On deck, 2130 hours
It is dusk. We
are running on the surface. The weather is poor and visibility is limited.
Surface radar has spotted wreckage. It could mean survivors. If so, we'll pick
them up. They'll be interrogated. Our captain loves picking up enemy survivors.
He enjoys demonstrating that the Nazi "supermen" are mere humans.
In the beginning we lionized these Nazis.
Their swift rise to power amid European strife and their string of conquests
made them seem as invulnerable to us as the conquistadors must have seemed to
the naked villagers who met them. Supermen...gods... until someone wiped away
fear long enough to make one of them bleed.
Our captain is a military historian. He tells us how the ethnic Mayans at
Chanpotón killed Cordoba before he ever left the beach, simply because he was
walking like a man. But when Cortez rode ashore, armored, centaurial, evoking
the image of a returning Quetzalcoatl, Aztec fear initially deified him. The
captain says war is as much about psychology as weapons.
The lookout shouts, "Wreckage at two
o'clock!" All eyes on deck strain over the starboard bow. In my binoculars I see
three Nazi sailors, floating on a large wooden crate, shining a light. The screw
idles down and the ship heaves to. A line and a buoy are thrown from the bow and
we haul them aboard. I am ordered to the side to help secure the prisoners.
I see them shiver and plead for their
lives... and bleed.
They are men, only
defeated men. Two of them are just teenage boys. I hate them from deep within
the core of my values. But I pity them as well. Their veneer of arrogance will
be no defense against the strength of our beliefs.
One is an officer, about thirty years old. He
lords it over the other two. Yet, I see a twitch in his brow and a trembling in
his hand that doesn't match the rhythm of his shivers against the cold. And his
eyes dart from side to side, avoiding the dark faces of his captors.
Enlisted crew quarters, 2230 hours
The big Mexican boatswain is in a good mood, even though it's his duty, as the
crew's liaison to the captain, to maintain discipline in our cramped quarters.
He can't hide his true feelings. He's up and down among the bunks, sharing good
cheer. That means the captain is in good spirits too.
Boats' likes to flex his biceps, to brandish
his eagle tattoo. Serpent in its talons, perched atop a cactus on Tenochtitlán
in Lake Tetzcoco, it is his cultural heritage in a single icon. His accent and
slang are typical of the West Coast. His black eyes sparkle with a wit that
beguiles even our cynical mostly northeastern crew.
Home brew and such are against the rules
aboard ship, of course. After every big victory, though, there always seems to
be some around. Sailors are a resourceful lot. The boatswain doesn't spoil the
fun, but he can't let anyone become incapacitated. Emergencies can arise. He's
making sure everyone knows he's around so no one gets carried away.
"That better not be alcohol I smell in your
drink, Xochi" he says to me.
"Oh no, Boats',
that's just a little splash from topping off the torpedoes you smell." It's an
unspoken arrangement. It keeps a balance. His presence makes it work. He sits
down with one of the gunners. They both have children the same age.
The boatswain shows off a colorful pair of
bracelets his seven-year old has made. He demonstrates how one bracelet with
thirteen numbered beads spins alongside the other with its twenty painted
characters. They cleverly interact to tell him the day and season.
"Amazing what they teach kids nowadays," says
the boatswain. The gunner nods in fascinated agreement, showing his nostalgia
for the old calendar.
"We should give thanks
for today's victory," says the machinist mate, to no one in particular. Our crew
is careful to observe the usual superstitions and religious rites.
"You're right," says the boatswain, looking
up. "We should always give thanks after a kill."
"And pray for the souls of the departed,"
says the chief torpedoman mockingly. We all laugh.
"The captain asked me to see about gathering
up in the mess," says the boatswain. "Cookie, can you find anything for the crew
to eat? It was a big victory; we should have something special."
"Sure, Boats'. Still plenty of fresh stores
from our stop in the Açores."
Ship's mess, 2330 hours
The crew
sits around crowded tables. A few stand against the bulkheads. Communications
from the bridge begin piping into the mess--the captain is on his way. Hearing
the intercom, the three sitting at the head table grab their cups and move.
The compartment quiets as the captain appears
at the forward water-tight door. Stepping high to avoid knocking his shins and
simultaneously ducking his head, the captain doesn't even have to look up to
know where he should go. In three confident steps he is at the ceremonial head
table in the forward area. He turns and gestures to a party of men in the
gangway to wait.
Seaweed, the ship's mascot
parrot, is on his perch in the forward port corner. A platter of sliced fresh
bananas, avocadoes, amate fruit and sweet baked yams rests on the second table.
Smiling, the cook steps forward, hands the captain a large ornate knife and nods
toward the food. The captain smiles. Walking between the tables, he spears a
small slice of banana and flicks it to Seaweed, who deftly catches it in his
talons and begins nibbling. The crew sniggers its approval.
"In a moment we will all share," says the
captain, "but first a few words." Silence descends and he continues.
"We are gathered to give thanks for today's
victory. The recent battles have been fierce and among the most important fought
in this great global war. This is a struggle between our way of life and old
European concepts of arrogant power, racism and conquest that the Nazis and
their sort cling to.
"Our attack group sank
eight enemy ships today--three of them by the Jade Skirted Lady herself."
The crew interrupts with a hysterical cheer. Smiling, the captain lets them
continue briefly before extending his hands, asking for quiet again.
"The enemy can't hide forever in his fortress
empire on the shores of Europe. We will soon press the battle on land, and
destroy his capacity for aggression against our homeland."
The captain signals the men at the door. Two
guards drag a wilted Nazi sailor through the water-tight door. He is one of the
two young ones, about my own age. I wonder if he has a Malina that he would be
willing to die for. His sight has been erased by terror. Eyes fixed and glazed,
he yields limply to the manhandling of his captors. His slack jaw reveals that
the captain has had him medicated to ease his pain. I admire the captain's
compassion. At the doorway, two more men restrain the Nazi lieutenant, who is
shackled and gagged. He has been brought to the mess to watch our thanksgiving.
The captain resumes. "For now, the sacrifices
must continue. Let us thank all the mighty powers of heaven that have guided us
and given us this victory." A low chanting murmur begins to fill the mess. We
pray, and our prayers rise and combine in a drone-like hum. The captain signals
the guards and picks two more men from the mess. They lay the young prisoner's
back on the ceremonial table, each man holding an arm or a leg. The watching
lieutenant struggles in protest, but is held too tightly to move. Despite my
convictions, I find myself buoyed by a sense of relief that the Nazi lies there
and not I.
Raising Itztli, the gold-hilted
eagle-warrior obsidian knife with his right hand, the captain looks heavenward.
The guards rip open the young sailor's shirt. The captain's prayer trance
overcomes him and he warbles a frenetic screech that ends with a swift stroke of
the blade, severing the windpipe of the archedback seaman. The captain lays the
blade into the sailor's sternum, and, gripping the knife with both hands, plows
through the tough cartilage in three short grunting tugs. He reaches into the
chest cavity and wrenches the rib cage open to the sound of tearing flesh and
snapping bone, exposing the beating heart.
The compartment is cool and steam rises, carrying the sanguine visceral smell of
ebbing life. The captain slides his empty left hand under the throbbing heart
and, with quick whipping cuts, frees the sinuous pump from the young mariner's
splayed thorax. High over the corpse, the organ gushes three liberal pulses of
blood before emptying itself. Yet, it continues to contract. He shakes the
pulsating organ, ceremonially sprinkling crimson droplets to the four directions
over the trays of food. The Nazi officer stands motionless, terrified eyes fixed
in frozen disbelief.
We shriek approval and
crush forward to be near the feast table. The captain holds the sailor's heart
high over the table as it pumps away its life. We anxiously reach forward to
intercept drops of the sacrificial blood. In the joy of the moment, we smear
stripes across our cheekbones and lick our fingers to share in the sacrament.
The captain screeches again. We withdraw
slightly as he steps to the table of trays and lays the beating heart atop the
center platter. He surveys us and asks the question of honor.
"Who takes this warrior's spirit?"
There is a second's hesitation. Then several
of us nudge the chief torpedoman forward.
"So
it shall be," says the captain. "The honor goes to the chief torpedoman."
The chief picks up the beating heart and
shows it in a semicircle to the gathered crew. Then, grinning at us with proud
eyes, he bites into it, tearing away a piece of the tough living muscle between
his teeth, chews the rubbery sinew and swallows. Our voices gather in another
warbling crescendo. The ceremony ebbs, and the cook picks up the trays of
anointed fruit and passes them amongst us.
4 June, Entering the English Channel
The captain has spent several days
interrogating the two remaining prisoners. Their swastikas and turtlenecks are
smeared by the oily sea that delivered them to us, and their arrogance is
tarnished by their betrayal of valuable information on the location of submerged
barriers and mine fields protecting their home port. In each other's presence
they uphold the charade of indomitability, unaware of their mutual disloyalty.
When not under guard they are tied and locked in the cramped wardroom. From time
to time, the captain brings the lieutenant out amongst us to humiliate him and
demonstrate our spirit and resolve.
In total
darkness off the coast of Normandy, we have met the submarine tender
Mountain's Heart to take on supplies. The weather is miserable and the
seas uncooperative. We are onloading a new kind of torpedo, requiring special
handling. Two technicians come aboard to tend to the new weapon. Scuttlebutt is
full of speculation. The technicians are tight-lipped. Their rating patches and
the torpedo crating bear the symbol of The Turquoise Lord, Xiuhtecuhtli, god of
fire. I have never seen his symbol before on any rating patch, crating or
stores. Why Xiuhtecuhtli?
As we finish
replenishing stores, Captain Culhua of the Mountain's Heart takes the
enlisted Nazi seaman aboard his ship for interrogation. He is a radarman,
familiar with enemy harbor defenses. Captain Culhua will learn more than we did.
His translators are more fluent in the European tongues. But our captain speaks
English well enough, and London is the Nazi officer's home port.
We keep the officer with us. Having him along
will make our journey up and back down the Thames safer. And later, he will make
an excellent sacrifice if the gods allow us victory again.
Our new orders are to proceed to the mouth of
the Thames and lie on the bottom until nightfall. There the captain will open
sealed orders before proceeding to within sight of London.
05 June, 1944
We lie barely
submerged in shallow water near the heart of London. The sun is still below the
horizon. None of our forces have ever penetrated these river defenses before.
The captain is allowing the crew the rare privilege of looking briefly out the
periscope. Visibility is poor, but the ostentatious illumination of the Nazi
stronghold provides a surprisingly good view. Sweeping the periscope from bank
to bank, I see the turrets of the Tower Bridge. They are draped in colossal
banners, festooned with swastikas and black Teutonic eagles, visible through the
rain under powerful floodlights.
The Captain
orders ahead slow. Daringly, we slip under the bridge with barely enough draft
to clear bottom. I swing the periscope around to see the illuminated turrets
recede abaft into the thick weather.
The
captain tells us to take a last look. He says we will offer London to the
Turquoise Lord with the arrival of Huitzilopochtli and Tonatiuh in the morning
sun to witness the offering. The technicians have taken over the forward torpedo
room and won't let anyone near it.
The
captain brings the Nazi officer to look through the periscope. The captain's
face wears the look of his prayer trance. The prisoner struggles to hide his
fear from the men huddled on the bridge.
"You
Europeans are unworthy warriors," says the captain in English. "Why do you fear
death if your heaven awaits?"
"Savages!" the
Nazi officer mutters back.
"You only call us
savages because we have learned to kill you rather than let you kill us. The
Mexica, the Maya, the Aztec and the Inca are hardly savages."
"A culture that cuts out living human hearts
and drinks blood?"
"Like you, your yeoman was
a prize of war, given as tribute to nourish our deities. We do not kill
indiscriminately or practice genocide. Tell me, Lieutenant, who is it your
priests wear around their necks, your Tepoztécatl, the god-man on the torture
tree?"
"Why, that is Christ, God, our
Savior."
"You call sacrificing humans to
thank our gods savage? You murdered your god-man and drink his blood to save
yourselves. Which is more civilized? Which gods better deserve respect? Your god
who allows genocide, but condemns a man who eats meat on the wrong day, or knows
women, or does not attend your prayer gatherings?"
The Nazi stiffens. Before anyone can stop him
he frees an arm and strikes the captain openhanded. The boatswain and I grab him
instantly and pummel him to the deck. The captain wipes his face and laughs,
calling us off. He speaks again as if he had not been interrupted.
"You Europeans do not know our history. Few
have survived their visits to our side of the Ocean. When our ancestors defeated
Cortez, our priests painted the pyramid of Teotihuacan with the blood of his
traitorous allies the Tlaxcalans. Motecuhzoma imprisoned Cortez's army, his
priests, and black slaves, and had them teach us everything they knew. He
castrated Cortez for impersonating Quetzalcoatl and sent him and his whore,
Malintzin, back to the Carib. Our priests, who had predicted a great change
coinciding with the arrival of Cortez, realized that his invasion was the
instrument of change, but that the change was not to be our destruction, but our
social evolution. We sent emissaries to the Inca who shared their organizational
skills. Sacrifice was reserved for enemies and the willing. We pushed the
Spaniards out of the Caribbean and helped our northern cousins wipe out the
English, the Dutch, and the French. You Europeans tried a dozen times in four
hundred years to overrun us, but eventually gave up, fighting instead among
yourselves over Africa and Asia.
"Today we
are a billion people, from the Athabascan to the Inca, united. The only
Europeans still on our shores are in the Tzopantli skull rack, below the great
pyramid in Tenochtitlan.
"You thought we were
too ignorant to understand your secrets, your technology. You always mistake
difference for stupidity. Our mathematics and astronomy made you look like
children. We have taken your technology to places your scientists have yet to
dream of. Now, if we must, we can destroy your entire world to keep ours free."
"Ha!" scoffs the Nazi, eyes narrowing. The
captain signals general quarters and lowers the periscope. On the intercom he
speaks to the crew.
"We are surfacing. We
must move ahead slowly, decks awash, to navigate the last two kilometers of
shallows from the conning tower. Our target is near the broadening of the river
at the Victoria Embankment. We are in constant danger of submerged obstacles. I
need lookouts ready. We will be disguising our conning tower with Nazi
markings."
The ship breaks water and we open
the conning tower hatch to a thick grey drizzle. Fresh water splashes down at
us. It has an unhealthy musty smell that belies its lack of salt. The deck crew
scrambles to their places. The captain orders the prisoner onto the con, where I
suspect he intends to humiliate him further by making him watch his city's
destruction.
The captain is talking on the
voice-powered phones to the technicians in the forward torpedo room. A shroud is
draped around the conning tower with dull markings to disguise it as a Nazi
U-boat if we are spotted. The rain has begun to relent slightly. Astern, in the
east, is the slightest hint of approaching dawn. We motor silently, inching
against the current. In five minutes we sight our target in the west, the famous
columned monument to the British Admiral Nelson.
The Captain has explained that the new
torpedo will incinerate all London in a single second. The torpedo will travel a
few hundred meters, then sink to the bottom of the river. A timed delay will
give us a chance to escape back to sea. After an hour, a flotation device in the
bomb will activate, raising it to water level, increasing its destructive
effect. The bomb crater, centered in the river at the foot of the National
Theatre, will become a huge fluvial lake--a circle of water stretching from
Kensington Palace to the Tower of London. Around it will be a ring of fire
reaching ten kilometers in diameter.
The
captain orders All Stop. Because of the weather and the hour, there is little
traffic on the river, thank the gods. Minutes pass like hours. He speaks into
the voice-powered phones again. The helmsman receives the order to reverse the
screw briefly to better align the bow with the center of the river. The ship
wags slightly, then once again All Stop. There is not a sound. The captain
speaks into the phones. A split second later the ship shudders as the number one
tube fires.
At this sensation the Nazi lays
his elbow into my chin and smashes the boatswain's head against the gunwale. As
I fall to the deck, I see the Nazi leap across the con and grapple with the
captain and a lookout, scraping flesh against steel, punching, biting and
growling. The captain orders the lookout not to fire his side arm. In my
struggle to get back onto my feet, I hear more thumping and shuffling, followed
by a splash.
"Let him go," says the captain
in a restrained voice. "There's nothing he can do now. Our job is done. Let's
get out of here."
The captain orders the
helmsman. "Ahead Standard."
As soon as there
is enough forward motion to provide directional control the captain snaps out.
"Now give me left full rudder."
Eight, maybe
ten seconds pass under forward propulsion. The current begins taking the bow.
"All Stop. Right full rudder. Full reverse."
Another ten seconds and the Jade Skirted
Lady is aligned directly with the seaward current.
"All Stop."
We begin to drift downstream.
"Ahead standard. Steady as she goes. Keep her
pointed down the center of the channel, decks awash. We need forty kilometers
before the sun rises."
The tower bridge is
already rematerializing. Ahead, a smudge of pink on indigo is wicking up into
the distant eastern sky. The XO has come to help the captain put a dressing on
his face, which has been severely cut in his fight with the fleeing Nazi
officer. The boatswain slips in and out of consciousness. His temple where the
Nazi lieutenant smashed his head against the gunwale is crushed and bleeding. He
smiles at me weakly and tries to whip his fingers for the snapping noise that is
our gesture for excitement. He swoons from the exertion. Two crewmen ease him
down off the con. They take him to the tiny ward room, now sick bay, to tend his
wounds.
The journey down-river, aided by the
current, goes without incident. Reaching the sea, the captain looks at his watch
and calls All Stop. The two technicians join us, crowding onto the conning
tower, bringing black goggles for all of us to wear. The rain has stopped, but
we are soaked. After a last check of the horizon for any impending sign of
danger, we slip the protection over our eyes. The lenses resemble welders'
goggles. They shut out all light, making the swelling glow of dawn appear as
full night again.
The captain points West,
aft, back toward London. He admonishes us once more to use our goggles. It is
dark and silent as the seconds pass. Then, in a flash, the world is turned
completely to light. Heat bathes us, instantly drying our clothes, but leaving
every shadow wet, in a taunting display of The Turquoise Lord's radiant power. A
giant bubble of fire arches high above the horizon. Clouds are silhouetted for a
heartbeat and then disappear. Evaporated.
Then, in a dozen seconds, like anger calming begrudgingly back to reason, the
brilliant display begins fading into the murk of a western dawn sky. On the
skyline, there grows an enormous cloud in the shape of a fan palm. At its base
is the orange glow of an entire city on fire.
Speaking softly to the horizon, the captain says "Meet Xiuhtecuhtli, Lieutenant,
The Turquoise Lord, one of our savage gods."
22 June, off the Yucatan Peninsula
This heroic day we and three more of our submarine pack are motoring
victoriously home. My spirit bursts with pride. We are all revelling in the warm
glow of honor, intoxicated by glory. Four Nazi citadels, London, Hamburg,
Gdansk, and Stockholm have ceased to exist. This never-ending war may finally be
drawing to a close.
Passing the shores of
Cozumel we glimpse some of the great stone works of our civilization. The blue
Caribbean and its pink coral sand match the paint of the low stucco houses along
the sea. Islanders on the beach wave as we motor past. After months in the cold
fortress of the North Atlantic, the warm Caribbean breezes are a lover's caress.
The boatswain is nearly recovered. He
returned to duty two days ago with a bandaged head and one drooping eye. His
spirits wax and wane.
The captain has been
reclusive since the morning of London's destruction. His conversations are
preoccupied with awe of Xiuhtecuhtli's gift, and his place in our pantheon. He
spends several hours each day in meditation and prayer.
At times the captain and the boatswain also
seem consumed by self-recrimination over the loss of the Nazi lieutenant.
Clearly Xiuhtecuhtli deserves to be nourished by high sacrifice, and the Nazi
officer was meant to be that gift. The captain voices regret that his urge to
humble an adversary ultimately deprived Xiuhtecuhtli of a prized oblation.
In his more positive moments the boatswain
rationalizes to us that the Nazi was fated to escape. Besides, he died in
Xiuhtecuhtli's fire. The crew seems to agree with this. In accepting the caprice
of fate, though, I know that there is another truth we must accept.
Xiuhtecuhtli's gift was so great, only a volunteer of sacrifice from within our
ranks can properly thank him. The boatswain's pride and his joy that his
children will never again have to fear war at the hands of the Europeans has
prompted him to offer himself.
22 June, Motoring into Xkalak, our home port
We are assembled on deck now for the
ceremony. My thoughts are with Malina. I fantasize the pride that will fill her
upon learning of our deeds, and how my part in them will make her cherish me
always. Offering one of our own is the greatest tribute we can pay our gods. A
warrior's heart is the greatest gift. And, as I reminded the captain, a
sacrifice must always be a sacrifice of the most cherished possession. When I
spoke to him, he realized my meaning. A victorious warrior who has yet to know a
woman is the highest sacrifice in our culture.
The tang of the coca leaves in my throat is a
cool breeze fanning the fire of my soul. It contrasts with the warmth of the sun
as the captain and XO remove the feathered ceremonial robes from my bare
shoulders. They have laid leopard skins from the captain's compartment on the
ritual table to comfort my back. The drone of the crew's chant provides a focus
for my mind. As I lie down, the captain stands over me to keep the sun off my
face. He looks into my eyes and tips his head almost imperceptibly to ask if I
am ready. I smile and close my eyes. I think of the hearth fire at Malina's
home, knowing that in a moment I will dwell near her always in that fire, a
companion of our generous Xiuhtecuhtli.
The Sacrifices of War © 1998, Bob Sojka. All
rights reserved.