*Earthly and Musical Resonances* Q: I was out of town for the Northridge earthquake... B: All right, so was I, way out of town. (Audience laughs) Q: When I came back into town, one of the things that I did was that I drove through the earthquake area, and on Monday when I did that I received a sharp pain in my lower back on the left side... B: Yes. Q: ... that stayed, and then by the morning it was gone. But two days later I drove back through and received a sharp pain in the lower right shoulder blade. B: Yes, these are simply your empathetic resonance vibrational recognitions of restructuring yourself in a different way than most of the individuals did by choosing to remain. You picked up the energy, as you needed it, and incorporated it into your own body-quakes to restructure yourself in the ways that are important for you. You picked up on it empathetically, and gave yourself enough opportunity to empathize and resonate in accordance with that vibration to make the changes in the way that you preferred to. Q: And as far as resonance goes, I'm having a little bit of difficulty... now that I am becoming more sensitive I find that electromagnetic appliances are causing disturbances, physiological pains... B: Yes. Q: The cathode ray coming off the TV set... B: Yes. B: ... when I come in contact with it, it leaves a certain effect. B: Yes. Q: It seems to be deleterious to my wellbeing. B: Now, some of this can be off-set, again, by not necessarily relying on so many of these devices within your society, or learning a different way to manipulate the electromagnetic energy to create similar devices that do not have the same effects, that are more harmonious overall with vibration. At the same time, you can even out and smooth out some of the effect, as we have suggested in the past to many other individuals, by going into what you call a meditative state and imagining, in about a seven to ten minute meditation, the idea of your body being infused with blue-white electromagnetic light and becoming transparent like a crystal, so that you even and balance out the electromagnetic field of your own form, of your own consciousness, and thus, allow all other electromagnetic forms of energy to resonate more compatibly with you. You understand? Q: I was wondering, perhaps, if there was a mineral that would help assist in absorbing that magnetic radiation that, perhaps, I could carry? B: For you, one moment... again, remember that this will only function as a trigger, a trigger, a trigger... Q: I have used a polarizer but it doesn't seem to do... B: No, no, no, no, no, no, no. One moment... something of a dark green coloration will be of best assistance for you in grounding you to nature in such a way, to allow you to make use of the natural electromagnetic field in a more balanced format. This dark green stone very often emanates from what you call one of your southernmost continents of Australia and New Zealand. This will be of great benefit for you in connecting through the idea of the north to south poles of your planet and balancing you out. But again, remember, this is simply a trigger for your consciousness, you yourself are doing the balancing. Do you follow along? Q: Does it have a name? B: Yes, it is called the green stone of New Zealand. Q: One other thing about resonance is music. Can you comment on the Rastafarians and Bob Marley and that frequency? B: Yes. One moment... understood. This will, to some degree, have to do with setting up a pattern that feeds back upon itself... now this will be very loose terminology... a half step off, so as to constantly create a sense of surprise and lack of ability to expect the obvious. It is like a feedback loop, a half step off, so that there will always be a vibration that will spiral a little bit more loosely, a little less fixed in manner within that musical vibration to open up the possibilities of allowing individuals to move in directions that are, shall we say, a little less rigidized. You understand? Q: Similar to the Beatles, to break up the human focus? B: One moment... scanning... some of the, what you have now mentioned, have that effect, but it is different in structure and creates a slightly different effect. Q: Another individual I would like to have you comment on is Maestro Ali Akbar Khan and the sarod, accompanied usually by the tabla. B: This will, of course, key into many ancient kinds of effects, one moment, one moment... a lot has to do specifically with evoking connections to past life memories, especially those connected to certain areas of your planet from which the music emanates. Connecting you also to the archetypical energies that connect many of those cultures together on a collective consciousness level. Q: So it is a reawaking of some of the symbologies that we are tapping into... B: Yes, and a recondition of the archetypal connected consciousness underlying certain cultures on your planet, in terms of their interpretation of the World Spirit. Q: Could you comment on the combination of the tabla, (the drum) and the sarod, and their ancient heritage? B: It will, to some degree, cause there to be a harmonization between the Kundalini and the crown, so that all resonances in-between shall be accounted for. You understand? Q: To balance out? B: Yes. Q: And the last individual I would like you to comment on is the Austrian composer, Gustav Mahler. B: One moment... a lot of that vibration will have to do, especially, with that individual's past lives and that individual's connection to the reality in which that individual was present at the time of the creation of that music. In other words, it was representative of the idea of racial momentums, of the idea of strains of energy, flows of energy, which had to do with political and economic structures that existed at the time. And a way, perhaps, to make those political and economic structures cohesive within the higher aspirations of energy that are, shall we say, germane to that region. Do you understand the connection? Q: Does that have to do with the intensity of the orchestration and the complexity? B: Yes, because it was desired that the music overwhelm, shall we say, and provide more energy than was being provided in all the other disciplines. So that it could come together and find enough room to harmonize within, and thus, be raised to higher levels that were representative of the archetypes that are germane to that region. Q: One last comment, could you comment on the didgeridoo of Australia? B: This is particularly responsive for the idea of getting in touch with those vibratory frames that open gates between dimensional worlds, especially the in-between worlds. In between what you would recognize as one dimension and another. Q: Thank you. B: Yes, thank you.