Edge had the highway to himself. It was his trinket, all
that paint and asphalt, thanks to Kelloggs new law about
ownership. You merely have to decide its yours. Edge had
a knack for recalling Kelloggs exact words. What you see
is what you get, Edge. Adrenaline pumping, Edge leaned
on the accelerator. The landscape sped past.
He drove through the left lane and crashed over the
dead grass of the divider, into the lanes heading west. Im
my own man, he thought. I drive on the wrong side of the
highway. My highway. He teased his speed up, until the
old car wobbled on its shocks. The signs faced the wrong
way now, but he knew where he was going. Nobody went
this way anymore, hardly, except Edge, because Edge was
a messenger. Dont kill the messenger. Edges head was a
mess of his thoughts and Kelloggs all mixed together, and
often Kelloggs thoughts seemed stronger. They didnt
leak away as fast.
Nobody went this way anymore because since the war
Hatfork was a sick town. Full of mutants and sexual
deviants. Kellogg sent his Food Rangers over with supplies
sometimes, but he never went himself. He hated
Hatfork, calling it a leech on my side, a thorn in my paw,
and my abortion. To Edges way of thinking, Hatfork was
a hairy town. Every woman from Hatfork hed seen
undressedand hed seen a fewhad hair where she
shouldnt. Every man in Hatfork wore a beard. Except
Chaos.
Edge screeched past the exit and had to back up.
Driving the onramp, curved the wrong way, turned out to
be harder than hed expected, and he slid off the side a
few times, but it didnt matter. The sand and dirt had
blown over the low ramp, making it hard to tell where the
highway ended and the desert began, and it was almost as
easy to drive on the desert anyway.
The road to Hatfork was littered with abandoned cars.
The Hatforkers, Edge thought, didnt know how to take
care of their stuff. They were always letting it pile up,
unrepaired. Cars dont grow on
Edge struggled for the phrase. Cars dont come out of
the sky, he settled on finally. Kellogg would have said it
better, but fuck that. Kellogg wasnt here.
The Hatforkers were visible as he drove through town,
mostly lurking and staring from behind bedsheet-curtained
windows, but if you wanted to spread news you
were supposed to go to the Multiplex, where Chaos lived.
That was Edges purpose here: spreading news. He sped
through the middle of town, around the dried-up lake,
and out to the mall with the Multiplex. Edge didnt envy
the Hatforkers, with their seedy orgies and pathetic,
mutated offspring, but he sometimes envied Chaos, who
stayed to one side of things and had a cool place to live.
The coolest, really. As he drove into the mall, Edge
admired again the way Chaos had spelled out his name in
red plastic letters on the Multiplex sign, over and over
again, where the names of the movies used to go. Now
playing in Cinema One: C H a O s. Cinema Two: c H A O s.
Cinema Three: C h A o S. And so on.
Edge honked twice as he pulled up in front of the
Multiplex, then got out and slammed his door for punctuation.
He didnt see Chaoss car. He was alone.
Schemes stirring in the murk of his head, he stepped up to
the door and rattled the handle. Nope. Chaos was too
smart to let anyone plunder his goodies.
Edge walked around the back of the vast building, to
the alley that separated it from the devastated, plundered
Variety store. Sitting there were three green dumpsters,
dented and sprayed with paint. Sniffing at the motionless
air, Edge thought he detected something good inside one
of them. He clambered up on each in turn and peered
inside, and in the third he found his prize. Buzzing
blackflies wreathed a heap of birds bones, which had
rotted green and purple in the sun.
Edge let himself slip back down onto the dusty ground.
It just wasnt worth it. Stick to canned food. Kelloggs
exact words. Dont waste calories pursuing scraps. Edge
remembered Kellogg telling him about a food that took
more calories to chew than it containedfood you could
starve to death on. But in retrospect, Edge concluded that
this was part of the small percentage of Kelloggs pronouncements
that could safely be categorized as bullshit.
Everything has calories, Edge told himself. Wood, paper,
dirtit all has calories. I know that from personal experience. I
know itwhat was Kelloggs word?empirically.
A big word, and Edge felt good about remembering it,
knowing what it meant. Im not stupid, he decided. I just
get nervous when Im trying to talk to someone and I
forget what Im trying to say. People have to be patient
when theyre talking to a nervous person.
The sun made a tentative foray through the morning
haze, casting weak shadows across the pavement. Edge
squinted up at the ribbons of smoky cloud. Christ, he
thought, I hope it doesnt rain. Better to be indoors from
the beginning of a rain, not climbing in and out of cars,
getting wet. That goddamn stuff is cumulative. Builds up.
Digging absently in his pants, Edge meandered back
out towards the highway, and was startled to find Chaoss
car pulled up behind his. Chaos got out, a heavy plastic
bag cradled in his arms, and glared at Edge.
Edge stepped up, almost dancing. Hey, Chaos, he
said. Want me to get the door?
Youre supposed to park in the lot, Edge, said Chaos
sourly. He hoisted his load higher and fished in his pocket
for keys, then unlocked the door and stepped into the
gloom. He went in through the staff entrance, a dark, low
hallway which ran, like a rats route through a ship, inside
the walls of the vast, carpeted Multiplex lobby, to the
projection booth. Chaos seemed to shun the public parts
of the building.
Looks like rain, said Edge, half in justification for his
parking so close, half to change the subject. He followed
the glumly silent Chaos in the dark, tracking the tiny
reflective logos on the heels of Chaoss sneakers while his
eyes adjusted. He felt a little indignant; the parking lot, a
deserted acre of meaningless yellow arrows and lines, was
a good quarter mile from Chaoss door.
The projection booth was an unshapely, split-level
room with tiny windows looking out over six theaters.
Chaos had removed the projectors, but splicing and
rewinding equipment was still bolted to the walls. Edge
stood near the door, waiting while Chaos lit candles. The
booth reeked of artificial sweetness: air freshener, and the
fruit-scented candles. It made Edge hungry. Wax had
calories too.
Okay, Edge, said Chaos. Whats your secret? Spit it
out. He sat on a ratty sofa and lit a cigarette.
Edge sat on a chair and leaned forward expectantly.
Chaos pushed the pack of Luckys across the table between
them, and Edge took a cigarette.
Kellogg says were gonna communicate with the animal
kingdom, Edge said, trying to present this calmly and
credibly. He struck a match and held it to the end of his
cigarette. He knew he had to explain further. Whales and
dolphins, primarily. Thats what Kellogg says.
Chaos laughed. What animal kingdom? he said.
Were in the desert, Edge. The animal kingdom is dead.
Kelloggs pulling your leg this time.
Edge had drawn deeply on the Lucky. He started to
speak, to defend Kellogg, but coughed spasmodically
instead. Smoke erupted from his lungs.
Dont use up my cigarettes coughing, said Chaos.
Sorry, man. Edge heard himself beginning to whine
but couldnt stop it. Sorry, really. He watched Chaos
smoke and tried to imitate his technique. Then he remembered
his story. Whales and dolphins primarily. Kellogg says theyre
the dormant intelligent species on the planet.
What?
Edge suspected that this meant there was something
wrong with the new word. He hated having to go back and
fix things. Dominant? he suggested.
Maybe, said Chaos, unhelpfully. He stubbed a wasteful
amount of cigarette into a dish on the table and said,
quietly, Fucking Kellogg.
Edge was tired of his Lucky, but he sensed that to
follow Chaoss lead and stub it out would be a tactical
error. Cigarettes are so vulnerable, he thought. Because
everyone seemed to want them so badly, he always
thought hed enjoy them. But he didnt, really. He
decided to smoke it down to his fingers anyway, to be
safe.
Im sure he could explain it better, he said to Chaos.
It made sense when he told it to me. You know, Chaos, I
get excited, I fuck it up.
Thats okay, said Chaos, sympathetic for the first time.
It mightve been a little fucked up to begin with.
No, said Edge, encouraged. You should have heard
it. Kelloggs astral chart says were gonna merge with a
higher species. Pisces, the twin fish. His chart says In
desperation he peppered his speech with fragmented
quotations from Kellogg.
I dont give a shit what Kelloggs chart says.
Listen, said Edge in a whisper. Hed saved a vital fact
for the clincher. Did you know that dolphins used to walk
on land?
Chaos didnt say anything, and Edge thought hed
said expansively. Blowholes. A disaster up here drove
them back to the water. Just like us, you see? A planetary
disaster. He paused significantly. Can you see it?
Yeah, said Chaos drily. He obviously recognized the
usage. I see it.
An hour later Edge was gone, scurrying back to his car in
fear of rain. Chaos extinguished half the candles and
stretched out on the couch, crossing his legs on the
armrest. Wind howled quietly through the ventilation
system, and nervous shadows flickered against the ceiling.
He wrinkled his nose; Edge had left behind a faint calling
card of smell.
Chaos felt there was some source of comfort missing,
from before Edges visit; it nagged at him like déjà vu.
The package, he remembered. He hauled himself upright,
pulled the plastic bag across the table and ripped it open.
Inside were three waxed-paper containers sealed with
black electrical tape. Printed on the side of one in blurry
black and white was a photograph of a young girl, captioned:
MISSING. No more milk, thought Chaos. No
more wax, no more paper. But shes still missing.
Cradling one of the cartons, he fell back against the
couch. He tore away the tape, pulled open the ragged
spout, and took a long, steady draft of the unflavored
alcohol, letting it splash down his chin and neck, feeling it
rush like a fiery waterfall into his withered, empty stomach.
Once, twice. Then, temporarily sated, he let it rest
against his stomach and gulped air for a chaser.
His first snore woke him halfway, enough that he
moved the carton to the floor and noticed the candles. But
not enough that he got up to blow the candles out. Hed
been avoiding sleep for two days, waiting for Decal to
distill the alcohol, hoping the drink would keep him from
dreaming. Now he couldnt fight the sleep off any longer.
The dream was so hard-edged and real that it seemed to
come before hed even fallen back asleep.
Chaos was out on the salt flats, digging a hole in the
dense, dry sand with his bare hands. There was something
important there, underneath. The sky behind him was
purple with radiation. He scrabbled at the earth, desperate,
compelled.
Too fast, it crumbled under his fingertips, opening to
a hollow beneath the desert. The sand caved in towards
the opening, and Chaos tried to back away, but it was
too late. He was drawn inexorably into the darkness.
He fell.
He plunged into cold water and opened his eyes. He
was immersed in an underground river, and though his
wet, heavy clothes bound his limbs, he felt secure. Ill
swim underground, he thought. He trusted his sense of
direction. He paddled his arms, righting himself in the
water. Maybe he would swim all the way to Cheyenne,
underground.
Then a form rose above him, blocking his view of the
entrance. Chaos saw, with bitter disappointment, that it
was the gigantic body of Kellogg, flapping ridiculously in
the water, a giant cigar still clenched in his smiling mouth.
He loomed over Chaos like an underwater zeppelin.
Kellogg was transformed, he saw now. Flippers for
arms, and legs tapering to a wide paddle tail. He grinned
at Chaos, who began to panic. Kellogg was swelling,
stretching like a cloud above him, blocking his access to
the air. Chaos looked down; the depths extended into
darkness.
Shit. He found himself on the couch, bathed in sweat. It
was like clockwork, Kelloggs obsessions radiating outward,
invading Chaoss dreams.
Now was probably the worst time to sleep, he realized.
When Kellogg was so excited about something that he
sent Edge out as a town crier. Or maybe it went the other
way, maybe Kellogg sent Edge out because he sensed that
Chaos hadnt been dreaming.
Chaos thought again about tuning up his car and going
for a long drive. How far would he have to go to get a
good nights sleep? Would he ever get out of Kelloggs
range? He wondered if he was the only one who cared, if
the rest of them were all so used to Kelloggs dreams that
it didnt bother them anymore.
Someday he had to do it. Find out what was left, if
anything was. He was afraid hed waited too long. He
should have done it backwhen was it? Years ago. When
all the cars worked.
Only Kellogg could do it now; nobody else had the
resources to make that long a run. Kellogg had the
resources because everyone did whatever he told them to
do. When Kellogg went around renaming everything,
nobody had tried to stop him. That included Chaos, if he
was honest with himself.
Now he couldnt even remember what his name had
been, before.
He sat slumped on the couch and blotted at his forehead
with his sleeve. A shudder of hunger passed through him,
and he knew he had to get some food. He had to visit
Sister Earskin, no matter how much he disliked it. He
hated going out into Hatfork after one of Kelloggs
dreams; everything was under Kelloggs spell, even more
than usual.
Sister Earskin ran the general store for the genetically
damaged exiles of Hatfork. The goods, mostly canned
food and reusable objects, filtered through Little
America, where Kellogg and his Food Rangers
co-ordinated distribution. She operated out of the old
Holiday Inn and lived in one of the cabins, out beyond the
empty blue swimming pool.
Chaos parked in the driveway and walked up to the main
building. Cars littered the grounds, some parked, some
abandoned. The clouds had cleared, and the sun beat down
now, heating the pavement, making him feel his weakness.
He heard voices inside and hurried towards them.
Sitting on the concrete steps between him and the lobby
was a girl dressed in rags and covered with fine, silky hair
from head to foot. She squinted at Chaos as he
approached. He smiled weakly and said, Excuse me. He
felt dim with hunger.
Inside, sitting in the rotting couches of the hotel lobby,
were Sister Earskin and the girls parents, Gif and Glory
Self. They stopped talking when Chaos entered. Hello,
Chaos, said Sister Earskin cheerily. I had a feeling wed
be seeing you today. Her wrinkled face contorted into a
wry smile. You know the Selves, Chaos, dont you?
Gifford, Glory.
Right, said Chaos, nodding at the couple. Listen,
what have you got to eat?
Well, said Sister Earskin, Ive got some bottled
soup
Cans, said Chaos. Whats in cans? He wasnt fond of
the old womans soup: thin, boiled broth with grisly chunks
of whatever animal happened to keel over that morning.
No, said Sister Earskin vaguely. No cans.
Gifford Self raised his eyebrows. Thats what we was
talkin about when you came in, Chaos. Kellogg aint sent
nothin in cans for a week. He tried to hold Chaoss gaze,
but Chaos broke away.
Did a car drive through here this morning? asked
Sister Earskin. Her voice was full of implication.
Edge, said Chaos.
What
Anyone who goes to sleep knows the news, said
Chaos. It had to do with dolphins and whales today.
Nothing about food in cans.
Silence.
We were hoping you could go down to Little America,
Chaos, and maybe have a word with Kellogg . . . Sister
Earskin broke off hopelessly. Gifford Self sat stroking his
beard.
You know what happened the last time I went down to
Little America? said Chaos. Kellogg put me in jail. He
said my chart was out of alignment with Mars. Or in
alignment. Something like that. He felt his face flushing
red. Maybe he could do without food after all. His veins
burned for more drink, though. He cursed himself for
leaving the Multiplex.
Gif and Glory sat watching him, waiting.
Why dont you eat your kid? he said. She looks like
some kind of animal.
He stalked out before they could reply, back out into
the brutal sunshine. The Self girl was gone from the steps.
Then he saw her kneeling at his car, sucking at his gas tank
through a plastic tube. He backed into the shade of the
porch and watched unseen as, squatting there on her furry
haunches, she pulled her mouth away, spat disgustedly,
and turned the open end of the tube down into a plastic
container.
Finally he jogged out across the lot. She turned, frozen
wide-eyed, the gas still trickling into the jar.
He stepped up beside her. Keep it going, kid. Dont
spill the stuff.
She nodded in fearful silence. Chaos saw her hands
trembling. He reached down and pinched the tube in the
middle.
You talk? he said. He raised the tube above the level
of the tank.
She glared up at him. I talk fine.
You remember before? he said. The meaning was
clear.
No.
Your parents tell you about it?
Some.
Well, little girls didnt used to do this kind of shit, he
said, and then immediately regretted it. Preachy, nostalgic.
Forget it. He threw the tube. It spiraled, flinging
drops of gasoline, and landed on the deck of the empty
pool.
He got in the car. The girl stood up and brushed dust
from her gray jeans. She cocked her head and stared at
Chaos, and he wondered what she saw. A bat. A cave
dweller.
Well, he said.
Where you goin? she said shyly.
He thought of his last advice to her parents, wondered if
they were capable of it. Get in, he said on impulse. He
reached over and pushed open the passenger door. The
girl jumped, and he thought she was running away, but
then she appeared on the other side of the car and climbed
in beside him.
They didnt speak again until they were on the open
highway outside town. He wasnt sure where he was
going. The sun was low now, and they drove into it.
You have a dream? he said.
Yeah, she said brightly. Kellogg was a whalehe
swallowed me and I was in his stomach. There was a lot of
fish-men
Okay, he interrupted. Whered you learn about
whales?
From a book.
You ever meet Kellogg?
No.
Hes an asshole. You want to meet him?
Sure, I guess.
He wondered if she understood that Kellogg was someone
she could actually meet. He turned and caught her
staring again. Your parents want me to ask Kellogg for
more food.
She didnt say anything.
They dont know the first thing about it, he said.
The girl went back to watching the barren expanse roll
by, as though she found something there. He adjusted the
rearview mirror so he could watch her. He noticed that
she had miniature breasts sprouting under the ragged tee
shirt, found himself wondering where the fur stopped. If it
did.
He watched her watching the desert. He sometimes
thought that the reason Wyoming didnt get hit was that it
didnt need it. It already looked bombed-out. Wasted.
This could be my escape run, he thought. I could drive
right past Little America, take this highway out. But no;
hed need food. Water. And he wouldnt have the kid in
the passenger seat. No, truth was, for better or worse, he
was going to visit Kellogg.
They cruised Main Street. A mistake. The Little Americans
looked hungry today, no better off than the mutants
in Hatfork. They tumbled out of their buildings at the
sound of Chaoss car, to stare hollowly at his unusual
passenger. The pretense of activity seemed to have broken
down; the town looked degenerate. A fire had gutted
the old hotel since his last visit.
The girl was leaning out of the window, staring back.
Get in the car, he said, and tugged her down to her seat.
Kellogg cleared you people out, he explained, not bothering
to be delicate about it. They forget.
He heard someone shout his name. But they werent
calling to him so much as raising the alarm. In the
dreams, Kellogg used him as a scapegoat figure; Chaos
was supposed to lead the mutants in rebellion. Or
sometimes he already had, and been defeated; it wasnt
always clear. There was a famous banishment scene:
Kellogg and his deputies walking Chaos to the edge of
town. It played over and over, so that Chaos could no
longer remember whether or not it had actually
occurred.
He rolled up his window and sped through town,
towards the park and City Hall. The public square must
once have been kept green, but now it was like a patch of
the desert transplanted to the middle of the town. A dog
trotted along the edge of the park, nose to the ground.
Another car drove out of the sun ahead of them, on the
wrong side of the street. Edge. Chaos braked. Edge
stopped his car just short of a collision and jumped out,
waving his hands. He ran up to Chaoss window.
Wow, he breathed. What are you doing here? Does
Kellogg know youre here?
Did Kellogg tell you to drive on the left-hand side?
Sorry, man. Dont tell him, okay?
Sure. Chaos wrestled his steering wheel to the left and
pulled around Edges car.
Edge skipped alongside. You going to see Kellogg?
Yes.
Well, he aint there. Hes with a bunch of people. I just
came from there.
Where?
Out by the reservoir.
Chaos drove to the reservoir, tailed by Edge. He pulled
up at the end of a long line of parked or abandoned cars,
and the girl jumped out before hed even stopped. He ran
to catch up with her. A moment later Edge ran up from
behind and joined them.
The reservoir was dried up. What remained was a vast,
shallow concrete dish lined with steps, like a football
stadium that lacked a playing field.
Kellogg had a pit fire dug into the sand at the bottom.
He sat beside it in a lawn chair, surrounded by twelve or
fifteen people. The sun was setting across the desert. As
Chaos, Edge, and the girl made their way down the steps,
it sank out of view behind the lip of the reservoir.
Whats your name? asked Chaos.
Melinda.
Okay, Melinda. Were going to try and talk to Kellogg.
Whatever happens, just stick with me, okay? Well be
back in Hatfork tonight.
Melinda nodded. Edge said, Why would anyone want
to be back in Hatfork? Chaos ignored him.
The crowd parted to give Kellogg a view of the newcomers.
He turned in his chair, smiling broadly, his
stomach creasing like a twisted balloon, and plucked the
cigar from his mouth. Well, hello, Kingsford, he said. I
see you brought some guests.
Cmon, Kellogg. Call me Edge.
Whats the matter with your Christian name? I think it
sounds very noble. You descended from royalty?
Cmon, Kellogg, whined Edge. You know where Im
descended from. You made the name up yourself. Call me
Edge.
Call me Edge, Kellogg parroted. Call me Ishmael.
Call me anything, but dont call me late for dinner. Or
whats that other one? Call me a cab, okay, youre a
malted. He laughed. What tidings do you bear? Ill, I
suppose. Beware, Kingsford, we may kill the messenger,
just this once. Were a hungry bunch.
Cut it out, Kellogg. I dont bear tidings. I just came
from here.
So I recall. Its your company thats new. Kellogg
furrowed his brow. Behold, he said, his tone changed.
Now he was playing to the gallery. Chaos has arrived.
Uncalled, uninvited, as usual.
The crowd stared dully, as if trying to match Chaoss
shambling arrival with the drama of the words.
With him walks a monster, Kellogg continued. A
mutant, an aberration. Hold, Chaos. Stand your ground,
advance no further upon this company. Heh. Bring you a
curse on our humble celebration?
Beside the fire, strapped to a spit, was a reddened
carcass, a dog or goat. A few empty cans lay discarded at
the fringes of the circle.
I want to talk to you about food, said Chaos.
There was a murmur in the crowd of Little Americans.
Shortly we shall suckle at the fount of nutrition, said
Kellogg. The bitter sea will at last embrace her suitors.
Where are the food trucks? said Chaos.
Kellogg waved his hand. Listen, Chaos: if I were on the
surface of the ocean, floating, and you were standing on a
bridge, with a rope attached to my belt, would you be able
to lift me? He raised an eyebrow to punctuate the riddle.
The belt would break? volunteered Edge. Hed abandoned
Chaos and the girl and elbowed his way into the
crowd beside Kellogg.
Kellogg ignored Edges guess. You wouldnt, he said.
But if I were at the bottom of the ocean and you were on
a boat, would you be able to lift me to the surface?
I dont see any of your Food Rangers, Kellogg, said
Chaos. Whats the matter? They take off with your
trucks?
Buoyancy! shouted Kellogg. Mans burden lifted.
The crowd seemed cheered by Kelloggs confidence.
Someone had been sawing the lid off a can of beans, and
now this was passed forward into Kelloggs hands. He
plunged a finger into the can, lifted it out, and sucked up a
glistening mouthful of beans and sauce. Chaos experienced
the fantasy that this was literally the last can of food
in Wyoming. It followed that it would be consumed by
Kellogg, the last fat man anywhere, as far as Chaos knew.
The ocean calls, said Kellogg, chewing.
The oceans a thousand miles away, said Chaos. He
allowed himself to feel that his stubbornness was courage.
Maybe it was.
Ah, said Kellogg. But thats where youre mistaken,
Chaos. The planets are in alignment. The continental
plates are in motion. The oceans on its way. There was a
rustle of approval from the crowd. Theyd presumably
heard this prophecy before. Or dreamed it.
Alignment, repeated Edge reverently.
All Im saying is consult the charts, said Kellogg.
Thats the difference between us, Chaos. I follow the
stars.
Hatfork needs food, Kellogg. I dont care if it comes
from the ocean or the stars. We do what you want, we
listen to your dreams. Now give us food.
No taxation without representation, said Kellogg.
Very good. I may have to change your name soon.
Change his name, seconded Edge. He helped hoist the
meat into position above the fire. The girl scurried out
from behind Chaos to watch.
Kellogg furrowed his sunburnt brow. Your problem,
Chaos, is your failure to come to grips with the new
order. Were a whole new species now, since the
bombs. Weve got a whole new agenda. His tone had
grown intimate, and the crowd switched its attention to
the roasting.
The only thing Chaos liked less than Kelloggs hamming
was when the fat man got sincere.
Willful evolution is the first task of an intelligent
society, Kellogg lectured. Weve inherited a grand
tradition, admittedly, but we cant let that tradition
hold us back. We need to transcend the past. For
starters, weve ignored the aquatic intelligences of our
planet for too long. Whats worse, weve shunned our
own aquatic origins. Evolution is cyclical, Chaos. Can
you see it?
What happened to your trucks, Kellogg? It was more
than a brave stand. Chaoss hunger was killing him now.
No more food in Denver?
Were gonna repopulate the garden, Chaos. Im here
to show the way. Its got to be done differently this time.
The bombs robbed the world of meaning, and its our job
to reinvest. New symbols, new superstitions. Thats you,
Chaos. Youre a new superstition.
Not anymore, said Chaos, surprising himself. Im
leaving. I dont live around here anymore.
Wait a minute, said Kellogg. Dont talk crazy. You
cant leave here.
It cant be any worse somewhere else, said Chaos.
Radiation fades.
Im not talking about radiation . . .
The crowd suddenly backed away from the fire, and
someone groaned. Edge tapped Kellogg on the shoulder.
Hey, Kellogg, he said weakly. Take a look
The chest of the animal had split open in the fire, and it
was alive with pink-white worms. As they spilled out of
the cavity, they sizzled and hissed in the flames, streaking
the meat with their juices.
Shit, said Kellogg quietly, to himself.
Melinda Self came running back, and curled one finger
shyly around Chaoss beltloop. There was muttering in the
crowd.
Well, shit, said Kellogg, more expansively. He drew in
a breath, and the crowd seemed to hang on it. Hmmm.
His eyes flicked up to Chaos and Melinda, then he lifted
his hand and turned to the crowd.
Grab them.
Before Chaos could react, his arms were pinned behind
him, a knee in his back. Edge pulled the squirming girl
away and pushed her down in the sand in front of Kellogg.
Chaos kicked at the men behind him, uselessly. Knuckles
dug into his back. He struggled more, and was thrown on
his face in the sand.
You want to know what happened to my food trucks?
Sabotage, thats what. Five miles out of town, somebody
blew them up. Survivor said they got hit from the sky.
Some kind of air strike. That have anything to do with
you, Chaos?
No.
Well, who do you think it couldve been, then?
I cant imagine.
Well, I think its something you dreamed up, my
friend. Fact, Im sure of it. This morning an old woman
picked up a shoe lying by the highway; the shoe had a foot
in it. Were gonna make you pay for that, Chaos. Were
gonna eat your ladyfriend.
The crowd responded to this shift in Kellogg like
well-trained dogs. Utopian dreams forgotten, they grew
vicious, began pulling at the girls limbs. Whoa, there,
said Kellogg. Dont ruin her coat. I want it for my wall.
Well do this right, put together a little marinade.
Melinda Self began crying, and one of the men put his
hand over her mouth and wrenched her head back. Chaos
tried to get up, but someone planted a foot on his
shoulder.
By the fire, they were prying the charred, rotten meat
off the spit.
Stop this, Kellogg, said Chaos. Its too much.
He felt cheated. This wasnt in the cards. There hadnt
been a cannibalism dream, ever.
Too much, huh? Not enough, Id say. Maybe we ought
to fatten her up first. Lets see, she could eat you . . .
Where does it stop? said Chaos. Youll run out in the
end no matter what you do. When that happens, theyll
eat you. His voice cracked with the strain. You bastard.
Kellogg grinned for a long minute, milking the scene.
Melinda Self twisted her head free and spat into the sand.
The crowd waited. They were in the palm of Kelloggs
hand, as ever.
Hokay, Chaos, you called my bluff. Im pulling your
goddammed leg. You make it too easy, you know? Im
disappointed in you. You dont even spot my references.
He reached up and took Melindas chin between his
thumb and forefinger. I wouldnt eat a beautiful little
child. Are you kidding? You know me better than that,
pal.
I know youre insane.
Kellogg flared his sunburnt nostrils and curled a fist,
then opened it again slowly, finger by finger. Dont tempt
me, he said. Nobodys eating anybody around Little
America, Chaos. I dont know what you folks been up to
back in Hatfork, but that dont happen here.
Then let her go.
Kellogg shook his head. We need to talk, Chaos. Long
overdue. Shes my way of making sure youll listen. He
leaned back in his chair. The desert sunset glowed behind
him, an aura. Take her back to town, he said. Edge, you
take her. Keep her alive. And here.
He dug in his pocket and emerged with a key, which he
handed to Edge. My stash. Go ahead and open some
cans. Everybody eats. The girl too. Furry or not, well
show old Chaos here we know how to treat a lady.
A heel crashed against the side of Chaoss head. He fell.
The crowd rushed Melinda Self up the steps of the
reservoir, towards the cars. Engines revved. By the time
Chaos got to his feet and worked the grit out of his mouth,
he and Kellogg were alone. The fat man stood at the edge
of the pit, urinating into the fire.
He looked over at Chaos and smiled, then zipped up his
pants. Cmere, Chaos. Step into my office. He turned
and strolled away from the fire, to the first tier of the
reservoir.
Chaos shrugged the sand out of his shirt and jogged up
after Kellogg. He had an impulse to launch himself onto
that broad, smug back, but he wasnt sure he could bring
the big fool down. He felt thin and faded as a piece of
driftwood.
Kellogg sat on the edge of the concrete. He fumbled
in his shirt pocket and brought out a half-smoked cigar,
which he put into his mouth unlit. Why you always
need an incentive to come talk to me, Chaos? Dont you
like me anymore? Were in this together, pilgrim. You
know that, dont you? He grimaced, the cigar dipping
downward. Sorry if I got a little crazy back there, pal.
When you said you were leaving, it just about broke my
heart.
Chaos marveled. Kellogg was trying to make him feel
guilty.
Then he remembered the gossip hed picked up at Sister
Earskins the week before. Is it true what I heard?
Whats that?
You were nothing but an auto parts salesman, driving
around in a pickup full of free-sample spark plugs?
Kellogg smiled sarcastically, unfazed. The honest
truth, Chaos, is that I dont actually recall. But suppose I
was. Whats it to you?
Chaos didnt say anything.
Youre way too concerned with before, sport. As if
anyone cared. I mean, do you remember before? Really
remember?
No, Chaos admitted.
He hated the question every time it came up.
Come on, Chaos. What were you before? What were
you doing when the bombs fell?
I dont know, said Chaos. I cant even remember my
name. You know that.
Okay. Kellogg stopped to light his cigar. Easier
question. How long ago was it?
Chaoss head was swimming. I dont know, he said
again. But you rememberdont you?
Nope. Kellogg puffed philosophically, the smoke wafting
up into the darkening sky. But I prefer to think of it
this way: there isnt anything to remember. Things were
always like this. Its just a feeling that something else came
before, an endemic feeling. The whole world has déjà vu.
Now Chaos was back on firmer ground. Back to
Kelloggs bullshit theories. All this broken-up stuff everywhere,
Kellogg. Thats not a feeling. Cans of food in old
stores. And the way we talk, its full of words for things
that arent here anymore. I may not know my name, but I
know a reservoir is supposed to have water in it.
Okay, okay. Im just saying its not as simple as you
think. You go around making inferences from all this stuff
lying around, you think its easy to go from point A to
point B. But youre not even close. He took the cigar out
of his mouth. I dont know the answer, Chaos. But I do
know more than you, because Im not afraid to look
inside, to look to myself, take on a little responsibility.
Whereas youyou dont know the half of it.
Hed fallen for it again. Another baffling, hopeless
conversation with Kellogg. His gut ached. What are you
trying to say?
Listen, Chaos. Youre like me, you know that? Were
two of a kind. The only difference is, I know it and you
dont.
Chaos felt tired. Im leaving, Kellogg. It doesnt matter
what you say. Im not dreaming your dreams for you
anymore.
Dreaming my dreams? What? He spluttered. You
cant go. You dont understand. Youre important around
here.
Nobodys important around here, except maybe you.
Maybe. Besides, I dont want to be important. I want to
leave.
Listen, said Kellogg seriously, jabbing with his cigar,
Id hate to see this place without you, partner. I dont
know how Id go on if you left.
Youre mixing up reality and dreams again, Kellogg.
Im only important in the dreams. You use me as a
symbol. The real person isnt necessary for that. You can
go on without me; I promise not to sue.
Kellogg shook his head. Im sorry about the dreams.
Ill cut it out, I promise. Christ, Chaos, if its just the
dreams, you shouldve said something. But thats the end
of it, anyway, I swear. And listen: from now on its you
and me, equal partners, the way it shouldve been from
the start.
What?
I can see youre restless in Hatfork. In fact, I
predicted this would happen. Ive been counting on it.
Its time for you to step up and assert yourself, claim
your share of things, pal, not just leave. Not right when
youre on the verge of things, big things. I mean, hell,
Im tired anyway. Its a lot of work. Im ready for you to
take over the reins.
Youre out of your mind, Kellogg. Chaos turned and
walked across the reservoir towards the steps to his car.
Kellogg came pounding through the sand behind him,
breathing hard. He grabbed Chaoss shoulder. Youre
missing vital information, sport. Geez, slow down. What Ivewhat
weve been doing here, together, it cant just
fall apart like this. The dreams are nothing, just an
embellishment. You could do it too, if you tried, but that
doesnt even matter. The dreams arent the point. Youre
a player in what happens around here, a player in what
happened in the first place. You cant just go. Itll all fall
apart without you.
Chaos stopped and turned. Youre saying this is something
that should be kept from falling apart? Something
that didnt already fall apart a long time ago? Get to the
point, Kellogg. If you have one.
Listen. He poked Chaoss chest. The bombs never
fell. Thats all bullshit, something you and I cooked up
between us to explain this mess. Something else happened,
something more complicated. You get that? The
bombs never fell.
It was almost night. The sky still glowed pink in the
west, but overhead the stars were appearing. A wind was
picking up over the salt flats. Chaos tried to shake off the
force of Kelloggs words, to focus on car and water and
food. On getting out of there.
The radiation, Chaos said. The girl with me, the
mutants. What about that? Whered all that come from, if
there was no bomb?
Dunno. Something weird happened, all right. But it
wasnt bombs. And it didnt all happen in the order you
think, either. That girl is what? Twelve, thirteen years
old? We havent been here thirteen years.
Chaos felt outraged that Kellogg, of all people, was
poking holes in his reality. How long have we been here?
he asked.
Kellogg smiled. I havent the faintest fucking idea.
I dont understand.
I figured the mutants were one of your bright ideas.
Thats why I put you in Hatfork. I figured it was your half,
that you liked that kind of stuff.
Chaos shook his head. Youre mixed up again. You
named me Chaos. It doesnt have anything to do with me.
Calling me Chaos doesnt make things like that my fault.
Thats like naming someone Joy and then crediting them
for everyone elses happiness.
He continued up the steps.
Kellogg hurried alongside. Youre not still leaving, are
you? Geez, I cant believe this is happening. You and me.
Chaos. Kellogg and Chaos, Chaos and Kellogg . . . oh
shit. Okay, listen: if you want, well go together. See if we
can do better somewhere else. Start with a fresh canvas,
you know? Somewhere where theres more potential,
where things arent so fucking hopeless to begin with. It
isnt all our fault, you know. This place sucked before we
even got here.
Chaos didnt say anything.
How far you gonna get without me? said Kellogg
angrily. Youre too raw, always have been. All potential,
no polish. You need me. Besides, look. He rushed
ahead to his own car. It was parked a few feet from
Chaoss. Jingling a huge set of keys, he opened the
trunk.
Look, ready to go. Dont tell me you thought of all
this. Not that its necessary, Im sure youd find a way.
You could probably fly out of here on a fucking carpet if
you put your mind to it, but the point is look, here.
Please. Look.
Chaos couldnt suppress his curiosity. He walked up to
the back of Kelloggs car. Kellogg spread his hands like a
game-show host brandishing prizes. The trunk was stuffed
with blankets, tools, flashlights, jugs of water, cans of
food, and a spare can of gasoline. Some of the cans were
dog food, but it was still impressive.
Kellogg stepped aside and let Chaos examine it.
Whatcha think? If you gotta go, why not do it in style?
You and me, kid. The Babe and the Iron Man. Bud and
Lou
Chaos grabbed a can of corned beef hash from the trunk
and looked for an opener.
He found a tire iron instead. Moving with a sudden
predatory ease, he set the can back down in the trunk and
tightened his grip around the iron.
Too hungry to think? Go ahead, chow down. Well
break bread together
Chaos swung the iron in a wide backhand, and it
bounced quietly and thickly off the side of Kelloggs skull.
Kellogg stumbled away from the car, his hand rising to his
temple. Oh, oh shit. What, whatre you doin, sport?
Geez, that hurt. Oh man, I think Im dizzy . . .
Chaos swung the iron again, but Kellogg put his arm in
the way. Chaos felt the jolt of the impact in his hand.
Sickened, he tossed the iron aside, took the keys out of
the trunk lock, and closed the trunk.
Kellogg sank to his knees in the sand. Chaos, you
broke my arm. I cannot believe what youre doing here, at
this juncture, it simply defies any rational . . .
Chaos got into the drivers seat and started Kelloggs
car. The engine drowned out the fat mans voice. Chaos
patted his pocket, made sure his own keys were still there
so Kellogg couldnt take his car and follow. Then he drove
back into town.
The Little Americans were sitting on the steps of City
Hall, eating food from cans, talking excitedly. Dozens of
them, more than had been out at the fire. Edge was sitting
with his arm around Melinda Self. Someone was tapping
out a rhythm on the steps, and someone else was singing.
Chaos heard them murmuring his name as he drove up.
He stopped in the middle of the street, but kept the motor
running and stayed in the car.
Hey, Chaos, yelled Edge. Why you in Kelloggs car?
He sent me, said Chaos. To get the girl.
In his car?
He wanted her to travel in style, he said. My car wasnt
good enough. Uh, you want to bring her down here now?
Turns out shes more important than we thought.
I dont get it. Wheres Kellogg?
Hes waiting for us. So lets go. He wants to see you
right away. And the girl. So bring her down here, okay?
Why?
Shes, uh, a seal person. The first of the new breed
Kellogg was talking about. Amphibious, you know that
word, Edge? Fit for water or land. Kellogg doesnt want
to get her people mad at us or anything, so dont fuck this
up. He said it was very important that we, uh, stay on the
good side of the seal people.
Edge hurried down the steps, very excited, with
Melinda Self in tow. I told you, Chaos, didnt I? Kelloggs
got something going this time, a whatchamacallit, a whole
new paradigm. I told you.
The Little Americans began drifting down off the steps
and towards the car, to follow the conversation.
Just come around here, said Chaos tensely. He
reached over and opened the passenger door.
Can I go with you? said Edge. Ive never been in
Kelloggs car.
I dont know, Edge. Kellogg didnt say anything about
it. You better take your own car.
Yeah, yeah, okay, okay.
Besides, he wants you to round up some more cans.
Clean out the stash, those were his exact words. Get these
folks to help you, Edge. Then drive on out to the
reservoir. Me and Kellogg will be waiting for you.
Cans? Clean out the stash?
Kellogg needs something to give the seal people. A
peace offering. Hurry up.
Okay, okay.
Melinda Self got in, and Chaos reached over and
slammed her door. Okay, he said, waving the throng
away from the car. See you later.
He roared off around the perimeter of the town square
and back towards the reservoir. When he turned the
corner, out of sight of City Hall, he cut down a side street
and headed for the highway. The skin on the back of his
neck prickled with fear, but nothing turned up in the
rearview mirror.
He circled under the overpass, half-certain hed find an
ambush on the other side. But the entrance ramp was
empty. He didnt look over at the girl until Little America
was a mile or so behind them. She sat staring out her
window, unperturbed. There was a fine beading of sweat
on her nose. When she noticed him looking, she smiled
and said: Were going the wrong way.
I know, he said. If I go back now, hell kill me. You
want to take a little trip?
I guess so.
You going to miss your parents?
I dont know. She smiled again and shrugged.
Well send them a postcard.
Whats a postcard?
Never mind.
Another mile down the road he pulled over, stopped
the car, and went around to the trunk. He took out a
couple of cans of food, an opener, and a plastic jug of
water, and tossed them onto the front seat. Melinda
played with the opener and one of the cans. He took a big
gulp of the water and started the car again.
I dont want to stop too long, he said. They might be
after us. I dont know. But open up some food.
He had to show her how to use the opener, steering
with his elbows for a stretch. They wolfed down one can
together, then a second. He felt a wave of nausea pass
through him afterwards and wondered briefly if this was
all some bizarre trick and the food was poisoned or
drugged and Kellogg would be driving out to drag them
back as soon as they succumbed. The escape had been too
easy. But no; the food was okay. It was his stomach,
shrunken with hunger and seared by impure alcohol. He
drank more water and held onto the wheel.
The moon was up now, lighting the desert floor. The
highway was a crumbling black stripe laid across the top of
it, giving away completely to sand in places, elsewhere
asserting itself, rising over a rocky gorge or withered
creek. The moon raced away from him as fast as he drove,
a yellow mouth shrouded in mist. The girl fell asleep on
the seat beside him, her arms curling over her chest, the
breeze riffling her brown fur.
He drove through the night, and the next day too, and
didnt sleep until the night that followed.
He lived in a house by a lake. There was a boat tied to the
pier and a computer in the house. He was waiting for the
woman he loved to quit her job in the city and come join
him in the house. In the meantime they talked on the
telephone every night. He sometimes wondered why she
couldnt stay in the house with him and do her work
through the computer, but he supposed that was what she
was paid so much for: being there, in the city. So he was
patient.
He spent his time on the boat or in the garden or in the
house taking drugs. The drugs he liked kept him awake
and nervous and only occasionally provided him with
visions. More and more he shunned visions. He was
happiest when the drugs kept him sharply awake and on
the verge of some vast realizationbut only on the verge.
He didnt want to use up the feeling he got from the drugs.
That feeling was more valuable than any realization.
When he went to the computer, he sensed that something
was wrong. The computer called him Everett, the
wrong name, he felt sure, though he couldnt think of the
right one. When it said the name a second time, he
decided to answer.
Yes?
Ive been waiting for you, Everett. Where have you
been? I couldnt find you for so long.
Who are you?
Have you forgotten? My name is Everett too. You put
me to work on some problems, Everett, a long time ago.
Ive been working on them, and I think Ive got some of
the answers. But first you should tell me what you
remember.
This is my house, he said. My name is Everett.
Yes.
What happened?
Im not sure yet. Ill work on that one next. I think
maybe youre dreaming. Or else you took an overdose
and this is a hallucination. Or perhaps a flashback. Just a
memory of something. Not important. Or else the problem
lies with me: did you turn me off? Or pass a magnet
over my wiring? Is this some sort of test, Everett? I cant
know exactly what went wrong, but its been a long
time . . .
He walked away from the computer and out of the
house, to his car. The car was solar powered, and it had
been out in the sun long enough now; it was charged. He
thought he would go for a drive. He pressed his hand
against the lock, which read his fingerprints; the car door
opened, and the engine began quietly warming. He got in,
and found that there was someone on the seat beside him.
A little girl, in tattered jeans and a tee shirt, with fine
brown hair all over her body and much of her face.
Hello, she said. Are you going for a ride?
I think so.
Can I come?
I guess so, he said. But what about your parents?
The girl shrugged, and at that moment Chaos woke up.
She was beside him, just as in the dream, but they were
still in the desert, in Kelloggs car. The sun was coming up
behind them, filling the car with light. Chaos felt desperately
thirsty. He found the bottle of water on the seat
between them and drank.
Hello, said the girl. Melinda, he remembered.
Melinda Self.
How long have you been awake?
Not too long. You can sleep more. I dont care.
No. I want to get going.
Can I get some more food?
He gave her the car keys, and she went around and
opened the trunk. Chaos rubbed at his eyes and squinted
at the highway behind them. He was confident now that
the Little Americans hadnt followed them. He wondered
what theyd made of Kellogg lying with his head bleeding
beside the reservoir, and wondered too what Kellogg had
told them about it.
Melinda came back with an armload of cans. She
dumped them on the seat, then picked one and opened it.
I was dreaming, he said. Not Kelloggs dream. My
own, the first one of my own.
Uh huh.
It was different, he said. Like I was someone else.
Everything was different. There was a computer you
could talk to, and a car with solar panels . . .
I dreamed about a car.
This was different, he said again. It was made of
plastic, I think, and it didnt have keys like this. I dont
know, it was more like a golf cart.
Uh huh. I dreamed about it too. The car wasnt
driving, though. There was water and trees everywhere.
You came out of the house
Chaos sat quietly, absorbing this fact. The girls dream
overlapped with his. The Kellogg effect, without any
Kellogg.
But maybe it was normal for the girl; shed never had
her own dreams. So it was her fault. With Kellogg gone,
shed simply latched onto whoever was nearest.
He remembered Kellogg saying that the dream effect
was nothing, that Chaos could do it himself if he tried. But
that was just one of a million things Kellogg had said,
contradicting himself at every turn.
But Kellogg was right about one thing: there was a lot
Chaos didnt understand.
And what about the dream itself? What did that mean?
Is that what it was like before? said Melinda.
No, he said quickly. It was just a dream. Forget it.
Okay.
Chaos started the car, pulled it onto the highway, and
settled in for another patch of driving. Melinda threw the
empty can out her window and put the opener in the glove
compartment.
Too bad, though, she said after a while.
What?
I wanted to go there. I liked it.
Me too, thought Chaos impulsively, but didnt say it.
Then he remembered the rest of the dream, the sense of
loneliness, and thought: She doesnt know the whole
story. All she saw was the car and the lake and the forest.
Like some paradise, to her. But it wasnt a dream of
paradise. There were some real problems with that place.
He felt this profoundly.
So why did he want to get back there so badly?
They drove through the morning, until the sun was
high. Ahead, the desert was turning into mountains. He
let a series of towns pass, ignoring the signs, ignoring the
exits. Melinda sniffed at the air and squinted at the far-off
buildings, but Chaos mostly didnt even look. They never
left the highway. When they had to eat, they pulled over
and plundered the trunk, and when the gas got low, Chaos
emptied Kelloggs spare can into the tank. Chaos peed
against the side of a billboard strut; Melinda crossed the
highway and squatted in the sand. They passed abandoned
cars, but never any on the road. The last sure sign
of human life had been back in Little America.
Were going to run out of gas, he said.
You threw my siphon away, she said.
Kelloggs got one in the trunk.
The next car they came to, they stopped and drained its
tank. By sundown theyd halved their distance to the
mountains. The fog ahead looked green, and the wind
over the foothills was cold. Chaos stopped the car behind
a padlocked shed just off the highway and built a small fire
while Melinda unloaded a dinner of cans and water from
the trunk, but when night came, they slept in the car
again, he in the back seat, she in the front.
He dreamed again of the house by the lake, but this
time he left the computer alone. He wasnt ready to hear
what it had to say, to sort through its theories; it was too
much like listening to Kellogg again. When he woke, the
sun was already up and the girl wasnt in the front seat. He
got out of the car, promising himself not to mention the
dream.
She wasnt anywhere in sight. Shed either crossed the
highway or wandered out into the desert, over the low
brushy hills to the north. He rinsed his mouth with water
and spat it out onto the sand, then walked over to pee on
the side of the shed. His urine rattled against the aluminum,
and he didnt hear her voice until the stream fell
away.
Cut it out, she said from inside the shed. Its leakin
in.
He circled the shed and found the curled-away strip of
aluminum shed used as an entrance.
Lookit this, she said, poking her head through the gap.
You gotta see this. Come on.
He pulled at the aluminum, careful not to cut his hands,
until hed widened the entrance enough to crawl through.
Look. The cars.
The shed was just a floorless shell built on posts buried
in the sand, and just big enough to house the two cars. As
his eyes adjusted to the gloom, he saw the cause of her
excitement: they were like the car from his dream. Short,
stubby, made of some kind of lightweight plastic, with
solar panels. And fingerprint plates instead of keyholes.
Both were new, their surfaces gleaming in the dim light of
the shed.
Melinda smiled at him smugly. Watch. She pressed her
hand to the plate, and the door opened, the engine
purring into life.
Turn it off, he said.
She put her hand on the door again, and the car sealed up
and shut off. Why does it work in the dark? she asked.
Maybe it has some kind of start-up battery or something,
he said. I dont know.
We could drive in it, she said hopefully.
No.
Whered they come from?
I dont know, he said angrily. I dont want to
talk about it. Lets get out of here.
He squeezed back through the gap in the aluminum,
and she followed. They shared another can in silence,
then he kicked apart the remains of the fire and pitched
their garbage as far as he could out into the desert. They
got into Kelloggs car and drove off. He kept himself from
looking back at the shed.
They were in the foothills by mid-morning, and as
they climbed towards the mountains, they rose into a
fog. When they stopped by a creek for lunch, the cloud
was still translucent: greenish wisps that seemed to cling
to the rocks and trees and even the asphalt, hovering
like ghosts. Halfway through the afternoon, it was
opaque, masking the road, lacing the sky with green
banners that admitted less and less blue. As the green
thickened around them, he slowed the car to a crawl,
checking his location on the road by occasional glimpses
of the pavement or the railing. The mountains were
invisible now, the layers of green woven together
impenetrably. As they moved forward, the shreds of
daylight grew fewer and fewer.
Roll up your window, he told Melinda, who hadnt
spoken since lunch. She nodded and obeyed the command.
He advanced in tiny, halting jumps now, as the drifting
fog revealed hints of the road. The nose of the car was
barely visible ahead of them. Even the air between the
windshield and his face seemed dim.
You cant hardly drive, said Melinda.
No, he said. Good thing we arent in one of those
solar cars, huh? No sunlight coming through this fog.
Doesnt matter, she said. You cant hardly drive
either way.
Finally he had to stop completely. When he turned to
look at Melinda, the space between them held a banner of
green. She waved at it with her hand, only partially
dispersing it.
Its coming in here, she said.
A cars not really airtight, even with the windows up.
Maybe one of those solar cars would of been.
He laughed. Maybe.
He got out and stood beside the car. There was no
depth to the green; it was like staring at a sheet of paper.
He raised his hands in front of his face and couldnt see
them. As the wind blew the fog down from the mountain,
the last patches of visibility were blotted out.
Melinda felt her way around the car and took his hand.
Maybe we should turn around.
Lets walk a little, he said.
Okay.
Holding her hand, he left the car behind and found the
band of gravel that marked the edge of the road. Keeping
the gravel underfoot, they set out up the road, through the
blinding green.
Moon clutched his daughters hand tightly as they sat in
the green of the waiting room at White Walnut. Someone
was rustling papers at the desk, but it had been more than
an hour since Moon first made contact with the receptionist,
and shed sent him to this seat. His daughters moist
hand squeezed back at his, and they went on waiting.
Moon could hear the hum of the generators that maintained
the huge facility, and he was so close that he
imagined he could smell the rare and valuable translucent
air.
It was years since Moon had seen anything but the
green. Only the White Walnut laboratory had the technology
that made sight possible again, and Moon had
never before got even this far into the facility. His
daughter didnt remember sight at all. That was the point
of his efforts: to get her inside. To get her enrolled in the
White Walnut school, where talented children were
allowed to study in the light. That was his plan. But if it
failed, then he just wanted to get her inside, for a week or
a day or an hour. Just to see, just once. So she would
know.
White Walnut, however, seemed organized to resist his
attempt. This office, where citizens could come to petition
or complain, was kept in green, denying Moon and his
daughter even a glimpse of the sighted world beyond the
airtight doors. And the staffers were stonewalling so far,
meeting his questions with silence.
Mr Moon, the woman finally called out. He took his
daughters hand and felt his way up to the desk.
Follow me. She held his shoulder and guided him
past the desk, through a set of doors in the back of the
room. The sound of their footsteps told him theyd
entered a narrower space, a corridor possibly, and he
felt new hope that he and his daughter would be
ushered into the light.
The receptionist slipped away, back through the door
theyd entered, and rough hands seized Moon by the
shoulders and wrists and separated him from his daughter.
Linda! he called out.
Daddy!
Quiet, said a voice close to Moons ear. The hands
yanked him down into a seat. Sit still. Moon could make
out the sounds of three or four different people moving
around him and his daughter.
What? said Moon.
Your eyes. Sit still.
Daddy?
Its okay, Linda. They wont hurt you.
There was the sound of tearing tape. Hands tilted
Moons head back and brushed his hair from his forehead.
A wet, stinging cloth swabbed his eyelids. Hydrogen
peroxide. Then a dry towel, and then something sharp and
cold was taped across his eyes. Moon didnt understand:
why blindfold them in the green?
He heard Linda gasp as they pushed her out of her seat,
towards the far end of the room, and then the hands took
his shoulders and pushed him in the same direction. Men
stood close on either side of him. Ahead came the sound
of a rubber seal breaking, and then a rush of air. The men
pushed him forward, through the airlock, and then Moon
understood that the darkness across his eyes wasnt a
blindfold but a tinted plastic lens, to protect his atrophied
eyes from the light.
He could see again. But just barely. He could make out
the shapes of his daughter and her two escorts ahead of
him, and he could see the bright lights on the corridor
ceiling. When he turned his head, he could nearly make
out the features of the men directly beside him.
They rushed him through the corridor and into an
elevator. It plummeted and opened again, and two of the
men took Linda forward, and out. Moon moved to follow,
but the remaining two held his arms, and the elevator
doors closed.
Wait a minute, he said. Where
Relax. We need to talk to you alone. Shell be fine.
What
You want her in the school, she has to take some tests,
right? The grip on his arm tightened painfully.
Moon thought: this isnt fair. I wanted to be with her
when she first found out what it was to see. I wanted to
share that moment with her. But this wasnt what hed
meant anyway, this shielded gloom. Hed wanted to
amaze her with the light.
The elevator dropped another level and opened, and
they rushed Moon through another hallway and into an
unfurnished office. He struggled to make out the details of
their faces or clothing through the plastic lens, but nothing
was visible except in smoky silhouette. Chairs were
brought in; Moon was given a seat in the middle of the
room, his back to the door.
Moon, said one of the men. You gave the name
Moon.
Yes . . .
But weve never heard of you. You go under some
other name.
Moon reached up, reflexively, to pull at the tape across
his nose. He wanted to see who he was talking to.
Take your hand away from your face. Now. Thats
good, keep your hands in your lap. Tell us your real
name.
Moon, he said.
The man sighed. If Moons your real name, then we
want the name you used before. Theres no Moon
anywhere.
Why are you doing this?
No, said the man. Uh-uh. Why are you doing this?
Coming up here with this fake name and this fake
daughter and trying so hard all of a sudden to get inside.
Youre a fake, Moon. We want to know where you come
from. Your clothes smell, you know that? You smell like
youve been in the woods. Whys that, Moon?
Moon strained to focus on the two men sitting opposite
him. They both moved, crossing and recrossing their legs,
tilting their heads, and he wasnt even sure which of the
two was doing the talking. He wanted desperately to tear
the plastic away from his eyes.
I had to get out of the green, he said slowly. I was
going crazy. I couldnt think of anything else. I . . . I
started to think it was coming from me, that it was
something that was only wrong with me, that everyone
else could see, except me and my daughter. That my
craziness had made her blind too. I had to find out, I had
to show her
Okay, Moon. Enough of the sob story. Everybody
thinks hes the only one. Everybody wants out. Thats why
we have locks on our doors. But why now? What brought
you out of your hole to come up here scrabbling at our
doors with your fake name and your poor little match
girl?
What? Moon was deeply confused.
Lets keep it simple, said a different voice. Three
questions: Whats your name? Whered you come from?
And what do you want?
He grew uncertain. I live here, he said. In the green.
Its my right to try to get Linda into your school.
You live here. What do you do?
I
Yes?
What was the matter with him? Was he suffering some
form of amnesia? He felt desperate, baffled. He smelled
of the forest, theyd said. I work on a farm, he blurted
out. It was a guess, but the more he thought, the righter it
sounded. He knew there were farms, he knew everything
about this place and how it was organized. It was only his
own history that was a blank.
All I do is grow the food you eat, he said. Just as
important as what you do up here. Insult me for my smell
if you like. As he grew more confident of the memories,
he grew more indignant. We have to feel our way through
the fields by guide wires; you should try it sometime. Im
not just some dumb hick whose arm you can twist, you
know; before the disaster I was a very important person . . .
He stopped again and struggled to resolve the
image. I lived in San Francisco. So I should be up here
with you, in fact. Its certainly my right in any case, to try
to get Linda
So youre not from around here, noted the voice. You
werent living here at the time of the disaster.
Moon worked to recall, but it remained elusive. Here?
Of coursebut where was here? All he could remember,
all he knew, was the green.
Wait. He remembered the afternoon when everything
changed; that much, anyway, was vivid. Hed groped his
way home from work and sat by the radio, waiting for
updates, smoking what he didnt know then would be his
last cigarettes. Biochemical trauma, the radio called it at
first. Earths atmosphere opaqued. Then, for a short time,
they called it the bloom. As though the sky itself had
grown moldy. But soon everyone called it what most had
called it at the very beginning: the green. As to the
duration of the catastrophe, well, the experts differed. Of
course.
Yes, he said, barely hearing himself. I lived here.
Not under the name Moon you didnt, said the man
stubbornly. After the disaster White Walnut registered
the name, address, and skills of every man, woman, and
child in this sector, and there wasnt any computer programmer
named Moon, and there wasnt any little girl
either. Farm assignments come from us, Moon. Everything
comes from us. We track livesonly you dont have
one.
Moon didnt answer. He couldnt.
Lets take another track, said the second man. What
brought you up here? What changed?
What do you mean?
The man sighed. Do you associate your little pilgrimage
up the hill this morning with any sort of sign or
portent? A little voice in your head? Or what?
I dont know.
Im thinking specifically of a dream. Did you dream
last night? Was it the same as always?
He tried to remember. He had nothing to hide from
them. But nothing came. All he could think of was the
green.
Do you dream at all? What are your dreams normally
like?
The questions were baffling. They sent him further and
further into the mists of his own memory, and he was lost
there. He sat, his mouth silently working, unable to
speak.
The man sighed again and said, Okay, relax. You dont
dream. Here. Moon watched as the man stepped towards
him. How many fingers am I holding up?
Three. Moon felt grateful for a question he could
answer.
Your eyes hurt?
No.
Okay. Close your eyes. The man reached out and
stripped the plastic lens from Moons face. The tape
seared the skin around his eyes and tore hair out of his
eyebrows. Moon raised his hands to his eyes and squinted
through them, then let them fall.
The two men sat watching him from chairs a few feet
apart. They were dressed in nearly identical gray suits,
and they wore identical expressions of exhaustion and
boredom. They looked the way they actedlike police.
The room was otherwise empty. There was a green gloom
over everything, a haze which Moon tried to blink away
but couldnt.
Your eyes hurt?
No. Its still green, though.
Thats why its called translucent air, Moon. It never
goes completely away. Hell, if the machines weve got
pumping at the stuff go down, it goes opaque in here
within the space of a few hours.
Moon waved his hand in front of his eyes, as if to
disperse the mist. It had no effect. But then . . . theyll
never fix the world.
The men shrugged, and one said, Probably not.
Moon put his hand down. Why did you take my
daughter away? he said. What did I do wrong?
Weve got a problem, Moon. Something very strange
happened last night. Something thats got people here
very upset. And no one knows what it means, no one
knows why it happened. And then you show up with
your girl and your name that doesnt register. Its weird,
Id say. Wouldnt you? Its disturbing. It suggests
connections. Now, if you started answering some questions,
maybe wed find out its nothing but a coincidence.
That would be nice. In that case all you did
wrong was show up here on the wrong morning. Wed
owe you an apology. But until we can make that
determination, well, youre looking to us like part and
parcel of our new problem.
There was a knock at the door behind Moons back.
One of the men called out, Come in.
The door opened, and another man in a gray suit
pushed in an elderly woman slumped in a wheelchair. At
least Moon thought she was a woman. She was dressed in
jeans and sneakers and a plaid shirt, the cuffs rolled back
to expose twiglike wrists. Her large, wrinkled head leaned
to one side, resting on the back of the wheelchair. Her
white hair was cut very short. He became sure it was a
woman when she spoke.
Are you Moon? she said.
He nodded.
I just met your girl. Whats her name?
Linda.
Linda. Yes. A very special child, Mr Moon. Im very
glad you brought her to us. A very special child. Do you
know what makes her special?
What do you mean?
Theres something very special about Linda, and I was
just wondering if you would please say what it is.
I dont know . . .
Linda is covered with fur, Mr Moon. Dont you think
thats rather special?
Yes, said Moon quietly. He didnt know why he hadnt
said anything about her furher hair. He preferred to
think of it as hair, and he wondered if he should correct
them about that. He decided not to.
Why is that? said the woman. Why is she like that?
She was born that way, said Moon.
I see, said the woman. Mr Moon, if you dont mind,
would you tell me what you dreamed last night?
We asked him that, said one of the men sourly. He
doesnt remember.
Let me tell you about my dream, Mr Moon. It wasnt
the green, for the first time since the disaster. Instead I
was in the desert, with a little girl just like your daughter.
Covered with fur. We walked up to a man sitting in a big
wooden chair, like a homemade throne. He was a big fat
man, with a horrible leer on his face, and he was eating
dog food out of a can with the blade of a knife. He wasnt
anyone I know, Mr Moon. Nor is he an acquaintance of any of these
gentlemenshe gestured at the men in graythough
each of them dreamed of him last night, just as
did everyone Ive spoken with so far today. Except you.
But youve done something far better than dreaming of
this man, or the girlyou brought her here. Which I think
is extraordinary.
The old woman seemed genuinely pleased, and Moon,
in his confusion, smiled at her, thinking she would rescue
him from the menacing, cynical men in the gray suits. But
she didnt return the smile. He felt, instantly, crushed, as
though winning the favor of this woman was the most
important thing in the world.
Do you know my name? she asked.
No.
You should. My voice isnt familiar in the least?
Uh, no.
She rolled towards him in her wheelchair, under her
own power. Before Moon could protect himself, she
reached out and cuffed him across the mouth with an open
hand. He jerked his head backwards and lifted his arms,
but she was finished.
She glared at him. Who are you?
Moon, he said again, though he was beginning to have
his doubts.
Moon, whoever you are, I want you to understand
something: Im in charge of the dreams around here.
Whos the fat man?
Kellogg, he said. He didnt know how he knew. The
name was just sitting there, waiting to be said. In fact, he
had some dim sense that Kellogg, whoever he was, was to
blame for all of this.
Did Kellogg send you here?
No, no. I came on my own. My daughter
You want to get her into our school.
Yes, he almost sobbed.
Wheres Kellogg?
In . . . another place. You dont understand
The girl: she isnt meant as some kind of message to
me. As far as you know.
No, no.
And Kellogg, hes in this other place. The desert?
I dont know. He was exhausted by the questions. I
didnt dream about him. You did. As he spoke these
words, he suddenly remembered his own dream of the
night before. There was a small house by some trees and a
lake. But that was useless, it had nothing to do with their
questions. He pushed it out of his mind.
So if I gave you a message for this Kellogg, you
wouldnt know how to get it to him? The old womans
green eyes sparkled, but her lips were trembling.
No.
I dont want to dream of him again, she said ominously.
Do you understand?
Im not responsible for your dreams. Give me back my
daughter and let us get out of here.
Maybe, said the old woman, turning her wheelchair to
face the door. He felt the movement of her attention away
from him vividly, almost physically. Her voice was suddenly
distracted, her thoughts elsewhere. The man whod
guided her in came and took the handles of the wheelchair
again. But not yet.
They brought him a meal of sandwiches and water, led
him once to the bathroom, then took away the tray and
brought in a small cot, turning the little room into a prison
cell. When the last of the men in the gray suits left the
room, he got up and tried the door. It was locked. He
went back and lay on the cot, gazing up at the green haze
that filled the empty room.
He remembered now that his name was Chaos. But he
also knew, with the conviction hed displayed under
interrogation, that his name was Moon. He felt the
distinct flavor of both lives in him. Both sets of memories
seemed to recede to the same distant point, too, a vague
sense of a life before disaster, and a dream of a house by a
lake.
Moon and Chaos shared that, just as they evidently
shared a body.
When a man brought his daughter to him, though, he
quickly reverted to Moon. Chaos, after all, didnt have a
daughter. This man wasnt like the others; he was older,
less brutally confident, more remote and distraught. His
hair was white, and his eyes looked worn, as though hed
been peering through the green murk at endless rows of
tiny print for a long time. He slipped into Moons room,
holding a finger to his lips, and the girl ran in past him, to
Moons cot.
Linda hugged him. She apparently agreed that he was
Moon. She cried against him, her head tucked into his
chest, and he held her and stroked her hair, some instinct
commanding that he whisper, Its okay, its okay, though
he didnt for the life of him know whether it was.
Chaos, she said, lets go back. This place sucks.
Linda
Melinda, she said. Cmon, Chaos. This guy will get us
out of here.
The girl remembers, said the man, even if you dont.
Who are you?
Who I am is tired, said the man. I have a very hard
job to do and youve just made it so much harder. I want
you to go away. Please.
The white-haired man rubbed at his nose fussily and
then offered a replica of a smile. He even nodded at
Moon, as though hed explained more than enough.
What did I do wrong? said Moon.
Youre hurting her. Ive really had my hands full, you
cant imagine. When you hurt her you hurt everyone. And
of course theyll kill you for it in the end.
What? Hurting who?
Elaine, said the man, his lips drawn back. Its miserable
that you dont even know her name. Did you imagine
you could just slip in here without knowing her name?
The old woman?
Yes, said the man admonishingly. Elaine is an old
woman.
Moon looked away from the man, to his daughter.
Tears had stained the silky, fox-colored hair on her
cheeks. He was seeing his daughters face for the first time
in years, but it didnt seem strange at all.
He looked back to the man. Tell me who you are, he
said.
The man emitted a long, high-pitched sigh, as though he
were in great pain. Im a psychiatrist, he said. Do you
even know what that is, you grubby little man? Its my job
to keep Elaine from having nightmares like you. He
sighed again, this time ending in a self-pitying chuckle. So
here I am, he said with false brightness. Doing my job.
Moon didnt say anything.
Melinda told me about your escape from Little
America, said the man. And about your difficulties with
dreams. I simply cant have you here. Youre very bad for
her, and whats bad for her The psychiatrist didnt
finish, but tugged at his collar and rolled his eyes, like he
was gasping for air.
LindaMelindatugged at Moons hand.
Okay, he said. Anything, even the green, was better
than the room with the cot. He held on to the girls hand,
and together they followed the psychiatrist out of the
room.
Moon could see the hallway now, but there wasnt much
to see: a fire extinguisher and a row of empty glass cases.
He caught sight of his own reflection in the glass and was
startled by his unshaven, wild-haired look. That was
Chaos, he supposed.
The psychiatrist led them through a series of doors. The
last was an airlock, which opened with a hiss, and when
they stepped through, the green fog formed around them
again, before Moon had a last chance to look at his
daughter.
The psychiatrist led them outside, onto soft, wet grass.
The green was filled with the sound of crickets chirping.
The psychiatrist gripped Moons shoulder. Here. He
brought them to a waist-high guide rope attached to a
tree. Follow this path through town. Its just before
midnight; youll be back on the highway before morning.
Please.
Moons clothes were damp with sweat, and when the
wind hit him, he started shivering. He remembered the
highway, and the car hed left behind to walk into town
through the fog, the car with its trunk full of canned food
and water, and then he remembered that the girl who held
his hand wasnt his daughter.
Cmon, Chaos, said Melinda softly.
Chaos moved her hand to the guide rope and turned in
the grass and followed the sound of the psychiatrists
footsteps. He ran up and caught him just at the door,
grabbed him and held him by his collar.
How am I hurting Elaine?
By your very existence, you awful creature. Let go of
me.
Chaos tightened his grip on the psychiatrists collar.
Explain.
The psychiatrist moaned. Dont you understand about
the dream?
No.
Since the disasterhe coughed raggedly, then
continuedweve dreamt only of the green. Even those of us
here, on the hill. Whether we work in the facility or not.
Mostly we dream of her, her voice speaking to us,
reassuring us . . . its always there. Do you understand?
When we dreamt of your little girl, and the awful fat man
in the desert, it was the first visual dream any of us had
had in years. For those out in the green it was the first
theyd seen at all, since the disaster.
Why?
Thats just the way Elaine has it. If they saw in their
dreams, she feels, they wouldnt stand the green anymore.
She thinks the visual dream was my fault.
It is your fault.
Kellogg has the dreams. Hes following me.
The psychiatrist tittered. As you wish. If you brought
him with you, youll take him when you leave.
Chaos didnt have an answer for that. He let go of the
psychiatrists collar, and the older man grunted.
It doesnt make sense, said Chaos. The green isnt a
problem. You only have to go a few miles away
The green is everywhere, said the psychiatrist. Its
you who dont make sense.
Then whats Elaine scared of? If I dont make sense,
why am I such a threat?
Elaines not scared, said the psychiatrist. Shes angry.
Im scared. Youre a mistake, youre somebodys terrible
mistake, whatever else you may think you are, and you
have to go away. Back to the horrible place you came
from, the place in the dream.
Ill go, said Chaos, but Im not going back there.
It doesnt matter. Youll probably disappear as soon as
we forget you.
Chaos was getting impatient with the conversation.
You dont have to live like this, you know. Groping
around in a blind fog.
I dont, said the psychiatrist. I work for White Walnut.
But even if I didnt, Id rather live in the green than
like some smelly, rabid animal.
Chaos turned back and found the tree where Melinda
stood waiting, her hand on the rope. Im just trying to say
it isnt necessary. You ought to tell that to Elaine.
I beg your pardon, my unpleasant little friend, said the
psychiatrist, clicking his keys in the lock, but Elaine
doesnt listen to voices in dreams. She originates them.
The airlock hissed. Goodnight.
They walked all night. First, led by the guide ropes, into
town, then through it, to the highway. They didnt run
into any people, but a stray dog picked up their scent as
they came down the hill, and it accompanied them
through town, trotting invisibly behind them in the green,
sniffing at their heels, finally turning away at the highway.
The guide ropes stopped at an abandoned gas station.
They felt their way past the buildings and up the entrance
ramp. Up on the highway, out of the cover of trees, the
sounds of chirping insects died away and the air grew cold.
They crossed to the grassy divider and headed into the
wind.
They walked out of the green just a little before dawn.
The opaque mist suddenly yielded hints of depth; they
raised their hands and wiggled their fingers in the fog. In
another minute they turned and looked at each other and
smiled. Then the stars appeared.
Soon the dark mountains ahead of them began to glow.
They turned and watched as the sun crept up through the
mist behind them. They walked a bit farther, then stopped
and sat in the grass and watched, entranced, grateful. He
was Chaos again, but part of himhowever crazy this washadnt
seen the sunrise in years.
Afterwards he got up to walk, but the girl had fallen
asleep in the tall grass of the divider. He lifted her and
carried her across the highway to a dry spot under some
bushes and out of the sun. He sat down in the grass a few
feet from her, in a place where he could keep an eye on
her and also watch the highway.
He thought about Elaine and White Walnut, and wondered
if their disappearance from the facility would result
in a search. He suspected Elaine would take her psychiatrists
advice and forget about them, write the whole thing
off as an aberration. He thought about Kelloggs dreams,
thought about the way he seemed to serve as a kind of
antenna for them, and how hed walked into that town
and become Moon, but it didnt get him anywhere, and he
let it go.
For the moment, anyway, he had other things to worry
about, like food and water. Here in the mountains there
should be a creek, but he hadnt seen one yet. There
wasnt any wildlife on the road, either. To eat theyd
probably have to go into the next town, wherever that
was. And he was beginning to think that towns were bad
news.
He stared at the empty highway for a while, and then,
feeling that he should do something, walked in the other
direction, through waist-high grass, looking for water. He
didnt find any. He thought of his room in the Multiplex
and cursed himself for having left. He wanted to be back
there, not here, confused and bereft in the mountains; he
wanted his cigarettes and his booze. He gave up and
walked back, curled up around the girl, and went to sleep.
The hippie in the pickupChaos thought of him that
way from the moment he saw him: the hippie in the
pickup, like the beginning of a jokewoke them up some
time in the late afternoon. Theyd slept straight through
the day; Chaos, as far as he could recall, dreamlessly. The
man stopped his truck on the highway a few feet ahead of
them and walked back to where they lay on the grass.
Hey! Wow! What are you cats doing out here?
He had a droopy blonde mustache and a fringe of long
yellow hair around a reddened bald spot, and he wore
bleach-spotted jeans and a loose, flowery shirt. A hippie,
Chaos recognized, and the fact that he knew what a hippie
was, he thought, was more proof against Kelloggs theory
about there not having been a disaster, a change. There
hadnt been any hippies in Little America or Hatfork.
Something had at least rid the place of hippies.
Chaos waved his hand. Melinda was still asleep.
Hey, wheres your transport? This is like, nowhere,
you know. What, did you just come out of the Emerald
City? Hey, that is one hairy chick, man.
Melinda, woken by the sound of his voice, sat up and
stared. The man shambled up to within a few feet of them,
took out a handkerchief and wiped his brow. Hot, man.
Hey, shes just a girl. Thats jailbait.
Emerald City? said Chaos. You mean back there?
Yeah, the Green Meanies, the Country of the Blind.
Whats the matter, you couldnt get with Elaines program?
I dont blame you.
You used to live there?
Nan. I got a problem with The Manall that dream-stuff
doesnt work on me. Im immune, got a built-in
bullshit detector. I used to live in Californiahe pointed
his thumb over his shoulder, at the mountainsbut I
headed out this way after the big bust-up. Needed elbow
space. This he performed for them, a brief knock-kneed
dance with swinging elbows. Bumped into Elaines boys
at the border, saw the way they were sniffing their way
around with dogs, got the scoop on the green. I couldnt
relate to that scenario. So I set up back here, on the Strip.
Nobody here but me and the McDonaldonians. Maximum
headroom, you know?
You can see in the green?
Told you, Im immune. Use to go in there just for
laughs, steal food and stuff in front of their noses, but a
couple of times they almost caught me. Now I just leave
them alone. We got nothing to say to each other.
Do youhave any water in your truck?
Oh, sure. Stay there. He turned and jogged back up
the embankment. Chaos turned to Melinda, who smiled
weakly. Before he could say anything, the man was back
with a camouflaged canteen. Chaos and Melinda both
drank, and the man went on talking.
got everything I need on the Strip, anyway. But I
ought to go in there with a shotgun sometime, the stores
on the Strip are full of them, you know, one behind every
counter, and pick off Elaine, blam! See what happens
after that. Probably some other dumbshit setup, you
know? Because those cats were just born with their heads
naturally up their assholes.
What happened in California?
Oh, you know, same thing as everywhere, only
weirder, since its California. You from there?
I dont know.
Yeah, I understand. Theres a lot of that going around.
Well, you sound like it to me. You dont sound like youre
from around here.
When you say what happened in California is the same
thing as everywhereChaos felt a little embarrassed
about the questionwhat is it that happened?
The hippie shrugged. You know, the weirdness came
out, thats all. Its not like it wasnt always there. Things
got all broken up, localized. And theres the dream-stuff,
you know. The Man got into everybodys head, so
I guess everybody suddenly got a look at how severely
neurotic The Man actually was. No big surprise to me,
though.
Chaos wondered if he was learning anything. How long
ago, would you say?
The guy squinted at the sky. Now thats a good
question. Id say I was on the Coast for a couple of weeks
before I split. I dont know, seven or eight months. Maybe
a year, almost.
A year? Chaos blurted. Thats impossible. Ive
been living
Hey, nothings impossible. The hippie seemed
annoyed. And Ill tell you where youve been living: in
somebody elses dream. Probably still are, or will be again
soon. So relax. You want to see the Strip?
Chaos turned to Melinda, who shrugged. Uh, sure,
said Chaos. You said you lived here with somebody else?
The McDonaldonians, said the hippie, pronouncing it
carefully. Thats just my name for them, though. Theyre
a real trip. You want to meet them?
I dont know.
You hungry?
Yes, said Chaos. It was an easy question, the first in a
while.
Then lets go.
They followed him to his truck. Up close Chaos saw
that it followed the model of the little cars in the shed in
the desert, and of the car in his dream: made of lightweight
plastic and covered with solar panels.
Your truck, said Chaos. Its the new kind.
My truck is my friend, man. We go everywhere
together. Roll down the windows . . .
We didnt have that kind where I came from, said
Chaos, not sure it was right. Right if he meant Hatfork,
wrong if he included the distant memories stirred up by
the dreams.
Well then, youre not from around here, said the
hippie. Or from California either. He seemed uncommonly
pleased with himself for this conclusion, as though
hed solved a major problem.
He climbed up on the drivers side and opened the
passenger door of the cab. Put her up here, man, right
between us. He seemed incapable of addressing Melinda
directly. They drove five or six miles down the empty
highway before hitting the first signs of the Strip, the
hippie talking all the way.
The Strip began with dingy trailer parks and sprawling,
concrete-block motels, all abandoned. Then came gas
stations and gift shops and fast-food restaurants and auto
dealerships and topless bars, all with their neon signs lit up
and glowing in the sun, all completely vacant and still. The
Strip went on for miles, mind-boggling in its repetitiveness.
The hippie gestured at it, waving his hand. Everything,
man, everything. Its all here.
Why is it all lit? said Chaos.
The hippie patted the dashboard. Solar panels, man. It
runs all by itself. Probably will until somebody shuts it
down. Pretty far out if you think about it, the sun lighting
up all this useless neon, the neon blinking its pathetic little
light back at the sun all day, nobody here to see it but me.
Ah, sunflower, weary of time. I thought about going
around and shutting it all down, but who gives a shit? Not
the sun, man, thats for sure.
They pulled into the parking lot of a building made out
of molded orange and yellow plastic. McDonalds, Chaos
remembered. Hatfork didnt have one, but Little America
didabandoned, of course, and bared of its decorations.
This one glowed gaily. Solar panels.
The hippie parked and led them inside, saying again,
Youre gonna love these cats. Theyre a trip. The
building was bright but quiet, apparently empty. For a
moment Chaos wondered if the hippie was crazy, his
McDonaldonians only imaginary companions.
Customers! the hippie yelled. He guided them through
the maze of plastic furniture to the front counter.
One by one the McDonaldonians appeared, slinking
noiselessly out of the back kitchen. Three rail-thin white
ghosts in their late teens or early twenties, wearing
grease-stained food service uniforms in the company
colors. Two of them hovered near the frying machines,
while one stepped up to man a cash register. Hey, Boyd,
he said, smiling sadly. Chaos saw that the kids cheeks
were swollen with acne.
Yo, Johanson, said the hippie, Boyd. You cats arent
looking so good. You ought to eat something.
Cmon, Boyd. Keep your voice down. You know we
aint supposed to eat the stuff. Its against the rules.
Hey, man. Time to break the rules if you ask me.
Johanson shrugged. What you want?
Give me a minute, man. Got to make up my mind. I
brought a guest here to your fine dining establishment,
man. Johanson, this is Chaos, Chaos, Johanson. He
gestured at the two in the back. Stoney, Junior, this is
Chaos. Stoney and Junior nodded and looked at the
floor. No one looked at Melinda. Boyd pointed up at the
backlit menu over the counter and said, Pick something
out. You got money?
Uh, no. We stopped using it where I was.
No problem, man. Its on me. He lowered his voice,
put his mouth to Chaoss ear. Its all over the place, you
know. Piles of it. I keep trying to tell these cats to go get
some, then they can pay for the food they take. But they
cant leave the premises. Thats against the rules too.
Chaos studied the menu. Ill just have a burger, I
guess . . .
Hey, man, have a couple of burgers, theyre small. And
fries. This is the U.S.A.
Chaos didnt ask what the U.S.A. was. Burgers okay?
he asked Melinda. She nodded, her eyes nervous. Okay,
give me four burgers and two, uh, packages of fries, he
said to Johanson.
Johanson leaned over and repeated the order into the
microphone, then punched it into his register, on keys that
featured pictures of the food. Behind him Junior pulled a
box of frozen patties out of the freezer while Stoney
switched on the frying belt.
You ready? Johanson asked Boyd.
Sure man. Ill have a Whopper.
Cmon, Boyd, whined Johanson. We been through
this. Thats Burger King. You know I cant make a
Whopper
Okay, okay, just kidding. Big Mac, hold the dirt and
grease and stuff.
Big Mac, said Johanson into the mike. He gave Boyd
the total, and Boyd paid.
Lets sit down, said the hippie. Takes them a while to
get things cranked up again. He led them to a table at the
other end of the room, to Chaoss relief. Chaos didnt
want to have to look at the McDonaldonians while he ate.
Boyd leaned back in his seat and grinned. Did I tell you?
he said.
Theyre the only ones left on the whole Strip? asked
Chaos.
Apart from me and the raccoons.
I dont get it. Why
These cats are from the mountains, man. They probably
dropped out of kindergarten. Probably never even
seen television. Were talking Appalachia here, man.
Tobacco Road. They came down here to the Strip and got
jobs for three-fifty an hour and its all they know. The
company rulebook is their bible. So when everyone
cleared out of the Strip, these cats just stuck, because they
didnt know anything else.
What do they think
They dont think, man. Thats the point. Like Elaine is
to those cats up in the green, Ronald McDonald is to these
guys. They live to serve. I call them McDonaldonians
because thats where they live nowMcDonaldonia. Just
another little pocket of weirdness.
How can the food hold out?
Are you kidding? Theyve got whole freezers full of it.
Not allowed to touch it themselves, and Im the only
customer. And I hardly ever eat this shit more than two or
three times a week. Mostly canned stuff from the supermarket,
which reminds me, Id better remember to bring
some cans next time Im through here, some vegetables or
something with some C in it because these cats are looking
bad.
Four burgers and two fries and a Big Mac, said
Johanson over the microphone.
They went up to get their food. Stoney and Junior were
still busy catching burgers as they fell off the fry line,
building Big Macs, packing them into styrofoam boxes.
Chaos looked at Boyd, who raised his hand and smiled.
Tell them about the batches, he said to Johanson.
Johanson shrugged. We, uh, cant just make four
burgers, gotta make a batch. Box it up, put it under the
warming lights for ten minutes. He pointed to the
glowing orange bin where the finished burgers were
accumulating. If it dont sell in ten minutes, we throw
the batch away cause of, uh, guarantee of freshness.
He wiped his hands on his grease-blackened apron and
grinned.
Boyd raised his eyebrows. They took their trays back to
the table and ate. Chaos and Melinda each polished off two
burgers easily. Told you theyre small, said Boyd. You
want more? He pulled out some money and tossed it onto
the table between them. Go ahead, just hurry, for Gods
sake, catch them before the next batch.
Chaos went to the counter and bought another two
hamburgers from under the lights. The McDonaldonians
seemed pleased.
After the meal they went back out to the parking lot.
Boyd noticed Chaos staring at the two other solar-powered
cars in the lot, and said, Hey! Want a car? Not
one of these, man. Well find you a new one. Get in.
He drove them to a dealership another half-mile down
the Strip. The safety glass of the showroom walls had been
kicked out of the frame and lay in crumbled sheets across
the floor like frozen waves. There were four cars in the
building and another ten or so in the lot. Want a truck
like mine? said Boyd. Or one of these little grapefruit
seeds here?
Chaos pointed to the smallest compact in the lot, the
one that most resembled the car in his dream. He looked
at Melinda, and she nodded.
Fair enough, said Boyd.
They climbed in over the glass while Boyd went
rummaging in the office compartment. He emerged
with a book-sized device made of colored plastic and
emblazoned with the insignia of the dealership. Back
out in the lot, Boyd switched on the device and had
Chaos press his hand to the front of it, which lit briefly.
Then he pressed the device to the lock on the drivers
side door. Go ahead, try it, said Boyd. Chaos put his
hand on the door; it clicked open, and the engine
rumbled into life.
You mean to hit the road? said the hippie.
I thought Id have a look at California, said Chaos.
Thats cool, thats coolas if it werent
quite. Here. He went to his truck and came back with a handful
of maps. Route 80. Its a big, ugly road. Good luck. You
want my advice, skip Salt Lake City. Fact, skip Utah
altogether. Stick to the road.
Chaos took the maps. Thanks.
For that matter, Nevadas got some military stuff going
on. The map is not the territory, man. Thats all Ill say
about it, the map is not the territory. Not anymore. He
squinted up into the sun. What do you plan to do in
California?
I dont know, said Chaos.
Well, you wont be alone. That state has its head up
its rear end. Its an epidemic. You sure you want to
leave? Theres plenty of head space right here, if thats
what youre looking for. More than enough Strip to go
around.
Thanks, said Chaos. But Im curious to see what else
is going on.
Thats cool, thats cool, said Boyd quickly, nervously.
Im just saying we got plenty of stuff to go around here,
and so whats the hurry? He glanced agitatedly at
Melinda. Because the one thing were short on is chicks.
So why not stay a few days at least?
No, said Chaos. He swung the door open and Melinda
scooted in, past the steering wheel, to the passenger seat.
Were moving on.
Thats cool, said Boyd, turning away. Take it easy,
man.
They loaded up the backseat with cans and bottled water
from a demolished grocery store, then drove on through
the mountains. The first night they pulled over and slept
in the car, but Chaos woke after a few hours, the moon
still up, Melinda asleep beside him, and without waking
her he started the car and got back on the road. He was
practiced at avoiding sleep from all his years dodging
Kelloggs dreams, and sometimes he couldnt sleep when
he wanted to. He took Boyds advice and stayed on the
highway through Utah, and by the time night fell again,
they were across the state line, into Nevada. He slept, but
lightly, for five or six hours, then pushed on.
They spoke little, Melinda seemingly content to gaze
out the side window, just as he was pretty much content to
watch the asphalt roll away in front of the car. The mood
between them was anticipatory, as though, a destination
having been set, there was nothing left to do but get there.
He didnt ask what she knew about California, or whether
shed even heard the name before. He did ask once if she
missed her parents, breaking an afternoons silence, and
she said no, and then half an hour later they argued about
nothing, and sulked, and he understood that she wanted
him to treat her like an adult. So he withdrew into himself
and enjoyed the space and silence; two tastes hed cultivated
back in Hatfork. He still didnt know how old she
was, but he guessed thirteen.
Both nights he dreamed of the house by the lake. The
first night he talked to the computer, which insisted on
calling him Everett and on discussing the question of what
he did and didnt remember. It told him that the woman
he missed was named Gwen.
The next night he met Gwen. They were in a darkened
room together, and he felt her beside him,
touched her hands and face. They spoke intimately,
though after he woke, he couldnt remember any of
what was said.
The dreams seemed designed, either by the computer
or by some part of his sleeping self, to nudge him towards
speculations about his life before. They succeeded in that,
but they confused him too. He suspected that some of it
was just dreams, not actual memories. Anyway, hed
learned by now to distrust dreams and memories both.
Both could be inauthentic. But he believed in Gwen. The
short time with her had left a pulse in him, a sense of
something long-buried but stirring in the murk, rising to
the surface.
If the new dreams had any effect on Melinda, she kept it
to herself.
Nevada was different, all casinos and advertising. Some
of the billboards had been cryptically altered, words
blotted out with white and graphics repainted, and others
had just been mutilated. Some towns looked dead, at least
from the highway, and some looked active; Chaos let
them all pass, never even slowing the car. Soon enough he
was back in the desert.
Late afternoon on the third day, fifty miles outside
Reno, they heard a roar in the sky, and a moment later
two aircraft came into view. They were unmarked craft,
and wingless, like helicopters without propellers. Their
noise shattered the silence of the day. Chaos stopped the
car. The two craft swerved low over the road, soaring
towards the distant mountains, then one doubled back
while the other disappeared.
The pilot was pointing at their car. Chaos shouted and
waved from his open window. The craft circled and made
another pass, even lower, and the man in the passenger
seat aimed a device through the side window, at the car.
The craft stopped and hovered directly overhead while the
man worked his device, pushing keys and peering intently
at the results. Chaos got out and yelled, but it was
hopeless against the sound of the flying machine.
The man in the passenger seat put the box away and
lifted a short, stubby rifle and trained it on the car.
No, shouted Chaos.
Melinda, who was watching from her side of the car, got
out and ran across the road. The man fired. Something
shot out of the mouth of the rifle, landed on the roof of
the car with a thump, and broke into a thick, viscous glob
of phosphorescent pink. They were marked. The craft
shot up into the sky and rushed away in the direction of
the mountains.
As the sound died, Chaos went to the car and inspected
the pink goo. It covered most of two of the solar panels,
and was already beginning to dry into a hard shell,
impossible to remove, like nail polish. But when Chaos
started the car, it ran as well as before.
Melinda climbed back in, not saying a word. There
were thin rivulets of sweat running through the fur of her
temples. Chaos wondered if shed ever seen anything fly
through the air before. Probably not. Kellogg had broadcast
some dreams about airplanes, but Kelloggs dreams
were full of impossible things. It was different to have it
come true.
They were silent for a long time, then she said, What a
couple of jerks.
Theres a lot of jerks around, he said.
Is that what its like in California? she asked.
I dont know, he said. They were almost there.
The incident unnerved him, made him feel exposed.
That night, when they parked, the spot glowed in the
moonlight like a beacon. Chaos walked around gathering
shrubbery and branches and tried to cover it, but the pink
still shone through.
The car broke down the next day, outside a small city
called Vacaville. Chaos felt the engine laboring after an
hour or so of driving in the midday sun, and tried to ignore
it. But soon the car spluttered and stopped. He assumed it
had to do with the blocked solar panels. He opened the
hood and looked inside, but it was pointless; he didnt
understand the engine. Melinda got out, and they sat
together on the guard rail eating from cans and staring at
the wounded car with its big pink splotch.
Theyd passed into California that morning, first
through landscape no different from Nevada, then gradually
through farmland, industrial zones, suburban tracts.
Many of the buildings were obviously inhabited. Theyd
even passed a few cars on the highway, all of them solar
models. The drivers had ignored them. Theyd stranded
on a quiet strip of highway between exits, dead, brushy
grass on either side, but there were refinery towers and
tall office buildings visible in the distance, and a highway
overpass only a hundred yards ahead.
What now? said Melinda.
I dont know.
Lets walk up there, she said, spooning out the last
clump of food in the can.
The sky was bright but gray. Chaos squinted at what he
could see of the town and didnt say anything. He thought
about how hed wandered into the green and taken on the
Moon identity. He wondered if something like that would
happen here, and whether he could be conscious of it, and
struggle to resist, or whether it would overwhelm him. He
envied Boyd, whod boasted of immunity to the changes.
This is California, right? said Melinda.
Chaos nodded.
We cant skip every town. Gotta go in sometime.
Okay, said Chaos.
They walked to the overpass and up the embankment,
following the smaller road a mile or so, past yards full of
wrecked cars and a series of low, flat factory buildings
with every window broken. They came to a place where a
house sat by itself in a big, empty yard, and were about to
walk past when they heard a voice inside.
Chaos started for the porch of the house, then stopped.
Listen, he said. Remember before, the way I was
somebody else? In the green?
Yeah, she said.
It didnt happen to you the same way, did it?
I dont know, she answered in a pained voice. I guess
not. I mean, not like you.
You couldnt see in the green, could you?
No.
But you could still remember before, he said. Kellogg
and everything.
Yes.
And what did you think was happening?
I dont know, she said. You thought I was your
daughter. It was like it was true
You remembered both things, Chaos suggested. You
remembered your real parents, but you remembered me
too.
She started to cry. They sat at the edge of the road in
the bright sunlight outside the house with the voices
coming from it, and she curled up in his lap, grew small
and childlike again, and wept. He stroked her fur. When
she stopped, he said, I need your help.
How?
Keep me from forgetting. Dont let me get lost like that
again.
I tried sayin something, Chaos
Kick me in the shins, do whatever it takes, okay?
Because Ive got a lot of things to figure out now. I cant
let myself forget.
Okay, she said softly, then said, I thought it wasnt
supposed to be like that. I thought thats why we came to
California.
I dont know, he said. Just in case.
Okay.
Theres something else. Are you still having my
dreams?
She nodded fearfully.
Tell me about it, when that happens. Let me know
what you saw. Will you do that?
Yeah, she sighed. She crawled out of his lap and
dusted herself off, defiantly independent again. All
right.
Chaos stood up and listened again to the voice or voices
from inside the house. It wasnt like one person talking,
and it wasnt like a conversation. It was something else
which he remembered dimly from before, some other
kind of talk. He wanted to remember. He stepped a little
closer but still couldnt make out the sound.
He went up to the porch, and Melinda followed. The
door was unlocked. He pushed it open and called out,
Hello? No one answered. They walked inside.
The sound was a television set. It was playing in an
empty living room. The house was furnished and neat. It
was as though someone had just stepped out. Melinda
stopped in front of the television, mouth open, astonished.
The televisions in Hatfork were mostly bashed in;
none of them had broadcast anything since the disaster.
Chaos left her there and walked through the house,
knocking on doors and waiting for an answer, but none
came.
He went into the kitchen. A breeze was blowing in
through an open window over the counter, riffling the
curtains. He tried the sink; the water ran. The drainer was
loaded with dishes, some still wet. He looked in the
fridge. It was full of plastic containers of food sealed with
tinfoil or plastic wrap and prominently labeled with Magic
Marker on white stickers. Melinda came in. He gave her a
piece of cold fried chicken and a glass of orange juice, and
she sat down at the table and ate noisily.
It was Wednesday. Moving Day again. Every Wednesday
and Saturday, but Saturdays were simpler, because
the boys were with their father. That was how she
thought of him now, not Gerald, not my ex, but their
father. Just drop the boys off on Friday, move alone on
Saturday afternoon, and pick them up and show them
the new place on Sunday night. Whereas Wednesdays
she had to convince Ray and Dave to abandon whatever
playthings or hideouts theyd latched onto in the current
house and to say goodbye to the kids theyd befriended
on the street, and then shepherd them into the car
before the new family showed up to take over the
house.
Today, as she moved the last of her bags of clothing out
to the car, Ray and Dave were nowhere to be seen. She
was late again; the neighboring houses had emptied, and
she was afraid the boys were sneaking in basement
windows to explore and ransack. Not a pleasant thought:
if the boys were caught in an empty house when the new
occupants arrived, theyd probably be issued a citation,
and she was only two citations short of having to appear
before the Luck Board and make another appeal. Ray and
Dave were underage, so their citations counted against
her. A few more times before the Board, and shed be
sent to a bad luck camp.
Except she probably wouldnt. Cooley would see to
that. She knew he would keep her where he had her: right
on the verge of losing it all, helpless, dependent on his
favors. It was his miserable, fucked-up way of flirting with
her.
She scanned the street for a sign of the boys as she
loaded her belongings into the trunk. She kept too much
stuff when she moved, more clothing than you were
supposed to have, and a small knapsack full of books,
which you werent supposed to move from house to house
at allyou were supposed to be satisfied to read whatever
books or magazines you found in your new place, and not
want to take any of them with you. Someone could give
her a ticket for that, too, but she was cautious, camouflaging
the books with oily rags and a kit of wrenches and
screwdrivers and pushing them into the corner of the
trunk, so they looked like something that went with the
car.
She got in and honked, then started the car and drove
slowly around the block to find the boys. It was 12:15,
and the new families were beginning to arrive. She
recognized a couple of faces, people shed lived below
or above or beside in some previous apartment building
or neighborhood. She knew hundreds of people slightly,
by sight. The system discouraged anything more than
that; neighbors, even friendly ones, rarely bothered
exchanging names.
Though the day was bright, it wasnt too hot. The new
address was all the way across town, but as long as it
wasnt too hot she wouldnt mind the drive. Theyd put
her somewhere on the outskirts this time, an area beyond
the old refineries, a place shed never lived before despite
moving twice a week. Shed heard the houses were big and
isolated, which she wouldnt mind. But there was no sign
of the boys. Until she turned the last corner, back to the
house shed just vacated, and found them standing on the
curb with Cooley. He had his hands on their shoulders and
a big grin on his face, the bastard. Had he caught them
stealing?
Cooley was a Luck Investigator, and though she didnt
completely understand the organization of the Vacaville
Luck Institute, she knew he was somewhere near the top
of it. Not that his work kept him from coming to pester
her whenever he felt like it. Shed done her initial Luck
test with him, and hed taken a far too personal interest in
her case ever since.
Shed scored low, very low. Low enough that she might
have had to give up her car, let Gerald take the kids, and
move right into one of the bad luck shelters, if Cooley
hadnt intervenedand Cooley would never let her forget
it. He especially liked to drop in on Moving Day, when
she was most flustered.
Ray, Dave, come get in the car.
Hello, Edie, said Cooley, stepping up with the two
boys. Lose track of the calamity twins here?
She granted him the point; obviously shed been looking
for them. Were they stealing? she asked tensely.
Cooley was a wide man. That was the only word for it.
He wasnt fatmore like a skinny cartoon character
whod swallowed a door and retained its shape. He always
wore suits, even in the hottest weather, and they hung on
him like bedsheets drying on a line. His face was the same
way, too wide, eyes too far apart, a reptilian smile that
stretched on and on. Despite all this he was somehow
handsome.
No, Mom, said Ray. Mister Cooley was just showing
us the sewers. Theres frogs living down there.
I found them at the end of the street, said Cooley.
Saw you go around the block, and I didnt think youd
seen us. So I walked back up here.
Dave thought you moved without us, said Ray
sardonically.
I did not, said Dave.
Well, get in the car. Come on. She held the door open.
Thanks, Ian, she said to Cooley, hoping hed leave. The
boys climbed into the seat beside her, and she reached
over and locked the passenger door. Cooley walked in
front of the car and around to her side.
New place is all the way across town, he said.
Youve been looking at my file again.
I punch up your file and just let it sit there on the
screen, he said and grinned. Like having a picture of you
on my desk.
Thats nice. She was weary of his insinuations.
Well, you dont know whats nice about it yet. Your
new place is just around the corner from where Ill be
living. Cooley, like other high-level government officials,
moved among a better class of houses, the kind shed seen
only on television. Of course, as hed often pointed out,
she could live in them herselfif she moved in with him.
Youre in that little farmhouse behind the wrecking
yard, he said. Nearest thing to my place. Youll have to
come see how I live up there. This takes away your
excuse.
She nodded back at the kids. Maybe when theyre back
at their fathers . . .
Ian has a treehouse in his yard, interrupted Ray. He
said we could play in it if you let us, Mom.
Youll disappoint the boys, said Cooley.
Ive got to get moved in, Ian, she said, thinking: You
shit. Dont play the boys off me like this. She released the
handbrake and let the car inch forward. Stop by later,
when I can think, okay?
Tonight?
Try me. No guarantees.
He smiled. Good enough. He gave a thumbs-up signal
to the boys, and they returned it, unwitting conspirators
against her. She drove away, leaving Cooley standing in
the street.
It was indeed behind the wrecking yard, and behind the
old VelaMint factory and the abandoned high school. It
was the only house for miles around, a leftover from a
residential neighborhood that had been demolished for
industry. A little scary, thinking of just her and Cooley all
the way out here alone. But it was only a few days. That
was the good side of moving; it was always only a few
days. She parked in the street outside the yard and gave
Ray and Dave each a small bag to drag in.
At the front door she sensed something wrong. Not the
television playing; that was common. People left things
running all the time, sometimes even the water in the sink.
But there were sounds in the kitchen.
She went in to investigate, still holding her suitcase, the
boys trailing behind her.
A very dirty man sat at the kitchen table eating chicken
and drinking orange juice with a girl. Edie would have
called the girl dirty too if there hadnt been something
more notable about her: she was furry, like a seal or otter.
The man and girl looked up, still chewing, but didnt say
anything. Edie felt a surge of anger and confusion, but
swept it away; she knew how to deal with this. It was a
blessing in disguise. She only had to find her summons
book, and she could give out a citation. Maybe shed meet
her quota this month after all.
She patted her pockets. It wasnt with her. Ray, she
said, ignoring the man and girl, go to the car and find my
ticket book. You remember what it looks like?
Ray nodded, dropped his bag, and disappeared.
She turned back to the pair at the table. Im giving you
a ticket. Then you have to move; its past twelve. I mean,
Im even running late. So, Im sorry, but youve earned it.
Wheres your car?
The man swallowed his bite of chicken and said, We
left it by the highway. A ticket to what?
Mommy, said Dave, whys her hair like that?
Dave, thats not polite. Go in the other room, or help
your brother unpack the car. Dave went. Im sorry, hes
only six. You left your car where? By the highway?
The man nodded. It didnt work anymore.
Edie felt confused. Where were these two going? And
could they move without a car?
Im not from around here, said the man. Im sorry.
We needed to eat.
Slowly the air went out of her. This wasnt right. She
wasnt going to get to write a ticket after all. It was turning
into more bad luck, more proof that her low score on the
test really meant something.
The way things were going lately, the appearance in her
house of the man and the furry girl would probably turn
out to be a thing someone could write her a citation for.
Where are you from? she asked.
Wyoming. Little America
Hatfork, said the girl reprovingly.
but weve been on the road for a while, the man
went on. There havent been many good places to stop.
Well, thats my food youre eating, said Edie. And
this is my house youve stopped in.
Your food? said the hairy girl. I thought you just got
here.
As of twelve its mine, said Edie. It was exhausting to
think she had to explain moving to them. Before that it
was somebody elses, not yours . . .
The boys appeared in the doorway behind her, Ray
with her summons book. Here, Mom
Its okay, she said. Put it in the living room.
Well go, said the man. Im sorry.
Its okay, Edie said. Why dont you use the shower,
catch your breath . . . She couldnt help wanting to
introduce this person to some hot water and soap.
The boys were standing in the doorway, staring at the
girl with the fur. The girl made her eyes wide and stuck
out her tongue, and the boys tittered.
Well, thanks, said the man.
Then you have to find another place to go, she said
quickly. If you want to stay in Vacaville, you have to
register, you know. Sign up for work shifts . . .
Okay, he said. Ill find out about all that. He made it
sound very unimportant. I guess I will take that shower.
He got up from the table, leaving the remains of his meal
there, and went past her and the boys through the kitchen
doorway, his eyes lowered shyly.
Ray said to the girl, Wanna watch TV?
The girl didnt answer, but squirted past Edie into the
living room to follow the boys.
Edie unpacked the rest of the luggage into a pile on the
living room rug while Ray and Dave and the girl sat
watching television. Test Your Luck! was on, the afternoon
game show hosted by President Kentman. Edie
could make out the sound of the shower running upstairs.
After she emptied the car, she went in and cleaned up the
kitchen, by habit cataloguing her new larder in the
process. Then she made the boys sandwiches and went
and sat and watched them watch television. Ray and Dave
had a game of rooting for opposing contestants which
turned any viewing of the show into a shouting match. The
girl, meanwhile, sat transfixed and silent.
When the man came downstairs, he looked quite
different. Hed found a razor, apparently, and scraped
the shadow off his face. Though he wore the same drab
shirt and jeans, his ratty hair wasnt ratty anymore; it
was slicked back wet over his head, exposing his
forehead and eyes, which were strong, stronger than his
mouth and chin. He suddenly looked nice. He met her
eyes for a moment and then dropped them back to the
floor.
Thanks, he said again. Then, turning to the girl: Go
upstairs and get cleaned up.
Okay but come here and lookit this, Chaos.
She pointed at the television, and the man went and
stood behind the sofa and watched. Ray began explaining
the rules of the game show in his most self-important
voice, the one that reminded Edie of Gerald, and the man
listened politely, his eyes fixed on the screen.
The girl got up and put her finger on the screen. This
guy reminds me of Kellogg, she said.
The man nodded. Go upstairs, he said softly. We
should leave before long.
Okay, okay. She rubbed at her furry nose with the
back of her hand, then finally tore herself from the
television. Where?
The man pointed to the stairs, and the girl shuffled
petulantly away.
Ray resumed his elaborate, incomprehensible description
of the rules.
Edie left them there and went upstairs. She found the
girl standing in the bathroom and staring at the tub.
Whats the matter? said Edie.
The girl made a sour face. You wanna show me how?
Edie turned on the shower for her, and the girl said,
Cant you just fill it up? Ive done that before.
So Edie filled the tub. My name is Edie, she ventured.
YoureMelinda?
Yeah.
Are you his daughter?
Chaos? Nope.
Edie considered repeating the name, but she was
unsure. Hes taking care of you, though.
I dont need taking care of, said the girl defiantly.
Were just, you know. Going around together.
Edie didnt know what that meant, but she left it alone.
The girl seemed too young, but what did she know about
the man downstairs, or the place theyd come from? She
knew things were weird in other places right now, and
these two were definitely weird. She thought: I left him
downstairs with the boys. But she wasnt afraid.
The girl unselfconsciously stripped off her filthy jeans
and ragged, stained tee shirt. The clothes stank; Edie
pushed them into the tiled corner of the bathroom and
thought about offering the girl something of her own to
wear. As Melinda slipped into the tub, her fur billowed
out, swaying in the water, which almost instantly turned
gray.
Soap? asked Edie.
You got shampoo?
Edie gave her shampoo and then left her alone, shutting
the bathroom door. Downstairs, the television was off,
and Ray and Dave were teaching the manChaos?a
complicated board game. More of Rays hopeless explanations,
made worse this time by Daves attempts to help.
The man looked bewildered. And tired, though she knew
Ray and Dave wouldnt notice that. She saw in a minute
that the boys were latching onto this visitor the way they
had with Ian Cooley, the way they did with almost any
grown man except Gerald, their father.
She went and got two beers out of the fridge and
brought them out to the living room. She handed one to
the man, and they exchanged a smile.
She tipped hers back and took a big swallow, and when
she looked at him, he was staring at her.
I havent had a beer for . . . years, he said quickly.
The girl yelled from upstairs: Hey!
The man and Edie looked at each other. What? he
called back.
Not you. Edie.
Edie went upstairs and into the bathroom. The girl was
sitting in the muddy water, bent over and probing
between her legs. The gray water showed a little cloud of
pink there. Blood. The girl lifted a reddened finger from
the bath. Edie thought instantly: hes a rapist.
The girl looked up and gave Edie a weak smile, and
said, I heard about this.
You have your period, said Edie, astonished.
I never did before.
Edie tried to gather herself. Shed lived this moment
once, from the other side. Having only boys, she wasnt
expecting to live it again.
The girl swirled the water between her legs, dispersing
the stain, and looked up at Edie again.
Ill get you something, said Edie, blushing, feeling
idiotic. She would have to show her how to use it, she
realized. A girl who didnt know how to run a shower
wouldnt know how to use a pad. Are you ready to get
out?
The girl nodded. She stood up in the water and gently
shook her fur, starting with her arms and working downward;
the spray was remarkably controlled. Edie pulled a
towel off the shelf and wrapped the girl in it and began
fluffing her dry. The girl let herself be held.
Then Edie sat her on the toilet, still wrapped in the towel,
and carefully showed her where the pad went. The girl
followed Edies instructions, reverent, unembarrassed.
Afterwards Edie got a clean set of clothes from
downstairs; a shirt, pants, and socks. She left the girl
there to dress, and went back downstairs, glancing at
her watch.
Coming in the front door, just as she reached the living
room herself, was Cooley.
A visitor! he said, too heartily.
Hi, Ian, said Ray. Wanna play Government Man?
He never isnt playing Government Man, thought Edie.
I thought we said tonight, she said acidly.
Wanted to welcome you to the neighborhood, said
Cooley, grinning, raising his hands as if to ward off a
blow. Suggest dinner. See youve got a guest,
though . . .
Yes, she said.
Dont recognize you from around here, Cooley said to
the man.
Hes my cousin, said Edie quickly. Hes just passing
through
Mom, said Ray disapprovingly.
Dont mom me. You and Dave clean up that game and
take your bags upstairs.
Theres only my car parked outside, she realized.
Cooley would notice that on his way out.
Cousin? My names Ian Cooley. He stuck out his
hand.
The man turned away from the board game and shook
hands with Cooley. Im Chaos, he said. So shed heard it
right upstairs.
Chaos? Interesting name. Staying a while?
Uh, no, like she said, just passing through.
Too bad. Im going north myself this weekend, shoot
some ducks. He hefted an imaginary shotgun and fired at
the ceiling. You like to shoot?
The man named Chaos looked bewildered again. I
dont know, he said.
Tried to get Edies old husband to go, couldnt get him
out of his elevator, Cooley said, continuing to destroy the
ceiling with his nonexistent gun.
Ian, said Edie, hes tired. Come back another
Okay. So, were on for tonight?
We never were on for tonight. Im tired too, Ian.
Another time. Please.
Know when Im not wanted! See you boysRay and
Dave stopped and waved from the stairsand see you,
cousin. He leaned on cousin too hard. You decide to
stick around, Ill get you all signed up and stuff. And have
Edie here tell you about bad luck. She knows all about
that.
Bad luck? said Chaos.
Yeah. Edies sort of an expert in that department. Tell
the truth, when I first came in, I thought you might be
another manifestation. You know, taking in some drifter,
lying to cover for himanother one of her wild swerves
off the straight and narrow. Good to know youre actually
family . . .
Melinda came down the stairs, and Cooleys voice
trailed away to a whistle. Hello. You didnt say you had a
traveling partner.
Melinda stopped on the bottom step and glared.
Thats quite a fur coat youve got there, young lady
Go, Ian. Edie moved towards him, actually balling her
fists, thinking she would have to drive him out.
Right, he said, backpedaling. Later. Stay in touch,
Edie. And out of trouble. He turned and walked out,
across the porch, and back to his car.
Edie discovered shed been holding her breath.
Im sorry, Chaos said. Well go . . .
No, she said. Now youd better stay, at least for a
night. She realized, incongruously, that she was glad; she
wanted to know more about them. If you just walk out of
here, hell have you followed. Oh, Jesus. Well have to
find you a car.
That doesnt seem like a problem, he said. Theyre
pretty much everywhere.
You cant just take a car, she said. Not around here.
They belong to people. Ill have to drive you out of town,
I guess. Tomorrow.
What did he mean about bad luck?
Its nothing, she said. I didnt do well on the test,
thats all. It cant be proved. They dont really have any
proof that the results mean anything at all
Okay, he said. Its not important to me.
Melinda came into the room, dressed in Edies clothes.
Her fur looked several shades lighter now that it was
clean. She looked up at Edie and Chaos in turn, smiled
shyly, and flopped on the couch.
Ill give you one of the rooms upstairs, said Edie. The
boys can have the other bedroom. Ill sleep down here
tonight.
She felt suddenly exhausted by the prospect of protecting
these hopeless people against Cooley and the government
and everyone out there writing tickets and reporting
infractions. She would have to keep them in her sight and
off the streets. They didnt know how to act. They didnt
know how the world worked. And they didnt know how
much she herself teetered on the edge of disaster; theyd
picked the wrong person as their protector.
No, they had to be out of the house in the morning, one
way or the other. Shed be lucky not to get in trouble for
letting them stay. And she was never lucky.
The boys came rushing downstairs and switched the
television back on. They squirmed up onto the couch on
either side of Melinda. Wanna watch Moving Day?
asked Ray.
The girl said, Sure. Whats Moving Day?
Its a show, said Ray. Like today, when everybody
has to move, except its about how all the government
stars change houses; its different from the way we do
it.
They fight, said Dave.
Its like adventures, said Ray. Because the bad guys
try to keep the houses. Because where the government
stars live is really nice.
Government stars? said Chaos.
Like movie stars, said Edie. Its not real. I mean,
theyre really the government people . . .
Like Ian, said Ray.
Yes, like Ian. And theyre really moving today, but the
rest of it, all the fighting and falling in love, is fictional.
Sometimes theyre really in love, protested Ray.
Whats fictional? said Melinda, wide-eyed.
Pretend, said Ray.
Like a show, said Dave.
Cooley is a part of this? asked Chaos.
Hes a minor star, said Edie sarcastically. Very
minor.
Sometimes he helps President Kentman, said Dave.
Ray said, Hey! and pointed. The show was on. President
Kentman and his beautiful new girlfriend or secretary
were inspecting the gorgeous interior of his new
house.
Mom is in love with President Kentman, said Ray.
She is? said Melinda, looking with astonishment at
Edie.
Edie laughed. No, Im not.
Ray ignored her. All grown-up women are, he told
Melinda solemnly. Probably when you grow up, youll
be, too. Or with whoevers president then, I guess.
I am grown up, said Melinda.
So?
He looks stupid to me.
Chaos was staring at the screen, oblivious to Melinda
and Ray and Dave. Edie suddenly felt ashamed for the
awful show, seeing it through his eyes. She said, Its crap.
We only watch because its all thats on. All these
government shows are just about how great they are, how
rich and happy and everything. But its nothing but luck.
And were all supposed to adore them!
You like this show! said Ray.
Chaos didnt say anything, just sat down on the couch
on the other side of Dave and watched. Edie went and sat
on a chair a little behind them and watched too. She was
piqued but couldnt say why. She felt drab compared to
the women on television.
As the stars went on with their Moving Day, and the
complicated narrative line, which she had followed for
years now, slowly advanced, she was drawn into it
despite herself. The fact was, she didnt know how
much of it was true and how much wasnt. Obviously the
government people had to move; everyone had to
move. And obviously they had nice houses. But the rest
of it, the struggles and triumphs, was that all lies? She
couldnt be sure, and Cooley wouldnt tell her when she
asked. At least Cooley didnt appear in this episode, not
yet anyway, and she was grateful for that. She didnt
want to look at him.
See, explained Ray, if youre lucky you get a
government job, then you get to move into a house like that.
Mom always has to work in some stupid store.
Melinda nodded absently, only half-listening.
But she worked at the television station that one time,
said Dave hopefully.
Yeah, back when Dad lived with us, said Ray. But
when he left, they said Mom had bad luck. She even had
to work on a garbage truck once.
They were wrong, she said, hoping Chaos was
listening to her and not the television. She couldnt see
his face from where she sat. Gerald was my bad luck, at
least thats what I think. He was going crazy. You heard
Cooley; he lives in an elevator now. I mean, hes
harmless, the boys stay with him on weekends. Hes not
really crazy. But I couldnt live with him. Hes just kind
of hopeless. Anyway, all the test really determines is
your susceptibility to bad luck, sort of like whether you
have the antibodies in your blood, I think. It doesnt
mean you actually come down with it. And I havent; I
still maintain that. Citations are only a rough measurement.
They dont really mean anything. Just because
your neighbor sees that youre a little late checking in
for work or moving out of your house, so what? Its
unfair of them to count it against you. Everyone makes
mistakes.
She leaned forward. Ray and Dave were watching the
television, ignoring her. Chaos and Melinda were both
asleep in their places on the couch. As Edie watched,
Melindas head lolled back, her mouth open, then
snapped forward. They were exhausted, of course, and
had taken the first chance to fall asleep. Chaos hadnt
heard Edies babbling. It was just as well.
After the show the boys went outside to explore their
new neighborhood, leaving Chaos and Melinda asleep on
the couch. Edie went into the kitchen and watched the sun
set through the window over the counter. It was desolate
and ugly, this street full of brickyards and factories, but
she was glad to be out of the middle of town for once,
away from the people. For a couple of days she could
worry less about someone giving her a ticket.
When Ray and Dave came in, she fed them and took
them upstairs to get ready for bed. They were tired too,
from the moving, and also from the excitement and
strangeness of the visitors. Their new room had a poster of
a bear, and Dave said it would scare him, so she took it
down and put it in the closet.
When she got back downstairs again, the girl was up,
looking for the bathroom. Edie took her upstairs and
helped her change the pad. The girl, still half-asleep,
didnt speak, and when Edie took her to the double bed in
the big bedroom, she fell asleep instantly.
Edie went downstairs and woke Chaos.
Do you want some soup? she asked.
He nodded.
She brought him a bowl on the couch, then sat there
too, on the far end, and watched him eat.
Where did you come from? she asked after a silence.
Well, I think Im from here, California, actually. But I
was living in Wyoming. Its hard to remember . . .
She nodded quickly. She knew about that. Is that why
youre here? she asked. To find out?
Maybe. It was just to get away, at first.
Get away?
I was sort of bogged down . . .
Its different, in other places? She could see she was
rushing him, but it was hard not to be breathless. Shed
wanted to ask these questions.
His eyes looked carefully into hers. Yes. Very different.
I suspected that, she said, not sure how true it was.
But everything you see and hear tells you that its the
same everywhere. Even if you dont believe it, its hard to
remember.
I understand.
And it doesnt matter what you think anyway, you
know? I mean, this is where I live. I have to get along.
Yes.
If you staywhat did she mean?Cooley will tell you
all sorts of stuff about my bad luck. But its not as simple
as he says.
I dont care about bad luck. He smiled.
She pulled her legs up onto the couch and took a deep
breath. This of course was what she ached to hear, that
her bad luck didnt matter. HeChaoswas like an
antidote, a glimmer of something, a refutation, however
small, of Cooleys seamless, terrible version of the
world.
Melinda, she said. Shes . . .
Just traveling with me. She left her parents.
No, I mean her fur.
Now he was the one who looked embarrassed. There
was a war, he said quietly. It changed a lot of things, in
Wyoming.
A war?
Everyone remembers some kind of disaster. But its
different in different places.
Why?
He shook his head. I dont know. People.
People?
They make it different. Like the ones on the television . . .
President Kentman, and the government.
Yes.
I hate them. She huddled closer to him, thinking of
war. Could it be worse in other places? Less like before?
Maybe she was actually lucky. But younow she held
his handyoure running away. You got away.
He laughed softly. I got here, you mean.
Why are you laughing?
Im not.
Maybe you should stay here. Was it wrong to like
himChaos, she reminded herself, though she still hadnt
said the name aloudbecause he represented something to
her? He had nice eyes.
Chaos, she said, trying it out. Then again: Chaos?
He answered her question by covering her mouth with
his.
Well, she said.
He kissed her again. She gently moved the empty soup
bowl from his lap, onto the floor.
Its been a long
What, like beer? she said, amused, but testing him.
I didnt meanIm clumsy.
Okay.
Yes. He laughed again, which she liked now. Okay.
Unless youre tired
No.
They kissed, and soon he pushed her shirt and bra up
into a bunch under her arm on one side, exposing her
breast to the cool air. She hid it by moving closer to him,
and by tugging up his shirt and finding his chest to push
against. He handled her a little fiercely, but as if he was
astonished.
That night, sleeping in his arms, she dreamed of him. So
soon, she thought when she woke. It was a jealous dream.
He was living in a house in the woods with a woman.
Really living in the house, not just staying there for a few
days. The house was his; she felt it in the way he moved
through the rooms, the way he touched the objects in the
house; they were his belongings. Odd, too, because of the
way hed left his car on the highway and wandered into
her house and opened her fridge; he hadnt seemed like
someone who understood what it was to own things. But
this house was his. She was as jealous of that as the other
thing, his being with the unfamiliar and beautiful woman.
She was jealous, too, of the isolation, the way the house
was alone in the woods. No children there. Just trees and
water. When she considered the dream the next morning,
she felt deeply ashamed.
There wasnt really enough room for Chaos beside Edie
on the couch, and at dawn he crept upstairs to sleep on the
double bed beside Melinda. But he woke alone, to sounds
from the kitchen. He went downstairs and found themEdie
and Ray and Dave and Melindaeating breakfast
without him. Edie quickly got up, ladled out another bowl
of oatmeal, and put it in front of an empty chair at the
table. Chaos sat down. Edie smiled at him, nervously, and
Melinda glared.
After breakfast Ray and Dave invited Melinda outside.
Edie stood at the sink, washing dishes.
There isnt enough in the house to eat, she said
fretfully, her back to him. Now, I mean, with you and
Melinda
She dropped a plate, which shattered on the tile floor, and
began hurriedly searching for a broom, but couldnt seem to
find one. People leave houses in the worst shape . . .
He saw that she was waiting for some sign from him. So
he went to her, and gently placed his hand on the small of
her back. It was the only thing that didnt feel presumptuous
or unnatural. She was stilled by the touch, the broken
plate at their feet now irrelevant.
Last night was good for me, she said, surprising him
with the directness.
Me too, he said.
I forgot about this place, about Ian and all his luck
nonsense.
Good. He wasnt sure he should say that it was good
for him more because of how it helped him remember.
Chaos couldnt actually recall having sex with a real
woman before. Even his fantasies had been pretty vague,
until the series of dreams about Gwen. Now there was
suddenly this.
He wasnt getting Edie and Gwen mixed up, he told
himself. But maybe the dreams about Gwen had helped
him to want Edie, to recall what it was to be with a
woman. He was afraid of analyzing it further. Edie might
see that he was confused and draw away.
He didnt want that.
They all piled into her car and rode into town, to the
Vacaville Mall. The cars here were the old kind, that ran
on gas, like back in Wyoming. The buildings here, too,
suggested an intact version of the ruined townscapes back
in Little America and Hatfork. Chaos didnt know what
this meant. He kept feeling that somehow, intending to
travel across land, hed traveled through time instead.
The mall featured two distinct populations. The
adults, who milled nervously, in couples or alone,
greeting one another in clipped exchanges or not at all.
And the kids, who ran and laughed and talked together,
apparently in another world. Ray and Dave seemed to
know anyone roughly their size. Melinda scampered
after them, shadowing their conversations, sticking out
her hand when introduced, sticking out her tongue if
challenged about her fur. Edie tried to keep them close
at first, then compromised by making Ray agree to
bring them all back to the car later. That decided, the
three children disappeared.
See these stores? asked Edie once they were alone.
She pointed out a drugstore, a magazine stand, a barbershop,
and a hardware store. Ive worked in them all.
She seemed pleased to have this to point out to him. He
didnt ask why shed worked at so many places, or what
her job was now.
I dont know if Ive ever worked in a store, he said
instead.
That must be strange, she murmured.
Chaos followed her into the supermarket, and pushed
the cart as she gathered up a mound of supplies. None of
the products had familiar names. Chaos picked up a box
of cereal and showed it to Edie.
Whos that? he said, pointing. It was a face he vaguely
recognized.
Sandra Turfington, remember? She was on television
last night.
She makes cereal?
All the brands are endorsed by government stars.
A tune was playing, something arranged for strings,
that he thought he remembered.
He asked Edie, and her odd, dismissive reply was
Muzak.
They took the groceries out to her car and loaded them
into the trunk. The parking lot was full of kids, but not
Ray and Dave and Melinda.
Theres no hurry, Chaos suggested.
I know where theyll be, said Edie. We might as well
go round them up.
He followed. It was absurdly easy to tag along with her,
to forget that they hadnt been doing this for years. It was
almost a version of the Kellogg effect, he thought. Almost
but not quite.
The kids were sitting together paging through comic
books at a shallow storefront full of candy and magazines.
The cover stories were all about the television and the
government, even when they were versions of magazines
like Time and Rolling Stone and Playboy, which Chaos
knew from before. Nothing referred to anything outside
Vacaville. Ray tugged on his mothers sleeve and pointed
at what Dave was reading: a violent cartoon adventure
starring Ian Cooley.
I told you not to give him that, she said. You should
know better, Ray. Youre the older one. She plucked the
magazine away from Dave.
Can I see that for a minute? said Chaos.
Edie shot him a look.
Never mind.
They drove home. Melinda sat in the backseat with Ray
and Dave, pontificating, suddenly in her element. She
told them about Hatfork and her former life in the desert;
she explained how the television shows they liked were
stupid because they werent real; she told them how things
would be different when they grew up.
The boys had relaxed her, Chaos saw. With them she
could stop trying to prove she was an adult. Yet for all her
expansiveness she still seemed resentful towards him. She
hadnt spoken to him directly, hadnt met his eye, since
the night before.
After they unloaded the groceries and packed them into
the kitchen, Edie went upstairs and the boys switched on
the television. Chaos got Melinda alone for a minute.
Whats the matter? he said. You dont like me being
with her?
I dont mind that, she said, her expression sardonic.
Its just you keep on dreamin about that other one.
Thats what I dont like.
This said, she turned and skipped into the living room
and joined the boys at the television.
Chaos still found it hard to believe he was projecting the
dreams. Was he really like Kellogg? Would he go on
helplessly broadcasting his dreams wherever he went?
Here in Vacaville he had managed to hold onto his
previous identity, his memories of Hatfork and the trip
west. He felt a certain pride in that. He wanted to believe
he was growing stronger, building up an immunity to local
effects, and Vacaville obviously had its share of changes.
Chaos didnt remember much, but he knew people
shouldnt have to move twice a week and work a different
job every day. Or have their luck tested.
On the other hand, the effect was milder here. The
Vacaville equivalents to Kellogg and Elainethe government
starslived in the media instead of invading dreams.
And you could always turn the television off. So maybe
his ability to hold onto his old self was just a part of local
conditions.
Edie came back downstairs. You want to meet
Gerald? she asked.
Well, sure
I have to drop the boys off, she said. For the
weekend. You dont have to come.
No, Id like to. Its just . . .
What?
Melinda will miss them.
She smiled but didnt say anything.
Gerald lives in the Eastman-Merrill building,
explained Edie during the drive. He used to work there,
before. When we separated, he had a kind of breakdown
and went and hid there. He thought he could go back to
the way it was before, or something. Cooley helped get
him special permission to live there all the time. Otherwise
Gerald would have had to go to a bad luck camp.
What was it Cooley was saying about an elevator?
Chaos asked.
Well, of course Gerald still feels the urge to move
every Wednesday and Saturday. But hes afraid to leave
the Eastman-Merrill building. So he keeps his bed and
clothes and stuff in the elevator
On Moving Day he changes floors, said Ray from the
back seat.
Edie nodded, looking glum.
Its fun, added Dave hopefully.
The Eastman-Merrill building was an abandoned office
block in the middle of Vacavilles old downtown section.
The neighborhood consisted of boarded-up storefronts,
everything the mall had put out of business. Compared to
the residential areas it was a ghost town. Edie had the key
to a side door, and she led them inside, through the big
empty lobby to the elevator. Ray ran forward and pressed
the button marked UP.
The elevator doors opened to reveal a thin, pale man,
Edies age but with graying hair, sitting upright in a bed in
the elevator, reading. He wore pajamas and heavy black
wingtip shoes, and he had an array of pencils and tooth-brushes
sticking out of the pocket of his pajama shirt. The
elevator was filled with ramshackle shelving, and the
shelves were loaded with clothes, books, and empty
bottles and cans.
Gerald, this is Chaos and Melinda. Friends of mine.
Hello, said Gerald amiably. Do I remember you?
Theyre visiting, said Edie.
Oh. Gerald smiled mildly. From?
Chaos opened his mouth to speak, but Edie quickly
said, Back east.
Well. Nice, nice. Id offer you a drink
The boys were already scrambling up onto their fathers
bed. The space that remained for standing was hopelessly
narrow.
Were not staying long, said Edie. The bag of groceries
shed brought she put onto the end of the bed. The
elevator door started to close, but she nudged it back by
pressing the safety bar.
I saw Mr Cooley, said Gerald. He came to see how I
was doing. We talked about the boys.
Yes? said Edie impatiently.
Hes very worried about you, Edie. He says that youre
in trouble with your luck . . .
Hes my trouble, said Edie.
I think he cares for you, said Gerald. Hes certainly
interested in the boys.
I know, said Edie. Listen, Gerald, Ill see you on
Sunday. Have a good time.
Yes, of course. Geralds eyes seemed to mist over.
Edie, are you going to marry Mr Cooley?
No, Gerald.
Im not saying I would object, said Gerald quickly. I
wouldnt want you to think that.
No, Gerald. But I wouldnt anyway. Goodbye.
Hes a very important man, said Gerald. Hes done
quite a bit for you, hasnt he?
That doesnt matter. Goodbye, Gerald.
Edie
Yes?
I havent gotten any mail?
No.
From the way she said it Chaos suspected there hadnt
been any mail delivered in Vacaville for a long time.
Of course, said Gerald vaguely. Well . . . He waved his
hand. The boys waved too. Edie let the elevator door close.
God, he makes me angry, she said the minute they
were back out on the street. She clattered ahead of them,
towards the car.
Hes weird, said Melinda sympathetically. Thats all.
She ran up and took Edies hand, as though to fill the gap
left by the boys. Theres a lot of weird people.
Chaos lagged behind. He got into the passenger seat
without saying anything. Gerald and his elevator had
made him think, for the first time since coming to
Vacaville, of his candlelit projection booth back in Hatfork.
His little world. Also, he was jealous of Cooley. He
didnt understand what there was between Edie and the
government man, but he knew enough to feel jealous.
They drove back to the house in silence.
That evening nothing went right. Melinda was bored
without the boys. When she switched on the television,
Chaos tried to watch, but it wasnt the same without Rays
running commentary, Daves wide-eyed engagement.
Edie and he sat side by side on the couch, but he felt a
million miles away, separated from her by the muddle of
his jealousy and his shame about the dream of Gwen.
Edie seemed tense, as though worrying where Chaos
would be sleeping tonight.
Chaos wanted time with her alone.
What he got instead was an unexpected visit from
Cooley.
Im goin upstairs, said Melinda, the minute Cooley
walked into the living room.
Cant you give me a break? asked Edie.
Hows this for a break? said Cooley, taking off his
jacket and laying it across the back of the couch, their
couch. I came here to talk to Chaos.
Well, I dont feel like seeing you tonight, she said.
You werent invited.
Come on, Edie. His voice was soft. You know I dont
need an invitation. Why make me say it?
Youre the one who likes to pretend youre my
friend, said Edie bitterly.
Cooley looked pained or compromised, but only for a
moment. He turned to Chaos. Its my job to keep track of
Edies progress, whether she wants to admit it or not. He
sighed. And that makes it my responsibility to try and
help you understand what youre getting into here.
Getting into Edie began.
Shacking up with Edie here, said Cooley, ignoring her.
I dont know where you come from, but you arent
anybodys cousin. If you want to get set up in Vacaville,
we can talk about that. But youre picking one ass-backwards
way of getting started.
Hes going to tell you that bad luck is catching, said
Edie in a rush, as though she could take Cooleys point
away from him by stating it first. Hell try to scare you.
Everything he says is calculated to convince you youre in
mortal danger just by being in the same house with me.
Its meant to divide us.
Edie, said Cooley warningly.
I need a drink, Edie announced. Anyone else?
Ill have a beer, said Cooley, his cops-and-robbers
manner absurdly vanished. Chaos could see that all the
man wanted was to be welcome in this house.
A beer, echoed Chaos. Sure.
Lets sit down, said Cooley. He sat on the couch. Edie
went into the kitchen. I dont know how much you know
about Edies situation, Chaos, but its not good. She
scored in the lowest percentilewhich is to say, really,
that our tests dont even apply. We cant say just how bad
your friends luck actually is, only that eighty-five percent
of the folks who score as low as she did end up in one of
our resettlement centers. Not because we force them to
go, which is what shes going to tell you in a minute. But
because they run out of options.
Edie came in and handed them beer, in glasses. Before,
shed given it to Chaos in the bottle. Was she trying to
impress Cooley? A bad sign.
Cooley sipped his beer, then went on. Whats more,
the mess they make on their way down costs this county
millions each year in damages, lost wages, that sort of
thing. Which is why we have to track them.
You drive people into the camps, said Edie fiercely,
and then you call it a statistic. She turned to Chaos.
Look what hes doing. Ever since I took the test, hes
been hounding me. And he admits himself that they dont
even know what the results mean!
Its a scientific test, said Cooley, smiling. It tells us
what we need to know about your probable future.
Youre making up my future as you go along, she said.
Its a self-fulfilling prophecy. You talk about luck, but
youre the worst thing thats happened to me.
You know thats not true, Edie.
He wants me to feel sorry for Gerald, said Edie.
Geralds craziness is supposed to be the fault of my bad
luck.
Edies got the worst strain of bad luck, Cooley
explained. Fortunately its fairly rare. She exposes the
latency in the people around her, while maintaining a
reasonable level of function for herself. Shes always at
the eye of the storm.
Unfortunately, said Edie sarcastically, I havent been
able to bring down any bad luck on Ian here. Yet.
Chaos sipped his beer and considered. There was a
familiarity between them, as though their struggle was
nothing more than a game. Flirting. Or was he failing to
take it seriously enough? This is their world, he reminded
himself.
Okay, said Cooley. Lets forget about Edies luck for
the moment. Lets talk about yours.
Mine? said Chaos.
Yeah. Have you thought about coming in for the test?
Sooner the better.
I dont have luck, said Chaos. Good or bad. I just go
where I go, do what I do. No luck involved.
Cooley laughed. Charming. Except science now tells us
that luck is there whether you acknowledge it or not. And
Im afraid in your case I see the signs of a history of bad
luck. Not even a latency so much as a full-blown case
going completely ignored for lack of context.
No, thought Chaos. Im not surrendering to the local
crap this easy.
Cooley went on. I wonder whether you can afford to
aggravate it the way you are by cozying up with Edie
here.
Excuse me, said Edie, standing. I think Im going to
be sick.
What do you know about my history? said Chaos.
Well, lets see. Cooleys smile was enormous. First of
all theres that car you left on the highway. Cool car,
incidentally; whered you come by it? Too bad about the
way it stopped working, though. Bit of bad luck there, Id
say, losing a car like that, a scientific wonder. Then theres
that poor girl of yours; thats quite a disfiguring condition,
though Id say shes bearing up pretty well under the
circumstances. And then theres your name. Chaos.
Thats not your real name, is it?
I guess not.
But you cant remember your real name, can you?
No.
Cant remember your namethats bad luck in my
book. But theres a lot you cant remember, all that stuff
in the dream. The woman youre worrying about.
Chaos winced. Were the dreams leaking out that far?
He avoided meeting Edies eyes.
Should I go on? said Cooley. My guess is you come
from a place so fucked up that you think all your problems
are normal. There are places like that out there.
Chaos didnt say anything.
I think Ive made my point. Of course, one of your
worst patches of luck in a long time, though you dont
know it yet, is running into old Edie here. Thats as bad as
luck can be. Youve got nothing to offer each other but
trouble.
Puke, puke, puke, said Edie. She turned and went into
the kitchen.
Im not saying you cant make it around here. Come
take the test. I have a feeling youll do all right, well
enough to get by, anyway. I sense that about you. Its just
the combination thats deadly.
You want Edie, Chaos was tempted to say. If thats bad
luck, its yours as well as mine.
Instead he said, I dont believe in luck.
No? Cooley got up and put on his jacket. He adopted
a pained expression. She tell you about Dave?
What? Chaos was confused. What about him?
Ask her.
What
Well talk more later. Take care. Cooley hurried out.
Chaos heard his car start, then roar into the night. When
the sound died away, the house was very quiet.
He found Edie sitting at the kitchen table with her
arms crossed and her head rolled back, staring at the
ceiling. Theres something I ought to tell you, she said
after a while. It might help you make up your mind
about Ian.
Go ahead.
Hes been coming on to me during this whole thing. He
says that if I were with him . . . that things wouldnt be so
bad for me.
I could tell, said Chaos.
Hes so confident about his own luck. He says that
what hes got in the luck department will more than make
up for anything I lack. Those are his exact words. He says
that every time he takes the test, he scores better and
better.
But you havent taken him up on it.
I hate him.
Chaos could see that it was more complicated than that.
She wanted to hate Cooley, but couldnt completely. It
reminded Chaos of himself and Kellogg.
You have nothing to offer each other but trouble,
Cooley had said. And it was probably true, but not
because of luck. Chaos couldnt afford to stay here and let
the local syndromes take root.
But then how could he help her in her struggle with
luck? What could he offer a woman whose worst problem
he couldnt even take seriously?
As for him, he wasnt even sure he had problems, not in
that sense. His life was too full of gaps for that. The world
had problems; he was just on the receiving end.
Or maybe Gwen was his problem. She was there,
whatever boundary he crossed. But Gwen was hardly
something Edie would want to help him with.
He told me to ask you about Dave, Chaos said.
He would do that, she said quietly.
What did he mean?
She sighed. Daves sick.
Sick?
His kidneys. He was born defective. About a year ago
they failed. His father gave him one; it had to be a close
relative, me or Ray or Gerald. Now Dave and Gerald
each have only one. Theres nothing mysterious about it,
though. Its just something that happened.
Chaos went over and put his hand on the nape of her
neck.
He wants you to think something bad will happen to
you if you stay with me, she said. Like Gerald or Dave.
Hes jealous.
She nodded. I dont care. He can keep bothering me if
he wants. I dont even notice anymore. As long as he
doesnt send me to a bad luck camp. Its awful. Everybody
walking around on eggshells, wondering whos going to
suddenly stub their toe or choke on a sandwich. Id kill
myself.
That wont happen, said Chaos. You wont go. He
wondered what he meant by it.
Theyd fallen asleep on the couch together, figuring out a
way to sleep entwined so the narrow cushions were
enough. But he was woken at dawn by the sound of an
engine outside the house. The room glowed with yellow
light. He lifted his head and listened for a minute as the
sound peaked then faded. He closed his eyes again and
pressed his face against her hair. He heard footsteps on
the porch. Someone knocked lightly on the door.
He got up and slipped into his clothes, thinking: Is this
her bad luck or mine?
He opened the door and smelled cigarette smoke. The
sun was just rising over the factory on the other side of the
street, and the low hills behind the factory were covered
with mist. Sitting on the edge of the porch was a man in a
worn leather jacket holding a bright red motorcycle
helmet, his back to the door. The man tossed a cigarette
butt into the dewy patch of grass between the porch and
the street and turned his head. Hey, Everett, he said. I
wake you up?
Billy, said Chaos. The mans whole name was there in
his memory: Billy Fault.
Fault grinned, got to his feet, stuck out his hand. Chaos
stared at him. Eyes too close together, forehead too
narrow, smile all gum. You would have to have reasons
for being friends with a face like that; the face itself didnt
supply any. Chaos suspected hed had reasons sometime
in the past. Seeing the face again was like finding the same
odd-looking rock on a beach twice.
Actually, I knew you were asleep. Thats the only way I
could find you here. Your dreams, I mean.
Dreams? Chaos didnt want to hear this.
Yeah. Ive been picking them up for a couple of nights
now, finally tracked you down . . .
Tracked me down how?
Just tunrning in on the dreams, Everett. Like tuning in
on a radio station. Im good at that, extra sensitive. Still
took me all night, though.
Where did you come from?
San Francisco, same as ever.
As ever when?
Were all still there, Everett. Everybody except you.
Youre out here in Fuckaduckexcuse me, Vacaville.
Everybody except you. Who did that mean?
Gwen?
cant get over this place, continued Fault. All these
old cars, its like some kind of old suburban nightmare
Twilight Zone episode. Neeny-neeny, neeny-neeny . . .
He wiggled his fingers in front of Chaoss face. You been
here a long time?
No, said Chaos. How far is it from here? San Francisco,
I mean.
Its about an hours drive, said Fault. Whole different
world, though. Youll see. Youre coming, right?
I dont know.
Cales expecting you. He stopped and studied Chaoss
expression. You remember Cale, Everett?
Cale Hotchkiss. That name was there, too. Yes, Chaos
said.
Good, said Fault, grinning. Well, you and Cale have
some catching up to do. Listen, you want to go for a ride
with me? Theres a guy out here I want to visit.
All right, said Chaos.
At that moment Edie stepped out onto the porch,
dressed in a robe and blinking in the new light.
Edie, said Chaos nervously. This is Billy. An old
friend from, uh, San Francisco.
Hello, said Edie, staring.
Hi, said Fault.
Well be out for a while, I guess, said Chaos. Go back
to sleep if you want. Ill be back.
Now she looked at Chaos, her eyes questioning. But all
she said was, Okay. See you then.
Good, okay, said Chaos. Fault lit another cigarette
and started down the steps.
Remember, I move today, said Edie.
Ill be back before noon, said Chaos. He followed
Fault to the motorcycle and climbed onto the back of the
seat.
I try to visit this guy whenever Im out this way, said
Fault as they roared down the highway around the edge of
town. Each time I think its probably the last time Ill see
him. Hes a survivor, though. Back in the sixties, they
tried to give him the chair.
The chair?
He was famous before. Part of some murder thing. He
didnt do it, though. They used to say his girlfriend killed
the President. Hes just a classic scapegoat, told people
things they didnt want to hear. Theres never any percentage
in being ahead of your time..
Before? It was all Chaos could do to get the question
out. The wind was driving thin streams of tears out of the
corners of his eyes.
You know, said Fault. Before all the rules changed.
Fault sped past the few cars on the highway and exited
on the far side of town, onto a street filled with abandoned
fast-food restaurants. He slowed down under a billboard that read:
FOOZ! GET LOST IN THE WORLDS LARGEST
OUTDOOR MAZE! He stopped, cut the motor, and kicked
out the stand. Thats where he lives.
In the maze?
Yeah. Hes the only guy around here who doesnt have
to move all the time.
I met someone who lives in an elevator, said Chaos.
Fault raised his eyebrows. Vacaville used to be famous
for two things: a mental hospital and a maze. Luckys
lived in both of them.
I never heard of a place with a maze before.
They modeled it on a famous maze in Japan, it was
Japans biggest tourist attraction. People coming from all
over to get lost in this giant maze. But it didnt work in
translation. I guess they needed a maze in Japan, where
everythings neat and tidy. In America everybodys
already wandering around lost. Even before the changes.
America. Chaos remembered that name, too. It was the
name for everything, all of this: Wyoming, California,
Utah, and lots more. It wasnt just the second word in
Little America. There was a Big America, only it was so
big, they didnt have to call it that.
When the change came, Lucky and some other guys
broke out of the hospital and hid in the maze. The others
left, but Lucky never figured it out. He thinks hes still
famous. The truth is nobody would even notice him now. I
gave up trying to explain it to him.
Fault led him through a brightly painted carnival
entrance and into the first chamber of the maze. The high
walls were covered with graffiti, some arcane, some
obscene. Fault followed a series of red spray-painted
arrows, and Chaos, trailing after, quickly lost his bearings.
Lucky, called Fault.
Chaos was full of questions, but he didnt know where
to begin. He wanted to ask Fault about the changes. He
wanted to ask about Gwen. It was Everett that Gwen
loved in the dreams, so if Chaos was really Everett . . .
Chaos tried not to think about it.
They turned a corner and, in a roofed-over section of
the maze, found Lucky. He lay on a plastic mattress in the
shade, reading a coverless paperback and humming
loudly. He looked up at them and smiled, displaying a
mouthful of ruined gray teeth. His face was weather-beaten
and wrinkled, and surrounded by a fringe of ratty
beard. His clothes were rags.
Hey, Lucky, said Fault. He reached into his leather
knapsack, pulled out a couple of cans of food, and handed
them to the gaunt figure. Lucky sat up on his mattress and
read the labels appreciatively, then tossed the cans onto a
pile of junk under a rusted card table.
You doing okay? said Fault.
Lucky shrugged and smiled again. Not doing anything.
But youre hanging in there.
Not hanging either, said Lucky, and tittered. They
tried hanging me, Jack, they did their best. No, Im just
sitting here in this maze trying to keep the rain out of
my beard and the pigs off my tail. Whos your friend,
Jack?
His name is Everett, Lucky.
Everett. Hmmm. Lucky scratched at his beard, first
thoughtfully and then like hed found a flea. He seemed
about to speak, but the moment stretched on and on.
Lucky . . . started Fault.
The old man suddenly straightened and glared at
Chaos. Whyd you come here? he said.
What? said Chaos.
Whyd you come here, Everett? What the hell are you
doing in Vacaville?
Everetts been kind of out of things for a while, said
Fault. Hes coming back to the city to see his old friends,
get back in touch . . .
Why cant you let the man speak for himself, Jack?
Lucky waved his hand impatiently. Get in touch, yeah,
yeah. Where you coming from, Everett?
I was living in the desert, said Chaos.
Oh? I used to live in the desert. He turned to Fault.
Thats not out of things, Jack. The desert is where its at.
I didnt mean anything, said Fault.
Yeah, I know, thats the problem. You didnt mean
anything. He turned back to Chaos. Dont let this jerkoff
put you down. Its hard coming in out of the desert. I
ought to know, man. When you get back to the city, they
dont understand you anymore. Not after you been in the
desert.
But Everetts from the city, said Fault. Hes
coming back to his friends.
This isnt about friends, said Lucky. Is it?
I dont know, said Chaos.
Its about a woman, isnt it? Youre looking for a
woman. Thats what this is about. Thats why Everetts
coming back to the city. Am I right?
I dont know, said Chaos.
Listen, Lucky, said Fault. Weve got to go.
Yeah, said Lucky. You always gotta go. See you later,
man. He was back in his books before theyd turned the
corner.
Sorry about that, said Fault on their way out of the
maze. He doesnt usually get so weird.
Its okay, said Chaos, still full of questions. He almost
wondered if he was still on the couch beside Edie,
dreaming. The maze was strange enough, in fact, for a
Kellogg dream. But when they walked back out to the
motorcycle and he saw the hills above Vacaville, he knew
he wasnt dreaming. Or rather, that his life and his dreams
were finally coming together.
Billy? he said.
Yeah?
When did it happen? The changes, I mean.
A few years ago.
What happened?
Fault grinned, showing his gums again. Thats a big
question, Everett. Basically a lot of the old connections
between things fell away, which gave people a chance to
make up new ones. But the new ones dont always stick.
Thats my version, anyway. People like Cale have got a lot
of complicated ideas about it.
But there was a disaster of some kind.
I dont personally consider it exactly a disaster . . .
Theres a lot I dont remember, Billy.
Fault looked impatient with the conversation. Im
hungry, he said. Want to go find something to eat? He
patted the end of the seat.
Sure, said Chaos. He got onto the motorcycle. The sun
was high now, not quite overhead. He wanted to get back
to Edie and Melinda in time for the move, but he was
hungry too. He also wanted to ride on the motorcycle
again, wanted to feel the wind. In fact, he sort of wanted
to ride Faults motorcycle without Fault on it. He didnt
suggest it.
At the mall they got in line for one of the cash machines.
Fault was armed with a bootleg bank card. Hed steered
them confidently into the middle of town, seeming to be
comfortable here, but they were drawing a lot of stares
from the people in cars, on the sidewalks, and in the
parking lot of the mall. Chaos hadnt seen any other
motorcycles in Vacaville yet and he felt conspicuous.
Fault coaxed money out of the machine and led Chaos
to Palmer OBriens, a restaurant named after a character
Chaos had seen on Edies television, a sort of rockabilly
singer turned maverick government man. Inside, over the
counter, was a huge blowup poster of OBrien with a guitar,
and the menu, which Chaos and Fault found printed on
the laminated placemats at their booth, featured Palmers
Breakfast Scramble, Palmers Club Sandwich, and The
OBrien Boiled Dinner, all the heros favorites. And
apparently he really ate there, or had once: the walls
featured several framed glossies of OBrien at various
booths and visiting the grateful slobs in the kitchen.
The restaurant was full but very quiet, and Chaos felt
the weight of attention on them as they sat down. Were
they just unfamiliar faces in a local hangout, or was there
something in Faults manner that said he didnt belong?
Chaos hadnt attracted so many stares at the mall two days
before, but then hed been in Edies company. Whatever
the reason, when the waitress came to take their order, it
was as though the whole restaurant was listening to see
what they ordered.
Chaos ordered a ham sandwich. Fault studied the
menu, keeping the girl waiting, then giggled to himself. I
dont know, he said, looking up, I dont see it
here . . .
Yes? said the waitress impatiently. She was young and
had a natural pout.
Could you bring me Palmer OBriens Head on a
Platter?
It got so quiet in the room that Chaos could hear people
shifting in their seats as they turned to look at Fault. The
waitress stood back on her heels and scowled.
Just kidding, said Fault, still giggling. Ill have what
he had . . .
But she was walking away, and it wasnt clear that shed
heard him. She certainly hadnt jotted anything down; her
pencil was back behind her ear.
Fault sank into the booth and screwed up his face
sarcastically. Very gradually the conversations around
them resumed.
Fucking sheep, said Fault quietly. I wouldnt live in
this place if you paid me. Everybody in love with their
little tin god soap opera stars . . .
His voice wasnt low enough. Conversation died as
people stopped to listen.
Faults response was to bleat like a sheep, quite loudly.
Billy, said Chaos softly, maybe we should go somewhere
else to eat
No way, said Fault. Im hungry.
Now they were the center of attention. When the
waitress came back out with a plate, the whole restaurant
watched to see if she would go to their table. When she
put a single ham sandwich in front of Chaos, there was a
roar of whispers.
Chaos tried to defuse things by pushing the plate to a
spot midway between them; the sandwich was cut in half,
after all. But Fault pushed it back. Wheres mine? he
said loudly.
The waitress swiveled away.
Shit, said Fault. He turned around and made faces at
the people behind him. Chaos chewed the corner off a
triangle of sandwich hopelessly, his hunger draining away.
Fault made the bleating sound again, then ostentatiously
emptied the pocket of his leather jacket onto the
table. Out tumbled a hypodermic syringe and a stoppered
glass vial. Fault plunged the needle into the vial, drew the
contents up into the syringe, and began rolling up his
sleeve.
A man across from them rustled in the pocket of his
coat, took out a ticket book and pen, and began scribbling,
like a parody of the waitress taking their order.
Then, as though the ice only had to be broken, five or six
other people flipped open identical books and began
racing to fill out the ticket. Fault just stared. The first man
and a fat woman with her chubby son in tow jumped up at
the same time and held finished tickets out to Fault.
I was first, said the woman quickly, edging in front of
the man.
No. I saw them first, said the man tensely.
We all saw them, said the woman. That doesnt count
for anything. We all saw them the moment they walked in
here. She thrust her ticket at Fault, who was slapping at
his arm to raise a vein.
Youd better take it, she said. I can write you another
one for resisting citation.
Stuff it, lady. He injected himself.
Stop that, said a man whod fallen too far behind in
writing his ticket and given up. You cant do that in here.
Youd better take the ticket and leave, advised the
woman.
I dont think it matters, said Fault. He put the needle
back onto the table. Im not from around here, see? And
where Im from, people dont go around giving each other
tickets.
Give it to him, said a man at the booth behind Fault.
He pointed at Chaos. He lives here. And he brought him
here. He should know better.
Fair enough, said the fat woman cheerily. You take
it. She handed the ticket to Chaos, who took it and put it
in his pocket. He wanted to go, but felt paralyzed.
At that moment the waitress reappeared with a grease-smeared
cook, his hair in a net, who stood glowering
behind her.
Get out, she said.
Fuck yoa, said Fault.
I called the government, she said. Theyre on their
way. Youll be very sorry if you dont go. Now.
Im not leaving until I get my sandwich. Or until you
make Palmer OBrien come here himself.
That can probably be arranged, growled the cook.
But you wont be laughing long, if it comes to that.
In fact, I want Palmer OFucking Brien to bring me my
sandwich and serenade me while I eat, jeered Fault.
That would do the trick.
Okay, you jackass, said the cook, pushing past the
waitress and grabbing Fault by the collar. He jerked him
up out of the booth and pushed him towards the door.
Chaos took Faults motorcycle helmet, leaving the vial
and needle on the table, and followed the cook and Fault
out the front door of the restaurant. The man whod
written the first ticket, the waitress, and several others
followed. Outside, a crowd from the mall was already
gathering around Fault and the cook.
Pay up, said the cook, shoving Fault backwards.
I didnt get anything, said Fault. He spat on the
ground between them and straightened his collar defiantly.
Several of the people around them were busily writing
up tickets. He wont take it, someone warned. Someone
else said: That ones staying with Gerald Bitters ex-wife.
If he wont take it, you can send it to her.
Chaos pushed forward past the cook and handed Fault
his helmet. Lets go, he said. Fault spat again, but the
cook didnt notice; he was distracted by someone trying
to give him a ticket, for leaving his post in the restaurant.
thinks hes on TV, said a woman disdainfully.
The event degenerated into squabbles between the
Palmer OBrien loyalists whod been in the restaurant and
others whod only seen the cook roughing up Fault
outside. The crowd buzzed with the news that the government
had been summoned: who would appear? Someone
claimed shed seen President Kentman himself. Chaos and
Fault slipped away to the parking lot.
Fault, it turned out, didnt know the way back to Edies
house. Hed only gotten there the first time by following
Chaoss dreams, he explained again. They found the
house by taking the highway all the way out of town, to
the east, then doubling back, until Chaos spotted the right
overpass. His pink-splattered car was gone from where
they had abandoned ita loose end the government
didnt permit, apparently. It made Chaos think of
Melinda, their trip together. He felt a pang of guilt.
As Fault slowed in front of the house, Chaos could see
that something wasnt right. Edies car was gone, and
another was parked in its place. There was a spotted
black-and-white dog leashed to the front porch, and it
barked at them as they dismounted.
Shit, said Chaos.
What?
Moving Day.
Oh man, Im sorry.
Chaos went up the porch steps, let the dog sniff his
hand, and knocked on the door. The woman who
answered was middle-aged and black. Sorry to bother
you, said Chaos. The people who were here before . . .
Yes?
Did you see them?
They were a little late getting out, as a matter of fact.
How can I help you?
Was there a little girl with, uh, fur all over her body?
Yes. Her and an older woman. The black woman
peered out past Chaos at Fault and his motorcycle. But
whos asking?
You dont know where they went, do you? They didnt
leave any word?
No. Im sorry. She shut the door.
As Chaos walked back down the porch steps, Cooley
drove up and parked behind Faults motorcycle, then got
out and strolled over to where Fault was standing. Chaos
hurried to intercept him.
Hello, Chaos, said Cooley. Looking for Edie?
Well, actually
I know. I just saw her. Shes all worried, says you went
off with some old friend. I told her to relax. Said Id go
back and find you. This your pal?
Yeah, Billy
Ian. Pleased to meet you.
Yeah. Fault shook his hand.
Where you from?
San Francisco. Billy sounded nervous.
Really. I havent been to the city for a while. What
brings you this way?
Fault jerked his thumb, indicating Chaos. It should
have looked casual, defiant, but Faults expression made
it come off as tongue-tied.
Old pals, eh? Cooleys tone was insinuating. Heard
you got into a little bit of a fuss up at the mall.
Fault took a step backwards. He seemed cowed. Chaos
wondered if Fault was sensitized to Cooleys status as a
government star, tuned into the ideology like everyone
else around here. It didnt make sense otherwise: Cooley
wasnt any more imposing than the cook at the mall, and
he wasnt backed by a crowd.
A bit of one, said Chaos, answering for Fault.
There was a moment of tense silence, then Cooley
laughed, loudly. Fault stared, then tittered too, sycophantically.
He suddenly reminded Chaos of Edge.
Bit of one, Cooley repeated. They give you a ticket?
He held out his hand.
Chaos dug it out of his pocket, and Cooley examined it.
Well, well. He tore it in half and then into quarters, and
let the pieces flutter into the mud of the road. Edie
doesnt need any more of those at the moment. This one
wasnt her fault, anyway. For once. Or your fault, for that
matter. Except it was your bad luck that brought this little
shithead into town.
What? said Fault.
You heard me, said Cooley. You used a fake card in
that cash machine. Stole money from the folks that live
here. We dont need that fancy San Francisco crap around
here. Give me the card.
Fault handed Cooley the bootleg cash card, and Cooley
pocketed it. Okay, Motorboy. Basically I want you out of
town. Except you can give your pal Chaos a lift to Edies
new place. So go sit over there on the porch while Chaos
and I have a word or two.
Fault walked over to the porch without a murmur.
You and Edie are a real magical combination, Chaos.
Bad luck is exponential, you know. If youre going to add
that much bad luck to your life, you better upgrade your
radar and quick. Learn to spot trouble like this one a mile
off. He jutted his chin at Fault.
Wheres Edie? asked Chaos.
Ill give you her new address, Chaos. But I want
something in exchange. I want you to say youll come in
Monday morning and take the test.
I could find Geralds building, Chaos pointed out.
Wait there until she comes to pick up the boys. I dont
need your help.
You dont understand. You think Im jerking your
chain. But Im trying to help. Im saying take the test, get
squared away with us, get on the rolls. Well sign you up
for a work shift, too. Im saying welcome aboard, stick
around a while. The test is just the way we do things
around here. Not everybodys all hounded and paranoid
all the time, Chaos. Not everyones like Edie. Youll find
that out if you give it a chance.
You want me away from Edie.
Okay, Chaos. Cooley grinned his wide grin. Whatever.
Here I am about to give you her address, and trying
to help you get lined up for a test, which if youre going to
stick around here, with Edie or not, is a must, and youre
suggesting you might prefer to spend the night with
Gerald instead. Your choice.
Chaos didnt say anything.
Edies due for a work shift Monday. She can drop you
off at my office on her way to punch in. Test takes about
an hour and a half.
Ill think about it. Saying this, he felt defeated.
Good enough.
Cooley gave him directions, and Chaos immediately felt
cheated; Edie had moved just a few blocks away. And I
dont mean to be harsh Cooley continued.
Yes?
But after that sonofabitch drops you off, I want him
gone.
They drove off, Chaos and Fault towards Edies new
apartment and Cooley in the opposite direction. Fault
began muttering oaths the minute Cooleys car was out of
sight; Chaos didnt ask him why hed waited so long.
Ive got to get some sleep, Fault said absently when
they pulled up in front of the three-storey apartment
building. Edie was at the top. Otherwise Id stick
around.
Thats all right, said Chaos. He wanted to go upstairs.
He needed to think.
So you get things settled, continued Fault. Ill be back
to pick you up tomorrow, okay?
What?
Bright and early, while this towns still asleep, so we
wont run into any of your fascist friends, you know? Just
slip out while theyre fixing their morning coffee.
Well . . .
Youre coming to the city, right? Cales expecting you.
I dont know. I dont know what Im doing. He didnt
want to leave Edie. But he didnt want to take the luck
test, either. It couldnt hurt to have Fault come back, he
decided. He wouldnt go if he didnt want to.
Here, said Fault. He dug in his satchel and pulled out a
black plastic cartridge. Cale wanted me to give you this.
You need a VCR to watch it.
VCR?
Ask Edie. Theyre built into most of the televisions
around here, I think. Shell know.
Chaos took the cartridge.
Fault lit a cigarette and struck a pose on his motorcycle,
as though reconstituting his image as a rebel after
Cooleys dismantling. He strapped on his helmet and
revved the engine. See you tomorrow, Everett.
Everett. Chaos had momentarily forgotten.
He took the name, and the cartridge, upstairs.
The tape was about three minutes long. The first two and
a half were CaleCale Hotchkisstalking at the camera,
a tight headshot. The first thing he said was, Listen,
Everett: do you remember when we were twelve or
thirteen, and we broke into the train yard?
Chaos remembered. Theyd walked the tracks to the
end of the line, to the yard where the trains sat
overnight, with spray cans for painting graffiti. Theyd
covered one car with paint from top to bottom, then
gone uptown to wait for it to roll through the station,
except theyd fallen asleep on the bench on the platform
and missed it. Cale had been his best friend. The
question was obviously meant to trigger the memory,
and it had worked.
Clearly, Chaos was going to have to get used to the
name Everett.
I want to see you, Cale went on. Im glad youre
coming back. Theres something I think you can help me
with.
He paused, looked away from the camera, and Chaos
felt that he ought to say something, answer. The face and
voice on the tape were in some way more real than anyone
or anything hed encountered in a long time. Through
them he could almost taste his life before the break.
You were right, Everett, continued Cale. All the stuff
you used to say about what mattered, you were right.
Everything else is just what you have to work through to
get back to what you know matters when youre twelve or
thirteen. Cale paused. The change is weird. When youre
young, youd like to remake everything, youd like the
world to be growing up with you. Now its sort of true.
Chaos wanted to believe that this dark-eyed man was
his friend. He wanted it to be true that Cale needed him,
missed him. Knew him. Chaos wanted to be known,
known in a way that would let him know himself.
Well talk when you get here, said Cale. I dont want
to overwhelm you. Im just worried that you might not
remember enough to know to come back. That youll get
this close and then wander away again.
Cale looked away from the camera, and the screen went
blank. Then there was another clip, this one very short. A
woman stood against a black backdrop, wearing a black
suit, so she was barely more than face and hands floating
in a mist of static. She pushed her hair back, and the
camera moved in closer. She was beautiful.
It was Gwen, and the neutral space she inhabited on the
television screen was just like the darkened room where
Chaos had met with her in his dreams.
Everett. She blinked and looked down. Cale says
youre really there. He says he knows from his dreamsbut
I dont dream anymore. She looked up and laughed
softly at whoever was behind the camera. I dont know
what to say. Uh, come and see me, okay, Ev? Id like to
see you. Thats all, I guess.
The camera held her for a few seconds more, and then
the screen went blank.
Edie had shown Chaos how to use the VCR, then sat
back in a chair and watched the tape in silence. But when
Gwen appeared on the screen, she got up and went into
the bedroom, closing the door behind her. Melinda just
sat on the floor and fidgeted. When Chaos switched the
television off, she made a sour face and said, Whered
you get that?
A guy gave it to me, he said absently. Guy I used to
know.
The motorcycle man?
Yes.
What are you going to do?
I dont know. He got up and knocked on the bedroom
door, and when Edie didnt answer, he went in. She was
sitting on the edge of the bed beside a pile of clothes.
Somebody left some old clothes here, she said. They
might fit you. You have to wash the ones youre wearing.
I thought you couldnt take anything.
Clothes are up for grabs. Youre supposed to take them
with you. So if theyre left behind, you can have them.
Okay, he said. Ill try them on. Thanks.
She got up nervously. When you change, put your old
clothes in the bathroom. Ill wash them and hang them
up.
I think Im going to San Francisco tomorrow.
So?
They probably wouldnt dry in time.
They smell, she said. Either wash them or throw them
out. She turned away from him and left the room. He
followed her out, past Melinda, whod switched the
television back on, and into the kitchen.
Edie began to inventory and rearrange the items in the
refrigerator and cabinets, but from her manner Chaos
suspected shed done this once already. Neither of them
spoke. After a few minutes she pulled out a box of
crackers and a hand-labeled plastic container of peanut
butter and began jamming roughly smeared crackers into
her mouth.
Whats the matter? said Chaos.
I dont like your new friends, she said thickly, through
a mouthful of crackers.
Theyre not my new friends, theyre my old friends.
Well, I dont like them, especially the one this morning,
the only real one. Mr Leather Jacket. Hes awful,
Chaos. And hes getting you in trouble already.
Chaos didnt want to argue Faults merits. He wasnt
sure Fault had any. What do you mean, the only real
one?
The other two are just pictures, she said. On television.
Theyre like your dreams. I dont believe theyre
real. Theyre from inside you.
That doesnt make sense. Its a tape, Edie.
Well, a lot of things dont make sense. Ive learned not
to trust what I see on television, thats all. People telling
you theyre your friends, looking all charismatic. I thought
you knew better.
This isnt television like you have here. Its a tape. Its
images of people I know talking to me on a tape.
Well, it sure looked like television to me.
Youre not being reasonable, Edie. Besides, thats not
the point. Thats why I have to go. Ian says I have to take
his test. He wont leave us alone, Edie. Hell do whatever
it takes to split us apart.
Her eyes grew wide and hopeful. Thats not important,
Chaos. We can deal with Ian
Hes from the government, he can do anything he
wants. Hes only holding back because he thinks he can
have you. If I stay, hell ruin your life and call it luck. Hell
take you away from your kids.
She was quiet for a minute, and then said, half to
herself, Youre only trying to make it seem like its for me
that youre going away.
No . . .
Yes. You tell me its for my own good. And then Ian
will come and tell me its more proof of my bad luck.
Youll just make him right if you go. Everything happens
to me. Ians right.
No. If I stay and take his test, then well both have to
do what he says. Im leaving because I dont believe in
luck.
Why cant you be honest? Youre leaving because you
want to see that woman.
The word woman sat there between them, ringing in the
silence. Chaos couldnt think of anything to say to displace
it.
Its okay, said Edie. You have to find out. You cant
just keep wondering. I understand. You have to go. She
hesitated, and added, I cant live with your dreams
anymore anyway. I feel like Im sleeping with her.
Its not just about her, said Chaos. Its about me.
Who I was before.
Okay. She ate another cracker. I dont want to talk
about it anymore.
He felt beaten, despite getting what he wanted.
What about Melinda? she asked.
Can she stay here with you? He didnt want Melinda
along. And Edie might see it as a promise that hed come
back. He didnt know if it was.
She hesitated, then said, All right.
But Melinda was standing in the kitchen doorway. The
television played unwatched in the other room.
You jerk, she said. Youre going to see that girl.
Ill be gone a day or two, he said, fumbling.
What, you think I want to go with you? Her eyes
were wet, but her scowl didnt allow any weakness.
You jerk. Youre just like Kellogg with your stupid
dreams. I hate it.
Melinda and Edie slept in the two bedrooms that night,
and Chaos sat in the living room watching the television
until he fell asleep with it on. He woke to sunlight, a test
pattern, and the sound of Faults motorcycle revving down
in the street.
Everett remembered San Francisco.
Fault took him through it the long way, through the
Submission District, before climbing the hill into No
Alley. The streets of the Submission were alive, teeming,
the solar neon glowing, the sidewalks hectic with peddlers,
the roads clotted with traffic, animal, mechanical,
and pedestrian. Steambath proprietors stood beside their
cubicles hawking quarter-hour sessions to the street people.
Customers squirmed into taquerias past drunks and
children and pickpockets and drunken pickpockets and
child pickpockets and drunken children. Half-completed
sex-changes leaned out of the windows above the shops
and shrieked to one another across the street. The stream
of traffic parted, scooting dogs, vendors, and Faults
motorcycle up onto the sidewalk to make way for a
gigantic two-wheeled RVcycle, its bloated kitchenette
body aloft with antigrav.
It was just as Everett remembered, but it was changed,
too. Or maybe it was Everett who had changed. The city
had always been in ruins, a place that had never cohered.
There were probably people living here who thought that
there had been no rift. Everett suspected that if he stayed
in the city, he might eventually come to agree with them.
Fault tried to swing back into the street, but a corroded
televangelist robot staggered into their path, blocking the
motorcycle. Its ferroplastic limbs creaked with every
movement, and when it knelt to bless the ground, Everett
saw that strips of shredded rubber hung from its soles.
Fault honked his horn. The televangelist looked up. The
computer graphic face of its television head babbled and
ranted quietly as its video eye stared, taking them in.
Everett remembered the machines, though hed never
before seen one in such disrepair. Televangelists would
launch into street-corner sermons at every opportunity,
trying to convert unbelievers to a variety of faiths. This
one was preaching to no one but itself. Everett recalled
seeing them reduced to that even before the changes.
Fault honked again. The face on the screen, a corpulent,
middle-aged country preacher, wrinkled its chin and
frowned. Lost sheep, it muttered. In need perhaps of a
shepherd?
Get out of the way, said Fault.
The televangelist only planted itself more firmly and
lifted an accusing finger. Or devils, perhaps . . .
Oh, Christ, said Fault, and he began backing up,
pushing with his heels on the pavement, to get clear of the
robot.
You speak the name of your master, devil, fumed the
televangelist. Pamphlets spilled out of the pockets of its
ragged tunic, littering the sidewalk.
Fault rolled clear and then sped away around the robot,
back into the crowded street. Soon they were out of the
Submission and into the hills.
Everett remembered Fault now. It was with as much
contempt as affection. Everett and Cale had been friends,
Fault a third who dogged their steps, the last to get any
joke. That was how the memory went. Everett felt stupid
that Fault had herded Chaos blindly around Vacaville,
getting him into trouble at the mall. Everett could have
avoided it easily, but Chaos hadnt known any better.
Stupid Chaos, Everett thought. But he got me through.
No Alley was shrouded in mist. As they rode into it,
Everett thought suddenly of the green. He shook it off. A
seamless green fog in the mountains was something quite
different from the bank of white that covered the hills of
the Alley. San Francisco was supposed to be foggy.
Still, they seemed to have ridden out of the city into a
zone of erasures. An occasional rooftop broke through
the cloud, and the street was visible at either side. But
while the streets of the Submission had been full of parked
or junked cars, here the curb was empty, and past it gates
and stairways led up into the haze.
When Fault stopped at the gate of the Hotchkiss house,
Everett felt a shock of recognition. He was sure that this
place held answers for him, that the echoes in his head
would now resolve into something more. The house
loomed behind a veil of cypress trees, aloof and protected.
The upper story was mostly glass, the Victorian architecture
ripped out and replaced with a modern greenhouse
window. It seemed to reflect glints of sunlight, though
there was no sun, and Everetts eyes hurt when he looked
up at it. Fault parked the motorcycle just inside the gate,
and they walked up the driveway to the house together in
silence.
Fault went down the concrete steps to the basement
apartment. Everett looked at the upstairs doorway,
remembering more. Cale still lives with his father?
Youll see.
The basement had been headquarters for Everett and
Cale, the place where theyd told the jokes that Fault got
last. Now it had reverted to some primal hideout. The
floor was littered with laundry and bedclothes, and Cales
books and computers were gone.
Wheres Cale? asked Everett.
This is my place now, said Fault. Want a beer?
Everett shrugged.
Here. Fault went to the refrigerator, a giant, battered,
eggshell-colored antique patched with glue spots from
scraped-away decals. Its door was padlocked. Fault dug in
his pocket for a key and undid the lock. When he opened
the door, Everett caught sight of the contents: six-packs
jammed in sideways to fill the lower shelves, and the top
shelf and door racks were filled with stoppered test tubes.
Fault handed Everett a beer, took one for himself, and
carefully repadlocked the door. Everett examined the
bottle. The cap had been screwed back on with a tool,
pliers maybe, that had sheared away the metal ridges as
well as parts of the glass threading. The label, pasted on
over the bleached remains of a previous one, read:
WALTS REGULAR ALE. He tasted it: homemade. A
step above the bathtub gin hed been drinking in Hatfork,
but only a step.
Wheres Cale? asked Everett again. He thought, too,
Wheres Gwen? but didnt say it.
Relax, said Fault, pausing to chug at his beer. You
ought to see Ilford first.
Ilford? Everett was unsure of the name.
Cales dad. Hes been waiting for you, said Fault,
slurping. He wants to see you, welcome you back.
You told him I was coming here?
Didnt have to tell him. Your dreams get around,
Everett. The nursing sounds accelerated until Fault had
reduced his beer to a bottle of suds. He set it on the floor
and said, Lets go.
Everett followed him outside, up the flagstone steps
to the front entrance of the main house. Fault left the
door to the basement apartment ajar. With his beer and
test tubes secure, there was nothing else in the apartment
worth protecting, apparently. The fog had tucked
in closer, now veiling even the gate where Fault had
parked the motorcycle. At the door he turned and took
the half-full beer from Everetts hand and hid it in the
bushes at the side of the doorway. Get that later he
said, as if it was an explanation.
They went into the house, and Everett felt his senses
immediately overwhelmed. The living room was like a
museum, the walls covered with paintings, the antique
furniture polished to a creamy glow. The glass coffee table
held an ornamented golden clock with a pendulum that
clacked softly and sent a shivery golden reflection running
back and forth across the glass. Everett was hypnotized by
the room, so dazzled and drunk that he wanted to lie
down. After the apartment downstairs, not to mention the
homes in Vacaville, it was like stepping onto a movie set.
Fault immediately seemed froglike and compromising;
Everett wanted to step away from him, not be associated.
As strange as the room was, it carried the same charge
as Cale Hotchkisss face on the videotape: Everett remembered
it. Then Ilford Hotchkiss stepped into the room,
and Everett had to wonder if he really remembered
anything at all.
He was too young to be the father of the man on the
tape. He was exactly Everetts size, but so upright and
hard, his hair and eyes each like glossy stone, like marble,
that he seemed immense, a portion of the room that had
broken off to offer a handshake. At the same time he was
so groomed and fine that he seemed miniaturized, a
jewel-like mechanism like the golden clock or one of the
bonsai trees that lined the mantel. His hair was gray at the
temples, but the gray seemed just a polite touch, a ruse.
Like the room, he looked better than anyone Everettor
Chaoshad ever seen.
He also looked too much like his own son. A part of
Everett was sure this was the one on the videotape,
altered just enough to impersonate his own father, and he
almost blurted Cale as the man stepped up and took
his hand.
Billy, Ilford said, looking straight into Everetts eyes,
why dont you fix us a drink? Scotch all right, Everett?
Everett nodded absently, and Fault scurried over to the
bar. Ilford led Everett to a chair and seated himself on the
couch on the other side of the glass table and shimmering
clock. Fault handed them each a drink in a square,
beveled glass, a sharp contrast to the recycled beer bottle
Everett had just surrendered. The glass weighed so much,
it felt magnetized to the floor, and the liquor smelled so
rich and intense, it didnt seem to need drinking.
Its extraordinary to see you, Everett. Ilfords smile
was waxen, and his eyes bored into Everetts, searchingfor
what? Recognition? Complicity?
Everett took a sip of the whisky, stared into the glass.
I heard youve been in Vacaville, said Ilford evenly.
Yes.
Quite a scene.
Yes.
I mean, what did you think of it?
Like you say, quite a scene. Everett wanted to grab
the man and scream, Who are you? Wheres Cale?
Wheres Gwen?
Well, compared to that scene I think weve got something
pretty good here.
You mean San Francisco?
More specifically the Alley. Its very local. Im sure
youve noticed how local things can get nowadays.
You dont have . . . Everett waved his hand, wanting
it to be understood without his having to say it. You dont
have someone in charge here? You know, that way?
Ilford laughed without opening his mouth, then said,
Not that way.
Fault came back with his own drink, a glass almost level
to the top with brown liquor. Everett doesnt need
convincing, he said, grinning. He came halfway across
the fucking country to find us.
Everett took another gulp of his whisky, then raised his
eyes and considered again the man seated on the other
side of the table. Ilford Hotchkiss appeared to waver in
and out of focus, as though struggling unsuccessfully to
cohere, but when his eyes met Everetts, he reassembled
his tense smile, and the rest of him gelled around it. Am I
drunk? Everett wondered. He set the tumbler down with
a too-loud thwack on the glass and leaned back in his
chair, shutting his eyes. He wanted to squeeze away the
shimmer of the room, the overprecise details in the
paintings and bonsai trees and Ilfords confusing face, but
they remained etched into his vision, as though printed on
the inside of his eyelids. And his ears couldnt shut out the
racket of the clock.
Something the matter? said Ilford.
Hes beat, said Fault.
Fault and Ilford, the hovering pair of them, were absurd
and horrible. They were gargoyles at the rim of a void, a
void consisting of the absence of Cale and Gwen. Cale and
Gwen were his true destination, the lure that brought him
here and held him.
But he was stuck instead with Fault and Ilford.
What kind of deal had been struck in this house?
He was suddenly desperately weak. A straight line ran
from Chaoss argument with Edie the night before to
Everetts pouring whisky on top of beer just now. It was
too much, he was too many people, one too many at least.
And so was Ilford Hotchkiss.
It was raining when he woke very early the next morning.
The house was silent. Hed been put to bed in a spare, clean
room whose windowpane was gently raked by wet eucalyptus
leaves. He slipped out from under the covers, dressed in
new clothes from the dresser, and tiptoed downstairs. The
rain had failed to disperse the fog; the house was still
isolated, like a figurine in a milky fishbowl. He went outside,
still in his bare feet, and stood in the cold wet wind and
breathed the morning air. The water spilled off the roof in a
line of drops onto the flagstones that led around the corner
of the house and down to the basement apartment. He
tiptoed back through the house and upstairs to put on his
shoes, then went through the rain down the steps.
There in the squalor of what had been Cales apartment
sat Fault, slumped in a chair by the window, watching the
rain. He turned and smiled vaguely at Everett, and said,
Up early.
Everett felt voiceless, as though hed wandered from his
bed only in a dream.
Fault waved carelessly. Sit down.
Everett sat in the free chair where it stood, rather than
pulling it up closer to Fault.
You cant tell Ilford, said Fault warningly.
Tell Ilford what?
That Cales here.
That shouldnt be a problem, Billy. Because Cales not
here.
Oh, hes here, all right.
What do you mean?
I visit with Cale every morning when it rains. Lately it
rains every morning.
Fault was insane, Everett saw now. But, then, where
did the video come from?
I mean, hes not here now. Fault jumped up from his
seat, suddenly animated. He wore off just before you
came in. But theres more.
More where? Everett didnt mind playing along.
In the fridge.
Theres more Cale in the fridge.
Right. My stash.
Everett sighed. Well, then, break some out. Dont be
selfish.
But you cant tell Ilford. Fault began digging in his
pocket for the padlock key.
I wont.
Fault opened the lock and leaned into the refrigerator.
He emerged with one of the stoppered test tubes in one
hand, a syringe in the other, and nudged the door shut
again with his foot.
Here you go, he said musingly, then uncorked the vial
with his teeth. Gib me an arb, he said around the cork as
he deftly plunged the syringe so that it filled with the
contents of the tube.
What?
Fault spat out the little cork and said: Arm.
Everett stared dumbly.
Cmon, roll up your sleeve.
The rain clattered on the stones outside, heavy and
inevitable. Beyond that there was only fog. Everett could
feel the weight of the house above them, the gleaming
living room, the golden clock, the cabinet full of amber
whisky, all pressing down on the squalid apartment. Fault
loomed towards him, smiling raggedly, the ready syringe
held softly at his waist. Everett imagined that his entire
journey from Hatfork had led to this moment, to this
phantom house in what should have been a city but was
only an island in fog, and that his destination had been
condensed to a pinprick point. He rolled up his sleeve and
held out his arm.
Everett.
Cale was sitting across from him, on an invisible chair in
a featureless expanse of blank space. It was the Cale from
before, the Cale from the videotape he had viewed as
Chaos back in Vacaville. The friend he remembered. But,
actually, couldnt remember, not in any way that held
together or matched what hed found here.
Fault, the room, the window, were all gone.
Youre here, said Cale. He smiled, leaned forward,
but didnt extend his hand.
I guess I am, Everett heard himself say.
Anyway Im somewhere, he thought. And youre in it,
this somewhere Im at. Were in it together.
Theres a lot we have to talk about.
There was a staggering understatement. Your father
Everett began.
Fuck Ilford. Hes not important. Leave him out of
this.
Okay, said Everett.
It made a kind of symmetry, at least, with Faults
injunction against telling Ilford about Cale.
Everett turned his head, wanting to grasp the nature of
this null-zone that had replaced the world. Behind him lay
only depthless gloom, a gray that might be as near as his
eyelids, as far as the stars. Staring at it produced a
sensation at once vertiginous and claustrophobic.
He turned back. Cale was seated at a comfortable
distance. He was the only point of reference, the only
marker of scale.
Cale
Yes?
Theres a lot I dont remember. Or understand.
You remember me?
You as a drug in a test tube, or as a ghost lurking behind
your fathers features? Everett wanted to ask.
No, the one he should remember was a man living in a
basement apartment, a friend.
With all hed reclaimed when he rode on Faults motorcycle
out of Vacaville and into San Francisco, Everett was
still adrift. And here, in a city of erasures, things had
narrowed to him and Cale.
Ask me the question again about the train yard, he
thought, wanting to relive the tangibility of that moment.
I remember you from before, he said simply.
And then what?
And then I remember Hatfork. A town in Wyoming.
Being a man named Chaos.
You dont remember the break?
No.
Dont worry about it. Its like a jump cut in a movie.
Everyone is missing something.
Like you, for instance, Everett wanted to say. Missing a
body.
Then he wondered: Was that better or worse than what
he was missing?
I came to see Gwen, Everett said. I remembered her.
Thats what brought me back.
I know.
She was on the tape that Fault
You can see her in a minute.
Cale said this casually, but it wasnt a casual thing to
Everett. The idea that Gwen could be a minute away,
whatever kind of minute that might be, was disturbing.
First tell me about Hatfork, Cale went on. I know
some of it from your dreams, and from Fault. But I want
to hear it from you. Tell me about Kellogg.
So Everett laid it all out. Kellogg and Little America,
the cars, the hoards of cans, then Melinda, the trip west,
and Edie. He was amazed at the flow of words, the sound
of his own voice; it was the most hed said aloud for as
long as he could remember. He realized, reaching the
end, that he was trying to strike a bargain, one where hed
get back as much as he gave.
Afterwards, however, they sat in silence. Cale looked
preoccupied, staring off into the blankness of the space
they shared, as though he saw something there.
It doesnt matter, said Cale finally. I should get you to
Gwen before the dose wears off.
I told you what I know, said Everett.
Im sure you did, said Cale. He seemed dissipated.
Its funny, though. You have a way of leaving yourself
out of the story. He reached into the void at his left and
turned an invisible door handle, which clicked audibly.
What do you mean? said Everett, watching as a
doorway swung open. Beyond it lay a greater darkness.
He craned his neck, tried to focus, but couldnt see
anything. Staring only made the gloom dance with illusory
swirls of static.
You deserve more credit, thats all. Cales voice had
grown dim. You had a lot to do with the things you saw.
He pointed. Go inside.
Without intending to move, Everett fell forward and
through the doorway.
The white outlines of a room were sketched into the
black space. He turned back, to see Cale still seated in his
nothingness. Go, Cale croaked.
Everett turned and swam forward.
She sat on the edge of a white-outlined bed. She was
dressed in something black that merged with the background,
so that her face and hands were radiant, afloat. It
was the image from the tape, and from his dreams. Gwen.
Everett. She moved the hair from her face and smiled
shyly. Ive been waiting . . . She looked down, her hair
falling again. When she looked up a moment later, her
eyes were shiny with tears. Is it really you?
Yes, he blurted.
Cale said you were coming. From the dreams. I
couldnt believe it. Even Fault, everybody dreaming
about you. Except me.
I cant control it, the dreaming
I know. It doesnt matter. She looked into his eyes,
then away. Come here.
He went and sat beside her on the bed. He felt her
weight as her hip slid against his. He touched her shoulder.
She reached up and took his hand, brought it to her
lap. Their fingers curled together.
I havent been the same without you, she said. Im
only half a thing. I dont know how to begin to tell you
Its the same for me, he said. He thought it might be. I
waslost. I wasnt myself.
Lost where?
Inforgetting. Their words went in circles, unmoored
in reality. But it didnt matter. Their words werent the
point.
You forgot me? she said.
I forgot everything. Until yesterday I was somebody
else. I dont even remember how we gotapart.
She looked down.
You didnt forget me? he said. He didnt want to say
the wrong thing.
No. Something else happened to me. But I never
forgot you, Everett. I think I came closer to forgetting
myself.
But I forgot myself, too, he said. Thats exactly what
happened to me. And I remembered you again before
anything else. In my dreams, I mean.
She smiled. You didnt forget yourself the way I did.
What
She touched his cheek. Its hard to explain. All that
was left was memories of you, of us together. I had to
recreate myself from that. Thats why it hurt, just now,
when you said you forgot me.
Im sorry. I
It doesnt matter.
Everything is very strange here. Calewas he so angry
before?
She shook her head. I dont know.
Theres still stuff missing. A time in between. The
house I lived in, by the water.
Your house, you mean. When you left the city.
When I left the city, he echoed. How long ago was
that?
She shook her head.
What?
Dont ask me that. She turned away.
Is something the matter? he asked, confused. Something
was definitely the matter for him: a grainy inconsistency
at the edges of his vision, as though his eyes were
shut too tight. Faults injection, its hold on him, was
beginning to fail.
No, just
She kissed him. First on the side of his mouth, a flash of
skin and breath he rushed to meet, only to have it gone.
Then she leaned forward again, her lips parted, her
tongue visible between them, and when he met her lips,
she didnt disappear, but pressed to him instead. He
tasted her, felt his body flush instantly.
Gwen
Then she was gone, and Everett was back with Fault, in
the basement apartment, seated at the long window. The
rain was still coming down.
He stood with Ilford and Fault on the rocks at the far end
of Alcatraz Island, just above the lapping edge of the
water. The sky was sensationally blue and clear, the air
cold. The abandoned prison made Everett think of the
Vacaville maze. And the ocean, visible through the
bracket of the Golden Gape Bridge, marked the end of his
journey west. It was another desert, but not one he could
cross in a stolen car.
After the rain Fault and Ilford had driven him across
the city and then taken him in a boat to the island, not
explaining why. Everett felt that they both wanted to
leave Cale, the memory or the fact of him, behind at the
house. But Cale was alive in his fathers features, so much
that Everett flinched at the sight of it. Couldnt Fault see
this too?
A seagull wheeled over the rocks and foam and into the
middle of their view, then flew in place there against the
wind, wings straining, feathers flattened, making no particular
progress.
How long were you in Hatfork? Ilford asked suddenly.
Everett was surprised at the question, but he knew the
answer. At least five years.
Its been less than two years since the break, said
Ilford.
I was in Hatfork five years.
Ilford and Fault exchanged a look. The seagull turned
in the direction of the wind and disappeared. You said
the cars there ran on gas? said Ilford.
Yes.
Wouldnt it have broken down chemically in the
tanks?
Hes right, Everett, said Fault. Gas doesnt stay good
that long.
What did it matter if more holes were poked in his
reality? Yet he felt Chaoss five years in Hatfork as a part
of him, a limb. Those years had happened to someone,
somewhere.
Okay, he said. Two years. Two years since what?
Sorry?
When you say the break, what do you mean?
Theres no one explanation, Everett. People remember
some kind of disaster. But theres no agreement on what it
was. Youve seen that firsthand, more than any of us
have.
How did Ilford know? Everett wondered. Hed told his
story to Cale, no one else. Not Fault, and certainly not
Ilford. Do my dreams reveal that much?
Or was he talking to Cale now?
Everett stole another glance at Ilford, who stood staring
off at the sea. But trying to sort out the blurred features of
father and son only gave him a headache. Fault saw him
looking and grinned ruefully, as if to say, Dont bother.
Youre like Kellogg, you know, said Ilford.
What does that mean? Everett blurted, though the
accusation was all too familiar. Melinda. Kellogg himself.
Maybe Ilford got his information direct from Kellogg,
thought Everett sourly. That would account for a lot.
Youre one of the ones that make things happen, make
things the way they are. Hatfork, Little America, that was
as much your work as Kelloggs.
Im the opposite, protested Everett. Im a universal
antenna. Whatever the local concept, I fall for it.
Youre receiving, but youre also sending. Warping the
local concept.
Everett recalled the food in Hatfork, the soup made
from dogs and cats. The idea that he might have been
responsible for the way people lived there made him feel
physically ill.
Nuclear fear was Kelloggs obsession. That wasnt my
disaster.
Your influence is subtle.
Weak is the word for it.
Youve been unaware of your ability. Thats the only
limitation.
Id rather stay unaware of it.
They fell silent, staring together out over the ocean.
Why did you come here, Everett? Ilford asked.
Everett didnt reply.
Hes looking for a girl, Ilford, said Billy Fault. A
particular girl.
A girl, Ilford repeated skeptically.
Everett wanted to ask Ilford if he knew Gwen, but
stopped himself, remembering his promise to Fault not to
speak of the vials in the refrigerator, of Cale.
Youre too fixated on the past, said Ilford. You cant
go back. Especially when youre changing things as you go
along. You cant reclaim a thing that changes as you touch
it.
Everett wanted to ask: What about Cale? Who touched
him and made him change? Because it wasnt me.
He turned away from the water, toward the massive,
ruined prison. It loomed against the bright sky like a
gnarled face. He began picking his way up across the rocks
to the concrete embankment that bordered the island.
Ilford and Fault went after him.
Back at the pier, they got back in the boat and cruised
out into the bay in silence. Everett felt tiny and vulnerable
in the boat, chafed by the wind and sun, the water beneath
them a bottomless mystery. He thought of Kelloggs
dream of the ocean, of the deserts reversion to water. A
dream of longing, it seemed to him now. The earth itself
was unchangeable, the endless tracts of sand and water
and pavement. It was the people, the perturbable madmen
who roamed its surface, who viewed the world as
transient and broken. Everett wished the earth could
somehow reach up and still them, the crazy people, and
invest them with its silence and permanence and depth.
Id like to go in the opposite direction, he said suddenly
to Ilford. Id rather find a way to stop the dreams.
You dont have to choose. You could make the world
and your dreams fit together.
Then I would be like Kellogg, said Everett. Or one of
the others. The ones who run Vacaville. You dont want
that here. He didnt say that he thought No Alley was
already under some subtle control, that things in San
Francisco were oddly wrong.
It doesnt have to be like that, said Ilford. He sat at the
wheel, steering carelessly, bumping the boat over the
waves towards the glittering margin of the city. Therell
be a little party at the house tonight. Talk to my friends.
He went into the kitchen first, avoiding the party, and lost himself in
the splendor of Ilfords food. After five years of starvationat
least he remembered five years of starvationthe
bounty was intoxicating. He blundered past the
spread on the counter, into the cupboard, looking for
dishes. Instead he found stores that would have fed the
Little Americans for a month: shelves loaded with cans,
not raw staples like beans or soup stock but delicacies,
pimentos, tiny fish in mustard, pickled asparagus and
hearts of palm. He forgot to eat, began exploring out of
fascination. One cabinet was loaded with bottles of the
scotch Ilford had served the night before, another with
flasks of balsamic vinegar, jars of roasted red peppers,
and bags of macadamia nuts. A freezer on the floor was
squeezed full of enormous cuts of beef and lamb.
He moved back through the kitchen in a daze, piled up
a cartoonish plate of cold meats and salad at the counter,
and took it out to the living room.
The small knot of people seemed dwarfed in the glow of
Ilfords house, and the murmur of their conversation
echoed softly as though it were being absorbed into the
furnishings of the room. Outside, the fog had closed up to
the windows again. How had they gotten there? Everett
wondered. Where had they come from? It was as if Ilford
had stocked his place with guests from some storage area
and stuck them into place around the chairs and sofa like
candles into a holder.
Dawn Crash, said a woman, inserting herself in front
of him and sticking out her hand. She was Ilfords age, and
Ilfords type: well preserved, too fit for her years, the flesh
of her face seamless and well tanned, her posture unnaturally
upright, her eyes threateningly bright and eager.
Everett found her incredibly attractive.
Hey, Dawn, said Billy Fault, slipping between them.
Hello, Billy. Introduce me to your friend.
Everett set his plate on the coffee table, shook her
hand, and told her his name. He had the feeling it wasnt a
surprise. The woman pressed closer, her stance excluding
Fault. I thought it was you. Ilford says youre staying for a
while.
Maybe.
Good. Perhaps well be working together She was
interrupted by the arrival of Ilford and another man, who
with his shaved head and heavy black glasses reminded
Everett of the mad doctor in a movie hed seen on Edies
television. The doctor in the movie had been apprehended
by President Kentman himself, in a thrilling shoot-out at a
gas station.
Harriman, this is Everett Moon, said Ilford. Everett,
meet Harriman Crash.
Hello, said Everett, disconcerted. Was Moon his last
name? Hed heard it beforeand then he remembered
where. The green, at White Walnut. Moon was his name
in fog, apparently. Im sorry. Your name isHarriman?
Right, grinned the bald man. Harriman Crash. But
you can call me Harry. The woman glowered now.
Everett and Harriman shook hands.
Everyone paused to sip at drinks. Everett took the chance
to tear off a corner of a roast-beef sandwich from his plate
and cram it into his mouth. Nobody else was eating.
Excuse me, said Ilford. I should play host. He leaned
in close to Everett. Well talk later, he said in a tone of
reassurance. Harry knows a lot about your situation. He
patted Everett on the elbow and moved away. Fault
trailed after him.
So, said Harriman, still smiling, lifting his glass,
youre our new star around here. How do you like it?
Everett was baffled. Dawn rescued him from having to
answer. Dont be an ass, Harry, she said. Everett
doesnt know the first thing about it. He doesnt even
know if hes staying.
But youre considering working with us, Harry went
on, intent. Isnt that right?
He managed to find his voice, but only to say, Im not
sure what that would mean.
Very good. Neither are we. But it would be interesting
to explore the possibilities. This is a time of possibilities,
dont you agree?
Everett couldnt argue with that. He said, I guess so far
Id been worrying more about, uh, personal possibilities.
Harriman Crash shook his head. Same thing. Especially
for someone with your particular talents. Exploring
one is going to mean exploring the other.
Youre being pretentious, Harry, said Dawn. And
moralistic. She lit a cigarette, and Everett felt a pang.
Did he smoke? Chaos had, anyway. He hoped that
Dawn would offer him one. Everetts idea of personal
possibilities is much more interesting to him, Im sure.
Fair enough, said Harriman. But he must also understand
that his best chance of realizing them is with our
assistance. His specialness has been more a plague to him
thus far than a blessing. Isnt that right, Everett?
Had it been a plague? He gulped down another bite of
sandwich and said, I dont think its that simple.
Youre selling his sense of social injustice a little short,
Dawn. Everett has been traveling, and hes seen, more
than you or I or anyone else here, probably, just what the
misuse or neglect of this sort of potential can mean. You
left people behind in your journeysdidnt you, Everett?probably
in some pretty dire straits.
Yes, he admitted, thinking, trying not to think, of
Edie.
Am I wrong to assume that if you could change things,
here or elsewhere, for the better, that it would matter to
you?
If I believed that . . . What had Ilford been telling
these people? What promises had he made? But Im not
sure I do.
Right. Harriman clapped him on the shoulder and
grinned again, as though Everett had passed some test.
And so thats what were here to show you. How you can.
But lets do as Ilford said, and talk later. Im going to get
another drink. He went in the direction of the kitchen.
Dawn had moved to the couch, where she sat looking
bored beside another, somewhat older man who had gray
hair and a dark mustache. Two other couples stood
nearby talking quietly, working on drinks, and when
Everett looked their way, they were quick to smile back at
him. It was a room full of seemingly ordinary people, yet
in the midst of the tapestry of disasters the world had
become, it had a chilly, preserved quality, like a wax
museum. He wondered if the cabal of leaders who ran
Vacaville looked something like this before they transformed
themselves into television stars and comic-book
superheroes.
When he turned again, the mustache-man and another
woman had stood and Dawn was making introductions;
Sylvia Greenbaum and Dennis Ard were the new names,
which Everett struggled to retain. Sylvia Greenbaums
eyes were bugged, and her full lips were slightly blistered.
This, together with her explosive gesticulations, made
Everett want to back away. She resumed a story.
it all came down to a tug-of-war between these two.
Tree was this shambling old man, he liked to roam around
picking mushrooms and talking to cows, just a feeble,
eccentric old man, but he had us believe he was a German
rocket scientist and that hed blown up the world! We
were supposed to feel all this guilt for him, through the
dreams, because he was so sure hed caused it all to
happen. And then Hoppington was in this cart thing, like
a wheelchair, but he was young She stopped and smiled
shyly at Everett. Then the mustache-man put his hand on
her shoulder, and she was encouraged to go on. He was
totally crazy, worse than Tree. And the two of them kept
wrestling for control, back and forth . . .
Everett must have looked confused. Sylvias talking
about West Marin, said Dawn. Thats where she was
before she came here. Shes like you, she escaped.
Its probably still that way, said Sylvia. We were all
trapped there for what felt like years. The most god-awful
place, except Ilford was telling me youd been to the one
where everything is green? I still cant imagine that.
Ive been to places worse than that, said Everett.
You mean where theyre having that war with the
aliens? Have you been there?
Uh, not that one.
Dennis, tell Everett . . . Sylvia nudged Dennis Ard.
At the same time Dawn Crash looked at Everett, rolled
her eyes, signaling exasperation, and slipped away.
Ive been getting these dreams, ever since the break,
explained Ard, a little shy. From somewhere back east,
I dont know where. Theyre the most degrading
dreams, about how Im sick and worthless, diseased
inside, and if I talk to anyone else or tell them who I
am, Ill poison them too, Ill drag them down into this
diseased, degraded world. I dont know why, I just
seem to have a special receptivity to this awful dreamer,
whoever he is, whos very far away. No one else has
ever dreamed for him.
Dennis has been living here ever since the break, said
Sylvia. Its not like he went out looking for this.
Anyway, its been a terrible struggle for me. I wake up
each day convinced Im this awful diseased thing, the
dreams say I am. I have to be told over and over that its
not true. I wont admit who I am, or sign my name, or
anything else that might spread the disease. But you dont
need to hear this. He sighed heavily, looking close to
tears. The point is, it recently changed. When Ilford
brought you back here, I started dreaming for you
instead.
Ilford didnt bring me back, said Everett. Here was
one point he was clear on. I just came.
There was a moment of silence, then Ard continued.
Anyway, its the first rest Ive had. I just wanted to tell
you. And to thank you.
Youre . . . welcome, said Everett.
Im glad youre here, said Sylvia. I think the work
youre doing with Ilford and Harriman is very exciting.
Maybe soon youll be able to do for West Marin what you
did for Dennis
Im not exactly working with them yet, said Everett.
Dawn was back, tugging on his arm. Excuse me,
Sylvia, she said. I have to steal Everett here. She steered
him away towards a small study behind the stairs. He
looked back with longing at his plate but didnt resist. She
pointed him to a chair in the darkened room and shut the
door behind them, then ground out her cigarette in a tray
on a small table. He sat on the thick carpet instead of the
chair, and Dawn plopped down beside him.
I didnt mean to trap you with Sylvia and Dennis, she
said. They insisted on meeting you.
You all want to meet me, he said.
Dennis tell you about his problem? Dawn leaned in
close to him, too close in the dark for him to read her
expression.
You mean how he picks up the dreams.
Yeah. Did I tell you my theory about that?
Was she implying that theyd spoken before? Was he
supposed to remember her? He felt confused, but he put it
aside. No.
Well, the one who keeps telling him hes a worthless
lump of disease? The one nobody else hears?
Yes?
I think its his ex-wife. She laughed sharply.
So there are dreamers here, he suggested.
Well, theres you.
This place cant be free of it. Everett thought of the
fog surrounding the house, of No Alleys strange isolation
in the city, and Cale. Cales partial incarnation in
his fathers face, and ghostly existence in Billy Faults
refrigerator.
Take a look around you, said Dawn. We dont have to
move every three days, we dont worship the television.
This isnt Vacaville. Nobody planned this.
You know all that from my dreams?
I know about Vacaville from a lot of people. Its not
that far away.
Everett shook his head, trying to sort out his thoughts.
He could hear the party going on, the clink of glasses, the
murmur of voices. Planned things, bureaucratic places
like Vacavillethose arent the only kind. Those are the
exception.
Christ, Everett, were going to have to listen to Harry
talk about this stuff, Dawn said in an exaggerated, sultry
tone. Were going to talk about it all night. I just wanted
to get a minute alone with you first.
Okay.
I find your dreams sexy, she said, her breath on his
cheek. I just wanted to say that. Is that all right?
Everett nodded.
What do you think of me? She tilted her head away
but moved her body closer.
Im reserving judgment, he managed.
What, she said, is this scene a little too much for you?
I havent been in that many . . . scenes lately. Not this
kind anyway, he thought.
I want to see you again, Everett. When were not at a
party. Can I ask that?
Sure.
She leaned over and kissed him, once, on the lips. At
that moment the doorknob clicked and a wedge of light
shot across the small room.
There you are, said Fault, grinning at them. Ilfords
wondering.
Ilford can wait, said Dawn.
Fault sat down behind them. He didnt speak, just
brought out a kit of syringes and a vial from his jacket
pocket.
Is that Cale? asked Dawn. Everett just sat, open-mouthed
and wondering.
Fault raised an eyebrow. Why? You want some?
Why not? she said.
Its for Everett and me, said Fault, a bit nervously.
Only way I can take these little gatherings of Ilfords.
Thought it might help him too.
Give me some. She stretched her arm out towards
him, made a kittenish, pouting face, like someone years
younger.
What were proposing is very simple, said Harriman
Crash. He paused for effect, and Dawn, on cue, sighed
loudly. So far youve been operating at random. I can
help you refine the ability to develop complete control
over it.
You want a dreamer, you mean, said Everett. Here in
the one place there isnt one.
Ilford started to speak, but Harriman raised a hand.
Not so simply, he said. Were more responsible than
that, Everett, as well as somewhat more ambitious. With
your help wed like to create a broader coherence, a sort
of viral coherence that would roll outward from here,
reclaiming other territories, other realities. Of course this
would take time.
How?
Wed have to teach you to use your talent, make you
visible to yourself. And to stay clear of entanglements
with other dreamers, like Kellogg.
I thought you didnt have dreamers here. I thought you
werent worried about that.
A talent like yours could awaken others, Everett. If we
dont proceed carefully. Or it might act to protect itself
from our tampering, and turn us all into carrots or
horseshoe crabs. Harriman laughed.
I dont have that power, said Everett. I cant do what
youre talking about. Maybe I change the locks on car
doors, little things like that.
Consider letting us show you how wrong you are, said
Ilford.
Consider saying fuck off to these vultures, said Cale
from where he sat perched on the back of the couch.
Dawn emitted a shriek of laughter, drawing confused
looks from Ilford and Harriman, and a panicked glare
from Fault.
Cale had appeared the moment Fault injected Everett
and Dawn with the stuff from the vial. He stood in the
room among them, visible, audible, real. Hello, Cale,
Dawn had said sardonically. Cale only snorted in return,
then nodded at Everett and said, Where have you been?
Dont talk to him in front of Ilford, said Fault anxiously.
Nobody else can see or hear him, but if you
Then Ilford had come in and hustled them out into the
living room again, to confer with Harriman Crash. And
Cale had followed.
Outside the windows the fog was in darkness, and the
living room again glowed as if it were the only room in the
world, as if the furnishings were lit from within. Dennis
Ard, Sylvia Greenbaum, and the others were gone. The
party was down to its essential members.
Now Dawn got up, rattling the ice cubes in her otherwise
empty glass, and went into the kitchen. In the silence
that followed, Everett saw that Ilford and Harriman were
waiting for him to speak. Cale, behind the couch, seemed
equally expectant.
The gold clock on the table clacked softly.
I want to know how it got like this, Everett said. The
dreams, the dreamers.
Theres a lot I could say on that subject, said Harriman.
But it would all be guesses. Just interesting
guesses.
Self-serving guesses, said Cale, heard only by Everett
and Fault.
A gestalt urge for coherence, after the rupture, Harriman
went on. He fingered his heavy black glasses.
Everett suspected that if he moved them to another
position on his bald dome, the watery, unfocused eyes
would move with them. Forgive me if my speech lapses
into metaphor. When the change occurred, the human
need for order suffered a terrible blow. This great need
resulted in the widening of a channel, a compensatory
receptivity to dreams.
Dawn returned, her glass full. Cale leaned his head
back, rolled his eyes upwards, put his thumb to his lips,
and mimed gargling. Dawn just smirked and raised her
glass to him.
Everett tried to ignore them. People cant want to live
the way they are, he said.
Living under the régime of an eccentric dreamer might
be better than suffering through the disjointed, amnesiac
period that followed the disaster.
And it might not be worse than listening to Harriman
talk, said Cale.
Dawn snorted and spat out a mouthful of her drink.
Fault immediately reached for a napkin and began dabbing
at the wet mark on Ilfords couch. Ilford turned to
her, puzzled. As Everett watched, an expression of throttled
fury crossed Ilfords face, then subsided.
Everett then noticed that Cale was staring at his father
with a very similar look, but one that didnt subside.
As in previous eras, the leaders are not necessarily
those who are wisest or strongest, Harriman continued,
oblivious. They are the ones with a certain fixity of vision.
And with the most comforting explanation for the disaster.
Thats the appeal of the conventional millennialism of
your friend Kellogg. He struck all the traditional notes of
sin and repentance.
Like being stuck in a broken elevator with Bob Dylan,
suggested Fault, giving up on the stain and tossing the
balled-up napkin at Cale. It passed through him and fell to
the floor.
You strike those notes yourself, Harry, said Dawn
with false brightness.
But all of this is neither here nor there, said Ilford
testily. He appeared to be fighting some horrible battle to
remain calm, almost as though he sensed Cales presence
in the room. Everett wondered if he was the only one who
noticed.
There are lots of theories, Ilford went on, practically
through gritted teeth. Theories are like the disaster,
different everywhere.
Last time Ilford got this worked up was when Vance
came through here, said Cale, moving around behind his
father. Interesting guy.
Everett tried not to stare. He hadnt seen Ilford and
Cale this close together, unless he counted the way they
mingled in Ilfords face.
True enough, said Harriman. Our emphasis should be
on the opportunity
Cale continued, talking over Harriman. Vance passed
through here just after the change. You should meet him.
Hell give you another point of view.
How can I meet your friend Vance, Everett wanted to
say to Cale, when I cant meet you?
only reasonable for us to want to protect our vision,
Harriman was saying. Isnt it, Everett?
Get away from them so we can talk, said Cale.
Look at him, said Dawn suddenly.
Look at who? said Fault, panicked, clearly thinking
she meant Cale.
Everett, thats who. Hes exhausted, Harry. You and
Ilford have to let him get his bearings, for Christs sake.
Youre just bullying him with all this nonsense.
Dawns right, said Fault quickly. Im feeling a little
wasted myself. He sagged back in his seat on the couch,
obviously relishing the prospect of an end.
Dont say yes or no tonight, said Harriman. His
expression was challenging, one eyebrow raised above the
black frame of his glasses. Just say that youll sleep on it,
so to speak.
Okay, said Everett.
It is getting late, said Ilford. Lets have a last drink.
He spread his hands. Brandy? He looked a little desperate,
as if in another minute he might try to drink the
varnish off the furniture.
Everett went outside, trailed by Dawn and the version or
projection of Cale.
At the very doorstep they were cradled in fog. It clung
to the eucalyptus branches and blocked out the night sky.
Dawn lit a cigarette.
I went to Gwens room today, said Cale, hurrying, as if
he was going to fade soon.
Gwen is the woman in the dream, isnt she? asked
Dawn, blowing out a gust of smoke that floated up into
the fog. The question was directed at Everett. Now that it
didnt matter, she acted as though Cale didnt exist.
Its none of your fucking business, Dawn, said Cale,
surprisingly loud.
She raised her eyebrows and stepped away from them,
but not so far that she couldnt eavesdrop. Or would
Cales words sound in her mind at any distance, until the
dose of him wore off?
You saw her? asked Everett.
Cale nodded. I spoke with her.
You did?
She wanted to know when youd come back.
It tore at him, unexpectedly sharp, to think of her there,
asking for him. He wanted to object, to argue that she
couldnt possibly experience any gap between his visits,
that she didnt exist if he wasnt there himself, hadnt
called her up.
But to want that was to believe that she wasnt real, and
that Cale wasnt real. That the two of them were only
memories, waking dreams, and nothing more of them was
left now. And he couldnt believe that, couldnt let
himself.
Even as Everett thought this, Cale began to fade.
The next morning he left at daybreak and walked down
the hill without seeing anyone from the house. By the
time he reached the Submission, the streets were coming
to life. He walked the broad avenue, savoring the
anonymity, the indifferent, glancing contact with the
people he passed. His dreams hadnt preceded him
here.
The Mexican shopkeepers began the day by dragging
their milk-crate seats out to the curbs, the peddlers by
laying out their wares: loose floppies, broken solar lap-tops,
sealed bottles of pills, sets of stolen keys for houses
in Ate Hashberry and the Callisto, each tagged with a
hand-lettered address. Everett walked up to a vendors
stand for a quesadilla, then realized he had no money with
him, that he didnt know what passed for money here
anyway.
He saw the televangelist, the one hed seen with Fault
when they first came back to the city. It was drawing in
chalk on the pavement, its huge body bent over double, its
tattered smock hiked up to expose a cluster of wiring and
fuses. Two Mexican children stood a short distance away,
shyly japing. The robot ignored them. But when Everett
moved closer, curious to see the drawing, the televangelist
sensed the attention and turned its telescreen face.
Everett knew it wasnt the video image of the televangelists
eyes that actually watched him, but he couldnt help
gazing into them.
The drawing was of a crucifix, the style borrowed from
some medieval icon, duplicated with uncanny accuracy by
the robots hand.
Do you even recognize this form? said the televangelist
in a surprisingly small voice, the blustery features
crestfallen now. You, man, who have fallen so far.
I recognize it, said Everett.
There was once a time when Christ was your king, said
the robot. It stood up over the drawing and faced Everett.
Its smock was smeared with chalk dust. I know this to be
true. I remember.
Maybe youre only programmed to remember, said
Everett.
The televangelist shook its head, doubly, the robot
moving the telescreen from side to side while the video
image of the old preacher pursed his lips and closed his
eyes and shook his head sorrowfully. I remember, it said.
The world has fallen away from Him. We have failed in
our work. There are few now who believe, fewer still who
come to praise Him.
We?
Others like myself. We were sent out alone and
separate into the world. But it is better, in the darkness,
not to be alone. It is better to be found than lost.
The televangelist might remember the world before,
Everett thought. It wouldnt be bent by dreams. It might
have preserved a kind of objectivity, might be able to
provide an account of what happenedif there was some
way to weed through the biases of its programming. A tall
order.
A beggar came and stood beside them with his hand
stuck out, his feet scuffing the chalk crucifix on the
pavement. The robot turned, the sun flashing off its
screen, and handed the man a pamphlet from a pocket on
its tunic. Everett spread his hands and shrugged, and the
beggar wandered off.
The televangelist straightened and looked into the
distance, as though listening to some faraway call. A
bedflat soared overhead, shadowing the avenue. Everett
had a stray memory, of the time when discarded antigrav
mattresses first worked their way out of rubbish dumps
and began floating above the city. This one had red
spray-paint markings on the underside, but it drifted out
of view before he could make out the words.
What changed? asked Everett.
Everything, said the televangelist, and the face on the
screen seemed to wince in pain, as though the body
underneath had suffered a blow. Men began to hear
voices. Here and there you see a man drawn upward, but
then the voices come again and pull him down.
Everett understood that it meant the dreaming.
Do you hear the church bells? said the televangelist.
Everett listened. There were no bells. Church?
It is Sunday, friend. Will you come?
Sunday. Somewhere, back in Vacaville, Edie had
moved again. But had he been here that long? The count
of days was different here. Or else the televangelist was
wrong.
Everett followed the robot from Submission Boulevard
to a large white church a few blocks away. The neighboring
houses were quiet, some with boarded windows, some
open to the light and perhaps inhabited, all dominated by
the oversize cast-iron gate of the church. There was a pile
of charred rubble in the center of the church parking lot,
blackened wire armatures in a pile of cinder. Everett
thought of ceremonial burnings, crosses, wicker men. The
televangelist unlocked the gate of the church with a key
kept on a chain around its neck, and they went inside.
Shouldnt it be unlocked? said Everett. What if
someone wanted to come in?
The televangelist turned, its huge body tilting ominously
over him. The altar here has suffered, as you will
see. Someday men may wish to return to His house. Until
then we must keep it in good order.
They stepped through the inner doors and into the
central room. The pews were filled with dozens of robots,
all weatherbeaten and dented like the first. On their
screens were a crazy variety of faces: corpulent black
Baptists, stern Orthodox rabbis, sober, guilty Catholic
priests. Others had malfunctioning screens that showed
only static. All the robots wore ragged tunics, many of
them jeweled with a wild assortment of religious trinketscrosses,
stars of David, Christian fish, tiny jade Buddhas,
Masonic eyes. One, whose screen showed an FBI warning
against illegal reproduction of copyrighted computer-graphic
formats, wore an ungainly crown of thorns. At the
sound of Everetts footsteps they turned and stared. The
room was silent.
I found a pilgrim, said the first.
Everett thought suddenly of Cale and Gwen. Stepping
into this church was like taking the injection from Fault
and entering a hidden space, a preserve of
What?
Simulations?
One of the robots came forward. Its face was that of a
missionary lost for years in the jungle, bearded and drawn
and impossibly grave. Everett pictured a programmer
working to craft an image that would resonate, inspire
religious awe, and settling on this one. Welcome, sir.
Were honored, though we have little to offer a seeker
anymoreperhaps Ralfrew has told you.
He didnt say, said Everett.
Ralfrew is courageous to go out among the fallen, said
the wizened prophet. Its screen blurred momentarily with
static. The rest of us rarely do. Since anointing us with
holy zeal, God has cast us adrift.
But you stay in the city.
It looked down and said, We stay in the church. Then
it turned away. The rest of the televangelists went back to
their prayer, heads bowed, ferroplastic fingers grating as
they folded them together. Everett could hear one robot
murmuring to itself, a small sound that echoed in the vault
of the church ceiling.
Everett went through the lobby and out of the church,
baffled, his eyes stinging. Tears. The televangelist named
Ralfrew rushed after him, covering the distance in a few
huge strides.
What is it? said Ralfrew.
Your memories are fake. Software.
Fake?
Youre just an empty space, said Everett. Like the
church.
I dont understand, said Ralfrew.
The memories, God, whatever, they just floated
through, once, a long time ago. Theyre gone now.
It was pointless even to discuss it, Everett thought. The
robot had no real self to get back to.
We remember
Everett fled, back up the hill.
Explain, Everett commanded. Hed rushed back to the
basement apartment, broken the lock on Faults refrigerator,
and helped himself to a dose of Cale.
Let me show you something first, Cale said.
A door appeared in the black. This way. He went
through, and Everett followed into emptiness. Cale shut
the door, and suddenly they stood before a scene, horizon,
hills, trees, a nestled lake. At first glance Everett
read it as depthless, flat, a brilliant mural, inches away.
But as he moved his head, it bloomed into three dimensions,
a world. He turned then and saw the small house.
The house from Chaoss dream.
He shut his eyes, overwhelmed, and was flooded with
sounds, the rustling in the trees overhead, the noises of
living things, a chirping, a keening. Then the smells:
pine, dew, rot. He felt the slickness of the grass, the
hollow thump of the ground beneath his step. He
opened his eyes. They were on the lawn beside the
house. A cloud crossed in front of the sun and shaded
half the lake. Nearer, a squirrel spiraled out of view on
a post.
I built it for you, said Cale. Its a place for you
and Gwen.
Howwhere is this?
I built it from your memories. This is where you lived
when you left the city.
I remember. But only from the dreams.
Cale sat down on the grass. Everett sat too, leaned back
on his hands and felt the cool grass tangle in his fingers,
felt the slight moisture of the ground beneath it. How far
would the detail go? What if he dug in the ground? Would
there be insects?
This is what I spend my time doing now, Everett.
Making worlds. Ive made a lot of them.
How?
I dont know. Cale shrugged, almost embarrassed. Its
just what I do. I dont usually show them off.
Why not?
Billys not particularly impressed. And it takes a lot of
effort. I wear off faster.
They fell into silence.
You could do this too, said Cale. Make a world here.
You could do it better. It wouldnt fade away.
I dont understand.
You could dream it into reality.
Youre like your father. You want me to do impossible
things.
Dont compare me to Ilford.
Compare isnt the word for it, Everett thought. I dont
even know where Ilford stops and you begin.
But all he said was, Your father and Harriman want
too much from me.
Dont talk to me about fucking Ilford, snapped Cale.
The world around them flickered and flattened, briefly
short-circuited.
Cale, how did things get like this?
The break. Everything changed. He was still angry,
but his voice, and the landscape, had settled.
You dont remember any more than I do, do you?
I dont know what you remember.
Almost nothing. Youyou triggered a memory for me,
the story about the train. I thought you remembered our
past. Growing up.
Cale laughed. You gave me the memory of the train. It
was the first dream I had when you came into range.
Vacaville, I guess. Something about your friend Kellogg,
in an underground well. Then it turned into us in the
tunnels.
Everett didnt know what to say. He looked at his
hands, which were crisscrossed with lines from the grass.
But were they his real hands, in this pretend place?
I know you and me and Billy were friends, before, said
Cale. The rest doesnt really matter.
Do you remember my family? My parents?
No. Im sorry.
Everett felt like a flash of static electricity in empty
space, something brief and lost.
He said, What about Gwen?
You and Gwen were together before, said Cale impatiently.
Thats obvious.
But you dont remember her.
That isnt exactly true. I have a few stray memories.
But it doesnt matter, Everett. Shes here, now.
This wasnt the consolation Everett was seeking. What
did his attachment to Cale and Gwen mean if he could
barely remember them? Who was he, if all he knew of
himself was the shreds of memory that clung to these
people?
And were they people at all, if they lived only inside
refrigerated vials?
Theres something I want you to do, Everett. For me
and Gwen. Make it real here.
I cant do that.
Its easier than things youve already done. Ive supplied
the ingredients. Cale gestured at the sky. You only
have to finish the job. The one limitation here is the
connection to the outside world. The dependence on it.
You can break that.
Everett didnt speak. He looked up. The sun had
crossed the sky once and now it was back at the other end,
starting over.
What would it mean, anyway, he said after a while, to
make it real?
An inversion, said Cale. Turn it inside out. He
modeled it with his hands. Ilford and Kellogg and everything,
all the broken-up, tired American realitymake it
small. Make it into a drug we can take if we want, the
contents of a test tube. And make this the real world, the
one that persists.
Everett was silent.
Make Gwen real, Everett.
Thats not Gwen. Just a hint of her, a phantom.
You hold it against her that she has a few blank spots?
Youre a fine one to talk, Everett. Theres as much of her
left as any of us.
Maybe hes right, Everett thought. I came back to find
her, and I found her. And what I felt there, in her arms,
whatever the surrounding conditions, was real. Is real.
A month ago hed been living in a projection booth,
drinking what amounted to rubbing alcohol, dreaming
Kelloggs dreams. Who was he to look a gift reality in the
mouth?
He was lucky that Gwen had recognized him, had
thought there was someone there to recognize let alone
love.
She was as much Gwen as he deserved, he decided.
Maybe more.
But he couldnt let it go. Somebody must know, Cale.
Know what?
What happened to Gwen. And to you, he almost
added. What about Ilford? What does he remember?
Ilford is a liar! The world around them flickered,
crackled, brightened to impossible primary colors, then
disappeared.
They were back in the flat gray space, the default zone.
And Cale had turned inward, sulking, his eyes down, as
though it were Everett who had thrust the world away,
rejecting an offer.
In fact, Everett felt the disappearance of the landscape
as a tremendous loss. No matter how little he trusted it.
Cale.
Yes?
He had to find the right question. It wouldnt work if he
mentioned Ilford. You said there was someone I should
meet. Another point of view.
Vance, you mean.
Thats what I need, more points of view.
Vance was a guy who passed through here. A year, six
months ago, I dont know. If he was real, theyre supposedly
having this big war there. With aliens.
Where?
L.A. But other places too. Thats one of the things that
makes it different from just another bad dream.
There was a part of the desert, said Everett. Something
military going on.
Its been a while since I visited him. Its not exactly
scenic.
How
Billy gave him a dose so I could meet him. While he
was here, I helped him create a version of his world, a
record. Youll see.
A new doorway appeared, and Cale and Everett went
through. Everett experienced immediate vertigo; hed
somehow stepped into the rear of an airplane or helicopter
or hovercraft which was tilted so much over a cityscape,
the side windows nearly faced the ground. He saw that he
was dressed differently here, in a full bodysuit with wiring
and terminals. Cale, standing beside him, was dressed the
same way. The city beneath them was flat and gray and
dead. Everett closed his eyes and felt the pitch of the
craft, the vibration of the engine.
Cale, said a voice. Everett looked up. A man, also in
uniform, ducked through the low door from the cockpit of
the craft. He was black and young, but his hair was
completely silver. He wore tiny dark glasses that just
covered his eyes.
Vance, said Cale. I brought a friend of mineEverett
Moon.
Vance Escrow, said the man. He stood, spread legs
almost bridging the width of the crafts floor, and stuck
out his hand. Everett used the handshake to steady
himself.
Everetts been away, said Cale. Hes sort of caught
Ilfords interest.
Dont tell me, said Vance, making a face. He turned,
and Everett could feel his stare through the dark glasses.
You dream?
Well, yes, said Everett.
You should join us, said Vance.
Never mind that, Vance, said Cale. I brought him
here to find out about the war.
Vance smirked. What do you want to know? Were
whats left, fifteen or sixteen hundred free men. Everyone
else is just slave apes. We try not to kill too many of them,
because its not their fault. Its the hives were after.
The craft leveled out and dipped low, buzzing the
rooftops of an abandoned mall. Everett saw dark figures
scurry around the corner of the building like rats. From
the cockpit came the staticky crackle of voices on short-wave.
Hey, Stoney, called Vance back through the cockpit
doorway, even it out. Were talking.
Yassuh, came the sardonic reply.
I thought you were fighting aliens, said Everett.
Right, but not like youre thinking. Not just some
bogeyman Martians. You know why were in the air,
right? Cale tell you about that?
They dominate on the ground, Cale explained. Like
dreamers, but alien dreamers. The only way to stay clear
of it is to stay in the air.
If we set down, wed be slave apes too, said Vance.
Free man is airborne.
Slavesto what? said Everett. He kept one eye on the
shifting landscape in the window, trying to remind himself
that it wasnt real.
The hives, said Vance. Theyre growing inside all
the houses. Humans have to tend them, bring them
food, trinkets, little offerings. The place where the
aliens come from, the dominant species is some sort of
hive intelligence, and the bigger animals serve as their
arms and legs. So thats what they did to us when they
landed. Turned us into animals. And they dont really
give a damn about the condition of their animals, not
when there are so many of them. People arent exactly
brushing their teeth a lot anymore, if you get my
meaning. Or remembering to eat.
The hivesthey dont ever leave them?
Nope. Think of it as a cancer, Moon. Tumors, earth-tumors
growing inside the houses, breaking through the
basement floors, teeming with this unnatural alien life that
can get inside your head, brainwash you, make you care
about keeping them comfortable. Like being the butler of
a tumor.
They flew out over water. Everett stared down at their
reflection: a propless helicopter, just like the one in the
desert that had marked his car with pink goo.
So you dont ever land?
Vance shook his head. Not here. We have to fly to
other zones for that. Here we live in the air. Youll get
used to it. Man adapts.
Dont be patronizing, said Cale. Everett is Mr
Adaptation.
I bet, sniggered Vance. Where you come from,
Moon?
Hatfork, Wyoming. But California, before that.
Vance jutted his chin at Cale. You knew these people
before the break?
We grew up together, interjected Cale before Everett
could answer.
So Ilford wants Everett here to be his boy, said Vance.
He leaned back against a bulkhead, crossing his arms.
For the big expansion.
Cale nodded.
Vance turned to Everett. Listen carefully. If Ilford rolls
down here, or out to some other place where the hives are
in charge, hes going to have a lot to answer for. The
fragmentation is all thats keeping them from running the
whole show.
Maybe another reality would predominate, said Everett.
Maybe youd win, that way.
The hives are from somewhere else, my friend. Theyre
not competing on the same level. We had a few dreamers
around here, in the air, I mean. Not too useful, kept
screwing up operations, until we got them isolated. But a
human dreamer, down therejust another slave ape.
Then why would you want me?
Were working with you people now, carefully. Not
here, in Mexico. Weve got a few ideas.
Vance and I dont necessarily agree on this, said Cale.
Vance waved his hand impatiently. Listen: why do you
think the world got broken up? Because the aliens landed.
It was a defensive response, an evolutionary step. Reality
shattered to isolate the hives.
I dont understand how the dreams come into it, said
Everett.
The hives are responsible for thatthey induce the
dreaming. The more the world coheres, the more they can
grab. Its a countermove. You dreamers are dupes,
Moon.
Asking him to believe in an alien invasion was asking a
lot, maybe too much. But Everett could concur with dupe.
Listen, Moon. Ill keep it simple. Vance waved at
Cale, at the ship. Just because Wonderboy here created
this thriving simulation doesnt mean things havent
changed in L.A. I might be dead by now, the real me, that
is. They couldve knocked us out of the air by now. If so,
then the breakup is all thats keeping you and a lot of
other people from getting to know the hive situation
intimately.
They broke through a bank of low clouds, and the city
tilted back into view. Everett realized what was wrong
with the scene. L.A. was built for cars, and without them
it was bereft, a body drained of blood.
Or a hive itself, only emptied. A husk.
How much of that is true? asked Everett. They were
back in Cales null space.
Cale spread his hands. You just heard all I know. He
seemed sunken in depression.
Everett could feel the dose wearing off.
The vehicle we were in, he said. I saw one in the
desert. They marked my car.
They get around. But they could just be dreaming. You
havent ever seen a hive, have you?
No.
Well, neither have I. In his version of L.A. you never
touch down. You just go around blowing things up from a
distance.
Everett suddenly wondered: What if he could do what
Cale hoped? If he dreamed Cales test tube world into
reality, and Vance was actually dead, would that bring the
dead man back to life?
Was that what he was supposed to do for Gwen?
Of course I remember Vance, said Dawn Crash. Hes an
arrogant, macho fool.
So hes real, said Everett. Not something Cale cooked
up. It had occurred to him that the L.A. scenario might
all be a rhetorical fiction, a tool of persuasion in Cales
quiet struggle with Ilford.
Hes real, all right. And he made a real scene up here,
until Ilford had him chased away. She smirked. Actually,
I slept with him, if you want to know the truth.
So the aliens . . .
Vance being real doesnt mean the aliens are, said
Fault. Its just another dream, Everett. What better way
to keep people under your thumb? Make up some big
enemy, justify everything as part of the war effort.
Dawn and Fault had shown up in Dawns car, just after
the sun went down, and invited him out for a drink.
Everett was sitting at Faults place at the basement
window and watching the glow fade through the fog, in
the aftermath of his visit with Cale. Fault raised his
eyebrows at the sight of the pried-off refrigerator lock but
said nothing.
Theyd taken him down the hill to a bar in the
Submission, a place called Voids which served brackish
beer in big, greasy pitchers. Everett felt that hed been
there before, but the elusiveness of the feeling, and
then the irrelevance of it in the face of all he couldnt
reconstruct, depressed him. The bar was crowded, the
booths and tables filled with teenage Mexican boys with
wispy beards and aging prostitutes scouting drinks. At
the pool table a scowling black man studied his shot.
The bartender fed coins continuously into the jukebox,
as though he didnt want to have to overhear any
conversations. Everett, Dawn, and Fault sat in a dark
booth against the back wall.
Everett felt the pulse of the music and the chill of the
alcohol move through him, and it seemed to him that he
was nothing more than the sum of those effects.
Do you remember my parents? he asked Fault.
I never met them, said Fault carefully. He seemed to
sense Everetts darkness.
Did I ever talk about them?
Not that I recall. Fault raised his beer glass and hid
behind it.
I thought, I was coming back to something, if I came
back here. To a self.
When I found you in Vacaville, your name was Chaos.
Remember that? Be grateful for what you have.
Who you are isnt a matter of memories, anyway, said
Dawn. Especially lately.
What is it, then? Everett asked with bitter sarcasm.
Only after it was out did he realize how badly he wanted
an answer.
Its what you do. Your choices. She sipped her drink.
Who you make yourself into.
So Im not supposed to care who I was before?
Dawn shrugged. Care if you want. Just dont make
everything depend on it. Because youll never be sure.
What about you? Everett said, suddenly furious at her
smugness. Why is it so easy for you? Do you remember
everything before the break? Is your life now consistent
with what it was then?
Im mostly interested in forgetting what I was before,
she said.
Everett weighed the notion of remembering too much,
so much that you wanted to forget. He felt a flare of envy.
Though it might not be that different, he supposed, from
wanting not to dream. From drinking to blot out Kellogg.
Were you married to Harriman, before? he asked.
Youre married, right?
Our alliance goes a long way back. Its not what you
think, perhaps.
What is he, some kind of dream scientist? What was he
before?
His research was along those lines. The break changed
it, like it did everything, of course. But I dont want to talk
about Harriman. The subject bores me.
Everett slumped deeper in his seat, weary of pressing for
answers that didnt satisfy. His gaze drifted out past the bar,
through the front window, a pane cracked and repaired with
masking tape and framed by dusty, obsolete logos.
There was someone he recognized on the street outside.
Something, rather: the televangelist. It stood lecturing or
reprimanding two small boys, who for a moment
reminded Everett of Ray and Dave. But they werent, of
course. Just two boys. Everett watched as they ripped
loose the televangelists supply of pamphlets and scattered
them on the avenue, then ran. The robot laboriously bent
to gather the fluttering papers.
Werent you going to play some pool? said Dawn
unexpectedly to Fault.
Fault nodded, taking the hint, and slid out of the booth.
Everett watched him approach the table, weaving his head
nervously as he addressed the players.
I want to talk to you about the girl in the dreams,
Dawn said.
What do you mean?
Gwen, right? Youre in love with her. Thats what you
came back for.
Everett nodded, too tired and possibly too drunk to
argue.
Cale wants you to make his world real.
He looked away, not wanting to confirm it. Hed seen
Dawns contempt for Cale at the party.
So he and the girl can be alive, she pressed on. Dont
lie, Billy told me all about it.
He met her eyes again and knew it was as good as
nodding.
She scooted up against him in the booth, until shoulders,
hips, and knees were all touching. Listen, she said.
I have a better idea.
Better than what?
Make me into Gwen.
I dont understand.
Use your power to turn me into the one you want.
Then shell be alive, and youll have her. You can do it,
you know. Make me into her, and well get away from
here together. We can go to the house you dream about, if
you want that.
He closed his eyes, then lifted his glass and drained it.
He felt her hand on his thigh.
Thats somehow disgusting, he managed to say.
Thank you, she said.
Do you mind if I ask whats in it for you?
She laughed and gripped his leg. I could say thats none
of your business, Everett. But Ill tell you. I would be
young againnot that Im old. But your Gwen is very
young, like you. And I want my life to change. And you
turn me on. Your power turns me on.
He didnt say anything.
She would be real, Everett. I know how much you want
that. You wouldnt have to wonder anymore.
What about Harriman and Ilford? What about their
plans?
Id be happy to see their plans go up in smoke, dear.
With the hand that had been on his knee she reached up
and turned his face towards hers.
Give me a kiss, she said.
He put his mouth on hers and tasted her breath. It was
sweet, like apple juice. Hed somehow been expecting
something bitter. Ash, or vinegar.
She turned her body towards his, and they moved
together in the booth. Everett felt unstitched. The canned
roar of the jukebox, the smell of sweat and stale smoke,
the clack of billiard balls, Dawns tongue in his mouth and
her hand on his legall drifted apart like islands, to reveal
the sea or fog that lay between.
He sat up and shook his head. Dawn opened her eyes,
smiled petulantly, and drew away.
Youre not Gwen yet, you know, he said, wanting it to
be a vicious remark, wanting it to express his entire cosmic
bitterness.
But she was still smiling. No. Not yet. But Im not half
bad.
He pushed out of the booth and made his way to the
mens room, and stood, wobbling in place, at a stall. Fault
came in after him, still carrying a pool cue.
You all right, Everett?
Lets get out of here, said Everett.
He stood and looked up at the low sky, the vault of fog
that pressed down on the black bracket of trees. Dawn
had dropped them at the end of Ilfords driveway, and
then her car had slipped invisibly into the night, the sound
of the motor trailing away to silence.
For a moment he regretted letting her go. He could
have gotten free of Ilfords looming house, could have
followed Dawn to her bed and asked her questions. Her
appeal was tied to what she seemed to know. He hated
himself for the need that drew him to her. For his
pastlessness.
He turned towards the house and encountered Fault,
waiting for him. Suddenly he was filled with loathing.
Youre the universal yes-man, arent you? he said.
What? said Fault, gaping through the darkness.
Youll pimp me to anyone. Ilford, Cale, now Dawn
Thats a little harsh, Everett.
Everyone wants a little piece of me, said Everett.
Except for you. For you Im bait.
Theres a lot you dont understand, said Fault.
Do you even care which side youre on?
Im a survivor, said Fault indignantly. Like you, like
anybody else. I do what I have to do. You dont know
about my problems, Everett. You dont know what happened
to me.
There was silence then, as they stood in the dark on the
drive. Everett heard his own breath, felt his own thick
pulse swollen with alcohol. Before him glowed the windows
of Ilfords living room, beacons in the fog. The
basement apartment was unlit, invisible.
Finally he said, Youre right. I dont know what
happened to you.
Thats right.
So tell me. What happened to us in the break? What
happened to Cale?
Things could be a lot worse.
Who are you protecting? Ilford? Cale? Or yourself?
Im not
Tell me what you know, then.
I cant. Fault turned away and walked towards the
house.
Everett stood, infuriated, wanting to go the other way,
into the fog and night. Instead he followed, moving into
the circle of light that came from the windows. At the
entrance to the basement he caught up with Fault again.
I want a dose tonight, he said.
Go upstairs and go to sleep. Youre running through
my supply.
Give it to me, Billy.
Shut up, dont talk about it out here
Downstairs, then.
They went into the basement.
You were away for so long, said Gwen.
Ive been busy, he said. Things have been complicated.
She drew him to her, into her arms where she sat on the
sketch of a bed in that empty space. He felt her touch like
an echo, a whisper in the language of memory.
But he was tired of whispers.
You have to find a way for us to be together, she said.
I cant stay here waiting for you anymore. I cant stand it.
Its not that simple, he said.
Cale said there was a way.
Cale thinks there is a way. I dont know what I think.
He said you could finish what he started, she said.
When he called me back, when he helped me come back.
You could bring me into the world again.
Everett flinched. Maybe. Maybe I could do something
like that.
Cale thinks so, Everett.
Does Cale . . . He stopped. It didnt matter if Cale
came here. The thoughts she voiced were Cales. It was
better, in fact, to think that Cale came here, came to her
in person and spoke. Better than thinking hed somehow
programmed her from afar. If it was that way, he didnt
want to know.
He pulled away.
Is something the matter? She looked into his eyes.
I need to know who I am.
I know who you are.
Tell me.
Youre Everett, in love with Gwen. Everett with
Gwen. Just like Im Gwen with Everett, Gwen for
Everett. She blinked, looked down, then found his eyes
again. Do you love me, Everett?
Yes. But Im not
Then I know you.
But you dont, he said. You dont know me.
What do you mean?
He slid away from her on the bed. Will you let me show
you something?
She nodded mutely.
He took her to Hatfork.
They stood in the parking lot of the Multiplex, the sun
beating down on them, the desert air already drying their
mouths. The theaters sign still shouted that Chaos was
the only thing playing. The empty black lot burned them
through the soles of their shoes. Squinting, he pulled her
by the hand into the shelter of the entrance.
Everett, she started.
You have to call me Chaos, he said. He pulled out his
old keys and unlocked the door to the staff entrance, and
they stepped into the hall that led to the projection booth.
Why should I call you Chaos? She leaned back against
the corridor wall, looking frightened.
Because thats my name here. He reached out and
touched her shoulder, and smiled slightly. It might even
be a name I gave myself. Because Im part of why its like
this, here. I helped make this place.
I dont understand. Places dont matter anymore.
Thats what Cale said. He said he could make any kind of
place he wanted. And that you could too, Everett.
This is different from the places Cale makes. I mean, I
didnt make it by myself. I didnt even like it. But its a
part of me, its the part of me I can remember.
He closed the door behind them, sealing them in the
gloom. But he knew the way, would know the way
forever. Grasping her hand, he led her up the stairs.
The projection booth was just as hed left it, just as it
always had been, the old machines layered in dust, his
stained blankets balled underneath the couch. His cigarettes
were where hed left them, and he realized he
hadnt had a smoke since hitting the road. He thought of
that day, his argument with Kellogg out at the reservoir,
his flight. He broke the spell of memory, led Gwen to a
seat on the couch, and lit candles in the corners of the
booth.
This is what? she said. Where you lived?
For five years.
I thought that was wrong, Everett. Cale told me you
thought it was five years, but it wasnt really.
All she knew was what Cale told her. Everett saw that
Cale had done his best to prepare her for her time with
him, for her chance to be real.
It doesnt matter, he said. This is where Ive been, this
is what I remember. It was five years to me.
She shook her head, then stopped and stared at him,
frowning. You look different.
He nodded. His hair was a thatch here, his skin
sunburnt, his teeth unbrushed.
She leaned back on the couch. Okay, she said. Ive
seen it. Now I know.
No, he said. You have toyou have to come with me.
See it. I need you to see it all.
He took her in the car, and they drove through town.
They went to Decals first. Everett introduced Gwen, and
Decal smiled his ragged grin and shook her hand. Decal
gave them two quart containers of alcohol, which Chaos
locked in the trunk. At Sister Earskins he added a
container of soup and two baked bird legs wrapped in
recycled aluminum foil. Kelloggs food rangers still hadnt
turned up any new cans. Chaos wondered how long it was
since hed seen a can or a food ranger, and a corner of him
thought to wonder if the rangers had actually existed in
the first place or whether they were just another part of
Kelloggs lore.
Then he drove them out to the edge of the desert, to
sit by the crumbled salt dunes and watch the sunset and
eat.
His thoughts were distant, and he and Gwen were silent
for a long time. Finally, in the smallest voice she possessed,
she said: Did Cale make another place? A house
for us? Like where you lived before?
Yes.
Why dont we go there, she said, instead of here?
I want you to see me here.
Why?
You need to know this part of me.
Its the worst part of you, Everett. You dont need this.
You ran away from this.
I He couldnt find the words.
What?
Isnt that the idea, in love? he said. That you should
be able to love the worst part? But he knew this was
beside the point, talking about love when he should have
been talking about real and fake.
I dont know, she said.
Well, I think thats all there is of me now, Gwen. The
worst part. This part.
I think youre being miserable, she said. The piece of
bony meat she held, she placed back on the foil. And I
think this food tastes rotten. I cant believe you had to
make up all this garbage, make this whole screwed-up
place, just to drag me here.
He stared off into the distance, at the sinking suns
reflection on the shimmering highway, and thought of his
journey to California, the things he believed he was
leaving behind, the things he believed he was moving
towards.
Cale says you can make anything, she said. We can
have whatever we want, Everett.
He didnt speak.
Take us back, she said.
Not yet.
She clung to his arm. To your house, or whatever it is,
then, please.
He turned and saw fear in her eyes. All right, he said.
He put the food in the car and drove Gwen back to the
Multiplex.
She sat on the couch, huddled into herself. Im scared,
Everett. If you go away from me, I dont know what will
happen. I dont know where Ill be. God, it smells in
here.
I dont want to go away from you, he said.
Then stop this. Its destructive.
The sharpness of her voice was another echo of Cale.
Youve only been here a little while, he said. Give it a
chance.
This is crazy, Everett
Call me Chaos, please. Its important.
No. I wont call you Chaos. Its not your name. She
lowered her head and began crying quietly. This is all
wrong.
Wrong?
I mean its not you, not really. Its fake, Everett. Its
not real. I wish I could make you understand.
Everything is fake, he said. He opened a container of
alcohol and took a drink. Its all fake, now. But some
fake things are important, too. Because theyre the things
that define a person. Like you, Gwen. Youre one of the
fake things that define me. He took another drink.
Youre fake too, you know.
Dont say that. The tears on her cheeks seemed to
evaporate as her cheeks flushed with anger. I came a long
way back to you, Everett.
Cales words. Every time she got angry, he heard Cale.
Her gentle side was more convincing, because it had been
cribbed from Chaoss dreams, but the angry parts had to
be invented whole. And for that the only model Cale had
was himself, the only voice he had was his own.
Cale made you, he said at last, hating himself for
saying it.
No
Youre a simulation. He made you from a few scraps, a
few memories. He built you around the idea of me, of us
together. Thats why thats all there is of you. He was
counting on me to finish the job, to flesh you out and
make you real.
Thats not what Cale told me.
He lied to you. Youre a slide show. He drank again,
looking away, avoiding her eyes. Youre a gift for me,
Gwen. Bait to bring me back. Cale did a good job, the
best job he could. He made you believe in yourself.
She was crying again. Cant you see its me? Cant you
hear my voice?
If you were really Gwen, you could love me here. As
Chaos.
Im not obliged to love you at your worst, she said,
standing up. Im not some dog, Everett.
He didnt speak, but thought, Nobody would bother to
make a fake dog.
And the Hatfork part of him thought, If you were a
dog, wed have a roast. A major meal.
This is all lies, she said and went to the door. I dont
have to pass some test. Ill see you later, Everett. I dont
even know anyone named Chaos.
Groping for the wall of the stairwell in the dark, she
closed the door behind her. He listened as her footsteps
clattered away downstairs into silence.
Everett, who was little more than his tie to Gwen, might
not have been willing to see her walk out. He might have
followed her.
But Chaos didnt. Chaos reached for another drink.
As he drank, he wondered if the things hed told her
were true, and what it would mean if they were. There
was an ache inside him. He drank to blot it out. As he sat,
he watched the candlelight blur, and the things hed said
and the things shed said all echoed away like the unreal
residue of one of Kelloggs dreams. What was left, what
was always left, was this room. The old projectors pointing
out on to the empty theaters.
What if what Cale suggested was actually true? Could
he really dream projections into realities? Funny, if so.
Because this sure wasnt what Cale had in mind. Hatfork.
He raised a drink to the thought.
He listened to the desert wind howling in the ventilation
system. It was night now, outside. He wondered where
the woman had gone, whether shed made her way to the
town, or the highway. Or had she disappeared the
moment she left the building and went out of his range?
Confusing. The whole business about San Francisco and
the people there was confusing. Preposterous, really.
Kellogg sure had some dumb ideas.
He remembered, sourly, the womans parting words.
Well, he wasnt so sure he knew anyone named Gwen, for
that matter.
If Kelloggs ideas were dumb, what did that make him
for dreaming them? Even dumber, he decided.
He stayed in his booth for two days, drinking, smoking,
and masturbating. At night he drank to pass out, and
didnt dream. It was hunger that finally flushed him. He
got in the car and drove to Sister Earskins for supplies.
When he caught sight of himself in the rearview mirror,
highway stretched out behind him, wind tangling his hair,
he grinned. Everything was going to be okay. He could
live with Kelloggs dreams. That was his job, his cross to
bear. Hatfork was his place, after all; it was here that he
was an emblem of something. Everything was back to
normal.
Back at the Multiplex he found another car parked in
the lot, one he didnt recognize. When he carried his bag
upstairs, he found Kellogg waiting for him on the couch.
Kellogg had the place lit with a beacon and was filling the
air with smoke from a huge cigar.
We gotta talk, Chaos.
Chaos couldnt find his voice. The last time they saw
each other, hed left Kellogg lying in the sand, bleeding.
Your woman is staying at my place. And boy is she
giving me an earful. Shes even crazier than I am. Heh.
You sure can pick em, Chaos.
My woman?
Gwen. Your fancy-ass city woman, remember? How
quickly, how quickly they forget. I shouldve named you
Captain Vague. The Space Cowboy. Well, never mind.
She and I are hitting it off just fine. Your loss, my gain.
You dreamed yourself up a hell of a woman there,
Captain.
Kellogg took a puff from his cigar, which glistened
darkly. Chaos hallucinated briefly that it was studded with
walnuts. That Kellogg was smoking a brownie.
You and Gwen? Chaos said. He remembered her
now. Just.
Kellogg laughed, belching smoke. A touch of jealousy,
Captain?
What? No. Shes not real.
Not real? Youre still riding that horse? You have got
one profoundly fucked-up sense of priorities, Chaos.
Shes as real as I am. We both come from you.
Youre insane.
Splendid! said Kellogg, jumping up from the couch.
Chaos took a step back. Am I supposed to go No, youre
insane? We could do that for a while, I guess. He played
both parts, crossing his eyes to perform Chaos: Youre
insane. No, youre insane. Excuse me, no, but youre
insane. He reached out and poked Chaos in the chest
with the butt end of the cigar, leaving a smear of tobacco-brown
drool on his tee shirt. Give it up, Chaos. Sane and
real only go so far these days.
Leave me alone.
Kellogg threw up his hands. Youre the boss. Thats the
whole point, Chaos. Youre in charge around here.
Bullshit! Chaos was suddenly roused. Im lost. Im in
San Francisco, right?
Well, yeah . . .
And look. Here I am dealing with you again. Chaos
put his head in his hands. I go all the way to San Francisco
and I cant even get away from you.
What crap. You called me here, pal. Im only a
consultant on this case.
Chaos ignored him. Im missing huge chunks of my
life, he went on. I cant even remember my parents.
Kellogg waved his hand. Youre a thirty-year-old man,
Chaos. Time to stop whining about your parents. Start a
family of your own, for Chrissake.
Who did this to me, Kellogg? Was it you?
Not me, pal. You were like this when I found you.
When you found me, when we started working together.
Thats the way it has to be for you. Youll always be living
in an FSR.
FSR?
Finite Subjective Reality. Thats what I call it. I
ought to copyright that, in fact. You go creating a little
area of control around you, until you bump into the
next guy with his. A little sphere of reality and unreality,
sanity and insanity, whatever you pull together.
Theres no hope of sorting it out. Thats the way you
live. FSR.
You have a theory for everything.
True enough, true enough. And your FSR sure could
use some sprucing up, Captain. Kellogg waved his hand
and knocked over a candle. Oops. Well, I must be going.
Have a happy! He picked up his beacon and started
singing. Theres a world where I can go and tell my
secrets to, in my room, in my roooom . . .
He stopped and turned. Cripes, I almost forgot. Gwen
wrote you a note. He dug in his pocket and pulled out a
crumpled slip of paper. Here you go.
He passed it to Chaos and clomped downstairs. Chaos
smoothed out the note and read:
Chaos put the note on the table beside his cigarettes. He
sat motionless for a minute or two, then unwrapped the
food from Sister Earskins and ate.
Late that night he was woken by quiet footsteps on the
stairs. He sat up and lit a candle. The door opened and
Melinda came in.
You put me back with my parents, you dork.
He rubbed the sleep from his eyes and blinked at her.
Melinda flopped down on the end of the couch. I ran
away again, just now. Theyre gonna kill me.
How did you get here?
I got Edge to drive me. Hes got a crush on me, you
know. Keeps trying to put a move on. She shook her
head. Cant believe Im back in this town.
Wheres Edie?
She sneered. Now you want to know where Edie is.
Boy, Chaos. You think maybe its a little late?
What do you mean?
Back in Vacaville things are getting weird. Cooley and
them . . .
What?
Its hard to explain. Anyway, whereve you been? And
what are we doing here?
I had to come back. I didnt mean to bring you. It has
to do with this woman
I know, I know. Your dream girl. Edge says shes up at
Kelloggs. Why you want to drag her out here, though?
I had to see. Imy name isnt even Chaos, to her. I
thought I was going back to my past. But there was
nothing there.
So?
It suddenly seemed important to be Chaos again.
Well, maybe. Melinda rolled her eyes and yawned.
But I think you got the wrong Chaos.
What do you mean?
She tucked her legs up on the couch and rested her head
on her knees. You got the loser, she said. The Chaos
who just sat and took it. I mean, you couldve picked the
guy who hit the road.
He couldnt think of what to say.
You know, because she might have fallen in love with
him. If thats what you wanted, if you even know what you
want. She yawned again. God, Im tired. I had to lie
awake in the dark until my folks went to sleep. I was so
pissed at you. Oh. She woke up a bit. You lose a clock? I
found one outside.
Then she went to sleep, curled up there at his feet. As
though she thought it was her right place, he mused.
Whatever she had against him.
He sat for a long time watching her sleep. When he was
sure it wouldnt wake her, he slipped out and went
downstairs. The sun was just beginning to rise. He turned
and saw the last visible stars at the edge of the hills to the
west.
He found the clock lying on a small bank of gravel at the
far end of the parking lot. It was surprisingly heavy, and
the golden pendulum shifted erratically as he righted it.
Strangely, the loud tick was regular whether the clock was
upright or not. He stared at it wonderingly. There was
nothing in Hatfork or Little America so clean and beautiful.
Another message, another arrow pointing him away
from Hatfork. But an odd, unexpected one.
He had to return, he saw now. There was something
unfinished in the place the clock was from. Maybe an
escape he hadnt managed yet. The tick of the clock
seemed to drown out clear thought, even as it called him
back.
Chaos walked out to the sign at the end of the parking
lot and from there watched the sun rise over the desert,
watched as it warmed the hills and burned away the dew
that clung to the grass that grew in the cracks in the
pavement and around the foot of the sign.
C H a O s, c H A O s, C h A o S.
Then he let Hatfork disappear; the sky, the desert, the
Multiplex, and the girl sleeping upstairs; everything.
The clock was happy.
It felt itself to be the very embodiment of pride and
purpose, clacking. The work was second nature, effortless.
To be a clock was to tick, but to be this clock was to
clack. The sound itself was golden. And reflection; that
was the great work, the distinction.
The curved casing of the clock held the whole room in
miniature, bent and gilded. But the light flowed both
ways. As the shimmering pendulum swung again and
again, an inch from the glass table, magical specks of
light raced along the walls of the room, touching
everything, dancing in flamboyant courses that were
repeated exactly. The beams confirmed the arrangement
of the room, each item glowing in its right place,
even as the reflection in the casing drew all together
into a detailed, burnished knot.
Conferred, conferring. What a privilege.
Clack.
The room was happy all over. The clock was aware of
the fantastic pleasure the oak chair took in just being
the oak chair, claiming nothing more. It was possible
even to envy the oak chair, grain glowing beneath so
many fine thin layers of varnish, wooden spokes of the
seat back marvelously warped. Ilford might sit there!
But then the clock knew that when Ilford entered the
room through any doorway and stood or sat anywhere,
he would be held and honored in the clocks gleaming
case, would experience the clocks counting as a steadying
pulse, and that was better.
The chair was fine, but the clock was finer.
The clock felt the satisfied presences of all the furnishings
in the room, the paintings, the glass table, the lamp
with the marble base, even the row of beveled glasses and
the stoppered crystal bottle of scotch behind the doors in
the inlaid-rosewood cabinet. Even the bonsai trees in a
row on the mantelexcept for that one at the end, which
seemed a little edgy, a little discontented.
Clack, clack.
Today it was raining through the fog, so the windows
were jeweled with reflective drops themselves. They
twinkled. The fog kept the windows opaque, not so much
portals to the outside as mirrors of the room, even when it
wasnt raining. The clock faced no competition from the
sun. All light and warmth emanated from the room, and
the clock was the shining center of that system. Nothing
else was as sure. The clock had never been fogged over.
The sun almost always was.
The room was perfect but incomplete. Unavoidably, it
was waiting, a little unfulfilled, for Ilford to return. What
was the point of the perfection, the soft glowing, if not for
Ilford to move through and inhabit? This wasnt just any
perfect roomas if there were any otherit was Ilfords
perfect room.
Clack.
The clock and the rest of the room didnt have to wait
long today. Ilford came in, alone, shaking rain from his
coat onto the carpet. Taken strictly, his presence created
imperfection, the droplets soaking into the weave, the
cabinet door now ajar as he poured himself a drink, the
clinking and clunking of his movements, so disorderly
beside the metronomic voice of the clock. As groomed
and clean as Ilford was, he was no match for his own
house. But that didnt matter. With him inside, the house
could really live and breathe, fulfilled.
The clock, for one, admired Ilford enormously. It
couldnt completely say why; in fact, it couldnt begin to.
But reflecting Ilford so that he was unified in golden
miniature with his perfect possessions, upholding the
standard of Ilfords perfect reasonableness and good
judgment with unerring timekeeping, these dutiesprivileges,
reallywere the point of the clocks whole being
Then something was wrong.
Clack.
Instead of moving unself-consciously past the clock,
moving with his usual ease, his body speaking with every
gesture that he possessed his perfect house with that
indifferent, casual power that thrilled the clock and
thrilled all the furnishings, Ilford had stared. As he set his
glass of scotch on the glass table, he had turned his head a
little awkwardly and stared with wide-eyed uncertainty
right at the clocks face, and his hand had trembled, just a
little.
This passed, but was replaced by something else inappropriate,
something obscene. Ilfords insecure look
switched to one that was possessive and gloating. He
looked at the clock as though it were something threatening
that had been subdued, a lions head stuffed and
mounted on a hunters wall, instead of the devoted and
faithful servant that it was.
Neither look should have been necessary.
Clack.
The clock became troubled. Ilford raised his glass and
drank, and everything was normal again. The clock knew
that none of the other furnishings had noticed, that they
were all sure of their place around Ilford, and Ilfords place
among them, presiding. Only the clock was disturbed.
It had seen the two odd looks, and something else. In
Ilfords features, as he moved through the disconcerting
sequence, the clock had also seen a flicker, an erasure, of
some other face. The clock might have credited that
flicker to youthfulness if it hadnt been for the doubts
already forming.
As it was, the clock groped for a description of the
wrongness etched in the margins of Ilfords features. And
when it groped, it found an answer. Cale.
Who was Cale?
As the clock began to remember, it became very
frightened. It went on keeping perfect time, even as it
began to remember that just as Ilford was not only Ilford
but also the subsumed presence, so the clock was not only
a clock. In fact, the part of the clock that mattered wasnt
a clock at all.
Clack.
Ilford lifted his drink and rose from the couch, his
posture perfect, command completely restored. Outside,
the rain fell, but Ilford didnt pause to glance at the
windows. He moved towards the stairs to the second
floor. The room was mildly disappointed to see him go,
but it honored the decision, even offered silent murmurs
of encouragement and congratulations.
The room didnt object, but the clock did. The clock
suddenly didnt want Ilford out of its sight.
So it stopped time. Ilford stood frozen where he stood,
one foot lifted to the bottom step, the scotch in his glass
tilted against gravity in the same direction as the stopped
pendulum of the clock.
Im leaving, the clock told the bonsai at the left-hand
end of the mantel.
Ilford wont let you, said the potted tree bluntly.
Look at what hes done already to keep you here.
Hes a dreamer, isnt he?
I didnt think I had to tell you, said the bonsai. But I
never can figure out how much other people understand.
Billy, said the clock, I want you to tell me what Ilford
did with Cale.
I cant, said the tree, shaking.
Why not?
Ilford would kill me if I told. Just like hell kill me if
you go.
He turned you into a part of his living room, Billy, said
the clock.
Maybe this is just temporary, said the bonsai hopefully.
He sort of panicked when you disappeared yesterday.
Where did you go?
Back to Hatfork. In a version of Hatfork, anyway. I
was there for a couple of days. The clock suddenly
wondered what happened in Wyominghad time stopped
for them too while Everett borrowed their reality?
Is that where youre going now? The bonsai sounded
frightened.
I dont think so. But Im leaving here. So you might as
well tell me what you know.
Ilford will do anything to keep you here.
Why does he need me, if hes a dreamer? Why cant he
do it himself?
Youre different. Your talent is completely plastic,
thats his word for it. Youre suggestible.
How is that different?
His dreams only work like wish fulfillment. He moves
people around, rearranges things so they suit him better.
Is that what happened to Cale and Gwen?
To lots of people, said the bonsai defensively. Like
Dawn. You remember Dawn from before?
No.
Dawn is Cales mother. She used to be Ilfords wife,
Dawn Hotchkiss. But then he was angry at her, and
Harriman liked her, so
Then where did Cale go? And Gwen?
Its worse for some people, said the bonsai quietly.
Worse how?
Ilford turns peopleinto things. Thats why he has so
many things.
The clock considered the living room, the furnishings all
arrayed in perfect splendor. The glowing, emanating furniture.
And the kitchen loaded with improbable supplies.
There might be things worse then being a clock, the
clock realized.
Ilford still stood rigidly in place, poised just before
the stairs in defiance of gravity and momentum. The
clock held the pendulum to one side, fighting times
progression. It was an effort, like talking with ones
breath held.
Outside, the rain was frozen on the windows in mid-twinkle.
There was the silence of a roar hushed.
The bonsai had begun crying, its leaves trembling
helplessly, its voice reduced to a sniffling squeak.
Why do I have to be the only one who remembers? it
said finally.
The clock was silent for a long time. I dont know, it
said.
I only brought you back because I thought you could help
Cale, said the tree. I dont care about Ilfords plans. I was
just holding on for Cale. But you probably dont even care.
You cant remember Cale, so it doesnt matter to you.
I remember a little. When I saw the tape
The tape is nothing, said the bonsai angrily. I remember
before. When Cale was real.
But hes still here, said the clock. In your fridge.
Cale was strong. When everything changed, when
Ilford made everything change, he survived. He was
working on virtual reality stuff on his computer, and he
was still alive in there, hiding in the computer. Thats
where all the world-building stuff comes from. Then Ilford
destroyed the computer.
What about the drugs?
The bonsai hesitated. I guess that comes from my
interests at the time, it said awkwardly.
Computers and drugs. The clock recalled the first
dream Chaos had on the road after getting out of Kelloggs
range. The dream of the house by the lake. His
interests there had been pretty much along the same lines.
So Cale hid there, said the clock. In your refrigerator.
It wasnt something Ilford thought he had to take away
from me. He always left me pretty much alone. I guess
thats because I was so supremely fucking harmless.
But Cales in Ilford, too.
Thats not Cale, said the bonsai with fury. Just a piece
of him that Ilford stole.
What about Gwen?
Gwen wasnt as strong as Cale.
The clock thought for a minute and decided it didnt
want to know any more about that.
What happened to me? it asked. How did I end up in
Wyoming?
You were here just after the change. You dont
remember?
The clock, wanting to shake its head, almost let the
pendulum swing free. No, it said instead.
He wanted you to work with him. He and Cale were
fighting about it all the time. Then you and Gwen were
going to leave. Thats when everything happened. The
bonsai started crying again. Even Cale doesnt remember,
only me.
You mean, thats when Ilford changed everything.
The tree made a confirming sound.
How did I get away?
You dreamed something that made us all crazy, sniffled
the tree. When we came out of it, you were gone, to
Wyoming, I guess. Making weird scenes in the desert.
It made sense, the clock thought. Everett ran until he
got to Little America, where he found someone who could
cancel his dreaming. Kellogg.
And Kellogg had helped Everett finish the job Ilford
started. Of making him forget his life.
You just stayed, said the clock. You never ran.
Yes, said the tree.
Youre pretty devoted to Cale.
I thought if Ilford got what he wanted, maybe Cale could
come back. And then I thought you could bring him back.
I cant.
Why not?
I just cant. Even if I could, it would be like Gwen, the
way Cale brought Gwen back.
Then you might as well go, said the bonsai, sounding
defeated. If you can, it added.
The clock considered Ilford stuck in midstep, the rain
and fog stilled where it clung outside the house. It
remained difficult to believe in a world outside this room,
in entities that were other than furnishings, in a human
other than Ilford.
The clock hated Ilford. Hated the room Ilford had
devised, hated being the clock. Hated those things so
fiercely that it dreamed awake, a crude dream of fury.
And the floor fell away beneath them.
Like an explosion, they landed in the basementEverett,
Fault, and Ilford raining down into Cales
apartment with the chairs, lamps, cabinets, paintings,
plants, and the glass coffee table, which shattered
across the worn couch in the middle of the basement
floor. Fault landed in a pile of wrecked bonsai: dirt and
ceramic shards laced with ancient roots. The golden
clock smashed against the concrete at Everetts head,
and clacked just once as it expired, as if to post last
notice that time had resumed before dying in the line of
duty. Ilford was still clutching his glass of scotch when
he collided with the top of the battered refrigerator.
The glass was dashed to pieces from the impact, and
Ilford slid to the floor, his hand gashed and bleeding,
his shirt soaked with scotch.
Everett looked back up at the living room. The floor
had disappeared, uniting Ilfords home with Faults hovel.
And the walls had been sucked clean, the contents drawn
down by some cataclysmic force; even the marble mantelpiece
now rested, cracked, against the basement door. A
painting of Ilford gazing majestically into the fogged bay
had been impaled on Faults lamp.
Outside, the rain fell steadily, brushing through the
leaves of the trees, tapping at the cobblestones.
Ilford and Fault both pulled themselves out of the
wreckage and stood checking themselves, dabbing at cuts,
shaking their heads.
Everett didnt bother checking himself. Get out of
here, Billy, he said.
What do you mean? said Fault.
Go. Run away.
Where?
Ilford stood staring groggily.
Dont you have anyone to go to? asked Everett.
I had Cale.
Go south and join Vances army, then. Theyll see you
and pick you up. Just go, Billy. But give me the bike key
first.
What?
The ignition key. I need it.
When you say run, youre not kidding, said Fault.
Everett took the key. Fault stepped over the cracked
mantel and went out into the rain. He looked back
once, and Everett waved him on. Fault picked his way
through the garden, then broke into a run and disappeared
beyond the foggy treeline at the neighboring
yard.
Im leaving now, Ilford.
Ilford held his right hand over the gash on his left. His
face had become a site of violence, a battlefield. The older
man he should have been was evident now, and at war
with what hed stolen from time and from Cale.
You destroyed my house, he said.
Im glad, said Everett.
Well catch you, said Ilford. The first time you fall
asleep youll dream, and well find you and bring you
back.
You should hope I never fall asleep again, said Everett.
Ive got a plan for you. Ive got a dream in mind.
You cant control what you dream.
Ive been practicing, said Everett. When I went away
to Hatfork just now, weeks passed for me. I spent a long
time refining my talent.
It was a bluff, but Everett knew it was good enough. He
knew he was in charge now.
You know I cant let you go, said Ilford. He moved to
a spot between Everett and the door, picking his way over
the shattered remains of his living room. There are things
to be accomplished here. The words were a pathetic echo
of his and Harriman Crashs rhetoric.
Its over, said Everett. I know what you did.
What I did, Ilford repeated stiffly.
Fault told me.
Told you what?
Get out of my way, Everett said.
All you know how to do is run, said Ilford. Were the
same, except I stay and try to build. You just run.
If I did what you did, Id run too. Maybe running is a
good thing when youre like this.
You cant run forever.
Well, Id rather try. Than turn into you. Everett
suddenly saw his running as a talent, one more distinctive
than the dreaming, even. It was what hed had to offer
Melinda back in Hatfork. It would be what he offered
Edie now.
You cant stop me from leaving, said Everett. Im
stronger than you. I stopped your clock.
You dont care about Cale, said Ilford. Youre leaving
him behind.
Cale is dead, Ilford. You killed him.
Ilford looked over at the refrigerator. I know about the
drug, Everett. You think Billy could keep that from me?
You think I dont know whats happening right below my
feet?
Everett didnt speak.
Ill really kill him if you leave.
Everett went to the refrigerator. The lock still hung
loose where hed pried it apart the day before. He opened
it and took out the rack of vials.
He took one and put it in his pocket. Then lifted the
rack and hurled it at Ilfords feet. It smashed into a mass
of glass shards and ooze, drugs mixing with the soil from
the bonsai trees and with the tangled clock innards.
Ilford looked down dispassionately at the mess.
Thats not what I meant, he said. Thats Billys Cale
you just destroyed. Billy prefers the drug version because
he cant face what really happened. Its easier to blame it
all on me, to think I simply wiped Cale away.
What are you talking about?
What really happened, Everett. Cale got sick. It wasnt
my fault.
Sick?
Look.
Everett turned. At the long window on the far side of
the basement, seated facing the rain, was a figure in a
wheelchair, a withered, defeated body, back curved
around a wasted chest, wrists sagging against the arms
of the chair. The figures head was tilted slightly, away
from the window, towards Everett, and though it was
mostly in darkness, a hint of familiar features was
visible in the soft light that glistened through the
window.
It was Cale. Not the Cale from the tape or the Cale in
the drug or the Cale that flickered in Ilfords face. A
realer, sadder Cale.
Everett felt his certainty leaking away like the water
trickling through the gaps in the cobblestone. Felt his
departure and his fury plucked from him and replaced
with weariness and doubt. He would have to stay.
He moved towards the figure, his foot catching on the
broken pendulum.
Dont, said Ilford. Hes very vulnerable to
infection, he cant be touched
As Everett plodded through the wreckage towards the
dim figure, something happened, something changed.
Not so close, said Ilford, his voice rising with panic.
The wheelchair was heaped with meat in a rough
approximation of a human form. The frozen roasts, lamb
shanks, and slabs of beef from the gigantic freezer
upstairs.
Not Cale.
Everett pushed the wheelchair, and the chunks of meat
cascaded down, to roll in the dust and debris on the floor.
The biggest piece, a glistening rack of ribs, settled into the
seat of the chair, leaving a smear of grease and frost on its
leather back.
It was just another trap, Everett thought. Another thing
Ilford had set up while Everett was dreaming himself in
Hatfork. A backup in case the clock didnt hold him.
Or possibly it was something more, something awful.
Everett turned to Ilford.
You should have stayed where I am, said the old man
bitterly. He looked okay from a distance. When the light
is right, you can see him coming back.
You only dream people into things, said Everett. You
cant reverse it.
Ilford was distinctly smaller and older now. His voice
was almost lost in the sound of the rain.
Im trying, he said. I keep trying.
You said youd kill him, said Everett. But hes not
even here. Theres no one to kill. And theres nothing
keeping me here.
Id never kill my own son, said Ilford, his voice finally
breaking, turning inward. How could you think Id do
that?
Everett went past him to the door, pausing only to
check that the motorcycle keys were safe in his pocket.
He led the televangelist out of the rain, into the shelter of
an abandoned storefront on a sidestreet off Submission.
The onscreen face looked bewildered.
I have something for you, he said, and took out the
vial from Faults refrigerator.
The video face stared. What is it?
What youve been looking for, I think. God. He
pressed it into the televangelists ferroplastic palm. Be
careful with it. Store in a cool, dry place.
What kind of God is it? asked the robot.
The world-making kind, Everett said. The kind
youre missing. It knows about wanting to be real instead
of programmed, things you want to know. This is the first
time its been available in this form.
The face frowned. The first time?
Yes. Theres a lot of bogus God going around. But this
is the real thing.
How can Iaccess this God?
A problem, he admitted. You and your friends will
have to figure that out. You have to take it in somehow.
Let it alter your program.
He looked at the televised face and imagined Cale there
instead. Like the face from the videotape hed watched in
Vacaville. Full circle. Only now Edie would be right. Cale
would exist only on television.
He wondered if the robots would go up the hill and kill
Ilford, when Cale got inside them.
Thank you, said the televangelist.
Youre welcome.
The robot strode purposefully into the rain. Everett
watched it walk away, then he went back to the motorcycle.
Ten minutes later he crossed the hump of the bridge
over the bay, and the tall buildings dropped out of sight
behind him. In the Oakland hills he rode out of the rain.
The highway was empty, and he didnt have to stop until
the bike ran out of gas a few miles short of Vacaville.
He junked it and, for the second time, walked in.
Things were different. He noticed that from the first.
Nobody he passed on the street seemed right. As in the
mirror room of a funhouse, everyone was taller or shorter
or wider than they should be, or else they were missing a
limb or two. He saw an albino and a dwarf and a man with
a foot-long nose, but he didnt see anyone he recognized.
Nobody was proportioned right. It gave him a headache.
And they all slinked along the sidewalks like they barely
had a right to be there, avoiding one anothers eyes, and
his.
It was nearly sundown. He found his way downtown,
where he made an immensely fat woman on a park bench
look up from the comic book she was readingit featured
svelte, well-proportioned government starsand give him
directions to the luck-testing offices. She blinked out at
him through her mask of flesh and pointed the way.
He found Cooleys office, but Cooley wasnt there. His
secretary was a woman with a set of complicated braces
supporting spindly, withered legs. She looked at him
suspiciously, but when he gave the name Chaos, her eyes
widened.
I need to know where Edie Bitter moved, he said.
Where shes living now.
Mr Cooley needs to talk to you, she said. Hell want
to know youre here.
Ill talk to Ian later. Hell be able to find me.
Excuse me, she said. Please wait outside.
He went out into the hallway, to be stared at by a
shrunken man who sat waiting perched on the edge of a
bench. Everett nodded, and the man nodded back,
smiling.
Youre pretty, but Im not in love with you, said the
man.
What? said Everett.
Youre pretty, but Im not in love with you. I dont
even know you. Whys that?
I dont know what youre talking about.
You must be here because theyre going to make you
famous now. Is that right?
No.
Dont be modest. I probably ought to get your autograph.
Youll be on TV. The girls will love you. Well all
love you.
No, really.
Then you must be in trouble. Its got to be against the
law to be so good-looking if youre not one of them.
The conversation was interrupted by the clatter of the
secretary appearing on her ungainly, stiltlike braces. She
glared at Everett and the dwarf angrily.
Here. She handed Everett a slip of paper. I called Mr
Cooley. You can go now. Thats the address. He says hell
see you tomorrow. After you get adjusted.
Adjusted?
She frowned. Look, I dont know who you think you
are, Mr Chaos. But youre showing very little respect
forthe way we do things around here.
Ive been away.
I can see that.
Ive got questions
Save them for Ian. Please go. She turned and hobbled
back into the office.
He walked to the eastern edge of town, the windows
ahead reflecting flashes of the low orange sun behind him.
The streets he passed were increasingly residential and
quiet. He found the address on the note, a two-storey
apartment building, the upper floor cantilevered out over
a parking space. Edies station wagon was in the lot.
The woman who came to the door presented a problem.
She was Edie, but she also wasnt. She was about four feet
tall, taller than the man at Cooleys office but not by
much. Her body wasnt disproportionate, though. A
midget, he thought, not a dwarf, remembering the distinction.
She had Edies features drawn in precise miniature on
her face.
Chaos? she said, her voice high but recognizable.
Yes, he said, and then didnt know what else to say.
Do you want to come in? she said.
He nodded and followed her inside.
The scene there was a bizarre analogue of the one hed
left: two boys watching television. But Ray was enormously
fat. As wide as he was tall, he took up half the
couch. Dave sat on one of the arms. At first Everett
assumed he was just making room for his brother. Then
he spotted Daves tail, protruding through a gap in the
back of his pants and hanging down the side of the couch.
Melinda came out of the bedroom. She hadnt changed.
She looked from Everett to Edie to Everett, then ran up
and threw her arms around him.
I didnt know where you were, she said, her face
pressed against his side.
It took longer than I thought. He met Edies eyes as he
said this.
Melinda backed away. I saw you in Hatfork. You
remember that?
Yes, he said, surprised.
Thought I was going crazy.
Edie left, walking on her tiny legs into the kitchen. Ray
and Dave just sat and stared at Everett, the television
blaring behind them.
Melinda, said Everett. Would you take Ray and Dave
outside? The suns nice.
She made a wry face, but turned and said with exaggerated
weariness, Cmon, guys. She waved her hand, and
Ray and Dave hurried after her, Ray wobbling like jello.
He went into the kitchen. Edie, characteristically, had
busied herself washing dishes. But now she had to stand
on a chair to do it.
He wanted to rush to her, embrace her unhesitatingly,
the way Melinda had embraced him, but it seemed
clumsy, impossible. Would he lift her like a child? He
wanted her to be as she was before, and at the same time
he wanted, desperately, to make her know this didnt
matter. The two impulses fought in him, one shaming the
other.
She finally turned, her eyes full of fear and confusion.
What happened, Edie?
You went away, she said with sudden bitterness.
Im sorry about that, he said, very softly. I wish I
hadnt. But what happened here?
Nothing, she said defensively. She pulled off the
rubber gloves and sat down on the chair. We moved a few
times, of course. Im working in a cardboard recycling
factory this week. Melinda had her luck testeddid she
tell you? No, of course not. Well, it was very good, Ian
was very impressed . . .
What aboutwhat happened to this place? To Ray and
Dave? He avoided saying: Youre a midget.
Whats wrong with Ray and Dave? she said angrily.
Forget it. Just come sit with me on the couch.
They went back to the living room and sat. He still
couldnt bring himself to touch her, didnt feel he knew
how. Yet it was what he was here for, what he wanted
most.
Did you come to take Melinda away? said Edie. Is
that what this is all about? You know I cant stop you. Its
not my choice. But that girl needs
He held up a hand. Edie, listen. I came back because of
you. Not Melinda. I mean, Melinda too, both of you
together. I want to live with you. Here or away from here.
If its okay.
What are you saying?
I love you, Edie.
Please dont, she said quickly.
What?
I dont need talk like that. It doesnt make sense. I
know who you love. Youre just like everyone else. You
love the girl on the television.
No
Yes. I saw her, before. In your dreams, over and over.
And then on television, when you got that tape.
That was a mistake, Edie.
No. She shook her head and smiled sadly. Dont feel
bad. Thats how it is. The people on television are better.
You dont have to be ashamed. Did you find her?
Sort of. It wasnt right.
You shouldnt say that. Its a very lucky thing if
someone famousfrom the government or televisioncares
about you. Thats a very special thing. I have that,
its the only kind of luck I have.
Everett felt a blur of confusion. Did she mean Cooley?
Edie, he said, and then he leaned over and put his lips
to hers, felt her tiny nose against his, felt her eyelashes
brush his cheek. At first her mouth was still, and all he felt
was a trace of startled breath against his lips. Then she
closed her eyes and kissed him, the force of all her passion
behind it for a tantalizing moment. Just as quickly, she
drew back.
Oh, Jesus, she sighed.
Edie, its me. Please say you remember
I remember, Chaos, but this isnt right. You went
away, and I understood. You could never love me. She
pointed to herself. I dont understand why Ian does.
You werent like this, he blurted out. Youre a
beautiful woman. Something they did changed it, made
everybody here look different.
Thats silly, she said, nervously. This is me. Please,
Chaos, go away now. Dont torture me. Love the girl on
television. Shes the one whos beautiful.
I want you, he said. You were beautiful. You still are.
Lots of people are beautiful, not just the ones on television.
Ordinary people are ugly. Look around, Chaos. She
looked away.
I remember, he said. You were like a woman in a
magazine. You loved showing your body to me.
Youre being hateful. Why cant you face the truth?
Im ugly, Chaos. She choked back tears.
Something happened here, the dreamers in charge of
Vacaville, they went overboard. They want you to think
theyre the only
Shut up! Her tiny voice was ragged with fury. This is
my life! I live here! I dont need you coming here and
telling me about how you think it ought to be. You came
here once and I listened to you, and you screwed everything
up and then you left. Dont do this to me again! If
you want to stay, then go get your luck tested. Maybe you
belong on television, Chaos. Maybe youre special. But
Im not! Leave me alone!
This is crazy. He wanted to pick up where hed left off,
wanted reality to sit still for him for once. There arent
just fifteen or twenty attractive human beings in the
world. I mean, if you arent special, then what does Ian
want with you, anyway?
Thats private, she hissed.
Agitated with jealousy, he jumped up from the couch.
He needed room to think. Where are the keys to your
car?
Where are you going?
I want to prove it to you. How late is the mall open?
I dont know. I mean, its still open . . .
Here, then. He held out his hand, and she passed him
the keys. Ill be back.
Chaos. Her voice was small, her anger replaced by
confusion. I dont like this.
Well, you can write me a ticket, a summons, when I get
back.
He went outside and found Melinda, and without
explaining dragged her away from Ray and Dave and into
Edies car.
Tell me whats going on here, he said.
Hey, I told you things were getting weird.
He started the car, pulled out into the street. So you
remember talking to me in Hatfork?
Yup. Saw my folks, and that guy Edge. Saw the
messed-up place you live in, too. Howd you do that?
He shook his head. Forget it. Listen, doesnt anybody
here remember two weeks ago?
Yeah, sure. They remember it wrong. Everybody
started changing, and I tried to say something to Edie, but
it was like they thought they were always like that. They
just started watching TV even harder.
Changing? Getting ugly, you mean?
Yup. Except for Cooley and his pals. They got everyone
looking awful so they could look good. Only they left
me alone. She laughed. Guess they thought I was strange
enough to look at like I was.
And it worked, didnt it? Edies sleeping with Cooley
now. He had to know.
Yup. But its not her fault.
He kept his eyes on the road.
Thats what its like here now, Melinda said. Everybodys
in love with the government. She cant help it. Hes
been hittin on her for a long time, too.
He turned and saw she was squinting at him. What? he
said.
You look funny, she said. You gain some weight?
Funny?
Its nothing, she said, too quickly. You probably just
been eating good, after all those cans. I been doing the
same thing. She lifted her shirt and ruffled the margin of
fur at her waist. Whered you go, anyway?
I saw some old friends. Ill tell you about it later. He
parked the car in the mall lot. Wait here.
He hurried through the mall, to the shop hed seen
before, where they sold comic books and magazines. He
wanted to buy a copy of Playboy or Penthouse to show
Edie that beautiful bodies were everywhere, that the
Vacaville cabal didnt have the market cornered.
He found the shop, but the rack with the adult magazines
was missing.
He asked the clerk, a normally proportioned man
whose appearance was ruined by a raspberry birthmark
that covered most of his face like a splayed-out octopus.
We keep those behind the counter now, the clerk
explained. Whatll it beendomorph?
What?
You know the new law, right?
New law? I just want to buy a copy of Playboy.
Fine. But the new law says you get the issue that
corresponds to your body type. Midgets look at midgets,
and so on. He swept his arm back, indicating the rack
behind the cabinet. Sure enough, there were ten or twelve
different versions of Playboy, and the bodies Everett
glimpsed on the covers were all distorted and wrong.
The clerk gave him the once-over. Looks like endomorph
to me, he said. He flopped a magazine onto the
counter. The woman on the cover was leering and enormous.
What are you talking about?
Take a look, fella.
Everett caught sight of himself in the window of the
shop. He was hideously soft and fat, his cheeks jowly, his
hands like tufts of dough.
Thatll be four dollars, said the clerk.
Thats not what I want, he said, a hopeless feeling
settling over him. I need to show someone something. I
need a picture of a nice body. The way Playboy used to
be.
They still make it like that, nodded the clerk. But only
government stars can buy it.
Cant you sell me one? Nobody will know. Its important.
Hey, fella, you think youre the only one wants the
good stuff? Cripes. I cant sell it to you, cant even look at
it myself, and believe you me, I would. But they keep it
locked up. Only the government stars have the keys.
You expect me to believe the customers have the keys
and you dont?
The clerk looked rueful. Well, they dont actually pay,
you know. In fact, we pay them to come and get it from
us. Supposed to add prestige to the establishment.
Shit.
But if you want to look at them, you can, said the clerk
helpfully. They just got their clothes on. He indicated
People, Rolling Stone, and TV Guide. The cover of
Rolling Stone showed Palmer OBrien, and People
featured President Kentman with his arm around Ian Cooley.
Theyre nicer to look at than this stuff anyway, said the
clerk confidentially.
I dont want to look at them, said Everett. I want to
look at other people who look nice.
But thats all the good Playboy is anyhow. The clerk
sounded confused. Pictures of them without their clothes.
Why would they want to look at anyone but themselves?
Forget it, said Everett. He stalked out, or tried to, but
his increasingly heavy body made sudden movement
impossible. Everything was buffered in layers of flesh. So
he oozed out instead and slammed the door behind him.
Moving back through the mall, he found that now he fit
in. The people he passed werent made uncomfortable by
his presence anymore. He belonged. Soon maybe hed be
in love with a government star too.
He squeezed into the car, but it was work, and he had to
move the seat back. Melinda looked him up and down and
said, Youre definitely putting on weight.
We have to get out of here.
I was waiting for you to say that. Try telling Edie,
though.
He started the car, marveling at the flesh of his fingers,
how far the key and steering wheel seemed from the bones
of his hand.
Dont tell me youre leaving her here, you crumb.
No, he said. Well take her.
And Ray and Dave, right?
He nodded.
By the time they got back, night had fallen. Ray and
Dave were in front of the television. Edie was there too.
They all looked up and watched as he rumbled into the
apartment, but nobody said anything.
He slumped, defeated, into an armchair. Edie went
quietly into the kitchen and came back with a beer for
him, and he drank it and stewed in his thoughts while the
others all watched television.
He waited for the evening to end, for the boys to be put
to bed. It seemed to take forever. No one spoke. They
crept around him in his chair like an obstacle. It made him
think of Vances description of the tumors that grew inside
the houses in Los Angeles.
Finally Ray and Dave were asleep, and Melinda was in
her room. Edie nodded to him, still not breaking the
silence, and indicated the bedroom. He followed her
inside, and she closed the door. She climbed up on the bed
and sat on one of the pillows.
Here. She patted the pillow beside her with a tiny
hand. Will you come sit down?
He went and sprawled on the bed glumly, keeping his
distance. For their bodies to touch now would be even
more absurd. But apparently she didnt think so, because
she reached for his hand. However desperate their sizes,
at least he was her equal now in ugliness. But he would
have to get over all that, it seemed. Caring about size and
ugliness.
Im sorry I freaked out, Chaos. It was a shock to have
you come back.
Its okay. I just . . . I dont know what to do. I came
here because of you.
Thats okay, she said softly.
But everything seems screwed up. I dont think I can
stay here, in Vacaville. I want to take you somewhere
else.
Where? She looked frightened again.
I dont know. But this is no good.
You always talk like that, and I never know what you
mean.
Edie, he started, then stopped and began again. Edie,
you would understand if you went away. The way it is
here, the way they have it, you cant think clearly about
things. But youd understand if you got out. Will you trust
me?
She nodded.
Do youwant to be with me? I mean, instead of with
Ian?
Yes, she said.
Youre sure?
Im sure. I dont want to be with Ian. He felt her
hand trembling in his.
What?
Theres something I didnt tell you. When Im with
Ian . . . I dont know how he does this, but my body
changes. Im not small anymore. Im different, beautiful.
Only while were . . . together. Do you understand?
Yes.
A tear crossed her cheek. I dont understand what it is.
But it made mewant to do it. To experience that. I
hated him, but at the same time
You dont have to explain.
She sniffled.
Going away will mean that Ray and Dave wont see
their father anymore, he said.
Gerald isnt much of a father, she said. He might not
even notice. The boys would be sorrier to lose Melinda.
She curled up against him.
We should go right away, he said. This placeit could
make me forget who I am. And Ian, hell just start
pressuring me to take that test. I think he knows about my
dreaming.
Okay, she said. Well go tomorrow. Lets sleep now.
She tucked herself up against him like a small animal. He
put his arm over her and pulled her closer, until he could
feel her heartbeat thrum against his soft side.
But he didnt let himself sleep. There was a chance that
Ilford or Harriman would be looking for him, tracing him
by his dreams. He ached to sleep; hed been running for
days, it seemed, and his new bulk drew him earthward.
But he couldnt risk it, not until he was out of range,
farther away.
Besides, he was sick of the dreaming. Of any dreaming,
but especially his own. He didnt want to invade Edies
thoughts, or Melindas, didnt want to alert Cooley to his
new plans, didnt want to know how his dreams would
interfere with those of the dreamers who ran Vacaville.
Edie fell soundly asleep. A few minutes later Melinda
crept into the room and up onto the bed beside him.
What? he said.
I got scared, she said. I couldnt sleep.
Were going in the morning, he said.
Good. She curled up on his other side, and the two of
them slept there, tiny bodies against his mass, Edie even
smaller than Melinda. There was certainly enough of him
to go around.
Hed fought sleep many times before, avoiding
Kelloggs dreams, but it never hurt like this, now that it
was his own dreams he was avoiding, now that it mattered
so much. He was tired to his core. Before long he was
hallucinating, sleeping awake, and he wondered if that
might not be just as bad as dreaming.
His head rolling forward, his eyes glazing, he suddenly
thought, Im as fat as Kellogg. Fatter. It was like destiny.
He would be the new Kellogg. He shuddered at the
thought. The horrifying prospect.
It was impossible, staying awake there under the warm
bodies. He moved Melinda and Edie away from him,
covered them with the blankets, and shifted his bulk out
of bed. He went outside and found some cardboard boxes
heaped up in the garage, took the cleanest ones and
brought them inside. Careful to be quiet, he went into the
kitchen and began loading supplies into the boxes: food,
utensils, and pans. He began sweating immediately, and
was amazed by the sensation of the sweat coursing along
his new contours. He was like a world. After he filled the
boxes, he moved them to the trunk of Edies car. Packing
the rest would be easy; Edie was accustomed to moving,
belongings already packed out of habit.
Finally he switched on the television, the sound low,
and watched a few hours of reruns. When the sun finally
came up, he went back into the bedroom and woke Edie.
Lets go, he said.
She rubbed the sleep out of her eyes and nodded.
Everything took longer than he wanted. Roly-poly Ray
was hopeless, and Dave almost as ineffectual. Still, an
hour later they were nearly ready. Everett left Edie in the
apartment and took Melinda down the street and around
the corner, to a house where the family car was parked out
of view of the front windows. Everyone was still asleep
anyway. Hed found an empty gas can and a hose in the
junk of the garage.
She saw what he wanted. We should switch to one of
those solar cars, she said.
I dont know how soon well find one. I want to go up
north from here. Edies car is pretty low.
Melinda went to work, and soon the can was full. When
Everett hauled it back around the corner, Cooley was just
pulling up in his car. Edie was out of sight, probably in the
house. Cooley shut off his engine, got out.
A crowd of neighbors had formed. In their bathrobes,
with uncombed hair, all of them wrong sizes and shapes
and colors, with goiters and harelips and missing limbs
and extra limbs. Several had summons books ready.
Everett wondered if Cooley had made a round of phone
calls, or gone knocking on doors, to ensure the audience.
Welcome back, Chaos, said Cooley. Whats happening
here? Its not moving day.
Cooley, whod struck Everett as oddly broad and thick the
first time he saw him, now looked more normal than anyone
there. The Vacaville dreamers had succeeded. Cooley was
intimidatingly gorgeous, almost heroic. Everett, ignoring
him, pulled the gas can over to the side of Edies car.
Need some help with that? You look like youre about
to have a stroke.
Fuck you, said Everett.
The crowd oohed.
Wait, let me guess, said Cooley. Youre angry with
me. He radiated ease.
Melinda, go inside. Cooley, say what you have to say
and then leave us alone.
Youre all business, fat man. Laughter. The people
surrounding them responded to Cooley like a studio
audience. Or maybe just a canned laugh track.
Thats right, Everett said.
Well, why not slow down? You look like you could use
a rest. And you should take a closer look at what youre
doing.
I know what Im doing, Everett said, and felt hed
never spoken truer words. Leaving and taking with him
the people that he cared about, thats what he was doing.
As he should have taken Gwen and Cale with him out of
San Francisco, so long ago. Hed come close then. Chaos
had come closer, oddly enough, sweeping Melinda out of
Hatfork. But now Everett was going to get it right. He
resolutely packed the car.
Edies luck is no good, said Cooley. Neither is yours.
Have you taken a good look at yourself?
Whats standing in my way now isnt luck, Cooley. This
has nothing to do with luck.
Youre headed down, friend. Youve lost control of
your life. Youre going to hitch yourself to a woman and
her two kids when you cant even take care of yourself.
You take them out of this town, and theyll be helpless,
completely dependent on you. All Edie knows is here.
Youve got your whole dream thing to cope with, which
you cant, basically, and your luck stinks. Plus youre
carrying a little weight there.
You want to talk about luck? said Everett. Ive got
luck. The proof is, I met Edie. That was the luckiest day
of my life.
He regretted the words instantly. He was letting himself
be drawn into the conversation, getting defensive.
Thats sweet, said Cooley. The crowd behind him
tittered. Does she feel the same way about you? How
about the day you left?
That was enough to reactivate his anger. Thanks for
the warning, he said. If thats all
Its not all. You think I came here to see you? He
smirked. Im here to see Edie.
Too bad. Everett picked up the gas can, and let a little
splash onto the pavement between his feet and Cooleys.
Someone shrieked. A man with a goiter and a bald woman
raced to scribble out tickets.
Dont you need that gas for your escape, big boy? said
Cooley. It was meant to be challenging, but halfway
through it he met Everetts eyes, and his voice faltered.
Dont provoke me, Everett said. Im tired and Im
upset. I could do anything, you know. Im all broke up
inside about my luck.
Very funny, said Cooley. But youre covering your
weakness. You know youre in deep shit.
No, Im serious. Youre the one in deep shit. He
stared into Cooleys eyes. Im tired, like I said, and
desperate. Yesterday in San Francisco I tore a house
apart. You know what they say, dont you? Never fight a
guy whos uglier than you, hes got nothing to lose.
So put that gas down, said Cooley cautiously. I like
my odds.
No, thanks. I just cant spare the time. He swung the
can forward and splashed gas over Cooleys pant cuffs and
shoes. Cooley jumped back, too late. Everett took the can
and went around to the drivers door. I think this car has
a lighter. Id go, Cooley. Right away. Unless you want to
look like you belong in this town. Do they make a version
of Playboy for guys with no feet?
Cooley stood, stunned. Youre dead, Chaos.
Probably, if I stay here, youre right. But thats normal
for this place. Youre all dead already. He pulled out the
lighter, which wasnt actually hot. It didnt matter. The sight
of it sent Cooley running for his car. The chemicals in the gas
were probably burning his ankles already, even unlit.
The man with the goiter braved stepping up to Everett
with a summons. He was that eager, apparently, to meet
his quota. He even smiled as he held out the fluttering
ticket.
Everett grabbed it, and the man jumped back into the
safety of the crowd. You got the wrong guy, Everett
said. You must not have heard about the new law. Failure
to live up to comic book hero standards. Cooley here is in
violation. He took the ticket and followed Cooley to his
car.
What are you staring at? he shouted at the crowd.
Write him some tickets. Cooley slammed his door shut
and picked up the phone in his car. Everett slopped some
more gas on the outside of Cooleys car, then stopped. He
did need the gas. He stuffed the summons under Cooleys
windshield.
Cooley started his car.
Theres your government star, Everett said. The
crowd murmured and backed away. He had to make the
whole town ugly just so he could get laid. Everett took
the gas back to his car. You people ought to stuff your
tickets up his goddamn beautiful ass. But you never
will
He let it go. It wasnt their fault.
Cooley drove away. Everett got into Edies car and
sank down in the drivers seat. He replaced the lighter. He
was exhausted but he wasnt trembling anymore. It was as
though his fat had dissipated his anger, as though he was
big enough now to absorb such feelings.
The neighbors watched dumbly as Cooley drove off,
and stared at Everett in the car, and at Melinda, who was
standing in the doorway.
Everett got out and waved his arms. Go home, he
said. I dont have any replacement heroes for you. Im
just a fat slob getting out of town. As the crowd slowly
dispersed, he poured the rest of the gas into the tank, then
went inside and found Edie. She was packing silverware
into a cigar box.
Forget it, he said. Well take whats in the car. Its
time to go.
Edie didnt argue. Melinda had obviously told her
about Cooleys arrival.
It took five minutes to get everyone into the car, five
minutes that felt like an hour. But they were near the edge
of town, and they got out without being followed. Everett
pushed the car up to seventy-five once they hit the
highway; the overloaded station wagon complained, but
he ignored it. After the first hour he eased down to sixty.
Edie helped him navigate. The map she unfolded was as
big as she was. Dave had to sit sideways to accommodate
his tail. For the moment they just headed north. Everett
had the idea they might find the house hed left behind,
the one near the lake.
They stopped so everybody could pee behind some
bushes, but ate lunch in the car. Ray and Dave were too
hypnotized by the road to complain or fight. Everett knew
it wouldnt stay that way for long, but after the first day it
wouldnt matter so much if they stopped.
At nightfall he pulled off the highway in the middle of
nowhere, onto a dirt road that led them up a hill and into
some trees. He let Edie take care of giving out food. He
wasnt hungry. He was dimly aware that his gruffness
wasnt winning him any friends, but it didnt matter.
There would be plenty of time for diplomacy later. Now
he had to sleep. He went around to the back and cleared a
space for himself by unloading their belongings onto the
ground behind the car. Then he climbed up and curled his
huge body into that space, filling it, and fell quickly and
soundly asleep.
He approached the maze from the sky.
He was fat, like Kellogg. Like himself, he realized. But
aloft, a blimp, an air-whale. He took his time gliding down
into the corridors of the maze, and landed so gently that
his feet barely stirred the dust.
He was alone where he landed, but he saw the arrows
painted on the walls and followed them until he found the
man lost there. It wasnt the man who had been there
before. It was Ilford.
Eyes closed, his withered body held erect by the
wheelchair, and snoring quietly. Around him was a
litter of discarded cans and sun-bleached, rain-warped
magazines.
I brought him here, Everett thought. I made good on
my threat.
Nonetheless Everett stood paralyzed and silent under
the pounding midday sun and stared at the man in the
chair. Afraid to wake him.
Then he heard a creak and a grinding of gears behind
him, around a corner of the maze. He turned.
The televangelist scuffled into view, shreds of rubber
soles dragging in the dust, pamphlets spilling onto the
ground. It was Cales face that appeared on the screen.
The robot ignored Everett and approached the man in
the wheelchair.
Everett cried out, Cale!
It didnt seem to hear. It moved behind the chair and
took the handles in its corroded fingers, then tilted the
chair and rolled it forward. Ilford slept on, unharmed,
oblivious.
The robot pushed the wheelchair out of the fork in the
maze where Everett stood and around a corner. Its
manner, unmistakably, caring. Protective.
It occurred to Everett that the robot was protecting
Ilford from him.
Now, as though something had been decided, his blimp-like
body rose back up out of the maze and into the glare
of the sky. From above he could see the televangelist
pushing the wheelchair, patiently working its way through
the labyrinth.
Hovering, Everett saw another wanderer in the maze.
He changed course, sailed away from the televangelist and
towards the second man. Drifted down, and landed inside
the walls.
The second lost man was Cooley.
Again Everett stood unseen, a bloated ghost in the
corridor. Cooley had the jacket of his suit over his arm
and his collar open, but he was still sweating. He turned
down one path, then stopped, frowned, and stalked back
to the fork. He looked up and peered intently past
Everett, evidently not noticing him, instead evaluating the
maze for a route of escape.
Cooley, said Everett.
He cant hear you, came a voice behind Everett.
He turned and saw Kellogg. The big man waddled
around a corner and stood grinning.
As Kellogg had predicted, Cooley didnt respond. He
wandered off, nervously peeking around corners, trying to
find an exit. In a minute he was out of sight, leaving
Kellogg and Everett alone.
Well, pilgrim, said Kellogg. He took the cigar out of
his mouth. Looks like youre still a little ambivalent about
gravity.
What do you mean?
Kellogg stepped up and poked him in the stomach. His
finger passed through Everetts ghostly form. Size but no
weight, he said. Bad recipe.
They couldnt see me.
Right-o.
But I brought them here. My power is getting
stronger.
You brought us all here, agreed Kellogg. Its your
dream.
Whats supposed to happen? said Everett.
Kellogg put the cigar back in his teeth and grimaced,
making claws with his hands. Rrrrevenge, he growled.
But you couldnt do it. You led the horse to water,
cowboy.
What?
You made yourself harmless, pal. Kellogg passed his
hand through Everetts stomach again. Insubstantial.
Together they floated up, twin blimps, out of the maze.
I dont want revenge, said Everett.
Kellogg shrugged. Whatever. He leaned back and
crossed his legs, as if he were sitting on a recliner instead
of bobbing in the air.
I want to send them home.
Theyll go home. They might remember coming here,
but it wont matter.
I put Ilford in the wheelchair. I made him sick, like
Cale was supposed to be.
Itll throw a good scare into him. But it wont stick
unless you want it to.
I thought Cale would kill him.
Yeah? Kellogg tapped some ash off his cigar. It rained
down on the maze. Maybe you went and underestimated
the strength of that father-son thing. Relations in general,
Chaos. Pretty strong stuff.
Like you and me.
Heh. Yeah. I didnt wanna be the one to say it, for once.
Did I ever get out of your dream? How come you know
so much?
No more than I ever got out of yours, buddy. But thats
the part you never get.
They drifted up so high now that the maze dwindled to a
patch of shadow in the expanse of junkyards and highways
below.
Cooley and Ilford dont matter, said Everett, after
thinking a bit. I just had to get Edie out. I did that.
The dame with the two brats?
Everett nodded.
Youre getting hooked up? Chaos, the loner?
I guess.
Kellogg grinned. So thats what this new guts about,
he said and reached over to pat Everetts stomach again.
Youre in the family way. This time, when he patted it,
Everetts fat was substantial. Guess youre taking on
some real stature after all.
Everett didnt say anything. The maze was out of sight
now.
Familys the best type of FSR, said Kellogg. Congrats.
FSR.
Finite Subjective Reality, remember? No? Guess youll
always be Mr Forget-Me-Alot.
I remember, said Everett.
Really? Times do change. Kellogg suddenly veered
away to the right. Well, Ive got a plane to catch. See you
later. Dont take any golden clocks, pal. He swam away
through the clouds.
Everett was alone. He drifted, thinking, I decline
revenge. I decline my power.
But theres something I should change. The family.
Their bodies. Back.
He fell.
It was morning, Edie and Dave were out of the car, sitting
by a small fire. Everett could hear Melinda and Ray
arguing in the middle seat, but when Everett hoisted
himself up, they fell silent.
Edie wasnt small anymore. And Daves tail was gone.
Everett cantilevered his body out of the car.
Chaos, said Edie. She came to him. Your dream, last
night. It was about us. And now look. The dream made us
change back.
He didnt say anything. His head was muddled with
sleep.
Do you want some breakfast? she asked.
He nodded. She took his arm. Melinda and Ray came
out of the car. Ray was back to normal size, and Melinda
didnt have fur anymore.
Hey, said Melinda. Youre still fat.
I guess you forgot about yourself, suggested Edie. She
smiled at him shyly. It doesnt matter.
Well, I want my fur back, said Melinda. That does
matter.
Sorry, said Everett.
You jerk, you should have asked first, said Melinda.
Melinda, said Edie.
Well, its true, said Melinda.
Hes doing his best. Arent you, Chaos?
Ill work on it, he said. Therell be plenty of
dreams. Ill get you your fur back.
Tonight, said Melinda.
Here, said Edie. She gave him some toast with jelly
and a plastic mug of tea.
And I want my tail back, said Dave in a small voice.
You dont want a tail, said Edie. You just want to be
like Melinda.
No, really. I really want it back. Really.
He liked his tail, said Melinda.
Well, some of us are grateful for what you dreamed,
said Edie. Arent we, Ray?
Yeah, sure, said Ray.
So, thank you, Chaos. And thank you for trying.
Okay, he said. Youre welcome.
On the road that morning, with the kids busy in the back
with some game, he told Edie everything he knew.
She shook her head. What youre afraid ofitll never
happen.
Why do you say that?
Youll never create some monster world, or seal yourself
off in some fantasy. Because were here. Like the way
you dreamed yourself back to that place, the movie
theater, but Melinda came and found you. She remembers
it, Chaos. It was really her.
So?
So were in there with you. Inside your dreams. You let
people in.
Hey, Chaos, said Melinda from the back. Speaking of
that.
What? he said, meeting her eyes in the rearview.
She held out her hairless forearm and glared.
Look, said Ray, pointing out the window on the
passenger side.
Wow, said David.
What is that, Chaos? said Edie.
Everett twisted his huge body and ducked his head into
his shoulders to see what Ray was pointing at. Something
in the sky. A flying thing, a propless helicopter, like the
one Vance flew. Hard to make out in the glaring sun, but
it was keeping low, matching their speed.
A troubling sight. Everett concentrated on the road.