And they were in agonies of mixed emotions about the small trunkful of twenty-dollar gold pieces Mrs. Nightengale had sent to pay for Annimae's trousseau.

"Charity? Who does she think we are? How dare she!" said Great-Aunt Merrion.

"Imagine having to buy a wedding dress ready-made! Such a shame!" said Aunt Pugh.

But they spent the gold lavishly, and as a result Annimae looked exquisite, a very magnolia in ivory lace, when she mounted into the hired carriage with her father. they set off in state, with the Aunts following in another carriage behind, and rolled away down dusty commonplace Monterey Road.

As they rode along, Annimae's father cleared his throat and said:

"I expect the old ladies have explained to you your duty to your husband, Daughter?"

"Oh, yes," said Annimae, assuming he meant the selection of suitable house servants and how to entertain guests.

Annimae's father was silent a moment, and at last said:

"I expect any child of mine to be able to withstand adversity with courage. You may find married life a trial. Consider yourself a soldier on the battlefield, Daughter; for the fortunes of our family all depend upon this match. Do not fail us."

"Of course I won't, Daddy," said Annimae, wondering what on earth that had to do with valentine hearts and white doves.

So they came to Nightengale Manor.

Annimae had expected it would be a lofty castle on a crag, and of course this was not so, for it sat on the flat yellow orchard plain of San Jose. But it did rise like a mountain in its way. She glimpsed it out the window a long way off, and caught her breath. High turrets and spires, cupolas, gables, balconies, corbels, cornices, finials and weathercocks, with its walls scaled in every shape of gingerbread shingle and painted all the colors of a fruit bowl! And all rising from a grand park miles long.

they drew up before the gate at last, and Annimae cried out in delight. It was a wildly lush garden, for that dry country Lawns green as emerald, formal rose beds-edged by boxwood hedges planted in circles, in stars, in crescent moons and diamonds. A double row of palms and oleanders lined the carriage drive. Annimae counted at least three fountains sending up fine sprays through the heavy air. The house itself seemed to spread out in all directions; nowhere could one look, however far out into the park, without catching a glimpse of roofline or a tower somewhere among the trees. Annimae heard the sound of hammering. It seemed far-away and muffled, but it was continuous.

As the carriages drew up before the porch (a fretwork fantasy of spindlewood, scrolls and stained glass), the front door was already being opened by the old black man. He smiled, with fine white teeth, and bowed low.

"Welcome to Nightengale Manor, Sir and Ladies. My mistress is expecting you all in the chapel. If you'll please to follow me?"

They stepped across the threshold, and Annimae heard her aunts breathing heavily, keeping their lips tight together for fear lest they should exclaim aloud. The old man led them through a succession of the most beautiful rooms Annimae had ever seen. Fine carpets, polished paneling of rare inlaid woods, stained glass windows set with crystals that sent rainbows dancing even-where. Golden rooms, green rooms, red rooms, rooms blue with every color of the sea, and the deeper they went into the house, the more dimly lit it all was. But after they had been walking for fifteen minutes, Aunt Pugh exclaimed:

"Boy, you have been leading us in circles! I declare I have walked five miles!"

"It's a long way to the chapel," said the old man, in tones of sincerest apology. "And the house is designed like a maze, you see. If I was to leave you now, I don't reckon you folks could find your way back. I do beg your pardon. We're nearly there."

And only three rooms and a staircase later they were there, too. They entered a chamber vaulted like a church, set all around with more stained glass, though a curious cold light shone through the panes that was not like daylight at all. Before a little altar of black and porphyry marble stood just three people, two of them looking ill-at-ease.

One was the Reverend Air. Stevens, clutching his Book of Common Prayer. The other was clearly a workman, middle-aged, dressed in heavy overalls. He was sweating, twisting his cap between his hands. He smelted of sawdust and glue.

The third was the woman Annimae had glimpsed in the carriage. She was merely a plain plump middle-aged little lady, all in purple bombazine, who had been pretty once. Her eves were still remarkable, though at the moment their stare was rather fixed and hostile.

"Miss Annimae Loveland; Mr. Devereaux Loveland; the Misses Merrion and Pugh," announced the old man, with proper solemnity. The mistress of the house inclined her head in acknowledgement.

"Reverend, you may commence," she said.

"I beg your pardon, but where is the groom?" demanded Great-Aunt Merrion, whose feet were hurting her a great deal.

"Great-Aunt, hush," said Annimae's father. Airs. Nightengale merely said:

"My son's condition does not permit him to venture from his room at present. The marriage will be conducted with Mr. Hansen standing proxy."

"Why, I never heard of such a thing!" squealed Aunt Pugh.

"Hold your tongue!" said Annimae's father, in a tone of such venom Aunt Pugh went pale.

Annimae scarcely knew what to think, and was further troubled when the Reverend Mr. Stevens leaned forward and said quietly: "My child, do you freely consent to this marriage?"

"Of course I do," she said, "I'd just like to meet my husband, is all."

"Then let us proceed," said Mrs. Nightengale.

The service was brief, and swiftly spoken. Bewildered and disappointed, Annimae spent most of the ceremony staring up at the inscriptions in the two stained glass windows above the altar. One read: WIDE UNCLASP THE TABLES OF THEIR THOUGHTS, and the other read, THESE SAME THOUGHTS PEOPLE THIS LITTLE WORLD.

Mr. Hansen's hands were shaking as he fitted the wedding band on Annimae's finger, and he mumbled his responses. She in her turn was puzzled at how to put the ring on his hand, for it was much too small for his big thick fingers; but she settled for putting it on the little finger, and as soon as the ceremony was concluded he slipped it oft and handed it to the old man, who received it on a velvet cushion and bore it away into the depths of the house.

Then he returned, and with the utmost punctiliousness and grace ushered Annimae's father and aunts away to a cold collation in a room much nearer to the front door than seemed possible, after all the distance they had traveled coming in. Immediately after a glass of champagne and a sandwich apiece, the father and aunts were escorted to their carriages, again with such courtesy that they were halfway back to the ranch before they realized they'd been thrown out.

But Annimae was shown to a splendid dining room, all crystal. Though there were no windows in any of the walls, a domed skylight let in the sun. Mirrors lined every wall and shone inlaid from most other surfaces, so that a hundred thousand Annimaes looked back at her.

Mr. Hansen and the reverend having been dismissed, she found herself seated at the far end of a table empty but for Mrs. Nightengale, who sat at the other end. The old man wheeled in a serving-cart, deftly removed the silver epergne from the middle of the table so the two women could see each other, and served them luncheon.

Annimae racked her memory, desperately trying to recall what she had been taught about Light and Gracious Conversation Appropriate to Dining. Mrs. Nightengale, however, spoke first, shaking out her napkin. The faraway pounding of hammers counterpointed her words, never ceasing once during the ensuing conversation.

"I have something of importance to tell you, girl."

Annimae nearly said "Yes, Ma'am," but recollected herself in time and replied instead: "Certainly, Mother Nightengale."

Mrs. Nightengale stared at her, and then said: "We labor under a curse. I do not use the term in a figurative sense. As you are now one of us, you will be affected. Attend carefully, Daughter-in-Law. Only in this room may we speak of it; for they are fascinated by their own reflections, and will pay us no mind."

"Yes, Mother Nightengale," Annimae replied, watching the old man as he ladled soup into her plate, but by neither wink nor smile did he indicate he was hearing anything in the least strange.

"Are you familiar with Spiritualism?" Mrs. Nightengale inquired.

"I—I don't believe so, no," Annimae replied.

"Well, it is simply founded on the discovery that it is possible to converse with the dead," said Mrs. Nightengale in a matter-of-fact way tasting her soup. "The spirit world is quite real, and sages and ancient mystics have always been aware of it; but in these modern times its existence has at last been accepted by Science."

"I did not know that," said Annimae. "How interesting."

"The thing is," said Mrs. Nightengale, frowning, "That a great many credulous people think that those who have passed over to the other side are just naturally in possession of great truth, and wisdom, and benevolence towards all mankind. And, as anyone who has ever experienced a commonplace haunting knows, that is a lot of fool nonsense."

"Is it really?" said Annimae, cautiously buttering a roll.

"It is, girl. The dead in their ranks are exactly as they were in life. Some are wise and well-intentioned, but others are wicked. Wrathful. Spiteful, and inclined to remorseless persecution of the living," said Mrs. Nightengale sadly. "As I know to my cost, this many a weary year. You see, certain malignant entities are bent upon the destruction of all whom I love."

"Goodness, what a terrible thing," said Annimae.

"They hounded my late husband to an early grave. And both I, and my dear son, have been so fenced and crossed with subtle maledictions that, were we living in an ignorant age, I think we should have perished miserably long ago," said Mrs. Nightengale. "Fortunately, I do have friends in the spirit world, who were able to advise me; and so we are able to take protective measures."

"I am very glad to hear that, Mother Nightengale," said Annimae.

"For example," said Mrs. Nightengale, "I am cursed in such a way that I will die the very moment my feet come into contact with the earth. Dust blown in on the floor of the carriage does me no harm, apparently; but were I ever to step out into the garden, you would see me wither and expire before your eyes. And there are a host of lesser evils, but the wearing of colors with strong vibrational power—purple works the best, you see— helps to ward them off."

"How fascinating," said Annimae, who was running out of pleasant and noncommittal remarks.

"Alas, poor Daniel is not as fortunate," said Mrs. Nightengale. She set her hand on a locket about her neck. "When he was a baby, I despaired of saving his life. It has been only by the most extreme measures that I have preserved him."

So saying, she opened the locket and gazed for a moment on its contents, and for the first time her expression softened.

"I—is that a portrait of Daniel?" Annimae inquired.

Mrs. Nightengale closed the locket with a snap. Then, apparently thinking better of her gesture, she removed the locket and handed it to the old man.

"Sam, please pass this to my daughter-in-law."

The old man obliged, and after fumbling a moment with the clasp Annimae got the locket open. Within was an oval photographic portrait of a baby, perfect as a little angel, staring out at the camera with wide eves. In the concavity of the lid was a single curl of fine golden hair, enclosed behind crystal.

"How beautiful!" said Annimae.

Mrs. Nightengale held out her hand for the locket. "That was taken before our troubled times," she said, slipping it back about her throat.

"And is Daniel's health very bad?" said Annimae anxiously.

"Why, no, girl; his health is now excellent," said Mrs. Nightengale. "And he owes his survival entirely to the prescription of my spirit friends. His curse is that he must hide from all eves. To be seen by a living soul, or a dead one for that matter, would be fatal to the poor boy."

"But how does he do anything?" Annimae stammered.

"In utter darkness," said Mrs. Nightengale. "Unrelieved by any ray of light. I have had chambers built for him in the center of this house, without windows or doors, reached only by certain secret means. The wicked dead never find him, for the whole of the house is designed as a maze to confuse them. They are seduced by bright colors and ornamentation, and so they go round and round but never find the dark center."

"But... I was told he saw me, and fell in love with me," said Annimae pitifully.

"And so he did," said Mrs. Nightengale. "Did you think I could keep my boy in eternal darkness? No indeed; the good spirits told me that he might come and go by means of a ruse, though it must be only on moonless nights. He wraps himself in a black shroud, and climbs into a box made to resemble a coffin.

"When he signals, the servants carry it out to where I wait with the carriage. They load his coffin into the back; Sam drives us away; and the foolish dead never follow. Then Daniel climbs out and sits behind me, where he cannot be seen. He is greatly refreshed by the night air, and the chance to see something of the world."

"Oh! You drove past our house every night," exclaimed Annimae.

"So we did," said Mrs. Nightengale, looking grim. "And so he fell under the spell of an image glimpsed through a pane of glass, and would not rest until you became his bride. I must admit to you, Daughter-in-Law, that I was against it. Any disturbance of our domestic arrangements represents a peril to his life. But so taken was he with your beauty, that he threatened to destroy himself unless I spoke with your father. The rest you know."

And Annimae was flattered, and felt beautiful indeed, to have won a man's love at such cost. She warmed with compassion for him, too.

"I promise you, Mother Nightengale, I will be a faithful and loving wife to dear Daniel," she said.

"You will need to be more than that," said Mrs. Nightengale. "You will need to be a comrade-in-arms to me, Daughter-in-Law. We must wage a constant battle against the dead, if Daniel is to live." And she pressed her fingertips to her temples, as if in sudden pain.

"What must I do?"

"You will learn," said Mrs. Nightengale, a little distractedly. "Sam and Bridget will explain the arrangements. Oh, my migraine is returning; all these strangers in the house admitted malign influence, as I feared. Sam, I must retire to the thirteenth room. See to the girl."

So saving she rose, dropping her napkin, and walked straight to a wall. Annimae, watching in astonishment with spoon halfway to her mouth, thought her mother-in-law was about to collide with the mirrored surface; but at the last minute a panel opened and Mrs. Nightengale stepped through, to vanish as it slid smoothly into place behind her.

"How did she do that?" Anniemae exclaimed.

"It was a mechanism concealed in the floor, Ma'am," Sam told her, retrieving Mrs. Nightengale's napkin. "Triggered counterweights behind the paneling. There's secret passages all over this house! She designed them herself, you know. my mistress is a most ingenious lady."

"What happens now?" asked Annimae, looking about herself forlornly.

"Why I'll serve you the rest of your luncheon, Ma'am," said Sam. "And then I'll just clear away the mistress's place, and take myself off to the kitchen. You want anything, you just ring."

"Please—" said Annimae, suddenly afraid to be left alone in this glittering room full of unseen presences. "Won't you stay and talk to me? I need to know things—" And she almost caked him boy, but it did seem to her ridiculous, as august and white-haired as he was. And, mindful of his bent back, she added: "You can sit down while we speak, if you like. And you can have some dinner, too. I mean—luncheon!"

He smiled at her, and the white flash from his teeth winked in every mirrored surface in the room.

"Thank you , Ma'am, I surely will."

He served out filet of sole to her, then drew up a chair and helped himself to a cup of coffee. Settling back with a sigh, he explained the complex system by which the house ran.

On no account must any room ever be approached in the same way twice. There were a dozen different ways to reach any single destination in the house, and until she memorized them all, either he or another of the servants would guide her. There was no map, lest the dead see it and find their way where they weren't wanted; in any case no map would remain accurate for long, because rooms were continuously being remodeled in order to confuse the dead. Doors and windows were put in and taken out at the direction of the good spirits. Chambers were sealed off and reopened. Some doors opened on blank walls, or into space, even three stories up, so she must be careful; stairs might lead nowhere, or take a dozen turns and landings to go up only one floor.

"I never knew there were such things," said Annimae, feeling as though her head were spinning.

"Oh, folk have always protected themselves from haunts, Ma'am," said Sam, leaning over to serve her a slice of coconut pie. He took a slice of bread for himself. "Horseshoes over the door for good luck, eh? And the red thread, and the witchball, and the clover with the four leaves? They keep away all harm, so people say. Mistress just has the money to do it on a big scale, all modern and scientific too."

"Scientific," Annimae repeated, impressed.

He looked at her a long moment, over his smoked spectacles.

"Don't you be afraid," he said at last. "Just you do like you been told, and it will all fall out pretty as any fairy tale. Romance and a happy ending, yes indeed."

"Can you tell me more about Daniel?" asked Annimae. "Is he handsome?"

Sam shrugged.

"I reckon he is, Ma'am. I haven't laid eves on the master since he was a baby. But he has a beautiful voice, now. How he sings for love of you!"

"When may I go see—that is, when may I meet him?" Annimae set down her napkin. "Can you take me there now7?"

Sam coughed slightly, and rose to his feet. "That would be my old woman's business, Ma'am. You wait; I'll send her."

He left the room, and Annimae shivered. She looked about and met her own timid gaze everywhere. For the first time, she noticed the motif that was repeated on the fine china, in the carpet pattern, in the mosaic arrangement of the mirrored bits and even in the panes of glass that made up the skylight: spiderwebs, perfect geometric cells radiating out from an empty center.

She scarce had time to contemplate the meaning of all this before a door opened and a woman all in black strode in briskly, upright though she too was very old. Her hair must have been red as fire when she'd been a girl, for a few strands of that color trailed still through the rest, which was white as smoke; and her eyes behind their dark spectacles were the hot blue of candle flames.

"I'm to take you to himself, now, Ma'am, am I?" she inquired, politely enough; but her eyes flashed dangerously when Annimae put her hands to her mouth in horror.

"You're Sam's wife? But—!"

The old woman looked scornful as she curtsied. "Bridget Lacroix. Bless you, Ma'am, you needn't be surprised. There's no scandal at all in me marrying Sam Lacroix. Don't you know how many of us Irish came to Ameri-kay as slaves? White chimpanzees, that's all we are; or so that fine Mr. Kingsley said. And if the mistress don't mind it, I'm sure you shouldn't."

"I am so sorry!" said Annimae, much distressed. "I never meant offense."

Bridget looked her over shrewdly. "No, I don't suppose you did. Sam told me you was innocent as a little baby. But it's time you grew up, me dear." She grinned. "Especially as it's your wedding day."

She led Annimae out of the dining room and through another, where jets of flame burned brilliantly in wall-mounted glass globes. The globes were all colors, hung with prisms that threw swaying rainbows everywhere. And there were more windows set in the walls, stained glass repeating the spiderweb pattern Annimae had noticed before. They, too, were lit from behind by the strange cold light she had wondered at in the chapel. Annimae, who had only ever seen candles and kerosene lamps after dark, exclaimed:

"What is this place?"

"O, this is just the Room of Eternal Day," said Bridget. "The dead don't like passing through a place so bright, and it shows up that they haven't any shadows besides, and that embarrasses 'em, don't you know. All very up-to- date in here! That's gaslight, of course, but for the windows she's laid on that new electrical light. Clever, isn't it?"

They went on through that room, and came to another that was lined floor to ceiling with clocks, and nothing else. Great inlaid grandfather clocks stood in the corners and ticked solemnly; French bisque clocks sat on shelves and ticked elegantly, as painted Harlequins and Columbines revolved atop them; old wooden regulator clocks thumped along wearily; and little cheap brass clocks beat away the seconds brightly. But no two clocks were set to the same time.

"How strange!" cried Annimae, and Bridget chuckled and said:

"O, this is the Room of All Time and None. It's just to confound the dead. They work very particular shifts, what with midnight being the witching hour and all. If one of 'em strays in to see what o'clock it is, he'll be stuck here guessing with all his might and main."

They left that room and soon came to another, no less curious. There was no spiderweb motif here; rather the recurring image was of a tiny white moth or butterfly but it was repeated everywhere. It figured in the wallpaper pattern like so many snowflakes, it was woven into the design of the carpet, and into the brocade of the chairs and the inlay of the tables and cabinets, and etched into the very window glass. The curio cabinets held nothing but pressed specimens of white moths, displayed against a blue velvet background.

"What on earth are all these butterflies for?" asked Annimae.

"O, it's only the Soul Trap," said Bridget. "Because, you see, the nasty dead are a bit stupid, and they have a compulsion to count things. Any haunt comes through here, here he must stay until he's numbered every blessed one of the little creatures. Generally by then the ghost will have forgot whatever wickedness he was up to."

"What a good idea," said Annimae, because she could not imagine what else to say.

They proceeded deeper into the house, and as they did it grew dimmer and dimmer, for there were no windows nor light fixtures here, and the corridors turned and turned again ever inward. At last Bridget was only a shadow beside her, that cleared its throat and said:

"Now then, Sam told me you might want a little learning. You know, don't you, what it is a bride does with her husband?"

"Well," said Annimae, "As nearly as I recollect, we're supposed to fall on each other with kisses of passion."

"Hm. Yes, me dear, that's how it starts."

As far as Annimae had been aware, there was nothing more; and in some panic, she racked her brains for what else happened in books and poems.

"I believe that then I'm supposed to swoon away in a transport of love," she said.

"So you must," said Bridget, sounding exasperated. "But there's a great deal goes on between the kissing and swooning, sure. Think of what the stallion does with the mare."

"Oh," said Annimae, who had seen that many a time. She walked on in thoughtful silence, drawing certain conclusions, so intent that she scarcely noticed when it became pitch dark at last. Bridget had to take her hand and lead her through the fathomless gloom.

Soon they heard glorious music, close by but muffled. Someone was playing a Spanish guitar with great virtuosity, each note chiming like a bell even through the wall's thickness.

"Why, who's that?" asked Annimae.

"O, the jewel, the darling! He's serenading his bride," Bridget exclaimed with great tenderness. There was a sound suggesting that she had put out her hand and was sliding it along the wall as they walked. Presently she stopped, and rapped twice.

The music halted at once. An eager voice said:

"Annimae?"

"She's here, charming boy," said Bridget. "Hurry now, while it's safe."

There was a click, and then a rush of air that smelted of gentlemen's cologne. Annimae felt herself prodded gently forward, closer to the scent, into a warmer darkness. Something clicked again, behind her now. She fought back a moment of wild terror, realizing she had been locked in; but at once warm hands took her own, and they felt so live and steady that her fear melted away. She touched the wedding ring on his finger.

"I'm here, Daniel Nightengale," she said. "Your own true love—"

"Oh, my own Annimae," said the new voice, breaking on a hoarse sob. And Annimae, feeling brave now, leaned forward in the darkness and sought her husband's lips. She encountered his chin instead, for he was a little taker than she was. He bent to her and they kissed, and the kiss was nicer than anything Annimae had ever known in her whole life. The face of the baby angel in the locket came before her mind's eve; in the table of her thoughts it grew, became the face of a handsome man.

She had compiled a list of rapturous phrases to murmur in his ear, but somehow she couldn't stop kissing, nor could he. Their arms went around each other, they grappled and swayed. Annimae felt once again the dizzy happiness she had known high up in the cottonwood tree, when she seemed about to lift free of the dry earth and soar away, into a green paradise.

The whole time, her young fingers were exploring, touching, tracing out the strange new shape of a man. Such broad shoulders, under his linen shirt! And such smooth skin! Such fine regular features! His hands were exploring too, feverish and fast, and fever woke in her own blood. She thought about mares and stallions. He lifted his mouth from hers and gasped,

"Please, let's lie on the bed—" and she was making sounds of agreement, though she hadn't any idea where his bed or anything else in the room might be. He half-carried her a few yards, and they collapsed together on what must be the counterpane. She understood what he wanted and, remarkably quickly considering how much effort and care had gone into putting on her wedding dress, she writhed out of it.

Then the smooth counterpane was cool under her and he embraced her so close, and, and, and

Long afterward she recollected the rapturous phrases, and duly murmured them in his ear. Now, however, she knew what they meant.

Now she believed them.

* * *

So began Annimae's married life. She was as happy as any new bride in any of her books, even with the strange constraints upon her life. There was no question that she loved Daniel Nightengale with her whole heart, and that he loved her.

"You were the most beautiful thing I'd ever seen in all my life," he sighed, as they lay close together in the dark. "The window shining out across the darkness, and you framed there bright as an angel. I loved you so! You were the very image of everything I'd ever wanted, in the life I'd never be allowed to live. And I thought, I will live it! I will marry that girl!"

"Your Mamma said you threatened to die for love of me," said Annimae.

"I would have," he said, with a trace of sullenness. "Just opened that door and walked out through the house, and I'd have kept walking until I found the sunlight."

"Oh, but that would be a terrible thing!" said Annimae. "With so many folks who love you? You mustn't ever do it, my dearest."

"I never will , now that you're here," he conceded, and kissed her.

"And after all," she said, "It's not really so awfully bad, like this. You're no worse off than a blind man would be. Much better, really! You needn't beg for your dinner on a street corner, like poor old Mr. Johnson in town. Instead you're my handsome prince, under a spell. And, who knows? Maybe someday we'll find a way to break the spell."

"If only there were a way!" he said. Then, hesitantly, he asked: "Do you think my mother is crazy?"

"Well, I did wonder at first," she admitted. "But I guess she isn't. Spiritualism is a big religion, I hear, and they wouldn't let all those people run around loose if they were crazy, would they? And everything in the house is so modern and scientifical!"

He sighed, and said he guessed she was right.

Their days began around ten o'clock in the morning, when a gentle rap at the panel signified that Sam had brought a wheeled cart with their breakfasts. Annimae would scramble through the heavy velvet curtains that cloaked the bed—only there in case of emergency, for the room was black as ink at all hours—and, finding her dressing gown by touch, slip it on and open the secret panel. Sam would enter along with Gideon, who was Sam's son and Daniel's valet. She became quite skilled at pouring coffee and buttering toast in the dark, as Daniel was shaved and dressed sight unseen, and Sam made the bed and collected their linen, all by touch alone.

The four of them often conversed pleasantly together, for Gideon would bring the news culled from the morning's Mercury, and Daniel was eager to hear what was going on in the world. they might have been ordinary people in an ordinary household, Annimae thought; and the reassuring domestic details comforted her, and further convinced her that her life wasn't so strange, after all.

After breakfast she would leave Daniel's suite for a little while, to take the sun. It appeared painfully bright to her now; she saw why all the servants wore smoked spectacles, and begged a pair of her own from Bridget. Then she could wander the gardens, feeding the fish in the reflecting pools, admiring the exotic flowers, picking fruit from the bushes and trees. She brought back bouquets of roses for Daniel, or apron-pockets full of blackberries warm from the sun.

She seldom met the gardeners, the twins Godfrey and Godwin, who were also Sam's sons. Most of the servants had adjusted to a nocturnal schedule over the years, for the mistress of the house kept late hours too. Annimae did wander out now and then to the perimeters of the house, where the workmen were always busy hammering, sawing, extending the vast and gorgeous edifice with raw new redwood that still smelted of the wilderness. They were always too busy to speak, though they doffed their caps to her, blushing.

Sensing that she made them uncomfortable, Annimae stopped coming by to watch their progress. The house would never be finished anyway; and after a week or so her heart beat to the rhythms of the ceaseless hammers. It was a comforting sound. It meant that Daniel was safe, and all was right with the world.

After her morning walks, she was summoned to luncheon with Mrs. Nightengale, which was like having an audience with a gloomy and severe queen. Mrs. Nightengale questioned her in great detail on Daniel's continuing health, though she refrained from asking about the most intimate matters.

"Daniel seems to be thriving with your companionship," was the closest she came to a compliment. "Though the good spirits are still concerned for him. You must not grow careless, Daughter-in-Law."

"I do assure you, Mother Nightengale, his life is as precious to me as it must be to you," said Annimae. Mrs. Nightengale regarded her in a chilly kind of way, and then winced and shut her eves.

"Is it your headache again?" Annimae inquired in sympathy. "Perhaps it's the sun, don't you think? I am sure you would be much more comfortable if you wore dark spectacles too."

"They are not for me," replied Mrs. Nightengale, getting stiffly to her feet. "I gaze into a far brighter light than mortal eves can imagine, when I commune with the spirits. You'll excuse me, now. I am wanted in the thirteenth room."

So saying, she walked through a wall and vanished.

Annimae went also to the mansion's library each day, once she learned the various routes to get there. It was not really such a big room, relative to the rest of the house. It contained a Bible, and the collected works of Shakespeare, though neither one seemed to have been read much. There were several volumes of fairy-stories, for Mrs. Nightengale had used to sit in the corridor outside Daniel's room and read to him, when he had been small. There were many many other books, principally by one Andrew Jackson Davis, and both they and the books by Emanuel Swedenborg had pride of place, though there were others by a Countess Blavatsky.

These all treated of the mystical world. Annimae made it a point to sit and read a chapter from one of them each day, in order that she might better understand her husband's plight. She tried very hard to make sense of esoteric wisdom, but it bewildered her.

All the books claimed a great universal truth, simple and pure, revealed by spirit messengers from Almighty God; yet its proponents contradicted one another, sometimes angrily, and not one seemed to be able to state convincingly what the truth was. Every time Annimae thought she was coming to a revelation, so that her heart beat faster and she turned the pages eagerly, the promised answers failed to materialize. The great mysteries remained impenetrable.

So with a sigh she would leave the books, and find a way back through the black labyrinth at the house's heart. The deeper the shadows grew, the lighter was her step dancing home to her beloved. And what great truth was there, after all, but that it was sweet delight to pull off all her clothes and leap into bed with Daniel Nightengale?

And when they'd tumbled, when they'd had so much fun they were tired, Daniel would lie beside her and beg her to relate everything she'd seen that day. It was difficult to tell him of the glories of the garden, for he knew very little of colors. Black and purple, midnight blue and the shades of stars or windows were all he could summon to his mind. Red and pink to him were smells, or tastes.

But she could tell him about the swallows that made their nests under the eaves of the carriage-house, queer daubed things like clay jars stuck up there, with the little sharp faces peering out; she could tell him about the squirrel that had tried to climb the monkey-puzzle tree. He wanted to know everything, was hungry for the least detail.

Afterward they would rise in the dark, answerable to no sun or moon, and find their way together into the splendid bathroom, as magnificent in its appointments as any Roman chamber. The spirits had devised ingenious systems to heat the room with jets of warmed air, piped in from below, and to fill the marble tub with torrents of hot water from a spigot. There were silver vessels of scent for the water; there was scented oil too.

When they had luxuriated together they returned to the central room, where Daniel played the guitar for her, as she sprawled in bed with him. And it seemed to Annimae this must be just the way princes and princesses had lived long ago, perhaps even in the days of the Bible: young flesh oiled and perfumed, a silken nest and endless easeful night in which to make sweet music.

It never occurred to her to wonder what the future might hold. Daniel raged against his confinement, and she comforted him, as she felt it was her duty to do. Sometimes they discussed ways in which he might gain more freedom, in the years to come: perhaps a portable room, or even a leather and canvas suit like a deep-sea diver's, with a sealed helmet fronted in smoked glass? Perhaps Daniel might walk in the sunlight. Perhaps he might go to Europe and see all the sights to be seen. Whatever he did, Annimae knew she would always be there beside him; for that was how true lovers behaved, in all the stories in the wide world.

There was no fear in the dark for Annimae, now, ever. Only one thing still made her startle, when it woke her twice each night: the tolling of a vast deep-throated bell somewhere high in the house. Mrs. Nightengale had it struck at midnight, for that was the hour when the good spirits arrived. Mrs. Nightengale, having retired to the thirteenth room and donned one of thirteen ceremonial robes, would commune there with the spirits for two hours, receiving their advice and instruction. At two o'clock the bell would toll again, the spirits depart.

"And then she comes out with a great sheaf of blueprints for the carpenters, you know," said Bridget, sprinkling starch on one of Daniel's shirts and passing it to her daughter, who ironed it briskly. "And whether it's orders to tear out an old room or start a new one, they set to smartly, you may be sure."

"Don't they ever get tired of it?" asked Annimae, gazing about the handsomely appointed washroom—so many modern conveniences!—in wonder. Bridget and Gardenia exchanged amused glances.

"They're paid in gold, Ma'am," Gardenia explained. "And at twice the wage they'd be earning from anybody else. You can bet they just go home at night and fall on their knees to pray old Mrs. Nightengale never finishes her house!"

"Why is it called the thirteenth room?" Annimae asked.

"To confuse the spirits, Ma'am," replied Gardenia. "It's the seventeenth along that corridor, if you count."

"Why does Mother Nightengale spend so much time there?"

"It's by way of being her house of mysteries, isn't it?" said Bridget, sorting through the linen hamper. "Her command post, if you like, where she plans the battle against the wicked dead every night. There's strange things goes on in there! Chanting all hours, and flashes of light , and sometimes screams to freeze the blood in you! She's a brave lady, the mistress. all for our Danny's sake, just to keep his dear heart beating."

"I'm afraid he gets a little restless now and then," said Annimae uncomfortably. "He says that sometimes he doubts that there's any spirits at all."

The mother and daughter were silent a moment, going about their tasks.

"Poor boy," said Bridget at last. "It's to be expected, with him growing up the way he has. Seeing is believing, sure, and he's never seen danger."

"Do you believe in the spirits?" Annimae asked.

"Oh, yes, Ma'am," said Gardenia quietly. "Without a doubt."

So the brief bright days blinked past, like images on nickelodeon screens, and the long fevered nights passed in lazy ecstasy. The last of the summer fruit was garnered away in the vast cellars, with Bridget and her daughters carrying down tray after tray of glass jars full of preserves. The orchards were golden. When the leaves began to fall, Godfrey and Godwin raked great red and yellow heaps that were set to smolder in the twilight, like incense.

There came an evening when Annimae was awakened at midnight, as she always was, by the summoning bell. Yet as its last reverberation died away, no customary calm flowed back like black water; instead there came a drumming, ten times louder than the desultory beat of hammers, a thundering music, and faint voices raised in song.

As she lay wondering why anyone would be drumming at this hour of the night, she felt Daniel sit up beside her.

"Listen!" he said eagerly. "Don't you hear? They're dancing!"

"Is that all it is?" said Annimae, a little cross. The sound frightened her for some reason.

"It's their holiday. We must go watch," said Daniel, and she felt him getting out of bed.

"We mustn't!" she cried. "It's not safe for you, honey."

"Oh, there's a safe way," he said, sounding sly. She heard him open a cabinet and take something from a hanger. "I go watch them every year. This year will be the best of all, because you're with me now. Don't be afraid, my darling."

She heard him walk around to her side of the bed. "Now, get up and come with me. I've put my shroud on, and I'll walk behind you all the way; and no one will see us, where we're going."

So she slid from the bed and reached out, encountering a drape of gauze cloth. His hand came up through it and took hers reassuringly, tugged her impatiently to the secret panel. So quickly they left the room that she had no time to pull on even a stitch, and she blushed hot to find herself out in the corridor naked. Yet it was a hot night, and in any case much too dark to be seen.

"Fifty paces straight ahead, Annimae, and then turn left," Daniel told her.

"Left? But I've never gone that way," said Annimae.

"It's all right," Daniel said, so for love's sake she followed his direction. She walked before him the whole way, though she kept tight hold of his hand through the shroud. Left and right and right again he directed her, through so many turns and up and down so many stairs she knew she'd never find her way back alone, even when they reached a place with windows where milky starlight glimmered through. The house was silent, the corridors all deserted. The drumming, however, grew louder, and the clapping and chanting more distinct.

"This is the earliest thing I can remember," Annimae heard Daniel say. "I woke up in the dark and was scared, and I tried to get out. How I stumbled over everything, in my shroud! I must have found the catch in the panel by accident, because the next thing I knew, there was the corridor stretching out ahead of me. It seemed as bright as stars, then. I followed after the music, just as we're doing now. And, look! This is the window I found."

They had come around a corner and entered a narrow passage ending in a wall, wherein was set one little window in the shape of a keyhole. Daniel urged her toward it, pushing gently She could see something bright flickering, reflecting from below along the beveled edges of the glass.

"My true love, I do believe somebody's lit a fire outside," said Annimae.

"Yes! Don't be afraid. Look out, and I'll look over your shoulder," said Daniel.

So Annimae bent and put her face to the glass, and peered down into a courtyard she had never before seen. There was indeed a fire, a bright bonfire in the center, with a column of smoke rising from it like a ghostly tree. Gathered all around it, swaying and writhing and tossing their heads, were all the servants. Godfrey and Godwin sat to one side, pounding out the beat of the dance on drums, and all their brothers and sisters kept time with their clapping hands, with their stamping feet. they were singing in a language Annimae had never heard, wild, joyful. Now and again someone would catch up an armful of autumn leaves and fling them on the blaze, and the column of smoke churned and seemed to grow solid for a moment.

The beat was infectious, enchanting. It roused desires in Annimae, and for the first time she felt shame and confusion. This was neither in fairy tales nor in the Bible. It did not seem right to feel her body moving so, almost against her will . Daniel, pressing hot behind her, was moving too.

"Oh, how I stared and stared," said Daniel. "And how I wanted to be down there with them! They never have to live in fear, as I do. they can dance in the light . How can I dance, in a shroud like this? Oh, Annimae, I want so badly to be free! Watch now, watch what happens."

Annimae saw Gardenia filling her apron with leaves, to pitch a bushel of them on the fire. The flames dimmed momentarily, and when they roared up again she saw that two new dancers had joined the party.

Who was that black man, bigger than all the rest, waving his carved walking stick? How well he danced! The others fell back to the edges and he strutted, twirled, undulated around the fire. Now he was sinuous as a great snake, powerful as a river; now he was comic and suggestive. Annimae blushed to see him thrust his stick between his legs and rock his hips, and the stick rose up, and up, and he waved and waggled in it such a lewd way there were screams of laughter from the crowd. Even Daniel, behind her, chuckled.

Shocked as she was by that, Annimae was astounded to see a white girl down there at the edge of the fire, joining the black man in his dance. Who could she be? What kind of hoydenish creature would pull her skirt up like that and leap over the fire itself? Her hair was as bright as the flame, her face was fierce, her deportment mad as though she had never, ever had elderly aunts to tell her what ladies mustn't do. Oh! Now she had seized a bottle from one of the onlookers, and was drinking from it recklessly; now she spat, she sprayed liquor into the fire, and when the others all applauded she turned and sprayed them too.

Then the black man had slipped his arm around her. He pulled her in and the pace of the dance quickened. Round and round they went, orbiting the fire and each other, and the drumming of their heels drove Annimae almost to guilty frenzy. Rough and tender and insistent, the music pulsed. As she stared, she felt Daniel's hands move over her, and even through the shroud his touch drove her mad. She backed to him like a mare. He rose up like a stallion.

"You're my fire, Annimae," moaned Daniel. "You're my music, you're my dance. You're my eyes in the sunlight and my fever in the dark. We will escape this house, some day, my soul!"

It was all Annimae could do to cling to the windowsill, sobbing in pleasure and shame, and the drumbeats never slowed

Though they did cease, much later. Annimae and Daniel made their unsteady way back through the black labyrinth, and slept very late the next day

The next afternoon, Gardenia came to Annimae as she walked in the garden and said: "If you please, Ma'am, there's two old ladies come to call on you ."

Annimae went at once inside, back through chambers she hadn't entered in months, out to the front of the house. There in a front parlor alarmingly full of the cold light of day sat Great-Aunt Merrion and Aunt Pugh, inspecting the underside of a vase through a pair of lorgnettes.

"Why, child, how pale you are!" cried Aunt Pugh, as Annimae kissed her cheek.

"How you do peer out of those spectacles, child!" said Great-Aunt Merrion, giving her a good long stare through her lorgnette. "Far too much reading in sickrooms, I'll wager. Wifely duty is all very well, but you must think of yourself now and then."

Annimae apologized for being pale, explaining that she had a headache, and wore the glasses against brightness. She bid Gardenia bring coffee for three, and poured as gracefully as she could when it came, though she still spiked a little.

The aunts graciously overlooked this and told her all the news from the almond ranch. Her father's investments had suddenly prospered, it seemed; the mortgages were all paid off, the servants all hired on again. Her father had once more the means to dress as a gentleman, and had bought a fine stable of racehorses. Why, they themselves had come to visit Annimae in a grand new coach-and-four! And all the merchants in town were once again respectful, deferential, as they ought always to have been to ladies of gentle birth.

But Great-Aunt Merrion and Aunt Pugh had heard certain loose talk in town, it seemed; and so they had known it was their duty to call on Annimae, and to inquire after her health and well-being.

They asked all manner of questions about Annimae's daily life, which Annimae fended off as best she might, for she knew it was dangerous to speak much of Daniel. Detecting this, the old ladies looked sidelong at each other and fell to a kind of indirect questioning that had never failed to produce results before.

Annimae was tired, she was still a little shaken and, perhaps, frightened by the violent delight of the previous evening. Her aunts, when all was said and done, had known her all her life. Somehow she let slip certain details, and the aunts pressed her for explanations, and so—

"Do you tell me you've never so much as seen your husband, child?" said Aunt Pugh, clutching at her heart.

"Good God Almighty!" Great-Aunt Merrion shook with horror. "Miss Pugh, do you recollect what that Mrs. Delano said outside the milliner's?"

Aunt Pugh recollected, and promptly fainted dead away.

Annimae, terrified, would have rung for a servant at once; but Great- Aunt Merrion shot out a lace-mittened fist and caught her hand.

"Don't you ring for one of them" she whispered. She got up and closed the parlor door; then produced a vial of smelling salts from her handbag. Aunt Pugh came around remarkably quickly, and sat bolt upright.

"Child, we must break your heart, but it is for your own sake," said Great-Aunt Merrion, leaning forward. "I fear you have been obscenely deceived."

She proceeded to relate what a Mrs. Delano had told her, which was: that she had a cousin who had known Mrs. Nightengale in Louisiana right after the Waw, when all her cares were first besetting her. This cousin, who had an excellent memory was pretty sure that Mrs. Nightengale's baby had not merely been sick, it had in fact died. Moreover, there were stories that Mrs. Nightengale was much too familiar with her household staff, especially her coachman.

"If you know what I mean," Great-Aunt Merrion added.

Annimae protested tearfully, and gave her aunts many examples of Daniel's liveliness. Aunt Pugh wept like a spigot, rocking to and fro and moaning about the shame of it all, until Great-Aunt Merrion told her to cease acting like a fool.

"Now, you listen to me, child," she said to Annimae. "There's only one reason that woman would concoct such a cock-and-bull story. I'll tell you why you can't look on the face of that son of hers! He is a mulatto."

"That's not true!" said Annimae. "I saw his baby picture."

"You saw a picture of the baby that died, I expect," said Aunt Pugh, blowing her nose. "Oh, Annimae!"

"There used to be plenty of old families got themselves a little foundling to replace a dead boy, when the estate was entailed," said Great-Aunt Merrion. "So long as there was a male heir, decent folk held their tongues about it. Money kept the nursemaids from telling the truth.

"Well, hasn't she plenty of money? And didn't she move clear out here to the West so there'd be nobody around who knew the truth? And who'll see the color of her sin, if he's kept out of sight?"

"What's his hair like, child? Oh, Annimae, how you have been fooled!" said Aunt Pugh.

"Likely enough he's her son" sneered Great-Aunt Merrion. "But he's not the one who ought to have inherited."

Annimae was so horrified and angry she nearly stood up to her aunts, and as it was she told them they had better leave. The old women rose up to go; but Great-Aunt Merrion got in a parting shot.

"Ghosts and goblins, my foot," she said. "If you're not a fool, child, you'll sneak a penny candle and a match into that bedroom, next time you go in there, just you get yourself a good look at that Daniel Nightengale, once he's asleep. You'd better be sure than be a lasting disgrace to your father."

Annimae fled to the darkness to weep, that none might see her. Two hours she fought with her heart. All the fond embraces, all the words of love, all the undoubted wisdom of the Spiritualists and her own wedding vows were on her heart's side. But the little quailing child who lived within her breast too thought of the aunts' grim faces as they had spoken, backed up by the dead certainties of all grandmothers and aunts from the beginning of time.

In the end she decided that their dark suspicions were utterly base and unfounded. But she would slip a candle and a match in her apron pocket, all the same, so as to prove them wrong.

And when she came in to Daniel at last, when his glad voice greeted her and his warm hands reached out, she knew her heart was right, and silenced all doubt. Sam came in and served them supper, and she listened and compared the two voices, straining for any similarity of accent. Surely there was none!

And when the supper dishes had been taken away and Daniel took her in his arms and kissed her, she ran her hands through his thick hair. Surely it was golden!

And when they lay together in bed, there was none of the drum-driven madness of the night before, no animal hunger; only Daniel gentle and chivalrous, sane and reasonable, teasing her about what they'd do when he could go to Paris or Rome at last. Surely he was a gentleman!

But she had slipped the candle and the match under her pillow, and they lay there like wise serpents, who wheedled: Wouldn't you like just a glimpse of his face?

At last, when he had fallen asleep and lay dreaming beside her, she reached under the pillow- and brought out the match. No need to light the candle, she had decided; all she wanted was one look at his dear face. One look only, in a flash no evil ghost would have time to notice. And who would dare harm her darling, if she lay beside him to keep him safe? One look only, to bear in her mind down all the long years they'd have together, one tiny secret for her to keep like a pressed flower

Annimae touched his face, ran her fingers over his stubbly cheek, and set her hand on his brow to shade his eves from the light . He sighed and murmured something in his sleep. With her other hand, she reached up and struck the match against the bedpost.

The light bloomed yellow.

Daniel was not there. Nobody was there. Annimae was alone in the bed.

Unbelieving, she felt with her hand that had been touching his cheek, his brow, that very second. There was nothing there.

That was when Annimae dropped the match, and the room was gone in darkness, and she could feel her throat contracting for a scream. But there was a high shriek beginning already, an inhuman whine as though the whole room were lamenting, and that was Daniel's voice rising now in a wail of grief, somewhere far above, as though he were being puked away from her, receding and receding through the darkness.

ANNIEMAE!"

The bed began to shudder. The room itself, the very house began to shake. She heard a ringing impact from the bathroom, as the silver pitchers were thrown to the tiled floor. The table by the bed fell with a crash. A rending crack, a boom, the sound of plaster falling; a rectangle full of hectic blue-white light , and she realized that the secret panel had been forced open.

Annimae's mind, numb-shocked as it was, registered Earthquake with a certain calm. She grabbed her robe and fled over the tilting floor, squeezed through the doorway and ran down the long corridor. Tiny globes of ball lightning crackled, spat, skittered before her, lighting her way at least. But she could see the walls cracking too, she could see the plaster dropping away and the bare laths. The carpet flexed under her feet like an animal's back. The shaking would not stop.

She rounded a corner and saw Mrs. Nightengale flying toward her, hair streaming back and disheveled, hands out as though to claw the slow air. Her face was like a Greek mask of horror and rage, her mouth wide in a cry that Annimae could not hear over the roar of the failing house. She sped past Annimae without so much as a glance, vanishing in the direction of Daniel's rooms.

Annimae ran on, half-falling down a flight of stairs that was beginning to fold up even as she reached the bottom, and then there was a noise louder than any she'd heard yet, loud as an explosion, louder than the cannons must have been at Gettysburg. To her left there was an avalanche of bricks, mortar, splinters and wire, as a tower came down through three floors and carried all before it. It knocked out a wall and Annimae saw flowers glimmering pale through the plaster-dust, and dim stars above them.

She staggered forth into the night and fled, sobbing now, for her heart was beginning to go like the house. On bleeding feet she ran; when she could run no further she fell, and lay still, and wept and knew there was no possible consolation.

Some while later Annimae raised her head, and saw that the sky was just beginning to get light in the east. She looked around. She was lying in a drift of yellow leaves. All around her were the black trunks and arching branches of the orchard, in a silence so profound she might have gone deaf. Turning her head uncertainly, looking for the house, she saw them coming for her.

A throng of shadows, empty-eyed but not expressionless, and at their head walked the dancers from the fire: the black man with his stick, the red- headed hoyden. Beyond them, dust still rising against the dawn, was the nightmare mountain of rubble that had been the home of true love.

Annimae lay whimpering at their approach. With each step they took the figures altered, changed, aged. They became Sam and Bridget Lacroix. The sullen shades in their train began to mutter threateningly, seemed about to surge forward at Annimae; but Sam stopped, and raised his cane in a gesture that halted them. His sad stern face seemed chiseled from black stone.

"Shame on you, girl," he said. "Love and Suspicion can't live together in the same house, no matter how many rooms it has."

Annimae scrambled to her feet and ran again. They did not follow her.

She forgot who she was, or why she was traveling, and she had no destination in mind. By day she huddled in barns or empty sheds, for the sunlight hurt her eyes unbearably. By night she walked on, ducking out of sight when a horseman or a carriage would come along her road. For some days she wandered up a bay shore, following the tideline. The mud felt cool on her cut feet.

At length she came to a great city, that whirred and clattered and towered to the sky. She regarded it in wonder, hiding among the reeds until nightfall, hoping to pass through in the dark. Alas! It was lit bright even after midnight. Annimae edged as close as she dared, creeping through the shadows, and then turned to stare; for she found herself outside a lovely garden, planted all in roses, shaded by high dark cypresses, and the wrought-iron gate was unlocked. It seemed as though it would be a comforting place to rest.

She slipped in, and stretched out on one of the cool white marble beds. Angels mourned, all around her.

When the pastor at Mission Dolores found her, she was unable to speak. He had his housekeeper feed her, bathe her, and tend to her feet; he sent out inquiries. No one came forward to claim Annimae, however, and the sisters at the Sacred Heart convent agreed to take her in.

In the peace, in the silence punctuated only by matins and evensong, gently bulked by well-meaning maternal women, still she remained mute; but her memory, if not her voice, began to come back to her. There was still too much horror and confusion to absorb, though one fact rose clear and bleak above the rest: she had lost her true love.

He had been dead. He had been imaginary He had been real, but she had betrayed him. She would never hear his voice again.

She would be alone the rest of her life.

And it seemed a grimly appropriate fate that she should come full circle to end up here, a child in a house full of aunts, confined to the nursery where she clearly belonged, having failed so badly at being a grown woman. Perhaps she would take the veil, though she had always been told to distrust Catholics as minions of the Pope. Perhaps she would take Jesus as her new husband.

But one morning Annimae woke to a welling nausea, and barely made it to the little bathroom at the end of the dormitory hall before vomiting. Afterward she bolted the door, and ran water for a bath.

Stepping into the water, she caught a glimpse of herself in the mirror.

She stared, and stared unbelieving at her swollen body