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06

EXCLUSIVE!

SECRET CELEB SEX & DOPE HIDEAWAY LAID BARE!

I remembered leaving Callie’s ranch. I recalled wandering for a while, taking endless downscalators until there were no more; I had reached the bottom level. That struck me as entirely too metaphorical, so I took an infinite number of upscalators and found my way to the Blind Pig. I don’t recall what I was thinking all those hours, but in retrospect, it couldn’t have been pretty.

You might say the next thing I recall is waking up, or coming to, but that wouldn’t be strictly accurate. It wouldn’t convey the nature of the experience. It felt more like I reconstructed myself from far-flung bits—no, that implies some effort on my part. The bits reconstructed themselves, and I became self-aware in quantum stages. There was no dividing line, but eventually I knew I was in a back room of The Pig. This was considerable progress, and here my own will took over and I looked around to learn more about my surroundings. I was facing downward, so that’s where I first turned my attention. What I saw there was a woman’s face.

“We’ll never solve the problem of the head shot until an entirely new technology comes along,” she said. I had no idea what this meant. Her hair was spread out on a pillow. There were outspread hands on each side of her face. There was something odd about her eyes, but I couldn’t put my finger on it. I suppose I was in a literal frame of mind, because having thought that, I touched one of her eyeballs with the tip of my finger. It didn’t seem to bother her much. She blinked, and I took my finger away.

There was an important discovery: when I touched her eye, one of the hands had moved. Putting these data together, I concluded that the hands bracketing her face were my hands. I wiggled a finger, testing this hypothesis. One of the fingers down there wiggled. Not the one I had intended, but how much exactitude could I expect? I smiled, proud of myself.

“You can encase the brain in metal,” she said. “Put a blood bag on the anti-camera side of the head, fire a bullet from the camera’s pee-oh-vee. And ka-chow! The bullet goes whanging off the metal cover, ka-blooey, the blood bag explodes, and if you’re lucky it looks like the bullet went through the head and spread tomato sauce all over the wall in back of the guy.”

I felt large.

Had I taken large pills? I couldn’t remember, but I must have. Normally I don’t, as they aren’t really much of a thrill, unless you get your kicks by imagining yourself to be the size of an interplanetary liner. But you can mix them with other drugs and get interesting effects. I must have done that.

“You can make it look even more real by putting teeny tiny charges in back of the eyeballs. When the bullet hits, the charges go off, and the eyeballs are blown out toward the camera, see? Along with a nice blood haze, which is a plus in masking whatever violations of realism are going on behind it.”

Something was rubbing against my ears. I turned my head about as quickly as they rotate the big scope out in Copernicus, and saw a bare foot. At first I thought it was my foot, but I knew from reports flown in by carrier pigeon that my own feet were about three kilometers behind me, at the ends of my legs, which were stretched out straight. I turned my head the other way, saw another foot. Hers, I concluded. The first was probably hers, too.

“But that damn steel case. Crimony! I can’t tell you what a—you should pardon the expression—headache that thing can be. Especially when nine out of ten directors will insist the head shot has to be in slomo. You give the chump a false forehead full of Max Factor #3 to guarantee a juicy wound, you anodize the braincase in black so—you hope—it’ll look like a hole in the head when the skin’s ripped away, and what happens? The damn bullet rips through everything, and there it is in the dailies. A bright, shiny spot of metal right down there at the bottom of the hole. The director chews you out, and it’s Retake City.”

Was I aboard a ship? That might account for the rocking motion. But I remembered I was in the Blind Pig, and unless the bar had been cut from its steel catacomb and embarked bodily, it seemed unlikely we were at sea. I decided I still needed more data. Feeling adventurous, I looked down between myself and the woman’s body.

For a moment the view made no sense at all. I could see my own legs, and my feet, as if through a reversed telescope. Then I couldn’t see them any more. Then I could again. Where were her legs? I couldn’t see them. Oh, yes, since her feet were tickling my ears, her legs must be those things against my chest. So she was on the floor, on her back. And that explained the other activity I saw. I stopped my up and down motion.

“I don’t want to do this,” I told her.

She kept talking about the difficulties of a head shot. I realized that she was at least as detached from our coupling as I was. I stood up and looked around the room. She never missed a syllable. There were a pair of pants on the floor; they were a million sizes too small for me, but they were probably mine. I held them, lifted each leg with gargantuan deliberation, and presto! The pants did fit. I stumbled through a curtain and into the main room of The Pig.

It was maybe twenty steps to the bar. In that distance I shrank alarmingly. It was not an unpleasant sensation, though at one point I had to hold the back of a barstool to keep my balance. Pleased with myself, I gingerly climbed onto a leather stool.

“Bartender,” I said, “I’ll have another of the same.”

The fellow behind the bar was known as Deep Throat, for a famous clandestine news source. He probably had another name, but no one knew it, and we all thought it was fitting it should be that way. He nodded and was moving away, but someone sat on the stool next to mine and reached over to grab his arm.

“Hold the heavy stuff this time, okay?” she said. I saw that it was Cricket. She smiled at me, and I smiled back. I shrugged, then nodded to Deep Throat’s enquiring look. His customers’ state of sobriety is not his concern. If you can sit at the bar—and pay—he’ll serve you.

“How you doing, Hildy?” Cricket asked.

“Never better,” I said, and watched my drink being prepared. Cricket shut up for the time being. I knew there were more questions to come. What are friends for?

The drink arrived, in one of the Pig’s hologlasses. It’s probably the only bar in Luna that still uses them. They date back to the midtwenty-first century, and they’re rather charming. A chip in the thick glass bottom projects a holo picture just above the surface of the drink. I’ve seen them with rolling dolphins, windsurfers, a tiny water polo team complete with the sound of a cheering crowd, and Captain Ahab harpooning the Great White Whale. But the most popular glass at The Pig is the nuclear explosion at Bikini Atoll, in keeping with the way Deep Throat mixes the drinks. I watched it for a while. It starts with a very bright light, evolves into an exquisitely detailed orange and black mushroom cloud that expands until it is six inches high, then blows away. Then it blows up again. The cycle takes about a minute.

I was watching the tiny battleships in the lagoon when I realized I’d seen the show about a dozen times already, and that my chin was resting on the bar. To enhance the view, I suppose. I sat up straight, a little embarrassed. I glanced at Cricket, but she was making a great show of producing little moist rings with the bottom of her glass. I wiped my brow, and swiveled on my stool to look at the rest of the room.

“The usual motley crew,” Cricket said.

“The motliest,” I agreed. “In fact, the word ‘motley’ might have been coined simply to describe this scene.”

“Maybe we should retire the word. Give it a place of honor in the etymological hall of fame, like Olympic champions’ jerseys.”

“Put it right next to motherhood, love, happiness . . . words like that.”

“On that note, I’ll buy you another drink.”

I hadn’t finished the first, but who was counting?

There have always been unwritten rules in journalism, even at the level on which I practice it. Often it is only the fear of a libel suit that stays us from printing a particularly scurrilous story. On Luna the laws are pretty strict on that subject. If you defame someone, you’d better have sources willing to testify before the CC. But more often you hold back on printing something everyone knows for a subtler reason. There is a symbiotic relationship between us and the people we cover. Some would say parasitic, but they don’t understand how hungry for publicity a politician or celebrity can be. If we stick to the rules concerning “off the record” statements, things told us on “deep background,” and so forth, everybody benefits. I get sources who know I won’t betray them, and the subject of my stories gets the public exposure he craves.

Don’t look for the Blind Pig Bar And Grill in your phone memory. Don’t expect to find it by wandering the halls of your neighborhood mall. If you should somehow discover its location, don’t expect to be let in unless you know a regular who can vouch for you. All I’ll say about it is that it’s within walking distance of three major movie production studios, and is reached through a door with a totally misleading sign on it.

The Blind Pig is the place where journalists and movie people can mix without watching their mouths. Like its political counterpart over by City Hall, the Huey P. Long Memorial Gerrymandering Society, you can let your hair down without fear of reading your words in the padloids the next morning—at least, not for attribution. It’s the place where gossip, slander, rumor, and character assassination are given free rein, where the biggest stars can mix with the lowliest stagehands and the slimiest reporters and not have to watch their tongues. I once saw a grip punch a ten-million-per-picture celebrity in the nose, right there in the Pig. The two fought it out until they were exhausted, went back to the set, and behaved as if nothing had happened. That same punch, thrown in the studio, would have landed the grip on the pavement in microseconds. But if the star had exercised his clout for something that happened in the Pig, and Deep Throat heard about it, the star would not have been welcome again. There’s not many places people like that can go and socialize without being bothered. Deep Throat seldom has to banish anyone.

A reporter once broke confidence with a producer, printed a story told to him in the Pig. He never returned, and he’s not a reporter anymore. It’s hard to cover the entertainment beat without access to the Pig.

Places like the Pig have existed since Edison invented Hollywood. The ambiance is dependent on what is shooting that day. Just then there were three popular genres, two rising and one on its way out, and all three were represented around the room. There were warriors from Samurai Japan, taking a break from The Shogun Attacks, currently lensing at Sentry/Sensational Studios. A contingent of people in old-fashioned spacesuits were employed at North Lunar Filmwerks, where I’d heard Return Of The Alphans was behind schedule and over budget and facing an uncertain reception, as the box office for Asteroid Miner/Space Creature films had turned soft in recent months. And a bunch in bandannas, cowboy hats and dirty jeans had to be extras from The Gunslinger V. Westerns were in the middle of their fourth period of filmic popularity, two of them coming in my own lifetime. TG,V, as it was known to the trade, had been doing location work not far from my cabin in West Texas.

In addition, there were the usual scattering of costumes from other eras, and quite a number of surgically altered gnomes, fairies, trolls, and so forth, working in low-budget fantasy and children’s shorts. There was a group of five centaurs from a long-running sci-fi series that should have been axed a dozen Roman numerals ago.

“Why don’t you just move the brain?” I heard Cricket say. “Put it somewhere else, like the stomach?”

“Oh, brother. Sure, why not? It’s been done, of course, but it’s not worth the trouble. Nerve tissue is the hardest to manipulate, and the brain? Forget it. There’s twelve pairs of cranial nerves you’ve got to extend through the neck and down to the abdomen, for one thing. Then you have to re-train the gagman—a couple of days, usually—so the time lag doesn’t show. And you don’t think that matters? Audiences these days, they’ve seen it all, they’re sophisticated. They want realism. We can make a fake brain easy enough and stuff it into the gagman’s skull in place of the one we re-located, but audiences will spot the fact that the real brain’s not where it’s supposed to be.”

I turned on my stool and saw my new friend was sitting on the other side of Cricket, still holding forth about her head shots.

“Why not just use manikins?” Cricket asked, showing she hadn’t spent much time on the entertainment beat. “Wouldn’t they be cheaper than real actors?”

“Sure. A hell of a lot cheaper. Maybe you’ve never heard of the Job Security Act, or unions.”

“Oh.”

“Damn right. Until a stunt performer dies, we can’t replace him with a machine. It’s the law. And they die, all right—even with your brain in a steel case, it’s a risky profession—but we don’t lose more than two or three a year. And there’s thousands of them. Plus, they get better at surviving the longer they work, so there’s a law of diminishing returns. I can’t win.” She swiveled, leaned her elbows on the bar, looked out at the tables and sneered.

“Look at them. You can always spot gagmen. Look for the ones with the vacant faces, like they’re wondering where they are. They pick up a piece of shrapnel in the head; we cut away a little brain tissue and replace it with virgin cortex, and they forget a little. Start getting a little vague about things. Go home and can’t remember the names of the kids. Back to work the next day, giving me more headaches. Some of ’em have very little left of their original brains, and they’d have to look at their personnel file to tell you where they went to school.

“And centaurs? I could build you a robot centaur in two days, you couldn’t tell it from the real thing. But don’t tell the Exotics Guild. No, I get to sign ’em to a five-year contract, surgically convert ’em at great cost to the FX budget, then put ’em through three months of kinesthetic rehab until they can walk without falling on their faces. And what do I get? A stumblebum who can’t remember his lines or where the camera is, who can’t walk through a scene muttering, for chrissake, without five rehearsals. And at the end of five years, I get to pay to convert ’em back.” She reached around and got her drink, which was tall and had little tadpole-like creatures swimming in it. She took a long pull on it, licked her lips. “I tell you, it’s a wonder we get any pictures made at all.”

“Nice to see a woman happy in her work,” I said. She looked over at me.

“Hildy,” Cricket said, “have you met Princess Saxe-Coburg? She’s chief of special effects at NLM.”

“We’ve met.”

The Princess frowned at me, then recognition dawned. She got off her stool and came toward me, a little unsteady. She put her nose inches from mine.

“Sure. You pulled out on me a few minutes ago. Not a nice thing to do to a lady.”

At that range, I could see what was odd about her eyes. She was wearing a pair of antique projection contacts, small round flat-TV screens that floated over the cornea. I could make out the ring of solar cells that powered them, and the flyspeck chip that held the memory.

They’d been introduced just before the Invasion under a variety of trade names, but the one that stuck was Bedroom Eyes. After all, though they could reflect quite a variety of moods, if you were close enough to see the little pictures the mood you were looking for was probably sexual arousal. The more modest models would show a turned-back bed, a romantic scene from an old movie, or even, god help us, waves crashing on a beach. Others made no pretensions, getting right to the erection or spread thighs. Of course, they could reflect other moods, as well, but people were seldom close enough to make them out.

I’d never seen projection contacts worn by someone quite as stoned as the Princess was. What they were projecting was an interesting illusion: it was as if I were looking through two holes into a hollow head. Remnants of an exploded brain were collapsed at the bottom. Cracks in the skull let in light. And swinging from stray synapses like vines in a jungle were a menagerie of cartoon characters, from Mickey Mouse to Baba Yaga.

The image disturbed me. I wondered why anyone would want to do that to their brain. From wondering why she would want to, I quickly got to why I would want to, and that was leading me quickly to a place I didn’t want to go. So I turned away from her and saw Andrew MacDonald sitting at the other end of the bar like a carrot-topped Hibernian albatross.

“Did you know she’s the Princess of Wales?” Cricket was saying. “She’s first in line to the throne of England.”

“And Scotland, and Wales,” said the Princess. “Hell, and Ireland, and Canada and India. I might as well re-claim the whole Empire while I’m at it. If my mother ever dies, it’ll all belong to me. Of course, there’s the little matter of the Invaders.”

“Up the British,” Cricket said, and they clinked their glasses together.

“I met the King once,” I said. I drained my drink and slammed it down on the bar. Deep Throat caused it to vanish, and began concocting another.

“Did you really?”

“He was a friend of my mother. In fact, he’s a possible candidate to be my father. Callie has never told me and never will, but they were friendly together at about the right time. So, if you apply modern laws of bastardy, I might have a claim that supersedes yours.” I glanced at MacDonald again. Albatross? Hell, the man was more than a bird of evil omen, more than a stormy petrel or a croaking raven. He was Cassandra. He was a tropical depression, bad breath, a black cat across my path. Everywhere I turned, there he was, a dog humping my leg. He was a ladder in the stocking of my life. He was snake eyes.

I hated him. I felt like punching him in the nose.

“Watch what you say,” the Princess cautioned. “Remember what happened to Mary, Queen of Scots.”

I punched her in the nose.

She walked backward a few rubber-legged steps, then sat down on the floor. In the ensuing silence, Cricket whispered in my ear.

“I think she was kidding,” she said.

For a few moments the whole place was quiet. Everyone was watching us expectantly; they love a good brawl at the Blind Pig. I looked at my clenched fist, and the Princess touched her bloody nose with her hand, then looked at her palm. We both looked up at the same time and our eyes met. And she came off the floor and launched herself at me and started breaking all the bones in my body that she could reach.

My hitting her had nothing to do with anything she had said or done; at that moment in my life I would have hit anyone standing next to me. But I’d have been a lot better off hitting Cricket. In the Princess of Wales, I’d picked the wrong opponent. She was taller than me and out-massed me. There was probably a ten-centimeter difference in reach between us, and I was on the short end of it. But most importantly, she had spent the last forty years staging cinematic fights, and she knew every trick in the book, and a lot that never got into the book.

I’m tempted to say I got in two or three good punches. Cricket says I did, but it might have been just to raise my spirits. The truth is I can’t remember much from the time her horrid white teeth first filled my vision to the time I ripped a meter-long gash in the carpet with my face.

To get to the carpet I’d first had to smash through a table full of drinks. I used my face for that, too. Before the table I had been flying, rather cleverly, I thought, and the first real fun I’d had in many long minutes, but how I came to be flying was a point I was never too clear on. It seems safe to say that the Princess hurled me in some manner, holding on to some part of my anatomy and then releasing it; Cricket said it was my ankle, which would account for the room whirling around so quickly just before I flew. Before that I had vague memories of the bar mirror shattering, people scattering, blood spattering. Then I crashed through the table.

I rolled over and spit out carpeting. Horses were milling nervously all around me. Actually it was the centaur extras, whose table I’d just ruined. I resolved to buy them all a round of drinks. Before I could do that, though, there was the Princess again, lifting me by the shoulder and drawing back a bloody fist.

Then someone took hold of her arm from behind, and the punch never landed. She stood up and turned to face her challenger. I let my head rest against the ruins of a chair and watched as she tried to punch Andrew MacDonald.

There was really no point in it. It took her a long time to realize it, as her blood was up and she wasn’t thinking straight. So she kept throwing punches, and they kept just missing, or hitting him harmlessly on the elbows or glancing off his shoulders. She tried kicking, and the kicks were always just a little off their target.

He never threw a punch. He didn’t have to. After a time, she was standing there breathing hard. He wasn’t even sweating. She straightened and held up her hands, palms outward.

I must have dozed off for a moment. Eventually I became aware of the Princess, Cricket, and MacDonald, three indistinct round faces hanging above me like a pawnbroker’s sign.

“Can you move your legs?” MacDonald asked.

“Of course I can move my legs.” What a silly question. I’d been moving my legs for a hundred years.

“Then move them.”

I did, and MacDonald frowned deeper.

“His back’s probably broken,” said Wales.

“Must have happened when he landed on the railing.”

“Can you feel anything?”

“Unfortunately, yes.” By that time most of the drugs were wearing off, and everything from the waist up was hurting very badly. Deep Throat arrived and lifted my head. He had a painkiller in his hand, a little plastic cube with a wire which he plugged into the socket at the base of my skull. He flicked the switch, and I felt a lot better. I looked down and watched as they removed the splintered chair leg which had pierced my hip.

Since that wasn’t a particularly diverting sight, I looked around the room. Already cleaning robots were picking up broken glassware and replacing shattered tables; Deep Throat is no stranger to brawls, and he always keeps a supply of furniture. In another few minutes there would be no sign that I had almost destroyed the place five minutes ago. Well, I had almost destroyed the place, in the sense that it was my hurtling body that had done most of the damage.

I felt myself being lifted. MacDonald and Wales had made a hammock with their arms. It was like riding in a sedan chair.

“Where are we going?”

“You’re not in any immediate danger,” MacDonald said. “Your back is broken, and that should be fixed soon, so we’re taking you across the corridor to the NLF Studios. They have a good repair shop there.”

The Princess got us past the gate guard. We passed about a dozen sound stage doors, and I was brought into the infirmary.

Which was jammed like Mainhardt’s Department Store on Christmas Eve. It seemed NLF was doing a big scene from some war epic, and most of the available beds were taken by maimed extras patiently waiting their turn, counting up the triple-time salary they drew for injured downtime.

The room had been dressed as a field hospital for the picture, apparently doing double duty when not actually treating cinematic casualties. I pegged it as twentieth century—a vintage season for wars—maybe World War Two, or the Vietnam conflict, but it could easily have been the Boer War. We were under a canvas roof and the place was cluttered with hanging IV bottle props.

MacDonald returned from a conference with one of the technicians and stood looking down at me.

“He says it’ll be about half an hour. I could have you taken to your own practitioner if you want to; it might be quicker.”

“Don’t bother. I’m in no hurry. When they patch me up, I’ll probably just get up and do something foolish again.”

He didn’t say anything. There was something about his demeanor that bothered me—as if I needed anything else about him to bother me.

“Look,” I said. “Don’t ask me to explain why I did it. I don’t even know myself.”

Still he said nothing.

“Either spit it out, or take your long face and park it somewhere else.”

He shrugged.

“I just have a problem with a man attacking a woman, that’s all.”

“What?” I was sure I had misunderstood him. He wasn’t making any sense. But when he didn’t repeat his astonishing statement, I had to assume I’d heard him correctly.

“What does that have to do with anything?” I asked.

“Nothing, of course. But when I was young, it was something you simply didn’t do. I know it no longer makes sense, but it still bothers me to see it.”

“I’ll be sure to tell the Mean Bitch you feel that way. If they’ve put her back together after your last bout, that is.”

He looked embarrassed.

“You know, that was a problem for me, early in my career. I wouldn’t fight female opponents. I was getting a bad reputation and missing a lot of important match-ups because of it. When some competitors started getting sex changes simply so they could have a go at me, I realized how ridiculous I was being. But to this day I have to psych myself something terrible to get into the ring with someone who’s currently female.”

“That’s why you never hit . . . does the Princess have a first name?”

“I don’t know. But you’re wrong. I wanted to stop her, but I didn’t want to hurt her. Frankly, you had it coming.”

I looked away, feeling terrible. He was right.

“She’s feeling bad about it, though. She said she just couldn’t seem to stop, once she got going.”

“I’ll send her the repair bill. That should cheer her up.”

Cricket arrived from somewhere. She had a lighted cigarette which she placed in my mouth, grinning.

“Got it from the prop department,” she said. “They always used to give these to wounded soldiers. I can’t imagine why.”

I puffed on it. It wasn’t tobacco, thank god.

“Cheer up,” Cricket said. “You tore up her fists pretty good.”

“I’m clever that way; I pounded them to hamburger with my chin.”

I suddenly felt an alarming urge to cry. Holding it back, I asked both of them to leave me alone for a while. They did, and I lay there smoking, studying the canvas ceiling. There were no answers written there.

Why had the taste of life turned so bitter for me in the last weeks?


I had sort of drifted away. When I came back, Brenda was bending over me. Considering her height, she had a long way to bend.

“How’d you find me?” I asked her.

“I’m a reporter, remember? It’s my business to find things out.”

I thought of several cutting replies, but something about the look on her face made me hold them back. Puppy love. I had vague memories of how badly that could hurt, when it wasn’t returned.

And to give her her due, she was improving. Maybe she would be a reporter, some day.

“You needn’t have bothered. It’s not like I’m badly hurt. The head injuries were minimal.”

“I’m not surprised. It would take a lot to hurt your head.”

“The brain wasn’t injured at . . . ” I stopped, realizing she had just taken a jab at me. It had been pretty feeble, it hardly qualified as a joke—she might never master that skill—but it was something. I grinned at her.

“I was going to stop by Texas and bring that doctor . . . what was it you called him?”

“Sawbones. Pillroller. Quack. Caulker. Nepenthe. Leech. Lazarmonger.”

Her smile grew a little glassy; I could see her filing the terms away for later research.

I was smiling, but the truth is, even with current medical practices, being paralyzed from the waist down is a frightening thing. We have an entirely different attitude toward our bodies than most humans down the ages, we don’t fear injury and we can turn off pain and we generally treat flesh and bone as just items to be fixed, but when things are badly wrong something in the most primitive level of our brain stands up on its hind legs and howls at the Earth. I was having a galloping anxiety attack that the painkiller plugged into my medulla wasn’t dealing with at all. I have no idea if Brenda realized this, but her presence at my bedside was strangely comforting. I was glad she was there. I took her hand.

“Thanks for coming,” I said. She squeezed my hand, then looked away.


Eventually the planned casualties stopped streaming in, and a team of medicos assembled around me. They plugged me in to a dozen machines, studied the results, huddled, and murmured, just as if what they thought really mattered, as if the medical computer was not entirely in control of my diagnosis and treatment.

They came to a decision, which was to turn me onto my stomach. I surmised they had concluded it would be easier to reach my broken spine that way. I’d better not ever hear medicos called overpaid blood-monkeys again.

They began to carve. I couldn’t feel it, but I could hear some really disgusting sounds. You know those wet-muck special-effect sounds they use in the movies when someone’s being disemboweled? They could have recorded them right over my broken back. At one point something thumped to the floor. I peered over the edge of the bed: it looked like a raw soup bone. It was hard to believe it had once belonged to me.

They pow-wowed again, cut some more, brought in more machines. They made sacrifices to the gods of Aesculapius, Mithradates, Lethe, and Pfizer. They studied the entrails of a goat. They tore off their clothes, joined hands, and danced in a healing circle around my prone carcass.

Actually, I wished they had done any of those things. It would have been a lot more interesting than what they did do, which was mostly stand around and watch the automatic machines mend me.

All there was to look at was an antique machine against the wall, a few feet from my face. It had a glass screen and a lot of knobs on it. Blue lines were crawling across the screen, blipping into encouraging peaks now and then.

“Can I get you anything?” the machine asked. “Flowers? Candy? Toys?”

“A new head might do the trick.” It was the CC talking, of course. It can throw its voice pretty much where it pleases, since it was talking directly to the hearing center of my brain. “How much will this cost me?”

“There’s no final cost-estimate yet. But Wales has already requested the bill be sent to her.”

“Maybe what I meant was—”

“How badly are you hurt? How shall I put it. There are three bones in the middle ear, called the Malleus, the Incus, and the Stapes. You’ll be happy to hear that not one of these six bones was broken.”

“So I’ll still be able to play the piano.”

“Just as badly as ever. In addition, several minor organs emerged unscathed. Almost half a square meter of epidermis can be salvaged.”

“Tell me. If I’d come to this place . . . I mean, a hospital like this one is pretending to be—”

“I know what you mean.”

“—with only primitive surgical techniques . . . would I have survived?”

“It’s unlikely. Your heart is intact, your brain is not badly damaged, but the rest of your injuries are comparable to stepping on a land mine. You’d never walk again, and you’d be in great pain. You would come to wish you had not survived.”

“How can you tell that?”

The CC said nothing, and I was left to ponder. That usually doesn’t do much good, where the CC is concerned.

We all deal with the CC a thousand times a day, but almost all of that is with one of its subprograms, on a completely impersonal level. But apart from the routine transactions of living, it also generates a distinct personality for every citizen of Luna, and is always there ready to offer advice, counsel, or a shoulder to cry on. When I was young I spoke to the CC extensively. He is every child’s ideal imaginary playmate. But as we grow older and make more real, less tractable and entirely more willful and frustrating relationships, contacts with the CC tend to fall off. With adolescence and the discovery that, in spite of their shortcomings, other people have a lot more to offer than the CC ever will, we cut our ties even further until the CC is just a very intelligent, unobtrusive servant, there to ease us through the practical difficulties of life.

But the CC had now intruded, twice. I found myself wondering, as I seldom had in the past, what was on its mind.

“I guess I’ve been pretty foolish,” I ventured.

“Perhaps I should call Walter, tell him to tear up the front page.”

“All right. So it isn’t news. So I’ve had things on my mind.”

“I was hoping you’d like to talk about that.”

“Maybe we ought to talk about what you said before.”

“Concerning your hypothetical suffering had you incurred these injuries in, say, 1950?”

“Concerning your statement that I might prefer being dead.”

“It was merely an hypothesis. I observe how little anyone today is equipped to tolerate pain, having never experienced an appreciable amount of it. I note that even the people on Old Earth, who were no strangers to it, often preferred death to pain. I conclude that many people today would not hold life so dear as to endure constant, unrelenting agony.”

“So it was just a general observation.”

“Naturally.”

I didn’t believe that, but there was no point in saying so. The CC would get to the point in its own way, in its own time. I watched the crawling lines on the machine and waited.

“I notice you’re not taking notes concerning this experience. In fact, you’ve taken very few notes lately about anything.”

“Watching me, are you?”

“When I’ve nothing better to do.”

“As you certainly know, I’m not taking notes because my handwriter is broken. I haven’t had it repaired because the only guy who still works on them is so swamped that he said he might get around to mine this coming August. Unless he leaves the business to start a career in buggy whip repair.”

“There actually is a woman who does that,” the CC said. “In Pennsylvania.”

“No kidding? Nice to see such a vital skill won’t vanish completely.”

“We try to foster any skill, no matter how impractical or useless.”

“I’m sure our grandchildren will thank us for it.”

“What are you using to write your stories?”

“Two methods, actually. You get this soft clay brick, see, and you use a pointed stick to impress little triangles in it in different combinations. Then you put it on the oven to bake, and in four or five hours there you are. The original hard copy. I’ve been trying to think of a name for the process.”

“How about cuneiform?”

“You mean it’s been done? Oh, well. When I get tired of that, I get out the old hammer and chisel and engrave my deathless prose on rocks. It saves me carrying those ridiculous paper sheets into Walter’s office; I just lob them across the newsroom and through his window.”

“I don’t suppose you’d consider Direct Interface again.”

Was that what this was all about?

“Tried it,” I said. “Didn’t like it.”

“That was over thirty years ago,” the CC pointed out. “There have been some advances since then.”

“Look,” I said, feeling irritable and impatient. “You’ve got something on your mind. I wish you’d just come out with it instead of weaseling around like this.”

It said nothing for a moment. That moment stretched into a while, and threatened to become a spell.

“You want me to direct interface for some reason,” I suggested.

“I think it might be helpful.”

“For you or me?”

“Both of us, possibly. There can be a certain therapeutic value in what I intend to show you.”

“You think I need that?”

“Judge for yourself. How happy have you been lately?”

“Not very.”

“You could try this, then. It can’t hurt, and it might help.”

So what was I doing at the moment so important that I couldn’t take a few minutes off to chin with the CC?

“All right,” I said. “I’ll interface with you, though I think you really ought to buy me dinner and some flowers first.”

“I’ll be gentle,” the CC promised.

“What do I have to do? You need to plug me in somewhere?”

“Not for years now. I can use my regular connections into your brain. All you need to do is relax a little. Stare into the oscilloscope screen; that could be helpful.”

I did, watching the blue lines peak and trough, peak and trough. The screen started to expand, as if I were moving into it. Soon all I could see was one crawling line, which slowed, stopped, became a single bright dot. The dot got brighter. It grew and grew. I felt the heat of it on my face, it was



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