- Chapter 19

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# CHAPTER SIX

"You didn't ask to be excused," her step-mother called from the dining room.

"Amanda Jannine Kendrick, get back to this table at once!" yelled Daddy.

Amanda-Abbey, halfway up the steps to her room and running headlong, reluctantly turned and plodded back to the dining room.

"Where were you going in such a hurry, young lady?" her daddy asked her.

He glared at her from the head of the table. Her step-mother, lingering over hot tea and a wafer-thin slice of pound cake, shook her head with annoyance. Sharon sat next to her real mother, looking secretly pleased that Amanda was in trouble again.

Amanda-Abbey looked from one adult to the other, and her fingers twisted against each other. She took a deep breath.

"May-I-please-be-excused-I-have-to-go-clean-the-pony's-stall," she said in a rush.

Her step-mother nodded curtly. "Wear your coveralls. I don't want those clothes ruined any more than they are."

Her daddy just smiled, playing with his lighter, tumbling it end-over-end between two fingers.

"I won't get them dirty. Promise."

Amanda-Anne took over, hurling the child's scrawny body out of the dining room and up the stairs two at a time and into her room at breakneck speed. She grabbed worn coveralls from their spot behind the hamper and darted into the closet, closing the door behind her. Trembling and breathing hard, she flung on the coveralls in the darkness, then crept to the door. She listened, soft ear pressed against the cool, white wood. On the other side, there was nothing but silence.

Silence, Amanda-Anne knew, was very bad.

There were two sets of steps, one on either end of the hall. Both had landings halfway, and closets at the top and the bottom—

Amanda-Anne closed her eyes and thought. No answers came to her, no pictures. And every minute she wasted gave the Father one more minute—

She bolted out her door and to the left, heading for the front stairs, which were farthest from the dining room, praying that she had guessed right.

Past the top closet and down the stairs—safe.

Around the landing—still no sign of Him.

Down the rest of the stairs—only a little further to go.

Past the partly-open door of the closet at the bottom of the stairs—and an arm shot out and grabbed her and dragged her into the closet.

"Boo," the Father whispered. He laughed softly in the darkness of the closet, and his hands pinned her against the smothering piles of coats. "You're lucky I'm not a monster."

Amanda-Anne struggled to get away from him. The Father tightened his grip until her arms hurt. "Monsters wait in the dark for bad girls, Amanda. Getchells and morrowaries, slinketts and fulges. Big, drooly monsters with bloody red teeth and sharp claws and white eyes that glow. Slimy, slippery shapeless things that slither and drip burning goo and won't even leave your bones behind for anyone to find you, Amanda. And it's almost dark outside, Amanda. They'll be there any minute. Hungry monsters. When you go outside to clean your pony's stable, be sure the monsters don't get you."

* * *

Someone picked up after the seventh ring. A masculine voice said, "Hello?"

Lianne closed her eyes and leaned her head against the wall next to her phone. Getting through to the government agency after-hours had been a morass of answering machines, people who were home but not on call, and people who were on call but not at home. The hospital emergency department's Cumberland County Social Services' after-hours emergency phone numbers were one week out of date. The person she'd finally reached, after an hour of trying, had given her four numbers that might put her in touch with the person she needed. She had tried three of the numbers, and they hadn't. This was her last hope, and she clenched the receiver in her hand until her knuckles went white. The real live voice on the other end of the line wasn't getting out of this until Amanda's rescue was guaranteed.

"Hello," she said. "This is Lianne McCormick—I'm a teacher at Loyd E. Auman Middle School."

"Don Kroczwski. What can I do for you?"

Lianne took a deep breath. "I suspect that one of my students is being abused. I want her family checked out."

"What kind of evidence do you have of the suspected abuse?" The man on the other end of the line sounded tired; bone-tired and heartsick.

Lianne's voice went tense on her. "Evidence?"

"Do you have reason to expect imminent danger to life or limb?" he asked—or rather, recited.

This wasn't what she had expected. "For example—?"

Kroczwski sighed deeply. "For example, does the kid say either of his or her parents said they were going to kill him or her? She or he have any old cigarette burn scars, rope burns, broken bones, bruises on the face or body, brothers or sisters who have died or been hospitalized in the last few weeks—anything like that?"

Lianne's stomach contracted at his list of horrors. "She. Her name is Amanda Kendrick. And no. Nothing like that."

The voice on the other end of the line sighed. "You got any reason to think the kid will be dead tomorrow if I don't go over there tonight?"

The teacher bit her lip. "No," she said softly. "She shows psychological damage—personality problems—but nothing that makes me think her parents will murder her."

"Okay. That's a problem, Ms. McCormick. I know that you know your students. I understand that you probably can tell when something is wrong, and I trust your judgment and your instincts, but I have to have something tangible. Bruises, something the kid told you, something I can show a judge. I can't walk up to her parents' house and tell them they are being investigated for child abuse because their kid's teacher has a bad feeling."

"But I know something is wrong."

"Ms. McCormick, I believe you, but let me give you an idea of how wrong things can be. I have a neighborhood outbreak of syphilis among three- to nine-year-olds that I'm investigating; I just got a call from the Cape Fear Emergency Room about a little girl whose mother dumped hot oil on her because she wouldn't be quiet. I have a five-month-old baby with broken arms and broken legs that the mother's boyfriend threw across the room and whose four brothers and sisters have to be gotten out of that situation. I have a dead kid who showed up in the morgue whose body hasn't been claimed. I have a list of call-in's from concerned neighbors and teachers and relatives as long as my arm with complaints that may or may not end up with a bunch of little bodies in little body-bags if I don't take care of them yesterday—and it's already almost tomorrow. Child abuse is the year's biggest growth industry. I understand wrong—I really do. You give me something to go on, and I'll be out there to check on your kid in a heartbeat. Okay?"

Lianne's throat tightened. "Okay," she whispered. "If I can find anything, I'll call you back."

The voice sounded even wearier. "Day or night."

Tears started down Lianne's cheeks. "Okay. Thanks." She hung up the phone. Images of infants with arms and legs in plaster casts, little children with burns given to them by the people they wanted to love, with bruises and cuts and old scars and new wounds—kids who'd been shaken, beaten, screamed at, starved, tortured, raped, neglected—those images swirled around in front of her eyes, blurred by tears. And all those children began to have Amanda's face.

* * *

Amanda's pony was not kept in the main barn with the pedigreed Arabians Merryl Kendrick raised. It had its own quarters—a neat little doll-house version of the bigger barns, one Andrew Kendrick had ordered to be built for Amanda when she was five. It sat next to the main stables but did not connect with it in any way. Its cheerful, red-painted sides and white trim gleamed in the twilight; warm, yellow light spilled out of the opened top half of the front Dutch door. The neat, cedar-chip path crunched under Amanda-Alice's feet as she scurried down to finish cleaning the pony's stall.

"Lazy slut," Amanda-Alice muttered under her breath. "You should have cleaned the barn when you got home from school. Then he wouldn't have made you come down here now. Stupid, wicked, worthless tramp—out chasing evil elves when you should have been working. You deserve to be punished. You deserve it."

Amanda-Anne didn't have time for guilt. In the near-darkness, things moved. Shambling phantasms pressed close, deformed grotesqueries chittered in her ear, and—"Come to us, Amanda—we're hungry," unseen things whispered from the shadows, while their awful stomachs growled.

No! Amanda-Anne thought, and lurched into a gallop.

Out of the corner of her eye, she saw that the darkness gained. The horrors were almost upon her—she could feel their breath on the back of her neck—

"No!" she shrieked, and heard them laugh.

And then somehow she was through the barn door, intact and uneaten, and the door was closed behind her. The heavy wooden bolt dropped into its brackets, and Amanda-Anne was safe from the monsters.

In the stall, she picked up the pitchfork and began loading manure and straw into the little wheelbarrow. Her pony, Fudge, poked his head into the barn from the pasture entrance and whickered.

"Vile, filthy beast," Amanda-Alice snarled. "You leave these messes to get us in trouble, don't you? You don't deserve supper."

She ignored the bin of sweet feed in the corner, avoided looking at the little Shetland, and continued mucking the stall with short, sharp, angry jabs.

* * *

Andrew Kendrick paced the living room floor. Merryl curled in one of the overstuffed chairs, contracts spread on the floor around her.

The man punched one closed fist into the palm of his other hand. "That child is a disgrace. When I was a child, my behavior was excellent. I never had a visit from one of my teachers. And for that woman to suggest school psychiatrists—"

"Counselors," Merryl corrected. "Only counselors. Public schools don't keep psychiatrists on staff."

"It doesn't matter. How dare that child cause me this sort of humiliation? How dare she?" A scowl carved itself deeper into Andrew's face, and his complexion flushed a hotter, uglier red. "She obviously hasn't had enough discipline," he growled.

"Jesus," Merryl muttered. "Leave the kid alone for once."

Andrew turned his anger on her. "Stay out of it, you bitch! She's my child, my responsibility. As you keep reminding me. It's up to me to make sure that she grows up to be a useful adult. She won't if you ruin her with your lax attitude. Look at Sharon. She's getting old enough that she needs firm discipline, and you let her run wild. She'll be worthless when she grows up."

Merryl's voice went flat and dangerous. "Leave Sharon alone."

Andrew stiffened and glared at his wife. "We'll see," he told her. He walked heavily toward the outside door. "I'm going to make sure Amanda does a good job on that stall. She's going to clean it until it's done right, even if she's out there all night—she's going to learn that I'm in charge around here. And she's going to learn that she has to do what I expect." He stopped and stared at his wife with cold, ugly rage. "That's something you could stand to remember, too, Merryl."

He stalked out, slamming the door behind him.

* * *

Belinda sat cross-legged on the bed in Peterkin's shoddy hotel room, two decks of cards spread in front of her on the cheap polyester bedspread. "Black three on the red four . . . okay, and that opens up the red jack to the black queen . . . hah! Moves that to there—yes!" She briskly restacked, completed, and removed piles of cards.

A rustle from the foot of the bed distracted her. She looked over from her game of Napoleon's solitaire to the floor, where Stevens and Peterkin were turning blue. "Oh—hi, guys." Her voice was bright and cheerful. "I thought you were dead already. Would you mind hurrying it up a little? I have plans for the evening." She grinned—perky, sexy, and charming, obviously a woman having a good time—and turned back to her cards.

She played a few more moments and sighed with minor annoyance. "Dammit! I almost won that one." She riffled the cards together, staring at her two thugs.

"Seems my prescription was okay, huh? At least it's working pretty well on you two. Well, fellas, I don't know why you wanted to double-cross me, but I guess we've proven that wasn't a good idea." She smiled at the dying men and began laying out the cards again. "Jerks."

She spread out a deck of poker cards and began another game of solitaire, latex-gloved hands shuffling with some difficulty.

Peterkin made strangling noises, then quit breathing. Froth foamed out of his mouth. Belinda smiled and flipped her hair back out of her face.

"That's good—that's very good. You did that nicely, Joe. One down, one to go, Fred-ol'-buddy. Let's see if you die well, too."

Fred Stevens lay on the dingy green carpet, sucking air like a beached fish for over half an hour after his partner threw in the towel. When his breathing ceased, Belinda folded up her cards, took both men's wallets, changed the ID's and other important papers, and dumped the wallets back on the dresser. Then she walked down to her car. When she came back, she carried a large shopping bag. She emptied the bag onto the bed and strewed her purchases around the room: a small packet of crack cocaine and the attendant drug paraphernalia, a white feather boa and a large, skimpy leopard-spotted negligee, a queen-sized pair of fishnet hose and patent leather shoes with six-inch spike heels—sized 12EE—a black leather men's bikini, battered handcuffs, and a well-worn bullwhip.

Then she cut the clothing off of both men with a pair of heavy-duty bandage scissors, the kind EMT's and paramedics used, rolled the clothes into a ball and stuffed them into her now-empty bag. She rolled Stevens onto Peterkin in the best "compromising position" she could manage, considering he was the smaller of the two corpses and weighed more than twice what she did. But police training came in handy. When she had them more or less posed, she put the shoes on Peterkin's feet and the handcuffs around his wrists, and draped the feather boa once around Steven's neck. Then she stood, breathing hard, and chuckled softly.

"That ought to amuse the investigators for a while," she whispered, and grinned cheerfully. She looked at her watch. Time to see what my race-driver is doing. I need to be able to collect him tomorrow.

* * *

The front doors of Amanda's barn rattled. The child was busy shoveling manure into the wheelbarrow and didn't notice the noise the first time. The second time, however, she stopped and cocked her head to one side, listening. The noise did not recur a third time, and after waiting a moment, she nodded with satisfaction and resumed her cleaning.

She didn't realize the Father had come into the barn through the pasture door until she heard the top Dutch doors click, and the heavy thud as he carefully dropped the door-bar into the brackets.

Inside the pony's stall, all the Amandas stiffened. Cethlenn noticed the change in their attitudes and froze, listening.

A series of light clicks followed—the sound of a key in a lock, the sound of light furniture being moved, the clink of metal.

Suddenly, Cethlenn realized that Amanda-Alice and Amanda-Abbey were gone. The only one who remained with her was Amanda-Anne.

Thud, thud, thud—the Father's heavy steps left the storage room, walked slowly closer—

Then the Father was right there, standing in the doorway of the stall, completely filling it. Cethlenn watched with Amanda-Anne, staring up and up and up at the huge form of the man.

"The stall looks very dirty, Amanda," the Father said. "What a very lazy, nasty, dirty little girl you have been." He smiled, his lips pulled back across his teeth so that they gleamed in the light of the naked, dangling light bulb.

Inside their head, Amanda-Anne made a mewling sound that died before it reached their lips. Cethlenn shuddered.

"I ought to make you lick the floor clean," the Father said. "Would you like that?"

Knives and whips and ropes and sharp, hot things danced in Amanda-Anne's head, and dull red rage blurred the child's vision. Cethlenn was forced back by the spreading fury, and fear clutched at her.

The Father's smile got bigger, and he took a step toward them. "I said," he whispered, "would you like that?"

Oh, gods, just answer him, child, Cethlenn thought.

"No," Amanda-Anne said.

"No," the Father mimicked, his voice a chilling falsetto. "Oh, no. You wouldn't like that. But you're a dirty little girl, aren't you, Amanda?"

The child stared at him, silent.

"I said, you're a dirty little girl, aren't you?"

"Yes," Amanda-Anne said.

"And we know what dirty little girls really like, don't we, Amanda?"

Amanda-Anne wrapped her frail arms around herself and stared up at the Father in silent terror. Cethlenn felt sick.

"Don't we, Amanda?"

"Yes," Amanda-Anne whispered.

"I can't hear you."

"Yes," Amanda-Anne said.

"Dirty little girls like to make their Daddy happy, don't they?"

Amanda-Anne's throat tightened, and she nodded.

"Good," said the Father. "Then come here. I know what you like, don't I, you dirty little girl? Tell me you like it."

Amanda-Anne walked forward, moving like a creature drugged.

"Say, `I like it, Daddy.' "

The child was silent.

The Father grabbed her and shook her. "Say, `I like it, Daddy.' "

"I like it . . . D-D-Daddy," Amanda-Anne croaked.

"I know you do, you little whore." He picked the limp child up and carried her into the storage room.

Oh, gods, Amanda, I'm sorry—I can't stay here—I can't watch this! Cethlenn shrieked, and vanished.

* * *

Lianne sat at her little kitchen table and dried her eyes. She had done what she could for Amanda for the time being. It was Friday night—she couldn't do anything else about the child until the next morning at the earliest—so she needed to get herself under control.

I've been under an awful lot of stress lately, she thought. It isn't like me to cry like this. There have just been too many unexplained things happening in the last few days.

She leaned back in her chair. I've taken care of this now, though. Things will get back to normal. I know they will.

Her eye strayed to the kitchen sink—to a rainbow sparkle and a flash of white metal.

And the feeling of otherworldness returned. She got up and walked over to the sink, and picked up the crystal carafe that Mac had produced—seemingly out of thin air—for their delightful breakfast in bed. She hefted it in both hands, studying the flawless faceting of the crystal and the incredible quality. One eye closed, she gnawed on her lip as she appraised it, and a whole number followed by a surprising quantity of zeros ticked off in her brain. She fingered the silver serving tray, and then picked it up and studied it. It was real silver, and solid, too, not plate—and Lianne pondered the odds of finding such exquisitely crafted silver with nary a maker's mark on it. She picked up a cherry pit and studied it as if it were something likely to burn her fingers. She tilted her head, and her eyebrows furrowed, and then, with a thoughtful expression on her face, she turned out the kitchen light, went into the living room and plopped down on her couch and stared off into nothingness.

"When you have eliminated the impossible, whatever is left—no matter how improbable—is the truth," she said softly to no one.

* * *

Amanda-Anne lay in the bathtub, staring up at the ceiling. Steam swirled around her, and a thick layer of sweet-scented bubbles pressed against her skin like fat kittens. Amanda was oblivious to the warmth and the sweetness and the light. Her mouth still tasted of oily cotton, her wrists and ankles still stung and chafed, and she hurt.

And in her mind's eye, nothing existed but the storage room, with its little cot and its dim light, and its supply of ropes and rags, and its awful locking door.

She rubbed absently at her wrists—and her fingers brushed across her real mother's bead, still strung on the lovely gold chain.

And the image of the elf pouring himself out of the bead in a stream of green mist came to her. She sat up in the tub and stared at the bead. Let Abbey pretend that the elf wasn't real. Let Alice complain that he was evil. And let that goody-two-shoes Stranger think that the elf would help them. They didn't know about Anne, but Anne knew about them. And she knew better than to believe their silliness. Amanda-Anne knew that Alice was stupid, that Abbey was wrong, and that Stranger meant well but was looking for help in the wrong direction; the sweet-faced elf was too soft and too gentle to do what was needed. But he had shown her the trick of his magic without meaning to. Without even knowing that he had done so. Her eyes narrowed as she considered the possibilities of the scene that played itself out in her mind, and softly, the child began to laugh.

Don't want . . . the elf, she thought. Just . . . the smoke. And the wind.

She stared at the bead, forcing unfamiliar patterns into the rhythm of her will, and slowly her green eyes glowed.

For a moment, nothing changed.

Then a flicker of light came to life in the heart of the bead—not the pure green light of earlier in the day, but a throbbing, pulsing, angry red light. Without words, Amanda-Anne spoke to the red light and carefully explained to it exactly what she wanted. Then she waited.

The bead grew brighter, and the bathroom was suffused with the ugly, bloody red glow. Then heavy smoke poured out of the bead and hung over the bathtub. It swirled around the child, threatening, menacing.

Amanda-Anne's eyes grew lighter, her pupils constricted to pencil-points of darkness in the centers of the white-green, and as if it had suddenly seen something to fear, the red cloud recoiled. With a kind of reluctance, it crawled in a thin line up the wall and out of the bathroom through a slight gap in the window high overhead.

Amanda-Anne held her breath as the last traces vanished from the bathroom. She listened, every muscle tense and straining to catch the slightest sound in the still night air.

Then, from the direction of her barn, there came a very satisfying crash, followed by thunderous clattering and the scream of a full-sized hurricane compressed into a tiny box. The noise and the destruction raged for as long as Amanda-Anne could maintain her concentration.

When she reached the point of exhaustion, she released the storm she had summoned, sending it back to wherever it had come from. Then, a diamond-hard smile on her tiny face, Amanda-Anne settled back into the bath-water and relinquished her place to Amanda-Abbey, who actually liked stupid, childish bubble-baths.

* * *

Mac left the track late and with too much on his mind. There was Felouen, with her strange and completely unexpected intimation of unrequited love, and the Oracular Pool, with its images of terror and disaster. There was the sensation of intangible evil at the border of the Unformed World, and the turbulence of the shield. There were his problems with the Seleighe High Court, and with that low and vile woman who had tried to poison him. There was beautiful, ephemeral Lianne, whom he suspected was falling in love with him. And last, but certainly not least, there was the child, Amanda, who had followed him into Underhill without flinching, and who had then promptly returned to her own world on her own power and of her own accord—in spite of the fact that there was no way she should have been able to do that. Maclyn was tense, and unsettled, and somewhat scattered.

And so, for the first time, he failed to notice a sleek brown Ford Thunderbird that maintained its position four cars behind him all the way from the street beside the racetrack parking lot to Lianne's apartment.

Lianne answered the door with an unnervingly perceptive expression in her eyes. "Hi," she said, gave him a brusque kiss, and immediately asked, "Where's the movie?"

"The movie?"

"The movie. C'mon, Mac—just this morning you said, and I quote, `I'll pick up the movie tonight. I think I'll get The Man With One Red Shoe, since we didn't watch it last night.' After breakfast, and before we headed out the door. Remember?"

"Of course I remember," said Maclyn, who remembered no such thing.

"So where's the movie? You forgot it, didn't you?"

"I just forgot to bring it in with me. It's in the car. I didn't forget to rent it."

Like hell, I didn't forget, he thought while he trudged back to Rhellen. What in Oberon's name was I thinking this morning?—I burned breakfast, I fixed something else, we rolled around on the bed awhile, we took a shower, we ran out the door—I still don't remember anything about a movie. At least, he mused, I promised one I've already seen. Be a bitch to pull it out of thin air if I hadn't.

He opened Rhellen's door, concentrating hard, and a VCR cassette in a clear plastic cover appeared on the seat. He picked it up and returned to the apartment.

Lianne's expression as he handed her the tape was decidedly weird. He started to ask her what was wrong, then thought better of it.

She walked over to the VCR without a word, and pushed the eject button. A movie popped out. She opened the plastic case of the tape he'd provided for her, and turned her back to him.

She stood silently for a long moment, while Mac grew more and more tense. "Jesus, that's a neat trick," she said finally, and turned around. "Who are you—really?"

Maclyn hedged. "Why do you ask?"

She smiled. "You were very close with this. Your label is almost perfect, except you're missing the copyright date, and there's only a gray box where the small print would be—if I hadn't had an original here to compare, I bet I never would have noticed the difference."

He nodded, maintaining a calm exterior while his brain raced wildly. In her hands she held two copies of The Man With One Red Shoe. One of them had been obtained from a video rental store. The other—well, it hadn't. He felt the tempo of his pulse increase. "Maybe the copy I picked up was pirated."

"Oh, I'm sure of it," she said with a wry smile. "Out of thin-fucking-air. We never said anything about movies this morning, Mac. I only said that to see what you would do—because there is something very odd about things that have happened in my life since you showed up. It strikes me as uncanny, for example, that neither of us said a word about you picking up this movie, and yet, when I asked you about it, you happened to have it in your car. Wherever this came from, Mac Lynn, it wasn't a rental place."

He stalled for time, trying to think, but unable to make his mind work. This wasn't the way it was supposed to happen—it wasn't supposed to happen at all, actually. "I see. So I was correct in thinking I hadn't said anything about movies in our rush this morning? How interesting. You see, I have an imperfect memory for minutiae. It usually isn't a problem."

Her arms were crossed in front of her chest. "Perhaps more of a problem than you realize. There is, of course, the silver tray—real silver, of incredible quality, with no maker's mark. I don't buy it. There are the out-of-season cherries. And of course we can't forget your willingness to believe that papers were indeed flying around my classroom of their own accord." She took a step toward him. "You are very interesting, Mac Lynn. You are charming, you are handsome, and you are great in bed. But you are not what you seem to be. Now I want an answer on this, and I want it right now. Who—or what—are you?"

* * *

Finally, she was getting somewhere.

From her position behind the shrubs outside of the apartment window, Belinda stared through the slatted mini-blinds at Mac Lynn and his girlfriend. She recognized the girl—had seen her before, in connection with Mac Lynn. She frowned, determined to remember where she had seen that face, and suddenly she recalled the girl striding across a parking lot—

Bingo! She's one of the teachers at Loyd E. Auman. I followed him there that one time—and that explains why he was over there in the first place. That's where his piece of ass works.

Belinda's face lit up with a beatific smile. His girlfriend could give him to her. Just grab her and stash her someplace, then tell him his girlfriend was dead unless he did exactly what she said, and have him follow instructions that would deliver him voluntarily to Mel's doorstep.

Voila, she thought, a nice paycheck for me and a well-earned vacation that doesn't involve chasing spookies—preferably someplace far away, with mountains and ocean and deferential waiters.

Cozumel, she decided, or maybe Greece.

They appeared to be arguing. That was good from Belinda's point of view. He might stomp out, leaving her alone tonight. In which case, I'll just knock on the door and grab her when she answers it, thinking he's come back to apologize. If he stays the night, of course, I'll just pick up Little Miss Teacher sometime tomorrow—or after school Monday.

That seemed like a good, sound, workable plan, and much less complicated than trying to drug him again. It also meant she didn't need to sit in the damp shrubbery catching a cold. Belinda stood up and headed back to her new rental car. Stake-outs were much more pleasant when accompanied by Perrier, Bach, and croissants.

She moved into the area of darker shadow that lay between the teacher's apartment and the parking lot, and noticed two disturbing things as she did. The first was that Mac's car wasn't in the parking lot anymore.

The second was that what had seemed, out of the corner of her eye, to be laundry hanging out between the apartments, wasn't. It was a big, light-colored horse.

And no sooner had she identified the horse for what it was than it had her jacket between its teeth, and she was flailing through the air to land on the beast's back. She reached for her gun, the creature bucked, she grabbed the beast's mane to keep from hitting the ground—

And things got a little hazy from there.

Belinda decided pretty promptly that she must have fallen off the horse anyway and knocked herself silly and wandered around a bit. It was the only explanation that made any sense. Otherwise, she would have had to admit that the horse had turned into a car that drove itself, and that it had driven her onto the street in front of the old abandoned Fox Drive-In, and dumped her by the side of the road before cruising off into the night. It would have implied that the car had chosen to abandon her where hookers plied their trade and G.I.'s and out-of-town businessmen and restless locals went looking for action.

It would have implied that the fight Belinda got into with the pimp and the big buxom blonde and the transvestite and the two horny guys in the red Camaro was the fault of a goddamned '57 Chevy.

And no matter how spooky things got, Belinda wasn't ready to admit that.

* * *

Mac faced Lianne, and swallowed hard. Humans weren't anywhere near as gullible as they'd once been—at least some of them weren't, he decided. The room felt uncomfortably warm.

"I'm a racecar driver," he said with an ingenuous smile.

Lianne nodded, her expression grave. "A racecar driver is the least of what you are, Mac Lynn. I've always made it a point to date within my species before this, but I think I've not even managed to live up to that one simple rule this time. Have I?"

Maclyn stood, studying her, thinking fast.

Lianne saw the evasion coming and headed it off. "Mac, I'm to the point where I won't believe anything but the truth. And please give me credit for being able to tell the truth from a lie—remember, I deal with ten-year-olds on a daily basis." She smiled wryly. "Besides, I doubt that the truth is going to be anywhere near as ludicrous as what I've suspected."

"Wanna bet?" Mac muttered.

Lianne heard him. "No," she said. "But lay out your cards anyway and let me take a look."

"Okay." He took a deep breath and studied her. "You've heard of Faerie, of course."

"One of my best friends is one."

"Not that kind of fairy."

"I was being facetious. I've heard of Faerie. Up to this point I've found its purported existence likely to be the product of hallucination and overdoses of wheat-smut, but I'm a logical soul. Presented with sufficient proof, I'll believe just about anything. I suppose you're going to tell me you're the elf-king of Fairyland or something."

Mac's right eyebrow arched up. "I'm an elf. Not `or something.' And I'm fairly high up in the line of succession, but I'm not the king, or even the prince."

Lianne sighed and said to whatever higher powers inhabited the ceiling, "I'm taking this rather well, aren't I?" She studied Mac for a long, silent moment, then said, "Granted I've already seen enough to convince me that you aren't normal—but would it be too much to ask for some proof that you are what you say you are? Seeing that we've been sleeping together and all?"

Maclyn gave her a very Gallic shrug—and his human seeming faded away. He presented himself to her in his full elvish glory, from the gold circlet on his head to the sweeping white folds of his ermine cloak, to the rich white-on-white textures of his silk-embroidered tunic and velvet leggings. He showed her himself, pointed ears, pale green slit-pupilled eyes, and inhuman smile.

"My lady," he said, inclining his head with courtly grace. "Is this sufficient proof?"

Lianne sat down sharply on the coffee table. Her eyes went round and she whistled softly. "I'll be damned," she whispered. "An elf. A damned sexy one."

She cocked her head to one side and studied him closely. "A question, then."

"I'll answer it if I can."

"What are you doing hanging around me?"

And isn't that just the question? Maclyn thought. I wish to hell I knew the answer.

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Framed

Title: | The Otherworld
Author: | Mercedes Lackey, Larry Dixon, Mark Shepherd & Holly Lisle
ISBN: | 0-671-57852-9
Copyright: | © 1992 by Mercedes Lackey
Publisher: | Baen Books