David Moody

HATER

    

THURSDAY

i

    

    Simmons, re­gi­onal ma­na­ger for a cha­in of high stre­et dis­co­unt sto­res, slip­ped his chan­ge in­to his poc­ket then ne­atly fol­ded his news­pa­per in half and tuc­ked it un­der his arm. He qu­ickly glan­ced at his watch be­fo­re le­aving the shop and re­j­o­ining the fa­ce­less mass of shop­pers and of­fi­ce wor­kers crow­ding the city cent­re pa­ve­ments out­si­de. He chec­ked thro­ugh his di­ary in his he­ad as he wal­ked. We­ekly sa­les me­eting at ten, bu­si­ness re­vi­ew with Jack Stay­nes at ele­ven, lunch with a sup­pli­er at one-thirty…

    He stop­ped wal­king when he saw her. At first she was just anot­her fa­ce on the stre­et, non­desc­ript and unim­po­sing and as ir­re­le­vant to him as the rest of them we­re. But the­re was so­met­hing dif­fe­rent abo­ut this par­ti­cu­lar wo­man, so­met­hing which ma­de him fe­el une­asy. In a split-se­cond she was go­ne aga­in, swal­lo­wed up by the crowds. He lo­oked ro­und for her an­xi­o­usly, des­pe­ra­te to find her amongst the cons­tantly we­aving mass of fi­gu­res which scur­ri­ed bu­sily aro­und him. The­re she was. Thro­ugh a mo­men­tary gap in the bo­di­es he co­uld see her co­ming to­wards him. No mo­re than fi­ve fe­et tall, hunc­hed for­ward and we­aring a fa­ded red ra­in­co­at. Her wiry grey-whi­te ha­ir was held in pla­ce un­der a cle­ar plas­tic ra­in-ho­od and she sta­red ahe­ad thro­ugh the thick len­ses of her wi­de rim­med glas­ses. She had to be eighty if she was a day he tho­ught as he lo­oked in­to her wrink­led, li­ver-spot­ted fa­ce, so why was she such a thre­at? He had to act qu­ickly be­fo­re she di­sap­pe­ared aga­in. He co­uldn’t risk lo­sing her. For the first ti­me he ma­de di­rect eye con­tact with her and he knew im­me­di­ately that he had to do it. He had no cho­ice. He had to do it and he had to do it right now.

    Dropping his news­pa­per, bri­ef­ca­se and umb­rel­la Sim­mons pus­hed his way thro­ugh the crowd then re­ac­hed out and grab­bed hold of her by the wi­de la­pels of her ra­in­co­at. Be­fo­re she co­uld re­act to what was hap­pe­ning he spun her ro­und thro­ugh al­most a comp­le­te turn and threw her back to­wards the bu­il­ding he’d just left. Her fra­il body was light and she vir­tu­al­ly flew ac­ross the fo­ot­path, her fe­et ba­rely to­uc­hing the gro­und be­fo­re she smas­hed up aga­inst the thick sa­fety-glass shop win­dow and bo­un­ced back in­to the stre­et. Stun­ned with pa­in and surp­ri­se she lay fa­ce down on the cold, ra­in-so­aked pa­ve­ment, too shoc­ked to mo­ve. Sim­mons pus­hed his way back to­wards her, bar­ging thro­ugh a small crowd of con­cer­ned shop­pers who had stop­ped to help. Ig­no­ring the­ir angry pro­tests he drag­ged her to her fe­et and sho­ved her to­wards the shop win­dow aga­in, her he­ad whip­ping back on her sho­ul­ders as she clat­te­red aga­inst the glass for the se­cond ti­me.

    ‘What the hell are you do­ing, you idi­ot?!’ an ap­pal­led bystan­der yel­led, grab­bing hold of Sim­mons’ co­at sle­eve and pul­ling him back. Sim­mons twis­ted and squ­ir­med free from the man’s grip. He trip­ped and lan­ded on his hands and kne­es in the gut­ter. She was still on her fe­et just ahe­ad of him. He co­uld see her thro­ugh the legs of the ot­her pe­op­le crow­ding aro­und her.

    Oblivious to the howls and scre­ams of pro­test rin­ging in his ears, Sim­mons qu­ickly sto­od up, pa­using only to pick up his umb­rel­la from the ed­ge of the fo­ot­path and to push his wi­re-fra­med glas­ses back up the brid­ge of his no­se. Hol­ding the umb­rel­la out in front of him li­ke a ba­yo­net rif­le he ran at the wo­man aga­in.

    ‘Please…’ she beg­ged as he sunk the sharp me­tal tip of the umb­rel­la de­ep in­to her gut and then yan­ked it out aga­in. She slum­ped back aga­inst the win­dow, clutc­hing the wo­und as the stun­ned and dis­be­li­eving crowd qu­ickly en­gul­fed Sim­mons. Thro­ugh the con­fu­si­on he watc­hed as her legs ga­ve way and she col­lap­sed he­avily to the gro­und, blo­od oozing out of the de­ep ho­le in her si­de.

    ‘Maniac,’ so­me­one spat in his ear. Sim­mons span aro­und and sta­red at the ow­ner of the vo­ice. Jesus Christ, anot­her one! This one was just li­ke the old wo­man. And the­re’s anot­her, and anot­her… and they we­re all aro­und him now. He sta­red help­les­sly in­to the sea of angry fa­ces which sur­ro­un­ded him. They we­re all the sa­me. Every last one of them had sud­denly be­co­me a thre­at to him. He knew the­re we­re too many of them but he had to fight. In des­pe­ra­ti­on he scre­wed his hand in­to a fist and swung it in­to the ne­arest fa­ce. As a te­ena­ge boy re­co­iled from the sud­den im­pact and drop­ped to the gro­und a hor­de of uni­for­med fi­gu­res we­aved thro­ugh the crowd and wrest­led Sim­mons to the gro­und.

    

    

1

    

    Lunatic. Blo­ody hell, I’ve se­en so­me things hap­pen in this town be­fo­re but ne­ver anyt­hing li­ke that. That was dis­gus­ting. That ma­de me fe­el sick. Christ, he ca­me out of now­he­re and she didn’t stand a chan­ce, po­or old girl. He’s in the mid­dle of the crowd now. He’s out­num­be­red fifty-to-one and yet he’s still trying to fight. This pla­ce is full of crazy pe­op­le. For­tu­na­tely for that wo­man it’s al­so full of po­li­ce of­fi­cers. The­re are two of them down with her now, trying to stop the ble­eding. Three mo­re ha­ve got to the blo­ke that did it and they’re drag­ging him away.

    Damn, it’s three mi­nu­tes to ni­ne. I’m go­ing to be la­te for work aga­in but I can’t mo­ve. I’m stuck in this blo­ody crowd. The­re are pe­op­le bunc­hed up tight all aro­und me and I can’t go back­wards or for­wards. I’ll ha­ve to wa­it un­til they start to shift, ho­we­ver long that ta­kes. The­re are mo­re po­li­ce of­fi­cers ar­ri­ving now trying to cle­ar the sce­ne. It’s pat­he­tic re­al­ly, you’d think they’d show so­me res­pect but pe­op­le are all the sa­me. First sign of tro­ub­le on the stre­et and ever­yo­ne stops to watch the fre­ak show.

    We’re fi­nal­ly star­ting to mo­ve. I can still see that blo­ke be­ing bund­led to­wards a po­li­ce van on the ot­her si­de of the stre­et. He’s kic­king and scre­aming and crying li­ke a blo­ody baby. Lo­oks li­ke he’s lost it comp­le­tely. The no­ise he’s ma­king you’d think he was the one who’d be­en at­tac­ked.

    

    I know I’m a lazy bas­tard. I know I sho­uld try har­der but I just can’t be bot­he­red. I’m not stu­pid but I so­me­ti­mes find it dif­fi­cult to gi­ve a shit. I sho­uld ha­ve run ac­ross Mil­len­ni­um Squ­are to get to the of­fi­ce just now but it was too much ef­fort so early in the mor­ning. I wal­ked and I fi­nal­ly got he­re at just go­ne qu­ar­ter past ni­ne. I tri­ed to sne­ak in but it was ine­vi­tab­le that so­me­one was go­ing to see me. It had to be Ti­na Mur­ray tho­ugh, didn’t it? My so­ur-fa­ced, sla­ve-dri­ving, un­for­gi­ving bitch of a su­per­vi­sor. She’s stan­ding be­hind me now, watc­hing me work. She thinks I don’t know she’s the­re. I re­al­ly can’t stand her. In fact I can’t think of an­yo­ne I li­ke less than Ti­na. I’m not a vi­olent man - I don’t li­ke conf­ron­ta­ti­on and I find the very idea of punc­hing a wo­man of­fen­si­ve - but the­re are ti­mes he­re when I’d hap­pily smack her in the mo­uth.

    ‘You owe me fif­te­en mi­nu­tes,’ she sne­ers in her hor­rib­le, whi­ning vo­ice. I push myself back on my cha­ir and slowly turn aro­und to fa­ce her. I for­ce myself to smi­le alt­ho­ugh all I want to do is spit. She stands in front of me, arms fol­ded, che­wing gum and scow­ling.

    ‘Morning, Ti­na,’ I reply, trying to stay calm and not gi­ve her the sa­tis­fac­ti­on of kno­wing just how much she winds me up, ‘how are you to­day?’

    ‘You can eit­her ta­ke the ti­me off yo­ur lunch ho­ur or stay back to­night and work over,’ she snaps. ‘It’s up to you how you ma­ke it up.’

    I know I’m only ma­king things wor­se for myself but I can’t help it. I sho­uld just ke­ep my mo­uth shut and ac­cept that I’m in the wrong but I can’t stand the tho­ught of this vi­le wo­man thin­king she’s in cont­rol. I know I’m not hel­ping the si­tu­ati­on but I just can’t stop myself. I ha­ve to say so­met­hing.

    ‘What abo­ut yes­ter­day mor­ning?’ I ask. I for­ce myself to lo­ok in­to her harsh, scow­ling fa­ce aga­in. She’s not at all happy. She shifts her we­ight from one fo­ot to the ot­her and chews her gum even har­der and fas­ter. Her jaw mo­ves in a fran­tic cir­cu­lar mo­ti­on. She lo­oks li­ke a cow che­wing the cud. Fuc­king he­ifer.

    ‘What abo­ut yes­ter­day mor­ning?’ she spits.

    ‘Well,’ I exp­la­in, trying hard not to so­und li­ke I’m pat­ro­ni­sing her, ‘if you re­mem­ber I was twenty mi­nu­tes early yes­ter­day and I star­ted wor­king as so­on as I got he­re. If I’m go­ing to ma­ke up yo­ur fif­te­en mi­nu­tes for to­day, can I cla­im back my twenty mi­nu­tes for yes­ter­day? Or shall we just call it qu­its and I’ll let you off the fi­ve mi­nu­tes?’

    ‘Don’t be stu­pid. You know it do­esn’t work li­ke that.’

    ‘Maybe it sho­uld.’

    Bloody hell, now she’s re­al­ly an­no­yed. Her fa­ce is flus­hed red and I can see the ve­ins on her neck bul­ging. It was a stu­pid and po­int­less com­ment to ma­ke but I’m right, aren’t I? Why sho­uld the co­un­cil ha­ve it all the­ir own way? Ti­na’s sta­ring at me now and her si­len­ce is ma­king me fe­el re­al­ly un­com­for­tab­le. I sho­uld ha­ve just kept my mo­uth clo­sed. I let her win the fa­ce-off and I turn back ro­und to sign-on to my com­pu­ter aga­in.

    ‘Either ta­ke it off yo­ur lunch ho­ur or work over,’ she says over her sho­ul­der as she walks away. ‘I don’t ca­re what you do, just ma­ke su­re you ma­ke up the ti­me you owe.’

    And she’s off. Con­ver­sa­ti­on’s over and I don’t get any chan­ce to res­pond or to try and get the last word. Bitch.

    Tina ma­kes my skin crawl but I find myself sta­ring at her rat­her than my com­pu­ter scre­en. She’s back at her desk now and Barry Penny, the of­fi­ce ma­na­ger, has sud­denly ap­pe­ared. Her body lan­gu­age has comp­le­tely chan­ged now that she’s spe­aking to so­me­one who’s hig­her up the co­un­cil pec­king or­der than she is. She’s smi­ling and la­ug­hing at his pat­he­tic jokes and ge­ne­ral­ly trying to see how far she can crawl up his back­si­de.

    I can’t help thin­king abo­ut what I’ve just se­en hap­pen out­si­de. Christ, I wish I had that blo­ke’s umb­rel­la. I know exactly whe­re I’d sho­ve it.

    

    Sometimes ha­ving such a dull and mo­no­to­no­us job is an ad­van­ta­ge. This stuff is way be­ne­ath me and I don’t re­al­ly ha­ve to think abo­ut what I’m do­ing. I can do my work on auto­pi­lot and the ti­me pas­ses qu­ickly. It’s be­en li­ke that so far this mor­ning. Job sa­tis­fac­ti­on is non-exis­tent but at le­ast the day isn’t drag­ging.

    I’ve be­en wor­king he­re for al­most eight months now (it fe­els lon­ger) and I’ve wor­ked for the co­un­cil for the last three and a half ye­ars. In that ti­me I’ve wor­ked my way thro­ugh mo­re de­part­ments than most long-ser­ving co­un­cil staff ma­na­ge in the­ir en­ti­re ca­re­ers. I ke­ep get­ting trans­fer­red. I ser­ved ti­me in the pest cont­rol, re­fu­se col­lec­ti­on and stre­et lamp ma­in­te­nan­ce de­part­ments be­fo­re I en­ded up he­re in the Par­king Fi­ne Pro­ces­sing of­fi­ce or PFP as the co­un­cil li­kes to call it. They ha­ve an ir­ri­ta­ting ha­bit of trying to re­du­ce as many de­part­ment na­mes and job tit­les down to sets of ini­ti­als as they can. Be­fo­re I was trans­fer­red he­re I’d be­en told that the PFP was a dum­ping gro­und for un­der­per­for­mers and, as so­on as I ar­ri­ved, I re­ali­sed it was true. In most of the pla­ces I’ve wor­ked I’ve eit­her li­ked the job but not the pe­op­le or the ot­her way aro­und. He­re I ha­ve prob­lems with both. This pla­ce is a bre­eding gro­und for tro­ub­le. This is whe­re tho­se mo­to­rists who’ve be­en un­lucky (or stu­pid) eno­ugh to get whe­el-clam­ped, ca­ught on ca­me­ra or gi­ven a tic­ket by a par­king war­den co­me to sho­ut and scre­am and dis­pu­te the­ir fi­nes. I used to ha­ve sympathy with them and I be­li­eved the­ir sto­ri­es. Eight months he­re has chan­ged me. Now I don’t be­li­eve anyt­hing that an­yo­ne tells me.

    ‘Did you see that blo­ke this mor­ning?’ a vo­ice asks from be­hind the com­pu­ter on my left. It’s Ki­eran Smyth. I li­ke Ki­eran. Li­ke most of us he’s was­ted he­re. He’s got bra­ins and he co­uld ma­ke so­met­hing of him­self if he tri­ed. He was stud­ying law at uni­ver­sity but to­ok a ho­li­day job he­re last sum­mer and ne­ver went back to class. Told me he got used to ha­ving the mo­ney and co­uldn’t co­pe wit­ho­ut it. He buys an inc­re­dib­le amo­unt of stuff. Every day he se­ems to co­me back from lunch with bags of clot­hes, bo­oks, DVDs and CDs. I’m just je­alo­us be­ca­use I strug­gle to scra­pe to­get­her eno­ugh mo­ney to buy fo­od, ne­ver mind anyt­hing el­se. Ki­eran spends most of his day tal­king to his ma­te Daryl Evans who sits on my right. They talk thro­ugh me and over me but very ra­rely to me. It do­esn’t bot­her me tho­ugh. The­ir con­ver­sa­ti­ons are as bo­ring as hell and the only thing I ha­ve in com­mon with them is that the three of us all work wit­hin the sa­me small sec­ti­on of the sa­me small of­fi­ce. What do­es an­noy me, if I’m ho­nest, is the fact that they both se­em to be ab­le to get away with not do­ing very much for lar­ge chunks of the wor­king day. May­be it’s be­ca­use they’re fri­endly with Ti­na out­si­de work and they go out drin­king to­get­her. Christ, I only ha­ve to co­ugh and she’s up out of her se­at wan­ting to know what I’m do­ing and why I’ve stop­ped wor­king.

    ‘What blo­ke?’ Daryl sho­uts back.

    ‘Out on the stre­et on the way to work.’

    ‘Which stre­et?’

    ‘The high stre­et, just out­si­de Cartw­rights.’

    ‘Didn’t see anyt­hing.’

    ‘You must ha­ve.’

    ‘I didn’t. I didn’t walk past Cartw­rights. I ca­me the ot­her way this mor­ning.’

    ‘There was this blo­ke,’ Ki­eran exp­la­ins re­gard­less, ‘you sho­uld ha­ve se­en him. He went ab­so­lu­tely fuc­king men­tal.’

    ‘What are you on abo­ut?’

    ‘Honest ma­te, he was wild. You ask Bob Raw­lings up in Arc­hi­ves. He saw it. He rec­kons he prac­ti­cal­ly kil­led her.’

    ‘Killed who?’

    ‘I don’t know, just so­me old wo­man. No word of a lie, he just star­ted la­ying in­to her for no re­ason. Stab­bed her with a blo­ody umb­rel­la I he­ard!’

    ‘Now you’re ta­king the piss…’

    ‘I’m se­ri­o­us.’

    ‘No way!’

    ‘You go and ask Bob…’

    I usu­al­ly ig­no­re the­se qu­ick-fi­re con­ver­sa­ti­ons (most of the ti­me I don’t ha­ve a clue what they’re tal­king abo­ut) but to­day I can ac­tu­al­ly add so­met­hing be­ca­use I was the­re. It’s pat­he­tic, I know, but the fact that I se­em to know mo­re abo­ut what hap­pe­ned than eit­her Ki­eran or Daryl ma­kes me fe­el smug and su­pe­ri­or.

    ‘He’s right,’ I say, lo­oking up from my scre­en.

    ‘Did you see it then?’ Ki­eran asks. I le­an back on my se­at in self-sa­tis­fac­ti­on.

    ‘Happened right in front of me. He might even ha­ve go­ne for me if I’d be­en a few se­conds ear­li­er.’

    ‘So what was it all abo­ut?’ Daryl asks. ‘Is what he’s sa­ying right?’

    I qu­ickly lo­ok over at Ti­na. She’s got her he­ad bu­ri­ed in a pi­le of pa­pers. It’s sa­fe to ke­ep tal­king.

    ‘I saw the old girl first,’ I tell them. ‘I ne­arly trip­ped over her. She ca­me flying past me and smas­hed up aga­inst the win­dow by the si­de do­or of Cartw­rights. I tho­ught it must be a gro­up of kids trying to get her bag off her or so­met­hing li­ke that. Co­uldn’t be­li­eve it when I saw him. He just lo­oked li­ke a nor­mal blo­ke. Su­it, tie, glas­ses...’

    ‘So why did he do it? What had she do­ne to him?’

    ‘No idea. Blo­ody hell, mo­od he was in I wasn’t abo­ut to ask him.’

    ‘And he just went for her?’ Daryl mumb­les, so­un­ding li­ke he do­esn’t be­li­eve a word I’m sa­ying. I nod and glan­ce from si­de to si­de at both of them.

    ‘Never se­en anyt­hing li­ke it,’ I con­ti­nue. ‘He ran at her and stab­bed her with an umb­rel­la. It was gross. It went right in­to her belly. The­re was blo­od all over her co­at and…’

    Tina’s lo­oking up now. I lo­ok down and start typing, trying to re­mem­ber what it was I was do­ing.

    ‘Then what?’ Ki­eran his­ses.

    ‘Idiot tur­ned on the rest of the crowd. Star­ted hit­ting out at the pe­op­le aro­und him. Then the po­li­ce tur­ned up,’ I exp­la­in, still lo­oking at my scre­en but not ac­tu­al­ly do­ing anyt­hing. ‘They drag­ged him away and sho­ved him in the back of a van.’

    The con­ver­sa­ti­on stops aga­in. Mur­ray’s on the mo­ve. For a mo­ment the only so­und I can he­ar is the clic­king of three com­pu­ter key­bo­ards as we pre­tend to work. Af­ter lo­oking aro­und the ro­om and sta­ring at me in par­ti­cu­lar she le­aves the of­fi­ce and Ki­eran and Daryl im­me­di­ately stop in­put­ting.

    ‘So was the­re so­met­hing wrong with him?’ Daryl asks po­int­les­sly.

    ‘Of co­ur­se the­re was so­met­hing wrong with him,’ I ans­wer. Christ, this blo­ke’s an idi­ot at ti­mes. ‘Do you think he’d stab an old lady with an umb­rel­la if the­re wasn’t anyt­hing wrong with him?’

    ‘But did he say anyt­hing? Was he scre­aming or sho­uting or…?’

    I won­der whet­her it’s even worth ans­we­ring his half-asked qu­es­ti­on.

    ‘Both,’ I grunt.

    ‘Was he drunk or on drugs or…?’

    ‘I don’t know,’ I say, be­gin­ning to get an­no­yed. I stop and think for a se­cond be­fo­re spe­aking aga­in. In my he­ad I can still see the exp­res­si­on on the man’s fa­ce. ‘He lo­oked ab­so­lu­tely fuc­king ter­ri­fi­ed,’ I tell them. ‘He lo­oked li­ke he was the one who was be­ing at­tac­ked.’

    

    

2

    

    There’s a girl who sits on the ot­her si­de of the of­fi­ce cal­led Jen­ni­fer Rey­nolds. I don’t know her very well. I don’t ha­ve much to do with her from day to day. In fact I’ve only spo­ken to her a hand­ful of ti­mes sin­ce I was trans­fer­red in­to the PFP. She’s not he­re to­day and I ha­te it when she’s out. When Jen­ni­fer Rey­nolds isn’t he­re her du­ti­es get sha­red out bet­we­en the rest of us, and the job I ha­ve to co­ver to­day is the worst job of all - Re­cep­ti­on. The pos­tal ad­dress of the PFP isn’t ac­ti­vely bro­ad­cast but it’s on so­me of the cor­res­pon­den­ce we send out and it’s in the pho­ne bo­ok and it do­esn’t ta­ke much for the ge­ne­ral pub­lic to find out whe­re we are. We get a lot of vi­si­tors, too many in my opi­ni­on. If so­me­one co­mes he­re it’s al­most al­ways be­ca­use they’ve be­en fi­ned or clam­ped. They’ve pro­bably al­re­ady tri­ed to get the fi­ne over­tur­ned or the clamp re­mo­ved and by the ti­me they re­ach us co­ming to ar­gue the­ir ca­se in per­son is of­ten the only op­ti­on they ha­ve left. So tho­se pe­op­le who do turn up he­re are li­kely to al­re­ady be se­ri­o­usly pis­sed off. Sho­uting, scre­aming and thre­ate­ning be­ha­vi­o­ur isn’t unu­su­al. The first pla­ce the­se pe­op­le re­ach is Re­cep­ti­on, and the first per­son they get to scre­am at, sho­ut at or thre­aten is the po­or sod sat be­hind the desk.

    So he­re I am, sit­ting alo­ne at the Re­cep­ti­on desk, sta­ring at the tatty bron­zed-glass ent­ran­ce do­or, watc­hing an­xi­o­usly for any vi­si­tors. I ha­te this. It’s li­ke sit­ting in a den­tist’s wa­iting ro­om. I’m cons­tantly watc­hing the clock on the wall. It’s hung just abo­ve a lar­ge no­ti­ce bo­ard co­ve­red with un­re­ad and un­help­ful co­un­cil pos­ters and no­ti­ces. Just to the left of the no­ti­ce bo­ard, equ­al­ly un­re­ad and un­help­ful, is a small sign which warns the pub­lic aga­inst in­ti­mi­da­ting or at­tac­king co­un­cil staff. The fact that it’s the­re do­esn’t ma­ke me fe­el any sa­fer. The­re’s a per­so­nal at­tack alarm stuck un­der the desk but that do­esn’t ma­ke me fe­el any bet­ter eit­her.

    It’s fo­ur thirty-eight. Twenty-two mi­nu­tes to go then I’m fi­nis­hed for the day.

    I’m su­re Ti­na enj­oys ma­king me co­me out he­re. It’s al­ways me who ends up co­ve­ring for Jen­ni­fer. Be­ing out on Re­cep­ti­on is a form of tor­tu­re. You’re not al­lo­wed to bring any pa­per­work out he­re with you (so­met­hing abo­ut pro­tec­ting con­fi­den­ti­al da­ta) and the lack of any dist­rac­ti­ons ma­kes the ti­me drag pa­in­ful­ly slowly. So far this af­ter­no­on I’ve only had to de­al with two pho­ne calls, and they we­re just per­so­nal calls for mem­bers of staff.

    Four thirty-ni­ne.

    Come on clock, spe­ed up.

    

    Four fifty-fo­ur.

    Almost the­re. I’m watc­hing the clock all the ti­me now, wil­ling the hands to mo­ve ro­und qu­ickly so that I can get out of he­re. I’m al­re­ady re­he­ar­sing my es­ca­pe from the of­fi­ce in my he­ad. I just ha­ve to shut­down my com­pu­ter and grab my co­at from the clo­ak­ro­om then I’ll sprint to the sta­ti­on. If I can get away qu­ickly eno­ugh I might ma­na­ge to catch the early tra­in and that’ll get me back ho­me for…

    Damn. Blo­ody pho­ne’s rin­ging aga­in. I ha­te the way it rings. It gra­tes li­ke an off-key alarm clock and the no­ise go­es right thro­ugh me. I pick it up and crin­ge at the tho­ught of what might be wa­iting for me at the ot­her end of the li­ne.

    ‘Good af­ter­no­on, PFP, Danny McCoy­ne spe­aking,’ I mumb­le qu­ickly. I’ve le­arnt to ans­wer the pho­ne qu­i­etly and at spe­ed. It ma­kes it dif­fi­cult for the cal­ler to ta­ke yo­ur na­me.

    ‘Can I spe­ak to Mr Fitz­pat­rick in Pay­roll ple­ase?’ a he­avily ac­cen­ted fe­ma­le vo­ice asks. Thank God for that - this isn’t a scre­aming mem­ber of the pub­lic with a comp­la­int, it’s just a wrong num­ber. I re­lax. We get a few calls for Pay­roll most days. The­ir ex­ten­si­ons are si­mi­lar to ours. You’d think so­me­one wo­uld do so­met­hing abo­ut it. Any­way I’m re­li­eved. The last thing I want is a prob­lem at fo­ur fifty-fi­ve.

    ‘You’ve co­me thro­ugh to the wrong de­part­ment,’ I exp­la­in. ‘You’ve di­al­led 2300 ins­te­ad of 3200. I’ll try and trans­fer you. If you get cut-off just di­al 1000 and that’ll ta­ke you thro­ugh to the ma­in exc­han­ge…’

    I’m sud­denly dist­rac­ted and my vo­ice tra­ils away as the front do­or fli­es open. I ins­tinc­ti­vely mo­ve back on my cha­ir, trying to put as much dis­tan­ce as pos­sib­le bet­we­en me and who­ever it is who’s abo­ut to co­me stor­ming in­to the bu­il­ding. I fi­nish the pho­ne call and al­low myself to re­lax slightly when I see the front whe­els of a child’s pushc­ha­ir be­ing for­ced thro­ugh the do­or. The pushc­ha­ir is jam­med in the do­or­way and I get up to help. A short, ra­in-so­aked wo­man in a gre­en and purp­le ano­rak en­ters Re­cep­ti­on. As well as the child in the pushc­ha­ir (which is hid­den from vi­ew by a he­avy plas­tic ra­in-co­ver) two mo­re small child­ren fol­low her in­si­de. The bed­rag­gled fa­mily stand in the mid­dle of the Re­cep­ti­on area and drip wa­ter on­to the grubby marb­le-effect flo­or. The wo­man se­ems ha­ras­sed and is pre-occu­pi­ed with her kids. She snaps at the tal­lest child, tel­ling him that ‘Mummy has a prob­lem to sort out with this man, then we’ll get you back ho­me for so­met­hing to eat.’

    She ta­kes off her ho­od and I can see that she’s in her la­te thir­ti­es or early for­ti­es. She’s pla­in lo­oking and her lar­ge, ro­und, ra­in-splas­hed glas­ses are ste­aming up. Her fa­ce is flus­hed red and the­re are drib­bles of ra­in­wa­ter drip­ping off the end of her no­se. She do­esn’t ma­ke eye con­tact with me. She slams her hand­bag down on the desk and be­gins se­arc­hing thro­ugh it. She stops for a mo­ment to lift the ra­in-co­ver (which is al­so be­gin­ning to ste­am up with con­den­sa­ti­on) and checks on her baby who se­ems to be sle­eping. She re­turns her at­ten­ti­on to the con­tents of her hand­bag and I ma­ke my way back aro­und to the ot­her si­de of the co­un­ter.

    ‘Can I help you?’ I ask ca­uti­o­usly, de­ci­ding that it’s abo­ut ti­me I of­fe­red. She gla­res at me over the rim of her glas­ses. This wo­man has an at­ti­tu­de, I can sen­se it. She’s ma­king me fe­el un­com­for­tab­le. I know I’m in for a hard ti­me.

    ‘Wait a mi­nu­te,’ she snaps, tal­king to me as if I’m one of her kids. She ta­kes a pac­ket of tis­su­es out of her bag and pas­ses one to one of the child­ren at her fe­et who ke­eps wi­ping his no­se on the back of his sle­eve. ‘Blow,’ she or­ders sternly, sho­ving the tis­sue in­to the mid­dle of the kid’s fa­ce. The child do­esn’t ar­gue.

    I glan­ce up at the clock. Fo­ur fifty-se­ven. Do­esn’t lo­ok li­ke I’ll be get­ting the early tra­in ho­me to­night.

    ‘I par­ked my car at Left­bank Pla­ce for fi­ve mi­nu­tes whi­le I to­ok my el­dest son to the to­ilet,’ she be­gins as she re­packs her bag. No ti­me for ni­ce­ti­es, she’s stra­ight in­to her comp­la­int. ‘In tho­se fi­ve mi­nu­tes my car was clam­ped. Now I know that I sho­uldn’t ha­ve be­en par­ked the­re, but it was only for fi­ve mi­nu­tes and I was only the­re be­ca­use it was ab­so­lu­tely ne­ces­sary. I want to spe­ak to so­me­one who has the aut­ho­rity to sort this out and I want to spe­ak to them now. I want that clamp re­mo­ved from my car so I can get my child­ren ho­me.’

    I cle­ar my thro­at and get re­ady to try and res­pond. Sud­denly my mo­uth is dry and my ton­gue fe­els twi­ce its nor­mal si­ze. It had to be Left­bank Pla­ce, didn’t it. It’s an area of was­te gro­und just ten mi­nu­tes walk from our of­fi­ce. So­me­ti­mes it fe­els li­ke just abo­ut every ot­her car that’s clam­ped in this town is clam­ped at Left­bank Pla­ce. The en­for­ce­ment te­am who co­ver that area are no­to­ri­o­us. So­me­one told me they’re on so­me kind of per­for­man­ce-re­la­ted pay sche­me - the mo­re cars they clamp each we­ek, the mo­re they get pa­id. I don’t know whet­her or not that’s true but it do­esn’t help me now. I know I ha­ve no cho­ice but to gi­ve this wo­man a stock res­pon­se from pro­ce­du­res. I al­so know that she’s not go­ing to li­ke it.

    ‘Madam,’ I be­gin, ten­sing up in an­ti­ci­pa­ti­on of her re­ac­ti­on, ‘Left­bank Pla­ce is a strictly no par­king area. The co­un­cil…’

    She do­esn’t gi­ve me chan­ce to get any furt­her.

    ‘I’ll tell you abo­ut the co­un­cil,’ she yells, her vo­ice sud­denly un­com­for­tably lo­ud. ‘This blo­ody co­un­cil ne­eds to spend less ti­me clam­ping pe­op­le and mo­re ti­me ma­king su­re that pub­lic ame­ni­ti­es are in pro­per wor­king or­der. The only re­ason I had to park at blo­ody Left­bank Pla­ce was be­ca­use the pub­lic to­ilets in Mil­len­ni­um Squ­are ha­ve be­en van­da­li­sed! My son has a bo­wel con­di­ti­on. I didn’t ha­ve any cho­ice. He co­uldn’t wa­it any lon­ger.’

    ‘There must ha­ve be­en ot­her to­ilets…’ I be­gin to say, ins­tantly reg­ret­ting ha­ving ope­ned my mo­uth. Christ I ha­te this job. I wish I was back de­aling with rub­bish col­lec­ti­ons, rat in­fes­ta­ti­ons or even bro­ken stre­et lamps aga­in. My big­gest prob­lem is that it so­unds li­ke this wo­man has be­en ge­nu­inely hard do­ne by and I’d pro­bably ha­ve do­ne exactly the sa­me as she did if I’d be­en out with my kids. It so­unds li­ke she’s got a fa­ir po­int and the­re’s not­hing I’d li­ke to do mo­re than call off the clam­pers but I don’t ha­ve the aut­ho­rity. My op­ti­ons now are ble­ak; fol­low pro­ce­du­res and get yel­led at aga­in by this lady or get yel­led at by Ti­na Mur­ray if I don’t do things by the bo­ok. Chan­ces are I’m go­ing to cop it from both of them. Be­fo­re she can re­act to my stu­pid com­ment I try and co­ver it up. ‘I un­ders­tand what you’re sa­ying, Ma­dam, but…’

    ‘Do you?’ she scre­ams, this ti­me lo­ud eno­ugh to wa­ke the baby in the pushc­ha­ir who starts to whim­per and mo­an. ‘Do you re­al­ly? I don’t think you do, be­ca­use if you did un­ders­tand you’d be on the pho­ne to so­me­one right now get­ting that blo­ody clamp re­mo­ved from my car so that I can get my child­ren ho­me. They’re cold, they’re hungry and…’

    ‘I ne­ed to just…’

    ‘I don’t want ex­cu­ses, I want this de­alt with.’

    She’s not go­ing to lis­ten. This is po­int­less. She isn’t even go­ing to gi­ve me a chan­ce.

    ‘Madam...’

    ‘I sug­gest you go and spe­ak to yo­ur su­pe­ri­ors and find so­me­one who’s pre­pa­red to ta­ke res­pon­si­bi­lity for this shoddy mess and co­me and sort it out. I was for­ced to park at Left­bank Pla­ce be­ca­use of this co­un­cil’s inef­fi­ci­en­ci­es. I ha­ve a son who has a me­di­cal con­di­ti­on and I ne­eded to get him to the to­ilet ur­gently. If the co­un­cil had do­ne the­ir job pro­perly in the first pla­ce and had ma­de su­re the pub­lic to­ilets we­re in full wor­king or­der then I wo­uldn’t ha­ve be­en par­ked the­re, I wo­uldn’t ha­ve be­en clam­ped and I wo­uldn’t be sto­od he­re now tal­king to so­me­one who cle­arly can’t or won’t do anyt­hing to help me. I ne­ed to spe­ak to so­me­one who’s a lit­tle hig­her up the cha­in of com­mand than the re­cep­ti­onist so why don’t you do us both a fa­vo­ur and go and find so­me­one who is ac­tu­al­ly pre­pa­red to do so­met­hing be­fo­re my son ne­eds to use the to­ilet aga­in.’

    Patronising bitch. I stand and sta­re at her, fe­eling myself get­ting ang­ri­er and ang­ri­er. But the­re’s not­hing I can do…

    ‘Well?’ she snaps.

    ‘Just gi­ve me a mi­nu­te, ma­dam,’ I stam­mer. I turn and storm back in­to the of­fi­ce and walk stra­ight in­to Ti­na co­ming the ot­her way.

    ‘What are you do­ing in he­re, Danny?’ she asks, her to­ne of vo­ice as pat­ro­ni­sing as the wo­man out­si­de. ‘If you’re in he­re, who’s man­ning Re­cep­ti­on?’

    She knows full well the­re’s no-one out the­re. I try and exp­la­in but I know it’s po­int­less.

    ‘I’ve got a lady out in Re­cep­ti­on who…’

    ‘You sho­uld ha­ve te­lep­ho­ned thro­ugh if you ne­eded help,’ she in­ter­rupts. ‘You know the ru­les, you’ve be­en he­re long eno­ugh now. The­re sho­uld al­ways be so­me­one at the Re­cep­ti­on desk and you sho­uld al­ways te­lep­ho­ne thro­ugh if you ha­ve a prob­lem.’

    ‘There is so­me­one at the Re­cep­ti­on desk,’ I sigh, ‘and she’s ha­ving a re­al go at me so can I tell you what her prob­lem is ple­ase?’

    She lo­oks up at the clock. Damn, it’s go­ne fi­ve. I’ll pro­bably be stuck at the sta­ti­on un­til six now.

    ‘Make it qu­ick,’ she sne­ers, ma­king it so­und as if she’s do­ing me a fa­vo­ur.

    ‘This lady has be­en clam­ped be­ca­use she par­ked at Left­bank Pla­ce…’

    ‘Tough! You can’t park at Left­bank Pla­ce. The­re are blo­ody big signs up everyw­he­re tel­ling you not to park at Left­bank Pla­ce.’

    This isn’t get­ting any easi­er.

    ‘I know that, you know that and she knows that. That’s not the is­sue.’

    ‘What do you me­an, that’s not the is­sue?’

    I pa­use be­fo­re spe­aking aga­in. I know I’m go­ing to ha­ve a bat­tle con­vin­cing Ti­na that this lady has a ge­nu­ine ca­se. For a mo­ment I con­si­der gi­ving up and ta­king my chan­ces out­si­de in Re­cep­ti­on aga­in.

    ‘This lady tells me she par­ked at Left­bank Pla­ce be­ca­use she ne­eded to ta­ke her son to the to­ilet.’

    ‘What kind of an ex­cu­se is that?’

    ‘She ne­eded to ta­ke him to the to­ilet be­ca­use he has a me­di­cal con­di­ti­on and be­ca­use the pub­lic to­ilets in Mil­len­ni­um Squ­are ha­ve be­en van­da­li­sed.’

    ‘That’s not our prob­lem…’

    ‘No, but her ar­gu­ment is that it is the co­un­cil’s prob­lem. She’s de­man­ding we get the clamp re­mo­ved. Won’t go anyw­he­re un­til it’s do­ne.’

    ‘She can’t go anyw­he­re,’ Ti­na la­ughs to her­self. ‘We’ll get the clamp re­mo­ved when she pays the fi­ne.’

    I’m not surp­ri­sed by her res­pon­se, just di­sap­po­in­ted. I want to go ho­me. I don’t want to go out the­re and get yel­led at aga­in. What an­noys me most of all it that we both know the lon­ger this lady stands her gro­und and ma­kes a no­ise in Re­cep­ti­on, the mo­re chan­ce the­re is that the clamp will be re­mo­ved. I can’t stand all this bul­lshit and pre­ten­ce. I can’t help but say so­met­hing.

    ‘Come on, Ti­na, gi­ve me a bre­ak. You know as well as I do that if she sho­uts long eno­ugh we’ll let her off.’

    She lo­oks at me, chews her gum and shrugs her sho­ul­ders.

    ‘That’s as may­be, but we ha­ve to try and ta­ke the fee from the cli­ent first. You know the pro­ce­du­re. We ha­ve to…’

    There’s no po­int lis­te­ning to any mo­re of this rub­bish. I can’t be bot­he­red.

    ‘I know the blo­ody pro­ce­du­re,’ I sigh as I turn my back on her and trud­ge back to­wards Re­cep­ti­on. I won­der whet­her I sho­uld just ke­ep go­ing? Sho­uld I walk stra­ight past the wo­man and her kids and just le­ave the bu­il­ding and the job be­hind?

    I open the do­or and she turns ro­und to gla­re at me. The exp­res­si­on on her fa­ce is pu­re evil.

    ‘Well?’

    I ta­ke a de­ep bre­ath.

    ‘I’ve had a word with my su­per­vi­sor,’ I be­gin de­j­ec­tedly, kno­wing what’s co­ming next. ‘We can get the clamp re­mo­ved, but we must in­sist on pay­ment of the char­ge in­di­ca­ted on the signs disp­la­yed at Left­bank Pla­ce. We can’t…’

    And she’s off. She exp­lo­des aga­in, sho­uting and yel­ling at me. The for­ce, ve­lo­city and fe­ro­city of her out­burst is re­mar­kab­le. It’s an inc­re­dib­le (but not at all unex­pec­ted) rant and I ha­ve no de­fen­ce. I can’t ar­gue be­ca­use I hap­pen to think she has a va­lid ca­se. If she’d just shut up for a se­cond I might be ab­le to… oh, what’s the use? I don’t know why I bot­her. The mo­re she sho­uts at me the less I’m inc­li­ned to lis­ten. I’ve gi­ven up trying to fol­low what she’s sa­ying now. Her words ha­ve just be­co­me a cons­tant stre­am of no­ise. I’ll wa­it for her to ta­ke a bre­ath.

    ‘Madam,’ I in­ter­rupt qu­ickly as she pa­uses to in­ha­le. I hold my hand up in front of me to ma­ke it cle­ar that it’s my turn to spe­ak. ‘I’ll go and get my su­per­vi­sor.’

    I walk away, ig­no­ring the mut­te­red com­ments I can he­ar abo­ut ‘spe­aking to the or­gan grin­der, not the mon­key.’ I’m long past ca­ring. As I re­ach for the of­fi­ce do­or Ti­na pulls it open from the ot­her si­de and bar­ges past me. She stops just long eno­ugh to hiss a few ve­no­mo­us words in my di­rec­ti­on.

    ‘Well hand­led,’ she sne­ers sar­cas­ti­cal­ly. ‘You’re blo­ody use­less, you are. I co­uld he­ar her sho­uting from my desk. Now what’s her na­me?’

    ‘Don’t know,’ I ad­mit, crin­ging at the fact that I ha­ven’t even ma­na­ged to es­tab­lish the most ba­sic of de­ta­ils.

    ‘Bloody use­less,’ she sne­ers aga­in be­fo­re fi­xing a fal­se smi­le on her fo­ul fa­ce and marc­hing over to the bed­rag­gled wo­man and her child­ren. ‘My na­me’s Ti­na Mur­ray,’ she says, ‘how can I help you?’

    I le­an aga­inst the of­fi­ce do­or and watch the pre­dic­tab­le cha­ra­de be­ing pla­yed out. Ti­na lis­tens to the comp­la­int, po­ints out to the lady that she re­al­ly sho­uldn’t ha­ve be­en par­ked at Left­bank Pla­ce, then ma­kes a pho­ne call to ‘see what she can do.’ Ten mi­nu­tes la­ter and the clamp is re­mo­ved. Ti­na lo­oks fan­tas­tic and I lo­ok li­ke an idi­ot. I knew it wo­uld hap­pen li­ke that.

    

    Five thirty-two.

    I run to the sta­ti­on and re­ach the plat­form just in ti­me to see the next tra­in le­ave.

    

    

3

    

    The one slight ad­van­ta­ge of le­aving the of­fi­ce la­te to­night was that, for on­ce, I was ab­le to get a se­at on the tra­in ho­me. It’s usu­al­ly pac­ked and I’m left stan­ding in-bet­we­en car­ri­ages, sur­ro­un­ded by ot­her equ­al­ly pis­sed-off tra­vel­lers. I ne­eded the spa­ce to help me re­lax and calm down to­night. Whi­le I was wa­iting on the plat­form I de­ci­ded I sho­uld spend the jo­ur­ney ho­me trying to work out what it is I ac­tu­al­ly want to do with my li­fe and how I’m go­ing to go abo­ut ma­king it hap­pen. I ha­ve si­mi­lar use­less dis­cus­si­ons with myself on the way ho­me at le­ast on­ce or twi­ce every we­ek. I was too ti­red to con­cent­ra­te to­night. The­re we­re two girls sit­ting op­po­si­te me and the­ir con­ver­sa­ti­on abo­ut clot­hes, so­ap ope­ras and who’d do­ne what with who­se boyf­ri­end was far mo­re in­te­res­ting than anyt­hing I was thin­king abo­ut.

    February. I ha­te this ti­me of ye­ar. It’s cold, wet and dep­res­sing. It’s dark when I le­ave the ho­use in the mor­ning and it’s dark when I get ho­me at night. This ti­me to­mor­row, I ke­ep re­min­ding myself, it will be the we­ekend. Two days wit­ho­ut work. I can’t wa­it.

    I drag myself up the hill and aro­und the cor­ner in­to Cal­der Gro­ve and I can fi­nal­ly see our ho­me at the end of the ro­ad. It’s not much but it’s all we’ve got at the mo­ment and it will ha­ve to do for now. We’re on the co­un­cil wa­iting list to get a big­ger pla­ce but it’ll pro­bably be ye­ars be­fo­re they mo­ve us. Now that Liz­zie is wor­king aga­in we might fi­nal­ly be ab­le to start sa­ving so that we can put a de­po­sit on a ho­use of our own and get out of this apart­ment block. We’d plan­ned to mo­ve a co­up­le of ye­ars ago but she fell preg­nant with Josh and everyt­hing got put on hold aga­in. I lo­ve my kids but we didn’t plan any of them. We we­re just star­ting to get back on our fe­et af­ter ha­ving Ed­ward and El­lis but then Josh ca­me along and we fo­und it hard to put fo­od on the tab­le, ne­ver mind mo­ney in the bank. We cla­im all the be­ne­fits we’re en­tit­led to and Harry, Liz­zie’s dad, helps us out now and aga­in, but it’s a cons­tant strug­gle. It sho­uldn’t ha­ve to be li­ke this. Still, we get mo­re help from Liz’s dad than we do from my fa­mily. Mum’s in Spa­in with her new boyf­ri­end, my brot­her’s in Aust­ra­lia and no-one’s he­ard anyt­hing from Dad for three ye­ars now. The only ti­me we he­ar from any of them is on the child­ren’s birth­days and at Christ­mas.

    There’s a gang of kids un­der a bro­ken stre­et lamp in the al­ley­way which runs bet­we­en two of the ho­uses on my right. I see them the­re most nights, smo­king and drin­king and dri­ving be­at-up cars aro­und the es­ta­te. I don’t li­ke them. They’re tro­ub­le. I put my he­ad down and walk a lit­tle fas­ter. I worry abo­ut my child­ren gro­wing up ro­und he­re. Cal­der Gro­ve it­self isn’t that bad but so­me parts of this es­ta­te are ro­ugh and things are get­ting wor­se. The co­un­cil is trying to run apart­ment blocks li­ke ours down so they can flat­ten them and bu­ild new ho­uses. The­re are six flats in our block - two on each flo­or - and only ours and one ot­her is left oc­cu­pi­ed now. We try not to ha­ve anyt­hing to do with the pe­op­le ups­ta­irs. I don’t trust them. Gary and Chris, I think they’re cal­led. Two mid­dle-aged men who li­ve to­get­her on the top flo­or. They don’t se­em short of cash but ne­it­her of them ever se­em to go out to work eit­her. And the­re’s a cons­tant stre­am of vi­si­tors rin­ging the­ir do­or­bell at all ho­urs of the day and night. I’m su­re they’re sel­ling so­met­hing up the­re, but I don’t think I want to know what it is.

    I fi­nal­ly re­ach the com­mu­nal front do­or and let myself in­to the apart­ment block. The do­or sticks and then opens with a lo­ud, ear-pi­er­cing cre­ak which can pro­bably be he­ard from half­way down the stre­et. I’ve be­en trying to get the co­un­cil to co­me and sort it out for months but they don’t want to know, even tho­ugh I work for them. In­si­de the bu­il­ding the ent­ran­ce hall is dark and cold and my fo­ots­teps ec­ho all aro­und me. The kids ha­te this lobby and I un­ders­tand why. They get sca­red out he­re. I wo­uldn’t want to spend too long out he­re on my own eit­her. I un­lock the flat, go in­si­de and shut, lock and bolt the do­or be­hind me. Ho­me. Thank God for that. I ta­ke off my co­at and sho­es and, for al­most half a se­cond, I re­lax.

    ‘Where’ve you be­en?’ Liz­zie scowls. She ap­pe­ars from Ed­ward and Josh’s ro­om and cros­ses the hal­lway di­ago­nal­ly to the kitc­hen. Her arms are pi­led high with dirty was­hing.

    ‘Work,’ I reply. The ans­wer’s so ob­vi­o­us I won­der whet­her it’s a trick qu­es­ti­on. ‘Why?’

    ‘You sho­uld ha­ve be­en back ages ago.’

    ‘Sorry, I got de­la­yed. Got stuck with so­me wo­man ha­ving a go at me. I mis­sed my tra­in.’

    ‘You co­uld ha­ve cal­led.’

    ‘I’ve run out of cre­dit on my mo­bi­le and I didn’t ha­ve any cash on me to top it up. Sorry, Liz, I didn’t think I’d be this la­te.’

    No res­pon­se. I can’t even see her now. The fact she’s go­ne qu­i­et on me is omi­no­us. So­met­hing’s wrong and I know that wha­te­ver it is, any prob­lems that I might ha­ve had to­day will now ha­ve to ta­ke se­cond pla­ce. All my wor­ri­es will pa­le in­to in­sig­ni­fi­can­ce along­si­de wha­te­ver it is that’s bot­he­ring her. This se­ems to hap­pen al­most every day and it’s re­al­ly be­gin­ning to piss me off. I know Liz­zie works hard and the kids play her up, but she wants to think her­self lucky. She wants to try de­aling with so­me of the shit that I ha­ve to put up with each day. I ta­ke a de­ep bre­ath and fol­low her in­to the kitc­hen.

    ‘Your din­ner’s in the oven,’ she grunts.

    ‘Thanks,’ I mumb­le as I open the oven do­or and re­co­il from the sud­den blast of red-hot air which co­mes from it. I pick up a tea to­wel and use it to grip the ed­ge of a dri­ed-out and over­co­oked pla­te of pie, chips and pe­as. ‘Are you okay?’

    ‘Not re­al­ly,’ she rep­li­es, her vo­ice ba­rely audib­le. She’s on her kne­es sho­ving was­hing in­to the mac­hi­ne.

    ‘What’s the mat­ter?’

    ‘Nothing.’

    I crunch in­to a burnt chip and then qu­ickly smot­her the rest of my fo­od in sa­uce to ta­ke away so­me of the char­co­al tas­te. Don’t want to risk Liz­zie thin­king I don’t li­ke it. I ha­te pla­ying the­se ga­mes. It’s ob­vi­o­us so­met­hing’s wrong, so why won’t she just tell me what it is? Why do we ha­ve to go thro­ugh this stu­pid ro­uti­ne every ti­me she has so­met­hing on her mind? I de­ci­de to try aga­in.

    ‘I can tell so­met­hing’s wrong.’

    ‘Very per­cep­ti­ve of you,’ she mumb­les. ‘It do­esn’t mat­ter.’

    ‘Obviously it do­es.’

    ‘Look,’ she sighs, switc­hing on the was­hing mac­hi­ne and stan­ding up and stretc­hing her back, ‘if you re­al­ly want to know what’s wrong why don’t you ask the kids? May­be they’ll tell you why I…’

    Right on cue two of the child­ren push the­ir way in­to the kitc­hen, jost­ling with each ot­her for po­si­ti­on. Ed­ward digs his el­bow in­to his lit­tle sis­ter’s ribs. El­lis sho­ves him back out of the way and then slams aga­inst the tab­le, spil­ling Liz’s cof­fee.

    ‘Dad, will you tell her?’ Ed spits, po­in­ting ac­cu­singly.

    ‘Tell her what?’ I ask, dist­rac­ted by the pi­le of bills I’ve just fo­und on the tab­le.

    ‘Tell her to stop fol­lo­wing me aro­und,’ he yells. ‘She’s win­ding me up.’

    ‘Why don’t you both just le­ave each ot­her alo­ne? Go and play in yo­ur own ro­oms.’

    ‘I want to watch telly,’ Ed pro­tests.

    ‘I was watc­hing it first,’ El­lis comp­la­ins.

    ‘She’ll be go­ing to bed so­on,’ I sigh, trying to re­ason with Ed­ward. ‘Just let her watch it for a whi­le then you can chan­ge the chan­nel when she’s go­ne to bed.’

    ‘But my prog­ram­me’s on now,’ he whi­nes, not ha­ving any of it. ‘It’s not fa­ir, you al­ways ta­ke her si­de. Why do you al­ways ta­ke her si­de?’

    I’ve had eno­ugh.

    ‘Let’s just le­ave the te­le­vi­si­on off then,’ I tell them. Both of them start scre­aming at me but even the­ir god-awful no­ise is drow­ned out by Liz­zie who shri­eks at the pa­ir of them to get out of her sight at a de­afe­ning vo­lu­me. Ed pus­hes his sis­ter as he bar­ges out of the ro­om. El­lis slaps him on the back as he pas­ses.

    ‘Well hand­led,’ Liz mumb­les sar­cas­ti­cal­ly.

    ‘Little sods,’ I mumb­le back.

    ‘That’s why I’ve had eno­ugh,’ she snaps. ‘I’ve had to put up with the­ir rub­bish cons­tantly sin­ce we ca­me out of scho­ol and I can’t stand it any­mo­re. Okay?’

    She storms out of the ro­om. I don’t bot­her fol­lo­wing, the­re’s no po­int. The­re’s not­hing I can do or say to ma­ke things any easi­er so I ta­ke the easy op­ti­on and do and say not­hing.

    

    

FRIDAY

ii

    

    ‘He was lo­oking at me.’

    ‘Get lost! He was lo­oking at me. He’s not in­te­res­ted in you!’

    Josie Sto­ne and her best fri­end Sho­na Ro­bert­son wal­ked down Spar­row Hill and ac­ross the park to­get­her arm in arm, la­ug­hing as they dis­cus­sed Dar­ren Fran­cis, a boy two ye­ars ahe­ad of them at scho­ol who they’d just pas­sed out­si­de Sho­na’s ho­use.

    ‘Anyway,’ Josie te­ased, ‘ever­yo­ne knows that Ke­vin Bra­ith­wa­ite fan­ci­es you. You stick with Ke­vin and le­ave me and Dar­ren alo­ne.’

    ‘Kevin Bra­ith­wa­ite?!’ Sho­na pro­tes­ted. ‘I wo­uldn’t be se­en de­ad with him. He’s mo­re yo­ur type.’

    ‘Shut up!’

    The two fri­ends trip­ped and slid down the gre­asy grassy bank, still gig­gling and hol­ding on­to each ot­her’s arms as they strug­gled to ke­ep the­ir fo­oting. The­ir spe­ed inc­re­ased as they stumb­led furt­her down the hill and on­to le­vel gro­und. Josie slip­ped as they ran ac­ross the mid­dle of a muddy fo­ot­ball pitch. Sho­na ins­tinc­ti­vely re­ac­hed out and yan­ked her back up be­fo­re she hit the gro­und.

    ‘Careful!’ she la­ug­hed as she strug­gled to stay stan­ding li­ke a bad ice ska­ter.

    Josie and Sho­na we­re as clo­se as sis­ters. They’d met at scho­ol three ye­ars ago and, both be­ing only child­ren, had qu­ickly be­co­me in­se­pa­rab­le. They spent al­most all of the­ir free ti­me to­get­her and of­ten slept over at each ot­her’s ho­use. Last sum­mer Josie had even spent a fort­night in Spa­in with Sho­na and her fa­mily. Not­hing was al­lo­wed to co­me bet­we­en them, not even boys.

    ‘I he­ard that Day­ne was ro­und Phil­li­pa’s ho­use last night,’ Sho­na sa­id, sud­denly re­mem­be­ring a vi­tal pi­ece of gos­sip she’d he­ard on the way ho­me from scho­ol. ‘She’s a dirty tramp that Phil­li­pa.’

    Josie stop­ped wal­king.

    Shona car­ri­ed on for a few se­conds, ob­li­vi­o­us.

    ‘Danni sa­id she saw her with her hands down...’

    When she re­ali­sed she was on her own she stop­ped, tur­ned ro­und and lo­oked at her fri­end.

    ‘What’s the mat­ter with you?’ she as­ked. Josie didn’t ans­wer. ‘Co­me on you silly cow, the ot­hers will ha­ve go­ne if we don’t get a mo­ve on.’

    Still Josie didn’t mo­ve. She simply sto­od and sta­red at Sho­na who, not un­ders­tan­ding her fri­end’s be­ha­vi­o­ur, tur­ned ro­und aga­in and con­ti­nu­ed wal­king to­wards the shops and the gro­up of girls from scho­ol they’d ar­ran­ged to me­et the­re.

    Josie bro­ke in­to a sud­den sprint. She ran di­rectly at Sho­na and sho­ved her in the back bet­we­en her sho­ul­der bla­des, knoc­king her off her fe­et and down in­to the long wet grass. She tri­ed to stand but be­fo­re she co­uld get up Josie kic­ked her in the sto­mach. She rol­led her over on­to her back and whi­ned in pa­in.

    ‘What the hell are you do­ing, you silly bitch?’

    Josie didn’t ans­wer. Ins­te­ad she simply drop­ped her kne­es on­to Sho­na’s ex­po­sed chest, for­cing every scrap of air from her lungs. Sho­na gag­ged with surp­ri­se and shock as she strug­gled to bre­at­he in. Stun­ned and wi­de-eyed she sta­red in­to Josie’s fa­ce.

    ‘Why did you…?’ she be­gan to say. Josie wasn’t lis­te­ning. She’d fo­und a sto­ne half-bu­ri­ed in the mud and grass ne­arby and was des­pe­ra­tely dig­ging her fin­gers aro­und its ed­ge, trying to pull it out of the gro­und. Pan­ting with ef­fort she pic­ked up the he­avy, brick-si­zed rock and held it high abo­ve her he­ad.

    ‘Josie, don’t…’ Sho­na whim­pe­red.

    Holding it with both hands, Josie bro­ught the sto­ne cras­hing down on her fri­end’s chest. She felt her ribs crack and splin­ter un­der the for­ce of the un­de­fen­ded im­pact. In too much sud­den pa­in to scre­am, Sho­na gro­aned in agony and watc­hed help­les­sly as Josie lif­ted the sto­ne aga­in and bro­ught it down on her for a se­cond ti­me. She hit her with such sa­va­ge for­ce that a bro­ken rib punc­tu­red one of her lungs. Her bre­at­hing be­ca­me er­ra­tic and ras­ping, then des­pe­ra­tely shal­low and for­ced. Her shat­te­red rib ca­ge be­gan to mo­ve with sud­den, jud­de­ring mo­ve­ments as her da­ma­ged body strug­gled to con­ti­nue to fun­c­ti­on.

    Josie le­ant down over her dying fri­end and lo­oked de­ep in­to her fa­ce. Her skin was ghostly whi­te, sme­ared with splas­hes of mud and drib­bles of blo­od which now gurg­led and bub­bled from the cor­ners of her mo­uth. Her dark, pa­nic-fil­led eyes be­gan to gla­ze over and lo­se the­ir fo­cus. She was awa­re of Josie lif­ting the sto­ne aga­in, but not­hing mo­re.

    She knew that her fri­end was de­ad but Josie had to be cer­ta­in. She smas­hed the rock in­to her fa­ce, bre­aking her left che­ek­bo­ne and al­most dis­lo­ca­ting her jaw. Ex­ha­us­ted with ef­fort she rol­led away from the corp­se and sat pan­ting on the wet grass ne­arby.

    Josie sta­red at the spraw­ling dark sha­dows of the town be­low her. She co­uldn’t go down the­re now. She co­uldn’t go ho­me eit­her. She didn’t know whe­re she was go­ing to go or what she was go­ing to do. May­be she co­uld just stay in the park and ho­pe no-one co­mes lo­oking, she tho­ught. Eit­her that or she’d ha­ve to ta­ke her chan­ces and just run.

    She hadn’t had any cho­ice. She’d had to kill Sho­na. She felt no gu­ilt or re­mor­se for what she’d do­ne, just re­li­ef.

    

    

4

    

    We’re out. We’ve es­ca­ped. For the first ti­me in months Liz­zie and I ha­ve ma­na­ged to get away from the ho­use to­get­her wit­ho­ut any of the child­ren in tow. I can’t re­mem­ber the last ti­me we we­re out to­get­her li­ke this. The fact that we’re cram­med in­to a small, dark and swe­aty con­cert hall with six or se­ven hund­red ot­her pe­op­le do­esn’t se­em to mat­ter. The gig hasn’t even star­ted yet but the backg­ro­und mu­sic is al­re­ady de­afe­ning and the ligh­ting is vir­tu­al­ly non-exis­tent. The chan­ces of us ac­tu­al­ly ma­na­ging to spe­ak to each ot­her are slim.

    ‘Doesn’t fe­el right, do­es it?’ Liz sho­uts at me. She has to lift her­self up on­to tip­to­es to yell in­to my ear.

    ‘What do­esn’t?’ I sho­ut back.

    ‘Not ha­ving the kids he­re. I’m not used to it. I ke­ep lo­oking ro­und ex­pec­ting to see at le­ast one of them.’

    ‘Make the most of it,’ I tell her. ‘How long’s it be­en sin­ce we went out to­get­her on our own?’

    ‘Months,’ she scre­ams, strug­gling to ma­ke her­self he­ard over the no­ise.

    The con­ver­sa­ti­on is over qu­ickly. The ef­fort of ha­ving to yell at each ot­her is al­re­ady ma­king my thro­at so­re and the gig hasn’t even star­ted yet. I watch the sta­ge as ro­adi­es and ot­her crew mem­bers check the lights, the so­und and the inst­ru­ments. How long do­es it ta­ke them to get re­ady? They se­em to ha­ve be­en set­ting things up for ages, the­re can’t be long left to wa­it now. So­me­one’s go­ing ro­und put­ting to­wels and drinks down and gaf­fer-ta­ping set lists to the flo­or.

    Christ, what was that? So­met­hing hit me from the si­de and I’m down on the flo­or be­fo­re I know what’s hap­pe­ned. I try to stand up qu­ickly, my he­art thum­ping in my chest. Liz grabs my arm and pulls me to my fe­et. I don’t want any tro­ub­le to­night. I’m not go­od at de­aling with conf­ron­ta­ti­on. I re­al­ly don’t want any tro­ub­le.

    ‘Sorry, ma­te,’ an over-exci­ted and half-drunk fan sho­uts at me. He’s hol­ding two (now) half-empty drinks in his hands and I can tell from his blur­red and di­rec­ti­on­less eyes that he’s off his fa­ce on drugs or bo­oze or both. We’re stan­ding clo­se to the mi­xing desk and the­re’s a car­pet-co­ve­red bump run­ning along the flo­or next to us which pro­tects the po­wer cab­les I think. Lo­oks li­ke this idi­ot has trip­ped up the step and go­ne flying. He mumb­les so­met­hing abo­ut be­ing sorry aga­in and then stag­gers off de­eper in­to the crowd.

    ‘You all right?’ Liz asks, wi­ping splas­hes of drink from my shirt.

    ‘Fine,’ I ans­wer qu­ickly. My he­art’s still be­ating at ten ti­mes its nor­mal spe­ed. Re­li­eved, I pull Liz­zie to­wards me and wrap my arms aro­und her. Ha­ving her next to me ma­kes me fe­el sa­fe. It’s not of­ten we’re ab­le to be this clo­se any­mo­re. That’s the pri­ce you pay for ha­ving too many kids too qu­ickly in a flat that’s too small. Funny how we can stand in a ro­om with the best part of a tho­usand stran­gers and ha­ve less chan­ce of be­ing in­ter­rup­ted than at ho­me with just three child­ren.

    Lizzie turns ro­und and lifts her­self up on­to tip­to­es to spe­ak to me aga­in.

    ‘Think Dad’s okay?’ she asks.

    ‘Why sho­uldn’t he be?’ I yell back.

    ‘I worry that he thinks we’re ta­king ad­van­ta­ge of him. He’s al­re­ady the­re lo­oking af­ter Josh most days now and he’s the­re aga­in to­night with all three of them. It’s a lot to ask. He’s not get­ting any yo­un­ger and I think he’s star­ting to get fed up of it.’

    ‘I know he is. He had a go at me be­fo­re we left.’

    ‘What did he say?’

    How much do I tell her? Harry and I don’t get on but we try and stay ci­vil for Liz­zie’s sa­ke. He was not at all happy to­night but I know he wo­uldn’t want Liz­zie to worry abo­ut it.

    ‘Nothing much,’ I ans­wer, shrug­ging my sho­ul­ders, ‘he just grumb­led so­met­hing abo­ut him se­e­ing mo­re of the kids than I do. He ma­de so­me bad joke abo­ut Josh cal­ling him Daddy ins­te­ad of me.’

    ‘He’s trying to wind you up. Just ig­no­re him.’

    ‘He’s al­ways trying to wind me up.’

    ‘It’s just his age.’

    ‘That’s a crap ex­cu­se.’

    ‘Just ig­no­re him,’ she says aga­in.

    ‘It do­esn’t bot­her me,’ I sho­ut, lying and trying to sa­ve her fe­elings. The truth is Harry is se­ri­o­usly be­gin­ning to piss me off and it’s get­ting to the po­int whe­re I can see us co­ming to blows.

    ‘So what did you say to him?’

    ‘I just told him how we ap­pre­ci­ate what he do­es for us and re­min­ded him that it’s be­en at le­ast fo­ur months sin­ce you and I last went out to­get­her on our own.’

    ‘He’s just trying to get you to re­act…’ she starts to say. She stops spe­aking and turns aro­und qu­ickly when the lights sud­denly fa­de. The crowd erupts in­to li­fe as the mem­bers of the band walk thro­ugh the sha­dows and step out on­to the sta­ge. Af­ter a few se­conds de­lay the mu­sic starts and I for­get abo­ut Harry and everyt­hing el­se.

    

    This is the fo­urth ti­me I’ve se­en The Men They Co­uldn’t Hang. It’s be­en a co­up­le of ye­ars sin­ce I last saw them and it’s gre­at to see them aga­in. I’ve be­en lo­oking for­ward to to­night sin­ce I bo­oked the tic­kets a co­up­le of months ago. I ne­ver get eno­ugh of the ad­re­na­li­ne rush of he­aring go­od mu­sic pla­yed li­ve and pla­yed lo­ud li­ke this. He­aring the­se songs aga­in snatc­hes me out of the day to day and helps me for­get all the things I usu­al­ly was­te my ti­me wor­rying abo­ut. I hold Liz­zie clo­se. As long as the mu­sic’s pla­ying I don’t ha­ve to do anyt­hing ex­cept lis­ten, re­lax and enj­oy myself.

    Six or se­ven songs in now - not su­re exactly how many - and this pla­ce is re­al­ly ali­ve. The hall is pac­ked and the­re’s a bril­li­ant at­mosp­he­re he­re. Swill plays the ope­ning no­tes to one of my fa­vo­uri­te tracks and I re­cog­ni­se it ins­tantly, way ahe­ad of most of the crowd. I fe­el the ha­irs on the back of my neck stand on end and I squ­e­eze Liz­zie tigh­ter. She knows just how much I lo­ve this.

    They’ve re­al­ly hit the­ir stri­de now and it’s li­ke they’ve ne­ver be­en away. He­aring this mu­sic aga­in brings back so many me­mo­ri­es. I re­mem­ber the first ti­me I he­ard this song on the ra­dio just af­ter I pas­sed my dri­ving test. I’d just bro­ught my first car. It was an old he­ap that cost mo­re to in­su­re than it did to buy and me and a few ma­tes had go­ne down to…

    Swill has stop­ped pla­ying.

    Strange. He was strum­ming his gu­itar and sin­ging but he’s just stop­ped. The rest of the band ha­ve car­ri­ed on wit­ho­ut him. It’s li­ke he’s for­got­ten whe­re he is and what he’s sup­po­sed to be do­ing. He’s let go of his gu­itar and it’s han­ging by the strap aro­und his neck now, swin­ging from si­de to si­de. This guy has just spent the last forty mi­nu­tes pla­ying and sin­ging his he­art out but now he’s just stan­ding comp­le­tely still cent­re sta­ge, he­ad bo­wed and sta­ring at the mic­rop­ho­ne in front of him. Has he for­got­ten the words? Blo­ody hell, he’s be­en do­ing this for long eno­ugh. Su­rely it can’t be sta­ge fright or anyt­hing li­ke that? Is the­re a tech­ni­cal prob­lem? May­be he’s ill? The rest of the mu­sic con­ti­nu­es for a few bars lon­ger. One by one the rest of the band re­ali­se that so­met­hing’s wrong. The le­ad gu­ita­rist has stop­ped now, and he’s sta­ring at Swill trying to work out what the hell’s go­ing on. McGu­ire, the bass pla­yer, co­mes to a fal­te­ring stop just le­aving the drum­mer to po­und out a few mo­re empty and unac­com­pa­ni­ed be­ats be­fo­re he stops too. Now Liz­zie, me, the rest of the band and the en­ti­re audi­en­ce are sta­ring at the slowly swa­ying fi­gu­re of Swill stan­ding awk­wardly in the spot­light.

    The crowd do­esn’t li­ke it. For a few se­conds the­re’s be­en an une­asy qu­i­et but now the audi­en­ce is be­gin­ning to turn. Pe­op­le are sho­uting out in­sults and the­re’s a slow handc­lap star­ting. I’ve got no idea what’s wrong. It ma­kes me fe­el ner­vo­us. Just wish so­met­hing wo­uld hap­pen…

    I think he’s abo­ut to walk off. Swill ta­kes a co­up­le of steps back and then stops. Now he’s ta­ken hold of his gu­itar and he’s swung it ro­und his he­ad so that it’s no lon­ger han­ging ro­und his neck. He’s stan­ding still aga­in now, lo­oking aro­und the sta­ge, ob­li­vi­o­us to the je­ers and sho­uts from the hund­reds of pe­op­le who are sta­ring at him and yel­ling at him to get on with it and start pla­ying. Cush starts to ap­pro­ach him and now Swill mo­ves. He sud­denly bursts in­to li­fe and mo­ves qu­ickly and unex­pec­tedly to his left. Hol­ding the gu­itar by its neck he swings it aro­und aga­in, now grip­ping it li­ke a we­apon. He lun­ges to­wards Sim­monds, the le­ad gu­ita­rist, and swings the inst­ru­ment ro­und on­ce mo­re, catc­hing him full on the si­de of this he­ad. Sim­monds tri­ed to lift his hand to block the blow but the at­tack was so qu­ick and unex­pec­ted that he wasn’t ab­le to pro­perly de­fend him­self. The for­ce of the im­pact has sent him re­eling back in­to the drum kit, clutc­hing his jaw. But that’s not the end of it. Swill is stan­ding over him now and he’s star­ted smas­hing the gu­itar down on him aga­in and aga­in. Blo­ody hell, he’s hit­ting him so hard that the wo­oden inst­ru­ment has be­gun to splin­ter and smash. I don’t un­ders­tand. May­be they had an ar­gu­ment be­fo­re they ca­me on sta­ge or so­met­hing li­ke that? This guy has al­ways ma­de a big de­al out of the fact that he’s a pa­ci­fist. Now lo­ok at him! What the hell did Sim­monds do to de­ser­ve this? McGu­ire is trying to se­pa­ra­te them now...

    The audi­en­ce is star­ting to turn nasty. We’ve sto­od to­get­her and watc­hed in dis­be­li­ef but now pe­op­le are star­ting to re­act to what they’re se­e­ing. Many of the pe­op­le right down at the front are trying to push the­ir way out, a small mi­no­rity are che­ering on the vi­olen­ce and are trying to get clo­ser chan­ting ‘Swill, Swill...’ and eg­ging him on. Most of us are just sto­od sta­ring at the sta­ge. I lo­ok up aga­in and I can hardly be­li­eve what I’m se­e­ing. Swill is stan­ding cent­re-sta­ge aga­in now, swin­ging a me­tal mic­rop­ho­ne stand aro­und in a wi­de arc. Sim­monds is flat on his back in what’s left of the drum kit and he’s not mo­ving. McGu­ire’s craw­ling ac­ross the sta­ge on his hands and kne­es, trying to get to him. Now two ro­adi­es ha­ve rus­hed Swill. One of them catc­hes the full for­ce of a swi­pe with the mi­ke stand right ac­ross his chest, the ot­her di­ves and wraps him­self aro­und the mu­si­ci­an’s wa­ist and tri­es to grap­ple him down. He’s ha­ving no­ne of it. He kicks and punc­hes him off and tri­es to scramb­le away. He trips over the mo­ni­tors and di­sap­pe­ars down in­to the dark pit bet­we­en the sta­ge and the se­cu­rity bar­ri­ers. The­re’s a wa­il of fe­ed­back that so­unds li­ke a scre­am.

    Lost him.

    Can’t see him.

    Suddenly he ap­pe­ars aga­in. He’s pus­hed his way out thro­ugh the bar­ri­ers and is run­ning in­to the crowd. His MAG T-shirt is rip­ped and now hangs ro­und his neck li­ke a rag. The audi­en­ce re­act with a stran­ge mix­tu­re of fe­ar and adu­la­ti­on. So­me pe­op­le run away from him, ot­hers run to­wards him.

    ‘Let’s go,’ Liz­zie sho­uts to me.

    ‘What?’

    ‘I want to go,’ she says aga­in. ‘Now, Danny, ple­ase. I want to go.’

    People are star­ting to try and mo­ve away from the sta­ge area in lar­ge num­bers. The ho­use lights co­me up and ever­yo­ne’s spe­ed sud­denly se­ems to inc­re­ase now that they can see whe­re they’re go­ing. We’re pus­hed and jost­led to­wards the exits by shoc­ked and frigh­te­ned pe­op­le criss-cros­sing in every di­rec­ti­on, trying to get away from the tro­ub­le be­fo­re it gets any wor­se. In the mid­dle of the hall the figh­ting starts to lo­ok li­ke a ful­ly-fled­ged ri­ot. I can’t see what’s hap­pe­ned to Swill but sco­res of fans who are eit­her pis­sed or sto­ned or who just enj­oy a go­od fight ha­ve di­ved in­to the mid­dle of the cha­os with the­ir fists-flying.

    There’s al­re­ady a bot­tle­neck for­ming whe­re the bulk of the crowd is strug­gling to get out of the ve­nue. I grab Liz­zie’s hand and pull her to­wards the ne­arest exit. We’re sur­ro­un­ded by pe­op­le and our spe­ed re­du­ces to a pa­in­ful­ly-slow shuf­fle. A mass of hu­ge, sha­ven-he­aded se­cu­rity gu­ards push the­ir way in­to the hall thro­ugh anot­her do­or to our left. I’m not su­re whet­her they’re he­re to try and stop the figh­ting or just to jo­in in. I don’t want to wa­it aro­und to find out.

    Through the do­ub­le-do­ors, down a short, ste­ep, sto­ne sta­ir­ca­se and we fi­nal­ly push our way out on­to the stre­et. It’s po­uring with ra­in and the­re are pe­op­le everyw­he­re run­ning in all di­rec­ti­ons.

    I ha­ve no idea what just hap­pe­ned in the­re.

    ‘You okay?’ I ask Liz­zie. She nods. She lo­oks shoc­ked and sca­red.

    ‘I’m all right,’ she ans­wers. ‘I just want to go ho­me.’

    I grab her hand tigh­ter still and pull her thro­ugh the be­mu­sed crowds. So­me pe­op­le are han­ging aro­und the front of the ve­nue but most se­em to be le­aving. I’m re­al­ly fuc­king angry but I’m trying not to show it. That’s just typi­cal of how things se­em to be wor­king out for me at the mo­ment. Why do­es everyt­hing ha­ve to be so dif­fi­cult? I just wan­ted to re­lax and switch off and enj­oy myself for on­ce, but what hap­pens? A long-ti­me mu­si­cal he­ro lo­ses all his cre­di­bi­lity and fucks up my first night out with Liz in months. Fuc­king typi­cal. Blo­ody pri­ma­don­na.

    We slip down a si­de stre­et and run back to the car.

    

    

SATURDAY

5

    

    Half past six and the alarm clock wa­kes me up with its usu­al gra­ting gro­an. I re­ach out and fumb­le aro­und in the dark­ness to switch it off. I ha­ve to think for a mi­nu­te to try and re­mem­ber what day it is. Do I ha­ve to get up? I’m su­re it’s Sa­tur­day and I just for­got to can­cel the alarm. I lie still for a se­cond and try and work back thro­ugh yes­ter­day and last night. I can re­mem­ber anot­her dull day at the of­fi­ce with Ti­na Mur­ray ta­king me in­to one of the in­ter­vi­ew ro­oms and rip­ping in­to me be­ca­use of my at­ti­tu­de. I re­mem­ber the gig and the fight and run­ning away from the ve­nue. Christ, what exactly did hap­pen the­re last night? Do­esn’t mat­ter now. All that’s im­por­tant is that it’s Sa­tur­day and I don’t ha­ve to get up and go to work.

    I roll over on­to my si­de and put my arm aro­und Liz­zie. She se­emed hap­pi­er yes­ter­day than she has be­en for a whi­le. It did us both go­od to get out and spend so­me ti­me to­get­her. Sha­me it had to end the way it did. When we got back to the flat I had to dri­ve Harry ho­me. Af­ter that we ope­ned a co­up­le of cans of be­er and sat in front of the TV watc­hing a dumb ac­ti­on film, num­bing our bra­ins.

    I shuf­fle a lit­tle clo­ser to Liz and then wa­it for her to re­act. When she do­esn’t res­pond I mo­ve a lit­tle clo­ser aga­in and press myself up tight aga­inst her. We ne­ver se­em to ha­ve chan­ce to be in­ti­ma­te the­se days. Long go­ne are the ti­mes when we co­uld be free and jump in­to bed at the drop of a hat. The­se days the­re’s al­ways so­met­hing do or so­me­one to lo­ok af­ter first. Ha­ving kids has chan­ged everyt­hing. I wish I’d be­en al­lo­wed to bor­row so­me­one el­se’s for a whi­le be­fo­re we had our own. I ne­ver ap­pre­ci­ated just how much ha­ving child­ren can screw up yo­ur pre­vi­o­usly simp­le and un­comp­li­ca­ted li­fe.

    I can fe­el Liz­zie’s skin thro­ugh the cloth of her pyj­amas. She fe­els be­a­uti­ful­ly soft and warm. If it wasn’t so early I might ta­ke a chan­ce and try and slip my hand in­si­de her top. So­me­ti­mes, if I’m ca­re­ful and gent­le eno­ugh, a mo­ve li­ke that might start so­met­hing. At this ti­me of the day, tho­ugh, she’s mo­re li­kely to kick me than ca­ress me. But I can re­mem­ber a ti­me a co­up­le of we­eks back when we we­re both in the kitc­hen. She’d brus­hed up aga­inst me whi­le I was stan­ding at the sink do­ing the was­hing up. I stop­ped and tur­ned aro­und and she just lo­oked at me li­ke she do­es so­me­ti­mes. I kis­sed her and I co­uldn’t help myself. I grab­bed her with wet hands and pus­hed her back on­to the tab­le. She to­ok off her top and…

    ‘I want my bre­ak­fast, Daddy,’ El­lis pi­pes up from so­mew­he­re in the dark­ness at the si­de of the bed. Christ, she sca­red me half to de­ath. I had no idea she was the­re. My sud­denly se­mi-for­med erec­ti­on qu­ickly dro­ops back down to not­hing.

    ‘It’s too early,’ I mumb­le. ‘Go back to bed.’

    ‘I’m hungry, Daddy,’ she says, un­de­ter­red.

    ‘In a bit.’

    ‘I’m hungry now. I can’t wa­it.’

    ‘Later.’

    ‘Now,’ she de­mands with mo­re for­ce and in­sis­ten­ce in her vo­ice than I wo­uld ever ha­ve ex­pec­ted from a fo­ur-and-a-half ye­ar old. She’s not go­ing anyw­he­re. I’ll ha­ve to try a dif­fe­rent tack.

    ‘Why don’t you get in­to bed with Mummy and me for a whi­le, swe­et­he­art,’ I sug­gest ho­pe­ful­ly, qu­ickly gi­ving up all tho­ughts of sex. ‘We’ll get up and get yo­ur bre­ak­fast in a few mi­nu­tes.’ An ho­ur or so with El­lis in the bed se­ems a much bet­ter op­ti­on than get­ting up now. I ex­pect a lit­tle re­sis­tan­ce but, to my surp­ri­se, she ag­re­es. She drags her­self up on­to the bed, steps over my he­ad and then wrig­gles bet­we­en Liz­zie and I. Christ her fe­et are cold. Liz­zie ang­rily mumb­les so­met­hing unin­tel­li­gib­le when they to­uch her.

    Thirty se­conds of si­len­ce and she starts on me aga­in.

    ‘I want to­ast ple­ase, Daddy,’ she says. I ha­ve to gi­ve her her due, she might be ir­ri­ta­ting but at le­ast she’s po­li­te.

    ‘In a mi­nu­te,’ I yawn, rol­ling over on­to my si­de aga­in, grab­bing back so­me du­vet and twis­ting and con­tor­ting my body to avo­id con­tact with her icy fe­et. ‘Let’s just stay in bed for a lit­tle lon­ger, shall we…?’

    She ag­re­es but she talks. And she talks. And she ke­eps tal­king. I screw my eyes shut and pull the du­vet over my he­ad.

    

    I ma­na­ged to last anot­her twenty mi­nu­tes with El­lis in bed be­fo­re ad­mit­ting de­fe­at and get­ting up. I’m in the kitc­hen now wa­iting for the ket­tle to bo­il. We’re both dres­sed and El­lis has had her bre­ak­fast but she’s still tal­king non-stop abo­ut not­hing in par­ti­cu­lar. Liz­zie’s still in bed. She co­uld sle­ep thro­ugh anyt­hing. Wish I co­uld.

    It’s fre­ezing cold in he­re. This flat is im­pos­sib­le to he­at. I think it’s so cold be­ca­use the rest of the bu­il­ding is vir­tu­al­ly empty. We’re on the left hand si­de of the gro­und flo­or and all the warmth that our old-fas­hi­oned he­ating system ge­ne­ra­tes just ri­ses up and di­sap­pe­ars in­to the empty flats abo­ve us. I’ve even tho­ught abo­ut trying to get us mo­ved ups­ta­irs to see if that ma­kes any dif­fe­ren­ce.

    I grab my drink and a bowl of ce­re­al and sit down in front of the TV. The­re’s not­hing on worth watc­hing; crappy car­to­ons, co­okery and li­festy­le prog­ram­mes and lo­ud, in­tel­li­gen­ce-insul­ting kids shows are all I can find. I set­tle on the news but even the he­ad­li­nes are bo­ring this mor­ning (an outb­re­ak of vi­olen­ce in the ca­pi­tal, a sex scan­dal in­vol­ving a po­li­ti­ci­an and his nep­hew, mo­re war­nings abo­ut cli­ma­te chan­ge and a ce­leb­rity de­ath). I’ll wa­it for the sports he­ad­li­nes. They’re usu­al­ly on just be­fo­re the ho­ur.

    Christ, all the kids are out of bed now. Why do they ha­ve to get up so early? We ha­ve to drag them out of the­ir beds when it’s a scho­ol day. They’ve only be­en up for a co­up­le of mi­nu­tes and I can al­re­ady he­ar Ed and Josh figh­ting over so­met­hing. I clo­se my eyes and wa­it for them to start on me. It’s only a mat­ter of ti­me…

    ‘I want to watch Chan­nel 22,’ Ed says as he storms in­to the ro­om. Do­es his en­ti­re li­fe re­vol­ve aro­und TV?

    ‘I’m watc­hing this,’ I ans­wer qu­ickly, an­no­yed that I’ve be­en dis­tur­bed.

    ‘With yo­ur eyes shut?’ he sne­ers in an ir­ri­ta­ting to­ne which ma­kes me want to slap him.

    ‘Yes, with my eyes shut,’ I sne­er back. ‘I’m wa­iting to watch so­met­hing.’

    ‘I re­al­ly ne­ed to watch Chan­nel 22, Dad,’ he whi­nes.

    ‘Watch it in yo­ur ro­om,’ I sug­gest sen­sibly. We bo­ught Ed a TV last Christ­mas. He hardly uses the damn thing.

    ‘I can’t get Chan­nel 22 in the­re.’

    ‘Sorry, son, I’m watc­hing this. You can turn over when it’s fi­nis­hed.’

    ‘That’s not fa­ir,’ he yells at me, ‘I ne­ver get to watch any of my prog­ram­mes.’

    Little shit. He se­ems to spend all of his ti­me in front of the box. How of­ten do I get a turn? It’s my TV and I can watch what I li­ke, when I li­ke. I don’t know why but I find myself trying to jus­tify watc­hing a fi­ve mi­nu­te prog­ram­me to my eight ye­ar old son.

    ‘You’re al­ways watc­hing TV. It’s all I ever see you do.’

    ‘No it isn’t. It’s not fa­ir, you ne­ver let me watch what I want.’

    I can he­ar the sports bul­le­tin the­me mu­sic pla­ying. I open my eyes. Ed’s stan­ding di­rectly bet­we­en me and the TV scre­en.

    ‘Look, this is only on for fi­ve mi­nu­tes. Let me watch it then you can ha­ve yo­ur chan­nel on.’

    ‘It’s my turn to cho­ose,’ El­lis pi­pes up. I didn’t even know she was in he­re. That’s twi­ce she’s do­ne that to me to­day.

    ‘No it isn’t,’ Ed sho­uts. ‘I’m watc­hing my chan­nel next.’

    ‘But you’ve got yo­ur own telly. I ha­ven’t got one. That’s not fa­ir, is it Daddy?’

    ‘It’s just to­ugh. I as­ked first.’

    ‘I as­ked Mummy last night. She sa­id I co­uld watch what I wan­ted to this mor­ning. She sa­id that…’

    ‘Will you both just shut up!’ I yell, lo­ud eno­ugh for the pe­op­le in the flat on the top flo­or to he­ar. I hold my he­ad in my hands in des­pa­ir. Thro­ugh the gaps bet­we­en my fin­gers I can see the TV scre­en. The sports re­por­ter is in full flow but I can’t he­ar a damn word she’s sa­ying.

    ‘Tell her, Dad,’ Ed barks aga­in, not abo­ut to let it drop. ‘I’m watc­hing my chan­nel next.’

    ‘No you’re not. Mummy sa­id that I co­uld…’

    ‘I don’t ca­re, Dad sa­id that...’

    ‘Shut up!’ I snap. ‘For crying out lo­ud, will you both just shut up.’

    ‘She star­ted it,’ Ed whi­nes.

    ‘No, he star­ted it,’ El­lis whi­nes back, and so it go­es on...

    That’s it. The bri­ef sports bul­le­tin is over. Was­te of blo­ody ti­me. Less than fi­ve mi­nu­tes was all I wan­ted. Was that too much to ask? I get up and switch off the te­le­vi­si­on and for a sing­le blis­sful mo­ment the flat is comp­le­tely si­lent.

    ‘If I can’t watch it, no-one can,’ I tell them both.

    For anot­her se­cond they just sta­re at me in stun­ned si­len­ce. Then they turn.

    ‘That’s not fa­ir,’ Ed scre­ams, his fa­ce flus­hed red with an­ger. ‘You can’t do that.’

    ‘I just did, now shut up.’

    The ro­om is sud­denly fil­led with mo­re no­ise than ever as they both pro­test at the sa­me ti­me. It’s lo­ud eno­ugh to bring Josh wad­dling in. He starts scre­aming just be­ca­use the ot­her two are. I ig­no­re the lot of them. I push past them all and storm thro­ugh the flat to the bath­ro­om. I sit down on the to­ilet. The lock on the do­or is bro­ken and I ha­ve to push my fo­ot aga­inst it to ke­ep it clo­sed and to ke­ep the kids out.

    ‘Dad, will you tell him,’ Ed sho­uts from just out­si­de the bath­ro­om. Christ, is the­re no es­ca­pe? What do I ha­ve to do to get so­me pe­ace and qu­i­et? ‘Dad, Josh is mes­sing with the re­mo­te cont­rol.’

    I can’t bring myself to ans­wer. I know he knows I’m in he­re but I just can’t bring myself to spe­ak to him. I push my fo­ot a lit­tle har­der aga­inst the do­or as Ed tri­es to push his way in from the ot­her si­de.

    ‘Dad… Dad, I know you’re in the­re…’

    I let my he­ad loll back on my sho­ul­ders and I lo­ok up at the ce­iling. Out of the cor­ner of my eye I can see the win­dow. It’s pretty small but we’re on the gro­und flo­or and I rec­kon I co­uld squ­e­eze thro­ugh if I re­al­ly tri­ed.

    Jesus Christ, what am I thin­king?

    Am I se­ri­o­usly con­si­de­ring trying to es­ca­pe from my own ho­use thro­ugh the to­ilet win­dow? Blo­ody hell, the­re has to be mo­re to li­fe than this.

    

    

iii

    

    Chris Spen­cer had be­en la­ying the dri­ve in Be­ech­wo­od Ave­nue for al­most a day and a half and the job was not far off fi­nis­hed. It was a cash-in-hand job on the si­de for Jac­kie, a fri­end of a fri­end of his girlf­ri­end. He’d star­ted dig­ging out and la­ying the fo­un­da­ti­ons first thing yes­ter­day mor­ning and now, Sa­tur­day lunch­ti­me, he was two-thirds of the way thro­ugh put­ting down the block pa­ving. It was hard, physi­cal work and he was on his own to­day af­ter be­ing let down by his brot­her who, for a few qu­id, usu­al­ly hel­ped him out with jobs li­ke this. It was a cold day but at le­ast it was dry now. It had be­en ra­ining ear­li­er and he’d star­ted to won­der whet­her all the ef­fort and the loss of his usu­al Sa­tur­day mor­ning lie-in wo­uld be worth the wad of cash he was ho­ping to sho­ve in his back poc­ket.

    The whe­el­bar­row was empty aga­in. Ti­red and hungry he sto­od up and brus­hed the sand off his kne­es, re­ady to fetch anot­her lo­ad of pa­ving bricks. A co­up­le mo­re ho­urs hard graft, he tho­ught, and that wo­uld be everyt­hing but the ed­ging sto­nes do­ne. He pus­hed the bar­row over to­wards the half-empty pal­let on the grass ver­ge at the si­de of the ro­ad. His cal­cu­la­ti­ons had be­en just abo­ut spot-on, he smi­led to him­self. He’d qu­oted Jac­kie for two and a half pal­lets of bricks but it lo­oked li­ke the job was only go­ing to ne­ed two. He’d sho­ve the rest of the bricks in the back of the van and use them on the next job. It wasn’t much of a sa­ving but it all hel­ped. It was all pro­fit.

    He was half-way thro­ugh fil­ling the bar­row when the mo­tor­bi­ke pul­led up be­si­de him. It was a hu­ge, po­wer­ful thing with a wi­de ex­ha­ust and an im­pos­sibly lo­ud en­gi­ne. He’d he­ard it ap­pro­ac­hing from the bot­tom of the hill. Must be Jac­kie’s son, he tho­ught. She’d sa­id so­met­hing abo­ut him co­ming over to see her this af­ter­no­on. He glan­ced up and nod­ded an ack­now­led­ge­ment to the ri­der as he par­ked his mac­hi­ne and res­ted it on the kicks­tand. The le­at­her-clad fi­gu­re flic­ked back his vi­sor and to­ok off his hel­met.

    ‘All right, ma­te, how you get­ting on?’ he as­ked. ‘Mum sa­id it was lo­oking go­od.’

    ‘Almost do­ne now,’ Spen­cer rep­li­ed, lo­ading the last few bricks in­to the bar­row and stan­ding up stra­ight. He stretc­hed his back and lo­oked ac­ross at the ot­her man. ‘Co­up­le of ho­urs and I sho­uld be fi­nis­hed. Just got to get the rest of the­se bricks down and fi­nish off the ed­ges. I think it’s…’

    He stop­ped spe­aking and sta­red in­to Jac­kie’s son’s fa­ce.

    ‘What’s the mat­ter?’

    Spencer co­uldn’t ans­wer. He co­uldn’t spe­ak. He was fil­led with a sud­den, in­desc­ri­bab­le sen­se of pa­nic and fe­ar. His he­art thum­ping in his chest, he to­ok a co­up­le of ner­vo­us back­wards steps to­wards the ho­use and trip­ped up the lip of the bricks he’d al­re­ady la­id, lan­ding on his back­si­de. The ot­her man wal­ked to­wards him and held out his hand to help him up.

    ‘You fe­eling okay, ma­te? Want me to get you a drink of wa­ter or so­met­hing?’

    Spencer re­co­iled. He scramb­led back to his fe­et, grab­bing a he­avy lump ham­mer as he got up. He la­unc­hed him­self at Jac­kie’s son and wrap­ped his left hand ro­und his thro­at. Knoc­ked off-ba­lan­ce the two men fell awk­wardly to the gro­und, Jac­kie’s son on his back with Spen­cer on top, pin­ning him down.

    Spencer lif­ted the lump ham­mer and bro­ught over a ki­log­ram of me­tal smas­hing down in­to the mid­dle of the ot­her man’s fa­ce, ca­ving in his fo­re­he­ad and the brid­ge of his no­se and kil­ling him al­most ins­tantly. He lif­ted the go­re-co­ve­red ham­mer and blud­ge­oned what was left of his fa­ce anot­her fi­ve ti­mes, le­aving his he­ad vir­tu­al­ly con­ca­ve, hol­lo­wed out li­ke a def­la­ted fo­ot­ball.

    Spencer got up and sto­od bre­ath­less over the corp­se be­fo­re be­ing thrown off ba­lan­ce aga­in. Jac­kie, wa­iling li­ke a bans­hee, ran from the front of the ho­use and sho­ved him away from the body of her son. She scre­amed and drop­ped to the gro­und when she saw the ho­le in his he­ad and the mass of splin­te­red bo­ne and pul­ped flesh whe­re his fa­ce used to be. She lo­oked up at Spen­cer but all she saw was the blo­odi­ed ed­ge of the lump ham­mer as he swung it to­wards her.

    

    

6

    

    ‘We’re go­ing to be la­te,’ Liz­zie grumb­les. I know we are, but the­re’s not a lot I can do abo­ut it. If she’d gi­ven me mo­re no­ti­ce that we we­re sup­po­sed to be ta­king Ed­ward to a fri­end’s birth­day party then we wo­uld ha­ve be­en fi­ne. Half an ho­ur to get the kids re­ady and out isn’t eno­ugh. Part of me wis­hes she’d for­got­ten abo­ut it for anot­her ho­ur. I want Ed to ha­ve a go­od ti­me and enj­oy him­self of co­ur­se I do, but I’m not lo­oking for­ward to spen­ding the next co­up­le of ho­urs sit­ting in a kid-fri­endly and adult-unfri­endly ‘fun-barn’ at­tac­hed to the si­de of a pub. It’s not how I’d plan­ned to spend my Sa­tur­day af­ter­no­on.

    ‘We’ll get the­re when we get the­re,’ I tell her. ‘Get­ting wo­und up abo­ut it isn’t go­ing to help.’

    ‘I’m not wo­und up,’ she snaps, pro­ving that she is. ‘I just don’t li­ke be­ing la­te, that’s all.’

    ‘We won’t be la­te. We’ve got a few mi­nu­tes yet. The pub’s only ro­und the cor­ner.’

    ‘I know but lo­ok at the traf­fic.’

    ‘There’s pro­bably be­en an ac­ci­dent or so­met­hing,’ I tell her, sit­ting up in my se­at and cra­ning my neck to try and see furt­her down the ro­ad. ‘I think the­re’s so­met­hing go­ing on at the top of the hill. On­ce we get past that the traf­fic will cle­ar.’

    I he­ar a muf­fled thump and a yelp from be­hind me. I glan­ce over my sho­ul­der and gla­re at the kids who are cram­med sho­ul­der to sho­ul­der on the back se­at. They ha­te be­ing in the car ne­arly as much as I do. It’s too small for us all to fit in but what can I do? I can’t af­ford to chan­ge it so they’ll just ha­ve to put up with it for now. We all will. Liz­zie lo­oks at them and then le­ans clo­ser to me.

    ‘We’re go­ing to ha­ve to fe­ed them,’ she whis­pers, ke­eping her vo­ice low so they don’t he­ar.

    ‘Ed will eat at the party, won’t he?’

    ‘Yes, but…’

    ‘We’ll get the ot­her two a pac­ket of crisps or so­met­hing,’ I say qu­ickly be­fo­re she gets any ide­as. I think I know whe­re this is he­ading.

    ‘They’ll ne­ed mo­re than that,’ she says. ‘We’re go­ing to be out for a co­up­le of ho­urs. Why don’t we just ma­ke it easy for our­sel­ves and ha­ve a me­al.’

    ‘Because we can’t af­ford it.’

    ‘Come on, Danny, we might as well. We’re go­ing to be sat in the pub any­way.’

    ‘We can’t af­ford it,’ I say aga­in. How much cle­arer do I ne­ed to ma­ke it? ‘Lo­ok, we’ll drop Ed off then go back ho­me and ha­ve so­me din­ner. I’ll co­me back and pick him up aga­in af­ter the party.’

    ‘Is it worth all the has­sle and the ext­ra pet­rol? Let’s just stop and ha­ve a me­al and we can…’

    ‘We can’t af­ford it,’ I snap for the third ti­me as we re­ach the top of the hill and pass wha­te­ver it is that’s be­en slo­wing down the traf­fic. I lo­ok in­to the re­ar vi­ew mir­ror and see that the kids are pres­sing the­ir fa­ces aga­inst the glass, trying to see what’s go­ing on. ‘Don’t sta­re,’ I sho­ut at them. I can’t help but lo­ok myself. Lo­oks li­ke the po­li­ce ha­ve se­aled off the ent­ran­ce to one of the ro­ads which le­ads off Map­le Stre­et.

    ‘Twenty qu­id,’ Liz­zie con­ti­nu­es. Blo­ody hell, she’s not go­ing to gi­ve up. ‘Are you tel­ling me you can’t find twenty qu­id to fe­ed yo­ur fa­mily?’

    ‘Yes,’ I ans­wer, trying hard not to get an­no­yed, ‘that’s exactly what I’m tel­ling you.’ I’m de­ter­mi­ned she’s not go­ing to get the bet­ter of me to­day, no mat­ter how hard she tri­es. ‘I ha­ven’t got twenty qu­id and even if I had, why sho­uld I spend it on a me­al when we’ve got a fre­ezer full of fo­od at ho­me? At ho­me we can eat twi­ce as much for half the cost.’

    ‘When was the last ti­me we ate out?’

    ‘When was the last ti­me I had eno­ugh mo­ney to ta­ke us out?’

    ‘Come on, Danny…’

    I’m not even go­ing to ans­wer. I’ll ke­ep my mo­uth shut and con­cent­ra­te on dri­ving. She do­es this to me too of­ten. She’s li­ke a dog with a bo­ne. She won’t let go. She just ke­eps nag­ging and pi­ling on the pres­su­re un­til I re­lent just to shut her up.

    Not to­day.

    

    I ca­ved in. I’m di­sap­po­in­ted with myself but it was ine­vi­tab­le. She just wo­uldn’t stop. She kept on and on at me all the way he­re. I fi­gu­red I co­uld eit­her re­lent and ta­ke the hit to my wal­let or I co­uld stand my gro­und and risk a who­le we­ekend of gri­ef and her not tal­king to me. When I wal­ked in­to the pub and smel­led the fo­od and lo­oked at the me­nu my re­sis­tan­ce crumb­led. Pat­he­tic re­al­ly.

    We’ve be­en wa­iting for our din­ner for al­most half an ho­ur now and I’m star­ting to think they might ha­ve for­got­ten our or­der. We’re tuc­ked out of the way in a cor­ner of the ma­in di­ning area and the pla­ce is he­aving. It’s Sa­tur­day lunch­ti­me so I ex­pec­ted it to be busy but not li­ke this. The long, hor­ses­hoe-sha­ped bar is sur­ro­un­ded by a crowd of bo­di­es se­ve­ral drin­kers de­ep. I sho­uld ha­ve se­en it co­ming re­al­ly. The­re’s a fo­ot­ball match on this af­ter­no­on. It’s a lo­cal derby bet­we­en two te­ams at the bot­tom of the tab­le and the­re’s a lot at sta­ke for both si­des. The gro­und the match is be­ing pla­yed at is only fif­te­en mi­nu­tes walk from he­re. Most of the pe­op­le cram­med in he­re se­em to be sup­por­ters enj­oying the­ir tra­di­ti­onal pre-match drin­king ses­si­on. I bet the pla­ce will empty af­ter kick-off but we’ll be long go­ne by then. The sup­por­ters from both si­des se­em to be to­le­ra­ting each ot­her but the no­ise in he­re is de­afe­ning and I fe­el une­asy. May­be I’m just on ed­ge af­ter what hap­pe­ned at the con­cert last night. I’m wor­ri­ed that the­re’s go­ing to be tro­ub­le. Liz­zie’s thin­king the sa­me thing, I can see it in her fa­ce. She ke­eps lo­oking aro­und the crowd and frow­ning. She’s no­ti­ced that I’m lo­oking at her now and her exp­res­si­on has sud­denly chan­ged.

    ‘Okay?’ she asks, trying to so­und re­la­xed and happy but fa­iling to con­vin­ce me.

    ‘Great,’ I grunt. ‘No fo­od yet and I can’t he­ar myself think.’

    Ellis re­ac­hes ac­ross the tab­le and tugs at my sle­eve.

    ‘Don’t do that,’ I snap.

    ‘When’s din­ner co­ming?’

    ‘When it’s re­ady.’

    ‘When will that be?’

    ‘I don’t know.’

    ‘Just be pa­ti­ent,’ Liz tells her. ‘As so­on as they’ve co­oked it so­me­one will bring it over to us.’

    ‘I want it now,’ she sta­tes, not in­te­res­ted in any ex­cu­ses or exp­la­na­ti­ons. ‘I’m hungry.’

    ‘We’re all hungry, lo­ve. As so­on as it’s re­ady they’ll bring it over to us and…’

    ‘Want it now,’ she says aga­in.

    ‘Did you he­ar what Mum just sa­id?’ I hiss at her, my pa­ti­en­ce ra­pidly we­aring thin. ‘Just shut up and wa­it. Yo­ur din­ner will be he­re when…’

    I stop tal­king. Smas­hing glass. The­re’s a sud­den ro­ar of no­ise from de­ep wit­hin the crowd aro­und the bar. I sta­re in­to the mass of fa­ded de­nim and fo­ot­ball shirts lo­oking for tro­ub­le. I can’t see anyt­hing. I’m re­li­eved when I can he­ar la­ughs and je­ers amongst the no­ise.

    ‘What’s up?’ Liz­zie asks me.

    ‘Nothing,’ I ans­wer. ‘Can’t see anyt­hing…’

    A very drunk, be­er-so­aked fo­ot­ball fan stag­gers past our tab­le on the way to the to­ilet. A mem­ber of the bar staff car­rying a dust­pan and brush pas­ses them go­ing the ot­her way. Lo­oks li­ke it was a spil­led drink, not­hing mo­re se­ri­o­us.

    Our fo­od fi­nal­ly ar­ri­ves. My mo­uth starts wa­te­ring and my sto­mach is grow­ling but I can’t eat yet. Anot­her one of the joys of pa­rent­ho­od. Josh is sit­ting next to me and I now ha­ve to go thro­ugh the well-re­he­ar­sed ro­uti­ne of cut­ting up his din­ner and smot­he­ring it in to­ma­to sa­uce be­fo­re I can start mi­ne. Both Liz and El­lis are well in­to the­ir me­als by the ti­me I fi­nal­ly ma­na­ge to pick up my kni­fe and fork.

    ‘Is it all right?’ she asks me be­fo­re I’ve fi­nis­hed my first mo­uth­ful. Christ, gi­ve me a se­cond to tas­te it first.

    ‘Fine,’ I ans­wer. ‘Yo­urs?’

    She nods and chews.

    For a blis­sful mi­nu­te or two the tab­le is qu­i­et. The rest of the pub is still fil­led with no­ise but with ever­yo­ne tem­po­ra­rily dist­rac­ted by the­ir fo­od the­re’s a wel­co­me pa­use in our con­ver­sa­ti­on. It do­esn’t last long.

    ‘I want to go and see Dad to­mor­row,’ Liz­zie says. ‘That all right with you?’ I nod my he­ad as I eat. I’m not surp­ri­sed. We se­em to end up over at Harry’s ho­use most Sun­day af­ter­no­ons. We see him vir­tu­al­ly every day now sin­ce he ag­re­ed to lo­ok af­ter Josh so that Liz can go to work. She’s a clas­sro­om as­sis­tant at the scho­ol Ed and El­lis go to. Harry’s not happy abo­ut it but he do­es it be­ca­use he knows how much we ne­ed the mo­ney.

    ‘Okay,’ I ans­wer, fi­nal­ly swal­lo­wing my fo­od, ‘we’ll go over in the af­ter­no­on.’

    ‘He’s be­en re­al­ly go­od to us re­cently,’ she con­ti­nu­es. ‘I don’t want him to think that we’re just go­ing to ke­ep ta­king.’

    ‘Like yo­ur sis­ter do­es?’

    ‘Leave Dawn alo­ne. She’s be­en strug­gling sin­ce Mark left.’

    ‘Best mo­ve that blo­ke ever ma­de,’ I say, per­haps un­fa­irly. ‘She strug­gled when they we­re to­get­her. She’ll strug­gle wha­te­ver hap­pens.’

    ‘Come on, don’t be un­kind. It’s not easy for her be­ing on her own with the kids. I don’t know how I’d co­pe.’

    ‘You’d just get on with it. You’d find a way of get­ting by, we both wo­uld. The prob­lem is yo­ur sis­ter is too qu­ick to lo­ok for the easy op­ti­on all the ti­me. What she ne­eds is so­me­one to…’

    A sud­den, unex­pec­ted and very lo­ud clat­te­ring no­ise in­ter­rupts me. It’s Josh. He’s drop­ped his fork on the flo­or. I bend down and pick it up be­fo­re cle­aning it on a pa­per nap­kin and pas­sing it back to him.

    ‘What she ne­eds,’ Liz­zie con­ti­nu­es, ta­king over whe­re I left off, ‘is so­me spa­ce and mo­re ti­me to try and co­me to terms with what hap­pe­ned and what he did. She didn’t de­ser­ve any of it. You can’t do that to so­me­one and then just ex­pect them to…’

    ‘I’m not sa­ying she de­ser­ved anyt­hing, I just think that…’

    Another clat­ter of me­tal on flo­or ti­le. I pick up Josh’s fork for the se­cond ti­me, cle­an it and pass it back. He grins at me.

    ‘All I’m sa­ying is that…’

    Josh drops his fork aga­in. Now I’m re­al­ly star­ting to lo­se my pa­ti­en­ce. I pick it up, cle­an it and slam it down on the tab­le next to his pla­te. He squ­e­als with la­ugh­ter. Ir­ri­ta­ting lit­tle sod.

    ‘Do that aga­in and we’re go­ing ho­me,’ I thre­aten.

    ‘Just ig­no­re him,’ Liz­zie says, still ma­na­ging to eat her fo­od. I’ve hardly to­uc­hed mi­ne. ‘He’s only do­ing it be­ca­use he’s get­ting a re­ac­ti­on from you. The mo­re you re­act, the mo­re he’ll do it.’

    I know she’s right but it’s hard to ke­ep calm. I try and con­cent­ra­te on my din­ner but I can fe­el Josh sta­ring at me, des­pe­ra­te to ma­ke eye con­tact. I crin­ge as the fork hits the gro­und aga­in. I know I sho­uldn’t but I can’t stop myself from re­ac­ting. I grab the fork off the flo­or and hold it in front of him, just out of his re­ach.

    ‘Fork…’ he whi­nes.

    ‘Danny…’ Liz­zie warns.

    ‘Do you want to go ho­me?’ I hiss at him thro­ugh clenc­hed te­eth. ‘Or do you want to fi­nish yo­ur din­ner first? If you do that aga­in we’re go­ing.’

    ‘Daddy might buy you an ice-cre­am if you fi­nish yo­ur din­ner,’ Liz says.

    ‘I might not,’ I add qu­ickly. ‘Blo­ody hell, I’ve spent eno­ugh al­re­ady. I can’t af­ford to ke­ep…’

    There’s anot­her in­ter­rup­ti­on from the crowd of fo­ot­ball sup­por­ters. I wish they’d shut up, sel­fish bas­tards. Mo­re no­ise. Ner­vo­us, un­cer­ta­in no­ise. This do­esn’t so­und go­od. No-one’s la­ug­hing this ti­me. I turn ro­und just in ti­me to see a sec­ti­on of the crowd part as a squ­at, bald-he­aded and tat­too-co­ve­red man is char­ged ac­ross the ro­om by anot­her fan who se­ems to be abo­ut twi­ce his he­ight but half his we­ight. They’ve smas­hed in­to a tab­le whe­re anot­her fa­mily was eating. Pe­op­le are up off the­ir cha­irs and are scat­te­ring in all di­rec­ti­ons.

    ‘What are they do­ing?’ El­lis asks in­no­cently. ‘Are they pla­ying or figh­ting?’

    The two men are sto­od up aga­in now and I’m pra­ying they don’t co­me any ne­arer. The thin­ner man holds the tat­to­o­ed man by his jac­ket and he’s swin­ging him aro­und. He tri­es to grab hold of so­met­hing to ste­ady him­self but the thin man’s not gi­ving him a chan­ce. He lets him go and then runs at him and sho­ves him in the chest, sen­ding him trip­ping back­wards. Anot­her hard sho­ve and this ti­me the tat­to­o­ed man is pus­hed so far that he ends up flat on his back on anot­her tab­le not far from whe­re we’re sit­ting. Half-empty pla­tes, cut­lery and glas­ses are sent flying. I grab hold of Josh and I lo­ok aro­und and see that Liz­zie has do­ne the sa­me with El­lis. The clat­te­ring, cras­hing and smas­hing no­ise qu­ickly fa­des away and is rep­la­ced by a he­avy and un­com­for­tab­le si­len­ce. Ever­yo­ne is watc­hing the fight but it’s so sud­den and so vi­olent that no-one da­res to get in­vol­ved. Ever­yo­ne knows they sho­uld do so­met­hing but no-one’s mo­ving.

    ‘Don’t, ma­te…’ the man lying on his back on the tab­le cri­es ner­vo­usly. ‘Ple­ase don’t…’

    The thin man lo­oks aro­und. Hol­ding his vic­tim down with one hand he se­arc­hes thro­ugh the deb­ris on the tab­le and picks so­met­hing up. It’s only when he holds it up abo­ve his he­ad that I see he’s got a ste­ak kni­fe. The next few se­conds se­em to last fo­re­ver. I don’t want to watch but I can’t lo­ok away. He brings the kni­fe thum­ping down on the tat­to­o­ed man’s chest and sinks it in­to his flesh. But that’s not eno­ugh. His fist al­re­ady co­ve­red in blo­od he yanks the bla­de out then stabs it down aga­in and aga­in and aga­in…

    Fucking hell.

    Christ, we ha­ve to get out of he­re. We ha­ve to mo­ve. This blo­ke’s out of his mind. What if he turns on the rest of us? The hund­reds of pe­op­le cram­med in­to this overc­row­ded pub ha­ve star­ted to pa­nic and are he­ading for the exits, run­ning from the two men in the mid­dle of the ro­om. The thin man is still shred­ding the ot­her man’s chest with the sharp, ser­ra­ted bla­de. The tat­to­o­ed man’s arms and legs are thras­hing and even from this dis­tan­ce I can see that the tab­le and both men are co­ve­red in blo­od.

    I drag Josh out of his cha­ir and then push Liz­zie to­wards the ne­arest do­or. I’m trying hard to stay calm but I’m fuc­king ter­ri­fi­ed. Co­me on, get a fuc­king mo­ve on… The­re’s a crowd of drin­kers all trying to push the­ir way out thro­ugh a nar­row do­or­way at the sa­me ti­me and, for the se­cond ti­me in less than a day I’m stuck at the back of a lo­ad of pe­op­le trying to get away from tro­ub­le. I hold Josh clo­se to my chest and lo­ok over my sho­ul­der to see whe­re the lu­na­tic with the kni­fe is. If he’s fi­nis­hed with the man on the tab­le who knows who he’s go­ing to co­me af­ter next. I don’t want to be his next vic­tim. I just want to…

    ‘Danny!’ I he­ar Liz scre­am. I lo­ok up aga­in. She’s be­en pul­led furt­her along with the crowd and the­re are a co­up­le of me­ters bet­we­en us now. She’s al­most thro­ugh the do­or. She’s lo­oking back and sho­uting so­met­hing at me. I can’t ma­ke it out.

    ‘What?’

    ‘Ed,’ she yells, ‘get Ed!’

    Jesus Christ. The­re’s no ti­me to think. I hold on to Josh tightly and ma­ke a sud­den chan­ge in di­rec­ti­on back to­wards the fun-barn. The way thro­ugh is cle­ar. The pe­op­le in the­re can’t ha­ve he­ard what’s hap­pe­ning yet. I push thro­ugh the swin­ging do­ub­le-do­ors and lo­ok aro­und for Ed but I can’t see him. The ligh­ting is low at this end of the ro­om and the­re are kids and the­ir pa­rents everyw­he­re.

    ‘Edward!’ I sho­ut over thum­ping party mu­sic. Pe­op­le turn and lo­ok at me li­ke I’ve go­ne mad. ‘Ed!’

    ‘Dad!’ I he­ar him sho­ut back. I can see him now, down by one of the clim­bing fra­mes at the far end of the ro­om with a fri­end. I run to­wards him.

    ‘Get yo­ur sho­es and yo­ur co­at,’ I tell him, ‘we’ve got to go.’

    ‘But Dad,’ he starts to pro­test.

    ‘Get yo­ur sho­es and yo­ur co­at,’ I tell him aga­in.

    ‘What’s go­ing on?’ so­me­one asks. I turn ro­und and see that it’s Wendy Pa­rish, the mot­her of one of Ed’s fri­ends.

    ‘There’s so­me tro­ub­le in the pub,’ I tell her, watc­hing an­xi­o­usly as Ed di­sap­pe­ars to find his stuff. ‘I’d get out of he­re if I was you. I’d get ever­yo­ne out of he­re.’

    I lo­ok up and see that staff from the pub ha­ve re­ac­hed the staff of the fun-barn and they lo­ok abo­ut to ma­ke a tan­noy an­no­un­ce­ment to cle­ar the bu­il­ding. Ed’s back with his co­at on. He sits down and starts put­ting on his sho­es.

    ‘Come on, son,’ I yell over the no­ise. ‘Do that out­si­de.’

    Confused, he jumps up and holds on­to me as we run to­wards the exit, we­aving aro­und the sud­denly scat­te­red tab­les and cha­irs. We push our way out in­to the car park and I can see Liz and El­lis stan­ding over by the car. I run to­wards them. Ed hob­bles along be­si­de me, one shoe on and one shoe off. I can he­ar si­rens ap­pro­ac­hing.

    ‘You okay?’ Liz asks.

    ‘We’re fi­ne,’ I ans­wer, rum­ma­ging thro­ugh my poc­kets for the keys. I open the do­or and bet­we­en us we bund­le the child­ren in­si­de. I ges­tu­re for her to get in and she do­es. I fi­nish strap­ping Josh in­to his car se­at and then get in­to the front and lock the do­or.

    ‘Should we wa­it for the po­li­ce?’ Liz won­ders, her vo­ice lit­tle mo­re than a whis­per.

    ‘Bollocks to that,’ I ans­wer as I start the en­gi­ne and re­ver­se qu­ickly out of the par­king bay. Cars are al­re­ady qu­e­u­ing up to get out of the car park. ‘No-one el­se is stop­ping,’ I say as we jo­in the back of the qu­e­ue. ‘Let’s just get out of he­re.’

    

    

7

    

    It’s half-past ni­ne and I’ve be­en trying to get out of El­lis’ bed­ro­om for the best part of the last ho­ur. Po­or kid’s ob­vi­o­usly be­en sha­ken up by what she saw ear­li­er. I’m not surp­ri­sed, it sca­red the hell out of me too. Out­wardly she do­esn’t se­em too up­set but she won’t stop tal­king abo­ut what hap­pe­ned. You don’t know how kids are af­fec­ted by se­e­ing things li­ke that. I’ve be­en sit­ting on the end of her bed ans­we­ring a cons­tant stre­am of qu­es­ti­ons sin­ce she sho­uted out for me. I’ve do­ne my best but my pa­ti­en­ce is star­ting to we­ar thin. She’s just mil­king it now, trying to ke­ep me in he­re as long as she can.

    ‘So why we­re they figh­ting, Daddy?’ she asks (aga­in).

    ‘Ellis,’ I sigh, ‘I’ve al­re­ady told you a hund­red ti­mes, I don’t know.’

    ‘Have they stop­ped now?’

    ‘I’m su­re they ha­ve. The po­li­ce wo­uld ha­ve stop­ped them.’

    ‘Would they?’

    ‘Yes, that’s what the po­li­ce do.’

    ‘Did one of the men get hurt?’

    ‘Yes.’

    ‘Will he be in hos­pi­tal now?’

    ‘Yes,’ I ans­wer. I don’t tell her that he’s pro­bably in the hos­pi­tal mor­gue.

    The qu­es­ti­ons sud­denly stop. She’s ti­red. I can see her eye­lids star­ting to flut­ter. She’s go­ing to sle­ep but she’s go­ing to fight it all the way. I sho­uld wa­it un­til I’m su­re she’s go­ne but I’m des­pe­ra­te to get out of he­re now. I sli­de along the bed, get up ca­re­ful­ly and then be­gin to ed­ge to­wards the do­or. She stirs and lo­oks up and I fre­eze.

    ‘What abo­ut my chips?’ she mumb­les, her vo­ice slow and drowsy.

    ‘What abo­ut them?’ I ask, mo­ving away aga­in.

    ‘I didn’t fi­nish them.’

    ‘None of us fi­nis­hed our fo­od. Mummy and Daddy didn’t fi­nish eit­her.’

    ‘Will they still be the­re?’

    ‘Will who still be the­re?’

    ‘My chips.’

    ‘I do­ubt it.’

    ‘Has so­me­one el­se eaten them?’

    ‘No, they’d ha­ve go­ne cold by now. So­me­one will ha­ve thrown them away.’

    ‘Can we go back to­mor­row and see?’

    ‘No.’

    ‘Why not? I want to fi­nish my chips…’

    ‘Ellis,’ I in­ter­rupt.

    ‘What?’

    ‘Shut up and go to sle­ep ple­ase.’

    I’ve fi­nal­ly re­ac­hed the do­or. I flick the light-switch off and wa­it for her to re­act. She do­esn’t. The only light in the ro­om now co­mes in from the hal­lway. I can still see her shuf­fling aro­und in bed but I know she’ll be as­le­ep in a few mi­nu­tes.

    ‘Night, Daddy,’ she yawns.

    ‘Night, swe­et­he­art.’

    I’m abo­ut to le­ave when she spe­aks aga­in.

    ‘Is he de­ad, Daddy?’

    What do I say to that? Do I tell her the truth or do I lie to sa­ve mo­re qu­es­ti­ons and re­as­su­re my lit­tle girl? I’m a co­ward. I sit on the fen­ce.

    ‘I don’t know,’ I mumb­le qu­ickly. ‘Go­od­night.’

    I wa­it for a lit­tle whi­le lon­ger un­til I’m su­re she’s as­le­ep. Fi­nal­ly free but ex­ha­us­ted I drag myself down the cor­ri­dor to­wards the li­ving ro­om. Half­way thro­ugh the we­ekend and I don’t fe­el li­ke I’ve had any chan­ce to re­lax yet. The­re’s a film on to­night that Liz and I wan­ted to watch. Af­ter the last co­up­le of days it will be go­od just to sit down to­get­her and re­lax for a whi­le.

    I lo­ok aro­und the li­ving ro­om do­or and see that Liz­zie is as­le­ep. She’s spraw­led out along the full length of the so­fa sno­ring. I’m di­sap­po­in­ted but not surp­ri­sed. I fetch myself a drink and so­met­hing to eat from the kitc­hen be­fo­re fin­ding so­mew­he­re to sit and watch the TV. The ot­her se­ats are pi­led high with the child­ren’s toys and cle­an was­hing wa­iting to be put away. I can’t be bot­he­red to mo­ve any of it. I sit down on the flo­or in front of the so­fa.

    Now I can’t find the re­mo­te cont­rol. I upend most of the was­hing and turf thro­ugh the toys but I can’t find the damn thing anyw­he­re. I bet one of the kids has hid­den it. Josh has a ha­bit of put­ting things in the bin. I check thro­ugh the rub­bish then un­der all the cha­irs and the so­fa. When I’m on the ver­ge of gi­ving up I fi­nal­ly spot the end of it pe­eking out from un­der­ne­ath Liz­zie. She’s fal­len as­le­ep on top of it. I pull it out from un­der her. She grunts and rolls over on­to her back but she do­esn’t wa­ke up.

    Just in ti­me. Se­conds to spa­re and I’m fi­nal­ly the­re. I chan­ge the chan­nel and sit back to enj­oy the film. Lo­oks li­ke it’s al­re­ady be­gun. Ac­tu­al­ly, it lo­oks li­ke it’s be­en on for a whi­le. I check the TV lis­tings. Blo­ody thing star­ted three qu­ar­ters of an ho­ur ago.

    

    Saturday nights are be­gin­ning to dep­ress me. For a whi­le now they’ve be­gun to fe­el empty and, if I’m ho­nest, pat­he­tic. We’re still yo­ung and we sho­uld be out enj­oying our­sel­ves but we’re not. I al­ways start the we­ekend with the best of in­ten­ti­ons but things ne­ver se­em to work out how I plan­ned them. Fa­mily li­fe gets in the way. I don’t ha­ve many clo­se fri­ends to go out with or any spa­re mo­ney, the kids wind us up and we­ar us out and Liz­zie and I are both ti­red all the ti­me. Mo­re of­ten than not I’m left sit­ting he­re on my own li­ke this in front of the TV watc­hing po­int­less dri­vel. It’s al­most mid­night now and I’ve was­ted ho­urs he­re on my own. Liz got up and went to bed ages ago.

    The film I mis­sed was the only thing worth watc­hing to­night. It’s crazy - the mo­re TV chan­nels we get, the fe­wer prog­ram­mes worth watc­hing the­re are. I’ve be­en sat he­re with the re­mo­te cont­rol in my hand cons­tantly flic­king thro­ugh the chan­nels and all I’ve fo­und has be­en ter­rib­le ga­me shows, chat shows with bo­ring gu­ests, po­int­less re­ality TV prog­ram­mes, so­ap ope­ras, ta­lent com­pe­ti­ti­ons, ma­de-for-TV films, re­pe­ated dra­mas and crappy com­pi­la­ti­ons of CCTV fo­ota­ge and ho­me vi­deo clips. I’ve en­ded up watc­hing the news as usu­al. It’s a rol­ling twenty-fo­ur ho­ur news chan­nel which was in­te­res­ting for a whi­le but the he­ad­li­nes are on a fif­te­en mi­nu­te lo­op and my eyes are star­ting to fe­el he­avy now that I’m watc­hing the sa­me thing for the third ti­me. I sho­uld go to bed but I can’t be bot­he­red to get up.

    Hold on a mi­nu­te. Fi­nal­ly the­re’s so­met­hing mo­de­ra­tely in­te­res­ting on scre­en. A ban­ner sa­ying ‘Bre­aking News’ has just ap­pe­ared and they’ve cut to a re­por­ter stan­ding on a city cent­re stre­et cor­ner. I re­cog­ni­se whe­re they’re bro­ad­cas­ting from. It’s a pla­ce in town, not far from whe­re I work. What’s hap­pe­ned the­re? I try to re­ad the scrol­ling text cap­ti­ons at the bot­tom of the scre­en but my eyes are ti­red and the words are mo­ving too qu­ickly. I turn up the vo­lu­me and lis­ten as a winds­wept re­por­ter starts tal­king abo­ut so­met­hing that’s hap­pe­ned at Exo­dus, one of the trendy bars right in the cent­re of town. The­re are pe­op­le mil­ling aro­und in the stre­et be­hind him. Christ, so­me­one’s be­en kil­led. He’s tal­king abo­ut an at­tack that hap­pe­ned in the last ho­ur or so. Hold on, no… the­re ha­ve be­en se­ve­ral at­tacks. They must ha­ve be­en con­nec­ted. So­unds li­ke so­me lu­na­tic has go­ne on the ram­pa­ge. Worst ti­me of the we­ek for it to ha­ve hap­pe­ned. The mid­dle of town is al­ways he­aving with pe­op­le on Sa­tur­day nights. Ever­yo­ne’s the­re. Ever­yo­ne ex­cept sad bas­tards li­ke me, that is, stuck at ho­me with the kids and a part­ner who’s as­le­ep by half-past ni­ne.

    I can fe­el my eyes star­ting to clo­se aga­in. I try to stay awa­ke and con­cent­ra­te on what’s be­ing sa­id but it’s dif­fi­cult. It’s get­ting la­te and…

    

***

    

    That blo­ody re­por­ter is still tal­king.

    I try and fo­cus on the clock on the shelf. I must ha­ve nod­ded off for a few mi­nu­tes. Hang on, the clock says three-thirty. I’ve be­en as­le­ep on the flo­or for ho­urs. No won­der my bo­nes ac­he. Christ, wha­te­ver hap­pe­ned in town to­night must ha­ve be­en pretty se­ri­o­us to war­rant this much co­ve­ra­ge on na­ti­onal TV. It lo­oks li­ke they’re still bro­ad­cas­ting li­ve from town. I wo­uldn’t want to ha­ve that blo­ke’s job, stuck out on a stre­et cor­ner for ho­urs on end. Still, at le­ast he gets out…

    My back hurts. I sho­uld ha­ve go­ne to bed ho­urs ago when Liz­zie did.

    I sit up qu­ickly and get re­ady to mo­ve. I ha­te wa­king up li­ke this. I fe­el sick and my arms and legs fe­el he­avy and numb. I get up and I’m abo­ut to switch the TV off when so­met­hing the re­por­ter says ma­kes me stop. He’s not just tal­king abo­ut the sa­me few at­tacks he was re­por­ting on ear­li­er. So­unds li­ke the­re’s be­en mo­re tro­ub­le. The­re’s a map of the city up on the scre­en now with a lo­ad of mar­kers on it. Lo­oks li­ke the­re’s be­en a hell of a lot mo­re tro­ub­le. That’s the prob­lem with bin­ge drin­king and Sa­tur­day nights. The­re are so many pe­op­le out the­re and it only ta­kes one idi­ot to start a fight. So­me­one gets hurt then so­me­one re­ta­li­ates, so­me­one el­se tri­es to stop them and, be­fo­re you know it, you’ve got a re­al prob­lem on yo­ur hands. It lo­oks li­ke that’s what’s hap­pe­ned to­night. From what I can gat­her the­re was so­me tro­ub­le in a bar which spil­led out on­to the stre­et. They’re sho­wing fo­ota­ge of crowds of pe­op­le figh­ting now, fu­el­led by drink and drugs. Ri­ot po­li­ce ha­ve be­en sent to the sce­ne to try and res­to­re so­me or­der. Al­most ma­kes me glad to be bo­ring and stuck in­do­ors. The map on the scre­en has be­en up­da­ted now to show the lo­ca­ti­on of fo­ur fa­ta­li­ti­es and mo­re than thirty ar­rests. It’s al­ways the mind­less mi­no­rity who ru­in it for ever­yo­ne el­se. Blo­ody hell, they’ve just sa­id so­met­hing abo­ut the body of a po­li­ce of­fi­cer that’s be­en fo­und with mo­re than forty stab wo­unds. Christ, what kind of ani­mal co­uld do that to anot­her hu­man be­ing?

    Wonder how long that re­por­ter’s go­ing to be stuck out the­re?

    I’m ti­red. Be­fo­re I fall as­le­ep aga­in I switch off the TV and the lights and fe­el my way thro­ugh the dark flat to the bed­ro­om.

    

    

SUNDAY

iv

    

    Susan Myers wo­ke up next to Char­lie, her hus­band of thirty-three ye­ars. She lay in si­len­ce in the se­mi-dark­ness, ta­king ca­re not to mo­ve. She didn’t want him to know that she was awa­ke. She didn’t want to ha­ve to spe­ak to him. Thro­ugh half-open eyes she watc­hed the cur­ta­in as it gus­ted back and forth in the wind from the ven­ted win­dow, re­ve­aling snatc­hed glimp­ses of the bright world out­si­de. Was the­re any po­int in get­ting up? Du­ring the we­ek she ma­na­ged to fill her ti­me with fri­ends, shop­ping and so­ci­al ap­po­int­ments but her we­ekends, Sun­days in par­ti­cu­lar, we­re long, ble­ak and empty. Sin­ce Char­lie had re­ti­red ele­ven months ago the­ir li­ves had be­co­me inc­re­asingly dull and mo­no­to­no­us. Most of her fri­ends had the­ir child­ren and ex­ten­ded fa­mi­li­es to ke­ep them busy but all she had was him and he bo­red her. He se­emed happy do­ing not­hing but she co­uldn’t stand it. He wan­ted to pot­ter aro­und the ho­use and gar­den, she wan­ted to be out. She wan­ted to scre­am and sho­ut at him and ma­ke him un­ders­tand how she felt but she knew it wo­uld be po­int­less. He didn’t even know she was un­hap­py.

    Here we go, she tho­ught as he shuf­fled and tur­ned over in bed be­si­de her. May­be - just may­be - he’d roll over to fa­ce her this mor­ning and put his arm aro­und her tell her that he lo­ved her and start kis­sing her and to­uc­hing her li­ke he used to. It had be­en so long sin­ce they’d ma­de lo­ve that she’d al­most for­got­ten what it felt li­ke. And on the very ra­re oc­ca­si­ons she’d ma­na­ged to get him in the mo­od (she was al­ways the one who had to ma­ke the first mo­ve the­se days) he’d get him­self so fi­red-up and over-exci­ted that the­ir pas­si­on, if it co­uld be cal­led that, was ge­ne­ral­ly over and do­ne with in a mat­ter of a few des­pe­ra­tely short and empty mi­nu­tes. If it had be­en months sin­ce they’d ma­de lo­ve, it had be­en ye­ars sin­ce she’d be­en sa­tis­fi­ed.

    Maybe she sho­uld ha­ve an af­fa­ir? She’d tho­ught abo­ut it be­fo­re but ne­ver had the ner­ve to do it. Char­lie pro­bably wo­uldn’t no­ti­ce if she did. The­re was a man at one of the mid-we­ek dan­cing clas­ses she went to who she’d ca­ught lo­oking in her di­rec­ti­on too many ti­mes for it to ha­ve just be­en co­in­ci­den­ce. The idea of se­e­ing so­me­one el­se temp­ted her, but she knew she’d be put­ting a lot at risk if she ever ac­tu­al­ly did it. She was wor­ri­ed that she might end up lo­sing everyt­hing she’d wor­ked for with Char­lie just for a lit­tle short-term ex­ci­te­ment and ad­ven­tu­re. She lo­ved her grand ho­use and her ex­pen­si­ve clot­hes and all the as­so­ci­ated trim­mings. She lo­ved the ele­va­ted so­ci­al sta­tus it ga­ve her and she didn’t want to let any of it go. But what if the man at the dan­ce class co­uld gi­ve her all that and sex too...?

    ‘Cup of tea?’

    That was how Char­lie star­ted every day. No ‘go­od mor­ning’ or ‘how are you to­day?’ or ‘I lo­ve you’ or anyt­hing li­ke that any­mo­re. Just a short, une­mo­ti­onal, trun­ca­ted qu­es­ti­on. Sho­uld she ans­wer or sho­uld she stay si­lent and pre­tend to still be as­le­ep?

    ‘Yes ple­ase,’ she grun­ted, still with her back to her hus­band. She felt him throw back the co­vers and then sli­de out of bed be­fo­re ne­atly tuc­king the bed­ding back in­to pla­ce aga­in as he al­ways did. Everyt­hing he did was pre­dic­tab­le and sa­fe. She co­uld an­ti­ci­pa­te every mo­ve he was go­ing to ma­ke. She knew he’d go to the bath­ro­om next whe­re he’d use the to­ilet, bre­ak wind, apo­lo­gi­se to him­self and then wash and sha­ve hum­ming the sa­me damn tu­ne he hum­med un­der his bre­ath every blo­ody mor­ning. Then he’d put on his dres­sing gown, co­me back to the bed­ro­om to fetch his slip­pers from un­der the fo­ot of the bed whe­re he’d put them last night, and go down to the kitc­hen. She knew he’d stop on the fifth step down to open the cur­ta­ins and blow the dust off the top of the emp­lo­yee of the ye­ar trophy his emp­lo­yers had awar­ded him al­most fif­te­en ye­ars ago…

    She scre­wed her eyes tightly shut, bu­ri­ed her fa­ce in the du­vet and tho­ught of the man from the dan­ce class aga­in. She felt empty and dep­res­sed, trap­ped and angry. So­me­ti­mes she wan­ted to kill her hus­band. That, she de­ci­ded, wo­uld be the ans­wer to all her prob­lems.

    

    ‘Lovely day to­day,’ Char­lie sa­id brightly as he re­tur­ned to the bed­ro­om with two cups of tea.

    ‘It’s al­ways a blo­ody lo­vely day,’ Su­san si­lently scre­amed to her­self. ‘Even when it’s ra­ining and the­re’s a for­ce ten ga­le out­si­de he says it’s a blo­ody lo­vely day.’

    ‘Here’s yo­ur tea, de­ar.’

    She crin­ged un­der the bedc­lot­hes and re­adi­ed her­self to fa­ce him. Sad­dest thing of all, she tho­ught, was that he didn’t ha­ve the fa­in­test idea how un­hap­py she was. In his ro­se-tin­ted lit­tle world everyt­hing was just fi­ne and dandy. He didn’t know how old and worth­less he ma­de her fe­el and he pro­bably ne­ver wo­uld. She to­ok a de­ep bre­ath and rol­led over on­to her back be­fo­re shuf­fling up the bed and ta­king her tea from him.

    ‘I had a lo­usy night’s sle­ep,’ she comp­la­ined, lo­oking up at him. ‘I was fre­ezing cold all night. I kept wa­king up be­ca­use you kept pul­ling the co­vers off me.’

    ‘Sorry abo­ut that, my lo­ve. I didn’t re­ali­se.’

    ‘And if it wasn’t the cold ke­eping me awa­ke it was yo­ur sno­ring.’

    ‘I can’t help that. If the­re was so­met­hing I co­uld do to…’

    He stop­ped tal­king. In si­len­ce he sta­red down at his wi­fe who scow­led back at him.

    ‘What’s the mat­ter with you?’ she de­man­ded as she sip­ped her tea.

    Charlie con­ti­nu­ed to sta­re.

    ‘For crying out lo­ud, find so­met­hing el­se to lo­ok at will you?’ she cur­sed be­fo­re ta­king anot­her sip.

    With a sing­le sud­den swi­pe Char­lie slap­ped the cup out of his wi­fe’s hands. It smas­hed aga­inst the wall op­po­si­te sen­ding co­unt­less drib­bles of tea drip­ping down the pa­le pink anaglyp­ta wal­lpa­per. Be­mu­sed, Su­san watc­hed the drips of hot brown li­qu­id trick­ling down the wall. What the hell’s got in­to him, she won­de­red? In a bi­zar­re way she was ac­tu­al­ly ex­ci­ted by this sud­den disp­lay of unex­pec­ted for­ce­ful­ness and spon­ta­ne­ity.

    Behind her Char­lie qu­ickly yan­ked the wa­ist belt free from his to­wel­ling dres­sing gown. Sho­ving her for­ward and grip­ping her sho­ul­der tight with one hand he lo­oped the belt twi­ce ro­und her neck in a sing­le spi­ral­ling mo­ve­ment and then pul­led it tight. Pa­nic­king, and with her eyes bul­ging and thro­at bur­ning, Su­san strug­gled to bre­at­he. She kic­ked and squ­ir­med un­der the bedc­lot­hes and scra­ped at her neck, des­pe­ra­tely trying to for­ce her fin­gers un­der the belt. Her strength was no match for his.

    Charlie pul­led the belt tigh­ter and tigh­ter un­til the last bre­ath had be­en squ­e­ezed from his wi­fe’s body.

    

    

8

    

    Another blo­ody was­ted day.

    Today star­ted slowly. I got out of bed la­te (which re­al­ly an­no­yed Liz­zie - she had to get up and see to the kids for on­ce) and I ma­de a cons­ci­o­us ef­fort to do as lit­tle as pos­sib­le. I’m back at work to­mor­row and I ne­ed to re­lax. I tri­ed hard to do not­hing but it’s im­pos­sib­le in this ho­use. The­re’s al­ways so­met­hing to do or so­me­one who ne­eds you. Liz has be­en nag­ging at me for we­eks to fix the bolt on the bath­ro­om do­or and, to­day, I fi­nal­ly did it. It was the last thing I wan­ted to do but I re­ac­hed the po­int whe­re I co­uldn’t stand her comp­la­ining abo­ut it every sing­le ti­me she used the damn to­ilet. Christ, the rest of us ma­na­ged wit­ho­ut any prob­lems. Why was it such a big de­al for her?

    I wor­ked on the do­or as Liz­zie co­oked din­ner. What sho­uld ha­ve be­en a ten mi­nu­te job en­ded up ta­king over an ho­ur and a half. I had the kids run­ning ro­und my fe­et the who­le ti­me as­king qu­es­ti­ons and get­ting in the way, then I didn’t ha­ve the right si­ze bolt, then I bo­ught one that was too big… I lost my tem­per and al­most kic­ked the do­or in but I fi­nal­ly fi­xed it. Ho­pe Liz­zie’s sa­tis­fi­ed. She’ll ha­ve to find so­met­hing el­se to comp­la­in abo­ut now.

    And now he­re we are ap­pro­ac­hing Harry’s ho­use and the we­ekend’s al­most over. I ge­nu­inely don’t mind Harry but he se­ems to ha­ve a hu­ge prob­lem with me. He do­esn’t think I’m go­od eno­ugh for his lit­tle girl and alt­ho­ugh he ne­ver says it as bla­tantly as that it’s imp­li­ed in just abo­ut everyt­hing he says to me. I can usu­al­ly just shrug it off but when the day has be­en as frust­ra­ting as to­day and Mon­day mor­ning is lo­oming on the ho­ri­zon it’s so­met­hing I co­uld well do wit­ho­ut.

    

    We pull up out­si­de his nar­row ter­ra­ced ho­use and the kids start to get wo­und up and ex­ci­ted. They enj­oy the­ir ti­me with Grand­pa. Truth is they to­le­ra­te the­ir ti­me with Harry. They put up with it be­ca­use they know they’ll get swe­ets or so­me ot­her tre­at out of him be­fo­re they go ho­me.

    ‘I don’t want any ar­gu­ing to­day,’ Liz says as we wa­it for him to ans­wer the front do­or. I think she’s tal­king to the kids but I re­ali­se she’s lo­oking at me.

    ‘I ne­ver ar­gue with yo­ur dad,’ I tell her. ‘He ar­gu­es with me. The­re’s a dif­fe­ren­ce you know.’

    ‘I’m not in­te­res­ted,’ she says as the latch clicks open. ‘Just be ni­ce.’

    The do­or opens in­wards. Harry opens his arms to the kids and they run to­wards him, gi­ving him a du­ti­ful squ­e­eze be­fo­re di­sap­pe­aring de­eper in­si­de to trash his ho­use.

    ‘Hello, lo­ve,’ he says to Liz­zie as she hugs him.

    ‘You okay, Dad?’

    ‘Fine,’ he smi­les. ‘Bet­ter now. I’ve be­en lo­oking for­ward to se­e­ing you lot all day.’

    Lizzie fol­lows the child­ren in­to the ho­use. I go in­si­de, wi­pe my fe­et and shut the do­or be­hind me.

    ‘Harry,’ I say, ack­now­led­ging him. I don’t me­an to so­und ab­rupt but I unin­ten­ti­onal­ly do.

    ‘Daniel,’ he rep­li­es, equ­al­ly ab­ruptly. He turns and walks to­wards the kitc­hen. ‘I’ll put the ket­tle on.’

    I step over the child­ren (who are al­re­ady spraw­led out ac­ross the li­ving ro­om flo­or) and he­ad for my usu­al spot - the armc­ha­ir in the cor­ner of the ro­om ne­ar the back win­dow. I grab the Sun­day news­pa­pers off the cof­fee tab­le as I pass. Bur­ying my he­ad in Harry’s pa­pers al­ways helps me get thro­ugh the­se long and mo­no­to­no­us vi­sits.

    A co­up­le of mi­nu­tes go by be­fo­re Harry re­ap­pe­ars with a tray of drinks. Vi­le, milky tea for Liz and me and equ­al­ly we­ak, over-di­lu­ted fru­it ju­ice for the child­ren. I ta­ke my tea from him.

    ‘Thanks,’ I say qu­i­etly. He do­esn’t ack­now­led­ge me. He hardly even lo­oks at me.

    I sit down in the cor­ner of the ro­om and start to re­ad. I’m not in­te­res­ted in the po­li­tics or the fi­nan­ce or the tra­vel or the style and fas­hi­on sec­ti­ons. I he­ad stra­ight for the car­to­ons. That’s abo­ut the le­vel I can co­pe with to­day.

    

    We’ve be­en he­re for al­most an ho­ur and I’ve hardly sa­id a word. Liz­zie’s be­en do­zing on the so­fa on the ot­her si­de of the ro­om and Harry has be­en sit­ting on the flo­or with the kids. The­re’s no dis­pu­ting the fact that they get on well to­get­her. He’s la­ug­hing and joking with them and they’re lo­ving it. Ma­kes me fe­el li­ke a bad pa­rent if I’m ho­nest. I don’t enj­oy be­ing with the child­ren li­ke he do­es. May­be it’s be­ca­use he can walk away from them and we can’t. They dra­in me, and I know Liz­zie fe­els the sa­me too. Everyt­hing’s an ef­fort when you ha­ve kids.

    ‘Grandpa just ma­de a co­in di­sap­pe­ar!’ El­lis squ­e­als, tug­ging at my tro­user leg. Harry fan­ci­es him­self as so­met­hing of an ama­te­ur ma­gi­ci­an. He’s al­ways ma­king things di­sap­pe­ar and re­ap­pe­ar. She squ­e­als aga­in as he ‘ma­gi­cal­ly’ finds the co­in tuc­ked be­hind her ear. It do­esn’t ta­ke much to imp­ress a fo­ur ye­ar old…

    ‘Your Unc­le Ke­ith’s go­ne in­to hos­pi­tal aga­in,’ Harry says, tur­ning aro­und to spe­ak to Liz­zie who stirs and sits up.

    ‘How’s An­nie co­ping?’ she asks, co­ve­ring her hand with her mo­uth as she yawns. I don’t bot­her lis­te­ning to Harry’s ans­wer. I’ve ne­ver met Liz’s Unc­le Ke­ith or Aun­tie An­nie and I don’t sup­po­se I ever will. I fe­el li­ke I know them tho­ugh, the num­ber of ti­mes I’ve had to sit he­re and lis­ten to end­less tri­vi­al sto­ri­es abo­ut the­ir empty li­ves on the ot­her si­de of the co­untry. This hap­pens most Sun­day af­ter­no­ons. Liz and Harry start tal­king abo­ut fa­mi­li­es and re­mi­nis­cing and I just switch off. They’ll talk cons­tantly now un­til we go ho­me abo­ut pe­op­le I’ve ne­ver he­ard of and pla­ces I’ve ne­ver be­en.

    ‘Mind if I put the fo­ot­ball on?’ I ask, no­ti­cing the ti­me and stumb­ling on a way of ke­eping myself awa­ke. Both Harry and Liz­zie lo­ok up, surp­ri­sed that I’ve spo­ken.

    ‘Carry on,’ grumb­les Harry. He ma­kes it so­und as if watc­hing the match will stop him tal­king or pre­vent him from do­ing so­met­hing mo­re im­por­tant. Truth is he li­kes fo­ot­ball as much as I do. I switch on the TV and the ro­om is sud­denly fil­led with no­ise. I swe­ar he’s go­ing de­af. The vo­lu­me’s al­most at ma­xi­mum. I turn it down and I’m abo­ut to chan­ge chan­nels when I stop.

    ‘Bloody hell,’ I say un­der my bre­ath.

    ‘What’s the mat­ter?’ asks Liz.

    ‘Have you se­en this?’

    I po­int at the scre­en. It’s the sa­me news chan­nel I was watc­hing last night. It’s the sa­me story too. The vi­olen­ce I’d se­en re­por­ted ap­pe­ars to ha­ve con­ti­nu­ed to spre­ad. It lo­oks li­ke a wa­ve of tro­ub­le has was­hed right ac­ross our town. Alt­ho­ugh it lo­oks qu­i­eter now the scre­en shows pic­tu­res of da­ma­ged bu­il­dings and rub­bish-fil­led stre­ets.

    ‘I saw this ear­li­er,’ Harry says. ‘It’s a blo­ody disg­ra­ce if you ask me.’

    ‘What’s hap­pe­ned?’ asks Liz.

    ‘Haven’t you se­en any news yet to­day?’

    ‘You know what it’s li­ke in our ho­use, Dad,’ she rep­li­es as she shuf­fles aro­und to get a bet­ter vi­ew of the scre­en. ‘We’re last on the list when it co­mes to cho­osing what we watch on TV.’

    ‘You want to start put­ting yo­ur fo­ot down,’ he mo­ans, lo­oking di­rectly at me, trying to get me to bi­te. ‘Show them you’re in char­ge. You sho­uld ne­ver let child­ren ru­le the ro­ost li­ke that.’

    I ig­no­re him and ans­wer Liz.

    ‘There was so­me tro­ub­le last night,’ I exp­la­in. ‘I saw it be­fo­re I went to bed. The­re we­re a few in­ci­dents aro­und town which got out of cont­rol.’

    ‘What do you me­an, got out of cont­rol?’

    ‘You know what it’s li­ke in town on a Sa­tur­day. If the­re’s a night when things will kick off it will al­ways be Sa­tur­day. The stre­ets are fil­led with idi­ots who are pis­sed-up and off the­ir fa­ces on drugs. The po­li­ce can’t co­pe with them as it is. Ap­pa­rently it all star­ted with a fight in a bar that got out of hand. Mo­re and mo­re pe­op­le got in­vol­ved and it tur­ned in­to a ri­ot.’

    ‘Grandpa, we saw a fight yes­ter­day,’ El­lis says in­no­cently, lo­oking up from her co­lo­uring bo­ok. Harry lo­oks at Liz who nods her he­ad.

    ‘It was hor­rib­le, Dad,’ she exp­la­ins. ‘We to­ok Ed to a party at the Kings He­ad. It was full of fo­ot­ball fans. We we­re ha­ving a me­al and two of them star­ted figh­ting.’ She stops spe­aking and checks that the child­ren aren’t lis­te­ning. ‘One of them had a kni­fe,’ she says, her vo­ice a lit­tle lo­wer.

    Harry sha­kes his he­ad.

    ‘It’s a sad sta­te of af­fa­irs, it re­al­ly is,’ he sighs. ‘It’s al­most as if pe­op­le go out lo­oking for tro­ub­le the­se days.

    The ro­om falls qu­i­et mo­men­ta­rily.

    ‘Hang on,’ Liz­zie says sud­denly, ‘did you say this tro­ub­le hap­pe­ned he­re?’

    ‘Yes,’ I ans­wer, nod­ding my he­ad, ‘why?’

    ‘Because this is tal­king abo­ut so­mew­he­re el­se,’ she says, nod­ding to­wards the TV. She’s right. This re­port is co­ming from anot­her pla­ce furt­her north, and now they’ve cut to a third re­por­ter on the east co­ast.

    ‘It’s mob vi­olen­ce,’ Harry chun­ters. ‘It spre­ads. Pe­op­le see so­met­hing on TV and it ma­kes them want to go out and do the sa­me.’

    He might be right but I do­ubt it very much. This do­esn’t ma­ke sen­se. I can’t ima­gi­ne that the­se pe­op­le are all figh­ting just for the sa­ke of it. The­re must be a re­ason.

    ‘There must be mo­re to it than that,’ I say. ‘For Christ’s sa­ke, Harry, do you re­al­ly be­li­eve the­se pe­op­le we­re just sat watc­hing the tro­ub­le on TV one mi­nu­te and then we­re out on the stre­ets figh­ting the next? The­se ri­ots are hund­reds of mi­les apart. The­re must be mo­re to it.’

    For on­ce he do­esn’t ans­wer.

    

    Another twenty mi­nu­tes and the child­ren ha­ve re­ac­hed and ex­ce­eded the­ir bo­re­dom thres­hold. They’ve star­ted pla­ying up and it’s ti­me to le­ave. I try to hi­de my re­li­ef as I bund­le them in­to the back of the car. They bic­ker and fight cons­tantly and I won­der if they’re as wo­und up abo­ut Mon­day mor­ning as I am. I ha­te Sun­day eve­nings. All that’s left now is the rush to get everyt­hing re­ady for scho­ol and work to­mor­row.

    This is the worst part of the we­ekend. Not­hing to lo­ok for­ward to now ex­cept Mon­day.

    

    

9

    

    We’re still half a mi­le from ho­me and I don’t know what the hell is go­ing on. The traf­fic has sud­denly slo­wed. It’s bac­ked-up as far as I can see both ahe­ad of us and be­hind and we’re hardly mo­ving. It’s Sun­day eve­ning, for Christ’s sa­ke. The ro­ads sho­uld be empty. It’s al­re­ady get­ting dark. I don’t want to spend the who­le night sat he­re.

    I can he­ar si­rens. I lo­ok in­to the re­ar vi­ew mir­ror and I can see a mass of flas­hing blue lights co­ming up on us at spe­ed. A con­voy of po­li­ce cars and fi­re en­gi­nes are ap­pro­ac­hing from be­hind and the­re are mo­re flas­hing lights co­ming the ot­her way too. The dri­vers of the cars aro­und us shuf­fle to the si­de and mo­unt the pa­ve­ment to get out of the way. I do the sa­me.

    ‘Wonder what’s hap­pe­ned,’ Liz mumb­les as we bump up on­to the grass ver­ge.

    ‘Don’t know,’ I ans­wer. The­re’s a no­ise from the back se­at and I lo­ok aro­und to see Ed and El­lis figh­ting with each ot­her ac­ross Josh who’s trap­ped in his baby se­at. ‘Cut it out,’ I snap ang­rily. They stop when I tell them but I know they’ll start aga­in the se­cond I lo­ok away.

    The emer­gency ve­hic­les rumb­le past us and I cra­ne my neck to watch whe­re they go. They ta­ke a left-hand turn a co­up­le of hund­red yards ahe­ad. In the se­mi-dark­ness I can see the blin­king blue lights thro­ugh the gaps bet­we­en bu­il­dings and the branc­hes of tre­es. They’ve stop­ped not far from he­re.

    ‘Looks se­ri­o­us, do­esn’t it?’ Liz­zie says, ke­eping her vo­ice qu­i­et so the child­ren don’t he­ar.

    The traf­fic is at a comp­le­te stands­till now and it lo­oks li­ke pe­op­le ha­ve tur­ned off the­ir en­gi­nes. So­me are star­ting to get out of the­ir cars. I can’t stand sit­ting be­hind the whe­el if I’m not go­ing anyw­he­re. I de­ci­de to go and ha­ve a lo­ok too. I’ll try and see how long we’re li­kely to be stuck he­re.

    ‘Back in a se­cond,’ I say as I switch off the en­gi­ne and un­do my se­at­belt.

    ‘What are you do­ing?’

    ‘Just go­ing to see what’s hap­pe­ning,’ I ans­wer qu­ickly.

    ‘Can I co­me?’ Ed asks. I turn to fa­ce him as I climb out of the car.

    ‘No, you wa­it he­re. I’ll only be a mi­nu­te.’

    He slo­uc­hes back in his se­at and scowls.

    Lizzie’s not happy be­ing left with the kids but I go any­way. I fol­low a gro­up of three pe­op­le from the car in front of us aro­und the cor­ner. The­re’s a lar­ge crowd gat­he­ring in the next stre­et. As I get clo­ser I can see that a dark blue es­ta­te car has lost cont­rol and mo­un­ted the pa­ve­ment. It’s hit a stre­et lamp which has fal­len on­to the front dri­ve of a ho­use and dest­ro­yed a ca­ra­van which was par­ked the­re. The po­li­ce are trying to cor­don off the sce­ne. They’re pus­hing pe­op­le back but I ma­na­ge to ke­ep mo­ving for­ward un­til I’m right at the front of the crowd. The car’s a to­tal wri­te-off. Its bon­net is smas­hed and crump­led and the dri­ver is slum­ped aga­inst the ste­ering whe­el. He’s not mo­ving. The fi­re bri­ga­de are set­ting up the­ir cut­ting equ­ip­ment to get him out but no-one’s rus­hing. Lo­oks li­ke they’re al­re­ady too la­te.

    There are two pa­ra­me­dics and a po­li­ce of­fi­cer cro­uc­hing down at the front of the car. Has so­me­one el­se be­en inj­ured too? One of the gre­en-su­ited me­di­cal of­fi­cers gets up to fetch so­met­hing. Blo­ody hell, the­re’s a body un­der the car. I can’t see much, just a twis­ted, bro­ken leg stic­king out from un­der what’s left of the bon­net at an awk­ward ang­le. Po­or sod. Who­ever it was they didn’t stand a chan­ce.

    I stand and sta­re at the crash sce­ne un­til the po­li­ce de­ci­de to wi­den the­ir cor­don aga­in and I’m pus­hed furt­her back. I re­ali­se I’ve left Liz­zie on her own for too long and I qu­ickly turn and start to walk back to­wards the car. I stumb­le in­to a man wal­king his dog when he stops sud­denly as the dog ve­ers off to the left to­wards the hed­ge.

    ‘Sorry, ma­te,’ I mumb­le qu­ickly.

    ‘You’re all right,’ he rep­li­es as he tri­es to yank the dog back out of my way. The dog isn’t res­pon­ding. ‘Co­me on, boy,’ he snaps.

    ‘Nasty ac­ci­dent, that,’ I say.

    He sha­kes his he­ad.

    ‘That wasn’t an ac­ci­dent.’

    ‘What?’

    He lo­oks in­to my fa­ce and sha­kes his he­ad aga­in.

    ‘I saw the who­le thing hap­pen,’ he tells me. ‘Blo­ody idi­ot.’

    ‘Who?’

    ‘The blo­ke dri­ving the car. Ab­so­lu­te blo­ody idi­ot.’

    ‘Why?’

    ‘First thing I know is when so­me lad runs past me,’ he exp­la­ins. ‘Ca­me out of now­he­re, he did, ne­arly knoc­ked me flying. Then the car co­mes past and dri­ves on­to the pa­ve­ment just up from whe­re I’m wal­king. The lad’s run­ning as fast as he can but the­re’s not­hing he can do. The dri­ver puts his fo­ot down and just ac­ce­le­ra­tes and runs him over and dri­ves stra­ight in­to the wall. Stu­pid bas­tard. Lo­oks li­ke he’s kil­led him­self too.’

    The man fi­nal­ly mo­ves his dog out of the way and I start to walk for­ward aga­in, trying to ma­ke sen­se of what I’ve just he­ard. This we­ekend has be­en full of bi­zar­re and hor­ri­fic events. First the con­cert, then the at­tack in the pub yes­ter­day and now this. And the­re was the man in the stre­et on Thurs­day mor­ning too. I think back to the news re­port we we­re watc­hing at Harry’s ho­use. What the hell is go­ing on?

    

    

MONDAY

v

    

    Ten ti­mes the tro­ub­le wo­uldn’t ha­ve kept so­me drin­kers away. The club was emp­ti­er than usu­al but the­se we­re the har­de­ned few - the re­gu­lar drin­kers and club­bers who wo­uldn’t miss a night out no mat­ter what they’d se­en on the news or re­ad in the pa­pers. For the­se pe­op­le the rest of the we­ek re­vol­ved aro­und nights li­ke this. Get­ting pis­sed, get­ting sto­ned and get­ting la­id was all that mat­te­red.

    ‘She’s fuc­king gor­ge­o­us, ma­te,’ Sha­ne Whi­te yel­led in­to New­bury’s ear. ‘She ke­eps lo­oking at you. Get in the­re, son!’

    Newbury tur­ned to Whi­te and grin­ned.

    ‘Reckon I’m in with a chan­ce then?’

    ‘No fuc­king prob­lem. She’s yo­urs ma­te, no qu­es­ti­on.’

    ‘Serious?’

    ‘Serious.’

    ‘Right then. Watch this.’

    Newbury pus­hed him­self away from the bar, knoc­ked back the last of his drink and sto­od and watc­hed her. He didn’t even know her na­me. He’d se­en her he­re a few ti­mes be­fo­re but she’d al­ways be­en sur­ro­un­ded by blo­kes and her fri­ends and he’d ne­ver had the ner­ve to try anyt­hing with her. It felt dif­fe­rent to­night. He felt con­fi­dent and ali­ve. May­be he felt less in­ti­mi­da­ted be­ca­use the­re we­re fe­wer pe­op­le aro­und? May­be it was just be­ca­use he was al­re­ady half-drunk. Wha­te­ver the re­ason it didn’t mat­ter. Fuc­king hell, he tho­ught as he watc­hed her dan­ce, Sha­ne’s right, she’s fuc­king gor­ge­o­us. He slowly wal­ked to­wards her and she be­gan to dan­ce to­wards him.

    ‘You all right?’ he sho­uted, figh­ting to ma­ke him­self he­ard over the thum­ping mu­sic which fil­led the half-empty club. It se­emed lo­uder than ever in he­re to­night with fe­wer pe­op­le aro­und. She didn’t ans­wer. Ins­te­ad she just bec­ko­ned him clo­ser, wrap­ped her arms aro­und him and sho­ved her ton­gue down his thro­at.

    

    ‘You’re blo­ody be­a­uti­ful, you are,’ New­bury bab­bled bre­ath­les­sly as they left the club and wal­ked to­get­her to­wards an al­ley op­po­si­te the town hall. ‘Abso­lu­tely blo­ody be­a­uti­ful.’

    ‘Are you go­ing to spend all night tal­king or what?’ she as­ked as she led him in­to the sha­dows. He co­uldn’t ans­wer. ‘I co­uld ha­ve sta­yed at ho­me if I wan­ted to talk. All I ne­ed from you is a go­od, hard fuck.’

    Newbury strug­gled to be­li­eve what he was he­aring. He’d ne­ver had this hap­pen be­fo­re. He’d fan­ta­si­sed abo­ut it eno­ugh ti­mes and he’d he­ard abo­ut it hap­pe­ning to ot­her pe­op­le, but it had ne­ver ac­tu­al­ly hap­pe­ned to him. And he’d ne­ver dre­amt it might hap­pen with a girl li­ke this…

    She stop­ped wal­king and tur­ned to­wards him, pus­hing her body aga­inst his. She rip­ped open his shirt.

    ‘Here?’ he as­ked. ‘You dirty bitch…!’

    ‘This is how I li­ke it,’ she his­sed in his ear. He co­uld smell the bo­oze on her bre­ath. So­me­how that ma­de it mo­re sor­did and mo­re ex­ci­ting.

    Newbury was in dan­ger of be­co­ming too fi­red-up and tur­ned on to per­form. Sta­ying in cont­rol was get­ting mo­re dif­fi­cult every ti­me she to­uc­hed him or kis­sed him or… she pus­hed him back hard aga­inst the wall and kis­sed him aga­in, che­wing on his lips and for­cing her ton­gue de­ep in­to his mo­uth. He sho­ved his hand down the back of her skirt and pul­led her even clo­ser. In res­pon­se she un­did his tro­user zip, slid her hand in­si­de and slip­ped her fin­gers aro­und his drun­ken erec­ti­on. She held it firmly but gently and te­ased it out of his tro­users and to­wards her.

    ‘Get yo­ur knic­kers off,’ he gas­ped in a mo­men­tary pa­use bet­we­en fran­tic bi­tes and kis­ses.

    ‘What knic­kers?’ she whis­pe­red in his ear as she hitc­hed her tight skirt up aro­und her wa­ist. Still loc­ked to­get­her they rol­led to the si­de un­til she was the one with her back to the wall. ‘Co­me on,’ she mo­aned, des­pe­ra­te for him, ‘gi­ve it to me.’

    Newbury shuf­fled in­to po­si­ti­on and tri­ed to sli­de in­to her. It was awk­ward and ro­ugh. The bo­oze had af­fec­ted both of the­ir co­or­di­na­ti­on. She gas­ped with sud­den ple­asu­re as his full length fi­nal­ly di­sap­pe­ared in­si­de her.

    ‘I’ll gi­ve it to you, you dirty slut,’ he pro­mi­sed as he for­ced him­self de­eper still. She lo­oked up to the sky and bit her lip, trying not to ma­ke any no­ise but at the sa­me ti­me des­pe­ra­te to scre­am out lo­ud.

    ‘Harder,’ she his­sed.

    He be­gan to thrust his body aga­inst hers, for­cing her back aga­inst the wall aga­in and aga­in.

    ‘Hard eno­ugh for you?’ he as­ked, sta­ring de­ep in­to her wi­de grey eyes.

    ‘Just fuck me,’ she gas­ped bet­we­en thrusts.

    ‘Hard eno­ugh?’ he his­sed aga­in thro­ugh clenc­hed te­eth.

    Then she stop­ped.

    She let go of him.

    ‘What’s the mat­ter?’ he as­ked, con­cer­ned. ‘Did I hurt you? What did I do?’

    The exp­res­si­on on her fa­ce chan­ged from ple­asu­re to fe­ar in an ins­tant. She pus­hed him off and bac­ked away from him, pul­ling her skirt down and trip­ping back ac­ross the al­ley.

    ‘What’s go­ing on?’ he as­ked aga­in. ‘What’s the mat­ter with you?’

    She didn’t ans­wer. She kept mo­ving away, shuf­fling de­eper in­to the sha­dows. He con­ti­nu­ed to mo­ve to­wards her. She tri­ed to spe­ak but she co­uldn’t. ‘Don’t…’ was all she co­uld mum­b­le.

    ‘What the fuc­king hell’s go­ing on?’ he de­man­ded. ‘You’re men­tal, you are. One mi­nu­te you’re all over me, now you’re pus­hing me away. Is this how you get yo­ur kicks? You’re a fuc­king prick-te­aser. You’re a dirty fuc­king bitch.’

    Still stag­ge­ring back­wards her fo­ot kic­ked aga­inst the ed­ge of a plas­tic cra­te fil­led with empty glass bot­tles. She ins­tinc­ti­vely le­ant down, pic­ked up one of the bot­tles by its neck and smas­hed it aga­inst the brick wall be­hind her.

    His re­ac­ti­ons dul­led by drink, New­bury sto­od and watc­hed her.

    ‘Now what are you do­ing? You’re fuc­king crazy, you are. What the fuc­king hell do you think you’re do­ing? I’m not…’

    He didn’t fi­nish his sen­ten­ce. She ran at him and sho­ved the bro­ken bot­tle de­ep in­to his sto­mach. It sli­ced thro­ugh his cot­ton shirt and plun­ged in­to his flesh. She pul­led the bot­tle out and then sho­ved it in­to him aga­in, this ti­me lo­wer, the jag­ged ed­ge al­most se­ve­ring the bot­tom third of his still ex­po­sed but now comp­le­tely flac­cid pe­nis. Then a third stri­ke as she sunk the ra­zor-sharp glass in­to his neck.

    She tur­ned and ran and was out of the al­ley be­fo­re he’d hit the gro­und.

    There we­re mo­re of them out the­re, tho­usands mo­re.

    She had to ke­ep run­ning.

    

    

10

    

    Sometimes the tho­ught of work is wor­se than the re­ality. All things con­si­de­red, to­day at the of­fi­ce was just abo­ut be­arab­le. Af­ter everyt­hing I’d se­en and he­ard over the we­ekend I’d ex­pec­ted to ha­ve to fight my way in­to work thro­ugh crowds of pe­op­le bat­tling with each ot­her on the stre­ets. Apart from a few bro­ken win­dows and so­me ot­her slight da­ma­ge everyt­hing lo­oked and felt di­sap­po­in­tingly nor­mal. The city cent­re was qu­i­et for a Mon­day and the of­fi­ce was too.

    I’m glad to be ho­me. I can see the apart­ment block at the end of the ro­ad now. As usu­al the­re are lights on in the di­ago­nal­ly op­po­si­te cor­ners of the bu­il­ding - our flat and the ot­her oc­cu­pi­ed flat ups­ta­irs. As I get clo­ser I can see sha­dows mo­ving aro­und be­hind our cur­ta­ins. The kids are run­ning aro­und in the li­ving ro­om. No do­ubt they’ll ha­ve be­en pla­ying up all eve­ning and I’ll get it in the neck from Liz aga­in.

    We sho­uldn’t be li­ving in a pla­ce li­ke this I think as I walk up the overg­rown path­way to the do­or. I know I’m a lazy sod and I sho­uld work har­der but it’s not easy. I do my best, it’s just that it do­esn’t se­em to be eno­ugh. I ne­ed a kick up the back­si­de from ti­me to ti­me. But if every day co­uld be li­ke to­day, I de­ci­de as I pull open the cre­aking front do­or, then may­be things might work out. To­day it ac­tu­al­ly felt li­ke the ef­fort I’d put in had be­en worthw­hi­le. I didn’t ha­ve any scre­aming mem­bers of the pub­lic to de­al with and I even ma­na­ged to ha­ve a la­ugh with Ti­na Mur­ray. To­day, for on­ce, I didn’t fe­el as if I was pul­ling in the op­po­si­te di­rec­ti­on to ever­yo­ne el­se. The plans that Liz­zie and I ha­ve be­en ma­king for ye­ars to mo­ve to a big­ger ho­use, chan­ge the car and ge­ne­ral­ly imp­ro­ve our stan­dard of li­ving se­em a lit­tle mo­re re­alis­tic and pos­sib­le than they did when I left the flat this mor­ning. Still a long way off, mind, but pos­sib­le.

    I shuf­fle tho­ugh the glo­om of the lobby and open the do­or to the flat. I step in­si­de and the warmth of our ho­me ma­kes me re­ali­se just how cold it is out­si­de to­night.

    ‘I’m back,’ I sho­ut as I ta­ke off my co­at and sho­es. It’s unu­su­al­ly qu­i­et in he­re. I can he­ar the TV and the child­ren but I can’t he­ar Liz. She’s usu­al­ly yel­ling at one of them. I can’t re­mem­ber the last ti­me I ca­me ho­me and it was this qu­i­et.

    Edward ap­pe­ars in the hal­lway in front of me. He’s grin­ning from ear to ear.

    ‘Okay, Ed?’

    He nods his he­ad.

    ‘Had half a day off to­day,’ he be­ams, lo­oking ple­ased with him­self.

    ‘Why, what’s the mat­ter with you?’

    ‘Nothing. Scho­ol was shut.’

    ‘Why?’ I ask aga­in as I walk furt­her in­to the flat, lo­oking for Liz. I can’t see her in any of the bed­ro­oms.

    ‘Because of Jack Fos­ter,’ Ed exp­la­ins. I’m con­fu­sed.

    ‘Who’s Jack Fos­ter?’

    ‘He’s in Ye­ar Six. You sho­uld ha­ve se­en him, Dad, it was bril­li­ant!’

    I’ve re­ac­hed the kitc­hen do­or. I can see Liz­zie in the­re sit­ting at the tab­le, drin­king a cup of cof­fee and sta­ring in­to spa­ce.

    ‘You okay?’ I ask. She lo­oks up, surp­ri­sed.

    ‘Didn’t know you we­re back,’ she says qu­i­etly, sha­king her­self out of her tran­ce. She gets up, walks over to me and hugs me. This sud­den disp­lay of af­fec­ti­on is out of cha­rac­ter.

    ‘What’s that for?’ I whis­per, my mo­uth pres­sed clo­se to her ear. ‘You all right?’

    She nods then pus­hes her­self away and go­es to fetch my din­ner from the oven.

    ‘I’m fi­ne,’ she sighs. ‘Had a bad day, that’s all.’

    ‘Ed was tel­ling me that the scho­ol was clo­sed. So­met­hing to do with Jack Fos­ter?’

    She puts my fo­od down on the tab­le and sits in a cha­ir op­po­si­te to the pla­ce she’s la­id for me. I start to eat and watch as she mas­sa­ges her temp­les. She lo­oks ti­red and up­set. I’m as­su­ming that wha­te­ver hap­pe­ned at scho­ol to­day is what’s bot­he­ring her.

    ‘So what hap­pe­ned?’ I ask. She do­esn’t want to ans­wer. ‘Talk to me, Liz…’

    She cle­ars her thro­at and fi­nis­hes her cof­fee. When she fi­nal­ly starts to spe­ak her vo­ice is qu­i­et and full of emo­ti­on.

    ‘Do you know Jack Fos­ter?’

    I sha­ke my he­ad. I’ve he­ard the na­me be­fo­re but I can’t pla­ce the fa­ce.

    ‘You know Ben Pa­ris? Short lad with black ha­ir?’

    I’m su­re I know who Ben is.

    ‘His dad’s the ha­ird­res­ser?’

    ‘That’s the one. Jack Fos­ter is his best fri­end. They’re al­ways han­ging aro­und to­get­her. We sat next to Jack’s mum Sally at pa­rents eve­ning last term. He’s got a sis­ter in Ed’s class. He’s tall and…’

    ‘…and he we­ars glas­ses?’

    ‘That’s him.’

    I’m pretty su­re I know who she’s tal­king abo­ut. I say that I do just to ke­ep the con­ver­sa­ti­on mo­ving.

    ‘So what did he do?’

    Lizzie cle­ars her thro­at aga­in and com­po­ses her­self.

    ‘First thing this mor­ning,’ she be­gins, ‘the who­le scho­ol was in the hall for as­sembly. The kids we­re cram­med in­to the mid­dle of the hall and Mrs Shi­elds was pa­ra­ding up and down do­ing her usu­al ro­uti­ne at the front.’

    ‘I can’t stand that wo­man,’ I in­ter­rupt. Mrs Shi­elds is the he­ad­te­ac­her. By all ac­co­unts she’s strict and old-fas­hi­oned and she spe­aks to the pa­rents in exactly the sa­me way as she spe­aks to the kids.

    ‘I know you don’t li­ke her,’ Liz sighs, ‘you tell me every ti­me I men­ti­on her na­me. Any­way, she was just fi­nis­hing off one of her blo­ody aw­ful bib­le sto­ri­es. I was sat at the back next to De­ni­se Jones and…’

    She stops spe­aking and I stop eating. I lo­ok up from my din­ner and put down my kni­fe and fork.

    ‘And…?’

    ‘Jack’s in Ye­ar Six,’ she con­ti­nu­es. ‘The child­ren sit on the flo­or in age or­der with the yo­un­gest at the front so Jack’s class was at the back of the hall ne­ar whe­re we we­re. Mrs Shi­elds had just as­ked them to bow the­ir he­ads for the fi­nal pra­yer be­fo­re les­sons…’

    She stops aga­in.

    ‘So what hap­pe­ned?’ I press.

    ‘I was sat the­re at the back and Jack sto­od up right in front of me. Most of the child­ren we­re in front of him and they all had the­ir he­ads down so the­re wasn’t much of a re­ac­ti­on at first. Then he just star­ted to run to­wards Mrs Shi­elds. He was kic­king and trip­ping over the kids and so­me of them got hurt and star­ted to sho­ut and squ­e­al. By the ti­me ever­yo­ne had lo­oked up Jack had ma­de it over to the si­de of the hall. He sho­ved Eile­en Cal­lis off her cha­ir and she en­ded up flat on her fa­ce on the flo­or. All this hap­pe­ned in se­conds. We we­re all just sat the­re, too surp­ri­sed to do anyt­hing. Jack grab­bed hold of Eile­en’s empty cha­ir, lif­ted it up over his he­ad and ran at Mrs Shi­elds. She mo­ved to­wards him to try and stop him but he was run­ning at her, swin­ging the cha­ir ro­und over his he­ad and just mis­sing the kids sit­ting down at the front. He mis­sed her a co­up­le of ti­mes but then he hit her right ac­ross her fa­ce, just un­der her eye. Jack’s al­most as tall as Mrs Shi­elds. He kept swin­ging the cha­ir at her and be­fo­re an­yo­ne knew what was hap­pe­ning she was lying flat on the flo­or with him stan­ding over her, smas­hing the cha­ir down on her back aga­in and aga­in.’

    ‘Didn’t an­yo­ne stop him?’ I ask.

    ‘Don Col­ling­wo­od and Judith Lamb got to him first,’ she ans­wers, nod­ding. ‘Don grab­bed him and Judith tri­ed to wrest­le the cha­ir off him. Blo­ody hell, Danny, it was li­ke he was pos­ses­sed or so­met­hing. It was hor­rib­le. Mrs Shi­elds was scre­aming and that was ma­king so­me of the kids scre­am. She was cur­led up in a ball on the flo­or next to the pi­ano with her hands over her he­ad. Her ha­ir was all over the pla­ce and her glas­ses we­re smas­hed. She had blo­od run­ning down her fa­ce and…’

    ‘But why?’ I in­ter­rupt. ‘What was the mat­ter with him?’

    She shrugs.

    ‘Nothing as far as I know. I saw him be­fo­re scho­ol star­ted and he se­emed fi­ne. He was ha­ving a la­ugh with his ma­tes. I’ve ne­ver known him do anyt­hing li­ke this. The­re are plenty of kids at that scho­ol who wo­uldn’t ha­ve surp­ri­sed me if they’d do­ne it, but not Jack…’

    ‘Doesn’t ma­ke any sen­se,’ I mumb­le, my mo­uth full of fo­od.

    ‘You’re tel­ling me.’

    ‘So what did they do with him?’

    She sha­kes her he­ad.

    ‘The pla­ce went crazy. Don drag­ged Jack off in­to one of the of­fi­ces and loc­ked him in. He tras­hed the pla­ce. He was scre­aming and sho­uting and… and God, it was hor­rib­le. The po­or kid, you co­uld he­ar him right the way thro­ugh the scho­ol. He so­un­ded ter­ri­fi­ed.’

    ‘What abo­ut the He­ad? What abo­ut Mrs Shi­elds?’

    ‘They to­ok her to hos­pi­tal and had her chec­ked over. I think she was okay, just a few cuts and bru­ises, that’s all.’

    I turn my at­ten­ti­on back to my fo­od for a se­cond but it’s im­pos­sib­le not to ke­ep thin­king abo­ut what Liz has told me.

    ‘What ma­de him do it?’ I ask, kno­wing full well that she won’t be ab­le to ans­wer.

    ‘No idea,’ she sighs, get­ting up to ma­ke anot­her drink. ‘Ma­kes you won­der if it’s con­nec­ted to what we saw over the we­ekend.’

    ‘Can’t be,’ I snap ins­tinc­ti­vely. ‘This was a kid at a scho­ol, how co­uld it be con­nec­ted?’

    ‘I don’t know. Any­way, they clo­sed the scho­ol not long af­ter it hap­pe­ned and it’s pro­bably go­ing to be clo­sed aga­in to­mor­row. We tri­ed to ke­ep the kids dist­rac­ted but you know what it’s li­ke, Dan, it’s a small scho­ol. It’s a clo­se scho­ol. Ever­yo­ne knows every­body el­se. They had to call the po­li­ce in to de­al with him in the end. Christ, I felt so sorry for Sally. You sho­uld ha­ve se­en her. She lo­oked li­ke she was the one who’d do­ne wrong. And when they to­ok Jack away…’

    ‘When who to­ok him away?’

    ‘They to­ok him off in an am­bu­lan­ce in the end. He wo­uldn’t spe­ak to Sally, wo­uldn’t even lo­ok at her. He was scre­aming for help. Po­or kid had lost it comp­le­tely. He didn’t ha­ve a clue what he was do­ing. Wo­uldn’t let an­yo­ne ne­ar him. It was li­ke he was sca­red of the rest of us.’

    

    

11

    

    It’s past ten o’clock be­fo­re we know it. The child­ren are fi­nal­ly set­tled and as­le­ep and the flat is si­lent. The te­le­vi­si­on has be­en off all eve­ning but now the li­ving ro­om is too qu­i­et so I switch it on just so that we ha­ve so­me backg­ro­und no­ise. Liz is sub­du­ed and pre­oc­cu­pi­ed and we’ve hardly tal­ked. It’s get­ting la­te. It won’t be long be­fo­re we go to bed. Be­fo­re we know it I’ll be up aga­in and back in­to the grind. So­me­ti­mes I fe­el li­ke I’m run­ning at a dif­fe­rent spe­ed to the rest of the world. I fe­el li­ke I’m al­ways ha­ving to go flat out just to ke­ep up.

    I go to the kitc­hen and ma­ke us both a drink. I ta­ke Liz­zie’s thro­ugh to her.

    ‘Drink.’

    She lo­oks up and smi­les and ta­kes the cup from me.

    ‘You okay?’ I ask.

    ‘Of co­ur­se I am. Why do you ke­ep as­king me if I’m okay?’

    ‘Just want to be su­re you’re all right. You’ve had a shitty day.’

    ‘I ha­ve but I’m okay,’ she says, her vo­ice a lit­tle edgy and ten­se.

    ‘Fine,’ I grumb­le, over­re­ac­ting, ‘sorry I as­ked.’

    ‘Oh co­me on, don’t be li­ke that…’

    ‘Be li­ke what? I only as­ked if you we­re okay, that’s all.’

    I sit down next to her. She stretc­hes out her arm be­hind me and be­gins to gently rub my back.

    ‘Sorry.’

    ‘Doesn’t mat­ter.’

    Same old rub­bish on TV. I pick up the re­mo­te and work my way thro­ugh the chan­nels. The co­me­di­es aren’t funny to­night and the dra­mas are too dra­ma­tic. Not­hing se­ems to su­it the mo­od. I he­ad for the news. I want to find out mo­re abo­ut what’s be­en go­ing on. Apart from he­aring the odd snip­pet of in­for­ma­ti­on at work to­day this is the first chan­ce I’ve had all day to catch up. What we see is mo­re of what we saw yes­ter­day - mo­re tro­ub­le and mo­re vi­olen­ce. What we don’t get is any exp­la­na­ti­on. Each in­di­vi­du­al re­port se­ems to fol­low a pretty stan­dard for­mat - one or mo­re in­ci­dents ta­ke pla­ce in a par­ti­cu­lar area and they re­port how pe­op­le re­act to the fall-out. This is in­sa­ne. I ke­ep he­aring phra­ses li­ke ‘copy­cat vi­olen­ce’ and ‘re­ven­ge at­tacks’ be­ing ban­ded aro­und. Are pe­op­le re­al­ly as stu­pid as Harry tri­ed to sug­gest yes­ter­day? Wo­uld an­yo­ne re­al­ly want to start tro­ub­le just be­ca­use they’ve se­en ot­hers do­ing it?

    ‘Look at that,’ Liz­zie says as we sta­re at the he­ad­li­nes to­get­her, ‘they’re even gi­ving them a na­me now. How’s that go­ing to help?’

    She’s right. I he­ard the word used a few mi­nu­tes ear­li­er but didn’t think anyt­hing of it. The mi­no­rity who are ca­using the tro­ub­le ha­ve be­en bran­ded ‘Ha­ters’. It ca­me from a tab­lo­id news­pa­per he­ad­li­ne that was pub­lis­hed this mor­ning and it’s qu­ickly stuck. It se­ems ap­prop­ri­ate be­ca­use the­re’s still no men­ti­on of the­se pe­op­le figh­ting for any ca­use or re­ason. Ha­te se­ems to be just abo­ut the only thing dri­ving them.

    ‘They ha­ve to gi­ve them a na­me,’ I mumb­le. ‘It ma­kes it easi­er for them to talk abo­ut it if they gi­ve them a na­me.’

    Lizzie sha­kes her he­ad in dis­be­li­ef.

    ‘I don’t un­ders­tand any of this.’

    ‘Nor me.’

    ‘They’re tal­king abo­ut it li­ke it’s an epi­de­mic. How can it be? It’s not a di­se­ase, for Christ’s sa­ke.’

    ‘It might be.’

    ‘I do­ubt it. But the­re has to be a re­ason for all of it, do­esn’t the­re?’

    She’s right, but li­ke ever­yo­ne el­se I ha­ve no idea what that re­ason might be so I don’t bot­her ans­we­ring. Watc­hing the news ma­kes me fe­el inc­re­asingly une­asy. It’s ma­king me fe­el li­ke shut­ting the front do­or and not ope­ning it aga­in un­til all of this sud­den vi­olen­ce and dis­rup­ti­on has stop­ped. I ins­tinc­ti­vely start trying to co­me up with an exp­la­na­ti­on to try and ma­ke myself fe­el bet­ter if not­hing el­se.

    ‘Maybe it’s not as bad as they’re ma­king it out to be,’ I sug­gest.

    ‘What?’

    ‘They al­ways exag­ge­ra­te things on the TV, don’t they? They’ve just be­en sa­ying so­met­hing abo­ut an inc­re­ase in the num­ber of vi­olent in­ci­dents be­ing re­por­ted, but that do­esn’t ne­ces­sa­rily me­an the­re’s be­en any inc­re­ase in the num­ber of in­ci­dents ac­tu­al­ly ta­king pla­ce, do­es it?’

    ‘Not ne­ces­sa­rily,’ she says, so­un­ding un­su­re.

    ‘There might ha­ve be­en just as many fights as last we­ek, but they we­ren’t news­worthy then. Prob­lem is when so­met­hing li­ke this ma­kes the he­ad­li­nes pe­op­le start jum­ping on the band­wa­gon.’

    ‘What are you sa­ying?’

    ‘Maybe this who­le si­tu­ati­on is so­met­hing the TV and news­pa­pers ha­ve cre­ated,’ I say. I’m ma­king this up as I’m go­ing along.

    ‘It can’t be. So­met­hing’s de­fi­ni­tely hap­pe­ning out the­re. The­re are too many co­in­ci­den­ces for…’

    ‘Okay,’ I in­ter­rupt, ‘but if they ha­ven’t cre­ated the prob­lem they’re de­fi­ni­tely ma­king it wor­se.’

    ‘What abo­ut what hap­pe­ned at the con­cert on Fri­day? And in the pub? And wha­te­ver was go­ing on with that car last night and what hap­pe­ned at scho­ol this mor­ning… are you sa­ying that all tho­se things wo­uld ha­ve hap­pe­ned any­way? Do you think we’re re­ading mo­re in­to them just be­ca­use of what we’ve se­en on TV?’

    ‘I don’t know. The­re’s no way of tel­ling, is the­re? All I’m sa­ying is that we’ve se­en things li­ke this get out of cont­rol be­fo­re.’

    ‘Have we?’

    ‘Of co­ur­se we ha­ve. It hap­pens all the ti­me. So­me­one so­mew­he­re bro­ad­casts a story, then a bra­in-de­ad sec­ti­on of the audi­en­ce copy just to try and get them­sel­ves on TV or on the front pa­ges of the pa­pers.’

    Now I think I’ve re­al­ly lost her. I can tell from the exp­res­si­on on her fa­ce that she do­esn’t un­ders­tand. Eit­her that or she do­esn’t be­li­eve me. I’m not en­ti­rely su­re abo­ut this myself.

    ‘Don’t get you.’

    ‘Remember dan­ge­ro­us dogs?’ I ask. She sha­kes her he­ad and screws up her fa­ce aga­in. ‘A few ye­ars back a kid ro­und he­re got at­tac­ked by the­ir ne­igh­bo­ur’s pet Rot­twe­iler, re­mem­ber? The kid’s fa­ce got all mes­sed up and she ne­eded sur­gery I think. They had the dog put down.’

    ‘So? What’s that got to do with what’s hap­pe­ning now?’

    ‘Point is un­til that story bro­ke hardly an­yo­ne had he­ard anyt­hing abo­ut dogs at­tac­king kids, had they? But as so­on as it ma­de the pa­pers the­re we­re sud­denly sto­ri­es abo­ut the sa­me thing hap­pe­ning all over the pla­ce. The­re was a blo­ody epi­de­mic of dogs at­tac­king kids. Now you only he­ar abo­ut it hap­pe­ning on­ce in a blue mo­on aga­in.’

    ‘What’s yo­ur po­int? Are you sa­ying that tho­se kids didn’t get at­tac­ked?’

    ‘No, not­hing li­ke that. I gu­ess what I’m sa­ying is that things li­ke that must hap­pen all the ti­me but no-one’s in­te­res­ted. As so­on as it ma­kes the news, tho­ugh, pe­op­le start to re­port it and be­fo­re you know it you’ve got dogs bi­ting kids on every stre­et cor­ner.’

    ‘Not su­re if I ag­ree with you,’ she says qu­i­etly. ‘Still not even su­re I know what you’re tal­king abo­ut. The­re’s ne­ver be­en anyt­hing on this sca­le be­fo­re…’

    ‘I think that the­se idi­ots,’ I exp­la­in, po­in­ting at the TV, ‘are do­ing mo­re harm than go­od. By gi­ving the­se pe­op­le a la­bel and gi­ving them air­ti­me they’re glo­rif­ying wha­te­ver it is that’s hap­pe­ning and blo­wing it out of all pro­por­ti­on. Pe­op­le are se­e­ing the vi­olen­ce and the glory and re­bel­li­on on TV and they’re thin­king, I’ll ha­ve so­me of that.’

    ‘Bullshit. You’re star­ting to so­und li­ke Dad.’

    ‘It’s not bul­lshit. Re­mem­ber tho­se ri­ots last sum­mer?’ I ask, luc­kily ma­na­ging to think of anot­her examp­le to try and strengt­hen my te­nu­o­us ar­gu­ment. Abo­ut eight months ago the­re was a string of ra­ce-mo­ti­va­ted dis­tur­ban­ces in a few ma­j­or ci­ti­es, ours inc­lu­ded. Liz­zie nods her he­ad.

    ‘What abo­ut them?’

    ‘Same thing aga­in. So­me­one star­ted a lit­tle bit of tro­ub­le out of the way in so­me back-stre­et so­mew­he­re. The me­dia got hold of it and the prob­lem was ma­de to lo­ok a hund­red ti­mes wor­se than it ever was. It was the way they re­por­ted it that ma­de it spre­ad and may­be that’s what’s hap­pe­ning now. The­re’s a ge­nu­ine prob­lem so­mew­he­re that gets re­por­ted and be­fo­re you know it you’ve got mobs in every city star­ting tro­ub­le using wha­te­ver it was that ca­used the very first fight to kick off as an ex­cu­se to get in­vol­ved.’

    ‘And do you re­al­ly be­li­eve that?’

    I stay qu­i­et. I don’t ho­nestly know what I be­li­eve.

    ‘I think you’re tal­king crap,’ she snaps. ‘No­ne of what you’ve sa­id exp­la­ins why I watc­hed a per­fectly he­althy and nor­mal ele­ven ye­ar-old boy be­at the hell out of the he­ad­te­ac­her this mor­ning, do­es it?’

    I still stay qu­i­et. I’m re­li­eved when, at long last, so­met­hing dif­fe­rent hap­pens on the news chan­nel. The usu­al pre­sen­ters be­hind the­ir ex­pen­si­ve-lo­oking desk ha­ve sud­denly di­sap­pe­ared and we’re now watc­hing a ro­und tab­le dis­cus­si­on bet­we­en fo­ur pe­op­le who are pro­bably all po­li­ti­ci­ans or ex­perts in so­me fi­eld or ot­her. They’ve al­re­ady be­en tal­king for a co­up­le of mi­nu­tes so we’ve mis­sed the int­ro­duc­ti­ons.

    ‘What are they go­ing to be ab­le to tell us?’ I grumb­le. ‘How can the­se pe­op­le be ex­perts if no-one knows what’s hap­pe­ning yet?’

    ‘Just shut up so we can lis­ten,’ Liz­zie sighs.

    I can’t help be­ing scep­ti­cal. The who­le set-up re­minds me of the start of that film ‘Dawn of the De­ad’ whe­re the vi­ews of anot­her so-cal­led ex­pert are rip­ped apart by a non-be­li­eving TV pre­sen­ter. I know we’re not de­aling with a zom­bie apo­calyp­se he­re but the way the­se pe­op­le are tal­king to each ot­her ma­kes it fe­el eerily si­mi­lar. No-one’s bac­king up what they say with any facts. No-one has anyt­hing to of­fer ot­her than half-ba­ked the­ori­es and ide­as. No-one se­ems to be­li­eve what an­yo­ne el­se is sa­ying.

    ‘The po­li­ce for­ce is al­re­ady ope­ra­ting at full stretch and our hos­pi­tals are strug­gling to co­pe with the inc­re­ase in inj­uri­es,’ a grey-ha­ired lady is sa­ying. ‘The si­tu­ati­on must be bro­ught un­der cont­rol so­on or we will not ha­ve the ca­pa­city to re­act. If this si­tu­ati­on con­ti­nu­es in­de­fi­ni­tely and at the ra­te of inc­re­ase we’re pre­sently se­e­ing we’ll be in dan­ger of re­ac­hing sa­tu­ra­ti­on po­int whe­re we simply will not be ab­le to de­al with what’s hap­pe­ning.’

    ‘But what is hap­pe­ning?’ so­me­one fi­nal­ly asks. It’s a mid­dle-aged man. I think he’s a doc­tor. Not su­re if he’s a me­dic or a shrink. ‘Su­rely our pri­ority must be to iden­tify the ca­use and re­sol­ve that first.’

    ‘I think with this si­tu­ati­on the ca­use and the ef­fect are one and the sa­me,’ a small, bal­ding man (who, I be­li­eve, is a fa­irly se­ni­or po­li­ti­ci­an) says. ‘Pe­op­le are re­ac­ting to what they see on the stre­ets, and the­ir re­ac­ti­ons are ma­king the si­tu­ati­on ap­pe­ar far wor­se than it ac­tu­al­ly is.’

    ‘See,’ I say, nud­ging Liz.

    ‘Shh…’ she his­ses.

    ‘Do you se­ri­o­usly be­li­eve that?’ the ot­her man chal­len­ges. ‘Do you re­al­ly be­li­eve that any of this is hap­pe­ning pu­rely as a re­sult of the vi­olen­ce we’ve al­re­ady se­en?’

    ‘The vi­olen­ce is a by-pro­duct,’ the grey-ha­ired lady says.

    ‘The vi­olen­ce is part and par­cel of the prob­lem,’ the po­li­ti­ci­an ar­gu­es. ‘The vi­olen­ce is the prob­lem. On­ce we’ve res­to­red or­der we can start to…’

    ‘The vi­olen­ce is a by-pro­duct,’ the grey-ha­ired lady says aga­in, an­no­yed that she’s be­en in­ter­rup­ted. ‘You’re right in as far as the­re is a hu­ge ele­ment of copy­cat vi­olen­ce, but the vi­olen­ce is not the ca­use. The­re’s an un­derl­ying re­ason for what’s hap­pe­ning which ne­eds to be iden­ti­fi­ed be­fo­re…’

    ‘There’s no evi­den­ce to sug­gest that’s the ca­se,’ the po­li­ti­ci­an says qu­ickly.

    ‘There’s no pub­lis­hed evi­den­ce to sug­gest that’s the ca­se,’ the mid­dle-aged man snaps, ‘but how much un­pub­lis­hed in­for­ma­ti­on is be­ing with­held? This is unp­re­ce­den­ted. With an es­ca­la­ti­on in tro­ub­le of this sca­le the­re has to be an iden­ti­fi­ab­le ca­use, do­esn’t the­re? For this to be hap­pe­ning in­de­pen­dently in so many dif­fe­rent ge­og­rap­hi­cal re­gi­ons the­re has to be an iden­ti­fi­ab­le ca­use.’

    ‘If you lo­ok at what we’ve se­en over the last few days,’ the po­li­ti­ci­an says, sha­king his he­ad, ‘the­re has be­en a ste­ady inc­re­ase in the re­cor­ded le­vels of vi­olen­ce aro­und ma­j­or ci­ti­es whe­re the­re are high po­pu­la­ti­on le­vels. This is wholly ex­pec­ted. With si­tu­ati­ons li­ke this the mo­re pe­op­le who are con­cent­ra­ted in a par­ti­cu­lar ge­og­rap­hic area, the mo­re li­kely it is that tro­ub­le will de­ve­lop the­re...’

    I stop lis­te­ning. I sen­se that this bu­re­a­uc­rat is la­unc­hing in­to so­me pre-arran­ged spi­el in which he’ll no do­ubt deny all co­ver-ups and hid­den agen­das. This so­unds li­ke mo­re bul­lshit. The ot­her pe­op­le ta­king part in the de­ba­te chal­len­ge him but, alt­ho­ugh he squ­irms and strug­gles to ke­ep cont­rol, he ul­ti­ma­tely re­ma­ins tight-lip­ped. I get the fe­eling that this prog­ram­me might ha­ve be­en ar­ran­ged as a pub­lic re­la­ti­ons exer­ci­se but it’s fa­iling mi­se­rably. The po­li­ti­ci­an’s une­ase and the way he’s bla­tantly avo­iding the qu­es­ti­ons pe­op­le are put­ting to him me­ans one of two things. Eit­her the go­vern­ment knows full well what’s hap­pe­ning and is simply cho­osing not to tell the pub­lic, or the aut­ho­ri­ti­es ge­nu­inely don’t ha­ve a clue. Both al­ter­na­ti­ves are equ­al­ly frigh­te­ning.

    Twenty mi­nu­tes mo­re of the news chan­nel and my eyes are star­ting to clo­se. The de­ba­te is over and the he­ad­li­nes are back on. They say that the mi­li­tary may be draf­ted in to help ma­in­ta­in law and or­der if the po­li­ce do be­co­me over-stretc­hed as the grey-ha­ired pa­nel­list sug­ges­ted in the de­ba­te ear­li­er. They al­so say that the prob­lem is lar­gely li­mi­ted to ma­j­or ci­ti­es and the­re are, as yet, no re­ports of it spre­ading to ot­her co­unt­ri­es. Most wor­ryingly of all, the­re’s talk of an af­ter-dark cur­few and ot­her rest­ric­ti­ons be­ing int­ro­du­ced to ke­ep pe­op­le off the stre­ets and out of each ot­her’s fa­ces.

    It’s what isn’t be­ing sa­id that bot­hers me. I’m just con­cer­ned that no-one se­ems to ha­ve a clue what’s go­ing on.

    

    

TUESDAY

vi

    

    Jeremy Pe­ar­son felt li­ke he was abo­ut to be sick. He’d be­en okay when he’d be­en prep­ped for the ope­ra­ti­on, but now he was ac­tu­al­ly lying on the tab­le in the ope­ra­ting the­at­re with pe­op­le crow­ding aro­und him and mac­hi­nes be­eping and buz­zing and that hu­ge ro­und light han­ging over him he was be­gin­ning to fe­el na­use­o­us and fa­int. I sho­uld ha­ve go­ne for the ge­ne­ral ana­est­he­tic not a lo­cal, he tho­ught to him­self as Dr Pa­ne­sar the sur­ge­on wal­ked to­wards him. I’m pa­ying eno­ugh for this ope­ra­ti­on as it is, a ge­ne­ral ana­est­he­tic wo­uldn’t ha­ve cost that much mo­re…

    ‘Okay, Mr Pe­ar­son,’ he sa­id thro­ugh his gre­en cloth fa­ce­mask, ‘how are you fe­eling?’

    ‘Not too go­od,’ Pe­ar­son mumb­led, too af­ra­id to mo­ve. He ten­sed his body un­der­ne­ath the she­et and gown which co­ve­red him.

    ‘This won’t ta­ke too long,’ Dr Pa­ne­sar exp­la­ined, ig­no­ring his pa­ti­ent’s ner­ves. ‘You’re the fo­urth va­sec­tomy I’ve do­ne to­day and no­ne of them ha­ve las­ted much lon­ger than half an ho­ur so far. We’ll ha­ve you out of he­re be­fo­re you know it.’

    Pearson didn’t res­pond. He was fe­eling fa­int. May­be it was the he­at in the the­at­re or was it just the tho­ught of what was abo­ut to hap­pen that was ma­king him fe­el li­ke this? Was this nor­mal? Was he ha­ving a re­ac­ti­on to the ana­est­he­tic they’d used to numb the fe­eling in his balls?

    ‘I don’t fe­el…’ he tri­ed to say to the fe­ma­le nur­se who sto­od next to him, hol­ding on­to his arm. She lo­oked down and, se­e­ing that he was strug­gling, slip­ped an oxy­gen mask over his fa­ce.

    ‘You’ll be fi­ne,’ she so­ot­hed. ‘Ha­ve a bit of air and try and think abo­ut so­met­hing el­se.’

    Pearson tri­ed to ans­wer but his words we­re muf­fled un­der the mask. How can I think abo­ut so­met­hing el­se when so­me­one’s abo­ut to cut in­to my balls?

    ‘Do you fol­low cric­ket?’ an ol­der ma­le nur­se on his ot­her si­de as­ked. Pe­ar­son nod­ded. ‘Ha­ve you se­en the to­ur re­port to­day? We’re not do­ing too badly by all ac­co­unts.’

    The oxy­gen was be­gin­ning to ta­ke the ed­ge off his na­usea. That’s bet­ter. Star­ting to fe­el mo­re re­la­xed now…

    ‘Okay, Mr Pe­ar­son,’ Dr Pa­ne­sar sa­id brightly, lo­oking up from the area of the ope­ra­ti­on. ‘We’re re­ady to start now. I exp­la­ined what I’m go­ing to do in cli­nic, didn’t I? This is a very small pro­ce­du­re. I’ll just be ma­king two in­ci­si­ons, one on eit­her si­de of yo­ur scro­tum, okay?’

    Pearson nod­ded. I don’t want to know what you’re do­ing, he tho­ught, just blo­ody well get on with it.

    ‘You fe­eling a bit bet­ter now?’ the fe­ma­le nur­se as­ked, gently stro­king the back of his hand. He nod­ded aga­in and she re­mo­ved the oxy­gen mask. He co­uld fe­el the sur­ge­on wor­king now. Alt­ho­ugh his ge­ni­tals we­re ana­est­he­ti­sed, he co­uld still fe­el mo­ve­ment aro­und his legs and oc­ca­si­onal­ly so­me­one brus­hed aga­inst the tips of his to­es stic­king out over the end of the ope­ra­ting tab­le. Mo­re na­usea. He was star­ting to fe­el sick aga­in. Christ, think of so­met­hing to ta­ke yo­ur mind off this, he si­lently scre­amed to him­self. He tri­ed to fill his he­ad with ima­ges and tho­ughts - the child­ren, his wi­fe Emily, the ho­li­day they’d bo­oked for a few we­eks ti­me, the new car he’d pic­ked up last we­ek… anyt­hing. As hard as he tri­ed he still co­uldn’t for­get the fact that so­me­one was cut­ting in­to his scro­tum with a scal­pel.

    Is this how I’m sup­po­sed to fe­el, Pe­ar­son tho­ught? I’m cold. I don’t fe­el right. Sho­uld it be li­ke this or is so­met­hing go­ing wrong?

    ‘Don’t fe­el right…’ he mumb­led. The nur­se lo­oked down and slam­med the oxy­gen mask on his fa­ce aga­in. The sud­den mo­ve­ment ma­de Dr Pa­ne­sar lo­ok up.

    ‘Everything okay up the­re?’ he as­ked, his vo­ice ar­ti­fi­ci­al­ly bright and ani­ma­ted. ‘You all right Mr Pe­ar­son?’

    ‘He’s fi­ne,’ the nur­se rep­li­ed, her vo­ice equ­al­ly ar­ti­fi­ci­al­ly tro­ub­le-free, ‘a lit­tle light-he­aded, that’s all.’

    ‘Nothing to worry abo­ut,’ the sur­ge­on sa­id as he to­ok a step aro­und the ed­ge of the tab­le and lo­oked in­to his pa­ti­ent’s fa­ce. Pe­ar­son’s wi­de, frigh­te­ned eyes we­re dan­cing aro­und the ro­om, squ­in­ting in­to the bright lights which sho­ne down over his pro­ne body. Dr Pa­ne­sar stop­ped and sta­red at him.

    ‘Dr Pa­ne­sar?’ the nur­se as­ked.

    Nothing.

    ‘Is everyt­hing all right, Dr Pa­ne­sar?’

    Panesar stumb­led back to the ot­her end of the tab­le, his eyes still fi­xed on Pe­ar­son’s fa­ce.

    ‘You okay, Dr Pa­ne­sar?’ his sur­gi­cal as­sis­tant as­ked. No res­pon­se. ‘Dr Pa­ne­sar,’ he as­ked aga­in, ‘are you okay?’

    Panesar tur­ned to lo­ok at his col­le­ague and then tigh­te­ned the grip on the scal­pel in his hand. Cro­uc­hing back down aga­in he slas­hed ac­ross Pe­ar­son’s ex­po­sed ge­ni­tals and se­ve­red his tes­tic­les and scro­tal sac. Blo­od be­gan to spill and spurt over the ope­ra­ting tab­le from sli­ced ve­ins and ar­te­ri­es.

    ‘What the hell are you do­ing?’ the sur­gi­cal as­sis­tant de­man­ded. He pus­hed Pa­ne­sar out of the way and mo­ved to grab his hand and wrest­le the scal­pel from him. De­li­ri­o­us with fe­ar, Pa­ne­sar tur­ned and sli­ced the man with the bla­de, cut­ting him open in a di­ago­nal li­ne down from his right sho­ul­der.

    Panic erup­ted in the ope­ra­ting the­at­re. The staff scat­te­red as the sur­ge­on lun­ged to­wards them. Pe­ar­son lay help­les­sly on the ope­ra­ting tab­le, tur­ning his he­ad des­pe­ra­tely from si­de to si­de, trying to see what was hap­pe­ning aro­und him. Co­ve­red in blo­od and still bran­dis­hing the scal­pel Pa­ne­sar fled from the ro­om. Pe­ar­son watc­hed him run. What the hell was go­ing on? Christ, he sud­denly felt stran­ge. He felt cold and shaky but his legs felt warm. And why we­re pe­op­le pa­nic­king? Why all the sud­den mo­ve­ment? Why had the nur­ses go­ne to the ot­her end of the tab­le and whe­re was all that blo­od co­ming from?

    Still ana­est­he­ti­sed and ob­li­vi­o­us and ig­no­rant both to the pan­de­mo­ni­um which was ra­pidly spre­ading thro­ugh the pri­va­te hos­pi­tal and the fact that he was ra­pidly ble­eding to de­ath, Pe­ar­son lo­oked up in­to the light and tri­ed to think of anyt­hing but the fact that his sur­ge­on had just di­sap­pe­ared in the mid­dle of his va­sec­tomy.

    

    

12

    

    There’s a stran­ge at­mosp­he­re everyw­he­re to­day. Ever­yo­ne se­ems to be on ed­ge. No-one se­ems cer­ta­in abo­ut anyt­hing any­mo­re. Every­body se­ems to be thin­king twi­ce abo­ut everyt­hing they do and wor­rying mo­re than nor­mal abo­ut what ever­yo­ne el­se is do­ing. Our or­di­nary li­ves and the day to day ro­uti­ne sud­denly fe­el mo­re comp­li­ca­ted than they did be­fo­re and yet I’m still not even su­re if anyt­hing’s ac­tu­al­ly chan­ged.

    I had a pho­ne call from Liz­zie just af­ter I’d be­en out for my lunch bre­ak to­day. We had an ap­po­int­ment to ta­ke Josh for a hos­pi­tal check-up this af­ter­no­on and, with everyt­hing that hap­pe­ned at scho­ol yes­ter­day, we’d both for­got­ten abo­ut it. He fell off a cha­ir at playg­ro­up three we­eks ago and cut his he­ad open. The ap­po­int­ment was just to ma­ke su­re that everyt­hing had he­aled pro­perly and that he was fit and well. Liz­zie had al­so for­got­ten to tell Harry that scho­ol was clo­sed. He ar­ri­ved on the do­ors­tep at eight this mor­ning ex­pec­ting to be lo­oking af­ter Josh as usu­al. Liz ar­ran­ged for him to dri­ve her and Josh in­to town, then ta­ke El­lis and Ed back ho­me. I sa­id I’d me­et them at the hos­pi­tal and we’d tra­vel ho­me to­get­her af­ter he’d se­en the doc­tor. I ma­na­ged to con­vin­ce Ti­na Mur­ray that I ne­eded to be at the ap­po­int­ment too. For on­ce she bo­ught my story wit­ho­ut put­ting up much of a fight.

    Despite trying to ma­ke a qu­ick ge­ta­way I was la­ter get­ting away from the of­fi­ce than I sho­uld ha­ve be­en (I stop­ped to chat to so­me­one) and it’s ta­ken me ages to get ac­ross town. Josh’s ap­po­int­ment was at three o’clock - three-qu­ar­ters of an ho­ur ago. Still, hos­pi­tals are al­ways be­hind and with everyt­hing that’s go­ing on the­re’s bo­und to be mo­re de­lays than usu­al to­day. I bet he hasn’t even go­ne in to see the doc­tor yet. I walk qu­ickly down the slo­ping path which cuts thro­ugh the car park. The hos­pi­tal lo­oks busy. The af­ter­no­on is dull and dark and bright yel­low light shi­nes out from the bu­il­ding’s co­unt­less win­dows. It’s a blo­ody grim pla­ce. I wo­uldn’t want to ha­ve to stay he­re for...

    ‘Danny!’

    Who the hell was that? I turn aro­und and see Liz­zie wal­king to­wards me with Josh in his pushc­ha­ir.

    ‘You okay?’ I ask, con­fu­sed.

    ‘Where’ve you be­en?’

    ‘I co­uldn’t get he­re any ear­li­er,’ I ans­wer, lying thro­ugh my te­eth. ‘Ha­ve you only just got he­re?’

    She sha­kes her he­ad.

    ‘You’re joking, aren’t you? We’ve al­re­ady be­en in.’

    ‘What, he’s had his ap­po­int­ment?’

    ‘It was bo­oked for three o’clock. It’s a go­od job you we­ren’t ta­king him.’

    ‘I know but...’

    ‘We’ve be­en wa­iting for you for the last twenty mi­nu­tes. We we­re in and out in se­conds. They rus­hed us thro­ugh.

    ‘I’m sorry, I...’

    She sha­kes her he­ad aga­in and starts to push Josh up the hill back to­wards the ma­in ro­ad.

    ‘Doesn’t mat­ter,’ she mumb­les. Christ, she’s in a bad mo­od.

    ‘And is everyt­hing okay?’ I ask, ha­ving to sho­ut af­ter her as she storms away. ‘Is Josh all right?’

    ‘He’s fHe’s fi­ne,’ she grunts back over her sho­ul­der.

    The af­ter­no­on go­es from bad to wor­se. Liz­zie’s tal­king to me aga­in now but she’s still not happy. Ne­it­her am I. We’ve wal­ked back ac­ross town to the sta­ti­on but the­re’s be­en a prob­lem with the li­nes and our tra­in has be­en can­cel­led. We can’t get Harry to col­lect us (the­re isn’t eno­ugh ro­om in the car) so the only op­ti­on left is a long jo­ur­ney ho­me on three bu­ses. Liz has just pho­ned Harry and told him we’ll be la­te back. By all ac­co­unts he’s not at all imp­res­sed.

    The wor­king day is dra­wing to a clo­se. The light is fa­ding and tho­se of­fi­ce wor­kers who fi­nish at fo­ur o’clock are al­re­ady star­ting to crowd on­to the stre­ets. We ne­ed to get out of town qu­ickly or we’ll get ca­ught up in the ma­in rush ho­ur crush.

    ‘Which bus?’ Liz­zie asks, ha­ving to sho­ut to ma­ke her­self he­ard over the traf­fic.

    ‘The 220,’ I ans­wer from just be­hind her. I’m pus­hing Josh now and we se­em to be mo­ving in the op­po­si­te di­rec­ti­on to al­most every ot­her pe­dest­ri­an. It’s hard to ke­ep mo­ving for­ward in a stra­ight li­ne. ‘The stop’s just up he­re.’

    Our stop is half­way down a one-way stre­et. Liz­zie ducks in­to the shel­ter and I fol­low. Josh is mo­aning. He’s cold and hungry.

    ‘Look, I’m sorry I didn’t ma­ke it to the hos­pi­tal on ti­me,’ I say. ‘Things are dif­fi­cult at the mo­ment. You know what it’s li­ke when...’

    ‘Doesn’t mat­ter,’ she in­ter­rupts, ob­vi­o­usly not in­te­res­ted in my exp­la­na­ti­ons.

    I pe­er down the stre­et as a bus ap­pe­ars. I ho­pe­ful­ly squ­int in­to the dis­tan­ce to ma­ke out the num­ber but it’s not ours. I slump in­to the shel­ter aga­in.

    ‘So what did the doc­tor say?’

    ‘Nothing much. We we­re in and out in fi­ve mi­nu­tes. His he­ad’s he­aled as it sho­uld ha­ve and the­re’s no las­ting da­ma­ge. He’ll ha­ve a small scar but it’ll be hid­den by his ha­ir.’

    ‘That’s go­od,’ I say, lo­oking down at Josh who, so­me­how, now lo­oks li­ke he’s abo­ut to fall as­le­ep. ‘It’s a re­li­ef. You can ne­ver be su­re when they hurt them­sel­ves li­ke that...’

    I stop tal­king when a sud­den stam­pe­de of fo­ots­teps thun­ders past the bus stop. A gro­up of six men are cha­sing af­ter a sing­le sha­ven-he­aded fi­gu­re who is des­pe­ra­tely trying to get away. He’s we­aring je­ans and a whi­te T-shirt which is co­ve­red in blo­od. Two of the men bar­ge past us and al­most knock Liz­zie over.

    ‘Watch whe­re you’re go­ing you fuc­king idi­ots!’ I sho­ut af­ter them. I im­me­di­ately reg­ret ope­ning my mo­uth. Liz­zie gla­res at me. Thank­ful­ly both of the men ke­ep run­ning and ne­it­her of them re­acts.

    The man they’re all cha­sing sprints in­to the stre­et and runs im­me­di­ately in­to the path of a ta­xi which blasts its horn and flas­hes its lights at him. The dri­ver swer­ves and skids to a halt and so­me­how ma­na­ges to avo­id a col­li­si­on. The man pus­hes him­self away off the bon­net of the ta­xi and turns and starts to run down the mid­dle of the ro­ad. But the slight de­lay is his down­fall and the gro­up of men fol­lo­wing are on­to him li­ke wild ani­mals cha­sing down the­ir prey. My he­art is in my mo­uth. The rest of the world se­ems to ha­ve stop­ped still.

    The ne­arest of the cha­sing pack re­ac­hes out and ma­na­ges to grab hold of the man’s sle­eve. With a sing­le strong yank he pulls the des­pe­ra­te fi­gu­re back­wards. He trips over his own fe­et and falls in a crump­led he­ap on the dot­ted whi­te li­ne in the mid­dle of the ro­ad.

    ‘Fucking scum,’ I he­ar one of the ot­her men sho­ut. ‘You fuc­king Ha­ter scum.’

    They en­circ­le the lo­ne run­ner and bat­ter him. They kick and hit him re­lent­les­sly. I lo­ok at Liz­zie and she sta­res back at me, her eyes wi­de with shock and fe­ar. Do­es she ex­pect me to do so­met­hing? The­re’s no way I’m get­ting in­vol­ved. I lo­ok aro­und and see that no-one el­se is do­ing anyt­hing eit­her. The traf­fic has gro­und to a halt and many of the pe­dest­ri­ans on eit­her si­de of the ro­ad ha­ve stop­ped wal­king.

    The be­ating lasts for less than a mi­nu­te. They sur­ro­und him and bat­ter him from every si­de and every ang­le kic­king his fa­ce, his kid­neys, his chest and his bol­locks and stam­ping on his he­ad, his kne­ecaps and his outst­retc­hed hands. On­ce the fren­zi­ed at­tack is over the man’s bre­ath­less as­sa­ilants step back, le­aving the twitc­hing body on the gro­und in full vi­ew. The wa­il of ap­pro­ac­hing si­rens shat­ters the he­avy and omi­no­us si­len­ce. I lo­ok back down the ro­ad and see that a po­li­ce mo­tor­bi­ke is we­aving thro­ugh the sta­ti­onary traf­fic. By the ti­me the po­li­ce of­fi­cer re­ac­hes the body all but one of the at­tac­kers ha­ve di­sap­pe­ared in­to the crowds. The one who re­ma­ins stands his gro­und and sho­uts and scre­ams at the of­fi­cer and po­ints ac­cu­singly at the help­less, bro­ken man on the ro­ad be­fo­re tur­ning and run­ning af­ter the ot­hers. With a bi­zar­re lack of ur­gency, in­te­rest and ca­re the po­li­ce of­fi­cer drags the body away from the mid­dle of the ro­ad and le­aves it in the gut­ter be­fo­re sig­nal­ling to the traf­fic to start mo­ving aga­in.

    The world slowly starts to crank it­self back in­to ac­ti­on.

    Lizzie is hol­ding on­to my arm, grip­ping me so tight that it hurts. I can’t ta­ke my eyes off the dark mo­und at the si­de of the ro­ad. Who was it? What had he do­ne? If he re­al­ly was a Ha­ter then he de­ser­ved everyt­hing he got.

    It se­ems li­ke every ti­me we go out now so­met­hing hap­pens.

    I think back to the te­le­vi­si­on prog­ram­me we watc­hed last night, and then I think abo­ut the ot­her at­tacks I’ve se­en and tho­se I’ve he­ard abo­ut. All that bul­lshit I ca­me out with last night sud­denly se­ems to co­unt for not­hing. The­re is so­met­hing mo­re to this. This isn’t just pa­ra­no­ia or pe­op­le exp­lo­iting the si­tu­ati­on.

    I fe­el sick with ner­ves and fe­ar.

    Who is it go­ing to hap­pen to next? Me? Liz­zie? Harry or one of the kids? So­me­one at work? It co­uld be an­yo­ne.

    

    

13

    

    It’s la­te by the ti­me we fi­nal­ly get ho­me. We’d ex­pec­ted to be back by fi­ve. The­re we­re mo­re traf­fic de­lays on the way out of town. It’s now al­most eight.

    ‘Someone’s in a hurry,’ one of the men from the flat ups­ta­irs says as we pass him on his way out of the apart­ment block. I think this is Gary. He has anot­her man with him who I’ve ne­ver se­en be­fo­re.

    ‘Sorry,’ I mumb­le as I strug­gle to get thro­ugh the ent­ran­ce do­or with Josh’s pushc­ha­ir.

    ‘You all right?’ he asks, ap­pe­aring ge­nu­inely con­cer­ned.

    ‘We’re fi­ne, thanks,’ I ans­wer qu­ickly, not in­te­res­ted in tal­king. I gently push Liz­zie to­wards the flat. The two men le­ave.

    ‘Everything okay?’ Harry asks as I open our front do­or. He’s half­way down the hall as so­on as he he­ars the key in the lock. ‘I’ve be­en wor­ri­ed sick abo­ut you. You co­uld ha­ve pho­ned me aga­in.’

    ‘Sorry, Dad,’ Liz­zie says.

    ‘There was so­me tro­ub­le,’ I exp­la­in.

    ‘What kind of tro­ub­le?’

    Liz ta­kes off her co­at and sha­kes her he­ad. She wi­pes her eyes.

    ‘I don’t know what’s go­ing on out the­re,’ she sighs, her vo­ice qu­i­et and emo­ti­onal. ‘It fe­els li­ke the who­le world’s go­ing mad.’

    ‘So what hap­pe­ned?’ he asks, lo­oking from Liz­zie to me and then back aga­in for an ans­wer. ‘Are you both all right? Did you…?’

    ‘We’re okay,’ she says we­arily as she gently pus­hes him back down the cor­ri­dor to­wards the li­ving ro­om. Josh is still as­le­ep. I ca­re­ful­ly un­buck­le his straps, ta­ke off his co­at and pick him up out of the pushc­ha­ir.

    ‘What hap­pe­ned?’ Harry asks aga­in as I fol­low him and Liz in­to the li­ving ro­om. I stop and qu­ickly lo­ok in­to the child­ren’s bed­ro­oms. Ed’s lying on his bed re­ading. El­lis’ ro­om is empty.

    ‘We wal­ked down to Ped­mo­re Row to catch the bus,’ I tell him. ‘Gro­up of blo­kes ca­me out of now­he­re and star­ted kic­king hell out of this guy. He was a Ha­ter. Whe­re’s El­lis?’

    Harry nods to­wards the li­ving ro­om. I pe­er over the back of the so­fa and I’m re­li­eved to see her cur­led up in a ball as­le­ep with her gran­dad’s jum­per dra­ped over her sho­ul­ders. She lo­oks pe­ace­ful and re­la­xed. The ro­om is qu­i­et and dark and the only light co­mes from the flic­ke­ring TV in the cor­ner.

    ‘She wo­uldn’t go to bed,’ he exp­la­ins, stan­ding and watc­hing her with me. ‘Kept as­king whe­re you two we­re. I let her stay with me for a whi­le. I knew she’d fall as­le­ep even­tu­al­ly.’

    Liz cro­uc­hes down in front of El­lis and brus­hes a strand of ha­ir away from her fa­ce.

    ‘I’ll ta­ke her back to bed,’ she whis­pers as she ca­re­ful­ly sli­des her arms un­der­ne­ath her and lifts her up. El­lis mumb­les and shuf­fles but she do­esn’t wa­ke up. Harry and I watch as she car­ri­es her away. Harry then walks aro­und and sits down in the mid­dle of the so­fa whe­re he’s pro­bably be­en sit­ting all eve­ning. I lay Josh down on my lap.

    ‘So tell me aga­in,’ he says qu­i­etly, ‘what exactly did hap­pen?’

    I sit down next to him and kick off my sho­es.

    ‘I don’t know any mo­re than what I’ve al­re­ady told you. A gro­up of blo­kes lynched a Ha­ter, that’s all. Evil bas­tard pro­bably de­ser­ved everyt­hing he got. Then the bus was la­te and a ro­ad was clo­sed and…’

    Harry nods his he­ad, sighs and rubs his eyes. He lo­oks ti­red.

    ‘I don’t know what’s go­ing on out the­re,’ he says qu­i­etly. ‘Anyway, I’m glad you’re back. I had a fe­eling you might ha­ve so­me tro­ub­le to­night.’ I’m abo­ut to ask him what he me­ans when he grabs the re­mo­te cont­rol and turns up the vo­lu­me on the TV. ‘Be­en watc­hing the news sin­ce the child­ren’s prog­ram­mes fi­nis­hed,’ he exp­la­ined. ‘Things are get­ting out of cont­rol.’

    I turn my at­ten­ti­on from Harry to the TV. The­re’s be­en no let up in the le­vel of tro­ub­le ac­ross the co­untry. On the news they’re tal­king abo­ut an ‘expo­nen­ti­al inc­re­ase in in­ci­dents’. Mat­he­ma­tics was ne­ver my stron­gest su­bj­ect at scho­ol but I know what they me­an. One in­ci­dent be­co­mes two, two be­co­mes fo­ur, fo­ur be­co­mes eight and it go­es on and on un­til… Jesus, whe­re’s this go­ing to end?

    There’s a de­fi­ni­te chan­ge in the way the re­por­ters on TV are tal­king abo­ut what’s hap­pe­ning to­night. They’re con­cent­ra­ting on the pe­op­le - the so-cal­led Ha­ters - who se­em to be at the ro­ot of all the tro­ub­les. They’re stres­sing that it’s only a very small mi­no­rity who ha­ve be­en af­fec­ted but they’re war­ning the pub­lic to stay away from an­yo­ne who ap­pe­ars to be be­ha­ving er­ra­ti­cal­ly. Blo­ody hell, that’s half the po­pu­la­ti­on of this town on a go­od day.

    ‘It’s li­ke a di­se­ase,’ Harry says. ‘Crazy, isn’t it? It’s spre­ading just li­ke a di­se­ase.’

    ‘Someone bet­ter hurry up and find a cu­re then,’ I mut­ter un­der my bre­ath, still sta­ring at the scre­en.

    ‘They ke­ep sa­ying that all of this is down to just a few pe­op­le, you know,’ he con­ti­nu­es, re­pe­ating what I’ve al­re­ady he­ard. ‘When it gets them, wha­te­ver it is, it dri­ves them mad. They had so­me doc­tor on tal­king abo­ut it ear­li­er. It’s the first few mi­nu­tes you ha­ve to watch out for.’

    ‘What?’ I mumb­le, only half-lis­te­ning.

    ‘When it gets them they lo­se cont­rol, li­ke that chap you saw to­night I ex­pect. They just lash out at who­ever or wha­te­ver’s aro­und them. Then they say they start to calm down. They’re still ca­pab­le of do­ing the­se things, but they’re not qu­ite so vo­la­ti­le.’

    What is he tal­king abo­ut?

    ‘What do you me­an, not qu­ite so vo­la­ti­le?’ I ask him. ‘Are you sa­ying they’ll only do eno­ugh to hos­pi­ta­li­se you and not kill you?’

    ‘I’m only tel­ling you what I’ve he­ard,’ he sighs. ‘I won’t bot­her if you’re go­ing to be li­ke that.’

    I sha­ke my he­ad and lo­ok back at the TV. The scre­en is fil­led with ima­ges of con­voys of tro­ops dri­ving in­to a city cent­re so­mew­he­re. Not su­re whe­re it is but it’s now­he­re I re­cog­ni­se. The re­por­ters are tal­king abo­ut the po­li­ce and ar­med for­ces be­ing used to full ca­pa­city and I think back to the TV de­ba­te we watc­hed last night. Ha­ve we re­ac­hed the sa­tu­ra­ti­on po­int they we­re tal­king abo­ut yet? The vo­ices on the TV are ta­king gre­at pa­ins to stress that, alt­ho­ugh stretc­hed, the aut­ho­ri­ti­es are still co­ping. Just. Christ, ima­gi­ne what will hap­pen if this thing gets any big­ger and they can’t co­pe. Blo­ody hell, it do­esn’t ba­re thin­king abo­ut.

    The scre­en shows a stre­am of go­vern­ment sta­tis­tics and I lo­se in­te­rest. I don’t be­li­eve sta­tis­tics. They’re all ma­de up. They can ma­ke sta­tis­tics say wha­te­ver they want.

    ‘Problem is,’ Harry says, ‘they’ve let it get out of cont­rol. This is too lit­tle, too la­te.’

    ‘It?’ I say. ‘What’s ‘it’ sup­po­sed to be?’

    He po­ints at the scre­en.

    ‘The tro­ub­le,’ he ans­wers, ‘the vi­olen­ce… the pe­op­le.’

    The sta­tis­tics ha­ve go­ne and we’re left watc­hing fo­ota­ge of a row of bur­ning ho­uses. Des­pe­ra­te, scre­aming pe­op­le are be­ing held back by a po­li­ce bloc­ka­de. All they can do is watch as the­ir li­ves go up in fla­mes.

    ‘What’s hap­pe­ning,’ he whis­pers sec­re­ti­vely, ‘is pe­op­le are pa­nic­king and over­re­ac­ting to the sligh­test thing be­ca­use of what they’re se­e­ing and what they’re be­ing told. The who­le si­tu­ati­on has be­en al­lo­wed to get out of pro­por­ti­on. Pe­op­le are se­e­ing the de­ath and the dest­ruc­ti­on on the te­le­vi­si­on and it’s ma­king them want to be­co­me a part of it too. It’s li­ke tho­se blo­ody aw­ful hor­ror films that you and Liz­zie watch. They ma­ke you want to do things. They put ide­as in yo­ur he­ad and they ma­ke you think it’s all right to do things. They’re even gi­ving the­se pe­op­le a la­bel now. Cal­ling them ‘Ha­ters’ for God’s sa­ke. They’re gla­mo­ri­sing it. Al­most ma­kes it so­und li­ke a club you’d want to jo­in, do­esn’t it?’

    He’s sa­ying the sa­me kind of things I was sa­ying just yes­ter­day. But I’ve al­re­ady be­gun to ac­cept that I was wrong, and when I lo­ok at the TV scre­en to­night I’m even mo­re su­re that I’d mi­sj­ud­ged the si­tu­ati­on badly when I was ramb­ling last night. The she­er sca­le of what’s hap­pe­ning is re­al­ly be­gin­ning to sca­re me now. They ke­ep tal­king abo­ut small mi­no­ri­ti­es but tho­usands, pos­sibly even tens of tho­usands of pe­op­le are in­vol­ved in this vi­olen­ce. Hund­reds of li­ves are af­fec­ted by every in­ci­dent in so­me way. Yo­ung, old, ma­le, fe­ma­le… pe­op­le from every sec­ti­on of so­ci­ety are in­vol­ved. This is far mo­re than just pa­ra­no­ia. This is mo­re than the me­dia stir­ring things up.

    ‘I don’t want to jo­in any club,’ I tell him, ‘and no-one’s put any ide­as in my he­ad. I ha­ven’t star­ted any fights. I’m no mo­re go­ing to go out and at­tack an­yo­ne than you or Liz­zie are.’

    ‘I know that. We’ve got ma­tu­rity and com­mon-sen­se on our si­de tho­ugh, ha­ven’t we? We know the dif­fe­ren­ce bet­we­en right and wrong. We know what’s ac­cep­tab­le and what isn’t.’

    ‘Are you trying to say that ever­yo­ne who’s be­en af­fec­ted by this is just im­ma­tu­re? Co­me on, Harry, do you re­al­ly think…’

    ‘There are plenty of pe­op­le out the­re who co­uldn’t gi­ve a damn abo­ut right or wrong,’ he con­ti­nu­es, ig­no­ring me. ‘The­re are pe­op­le who get a kick out of ca­using tro­ub­le, and put­ting it on the te­le­vi­si­on li­ke this has just ma­de things wor­se. By sho­wing it they’re sa­ying it’s all right, that it’s ac­cep­tab­le.’

    ‘Bullshit! They’re not sa­ying that at all…’

    ‘They’re impl­ying that be­ca­use so many pe­op­le are in­vol­ved now, an­yo­ne left might as well jo­in in.’

    ‘Bullshit!’ I say aga­in.

    ‘There’s no ne­ed to swe­ar at me,’ he snaps.

    ‘You’re so wrong,’ I try to exp­la­in. ‘It’s got not­hing to do with…’

    ‘And that’s just the kind of thing I’m tal­king abo­ut,’ he con­ti­nu­es, ra­ising his vo­ice and still not lis­te­ning to any of what I’m trying to say. ‘Thirty ye­ars ago you’d ne­ver ha­ve used that kind of lan­gu­age in every­day con­ver­sa­ti­on. Now every ot­her word you he­ar is a cur­se. Stan­dards ha­ve slip­ped and that is what’s hap­pe­ning out the­re on the stre­ets.’

    For a mo­ment I can’t ans­wer. The old man has sud­denly be­co­me very agi­ta­ted. His fa­ce is flus­hed red with an­ger and a ter­rif­ying tho­ught flas­hes in­to my mind. Is he a Ha­ter? Is he abo­ut to chan­ge? Is he go­ing to be­co­me li­ke tho­se pe­op­le we’ve se­en on TV? Is he abo­ut to at­tack me? Sho­uld I at­tack him first be­fo­re he has chan­ce to get me? Is this how it be­gins…?

    ‘No-one has any res­pect for anyt­hing or an­yo­ne el­se any­mo­re,’ he con­ti­nu­es. ‘It’s a blo­ody disg­ra­ce. It’s be­en co­ming for ye­ars. Be­fo­re you know it we’ll ha­ve to­tal anarchy and you’ll see…’

    ‘I know what you’re trying to say, Dad,’ Liz­zie in­ter­rupts, re­tur­ning to the ro­om, ‘but I don’t ag­ree. Danny and I had this con­ver­sa­ti­on last night, didn’t we? I’ve ne­ver se­en anyt­hing li­ke the things I’ve se­en over the last few days. I’ve se­en plenty of tro­ub­le be­fo­re, but ne­ver anyt­hing li­ke this.’

    I re­lax. Liz’s sud­den ar­ri­val se­ems to ha­ve cal­med the si­tu­ati­on. The an­ger in Harry’s fa­ce has go­ne.

    ‘What do you me­an? What’s dif­fe­rent?’ he asks. Liz stands in the do­or­way and thinks for a few se­conds.

    ‘Out the­re to­night, af­ter they’d be­aten that man, you co­uld al­most tas­te it in the air.’

    ‘Taste what?’ I won­der.

    ‘The fe­ar,’ she rep­li­es. ‘Pe­op­le are sca­red. Pe­op­le are al­re­ady star­ting to ex­pect tro­ub­le and they’re ten­sing up re­ady for it. And when it hap­pens they re­act, most of the ti­me comp­le­tely out of cha­rac­ter from what I’ve se­en. I don’t know what’s ca­using any of this, Dad, but I do know the­re has to be a de­fi­ni­te, physi­cal re­ason for it. Pe­op­le are blo­ody frigh­te­ned and the si­tu­ati­on’s get­ting wor­se by the day.’

    ‘Things will start to calm down…’ Harry starts to say ins­tinc­ti­vely. Liz­zie’s sha­king her he­ad.

    ‘No they won’t,’ she says, her vo­ice tremb­ling and uns­te­ady. ‘We watc­hed a gro­up of men lynch a Ha­ter to­night. I don’t know what he’d do­ne, but it co­uldn’t ha­ve be­en any wor­se than the way they re­ta­li­ated. The­re was as much ha­te and an­ger co­ming from them as an­yo­ne el­se.’

    

    

WEDNESDAY

vii

    

    Daryl Evans sat at the back of the top flo­or of the bus as it wo­und its way thro­ugh the stre­ets to­wards the city cent­re. He le­ant aga­inst the win­dow and lo­oked down as he he­aded to­wards the co­un­cil of­fi­ces whe­re he wor­ked and yet anot­her day of grind and gri­ef. He didn’t fe­el li­ke wor­king to­day. May­be he’d try and le­ave af­ter a co­up­le of ho­urs, he tho­ught. May­be he’d tell Ti­na, his su­per­vi­sor, that he didn’t fe­el well and that he ne­eded to go ho­me. With everyt­hing that was hap­pe­ning right now he didn’t think she’d try stop­ping him.

    Evans wasn’t par­ti­cu­larly in­te­res­ted in the rest of the world. He didn’t pay much at­ten­ti­on to anyt­hing that hap­pe­ned out­si­de his im­me­di­ate circ­le of fa­mily and fri­ends. He’d had a go­od night last night and that ma­de it har­der to mo­ti­va­te him­self this mor­ning. He’d spent so­me ti­me with a fri­end he hadn’t se­en for a whi­le. They’d spent the eve­ning drin­king be­er and eating junk fo­od. He still felt blo­ated and a lit­tle hung-over this mor­ning. He’d slept thro­ugh his alarm and then tur­ned the flat up­si­de down lo­oking for his watch. He’d even­tu­al­ly fo­und it un­der his bed but by then he was al­re­ady la­te le­aving for work. He just knew it was go­ing to be one of tho­se days whe­re everyt­hing ta­kes mo­re ef­fort than it sho­uld and not­hing go­es right.

    Evans didn’t ha­ve any ti­me for news and cur­rent af­fa­irs. He didn’t know why the stre­ets we­re qu­i­et this mor­ning or why he’d had to wa­it twi­ce as long as usu­al for a bus which was half-empty. He did no­ti­ce that things felt dif­fe­rent to­day, but he re­al­ly co­uldn’t be bot­he­red to try and work out why.

    There we­re se­ven ot­her pe­op­le on the top flo­or of the bus. Fi­ve of them sat alo­ne, qu­i­et and tho­ught­ful, watc­hing the grey and damp mor­ning out­si­de. A co­up­le sat to­get­her to­wards the front, la­ug­hing and joking with each ot­her and ma­king mo­re no­ise than the rest of the pas­sen­gers com­bi­ned. Evans sat right at the back and watc­hed them all. The in­si­de of the bus was ste­aming up with con­den­sa­ti­on. He wi­ped the win­dow cle­an so that he co­uld see how far he’d got left to tra­vel. His sud­den mo­ve­ment ca­ught the at­ten­ti­on of a pen­cil-thin, wiry-ha­ired man sit­ting two rows of se­ats ahe­ad who ner­vo­usly tur­ned ro­und to see what was hap­pe­ning be­hind him.

    Evans ma­de eye con­tact with the ot­her pas­sen­ger and fro­ze.

    The man - qu­i­et, unas­su­ming and not wan­ting any tro­ub­le - qu­ickly tur­ned back and fa­ced the front of the bus aga­in, pra­ying that not­hing was go­ing to hap­pen. It was too la­te. Evans, fil­led with a sud­den un­cont­rol­lab­le fe­ar and com­pul­si­on, jum­ped up and pul­led the ot­her pas­sen­ger out of his cha­ir. He sho­ved him down in­to the ais­le bet­we­en the two rows of se­ats and he lan­ded with a he­avy thump which was lo­ud eno­ugh to be he­ard by ever­yo­ne on the lo­wer flo­or. He lo­oked down at the man who sta­red back up at him pet­ri­fi­ed, his sho­ul­ders wed­ged bet­we­en the se­ats on eit­her si­de. Evans ra­ised his fo­ot and stam­ped on his fa­ce, bre­aking his no­se and split­ting the skin un­der his right eye. Then he stam­ped aga­in, then aga­in and aga­in, fe­eling any re­sis­tan­ce al­most im­me­di­ately fa­de and then fe­eling the man’s bo­nes be­gin­ning to crack be­ne­ath the for­ce of his re­lent­less at­tack.

    The dri­ver lo­oked up in her mo­ni­tor but the rush of top flo­or pas­sen­gers get­ting up from the­ir se­ats and run­ning down the ste­ep sta­ir­ca­se bloc­ked her vi­ew. She bro­ught her bus to a sud­den halt in the mid­dle of a usu­al­ly busy du­al car­ri­age­way ro­ad. A we­ek ago many pe­op­le wo­uld ha­ve tri­ed to do so­met­hing to help, but not to­day. Ter­ri­fi­ed and fe­aring for the­ir own sa­fety they ran as qu­ickly as they co­uld, spil­ling out on­to the stre­et and lo­oking up at the oc­ca­si­onal flas­hes of mo­ve­ment they co­uld see from the blo­ody and vi­olent at­tack which con­ti­nu­ed on the top flo­or.

    Two po­li­ce of­fi­cers who had be­en pat­rol­ling ne­arby we­re in­si­de the bus be­fo­re the last pas­sen­gers had scramb­led out. They clim­bed the sta­irs at spe­ed, ba­tons ra­ised and re­ady. Daryl Evans threw him­self at them. A sing­le well-aimed smash of a trunc­he­on ac­ross the si­de of his he­ad knoc­ked him out cold and he col­lap­sed to the gro­und, fal­ling just inc­hes away from the li­fe­less fe­et of the body of the man he’d just be­aten to de­ath.

    

    

14

    

    Lizzie cal­led me a blo­ody idi­ot for co­ming he­re to­day. She sa­id I was mad go­ing in­to town and now I’m he­re I ha­ve to ag­ree. I wan­ted to stay at ho­me but I had no cho­ice. I’ve had too much ti­me off re­cently. I was dis­cip­li­ned be­ca­use of my ab­sen­ce re­cord a co­up­le of months back and now I don’t get pa­id if I don’t go in. They’ve thre­ate­ned to kick me out if I don’t turn up for work, and no mat­ter how much I ha­te this job I can’t af­ford to lo­se it. May­be I’ll be the only one who turns up to­day. May­be I sho­uld just ta­ke a chan­ce and turn ro­und and go back ho­me any­way. I don’t know what’s wor­se - the tho­ught of sit­ting thro­ugh anot­her dis­cip­li­nary me­eting with Barry Penny and Ti­na or ris­king get­ting ca­ught up in the kind of tro­ub­le we saw he­re last night.

    The stre­ets are qu­i­eter to­day. The­re are still plenty of pe­op­le aro­und but it fe­els mo­re li­ke a Sun­day mor­ning than a Wed­nes­day. Ever­yo­ne is si­lent and sub­du­ed and hardly an­yo­ne is tal­king to an­yo­ne el­se. I un­ders­tand why it’s li­ke this. I don’t want to talk to an­yo­ne eit­her. I don’t want to risk ma­king any con­tact - even just lo­oking at them - if the­re’s a chan­ce tro­ub­le’s go­ing to fla­re up. I ke­ep my he­ad down and my mo­uth shut and I gu­ess that’s what ever­yo­ne el­se is do­ing too.

    This fe­els bi­zar­re. Last night when we we­re co­ming ho­me from the hos­pi­tal and la­ter when I was tal­king to Harry it be­gan to fe­el li­ke the world was fal­ling apart and co­ming to an end. The re­ality this mor­ning fe­els dif­fe­rent. Des­pi­te the qu­i­et and the lack of con­ver­sa­ti­on everyt­hing ap­pe­ars out­wardly nor­mal. It’s hard to be­li­eve the things we’ve se­en and he­ard abo­ut.

    I cross Mil­len­ni­um Squ­are to get to the of­fi­ce. It’s a hu­ge ex­pan­se of block-pa­ving with a hor­rib­le mo­dern fo­un­ta­in stuck right in the mid­dle of it. It’s right in the cent­re of town and pe­op­le cross it from all di­rec­ti­ons to get to whe­re­ver it is they’re sup­po­sed to be go­ing. It’s al­ways busy. Bet­we­en eight o’clock and ni­ne in the mor­ning, mid­day and two in the af­ter­no­on and pretty much any­ti­me af­ter fo­ur o’clock right thro­ugh to the early ho­urs this pla­ce is choc full of pe­op­le. If the­re’s a pla­ce you’d ex­pect so­met­hing to hap­pen, this is it. May­be I sho­uld ha­ve avo­ided it to­day, but that wo­uld ha­ve ad­ded at le­ast anot­her ten mi­nu­tes to my walk to work and I’m run­ning la­te as it is. It lo­oks as if the aut­ho­ri­ti­es are re­ady for tro­ub­le. The­re are mo­re po­li­ce of­fi­cers pat­rol­ling aro­und he­re than I’ve ever se­en on duty be­fo­re and most, if not all of them, are ar­med. That might be nor­mal el­sew­he­re in the world but not he­re. Jesus, se­e­ing of­fi­cers wal­king thro­ugh the crowd with the­ir se­mi-auto­ma­tic we­apons pri­med and re­ady to fi­re ma­kes me re­ali­se just how dan­ge­ro­us and unp­re­dic­tab­le the si­tu­ati­on now is. But su­rely the­ir pre­sen­ce will just add to the prob­lem, not dif­fu­se it?

    My last co­up­le of mi­nu­tes of fre­edom be­fo­re I re­ach the of­fi­ce.

    What is ca­using this to hap­pen? As I walk thro­ugh the si­lent, stony-fa­ced crowds I can’t help but won­der aga­in what’s res­pon­sib­le for all this mad­ness and hyste­ria. What is it that’s tur­ning the world on its he­ad? Has this who­le si­tu­ati­on be­en ma­nu­fac­tu­red by the me­dia as Liz­zie’s dad be­li­eves or is the­re mo­re to it? Has anyt­hing re­al­ly hap­pe­ned at all? Are pe­op­le run­ning sca­red from so­met­hing that do­esn’t even exist? Or is the­re so­met­hing in the wa­ter? Has so­met­hing be­en spra­yed in­to the air by ter­ro­rists? Are we li­ving thro­ugh so­me bi­zar­re ‘Inva­si­on of the Body Snatc­hers’ type sce­na­rio?

    Or is it so­met­hing wor­se than all of that?

    

    Midday.

    Less than half of the staff tur­ned up for work to­day. I’ve tri­ed to ke­ep my he­ad down as much as I can. Ke­eping busy ma­kes the ti­me go fas­ter and I want to­day to pass as qu­ickly as pos­sib­le. I bri­efly spo­ke to Liz an ho­ur or so ago. The scho­ol is clo­sed aga­in. They tri­ed to open this mor­ning but only half the child­ren tur­ned up and even fe­wer staff so Liz­zie is spen­ding anot­her day stuck at ho­me with the kids. They’re dri­ving her crazy but I know she’s hap­pi­er the­re. Wish I was back the­re too.

    The lack of staff to­day me­ans we’re all stretc­hed. Jen­ni­fer Rey­nolds is one of the pe­op­le who hasn’t tur­ned up and that’s me­ant all of us ta­king turns to co­ver Re­cep­ti­on in ho­ur-long shifts. If ever the­re was a day I didn’t want to be out the­re it’s to­day. Even Ti­na’s had to ta­ke a turn. I’ve just fi­nis­hed my shift and Hi­lary Tur­ner has co­me out to re­li­eve me. I li­ke Hi­lary. She’s a so­ur-fa­ced, frosty old spins­ter who’s grossly over­we­ight but she knows who do­es what aro­und he­re and she do­esn’t ta­ke any crap. Un­li­ke most of the ot­her pe­op­le I work with she’s stra­ight and ho­nest. If she’s got a prob­lem with so­met­hing you’ve do­ne then she’ll tell you to yo­ur fa­ce - no­ne of the backs­tab­bing bul­lshit you get from ever­yo­ne el­se. She’s hard as na­ils and I li­ke her all the bet­ter for it.

    ‘It’s be­en qu­i­et,’ I tell her as she wad­dles to­wards me. ‘No-one’s be­en in.’

    ‘That’s the kiss of de­ath,’ she grumb­les as she slumps he­avily in­to the hot-se­at be­hind the desk, ‘they’ll all start drag­ging them­sel­ves in he­re now I’ve co­me out.’

    I’m abo­ut to tell her to shut up and stop be­ing stu­pid when the ma­in do­or fli­es open. She might be right. The­re’s a sud­den flurry of mo­ve­ment as a man storms in­to the bu­il­ding. He’s car­rying a hand­ful of pa­pers which he slams down on­to the desk in front of Hi­lary. She jumps back. This guy is fu­ri­o­us. He’s se­et­hing with an­ger and sud­denly I’m too sca­red to mo­ve. Is he one of them? Is he a Ha­ter?

    ‘Sort this out,’ he scre­ams. ‘Sort this blo­ody mess out now!’

    He slams his fist down on the co­un­ter aga­in. His fa­ce is flus­hed red and he’s bre­at­hing he­avily. He’s over six fo­ot tall and he’s bu­ilt li­ke a blo­ody rugby pla­yer. I sho­uld say so­met­hing to him but I can’t. I’m si­lently wil­ling Hi­lary to spe­ak (she’s usu­al­ly go­od at de­aling with this sort of thing) but she’s struck dumb too.

    ‘You fuc­king pe­op­le ha­ve clam­ped my car,’ he yells. ‘The­re we­re no signs and no mar­kings. This is an ab­so­lu­te fuc­king disg­ra­ce. I’ve mis­sed a me­eting be­ca­use of you pe­op­le...’

    I still can’t mo­ve. He’s still sho­uting but I’ve stop­ped lis­te­ning to what he’s sa­ying. I sta­re in­to his fa­ce and slowly shuf­fle furt­her back un­til I’m pres­sed up aga­inst the wall. Is this man re­al­ly a Ha­ter? Oh Christ, is he abo­ut to exp­lo­de and kill us both? What the hell do I do? Do I just run? The man lo­oks at Hi­lary and then at me. I try not to ma­ke eye con­tact but I can’t help it. I can see Hi­lary out of the cor­ner of my eye. She’s sha­king li­ke a le­af. She’s usu­al­ly rock-hard but she’s as frigh­te­ned as I am. I ha­ve to do so­met­hing.

    ‘Look…’ I start to say, my vo­ice qu­i­et and uns­te­ady.

    ‘Don’t gi­ve me any bul­lshit,’ he snaps, his vo­ice no qu­i­eter or cal­mer, ‘I don’t want any bul­lshit. Just get this sor­ted out and do it now. I ne­ed to get back to my of­fi­ce. I’m at the end of my fuc­king tet­her he­re and if I don’t get…’

    He le­ans for­ward aga­in and we both physi­cal­ly re­co­il.

    ‘Please…’ Hi­lary mumb­les me­ekly. She starts to sob. Un­der the desk she pres­ses the per­so­nal at­tack alarm. I can he­ar the high-pitc­hed scre­ech of the alert rin­ging out in the ma­in of­fi­ce.

    The man stops. His exp­res­si­on chan­ges. He he­ars the so­und too. He lo­oks from me to Hi­lary and back aga­in on­ce mo­re. His eyes are sud­denly wi­de with shock and pa­nic. What the hell’s he got to be af­ra­id of? He’s the one who ca­me in he­re and…

    ‘I’m sorry,’ he says qu­ickly, ta­king a co­up­le of steps back away from the desk. ‘I’m sorry, I didn’t me­an to…’

    Realisation dawns.

    His vo­ice is now at a frac­ti­on of its pre­vi­o­us vo­lu­me. Hi­lary and I are sto­od the­re, just wa­iting for him to exp­lo­de aga­in. Ins­te­ad he crumb­les. He re­ali­ses that we’re sca­red and now he’s the one who’s frigh­te­ned that we’re go­ing to re­act.

    ‘I’m not one of them,’ he says, ple­ading with us to be­li­eve him. He lo­oks li­ke he has te­ars in his eyes. ‘Ho­nest I’m not. The par­king tic­ket ma­de me mad and I just over-re­ac­ted, that’s all. I’m not a Ha­ter. I don’t want to fight. I’m not go­ing to hurt an­yo­ne…’

    I still can’t do anyt­hing. I’m fro­zen to the spot. This who­le si­tu­ati­on fe­els ali­en and bi­zar­re. It’s an une­asy stan­doff which ends as qu­ickly as it be­gan. The man se­ems to be abo­ut to say so­met­hing el­se but he do­esn’t. Ins­te­ad he turns and walks out of the bu­il­ding, still clutc­hing his par­king tic­ket.

    

    

15

    

    Lunchtime.

    It’s a co­up­le of ho­urs la­ter than I’d ori­gi­nal­ly plan­ned to ta­ke my bre­ak. It wo­uld ha­ve be­en mo­re sen­sib­le and pro­bably sa­fer to stay in the of­fi­ce but I’ve had to co­me out­si­de. I had anot­her call from Liz­zie. Her day trap­ped at ho­me with the kids is get­ting wor­se. We ne­ed bre­ad and milk but they’re ac­ting up and she can’t fa­ce ta­king them anyw­he­re. I sa­id I’d get so­me whi­le I was he­re. I was go­ing to wa­it un­til af­ter work but I’m glad I didn’t. The su­per­mar­ket shel­ves we­re al­most empty. The­re won’t be anyt­hing left to­night.

    Without thin­king I find myself back in Mil­len­ni­um Squ­are aga­in. It’s still not as busy as it nor­mal­ly is but the­re are plenty of pe­op­le he­re and…

    What the hell was that?

    I’m sto­od in the mid­dle of the squ­are by the fo­un­ta­in and everyt­hing has just go­ne crazy. Ever­yo­ne drops to the gro­und and I do the sa­me. The­re was a no­ise - a sing­le lo­ud crack li­ke a guns­hot. But it co­uldn’t ha­ve be­en, co­uld it? I slowly lift my he­ad from the gro­und. Pe­op­le are star­ting to get up. So­me are al­re­ady run­ning in all di­rec­ti­ons and it’s im­pos­sib­le to see what’s hap­pe­ned. Ot­hers li­ke me re­ma­in un­mo­ving, trying to work out what’s go­ing on and whe­re the dan­ger is. I ha­ve to mo­ve. I ha­ve to get out of he­re. I get up and start to run back in the di­rec­ti­on of the of­fi­ce but it’s dif­fi­cult to get thro­ugh with so many pe­op­le sud­denly zig-zag­ging all aro­und me. I stop and cro­uch when I he­ar the so­und aga­in. It was a guns­hot. It can’t ha­ve be­en anyt­hing el­se.

    Just to my left a gro­up of pe­op­le are scre­aming and yel­ling in pa­nic. On the gro­und, right in the mid­dle of them, is a body. I’m not clo­se eno­ugh to see any de­ta­il but I can see that the­re’s a qu­ickly spre­ading pud­dle of blo­od aro­und the top of the per­son’s he­ad. Pe­op­le start to mo­ve aga­in, trip­ping and step­ping over the corp­se. May­be that’s it. May­be it’s over now. May­be that’s the body of the Ha­ter lying de­ad on the gro­und and things will start to…

    What now? Pe­op­le are run­ning past me. Ha­ve they se­en so­met­hing that I ha­ven’t? I’ve got to get out of he­re be­fo­re I get myself… too la­te - the­re’s a third guns­hot which co­mes from my left and which sends the crowd scat­te­ring in the op­po­si­te di­rec­ti­on li­ke frigh­te­ned pi­ge­ons. I ha­ve to ke­ep mo­ving but my legs fe­el as he­avy as le­ad. I’m di­so­ri­en­ta­ted. I lo­ok up at the bu­il­dings aro­und the ed­ges of the squ­are, trying to get my be­arings and work out which way to run. When I think I fi­nal­ly know which way to go I ta­ke a few qu­ick steps for­ward, we­ave aro­und anot­her few frigh­te­ned pe­op­le, and then stop de­ad in my tracks.

    The crowd has cle­ared ahe­ad of me. No mo­re than ten me­ters in front of me now stands a po­li­ce of­fi­cer, ar­med li­ke tho­se I saw he­re this mor­ning. He’s scan­ning the squ­are, mo­ving his he­ad slowly from si­de to si­de. Now he’s stop­ped and he’s lif­ting his rif­le aga­in. Fuck, he’s po­in­ting it in my di­rec­ti­on. Fuc­king hell, he’s aiming at me! I lo­ok stra­ight in­to his fa­ce and he sta­res back in­to mi­ne. Do I drop to the gro­und aga­in? Do I turn and run or…?

    Fourth guns­hot.

    The of­fi­cer fi­res and Jesus Christ, I can al­most fe­el the shot whist­le past the si­de of my fa­ce. I slowly lo­ok over my sho­ul­der and see anot­her body on the gro­und not far be­hind me, a blo­ody ga­ping ho­le in its fa­ce whe­re its che­ek­bo­ne used to be. Sha­king, I turn and run. I’m go­ing in the op­po­si­te di­rec­ti­on from whe­re I want to go but it do­esn’t mat­ter. I just ha­ve to get out of he­re. What if it’s me next? What if he’s aiming for me now? Any se­cond and I co­uld he­ar the crack of the next shot and I co­uld be down with a bul­let in my back. I don’t ha­ve a fuc­king chan­ce. Just got to ke­ep mo­ving and ho­pe that so­me­one el­se gets bet­we­en me and the gun­man. Mo­ve fas­ter. Mo­ve fas­ter I ke­ep tel­ling myself. Ke­ep run­ning. Get yo­ur­self out of ran­ge. Ke­ep go­ing un­til…

    Fifth shot.

    Nothing. Didn’t hit me.

    Sixth, se­venth and eighth shots in qu­ick suc­ces­si­on. They so­un­ded li­ke they ca­me from a dif­fe­rent di­rec­ti­on this ti­me? I glan­ce back in­to the mid­dle of the squ­are.

    The ar­med po­li­ce of­fi­cer is down. Anot­her of­fi­cer stands over him and un­lo­ads shots ni­ne, ten and ele­ven in­to the twitc­hing body of the­ir for­mer col­le­ague.

    I ke­ep run­ning. As I mo­ve a sing­le de­vas­ta­ting tho­ught cros­ses my mind. Was that po­li­ce of­fi­cer a Ha­ter? Christ, if the­re are pe­op­le in the po­li­ce for­ce who are ca­pab­le of this kind of cold-blo­oded, emo­ti­on­less vi­olen­ce then what the hell are we sup­po­sed to do? The imp­li­ca­ti­ons are vast and ter­rif­ying. Who’s go­ing to ke­ep cont­rol? What the hell hap­pens now?

    I ha­ve to get ho­me. Fuck work. For­get abo­ut the job. I chan­ge di­rec­ti­on and run as fast as I can to­wards the sta­ti­on. I ha­ve to get back to Liz­zie and the kids.

    

    

16

    

    Thank God the tra­ins are run­ning to­day. It to­ok ho­urs to get ho­me yes­ter­day and I don’t want to be out on the stre­ets any lon­ger than I ha­ve to be to­night. It only to­ok a few mi­nu­tes to get from the squ­are to the sta­ti­on and I didn’t ha­ve to wa­it long for a tra­in. Christ knows what Ti­na’s go­ing to say to me to­mor­row if I go back to work. I co­uld call her from my mo­bi­le now and exp­la­in what’s hap­pe­ned but I don’t want to. I don’t want to spe­ak to an­yo­ne. I just want to get ho­me.

    There are just three car­ri­ages on this tra­in. The­re can’t be any mo­re than twenty pe­op­le on bo­ard. I’ve fo­und myself a se­at as far away from ever­yo­ne el­se as pos­sib­le. This is li­te­ral­ly the last se­at on the tra­in, right at the very back of the third car­ri­age. The­re are two ot­her pe­op­le in he­re with me. They’re both ne­arer the front, one on eit­her si­de of the ais­le. I find myself trying to watch them cons­tantly, sca­red that one of them might turn be­ca­use as long as the tra­in is mo­ving I’m trap­ped in he­re with them. Now and then I see one of them lo­ok aro­und. They’re as an­xi­o­us as I am. My sto­mach is chur­ning and I fe­el li­ke I’m go­ing to throw up. I don’t know whet­her it’s the mo­ve­ment of the tra­in or ner­ves that’s ma­king me fe­el sick.

    We’re pul­ling in­to the last sta­ti­on be­fo­re ho­me. Christ, I ho­pe no-one gets on he­re. I’ve got my mo­bi­le pho­ne in my hand and I ha­ve had sin­ce I got on. I want to call Liz­zie and tell her I’m on my way back but I can’t bring myself to do it. How stu­pid is that? I don’t want to talk out lo­ud be­ca­use I don’t want to at­tract any at­ten­ti­on to myself. I don’t want to do anyt­hing that’s go­ing to gi­ve the ot­her pas­sen­gers any re­ason to even lo­ok at me.

    The tra­in slows down and stops. I lo­ok out on­to the plat­form (trying not to ma­ke it ob­vi­o­us that I’m sta­ring) and watch as a hand­ful of pe­op­le shuf­fle qu­i­etly to­wards the tra­in do­ors. One per­son from this car­ri­age gets up and gets off and anot­her pas­sen­ger ar­ri­ves. It’s a man in a long grey trench co­at with a lap­top bag slung over his sho­ul­der. I do everyt­hing I can to avo­id ma­king eye con­tact with him but I ha­ve to ke­ep watc­hing. I ha­ve to see whe­re he’s go­ing. Is he co­ming this way? Shit, he is. I qu­ickly lo­ok down at the flo­or now, des­pe­ra­te not to let him know that I was watc­hing. Is he still co­ming to­wards me? Is he get­ting clo­ser?

    He’s stop­ped. I’m su­re he must ha­ve stop­ped and I can’t be­li­eve how re­li­eved I sud­denly fe­el. Christ, this is stu­pid. Am I pa­ra­no­id? Am I the only one ac­ting this way? I can’t be­li­eve I am. Very, very ca­re­ful­ly and mo­ving very, very slowly I al­low myself to lo­ok up and aro­und aga­in. The tra­in jud­ders and jolts as it shunts out of the sta­ti­on and I ca­uti­o­usly pull myself up using the back of the se­at in front of me for sup­port. The newly ar­ri­ved pas­sen­ger is sit­ting half­way down the car­ri­age on the ot­her si­de of the ais­le. He lo­oks li­ke he’s de­li­be­ra­tely put as much dis­tan­ce bet­we­en me and the third pas­sen­ger as he can. Thank God.

    I press my he­ad aga­inst the win­dow and watch the fa­mi­li­ar sights and land­marks rush by. It all lo­oks the sa­me but everyt­hing fe­els dif­fe­rent this af­ter­no­on.

    Not far now. Al­most ho­me.

    

    

17

    

    No mo­re bul­lshit. It’s just go­ne ni­ne and the kids are fi­nal­ly in bed. Now we can drop the pre­ten­ce. Now we can for­get the happy vo­ices and the smi­les and la­ughs we’ve put on just for the­ir sa­ke. Now Liz and I can sit down to­get­her and try and get our he­ads aro­und what’s go­ing on he­re. The­re’s no po­int in­vol­ving the child­ren in any of this. What go­od wo­uld it do? If we can’t work it out, what chan­ce ha­ve they got? Bet­ter that they re­ma­in ig­no­rant and happy. Ed’s star­ting to sus­pect so­met­hing’s wrong but the lit­tle two are blis­sful­ly una­wa­re. I wish I was.

    We’ve be­en sat watc­hing the he­ad­li­nes go ro­und on a lo­op for abo­ut twenty mi­nu­tes.

    ‘This is dif­fe­rent to­night,’ she says. ‘It’s chan­ged.’

    ‘What’s chan­ged?’

    ‘The news. They’ve stop­ped tel­ling us what’s hap­pe­ned. You ke­ep watc­hing and you’ll see what I me­an. All they’re do­ing now is trying to tell us how to de­al with things.’

    She’s right. The­re’s be­en a de­fi­ni­te shift in the fo­cus of the TV news chan­nel we’re watc­hing to­night and I hadn’t pic­ked up on it un­til Liz po­in­ted it out. Un­til now the­re’s be­en a ste­ady stre­am of re­ports abo­ut in­di­vi­du­al at­tacks and ma­j­or in­ci­dents but all of that has now stop­ped. Now all that’s be­en bro­ad­cast is lit­tle mo­re than a se­ri­es of inst­ruc­ti­ons. They’re not tel­ling us anyt­hing we ha­ven’t al­re­ady he­ard - stay away from pe­op­le you don’t know, stay at ho­me if pos­sib­le, watch out for er­ra­tic and ir­ra­ti­onal be­ha­vi­o­ur and alert the aut­ho­ri­ti­es if tro­ub­le bre­aks out, that sort of thing. It’s all stra­ight­for­ward, com­mon-sen­se stuff.

    ‘Probably not worth was­ting ti­me re­por­ting on everyt­hing that’s hap­pe­ning,’ she says. ‘One fight in the stre­et’s pretty much the sa­me as the next.’

    ‘I know,’ I ag­ree. ‘The­re’s still so­met­hing el­se mis­sing tho­ugh, isn’t the­re?’

    ‘Like what?’

    ‘If you lis­ten to what they’re sa­ying, they’re still tel­ling us that everyt­hing’s un­der cont­rol and the prob­lem’s con­ta­ined but…’

    ‘But what?’

    ‘But no-one’s co­ming up with any exp­la­na­ti­ons. No-one’s even ma­king any at­tempt to exp­la­in what’s hap­pe­ning. That tells me they’re eit­her ke­eping so­met­hing from us or…’

    ‘No-one’s ma­na­ged to work it out yet,’ she in­ter­rupts be­fo­re I’ve had chan­ce to fi­nish my sen­ten­ce.

    

    

18

    

    It’s dark. The ho­use is si­lent. I’m ti­red but I can’t sle­ep. It’s al­most two in the mor­ning.

    ‘You awa­ke?’ I ask qu­i­etly.

    ‘Wide awa­ke,’ Liz­zie ans­wers.

    I roll over on­to my si­de and gently put my arm aro­und her. She do­es the sa­me and I pull her clo­ser. It fe­els go­od to ha­ve her next to me li­ke this. It’s be­en too long.

    ‘What are you go­ing to do in the mor­ning?’ she asks. The si­de of her fa­ce is to­uc­hing mi­ne. I can fe­el her bre­ath on my skin.

    ‘Don’t know,’ I ans­wer qu­ickly. I want to stay at ho­me but the­re’s a part of me that still thinks I sho­uld go back to work. The lon­ger I’ve la­id he­re awa­ke, the mo­re I’ve slowly ma­na­ged to con­vin­ce myself that it will be sa­fe to go back to the of­fi­ce to­mor­row. Stu­pid blo­ody idi­ot. I watc­hed pe­op­le be­ing shot in the mid­dle of town to­day. The­re’s no way I can go back the­re.

    ‘Stay he­re,’ she says qu­i­etly. ‘Stay he­re with us. You sho­uld be he­re with me and the child­ren.’

    ‘I know, but…’ I start to mumb­le.

    ‘But not­hing. We ne­ed you he­re. I ne­ed you he­re. I’m sca­red.’

    I know she’s right. I wrap my arms furt­her aro­und her and run my hand down the rid­ge of her spi­ne. She’s we­aring a short nightd­ress. I put my hand un­der­ne­ath it and fe­el her back aga­in. Her skin is soft and warm. I ex­pect her to grumb­le and pull away from me li­ke she usu­al­ly do­es but she stays whe­re she is. I can fe­el her hands on my skin now.

    ‘Stay he­re with me,’ she whis­pers aga­in, slowly mo­ving her hand ac­ross my back­si­de and down be­fo­re sli­ding it bet­we­en my legs. She starts to stro­ke me and des­pi­te all the fe­ar, con­fu­si­on and un­cer­ta­inty we’re both fe­eling I’m hard in se­conds. I can’t re­mem­ber the last ti­me we we­re in­ti­ma­te. The­re al­ways se­ems to be a re­ason why we can’t be clo­se. So­met­hing or so­me­one al­ways gets in the way.

    ‘How long’s it be­en?’ I ask, ke­eping my vo­ice low.

    ‘Too long,’ she ans­wers.

    Lizzie rolls over on­to her back and I climb on top of her. I ca­re­ful­ly sli­de in­si­de her and she grips me tightly. I can fe­el her na­ils dig­ging in­to my skin. She wants me as much as I want her. We both ne­ed each ot­her to­night. Ne­it­her of us says a word. No tal­king. The­re’s not­hing to say.

    

    It’s fo­ur-thirty. I don’t re­mem­ber what hap­pe­ned. I must ha­ve fal­len as­le­ep. It’s still dark in he­re and the bed’s empty. I lo­ok ro­und and see Liz­zie stan­ding by the do­or.

    ‘What’s wrong?’

    ‘Listen,’ she whis­pers.

    I rub sle­ep from my eyes and sit up. I can he­ar no­ises co­ming from abo­ve us. The so­unds are qu­i­et and muf­fled. So­met­hing’s hap­pe­ning in the ot­her oc­cu­pi­ed flat ups­ta­irs. The­re are vo­ices - ra­ised vo­ices - and then the so­und of bre­aking glass.

    ‘What’s go­ing on?’ I ask, still drug­ged with sle­ep.

    ‘This star­ted abo­ut fi­ve mi­nu­tes ago,’ she exp­la­ins as the vo­ices abo­ve us get lo­uder. ‘I co­uldn’t sle­ep. I tho­ught…’

    A sud­den thump from the flat abo­ve in­ter­rupts her. Now the who­le bu­il­ding is si­lent. It’s a long, un­com­for­tab­le and omi­no­us si­len­ce which ma­kes me catch my bre­ath. The bed­ro­om is cold and I start to shi­ver thro­ugh a com­bi­na­ti­on of the low tem­pe­ra­tu­re and ner­ves. Liz­zie turns ro­und to fa­ce me and is abo­ut to spe­ak when anot­her no­ise ma­kes her stop. It’s the so­und of a do­or slam­ming ups­ta­irs. Se­conds la­ter and we he­ar hur­ri­ed, une­ven fo­ots­teps in the lobby out­si­de, then the fa­mi­li­ar cre­ak of the front ent­ran­ce do­or be­ing pul­led open. I start to get out of bed.

    ‘Where are you go­ing?’ she asks.

    ‘I just want to see…’ I start to say alt­ho­ugh I’m not re­al­ly su­re what I’m do­ing.

    ‘Don’t,’ she ple­ads, ‘ple­ase don’t. Just stay he­re. Our do­or’s loc­ked and the win­dows are shut. We’re both sa­fe and so are the kids. It do­esn’t mat­ter abo­ut any­body el­se. Don’t get in­vol­ved. Wha­te­ver’s go­ing on out the­re, don’t get in­vol­ved…’

    I ha­ve no in­ten­ti­on of go­ing out­si­de, I just want to see what’s hap­pe­ning. I go in­to the li­ving ro­om. I he­ar a car’s en­gi­ne start and I pe­er thro­ugh the cur­ta­ins, ma­king su­re I can’t be se­en. One of the men from ups­ta­irs - I can’t see which one - dri­ves away at an inc­re­dib­le spe­ed. I co­uldn’t ma­ke out much de­ta­il, but I did see that the­re was only one per­son in the car and that im­me­di­ately starts me thin­king abo­ut who, or what, is left ups­ta­irs. I turn aro­und and see that Liz­zie is in the li­ving ro­om with me now.

    ‘Maybe I sho­uld go up and check…?’

    ‘You’re not go­ing anyw­he­re,’ she his­ses. ‘Li­ke I sa­id, our do­or’s loc­ked and the win­dows are shut. We’re sa­fe he­re and you’re not go­ing anyw­he­re.’

    ‘But what if so­met­hing’s hap­pe­ned up the­re? What if so­me­one’s hurt?’

    ‘Then that’s so­me­one el­se’s prob­lem. I don’t ca­re. All we ne­ed to think abo­ut is the child­ren and each ot­her. You’re not go­ing anyw­he­re.’

    I know she’s right. Out of duty I pick up the te­lep­ho­ne and try to di­al the emer­gency ser­vi­ces. Christ, I can’t even get an ans­wer.

    Lizzie go­es back to bed. I’ll fol­low her in a co­up­le of mi­nu­tes but I al­re­ady know I won’t sle­ep aga­in to­night. I’m sca­red. I’m sca­red be­ca­use wha­te­ver it is that we’ve se­en hap­pe­ning to the rest of the world now sud­denly fe­els a who­le lot clo­ser.

    

    

THURSDAY

19

    

    I wa­ke up be­fo­re the alarm go­es off and lie still and sta­re up at the ce­iling as I try aga­in to ma­ke sen­se of everyt­hing that’s hap­pe­ned over the last few days. It all se­ems imp­la­usib­le and im­pos­sib­le. Has anyt­hing ac­tu­al­ly hap­pe­ned at all? I still can’t help won­de­ring if this is all just the re­sult of pe­op­les’ fuc­ked-up and ove­rent­hu­si­as­tic ima­gi­na­ti­ons or whet­her the­re re­al­ly is so­met­hing mo­re si­nis­ter and bi­zar­re go­ing on? In the cold light of mor­ning it’s dif­fi­cult to try and comp­re­hend all that I’ve se­en and he­ard. I start trying to con­vin­ce myself to get a grip, get up and get re­ady for work. But then I re­mem­ber what I saw in Mil­len­ni­um Squ­are yes­ter­day and I’m over­co­me with ner­ves and un­cer­ta­inty as the re­ality of it all hits me aga­in.

    There’s no po­int just lying he­re. Liz­zie and the kids are as­le­ep. It’s still dark out­si­de but I get up and shuf­fle thro­ugh to the li­ving ro­om. I pe­er out of the win­dow. The car be­lon­ging to the pe­op­le ups­ta­irs still hasn’t re­tur­ned. What hap­pe­ned up the­re? My mind starts to wan­der and play tricks. Was the­re a Ha­ter ups­ta­irs? It sca­res me to think that my kids co­uld ha­ve be­en so clo­se to one of them. I for­ce myself to re­mem­ber Liz­zie’s words when we we­re awa­ke ear­li­er. I ha­ve to ig­no­re what’s go­ing on everyw­he­re el­se and con­cent­ra­te on ke­eping the pe­op­le on this si­de of the front do­or sa­fe.

    The flat fe­els col­der than ever this mor­ning and the low tem­pe­ra­tu­re ma­kes me fe­el old be­yond my ye­ars. I fetch so­me bre­ak­fast and then sit in front of the TV. I watch car­to­ons. I can’t co­pe with anyt­hing mo­re se­ri­o­us. Not yet.

    I’m half­way thro­ugh a bowl of dry ce­re­al and I can’t eat any mo­re. I don’t ha­ve much of an ap­pe­ti­te. I fe­el une­asy all the ti­me and I can’t stop thin­king abo­ut what’s hap­pe­ning out the­re. What the hell is go­ing on? I think abo­ut all the un­con­nec­ted events I’ve wit­nes­sed and the hund­reds - pro­bably tho­usands - of ot­her in­ci­dents which ha­ve hap­pe­ned el­sew­he­re. No-one can see any con­nec­ti­on and yet how can all of the­se things not be con­nec­ted? That, I de­ci­de, is the most frigh­te­ning as­pect of all. How can so many pe­op­le from so many dif­fe­rent walks of li­fe be­gin to be­ha­ve so ir­ra­ti­onal­ly and er­ra­ti­cal­ly in such a short pe­ri­od of ti­me?

    I lo­ok over at the clock and re­ali­se that I sho­uld be get­ting re­ady for work now. My sto­mach starts to turn so­mer­sa­ults when I think abo­ut ha­ving to pho­ne in and spe­ak to Ti­na. Christ knows what she’s go­ing to say or what I’m go­ing to tell her. May­be I just won’t pho­ne at all.

    My cu­ri­osity and ap­pre­hen­si­on gets the bet­ter of me. I fi­nal­ly re­lent and switch on the news. Half of me wants to know what’s hap­pe­ning to­day, the ot­her half wants to go back to bed, put my he­ad un­der the pil­low and not get up aga­in un­til it’s all over. And that ca­uses me to ask myself yet anot­her unans­we­rab­le qu­es­ti­on - how will this end? Will this wa­ve of vi­olen­ce and dest­ruc­ti­on just fa­de and die out, or will it ke­ep bu­il­ding and bu­il­ding?

    The TV news chan­nel lo­oks dif­fe­rent this mor­ning, and for a whi­le I can’t put my fin­ger on why. The set is the sa­me and the fe­ma­le pre­sen­ter is fa­mi­li­ar. I don’t re­cog­ni­se the man who’s sit­ting next to her. Must be a stand-in. I gu­ess the usu­al news­re­ader didn’t turn up for work to­day. Half the staff didn’t turn up at my of­fi­ce yes­ter­day. The­re’s no re­ason why things sho­uld be any dif­fe­rent for the pe­op­le on TV, is the­re? Ex­cept, per­haps, the fact that they get pa­id a hell of a lot mo­re than me for do­ing a hell of a lot less.

    The news is run­ning on a lo­op aga­in. It se­ems to be just the he­ad­li­nes on re­pe­at, int­ro­du­ced by the­se two pre­sen­ters. The­re’s no sport or en­ter­ta­in­ment or bu­si­ness news any­mo­re, and the re­ports I’m watc­hing are all si­mi­lar to tho­se we’ve se­en be­fo­re. No exp­la­na­ti­ons, just ba­sic in­for­ma­ti­on. Oc­ca­si­onal­ly the cycle is in­ter­rup­ted when one of the news­re­aders in­ter­vi­ews so­me­one in aut­ho­rity. I’ve se­en po­li­ti­ci­ans, re­li­gi­o­us le­aders and ot­hers be­ing in­ter­vi­ewed over the last few days. They can all talk the talk and most of them know how to play up to the ca­me­ra, but no­ne of them can dis­gu­ise the fact that they se­em to know as lit­tle abo­ut what’s hap­pe­ning as the rest of us. And the­re are ot­her pe­op­le who I wo­uld ha­ve ex­pec­ted to see in­ter­vi­ewed who ha­ve be­en cons­pi­cu­o­us by the­ir ab­sen­ce. What abo­ut the Pri­me Mi­nis­ter and ot­her top-le­vel po­li­ti­ci­ans? Why aren’t they sho­wing the­ir fa­ces? Are they too busy trying to per­so­nal­ly de­al with the cri­sis (I do­ubt it) or co­uld it be that they’re no lon­ger in of­fi­ce? Co­uld the he­ad of go­vern­ment or the chi­ef of po­li­ce be Ha­ters?

    The ma­le news­re­ader is tal­king abo­ut scho­ols and bu­si­nes­ses re­ma­ining clo­sed when a sud­den flurry of mo­ve­ment in front of the ca­me­ra in­ter­rupts him. He lo­oks up as a scruffy fi­gu­re car­rying a clip­bo­ard and we­aring he­adp­ho­nes stumb­les in­to vi­ew. It’s a tall, wil­lowy wo­man who walks back un­til she’s al­most stan­ding right aga­inst the news­re­aders’ desk. Is she a pro­du­cer or di­rec­tor or so­met­hing li­ke that? She cro­uc­hes down slightly to ma­ke su­re the ca­me­ra is pro­perly fo­cus­sed on her.

    ‘Don’t lis­ten to any mo­re of this rub­bish,’ she says, her we­ary fa­ce des­pe­ra­te and te­ar-stre­aked. ‘You’re only be­ing told half the story. Don’t lis­ten to anyt­hing they tell you…’

    And then she’s go­ne. The­re’s mo­re mo­ve­ment all aro­und her be­fo­re the pic­tu­res di­sap­pe­ar and the scre­en go­es black. Af­ter a wa­it of a few mo­re long and un­com­for­tab­le se­conds the bro­ad­cast re­turns. It’s a re­port abo­ut per­so­nal sa­fety and se­cu­rity that I’ve se­en at le­ast fi­ve ti­mes be­fo­re.

    What is it that we’re not be­ing told? That wo­man lo­oked des­pe­ra­te, li­ke she’d be­en trying to get an op­por­tu­nity to spe­ak out for days.

    

    I pho­ned the of­fi­ce a few mi­nu­tes ago but the­re was no ans­wer. I was re­li­eved when I didn’t ha­ve to spe­ak to an­yo­ne but then I star­ted to pa­nic aga­in when I tho­ught abo­ut how bad things must ha­ve got if no-one’s tur­ned up for work.

    There’s not­hing el­se to do now ex­cept sit back on the so­fa in front of the TV and watch the world fall apart.

    

    

20

    

    We ne­ed fo­od. The last thing I wan­ted to do was go out­si­de aga­in but I didn’t ha­ve any cho­ice. The kids and Liz­zie ha­ve be­en trap­ped at ho­me for the last co­up­le of days and the cup­bo­ards are al­most empty. We sho­uld ha­ve tho­ught of it so­oner. I ne­ed to get so­me sup­pli­es be­fo­re things get any mo­re un­cer­ta­in out the­re.

    I ha­ve as much cash as I co­uld find in my poc­ket and I’ll see what it will get me. I’ve al­ways be­en bad with mo­ney. I don’t ha­ve any cre­dit sin­ce I got in­to a mess with my bank a ye­ar or so ago and they can­cel­led everyt­hing on my ac­co­unt. I’ve got a ‘last chan­ce’ lo­an now. On­ce the pay­ment’s go­ne out on pay day and I’ve pa­id the bills I cash the ba­lan­ce and that’s what we li­ve on un­til the next ti­me I get pa­id. It’s two we­eks un­til pay day so I ha­ven’t got much left.

    I didn’t think abo­ut whe­re I was go­ing to go un­til I’d left the flat. Ins­tinc­ti­vely I dro­ve to­wards the su­per­mar­ket we usu­al­ly use for our we­ekly shop but I tur­ned back be­fo­re I got the­re. Even tho­ugh it was early the­re was al­re­ady a hu­ge qu­e­ue just to get in­to the car park. It’s a bad-tem­pe­red and busy pla­ce at the best of ti­mes and set­ting fo­ot in the­re to­day wo­uld ha­ve just be­en as­king for tro­ub­le. Two cars col­li­ded in the qu­e­ue just ahe­ad of me. So­me­one shun­ted in­to the back of so­me­one el­se. Both dri­vers got out and star­ted scre­aming and sho­uting at each ot­her and I got the fe­eling that the tro­ub­le was abo­ut to spre­ad. I didn’t want to ta­ke any chan­ces. I tur­ned aro­und and dro­ve back to­wards ho­me along ro­ads which we­re surp­ri­singly qu­i­et. The­re’s still a fa­ir amo­unt of traf­fic abo­ut, but not­hing li­ke the num­ber of ve­hic­les you usu­al­ly get at this ti­me of day.

    I’m out­si­de O’Shea’s con­ve­ni­en­ce sto­re now. It’s only a co­up­le of mi­nu­tes away from the flat. It’s tuc­ked away in a si­de-stre­et just off the ma­in Rus­hall Ro­ad. It gets most of its tra­de from the wor­kers at a ste­el fac­tory just aro­und the cor­ner. It stands to re­ason that if pe­op­le aren’t go­ing to work to­day the fac­tory will be clo­sed and the con­ve­ni­en­ce sto­re sho­uld be empty. They ha­ve a frac­ti­on of the stock of the su­per­mar­ket and they char­ge do­ub­le the pri­ces but I don’t ha­ve any cho­ice. My fa­mily ne­eds fo­od and I ha­ve to get it from so­mew­he­re. I park up (furt­her away than usu­al) and cross the stre­et.

    Bloody hell, as I get ne­arer to the shop I start to think abo­ut tur­ning back aga­in. The bu­il­ding lo­oks li­ke it’s in the pro­cess of be­ing lo­oted. It’s ram­med with pe­op­le and the flo­or is co­ve­red in lit­ter and deb­ris. I for­ce myself to go in­si­de, re­min­ding myself that my fa­mily ha­ve to eat. Half the disp­lays and fre­ezers are al­re­ady empty and the­re’s mo­re rub­bish and pac­ka­ging left on the shel­ves than fo­od. I grab a card­bo­ard box (it’s the big­gest thing I can find) and start get­ting what I can. Lo­oks li­ke ever­yo­ne’s had the sa­me idea as me to­day and they’re out pa­nic-bu­ying. I ta­ke wha­te­ver I can find - cans and pac­kets of fo­od, bot­tles of sa­uce, crisps, swe­ets, spre­ads - pretty much anyt­hing that’s sal­va­ge­ab­le and edib­le. The­re’s not­hing fresh he­re, no milk or bre­ad or fru­it or ve­ge­tab­les.

    The shop is small and the mo­od in­si­de the hot and con­ges­ted lit­tle bu­il­ding is ten­se. Shop­ping al­ways se­ems to bring out the very worst in pe­op­le. To­day I can tas­te the ani­mo­sity and ner­ves in the air but no-one’s re­ac­ting. Every­body ke­eps the­ir he­ad down and gets on with strip­ping the shel­ves. No-one spe­aks. No-one ma­kes any in­ten­ti­onal con­tact with an­yo­ne el­se what­so­ever. An old guy ac­ci­den­tal­ly el­bows me in the ribs as we’re both re­ac­hing up for the sa­me thing. Nor­mal­ly I’d ha­ve had a go at him and he’d pro­bably ha­ve had a go back at me. We lo­ok at each ot­her for the bri­efest of mo­ments and then si­lently ta­ke what we can. I don’t da­re start an ar­gu­ment.

    The box is so­on two-thirds full with junk. I turn the cor­ner in­to the last ais­le and see two empty check-outs ahe­ad of me. Pe­op­le are just wal­king past them and the­re’s no sign, un­surp­ri­singly, of any staff. Na­ively I ex­pec­ted the pe­op­le I’ve se­en le­aving the shop to ha­ve pa­id for the fo­od they we­re car­rying. Sho­uld I just ta­ke what I’ve col­lec­ted? In spi­te of everyt­hing that’s hap­pe­ning aro­und me I still fe­el une­asy at the pros­pect of wal­king out with this stuff wit­ho­ut pa­ying for it. But I ha­ve to do what I ha­ve to do. Sod the con­se­qu­en­ces, I ha­ve to think abo­ut my fa­mily and for­get ever­yo­ne el­se. This is ab­so­lu­tely crazy. This is lo­oting with man­ners. Fuc­king bi­zar­re. I ke­ep lo­ading up the box and ed­ging to­wards the exit.

    There’s a scre­am. Christ, it’s a blo­ody hor­rib­le so­und and it cuts right thro­ugh me. Pe­op­le stop mo­ving and lo­ok aro­und for the so­ur­ce of the no­ise. I can see a wo­man on the gro­und just be­hind me. She’s lying in the mid­dle of the ais­le co­ve­ring her fa­ce with her hands. I try not to sta­re but I can’t help myself. So­me­one shuf­fles out of the way and I can see that the­re’s a child at­tac­king her. A girl of may­be eight or ni­ne, no ol­der, is vir­tu­al­ly sit­ting on top of her, punc­hing her and pul­ling her ha­ir. Jesus, in one hand she’s got a tin of fo­od and she’s using it to bat­ter the wo­man. She lands the tin on her fo­re­he­ad and it im­me­di­ately swells up in a blo­ody red welt. The wo­man is scre­aming and crying and… and blo­ody hell, she’s sho­uting out the girl’s na­me. Is she be­ing be­aten by her own da­ugh­ter? For a frac­ti­on of a se­cond I think that I sho­uld help her but I know that I can’t. No­ne of us can risk get­ting in­vol­ved. Ever­yo­ne se­ems to ha­ve co­me to the sa­me conc­lu­si­on. Ever­yo­ne is shoc­ked by what they can see but no-one do­es anyt­hing to help. Pe­op­le ca­uti­o­usly ed­ge for­ward and work the­ir way aro­und the fight to get out of the bu­il­ding as qu­ickly as they can and I ke­ep wal­king with them. The wo­man’s out cold now but the kid is still pum­mel­ling her fa­ce. She’s co­ve­red in her mot­her’s blo­od...

    The spe­ed and num­ber of pe­op­le le­aving the bu­il­ding is inc­re­asing ra­pidly. I can fe­el pa­nic bub­bling up un­der the sur­fa­ce and I ke­ep mo­ving, des­pe­ra­te to get out be­fo­re it exp­lo­des. I lo­ok at the empty check-outs as I run past them and fe­el anot­her mo­men­tary pang of gu­ilt be­fo­re pus­hing and sho­ving my way back out in­to the open and run­ning to­wards my car. I throw the sup­pli­es in­to the back and then get in and lock the do­or.

    I start the en­gi­ne and lo­ok back at O’Shea’s. Des­pe­ra­te pe­op­le are flo­oding out of the ran­sac­ked shop now, trip­ping over each ot­her to get away be­fo­re the si­tu­ati­on in­si­de gets any wor­se. I sta­re at the bu­il­ding in dis­be­li­ef, my he­ad fil­led with ima­ges of my fa­mily and of what I’ve just wit­nes­sed. Co­uld any of my child­ren do what I’ve just se­en to Liz­zie or me? Wor­se than that, co­uld we do it to any of them?

    

    

21

    

    Lizzie asks me if I’m okay but I can’t ans­wer. I ne­ed to get back in­si­de first. I ne­ed to get the fo­od in­si­de then shut the do­or and lock the blo­ody thing be­hind me and ne­ver open it aga­in.

    ‘Are you all right?’ she asks aga­in. ‘Why we­re you so long?’

    I run back to the car and grab the last few odds and ends that ha­ve fal­len out of the ra­pidly di­sin­teg­ra­ting card­bo­ard box. I push past her and throw the stuff in­to the kitc­hen.

    ‘Dad,’ Ed whi­nes, ‘can we ha­ve so­met­hing to eat now? I’m star­ving…’

    I ig­no­re all of them and con­cent­ra­te on loc­king the do­or and ma­king su­re my ho­me and my fa­mily are se­cu­re.

    ‘Move,’ I grunt ang­rily at El­lis who is stan­ding right in the mid­dle of the hal­lway, stop­ping me from get­ting thro­ugh.

    ‘What’s wrong?’ Liz­zie asks aga­in from the ot­her si­de of the kitc­hen tab­le. When I don’t ans­wer she starts to un­pack so­me of the fo­od. She lo­oks at what I’ve bro­ught ho­me and screws up her fa­ce. ‘What did you get this for?’ she says, hol­ding up a jar of ho­ney. ‘No­ne of us li­kes ho­ney.’

    All of the ten­si­on and fe­ar that’s be­en bu­il­ding up in­si­de me this mor­ning sud­denly co­mes rus­hing to the sur­fa­ce. It’s no-one’s fa­ult, I just can’t help myself.

    ‘I know no-one li­kes it,’ I sho­ut, ‘no-one li­kes any of this fuc­king stuff but it’s all I co­uld get. You sho­uld go out the­re and see what it’s li­ke. It’s mad­ness out the­re. The who­le blo­ody world is fal­ling apart so don’t start ha­ving a go at me and tel­ling me that no-one fuc­king well li­kes ho­ney.’

    Liz lo­oks li­ke I’ve punc­hed her in the fa­ce. She’s go­ne whi­te with shock. The kids are all in the kitc­hen with us now, sta­ring at us both with wi­de, frigh­te­ned eyes.

    ‘I just…’ she starts to say.

    ‘I’m do­ing the best I can for us he­re,’ I scre­am at her. ‘The­re are pe­op­le figh­ting on the stre­ets. I’ve just watc­hed a kid be­ating so­me wo­man to de­ath and no-one lif­ted a fin­ger to help her, me inc­lu­ded. It’s fuc­king mad­ness and I don’t know what to do any­mo­re. The last thing I ne­ed is for you to start comp­la­ining and pic­king ho­les in what I’ve do­ne when I fe­el li­ke I’ve just ris­ked my damn neck for you lot. I don’t ask much, just so­me spa­ce and a lit­tle gra­ti­tu­de and un­ders­tan­ding and…’

    I stop sho­uting. Liz is tremb­ling. She’s stan­ding the­re, back pres­sed aga­inst the co­oker, and she’s sha­king with fe­ar. What the hell is wrong with her? I ta­ke a sing­le step aro­und the tab­le to get clo­ser to her and she re­co­ils. She sli­des furt­her away from me, ed­ging back to­wards the do­or. And then I re­ali­se what’s wrong. Jesus, she thinks I’ve chan­ged. She thinks I’m one of them. She thinks I’m a Ha­ter.

    ‘No, don’t…’ I start to say, trying to mo­ve clo­ser aga­in, ‘Ple­ase, Liz­zie…’

    She’s star­ting to sob. Her legs lo­ok li­ke they’re abo­ut to gi­ve way. Don’t col­lap­se on me, Liz, ple­ase don’t…

    ‘Stay back,’ she says, her vo­ice ba­rely audib­le. ‘Don’t co­me any clo­ser.’

    I try to spe­ak but I can’t get the words out. Don’t do this to me. I shuf­fle ne­arer.

    ‘Stay back!’ she scre­ams aga­in, sli­ding furt­her along the wall away from me. She re­ac­hes the do­or and starts to push the kids out of the kitc­hen. She do­esn’t ta­ke her eyes off me.

    ‘No, Liz,’ I say, des­pe­ra­te to ma­ke her un­ders­tand, ‘ple­ase. I ha­ven’t chan­ged. Ple­ase be­li­eve me. I’m sorry I sho­uted. I didn’t me­an to…’

    She stops mo­ving away but she’s still un­su­re. I can see it in her eyes.

    ‘If you’re one of them I’ll…’

    ‘I’m not, Liz­zie, I’m not. If I was one of them I’d ha­ve go­ne for you by now, wo­uldn’t I?’ I cry. I don’t know what el­se to say. I’m star­ting to pa­nic but I don’t want her to see. ‘Ple­ase, I’m not sick. I’m not li­ke them. I’m calm. I was angry but I’m calm now, aren’t I? Ple­ase…’

    I can see that she’s thin­king hard abo­ut what I’ve just sa­id. The child­ren are pe­ering aro­und the do­or, trying to see what’s hap­pe­ning. In­si­de I’m scre­aming but I for­ce myself to stay le­vel and not sho­ut. My he­ad is fil­led with all kinds of dark, ter­rif­ying tho­ughts. I just got angry, that’s all. I’m not a Ha­ter, am I?

    ‘Okay,’ she even­tu­al­ly mumb­les, ‘but if you sho­ut at me li­ke that aga­in I’ll…’

    ‘I won’t,’ I in­ter­rupt. ‘I for­got myself. I didn’t think.’

    I still don’t know if she be­li­eves me. She’s lo­oking at me out of the cor­ner of her eye and it’s li­ke she’s wa­iting for me to at­tack her. I’d ne­ver hurt her. I’m re­li­eved when she mo­ves back ro­und to the box of fo­od and con­ti­nu­es un­pac­king it. Every co­up­le of se­conds she lo­oks up. Every ti­me I mo­ve I see her catch her bre­ath and stop.

    ‘So what hap­pe­ned out the­re?’ she asks, fi­nal­ly com­po­sed eno­ugh to be ab­le to talk to me aga­in. I don’t know whe­re to start. Bet­we­en us we try and fe­ed the kids whi­le I exp­la­in abo­ut the qu­e­u­es at the su­per­mar­ket and what I saw at O’Shea’s. I tell her abo­ut the lo­oting and abo­ut the girl at­tac­king the wo­man and… and I re­ali­se aga­in just how bad things ha­ve sud­denly got.

    Ellis is snap­ping at my he­els. She’s ob­li­vi­o­us to the fact that anyt­hing’s wrong. That’s go­od, I de­ci­de. I’m glad. Now that she has her fo­od she’s nag­ging at me to let her watch a DVD. I fol­low her in­to the li­ving ro­om. She fetc­hes the film she wants from the cup­bo­ard and brings it over. I switch on the TV but stop be­fo­re I put the DVD in the mac­hi­ne.

    ‘I tur­ned that off abo­ut an ho­ur ago,’ Liz says. ‘Co­uldn’t stand watc­hing any mo­re of it. They ke­ep sho­wing the sa­me thing aga­in and aga­in and aga­in.’

    I sit cross-leg­ged in front of the te­le­vi­si­on and sta­re at the pic­tu­res that flash in front of me. Christ, things are re­al­ly bad. I’ve se­en a lot of bi­zar­re stuff over the last few days but what I’m watc­hing now sca­res the hell out of me. Now I fully re­ali­se how di­re and se­ri­o­us the si­tu­ati­on has qu­ickly be­co­me. The news has go­ne. The­re are no mo­re re­ports and no mo­re pre­sen­ters. All we’re left with is a con­ti­nu­al­ly re­pe­ated pub­lic in­for­ma­ti­on film. My sto­mach is chur­ning with ner­ves aga­in.

    ‘Stay in yo­ur ho­mes,’ a de­ep and re­as­su­ring ma­le vo­ice an­no­un­ces over stock fo­ota­ge and a se­ri­es of simp­lis­tic grap­hic ima­ges, back at the be­gin­ning of the lo­op aga­in. ‘Stay with yo­ur fa­mily. Stay away from pe­op­le you don’t know…’

    I lo­ok up at Liz­zie and she lo­oks back at me and shrugs her sho­ul­ders.

    ‘It’s all just com­mon-sen­se stuff. Not­hing we ha­ven’t al­re­ady he­ard.’

    ‘Stay calm and don’t pa­nic.’

    ‘What?’ I pro­test. ‘Stay calm and don’t pa­nic? Blo­ody hell, ha­ve they se­en what’s hap­pe­ning out the­re?’

    ‘It gets bet­ter,’ she says sar­cas­ti­cal­ly. ‘Lis­ten to the next bit.’

    ‘The aut­ho­ri­ti­es are wor­king to bring the si­tu­ati­on un­der cont­rol. Yo­ur as­sis­tan­ce and co­ope­ra­ti­on is re­qu­ired to ma­ke su­re this hap­pens qu­ickly and with as lit­tle dis­tur­ban­ce as pos­sib­le. Tem­po­rary cont­rols and re­gu­la­ti­ons are ne­ces­sary to ma­ke this hap­pen. Firstly, if you ha­ve to le­ave yo­ur ho­me, you must carry so­me form of iden­ti­fi­ca­ti­on with you at all ti­mes. Se­condly, with im­me­di­ate ef­fect an on­go­ing night-ti­me cur­few is in pla­ce. You may not tra­vel bet­we­en dusk and dawn. An­yo­ne fo­und on the stre­ets af­ter dark will be de­alt with ap­prop­ri­ately…’

    Dealt with ap­prop­ri­ately? Christ, what’s that sup­po­sed to me­an? Are they go­ing to start loc­king pe­op­le up for be­ing out at night?

    ‘Ensure that yo­ur ho­me is se­cu­re. Pre­pa­re a sa­fe ro­om for you and yo­ur fa­mily to stay in. En­su­re that the do­or to the sa­fe ro­om and all ot­her ac­cess po­ints can be se­cu­red and loc­ked from the in­si­de.’

    ‘What the hell is this?’ I say un­der my bre­ath.

    ‘Can you put my film on now ple­ase, Daddy?’ El­lis mo­ans im­pa­ti­ently.

    ‘If any of the pe­op­le you are with sho­uld be­gin to act ag­gres­si­vely or out of cha­rac­ter, you must iso­la­te yo­ur­sel­ves from them im­me­di­ately. Lock yo­ur­self and the rest of the pe­op­le with you in yo­ur sa­fe ro­om. Re­mo­ve the af­fec­ted per­son from yo­ur pro­perty if it is sa­fe to do so wit­ho­ut put­ting yo­ur­self at risk. Re­mem­ber that this per­son may well be a fa­mily mem­ber, a lo­ved one or a clo­se fri­end. They will be unab­le to cont­rol the­ir ac­ti­ons and emo­ti­ons. They will be vi­olent and will show no re­mor­se or un­ders­tan­ding. It is vi­tal that you pro­tect yo­ur­self and tho­se re­ma­ining with you.’

    ‘Can you see why I tur­ned it off? Liz­zie asks. ‘This kind of thing is just ma­king it wor­se.’

    ‘I can’t be­li­eve this…’ I stam­mer, lost for words. ‘I just can’t be­li­eve this…’

    ‘Think they know what’s go­ing on now?’

    ‘I’m su­re they do,’ I ans­wer. ‘They must ha­ve wor­ked it out if they’re sho­wing so­met­hing li­ke this. So­me­one must know what’s hap­pe­ning, and that ma­kes things even wor­se, do­esn’t it?’

    ‘Does it? Why?’

    I shrug my sho­ul­ders.

    ‘Because things must be pretty well fuc­ked if they’re still not tel­ling us anyt­hing. It so­unds to me li­ke they’re trying to lock every­body down just to try and ke­ep things un­der cont­rol, and what I’ve se­en this mor­ning ma­kes me think that may­be things aren’t un­der cont­rol right now.’

    Lizzie frowns at me for swe­aring in front of El­lis. I turn back to the scre­en.

    ‘…first in­di­ca­ti­on will be a sud­den fit of ra­ge and an­ger,’ the dis­tur­bingly une­mo­ti­onal vo­ice on the TV con­ti­nu­es. ‘This ra­ge will typi­cal­ly be di­rec­ted at one per­son in par­ti­cu­lar. Re­mem­ber that tho­se af­fec­ted may ap­pe­ar calm aga­in on­ce the ini­ti­al out­burst of an­ger and vi­olen­ce has pas­sed. Con­ti­nue to ke­ep yo­ur dis­tan­ce. Re­gard­less of who they are or what they say, the­se pe­op­le are not in cont­rol of the­ir ac­ti­ons. They will con­ti­nue to po­se a thre­at to you and yo­ur fa­mily…’

    Lizzie stri­des past me and snatc­hes El­lis’ DVD from my hands. She sho­ves it in­to the mac­hi­ne and it starts to play.

    ‘That’s eno­ugh,’ she snaps.

    ‘I was watc­hing that...’

    ‘Will you go and get Dad?’

    My he­art sinks. I don’t want to le­ave the flat aga­in but I know I don’t ha­ve any cho­ice.

    ‘When do you want me to…?’ I be­gin be­fo­re she in­ter­rupts.

    ‘Get him now,’ she ans­wers, ner­vo­usly che­wing her fin­ger­na­ils. ‘If you won’t go and get him I will.’

    The tho­ught of Liz­zie be­ing alo­ne out the­re is wor­se than the tho­ught of go­ing out myself. I ha­ve to do it.

    

    

22

    

    The lobby is si­lent. I shut the do­or to the flat be­hind me, lock it and ca­uti­o­usly lo­ok aro­und. I’ve told Liz to ma­ke a sa­fe ro­om li­ke they sa­id on TV and then to shut her­self and the kids in it. The li­ving ro­om is the ob­vi­o­us pla­ce. She’s clo­sed the cur­ta­ins and they’ve tur­ned the TV down low. From out­si­de it lo­oks li­ke no-one’s in.

    I open the front do­or and crin­ge as the usu­al lo­ud cre­aking so­und ec­ho­es aro­und the in­si­des of the empty bu­il­ding.

    ‘Is an­yo­ne the­re?’ a vo­ice his­ses from the dark­ness ups­ta­irs. I fre­eze and try not to pa­nic. What do I do? I want to ke­ep mo­ving and pre­tend I didn’t he­ar anyt­hing but I can’t. My fa­mily is in this bu­il­ding and I can’t le­ave them kno­wing that so­me­one el­se is in he­re with them. It co­uld be an­yo­ne. They co­uld be wa­iting for me to le­ave so they can get to Liz­zie and the kids. But why wo­uld they ha­ve sho­uted out li­ke that? I let the do­or go and it cre­aks aga­in as it swings shut. I ta­ke a few slow steps back in­to the sha­dows and, for a se­cond, I think abo­ut go­ing back in­to the flat. I know that’s not go­ing to ac­hi­eve anyt­hing. I ha­ve to go out and get Harry at so­me po­int.

    ‘Who’s the­re?’ I hiss back, cur­sing myself for my stu­pi­dity. I’m ac­ting li­ke a cha­rac­ter in a bad hor­ror mo­vie. You’re sup­po­sed to run away from the mons­ter, I tell myself, not mo­ve to­wards it.

    ‘Up he­re,’ the vo­ice ans­wers. I lo­ok up to­wards the top of the sta­ir­ca­se and the first flo­or lan­ding. The­re’s a fa­ce sta­ring back at me from bet­we­en the me­tal struts of the ba­nis­ter. It’s one of the men from the flat on the top flo­or. I don’t know whet­her it’s Gary or Chris. I start to ca­uti­o­usly climb the sta­irs. I’m al­most on the lan­ding when the steps be­ne­ath my fe­et be­co­me tacky. The flo­or’s co­ve­red in sticky pud­dles of blo­od. The man from the flat is lying on the gro­und in front of me, clutc­hing his chest. He grunts and rolls over on­to his back. His je­ans and T-shirt are so­aked thro­ugh with blo­od. He turns his he­ad to one si­de and ma­na­ges to ack­now­led­ge me. He re­la­xes, re­li­eved that so­me­one’s fi­nal­ly with him I sup­po­se. He’s in a re­al mess and I don’t know whe­re to start. Is the­re anyt­hing I can do for him or am I too la­te?

    ‘Thanks, ma­te,’ he gasps, prop­ping him­self up on­to his el­bows. ‘I’ve be­en stuck he­re for ho­urs. I he­ard so­me­one co­me in a whi­le back and I was trying to get…’ He stops spe­aking and col­lap­ses and li­es flat on his back aga­in. The ef­fort is too much. His vo­ice gurg­les and rasps. The­re must be blo­od in his thro­at. What am I sup­po­sed to do? Christ, I ha­ven’t got a clue how to try and help him.

    ‘Do you want me to try and get you back ups­ta­irs?’ I ask use­les­sly. He sha­kes his he­ad and swal­lows to cle­ar his thro­at.

    ‘No po­int,’ he gro­ans as he tri­es to prop him­self up aga­in. I put my hand on his sho­ul­der to ke­ep him still. ‘I want a drink,’ he says. ‘Can you go up to the flat and get me a be­er?’

    His eyes flut­ter for a se­cond and I won­der if he’s abo­ut to go. I get up qu­ickly and climb the sta­irs to the top flo­or flat he sha­res with the ot­her man. I fol­low a sna­il tra­il of dry blo­od along the hal­lway and in­to the li­ving ro­om of the flat which is ot­her­wi­se surp­ri­singly cle­an and well-kept. Don’t know why I ex­pec­ted anyt­hing el­se re­al­ly. The­re’s an up­tur­ned tab­le in the mid­dle of the ro­om and next to it a smas­hed lamp. The­re’s a vi­deo ca­me­ra on a tri­pod next to a com­pu­ter and a wi­de-scre­en TV. Lo­oks li­ke they enj­oyed fil­ming them­sel­ves he­re. The­re’s an ex­pen­si­ve lo­oking le­at­her so­fa and… and I re­ali­se that I’m stan­ding he­re chec­king out the flat whi­le one of its oc­cu­pants li­es dying at the bot­tom of the sta­irs. For­cing myself to mo­ve I go to the kitc­hen and grab a bot­tle of be­er from the well-stoc­ked frid­ge. I open it and run back down to the man on the first flo­or lan­ding.

    ‘Here you go,’ I say as I hold the bot­tle up to his mo­uth. I’m not su­re how much he ma­na­ges to swal­low. Most of it se­ems to run down his chin. When I mo­ve the bot­tle away I see that its neck is co­ve­red in blo­od from his lips. What am I sup­po­sed to do now? I try to mo­ve him but it’s no go­od. He mo­ans with pa­in whe­ne­ver I to­uch him. This po­or bas­tard is dying as I’m watc­hing and the­re’s ab­so­lu­tely not­hing I can do to help him. The­re’s no po­int as­king who did this to him or if the­re’s an­yo­ne I can try and con­tact - the sud­den exit of his lo­ver / fri­end / bu­si­ness part­ner early this mor­ning was a cle­ar eno­ugh ad­mis­si­on of gu­ilt. I fe­el ter­rib­le as I stand next to him, trying to think of an ex­cu­se to le­ave as he li­es dying at my fe­et. But what el­se can I do?

    ‘I’ll go and get help,’ I say qu­i­etly, cro­uc­hing down clo­ser to him aga­in, ta­king ca­re not to get any of his blo­od on me. ‘I’ll go and find so­me­one who’ll be ab­le to help you.’

    He licks his blo­od-sta­ined lips, swal­lows and sha­kes his he­ad.

    ‘Too la­te now,’ he whe­ezes. Every mo­ve this po­or sod ma­kes is ta­king mas­ses of ef­fort and ca­using him hu­ge amo­unts of pa­in. I wish he’d just shut up and lie still but he won’t. He has so­met­hing mo­re to say. Ex­ha­us­ted, he turns his he­ad to­wards me aga­in and sta­res stra­ight in­to my fa­ce.

    ‘Just ke­ep still and…’ I start to say.

    ‘I tri­ed to get him,’ he says bre­ath­les­sly. ‘Fuc­ker had a kni­fe on him just in ca­se. He got me first.’

    ‘What?’

    ‘I tri­ed to get him but he was re­ady for me…’

    ‘What are you sa­ying? Did he at­tack you? Was he a Ha­ter?’

    He sha­kes his he­ad.

    ‘You see everyt­hing so cle­arly when it hap­pens to you. I had to kill him. It was him or me. I had to kill him be­fo­re…’

    I stand up and start to mo­ve away. Jesus Christ, is this the Ha­ter? He’s the one who star­ted the tro­ub­le we he­ard last night. He’s the one who lost cont­rol. Christ, I’m sto­od he­re was­ting my ti­me on a fuc­king Ha­ter.

    He licks his blo­ody lips aga­in and swal­lows on­ce mo­re.

    ‘It’s them ma­te,’ he mumb­les, ‘not us. They’re the ones who ha­te. Get yo­ur­self re­ady…’

    I don’t know what the hell he’s tal­king abo­ut now and I don’t want to he­ar any mo­re. I ne­ed to get away from this sick pi­ece of filth. I turn my back on him and run downs­ta­irs, sa­fe in the know­led­ge that the­re’s no way he’ll be ab­le to re­ach my fa­mily in the con­di­ti­on he’s in. I think abo­ut fi­nis­hing him off but that wo­uld ma­ke me as bad as them and I do­ubt whet­her I’d even be ab­le to do it. I glan­ce back and ta­ke one last lo­ok at the scum on the lan­ding. He hasn’t got long left. He’ll be de­ad by the ti­me I get back and it won’t be a mo­ment too so­on.

    I run out to the car and start the en­gi­ne.

    

    

23

    

    I can usu­al­ly get from the flat to Harry’s ho­use in aro­und fif­te­en mi­nu­tes but it to­ok al­most an ho­ur to get he­re to­day. The­re’s still not a hu­ge amo­unt of traf­fic abo­ut but so­me ro­ads are inac­ces­sib­le. So­me are bac­ked-up with slow mo­ving qu­e­u­es, ot­hers ha­ve just be­en bloc­ked off.

    Harry’s pretty sha­ken up li­ke the rest of us alt­ho­ugh he won’t ad­mit it. He’s sub­du­ed and much qu­i­eter than usu­al. Liz pho­ned him and told him I was co­ming to get him but he hasn’t got anyt­hing re­ady. I’m ups­ta­irs with him now, hel­ping him pack an over­night bag. He se­ems lost and help­less li­ke a lit­tle kid. He ke­eps as­king me qu­es­ti­ons he knows I can’t ans­wer. How long will I be away? What do I ne­ed to ta­ke? Will we be sa­fe at yo­ur pla­ce?

    Harry’s ho­use is qu­i­et and dark. It’s ra­re that I ever go ups­ta­irs. The pla­ce is small but it’s still far too big for him alo­ne. The ro­oms that Liz and her sis­ter used to sle­ep in ha­ve be­en left un­to­uc­hed sin­ce they mo­ved out and one si­de of Harry’s bed­ro­om is a shri­ne to She­ila, his la­te wi­fe. She’s be­en de­ad for three ye­ars but the­re are still mo­re of her things in the bed­ro­om than Harry’s. The who­le ho­use is full of clut­ter. Old sod ne­ver throws anyt­hing out. He just can’t let go.

    I wan­ted to be in and out of he­re in mi­nu­tes but Harry’s de­la­ying things aga­in. I ne­ed to get back to Liz­zie and the kids but I’m sto­od he­re watc­hing him chec­king everyt­hing’s switc­hed off and then chec­king that he’s chec­ked everyt­hing. I want to tell him that I don’t think it mat­ters any­mo­re but that’s only go­ing to ma­ke things wor­se so I just hu­mo­ur him and try to hurry him along. My he­ad is spin­ning. I re­al­ly ne­ed to talk abo­ut what’s hap­pe­ning but Harry’s not the per­son I want to talk to. I don’t know who is. I ne­ed to talk abo­ut the half-de­ad man on the lan­ding and abo­ut what I saw in the con­ve­ni­en­ce sto­re this mor­ning. I can’t get the ima­ge of the kid be­ating her mot­her out of my he­ad. Co­uld one of our kids at­tack Liz­zie li­ke that? Co­uld that be hap­pe­ning right now whi­le I’m sto­od he­re was­ting my ti­me with this stu­pid old man? I bi­te my lip and try and stay calm. I can’t show any emo­ti­on. I don’t want Harry thin­king I’m a Ha­ter.

    ‘Come on,’ I say, in­ter­rup­ting him as he walks aro­und the gro­und flo­or of his ho­use, chec­king the win­dows and do­ors are loc­ked for the third ti­me, ‘we ne­ed to get mo­ving.’

    I ex­pect a sne­ering reply be­ca­use that’s what I usu­al­ly get from Harry. He’s a lo­ud and opi­ni­ona­ted old bug­ger who do­esn’t think much of me. He as­su­mes he knows mo­re than me abo­ut everyt­hing and he ne­ver ta­kes kindly to be­ing hur­ri­ed or told what to do. I’m surp­ri­sed when he just nods, picks up his bag and slowly walks to­wards the front do­or. I ta­ke the bag from him and put it in the car, le­aving him to lock up his ho­me.

    

    ‘Quiet, isn’t it?’ he says as we dri­ve back to­wards the flat. He im­me­di­ately reg­rets his words as we pull on­to a ma­in ro­ad which is so­lid with traf­fic. We jo­in the back of the qu­e­ue. It’s slow but it’s still mo­ving and I can’t think of a bet­ter ro­ute ho­me. I de­ci­de to sit tight.

    ‘You okay, Harry?’ I ask.

    ‘Fine,’ he mumb­les. ‘Bit ti­red, that’s all.’

    ‘Trouble sle­eping?’

    He nods his he­ad.

    ‘Something hap­pe­ned aro­und the back of the ho­use last night,’ he exp­la­ins, his vo­ice qu­i­et. ‘The­re was a fight or an ac­ci­dent or so­met­hing… lots of scre­aming, lots of no­ise...’

    The traf­fic has slo­wed down aga­in to al­most a comp­le­te stands­till. It’s stop-start all the way.

    ‘Don’t know what’s go­ing on he­re,’ I mumb­le.

    The ro­ad we’re craw­ling along runs past the front of a row of ho­uses be­fo­re swin­ging up and left over a brid­ge which spans the mo­tor­way be­low. As we fol­low the arc of the ro­ad the re­ason for the de­lay be­co­mes ap­pa­rent. The­re’s a ste­ady stre­am of cars le­aving the mo­tor­way and re­j­o­ining the town traf­fic. We grind to a halt aga­in mid-way over the brid­ge.

    ‘What’s the hold-up?’ Harry asks, lo­oking aro­und cu­ri­o­usly.

    ‘No idea. Must ha­ve be­en an ac­ci­dent or so­met­hing…’

    ‘That’s not an ac­ci­dent,’ he says, pe­ering out of his win­dow and tap­ping his fin­ger on the glass. I sit up in my se­at and le­an ac­ross him to try and see wha­te­ver it is he’s lo­oking at. The­re’s a bloc­ka­de of so­me kind stretc­hing right ac­ross the mo­tor­way. The­re are dark gre­en mi­li­tary jug­ger­na­uts strad­dling both si­des of the ro­ad. Ar­med gu­ards are man­ning red and whi­te-stri­ped bar­ri­er ga­tes whi­le ot­her sol­di­ers di­rect the qu­e­u­es of ap­pro­ac­hing traf­fic. What the hell are they do­ing? Un­less I’m mis­ta­ken, the cars trying to le­ave the city are be­ing stop­ped. They’re not even be­ing se­arc­hed. They’re eit­her be­ing mars­hal­led up the slip-ro­ad and stra­ight off the mo­tor­way or they’re be­ing sent ro­und thro­ugh a ho­le that’s be­en cut in the cent­ral bar­ri­er and for­ced back the way they ca­me. The traf­fic is be­ing chan­nel­led back in­to town.

    ‘Don’t want us to go far, do they?’ Harry says, watc­hing the cars be­low us as we be­gin to shunt for­ward aga­in.

    ‘Thought they sa­id they we­re get­ting things un­der cont­rol.’

    ‘What?’

    ‘I was watc­hing so­met­hing on the TV just be­fo­re I ca­me out to get you. They sa­id the si­tu­ati­on is be­ing bro­ught un­der cont­rol.’

    ‘Well this is pro­bably part of that cont­rol, isn’t it? They ne­ed to know whe­re ever­yo­ne is…’

    ‘Do they?’

    ‘How can the aut­ho­ri­ti­es pro­tect us if they don’t know whe­re we are?’

    I don’t bot­her ans­we­ring him. The fact that I’ve just se­en a subs­tan­ti­al mi­li­tary pre­sen­ce out on the stre­ets do­esn’t ins­pi­re me or fill me with con­fi­den­ce. If anyt­hing it ma­kes me fe­el wor­se.

    As we mo­ve away from the mo­tor­way the traf­fic be­gins to thin out aga­in. I put my fo­ot down and con­ti­nue to­wards ho­me.

    

    My ner­vo­us­ness and pa­ra­no­ia is inc­re­asing by the se­cond. I ne­ed to be back with my fa­mily.

    The stre­ets we’re dri­ving thro­ugh now are un­com­for­tably si­lent and still. It all lo­oks and fe­els per­ver­se. The co­untry se­ems to be te­aring it­self apart with unp­re­ce­den­ted le­vels of vi­olen­ce, so why is everyw­he­re so qu­i­et? The nor­mal hu­man re­ac­ti­on to a thre­at li­ke the Ha­ters wo­uld be to stand and fight but to­day we can’t. The­se pe­op­le are sick. They’re dri­ven by a de­si­re to kill and dest­roy and, from what I’ve se­en, they won’t stop un­til tho­se de­si­res ha­ve be­en sa­tis­fi­ed. To stand and fight aga­inst them wo­uld me­an disp­la­ying the sa­me emo­ti­ons as they do. It wo­uld be self-dest­ruc­ti­ve. To fight back is to risk be­ing cal­led a Ha­ter too. All we can do is ke­ep our­sel­ves to our­sel­ves and not re­ta­li­ate. The po­pu­la­ti­on is withd­ra­wing from each ot­her in fe­ar. Fe­ar of ever­yo­ne el­se and fe­ar of them­sel­ves.

    We fi­nal­ly pull up out­si­de the apart­ment block and I get Harry in­si­de. I’m abo­ut to go back out to get his bag from the car when I spot a so­li­tary fi­gu­re wal­king down the stre­et. Ins­tinc­ti­vely I wa­it in the sha­dows un­til I’m su­re they’ve di­sap­pe­ared be­fo­re set­ting fo­ot out in the open aga­in. Christ, I’m too sca­red to risk even be­ing se­en by an­yo­ne I don’t know.

    

    

24

    

    ‘Dad,’ Ed says.

    ‘What?’ I grunt, an­no­yed that I’ve be­en in­ter­rup­ted. I’ve be­en re­ading thro­ugh a pi­le of mu­sic ma­ga­zi­nes I fo­und un­der the bed. I tho­ught I’d thrown the­se out ye­ars ago. They’ve hel­ped me get thro­ugh the une­asy bo­re­dom of this ne­ver-ending af­ter­no­on.

    ‘What’s he do­ing?’

    ‘What’s who do­ing?’ I ask, not lif­ting my he­ad.

    ‘That man from the ho­use down the ro­ad. What’s he do­ing?’

    ‘What man?’

    ‘Jesus Christ,’ Liz­zie scre­ams as she walks in­to the ro­om. The pa­nic in her vo­ice ma­kes me drop my ma­ga­zi­ne and lo­ok up. Fuc­king hell, the man who li­ves in one of the ho­uses adj­acent to our apart­ment block is drag­ging his wi­fe out of the­ir ho­use and in­to the mid­dle of the stre­et. She’s a hu­ge wo­man with a wi­de back­si­de and flabby arms which are thras­hing abo­ut wildly. The man - I think his na­me is Wo­ods - is pul­ling her along by her fe­et and I can he­ar her scre­aming from he­re. He drags her down the kerb and her he­ad cracks back aga­inst the ro­ad. He’s car­rying so­met­hing el­se with him. I can’t see what it is…

    ‘What’s he do­ing?’ Ed asks aga­in.

    ‘Don’t lo­ok,’ Liz yells at him. She rus­hes ac­ross the ro­om and tri­es to turn Ed aro­und and push him to­wards the do­or. Josh is in the way. He’s stan­ding in the do­or­way eating a bis­cu­it and Liz­zie can’t get past.

    ‘Don’t lo­ok at what?’ El­lis asks. I didn’t see her co­me in. She’s be­hind me, stan­ding on tip­to­es and lo­oking out of the win­dow.

    ‘Do what Mum says,’ I say as I try to pull her away. She clings on­to the win­dow­sill and won’t let go. The child­ren ha­ve be­en go­ing stir crazy trap­ped in the ho­use. They’re des­pe­ra­te for any dist­rac­ti­on.

    Outside Wo­ods has stop­ped mo­ving now. His wi­fe is still lying on the gro­und and he’s stan­ding on her neck. Blo­ody hell, he’s put his bo­ot and his full we­ight on her thro­at. Her fa­ce is blo­od red and she’s thras­hing abo­ut mo­re than ever but he’s ma­na­ging to ke­ep her down even tho­ugh he’s half her si­ze.

    ‘Ellis, let go,’ I sho­ut as I fi­nal­ly ma­na­ge to pri­se her away from the win­dow. Ed is still watc­hing and I can’t help sta­ring eit­her. I can’t lo­ok away. It was a bot­tle that Wo­ods was car­rying. He’s unsc­re­wed the lid now and he’s empt­ying the con­tents all over his wi­fe. What the hell is he do­ing?

    ‘What’s hap­pe­ning?’ Harry asks. Now we’re all in the li­ving ro­om. He’s bet­we­en me and the do­or and I ha­ve to mo­ve ro­und him to get El­lis out. I try to clo­se the cur­ta­ins aga­in but I can’t re­ach from he­re. Harry’s in the way.

    ‘Get the child­ren out of he­re,’ Liz­zie scre­ams.

    ‘Will you mo­ve, Harry?’ I snap. ‘I can’t get thro­ugh…’

    I lo­ok out of the win­dow aga­in as Wo­ods sets fi­re to his wi­fe. Christ knows what he just do­used her in but she’s go­ne up in a hu­ge ball of fla­mes and the fi­re has ca­ught him too. She’s still mo­ving. Blo­ody hell. I put my hands over El­lis’ eyes but I’m slow to re­act and she’s al­re­ady se­en too much. Wo­ods trips away from the bur­ning body, his tro­user legs on fi­re. He stag­gers down Cal­der Gro­ve but only ma­kes it half­way down the ro­ad be­fo­re he’s con­su­med by the fla­mes.

    Between us we push the kids out in­to the hall. I go back to the li­ving ro­om.

    Outside no-one do­es anyt­hing. No-one mo­ves. The­re’s no ac­ti­vity out on the stre­et, not even when the fi­re from Wo­ods’ wi­fe’s bur­ning body spre­ads and sets light to a pi­le of plas­tic sacks fil­led with rub­bish which ha­ve be­en sat at the si­de of the ro­ad for mo­re than a we­ek. Thick black smo­ke bil­lows up from the bags and from the corp­ses in the ro­ad, fil­ling the air with dirty fu­mes.

    

    Sobbing, Liz­zie pulls the cur­ta­ins shut.

    

    The man on the lan­ding at the top of the sta­irs is de­ad. I crept out of the flat a few mi­nu­tes ago and went up to check. What a fuc­king hor­rib­le way to go - en­ding yo­ur days slowly ble­eding to de­ath on yo­ur own at the top of a dark, conc­re­te sta­ir­ca­se. Co­uld I ha­ve do­ne anyt­hing for him? Pos­sibly. Sho­uld I ha­ve do­ne anyt­hing for him? De­fi­ni­tely not. He was a Ha­ter, and its scum li­ke him that ha­ve ca­used all of this. They’re the re­ason everyt­hing is fal­ling apart. They’re the re­ason I’ve had to lock myself and my fa­mily in the flat. They’re the re­ason we’re all fuc­king ter­ri­fi­ed.

    What sca­res me most abo­ut the body ups­ta­irs and what we saw on the stre­et is the clo­se­ness of it all. I co­uld co­pe with this cri­sis when it was just so­met­hing on the news. I co­uld even de­al with it at the con­cert and when we saw the fight in the pub and the kid un­der the car. What’s chan­ged to­day is the pro­xi­mity of the tro­ub­le to my child­ren and my ho­me. This flat felt sa­fe un­til to­day.

    

    

25

    

    The kids ha­ve de­fi­ni­tely sen­sed a chan­ge now. May­be it’s be­ca­use they’ve be­en trap­ped in the flat wit­ho­ut con­tact from an­yo­ne el­se for days. Ob­vi­o­usly what they’ve se­en to­day has ma­de mat­ters wor­se. They ke­ep as­king qu­es­ti­ons and I don’t know how to ans­wer them. I don’t know what to say to them any­mo­re. I to­ok the bolt I fi­xed on Sun­day mor­ning off the bath­ro­om do­or and at­tac­hed it to the in­si­de of the li­ving ro­om (or ‘sa­fe ro­om’ as we’re now sup­po­sed to call it) to try and ma­ke ever­yo­ne fe­el a lit­tle sa­fer. I don’t know if it’s do­ne any go­od.

    We’ve be­en sit­ting in the sa­fe ro­om for ho­urs and I can’t stand it any lon­ger. I get up and wan­der aim­les­sly aro­und the flat. I can’t sit and do not­hing, but the­re’s not­hing I can do eit­her. I don’t want to talk to an­yo­ne. I’m cold and ti­red and frigh­te­ned. I walk in­to Josh and Ed’s small ro­om and climb up on­to Ed’s top bunk. His small scre­en TV is at the end of the bed. I switch it on and flick thro­ugh the chan­nels. Not­hing worth watc­hing. The­re are a co­up­le of chan­nels sho­wing re­pe­ats of old TV shows, the rest are just sho­wing the pub­lic in­for­ma­ti­on film that we saw ear­li­er. It’s run­ning at exactly the sa­me ti­me on all the ma­j­or na­ti­onal chan­nels. It must be pro­du­ced and bro­ad­cast by the go­vern­ment. At le­ast I as­su­me it’s the go­vern­ment. Who el­se co­uld it be?

    With not­hing on TV and no ot­her dist­rac­ti­ons I find myself lo­oking out of the win­dow just to the si­de of the bed. I lie down flat on my sto­mach on the nar­row bunk and sta­re out thro­ugh the net cur­ta­in at the stre­et out­si­de. From he­re I can see along the full length of Cal­der Gro­ve - from the still smo­king bo­di­es of Wo­ods and his wi­fe right down to the junc­ti­on of the ro­ad with Gre­gory Stre­et. Apart from the drif­ting smo­ke everyt­hing el­se is still. The world fe­els si­lent and de­ser­ted, as if we’ve all be­en put in qu­aran­ti­ne from each ot­her. Now and aga­in I catch sight of a lo­nely fi­gu­re in the dis­tan­ce. Pe­op­le stick to the sha­dows and they’re go­ne as qu­ickly as they ap­pe­ar. The­re’s hardly any ot­her mo­ve­ment at all. On­ce in a whi­le a car pas­ses by, ot­her­wi­se not­hing el­se se­ems to mo­ve. It’s li­ke lo­oking at a fre­eze-fra­me pho­tog­raph of the world.

    Why hasn’t an­yo­ne do­ne anyt­hing abo­ut the corp­ses? We’ve kept the cur­ta­ins in the li­ving ro­om clo­sed so the kids can’t see them. If Wo­ods’ wi­fe’s body is still the­re in the mor­ning I might go and throw a blan­ket over it just so it’s out of vi­ew. I can see the blac­ke­ned re­ma­ins of the de­ad wo­man’s arms. Her bony hands and fin­gers are lif­ted up and clas­ped to­get­her li­ke she’s pra­ying or ple­ading for help.

    I don’t know what we’re go­ing to do. I’m trying not to pa­nic. I don’t think we ha­ve any cho­ice but to lock our­sel­ves in he­re and sit this thing out, ho­we­ver long that ta­kes. I don’t want to…

    ‘What are you lo­oking at?’ a vo­ice sud­denly asks from be­si­de me, ma­king me jump. I lo­ok ro­und and see that it’s El­lis. She’s crept in­to the bed­ro­om and has ma­na­ged to climb the lad­der up to Ed’s bed. She pe­ers at me over the top rung with wi­de, sa­ucer-sha­ped eyes.

    ‘Nothing,’ I ans­wer, rol­ling over and gi­ving her spa­ce to climb up with me. She puffs and pants and drags her­self on­to the bed.

    ‘What are you do­ing in he­re?’

    It’s dif­fi­cult to ans­wer. I’m not exactly su­re myself.

    ‘Nothing,’ I say aga­in.

    ‘You lo­oking at the de­ad lady?’ she asks in a re­mar­kably in­no­cent and mat­ter-of-fact way.

    ‘No, I’m just lying down for a whi­le. I’m ti­red.’

    ‘Why are you lying on Ed’s bed? Why aren’t you lying on yo­urs and Mummy’s bed?’

    Her qu­es­ti­ons ne­ver se­em to stop. I wish they wo­uld. I’m not in the mo­od to ans­wer them.

    ‘I wan­ted to watch the TV,’ I tell her, not be­ing en­ti­rely ho­nest. ‘I ha­ven’t got one in my bed­ro­om.’

    ‘Why not watch the ot­her telly with the rest of us?’

    ‘Ellis,’ I say, stif­ling a yawn and pul­ling her clo­ser, ‘shut up, will you.’

    ‘You shut up,’ she mumb­les un­der her bre­ath. She yawns too and shuf­fles clo­ser to me.

    For a lit­tle whi­le the ro­om is qu­i­et aga­in and I be­gin to won­der whet­her El­lis has fal­len as­le­ep. But it’s not just this ro­om that’s qu­i­et - the who­le flat is omi­no­usly si­lent. In the dis­tan­ce I can just abo­ut he­ar the muf­fled so­unds of the TV in the li­ving ro­om. Are they be­ing qu­i­et or is the­re so­met­hing wrong with the ot­hers? Is it be­ca­use of what’s hap­pe­ning out­si­de, or is the iso­la­ti­on and un­cer­ta­inty star­ting to ha­ve an ef­fect on the rest of my fa­mily? Is one of them abo­ut to start chan­ging, or ha­ve they al­re­ady chan­ged...? I find myself thin­king abo­ut what’s hap­pe­ning out­si­de aga­in and I’m dep­res­sed by a cons­tant stre­am of dark and un­com­for­tab­le tho­ughts. Su­rely things can’t con­ti­nue li­ke this in­de­fi­ni­tely? The­re has to co­me a po­int when so­met­hing gi­ves or the si­tu­ati­on re­sol­ves it­self, do­esn’t the­re? I don’t ha­ve any ans­wers and I’m ac­tu­al­ly re­li­eved when El­lis de­ci­des to at­tack me with anot­her bar­ra­ge of much easi­er qu­es­ti­ons.

    ‘Will we be go­ing back to scho­ol to­mor­row?’ she asks na­ively.

    ‘I don’t think so,’ I reply.

    ‘The next day?’

    ‘I don’t know.’

    ‘The next day?’

    ‘I don’t know. Lo­ok, El­lis, we don’t know when scho­ol’s go­ing to be open aga­in. Ho­pe­ful­ly it won’t be too long.’

    ‘I’m go­ing on a trip next we­ek.’

    ‘I know.’

    ‘My class is go­ing to a farm.’

    ‘I know.’

    ‘We’re go­ing on a co­ach.’

    ‘I know.’

    ‘Will we still be ab­le to go?’

    ‘I ho­pe so.’

    ‘Will you ta­ke me if scho­ol’s still shut?’

    ‘I’ll ta­ke you.’

    She se­ems happy with that and, aga­in, she be­co­mes qu­i­et. I lie back and clo­se my eyes. The day so far has be­en long and emo­ti­onal­ly dra­ining and it has ta­ken its toll. My eyes fe­el he­avy. In just a few short mi­nu­tes I fe­el El­lis’ body go limp in my arms. Her bre­at­hing chan­ges, be­co­ming shal­low and ste­ady and I lo­ok down at her. She’s do­zing, comp­le­tely re­la­xed and al­most as­le­ep. In a world which has sud­denly be­co­me comp­le­tely ir­ra­ti­onal, unp­re­dic­tab­le and fuc­ked-up she re­ma­ins per­fect and unal­te­red. This lit­tle girl me­ans everyt­hing to me.

    I’m ti­red. I clo­se my eyes.

    I was al­most as­le­ep for a se­cond un­til the ima­ge of the girl in the su­per­mar­ket this mor­ning re­tur­ned. For a ter­rif­ying mo­ment I ima­gi­ned that it was El­lis, and that she was at­tac­king Liz­zie lying on the gro­und. I’m frigh­te­ned. I’m pet­ri­fi­ed by the pros­pect that wha­te­ver it is that’s hap­pe­ning out­si­de will even­tu­al­ly find its way in­to my ho­me and harm my fa­mily.

    I try to ima­gi­ne this be­a­uti­ful lit­tle girl at­tac­king me.

    I try to ima­gi­ne me at­tac­king her.

    

    

26

    

    It’s just be­fo­re mid­night. The child­ren are as­le­ep. We’re sit­ting in the li­ving ro­om in si­len­ce and in al­most to­tal dark­ness. Harry, Liz and I co­uldn’t be sit­ting any furt­her apart from each ot­her in he­re. Harry’s op­po­si­te the win­dow, lo­oking out thro­ugh half-drawn cur­ta­ins. Liz is by the do­or, sta­ring in­to spa­ce. The te­le­vi­si­on has be­en off all night. No-one’s sa­ying anyt­hing new so the­re’s no po­int watc­hing. The lack of in­for­ma­ti­on is just ma­king things wor­se.

    ‘Anyone want a drink?’ I of­fer. This si­len­ce is un­be­arab­le.

    ‘Not for me,’ ans­wers Harry. I lo­ok over at Liz­zie. She sha­kes her he­ad and lo­oks down. She hasn’t spo­ken for ho­urs. We had a con­ver­sa­ti­on abo­ut the kids just af­ter they’d go­ne to bed but sin­ce then she’s hardly sa­id anyt­hing.

    The ro­om is fil­led with dull, rumb­ling no­ise and a sud­den flash of light as a hu­ge ball of fla­me mush­ro­oms up in­to the sky from a bu­il­ding ne­arby.

    ‘What in hell’s na­me was that?’ Harry grumb­les as he gets up from his cha­ir and stag­gers to the win­dow. He pulls the cur­ta­ins fully open and I stand be­hind him and lo­ok over his sho­ul­der. I can’t see what’s bur­ning. It lo­oks li­ke it might be the me­di­cal cent­re on Col­vil­le Way. It’s abo­ut qu­ar­ter a mi­le away from he­re but that’s too clo­se for com­fort. As the ini­ti­al no­ise and burst of fla­me di­es down I he­ar ot­her, equ­al­ly frigh­te­ning so­unds. A des­pe­ra­te wo­man yells out for help. Her vo­ice is ho­ar­se and ter­ri­fi­ed. She’s ple­ading with so­me­one, scre­aming at them to get away from her and le­ave her alo­ne and… and her cri­es sud­denly stop. Now I can he­ar a car star­ting. The en­gi­ne is rev­ved and ac­ce­le­ra­ted fu­ri­o­usly. The car be­gins to mo­ve at spe­ed but its bri­ef jo­ur­ney is over in se­conds. Bra­kes squ­e­al and tyres skid ac­ross the ro­ad be­fo­re I he­ar the un­mis­ta­kab­le thump and crunch of a col­li­si­on.

    The qu­i­et which fol­lows the sud­den may­hem is a tho­usand ti­mes wor­se than the fla­mes and the scre­ams. I’m stan­ding he­re wa­iting to he­ar si­rens as the po­li­ce, fi­re bri­ga­de or an­yo­ne who can help re­ac­hes the sce­ne but the­re’s not­hing, just a cold and empty si­len­ce. I know that the res­pon­se wo­uld be the sa­me if anyt­hing hap­pe­ned he­re. We’re comp­le­tely on our own.

    I turn aro­und. The ro­om is still fil­led with dull light from the fi­re and I can see that Liz­zie’s crying. I sit down next to her le­aving Harry at the win­dow watc­hing the in­fer­no in the ne­ar dis­tan­ce. I put my arm aro­und her and pull her clo­ser.

    ‘Come on,’ I say use­les­sly. She do­esn’t re­act. I re­ach out and hold her hand but it just sits limply in mi­ne.

    ‘It sho­uld ne­ver ha­ve got to this sta­ge,’ Harry chun­ters with his back to us, stan­ding at the win­dow li­ke a ge­ne­ral sur­ve­ying the bat­tle­fi­eld. ‘They sho­uld ne­ver ha­ve let it co­me to this.’

    He turns ro­und and sta­res at us both, se­eming to be al­most de­man­ding a res­pon­se. Liz sta­res back at him, her fa­ce stre­aked with te­ars.

    ‘Leave it, Harry,’ I warn him. ‘This isn’t the ti­me…’

    ‘When is the ti­me then?’ he snaps. ‘When do you want to start tal­king abo­ut it? When the tro­ub­le re­ac­hes yo­ur front do­or?’

    ‘There’s a body in the stre­et abo­ut ten me­ters away. I’d say it’s re­ac­hed the front do­or al­re­ady,’ I snap back ang­rily.

    ‘So what are we go­ing to do abo­ut it?’ he de­mands. The­re’s an un­com­for­tab­le hint of pa­nic and des­pe­ra­ti­on in his ra­ised vo­ice. ‘Are we just go­ing to sit he­re? Are we just go­ing to…?’

    ‘What can we do?’ I in­ter­rupt, hol­ding Liz­zie’s hand a lit­tle tigh­ter. ‘What are the op­ti­ons, Harry? Sho­uld we sit he­re and ke­ep our­sel­ves and the child­ren sa­fe, or do you want us to go out the­re and jo­in in the figh­ting?’

    ‘That’s what ca­used the prob­lems in the first pla­ce,’ he ar­gu­es.

    ‘Exactly, so what el­se are we sup­po­sed to do?’

    Harry is po­in­ting his fin­ger at me now and his vo­ice is get­ting lo­uder. He’s not ma­king any sen­se and I’m bi­ting my lip, trying not to pa­nic. On­ce aga­in I find myself won­de­ring if he’s abo­ut to turn.

    ‘This is just what pe­op­le ha­ve be­en wa­iting for,’ he con­ti­nu­es at an un­com­for­tab­le vo­lu­me, ‘an ex­cu­se to fight. Not that they’ve ne­eded much of an ex­cu­se be­fo­re, but now it do­esn’t mat­ter. Pe­op­le can do what the blo­ody hell they li­ke wit­ho­ut fe­ar of any re­per­cus­si­ons. It’s a chan­ce for the scum aro­und he­re to show the­ir true co­lo­urs and…’

    ‘Shut up,’ Liz­zie yells ang­rily. ‘Just shut up, Dad. You’re not hel­ping.’

    ‘These pe­op­le ne­ed a firm hand,’ he rants, ob­li­vi­o­us. He po­ints ac­cu­singly at the TV. ‘And if the idi­ots run­ning the te­le­vi­si­on sta­ti­ons hadn’t sen­sa­ti­ona­li­sed things by sho­wing mo­re and mo­re vi­olen­ce then may­be we wo­uldn’t be in this mess. If the­re had just be­en so­me res­pect for aut­ho­rity may­be we’d all be…’

    ‘There is no aut­ho­rity any mo­re,’ I sho­ut back. ‘I saw a po­li­ce­man sho­oting pe­op­le in cold blo­od yes­ter­day and then I watc­hed ot­her of­fi­cers turn the­ir we­apons on him and gun him down. The aut­ho­ri­ti­es are as scre­wed as the rest of us.’

    ‘But if pe­op­le wo­uld just stop...’

    ‘For Christ’s sa­ke, shut up!’ Liz scre­ams aga­in. She snatc­hes her hand from mi­ne and storms out of the ro­om. I watch her di­sap­pe­ar down the hal­lway and al­most im­me­di­ately the pa­ra­no­ia be­gins. Harry is qu­i­et now - is it Liz who’s tur­ning? Is she he­ading for the kids’ ro­oms? Is she go­ing to hurt them? I get up and run af­ter her. I’m re­li­eved when I find that she’s shut her­self in the bath­ro­om and I fe­el stu­pid and gu­ilty for thin­king she co­uld ha­ve be­en do­ing anyt­hing el­se. I slowly trud­ge back to the li­ving ro­om whe­re Harry fi­nal­ly se­ems to be cal­ming down.

    ‘She all right?’ he grunts.

    I nod but I can’t bring myself to spe­ak to him. He turns his back on me aga­in and con­ti­nu­es to watch the smo­ke ri­sing from the bu­il­ding bur­ning on Col­vil­le way.

    

    

FRIDAY

27

    

    Not su­re what ti­me I fi­nal­ly went to sle­ep. I lay on the bed for ho­urs trying (and fa­iling) to ma­ke sen­se of everyt­hing that’s hap­pe­ning. I must ha­ve lo­oked at the alarm clock a hund­red ti­mes or mo­re in the night. I watc­hed every ho­ur tick by…

    ‘Dad.’

    I’m still half-asle­ep but Ed wa­kes me up. I sit up qu­ickly. What’s wrong? What’s hap­pe­ned? I rub my eyes and try to fo­cus on my son’s fa­ce. The ro­om’s dark but I think he’s okay. I lo­ok down and see that Liz­zie’s still sle­eping next to me in bed. She se­ems okay too.

    ‘Dad,’ he says aga­in, an­no­yed that I ha­ven’t ans­we­red.

    ‘What’s the mat­ter?’ I mumb­le. ‘Are the ot­hers all right?’

    He nods. What he wants to tell me has ob­vi­o­usly got not­hing to do with El­lis or Josh.

    ‘The telly’s bust,’ he grunts.

    I slump back on my pil­low, re­li­eved. Is that all? Thank God for that.

    ‘What’s the mat­ter with it?’ I ask, strug­gling to so­und in­te­res­ted.

    ‘Can’t get a pic­tu­re.’

    ‘Is it plug­ged in?’

    ‘Yes,’ he gro­ans, ‘I’m not stu­pid.’

    I’m too ti­red to pick him up for be­ing ru­de.

    ‘Have you chec­ked the cab­les at the back?’

    ‘I ha­ven’t to­uc­hed them. It was wor­king yes­ter­day, wasn’t it?’

    ‘What abo­ut the telly in yo­ur bed­ro­om?’

    ‘Can’t get the chan­nel I want on my telly. Co­me on Dad, get up.’

    ‘I’ll co­me and ha­ve a lo­ok in a co­up­le of mi­nu­tes,’ I yawn. ‘Let me stay he­re for a bit lon­ger…’

    ‘But my prog­ram­me’s on now,’ he pro­tests. ‘Ple­ase, Dad.’

    I clo­se my eyes for a few se­conds lon­ger but it’s ob­vi­o­us that I’m not go­ing to get any pe­ace un­til Ed’s got the TV fi­xed. Cur­sing un­der my bre­ath I get up and stumb­le ac­ross the cold bed­ro­om flo­or and down the hal­lway, si­de-step­ping Harry as I me­et him by the kitc­hen do­or. Ed fol­lows then pus­hes past me as we re­ach the li­ving ro­om. He picks up the re­mo­te cont­rol and switc­hes on the TV.

    ‘See…’ he says, flic­king thro­ugh the chan­nels.

    I sit and sta­re at the scre­en.

    ‘What’s the mat­ter?’ Harry asks, as he we­arily drags him­self in­to the ro­om af­ter us.

    ‘Telly’s bro­ke,’ Ed tells him.

    ‘It’s not bro­ken,’ I say as I flick thro­ugh the chan­nels.

    ‘Have you chec­ked the aeri­al?’ Harry sug­gests.

    ‘There’s not­hing wrong with it,’ I tell them both, ‘lo­ok.’

    Harry mo­ves aro­und so that he can see the scre­en. And now he can see why I’ve be­en sta­ring. It’s the sa­me thing on every chan­nel. A black scre­en with stark whi­te text.

    

REMAIN CALM

DO NOT PANIC

TAKE SHELTER

WAIT FOR FURTHER INSTRUCTIONS

THE SITUATION IS UNDER CONTROL

    

    

28

    

    It’s ele­ven o’clock and Liz­zie, Harry and the kids are sit­ting in the li­ving ro­om. The­re’s so­met­hing hap­pe­ning out­si­de. The ot­hers ha­ven’t no­ti­ced yet. I don’t want the child­ren and Liz get­ting up­set aga­in so I ha­ven’t sa­id anyt­hing to an­yo­ne. It star­ted abo­ut half an ho­ur ago. I’ve he­ard he­avy ve­hic­les mo­ving in the dis­tan­ce and the oc­ca­si­onal scre­am or sho­ut. I’ve al­so he­ard gun­fi­re.

    I’ve tri­ed lo­oking thro­ugh every win­dow in the flat but I can’t see what’s go­ing on out the­re. I ha­ve to know. I ma­ke su­re the ot­hers are all dist­rac­ted then cre­ep out of the apart­ment. I stop half­way ac­ross the lobby. Everyt­hing lo­oks just as it did when I was out he­re yes­ter­day but to­day the bu­il­ding fe­els dif­fe­rent be­ca­use of what’s ups­ta­irs. I stop at the bot­tom of the sta­ir­ca­se and, just for a se­cond, I think abo­ut tur­ning ro­und and go­ing back in­to the flat aga­in. I’ll get a bet­ter vi­ew from the flats on the ot­her flo­ors but I’m wor­ri­ed abo­ut go­ing ups­ta­irs. I don’t think the­re’s an­yo­ne el­se up the­re - the car be­lon­ging to the pe­op­le on the top flo­or is still mis­sing and I can’t he­ar anyt­hing. But what abo­ut the body? I know the man on the lan­ding is de­ad but ha­ve I got the balls to pass his corp­se? My he­ad is sud­denly fil­led with stu­pid night­ma­re ima­ges of his li­fe­less hands re­ac­hing out to grab me. The so­und of anot­her gun shot in the dis­tan­ce spurs me in­to ac­ti­on. I ta­ke a de­ep bre­ath and run up the sta­irs, not stop­ping un­til I’ve re­ac­hed the flat on the top flo­or. I pe­er in thro­ugh the half-open do­or to ma­ke su­re it’s still empty then step in­si­de.

    There are only two flo­ors bet­we­en our flat and this one but the vi­ew from up he­re is comp­le­tely dif­fe­rent. Tho­se ext­ra few fe­et of he­ight ma­ke all the dif­fe­ren­ce and from he­re I can see for mi­les aro­und. I can see al­most all of our es­ta­te and I can see the city cent­re in the dis­tan­ce. This mor­ning the world lo­oks li­ke the TV fo­ota­ge that gets sent ho­me by war cor­res­pon­dents. The skyli­ne is dark and grey. Dirty, thick smo­ke is clim­bing from the blac­ke­ned shells of burnt-out bu­il­dings. The­re’s not­hing much left of the me­di­cal cent­re on Col­vil­le Way. The stre­ets are de­ser­ted.

    How am I sup­po­sed to pro­tect my fa­mily from this? I can sen­se the dan­ger inc­re­asing al­most by the se­cond and the­re’s not­hing I can do to stop it. I think of the kids downs­ta­irs and I fe­el ter­ri­fi­ed and help­less. They’re de­pen­ding on me and I don’t know what I can do to ke­ep them sa­fe.

    I can see mo­ve­ment in the dis­tan­ce now. Can’t see exactly what it is from he­re. I turn aro­und and grab the vi­deo ca­me­ra I saw when I was up he­re yes­ter­day. Christ knows what the men who li­ved he­re used it for. I’ve got no in­te­rest in fin­ding out. I ta­ke the ca­me­ra over to the win­dow and switch it on. The­re’s hardly any bat­tery po­wer left. I find the zo­om lens cont­rol and set it so that it’s fo­cus­sed as far as pos­sib­le in­to the dis­tan­ce. It ta­kes me a few se­conds to aim the ca­me­ra in the right di­rec­ti­on and to re­lo­ca­te the mo­ve­ment I’ve just se­en.

    I think I’m lo­oking at the area aro­und Marsh Way but I’m not su­re. Wha­te­ver the na­me of the ro­ad I’m watc­hing is, the­re are two lar­ge gre­en-grey trucks dri­ving along it. On eit­her si­de of the trucks are li­nes of uni­for­med fi­gu­res. Blo­ody hell, they’re ar­med sol­di­ers we­aring what lo­oks li­ke full bat­tle ge­ar. They ha­ve masks or vi­sors obs­cu­ring the­ir fa­ces. The trucks stop mid-way along the stre­et and the gu­ards which sur­ro­und them split in­to smal­ler gro­ups. So­me re­ma­in clo­se to the back of the ve­hic­les whi­le ot­hers mo­ve to­wards the ho­uses on eit­her si­de of the ro­ad. From he­re I can only see one gro­up of fi­gu­res cle­arly but I gu­ess they’re all do­ing the sa­me thing. It lo­oks li­ke a ho­use-to-ho­use ins­pec­ti­on.

    The tro­oper at the front of the gro­up ham­mers his fist on the do­or. Christ, they’re not wa­iting to be in­vi­ted in­si­de. Fo­ur of the sol­di­ers in the gro­up of fi­ve for­ce the­ir way in­to the ho­use as so­on as the do­or is ope­ned. The fifth uni­for­med fi­gu­re fol­lows them in­si­de car­rying so­met­hing. It’s dif­fi­cult to ke­ep the ca­me­ra fo­cus­sed from this dis­tan­ce and I can’t tell whet­her it’s a clip­bo­ard or one of tho­se tab­let com­pu­ter things he’s hol­ding. They all di­sap­pe­ar in­to the bu­il­ding and I wa­it for them to re-emer­ge. And I wa­it. And I wa­it.

    Elsewhere along the stre­et the sa­me thing is hap­pe­ning. Gro­ups of sol­di­ers are splin­te­ring away from the trucks and are chec­king each ho­use in turn. I lo­ok up from the vi­deo ca­me­ra vi­ew­fin­der scre­en for a se­cond and catch sight of mo­re mo­ve­ment in anot­her ro­ad ne­arby. Sa­me thing’s hap­pe­ning aga­in. I squ­int as the sun bre­aks thro­ugh the he­avy clo­ud for the first ti­me to­day and I can see at le­ast two mo­re clus­ters of trucks and sol­di­ers wor­king the­ir way along ot­her stre­ets, all wit­hin a few hund­red me­ters ra­di­us of each ot­her. I fo­cus back on the ho­use I was ori­gi­nal­ly watc­hing in Marsh Way as the fi­ve sol­di­ers march back out and im­me­di­ately turn the­ir at­ten­ti­on to the bu­il­ding next do­or, le­aving a da­zed and be­wil­de­red mid­dle-aged co­up­le to ti­midly clo­se the­ir front do­or be­hind them.

    There are he­li­cop­ters flying over the town. Stran­ge. May­be they’re co­or­di­na­ting the mo­ve­ments of the tro­ops on the gro­und?

    The sol­di­ers I’ve be­en watc­hing ha­ve for­ced the­ir way in­to anot­her ho­use now. They re­ap­pe­ar in less than a mi­nu­te, this ti­me drag­ging so­me­one be­hind them. I can’t ma­ke out whet­her it’s a man or a wo­man but they’re kic­king and punc­hing and do­ing all they can to get away. I can see that it’s a wo­man now. She’s only half-dres­sed. They’ve tur­ned her aro­und and they’re marc­hing her to­wards the ne­arest truck. She’s still figh­ting. As they push her to­wards the back of the ve­hic­le she so­me­how ma­na­ges to free her­self from the sol­di­ers’ hold. She starts to run down the ro­ad and… and now I can’t be­li­eve what I’m se­e­ing. One of the sol­di­ers steps for­ward and ra­ises his rif­le. Ins­te­ad of cha­sing af­ter her he simply sho­ots her in the back. Two of them pick up the fal­len body and throw it un­ce­re­mo­ni­o­usly in­to the back of one of the trucks.

    They must fi­nal­ly be flus­hing out the Ha­ters. Thank God for that.

    It’s abo­ut ti­me. I ho­pe the bas­tards get everyt­hing they de­ser­ve.

    

    

29

    

    It’s a re­li­ef kno­wing that so­me­one fi­nal­ly ap­pe­ars to be ta­king cont­rol of the si­tu­ati­on. The sol­di­ers on the stre­ets is the first in­di­ca­ti­on we’ve had that the aut­ho­ri­ti­es are at last do­ing so­met­hing to help us. I’m glad, but I’ll be hap­pi­er when they’ve be­en and go­ne from he­re. I don’t say anyt­hing to the ot­hers. I don’t want the kids and Liz­zie get­ting up­set aga­in.

    My he­ad is spin­ning. I’m fin­ding it har­der and har­der to co­pe with be­ing trap­ped in­si­de the sa­fe ro­om with the rest of the fa­mily. This in­ten­se cla­ust­rop­ho­bia is kil­ling me. We’ve be­en sat to­get­her for ho­urs and hardly an­yo­ne has spo­ken apart from the child­ren who fight and bic­ker cons­tantly. I know they can’t help it but they’re re­al­ly be­gin­ning to piss me off. Liz­zie and Harry don’t se­em bot­he­red by them. May­be it’s just me. May­be it’s the tho­ught of the sol­di­ers out­si­de. I’m get­ting inc­re­asingly an­xi­o­us sit­ting he­re wa­iting for the ine­vi­tab­le knock at the do­or.

    I use go­ing to the to­ilet as an ex­cu­se to get up and get out of the ro­om. I clo­se the li­ving ro­om do­or be­hind me and le­an up aga­inst it, re­li­eved. The at­mosp­he­re in the­re was op­pres­si­ve and the air out he­re is much co­oler and fres­her. I stumb­le down the hal­lway and pa­use at the front do­or. Sho­uld I go ups­ta­irs and check the stre­ets aga­in? What if the army is he­re al­re­ady? How wo­uld it lo­ok if I ope­ned the do­or and ran he­ad-first in­to one of tho­se pat­rols? They might think I was a Ha­ter. Wo­uld they gi­ve me any chan­ce to exp­la­in be­fo­re aiming the­ir rif­les at me?

    I use the to­ilet then tra­ip­se to­wards Ed and Josh’s ro­om. I climb up on­to Ed’s bed li­ke I did yes­ter­day and sta­re out of the win­dow for a whi­le. I can’t see anyt­hing. If I ig­no­re the bo­di­es then everyt­hing lo­oks qu­i­et, still and re­la­ti­vely nor­mal out the­re. It’s de­cep­ti­ve. Un­der the sur­fa­ce the who­le world is te­aring it­self apart.

    My he­ad hurts. I’m ti­red of thin­king cons­tantly abo­ut everyt­hing that’s hap­pe­ning. I just want to switch off for a whi­le.

    I roll over on­to my back, clo­se my eyes and wa­it for the knock at the do­or.

    

    

30

    

    I he­ar mo­ve­ment in­si­de the flat, away from the sa­fe ro­om. Don’t know how long I’ve be­en lying he­re on my own. Must ha­ve fal­len as­le­ep. I fe­el sick. I ne­ed to get a drink. I sit up, swing my legs out over the si­de of the bunk and climb down. My body ac­hes as I stretch and stumb­le down the hal­lway.

    Someone’s in the kitc­hen. I mo­ve clo­ser and see thro­ugh the open do­or that it’s Harry. He’s stan­ding at the sink with his back to me, ma­king a drink or was­hing up or so­met­hing. I ta­ke a step thro­ugh the do­or and in­to the ro­om with him and then stop. Don’t know why. So­met­hing’s not right. I don’t want to go any clo­ser. I can tas­te so­met­hing in the air and it ma­kes me fe­el une­asy. No, it’s mo­re than that, it ma­kes me fe­el un­sa­fe. Harry stops what he’s do­ing. Do­es he know I’m he­re? For what fe­els li­ke fo­re­ver ne­it­her of us mo­ves. Then he slowly turns aro­und. Is he…?

    Jesus Christ. I sta­re de­ep in­to the old man’s eyes and I am fro­zen to the spot with fe­ar. Can this be the sa­me man? He gla­res back at me with cold, ste­ely eyes fil­led with an inexp­li­cab­le ha­te and dis­gust. I can sen­se his re­vul­si­on of me co­ming off him li­ke a stench and I know that for so­me inexp­li­cab­le but un­de­ni­ab­le re­ason he wants me de­ad. He wants to dest­roy me. My legs be­co­me we­ak with ner­ves as I re­ali­se that the ha­te has fi­nal­ly ar­ri­ved in my ho­me.

    Harry mo­ves sud­denly and I re­act at spe­ed. He ta­kes just a sing­le step for­ward but it’s eno­ugh and I know that my li­fe is in dan­ger un­less I act now. An overw­hel­ming ins­tinc­ti­ve de­si­re for self-pre­ser­va­ti­on ta­kes over as I mo­ve away from him. I lo­ok over to my right. On the work­top is our wo­oden kni­fe-block. I grab the black-hand­led bre­ad kni­fe and pull it from the block li­ke I’m uns­he­at­hing a sword. In a sing­le mo­ve­ment I char­ge to­wards Harry and plun­ge it de­ep in­to his flesh, just abo­ve his wa­ist. I put my ot­her arm aro­und him and pull him clo­ser to me, for­cing the bla­de de­eper and de­eper in­to his gut, twis­ting it ro­und as I push it for­ward. I fe­el its ser­ra­ted ed­ge sli­ce thro­ugh his skin and cut thro­ugh musc­les, ve­ins and ar­te­ri­es and I sho­ve it de­eper in­to him un­til the en­ti­re length of the kni­fe has di­sap­pe­ared. I fe­el a sud­den flow of hot blo­od as it gus­hes out over my hand and I let go of the kni­fe and push Harry away. He trips back. His legs buck­le be­ne­ath him and he col­lap­ses to the flo­or, smac­king the back of his he­ad aga­inst the oven do­or as he falls. I stand over him. He’s still bre­at­hing but he won’t last long now. I ha­ve to be su­re that he’s de­ad.

    There’s a scre­am from the do­or­way - a shrill, ear-pi­er­cing yell - and I turn aro­und and see Liz­zie and the child­ren. She lo­oks at me with the sa­me cold exp­res­si­on as her fat­her and I sen­se the ha­te aga­in. I pull the kni­fe out from the dying man’s gut and lun­ge to­wards her, kno­wing that she has to die too. She backs away, drag­ging the child­ren out of the ro­om with her. Ed­ward and Josh sta­re ang­rily at me with as much ha­te as the­ir mot­her.

    ‘Daddy!’ El­lis scre­ams. I lo­ok de­ep in­to my lit­tle girl’s fa­ce and I know ins­tantly that she’s not li­ke the ot­hers. She’s li­ke me. She hasn’t chan­ged. I run aro­und the ed­ge of the kitc­hen tab­le and re­ach out for her but I’m too la­te. Her mot­her has al­re­ady grab­bed her by the scruff of her neck and has pul­led her out of re­ach. Her tiny, te­ar-stre­aked fa­ce is fil­led with fe­ar and shock and her eyes bul­ge wi­de as Liz yanks on her clot­hing, ha­uling her away from me. Ed gla­res at me. Even Josh des­pi­ses me. My sons des­pi­se me and I know that I ha­ve to dest­roy them too.

    I hurl myself to­wards Liz­zie aga­in, kno­wing that I ha­ve to kill her be­fo­re she can hurt me and be­fo­re she can harm El­lis. She sho­uts at the child­ren to mo­ve and they run down the hal­lway to­wards the li­ving ro­om. Ed­ward pulls Josh’s pushc­ha­ir ac­ross the hall and I trip over it, en­ding up on my hands and kne­es. Be­fo­re I can get up and get to the li­ving ro­om they slam the do­or shut. I he­ar the bolt click ac­ross.

    What the hell do I do now? How did this hap­pen? How co­uld my fa­mily turn aga­inst me so qu­ickly? I ha­ve to for­get abo­ut them and get to El­lis. She hasn’t chan­ged and I know that she ne­eds me. I pick myself up and run at the do­or. I smash my sho­ul­der in­to it but it do­esn’t mo­ve. I run back and char­ge it aga­in and aga­in and, the fifth ti­me I hit it, I fe­el the bolt gi­ve way. I try to for­ce the do­or open but it only mo­ves a co­up­le of inc­hes. They’ve pus­hed fur­ni­tu­re aga­inst it to stop me from get­ting in­si­de. Why are they do­ing this to me?

    I ham­mer my fists aga­inst the do­or.

    ‘Ellis,’ I sho­ut. ‘Ellis!’

    I can he­ar her. She’s trap­ped in the­re. I can he­ar her scre­aming back at me. She’s li­ke me, not them, and she ne­eds to be with me. She’s not sa­fe in the­re. I’m des­pe­ra­te. I can’t le­ave her. I throw myself at the do­or aga­in and the for­ce of the im­pact sha­kes my who­le body to the co­re.

    ‘Ellis!’ I yell aga­in. I can still just abo­ut he­ar her muf­fled reply.

    There has to be anot­her way to get to her. The win­dow. I’ll get in thro­ugh the li­ving ro­om win­dow. I turn and run back down the hal­lway, past the body in the kitc­hen and out in­to the lobby. I push the front do­or open and burst out in­to the cold, ra­in-so­aked world out­si­de. Now that I’m out in the open I’m awa­re of no­ise all aro­und me. I can he­ar the he­li­cop­ters, the mi­li­tary trucks, guns­hots and the so­unds of pe­op­le li­ke me figh­ting to sur­vi­ve. It’s li­ke be­ing in the mid­dle of a war-zo­ne. But this isn’t the no­ise of one war be­ing fo­ught, it’s hund­reds of se­pa­ra­te clas­hes. Hund­reds, pro­bably tho­usands of bat­tles fo­ught by pe­op­le li­ke me who’ve be­en tur­ned on and bet­ra­yed.

    I’m at the li­ving ro­om win­dow. I lo­ok in­si­de. Liz­zie is still pi­ling fur­ni­tu­re aga­inst the do­or. Ed­ward spots me al­most im­me­di­ately and Liz­zie sho­ves the child­ren in­to the cor­ner of the ro­om. El­lis is trap­ped be­hind Ed­ward and Josh but I can still see her. I can still see her fa­ce. She’s crying and mo­ut­hing my na­me.

    I lo­ok aro­und for so­met­hing to use to smash the glass. The­re’s a bro­ken pa­ving slab half­way down the path to the front do­or. I pick it up and ma­na­ge to throw it thro­ugh the win­dow. The glass shat­ters and the no­ise is un­com­for­tably lo­ud. I can he­ar the­ir vo­ices aga­in now. I can he­ar Liz­zie scre­aming at them to ke­ep back and ke­ep away from me. I drag myself up and climb thro­ugh the win­dow fra­me, fe­eling shards of glass dig­ging in­to me and sli­cing my skin. The pa­in do­esn’t mat­ter.

    I for­ce my body thro­ugh the win­dow he­ad first and col­lap­se on­to the car­pet. I qu­ickly get up but my fo­oting is uns­te­ady and I’m off-ba­lan­ce. Liz­zie is run­ning to­wards me. She has so­met­hing in her hands - it’s the me­tal tu­be from the va­cu­um cle­aner. She swings it at me. I try to duck out of the way but I’m too slow and she hits me.

    A sud­den bur­ning, se­aring pa­in ac­ross my fa­ce.

    Blood po­uring from my no­se and in­to my mo­uth.

    Face down on the car­pet. I can’t…

    

    

31

    

    The li­ving ro­om is cold and si­lent. I slowly pri­se open my eyes. I don’t think the­re’s an­yo­ne el­se he­re. The pi­le of fur­ni­tu­re has be­en mo­ved and the do­or is open. Ra­in is blo­wing in thro­ugh the smas­hed win­dow and the backs of my legs are wet. I try to sit up but the pa­in is too much and I let myself fall back down aga­in.

    How long ha­ve I be­en lying he­re?

    I start to re­mem­ber what hap­pe­ned. I work my way back­wards. I re­mem­ber Liz­zie hit­ting me. I re­mem­ber the lo­ok of hat­red on her fa­ce, matc­hed only by the si­mi­lar exp­res­si­ons on Ed­ward and Josh’s fa­ces. I clo­se my eyes and try to pull myself to­get­her. Watc­hing my part­ner and child­ren run from me and kno­wing that they ha­ve such ha­te for me hurts mo­re than the physi­cal pa­in I’m now fe­eling. I fe­el empty, bet­ra­yed and sca­red. I can’t exp­la­in anyt­hing that’s hap­pe­ned. I don’t know why I kil­led Harry, I just know that I had to do it. I can’t exp­la­in why al­most my en­ti­re fa­mily tur­ned aga­inst me so qu­ickly and so comp­le­tely. I can’t exp­la­in why El­lis didn’t turn eit­her. Christ, I ha­ve to find her.

    I for­ce myself to get up. My body hurts and every mo­ve­ment is dif­fi­cult. Very slowly, using the arm of the so­fa for sup­port, I ma­na­ge to stand. I catch sight of myself in the mir­ror that hangs over the gas fi­re. My right eye is black and swol­len. One of my front te­eth is lo­ose and I can tas­te blo­od at the back of my thro­at. When I see the sta­te of my fa­ce I start to re­al­ly fe­el the pa­in. I drag myself in­to the kitc­hen and step over the body on the flo­or to get myself so­me wa­ter.

    That’s bet­ter.

    The wa­ter is ice-cold and ref­res­hing and it helps cle­ar so­me of the dul­lness from my spin­ning he­ad. I stand over the sink and wash my mo­uth out, spit­ting blo­od in­to the bowl. I sta­re in­to the pinky-red wa­ter and try not to lo­ok at Harry lying de­ad at my fe­et. What the hell hap­pe­ned? The kitc­hen flo­or is co­ve­red with his dark crim­son blo­od. His li­fe­less eyes sta­re up to­wards the ce­iling and I can fe­el them bur­ning in­to me. I don’t reg­ret what I did - I had to kill him be­fo­re he kil­led me - I just ne­ed to un­ders­tand why…

    I turn off the tap and, apart from the oc­ca­si­onal drip of wa­ter, the flat is ot­her­wi­se si­lent. Co­uld Liz­zie ha­ve ta­ken the child­ren and hid­den ups­ta­irs in one of the ot­her apart­ments? I slowly walk to­wards the kitc­hen do­or, lis­te­ning ca­re­ful­ly. I know in my he­art they’ve go­ne.

    Fuck.

    A sud­den re­ali­sa­ti­on hits me li­ke a punch to the guts, mo­re pa­in­ful even than the physi­cal and emo­ti­onal blows I’ve al­re­ady ta­ken. Thin­king abo­ut the flats ups­ta­irs has ma­de me re­mem­ber the body on the lan­ding and the Ha­ter’s words to me when he lay the­re dying. ‘Be re­ady for them,’ he sa­id to me, ‘it’s them, not us. You see everyt­hing cle­arly when it hap­pens to you.’ Jesus Christ, he lo­oked at me and saw anot­her Ha­ter. I’m one of them. It’s the only lo­gi­cal exp­la­na­ti­on. How co­uld Harry, Liz­zie, Ed­ward and Josh all chan­ge at the sa­me ti­me? It stands to re­ason that I’m the only one who is any dif­fe­rent. I can’t exp­la­in how or why, but when I lo­oked in­to the­ir eyes I knew im­me­di­ately that the ot­hers we­ren’t li­ke me and that they we­re a thre­at. I sen­sed re­vul­si­on co­ming off them. I lo­oked at my fa­mily and I fe­ared them and that exp­la­ins why I did what I did and why so many ot­hers ha­ve kil­led be­fo­re me. I had to at­tack them be­fo­re they at­tac­ked me. All ex­cept El­lis...

    Keep calm I try to tell myself as I run down the hal­lway and go out in­to the lobby. I lo­ok out thro­ugh the front do­or. Damn, my car has go­ne. Blo­ody hell, they’ve ta­ken the car and now they co­uld be anyw­he­re. I’m strug­gling to think stra­ight and my pa­nic-indu­ced na­usea has re­tur­ned. Ke­ep calm, I say to myself aga­in. Think lo­gi­cal­ly. Whe­re wo­uld they ha­ve go­ne? The­ir op­ti­ons are li­mi­ted. They co­uld ha­ve go­ne to Harry’s ho­use but that’s un­li­kely with him lying de­ad on the kitc­hen flo­or. Most pro­bably Liz­zie will ha­ve ta­ken them to her sis­ter’s pla­ce. I’ll lo­ok for them the­re.

    I’m cold. My clot­hes are wet and are so­iled with both Harry’s blo­od and my own. I’ll get chan­ged, get so­me things to­get­her and then go and find El­lis. I don’t know whe­re we’ll go on­ce I get her back. We can’t co­me back he­re. This pla­ce isn’t sa­fe any­mo­re.

    

    

32

    

    I’m was­hed and chan­ged and re­ady to go but I can’t bring myself to le­ave. The re­ality of what has hap­pe­ned is fi­nal­ly hit­ting ho­me. The ad­re­na­li­ne and ner­vo­us fe­ar has di­sap­pe­ared and now I’m left fe­eling empty, con­fu­sed and sca­red.

    I’ve re­ali­sed I’ve lost everyt­hing.

    I’m stan­ding in Ed­ward and Josh’s bed­ro­om now just lo­oking aro­und. It’s too pa­in­ful… I can’t put in­to words how this is ma­king me fe­el. I know that my boys are wit­hin to­uc­hing dis­tan­ce but so­me­how I al­so know that they’re go­ne and I’ll ne­ver be with them aga­in. I pick up a toy - a pi­ece of not­hing, just a che­ap plas­tic ham­bur­ger me­al gi­ve­away gift - and it fills me with pa­in. Josh had this abo­ut three we­eks ago. Harry ga­ve us so­me mo­ney. We we­re out la­te and we fil­led the kids up with fast fo­od. It was the first ti­me Josh had had a me­al to him­self. He was so pro­ud of it. He spent mo­re ti­me pla­ying with this blo­ody toy than he did eating his bur­ger.

    I ha­ve to let them go.

    I go thro­ugh to the bed­ro­om that Liz­zie and I sha­red and I pick the bag I’ve pac­ked up off the bed. The ward­ro­be do­or is open. I lo­ok along Liz­zie’s clot­hes ra­il and all the dif­fe­rent out­fits I see re­mind me of so many ti­mes. It fills me with a gut-wrenc­hing sad­ness. All the me­mo­ri­es I ha­ve - every se­cond of the li­fe I’ve led sin­ce I first met her - sud­denly me­ans not­hing.

    It wo­uld ha­ve be­en easi­er if they’d di­ed. I know what I am now, and I know that Liz­zie, Ed­ward and Josh are dif­fe­rent. I don’t un­ders­tand the dif­fe­ren­ces bet­we­en us, but I know be­yond any do­ubt that they are in­sur­mo­un­tab­le. I know that I’ll ne­ver be with my part­ner and child­ren aga­in. As for El­lis… she’s li­ke me and I’ll fight with my last bre­ath to get her back.

    

    I’m trying to shift the body in the kitc­hen. In spi­te of the ha­te I saw in Harry’s eyes I don’t want to le­ave him li­ke this - half-dres­sed and twis­ted and slum­ped in the cor­ner of the ro­om. I pull his fe­et to try and stra­igh­ten him out but his limbs are stiff and un­res­pon­si­ve. I fetch a du­vet from the bed­ro­om and dra­pe it over the corp­se.

    While I’m trying to mo­ve the body the­re’s a no­ise. I get up and run to the li­ving ro­om to lo­ok out of the bro­ken win­dow. Two army trucks ha­ve pul­led in­to the ro­ad and I know that I ha­ve to get out of he­re qu­ickly. I don’t know for su­re any­mo­re whet­her the­se sol­di­ers will help me or turn aga­inst me but I can’t ta­ke any chan­ces. What abo­ut the wo­man I saw shot de­ad in the stre­et ear­li­er this mor­ning? Was she li­ke me or li­ke the ot­hers? Was she a Ha­ter too?

    Move. Get mo­ving now and don’t stop. But whe­re do I go? The trucks are get­ting clo­ser. I swing my bag up on­to my sho­ul­der and run out of the flat and in­to the lobby. Whe­re now? Will they check the flats ups­ta­irs? Co­uld I risk hi­ding the­re? I know I ha­ve to get myself away from he­re and I sprint to­wards the re­ar exit. I try to open the fi­re do­or but it’s pad­loc­ked shut. Christ, how long has it be­en li­ke that? What wo­uld ha­ve hap­pe­ned to Liz­zie and the kids if the­re’d be­en a fi­re? Do­esn’t mat­ter now. I lo­ok back and I can see mo­ve­ment right out­si­de the apart­ment block. They’re co­ming. Ke­ep mo­ving. Just ke­ep mo­ving.

    The do­or to the ot­her gro­und flo­or flat is open. I’m in­si­de it now and it stinks. No-one’s li­ved he­re of­fi­ci­al­ly for the last six months but it’s be­en used re­gu­larly by tramps, jun­ki­es, dos­sers and God knows who and what el­se. Its la­yo­ut is a mir­ror ima­ge of my flat. I run thro­ugh to the kitc­hen and for­ce the win­dow abo­ve the sink open. I can he­ar sol­di­ers in­si­de the bu­il­ding now. I can he­ar the­ir he­avy bo­oted fo­ots­teps in the lobby. I scramb­le thro­ugh the win­dow and jump down in­to the overg­rown com­mu­nal back gar­den. I’m out. Wit­ho­ut thin­king I run thro­ugh the long grass to the end of the gar­den then qu­ickly scramb­le up the muddy bank which se­pa­ra­tes our block from the gar­dens of the pri­va­tely ow­ned ho­uses which back on­to us. I run along the ends of the gar­dens un­til I re­ach a tall wo­oden fen­ce. I ha­ve to try and climb over it. I drag myself up, the musc­les in my arms bur­ning with ef­fort, and ma­na­ge to swing one leg over the top of the fen­ce. I flick myself over and fall on­to the pa­ve­ment on the ot­her si­de, lan­ding pa­in­ful­ly amongst the dog shit, lit­ter and we­eds. I stand up, brush myself down and run on.

    

    

33

    

    The sa­fest pla­ce to hi­de, I de­ci­de as I sprint, is so­mew­he­re I know the sol­di­ers ha­ve al­re­ady be­en. I do­ub­le back on myself and he­ad down the ro­ad which runs pa­ral­lel with Cal­der Gro­ve be­fo­re cut­ting ac­ross a co­up­le mo­re stre­ets and fi­nal­ly re­ac­hing Marsh Way. This is the area whe­re I saw the sol­di­ers pat­rol­ling when I watc­hed from the top-flo­or win­dow this mor­ning.

    The ro­ad is empty. The­re’s no sign of the mi­li­tary pre­sen­ce I saw he­re ear­li­er. I stand in the sha­dows un­der a tree at the end of the stre­et and lo­ok up and down. The­re’s no sign of any kind of pre­sen­ce at all. Everyt­hing is comp­le­tely still. Not­hing’s mo­ving he­re now. Not­hing ex­cept me.

    I no­ti­ce that the front do­or of one of the ho­uses on the ot­her si­de of the ro­ad has just ope­ned slightly. I run to­wards it and push my way in­si­de. I me­et the ow­ner of the ho­use drag­ging a bag of rub­bish down the hall, abo­ut to throw it out. He lo­oks up and I know im­me­di­ately that he’s not li­ke me. I ha­ve to kill him.

    ‘Who the hell are you…?’ he starts to say. I throw myself at him, grab­bing him by the scruff of his neck and pus­hing him furt­her back in­to the ho­use. I ke­ep mo­ving, fe­eling strong and in cont­rol but not kno­wing whe­re I’m go­ing or what I’m do­ing. We trip in­to a filthy kitc­hen and I slam him aga­inst a wall cup­bo­ard. His body rocks back with the im­pact. He strug­gles and tri­es to fight me off but I know I can kill him. I ha­ve strength, spe­ed and surp­ri­se on my si­de. I put my hand over his fa­ce, grip tight and smash his he­ad back aga­inst the cup­bo­ard do­or. He’s still figh­ting. I pull his he­ad for­ward and smash it back aga­in, har­der this ti­me. And aga­in. On­ce mo­re and still har­der, so hard now that I fe­el so­met­hing crack - not su­re if it’s the do­or or his skull. Aga­in and he stops figh­ting. Aga­in and he slumps down. Aga­in and it’s do­ne.

    I drag the body ac­ross the flo­or and le­ave it lying out of the way in the cor­ner of the kitc­hen. Then I clo­se and lock the do­or and fi­nal­ly stop to catch my bre­ath and plan my next mo­ve.

    

    I’ve ne­ver felt li­ke this be­fo­re. Part of me still fe­els de­vas­ta­ted and empty be­ca­use of what’s hap­pe­ned to me to­day. Part of me sud­denly fe­els stron­ger and mo­re ali­ve than I ever ha­ve be­fo­re. The way I kil­led the ow­ner of this ho­use was so out of cha­rac­ter and yet it felt right and it felt go­od. I fe­el li­ke I co­uld ta­ke on a hund­red tho­usand of them if I ha­ve to.

    I am a Ha­ter.

    Sat he­re in one of the bed­ro­oms of this un­tidy and squ­alid lit­tle ho­use I’ve fi­nal­ly ma­na­ged to fully ac­cept that I am a Ha­ter. The tit­le se­ems so wrong now but I can un­ders­tand why it was ori­gi­nal­ly gi­ven. To tho­se on the out­si­de - tho­se who ha­ven’t felt what I’m fe­eling now - our ac­ti­ons co­uld easily be mi­sin­terp­re­ted as be­ing dri­ven by ha­te. But they’re not. Everyt­hing I ha­ve do­ne to­day has be­en in self-de­fen­ce. I ha­ve kil­led to pre­vent myself from be­ing kil­led. Tho­se pe­op­le, tho­se ‘nor­mal’ pe­op­le, are the ones who cre­ate the ha­te. I can’t exp­la­in it. I can see it in the­ir eyes and I can al­most tas­te it in the air aro­und them. It’s li­ke a sixth sen­se, an ins­tinct. I sen­sed it co­ming off Harry and that was why I kil­led him. It was the sa­me with the man downs­ta­irs and it’ll be the sa­me with the next one I me­et. I’ll ke­ep go­ing and I’ll ke­ep kil­ling for as long as I ha­ve to.

    And now I fi­nal­ly be­gin to see whe­re this is go­ing. At last I’m star­ting to un­ders­tand why this who­le cri­sis has se­emed so end­less and di­rec­ti­on­less from the out­set. It’s us aga­inst them. The­re’s not go­ing to be a drawn match or a ce­ase­fi­re or any po­li­ti­cal ne­go­ti­ati­ons to re­sol­ve this. The­re won’t be an end to this figh­ting un­til one si­de has pre­va­iled and the enemy li­es de­ad at the­ir fe­et.

    

    It’s kill or be kil­led.

    

    Hate or be ha­ted.

    

    The light is be­gin­ning to fa­de and I’m re­ady to mo­ve. I’ve wa­ited un­til now ho­ping I’ll ga­in a lit­tle co­ver and pro­tec­ti­on from the dark­ness. I ta­ke so­me fo­od from the kitc­hen (the­re’s hardly anyt­hing worth sal­va­ging) and am re­ady to he­ad back out in­to the open.

    In the short ti­me I’ve spent in this ho­use my mo­od and emo­ti­ons ha­ve be­en swin­ging and chan­ging cons­tantly. Half of me fe­els ex­ci­ted and ali­ve be­ca­use of what I ha­ve be­co­me. Part of me fe­els free and un­rest­ra­ined for the first ti­me in as long as I can re­mem­ber and I’m re­li­eved to ha­ve fi­nal­ly wal­ked away from the parts of my li­fe I de­tes­ted. I fe­el physi­cal­ly strong, de­ter­mi­ned and full of energy and yet all of this co­unts for not­hing in the mo­ments that I find myself thin­king abo­ut the past. Liz­zie and I wo­uld ha­ve be­en to­get­her for ten ye­ars next ye­ar. We’ve bro­ught our child­ren up to­get­her and, alt­ho­ugh we’ve had our mo­ments, we’ve al­ways be­en clo­se. All of that has go­ne now and it hurts. I may be a Ha­ter, but I still fe­el pa­in. I wish that Liz, Ed­ward and Josh co­uld ha­ve chan­ged too. I ha­ve to stop thin­king abo­ut them. I’m strug­gling to ma­ke sen­se of my emo­ti­ons. I still lo­ve them but at the sa­me ti­me I know that if I had to I’d kill them in an ins­tant.

    As I walk thro­ugh the ho­use so­met­hing catc­hes my eye.

    In the li­ving ro­om, on a small ro­und tab­le next to a dirty, thre­ad­ba­re and ob­vi­o­usly well-used armc­ha­ir, is a bo­ok­let. A go­vern­ment-pro­du­ced bo­ok­let. It lo­oks cle­an and new and yet it’s stran­gely fa­mi­li­ar. I pick it up and start to le­af thro­ugh its pa­ges. I re­mem­ber re­ce­iving so­met­hing si­mi­lar thro­ugh the do­or a few months back when the­re was so­me ter­ro­rist thre­at or ot­her. The bo­ok­let is pretty ge­ne­ric, tel­ling the pub­lic what ac­ti­on to ta­ke in the event of an emer­gency. It co­vers bomb thre­ats and na­tu­ral di­sas­ters, that kind of thing. It tells pe­op­le to stay in the­ir ho­mes and tu­ne in to the ra­dio or TV for up­da­tes. It’s al­so got in­for­ma­ti­on abo­ut ad­mi­nis­te­ring ba­sic first aid, what sup­pli­es to ma­in­ta­in and emer­gency con­tact de­ta­ils. At the back are se­ve­ral pa­ges full of pro­pa­gan­da and rub­bish - how the co­untry is pre­pa­red for all even­tu­ali­ti­es and how the emer­gency ser­vi­ces will spring in­to ac­ti­on at the drop of a hat, that kind of gar­ba­ge. The­re are so­me lo­ose pa­ges that ha­ve be­en ad­ded to the gu­ide, and when I lo­ok at them I re­ali­se that this bo­ok­let was most pro­bably gi­ven to the ow­ner of this ho­use by the mi­li­tary af­ter the­ir vi­sit / ins­pec­ti­on / cle­an-up ope­ra­ti­on to­day. The ab­sen­ce of any re­al facts is un­surp­ri­sing and it im­me­di­ately smells li­ke mo­re po­li­ti­cal bul­lshit. Still, it’s in­te­res­ting to re­ad what they’re fi­nal­ly tel­ling the rest of the po­pu­la­ti­on abo­ut pe­op­le li­ke me.

    The pa­ges talk abo­ut what’s hap­pe­ned to us as be­ing an il­lness. It imp­li­es that this is so­me kind of in­fec­ti­on or di­se­ase that ca­uses a form of de­men­tia but it skirts aro­und the is­sue and do­esn’t use such di­rect lan­gu­age or pre­sent any hard facts. It says that a small pro­por­ti­on of the po­pu­la­ti­on - they sug­gest no mo­re than one in a hund­red pe­op­le - are sus­cep­tib­le to ‘the con­di­ti­on’. It talks abo­ut symptoms, sa­ying that pe­op­le who are af­fec­ted will be­co­me de­li­ri­o­us and will, at ran­dom, at­tack pe­op­le vi­olently and ir­ra­ti­onal­ly. Fuc­king idi­ots. The­re’s not­hing ran­dom or ir­ra­ti­onal abo­ut what I’ve do­ne to­day.

    What bot­hers me most of all is what I re­ad on the fi­nal ext­ra pa­ge. The bo­ok­let exp­la­ins how af­fec­ted pe­op­le are be­ing ro­un­ded up and ta­ken away and ‘tre­ated’. It do­esn’t ta­ke a ge­ni­us to work out that’s the re­ason for the trucks and the sol­di­ers wor­king the­ir way thro­ugh town. So what do­es this so-cal­led tre­at­ment in­vol­ve? From what I’ve se­en it’s li­mi­ted to a bul­let in the back of the he­ad.

    I’m was­ting my ti­me. I don’t want to re­ad any mo­re. I sho­ve the bo­ok­let in­to my bag and, af­ter chec­king the stre­et out­si­de is empty, I le­ave the ho­use and its de­ad ow­ner be­hind. I’ll ma­ke my way ac­ross town to Liz’s sis­ter’s ho­use and bring El­lis ho­me.

    I fe­el strong. Su­pe­ri­or to all of the pe­op­le who ha­ven’t chan­ged. I’m glad that I’m the one in a hund­red. I’d rat­her be li­ke this than li­ke them.

    

    

34

    

    I fe­el li­ke I’ve be­en run­ning for mi­les but I’ve slo­wed down now. I’ve re­ac­hed the ed­ge of town and the­re are fe­wer bu­il­dings and sha­dows to hi­de in. I don’t want to be se­en. I co­uld ha­ve ta­ken a car but the­re’s not­hing el­se on the ro­ads now and I wo­uld ha­ve drawn too much at­ten­ti­on to myself. I’ve lost track of ti­me. It’s early eve­ning and the light has al­most comp­le­tely go­ne. I’m cold, so­aked thro­ugh by the he­avy ra­in that’s be­en fal­ling for the last ho­ur or so, but that’s just a mi­nor physi­cal dis­com­fort and I still fe­el surp­ri­singly strong.

    I don’t know how long I’ve be­en out­si­de now but so far I’ve se­en only a co­up­le of ot­her pe­op­le. The air is still full of no­ise as the mi­li­tary try to ex­po­se us and flush us out in­to the open but the stre­ets are empty. I know the­re’s sup­po­sed to be a cur­few at night but I’m su­re that’s not the only re­ason why the­re’s no-one aro­und. Be­ing out in the open is too dan­ge­ro­us. Tho­se few pe­op­le I ha­ve se­en - the oc­ca­si­onal so­li­tary fi­gu­re that cre­eps ca­re­ful­ly thro­ugh the sha­dows li­ke me - I ha­ve kept away from. I don’t want to risk ma­king con­tact with an­yo­ne. Will they be li­ke me? Per­haps they will but I can’t af­ford to ta­ke any chan­ces. They co­uld be li­ke the rest of them. I’ll kill aga­in if I ha­ve to but I’m not lo­oking for tro­ub­le. Fin­ding El­lis is mo­re im­por­tant. To­night it fe­els as if the ‘nor­mal’ part of the po­pu­la­ti­on ha­ve be­en dri­ven in­to hi­ding in fe­ar of us.

    I think I’m pro­bably abo­ut half­way bet­we­en my flat and Liz’s sis­ter’s ho­use now. I had plan­ned to walk all night but I think it will be sen­sib­le to stop and ta­ke co­ver so­on. The­re are he­li­cop­ters over the city aga­in now and I fe­el ex­po­sed. Ins­tinct tells me it’ll so­on be too much of a risk to be out alo­ne in the dark­ness with the mi­li­tary swar­ming thro­ugh the stre­ets and the ski­es. If I tho­ught it was sa­fe to ke­ep go­ing I wo­uld. I’ll ta­ke this op­por­tu­nity to rest for a whi­le and eat.

    I can’t stop thin­king abo­ut El­lis. My po­or lit­tle girl is stuck in the mid­dle of a gro­up of pe­op­le who will turn aga­inst her at any ti­me and wit­ho­ut any war­ning. She’s in dan­ger and the­re’s not­hing I can do to help her. It might al­re­ady be too la­te but I can’t al­low myself to think li­ke that. I’ve cons­ci­o­usly tri­ed to block them from my mind but I find myself thin­king abo­ut Liz­zie, Ed­ward and Josh aga­in. Re­mem­be­ring them fills me with an over­po­we­ring sad­ness and re­mor­se. I won­der if they might even­tu­al­ly chan­ge too? Co­uld wha­te­ver has chan­ged wit­hin me be bu­ri­ed so­mew­he­re in­si­de them al­so? I’d li­ke to be­li­eve it co­uld but I don’t hold out much ho­pe. The go­vern­ment in­for­ma­ti­on I re­ad ear­li­er (if any of it was cor­rect) sa­id that just a small per­cen­ta­ge of the po­pu­la­ti­on we­re li­kely to be af­fec­ted. I sen­sed a dif­fe­ren­ce bet­we­en El­lis and the ot­hers too. She and I are ali­ke. We’re dif­fe­rent to them, I can fe­el it. I ha­ve to ac­cept that the rest of my fa­mily are lost.

    I’m he­ading out of the city now. I lo­ok back over my sho­ul­der and see that alt­ho­ugh the­re are still lights on in many bu­il­dings, the­re are al­so hu­ge swat­hes of town which are bat­hed in dark­ness. The po­wer must be down. It’s ine­vi­tab­le, I sup­po­se. This ‘chan­ge’ (wha­te­ver it is) might only be af­fec­ting a mi­no­rity, but it’s re­per­cus­si­ons are be­ing felt everyw­he­re. It’s te­aring so­ci­ety apart as qu­ickly as it dest­ro­yed my fa­mily.

    I turn a cor­ner and walk stra­ight in­to anot­her body co­ming the ot­her way, the first per­son I’ve co­me ac­ross for so­me ti­me. I im­me­di­ately ten­se myself, re­ady for the kill. I push the dark fi­gu­re back and clench my fists re­ady to stri­ke. I sta­re thro­ugh the dark­ness in­to the ot­her per­son’s fa­ce and… and it’s okay. The­re is no an­ger, no ha­te and no thre­at. The mu­tu­al uns­po­ken fe­eling of re­li­ef is im­men­se. This per­son is li­ke me and we both know that ne­it­her of us has anyt­hing to fe­ar from the ot­her.

    ‘You okay?’ I ask, ke­eping my vo­ice low.

    The ot­her per­son nods and walks on.

    

***

    

    I can he­ar en­gi­nes in the dis­tan­ce. The mi­li­tary are still mo­ving thro­ugh the dark city be­hind me and they are clo­ser now. The­re are mo­re he­li­cop­ters craw­ling thro­ugh the sky too. I can see fo­ur of them ho­ve­ring omi­no­usly, swe­eping over the stre­ets and oc­ca­si­onal­ly il­lu­mi­na­ting the gro­und be­low them with im­pos­sibly bright spot­lights. It’s de­fi­ni­tely ti­me to get un­der co­ver.

    I cross over a low sto­ne brid­ge which spans a si­lent ra­il­way track. Ahe­ad of me is the dark sil­ho­u­et­te of a hu­ge fac­tory or wa­re­ho­use and, on the ot­her si­de of the ro­ad, a bu­il­ding si­te. As I get clo­ser I see that it’s the be­gin­nings of a new ho­using es­ta­te. The­re are a few ho­uses al­most comp­le­ted just off the ma­in ro­ad and they are sur­ro­un­ded by the shells of ot­her par­ti­al­ly const­ruc­ted bu­il­dings. The half-bu­ilt walls and wo­oden fra­mes jut­ting up in­to the air ma­ke it hard to tell whet­her the ho­uses are go­ing up or co­ming down. It’s a si­lent and de­so­la­te pla­ce and it se­ems a sen­sib­le pla­ce to stop and shel­ter for a whi­le.

    The pa­ving slabs and tar­mac be­ne­ath my fe­et gi­ve way to gra­vel and dirt. I fol­low the muddy and une­ven ro­ute de­eper in­to the cent­re of the bu­il­ding si­te and find myself wal­king along a row of six ho­mes of var­ying sha­pes, si­zes and deg­re­es of const­ruc­ti­on. The gro­und has be­en so badly chur­ned by mac­hi­nery he­re that it ta­kes me a whi­le to re­ali­se that I’m ac­tu­al­ly wal­king thro­ugh the fu­tu­re back gar­dens of the­se bu­il­dings, not ac­ross the front. I won­der whet­her any of the­se ho­uses will ever be fi­nis­hed now? The three furt­hest from me ap­pe­ar to be the most comp­le­te and I he­ad to­wards them. The­ir win­dows and do­ors are co­ve­red with grey me­tal gril­les. All ex­cept the mid­dle one of the three. The gril­le which co­ve­red the spa­ce whe­re its back do­or was in­ten­ded to go has be­en pri­sed off. It’s lying on the gro­und in a pud­dle of mud, buck­led and use­less. I’m stan­ding in front of the do­or­way now lo­oking in­si­de. Has so­me­one be­en he­re? I re­ali­se that the­re co­uld still be pe­op­le in­si­de but I ne­ed to stop. Sho­uld I go in? Is it sa­fe? Sen­sing that no-whe­re’s sa­fe any­mo­re I climb the step and ca­uti­o­usly en­ter the bu­il­ding. If the­re is an­yo­ne in the­re and they’re not li­ke me I’ll kill them.

    Footsteps in the dark­ness. Sud­den mo­ve­ment.

    I try to mo­ve back but be­fo­re I can re­act a fi­gu­re is on top of me. My legs are kic­ked out from un­der me and I’m sent flying back ac­ross the hard conc­re­te flo­or. I can’t see anyt­hing. I try to kick and punch myself free and stand up but be­fo­re I can mo­ve I’m knoc­ked back down aga­in. I can fe­el so­me­one pres­sing down on my ank­les and so­me­one el­se has the­ir hands on my sho­ul­ders, ke­eping me flat on the gro­und. The­re’s a third per­son in he­re. I can see the­ir sha­dow mo­ving past the do­or­way.

    ‘Think he’s sa­fe?’ so­me­one asks. They switch on a torch and the unex­pec­ted bright­ness burns my eyes.

    ‘Turn it off,’ I he­ar anot­her one of them say in a lo­ud, re­li­eved whis­per. ‘He’s all right.’

    As qu­ickly as the hands grab­bed hold of me they now let go. I shuf­fle back ac­ross the flo­or, put­ting as much dis­tan­ce as I can bet­we­en me and who­ever el­se is in he­re. The light in the half-fi­nis­hed ho­use is li­mi­ted and I’m strug­gling to see anyt­hing. So­me­one’s mo­ving just ahe­ad of me. I know the­re are at le­ast three pe­op­le in he­re but are the­re any mo­re? The torch is switc­hed on aga­in.

    ‘Take it easy, ma­te,’ one of them says. ‘We’re not go­ing to hurt you.’

    I don’t know if I be­li­eve him. I don’t know if I be­li­eve an­yo­ne any­mo­re.

    The fi­gu­re hol­ding the torch shi­nes the light in­to the­ir own fa­ce. It’s a man, per­haps mid-to-la­te twen­ti­es. I know ins­tantly that he’s li­ke me and that I’m sa­fe with him. And if this man is no thre­at then the pe­op­le who are with him are no thre­at eit­her.

    ‘What’s yo­ur na­me?’ he asks.

    ‘Danny,’ I tell him, ‘Danny McCoy­ne.’

    ‘Been li­ke this for long, lo­ve?’ asks a wo­man’s vo­ice.

    ‘What?’ I mumb­le back.

    ‘Been long sin­ce it hap­pe­ned?’ she asks, reph­ra­sing her qu­es­ti­on. I as­su­me she’s tal­king abo­ut what hap­pe­ned at ho­me when I kil­led Harry and lost my fa­mily.

    ‘Few ho­urs,’ I mumb­le, my thro­at dry. ‘Not su­re…’

    ‘I’m Pat­rick,’ the man hol­ding the torch says, hol­ding out his hand. I’m not su­re whet­her he wants me to sha­ke it or whet­her he’s go­ing to pull me up. I re­ach out and he helps me to stand. ‘Hap­pe­ned to me three days ago,’ he con­ti­nu­es. ‘Sa­me for Nancy he­re. That’s Cra­ig,’ he says, po­in­ting the torch at the third per­son ac­ross the ro­om. ‘Yes­ter­day af­ter­no­on, wasn’t it, Cra­ig?’

    ‘Just af­ter din­ner,’ Cra­ig ans­wers. Pat­rick shi­nes the torch at him but it only il­lu­mi­na­tes a small part of a hu­ge ex­pan­se of belly. Cra­ig is im­men­se.

    ‘So what hap­pe­ned?’ Nancy asks. ‘Anyo­ne clo­se?’

    ‘My part­ner’s dad,’ I exp­la­in, fe­eling so­me sad­ness but no re­mor­se or gu­ilt over what I’ve do­ne. ‘He just tur­ned on me. Tho­ught he was go­ing to kill me so I…’

    ‘Had to get him first?’ she in­ter­rupts, fi­nis­hing my sen­ten­ce for me. My eyes are get­ting used to the dark­ness in the ho­use now. I can see Nancy nod­ding and I im­me­di­ately know that she comp­le­tely un­ders­tands what I had to do and why I had to do it, even if I’m still not su­re myself. ‘Everyt­hing will start to ma­ke mo­re sen­se so­on,’ she tells me. ‘I was just the sa­me when it hap­pe­ned to me. Ha­ted myself for do­ing it but I didn’t ha­ve any cho­ice. I’d be­en with John for al­most thirty ye­ars and we’d hardly spent a day apart in all that ti­me. It was just li­ke so­me­one had flic­ked a switch. I knew I had to do it.’

    This is in dan­ger of tur­ning in­to a co­medy of er­rors. Ha­ve they all kil­led? I ask the qu­es­ti­on wit­ho­ut re­ali­sing I’m spe­aking out lo­ud.

    ‘Suppose it just de­pends whe­re you are when it hap­pens,’ Pat­rick says. ‘Cra­ig hasn’t kil­led an­yo­ne yet, which is a surp­ri­se when you lo­ok at the si­ze of the bug­ger!’

    Nancy ta­kes up Cra­ig’s story.

    ‘Tried tho­ugh, didn’t you, lo­ve,’ she sighs. In the circ­le of torch­light I see him nod. ‘Bunch of them had you cor­ne­red at work, didn’t they?’

    ‘I was pic­king or­ders in the wa­re­ho­use with fo­ur of them,’ the gi­ant of a man exp­la­ins in a surp­ri­singly soft vo­ice. ‘Didn’t know what was hap­pe­ning. I star­ted on one of them but the­re we­re too many. They shut me in one of the of­fi­ces but I ma­na­ged to get out of a win­dow. All I co­uld do was run.’

    This con­ver­sa­ti­on is bi­zar­re and un­com­for­tably sur­re­al. It only be­co­mes be­li­evab­le aga­in when I re­mem­ber the fact that I’ve kil­led twi­ce to­day. How co­uld that be? Christ, un­til this mor­ning I hadn’t even hit an­yo­ne in tem­per, let alo­ne kil­led them. Pat­rick pas­ses me a bot­tle of wa­ter which I drink from thirs­tily.

    ‘What abo­ut you?’ I ask him.

    ‘I kil­led,’ he ans­wers. ‘Don’t know who the guy was, I just had to do it li­ke the rest of you. He was just sto­od the­re sta­ring at me as I was get­ting in­to the car…’

    ‘…and?’’

    ‘And I mo­wed him down. Star­ted the en­gi­ne, cha­sed him down the stre­et and I mo­wed him down. Pretty much wro­te the car off too. Just kept dri­ving along with him un­der the whe­els. I didn’t know what el­se to do. Tri­ed to go back ho­me but when I got the­re I saw that my girl was just li­ke the rest of them and…’

    ‘…and you know the rest of the story,’ Cra­ig grumb­les. ‘You just ha­ve to do it, don’t you?’

    ‘It fe­els li­ke se­cond na­tu­re,’ Pat­rick says qu­i­etly. ‘It’s ins­tinc­ti­ve. It’s ani­mal ins­tinct.’

    The ro­om falls si­lent.

    ‘So what hap­pens now?’ I ask.

    ‘Who knows,’ Nancy ans­wers. ‘My gu­ess is we’ll just ke­ep kil­ling each ot­her un­til eit­her we’re all go­ne or they are. Crazy, isn’t it?’

    It’s hard to get my he­ad ro­und the fact that this wo­man (who lo­oks li­ke any ot­her ave­ra­ge wi­fe / mot­her / da­ugh­ter / sis­ter / aunt) is tal­king so mat­ter-of-factly abo­ut kil­ling. In the days sin­ce she’s chan­ged she se­ems to ha­ve re­lin­qu­is­hed every as­pect of her for­mer li­fe and is now pre­pa­red to kill to stay ali­ve her­self. At mo­ments li­ke this it all se­ems be­yond be­li­ef. Nancy lo­oks mo­re li­kely to ba­ke you a ca­ke than kill you. I sha­ke my he­ad in be­wil­der­ment as Cra­ig gets up and drags a wo­oden bo­ard ac­ross the open do­or­way, bloc­king out the last shards of light co­ming in from out­si­de.

    

    

35

    

    ‘So how much of it ha­ve you wor­ked out then?’ Pat­rick asks. We’re both ups­ta­irs in what was pro­bably des­ti­ned to be the mas­ter bed­ro­om of the half-fi­nis­hed ho­use, sit­ting with our backs to the re­cently plas­te­red wall. The sky has cle­ared now and the mo­on is pro­vi­ding li­mi­ted but wel­co­me il­lu­mi­na­ti­on thro­ugh the gril­le over the win­dow. I’m ti­red and I don’t want to talk but I can’t avo­id ans­we­ring his qu­es­ti­on.

    ‘Haven’t got a blo­ody clue what’s go­ing on,’ I ans­wer ho­nestly. ‘This is as clo­se as I’ve ma­na­ged to get,’ I say as I ta­ke the fol­ded-up bo­ok­let from my bag and pass it to him. He scans the pa­ges by the light of his torch and smi­les wryly to him­self.

    ‘Good stuff, this!’ he la­ughs sar­cas­ti­cal­ly.

    ‘Took it from a ho­use I hid in,’ I tell him. ‘Do­esn’t say much.’

    ‘When did you last get anyt­hing from the go­vern­ment that did?’

    He shuts the bo­ok­let and throws it down on­to the ba­re flo­or­bo­ards.

    ‘It’s not li­ke the­re’s an­yo­ne you can ask abo­ut it, is the­re?’ I say. ‘I still don’t know if an­yo­ne re­al­ly knows what’s hap­pe­ning.’

    ‘Someone knows,’ he mut­ters, ‘they must do. You can bet that from the se­cond the first per­son chan­ged, so­me go­vern­ment de­part­ment so­mew­he­re has be­en analy­sing us and cut­ting up pe­op­le li­ke you and me and…’

    ‘Cutting up pe­op­le?’

    ‘I’m exag­ge­ra­ting,’ he con­ti­nu­es, ‘but you know what I’m sa­ying, don’t you? They’ll ha­ve had a te­am of top sci­en­tists sit­ting in so­me lab so­mew­he­re wor­king out what’s hap­pe­ned to us. They’ll be wor­king on a cu­re.’

    ‘You rec­kon?’

    He shrugs his sho­ul­ders.

    ‘Maybe. Wha­te­ver hap­pens they’ll be trying to find a way of stop­ping us do­ing what we do.’

    I know he’s right. We’re a thre­at to them. Far mo­re of a thre­at than any enemy they might ha­ve bat­tled with pre­vi­o­usly.

    ‘I don’t want to be cu­red,’ I say, surp­ri­sing even myself with my ad­mis­si­on. ‘I want to stay li­ke this. I don’t want to go back to be­ing one of them.’

    Patrick nods and switc­hes off his torch. In the dark­ness I find myself thin­king abo­ut El­lis aga­in. I know that it’s only a mat­ter of ti­me be­fo­re she chan­ges if she hasn’t al­re­ady. I’ve tri­ed to con­vin­ce myself that she’ll be all right but I know that as long as she’s with the ot­hers she’s in dan­ger. The har­dest thing to co­me to terms with to­day - har­der even than everyt­hing I’ve lost - is the fact that Liz­zie, the per­son who car­ri­ed my lit­tle girl and who has pro­vi­ded her with mo­re sa­fety and se­cu­rity than an­yo­ne el­se, is now the one who po­ses the big­gest thre­at to her. The pa­in I fe­el when I think abo­ut El­lis to­night is in­desc­ri­bab­le. May­be I sho­uld try and get to her now. Po­or lit­tle thing do­esn’t know what’s go­ing to hap­pen. She hasn’t got a clue…

    ‘Don’t say a lot, do you?’ Pat­rick pus­hes. He’s be­gin­ning to get on my ner­ves but I sen­se that he has a ne­ed to talk. He’s as ner­vo­us, sca­red and con­fu­sed as I am so I don’t re­ta­li­ate.

    ‘Not much to say, is the­re?’ I grunt back.

    ‘So who are you thin­king abo­ut?’

    Very per­cep­ti­ve. I pa­use but then de­ci­de to ans­wer him. May­be it will help.

    ‘My lit­tle girl. She’s li­ke us.’

    ‘Why isn’t she with you?’

    ‘Because of her mot­her. I was in the ho­use with the who­le fa­mily when it hap­pe­ned. I knew that El­lis was li­ke me and I tri­ed to get her but…’

    ‘But what?’

    ‘Lizzie got to her be­fo­re me. Smac­ked me aro­und the fa­ce with a blo­ody me­tal pi­pe. Next thing I knew she’d go­ne and ta­ken all the kids with her.’

    Patrick sha­kes his he­ad.

    ‘Too bad,’ he mumb­les. ‘Hurts when you lo­se them, do­esn’t it?’

    I nod, but I don’t know if he no­ti­ces my res­pon­se.

    ‘What abo­ut you?’ I ask. ‘You sa­id so­met­hing ear­li­er abo­ut yo­ur part­ner…’

    He do­esn’t ans­wer for a few long se­conds.

    ‘Like I sa­id, I ma­na­ged to get back ho­me af­ter it hap­pe­ned. You know al­most be­fo­re you see them that they ha­ven’t chan­ged, don’t you? I did what I had to do.’

    I don’t know what he me­ans by that. Did he kill her? I qu­ickly de­ci­de that it’s pro­bably not a go­od idea to ask. For a mo­ment I think that’s the end of the con­ver­sa­ti­on but then Pat­rick spe­aks aga­in.

    ‘Got it all wrong, didn’t they?’ he says.

    ‘What?’

    ‘The pa­pers and the TV and all that,’ he exp­la­ins, ‘ma­de us out to be the vil­la­ins of the pi­ece, didn’t they?’

    ‘To them we are.’

    ‘Made it out to be us that ha­ted them…’

    ‘I ne­ver ha­ted an­yo­ne,’ I tell him, ‘at le­ast not li­ke they sa­id on the news.’

    In the mo­on­light I watch as Pat­rick nods kno­wingly. He’s not stu­pid. He’s spent the last three days thin­king abo­ut what I’ve only had a few ho­urs to try and un­ders­tand.

    ‘Know what I think?’

    ‘What?’ I reply, yaw­ning.

    ‘They cal­led us the Ha­ters, be­ca­use from the­ir pers­pec­ti­ve all we’re do­ing is at­tac­king and kil­ling. That’s how it lo­oked to me be­fo­re I chan­ged. You ag­ree?’

    ‘Suppose.’

    ‘But the fact of the mat­ter is that every­body ha­tes. They’re just as bad as we are. They want us de­ad as much as we want to get rid of them. You can fe­el the ha­te co­ming off them, can’t you? Even if they’re not ca­pab­le of sho­wing it li­ke we are or de­aling with it li­ke we do, they want us de­ad. So all we’re do­ing is pro­tec­ting our­sel­ves. You just know that you ha­ve to do it, don’t you? You ha­ve to kill them be­fo­re they get to you.’

    ‘We’re as bad as each ot­her then,’ I sug­gest.

    ‘Maybe. Li­ke I sa­id every­body ha­tes, we’re just bet­ter at de­aling with it than they are. We ha­ve to lo­ok af­ter our­sel­ves and if it me­ans dest­ro­ying them, then that’s what we ha­ve to do.’

    ‘Problem is they fe­el exactly the sa­me…’

    ‘I know. But they’re not as physi­cal or ag­gres­si­ve as we are and that’s whe­re we ha­ve the ad­van­ta­ge. They don’t mo­ve qu­ickly eno­ugh. They’ll pay the pri­ce even­tu­al­ly.’

    ‘So what is it that’s chan­ged?’ I ask. ‘And why now? Why has this hap­pe­ned to so­me of us and not ot­hers? Why has it hap­pe­ned at all?’

    ‘Now that’s the big qu­es­ti­on, isn’t it? That’s the one I can’t work out the ans­wer to, and you can bet we won’t find any clu­es in yo­ur blo­ody go­vern­ment broc­hu­re eit­her.’

    ‘But what do you think’s ca­used it?’

    ‘Don’t know. I’ve co­me up with abo­ut a hund­red pos­sib­le exp­la­na­ti­ons so far,’ he chuck­les, ‘but they’re all bul­lshit!’

    ‘Is it a di­se­ase? Ha­ve we ca­ught so­met­hing?’

    He sha­kes his he­ad.

    ‘Maybe we ha­ve. The way I lo­ok at it the­re’s two pos­sib­le exp­la­na­ti­ons. Eit­her it is a vi­rus or so­met­hing li­ke that, or may­be so­met­hing has hap­pe­ned to ever­yo­ne. Pe­op­le li­ke you and me ha­ve be­en af­fec­ted by it, the rest of them ha­ven’t chan­ged at all.’

    ‘Something li­ke what?’

    ‘I don’t know… may­be so­me­one put so­met­hing in the wa­ter? Per­haps the pla­net’s drif­ted thro­ugh a clo­ud of blo­ody spa­ce gas or so­met­hing! May­be it’s just evo­lu­ti­on? Na­tu­re ta­king its co­ur­se…’

    Patrick chuck­les to him­self aga­in. The ro­om then be­co­mes si­lent and the qu­i­et gi­ves me chan­ce to con­si­der what he’s just sa­id. He co­uld be right. If this was a vi­rus or di­se­ase, su­rely mo­re pe­op­le wo­uld ha­ve be­en di­rectly af­fec­ted? Everyt­hing is so scre­wed up to­night that all of his di­sj­o­in­ted and un­subs­tan­ti­ated the­ori­es so­und pla­usib­le.

    ‘So how many pe­op­le li­ke us do you think the­re are?’ I ask, kno­wing that he can’t do anyt­hing ot­her than gu­ess at the ans­wer.

    ‘No idea,’ he rep­li­es. ‘Last thing I re­mem­ber he­aring they we­re tal­king abo­ut a small mi­no­rity of pe­op­le, and that’s what it says in yo­ur bo­ok­let he­re. But I think it’s big­ger than an­yo­ne’s let­ting on. Chan­ces are no-one knows how big it is.’

    ‘And how wi­desp­re­ad? Su­rely this can’t just be hap­pe­ning he­re?’

    ‘It spre­ad up and down the co­untry qu­ickly eno­ugh, didn’t it? So if one co­untry’s be­en af­fec­ted…’

    ‘…then why not everyw­he­re el­se?’

    ‘Exactly.’

    ‘So whe­re do­es it end?’

    More si­len­ce.

    ‘Don’t know. Don’t even know if I want to think abo­ut it. We ha­ve to ke­ep figh­ting to stay ali­ve, and you can bet they’re go­ing to be do­ing exactly the sa­me thing. So we can only ke­ep run­ning and ke­ep kil­ling,’ he rep­li­es, ‘be­ca­use if we don’t get them, they’ll get us.’

    

    

36

    

    Patrick has fi­nal­ly shut up. I lie on the cold flo­or and try to sle­ep and rest my bra­in and my body. I can’t stop thin­king abo­ut El­lis. In the mor­ning, I de­ci­de, I’ll carry on to­wards Liz’s sis­ter’s ho­use and lo­ok for her the­re. I just pray that not­hing hap­pens be­fo­re I re­ach her.

    In the mor­ning I might risk ta­king a car for spe­ed. I fe­el strong and calm and I’m pre­pa­red to walk the rest of the way but I’ll be qu­ic­ker dri­ving, al­be­it much mo­re ex­po­sed and vul­ne­rab­le. It do­esn’t se­em to mat­ter now. What I’m do­ing fe­els so right. The li­fe I’ve left be­hind se­ems mo­re ali­en and un­na­tu­ral with each pas­sing mi­nu­te. I wo­uldn’t go back to it now, even if I had the cho­ice. I just wish that Liz­zie, Ed­ward and Josh co­uld be li­ke El­lis and me.

    There’s mo­re no­ise out­si­de. It’s early in the mor­ning - two or three o’clock I think - and the­re’s a cons­tant stre­am of so­und co­ming from the mid­dle of town. I can he­ar mo­re trucks and he­li­cop­ters. Mo­re pat­rols flus­hing pe­op­le out. Wha­te­ver hap­pens to­mor­row I know I’ll ha­ve to le­ave he­re. I don’t want to stay in one pla­ce for too long. I’ll ke­ep mo­ving un­til I find El­lis and then, when I’ve got her back, we’ll run to­get­her. We’ll find so­mew­he­re sa­fe whe­re the­re are mo­re pe­op­le li­ke us, well away from tho­se that ha­te us. And if we can’t find anyw­he­re sa­fe then we’ll kill and dest­roy as many of them as we ha­ve to. It’s li­ke the man sa­id, we ha­ve to kill them be­fo­re they kill us.

    I’ll sle­ep now and ma­ke my mo­ve at first light.

    

 

SATURDAY

37

    

    ‘Get out!’ a ter­ri­fi­ed vo­ice scre­ams over a god-awful no­ise. ‘For Christ’s sa­ke, get out of he­re!’

    I sit up qu­ickly. My body ac­hes from sle­eping on the ba­re flo­or­bo­ards. The half-bu­ilt ho­use is fil­led with a de­afe­ning thum­ping so­und. I run to the win­dow and push my fa­ce aga­inst the grey me­tal gril­le, des­pe­ra­te to see out­si­de. The­re’s a he­li­cop­ter ho­ve­ring ne­arby. It’s not di­rectly over the bu­il­ding si­te but it’s clo­se eno­ugh and I know that it’s pe­op­le li­ke us they’re lo­oking for. I lo­ok aro­und and see that I’m alo­ne. Pat­rick’s go­ne but his stuff is still he­re.

    Shit. The­re’s a truck at the end of the gra­vel track and sol­di­ers are al­re­ady pi­ling out of the back of it and run­ning to­wards the­se ho­uses. I ha­ve to mo­ve. I grab my bag and he­ad for the do­or. I can he­ar a lo­ud­ha­iler out­si­de, so­me­one sho­uting a war­ning abo­ut stan­ding still and not mo­ving and… gun fi­re. I run back to the win­dow and lo­ok down aga­in and now I can see Cra­ig fa­ce down in a pud­dle of mud, a rif­le-wi­el­ding sol­di­er stan­ding over his fal­len bulk with his still smo­king gun aimed at the back of his he­ad. I can see Pat­rick and Nancy too, both trying to get away. Mo­re tro­ops swarm aro­und them qu­ickly, cut­ting off the­ir es­ca­pe ro­ute as anot­her truck ar­ri­ves.

    I ha­ve to get away from he­re. May­be I co­uld get up in­to the loft spa­ce and hi­de or sho­uld I just try and ma­ke a run for it? Is it too high to jump down from one of the win­dows up he­re? I can’t al­low myself to get ca­ught. I ha­ve to get out of he­re and get El­lis. Now I can he­ar fo­ots­teps downs­ta­irs. Lo­ud, he­avy, clun­king fo­ots­teps. Christ, they pro­bably al­re­ady know I’m up he­re. I run to­wards one of the smal­ler back ro­oms and me­et a mas­ked sol­di­er co­ming the ot­her way. I try to push past him but the fuc­ker punc­hes me in the fa­ce and be­fo­re I can re­act I’m flat on my back lo­oking up at the ce­iling. I try to stand up but ro­ugh hands grab my arms and I’m drag­ged downs­ta­irs. The­re’s no po­int figh­ting I think as I try not to pa­nic. My only op­ti­on now is to wa­it un­til I’m out­si­de and then try to run. But then I think of that po­or bas­tard Cra­ig, fa­ce down, rid­dled with bul­lets. Co-ope­ra­te with them I de­ci­de, des­pi­te the fact that every sing­le ner­ve, si­new and fib­re of my body wants to fight the­se ani­mals and dest­roy them.

    I’m drag­ged thro­ugh the hal­lway and kitc­hen and then out of the bu­il­ding. They sho­ve me to­wards the truck whe­re Nancy and Pat­rick stand tremb­ling. I trip and fall to my kne­es in the mud clo­se to Pat­rick’s fe­et.

    ‘Get up!’ one of the sol­di­ers scre­ams in my ear and a hand grabs me by the scruff of my neck and pulls me up. Pat­rick lo­oks at me. I see des­pe­ra­ti­on, ter­ror and frust­ra­ti­on in his frigh­te­ned eyes.

    What now, I think to myself? Co­me on, if you’re go­ing to kill me just do it. Let’s get it over with. The­re are guns po­in­ted at us, but su­rely they’d ha­ve shot us by now if they we­re go­ing to? I lo­ok up at the ne­arest sol­di­er. A dark vi­sor obs­cu­res his eyes but I can sen­se the ha­te co­ming off him li­ke the stench of de­cay. Two mo­re uni­for­med fi­gu­res emer­ge from the front of the first truck and walk to­wards us. One of them is car­rying one of the flat com­pu­ters I’ve se­en them using be­fo­re. The ot­her has a smal­ler elect­ro­nic de­vi­ce held in one hand. I can’t see what it is. They mo­ve qu­ickly. One of them sho­ves me back aga­inst the si­de of the truck whi­le the ot­her holds the small de­vi­ce up to my thro­at. The­re’s a split-se­cond hiss of air then I fe­el a sud­den, stin­ging pa­in in the si­de of my neck li­ke an in­sect bi­te. They let me go and turn the­ir at­ten­ti­on to Pat­rick then Nancy, do­ing exactly the sa­me to both of them. Bi­zar­rely they then use the mac­hi­ne on Cra­ig’s de­ad body.

    We stand in a li­ne at the si­de of the truck, si­lent and not da­ring to mo­ve. The sol­di­ers con­nect the hand­held de­vi­ce to the­ir com­pu­ter and study the scre­en.

    ‘Well?’ asks one of the ot­her tro­ops from a short dis­tan­ce away.

    ‘All of them,’ the com­pu­ter ope­ra­tor rep­li­es.

    ‘Any IDs?’

    ‘Just one, Pat­rick Cril­ley,’ he says, po­in­ting at him. Pat­rick lo­oks an­xi­o­usly from si­de to si­de. ‘Can’t match the ot­hers.’

    The first sol­di­er turns away and ma­kes a dis­mis­si­ve hand sig­nal to the ot­her tro­ops who still sur­ro­und us with the­ir guns ra­ised. I bi­te my lip and for­ce myself not to re­act as one of them grabs my sho­ul­der and pus­hes me to­wards the back of the truck.

    ‘In,’ he grunts. I stand my gro­und and sta­re in­to his vi­sor. Two mo­re of them co­me at me from the si­de and, grab­bing a leg each, they lift me up and sho­ve me thro­ugh a grubby tar­pa­ulin co­ver and in­to the truck. I land flat on my fa­ce in the dark­ness and, be­fo­re I can mo­ve, Pat­rick and Nancy land he­avily on top of me. My fa­ce is pres­sed hard aga­inst the dirty flo­or and I’m sho­ved furt­her down as the ot­her two strug­gle to di­sen­tang­le them­sel­ves from each ot­her.

    ‘You’re all right,’ a vo­ice that I don’t re­cog­ni­se whis­pers from clo­se to whe­re I’ve fal­len. ‘You’re with fri­ends he­re.’

    Whoever’s on top of me ma­na­ges to drag them­sel­ves up on­to the­ir fe­et and I’m fi­nal­ly ab­le to get up myself. I try and stand but the en­gi­ne of the truck is star­ted and the sud­den lurc­hing mo­ve­ment as it pulls away ca­uses me to fall aga­in. So­me­one helps me up and, for the first ti­me, I’m ab­le to lo­ok aro­und. I co­unt the dark sha­pes of se­ven­te­en ot­her pe­op­le in he­re inc­lu­ding Pat­rick and Nancy. The light is po­or but I know im­me­di­ately that they’re all li­ke me. Se­ven­te­en men, wo­men and child­ren just li­ke me.

    

    

38

    

    We’ve be­en dri­ving for what fe­els li­ke ho­urs but I know it hasn’t be­en anyw­he­re ne­ar that long. We pa­used anot­her fi­ve (might ha­ve be­en six) ti­mes to pick up mo­re pe­op­le but it’s be­en a whi­le sin­ce we last stop­ped. The­re are now twenty-eight of us in he­re I think. It’s a re­li­ef to be with so many pe­op­le li­ke me but spa­ce is li­mi­ted and it’s hot and blo­ody un­com­for­tab­le in he­re. I as­su­me the truck is full now, so whe­re the hell are they ta­king us? My ho­me and fa­mily and everyt­hing el­se that’s go­ne se­ems a mil­li­on mi­les away. I know that the dis­tan­ce bet­we­en me and El­lis is inc­re­asing with every mi­nu­te I spend trap­ped in this blo­ody truck.

    The tar­pa­ulin co­ver over our he­ads blocks out most of the light so it’s dif­fi­cult to see much in he­re. I’ve ma­na­ged to drag myself over to one si­de of the ve­hic­le and so­me­one ne­arby has be­en ab­le to lift up a small flap of ma­te­ri­al. I can’t see very much thro­ugh the gap, just the ed­ge of the ro­ad rus­hing by. We’ve not slo­wed to ta­ke any tur­nings for so­me ti­me. We must be on a ma­j­or ro­ad and it must be vir­tu­al­ly empty. I’m prac­ti­cal­ly blind and I can’t he­ar anyt­hing over the clat­te­ring en­gi­ne of the truck and the rumb­le of the whe­els on the tar­mac. The world fe­els ali­en and de­so­la­te and the di­so­ri­en­ta­ti­on of the jo­ur­ney ma­kes it a hund­red ti­mes wor­se.

    The few fa­ces I can ma­ke out ne­arest to me ap­pe­ar be­aten, empty and exp­res­si­on­less. No-one un­ders­tands what’s hap­pe­ned to them or why. Pe­op­le are too frigh­te­ned and con­fu­sed to talk and so re­ma­in si­lent and sub­du­ed. The­re’s no con­ver­sa­ti­on, just the odd whis­pe­red word. I wish the­re was so­me dist­rac­ti­on. Wit­ho­ut anyt­hing el­se to oc­cupy my mind all I can do is re­mem­ber El­lis and al­so think abo­ut what might be wa­iting for me at the end of this jo­ur­ney. Whe­re are we be­ing ta­ken, and what’s go­ing to hap­pen when we get the­re? So­me­one ne­ar the back ma­kes a half-he­ar­ted at­tempt to open the back of the truck. For a few se­conds an es­ca­pe se­ems pos­sib­le un­til we find that the tar­pa­ulin has be­en se­cu­red from out­si­de. We’re trap­ped in he­re.

    There’s a girl sit­ting next to me who is gra­du­al­ly be­co­ming mo­re and mo­re agi­ta­ted. I’ve cons­ci­o­usly tri­ed not to sta­re at an­yo­ne in the se­mi-dark­ness but I’ve se­en eno­ugh to know that she’s yo­ung and pretty alt­ho­ugh her fa­ce is ti­red and grubby and is stre­aked with te­ars. She’s in her la­te te­ens I think, may­be ol­der. She’s le­aning aga­inst me and I can fe­el her body sha­king. She’s be­en sob­bing for so­me ti­me. Christ, I’m sca­red, how the hell must she be fe­eling? She lo­oks up at me and ma­kes eye con­tact for the first ti­me.

    ‘I fe­el sick,’ she whim­pers. ‘I think I’m go­ing to be ill.’ I’m no go­od at de­aling with vo­mit. Ple­ase don’t throw up, I think to myself.

    ‘Take de­ep bre­aths,’ I sug­gest, ‘it’s pro­bably just ner­ves. Try and ta­ke so­me de­ep bre­aths.’

    ‘It’s not ner­ves,’ she says, ‘I get tra­vel sick.’

    Great. Wit­ho­ut thin­king I hold her arm and start to rub her back with my ot­her hand. It’s mo­re of a com­fort for me than anyt­hing el­se.

    ‘What’s yo­ur na­me?’ I ask, ho­ping that I might be ab­le to dist­ract her and ta­ke her mind off how ill she’s fe­eling.

    ‘Karin,’ she rep­li­es.

    And now I’m stuck for so­met­hing to say. What can I talk to her abo­ut? If she’s anyt­hing li­ke me she’ll ha­ve fo­und she’s sud­denly be­co­me a ho­me­less, fa­mily and fri­end-less kil­ler. The­re’s no po­int trying to ma­ke small talk. Blo­ody idi­ot, I wish I hadn’t sa­id anyt­hing.

    ‘Do you think we’re go­ing to be in he­re much lon­ger,’ she asks, her bre­at­hing sud­denly shal­low.

    ‘No idea,’ I ans­wer truth­ful­ly.

    ‘Where are they ta­king us?’

    ‘Don’t know. Lo­ok, the best thing you can do is try and ta­ke yo­ur mind off it. Just find so­met­hing el­se to con­cent­ra­te on and…’

    It’s too la­te, she’s be­gin­ning to he­ave. She grabs my hand as she starts to con­vul­se. I try and turn her aro­und so she can be sick out thro­ugh the small gap in the tar­pa­ulin but the­re’s not eno­ugh spa­ce and not eno­ugh ti­me. She throws up, splat­te­ring the in­si­de of the truck and my bo­ots and tro­users with pu­ke.

    ‘Sorry,’ she mo­ans as the smell hits me. I’m strug­gling to cont­rol my own sto­mach now. I can tas­te bi­le in the back of my thro­at and I can he­ar ot­her pe­op­le gag­ging and gro­aning in dis­gust all aro­und me.

    ‘Doesn’t mat­ter,’ I mumb­le. The in­si­de of the truck, which was al­re­ady hot and musty be­ca­use of the she­er num­ber of pe­op­le trap­ped in­si­de it, now stinks. It’s im­pos­sib­le to es­ca­pe the smell but I ha­ve to try and do so­met­hing ot­her­wi­se I’ll shortly be ad­ding to the stench myself. I stand up, hol­ding on­to the si­de of the truck for sup­port and, now that I’m up­right, I no­ti­ce a small rip in the tar­pa­ulin at my eye-le­vel. I lo­ok clo­ser and see that it’s a se­am which has be­gun to co­me un­do­ne. I push my fin­gers in­to the gap and try to open out my hand. As I stretch my fin­gers the stitc­hing hol­ding the ma­te­ri­al to­get­her frays and co­mes apart. Fi­nal­ly so­me wel­co­me day­light and much ne­eded co­ol, fresh air is ab­le to flo­od in­to the truck. Not gi­ving a damn abo­ut the con­se­qu­en­ces I sho­ve both hands in­to the rip and pull as hard as I can in eit­her di­rec­ti­on. The gap inc­re­ases in si­ze to abo­ut half a met­re and I can he­ar the re­li­ef of the pe­op­le aro­und me.

    ‘Can you see whe­re we are?’ a vo­ice asks from so­mew­he­re on the ot­her si­de of the truck. All I can see are tre­es at the si­de of the ro­ad as we rush past.

    ‘Haven’t got a clue,’ I ans­wer. ‘Can’t see much.’

    ‘You can see mo­re than me,’ the vo­ice snaps, ‘ke­ep lo­oking.’

    I push my he­ad right out thro­ugh the ca­nopy and try to lo­ok up to­wards the front of the truck. We’re on a mo­tor­way, I think. The long and re­la­ti­vely fe­atu­re­less ro­ad gra­du­al­ly cur­ves away to the left and, for the first ti­me, I see that we’re not tra­vel­ling alo­ne. The­re’s anot­her truck in front. Hold on, the­re’s mo­re than one. It’s dif­fi­cult to be su­re, but I think I can see at le­ast anot­her fi­ve ve­hic­les ahe­ad of us, all trucks of a si­mi­lar si­ze to this one, equ­al­ly spa­ced from each ot­her. Ta­king ca­re not to slip in the gross pud­dle at my fe­et I shuf­fle aro­und so that I can lo­ok be­hind us. I co­unt at le­ast as many trucks aga­in fol­lo­wing, pro­bably mo­re.

    ‘Well?’ the vo­ice asks as I pull my he­ad back in­si­de.

    ‘Can’t see whe­re we are,’ I reply, lo­ud eno­ugh for ever­yo­ne to he­ar, ‘but we’re not on our own.’

    ‘What?’

    ‘There are lo­ads of trucks li­ke this,’ I tell them, ‘at le­ast ten that I can see.’

    ‘So whe­re are they ta­king us?’ anot­her frigh­te­ned vo­ice asks, not re­al­ly ex­pec­ting an ans­wer. ‘What are they go­ing to do with us?’

    ‘Don’t know,’ I he­ar Pat­rick reply in his fa­mi­li­ar re­sig­ned to­ne, ‘but you can bet it’s go­ing to be fuc­king aw­ful, wha­te­ver it is.’

    I stick my he­ad back out of the si­de of the truck aga­in to es­ca­pe the stink of vo­mit and the ner­vo­us, frigh­te­ned con­ver­sa­ti­ons which Pat­rick’s ac­cu­ra­te but in­sen­si­ti­ve com­ments ha­ve just star­ted.

    

    

39

    

    We fi­nal­ly slow down and the truck ma­kes an unex­pec­ted swin­ging turn to the left. It’s a sharp bend, too se­ve­re to be a nor­mal mo­tor­way exit. The ro­ad we’re tra­vel­ling along be­co­mes ro­ugh and une­ven and con­ti­nu­es to twist and turn for what fe­els li­ke anot­her mi­le or two furt­her. Then, wit­ho­ut any war­ning, the jo­ur­ney’s over. We’ve stop­ped. My sto­mach churns with ner­ves aga­in as the truck co­mes to a sud­den halt and its en­gi­ne is si­len­ced. It’s po­uring with ra­in out­si­de and the clat­te­ring no­ise on the ro­of abo­ve my he­ad is de­afe­ning.

    ‘Where are we now?’ so­me­one asks ner­vo­usly. I du­ti­ful­ly sho­ve my he­ad back out thro­ugh the te­ar in the tar­pa­ulin and qu­ickly pull it in aga­in when I see sol­di­ers ap­pro­ac­hing on fo­ot. I wa­it un­til they’ve pas­sed be­fo­re ca­uti­o­usly pe­ering back out. The truck (and the ten or so ot­her ve­hic­les which ha­ve tra­vel­led in con­voy with us) ha­ve stop­ped in a li­ne along a nar­row ro­ad which runs along the ed­ge of what lo­oks li­ke a den­se fo­rest. I can’t see whe­re the track go­es from he­re. I don’t want to risk le­aving myself ex­po­sed li­ke this for any lon­ger than ne­ces­sary and I clo­se up the gap in the he­avy can­vas co­ver. I’m su­re we’ll be se­e­ing whe­re we are so­on eno­ugh.

    ‘There’s not much to see,’ I tell them all un­help­ful­ly as I turn back ro­und and cro­uch down aga­in, ‘just tre­es on that si­de.’ The ra­in is tor­ren­ti­al and I ha­ve to sho­ut to ma­ke myself he­ard. The so­und of the wa­ter hit­ting the tight co­ver abo­ve us is re­lent­less. The no­ise com­bi­nes with the lack of any strong light to inc­re­ase my di­so­ri­en­ta­ti­on. I can’t stand this. I won­der aga­in whet­her I sho­uld just ta­ke my chan­ces and ma­ke a run for it? What ha­ve I got to lo­se when I’ve al­re­ady lost just abo­ut everyt­hing? I don’t know what ot­her op­ti­ons I ha­ve left. Things lo­ok inc­re­asingly ble­ak. Do I just sit he­re and wa­it for wha­te­ver they ha­ve plan­ned for us to hap­pen or do I ta­ke cont­rol of my des­tiny now and try to es­ca­pe? The lit­tle of the fo­rest I’ve be­en ab­le to see so far lo­oks pretty de­ep and unin­vi­ting. We’re se­em to be right out in the mid­dle of now­he­re and the­re’s no way they’d be ab­le to fol­low me in­to the tre­es in the­se trucks. They’ll eit­her sho­ot me in the back as I’m run­ning or I’ll ma­na­ge to get away. It has to be worth ta­king a chan­ce. My mind starts to fill with ima­ges of get­ting back ho­me and fin­ding El­lis aga­in and the de­ci­si­on is ma­de. First chan­ce I get I’ll go for it. Christ knows whe­re I’ll run to, but anyw­he­re will be bet­ter than he­re. Do I tell any of the ot­hers what I’m plan­ning? Do I stand mo­re chan­ce run­ning with them or on my own? My ins­tincts tell me to le­ave them and lo­ok af­ter myself, but what abo­ut the rest of them? What abo­ut Ka­rin and Nancy and Pat­rick? Su­rely the mo­re pe­op­le who run, the bet­ter our chan­ces are of get­ting away…?

    My stu­pid plans co­me cras­hing down aro­und me as the flap at the back of the ve­hic­le is thrown open by two ra­in-so­aked sol­di­ers. One of them ti­es the tar­pa­ulin up, the ot­her po­ints the rif­le in­to the truck. The re­ality of what’s hap­pe­ning sud­denly hits ho­me aga­in now that I’m back lo­oking down the bar­rel of anot­her gun. The plans I’d be­en se­ri­o­usly con­si­de­ring se­conds ear­li­er now se­em stu­pid. Mo­re than ever I want to fight but to run now wo­uld be su­ici­dal.

    ‘Out!’ the sol­di­er with the rif­le barks at us. ‘Get out now!’

    Those ne­arest the back of the truck im­me­di­ately be­gin to climb out. It’s a drop of se­ve­ral fe­et down to the muddy track and mo­re than one per­son lo­ses the­ir fo­oting and falls. Po­or bas­tards, they’ve only be­en out­si­de for se­conds and they’re al­re­ady cold and so­aked. One of the men in he­re with me - a yo­ung, slim man with long, dark ha­ir - rus­hes one of the sol­di­ers as so­on as he hits the gro­und. Three mo­re tro­opers ap­pe­ar from now­he­re and pull him away from the­ir col­le­ague. Two of them throw him down and push him fa­ce-first in­to the grass at the si­de of the ro­ad. The third sol­di­er lifts a pis­tol and puts a bul­let in the back of his he­ad. The fren­zi­ed at­tack and cli­ni­cal res­pon­se is over in se­conds and the corp­se is drag­ged away. The­re are sobs and wa­ils of fe­ar and dis­be­li­ef from the pe­op­le al­re­ady out­si­de.

    I’m one of the last to le­ave the truck. I climb out back­wards and slip but so­me­how ma­na­ge to stay up­right when I jump down. The ot­hers ha­ve be­en li­ned-up in sing­le fi­le on the ver­ge bet­we­en the tre­es and the trucks. One of the sol­di­ers sho­ves me to­wards the li­ne. I stand my gro­und for a se­cond and sta­re at the tro­oper. His eyes are hid­den and I can see my bru­ised fa­ce ref­lec­ted in his opa­que vi­sor. I sho­uld kill him now, I think to myself. And I know I co­uld do it too. I co­uld snap his neck with my ba­re hands. This pi­ece of shit de­ser­ves not­hing mo­re than a vi­olent, pa­in­ful and very blo­ody de­ath for his part in what’s hap­pe­ning to us. But then I lo­ok past him and see mo­re of them lum­ping away the li­fe­less body of the man they’ve just shot in the he­ad. They le­ave him lying in full vi­ew, un­ce­re­mo­ni­o­usly dum­ped on the ot­her si­de of the ro­ad, and I re­luc­tantly ta­ke my pla­ce in the qu­e­ue.

    From whe­re I’d be­en stan­ding I’d only be­en ab­le to see the pe­op­le who’d tra­vel­led in the sa­me truck as me. Now that I’ve mo­ved I can see that the pe­op­le from the ot­her ve­hic­les ha­ve be­en drag­ged out in­to the open too. The qu­e­ue of pe­op­le ahe­ad of me stretc­hes away in­to the dis­tan­ce. I li­ne up be­hind Ka­rin, the girl who was sick ear­li­er.

    ‘You okay?’ I whis­per. I glan­ce over at the ne­arest sol­di­ers but they don’t re­act and I risk trying to spe­ak to her aga­in. ‘Ka­rin, are you okay?’ She turns aro­und mo­men­ta­rily and nods her he­ad but do­esn’t spe­ak. Her fa­ce is pa­le and her te­eth are chat­te­ring with the cold. The ra­in is co­ming down so hard on us now that it hurts. I’ve only be­en out­si­de for a co­up­le of mi­nu­tes and I’m al­re­ady so­aked to the skin. At le­ast I’ve got a few la­yers of clot­hes on. Up ahe­ad of me I can see pe­op­le who are only we­aring T-shirts. So­me are still in the­ir pyj­amas. One old guy is just we­aring a dres­sing gown. Po­or bas­tards must ha­ve be­en ta­ken in the night whi­le they we­re sle­eping. Co­uldn’t they ha­ve let them chan­ge or gi­ven them so­met­hing war­mer to we­ar? It shows just how de­ep-ro­oted the­ir ha­te of us re­al­ly is and it’s sud­denly mo­re ap­pa­rent than ever that the thro­wa­way com­ment Pat­rick ma­de in the back of the truck was right. Wha­te­ver’s wa­iting for us he­re is go­ing to be fuc­king aw­ful. At best they’ve bro­ught us he­re to ke­ep us iso­la­ted and se­pa­ra­te from them. And the worst ca­se sce­na­rio? I know the­re’s a very high pro­ba­bi­lity that we’re he­re to be dest­ro­yed. They can try and kill me but when the ti­me co­mes I’ll go out figh­ting. I owe it to El­lis to ta­ke out as many of them as I can.

    Christ, what abo­ut El­lis?! How co­uld I be so stu­pid? I’ve be­en so wrap­ped up in what’s hap­pe­ning to me that I ha­ven’t stop­ped to con­si­der the pos­si­bi­lity that my lit­tle girl might ha­ve be­en bro­ught he­re too. What if she chan­ged li­ke me and was pic­ked up by one of the pat­rols? I know the chan­ce of fin­ding her he­re is slim but I ha­ve to try. I can see so­me child­ren in the li­ne up ahe­ad but even from this dis­tan­ce I know that my da­ugh­ter isn’t one of them. I turn aro­und and try to lo­ok be­hind me. Blo­ody hell, this qu­e­ue of pe­op­le se­ems to go on fo­re­ver. I can’t see the end of it. I’ve step­ped right out of li­ne now but I don’t ca­re. Fin­ding El­lis is mo­re im­por­tant than my own sa­fety. I start to mo­ve furt­her down the qu­e­ue but stop when a hand grabs my sho­ul­der and yanks me back in­to po­si­ti­on. I turn ro­und ex­pec­ting to be fa­cing a gu­ard but it’s Ka­rin.

    ‘Don’t be stu­pid,’ she whis­pers, lo­oking aro­und an­xi­o­usly. ‘Ple­ase, they’ll kill you just as so­on as lo­ok at you.’

    I nod but say not­hing. I know she’s right. I re­turn to my ori­gi­nal pla­ce in the qu­e­ue and try and for­ce myself to ac­cept the re­ality of the si­tu­ati­on. I was ta­ken ho­urs af­ter Liz to­ok El­lis from me and in a comp­le­tely dif­fe­rent part of town from whe­re I think they wo­uld ha­ve go­ne. The chan­ces of her be­ing he­re are slight. And if we’re ta­ken on from he­re to so­me ot­her cent­ral lo­ca­ti­on, I think, then the­re will pro­bably be mo­re chan­ce of me fin­ding her the­re.

    I ha­ve to try and stay in cont­rol and wa­it for the right mo­ment but it’s dif­fi­cult. I want to run and fight and dest­roy the sol­di­ers sur­ro­un­ding us. I ne­ed to mo­ve and ta­ke ac­ti­on but I can’t. Stan­ding he­re and wa­iting li­ke this is un­be­arab­le. The­se con­di­ti­ons are de­cep­ti­vely harsh. I’m so wet that my clot­hes fe­el he­avy and the­ir wa­ter­log­ged we­ight is be­gin­ning to drag me down. We are all drenc­hed with ra­in and numb with cold and all we can do is stand still and wa­it.

    

    Sudden ac­ti­vity aga­in. It’s be­en so­me ti­me but I ha­ve no idea how long has pas­sed sin­ce we we­re thrown out of the trucks. I’m still ma­na­ging to stay on my fe­et but I’ve se­en a hand­ful of pe­op­le fall furt­her along the qu­e­ue. No-one da­res mo­ve to help them. Each of us knows that to risk mo­ving is to risk ta­king a bul­let from the scum sur­ro­un­ding us. The­re are hund­reds of pe­op­le in this qu­e­ue and sol­di­ers con­ti­nue to pat­rol the li­ne cons­tantly, rif­les ar­med and pri­med and re­ady to fi­re. I ha­ve to con­cent­ra­te hard to stop myself from bre­aking ranks and kil­ling them. It’s tor­tu­re. Is this how they’re plan­ning to get rid of us all? Just le­ave us stan­ding he­re in the mid­dle of now­he­re un­til the last one falls?

    I he­ard a burst of ra­dio sta­tic a few mo­ments ago. Aro­und half the sol­di­ers ha­ve sud­denly re­tur­ned to the­ir ve­hic­les le­aving the ot­her half to hold the­ir po­si­ti­ons at the si­de of the qu­e­ue, the­ir we­apons cons­tantly tra­ined on us. Now the en­gi­nes of the trucks ha­ve be­en star­ted aga­in and the ve­hic­les are mo­ving away in con­voy. They po­wer past us at spe­ed, sho­we­ring us with mud and wa­ter from pot-ho­les and pud­dles in the ro­ad.

    For the first ti­me I can cle­arly see what’s on the ot­her si­de of the track.

    Through the per­sis­tent he­avy ra­in I can see an enor­mo­us ex­pan­se of land, empty but for a sing­le grey-whi­te bu­il­ding right in the cent­re. It lo­oks li­ke a fac­tory, or may­be so­me kind of ag­ri­cul­tu­ral sto­ra­ge si­te or wa­re­ho­use. The­re are two hu­ge si­los to the left and the who­le sce­ne lo­oks stran­gely di­la­pi­da­ted and un­tidy. An empty tar­mac track runs from the front of the bu­il­ding ac­ross the fi­eld to the ro­ad on which we’re qu­e­u­ing. And now I can al­so see that this qu­e­ue stretc­hes all the way along the ro­ad up vir­tu­al­ly as far as the ent­ran­ce to the fi­eld. Christ, the­re must be tho­usands of us he­re.

    There’s ac­ti­vity all aro­und the bu­il­ding in the dis­tan­ce. From he­re it’s not pos­sib­le to see what’s hap­pe­ning cle­arly. I can see sol­di­ers and ot­her dark-su­ited fi­gu­res mo­ving cons­tantly. So­me are re­mo­ving equ­ip­ment from the bu­il­ding, ot­hers are ta­king things in. I ha­ve no idea what any of it is. I don’t think I want to know.

    Just ahe­ad of me the sud­den ac­ti­vity has ca­used so­me­one’s ner­ve to bre­ak. The­re’s pa­nic in the qu­e­ue and for a se­cond I’m strug­gling to see who it is and what’s hap­pe­ning. Lo­oks li­ke so­me­one has bro­ken rank and jum­ped one of the sol­di­ers. Do I use this dist­rac­ti­on as co­ver and try and get away myself? Ot­her pe­op­le are thin­king the sa­me thing. At le­ast two pe­op­le are al­re­ady run­ning in­to the tre­es. Now fi­ve, six, se­ven… may­be as many as ten mo­re fi­gu­res are sprin­ting in­to the fo­rest. I ha­ve to mo­ve now if I’m ever go­ing to do it. The sol­di­ers ne­arest to me are dist­rac­ted and if I’m fast I can…

    Fuckers. The bre­ak-out is over as qu­ickly as it star­ted. Two sol­di­ers step for­ward and un­lo­ad the­ir auto­ma­tic we­apons in­to the tre­es. The pe­op­le run­ning are bro­ught down wit­ho­ut war­ning - shot in the back and kil­led. Many mo­re pe­op­le who we­re still stan­ding in li­ne in the qu­e­ue up ahe­ad ha­ve be­en ca­ught in the cross-fi­re and are de­ad too. I know that the sa­me thing will hap­pen to me if I try anyt­hing.

    The sol­di­ers reg­ro­up and re­ta­ke the­ir po­si­ti­ons. One of them ma­kes a call on the­ir ra­dio and then, af­ter a short de­lay, a van ap­pe­ars from along­si­de the bu­il­ding up ahe­ad and dri­ves out to­wards the ro­ad. It stops on the ot­her si­de of the track at the po­int whe­re the sho­oting to­ok pla­ce. Pe­op­le stan­ding in the qu­e­ue are for­ced at gun­po­int to gat­her the bo­di­es of the de­ad and lo­ad them in­to the van. Help­les­sly I watch as two sob­bing wo­men are ma­de to drag the corp­ses out of the fo­rest and carry them ac­ross the ro­ad. An ol­der man and a te­ena­ge girl are sent down to col­lect the body of the man from my truck who was shot in the he­ad ear­li­er.

    

    

40

    

    The tor­ren­ti­al ra­in has con­ti­nu­ed and shows no signs of stop­ping. The grey clo­uds over­he­ad are dar­ker than ever and the light is fa­ding qu­ickly. Don’t think I can stay stan­ding li­ke this for much lon­ger. I can’t fe­el my fe­et or my hands any­mo­re. The skin on my fa­ce is raw and I’m numb with cold. I ha­ven’t had anyt­hing to drink all day but my blad­der fe­els full and the pa­in is exc­ru­ci­ating.

    I’m sca­red. Every ti­me one of the sol­di­ers ne­ar to me mo­ves I catch my bre­ath, not be­ca­use I’m af­ra­id of them, but be­ca­use in­si­de I’m scre­aming with frust­ra­ti­on, des­pe­ra­te to fight and to kill the evil scum which is hol­ding us cap­ti­ve he­re. But I know that I can’t. The­re are too many of them and they are too he­avily ar­med. If I da­red show my in­ten­ti­ons they wo­uld dest­roy me in se­conds. I can’t let that hap­pen but it’s get­ting har­der and har­der to ke­ep the­se emo­ti­ons un­der cont­rol. I know that el­sew­he­re along the li­ne ot­her pe­op­le ha­ve be­en unab­le to hold back and ha­ve pa­id for it with the­ir li­ves. Just a few mi­nu­tes ago I he­ard a sing­le scre­am of ra­ge fol­lo­wed by a ha­il of bul­lets in the glo­om be­hind me. The si­len­ce aro­und us now is so­me­how even mo­re frigh­te­ning than the so­unds of figh­ting and de­ath which pre­ce­ded it.

    As the day has drag­ged on it has be­co­me im­pos­sib­le to see eit­her end of the li­ne. In the low light I can only see as far as abo­ut thirty pe­op­le ahe­ad of me and a si­mi­lar num­ber be­hind. I’m su­re that the qu­e­ue has grown hund­reds of pe­op­le lon­ger. Twi­ce in the last ho­ur or so con­voys of empty trucks ha­ve dri­ven past us. Lo­gic says they’ve bro­ught mo­re pe­op­le he­re and they’re now back out on the stre­ets aga­in lo­oking for ot­hers.

    The girl in front of me is swa­ying on her fe­et aga­in. I can’t let her fall. I shuf­fle for­ward slightly and put my hand out to ste­ady her.

    ‘Come on,’ I hiss un­der my bre­ath, ‘not now. Try to hold on…’ I don’t even know if she can he­ar me over the dri­ving ra­in.

    Something’s hap­pe­ning up ahe­ad. I can’t see anyt­hing but I can de­fi­ni­tely he­ar so­met­hing. I pe­er in­to the glo­om, des­pe­ra­te to try and see what’s go­ing on. Are pe­op­le fi­nal­ly star­ting to mo­ve? For a few se­conds lon­ger I’m un­su­re but then an unex­pec­ted rip­ple of mo­ve­ment works its way along the li­ne to a po­int whe­re I can fi­nal­ly see what’s hap­pe­ning. We’re star­ting to shuf­fle for­ward. A sud­den wa­ve of awk­ward, stumb­ling mo­ve­ment re­ac­hes me and for the first ti­me in ho­urs I start to walk. My legs are ago­ni­singly stiff and every step ta­kes a mas­si­ve amo­unt of ef­fort and co­or­di­na­ti­on. For a mo­ment I stu­pidly fe­el re­li­eved when the pa­in in my ac­hing legs be­gins to fa­de slightly, but then I start to think abo­ut what we might be wal­king to­wards and the pa­nic re­turns. I know that ma­king a run for it is out of the qu­es­ti­on for now. Just put­ting one fo­ot in front of the ot­her is dif­fi­cult eno­ugh. I don’t ha­ve the strength or the energy to be ab­le to mo­ve any fas­ter.

    The sol­di­ers con­ti­nue to march along­si­de us, ke­eping the­ir dis­tan­ce most of the ti­me but oc­ca­si­onal­ly hit­ting and sho­ving tho­se of us who mo­ve too slowly or who stumb­le out of li­ne. Just ahe­ad anot­her one of the men who tra­vel­led in the sa­me truck as me drops to the gro­und. He’s old and ti­red and he li­es on the gra­vel track sob­bing. I ke­ep wal­king - I ha­ve no cho­ice - and I lis­ten as one of the sol­di­ers yells at him to get back to his fe­et and ke­ep mo­ving. I wish I co­uld do so­met­hing to help. I da­ren’t lo­ok ro­und. I he­ar a sing­le guns­hot clo­se be­hind me and I know that his suf­fe­ring is over. My fury now fe­els har­der than ever to con­ta­in. Des­pi­te my ex­ha­us­ti­on the ur­ge to turn on the­se sol­di­ers and fight them - to kill them - is gro­wing stron­ger by the mi­nu­te and is al­most im­pos­sib­le to sup­press. It’s only the ob­vi­o­us fact that any re­ac­ti­on wo­uld ine­vi­tably be the last thing I do that ke­eps me in li­ne.

    We’ve stop­ped aga­in.

    Almost as qu­ickly as the mo­ve­ment be­gan it now ends. I ha­ve no idea how far we’ve mo­ved. I don’t know how much clo­ser to it I now am but I as­su­me the pe­op­le at the front of the qu­e­ue ha­ve fi­nal­ly be­en led down the track to­wards the ent­ran­ce to the bu­il­ding.

    

    

41

    

    Christ it’s cold.

    The clo­ud co­ver has lif­ted slightly and, for a whi­le at le­ast, the ra­in has fi­nal­ly eased. The bu­il­ding up ahe­ad has be­en il­lu­mi­na­ted by a se­ri­es of bright flo­od­lights which shi­ne up from the gro­und and ma­ke it lo­ok li­ke so­me blo­ody got­hic cat­hed­ral or fort­ress. Alt­ho­ugh I can see it mo­re cle­arly now I still ha­ve no idea what the pur­po­se of it is. Is it so­me kind of qu­aran­ti­ne cent­re? No­ne of this ma­kes any sen­se. If they’ve bro­ught us out he­re to kill us then why not just do it? Why was­te all this ti­me and man­po­wer ke­eping us in li­ne and col­lec­ting up bo­di­es? For so­me of the po­or bas­tards he­re in the li­ne with me a bul­let in the he­ad wo­uld be a re­li­ef. But may­be that’s what this is all abo­ut? May­be they just want us to suf­fer?

    After ho­urs of inac­ti­vity we’ve now ma­de three sud­den stop-start shifts for­ward. This ti­me I co­un­ted the num­ber of steps I to­ok. I think we mo­ved abo­ut a hund­red pa­ces for­ward. Lo­gic says a si­mi­lar num­ber of pe­op­le ha­ve just di­sap­pe­ared in­to the bu­il­ding up ahe­ad of us.

    Another con­voy of re­cently-empti­ed trucks thun­ders past. Anot­her few hund­red pe­op­le ad­ded to the end of the qu­e­ue.

    The no­ise of the trucks qu­ickly fa­des in­to the dis­tan­ce but I can he­ar so­met­hing el­se now. I can he­ar a pla­ne, and the so­und of its po­wer­ful en­gi­nes many mi­les abo­ve us ma­kes me re­ali­se just how qu­i­et the rest of the world has be­co­me. The pla­ne is mo­ving with inc­re­dib­le spe­ed. It must be a jet or so­met­hing si­mi­lar. I’m wary abo­ut ma­king any sud­den mo­ve­ments and lo­oking to the sky but I can’t help myself. Ke­eping my he­ad as still as pos­sib­le and just mo­ving my eyes I se­arch the he­avens. And then I see it. A dark me­tal blur which ra­ces at a phe­no­me­nal ve­lo­city ac­ross the ho­ri­zon from right to left. Even so­me of the sol­di­ers ha­ve be­co­me dist­rac­ted now.

    Now the­re’s a se­cond no­ise. A bel­ly-rumb­ling ro­ar which I can fe­el thro­ugh the gro­und be­ne­ath my fe­et. This no­ise co­mes from a dif­fe­rent di­rec­ti­on. It se­ems to swirl and drift in the wind be­fo­re be­co­ming lo­uder and mo­re de­fi­ni­te. It’s co­ming from be­hind us. I lo­ok up and watch as a sing­le flash of light se­ars thro­ugh the dark­ness mi­les abo­ve our he­ads, ra­cing to­wards the jet in the dis­tan­ce. Was it anot­her jet? A mis­si­le?

    It can only last for a few se­conds but the de­lay fe­els li­ke fo­re­ver. I watch the whi­te light in the sky as it hurt­les to­wards the jet and then cras­hes in­to it, ta­king it out with inc­re­dib­le, pin-po­int pre­ci­si­on. For a se­cond a hu­ge ball of ex­pan­ding oran­ge fla­me hangs in the purp­le sky. It has all but di­sap­pe­ared by the ti­me the thun­de­ring rumb­le of the exp­lo­si­on re­ac­hes us.

    We shuf­fle for­ward aga­in.

    I’m anot­her few me­ters clo­ser to the bu­il­ding but, for on­ce, what’s wa­iting in the­re for me is not what I’m thin­king abo­ut. Ins­te­ad I’m trying to work out what I’ve just se­en hap­pen. Re­gard­less of who was flying the pla­ne and who la­unc­hed the mis­si­le, that was a pur­po­se­ful and very de­fi­ni­te at­tack and it fi­nal­ly gi­ves me a lit­tle glim­mer of ho­pe. So­me­one, so­mew­he­re is still figh­ting.

    

    

42

    

    The fe­ar and pa­nic in this part of the qu­e­ue has re­ac­hed an un­be­arab­le le­vel. We’re still mo­ving. A re­lent­less on-off shuf­fle down to­wards the bu­il­ding in the fi­eld. The ner­vo­us­ness of the sol­di­ers aro­und us se­ems to ha­ve inc­re­ased too.

    Is this a sla­ugh­ter­ho­use? Are we go­ing to be ne­ute­red? Ha­ve they de­ve­lo­ped a ‘cu­re’ to ma­ke us li­ke them aga­in? Frigh­te­ned tho­ughts rush thro­ugh my mind at a tho­usand mi­les an ho­ur as I get clo­ser to the bu­il­ding. Wha­te­ver hap­pens in the­re I know I’ve al­most re­ac­hed the ine­vi­tab­le end of my jo­ur­ney. The last day has be­en hell but I’d go thro­ugh it all aga­in to tra­de pla­ces with the per­son at the very back of this qu­e­ue. I’d gi­ve anyt­hing to put off go­ing thro­ugh tho­se dark do­ors in the ne­ar dis­tan­ce. Des­pi­te the fact that I’m sur­ro­un­ded by hund­reds, pro­bably tho­usands of pe­op­le li­ke me, I fe­el comp­le­tely alo­ne. Just a few days ago everyt­hing was re­la­ti­vely nor­mal and all of this wo­uld ha­ve se­emed im­pos­sib­le. A we­ek ago to­day I was sit­ting in the pub with my fa­mily, ob­li­vi­o­us to everyt­hing that was abo­ut to hap­pen to us. I think abo­ut lo­sing Liz and Harry and Ed and Josh and it’s dif­fi­cult to con­ta­in my emo­ti­ons. I think abo­ut El­lis and I fe­el li­ke I’ve be­en stab­bed thro­ugh the he­art.

    We mo­ve along the ro­ad li­ke we’re on a cha­in gang. All we’re mis­sing is the shack­les aro­und our fe­et. Over the cons­tant drag­ging so­und of hund­reds of ex­ha­us­ted fo­ots­teps I think I can he­ar so­met­hing. The­re’s a no­ise in the dis­tan­ce. It’s qu­i­et and in­dis­tinct but it’s de­fi­ni­tely the­re. A de­ep, far-off rumb­ling. Is that thun­der I can he­ar or so­met­hing el­se? The ra­in con­ti­nu­es to lash down all aro­und me and the low light ma­kes it all but im­pos­sib­le to see what’s hap­pe­ning away from the bu­il­ding.

    Progress is slow but I wish it we­re slo­wer still. I’m al­re­ady half­way down the track which runs from the front of the bu­il­ding to the ro­ad and now, for the first ti­me, I’m clo­se eno­ugh to see so­me of what’s hap­pe­ning aro­und the ent­ran­ce. The track is pac­ked so­lid with pe­op­le who qu­e­ue up be­hind so­me kind of he­avily gu­ar­ded can­vas-co­ve­red check­po­int. It’s hard to see any de­ta­il, but from he­re it lo­oks li­ke an im­mig­ra­ti­on cont­rol desk or cus­toms po­int at an air­port. A ste­ady stre­am of pe­op­le are mo­ving past the check­po­int and are be­ing her­ded in­to the ma­in part of the bu­il­ding. They lo­ok over the­ir sho­ul­ders in des­pe­ra­ti­on as mo­re rif­le-wi­el­ding sol­di­ers push and sho­ve them for­ward. I don’t even want to think abo­ut what’s in the­re. One thing is pa­in­ful­ly ob­vi­o­us - the­re’s no ap­pa­rent way out. Pe­op­le are go­ing in, but as far as I can see no-one’s co­ming out.

    There’s now just a few short me­ters bet­we­en whe­re I’m stan­ding and the check­po­int. Up ahe­ad the­re’s mo­re pa­nic and con­fu­si­on as so­me­one bre­aks from the qu­e­ue and at­tempts to run. This ti­me they’re on the­ir own. No-one el­se is run­ning with them. The lo­ne fi­gu­re which sprints away in the di­rec­ti­on of the to­we­ring si­los to my left is bro­ught down by a ha­il of bul­lets, far mo­re than are ne­ces­sary. And bi­zar­rely, as so­on as the body is on the gro­und mo­re tro­opers scurry ac­ross the front of the bu­il­ding to col­lect it. Ins­te­ad of le­aving it whe­re it fell they pick it up and, bet­we­en them, carry it in­si­de. What the hell are they do­ing?

    There’s anot­her no­ise in the dis­tan­ce. It has to be thun­der.

    We mo­ve for­ward aga­in and now I’m clo­se eno­ugh to he­ar so­me of the con­ver­sa­ti­on at the check­po­int. My he­art is be­ating at a hund­red ti­mes its nor­mal ra­te and my legs fe­el li­ke they’re abo­ut to buck­le and gi­ve way be­ne­ath me. This ti­me it has not­hing to do with my ti­red­ness, this is she­er ter­ror. I can fe­el the mi­nu­tes of my li­fe tic­king away and I’m de­vas­ta­ted that it’s go­ing to end this way. May­be I can at­tack, I think to myself aga­in. Can I sum­mon up the energy for a fi­nal stri­ke? Am I re­ady to die figh­ting? This is my very last chan­ce. I can see Pat­rick just ten pe­op­le or so ahe­ad of me. If I co­uld so­me­how get his at­ten­ti­on then just may­be to­get­her we co­uld do so­met­hing… Who am I kid­ding? I lo­ok at the ne­arest sol­di­er with his rif­le po­ised and re­ady to fi­re and I know that the odds are too one-si­ded to even da­re con­si­der. It wo­uld be over be­fo­re I’d be­en ab­le to kill even one of them.

    ‘Name?’ one of the of­fi­cers at the check­po­int yells at the next per­son in li­ne.

    ‘Jason Man­sell,’ the man rep­li­es, his vo­ice qu­i­et and re­sig­ned but still car­rying the sligh­test hint of an­ger and re­sis­tan­ce.

    ‘Date of birth?’

    He ans­wers. He’s al­so as­ked for his most re­cent ad­dress and, whi­le he’s ans­we­ring, it fi­nal­ly dawns on me why the­se bas­tards are tre­ating us li­ke shit but are al­so stran­gely con­cer­ned abo­ut our bo­di­es. We’ve be­en strip­ped of all in­di­vi­du­ality and yet they still want to know who we are and whe­re we’re from. The ans­wer is ob­vi­o­us - it’s a blo­ody cen­sus. They’re car­rying out a blo­ody cen­sus of us. If they want to comp­le­tely cont­rol us and wi­pe us out, then they ha­ve to know whe­re every last one of us is. That was why they at­temp­ted to iden­tify us when we we­re first ta­ken at the ho­use this mor­ning. That’s why they col­lect the bo­di­es of the de­ad. They ha­ve to know who it is they’ve kil­led to ma­ke su­re we’re all ac­co­un­ted for. I stu­pidly think abo­ut gi­ving them fal­se in­for­ma­ti­on when it’s my turn but I know it won’t do any­body any go­od. As I get clo­ser I see that they’re al­so ta­king swabs from pe­op­le’s mo­uths and they’re using de­vi­ces to scan the­ir eyes and palms. Christ, we must be a hell of a thre­at to them. They’re run­ning sca­red.

    Another rol­ling ro­ar of thun­der. Storm’s get­ting clo­ser now. Pat­rick has di­sap­pe­ared from vi­ew and the­re are now just fo­ur pe­op­le left ahe­ad of me in the li­ne. We’re mo­ving with an un­com­for­tab­le spe­ed. Pe­op­le are be­ing pro­ces­sed at a fran­tic ra­te which se­ems crazy. We’ve be­en sto­od out he­re for ho­urs. Why start rus­hing now?

    Three pe­op­le. Wish they’d slow down.

    Two pe­op­le.

    Now I’m next. I stand a short dis­tan­ce back be­hind two sol­di­ers and watch as Ka­rin is pro­ces­sed. I watch help­les­sly as one of them slams her hand down flat on­to so­me sort of scan­ner as anot­her one holds her eye open and scans her re­ti­na with anot­her de­vi­ce. A few key pres­ses on a com­pu­ter key­bo­ard and she’s fi­nis­hed and sho­ved to­wards the dark ope­ning to the bu­il­ding. The­re are so­lid li­nes of gu­ards on eit­her si­de. It’s cle­ar that on­ce you’re past this check­po­int the­re’s now­he­re el­se to go but in­si­de.

    ‘Name?’ the of­fi­cer at the desk sho­uts as I’m pus­hed for­ward.

    ‘Danny McCoy­ne,’ I ans­wer. I glan­ce to my left and see that the­re’s a rif­le po­in­ting at my he­ad. Just do what you’re told, I think to myself, just do what you’re told.

    ‘Short for Da­ni­el?’

    I nod.

    ‘Answer!’

    ‘Yes,’ I mumb­le.

    He asks my da­te of birth and my most re­cent ad­dress and I tell him. My right hand is then grab­bed and scan­ned. Anot­her tro­oper re­ac­hes up and with ro­ugh, clumsy fin­gers pri­ses open my eye­lid and uses the de­vi­ce on me. It has a bright light which I wasn’t ex­pec­ting. It blinds me tem­po­ra­rily.

    ‘Send him thro­ugh,’ I he­ar the of­fi­cer or­der and I’m pus­hed for­ward in­to the dark­ness. They’re de­fi­ni­tely spe­eding things up now. The­re are too many of us be­ing sent thro­ugh too qu­ickly. I stumb­le and trip to­wards the back of a bot­tle­neck which is qu­ickly for­ming. Be­hind me I he­ar the next per­son be­ing pro­ces­sed.

    Less than ten me­ters now se­pa­ra­tes me from wha­te­ver fa­te is wa­iting in­si­de this pla­ce. I still can’t see anyt­hing from he­re, just a hu­ge pa­ir of dark do­ors and the ste­ady stre­am of bo­di­es which go thro­ugh them. Li­ke so many of the des­pe­ra­te pe­op­le I’ve al­re­ady watc­hed I help­les­sly glan­ce back over my sho­ul­der. I can’t see much but I know the­re are hund­reds and hund­reds of pe­op­le be­hind me.

    There’s a sud­den no­ise which ta­kes ever­yo­ne by surp­ri­se. It co­mes from two di­rec­ti­ons - from the back end of the qu­e­ue and al­so from the ot­her end of the ro­ad we we­re ori­gi­nal­ly qu­e­u­ing along. Even the sol­di­ers ap­pe­ar con­fu­sed for a se­cond. Many of the tro­opers sur­ro­un­ding me turn and lo­ok back ac­ross the fi­eld.

    It’s an at­tack.

    Jesus Christ, so­me­one’s at­tac­king from both si­des.

    In just a few se­conds the sce­ne de­ge­ne­ra­tes from re­sig­ned calm and re­la­ti­ve or­der in­to un­cont­rol­led mad­ness. I ha­ve no idea who is do­ing this, but I can see the bright he­ad­lights of cars and mo­tor­bi­kes and ot­her ran­dom ve­hic­les con­ver­ging on this bu­il­ding from many di­rec­ti­ons. They’re not just on the ro­ad now, I can see them dri­ving ac­ross the fi­elds from all aro­und. Fuc­king hell, this is a co­or­di­na­ted at­tack.

    I stop wal­king and try and turn back.

    ‘Move you fuc­king scum,’ a sol­di­er scre­ams at me and I’m hit hard in the mid­dle of the back with so­met­hing that knocks every scrap of bre­ath out of my body. The for­ce of the im­pact sends me trip­ping even de­eper in­to the crowd be­ing pus­hed thro­ugh the open do­ors. I try to re­sist but I’m strug­gling to bre­at­he and I can’t do anyt­hing when mo­re ro­ugh arms grab me from eit­her si­de and throw me for­ward aga­in. I’m in­si­de now. The­re’s a conc­re­te flo­or be­ne­ath my fe­et and a high ro­of over my he­ad which fi­nal­ly shi­elds me from the ra­in. Be­hind me the so­unds of guns­hots and exp­lo­si­ons ring out and are sud­denly mu­ted as the he­avy do­ors I’ve just pas­sed thro­ugh are shut.

    It’s dark in he­re and I can hardly see anyt­hing. I’m con­ti­nu­al­ly pus­hed and sho­ved for­ward un­til I can’t go any furt­her, the mass of bo­di­es in front of me pre­ven­ting me from mo­ving on. We’re tightly pac­ked and it’s cle­ar that they’ve sho­ved as many of us as they can in he­re to get us away from wha­te­ver it is that’s hap­pe­ning out­si­de. The crowd he­re is si­lent - unab­le to mo­ve and hardly ab­le to bre­at­he. I can he­ar a cons­tant so­undt­rack of muf­fled sho­uts, scre­ams and exp­lo­si­ons co­ming from out­si­de.

    A sud­den crack­le of ra­dio sta­tic and the sol­di­ers gu­ar­ding us mo­ve aga­in. Up ahe­ad anot­her set of do­ors is ope­ned, im­me­di­ately re­le­asing the pres­su­re and al­lo­wing the crowd to flo­od for­ward in­to anot­her hu­ge ro­om li­ke wa­ter ro­aring thro­ugh a sud­denly bre­ac­hed dam. I don’t want to mo­ve but, li­ke ever­yo­ne el­se, I ha­ve no cho­ice. I know that the de­eper I go in­to this bu­il­ding, the less chan­ce I ha­ve of get­ting out aga­in but the­re’s not­hing I can do. I’m car­ri­ed along by the she­er we­ight and pres­su­re of ever­yo­ne el­se aro­und me and we’re all dri­ven for­ward by the fe­ar of the guns which are cons­tantly aimed at us.

    Space.

    Unexpectedly I find myself in spa­ce and I’m ab­le to mo­ve fre­ely. I stop wal­king and spin aro­und, des­pe­ra­te to try and get my be­arings. The light le­vels in this ro­om are un­ner­vingly low and the pe­op­le aro­und me are ter­ri­fi­ed. They’re scre­aming and sho­uting and yel­ling for help. I watch help­les­sly as the do­ors I’ve just co­me thro­ugh are slam­med shut and loc­ked from the in­si­de by mo­re sol­di­ers. The­se are we­aring a dif­fe­rent uni­form than the ot­hers. They’re we­aring so­me kind of fa­ce­mask. Is it a gas­mask? It can’t be, can it…?

    Dead bo­di­es.

    My eyes are ra­pidly be­co­ming ac­cus­to­med to the low le­vel of yel­low light and I can see bo­di­es. Jesus Christ, this ro­om is full of them. They’re everyw­he­re - sho­ved up aga­inst the walls, pi­led up on top of each ot­her aro­und the ed­ges of the ro­om, la­id out in li­nes on the flo­or… my worst sus­pi­ci­ons and fe­ars we­re right. This bu­il­ding is a sla­ugh­ter­ho­use. They’ve bro­ught us he­re to kill us. They’re ca­ta­lo­gu­ing us and dest­ro­ying us.

    I ha­ve to get out. I run back to­wards the clo­sed do­ors but I’m kic­ked back in­to pla­ce by one of the mas­ked gu­ards. I’ve lost all self-cont­rol now and I ha­ve to fight. I know the­se sol­di­ers are ar­med but I don’t ha­ve any cho­ice and I know I’m de­ad any­way. I pick myself up and run at the gu­ard aga­in with a spe­ed, strength and de­ter­mi­na­ti­on I didn’t know I pos­ses­sed. I la­unch myself at him and knock him off his fe­et be­fo­re he has ti­me to re­act. I’m awa­re of ot­her pe­op­le star­ting to fight all aro­und me as I wrest­le away his we­apon and rip off his mask. He lo­oks up at me with cold, ha­te­ful eyes as I punch his fa­ce aga­in and aga­in, po­un­ding his flesh with my fists. I con­ti­nue long af­ter I know he’s lost cons­ci­o­us­ness. I can’t stop un­til I’m su­re he’s de­ad…

    There’s a ro­und of gun­fi­re be­hind me. I spin aro­und and see that one of the ot­her sol­di­ers has ope­ned fi­re in­to the crowd. Many ha­ve al­re­ady fal­len, the rest of us try and run for co­ver but the­re’s now­he­re to hi­de. In des­pe­ra­ti­on I grab the be­aten body of the sol­di­er be­ne­ath me and ha­ul it ro­und in front of me li­ke a shi­eld, ho­ping that it will ta­ke the for­ce of any shots which co­me in my di­rec­ti­on.

    There are two sol­di­ers fi­ring now. One of them has clim­bed a me­tal lad­der up on­to a gal­ley in the raf­ters of the bu­il­ding and is pic­king pe­op­le out at will. Over the ter­ri­fi­ed con­fu­si­on and car­na­ge I can he­ar anot­her so­und now and I lo­ok up at the ce­iling in ter­ror. It’s the chug­ging of mac­hi­nery and the his­sing of gas. Han­ging in the fo­ur cor­ners of the ro­om are hu­ge me­tal bo­xes with ven­ted fronts which lo­ok li­ke air con­di­ti­oning units. The air in front of each one of the mac­hi­nes is dis­tor­ted li­ke a he­at-ha­ze and I know that it has be­gun. I throw the corp­se off me and start to lo­ok aro­und the flo­or for the mask I to­re off its fa­ce se­conds ear­li­er. The flo­or in he­re is awash with blo­od and bo­di­es and…

    The world aro­und me exp­lo­des.

    I drop to the gro­und and co­ver my he­ad as the en­ti­re far end of the ro­om we’re trap­ped in is rip­ped apart by a mas­si­ve blast which sends shrap­nel and de­ad flesh flying in every con­ce­ivab­le di­rec­ti­on. Everyt­hing be­co­mes black. The no­ise of the exp­lo­si­on be­gins to fa­de and is rep­la­ced by yells and scre­ams of pa­in and fe­ar and by the so­unds of a full-sca­le conf­lict.

    ‘Run!’ a muf­fled vo­ice yells over the mad­ness and hyste­ria.

    Instinct ta­kes over. I clam­ber to my fe­et, trip­ping and stumb­ling over rub­ble and the re­ma­ins of bo­di­es, and then push my way for­ward thro­ugh the clo­uds of dust and crowds of ter­ri­fi­ed fi­gu­res. The­re is gun­fi­re and con­fu­si­on all aro­und me. A wo­man im­me­di­ately in front of me is shot. For a split se­cond I see blo­od, flesh and bo­ne exp­lo­de from her sho­ul­der and she falls to the gro­und li­ke a limp rag doll. I can’t do anyt­hing but run stra­ight over her corp­se. The­re’s a ti­de of des­pe­ra­te pe­op­le mo­ving be­hind me and I can’t stop, I ha­ve no op­ti­on but to ke­ep mo­ving along with the wa­ve of bo­di­es. I lo­ok up and see that we’re run­ning to­wards mo­re sol­di­ers with the­ir guns ra­ised. But the­se sol­di­ers aren’t we­aring masks. The­ir fa­ces and eyes are unp­ro­tec­ted and I know im­me­di­ately that they’re on our si­de. Thank God, the­se pe­op­le are on our si­de.

    Still we con­ti­nue to stumb­le thro­ugh the car­na­ge, the gro­und be­ne­ath our fe­et be­co­ming mo­re une­ven and lit­te­red with deb­ris. The re­ma­ins of pe­op­le li­ke me mix fre­ely with the re­ma­ins of enemy sol­di­ers. In this gro­tes­que blo­od­bath they are im­pos­sib­le to se­pa­ra­te. No exp­lo­si­on can dif­fe­ren­ti­ate bet­we­en us and them. All aro­und me I can see se­ve­red arms and legs, shat­te­red bo­nes and twis­ted pi­eces of ra­zor sharp me­tal.

    ‘Keep mo­ving,’ anot­her vo­ice yells. I fe­el ra­in on my fa­ce and I re­ali­se that I’m out­si­de aga­in, alt­ho­ugh the­re are still low mo­unds of rub­ble on eit­her si­de of me which used to be walls. Ot­hers ha­ve stop­ped but I ke­ep mo­ving. Anot­her de­afe­ning no­ise dist­racts me and I lo­ok up to see a he­li­cop­ter ro­aring low over­he­ad. It un­le­as­hes a mis­si­le in­to a long li­ne of trucks which stand idly along­si­de what’s left of the now bur­ning bu­il­ding I’ve just es­ca­ped from. Christ, this is a fuc­king full-sca­le war. I sprint ac­ross an area of une­ven was­te­land and throw myself to the gro­und as mo­re mu­ni­ti­ons exp­lo­de ne­arby. The­re’s a bril­li­ant flash of light to my left and I fe­el my body be­ing shun­ted along the gro­und by the im­men­se for­ce of yet anot­her blast. I’m de­afe­ned in one ear and I strug­gle to re­ga­in my ba­lan­ce as I pick myself up and try to mo­ve for­ward aga­in. All aro­und me are the bo­di­es of tho­se who ha­ve fal­len. A yo­ung man’s fa­ce has ta­ken the full for­ce of the exp­lo­si­on. His li­fe­less eyes sta­re up at me help­les­sly. The bot­tom of his fa­ce, everyt­hing be­low his top lip, has go­ne. At my fe­et is the body of a wo­man, fa­ce down in the rub­ble. Its back is blac­ke­ned and char­red and much of its clot­hing has be­en bur­ned away. It co­uld be Ka­rin, the girl from the qu­e­ue. For a frac­ti­on of a se­cond I think abo­ut tur­ning her over to see but I know that it’s po­int­less. It do­esn’t mat­ter.

    In the sky di­rectly abo­ve me a se­cond he­li­cop­ter swo­ops down and fi­res in­to the bu­il­ding I’ve just es­ca­ped from, kil­ling sco­res of unp­ro­tec­ted pe­op­le who con­ti­nue to pick the­ir way thro­ugh the rub­ble. I ma­na­ge to ta­ke a few mo­re stag­ge­ring steps away be­fo­re thro­wing myself back down aga­in as the first he­li­cop­ter turns and opens fi­re on the se­cond. A pre­ci­sely-pla­ced mis­si­le hits the mid­dle of its ta­il bo­om, ta­king the ro­tor cle­an off and sen­ding the airc­raft spi­ral­ling down to the gro­und whe­re it exp­lo­des, fil­ling the night with mo­re fi­re. The­re is may­hem all aro­und me now, the de­afe­ning no­ise and hyste­ria of an all-out bat­tle to the de­ath. But who is figh­ting?

    ‘Get out of he­re,’ a sol­di­er yells, pic­king pe­op­le li­ke me up off the gro­und and pus­hing them on. I fol­low the crowd, he­ading to­wards an open ga­te in what’s left of the cha­in-link fen­ce which sur­ro­un­ded this pla­ce. Al­most as one we run along a gra­vel track which sna­kes away in­to the dark­ness. Now that we’re free we mo­ve li­ke a pack, hun­ting to­get­her. The enemy he­re are few and far bet­we­en. When we dis­co­ver them we swarm over them and rip them apart. Be­hind me the bur­ning bu­il­ding is bat­hed in light. I lo­ok back at it long eno­ugh to see hund­reds of fi­gu­res run­ning away from it in every di­rec­ti­on.

    More sol­di­ers us­her us along a track which climbs up in­to the dark­ness as anot­her he­li­cop­ter swo­ops low over­he­ad. Fri­end or foe? It’s im­pos­sib­le to tell un­til it la­unc­hes a vol­ley of mis­si­les in­to the crowds on the gro­und. As anot­her ball of fla­me stretc­hes high up in­to the sky be­hind me the sud­den inc­re­ase in light enab­les me to pro­perly see my sur­ro­un­dings for the first ti­me. The gro­und be­low us is lit­te­red with an inc­re­dib­le num­ber of bo­di­es. Many of them are vic­tims of the bat­tle now ra­ging but it’s cle­ar from the­ir lo­ca­ti­on that many mo­re corp­ses are tho­se of pe­op­le li­ke me who ha­ve be­en exe­cu­ted by the ot­hers. The­ir ca­da­vers ha­ve be­en stac­ked up, re­ady for dis­po­sal. He­re alo­ne hund­reds of pe­op­le ha­ve be­en kil­led. How many ot­her pla­ces li­ke this are the­re, and how many mo­re wo­uld ha­ve di­ed he­re to­night? How many of us ha­ve be­en mur­de­red by the­se bas­tards, and who are the Ha­ters now?

    The top of this low hill now lo­oms ahe­ad of me. I dig in and ke­ep run­ning, my fe­et slip­ping and sli­ding in the gre­asy mud. I can he­ar mo­re figh­ting up ahe­ad and I run to­wards it, now des­pe­ra­te to be a part of the bat­tle and wan­ting to ta­ke re­ven­ge for all the de­ath and dest­ruc­ti­on I’ve se­en. A few mo­re bre­ath­less se­conds and I’ve fi­nal­ly re­ac­hed the top of the climb. Anot­her hu­ge exp­lo­si­on on­ce aga­in bat­hes the world in light and I can see a wa­ve of enemy sol­di­ers ad­van­cing to­wards us. Unp­ro­tec­ted and wit­ho­ut any fe­ar of the con­se­qu­en­ces I sprint at them. I glan­ce from si­de to si­de and see that the­re are hund­reds of pe­op­le li­ke me mo­ving for­ward as one. We must dest­roy them be­fo­re they can dest­roy any mo­re of us.

    The first of the enemy I re­ach is fi­ring in­to the crowd. She has her back to me. Wit­ho­ut pa­using for tho­ught I le­ap up on­to her back and wrap my arms aro­und her neck. I grab her chin and the back of her he­ad and twist as hard as I can, fe­eling mas­si­ve sa­tis­fac­ti­on as her neck snaps and she crumb­les to the gro­und. In se­conds I’m up aga­in, al­re­ady lo­oking for the next kill. One of them has the­ir we­apon aimed di­rectly at me. Be­fo­re they can fi­re I run stra­ight at them and char­ge them down. I mo­ve with a spe­ed and po­wer I ha­ve ne­ver felt be­fo­re and I fe­el ali­ve. Fa­ced with de­ath I ac­tu­al­ly fe­el mo­re ali­ve! I wrest­le the sol­di­er’s rif­le from his pat­he­ti­cal­ly we­ak grip and sho­ve its bar­rel ro­und and hard in­to his mo­uth. I fi­re and watch the top of his he­ad exp­lo­de in­to the mud. All aro­und me this ani­mal ins­tinct is ta­king over and we are kil­ling to ke­ep our­sel­ves ali­ve. This is what I was born to do.

    Now anot­her. I rip off a tro­oper’s bat­tle hel­met and turn the pat­he­tic cre­atu­re aro­und to fa­ce me. Tho­se eyes. Tho­se fuc­king eyes gla­re at me and they are fil­led with ut­ter ha­te. I push my thumbs in­to the soc­kets and go­uge the damn things out, le­aving the sol­di­er scre­aming and writ­hing on the gro­und.

    All of the con­fu­si­on and un­cer­ta­inty has go­ne. The pa­in has di­sap­pe­ared. Wit­ho­ut fe­ar we fight with un­pa­ral­le­led strength and fe­ro­city. I snap bo­nes and te­ar flesh and end li­ves aga­in and aga­in and aga­in.

    In the flas­hes of light and fi­re which still fill the ski­es all aro­und he­re I am ab­le to see the full ex­tent of this bat­tle. It now stretc­hes ac­ross a hu­ge ex­pan­se of land. It is bru­tal and re­lent­less, ba­sic and al­most me­di­eval. We­apons ha­ve be­en cast asi­de. This fight is hand-to-hand - one-on-one - and our enemy has no ans­wer to our strength and de­ter­mi­na­ti­on. They may ha­ve num­bers but we ha­ve mo­re than that. We ha­ve the de­si­re to dest­roy them and to pro­tect our­sel­ves and ot­hers li­ke us. Every one of us will fight with the last bre­ath in our bo­di­es.

    Another he­li­cop­ter ri­ses up in the sky in front of me. I lo­ok up and watch as fo­ur sna­king tra­ils of fi­re whip ac­ross the dark­ness over my he­ad ac­com­pa­ni­ed by an ear-pi­er­cing whist­le and a sud­den gust of red-hot air. I lo­ok back just long eno­ugh to see mis­si­les stri­ke the bat­te­red and now vir­tu­al­ly empty re­ma­ins of the bu­il­ding we es­ca­ped from. The­re is a mo­men­tary pa­use - li­ke the shor­test pos­sib­le gap bet­we­en ligh­ting and thun­der - fol­lo­wed by the lo­udest exp­lo­si­on I’ve yet he­ard as the hel­lish pla­ce is blas­ted in­to a mil­li­on bur­ning pi­eces. Even from this dis­tan­ce I can fe­el the he­at of the fi­re on my skin.

    A kni­fe flas­hes at me from out of now­he­re and sli­ces my arm. The ad­re­na­li­ne dis­gu­ises the pa­in I fe­el and I im­me­di­ately turn on my at­tac­ker. He swi­pes his bla­de at me aga­in. So­me­how I am ab­le to catch his hand mid­way thro­ugh its arc. I twist his fist back in on it­self and then for­ce the kni­fe ro­und in­to his own gut. He falls next to the bur­ning shell of an over­tur­ned ve­hic­le. Whe­re did I le­arn to do this? Whe­re did this strength and spe­ed co­me from? This is ins­tinc­ti­ve and uns­top­pab­le.

    ‘Move out,’ a vo­ice scre­ams, ba­rely audib­le over the con­fu­si­on. I lo­ok up and see that the bat­tle on the hil­lsi­de is pe­te­ring out. Alt­ho­ugh the figh­ting aro­und what re­ma­ins of the bu­il­ding be­low us is con­ti­nu­ing, up he­re on the rid­ge we ha­ve dest­ro­yed the enemy. ‘Ke­ep mo­ving for­ward,’ the vo­ice inst­ructs. I fol­low the rest of the crowd as we be­gin to scramb­le thro­ugh the dark­ness.

    

 

43

    

    It’s la­te and out he­re the world is si­lent. The no­ise of bat­tle has long sin­ce fa­ded away to not­hing. Still sur­ro­un­ded by hor­des of ot­hers we mo­ve qu­ickly thro­ugh the empty co­untry­si­de. Ar­med sco­uts gu­ide us thro­ugh the dark­ness. I don’t know whe­re we’re go­ing, but I know that I can trust the­se pe­op­le and I fol­low on re­gard­less. I ha­ve a fe­eling in the pit of my sto­mach which tells me that be­fo­re long I might fi­nal­ly start get­ting ans­wers to so­me of the tho­usands of qu­es­ti­ons I’ve be­en des­pe­ra­te to ask.

    We’ve marc­hed for mo­re than an ho­ur now and ha­ve se­en and he­ard no-one el­se. Our ro­ute has avo­ided all ro­ads and bu­il­dings and vir­tu­al­ly all ot­her signs of ci­vi­li­sa­ti­on. Now we’re mo­ving along the ba­se of a de­ep val­ley, shi­el­ded from vi­ew by tre­es and bus­hes.

    We stop.

    ‘In he­re,’ one of our gu­ides says, us­he­ring us to­wards a lar­ge cop­se. Wit­ho­ut qu­es­ti­on we mo­ve in­to the tre­es, stop­ping only when we’ve re­ac­hed the den­sest part of the wo­ods. The light in he­re is al­most non-exis­tent. One of the sco­uts kicks aro­und in the un­derg­rowth, se­eming to be lo­oking for so­met­hing. Her fo­ot stri­kes a small mo­und in the le­af-co­ve­red gro­und. She bends down and grabs the strap of a bag which one of them must ha­ve hid­den the­re pre­vi­o­usly. She pulls the strap and drags up a lar­ge ruck­sack. Le­aves and dirt fall from it as she stands it up and brus­hes it down. She opens the pack and starts to empty it out.

    ‘Sit down and rest,’ one of the ot­her sco­uts says as his col­le­ague throws pac­kets of fo­od and bot­tles of wa­ter to us. ‘Get yo­ur strength back,’ he con­ti­nu­es, ‘then lis­ten to the mes­sa­ge and le­ave.’

    The mes­sa­ge? What mes­sa­ge? What’s he tal­king abo­ut? I de­ci­de that I’ll find out la­ter. Right now eating my first fo­od in mo­re than a day is mo­re im­por­tant than anyt­hing el­se.

    

    I’m sit­ting with three ot­her pe­op­le. In the mid­dle of us is a mo­bi­le pho­ne, set up re­ady to play the mes­sa­ge. This mes­sa­ge, our gu­ides in­form us, is as clo­se to the truth as we’ll get to­night. It has be­en dist­ri­bu­ted as a fi­le by pe­op­le li­ke us and has spre­ad aro­und the co­untry li­ke a com­pu­ter vi­rus. It now sits on hund­reds of tho­usands of pho­nes, com­pu­ters, me­dia pla­yers and ot­her de­vi­ces, too wi­desp­re­ad to be de­le­ted.

    ‘Chris who?’ a man sit­ting next to me asks.

    ‘Chris An­kin,’ one of the gu­ides rep­li­es.

    ‘Who the hell’s he?’

    ‘He was a po­li­ti­ci­an,’ he exp­la­ins. ‘Used to be fa­irly high-ran­king in De­fen­ce. He was an ad­vi­ser to the go­vern­ment when it be­gan. He got to he­ar a hell of a lot of in­for­ma­ti­on be­fo­re he chan­ged.’

    ‘So whe­re is he now?’

    ‘Rumour has it he’s de­ad.’

    ‘Great.’

    ‘Doesn’t mat­ter. He did what he wan­ted to do be­fo­re they got him.’

    ‘What was that?’

    ‘He wan­ted to let us know what was hap­pe­ning. He wan­ted to warn us. He wan­ted to try and co­or­di­na­te us.’

    ‘Coordinate us?’

    ‘Make su­re we all know what we ha­ve to do.’

    ‘And what’s that?’

    ‘Why don’t you just play the fuc­king mes­sa­ge?’

    The man le­ans for­ward and picks up the pho­ne. He strug­gles with the cont­rols for a se­cond but so­on ma­na­ges to lo­ca­te the fi­le and starts it pla­ying. At first the words are hard to ma­ke out. He adj­usts the vo­lu­me and lifts up the pho­ne so that we can all he­ar what’s be­ing sa­id.

    ‘If you’re lis­te­ning to this,’ An­kin’s we­ary vo­ice says, so­un­ding tinny and dis­tor­ted, ‘chan­ces are you don’t ha­ve a clue what’s hap­pe­ned to you or what’s hap­pe­ned to the rest of the co­untry. You won’t know why you fe­el the way you do or why yo­ur li­fe has just be­en tur­ned up­si­de down. I’ll gi­ve you so­me in­for­ma­ti­on but I won’t be ab­le to ans­wer all of yo­ur qu­es­ti­ons. I’ll tell you what I know but that’s not what’s im­por­tant now. Ul­ti­ma­tely it do­esn’t mat­ter why this has hap­pe­ned or what ca­used it, what mat­ters is how we de­al with it. Be­ca­use of the unp­re­ce­den­ted na­tu­re of the chan­ge and its ef­fects on our so­ci­ety we ne­ed to act now and we ne­ed to act qu­ickly. The­re will be ti­me eno­ugh to lo­ok for re­asons when the fight is over.’

    I shuf­fle on the gro­und and glan­ce at the ot­her fa­ces gat­he­red aro­und the te­lep­ho­ne. They sta­re at the small hand­set with be­wil­de­red exp­res­si­ons. I’m not su­re if an­yo­ne be­li­eves what they’re he­aring.

    ‘Put simply,’ An­kin’s vo­ice con­ti­nu­es, ‘the­re is a fun­da­men­tal ge­ne­tic dif­fe­ren­ce bet­we­en us and them. A fun­da­men­tal and ba­sic dif­fe­ren­ce which, un­til now, has re­ma­ined dor­mant. I can’t yet tell you why, but so­met­hing has hap­pe­ned to trig­ger a chan­ge, and that chan­ge has cre­ated the ha­te. If you’re ho­ping for me to gi­ve you a mo­re sci­en­ti­fic exp­la­na­ti­on, I can’t. If you’re wa­iting for me to exp­la­in why we can no lon­ger exist along­si­de the pe­op­le we lo­ved, li­ved with and wor­ked with just a co­up­le of we­eks ago, I can’t. One day we’ll un­ders­tand, but to­day we don’t ha­ve the lu­xury of ha­ving eit­her the ti­me or re­so­ur­ces to find out.

    ‘Initially it was pre­su­med that the chan­ge was li­mi­ted to just a small mi­no­rity of pe­op­le. Be­fo­re it hap­pe­ned to me, whi­le I was still in of­fi­ce, I saw fi­gu­res which in­di­ca­ted that our num­bers are much gre­ater than was first tho­ught. It’s li­kely that as many as three pe­op­le in every ten are li­ke us. That’s aro­und thirty per­cent of the po­pu­la­ti­on. That’s eno­ugh to ta­ke the fight to them and stand a chan­ce.

    ‘The chan­ge strips away so­me of the rest­ra­int we used to ha­ve. In very ba­sic terms it ma­kes us less sus­cep­tib­le to bul­lshit and mo­re li­kely to ta­ke ac­ti­on. The chan­ge se­ems al­most to amp­lify our ins­tincts. We im­me­di­ately know who is li­ke us and we know who isn’t. We know who po­ses a thre­at to us and who is on our si­de. Many of the la­yers of con­di­ti­oning and cont­rol im­po­sed upon us by so­ci­ety ha­ve be­en strip­ped away by the chan­ge and no lon­ger apply. Now you fight when you ne­ed to fight and you dest­roy the enemy be­ca­use you know that they will dest­roy you if you gi­ve them half a chan­ce.

    ‘Until now we’ve disc­ri­mi­na­ted aga­inst each ot­her ac­cor­ding to ra­ce, re­li­gi­on, age, gen­der and just abo­ut every ot­her dif­fe­ren­ti­ati­on ima­gi­nab­le. Lo­ok aro­und you to­night and you’ll see that tho­se dif­fe­ren­ces are go­ne. Now, to put things as simp­lis­ti­cal­ly as pos­sib­le, the­re is just ‘us’ and ‘them’, and it is im­pos­sib­le for us to co­exist. We ha­ve no al­ter­na­ti­ve but to fight, and we must ke­ep figh­ting un­til we ha­ve wi­ped them out.

    ‘The chan­ge has spre­ad ac­ross the world with an inc­re­dib­le spe­ed. No cor­ner of the pla­net has be­en left un­to­uc­hed. We are everyw­he­re. You must re­mem­ber that we are not the un­der­dogs. The­ir ad­van­ta­ge over us is in physi­cal num­bers only. We ha­ve ser­ved at every le­vel and among us we ha­ve ex­perts in every pro­fes­si­on. Among us we ha­ve every skill ima­gi­nab­le. We ha­ve everyt­hing we ne­ed to fight them and dest­roy them.

    ‘Forget yo­ur past. For­get yo­ur fa­mi­li­es and fri­ends and who you used to be. In ti­me so­me kind of nor­ma­lity will be res­to­red. Un­til then we ha­ve no al­ter­na­ti­ve but to fight.’

    The mes­sa­ge ends and I lo­ok at the pho­ne in dis­be­li­ef. Is this a joke? Can any of this re­al­ly be true? For a mo­ment I’m over­lo­aded, unab­le to ta­ke it all in. Then my mind be­gins to fill with me­mo­ri­es of the events of the last we­ek and par­ti­cu­larly of the last day - the kil­lings, the bat­tles, the blo­ods­hed, the emo­ti­ons - and I know that every word I’ve just he­ard is true. I re­mem­ber the fe­elings of strength and po­wer I felt as I kil­led the enemy sol­di­ers with my hands just a few ho­urs ago and I know that it’s all re­al. Im­pos­sib­le and unp­ro­ven but re­al.

    

    

SUNDAY

44

    

    The de­ad po­li­ti­ci­an’s words still rat­tle ro­und my he­ad as I wa­ke up. I’ve slept for lit­tle mo­re than an ho­ur but I fe­el as ref­res­hed as if I’ve slept all night. I lo­ok up at the ca­nopy of le­aves and twis­ted branc­hes abo­ve my he­ad. A fa­mi­li­ar fa­ce sta­res back at me.

    ‘Thought it was you,’ says Pat­rick. ‘You ma­na­ged to get away then.’

    I sit up qu­ickly. He re­ac­hes out his hand and I sha­ke it. I lo­ok aro­und and see that many mo­re pe­op­le ha­ve ar­ri­ved he­re whi­le I’ve be­en as­le­ep.

    ‘You okay,’ I ask as I stand up and stretch.

    ‘Absolutely blo­ody bril­li­ant,’ he rep­li­es, grin­ning from ear to ear. ‘You?’

    I think be­fo­re ans­we­ring. In less than twenty-fo­ur ho­urs I’ve lost everyt­hing that used to mat­ter to me. I sho­uld fe­el bat­te­red, de­vas­ta­ted and empty but I don’t. I ec­ho Pat­rick’s sen­ti­ment. I fe­el inc­re­dib­le. I fe­el ali­ve. My body is full of energy and strength. My mind is cle­ar. I’m re­ady to do what I ha­ve to do.

    ‘Never felt li­ke this be­fo­re,’ I tell him. ‘I’ve ne­ver felt this go­od.’

    

    It isn’t long be­fo­re we mo­ve on. The sco­uts who bro­ught us to this pla­ce tell us that the­re’s a small town on the ot­her si­de of this val­ley. We’ll start the­re. I know exactly what I ha­ve to do. I’m re­ady now to go in­to the stre­ets and dest­roy as many of them as I can find. This bat­tle is only just be­gin­ning.

    We le­ave the tre­es at the bot­tom of the val­ley and emer­ge in­to a cle­ar and dry mor­ning. The sun is just be­gin­ning to ri­se and I can al­re­ady he­ar the so­unds of figh­ting drif­ting on the bre­eze. The­re’s a hint of smo­ke in the air - the smell of the­ir world be­ing torn apart.

    Christ I fe­el strong. I know now that I’ve fi­nal­ly thrown off the shack­les and rest­ra­ints of the li­fe I used to le­ad and I’m free to fol­low my ins­tincts and do what I was born to do. For the first ti­me sin­ce I left her I can think of El­lis this mor­ning and not fe­el any pa­in. I know that my lit­tle girl is out the­re so­mew­he­re, kil­ling for us. I ho­pe I’ll find her aga­in one day. I’ll tell her how pro­ud I am.

    We mo­ve as a pack, po­we­ring up the si­de of the ste­ep hill which lo­oms ahe­ad of us. We re­ach the top of the climb and I’m ba­rely out of bre­ath. I stand next to Pat­rick and to­get­her we lo­ok down on­to a truly be­a­uti­ful sce­ne. In the dis­tan­ce we can see the town, and it is bur­ning. The­re are al­re­ady bat­tles ra­ging in the stre­ets. Exp­lo­si­ons rock bu­il­dings and re­du­ce them to rub­ble. Pe­op­le are run­ning, figh­ting and kil­ling.

    It’s awe-inspi­ring.

    Patrick grins li­ke a child on Christ­mas mor­ning.

    The sun bat­hes the sce­ne with bril­li­ant, gol­den light and I can see for mi­les in every di­rec­ti­on. Pe­op­le are swar­ming to­wards the town from all si­des. With ex­ci­te­ment bur­ning in my gut I start to run to­wards the bu­il­dings, des­pe­ra­te to get the­re, des­pe­ra­te to fight and kill.

    We thun­der down the ot­her si­de of the hill, sprint di­ago­nal­ly ac­ross a wi­de and une­ven fi­eld and then re­ach the ma­in ro­ad in­to the town. With two ot­hers I bre­ak in­to the first bu­il­ding we re­ach. We smash the front win­dows of the small, squ­are ho­use and climb in. I find the two el­derly oc­cu­pants ups­ta­irs, co­we­ring pat­he­ti­cal­ly in a bed­ro­om. One of them hi­des un­der the bed. I grab its fo­ot, drag it out, stand it up­right and smash its fa­ce in­to the wall. The­re’s anot­her in the ward­ro­be. It tri­es to stay si­lent but I can he­ar its uns­te­ady bre­at­hing and pi­ti­ful whim­pe­ring. I pull the do­ors open, throw it ac­ross the ro­om and watch in sa­tis­fac­ti­on as the ot­her two who are in he­re with me te­ar it limb from limb.

    By the ti­me we get back out­si­de our blo­ody at­tack has be­en rep­la­yed nu­me­ro­us ti­mes in nu­me­ro­us ho­uses. Wit­ho­ut pa­using for bre­ath I run on, des­pe­ra­te to find mo­re of them to dest­roy.

    This is a per­fect day.

    After so much un­cer­ta­inty, fe­ar and pa­in, everyt­hing is cle­ar. Everyt­hing fi­nal­ly ma­kes sen­se.

    We are at war.

    

THE END



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