*Crystal Skulls* Q: I would like to know what is the significance, the origin of the Crystal Skulls, and where they came from. What is their purpose? B: There are many. In this way, what we will reflect upon is the one that you would associate with, what you would call the Mayan, primarily. And the idea is that it functioned as a model, a model for the rearrangement of the energy pathways within the brain, that allowed them to perform, what you call, operations within the brain that rearranged their ability to rewire themselves, to rewire themselves into another dimensional experience of reality altogether. The crystal skull, in a sense, is left behind, so that others who find this may also enter that doorway, that dimensional doorway; but first they must make an identification with the skull. The skull will be a symbolic reflection, an energizer, and an accelerator. When you, in a sense, come face to face with it, if you wish... to project your mentality and blend your consciousness with the idea of the consciousness of the civilization that has created it, so you may, in a sense, follow them. You will have to form a blending with all of yourself and that is, let us say, the safeguard, the lock and the key. In that an individual who cannot come to terms with the blending with all portions of their personality, they will not be able to enter the door. You follow me? Q: Yes. What would happen... there's supposed to be thirteen of them, or twelve of them, what would be... B: There exist more than that, but go ahead. Q: Okay, are they supposed to come together... or certain groups and organizations that have possession of them that. B: Many of them have, in a way, come together from time to time, and simply, that idea is a symbolic reflection... that in bringing them together, you will be bringing together, as we have just said, different portions of the personality; and forming, let us say, a circle that will allow there to be an energizing and a formation and an opening of a greater doorway to another dimensional experience of yourself from which you can step. Q: Okay, that's all, B: Thank you. ------------------------------------------------------ Q: I believe you are familiar with the Crystal Skull found in Guatemala, and that lives in Toronto now. B: Yes. Q: The skull is presently on display in Phoenix, Arizona, where a group of people have looked at the skull and seen dolphins in the skull. B: Yes, it is a gateway and a doorway to many different dimensions and levels of consciousness. Q: This group is trying to arrange with the... B: Trying? Q: They are arranging... sorry. B: Do not be sorry. (Laughter) Q: ... arranging to transport the skull to Miami and then to Florida to put it in proximity to our dolphins. B: How exciting! Maybe the dolphins will see humans in the skull! (Laughter) Q: I wonder if you could comment on that proposed interaction and tell me what you think... B: What is there to comment on? It sounds very exciting. It is a dimensional doorway, and because you are willing to open up communication between your land humans and water cetaceans, you will allow yourself to learn from them how to telepathically communicate the proper code sequence into the skull, to open it up to doorways through which many other civilizations upon your planet have already stepped, and closed the door behind them. Q: All right. B: The idea is that encoded within the skull is the matrix to open that doorway, and any individual who wishes to find it simply needs to sit down and commune in a meditative state with the skull, locking eye contact to eye contact. If that individual cannot integrate all the fears within themselves they will not be able to unlock the code, and that is the safety valve on the door. B: You shared that the dolphins would be able to communicate with the skull? Q: They will know what it is for. Some of them may be able to utilize it. Some of them may be able, when they are in its presence and it is in their presence, to activate certain electromagnetic phenomena around it that may be visible to you. Look for ionization of the air in the dark, look for certain sparklings of light in the air that may represent motes, in a sense, representing what you may call miniature gateways, miniature doorways -- the preamble to the opening of a major door, a major gate. You may see them as sparkling light, some of them may be ghostly and nebulous at first, some of them might be very bright pinpoints of light in the air. All of these phenomena will be indicative of the skull recognizing when it is in the presence of an integrated mentality, an integrated consciousness that wishes to use it as a doorway. Because of your telepathic communications with the dolphins you can allow them to tutor you, to guide you as to the proper use of the opening of that doorway, to help integrate the fears and the different levels that you have fragmented your consciousness into -- so that you can approach the doorway as an integrated being. Many individuals, when they approach that doorway as a non-integrated being, will conjure up images and vibrations on the emotional level, in the emotional body, that will generate fear within them, and that is what makes them back off, and makes sure the door stays closed to individuals who are not integrated. You follow me? Q: Yes. When the dolphins are in communication with this skull and they in turn communicate with us, will this communication be along the lines it has been all along -- a sort of a subliminal mood perspective, a very subtle shift, or... B: You may feel great tuggings in your emotional form. Anxiety rushes at first, perhaps, temperature differences within your solar plexus. These will all be indications that you are standing in the presence of a very powerful electromagnetic field. Q: So that our contact with the dolphins will, in fact, be enhanced and dramatized by the presence of the skull? B: Oh, yes. Q: Will you be aware of what is happening there? B: To some degree... we will keep "tabs"... a little bit. (Laughter) Q: All right, thank you very much. B: Thank you for following your excitement and your willingness. -------------------------------------------------------- Q: A friend of mine was in San Francisco this last weekend, going to the first world crystal conference. B: Yes. Q: And when he was there, he saw the crystal skull that you mentioned that... B: Yes. Q: ... I have asked you about before, that came from Machu Picchu or that area. B: Yes. Q: And wound up somewhere in the Aztec civilization. Is that the same one? AUD: Mayan. Mayan. B: Yes. Q: Okay. Um, he also met the lady who's, I think, in her eighties now, who was along with her father when he found the skull, um. B: Yes. Q: And I was wondering if you could tell us a little bit more about that, um. B: About what? Q: About the crystal skull. How, uh, I don't know... there's something I want to know that I don't know how to put in words about it. It's connected to the whole idea of crystals and also the fact that the Cherokee Indians have in their legend that they dreamed themselves here to earth from... B: Yes. Q: ...from the, uh, planet that circles Sirius. B: Yes. Q: With the aid of crystal skulls. B: Yes, for as we have said, the idea of the crystal skulls is a representation of dimensional doorways. Those that can learn to read them can come through. That is what the Mayans also did. Q: OK. Well, that particular one that, uh, that was discovered in South America among Mayan ruins, was that... that was the one that originally came from Peru? B: It has been around; some of the technology is also Atlantean. Q: Is the skull itself that old? B: There were others. Q: Ah. Okay. Also, uh, there's something about a pair of hands that held a crystal from Atlantis and I've heard two different things about that, one about the crystal. All right. In a channeling last Saturday night a girl asked why she didn't like crystals, and the channel told her that she had been part of a group of thirty-one people in Atlantis that removed this crystal from a pair of carved hands that held it. B: Yes. Understand that the idea of the carved hands will have been the connector and supportive base. There will have been the direction of what you call solar energy in the hands in the pyramidal temples. Q: There's a connection here with Egypt as well. B: Mostly, at this time, Atlantis. Q: All right. B: And the idea of the destruction of Atlantis through the crystal technology. Q: Yes. Um, I heard the very next day, synchronistically, from a friend of mine, that she had heard on a talk show that some diver had discovered this pair of hands when he was diving, and he felt they were remnant of Atlantis. B: Yes. In the area you call Bahamas. Q: Would that be Biminis? B: Yes. Q: That was a mountain top in Atlantis at one time? B: A plateau. Q: A plateau. Yes B: One of the islands referred to as Poseidia. The larger island is further north, what you now refer to as the sunken Bermuda Rise area off of your eastern seaboard. Q: Yes. B: It was mostly those two islands, though there were smaller islands in the chain. Atlantis is not the Atlantic Ocean filling continent that you might think; but it was large islands closer to your Americas. Q: Hmm. Okay. Can you, would you be willing to give me little of my personal connection with Atlantis and also with Sirius? I feel a tremendous connection and I... whatever you can tell me about it I would be willing to hear. B: At this time, all we can share with you is the idea that your imagination can delve into gold, white linen, and crystalline forms in circular fashion. Jade, blue crystals, water, pyramidal structures and, what you call, the art form, frescoes. Q: Hmm. B: Which originated in Atlantis. Q: And then showed up in Greece. B: Yes. And what you call Portugal and Spain and Morocco. Q: Ah. How about Majorca, in Spain? B: Yes. Q: (laugh) Well that's good, because I'm going there this summer. B: Follow your instincts. Retrace your steps. Q: Great. Thank you. I love you. B: You may find that it may feel more natural to walk in sandals. Q: True. B: Thank you. ------------------------------------------------------- Q: We've talked about the crystal skull. B: Yes. Q: And I've been getting some information that indicates that some people surmise that its origins are pre-Atlantean, even pre-Lemurian. And we've discussed them in terms of the origin being the (--?) ... being Mayan. Could you comment on that? B: In this way, you will find that there is some reality, in the sense that it predates the Mayan, but mostly you will find that there have also been other crystalline artifacts. It is mostly the idea of the technology itself, and the utilization of the technology in that way that predated the artifact. It was simply that technology, that understanding, that information, that allowed that civilization to create such an artifact that carries with it a sense of ancientness about it, by its very nature. Because of the blueprints it was fashioned from, it carries with it intrinsic connections to ancient times. So that each and every artifact that was created in that manner can be perceived, and would, by nature, by definition, be perceived by those sensitive to it, as something that is, quote/unquote, older physiologically than it is. Q: I see. Is that connection made simply through the technology of its crafting of (--?) B: In a sense, yes. Because of what it is, because it does function as a dimensional energy gate, then any sensation, any perception of it as an artifact, will always bring with it an understanding of a perception of the fact that it is connected to all places and all times. So it will feel older than it may physically be. Q: Oh, I see. The concept of energy gate predates that, and connects to all the other areas. B: Yes. But any time such an artifact is made - following that pattern, following that blueprint - and it functions as an energy gate, it may, to certain sensitivities, seem to be older than it physically is. Q: I understand. Also, last week I asked you if I had appeared as a virtual personality on your planet, and you indicated, basically, yes. B: Yes. Q: And you mentioned you perceived energy of my working with crystal sheets. B: Yes. Q: And when you... my response was, "I'll take your word for it." The reason I responded that way is because my perception was that I did that in my dream state. B: All right. Q: Therefore, I didn't... I don't recall my dreams generally; therefore, I didn't have a specific recollection of it, although it seems fitting. It seems just fine to me that that's what I would have done. B: All right. Q: I wanted to find out what the crystal sheets do, what they are, and in what way. B: Now, we have described them to some degree. They are what you might call a technological manifestation. They are imbued, in a sense, with a type of - loosely termed - circuitry, that allows them to form many functions, according to how they are applied in connection to other manifestations. In a sense, they can be utilized as remote computers, which can also attach themselves to other crystalline forms, and allow transformations of those crystalline forms according to the programming in the crystalline sheets. They can be broken into different sizes. They can actually perform the function of the idea of becoming a hull, where necessary, upon a craft, if such is necessary. And they can allow themselves to be re-programmed for many different ideas, many different understandings, that have to do with both physiological technology and mental technology. They are, in a sense, the skeleton keys of our technology. They are multi-versatile. Q: Uh huh. B: Multi-applicable. Q: Is it quartz crystal, such as we have on this planet? B: Not exactly, no. It is a combination metallic crystalline substance that is a combination of something that you might recognize, to some degree, as combinations of crystalline structures of magnesium and iridium. Q: Okay. What is the thickness of this crystal? B: Not more, in your counting, than approximately - although there will be some variation - between what you call one-quarter to one-half inch. Q: Uh huh! Now, what is my function in dealing with these? B: Simply you are there to understand the idea of the malleability of such a device as it points out to you the relationship of technology and consciousness. Q: When you say malleability, are you referring to physical malleability or the... B: Yes. Q: ... programming malleability? B: Both. For what you program it to be, allows it to become also physically malleable. Q: I'm trying to understand that concept. B: Let us say that you had a sheet, and you were upon a planet that you were exploring. The sheet - a large sheet - so aptly programmed, could become the idea of what you would call a shelter. And certain portions of it could also function as the exploratory devices that you may need to analyze what you are exploring. Q: Does that mean it would take a physical shape? B: Yes. Q: Without mechanical. B: All the mechanics are built into its circuitry. It simply will respond according to the energy matrix the circuitry gives it - it will take that form. Q: Well, does that mean - let's say you - as I conceive of this in my imagination, you land upon a planet with a craft. B: Yes. Q: And you've got this hull... or this stock load of crystal sheets. And you take a bunch of them out and you say, "well, now, this one is programmed as a shelter, this is programmed as an exploration vehicle," and they just take shape right before your eyes? B: In a sense, yes. Q: Wow! That's very wild. B: You are simply understanding that there can be simplification of your technology to represent the multiplicity of ideas. Q: Yeah... B: This you are beginning in your society to explore with new combinations of metallic plastics that are also conductive. Q: Yeah. Well, we haven't... as far as I know, we haven't really tapped into the idea of self-transmogrifying. B: Oh, just beginning to; just beginning to. For now, one of the first primary steps is the recognition of what you call metal memory, or plastic memory. Q: Yeah. What do we use it in? B: Not many things right now, but a few devices. Q: Well, if you would name one, it would probably jog my memory and give me an example. B: Certain types of energy engines, but again, most of these are in the experimental stage on your planet. Q: Yeah. B: It is not in what you call widespread use. Although there is one idea that - let us say - it is a sort of precursor to this understanding, and it is what you may refer to as the bimetallic strips of what you call your thermostatic controls. When a certain temperature is reached, it takes one shape; another temperature, another shape - and performs the function of a switch, on and off. Q: I understand that. Well, I would think that that's a primitive form of that. B: It is a beginning. Q: Because I would think that what you're talking about in crystal sheets is something, which uses inter-dimensional functioning to change form... B: Yes. Q: ... in much the same way that you move your spacecraft. B: Yes. It is simply inter-dimensional engineering. Q: Yeah. So it just goes into a different dimension in which it has a different shape. Now, does it go into that different dimension in a stuck function, so it goes instantaneously to its final shape? Or does it go through a sequence in which there's a process in which it takes form? B: You would observe there to be a smooth transition, a small process. Q: In actual fact, it's changing different dimensions. B: Yes. Q: You said earlier tonight that a bunch of symptoms, which you mentioned, which I've had all of, were symptoms of moving into the fourth dimension. B: There are symptoms of moving into the fourth density while still retaining some connections to third. Q: Okay. I have a little confusion of relating that to another thing you said at another time... B: All right. Q: ... about pain being created by friction? B: Yes. Thank you. The idea simply is that you have a habit of thinking of yourself in a certain way as a third-density being. When you begin to have the notion, or become aware of the idea of fourth density, then you will find that you usually begin to explore that understanding from a third- density point of view. One of the things that you have created in your society to begin the exploration of fourth density, from a third-density point of view, is the creation of a so-called belief that, as a third- density individual, you have a slower vibration than you will have as a fourth-density individual. But this is still the remnant of a judgment: the creation that the idea or belief that the third density is somehow less than the fourth density. So you create a separation while you are, quote/unquote, forcing yourself to explore fourth density, and therefore allowing yourselves to experience some acceleration of energy. And you still hold on to the idea that, while you are doing the exploring, you are still somehow something less than what it is you are becoming. You are moving at a slower vibration in that way. Therefore, as long as you are exploring the idea of higher vibration - as you create the idea of fourth density to be represented, in your mentality, as a so-called higher vibration, and at the same time still retain a notion that while you are doing this, you are a slower vibration - this judgment and this comparison of separation then creates the scenario wherein you have two different vibrations within the same body. This causes friction, which causes pain. When you simply know that you are what you are at any given moment - and what you are at any given moment is what you need to be - you will then accelerate as a smooth oneness of vibration, and not create comparisons between something you think is less, to become something you think is more. You will become one vibration; you will erase the friction. There will be no pain. Q: That helps a lot. Thank you. B: Thank you.