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Chapter One

She hadn't come to Shangri-La Station for the usual reasons.

A slight and frightened young woman, Jenna had lost the lean and supple dancer's grace which had been hers . . . God, was it only three days ago? It seemed a year, at least, for every one of those days, a whole lifetime since the phone call had come.

"Jenna Nicole," her aunt's voice had startled her, since Aunt Cassie hadn't called in months, not since before Jenna had joined the Temple, "I want to see you, dear. This evening."

The commanding tone and the use of her full name, as much as the unexpected timing, threw her off stride. "This evening? Are you serious? Where are you?" Jenna's favorite aunt, her mother's only sister, didn't live anywhere near New York, only appeared in the City for film shoots and publicity appearances.

"I'm in town, of course," Cassie Tyrol's famous voice came through the line, faintly exasperated. "I flew in an hour ago. Whatever you've got on your calendar, cancel it. Dinner, class, Temple services, anything. Be at Luigi's at six. And Jenna, darling, don't bring your roommate. This is business, family business, understand? You're in deep trouble, my girl."

Jenna's stomach clenched into knots. Oh, my God. She's found out! Aloud, she managed to say, "Luigi's at six, okay, I'll be there." Only a lifetime's worth of acting experience and the raw talent she'd inherited from the same family that had produced the legendary Jocasta "Cassie" Tyrol got that simple sentence out without her voice shaking. She's found out, what'll she say, what'll she do, oh my God, what if she's told Daddy? She wouldn't tell him, would she? Jenna's aunt hated her father, almost as much as Jenna did.

Hand shaking, Jenna hung up the phone and found Carl staring at her, dark eyes perplexed. The holographic video simulation they'd been running, the one they'd been thrown into fits of giggles over, trying to get ready for their grand adventure, time touring in London, flickered silently behind Jenna's roommate, forgotten as thoroughly as last summer's fun and games. Carl blinked, owl-like, through his glasses. "Nikki? What's wrong?" He always called her by her middle name, rather than her more famous given name—an endearing habit that had drawn her to him from the very beginning. He brushed Jenna's hair back from her brow. "Hey, what is it? You look like you just heard from a ghost."

She managed a smile. "Worse. Aunt Cassie's in town."

"Oh, dear God!" Carl's expressive eyes literally radiated sympathy, which was another reason Jenna had moved in with him. Sympathy was in short supply when your father was the John Paul Caddrick, the Senator everybody loved to hate.

Jenna nodded. "Yeah. What's worse, she wants me to meet her by six. At Luigi's, for God's sake!"

Carl's eyes widened. "Luigi's? You're kidding? That's worse than bad. Press'll be crawling all over you. Remind me to thank the Lady of Heaven for not giving me famous relatives."

Jenna glared up at him. "Some help you are, lover! And just what am I supposed to wear to Luigi's? Do you see any six-thousand-dollar dresses in my closet?" Jenna hadn't put on much of anything but ratty jeans since hitting college. "The last time I was seen in public with Aunt Cassie, she had on a blouse that cost more than the rent on this apartment for a year! And I still haven't lived down the bad press from that horrible afternoon!" She hid her face in her hands, still mortified by the memory of being immortalized on every television set and magazine cover in the country after slipping headlong into a mud puddle. "Cassie Tyrol and her niece, the mudlark . . ."

"Yep, that's you, Jenna Nicole, the prettiest mudlark in Brooklyn." Jenna put out her tongue, but Carl's infectious grin helped ease a little of the panic tightening down. He tickled her chin. "Look, it's nearly four, now. If you're gonna be in any shape to walk into Luigi's by six, with a crowd of reporters falling all over the two of you—" Jenna just groaned, at which Carl had the impudence to laugh "—then you'd better jump, hon. In case you hadn't noticed, you look like shit." Carl eyed her up and down, wrinkling his nose. "That's what happens when you stay out 'til four A.M., working on a script due at six, then forget to go to bed when you get back from class."

Jenna threw a rolled up sock at him. He ducked with the ease of a born dancer and the forlorn sock sailed straight through a ghostly, three-dimensional simulation of a young woman laced into proper attire for a lady of style, prim and proper and all set to enjoy London's Season. The Season of 1888. When Jenna's sock "landed" in the holographic teacup, while the holographic young lady continued smiling and sipping her now-contaminated tea, Jenna's roommate fell down on the floor, howling and pointing a waggling finger at her. "Oh, Nikki, three-point shot!"

Jenna scowled down at the idiot, who lay rolling around holding his ribs and sputtering with laughter. "Thanks, Carl. You're all heart. Remind me to lose your invitation to the graduation party. If I ever graduate. God, if Simkins rejects this script, I'll throw myself in the East River."

Carl chuckled and rolled over, coming to his feet easily to switch off the holoprojector they'd borrowed from the campus library. "Nah. You'll just film it, win an Oscar or two, and take his job. Can you imagine? A member of the Temple on faculty?"

Jenna grinned—and bushwhacked Carl from behind while he wasn't looking, getting in several retaliatory tickles. He twisted around and stole a kiss, which turned into a clutch for solid ground, because she couldn't quite bring herself to tell Carl the worst part of her news, that her aunt knew. Just how much Cassie knew remained to be seen. And what she intended to do about it, Jenna didn't even want to think about. So she just held onto Carl for a long moment, queasy and scared in the pit of her stomach.

"Hey," he said gently, "it isn't that bad, is it?"

She shook her head. "No. It's worse."

"Cassie loves you, don't you know that?"

She looked up, blinking hard. "Yes. That's why it's worse."

His lips quirked into a sad, understanding little smile that wrenched at Jenna's heart. "Yeah. I know. Listen, how about I clean up the place while you're out, just in case she wants to visit, then when it's over, I'll give you a backrub, brush your hair, pamper your feet, spoil you silly?"

She gave him a watery smile. "Lover boy, you got yourself a deal."

Then she sighed and stepped into the shower, where she could let the smile pour away down the drain, wishing the fear would drain away with it. Christ, what could she tell Aunt Cassie? She tried to envision the scene, quailed inwardly. Cassie Tyrol, cool and elegant and very Parisian, despite her New Hollywood accent and the ranch up in the hills, where Jenna had spent the happiest summers of her life—the only happy ones, in fact, until college and the Temple and Carl. . . . Aunt Cassie was not likely to take the news well. Not at all. Better, of course, than her father.

Two hours later, Jenna was still quailing, despite the outward charm of her smile for the maitre d' at Luigi's, the most fashionable of the restaurants owned by increasingly wealthy members of New York's leading Lady of Heaven Temple. It was little wonder her aunt had chosen Luigi's. Given Cassie's prominence in the New Hollywood Temple, she probably had a stakeholder's share in the restaurant's profits. Jenna's only aunt never did anything by halves. That included throwing herself into her latest religion or making money the way Jenna accumulated rejection slips for her screenplays.

The maitre d' greeted her effusively, by name. "Good evening, Ms. Caddrick, your aunt's table is right this way."

"Thank you." She resisted the urge to twitch at her dress. Carl had, while she showered and did her hair and makeup with the most exquisite care she'd used in a year, worked a genuine theatrical miracle. He'd rushed over to the theater department and liberated a costume which looked like a million bucks and had only cost a few thousand to construct, having been donated by some New Hollywood diva who'd needed a tax write-off. Jenna, who existed by her own stubborn insistence on a student's budget that did not include dinner at Luigi's or the requisite fashions appropriate to be seen there, had squealed with delight at his surprise.

"You wonderful idiot! If they'd caught you sneaking this out, they'd have thrown you out of college!"

"Yeah, but it'd be worth it, just looking at you in it." He ran his gaze appreciatively across her curves.

"Huh. This dress is a lot more glamorous than I am. Now, if I just had Aunt Cassie's nose, or cheekbones, or chin . . ."

"I like your nose and cheekbones and chin just the way they are. And if you don't scoot, you'll be late."

So Jenna had slid gingerly into the exquisite dress, all silken fringe and swaying sheik, and splurged on a taxi, since arriving on a bicycle in a ten-thousand-dollar dress simply would not do. Jenna followed the maitre d' nervously into the glitzy restaurant, aware of the stares as she made her way past tables frequented by New York's wealthiest Templars. She did her best to ignore the whispers, staring straight ahead and concentrating on not falling off her high-heeled shoes and damning her father for saddling her with the price of an infamous family face and name. 

Then she spotted her aunt at a dim-lit corner table and swallowed hard, palms abruptly wet. Oh, God, she's got somebody with her and it's not her latest. 

If this was family only . . . The only person it could be was a private detective. Cassie'd hired more than her share over the years. Jenna knew her style. Which meant Jenna was in really serious hot water. Worse, her aunt appeared to be absorbed in a violent argument with whoever it was. The dark circles under Cassie Tyrol's eyes shocked her. When Jenna reached the table, conversation sliced off so abruptly, Jenna could actually hear the echoes of the silence left behind. Her aunt managed a brittle smile as she stooped to kiss one expertly manicured cheek.

"Hello, Jenna, dear. Sit down, please. This is Noah Armstrong."

Jenna shook hands, trying to decide if the androgynous individual in a fluid silk suit beside her aunt was male or female, then settled for, "A pleasure, Noah." Living in New York for the past four years—not to mention a solid year plunged into Temple life—had been an education in more ways than one.

"Ms. Caddrick." Firm handclasp, no clue from the voice. Noah Armstrong's eyes were about as friendly as a rabid pit bull challenging all comers to a choice cut of steak.

Jenna ignored Armstrong with a determination that matched Armstrong's dark scowl, sat down, and smiled far too brightly as Cassie Tyrol poured wine. Cassie handed over a glass in which tiny motion rings disturbed the wine's deep claret glint. Jenna hastily took it from her aunt before it could slosh onto snowy linen.

"Well, what a surprise, Cassie." She glanced around the elegant restaurant, surreptitiously tugging at her short skirt to be sure nothing untoward was showing, and realized with a start of surprise there were no reporters lurking. "Gawd. How'd you manage to ditch the press?"

Her aunt did not smile. Uh-oh. 

"This was not an announced visit," she said quietly. "Officially, I'm still in L.A."

Worse, oh, man, she's gonna let me have it, both barrels . . . 

"I see. Okay," she sighed, resigned to the worst, "let's have it."

Cassie's lips tightened briefly. The redness in her eyes told Jenna she'd been crying a great deal, lately, which only added guilt to an already-simmering stew of fear and defensiveness. Jenna, wishing she could gulp down the wine, sipped daintily, instead, determined to maintain at least a facade of calm.

"It's . . ." Cassie hesitated, glanced at Noah Armstrong, then sighed and met Jenna's gaze squarely. "It's your father, Jenna. I've discovered something about him. Something you deserve to know, because it's going to wreck all our lives for the next year or so."

Jenna managed not to spray wine all over the snowy linen, but only because she snorted thirty-dollar-a-glass wine into her sinuses, instead. She blinked hard, eyes watering, wineglass frozen at her lips. When she'd regained control, Jenna carefully lowered the glass to the table and stared at her aunt, mind spinning as she tried to reassess the entire purpose for this clandestine meeting. She couldn't even think of a rejoinder that would make sense.

"Drink that wine," her aunt said brusquely. "You're going to need it."

Jenna swallowed hard, just once. Then knocked the wine back, abruptly wishing this meeting had been about her highly secret down-time trip with Carl, a trip they'd been planning for more than a year, to Victorian London, where she and her roommate planned to film the East End terror instilled by Jack the Ripper. They'd bought the tickets fourteen months previously under assumed names, using extremely well-made false identifications she and Carl had managed to buy from an underworld dealer in new identities. New York teemed with such dealers, with new identifications available for the price of a few hits of cocaine; but they'd paid top dollar, getting the best in the business, because Jenna Nicole Caddrick's new identity had to be foolproof. Had to be, if she hoped to keep the down-time trip secret from her father. And what her father would do if he found out . . .

Jenna had as many reasons to fear her world-famous father as she had to adore her equally famous aunt. Whatever Cassie was about to lay on her, it promised to be far worse than having her father discover she was going time-touring in the face of the elder Caddrick's ultimatums about never setting foot through any time terminal gate, ever. Voice tight despite her relief at the reprieve, Jenna asked, "Dad, huh? What's the son-of-a-bitch done now? Outlaw fun? He's outlawed everything else."

Noah Armstrong glanced sharply into Jenna's eyes. "No. This isn't about his career as a legislator. Not . . . precisely."

Jenna glanced into his—her?—eyes and scowled. "Who the hell are you, Armstrong? Where do you fit into anything?"

Armstrong's lips thinned slightly, but no reply was forthcoming. Not to her, at any rate. The look Armstrong shot Jenna's aunt spoke volumes, a dismissive, superior look that relegated Jenna to the realm of infant toddlers who couldn't think for themselves or be trusted not to piddle on the Persian carpets.

Jenna's aunt said tiredly, "Noah's a detective, hon. I went to the Wardmann Wolfe agency a few months ago, asked for their best. They assigned Noah to the case. And . . . Noah's a member of the Temple. That's important. More important than you can begin to guess."

Jenna narrowed her eyes at the enigmatic detective across the table. Wardmann Wolfe, huh? Aunt Cassie certainly didn't do things by halves. She never had, come to that. Whatever her father had done, it was clearly more serious than the occasional sex scandals which, decades ago, had rocked the careers of other legislators possessing her father's stature. A chill ran through her, wondering just what Daddy Dearest was involved in.

Cassie said heavily, "You remember Alston Corliss?"

Jenna glanced up, startled. "The guy in Sacred Harlot with you? Blond, looks like a fey elf, loves Manx cats, opera, and jazz dance? Nominated for an Oscar for Harlot, wasn't he? And still a senior at Julliard." Jenna had been impressed—deeply so—by her aunt's talented young co-star. And more than a little envious of that Oscar nomination. And with his good looks, Jenna had just about melted all over the theater seats every time he smiled. Guiltily, she remembered a promise to try and get Carl an autograph, via the connection with her aunt. "Wasn't there some talk of you starring in another film with him? Something about A Templar Goes to Washington, sort of a new take on that old classic film?

Her aunt nodded. "Alston wanted to spend a semester interning in Congress. Role research. I . . . I set it up, got him a job in your father's office. Asked him to snoop around for us. Find out things Noah couldn't, didn't have access to." Cassie Tyrol bit a well-manicured lip. "Jenna, he's dead."

"Dead?"

Cassie was crying, smudging her careful eye makeup into ruins. "Four hours ago. It hasn't hit the press yet, because the FBI's put a press blackout on it. I know because Noah dragged me out of my house, scared spitless because they'll come after me."

Jenna couldn't take this in. Alston Corliss dead, Cassie in danger? "But . . ." Nothing intelligent would form coherently enough to say anything else.

Noah Armstrong spoke quietly, with just a hint of anger far back in those piercing grey eyes. "Surely you've heard the scuttlebutt about people close to your father? To know Senator John Paul Caddrick is to inherit a tombstone?"

White-hot anger blazed at the crude insult, jolting her out of shock sufficiently to glare murderously at the detective. There were plenty of reasons to hate John Paul Caddrick, Senator from Hell. But murder wasn't by God one of them! Then she saw the sick, anguished pain in her aunt's eyes. Anger slithered to the floor in a puddle at her feet and Jenna was quite suddenly very cold inside.

Cassie Tyrol's lips trembled. "When we leave here, Jenna, we're going to the FBI. What Noah's found, what your father's been doing, who he's involved with and what they've been doing . . . it's got to be stopped. Noah didn't want me to tell you, Jenna, I sneaked away to call you, asked you to meet me here . . ."

She was crying harder, voice shaking. Shocked by her collapse into violent tremors, Jenna reached out, grasped her aunt's chilled fingers, held on tight. "Hey. It's okay," she said gently.

Cassie tightened her fingers around Jenna's, shook her head. "No," she choked out, "it isn't. You're his little girl. It's going to hurt you so much when all of this comes out. I thought you deserved to know. If . . ." she hesitated. "If you want to take off for Europe for a while, I'll pay for the tickets. Take Carl with you, if your roommate wants to go."

Jenna had to scrape her lower jaw off the table.

Cassie tried to smile, failed utterly. "You're going to need a friend, someone to protect you, while this is breaking loose, Jenna, and . . . well, your father and I don't see eye to eye on a lot of things. He's never approved of either of us joining the Lady of Heaven Temple or the food I eat or the men I divorced or the way I make my living, any more than he's ever approved of your friends or your choice of career. You're growing up, Jenna. Who you're friends with—or sleep with—is your business, not mine or his or anyone else's, and frankly, a blind man could see Carl's good for you, say what your father will. For one thing," she said bitterly, "you're standing up to that bastard for once in your life, insisting on a film career, and I know how much Carl's had to do with that. And I know what's in that bank box of yours. Frankly, I approve. It's why I'm sending him with you. I know he'll take care of you for me."

"What?" Jenna gasped. Cripes . . . Where did Aunt Cassie get her information from? But her concern was so genuine, Jenna couldn't even take offense at the invasion of privacy which her really serious snooping represented.

Cassie tried to smile, failed. "Don't be angry with me for prying, sweety, please. I'm just trying to look out for you. So." She slid an envelope across the table. "If you want to go, you can probably get out before the press gets wind of this. And don't go all stubborn and proud on me and tell me you've got to do things on your own. You think the press has been savage before? You have no idea how bad it's going to get, hon. They're going to crucify us. All of us. So take it, grab your passports, both of you, and get out of town. Okay, Jenna?"

She just didn't know what to say. Maybe that crazy scheme to get down time to film the Ripper terror wasn't so crazy, after all—and here was her aunt, handing Jenna enough cash to keep her hidden safely down time from the press corps for months, if necessary. Carl, too. Maybe they'd win that Kit Carson Prize in Historical Video, after all, with months to complete the filming, rather than a couple of weeks. The envelope she slid into her handbag was heavy. Thick, heavy, and terrifying. She poured another glass of wine and drank it down without pausing.

"Okay, Cassie. I'll go. Mind if I call Carl?"

Her aunt's attempt at a smile was the most courageous thing Jenna ever seen, braver and more real than anything her aunt had ever done in her presence. "Go on, Jenna. I'll order us dinner while you're gone."

She scooted back her chair and kissed her aunt's cheek. "Love you, Cassie. Be right back." She found the phones in the back beside the bathrooms and dug into her purse for change, then dialed.

"Hello?"

"Carl, it's Jenna. You're never going to believe—"

Gunfire erupted in stereo.

From the telephone receiver and the restaurant. Carl's choked-off scream, guttural, agonized, cut straight through Jenna. Rising screams out in Luigi's main dining room hardly registered. "Carl! Carl!" Then, as shock sank in, and the realization that she was still hearing gunfire from the direction of her aunt's table: "Cassie!" She dropped the receiver with a bang, ignoring its violent swing at the end of its cord. Jenna ran straight toward the staccato chatter of gunfire, tried to shove past terrified patrons fleeing the dining room.

Someone shouted her name. Jenna barely had time to recognize Noah Armstrong, elegant clothing covered in blood. Then the detective body-slammed her to the floor. Gunfire erupted again, chewing into the man behind Jenna. The wall erupted into splinters behind him. The man screamed, jerked like a murdered marionette, plowed into the floor, still screaming. Jenna choked on a ghastly sound, realized the hot, wet splatters on her face were blood. A booming report just above her ear deafened her; then someone snatched her to her feet.

"Run!"

She found herself dragged through Luigi's kitchen. Screams echoed behind them. The gun in Armstrong's hand cleared a magical path. Waiters and cooks dove frantically out of their way. At the exit to the alleyway behind the restaurant, Armstrong flung her against the wall, reloaded the gun with a practiced, fluid movement, then kicked the door open. Gunfire from outside slammed into the door. Jenna cringed, tried to blot from memory the sound of Carl's scream, tried desperately not to wonder where Aunt Cassie was and just whose blood was all over Armstrong's fluid silk suit.

More deafening gunfire erupted from right beside her. Then Armstrong snatched her off balance and snarled, "Run, goddamn you!" The next instant, they were pelting down an alleyway littered with at least three grotesquely dead men. All three were dressed like middle-easterners, wearing a type of headdress made popular during the late twentieth century by a famous terrorist turned politician, Jenna couldn't recall the name through numb shock. The detective swore savagely, stooped and snatched up guns from dead hands. "It figures! They showed up as Ansar Majlis!" Armstrong thrust one salvaged gun into a pocket, shoved the other two into Jenna's shocked hands with a steel-eyed glance. "Don't drop them! If I tell you to shoot, do it!"

Jenna stared stupidly at the guns. She'd used guns before, Carl's black-powder pistols, which he carried in action-shooting re-enactments, the ones stored in her bank box along with their time-touring tickets and the diamond ring she didn't dare wear publicly yet, and she'd fired a few stage-prop guns loaded with blanks. The guns Noah Armstrong shoved into her hands were modern, sleek, terrifying. Their last owners had tried to kill her. Jenna's hands shook violently. From the direction of Forty-Second Street, sirens began to scream.

"Come on, kid! Go into shock later!"

Armstrong jerked her into motion once more. She literally fell off her high-heeled shoes, managed to kick them off as she stumbled after Armstrong. They pelted down the alleyway and emerged into heavy traffic. Armstrong ran right in front of a yellow taxicab. The car screeched to a halt, driver cursing in a blistering tongue that was not English. Armstrong yanked open the driver's door and bodily tossed the cabby onto the street.

"Get in!"

Jenna dove for the passenger's door. She barely had her feet off the pavement before the car squealed into motion. Armstrong, whatever his/her gender, was a maniac behind the wheel of a car. If anyone tried to follow, they ended up at the bottom of a very serious multi-car pileup that strung out several blocks in their wake. Jenna gulped back nausea, found herself checking the guns with trembling fingers to see how much ammunition might be left in them, terrified she'd accidentally set one of them off. She'd never used any guns like these. She asked hoarsely, "Aunt Cassie?"

"Sorry, kid."

She squeezed shut her eyes. Oh, God . . . Cassie . . . Carl. . . . Jenna needed to be sick, needed to cry, was too numb and shocked to do either.

"It's my fault," Armstrong said savagely. "I should never have let her meet you. I told her not to wait at Luigi's for you, told her they'd trace her through that goddamned call to your apartment! I knew they'd try something, dammit! But Christ, an all-out war in the middle of Luigi's . . . with his own daughter and sister-in-law!"

Wetness stung Jenna's eyes. She couldn't speak, couldn't think. Her hands shook where she gripped the guns Armstrong had shoved at her.

"Forget Europe, kid," the detective muttered. "They're not gonna let you get out of New York alive. They hit your apartment, didn't they? Killed your fiancé? Carl, wasn't it?"

She nodded, unable to force any sound past the constriction in her throat.

Whoever Armstrong was, he or she could out-curse a rodeo rider. "Which means," the detective ended harshly, "they were going to hit you anyway, even if Cassie hadn't met you. Just on the chance she might have mailed it to you. And they had to kill Carl, in case you'd said something to him. God damn them!"

"Who's 'them'?" she managed to choke out, not quite daring to ask what Cassie might have mailed, but hadn't.

Armstrong glanced sidelong at her for just an instant, long enough for Jenna to read the pity in those cold grey eyes. "Your father's business associates. One royal bastard in particular, who's been paying off your father for years. And the goddamned terrorists they're bringing into the country. Right past customs and immigration, diplomatic fucking immunity."

Jenna didn't want to hear anything more. She'd heard all the slurs, the innuendo, the nasty accusations in the press. She hadn't believed any of it. Who would've believed such filth about her own father, for Chrissake, even a father as lousy as hers had been over the years? Jenna had learned early that politics was a dirty, nasty game, where rivals did their damnedest to smear enemies' reputations with whichever reporters they'd paid off that week. It was one reason she'd chosen to pursue a career in film, following her aunt's lead, despite her father's furious opposition. Oh, God, Aunt Cassie . . . Carl. . . . Her eyes burned, wet and swollen, and she couldn't get enough air down.

"Ever been time-touring, kid?" Armstrong asked abruptly.

"Wh-what?"

"Time-touring? Have you ever been?"

She blinked, tried to force her brain to function again. "No. But . . ." she had to swallow hard, "Carl and I, we were going to go . . . through TT-86, to London. Got the tickets and everything, used false ID to buy them, to keep it a secret . . ."

The taxi slewed around another corner, merged with traffic on Broadway, slowed to a decorous pace. "Kid," Armstrong said softly, "those tickets might just save your life. Because the only by-God way out of this city now is through TT-86. Where did you hide them? Do you still have the fake ID's you bought?"

She'd begun to shake against the cracked plastic of the taxi's front seat, was ashamed of the reaction, couldn't hide it. "Yeah, we've still—I've still—" she was trembling violently now, unable to block the memory of Carl's agonized screams. "Locked them up in . . . in my lock box . . ." The other secret hidden in that lock box brought the tears flooding despite her best efforts not to cry. Carl's ring, the one she couldn't wear openly, yet, not until she'd turned twenty-one, making her legally and financially independent of her hated father, lay nestled in the lock box beside the tickets.

Noah glanced sharply into her eyes. "Lock box? A bank box? Which bank?"

Jenna told him.

Twenty minutes later, after a brief stop at a back-alley stolen-clothes huckster for new clothes—something without blood on it—Jenna clutched the entire contents of her bank account—which wasn't much—and the false identification papers and tickets she and her secret fiancé had bought to go time-touring, a grand adventure planned in innocence, with dreams of making a film that would launch both their careers . . . and so much more. Jenna rescued the ring from the safe, too, still closed up its little velvet box that had once been Carl's mother's, wanting at least that much of Carl's memory with her.

She also carried a thick case which held Carl's two black-powder 1858 Remington Beale's pistols she'd kept in the vault, the heavy .44 caliber pistols Carl had carried during re-enactments of Gettysburg and First Manassas and the Wilderness campaigns, the ones he'd taught her to use, after he'd won that action-shooting match in up-state New York last month. The ones her father would've exploded over, had he known Jenna was keeping them in her bank box. Armstrong eyed the heavy pistols silently, that glance neither approving nor disapproving, merely calculating. "Do you have ammo for those?"

Jenna nodded. "In the bottom of the gun case."

"Good. We'll have to ditch this modern stuff before we enter TT-86. I'd just as soon be armed with something. How do you load them?"

Wordlessly, Jenna began loading the reproduction antique guns, but Noah's steel-cold voice stopped her. "Not yet."

"Why not?" Jenna demanded shrilly. "Just because it's illegal? My own father wrote those laws, dammit! It didn't stop . . ." Her voice shattered.

Noah Armstrong's voice went incredibly gentle. "No, that isn't it. We just won't be able to take loaded guns through TT-86's security scans. We can take them through as costume accessories, but not loaded and ready to fire. Tell me how to load them, and we'll do that the second we're on station."

Jenna had to steady down her thoughts enough to explain how to pour black powder into each cylinder and pull down the loading lever to seat bullets, rather than more traditional round balls, in each chamber of the cylinder, how to wipe grease across the openings to prevent flame from setting off the powder in adjoining chambers, how to place percussion caps . . . The necessity to think coherently helped draw her back from raw, shaking terror.

"They're probably going to figure out where we went," Armstrong said quietly when she'd finished. "In fact, they'll be hitting TT-86, too, as soon as possible." The detective swore softly. "Ansar Majlis . . . That's the key, after all, isn't it? After today, it's even money they'll hit her the next time Primary cycles. Part of their goddamned terrorist plan."

Jenna glanced up, asking the question silently.

"Those bastards at Luigi's were Ansar Majlis. Never heard of 'em? I wish to Christ I hadn't. Your aunt is—was—a prominent public supporter of the Lady of Heaven Temples. So are the owners of Luigi's. And half the patrons. The bastard behind that attack back there sent a death-squad of Ansar Majlis to do his dirty work for him. You've heard of Cyril Barris? The multi-billionaire? Believe me, kid, you don't want to know how he made all that money. And he can't afford to have your aunt's murder tied to him. Or to your father. Getting the Ansar Majlis involved makes goddamned sure of that. And those bastards have lined up another 'terrorist' hit, aimed right at the very soul of the Lady of Heaven Temples . . ."

Jenna gasped, seeing exactly where Armstrong was going with this.

The detective's glance was grudgingly respectful. "You see it, too, don't you, kid?"

Jenna truly, genuinely didn't want to know anything else about this nightmare.

Armstrong told her, anyway. Showed her the proof, sickening proof, in full color and stereo sound, proof which the elfin actor on the miniature computer screen in Jenna's hands had managed to give Armstrong before his death.

It killed what little respect for her father she'd still possessed.

* * *

In the year 1853, a stately man with a high forehead and thick, dark hair that fell down across his brow from a high widow's peak was inaugurated as the 14th US President under the name of Franklin Pierce. Armed conflict between Russia and Turkey heralded the beginning of the disastrous Crimean War. Further south, Britain annexed the Mahratta State of Nagpur, while in the British home islands, Charlotte Bronte published "Villette" and another writer on the opposite side of the Atlantic, American Nathaniel Hawthorne of Scarlet Letter fame, brought out the "Tanglewood Tales." Noted historian Mommsen wrote "A History of Rome" and the legendary impressionist painter Vincent Van Gogh was born. European architecture enjoyed a renaissance of restoration as P.C. Albert began the rebuilding of Balmoral Castle, Aberdeenshire, Scotland, and—across the English Channel—Georges Haussmann began the reconstruction of Paris with the Boulevards, Bois de Boulogne.

In New York, Mr. Henry Steinway began manufacturing fine pianos. On the Continent, Italian composer Verdi wrote his great operas Trovatore and La Traviata and German composer Wagner completed the text of the masterwork Der Ring des Nibelungen. Alexander Wood shot his first patient with a subcutaneous injection from a hypodermic syringe and Samuel Colt, that American legend of firearms design, revolutionized British small-arms manufacture with his London factory for machine-made revolvers.

In London, Queen Victoria ensured the increasing popularity of the previously little-trusted chloroform as a surgical anesthetic by allowing herself to be chloroformed for the birth of her seventh child. Britain established the telegraph system in India and made smallpox vaccinations mandatory by law. In America, the world's largest tree, the Wellingtonia gigantea, was discovered growing in a California forest. And in Middlesex Street, Whitechapel—otherwise known as Petticoat Lane, after the famous market which lined that cobbled thoroughfare—a child was born to Lithuanian immigrant Varina Boleslaus and English dock laborer John Lachley.

The child was not a welcome addition to a family of six subsisting on John Lachley's ten shillings a week, plus the shilling or two Varina added weekly from selling hand-crafted items made on her crocheting hook. In fact, in many parts of the world during that year of 1853, this particular child would have been exposed to the elements and allowed to die. Not only could its parents ill afford to feed the baby, clothe it, or provide an education, the child was born with physical . . . peculiarities. And in 1853, the East End of London was neither an auspicious time nor a hospitable place to be born with marked oddities of physique. The midwife who attended the birth gasped in horrified dismay, unable to answer every exhausted mother's first, instinctive question: boy or girl? 

Statistically, the human gene pool will produce children with ambiguous genitalia once in every thousand live births, perhaps as often as once in every five hundred. And while true hermaphrodites—children with the genital tissues of both sexes—account for only a tiny fraction of these ambiguously genitaled infants, they still can occur once in every one million or so live human births. Even in modern, more culturally enlightened societies, surgical "correction" of such children during infancy or early childhood can give rise to severe personality disorders, increased rates of suicide, a socially inculcated sense of guilt and secrecy surrounding their true sexual nature.

In the year 1853, London's East End was an ethnically diverse, poverty-stricken, industrial cesspool. The world's poor clustered in overcrowded hovels ten and twelve to a room, fought and drank and fornicated with rough sailors from every port city on the globe, and traded every disease known to humanity.

Women carrying unborn children swallowed quack medical remedies laced with arsenic and strychnine and heavy metals like sugar of lead. Men who would become fathers worked in metal-smelting foundries and shipyards, which in turn poured heavy metals into the drinking water and the soil. Sanitation consisted of open ditches where raw sewage was dumped, human waste was poured, and drinking water was secured. In such areas, a certain percentage of embryos whose dividing cells, programmed with delicate genetic codes, inevitably underwent massive genetic and teratogenic alterations.

And so it was that in Middlesex Street, Whitechapel, in that year of 1853, after a protracted debate, many condemnations of a God who would permit such a child to be born, and a number of drunken rages culminating in beatings of the woman who had produced this particular unfortunate offspring, the child was named John Boleslaus Lachley and reared as a son in a family which had already produced four dowerless sisters. Because he survived, and grew to manhood in London's East End, where he was tormented into acquiring a blazing ambition and the means to escape, the infant born without a verifiable gender grew in ways no innocent should ever have to grow. And once grown, John Lachley made very certain that the world would never, ever forget what it had done to him.

On a quiet, rainy Saturday morning in the waning days of August, 1888, Dr. John Lachley, who had long since dropped the foreign "Boleslaus" from his name, sat in a tastefully decorated parlour in an exceedingly comfortable house on Cleveland Street, London, opposite his latest patient, and brooded over his complete dissatisfaction with the entire morning while daydreaming about his last encounter with the one client who would finally bring into his life everything his soul yearned to possess.

The room was cold and damp, despite the coal fire blazing in the hearth. August in London was generally a fine month, with flowers in bloom and warm breezes carrying away the fog and coal smoke and damp chill of early autumn with glorious blue skies and sunshine. But rain squalls and thunderstorms and an unseasonable chill had gripped the whole South of England for months, leaving arthritic bones aching and gloomy spirits longing for a summer that had seemed indefinitely postponed and then abruptly at an end before it had properly begun. John Lachley was tired of hearing the week's complaints, never mind those which had been lodged in all the previous weeks since winter had supposedly ceased to plague them.

He had little tolerance for fools and whiners, did John Lachley, but they paid his bills—most handsomely—so he sat in his parlour with the curtains drawn to dim the room and smiled and smiled at the endless parade of complainers and smiled some more as he collected his money and let his mind drift to remembered delights in another darkened room, with Albert Victor's hands and mouth on his body and the rewards of Albert Victor's social status firmly within his grasp.

He had been smiling steadily for the past hour or more, concealing his loathing for his current patient with an air of concerned understanding, while the bloody idiot of a Liverpudlian who'd appeared on his doorstep rambled on and endlessly on about his health, his illnesses, his medicines, his incessant chills and shaking hands, his itching skin and aching head . . .

It was enough to drive a sane man round the twist and gone. Which was where, in John Lachley's private opinion, this pathetic cotton merchant had long since departed. Hypochondria was the least of Mr. James Maybrick's woes. The fool daily swallowed an appalling amount of "medicinal" strychnine and arsenic in the form of powders prescribed by his physician, some doddering imbecile named Hopper, who should have known better than to prescribe arsenic in such enormous quantities—five and six doses a day, for God's sake. And as if that weren't enough, Maybrick was supplementing the powdered arsenic with arsenic pills, obtained from a chemist. And on top of that, he was downing whole bottles of Fellow's Syrup, a quack medicine available over any chemist's counter, liberally laced with arsenic and strychnine.

And Maybrick was so dull of mind, he honestly could not comprehend why he now suffered acute symptoms of slow arsenic poisoning! Grant me patience, Lachley thought savagely, the patience to deal with paying customers who want any answer but the obvious one. If he simply told this imbecile, "Stop taking the bloody arsenic!" Maybrick would vanish with all his lovely money and never darken Lachley's doorstep again. He would also, of course, die somewhat swiftly of the very symptoms which would kill him, anyway, whether or not he discontinued the poisonous drug.

Since the idiot would die of arsenic poisoning either way, he might as well pay Lachley for the privilege of deluding him otherwise.

Lachley interrupted to give Maybrick the one medication he knew would help—the same drug he gave all his patients before placing them into a mesmeric trance. Most people, he had discovered, could easily be hypnotized without the aid of drugs, but some could not and every one of his patients expected some spectacular physical sensation or other. His own, unique blend of pharmaceuticals certainly guaranteed that. Success as a mesmeric physician largely depended upon simple slight-of-hand tricks and the plain common sense of giving his patients precisely what they wanted.

So he mixed up his potent chemical aperitif, served in a glass of heavy port wine to help disguise the unpleasant flavor, and said, "Now, sir, drink this medicine down, then give me the rest of your medical history while it takes effect."

The drug-laced wine went down in two gulps, then Maybrick kept talking.

"I contracted malaria, you see, in America, trading for cotton shares in Norfolk, Virginia. Quinine water gave me no relief, so an American physician prescribed arsenic powder. Eleven years, I've taken it and the malaria rarely troubles me, although I've found I require more arsenic than I used to. . . . Poor Bunny, that's my wife, I met her on a return trip from Norfolk, Bunny worries so about me, dear child. She hasn't a brain in her pretty American head, but she does fret. God knows I have tried to gain relief. I even contacted an occultist once, for help with my medical disorders. A Londoner, the lady was. Claimed she could diagnose rare diseases by casting horoscopes. Told me to stop taking my medicines! Can you imagine anything more absurd? That was two years ago, sir, and my health has grown so alarmingly worse and Dr. Hopper is such a bumbling fool. So when I decided to visit my brother Michael, yes, that's right, Michael Maybrick, the composer, he publishes under the name Stephen Adams, I said to myself, James, you must consult a London specialist, your life is most assuredly worth the time and money spent, what with the wife and children. So when I saw your advert in The Times, Dr. Lachley, that you were a practicing physician and an occultist with access to the guidance of the spirit world for diagnosis of difficult, rare illnesses, and that you use the latest techniques in mesmeric therapies, well, I simply knew I must see you . . ."

And on, and on, ad infinitum, ad nauseum, about his nux vomica medications, his New York prescriptions that Dr. Hopper had so insultingly torn up . . .

John Lachley sat and smiled and thought If I were to jab my fingers into his larynx, I could put him on the floor without a sound, cut off his testicles, and feed them to him one bollock at a time. If he even has any. Must have, he said he'd fathered children. Poor little bastards. Might be doing them a favor, if I simply slit their father's throat and dumped his body in the Thames. Wonder what Albert Victor is doing now? Christ, I'd a thousand times rather be swiving Victoria's brain-damaged grandson than listening to this idiot. Dumb as a fence post, Albert Victor, but what he can do with that great, lovely Hampton wick of his . . . And God knows, he will be King of England one day. 

A small, satisfied smile stole across John Lachley's narrow face. It wasn't every Englishman who could claim to have balled the future monarch of the British Empire. Nor was it just any Englishman who could tell a future king where to go, what to say, and how to behave—and expect to be slavishly obeyed. Stupider than a stick, God bless him, and John Lachley had him wrapped right around his finger.

Or rather, a point considerably lower than his finger.

Albert Victor, secretly bi-sexual outside certain very private circles, had been ecstatic to discover John's physical . . . peculiarities. It was, as they said, a match created in—

"Doctor?"

He blinked at James Maybrick, having to restrain the instantaneous impulse to draw the revolver concealed in his coat and shoot him squarely between the eyes.

"Yes, Mr. Maybrick?" He managed to sound politely concerned rather than homicidal.

"I was wondering when you might be able to perform the mesmeric operation?"

Lachley blinked for a moment, then recalled Maybrick's request to be placed in a mesmeric trance in order to diagnose his disease and effect a "mesmeric surgical cure." Maybrick was blinking slowly at him, clearly growing muzzy from the medication Lachley had given him.

"Why, whenever you are ready, sir," Lachley answered with a faint smile.

"Then you do think there is hope?"

Lachley's smile strengthened. "My dear sir, there is always hope." One can certainly hope you will pass into an apoplectic fit while in trance and rid the world of your unfortunate presence. "Lie back on the daybed, here, and allow yourself to drift with the medication and the sound of my voice." Maybrick shifted from the overstuffed chair where he'd spent the past hour giving his "medical history," moving so unsteadily, Lachley was required to help him across to the daybed.

"Now, then, Mr. Maybrick, imagine that you are standing at the top of a very long staircase which descends into darkness. With each downward step you take, your body grows heavier and more relaxed, your mind drifts freely. Step down, Mr. Maybrick, one step at a time, into the safe and comfortable darkness, warm and cozy as a mother's embrace . . ."

By the end of twenty-five steps, Mr. James Maybrick, Esquire, was in deep trance, having been neatly drugged into a state of not-quite oblivion.

"Can you hear my voice, Mr. Maybrick?"

"Yes."

"Very good. You've been ill, Mr. Maybrick?"

"Yes. Very ill. So many different symptoms, I can't tell what is wrong."

Nothing new, there. "Well, then, Mr. Maybrick, what is it that is troubling you the most, just now?"

It was an innocent question, completely in keeping with a patient suffering from numerous physical complaints. All he was really interested in was narrowing down which symptom troubled the fool the most, so he could place post-hypnotic suggestions in the man's drugged mind to reduce the apparent levels of that symptom, something he had done successfully with a score of other patients suffering more from hysteria and nervousness than real illnesses. He had been following the work of that fellow in Vienna, Dr. Freud, with considerable interest, and had begun a few experiments of his own—

"It's the bitch!"

John Lachley nearly fell backward out of his chair.

Maybrick, his drugged face twisting into a mask of rage, snarled it out. "She troubles me! The goddamned bitch, she troubles me more than anything in the world! Faithless whore! Her and her whoremaster! I'll kill them both, I swear to God, the way I killed that filthy little prostitute in Manchester! Squeezed the life out of her with my own hands, thinking of that bitch the whole time! Wasn't pleasurable, though, damn her eyes, I wanted it to be pleasurable! I'll squeeze the life out of that bitch, I swear I will, I'll cut her wide open with a knife, goddamn Brierly, fucking my own wife . . ."

Stunned, open-mouthed silence gripped John Lachley for long moments as he stared at the raving cotton merchant, for once completely at a loss as to how he ought to proceed. He'd never stumbled across anything even remotely like this homicidal fury. What had he said? . . . killed that filthy little prostitute in Manchester . . . squeezed the life out of her with my own hands . . . Lachley gripped the upholstered arms of his chair. Dear God! Should I contact the constabulary? This madman's murdered someone! He started to speak, not even sure what he was going to say, when a frantic knocking rattled the front door, which was situated just outside the closed parlour. John Lachley started violently and slewed around in his chair. In the hallway just outside, his manservant answered the urgent summons.

"Your Highness! Come in, please! Whatever is wrong, sir?"

"I must see the doctor at once, Charles!"

Prince Albert Victor . . . In a high state of panic, too, from the sound of it.

John Lachley glared furiously at the ranting cotton merchant on the daybed, who lay there muttering about ripping his wife open with a knife for sleeping with some arsehole named Brierly, about keeping a diary some servant had almost discovered, nearly ending in a second murder, and something about a room he'd rented in Middlesex Street, Whitechapel, so he could kill more filthy whores, and hated James Maybrick with such an intense loathing, he had to clench his fists to keep from shooting him on the spot. The crisis of his career was brewing outside and this homicidal maniac had to be dealt with first!

Outside, Charles was saying, "Dr. Lachley is with a patient, Your Highness, but I will certainly let him know you're here, immediately, sir."

Lachley bent over Maybrick, gripped the man's shoulders hard enough to bruise, hissed urgently, "Mr. Maybrick! I want you to be quiet now! Stop talking at once!"

The drugged merchant fell silent, instantly obedient.

Thank God . . . 

Lachley schooled his features and stilled his hands, which were slightly unsteady, then crossed the parlour in two hurried strides, just as Charles knocked at the door.

"Yes, Charles? I heard His Highness arrive. Ah, Your Highness," he strode forward, offering his hand to the visibly distraught grandson of Queen Victoria, "welcome back to Tibor. You know my house is always open to you, whatever the time of day. Please, won't you come back to the study?"

Charles bowed and faded into the back of the house, his duty having been discharged. Prince Albert Victor Christian Edward was a tall, good-looking young man with an impressive dark moustache, a neck so long and thin he had to wear exaggeratedly high collars to disguise the deformity, and the dullest eyes John Lachley had ever seen in a human face. He was twisting expensive grey kidskin gloves into shreds. He followed Lachley down the corridor into the study with jerky, nervous strides. John closed the door carefully, guided his star client to a chair, and poured him a stiff shot of brandy straight away. Albert Victor, known as Eddy to his most intimate friends—and John Lachley was by far the most intimate of Eddy's current friends—gulped it down in one desperate swallow, then blurted out his reason for arriving in such a state.

"I'm ruined, John! Ruined . . . dear God . . . you must help me, tell me what to do . . ." Eddy gripped Lachley's hands in desperation and panic. "I am undone! He can't be allowed to do this, you know what will become of me! Someone must stop him! If my grandmother should find out—dear Lord, she can't ever find out, it would destroy her good name, bring such shame on the whole family . . . my God, the whole government might go, you know what the situation is, John, you've told me yourself about it, the Fenians, the labor riots, what am I to do? Threats—threats!—demands for money or else ruination! Oh, God, I am destroyed, should word leak of it . . . Disgrace, prison . . . he's gone beyond his station in life! Beyond the bounds of civilized law, beyond the protection of God, may the Devil take him!"

"Your Highness, calm yourself, please." He pulled his hands free of Eddy's grip and poured a second, far more generous brandy, getting it down the distraught prince's throat. He stroked Eddy's absurdly long neck, massaging the tension away, calmed him to the point where he could speak coherently. "Now, then, Eddy. Tell me very slowly just exactly what has happened."

Eddy began in a shaken whisper, "You remember Morgan?"

Lachley frowned. He certainly did. Morgan was a little Welsh nancy boy from Cardiff, the star attraction of a certain high-class West End brothel right here on Cleveland Street, a boulevard as infamous for its homosexual establishments as it was famous for its talented artists, painters, and art galleries. Hard on the heels of learning that his ticket to fame and fortune and considerable political power was banging a fifteen-year-old male whore on Cleveland Street, he had drugged Eddy into a state of extreme suggestibility and sternly suggested that he break off the relationship immediately.

"What about Morgan?" Lachley asked quietly.

"I . . . I was indiscreet, John, I'm sorry, it's only that he was so . . . so damned beautiful, I was besotted with him . . ."

"Eddy," Lachley interrupted gently, "how, exactly, were you indiscreet? Did you see him again?"

"Oh, no, John, no, I wouldn't do that, I haven't been with him since you told me to stop seeing him. Only women, John, and you . . ."

"Then what did you do, Eddy, that was indiscreet?"

"The letters," he whispered.

A cold chill slithered down John Lachley's back. "Letters? What letters?"

"I . . . I used to write him letters. Just silly little love letters, he was so pretty and he always pouted so when I had to leave him . . ."

Lachley closed his eyes. Eddy, you stupid little bastard! 

"How many letters, Eddy?" The whiplash of his voice struck Eddy visibly.

"Don't hate me, John!" The prince's face twisted into a mask of terror and grief.

It took several minutes and a fair number of intimate caresses to convince the terrified prince that Lachley did not, in fact, hate him. When he had calmed Albert Victor down again, he repeated his question, more patiently this time. "How many letters, Eddy?"

"Eight, I think."

"You think? You must be certain, Eddy. It's very important."

Eddy's brow creased. "Eight, it must be eight, John, I saw him eight weeks in a row, you see, and I sent him a letter each week, then I met you and didn't need to see him any longer. Yes, it's eight letters."

"Very good, Eddy. Now, tell me what's happened to upset you so deeply about these eight letters."

"He wants money for them! A great deal of money! Thousands of pounds, John, or he'll send the letters to the newspapers, to the Scotland Yard inspectors who arrest men for crimes of sodomy! John, I am ruined!" Eddy covered his eyes with his hands, hiding from him. "If I don't pay him everything he wants . . ."

"Yes, yes, Eddy, he'll make the letters public and you will go to prison. I understand that part of the situation, Eddy, very thoroughly, indeed. Now then, how has he demanded payment? Where is the money to be delivered and who is to take it there?"

"You know I enjoy little jaunts in to the East End, occasionally, dressed as a commoner? So no one suspects my identity?"

Lachley refrained from making a tart rejoinder that Eddy was the only person in London fooled by those pitiful disguises. "Yes, what about your little trips?"

"I'm to take the money to him there, tomorrow night, alone. We're to meet at Petticoat Lane and Whitechapel Road, at midnight. And I must be there! I must! If I don't go, with a thousand pounds, he'll send the first letter to the newspapers! Do you realize what those newspapermen—what my Grandmother—will do to me?" He hid his face in his hands again. "And if I don't pay him another thousand pounds a week later, the second letter will go to the police! His note said I must reply with a note to him today, I'm to send it to some wretched public house where he'll call for it, to reassure him I mean to pay or he will post the first letter tomorrow."

"And when you pay him, Eddy, will he give you back the letters?"

The ashen prince nodded, his thin, too-long neck bobbing like a bird's behind the high collars he wore as disguise for the slight deformity, which had earned Eddy the nickname Collars and Cuffs. "Yes," he whispered, moustache quivering with his distress, "he said he would bring the first letter tomorrow night if he receives my note today, will exchange it for the money. Please, John, you must advise me what to do, how to stop him! Someone must make him pay for this!"

It took several additional minutes to bring Eddy back to some semblance of rationality again. "Calm yourself, Eddy, really, there is no need for such hysteria. Consider the matter taken care of. Send the note to him as instructed. Morgan will be satisfied that you'll meet him tomorrow with your initial payment. Lull him into thinking he's won. Before he can collect so much as a shilling of his blood money, the problem will no longer exist."

Prince Albert Victor leaned forward and gripped John's hands tightly, fear lending his shaking fingers strength. Reddened eyes had gone wide. "What do you mean to do?" he whispered.

"You know the energies I am capable of wielding, the powers I command."

The distraught prince was nodding. John Lachley was more than Eddy's lover, he was the young man's advisor on many a spiritual matter. Eddy relied heavily upon Dr. John Lachley, Physician and Occultist, touted as the most famous scholar of antiquities and occult mysteries ever to come up out of SoHo. And while most of his public performances—whether as Johnny Anubis, Whitechapel parlour medium or, subsequent to earning his medical degree, as Dr. John Lachley—were as fake as the infamous seances given by his greatest rival, Madame Blavatsky, not everything Dr. John Lachley did was trickery.

Oh, no, not by any means everything.

"Mesmerism, you must understand," he told Prince Albert Victor gently, patting Eddy's hands, "has been used quite successfully by reputable surgeons to amputate a man's leg, without any need for anesthesia. And the French are working the most wondrous marvels of persuasion one could imagine, making grown men crow like chickens and persuading ladies they have said and done things they have never said or done in their lives."

And in the parlour down the hall from this study, a homicidal Liverpudlian cotton merchant had just been spilling his darkest secrets under Lachley's considerable influence.

"Oh, yes, Eddy," he smiled, "the powers of mesmerism are quite remarkable. And I am, without modesty, quite an accomplished mesmerist. Don't trouble yourself further about that miserable little sod, Morgan. Contact him, by all means, promise to pay the little bastard whatever he wants. Promise him the world, promise him the keys to your grandmother's palace, for God's sake, just so long as we keep him happy until I can act. We'll find your letters, Eddy, and we'll get back your letters, and I promise you faithfully, before tomorrow night ends, there will be no more threat."

His oh-so-gullible, most important client gulped, dull eyes slightly brighter, daring to hope. "You'll save me, then? John, promise me, you will save me from prison?"

"Of course I will, Eddy," he smiled, bending down to plant a kiss on the prince's trembling lips. "Trouble yourself no more, Eddy. Just leave it in my capable hands."

Albert Victor was nodding, childlike, trusting. "Yes, yes of course I shall. Forgive me, I should have realized all was not lost. You have advised me so admirably in the past . . ."

Lachley patted Eddy's hands again. "And I shall continue to do so in future. Now then . . ." He walked to his desk, from which he retrieved a vial of the same medication he had given James Maybrick. Many of his patients preferred to consult with him in a more masculine and private setting such as his study, rather than the more public and softly decorated parlour, so he kept a supply of his potent little mixture in both locations. "I want you to take a draught of medicine before you leave, Eddy. You're in a shocking state, people will gossip." He splashed wine into a deep tumbler from a cut-crystal, antique Waterford decanter, stirred in a substantial amount of the powder, and handed the glassful of oblivion to Eddy. "Sip this. It will help calm your frayed nerves."

And leave you wonderfully suggestible, my sweet and foolish prince, for you must never recall this conversation or Morgan or those thrice-damned letters ever again. Eddy was just sufficiently stupid, he could well blurt out the entire thing some night after a drinking spree in the East End. He smiled as Eddy swallowed the drugged wine. Lachley's one-time public persona, Johnny Anubis, might have been little more than a parlour trickster who'd earned ready cash with the mumbo-jumbo his clients had expected—indeed, demanded. Just as his new clients did, of course.

But Dr. John Lachley . . .

Dr. Lachley was a most accomplished mesmerist. Oh, indeed he was.

He would have to do something about that drugged cotton merchant down the hall, of course. It wouldn't do to leave a homicidal maniac running about who could be associated with him, however innocently; but the man had mentioned an incriminating diary, so Lachley might well be able to rid himself of that problem fairly easily. A man could be hanged even for murdering a whore, if he were foolish enough to leave proof of the crime lying about. And James Maybrick was certainly a fool. John Lachley had no intention of being even half so careless when he rid the world of Eddy's blackmailing little Morgan.

His smile deepened as Prince Albert Victor Christian Edward leaned back in his chair, eyes closing as the drug that would leave him clay in Lachley's hands took hold, allowing him to erase all memory of that frightened, desperate plea:

Make him pay . . . ! 

Oh, yes. He would most assuredly make young Morgan pay.

No one threatened John Lachley's future and lived to tell the tale.

* * *

Senator John Paul Caddrick was a man accustomed to power. When he gave an order, whether to a senatorial aide or to one of the many faceless, nameless denizens of the world he'd once inhabited, he expected that order to be executed with flawless efficiency. Incompetence, he simply did not tolerate. So, when word that the hit he'd helped engineer at New York's exclusive Luigi's restaurant had failed to accomplish its primary objective, John Paul Caddrick backhanded the messenger hard enough to break cartilage in his nose.

"Imbecile! What the hell do you mean, letting that little bastard Armstrong get away? And worse, with my daughter! Do you have any idea what Armstrong and that vindictive little bitch will do if they manage to get that evidence to the FBI? My God, it was bad enough, watching Cassie turn my own daughter into a crusading, stage-struck fool! And now you've let her escape with enough evidence to electrocute the lot of us?"

The unfortunate lackey chosen to carry the bad news clutched at his nose. It bubbled unpleasantly as he whimpered, "I'm sorry, Senator, we sent six men to your daughter's apartment, ten into that restaurant! Who'd have figured Armstrong was such a slippery snake? Or that your kid would leave the table just before the hit went down?"

John Caddrick vented his rage with another backhand blow, then paced the dingy little hotel room, muttering curses under his breath and trying to figure out what that little bastard Armstrong would do next. High-tail it to the FBI? Maybe. But with Jenna Nicole in tow? Armstrong was good at disguises—as John Caddrick had discovered, much to his chagrin—but Jenna was instantly recognizable. If they tried to go anywhere near the New York FBI offices, the men he and Gideon Guthrie had hired would nail them. The trouble was, Armstrong was bound to realize that. No, that meddlesome bastard would attempt getting them both out of the city. But how? And where would the detective go? Armstrong was more than smart enough to know they'd be watching the bus stations, the airports, the car rental agencies, the ferry launches, anything and everything that offered a way out of the city.

Caddrick swore explosively again. Dammit! After everything he'd worked to achieve, with the timetable counting down to the final few days, along comes that goddamned, nosy bastard Armstrong. . . . He paused in his pacing. Armstrong knew that timetable, knew enough of it, anyway, to calculate their next major move. And the rat-assed little detective was a Templar, too, same as the senator's worthless daughter and now-deceased sister-in-law. If Armstrong and Jenna Nicole didn't try to rescue the next target slated to die, John Caddrick didn't know Templars.

"They'll go to TT-86," Caddrick muttered under his breath. "Get your butt onto that station with a hand-picked team. I want Armstrong dead."

"And your daughter?" the lackey quavered.

John Paul Caddrick shut his eyes, hating Cassie Tyrol for turning his daughter against him, for bringing her into this mess, for showing her the evidence. . . . And John Caddrick's employers would demand blood. At this stage, security leaks had to be plugged. Fast. Regardless of whose family got in the way. So he snarled out, "I won't by God let anybody screw this up. Not as close as we've come!"

Speaking through a handful of blood, the messenger asked, "Same M.O. as Luigi's?"

"Hell, yes!" He ran a distracted hand through his hair. "We've already got Ansar Majlis on station, thank God. Infiltrated 'em into that construction crew weeks ago. The second your team sets foot on that station, I want them activated. Major blowup. Whatever it takes to make it look good."

"Yes, sir."

"Well, don't just stand there, goddammit! Move!"

The lackey scrambled for the door.

John Caddrick yanked open the hotel room's wet bar and upended an entire, miniature bottle of scotch, then hurled the empty against the wall. The thing didn't even have the decency to shatter. It just bounced off. His ragged temper left a considerable hole in the drywall above the television set, along with a broken lamp and three overturned chairs. Damn that meddling detective! And God damn that brainless bitch, Cassie Tyrol! His only child . . . who'd never quite forgiven him for all the missed birthday parties and recitals and graduation ceremonies, stranded on the campaign trail or conducting Congressional business . . .

But there wasn't a stinking, solitary thing he could do to save his little girl. And once Jenna knew the truth, Caddrick's ungrateful wretch of a daughter would do whatever it took to see her own father behind bars. If he wanted to keep his butt out of the electric chair, he'd better make damned sure she died. And before this business was done, Noah Armstrong would bitterly regret having ever interfered in Caddrick's business. The senator ripped out another savage oath, then stalked out of the hotel.

Cassie had finally been paid in full for the trouble she'd caused.

All that remained now was to finish the job.

 

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Framed


Title: Ripping Time
Author: Linda Evans & Robert Asprin
ISBN: 0-671-57867-7
Copyright: © 2000 by Linda Evans & Robert Asprin
Publisher: Baen Books
- Chapter 2

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Chapter Two

Of all the souls wandering the Commons of Time Terminal Eighty-Six, none felt as out of place Skeeter Jackson. He wasn't lost, which was more than he could say of three-quarters of the people around him. But his status was so changed, he couldn't help but reflect wryly on how odd it was to be trundling a heavy cart stencilled "Station Maintenance" through Edo Castletown, past crowds of kimono-clad tourists jostling elbows with Victorian gents and bustled ladies and a few forlorn, middle-aged men with paunches, bald knees, and Roman tunics.

Confidence man to bathroom-cleaning man wasn't quite the transition Skeeter had hoped for, when he'd decided to give up his life of petty crime. There wasn't much glamor in a cart full of mops, detergent bottles, and vending-machine supplies. On the other hand, he did not miss having to dodge station security every ten minutes, or sweating bullets every time some chance acquaintance glanced his way. And while he didn't eat high on anybody's hog, at least he didn't regularly miss meals, any more, thanks to the uncertainty of a pickpocket's income.

Skeeter was very glad he'd switched careers. But he wasn't quite used to it yet.

A wry smile tugged at the corners of his mouth. As confused as he sometimes felt, the other up-time residents were goggle-eyed with shock to find La-La Land's most notorious confidence artist walking the straight and narrow, working the first honest job of his life. It had only taken an act of God and Ianira Cassondra to get him that job. But he couldn't have continued in his old career, not after the pain his greed and stupidity had caused the only friends he possessed in the world. He frequently marveled that he still possessed any friends at all. Never mind ones close enough to help him start his life over again. After what Skeeter had done, he wouldn't have blamed Marcus and Ianira if they'd never spoken to him again. Whatever their reasons, he wouldn't let them down.

As Skeeter maneuvered his cart through the bustling hoards of eminently lost humanity trying to find their way back to hotels, to restaurants that were impossible to find in the station's sprawling maze, or simply standing still and screaming for junior at the top of panic-stricken lungs, the public address system came to life from speakers five stories overhead. "Your attention, please. Gate One is due to open in three minutes. All departures, be advised that if you have not cleared Station Medical, you will not be permitted to pass Primary. Please have your baggage ready for customs inspection by agents of the Bureau of Access Time Functions, who will assess your taxes due on downtime acquisitions . . ."

A familiar voice, the sound of friendship in the middle of all the chaos, sounded at his ear. "Double gate day, yes?"

Startled, Skeeter turned to find Ianira Cassondra smiling up at him.

"Ianira! What are you doing up here in Edo Castletown?" The lovely cassondra of ancient Ephesus could usually be found at her kiosk down in Little Agora, surrounded by her adoring up-time acolytes. Ianira's self-proclaimed worshipers flocked to TT-86 by the thousands each year, on pilgrimage to honor the woman they considered the Goddess incarnate on earth.

Ianira, blithely ignoring the adoring worshippers who trailed her like pilot fish in the wake of an ancient schooner, swept long strands of glossy, raven's-wing hair back from her forehead. "I have been to visit Kit Carson, at the Neo Edo. The Council of Seven asked him to participate in the Festival of Mars next week."

Kit Carson, the planet's most famous and successful individual ever to enter the business of scouting the gates through time, had retired to TT-86. Having pushed most of the famous tour gates now operating through the terminal, Kit Carson was one of the station's major tourist draws, in his own right, despite his status as essentially a recluse who had vowed never to return to that up-time world again. Skeeter, however, steered clear of Kit whenever possible, on general principle. He tended to avoid the older male relatives of any girl he'd tried to finagle into bed with him. Kit, he avoided even more cautiously than others. Kit Carson could seriously cripple a man, just looking crosswise at him. The day Kit had hunted him down and read him the riot act about staying away from Kit's granddaughter, Skeeter would've welcomed a double-gate day. He'd have crawled through an unstable gate, if one had been available, by the time Kit had finished with him.

Skeeter smiled ruefully. "Double gate day, is right. And I've got this funny feeling we'll be neck deep in lunatics before the day's over. First Primary, then Britannia, and tomorrow, another double gate day."

"Yes," Ianira nodded. "The Wild West Gate opens tomorrow."

"And that new tour gate they're ripping half the station apart over, adding to the Commons."

"At least, there won't be any tourists coming through for it, yet," Ianira smiled.

"No. For now, it's the Britannia tours, packing in the loons. In record numbers." He shook his head. "Between your acolytes and all those crazies coming in for the Ripper Season, this place is turning into the biggest nuthouse ever built under one roof. And those Scheherazade Gate construction workers . . . eergh!" He gave a mock shudder. "What slimy boulder did they turn over, hiring that bunch of thugs?"

As Ianira fell into step alongside Skeeter's push cart, she glanced up with a reproachful glint in her eyes. "You must not be so irritated by the construction workers, Skeeter. Most of them are very good men. And surely you, of all up-timers on station, must understand their beliefs and customs are different? As a down-timer, I understand this very well."

"Oh, I understand, all right. But some of the guys on the Scheherazade Gate crew are throwbacks to the dark ages. Or maybe the Stone Ages. Honestly, Ianira, everybody on station's had trouble with some of them."

She sighed. "Yes, I know. We do have a problem, Skeeter. The Council of Seven has met about them, already. But you, Skeeter," she changed the subject as they navigated a goldfish pond with its ornate bridge and carefully manicured shrubbery, "you are ready for the Britannia? There are only seven hours left. Your case is packed? And you will not be late?"

Skeeter let go the heavy handle of his push cart with one hand and rubbed the back of his neck in embarrassment. "Yes, I'm packed and ready. I still can't believe you pulled off something like that." About seven hours from now, the first official Ripper Watch tour of the season was scheduled to arrive in London, on the very evening of the first murder officially attributed to Jack the Ripper. And thanks to Ianira, Skeeter would spend the next eight days in London, courtesy of Time Tours, working the gate as a baggage porter. Hauling suitcases wasn't the world's greatest job either; but carrying rich tourists' luggage beat hell out of scrubbing La-La Land's bathrooms for a living. He'd been doing that for weeks, now. And Ripper Watch Tour tickets were selling for five-digit figures on the black market, when they could be found at all. Every one of the Ripper tours had been sold out for over a year.

Skeeter rubbed his nose and smiled wryly. "Time Tours baggage porter. Who'd've believed that, huh? They never would've trusted me, if you hadn't offered to replace anything that went missing on my watch."

"They will learn," she said firmly, giving him a much-needed boost of confidence. Ianira rested a hand on his arm. "You will do well, Skeeter. But will you try to go with the scholars? To see who is this terrible man, the Ripper?"

Skeeter shook his head. "No way. The videotapes will be bad enough."

"Yes," Ianira said quietly. "I do not wish to see any of them."

"Huh. Better avoid Victoria Station, then," Skeeter muttered as he bumped his cart across the division between Edo Castletown and Victoria Station, the portion of Commons which served the Britannia Gate. Bottles of cleaning solution rattled and boxes of toilet paper rolls, feminine supplies, and condoms (latex, spray-on, and natural for those going to appropriate down-time destinations) bounced and jiggled as he shoved the cart across the cobblestones. Mop handles sticking out the top like pungee stakes threatened tourists too slow to dodge—and on every side, pure-bred lunatics threatened everything in sight, including Skeeter and his awkward cart.

"God help us," Skeeter muttered, "Ripper Watch Season is really in full swing."

Ripperoons had come crawling out of the woodwork like swarming termites. So had the crazies preying on them. Saviors of the Gates, convinced the Savior would appear through one of the temporal gates . . . the Shifters, who drifted from station to station seeking Eternal Truth from the manifestations of unstable gates . . . Hell's Minions, whose up-time leader had convinced his disciples to carry out Satan's work with as many unsuspecting tourists and down-timers as possible . . . and, of course, the Ripper Cults.

Those were visible everywhere, holding hand-scrawled signs, peddling cheap literature and ratty flowers, hawking cheap trinkets in the shape of bloody knives. Most of them carried as sacred talismans the authentic surgical knives Goldie Morran was selling out of her shop, and all of them were talking incessantly in a roar of excited conversation about the one topic on everyone's mind.

"Do you suppose they'll catch him?"

"—listen, my brothers, I tell you, Jack is Lord, traveling to this world from another dimension to show us the error of our sins! Repent and join with Jack to condemn evil, for He cannot die and He knows the lust in your hearts—"

"No, how can they catch him, no one in 1888 ever discovered who he was."

"—I don't care if you do have a ticket for the Britannia, you can't take that surgical knife with you, it's against BATF rules—"

"—let the Sons of Jack show you the way to salvation! Condemn all whores and loose women! A whore is the downfall of righteousness, the destruction of civilization. Follow the example of Jack and rid our great society of the stain of all sexual activity—"

"Yes, but they're putting video cameras at all the murder sites, so maybe we'll find out who he was, at least!"

"—somebody ought to confiscate all those goddamned knives Goldie's selling, before these loons start cutting one another up like Christmas turkeys—"

"—a donation, please, for Brother Jack! He will come to Shangri-La to lead us into the paths of truth. Support his good works with your spare change—"

"A hundred bucks says it's that crazy cotton merchant from Liverpool, what's-his-name, Maybrick."

"Go back up time, you sick lunatics! What kind of idiots are you? Jack the Ripper, an alien from another planet—?"

"Hah! Shows what you know! A hundred-fifty says it was the Queen's personal physician, Sir William Gull, hushing up the scandal over Victoria's grandson and his secret marriage, you know, the Catholic wife and daughter!"

"—you want me to what? I'm not following Brother Jack or anybody else in a crusade against evil. My God, mister, I'm an actress! Are you trying to put me out of work?"

"—help us, please, Save Our Sisters! S.O.S. is determined to rescue the Ripper's victims before he can strike, they're so unimportant, surely we can change history just this once—"

"Oh, don't tell me you bought that Royal Conspiracy garbage? There's absolutely no evidence to support that cockamamie story! I tell you, it's James Maybrick, the arsenic addict who hated his unfaithful American wife!"

"—all right, dump that garbage into the trash bin, nobody wants to read your pamphlets, anyway, and station maintenance is tired of sweeping them up. We've got parents complaining about the language in your brochures, left lying around where any school kid can find them—"

"No, you're both wrong, it's the gay lover of the Duke of Clarence, the queen's grandson, the tutor with the head injury who went crazy!"

Skeeter shook his head. La-La Land, gone totally insane. Everyone was trying to outguess and out-bet one another as to who the real Ripper would turn out to be. Speculation was flying wild, from genuine Scotland Yard detectives to school kids to TT-86's shop owners, restauranteurs, and resident call girls. Scholars had been pouring into the station for weeks, heading down time to cover the biggest murder mystery of the last couple of centuries. The final members of the official Ripper Watch team had assembled three days ago, when Primary had last cycled, bringing in a couple of dandified reporters who'd refused to go down time any sooner than absolutely necessary and a criminal sociologist who'd just come back from another down-time research trip. They'd arrived barely in time to make the first Ripper murder in London. And today, of course, the first hoard of tourists permitted tickets for the Ripper Season tours would be arriving, cheeks flushed, bankrolls clutched in avaricious hands, panting to be in at the kill and ready to descend on the station's outfitters to buy everything they'd need for eight days in London of 1888.

"Who do you think it is?" Ianira asked, having to shout over the roar.

Skeeter snorted. "It's probably some schmuck nobody's ever heard of before. A sick puppy who just snapped one day and decided to kill a bunch of penniless prostitutes. Jack the Ripper wasn't the only madman who ripped up women with a knife, after all. The way those Ripperologists have been talking, there were hundreds of so-called `rippers' during the 1880s and 1890s. Jack was just better with his PR, sending those horrible letters to the press."

Ianira shuddered, echoing Skeeter's own feelings on the subject.

If Skeeter had still been a betting man, he might have laid a few wagers, himself. But Skeeter Jackson had learned a very harsh lesson about making wagers. He'd very nearly lost his home, his life, and his only friends, thanks to that last ill-considered, ruinous wager he'd made with Goldie Morran. He'd finally realized, very nearly too late, that his life of petty crime hurt a lot more people than just the rich, obnoxious tourists he'd made a living ripping off. For Skeeter, at any rate, ripping time was over. For good.

Unfortunately, for the rest of La-La Land, it was just getting started.

As though on cue, the station's PA system crackled to life as Primary cycled open. The station announcer blared out instructions for the newly arriving tourists—and at Skeeter's side, Ianira Cassondra faltered. Her eyes glazed in sudden pain and a violent tremble struck her, so hard she stumbled against him and nearly fell.

"Ianira!" He caught and held her up, horrified by the tremors ripping through her. All color had drained from her face. Ianira squeezed shut her eyes for a long, terrifying moment. Then whatever was wrong passed. She sagged against him.

"Forgive me . . ." Her voice came out whispery, weak.

He held her up as carefully as he would've held a priceless Ming vase. "What's wrong, Ianira, what happened?"

"A vision," she choked out. "A warning. Such power . . . I have never Seen with such power, never have I felt such fear . . . something terrible is to happen . . . is happening now, I think . . ."

Skeeter's blood ran cold. He didn't pretend to understand everything this seemingly fragile woman he braced so carefully was capable of. Trained in the ancient arts of the Temple of Ephesus as a child, some twenty-five hundred years before Skeeter's birth, Ianira occasionally said and did things that raised the hair on the back of Skeeter's neck. Ianira's acolytes, who followed her everywhere, pressed closer, exclaiming in worry. Those farther back, unable to see clearly, demanded to know what was wrong.

"Dammit, get back!" Skeeter turned on the whole lot of them. "Can't you see she needs air?"

Shocked faces gawped at him like so many fish, but they backed away a few paces. Ianira sagged against him, trembling violently. He guided her toward a bench, but she shook her head. "No, Skeeter. I am fine, now." To prove it, she straightened and took a step under her own power, wobbly, but determined.

Worried acolytes formed a corridor for her. Skeeter glared silently at them, guiding her by the elbow, determined not to allow her to fall. Speaking as quietly as possible, in the probably vain hope their vid-cams and tape recorders wouldn't pick up the question, he murmured, "What kind of vision was it, Ianira?"

She shivered again. "A warning," she whispered. "A warning of dark anger. The darkest I have ever touched. Violence, terrible fear . . ."

"Sounds like everyday life, up time." He tried to make light of it, hoping to make her smile.

Ianira, the gifted Cassondra of Ephesus, did not smile. She shuddered. Then choked out, "It is from up time the danger comes."

He stared down at her. Then a prickle ran up his back. It occurred to him that Primary had just cycled. Skeeter narrowed his eyes, gazing off toward the end of Commons where Primary precinct would be filled with tourists shoving their way into the station. Screw the bathroom floors. I'm not letting her out of my sight. 

They reached the junction between five of the terminal's major zones, a no-man's land where the corners of Urbs Romae and Victoria Station ran into El Dorado, Little Agora, and Valhalla, not too far from the new construction site where the Arabian Nights sector was going up. It was there in that no-man's land, with Ianira's acolytes making it impossible to see for any distance, that Skeeter heard the first rumbles. An angry swell of voices heralded the approach of trouble. Skeeter glanced swiftly around, trying to pin down the source. It sounded like it was coming from two directions at once—and was apparently triangulating straight toward them.

"Ianira . . ."

Four things occurred simultaneously.

Tourists screamed and broke into a dead run. A full-blown riot engulfed them, led by enraged construction workers shouting in Arabic. A wild-eyed young kid burst through the crowd and yelled something that sounded like, "No! Aahh!"—then pointed an enormous black-powder pistol right at Skeeter and Ianira. Gunfire erupted just as someone else lunged out of the crowd and swept Ianira sideways in a flying tackle. The blow slammed her against Skeeter, knocked them both sideways. They crashed to the floor. The maintenance cart toppled, spilling ammonia bottles, mop handles, and toilet paper rolls underfoot. Screams and alarm klaxons deafened him. Skeeter rolled awkwardly under running feet and came to his hands and knees, searching wildly for Ianira. He couldn't see her anywhere. Couldn't see anything but fleeing tourists and spilled cleaning supplies and embattled construction workers. They were locked in hand-to-hand combat with Ianira's howling acolytes.

"Ianira!"

He gained his feet, was rocked sideways by a body blow as a cursing construction worker smashed into him. They both went down. Skeeter's skull connected with El Dorado's gold-tinted paving stones. He saw stars, cursed furiously. Before he could roll to his hands and knees again, security killed the station lights. The entire Commons plunged into utter blackness. Shrieking riot faded to an uncertain roar. Somebody stumbled over Skeeter in the darkness, tripped and went down, even as Skeeter clawed his way back to his feet.

"Ianira!"

He strained for any sound of her voice, heard nothing but the sobs and cries of frantic tourists, maddened acolytes, and screaming, erstwhile combatants. Somebody ran past him, with such purpose and certainty it could only be security. They must be using that night-vision equipment Mike Benson had ordered before the start of Ripper Season. The riot helmets had their own infrared light-sources built in, for just this kind of station emergency. Then the lights came up and Skeeter discovered himself hemmed in by a solid wall of security officers, armed with night sticks and handcuffs. They waded in, cuffing more rioters, breaking up combatants with scant regard for who was attempting to throttle whom. "Break it up! Move it—"

Skeeter peered wildly through the crowd, recognized the nearest officer. "Wally! Have you seen Ianira Cassondra?"

Wally Klontz stared at him, visibly startled. "What?"

"Ianira! Some crazy kid shot at us! Then somebody else knocked us both down and now she's missing!"

"Oh, Jeezus H., that's all we need! Somebody taking pot-shots at the most important religious figure of the twenty-first century!" A brief query over Wally's squawky produced a flat negative. Nobody from security had seen her, anywhere.

Skeeter let loose a torrent of fluent Mongolian curses that would've impressed even Yesukai the Valiant. Wally Klontz frowned and spoke into the squawky again. "Station alert, Signal Eight-Delta, repeat, Signal Eight-Delta, missing person, Ianira Cassondra. Expedite, condition red."

The squawky crackled. "Oh, shit! Ten-four, that's a Signal Eight-Delta, Ianira Cassondra. Condition red. Expediting."

More sirens hooted insanely overhead, a shrieking rhythm that drove Skeeter's pulse rate into the stratosphere and left his head aching. But the pain in his head was nothing to the agony in his heart. Wally let him pass the security cordon around the riot zone, then he fought his way clear of the riot's fringe, searching frantically for a flash of white Ephesian gown, the familiar gloss of her dark hair. But he couldn't find her, not even a trace. Skeeter bit his lip, shaking and sick. He had allowed the unthinkable to happen. Someone wanted Ianira Cassondra dead. And whoever that someone was, they had snatched her right out of his grasp, in the middle of a riot. If they killed Ianira . . .

They wouldn't get out of Shangri-La Station alive.

No one attacked the family of a Yakka Mongol and lived to boast of it.

Skeeter Jackson, adopted by the Khan of all the Yakka Mongols, a displaced up-time kid who had been declared their living bogda, spirit of the upper air in human form, the child named honorary uncle to an infant who one day would terrorize the world as Genghis Khan, had just declared blood feud.

* * *

Margo Smith glanced at her wristwatch for the tenth time in three minutes, fizzing like a can of soda shaken violently and popped open. Less than seven hours! Just seven more hours and she would step through the Britannia Gate into history. And, coincidentally, into her fiancé's arms. She could hardly wait to see Malcolm Moore's face when she showed up at the Time Tours gatehouse in London, guiding the final contingent of the Ripper Watch Team. Malcolm had been in London for a month, already, acclimating the other Ripper Watch Team members. Margo hadn't lived through four longer, lonelier weeks since that gawdawful misadventure of hers in southern Africa, going after Goldie Morran's ill-fated diamonds.

But she'd learned her lessons—dozens of them, in fact—and after months of the hardest work she'd ever tackled, her gruelling efforts had finally paid off. Her grandfather was letting her go back down time again. And not through just any old gate, either. The Britannia! To study the most famous murder mystery since the disappearance of the Dauphin during the French Revolution. All that stood between her and the chance to earn herself a place in scholarly history—not to mention Malcolm Moore's embrace—was seven hours and one shooting lesson.

One she dreaded.

The elite crowd gathered in the time terminal's weapons range talked nonstop in a fashion unique to an assemblage of late-arriving wealthy tourists, world-class scholars, and self-important reporters—each hotly defending his or her own pet theories as to "whodunnit." They ignored her utterly, even when she stuffed earmuffs and lexan-lensed safety glasses into their gesticulating, waving hands. Most of the students stationed along the firing line were tourists holding ordinary tickets, many of them for the Wild West tour set to leave tomorrow.

The Denver-bound tourists, headed for some sort of action cowboy shoot down time, cast envious glances at the lucky ones who'd managed to beg, borrow, buy, or steal Ripper Watch tickets. Those were Margo's new charges, although they didn't know it yet. The mere tourists heading for London, Margo ignored. Her attention was focused on the three individuals with whom she would be spending the next three solid months, as their time guide.

Dominica Nosette, whose name, face, and body seemed quintessentially French, yet who was as staidly British as kippers and jellied eels, was chattering away with her partner Guy Pendergast. And Shahdi Feroz . . . Margo gulped, just approaching Dr. Feroz where she stood locked in conversation with a Ripper Watch tourist at the next lane over. Dr. Feroz had spent the past four months studying the rise of cults and cult violence in Imperial Rome, through the Porta Romae. At previous training classes like this one, Margo had met all the other team members now in London, before they'd left the station with Malcolm. But none of the others possessed the credentials or the fieldwork record Shahdi Feroz did. Not even the team's nominal leader, Conroy Melvyn, a seedy-looking Englishman who bore the impressive title of Scotland Yard Chief Inspector.

Looking as Persian as her name and voice sounded, Dr. Feroz awed Margo. Not only was she exotic and beautiful in a way that made Margo feel her own youth and inexperience as keenly as a Minnesota winter wind, Shahdi Feroz was absolutely brilliant. Reading Dr. Feroz' work, virtually all of it based on first-hand study of down-time populations, reminded Margo of what she'd seen in New York during her agonizing, mercifully short stay there, and of things she'd seen during her few, catastrophic trips through TT-86's time gates. Not to mention—and she winced from the memory—her own childhood.

Margo's lack of education—a high-school GED and one semester of college which Kit had arranged for up time, augmented with months of intensive study on the station—caused her to stammer like a stupid schoolgirl with stagefright. "Dr. Feroz. Your, uh, safety goggles and muffs, earmuffs, I mean, for your ears, to protect them . . ." Oh, for God's sake, stop shaking, Margo! 

"Thank you, my dear." The inflection of dismissal in her voice reduced Margo to the status of red-faced child. She fled back down the line of shooting benches, toward Ann Vinh Mulhaney, resident projectile weapons instructor, and the reassuring familiarity of a routine she knew well: preparing for a shooting lesson. Ann, at least, greeted her with a warm smile.

"So, are you all set for London?"

"Oh, boy, am I just! I've been packed for two whole days! I still can't believe Kit managed to swing it with Bax to let me go!" She had no idea what it had taken to convince Granville Baxter, CEO of Time Tours, Inc. on station, to give Margo that gate pass. And not just a one-cycle pass, either, but a gate pass that would let her stay the entire three months of East End Ripper murders.

Ann chuckled. "Grandpa wants you to get some field experience, kid."

Margo flushed. "I know." She glanced at the journalists, at the woman whose scholarly work was breaking new ground in the understanding of the criminal mind in historical cultures. "I know I haven't really got enough experience to guide the Ripper Watch Team through the East End. Not yet, even though I've been to the East End once." That trip, and her own greenhorn mistakes, she preferred not to remember too closely. "But I'll get the experience, Ann, and I'll do a good job. I know I can do this."

Ann ruffled Margo's short hair affectionately. "Of course you can, Margo. Any girl who could talk Kit Carson into training her to become the world's first woman time scout can handle mere journalists and eggheads. Bet Malcolm will be happy to see you, too," Ann added with a wink.

Margo grinned. "He sure will! He'll finally have somebody else to send on all the lousy errands!"

Ann laughed. "Let's get this class started, shall we?"

"Right!"

Margo needed to prove to Ann, to Kit, and to Malcolm that she was capable of time scouting. And—perhaps most importantly—Margo needed to prove it to herself. So she dredged up a bright smile to hide her nervousness, hoped she didn't look as young as she felt in such illustrious, enormously educated company, and wondered if the team members could possibly take seriously a hot-headed, Irish alley-cat of a time guide who'd just turned seventeen-and-a-half last week . . .

Her smile, which had been known to cause cardiac arrest, was one of the few weapons currently available in her self-defense arsenal, so she dredged up a heart-stopping one and got to work. "Hi! Is everybody ready to get in some weapons practice?"

Heads swivelled and Margo was the abrupt focus of multiple, astonished stares.

Oh, Lordy, here we go. . . . "I'm Margo Smith, I'll be one of your time guides to London—"

"You?" The sound was incredulous, just short of scathing. Another voice from further down the line of shooting benches said, "What high school is that kid playing hooky from?"

Margo's face flamed. So did her temper. She bit down on it, though, and forced a brittle smile. Ann Mulhaney, the rat, just stood off to one side, waiting to see how she handled herself. Oh, God, another test. . . . One she'd better pass, too, drat it. So Margo ignored the incredulous looks and scathing remarks and simply got on with the job. "Most of the other guides are already in London," she said firmly. "I've been assigned the job of shepherding you through weapons training, so let's get organized, shall we? We've got a lot to do. Everyone's signed in, been assigned a lane and a shooting partner? Yes? Good. We'll get started, then."

Dominica Nosette interrupted, in a voice acid enough to burn holes through solid steel. "Why d'you insist we learn to shoot? It isn't proper, isn't decent, handling such things. I'm a photojournalist, not some macho copper swaggering about and giving orders with a billycock, nor yet some IRA terrorist. I'm not about to pick up one of those nasty things."

Hoo boy, here we go . . . 

Margo said as patiently as possible—which wasn't very—"You don't have to carry one with you. But you will have to pass the mandatory safety class if you want to be a part of the Ripper Watch Team. Not my rules, sorry, but I will enforce them. London's East End is a very dangerous neighborhood under the best of conditions. We're going into areas that will be explosive as a powderkeg. Tempers will be running hot. In the East End, gangs of thieves and cutthroat muggers routinely knife prostitutes to death, just to steal the few pence in their pockets. Any stranger will be singled out by suspicious minds—"

"Oh, sod off, I've never needed a gun, not on a single one of my photo shoots, and I've trailed mob hit men!"

Oh, man, it's gonna be a long three months . . . 

Margo steeled herself to keep smiling if it killed her, and vowed to cope. "Ms. Nosette, I am fully aware of your credentials. No one is questioning your status as a competent journalist. But you may not appreciate just how dangerous it's going to be for us, even for the team members born in England, trying to blend in with Victorian East End Londoners. It's your right to choose not to carry a personal weapon. But the rules of the Ripper Watch Team are clear. You must be familiar with their use, because many of us will be carrying them. And the more you know about the kind of gun some Nichol-based gang member pulls on you, the more likely you'll be to survive the encounter—"

"Miss Smith," Dr. Shahdi Feroz interrupted gently, "I am sorry to disagree with you, but I have been to London's East End, several years ago. Most of the Nichol gangs did not carry guns. Straight razors were the weapon of choice. So popular, laws against carrying them were suggested by London constables, even by Parliament."

Margo was left with her mouth hanging open and blood scalding her cheeks until her whole face hurt. She wanted desperately to dig a hole through the concrete floor with the toe of her shoe and crawl down through it, pulling the top in after herself. Before she could recover her shattered composure, never mind think of anything to say that wouldn't sound completely witless, the station's alarm klaxons screamed out a warning that shook through the weapons range like thunder. Margo gasped, jerking her gaze around.

"What's going on?" Dominica Nosette demanded.

"Station emergency!" Margo shouted above the strident skronkk! Ann had already bolted toward her office. Margo was right behind, literally saved by the bell. Oh, God, how'm I ever gonna face that bunch again? Ann flung open her office door, snatched up the telephone, dialed a code that plugged her into the station's security system. Margo crowded in, then barricaded the doorway so tourists and the Ripper Watch Team couldn't barge in, as well. A moment later, Ann hung up, white-faced and shaken. "There's been a shooting! Skeeter and Ianira! Security's just put out a station-wide alarm. Ianira's missing! And there's a station riot underway!"

Her voice carried out through the doorway to the milling throng of tourists and Ripperologists. For one agonizing second, indecision crucified Margo. Ianira was a friend, a good friend, but Margo had a job to do here. And no matter how desperately she wanted to run from her own embarrassing mistake, she had to finish that job.

Dominica Nosette and Guy Pendergast, however, showed no such hesitation.

They grabbed equipment bags and ran.

"Margo! Go after those idiots!" Ann was already striding toward the exit, blocking the way with her body. "Nobody else leaves this range, is that clear? Nobody!" Diminuitive as she was, none of the others challenged her. They'd all seen her shoot. And nobody wanted to face down the Royal Irish Constabulary revolvers she abruptly clutched in either hand, rather than wearing benignly in twin holsters.

Margo, however, broke and ran, pounding up the stairs after the fleeing British reporters. "Hey! Wait!" Yeah, like they're really gonna stop just because I said so . . . 

They didn't even slow down.

Seconds later, Margo—hard on their heels and gaining ground—emerged straight into chaos. A seething mass of frightened, confused tourists tried to rush in fifty-eleven directions at once, kids crying, women shouting for husbands, fathers grimly dragging youngsters toward anything that promised shelter. The awesome noise smote Margo like a physical blow, a fist made up of alarm klaxons, medi-van sirens, and screaming, shouting voices. Security squads raced past. Officers were jamming riot helmets on, even as they ran.

Margo's AWOL reporters surged right into the thick of utter chaos, dragging out cameras and recorders on the fly and pounding along in the wake of security. Margo swore under her breath and darted after them. She was small enough to dodge and weave with all the skill of a trained acrobat. An instant later, however, total darkness crashed down, engulfing the whole Commons. Margo skidded to a halt—or tried to, anyway. She caromed into at least half-a-dozen shrieking people before she managed to stop her headlong rush. Sobs of terror rose on every side. The insane wail of the klaxons shook through the darkness.

Margo stood panting in a film of sweat. The hair on her arms stood starkly erect. Unreasoning fear surged. Booted feet pounded past through the total blackness, startling Margo until she realized those odd helmets she'd seen security putting on were Mike Benson's new night-vision helmets. What seemed hours, but couldn't have been longer than a few minutes later, the lights started coming back up, moving gradually inward from the far edges of Commons. Margo blinked as the overhead lights flickered back to life in banks, illuminating Edo Castletown at one far end of the station and the Anachronism's Camelot sector and Outer Mongolia at the other end, around several twists and turns where Commons snaked through the massive cave system into which TT-86 had been built.

Tourists clung to one another, badly shaken. Margo searched the crowd for her charges and finally caught a glimpse of purposeful movement. The Ripper Watch reporters were on the move again. She swore in gutter Latin that would've shocked Cicero and pounded after them. "Are you crazy?" she demanded, catching up at last. "You can't go in there!"

Dominica Nosette flashed her a pitying smile. "Love, never tell a reporter what she can't do—can't is one word we don't understand."

Then they reached the zone of destruction. They'd beat SLUR-TV, the in-station televison news crew, to the punch. Dominica and Guy started filming steadily on every side as more reporters arrived, trailing cameras and lights and microphones. Then Margo caught her first glimpse of the blood and the broken bones.

Oh, my God . . . 

While the newsies interviewed shaken eyewitnesses, station security zipped up a body bag with an extremely deceased individual inside. It wasn't the first time Margo had seen a dead person. Not even the second. And her mother's murder had been far more brutal a shock. But blood had stained the golden "bricks" of El Dorado's floor, leaking down between the paving stones in rivulets and runnels, where Margo had never expected to see it. And if that glimpse into the body bag had been accurate, the dead man had been shot in the face, point-blank.

With a very large caliber firearm.

What in God's name happened up here? 

Margo began to tremble violently as the remembered smell of burnt toast and spreading, stinking puddles of blood smashed into her from her own childhood, from that long-ago morning when it had been her mother's body zipped up and carted out, and her father led away in handcuffs. . . . She wrapped both arms around herself, biting her lips to keep them from shaking. Violence like this happened in places like New York or London or even Minnesota, where drunkards beat their wives to death. But murder wasn't supposed to happen in a place like La-La Land, not where happy tourists gathered for vacations of a lifetime, where residents pursued dreams that came true every single day, where delightful amounts of money changed hands and everybody had fun in the process. Margo discovered she'd pressed the back of her hand against her mouth, unable to drag her gaze away from the macabre load as security carried away the grey zippered bag with the remains of a stranger inside.

Who is he? she wondered grimly. Or, rather, who had he been? He hadn't been dressed in a tourist costume, or as one of those construction workers building the new section of the station. More than a dozen of the Arabian Nights crewmen, bruised and bleeding, were being dragged off in handcuffs. Then station medical arrived, having to fight their way past newsies filming white-faced, bleeding, dazed survivors. Among the worst injured were the Lady of Heaven Templars, members of the cult which had singled out Ianira as their prophetess. And Ianira was missing, might be dead. . . . Ugly cuts, swollen bruises, and visibly broken bones had so badly injured more than a dozen Templars, medi-vans were required to rush them out of the riot zone.

"Margo!"

She stumbled around, dazed, and found her grandfather cutting through the crowd like an ice-breaking ship plowing through arctic seas. Margo ran to him, threw her arms around him. "Kit!"

Her grandfather hugged her close for a long moment, then murmured, "Hey, it's over, Imp, what's wrong?" He peered worriedly into her eyes.

"I know." She gulped, feeling stupid from lingering shock. "It's just . . . stuff like that isn't supposed to happen. Not here."

Lines of grief etched deeper into Kit's lean cheeks. "I know," he said quietly. "It isn't. I hate it, too. Which is why we're going to do something about it."

"Do what? I mean, what can we possibly do? And what happened, exactly? I got here a little late."

Kit thinned his lips. "Ansar Majlis is what happened."

"Answer who?"

The grim look in his eyes frightened Margo, worse than she was already. "Ansar Majlis," he said it again. "The Ansar Majlis Brotherhood is one of the most dangerous cults to form up time in the past fifty years. Where's Ann?"

"On the weapons range. She stayed with Dr. Feroz and the tourists, to keep anybody else from leaving. I tried to catch up with the reporters. They went charging straight up here, but they outran me." She ducked her head. "I'm sorry. I did try to stop them."

Kit muttered under his breath. "I'm sure you did. Listen, Imp, we've got big trouble on this station, with Ianira Cassondra missing. I don't have to tell you the repercussions of that, both on station and up time. And with the Ansar Majlis involved, this riot may be the first of a whole lot of station riots. When word of this gets out . . ." He thinned his lips. "Next time Primary cycles, we are going to be neck deep in more trouble than you can shake an entire tree at. I want you to find Marcus. Try the Down Time Bar & Grill. Tell him we need search parties organized, Found Ones as well as up-time residents. And see if you can find out how Skeeter is."

"Skeeter's hurt? Ann said there'd been a shooting . . ." She swallowed hard, abruptly queasy to her toes. Margo and Skeeter Jackson might have a mutually uncivil history, but the idea of someone having shot the admittedly charming, one-time con artist left Margo sicker and colder than before. She'd gradually been changing her opinion of Skeeter Jackson, particularly since he'd become Marcus and Ianira's latest rescue project. An apparently successful one.

But Kit was shaking his head. "No, not shot, just banged up. Security said he had a lump on his temple the size of a goose egg. Should've had medical look at it, but he bolted into this mess, trying to find Ianira. Get Marcus busy organizing the Found Ones, okay? And find out if Marcus needs help looking after the girls."

Margo drew a shaky breath. "Kit . . ."

If we can't find Ianira, ever . . . 

"Yes, I know. When you've got all that set up, meet me at the aerie."

"Bull's office? Won't Bull be busy conducting the official investigation?"

"Yes. Which is why you and I are going to be there." When Margo gave him her best look of blank befuddlement, Kit explained. "In a major station emergency, every single time scout in residence becomes a de facto member of station security. Same with the independent guides, the ones not on a company payroll, or with specific tour commitments to meet. And I'd say a riot, a murder, and a kidnapping qualify as a major station emergency in anybody's book. We're going to be busy, Margo, busier than you've been since you arrived on station."

He must have noticed the sudden panic Margo couldn't choke down, try as she might, because he said more gently, "Don't worry about the Ripper Watch tour, kid. You'll get to London, all right. But the Britannia doesn't open for almost six and a half hours and right now, we've got a murderer loose somewhere in this station. A killer who's very likely got Ianira Cassondra in his hands."

Margo shuddered. It was one thing, studying a serial murderer like Jack the Ripper, whose victims were quite well known. Hunting for a madman loose in TT-86 was another prospect altogether—one that terrified her. "Okay, Kit." She managed to keep her voice fairly steady. "I'll find Marcus, get the down-timers organized, try to find out about Skeeter, then meet you at Bull's office."

"Good girl. And for God's sake, Imp, don't let those damned newsies follow you!"

She tried to imagine the kind of story any reporter would take up time about this disaster, tried to imagine the impact that story would have, particularly the disappearance of the inspiration for the fastest-growing cult religion in the world, and nodded, jaw clenched.

"Right."

"Get moving, then. I'll see you later."

Margo turned her back on the chaos of the riot zone and headed for the popular residents' bar where Marcus worked, wondering how badly Skeeter had been injured and just who had grabbed Ianira—and what they were doing to her, now they had her. Margo bit her lip. What would Marcus do if they couldn't find her? Or ifshe swallowed hard at the thoughtif they didn't find her alive? And their little girls? They weren't even old enough to understand what had happened . . .

Margo's fear edged over into terror, mingled with helpless anger. If those little girls had been left motherless . . . Today's riot would be small potatoes compared to the explosion yet to come. And violence of that magnitude could get a station closed down, permanently. Even one as famous and profitable as TT-86. After the bombing destruction of TT-66 by whichever group of middle eastern religious fanatics had blown the station sky-high, all it would take was another major station rocked by violence to shut down the whole time-tourism industry. There was already a powerful up-time senator trying to close down the stations. If TT-86 went under because of riots and on-station murders, Kit wouldn't need to kick her out of time-scout training to wreck her dreams.

Up-time politics would wreck them for her.

 

Back | Next
Framed


Title: Ripping Time
Author: Linda Evans & Robert Asprin
ISBN: 0-671-57867-7
Copyright: © 2000 by Linda Evans & Robert Asprin
Publisher: Baen Books
- Chapter 3

Back | Next

Chapter Three

Marcus had not known such fear since his one-time master had tricked him through the station's Roman gate and sold him back into a slavery from which Skeeter Jackson had rescued him. Abandoning the Down Time's bar without a backward glance, he bolted into the chaos loose on Commons, hard on the heels of Robert Li, the antiquarian who'd burst into the bar with the white-faced news: "Marcus! Someone's shot at Skeeter and Ianira!"

Ianira! Fear for her robbed breath he needed for running. Everything that was good and beautiful in his life had come through her, through the miracle of a highly-born woman who had been treated cruelly by her first husband, who had still managed, somehow, to love Marcus enough to want his touch, to want the love he had offered as very nearly the only thing in his power to give her. He had been a slave and although Marcus was free now in a way he had never dreamed possible, he would never be a wealthy man, could never give Ianira the kind of life she deserved.

If anything had happened to her, anything . . . He could not conceive of a life without her. And their children, how could he tell their beautiful little girls they would never see their mother again? Please, he prayed to the gods of his Gallic childhood, to the Roman gods of his one-time masters, but especially to the many-breasted Artemis of Ephesus, the Great Mother of all living creatures, whose temple Ianira had served as a child in that ancient goddess' holy city, please let her be unharmed and safe . . . 

Marcus was struggling to thrust himself through a packed crowd at the edge of Urbs Romae when a hand closed around his arm. A voice he didn't recognize said, "As you value your children's lives, come with me."

Shocked, he turned—and found himself staring into haunted grey eyes.

He could not have said if the person watching him so narrowly was male or female. But there was pain in those grey eyes, desperate pain and fear and something else, something dark and deadly that made his pulse shudder.

"Who—?"

"Your wife is safe. For the moment. But I can't keep her safe forever, not from the people who want her dead. And your children are in terrible danger. Please. I can't tell you why, not here. But I swear to you, if you'll just come with me and bring your little girls, I'll do everything in my power to keep all of you alive."

It was insane, this impulse to trust. Too many people had betrayed Marcus over the years, and too much that was precious to him, more precious than his own life, depended on his making the right choice. This is Shangri-La Station, he found himself thinking desperately, not Rome. If I am betrayed here, there are people who will move heaven and stars to come to our aid . . . 

In the end, it came down to one simple fact: this person knew where Ianira was. If Marcus wanted to see her, he had to go. And the girls?

"I will not risk my children until I know Ianira is safe."

Impatience flared in those grey eyes. "There's no time for this! My God, we've already killed one of them, before he could shoot her. They'll murder your little girls, Marcus, in cold blood. I've seen how they kill! Cassie Tyrol died right in front of me and there was nothing I could do to save her—"

Marcus started. "The woman from the movies? Who played the priestess of Artemis, the Temple harlot? She is dead?"

Pain shone in those grey eyes. "Yes. And the same people who killed her are trying to kill Ianira, her whole family. Please, I'm begging you . . . get your little girls out of danger while there's still time. I'll tell you everything, I swear it. But we have to move now."

Marcus pressed clenched fists to his temples, tried to think clearly, wishing he possessed even a hundredth the skill Ianira did in reading people's hearts and intentions. Standing irresolute in the middle of a panic-stricken crowd jammed into Commons, voices echoing off the girders of the ceiling five stories overhead, Marcus had never felt more alone and afraid in his life. Not even as a child, thrust into chains and caged like an animal for sale. Then, the only person at risk had been himself. Now . . .

"They are at the school and daycare center," he decided, voice brusque. "This way."

He still didn't know if the grey-eyed person at his side was a man or a woman.

But when they reached the day-care center and interrupted an ugly, heart-stopping tableau, Marcus discovered that his shaky trust in his new companion was well-founded. They skidded through the day care center's doors at an all-out run—and found an armed Arabian Nights construction worker holding Harriet Banks at gunpoint. Another armed man was dragging Artemisia and Gelasia away from the other children. Rage and terror scalded Marcus, blinded him, sent him forward with fists clenched, even as the grey-eyed person with him erupted with a violence that would have struck terror, had that violence been aimed at his family.

Marcus barely had time to see the gun before it discharged. The roar deafened in the confines of little daycare center. His ears rang even as smoke bellied out from the antique gun's barrel. Children screamed and scattered like frightened ants. The construction worker closest to them, the one holding a gun on Harriet Banks, jerked just once, then fell like a man whose legs have been abruptly jerked out from beneath him. The hole through the back of his skull was far smaller than the one through his face, where the bullet had plowed through on its way out. Shock caught Marcus like a fist against the side of his head—then the black-powder pistol discharged again and the man holding Artemisia's wrist plowed into the floor, obscenely dead.

Marcus snapped out of shock with the grotesque thud as the second body landed on the daycare center's floor. He flung himself toward his screaming children. "Hush . . . it's all right, Daddy's here . . ."

He gathered the girls close, hugged them, wept against their hair.

"Marcus! Come on, man! More of the bastards are headed this way!"

Marcus had no time to say anything to Harriet Banks, who was trying to get the other children out through the back door, away from the carnage in the playroom. He simply scooped up his daughters and ran with them, following his unknown benefactor into the chaos on Commons. There were, indeed, more construction workers racing toward them, with weapons clutched in their hands as tourists screamed and scattered.

His benefactor's voice cut through shock and terror. "Do you know any better way to reach the Neo Edo Hotel? They're between us and any safety we've got on this station."

Marcus took one look at the burly construction workers running toward them and swore savagely in the language only he, alone of all residents on TT-86, could understand. His Gaulish tribe was as extinct as the language they'd spoken. But his children were still alive. He intended to keep them that way. "This way," he snarled, spinning around and plunging toward Residential. "Down-timers know all the secret ways through this station!"

Skeeter had taught Marcus routes he'd never suspected could be used to get from one side of the station to the other. Those escape routes had proven useful when he and Ianira had needed to slip away from the pressing attentions of her adoring acolytes, trying to gain a little privacy for themselves. Marcus had never dreamed he would need them to save his little family from cold-blooded murder. Why anyone would want to kill them, he could not imagine. But he intended to find out.

Marcus might be nothing more than an ex-slave, a down-timer without legal rights. But he was a husband and a father and an " 'eighty-sixer," a member of the insane, fiercely independent, intensely loyal community of residents who called Time Terminal Eighty-Six home. Whoever sought to kill them, they had failed to take that particular fact into account. 'Eighty-sixers took care of their own.

Even if it meant breaking up-time laws to do so.

* * *

By the time Skeeter arrived at the aerie, Bull Morgan's glass-walled office was packed, standing room only. And that was without the howling mob of reporters trying to get past security to the elevator and stairs that led up to the station manager's ceiling-level office. The elevator had been crowded, too, with 'eighty-sixers responding to the emergency call for search teams. Connie Logan, owl-eyed behind her thick glasses and dressed as outlandishly as ever in bits and pieces of various costumes she'd been testing when the call had gone out, stood crammed into one corner, trying not to jab anybody with the pins sticking out of her clothes. Arley Eisenstein, restauranteur of one of the ten most famous restaurants on the planet and married to the station's head of medicine, stared at the elevator doors with his jaw muscles clenched so tight, Skeeter wondered why his teeth hadn't broken yet. Brian Hendrickson, station librarian and a man who hadn't forgotten the circumstances of Skeeter's disastrous wager with Goldie, any more than he'd forgotten anything else he'd ever seen, heard, or read, was swearing colorfully in a language Skeeter had never heard in his life. Ann Vinh Mulhaney had come upstairs from the weapons range in company with a woman Skeeter recognized as one of the Ripper Watch Team members. Both women were as silent as ghosts and very nearly as pale.

Dr. Shahdi Feroz, Skeeter knew, was not just a world-renowned Ripperologist, she was also the team's cult-phenomena expert. She had made a life's study of criminal cults and intended to research first-hand Victorian London's teeming subculture of spiritualists, occult worshipers, Celtic-revivalists, magic practitioners, and the city's numerous flourishing, quasi-religious cult groups. It had led her to support some rather unusual ideas about the Ripper murders. What she knew about down-time occult groups made for a terrifying parallel to what Skeeter knew of up-time cults. He'd seen his share of them in New York. And over the past few years, the new ones popping up like malignant mushrooms made those older ones look positively apple-pie ordinary. Which was doubtless why Bull Morgan had personally requested her presence at this meeting. Shahdi Feroz, as elegant and composed as a Persian queen, dark hair upswept in a mass of thick, raven's-wing waves, glanced at Skeeter, evidently aware of his intent scrutiny, and started to speak—

And the elevator doors slid open onto pandemonium.

Shahdi Feroz turned aside at once, stepping out of the elevator to make room for the others. She glanced over at Ann through dark, worried eyes as they all crowded off the elevator and tried, somewhat vainly, to find space in Bull's packed office.

"I didn't expect quite so many people to be here." Her speech was rich and fluid. Skeeter, fascinated by the rising and falling inflections of her exotic voice, managed to locate a space that hid him from most people's view.

Ann answered in a strained undertone. "I did. In fact, I'm betting we won't be the last to arrive."

When the weapons instructor glanced around, her gaze paused on Skeeter. The look in Ann's eyes caused him to stiffen. Skeeter clenched his jaw and looked away first, unsure which was worse: the pity or the deep, lingering suspicion that Skeeter had only been using Ianira, the way most 'eighty-sixers thought he used everyone he came into contact with. There was nothing he could say, no explanation he could—or cared to—offer that anyone in this room would believe. With the down-timers on station, it was different. But in a room crammed shoulder-to-jowl with up-time 'eighty-sixers, Skeeter felt as alone and isolated as he'd felt in Yesukai's felt tent, a lost little boy of eight without the ability to understand a word spoken around him or to go home again to a family that didn't want him, anyway.

He set his jaw and wished to hell Bull would get this meeting underway. He needed to be down on Commons, searching. He'd only come to this meeting because he was not, by God, going to let them leave him out of whatever decisions were made on where and how to search for her. A door near the back of Bull's office opened and Ronisha Azzan, the deputy station manager, appeared, looking worried. She said something to Bull, too low for Skeeter to overhear. Bull ground his teeth over the stubby end of an unlit cigar, then spat debris into an ornate brass spittoon strategically positioned on one corner of his desk. Margo arrived a moment later via the elevator, breathless, her green eyes clouded with fear. She spotted Ann Vinh Mulhaney and Shahdi Feroz and bit her lower lip, then pushed past to Bull's desk. "I can't find Marcus," she said flatly. "He ran out of the Down Time with Robert Li and nobody's seen him since. Robert said Marcus was behind him one minute and he'd vanished into the crowd the next." Ronisha Azzan stepped into the office behind Bull's, swearing under her breath.

Skeeter knew a moment of fear almost as deep as when Ianira had vanished right in front of him. Then reason reasserted itself, helped by the white-knuckled hands he used to push back heavy locks of hair sticking to his damp brow. Marcus would be with other Found Ones, searching, of course, there was no reason to panic, no up-timer on station knew the back routes the way the down-timers did, somebody had obviously got to him and maybe even told him they'd seen her somewhere . . .

Station alarms screamed to life again.

Fear tightened down once more, driving daggers through Skeeter's nerves. He very nearly pulled out two fistfuls of his own hair. Skeeter clenched his jaw and made himself wait, while sweat prickled out over his entire torso. Bull Morgan snatched the security phone off his desk and shouted, "What the hell is it now?"

Whatever was said on the other end, Bull's florid face actually lost color. The unlit cigar he chewed went deathly still. Then he spat out the cigar with a furious curse and snarled, "Turn this station upside down, dammit, but find them! And I want every construction worker in this goddamned station locked up on suspicion of attempted murder, do you hear me, Benson? Do it! Ronisha!" The phone didn't quite bend when he slammed the receiver back down, but a crack appeared in the plastic casing.

The deputy station manager, African-patterned silks swirling around her tall figure, reappeared from the back office, talking urgently to someone via squawky. She was snarling, "I don't care who you have to slap in the brig! Control that mess or find yourself another job! Yes?" she asked, turning her attention to Bull.

"Get down to the war room! Coordinate the search from down there. Have Benson's security teams report directly to you there. We've got another helluva mess breaking loose."

Ronisha fled down the back stairs, squawky in hand. La-La Land's station manager faced the expectant hush from the crowd in his office. The silence in the glass-walled office was as unbearable as the sound of fingernails on a blackboard.

Bull said heavily, "There's been a shooting at the day care center. Two construction workers messily dead, dozens of children in hysterics. Marcus and his little girls vanished in the middle of the shooting." Nausea bit Skeeter's throat. He forced himself not to bolt for the elevator, forced himself to wait, to hear the rest of it. "A couple of Scheherazade construction workers were trying to take his daughters out at gunpoint when Marcus showed up with someone Harriet didn't recognize. Whoever it was, they shot both construction workers dead and took Marcus and the girls out of there." Bull craned to peer through the crowd of white-faced, furious residents. "Is Dr. Feroz here yet?"

Shahdi Feroz pushed through the throng to the front of Bull's office. "Yes, Mr. Morgan, I am here. How may I help?"

"I want to know what we're up against. Kit Carson told security the bastards who've attacked Ianira and her family are members of the Ansar Majlis Brotherhood. He's not here yet, or I'd ask him to brief us."

Shahdi Feroz moved sharply at the mention of the Brotherhood, as though wanting to deny what he'd just said. Then she sighed, tiredly. "Ansar Majlis . . . This is very bad, very dangerous. The Ansar Majlis Brotherhood began when Islamic fundamentalist soldiers began recruiting down-time Islamic warriors for jihad through the gates where TT-66 used to be. The station is destroyed, but the gates still function, of course."

She spoke with a bitterness Skeeter understood only too well. He hadn't known anyone personally on the station, but hundreds of innocents had died when the station had been blown sky-high. The elevator's soft ping! sent Skeeter two inches straight up the wall. But it was only Kit Carson, face haggard, eyes bleak. He moved quietly into the office as Dr. Feroz continued her explanation.

"Since the station was destroyed, thousands of down-time recruits have been brought through to fight jihad. Some of these soldiers have banded together to form a brotherhood. They have styled themselves after the nineteeth-century Ansar, fanatical religious soldiers of the Mahdi, an Islamic messiah who drove the British out of the Sudan and killed General Gordon at Khartoum. It operates very much like the social structure of a nomadic tribe. Those in the brotherhood are fully human; those outside are not. And the lowest, least human of all are the women of the Lady of Heaven Temples. Such women are considered evil and heretical by these soldiers. A female priesthood, a female deity . . ." She shook her head. "They have sworn the destruction of the Artemis Temple and all Templars. There has been trouble with them in the Middle East, but they were for many years contained there. It seems they are contained no longer. If they have managed to establish cells in major cities like New York, there will be terrible violence against the Temple and its members. The whole purpose of this cult is to destroy the Lady of Heaven Temples as completely as if they had never existed. It is jihad, Mr. Morgan, a particularly virulent, fundamentalist form of hatred."

Skeeter wanted to close his hands around someone's throat, wanted to center the bastards responsible for these attacks on Ianira and her family in the sights of any weapon he could lay hands on. Instead, he forced himself to wait. He had learned patience from Yesukai, had learned that to destroy an enemy, one must first know and understand him.

Bull Morgan clenched his teeth over the stub of his cigar, which he'd retrieved from his desk top and was now shredding between molars once again. "All of which explains the attack on Ianira. And her kids, goddamn it. But those construction workers have been on station for weeks. Why wait until now to attack? Why today?"

Margo spoke up hesitantly. "Maybe someone came through Primary today with orders? I mean, the whole thing blew up within minutes of Primary cycling."

Bull pinned her with a sharp stare. Kit nodded silently, clearly agreeing with that assessment. It made sense to Skeeter, as well. Too much sense. And there was that terrifying vision of Ianira's, right before the violence had erupted. Right after Primary had cycled.

Bull picked up his security phone again. "Ronisha, I want a dossier on every man, woman, and child who came through Primary today. Complete history. Anybody who might have ties to the Middle East or the Ansar Majlis Brotherhood, I want questioned."

Skeeter wanted to question two other individuals, too: the wild-eyed young kid who'd shot whoever it was behind Ianira and Skeeter in that riot, and the person who'd knocked both Ianira and Skeeter to the floor in time for that kid to do the shooting. Skeeter wondered which one of that pair had done the killing in the day care center. Whoever they were, they clearly knew about the threat to Ianira and her family. But why were they trying to protect her? Were they Templars? Someone else? Skeeter intended to find out, if he had to take them apart joint by joint to learn the truth.

Only to do that, he had to find them first.

He edged toward the elevator, impatient to do something besides stand here and listen. Bull hung up the phone again and started spitting orders. "All right, I want the biggest manhunt in the history of this station and I want it yesterday. Hotels, restaurants, shops, residential, library, gym, weapons ranges, physical plant and maintenance areas, waste management, storage, everything. Organize search teams according to the station's emergency management plan. Presume these bastards are armed and dangerous. Personal weapons are not only permitted, but encouraged. Questions?"

Nobody had any.

Least of all Skeeter.

"Let's move it, then, people. I want Ianira and her family found."

Skeeter got to the elevator before anybody else and found himself sharing a downward ride with Kit Carson, of all people. The retired time scout glanced at him as others crowded into the elevator. "You'll organize the Found Ones?"

The question surprised Skeeter. He and Kit Carson were hardly on civil terms, not after his ill-conceived attempt to get Margo into bed with that ruse about being a time scout, himself. Of course, he hadn't known Margo was Kit's granddaughter at the time. In point of fact, not even Kit had known, then. But when the scout had discovered the truth, his visit to Skeeter had been anything but grandfatherly—and nothing even remotely resembling cordial. Kit's concern now surprised Skeeter, until he realized that it had nothing to do with Skeeter and everything to do with how Kit felt about Ianira Cassondra.

So he nodded with a short jerk of his head. "They'll be organized already, but I'll join them."

"Let me know if you need anything."

Again, Skeeter stared. He said slowly, grudgingly, "Thanks. We're pretty organized, but I'll let you know if something comes up we can't handle." Not that he could think of anything. The Found Ones' Council of Seven had made certain the resident down-timers on station were as prepared as possible for any station crisis that threatened them. The down-timers were, in fact, as prepared as Sue Fritchey's Pest Control officers were for an invasion of anything from hordes of locusts to prehistoric flying reptiles—which, in point of fact, TT-86 had been forced to deal with, just a few months previously.

Kit's next question startled the hell out of Skeeter.

"Would you mind if Margo and I joined you and the Found Ones to search?"

Skeeter's brows dove down as suspicion flared. "Why?"

Kit held his gaze steadily. "Because if anyone on this station has a chance of finding them, it's the down-timers. I'm aware of those meetings held in the subbasements. And I know how underground organizations operate. I also want rather badly to be there if and when we do find whoever is responsible for this."

Skeeter had known for a long time that Kenneth "Kit" Carson was a thoroughly dangerous old man, the sort you didn't want as an enemy, ever. It came as a slight shock, however, to realize that the retired time scout would relish taking apart whoever had done this as thoroughly as Skeeter, himself, would. He hadn't expected to share anything in common with the world's most famous recluse.

"All right," he found himself saying tightly. "You're on. But when we do find them . . ."

"Yes?"

He looked the man he was mortally afraid of straight in the eye. "They're mine."

Kit Carson's sudden grin was as lethal as the look in his eyes. "Deal."

Skeeter was left with the terrifying feeling that he'd just made a deal with a very formidable devil, indeed. A deal that was likely to lead him places he truly didn't want to go. Before he could worry too intensely about it, however, the elevator bumped to a halt and the doors opened with a swoosh. Five minutes later, he was leading the way through Commons, an unlikely team leader for a search team consisting of himself, Kit Carson, the fiery tempered Margo, and—surprisingly—Dr. Shahdi Feroz.

"The Britannia opens in less than six hours," Margo said pointedly when she insisted on joining them.

"Yes, it does. And I am as ready as I will ever be. I may not know how to shoot a gun yet, but I am certain you can remedy that for me once we reach London, Miss Smith."

The look Margo shot the breathtakingly beautiful older woman wavered somewhere between pleased surprise and wary assessment. Skeeter wondered why, but he didn't have the time to pursue it. Then he spotted Bergitta, a young down-timer who'd fallen through an unstable gate from medieval Sweden. She'd been crying, to judge from her reddened, swollen eyes. She'd hooked up with young Hashim ibn Fahd, a down-time teenager who'd fallen through the Arabian Nights gate, and with Kynan Rhys Gower, whose face was a lethal mask of fury.

Bergitta gave a glad cry when she spotted him. "Oh, Skeeter! We have looked and looked . . ."

Kit was already speaking rapidly in Welsh with the bowman, who had sworn an oath of fealty to Kit down that unstable gate into sixteenth-century Portuguese southern Africa. Skeeter gave Bergitta's hands a swift and reassuring squeeze. "The search teams are organized and out?"

"Yes, Skeeter, and I am told to say to you, please search the escape routes from Little Agora to Frontier Town. You will need a team . . ."

"They're with me," Skeeter said roughly, nodding at the others. "Not my choice, but they're good."

It was a monumental understatement, one of his all-time best, in fact.

Bergitta, who knew their reputations perfectly well, for all that she'd been on station only three months, widened pretty blue eyes; then nodded. "Kynan and Hashim and I go to search also, then." She hugged him, very briefly, but it didn't take more than a fleeting contact to feel the tremors shaking through her.

"We'll find them, Bergitta." Skeeter forced the conviction in his voice. We have to find them. Dear God, please let us find them soon . . . and safe. 

She nodded and tried to smile, then departed with Kynan Rhys Gower and Hashim, whose glance looked ready to kill anyone who hurt Ianira, despite his youth. Skeeter found Margo's speculative gaze on Bergitta as she moved away into the crowd. What he read in her eyes defied translation for several moments. At first, he thought it was simply distaste for sharing company with a girl who'd been forced by circumstances to sell the only commodity she possessed to make a living on the station: herself. Then he looked again, struck forcibly by the memories lurking in Margo's shadowed green eyes, which had filled with pain, shame, remorse. But for what? He knew how other kids Margo's age had been forced to make a living in New York. He rather doubted Margo had been there long enough to get into serious trouble, given her determination to get onto TT-86 and begin her career as a trainee time scout. But with the kind of pain and the depth of shame he could see in Margo's eyes, Skeeter found himself wondering how she'd raised the money for a ticket through Shangri-La Station's expensive Primary gate.

If Kit's granddaughter had resorted to . . . that . . . Skeeter wasn't sure how Grandpa would take the news. Or—Christ, talk about complications—Malcolm, who planned to marry her. Noneya, Skeeter told himself severely. Whatever the reason for that look in Margo's eyes, it was very much none of Skeeter's business.

"We'll start in Little Agora," he said gruffly. "It's closer. Let's go, I've waited too long as it is."

Wordlessly, his little search party followed.

* * *

Jenna Nicole Caddrick didn't take Ianira to the hotel room she'd reserved nearly a year previously in Carl's married sister's name. She hadn't dared try to check into the luxury hotel, not with Ianira Cassondra draped, unconscious, across her back and shoulders in a fireman's carry where Noah Armstrong had put her. "Get her to the hotel!" the detective had ordered. "Take the stairways to the basement—I've got to find her husband and kids!"

So, staggering with every step, because Jenna was not that much larger than Ianira, herself, she carried the sacred prophetess through the station's Commons during security's riot-control blackout, bumping into people and stumbling into walls until she finally found a staircase, its emergency "Exit" sign glowing in the stygian darkness. The lights down here, at least, hadn't been shut off. Shangri-La Station's basement was a twisting montage of pipes and conduits and crowded storage rooms where, with any luck—and the Lady alone knew they deserved a little of that—the Ansar Majlis wouldn't think to look. Or anyone else, for that matter, not right away, at least. Jenna, legs and arms trembling with the effort, joints all but cracking, finally spotted a thick pile of hotel towels, in a big packing crate that someone had pried open to remove part of its contents. Moving gingerly, she lowered Ianira onto the piled towels. The prophetess was still as death, with a nasty bruise along her brow where Noah had slammed her to the floor, saving her life.

Jenna didn't know much about medicine or first aid, but she knew how to test a pulse, anyway, and remembered that a shock victim had to be kept warm. So she covered Ianira with a whole pile of the crated towels and tested her pulse and wondered if slow and regular might be good or bad news. She bit one lip, then wondered how to let Noah Armstrong know where to find them. We'll meet at the Neo Edo, kid, that's where you've got reservations and they'll expect you to show up. 

Yeah, she thought glumly. But not with an unconscious prophetess across her shoulder. Showing up with Ianira, Cassondra of Ephesus, in a state of coma was a great way to get the attention of all the wrong people, fast. When Jenna heard the footfalls and the distant murmur of voices, she spun on her heel, gripping Carl's reproduction pistol in both hands, terrifying herself with that blurred, instinctive reaction. I don't want to get used to people trying to kill me . . . or having to kill them. The thundering shock of shooting down a living human being up on Commons would have left Jenna on hands and knees, vomiting, if Ianira Cassondra's life hadn't been in mortal jeopardy with every passing second. She wanted to go into shock now, needed to be sick, was shaking violently with the need, but there was someone coming and she couldn't let them kill Ianira.

The voices drew closer, voices she didn't recognize. Jenna scowled, fist tight on the reproduction antique weapon in her hand, trying to make sense of what they were saying. She realized abruptly that the words weren't going to fall into any recognizable patterns because they weren't in English. Whatever it was, it sounded like . . . Classical Latin, maybe? Would the Ansar Majlis speak Latin? She couldn't imagine it, not a pack of medieval terrorists imported from the war-wracked Middle East for the express purpose of destroying the Temple which formed the bedrock of Jenna's faith.

Then the speakers rounded an abrupt corner and Jenna gasped, giddy with relief. "Noah!"

Armstrong swung around sharply, recognized her, relaxed a death grip on the trigger. "Kid," Noah muttered, "you are gonna get yourself shot one of these days, doing that. Where is she?"

Jenna pointed, eyeing the people who accompanied Noah. The ashen-faced young man in jeans and an ordinary short-sleeved work shirt, she recognized as the Cassondra's husband—the Roman slave—and the two little girls with him looked so much like their mother it closed Jenna's throat. Another young man with them was a kid, really, younger than Jenna. A lot younger. At the moment, Jenna Nicole Caddrick felt about a thousand years old and aging rapidly.

"Ianira!" Marcus cried, running toward his wife.

"She's unconscious," Jenna said, voice low and unsteady. "She hit her head on the floor . . ."

Marcus and the teenager broke into a voluble spate of Latin, Marcus nodding his head vehemently up and down, the kid looking stubborn. A fragment of historical research for a film class came back to her, that Romans bobbed their heads up and down to indicate disagreement, not wagging them from side to side the way moderns did. At length, the younger kid muttered something that sounded foul and trotted away into the dim-lit basement.

"Where's he going?" Jenna asked. What if they brought the station authorities in? If that happened, Ianira and Marcus and those beautiful little girls would die. Nobody could protect them, not as long as they remained on this station.

Marcus didn't even glance up. He was stroking his wife's hair back from her bruised forehead, holding her cold hand. Their little girls whimpered and clung to his leg, too young to know or comprehend what was happening around them, but old enough to know terror. "He goes to bring medicine. Food, water, blankets. We will hide her in the Sanctuary."

Jenna didn't know exactly what or where Ianira's Sanctuary might be, although she suspected it was hidden deep under the station. But she knew enough to blurt out, "You can't! It won't be safe there. These bastards will hunt through every inch of this station, looking for her. For you, too, and the children."

Frightened brown eyes lifted, met hers. "What can we do, then? We have friends here, powerful friends. Kit Carson and Bull Morgan—"

Armstrong cut him off. "Not even Kit Carson can stop the Ansar Majlis," Noah bit out, bitterness darkening the detective's voice, leaving it harsh and raw. "You have to get completely off this station. The faster, the better. We sure as hell are," Noah nodded toward Jenna. "The only place that's gonna be safe is someplace down time. There's a whole lot of history to hide in, through this station's gates. We hide long enough, stay alive long enough, I can slip back through the station in disguise—and I'm damned good at disguises—and get the proof of what we know to the up-time authorities. If we're going to stop the bastards responsible for this," Noah jerked a glance toward Ianira, curled up on her side, fragile as rare porcelain, "the only way is to destroy them, make sure they're jailed for life or executed. And we can't do that if we're dead."

"Who is it?" Marcus grated out. "I will kill them, whoever they are!"

Jenna believed him. Profoundly. Imagination failed her, trying to comprehend what this ordinary-seeming young man in blue jeans and a checkered shirt had already lived through. Noah told Marcus what they were up against. All of it. In thorough and revolting detail. The suspicion that flared in Marcus' eyes when he looked at Jenna wounded her.

"I'm not my father!" she snapped, fists aching at her sides. "If that son-of-a-bitch were in front of me right now, I'd blow his head off. He always was a lousy, rotten, stinking bastard of a father. I just never knew how much. 'Til now."

The suspicion in the other man's brown eyes melted away while something else coalesced in its place. It took a moment to recognize it. When he did, it shook Jenna badly. Pity. This ex-slave, this man whose family was targeted for slaughter, pitied her. Jenna turned roughly aside, shoved her pistol through her belt and her hands into her pockets, and clenched her teeth over a flood of nausea and anger and fright that left her shaking. A moment later, Noah settled a hand on her shoulder.

"You never killed a man before." It wasn't a question, didn't have to be a question, because it was perfectly obvious. Jenna shook her head anyway. "No." Noah sighed, tightened fingers against her shoulder for a moment. "They say it's never easy, kid. I hadn't either, you know, until that hit in New York." Jenna glanced up, found deep pain in Noah's enigmatic eyes. "But I always knew I might have to, doing the job I chose. It's worse for you, probably. When a kid comes to the Temple young as you are, she's hurting inside already. You got more reason than most. And Cassie told me you cried when you accidentally ran over a mongrel dog on the road out to the ranch."

She clenched her teeth tighter and tried to hold back tears she did not want the detective to witness. Noah didn't say anything else. Just dropped the hand from Jenna's shoulder and turned away, moving briskly around the confined space Jenna had chosen to defend, making up a better bed for Ianira. That it was necessary only upset Jenna more, because she hadn't done a good enough job of it, herself. The Latin-speaking teenager returned a few silent minutes later, bringing a first aid kit, a heavy satchel that wafted the scent of food when he lifted the flap, blankets piled over one shoulder, and a couple of stuffed toys, which he gave to Ianira's daughters. The children grabbed hold of the shaggy, obviously home-made bears, and hugged them with all their little-girl strength. Jenna's eyes stung, watching it. No child only three years old should ever look at the world through eyes that looked like that. And Artemisia's sister was even younger, barely a year old. Barely walking, yet.

"We can't stay here long," Noah was saying, voice low. "They'll be searching for her. We'll have to smuggle her up into the hotel room Jenna's reserved. We can hide there until the Britannia Gate opens." The detective checked a wristwatch. "We won't need to hide long. But we've got to outfit for the gate between now and then. And find a way to smuggle Ianira through."

"Us," Marcus said sharply. "We all go through."

But Noah was shaking a head that ought to've gone grey by now, if the detective's private life was anything like what they'd already lived through. "No. They're going to send a death squad after us, Marcus. They'll send somebody through every gate that opens during the next week, trying to get her. I won't risk all of you anywhere in one group. Just in case the worst happens and the bastards who follow her through the gate do catch up."

"Not the Britannia," Marcus insisted stubbornly. "They cannot get through the Britannia. It is Ripper Season. There have been no tickets for today's gate for over a year. I could get through working as a porter hauling baggage, because I am a station resident, but no one else."

"Don't underestimate these people, Marcus. If necessary, they'll kill one of the baggage handlers, take his place, and get through that way, using their victim's ID and timecard."

Marcus' already pale cheeks ran dead white. "Yes," he whispered. "It would be easy. Too easy."

"So." Noah's voice, so difficult to pin down as either a man's light voice or a woman's deep one, was cold and precise. "We put Ianira in a steamer trunk. Same thing for the girls. You," the detective nodded at Marcus, "go through one of the other gates with your children. And we'll disguise you as a baggage handler, since they're almost invisible. The problem is, which gate?"

The teenager spoke up at once. "The Wild West Gate opens tomorrow."

Jenna and Noah exchanged glances. It was perfect. Too perfect. The Ansar Majlis would track Marcus and the girls straight through that gate, figuring it would be the one gate Jenna was likeliest to choose. The tour gate into Denver of 1885 was the only gate besides the sold-out Britannia where the natives spoke English. And Carl had been such a nut about that period of American history, the killers tracking them would doubtless figure Jenna had cut and run through the gate she and Carl would've known the most about, the only one she could get tickets for, not knowing, thank the Lady, that Jenna had secretly bought tickets through the Britannia in another name more than a year ago.

Noah, however, was frowning in concentration, studying Marcus closely. "It could work. Put you and the girls down Denver's Wild West Gate, with me as guard, send Jenna and Ianira through to London."

"But—" Jenna opened her mouth to protest, terrified at the prospect of Noah abandoning her.

A dark glance from steel-cold grey eyes shut her up. "There are two of us. And two groups of them." The detective nodded at Marcus and Ianira, who still lay unmoving except to breathe. Fright tightened down another notch, leaving Jenna to wonder if she'd ever be hungry again, her gut hurt so much. Noah said more gently, "We have to split up, kid. If we send Marcus and the girls through without a guard . . . hell, kid, we might as well shoot them through the head ourselves. No, we know they're going to follow whoever goes through the Wild West Gate. So I'll go with them, pose as somebody they're likely to think is you, use a name they'll think is something you'd come up with, something you'd think is clever—"

The teenager interrupted. "You don't look like her. Not anything like her. Nobody would believe you were her. You are too tall."

For the first time, Jenna Nicole Caddrick saw Noah Armstrong completely flummoxed. The detective's mouth opened onto shocked silence. But the kid who spoke Latin—which probably meant he was a down-timer, too, same as Marcus—wasn't finished. "I look more like her than any of us. I'll go in her place. If I dress up like a rich tourist, wear a wig the color of her hair, pretend to be rude and obnoxious, wear a bonnet low over my eyes and swear a lot, the people hunting her," the kid nodded toward Jenna, "will think she's me. Or I'm her. It will work," he insisted. "There is a tour leaving tomorrow that plans to shoot in a special competition, men and women both. I have watched every John Wayne movie ever made, twice, and I have seen thousands of tourists. I can pretend to be a woman cowboy shooter with no trouble at all."

The very fact that he'd come up with the idea in the first place told Jenna a great deal about how much the residents of this time station loathed tourists. Obnoxious and rude . . . It probably would work beautifully, given half a chance. "You realize you're risking your life?" she asked quietly.

The teenager stared her down. "Yes. They have tried to murder Ianira."

It was all that needed to be said.

"Julius—" Marcus started to protest.

"No," Julius swung that determined gaze toward his older friend. "If I die, then I will die with honor, protecting people I love. What more can any man ask?"

How did a kid that young end up that wise? Jenna thought about ancient Rome and what men did to other men there and shuddered inside. The fact that she, herself, had done exactly what this boy was volunteering to do didn't even occur to her. Jenna, too, was risking her own life to save Ianira's.

"That's settled, then," Noah said briskly. "Julius, I don't have words to thank you. Right now, I'd better go up to Commons, check into the hotel under the name on my station pass, find an outfitter. You, too, Jenna. I'll need help getting those steamer trunks back to the hotel, and all the gear we've got to buy along with it." The detective glanced at Marcus and Julius. "We'll bring the steamer trunks back right away, get Ianira and the rest of you into a hotel room until the gate goes. We're going to hide you right in the open, in a perfectly ordinary hotel room, and let them tear the basement and the rest of the station apart, looking for you. Then I'm going to establish my Denver persona with a vengeance, draw the attention of the bastards after us, so they'll concentrate on Denver, rather than London. There's going to be one more rude and obnoxious cowboy added to the station's population, today, I believe, the sooner the better. With a name that ought to grab somebody's attention."

The purloined letter . . . Jenna grimaced. She sure as hell didn't have any better ideas. Noah had gotten her out of New York alive. She was pretty sure Noah could get them all out of the station alive, too. Whether or not she and Ianira stayed that way in London was up to Jenna. She prayed she was up to the job. Because there just wasn't anybody else around to do it. Thoughts of her father brought her teeth together, hard and brutal. You're gonna pay for this, you son-of-a-bitch. You'll pay, if it's the last thing I ever do on this earth! 

Then she headed up to Commons on Noah Armstrong's heels to fetch a steamer trunk.

 

 

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Framed


Title: Ripping Time
Author: Linda Evans & Robert Asprin
ISBN: 0-671-57867-7
Copyright: © 2000 by Linda Evans & Robert Asprin
Publisher: Baen Books
- Chapter 4

Back | Next

Chapter Four

Shangri-La Station was an Escheresque blend of major airport terminal, world-class shopping mall, and miniature city, all tucked away safely inside a massive cavern in the heart of the uplifted limestone massifs of the Himalayan mountains, a cavern which had been gradually enlarged and remolded into one of the busiest terminals in the entire time-touring industry. Portions of the station emerged into the open sunshine on the mountain's flank, or would have, if Shangri-La's engineers hadn't artificially extended that rocky flank to cover the station's outer walls in natural-looking concrete "rock" faces. Because the terminal's main structure followed the maze of the cave system's inner caverns, TT-86 was a haphazard affair that sprawled in unexpected directions, with tunnels occasionally boring their way through solid rock to connect one section of the station with another.

The major time-touring gates all lay in the Commons, of course, a vast area of twisting balconies, insane staircases and ramps, and all the glitter of high-class shops and restaurants that even the most discriminating of billionaires could wish to find themselves surrounded with. But because Commons followed the twists and turns of the immense cavern, there was no straight shot or even line-of-sight view from one end to the other. And station Residential snaked back into even more remote corners and crannies, with apartments tucked in like cells in a beehive designed by LSD-doped honeybees.

The underpinnings of the station descended multiple stories into the mountain's rocky heart, where the nitty-gritty, daily business of keeping a small city operational was carried out. Machinery driven by a miniature atomic pile hummed in the rocky silence. The trickle and rush of running water from natural underground streams and waterfalls could be heard in the sepulchral darkness beyond the station's heating, cooling, and waste-disposal plants. Down here, anybody could hide anything for a period of many months, if not years.

Margo had realized long ago that Shangri-La Station was immense. She just hadn't realized how big it really was. Not until Skeeter Jackson led them down circuitous, narrow tunnels into a maze he clearly knew as well as Margo knew the route from Kit's palatial apartment to her library cubicle. Equally clearly, Skeeter had taken full advantage of this rat's maze to pull swift disappearing acts from station security and irate tourists he'd fleeced, conned, or just plain robbed.

Probably what saved his life when that enraged gladiator was trying to skewer him with a sword, she thought silently. Under Skeeter's direction, their search party broke apart at intervals, combing the corridors and tunnels individually, only to rejoin one another further on. She could hear the footsteps and voices of other search parties off in the distance. The echoes, eerie and distorted, left Margo shivering in the slight underground chill that no amount of central heating could dispel. Occasional screams and girder-bending shrieks drifted down from the enormous pteranodon sternbergi which had entered the station through an unstable gate into the era of dinosaurs.

The size of a small aircraft, the enormous flying reptile lived in an immense hydraulic cage that could be hoisted up from the sub-basements right through the floor to the Commons level for "feeding demonstrations." The pterodactyl ate several mountains of fish a day, far more than they could keep stocked through the gates. So the head of pest control, Sue Fritchey, had hatched an ambitious project to keep the big sternbergi fed: breeding her own subterranean food supply from an up-time hatchery and any down-time fingerlings they could bring in. The sub-basement corridors were lined with rows and high-stacked tiers of empty aquariums, waiting to be filled with the next batch of live fingerlings. Piles and dusty stacks of the empty glass boxes left the tunnels under Little Agora and Frontier Town looking like the ghost of a pet shop long since bankrupt, its fish sold below cost or dumped down the nearest toilet.

It was a lonely, eerie place to have to search for a missing friend.

Margo glanced at her watch. How long had they been searching, now? Four hours, twenty minutes. Time was running out, at least for her and anyone else heading down the Britannia Gate. She bit one lip as she glanced at Shahdi Feroz, who represented in one package very nearly everything Margo wanted to be: poised, beautiful, a respected professional, experienced with temporal gates, clocking in nearly as much down time as some Time Tours guides. Time Tours had actually approached Dr. Feroz several times with offers to guide "seance and spiritualist tours" down the Britiannia. She'd turned them down flat, each and every time they'd offered. Margo admired her for sticking by her principles, when she could've been making pots and kettles full of money. Enough to fund her down-time research for the next century or two.

And speaking of down-time research . . .

"Kit," Margo said quietly, "we're running short of time."

Her grandfather glanced around, checked his own watch, frowned. "Yes. Skeeter, I'm sorry, but Margo and Dr. Feroz have a gate to make."

Skeeter turned his head slightly, lips compressed. "I'm supposed to work that gate, too, you know. We're almost directly under Frontier Town now. We finish this section of tunnels, then they can run along and play detective down the Britannia as much as they want."

Margo held her breath as Kit bristled silently; but her grandfather held his temper. Maybe because he, too, could see the agony in Skeeter's eyes. Kit said only, "All right, why don't you take that tunnel?" and nodded toward a corridor that branched off to the left. "Dr. Feroz, perhaps you'd go with Margo? You can discuss last-minute plans for the tour while you search."

Margo squirmed inwardly, but she couldn't very well protest. She was going to spend the next three months of her life in this woman's company. She'd have to face her sooner or later and it might as well be sooner.

Kit pointed down one of the sinuous, winding tunnels. "Take that fork off to the right. I'll go straight ahead. We'll meet you—how much farther?" he asked Skeeter.

"Fifty yards. Then we'll take the stairs up to Frontier Town."

They split up. Margo glanced at Shahdi Feroz and felt her face redden. Margo barely had a high school diploma and one semester of college. She had learned more in Shangri-La's library than she had in that stuffy, impossible up-time school. And she had learned, enormously. But after that mortifying mistake, with Shahdi Feroz correcting her misapprehension about Nichol gangs' weapons of choice, it wouldn't matter that Margo had logged nearly two-hundred hours through the Britannia or that she spoke fluent Cockney. Kit had drilled her until she could not only make sense of the gibberish that passed for Cockney dialect, but could produce original conversations in it, too. Without giving herself too savage a headache, remembering all the half-rhymes and word-replacement games the dialect required. None of that would matter, not when she'd goofed on the very first day, not when Margo's lack of a diploma left her vulnerable and scared.

Shahdi Feroz, however, surprised Margo with an attempted first gesture at friendliness. The scholar smiled hesitantly, one corner of her lips twisting in chagrin. "I did not mean to embarrass you, Miss Smith. If you are to guide the Ripper Watch Tour, then you clearly have the experience to do so."

Margo almost let it go. She wanted badly to have this woman think she really did know what she was doing. But that wasn't honest and might actually be dangerous, if they got into a tight spot and the scholar thought she knew more than she did. She cleared her throat, aware that her face had turned scarlet. "Thanks, but I'm not, really." The startled glance Dr. Feroz gave her prompted Margo to finish before she lost her nerve. "It's just that I'm in training to be a time scout, you see, and Kit wants me to get some experience doing fieldwork."

"Kit?" the other woman echoed. "You know Kit Carson that well, then, to use his first name? I wish I did."

Some of Margo's nervousness drained away. If Dr. Shahdi Feroz could look and sound that wistful and uncertain, then maybe there was hope for Margo, after all. She grinned, relief momentarily transcending worry and fear for Ianira's family. "Well, yeah, I guess you could say so. He's my grandfather."

"Oh!" Then, startling Margo considerably, "That must be very difficult for you, Miss Smith. You have my sympathy. And respect. It is never easy, to live up to greatness in one's ancestors."

Strangely, Margo received the impression that Shahdi Feroz wasn't speaking entirely of Margo. "No," she said quietly, "it isn't." Shahdi Feroz remained silent, respecting Margo's privacy, for which she was grateful. She and the older woman began testing doors they came to and jotting down the numbers painted on them, so maintenance could check the rooms later, since neither of them had keys. Margo did rattle the knobs and knock, calling out, "Hello? Ianira? Marcus? It's Margo Smith . . ." Nobody answered, however, and the echoes that skittered away down the tunnel mocked her efforts. She bit her lower lip. How many rooms to check, just like these, and how many miles of tunnels? God, they could be anywhere. 

No, she told herself, not just anywhere. If they had been killed, the killer would either have needed keys to unlock these doors or would've had to use tools to jimmy the locks. And so far, neither Margo nor Shahdi Feroz had found any suspicious scratches or toolmarks indicating a forced door. So they might still be alive.

Somewhere.

Please, God, let them still be alive, somewhere . . .

Their tunnel twisted around, following the curve of the cavern wall, and re-joined the main tunnel fifty yards from the point they'd left it. Kit was already there, waiting. Skeeter, grim and silent, arrived a moment later.

"All right," Skeeter's voice was weary with disappointment, "that's the whole section we were assigned." The pain in his voice jerked Margo out of her own worry with a stab of guilt. She hadn't lost anything, really, in that goof with Shahdi Feroz, except a little pride. Skeeter had just lost his only friends in the whole world.

"I'm sorry, Skeeter," she found herself saying, surprising them both with the sincerity in her voice.

Skeeter met her gaze steadily for a long moment, then nodded slowly. "Thanks. I appreciate that, Margo. We'd better get back up to Commons, get ready to go through the Britannia." He grimaced. "I'll carry the luggage through, because I agreed to take the job. But I won't be staying."

No, Margo realized with a pang. He wouldn't. Skeeter would come straight back through that open gate and probably kill himself searching, with lack of sleep and forgetting to eat. . . . They trooped wordlessly up the stairs to the boisterous noise of Frontier Town. With the Wild West gate into Denver set to open tomorrow, wannabe cowboys in leather chaps and jingling spurs sauntered from saloon to saloon, ogling the bar girls and pouring down cheap whiskey and beer. Rinky-tink piano music drifted out through saloon doors to mingle with the voices of tourists speculating on the search underway, the fate of the construction workers who'd attacked Ianira, her family, and her acolytes, on the identity of the Ripper, and what sights they planned to see in Denver of 1885 and the surrounding gold-mining towns.

In front of Happy Jack's saloon, a guy with drooping handlebar mustaches, who wore an outlandish getup that consisted of low-slung Mexican sombrero, red silk scarf, black leather chaps, black cotton shirt, black work pants tucked into black, tooled-leather boots, and absurdly roweled silver spurs, was staggering into the crowd, bawling at the top of his lungs. "Gonna win me that medal, y'hear? Joey Tyrolin's the name, gonna win that shootin' match, l'il lady!"

He accosted a tourist who wore a buckskin skirt and blouse. She staggered back, apparently from the smell of his breath. Joey Tyrolin, drunker than any skunk Margo had yet seen in Frontier Town, drew a fancy pair of Colt Single-Action Army pistols and executed an equally fancy roadhouse spin, marred significantly by the amount of alcohol he'd recently consumed. One of the .45 caliber revolvers came adrift mid-air and splashed into a nearby horse trough. Laughter exploded in every direction. A scowl as dark as his clothes appeared in a face that matched his red silk bandanna.

"Gonna win me that shootin' match, y'hear! Joey Tyrolin c'n shoot th' eye outta an eagle at three hunnerd yards . . ." He bent, gingerly fishing his gun out of the horse trough.

Margo muttered, "Maybe he'll fall in and drown? God, am I ever glad we're going to London, not Denver."

Kit, too, eyed the pistolero askance. "Let's hope he confines his shooting to that black-powder competition he's bragging about. I've seen far too many idiots like that one go down time to Denver and challenge some local to a gunfight. Occasionally, they choose the wrong local, someone who can't be killed because he's too important to history. Now and again, they come back to the station in canvas bags."

Shahdi Feroz glanced up at him. "I should imagine their families must protest rather loudly?"

"All too often, yes. It's why station management requires the hold harmless waivers all time tourists must sign. Fools have a way of discovering," Kit added with a disgusted glance toward the drunken Joey Tyrolin, who now dripped water all over the Frontier Town floor and any tourist within reach, "that the laws of time travel, like the laws of physics, have no pity and no remorse."

Skeeter said nothing at all. He merely glared at the drunken tourist and clamped his lips, eyes ravaged by a pain Margo could literally feel, it was so strong. Margo reached out hesitantly, touched his shoulder. "I'm sorry, Skeeter. I hope you find them. Tell them . . . tell them we helped look, okay?"

Skeeter had stiffened under her hand. But he nodded. "Thanks, Margo. I'll see you later."

He strode away through the crowd, disappearing past Joey Tyrolin, who teetered and abruptly found himself seated in the horse trough he'd just fished his pistol out of. Laughter floated in Skeeter's wake. Margo didn't join in. Skeeter was hurting, worse than she'd ever believed it possible for him to hurt. When she looked up, she found Kit's gaze on her. Her grandfather nodded, having read what was in her eyes and correctly interpreted it, all without a word spoken. It was one of the reasons she was still a little in awe of him—and why, at this moment, she loved him more fiercely than ever.

"I'll keep looking, too, Imp," he promised. "You'd better scoot if you want to get into costume and get your luggage to the gate on time."

Margo sighed. "Thanks. You'll come see us off?"

He ruffled her hair affectionately. "Just try and keep me away."

She gave him a swift, rib-cracking hug, having to blink salty water out of her eyes. "Love you, Kit," she whispered.

Then she fled, hoping he hadn't noticed the tears.

Time scouting was a tough business.

Just now, Margo didn't feel quite tough enough.

* * *

The night dripped.

Not honest rain, no; but a poisonous mist of coal smoke and river fog and steam that carried nameless scents in the coalescing yellow droplets. Above a gleam of damp roofing slates, long curls of black, acrid smoke belched from squat chimney pots that huddled down like misshapen gargoyles against an airborne, sulphurous tide. Far above, an almost forgotten moon hung poised above the city, a sickle-shaped crescent, the tautly drawn bow of the Divine Huntress of the Night, pure as unsullied silver above the foul murk, taking silent aim into the heart of a city long accustomed to asphyxiating beneath its own lethal mantle.

Gas jets from scattered street lamps stung the darkness like impotent bees. The fog dispersed their glow into forlorn, hopeless little pustules of light along wet cobblestones and soot-blackened walls of wood and stone and ancient, crumbling brick. Diffuse smells lurked in eddies like old, fading bruises. The scent of harbor water thick with weeds and dead things afloat in the night drifted in from the river. Wet and half-rotted timbers lent a whiff of salt and moldering fungus. Putrefied refuse from the chamber pots and privies of five million people stung the throat and eyes, fighting for ascendency over the sickly stench of dead fish and drowned dogs.

The distant, sweet freshness of wet hay and muddied straw eddying down from the enormous hay markets of Whitechapel and Haymarket itself lent a stark note of contrast, reminding the night that somewhere beyond these dismal brick walls, fresh air and clean winds swept across the land. Closer at hand came the stink of marsh and tidal mud littered with the myriad flotsam cast up by the River Thames to lap against the docks of Wapping and Stepney and the Isle of Dogs, a miasma that permeated the chilly night with a cloying stink like corpses too long immersed in a watery grave.

In the houses of respectable folk, rambling in orderly fashion to the west along the river banks and far inland to the north, candleshades and gas lamps had long since been extinguished. But here in the raucous streets of Wapping, of Whitechapel and of Stepney, drunken voices bellowed out the words of favorite drinking tunes. In rented rooms the size of storage bins, huddled in ramshackle brick tenements which littered these darkened streets like cancerous growths, enterprising pimps played the blackmail-profitable game of "arse and twang" with hired whores, unsuspecting sailors, and switchblade knives. Working men and women stood or sat in doorways and windows, listening to the music drifting along the streets from public houses and poor-men's clubs like the Jewish Working Men's Association of Whitechapel, until the weariness of hard work for long, squalid hours dragged them indoors to beds and cots and stairwells for the night. In the darkened, shrouded streets, business of another kind rose sharply with the approach of the wee hours. Men moved in gangs or pairs or slipped singly from shadow to shadow, and plied the cudgels and prybars of their trade against the skulls and window casements of their favorite victims.

Along one particular fog-cloaked street, where music and light spilled heedlessly from a popular gathering place for local denizens, bootheels clicked faintly on the wet cobbles as a lone young man, more a fair-haired boy than a man fully grown, staggered out into the wet night. A working lad, but not in the usual sense of the word, he had spent the better part of his night getting himself pissed as a newt on what had begun as "a quick one down to boozer" and had steadily progressed—through a series of pints of whatever the next-closest local had been selling cheapest—into a rat-arsed drunken binge.

A kerb crawler of indeterminate years appeared from out of the yellow murk and flashed a saucy smile. "You look to be a bloke what likes jolly comp'ny, mate." She took his arm solicitously when he reeled against a sooty brick wall, leaving a dark streak of damp down his once-fine shirt, which had seen far better days in the fashionable West End. She smiled into his eyes. "What about a four-penny knee trembler t' share wiv a comfy lady?" A practiced hand stole along the front of his shapeless trousers.

He grabbed a handful of the wares for sale, since it was expected and he had at least the shreds of a reputation to maintain, then he sighed dolefully, as though a sluggish, drunken thought had come to him. He carefully slurred his voice into the slang he'd heard on these streets for weeks, now. "Ain't got a four-pence, luv. No ackers a'tall. Totally coals an' coke, 'at's what I am, I've spent the last of what I brung 'ome t'night on thirty-eleven pints."

The woman eyed him more closely in the dim light. "I know 'at voice . . ."

When she got a better look, she let out a disgusted screech and knocked his hand away. " 'Oo are you tryin' t'fool, Morgan? Grabbin' like it's me thripenny bits you'd want, when it's cobbler's awl's you'd rather be gropin' after? Word's out, 'bout you, Morgan. 'At Polly Nichols shot 'er mouth good, when she were drunk, 'at she did." The woman shoved him away with a harsh, "Get 'ome t' yer lovin' Mr. Eddy—if th' toff'll 'ave you back, whoever he might be, unnatural sod!" She gave a short, ugly bark of laughter and stalked away into the night, muttering about wasting her time on beardless irons and finding a bloke with some honest sausage and mash to pay her doss money for the night.

The cash-poor—and recently infamous—young drunk reeled at her sharp shove and plowed straight into the damp wall, landing with a low grunt of dismayed surprise. He caught himself ineffectually there and crumpled gradually to the wet pavement. Morgan sat there for a moment, blinking back tears of misery and absently rubbing his upper arm and shoulder. For several moments, he considered seriously what he ought to do next. Sitting in muck on a wet pavement for the remainder of the night didn't seem a particularly attractive notion. He hadn't any place to go and no doss money of his own and he was very far, indeed, from Cleveland Street and the fancy West Side house where he'd once been popular with a certain class of rich toffs—and until tomorrow night, at least, when Eddy would finally bring him the promised money, he would have nothing to buy food, either.

His eyes stung. Damn that bitch, Polly Nichols! She was no better than he was, for all the righteous airs she put on. Just a common slattern, who'd lift her skirts for a stinking fourpence—or a well-filled glass of gin, for that matter. Word on the streets hereabout was, she'd been a common trollop for so many years her own husband had tossed her out as an unfit mother and convinced the courts to rescind the order for paying her maintenance money. Morgan, at least, had plied his trade with respectably wealthy clients; but thinking about that only made the hurt run deeper. The fine West End house had tossed him out, when he'd lost their richest client. Wasn't my fault Eddy threw me over for that bloody mystic of his, with his fancy ways and fine house and his bloody deformed . . . 

And Polly Nichols, curse the drunken bitch, had found out about that particular house on Cleveland Street and Morgan's place in it, had shoved him against a wall and hissed out, "I know all about it, Morgan. All about what you let a bloke do t'you for money. I've 'eard you got a little rainy day fund put aside, savin's, like, from that 'ouse what tossed you onto the street. You 'and it over, Morgan, maybe I won't grass on you, eh? Those constables in H Division, now, they might just want to know about an 'andsome lad like you, bendin' over for it."

Morgan had caught his breath in horror. The very last thing Morgan needed was entanglements with the police. Prostitution was bad enough for a woman. A lad caught prostituting himself with another man . . . Well, the death penalty was off the books, but it'd be prison for sure, a nice long stretch at hard labor, and the thought of what would happen to a lad like himself in prison . . . But Morgan had come away from the house on Cleveland Street with nothing save his clothes, a half-crown his last client had given him as a bonus, which he'd managed to hide from the house's proprietor, and a black eye.

And Eddy's letters.

"Here . . ." He produced the half-crown, handed it over. "It's everything I've got in the world. Please, Polly, I'm starving as it is, don't tell the constables."

"An 'alf a crown?" she screeched. "A mis'rable 'alf crown? Bleedin' little sod! You come from a fine 'ouse, you did, wiv rich men givin' it to you, what do you mean by givin' me nuffink but a miserly 'alf crown!"

"It's all I've got!" he cried, desperate. "They took everything else away! Even most of my clothes!" A harsh, half-strangled laugh broke loose. "Look at my face, Polly! That's what they gave me as a going away present!"

"Copper's'll give you worse'n bruises an' a blacked eye, luv!" She jerked around and started to stalk away. "Constable!"

Morgan clutched at her arm. "Wait!"

She paused. "Well?"

He licked his lips. They were all he had . . . but if this drunken whore sent him to prison, what good would Eddy's letters do him? And he didn't have to give them all to her. "I've got one thing. One valuable thing."

"What's 'at?" She narrowed her eyes.

"Letters . . ."

"Letters? What sort of fool d'you tyke me for?"

"They're valuable letters! Worth a lot of money!"

The narrow-eyed stare sharpened. "What sort o' letters 'ave you got, Morgan, that'd be worth any money?"

He licked his lips once more. "Love letters," he whispered. "From someone important. They're in his handwriting, on his personal stationery, and he's signed them with his own name. Talks about everything he did to me when he visited me in that house, everything he planned to do on his next visit. They're worth a fortune, Polly. I'll share them with you. He's going to give me a lot of money to get them back, a lot of money, Polly. Tomorrow night, he's going to buy back the first one, I'll give you some of the money—"

"You'll give me the letters!" she snapped. "Hah! Share wiv you? I'll 'ave them letters, if you please, y'little sod, you just 'and 'em over." She held out one grasping hand, eyes narrowed and dangerous.

Morgan clenched his fists, hating her. At least he hadn't told the bitch how many letters there were. He'd divided them into two packets, one in his trouser pocket, the other beneath his shirt. The ones in his shirt were the letters Eddy had penned to him in English. The ones in his trouser pocket were the other letters, the "special surprise" Eddy had sent to him during that last month of visits. The filthy tart wouldn't be able to read a word of them. He pulled the packet from his trouser pocket and handed them over. "Here, curse you! And may you have joy reading them!" he added with a spiteful laugh, striding away before she could realize that Prince Albert Victor had penned those particular letters in Welsh. 

Now, hours later, having managed to find himself a sailor on the docks who wanted a more masculine sort of sport, Morgan was drunk and bitter, a mightily scared and very lonely lad far away from his native Cardiff. He rubbed his wet cheek with the back of his hand. Morgan had been a fool, a jolly, bloody fool, ever to leave Cardiff, but it was too late, now, to cry about it. And he couldn't sit here on his bum all night, some constable would pass and then he would be spending the night courtesy of the Metropolitan Police Department's H Division.

Morgan peered about, trying to discern shapes through the fog, and thought he saw the dark form of a man nearby, but the fog closed round the shadow again and no one approached nearer, so he decided there was no one about to help him regain his feet, after all. Scraping himself slowly together, he elbowed his way back up the wall until he was more or less upright again, then coughed and shivered and wandered several yards further along the fog-shrouded street. At times, his ears played tricks with the echoing sounds that spilled out onto the dark streets from distant public houses. Snatches of laughter and song came interspersed faintly with the nearer click of footfalls on pavement, but each time he peered round, he found nothing but swirling, malevolent yellow drifts. So he continued his meandering way down the wet street, allowing his shoulder to bump against the sooty bricks to guide and steady him on his way, making for the hidey hole he used when there was no money for a doss-house bed.

The entrance to a narrow alley robbed him of his sustaining wall. He scudded sideways, a half-swamped sailboat lashed by a sudden and brutal cross-wise gale, and stumbled into the dark alley. He tangled his wobbling feet, met another wet brick wall face on, and barely caught himself from a second ignominious slide into the muck. He was cursing softly under his breath when he heard that same, tantalizing whisper of faint footfalls from behind. Only this time, they were no trick of his hearing. Someone was coming toward him through the fog, hurrying now as he clung to the dirty brick wall in the darkness of the alley.

Another tart, perhaps, or a footpad out to pinch what he didn't any longer possess. Alarm flared slowly through his drunken haze. He started to turn—but it was far too late. A blow from something heavy smashed across his skull from behind. Light exploded behind his eyes in a detonation of pain and terror. Unable even to cry out, he crumpled straight down into darkness.

As Morgan toppled toward the filthy alley, a wiry man in his early thirties, dark-skinned with the look of Eastern Europe in his narrow face and eyes and dark moustaches, caught him under the arms. This second man grunted softly, curling his lip at the reek of alcohol and sweat which rose from the boy's grimy, once fancy clothes. This was no time, however, for fastidiousness. He twisted the boy around with a practiced jerk and heaved the dead weight over one shoulder. A swift glance told him the thick fog and darkness of the narrow alleyway had concealed the attack from any chance observation.

Well, Johnny my boy, he smiled to himself, you've made a good start. Now to finish this pathetic little cockerel. Dr. John Lachley was as pleased with the enshrouding yellow murk as he was with his swift handiwork and the drunken little fool he'd trailed all evening, who'd finally wandered so conveniently close to a place he could strike. He'd feared he might have to trail the boy all the way back to the filthy hole he'd been living in, on the first floor of a ramshackle, abandoned warehouse along the docks, so dilapidated and dangerous it was in the process of being torn down.

Quite a come-down, eh, pretty Morgan? 

Dark-haired, dark-eyed, darker-souled, John Lachley moved deeper into the darkness of the alleyway, staggering slightly under his burden until he found his new center of balance. The alley was narrow, clotted with rubbish and stench. A rat's eyes gleamed briefly in the foggy gloom. A street—little wider than the alley he followed—appeared through the murk. He turned to his right, moving toward the invisible docks a mere three blocks away, which were concealed from sight by grim warehouses and tumble-down shacks. Their bricks leaned drunkenly in the night, whole chunks of their walls missing in random patterns of darkness and swirling, jaundiced eddies.

John Lachley's clothes, little cleaner than those of his victim, revealed very little about their current owner; neither did the dark cloth cap he wore pulled low over his eyes. During daylight, his was a face that might well be recognized, even here, where many years ago Johnny Anubis had once been a household name, sought out by the poorest fishwives in search of hope; but in the darkness, in such rough clothing, even a man of his . . . notoriety . . . might go unremarked.

He smiled and paused at the entrance to one of the soot-streaked blocks of ramshackle flats. An iron key from his pocket unlocked a shabby wooden door. He cast a glance overhead and spotted the waning horns of the sickle-shaped moon. He smiled again. "Lovely night for scything, Lady," he said softly to the sharp-edged crescent. "Grant me success in mine, eh?"

Sulphurous fog drifted across the faintly glowing horns of that wicked sickle, seeming almost to catch and tear on the sharp points. He smiled again; then ducked inside, swung his victim's legs and head clear, and locked the door behind him. He needed no light to navigate the room, for it contained nothing but coal dust and scattered bits of refuse. A savage barking erupted from the darkness of the next room, sounding like every hound in hell had been loosed. Lachley spoke sharply. "Garm!"

The barking subsided into low growls. Heaving his burden into a slightly more comfortable position on his shoulder, John Lachley entered the next room and swung shut another heavy door which he located by feel alone. Here he paused to grope along the wall for the gas light. The gas lit with a faint hiss and pop; dim light sprang up. The windowless brick walls were barren, the floor covered with a cheap rug. A wooden bed frame with a thin cotton tick stood along one wall. A battered dry sink held a jug and basin, a lantern, and a grimy towel. An equally battered clothes press leaned drunkenly in one corner. The chained dog crouched at the center of the room stopped growling and thumped its tail in greeting.

"Have a pleasant evening, Garm?" he addressed the dog, retrieving a meat pie from one pocket, which he unwrapped from its greasy newspaper wrapping. He tossed it carelessly to the huge black hound. The dog bounded to its feet and snatched the food mid-air, wolfing it down in one bite. Had anyone besides himself entered this room, the dog would have shredded them to gobbets. Garm had earned his meat pies on more than one occasion.

Lachley dumped his victim onto the bed, then pulled back the rug and prised up a wooden trap door cut into the floorboards. He heaved this to one side, lit the lantern and set it beside the gaping hole in the floor, then retrieved the unconscious boy from the bed and shouldered his inert burden once again. He paused when he approached the edge and felt downward with one foot, finding the top step of a steep, narrow staircase. Lachley descended cautiously into darkness, retrieving his lantern as he moved downward. A wet, fetid smell of mold and damp brick rose to meet him.

Light splashed across a clammy wall where a rusty iron hook protruded from the discolored bricks. He hung the lantern on this, then reached up and dragged the trapdoor back into place. It settled with a scrape and hollow bang. Dust sifted down into his hair and collar, peppering his clothes as well as his victim's. He dusted off his palms, brushed splinters from a sleeve, then rescued his lantern from its hook and continued the descent. His feet splashed at the bottom. Wavering yellow light revealed an arched, circular brick tunnel through the bowels of Wapping, stretching away into blackness in either direction. The filthy brick was chipped and mottled with algae and nameless fungi. He whistled softly as he walked, listening to the echoes spill away like foam from a mug of dark ale.

As Lachley paralleled the invisible Thames, other tunnels intersected the one he'd entered. The sound of rushing water carried through the sepulchral darkness from underground streams and buried rivers—the Fleet River, which had blown up in 1846 from the trapped rancid and fetid gasses beneath the pavements, so toxic was the red muck leaking from the tanneries above; the once-noble Walbrook, which ran through the heart of the City of London; and River Tyburn, which had lent its name to the triple-tree where convicts were hanged at the crossroads—each of them was now confined beneath London's crowded, filthy streets, churning and spilling along their former courses as major sewers dumping into the mighty Thames.

John Lachley ignored the distant roar of water as he ignored the sewer stench permeating the tunnels. He listened briefly to the echoes of his footfalls mingle with the squeals of rats fighting over a dead dog's corpse and the distant sound of mating cats. At length, he lifted his lantern to mark the exact spot where the low entrance loomed. He ducked beneath a dripping brick arch, turned sharp left, and emerged in a narrow, coffin-sized space set with a thick iron door. An brass plaque set into it bore the legend "Tibor." 

Since the word was not English, the owner of this door had little fear of its meaning being deciphered should anyone chance to stumble across the hidden chamber. Lachley was not Hungarian by birth, but he knew the Slavic tongues and more importantly, their legends and myths, had studied them almost since boyhood. It amused him to put a name that meant "holy place" on the door of his private retreat from workaday London and its prosaic, steam-engine mentality.

Another key retrieved from a coat pocket grated in the lock; then the stout door swung noiselessly open, its hinges well oiled against the damp. His underground Tibor welcomed him home with a rush of dark, wet air and the baleful glow of perpetual fire from the gas jet he, himself, had installed, siphoning off the requisite fuel from an unsuspecting fuel company's gas mains. Familiar sights loomed in the dim chamber: vaulted ceiling bricks stained with moss and patchy brown mold; the misshapen form of gnarled oak limbs from the great, dead trunk he'd sawn into sections, hauled down in pieces, and laboriously fitted back together with steel and iron; the eternal gas fire blazing at its feet from an altar-mounted nozzle; huddled cloaks and robes and painted symbols which crawled across the walls, speaking answers to riddles few in this city would have thought even to ask; a sturdy work table along one wall, and wooden cabinets filled with drawers and shelves which held the paraphernalia of his self-anointed mission.

The reek of harsh chemicals and the reverberations of long-faded incantations, words of power and dominion over the creatures he sought to control, spoken in all-but-forgotten ancient tongues, bade him welcome as he stepped once more across the threshold and re-entered his own very private Tibor. He dumped his burden carelessly onto the work table, heedless of the crack of his victim's head against the wooden surface, and busied himself. There was much to do. He lit candles, placed them strategically about the room, stripped off his rough working clothes and donned the ceremonial robes he was always careful to leave behind in this sanctuary.

White and voluminous, a mockery of priestly vestments, and hooded with a deep and death-pale hood which covered half his face when he lowered it down, the semi-Druidic robes had been sewn to his specifications years previously by a sweatshop seamstress who had possessed no other way to pay for the divinations she'd come to him to cast for her. He slipped into the robes, shook back the deep hood for now, and busied himself with the same efficient industry which had brought him out of the misery of the streets overhead and into the life he now sought to protect at all cost.

John Lachley searched the boy's appallingly filthy, empty pockets, then felt the crackle of paper beneath Morgan's shirt. When he stripped off his victim, a sense of triumph and giddy relief swept through him: Morgan's letters were tucked into the waistband of his trousers, the foolscap sheets slightly grimy and rumpled. Each had been folded into a neat packet. He read them, curious as to their contents, and damned Albert Victor for a complete and bumbling fool. Had these letters come into the hands of the proper authorities . . .

Then he reached the end and stared at the neatly penned sheets of foolscap.

There were only four letters.

John Lachley tightened his fist down, crushing the letters in his hand, and blistered the air. Four! And Eddy had said there were eight! Where had the little bastard put the other half of the set? All but shaking with rage, he forced himself to close his fists around empty air, rather than the unconscious boy's throat. He needed to throttle the life out of this little bastard, needed to inflict terror and ripping, agonizing hurt for daring to threaten him, Dr. John Lachley, advisor to the Queen's own grandson, who should one day sit the throne in Victoria's stead . . .

With a snarl of rage, he tossed Morgan's clothing into a rubbish bin beneath the work table for later burning, then considered how best to obtain the information he required. A slight smile came to his lips. He bound the lad's hands and feet, then heaved him up and hauled him across the chamber to the massive oak tree which dominated the room, its gnarled branches supported now by brackets in ceiling and walls.

He looped Morgan's wrist ropes over a heavy iron hook embedded in the wood and left him dangling with his toes several inches clear of the floor. This done, he opened cabinet doors and rattled drawers out along their slides, laying out the ritual instruments. Wand and cauldron, dagger, pentacle, and sword . . . each with meanings and ritual uses not even those semi-serious fools Waite and Mathers could imagine in their fumbling, so-called studies. Their "Order of the Golden Dawn" had invited him to join, shortly after its establishment last year. He had accepted, naturally, simply to further his contacts in the fairly substantial social circles through which the order's various members moved; but thought of their so-called researches left him smiling. Such simplicity of belief was laughable.

Next he retrieved the ancient Hermetic deck with its arcane trumps, a symbolic alphabetical key to the terrible power of creation and transformation locked away aeons previously in the pharoahonic Book of Thoth. After that came the mistletoe to smear the blade, whose sticky sap would ensure free, unstaunchable bleeding . . . and the great, thick-bladed steel knife with which to take the trophy skull . . . He had never actually performed such a ritual, despite a wealth of knowledge. His hands trembled from sheer excitement as he laid out the cards, mumbling incantations over them, and studied the pattern unfolding. Behind him, his victim woke with a slow, wretched groan.

It was time.

He purified the blade with fire, painted mistletoe sap across its flat sides and sharp edge, then lifted his sacred, deep white hood over his hair and turned to face his waiting victim. Morgan peered at him through bloodshot, terrified eyes. Morgan's throat worked, but no sound issued from the boy's bloodless lips. He stepped closer to the sweating, naked lad who hung from Odin's sacred oak, its gnarled branches twisting overhead to touch the vaulted brick ceiling. A ghastly sound broke from his prisoner's throat. Morgan twisted against the ropes on his wrists, to no avail.

Then Lachley shook back his hood and smiled into the lad's eyes.

Blue eyes widened in shock. "You!" Then, terror visibly lashing him, Morgan choked out, "What—what'd I ever do to you, Johnny? Please . . . you got Eddy for yourself, why d'you want to hurt me now? I already lost my place in the house—"

He backhanded the little fool. Tears and blood streamed. "Sodding little ponce! Blackmail him, will you?"

Morgan whimpered, the terror in his eyes so deep they glazed over, a stunned rabbit's eyes. John Lachley let out a short, hard laugh. "What a jolly little fool you are, Morgan. And look at you now, done up like a kipper!" He caressed Morgan's bruised, wet face. "Did you think Eddy wouldn't tell me? Poor Eddy . . . Hasn't the brains God gave a common mollusk, but Eddy trusts me, bless him, does whatever I tell him to." He chuckled. "Spiritualist advisor to the future King of England. I'm at the front of a very long line of men, little Morgan, standing behind the rich and powerful, whispering into their ears what the stars and the gods and the spirits from beyond the grave want them to say and do and believe. So naturally, when our distraught Eddy received your message, he came straight to my doorstep, begging me to help him hush it all up."

The lad trembled violently where he dangled from the ropes, not even bothering to deny it. Not that denial would have saved him. Or even spared him the pain he would suffer before he paid the price for his schemes. Terror gleamed in Morgan's eyes, dripped down his face with the sweat pouring from his brow. Dry lips worked. His voice came as a cracked whisper. "W-what do you want? I swear, I'll leave England, go back to Cardiff, never whisper a word . . . I'll even sign on as deck hand for a ship out to Hong Kong . . ."

"Oh, no, my sweet little Morgan," Lachley smiled, bending closer. "Hardly that. Do you honestly think the man who controls the future King of England is so great a fool as that?" He patted Morgan's cheek. "The first thing I want, Morgan, is the other four letters."

He swallowed sharply. "H-haven't got them—"

"Yes, I know you haven't got them." He brushed a fingertip down Morgan's naked breastbone. "Who has got them, Morgan? Tell me and I may yet make it easier for you."

When Morgan hesitated, Lachley slapped him, gently.

The boy began shaking, crying. "She—she was going to tell the constables—I hadn't any money left, all I had was the letters—gave her half of them to keep her quiet—"

"Who?" The second blow was harder, bruising his fair skin.

"Polly!" The name was wrenched from him. He sobbed it out again, "Polly Nichols . . . filthy, drunken tart . . ."

"And what will Polly Nichols do with them, eh?" he asked, twisting cruelly a sensitive bit of Morgan's anatomy until the boy cried out in sharp protest. "Show them to all her friends? How much will they want, eh?"

"Wouldn't—wouldn't do any good, all she has is my word they're worth anything—"

He slapped Morgan again, hard enough to split his lips. "Stupid sod! Do you honestly think she won't read your pitiful letters? You are a fool, little boy. But don't ever make the mistake of thinking I am!"

Morgan was shaking his head frantically. "No, Johnny, no, you don't understand, she can't read them! They're not in English!"

Surprise left John Lachley momentarily speechless. "Not in English?" It came out flat as a squashed tomato. "What do you mean, not in English? Eddy doesn't have the intelligence to learn another language. I'm surprised the dear boy can speak his own, let alone a foreign one. Come, now, Morgan, you'll have to do better than that."

Morgan was crying again. "You'll see, I'll get them for you, Johnny, I'll show you, they're not in English, they're in Welsh, his tutor helped him—"

He backhanded the sniveling liar. Morgan's head snapped violently sideways.

"Don't play me for a fool!"

"Please," Morgan whimpered, bleeding from cut lips and a streaming nose, "it's true, why would I lie to you now, Johnny, when you promised you wouldn't hurt me again if I told you the truth? You have to believe me, please . . ."

John Lachley was going to enjoy coercing the truth from this pathetic little liar.

But Morgan wasn't done blubbering yet. His eyes, a watery blue from the tears streaming down his face, were huge and desperate as he babbled out, "Eddy told me about it, right after he sent the first one in Welsh, asked me if I liked his surprise. He thought it was a grand joke, because the ever-brilliant Mr. James K. Stephen—" it came out bitter, jealous, sounding very much, in fact, like Eddy "—was always so smart and learned things so easily and made sure Eddy was laughed at all through Cambridge, because everybody but a few of the dons knew it was Mr. James K. Stephen writing Eddy's translations in Latin and Greek for him, so Eddy could copy them out correctly in his own hand! He told me about it, how much he paid dear Jamesy for each translation his tutor did for him while they were still at Cambridge! So when Eddy wanted to write letters nobody else could read, he got the doting Mr. James K. Stephen to help him translate those for him, too, paid him ten sovereigns for each letter, so he wouldn't whisper about them afterwards . . ."

It was, Lachley decided, just possible that Morgan was telling him the truth. Paying his tutor to translate his Latin and Greek at University was very Eddy-like. So was paying the man to translate his love letters, God help them all. He caught Morgan's chin in one hand, tightened down enough to bruise his delicate skin. "And how much did Eddy pay his tutor to keep the secret that he was writing love letters in Welsh to a male whore?"

"He didn't! Tell him, I mean. That I'm a boy. He told Mr. Stephen that 'Morgan' was a pretty girl he'd met, from Cardiff, said he wanted to impress her with letters in her own native Welsh, so Mr. Stephen wouldn't guess Eddy was writing to me. He's not so very bright, Eddy, but he doesn't want to go to prison! So he convinced Mr. Stephen I was a girl and the gullible idiot helped Eddy write them, I swear it, Eddy said he stood over his shoulder and told him all the right Welsh words to use, even for the dirty parts, only when Eddy wrote out the second copies to me in private, he changed all the words you'd use for a girl's body to the right ones for a boy, because he looked that up, himself, so he'd know—"

"Second copies?"

Morgan flinched violently. "Please, Johnny, please don't hit me again! Eddy thought it would be funny, so he sent me the first copies attached to the ones he wrote out especially for me . . ."

His voice faded away as Lachley's white-faced fury sank in, mistaking Lachley's rage honestly enough. My God, the royal bastard is stupider than I thought! If it would do any good, I'd cut off Eddy's bollocks and feed them to him! Any magistrate in England would take one look at a set of letters like that and throw away the bloody key! 

He no longer doubted Morgan's sordid little tale about Welsh translations. Eddy was just that much of a fool, thinking himself clever with such a trick, just to impress a money grubbing, blackmailing little whore not fit to sell his wares for a crust of bread, much less royal largesse.

Morgan was gasping out, "It's true, Johnny, I'll prove it, I'll get the letters back and show you . . ."

"Oh, yes, Morgan. We will, indeed get those letters back. Tell me, just where might I find this Polly Nichols?"

"She's been staying at that lodging house at 56 Flower and Dean Street, the White House they call it, rooming with a man, some nights, other nights sharing with Long Liz Stride or Catharine Eddowes, whoever's got the doss money for the night and needs a roommate to share the cost . . ."

"What did you tell Polly Nichols when you gave her the letters?"

"That they were love letters," he whispered. "I didn't tell her who they were from and I lied, said they were on his personal stationery, when they're on ordinary foolscap, so all she'll know is they've been signed by someone named Eddy. Someone rich, but just Eddy, no last name, even."

"Very good, Morgan. Very, very good."

Hope flared in the little fool's wet eyes.

He patted Morgan's cheek almost gently.

Then Lachley brought out the knife.

 

 

Back | Next
Framed


Title: Ripping Time
Author: Linda Evans & Robert Asprin
ISBN: 0-671-57867-7
Copyright: © 2000 by Linda Evans & Robert Asprin
Publisher: Baen Books
- Chapter 5

Back | Next

Chapter Five

The reporters were waiting outside his office building, of course.

Senator Caddrick stepped out of his chauffeured limo and faced the explosion of camera flashes and television lights with an expression of grief and shock and carefully reddened eyes.

"Senator! Would you comment on this terrorist attack—"

"—tell us how feels to lose your sister-in-law to terrorists—"

"—any word on your daughter—"

Caddrick held up his hands, pled with the reporters. "Please, I don't know anything more than you do. Cassie's dead . . ." He paused, allowing the catch in his voice to circle the globe live via satellite. "My little girl is still missing, her college roommate has been brutally murdered, that's all I know, really . . ." He was pushing his way through the mob, his aide at his side.

"Is it true the terrorists were members of the Ansar Majlis, the down-time organization that's declared jihad against the Lady of Heaven Temples?"

"Will this attack cause you to re-open your campaign to shut down the time terminals?"

"Senator, are you aware that Senator Simon Mukhtar al Harb, a known Ansar Majlis sympathizer, is spearheading an investigation into the Temples—"

"Senator, what do you plan to do about this attack—"

He turned halfway up the steps leading to his office and faced the cameras, allowing his reddened eyes to water. "I intend to find my daughter," he said raggedly. "And I intend to find the bastards responsible for her disappearance, and for murdering poor Cassie . . . If it turns out these down-timer terrorists were responsible for Cassie's murder, if they've kidnapped my only child, then I will do whatever it takes to get every time terminal on this planet shut down! I've warned Congress for years, the down-timers flooding into the stations are a grave threat to the stability of our up-time world. And now this . . . I'm sorry, that's all I can say, I'm too upset to say anything else."

He fled up the steps and into his office.

And deep in his heart, smiled.

Phase Two, successfully launched . . .

* * *

Ianira Cassondra regained consciousness while Jenna and Noah were still packing. The faint sound from the hotel bed where she rested brought Jenna around, hands filled with the Victorian notion of ladies' underwear, which she'd purchased specifically for Ianira with Aunt Cassie's money. Jenna would be going through to London in disguise as a young man, something that left her shaking with stage fright worse than any she'd ever experienced. Seeing Ianira stir, Jenna dumped corsets and woolen drawers into an open steamer trunk and hurried over to join Marcus. Noah glanced up from the telephone, where the detective was busy scheduling an appointment with the station's cosmetologist. Armstrong wanted Jenna to go in for some quick facial alterations before the gate opened, to add Victorian-style whiskers to Jenna's too-famous, feminine face. Noah frowned, more reflectively than in irritation, then finished making the appointment and joined them.

Ianira stirred against the pillow. Dark lashes fluttered. Jenna discovered she was clenching her hands around her new costume's trousers belt. The leather felt slippery under the sweat. She realized with a sinking sensation in her gut that it was one thing to carry the prophetess on earth unconscious through the station's basement. It was quite another to gaze eye-to-eye with the embodiment of all that Jenna had come to believe about life and how it ought to be lived. Then Ianira's eyelids fluttered open and Ianira, Cassondra of Ephesus, lay gazing up at her. For a breathless moment, no intelligence flickered in those dark eyes. Then an indrawn breath and a lightning flicker of terror lashed at Jenna. Ianira flinched back, as though Jenna had struck her. Marcus, who knew Ianira better than anyone, surely, pressed the tips of his fingers across her lips.

"Hush, beloved. We are in danger. Cry out and you warn them."

Ianira's gaze ripped away from Jenna's, met her husband's. "Marcus . . ." It was the sound of a drowning soul clinging to a storm-battered, rocky shore. His arms went around her. The former Roman slave lifted her trembling figure, held her close. Jenna had to turn aside. The sight of such intimacy tore through her, a bitter reminder of the emptiness of her own life before Carl, an emptiness which had brought her, shaking and sick in her heart, into the Temple in the first place. The Temple, where she'd found real friendship for the first time in her life, friendship and Carl . . . The loss tore through her, still too new and raw to endure. Across the hotel room, Marcus was speaking, voice low, the words in some language other than English or the Latin he'd used earlier. Greek, probably, since Ianira had come to the station from Athens.

Someone touched Jenna's arm. She glanced up and found Noah watching her. "Yeah?" she asked, voice roughened, uncertain.

"She's asked for you."

Jenna's pulse banged unpleasantly in the back of her throat as she crouched down at the edge of the hotel bed. Ianira's dark, unearthly gaze shook her so deeply she couldn't even dredge up a greeting. When the prophetess lifted a hand, Jenna very nearly flinched back. Then Ianira touched Jenna's brow, slowly. "Why do you Seek," she murmured, "when you already know the answers in your heart?"

The room closed in around Jenna, dizzy and strange, as though voices whispered to her from out of a shimmering haze, voices whose whispered words she could not quite hear. From the depths of the blackness which filled her mind, a blackness which had swallowed nearly all of her childhood—which was far better forgotten than relived in aching emptiness again and again—a single image blazed in Jenna's mind. A woman's smiling face . . . arms held out to her . . . closing around her with a sense of safety and shelter she had not felt since her mother's death, so many years ago, now, it was blurred in her memory. What this sudden memory meant, Jenna wasn't sure, but it left her gasping and sick on her knees, so violently shaken she couldn't even wipe her burning eyes.

Someone crouched beside her, braced Jenna all along one side, wiped her face with a warm, damp cloth. When the stinging, salty blindness had passed, she found Noah gazing worriedly at her. "You okay, kid?"

"Yeah." The fact that it was true shocked her. She was okay. Then it hit her why: she wasn't quite alone any longer. She knew almost nothing about Noah Armstrong, not even the most basic thing one person can know about another—their gender—but she wasn't alone, facing this nightmare. Noah might not be going with her when Jenna stepped through the Britannia Gate a couple of hours from now, but Noah cared. Somehow, it was enough. She managed to meet the enigmatic detective's eyes. "Thanks."

"Sure." Noah gave her a hand up, steadied her.

Jenna turned slowly to face the woman whose presence, whose touch and single question had triggered . . . whatever it had been. "Did—" Jenna had to clear her throat roughly. "Did Marcus tell you what's happened?"

She studied Jenna gravely. "He has told me all that he knows."

Jenna drew breath, trying to find the words to make sense of this. "My father . . ." She stopped, started again, coming at this mess from a different direction, trying to find the words to explain to a woman who had never seen the up-time world and would never be permitted to visit it. "You see, lots of people don't like the Temples. The Lady of Heaven Temples. They've got different reasons, but the prejudice is growing. Some people think Templars are immoral. Dangerous to society. Perverting children, that kind of garbage.

"There's this one group, though . . . down-timers, mostly, coming up-time from the remains of TT-66. They formed a cult to destroy us. The Ansar Majlis hate us, say it's blasphemous to worship a goddess. Rather than their idea of a god." It came out bitter, shaky. The expression in Ianira's eyes left Jenna gulping, terrified to her bones. She got the rest out in a rush, trying to hold onto her nerve. "As long as the Ansar Majlis were kept bottled up in the Middle East, where they started coming through the down-time gates, they were pretty much harmless. But a lot of people would like to see the Temples destroyed, or at least hurt badly enough they're not a political threat, anymore. Some of the lunatics who live up time have been helping that murdering pack of terrorists . . ."

"Your father," she said quietly. "He is among them."

Jenna didn't have to answer; Ianira knew. Jenna bit one lip, ashamed of the blood in her own veins and furious that she couldn't do anything besides smash Ianira's world to pieces. "He gave the orders, yes. To a death squad. They murdered my mother's sister. And my . . . my best friend from college . . ." Jenna's voice went ragged.

Ianira reached across, touched Jenna's hand. "They have taken him from you," she whispered, the sympathy in her voice almost too much to bear, "but you have his final gift to you. Surely this must bring some consolation, some hope for the future?"

Jenna blinked, almost too afraid of this woman to meet those dark, too-wise eyes. "What . . . what do you mean?"

Ianira brushed fingergips across Jenna's abdomen, across the queasiness which had plagued her for nearly a full week, now. "You carry his child," Ianira said softly.

When the room greyed out and Jenna clutched at the edge of the bed in stupid shock, the prophetess spoke again, very gently. "Didn't you know?"

Someone had Jenna by the shoulders, kept her her from falling straight to the floor. Dear God . . . it's not fear sickness, it's morning sickness . . . and I am late, oh, God, I'm going to Victorian London with Daddy's killers trying to find me and I'm carrying Carl's baby. . . . How long would they have to hide in London? Weeks? Months? Years? I can't go disguised as a man, if I'm pregnant! But she had no real choice and she knew it. Her father's hired killers would be searching for a frightened girl in the company of a detective, not a lone young man travelling with several large steamer trunks. When she looked up, she found Ianira's dark gaze fastened on her and, more surprisingly, Noah Armstrong's grey-eyed gaze, filled with worry and compassion.

"You're . . . sure . . . ?" Jenna choked out.

Ianira brushed hair back from Jenna's brow. "I am not infallible, child. But about this, yes, I am certain."

Jenna wanted to break down and cry, wanted to curl up someplace and hide for the next several decades, wanted to be held and rocked and reassured that everything would be all right. But she couldn't. She met Ianira's gaze again. "They'll kill us all, if they can." She wrapped protective arms around her middle, around the miracle of Carl's baby, growing somewhere inside her. A fierce determination to protect that tiny life kindled deep within. "I'd be in a morgue someplace, already, undergoing an autopsy, if Noah hadn't dragged me out of that trap where Aunt Cassie died. I'm not going to let them win. Not if I have to spend the next forty years on the run, until we can find a way to stop them."

"And they have come here," Ianira whispered, fingers tightening around Jenna's arm, "to destroy the world we have built for ourselves."

Jenna wanted to look away from those too-knowing eyes, wanted to crawl away and hide, rather than confirm it. But she couldn't lie to the prophetess, even to spare her pain. "Yes. I'm sorry . . ." She had to stop for a moment, regain her composure. "We can get you off station, make a run for it down time. I don't give a damn about the laws forbidding down-timers to emigrate through a gate."

Ianira's gaze went to her children. Mute grief touched those dark eyes. "They cannot come with me?"

Noah answered, voice firm. "No. We don't dare risk it. They'll find a way to follow us through every gate that opens this week. If we put your children in the same trunk we smuggle you out of the station in, and their assassins get to Jenna . . ."

Ianira Cassondra shuddered. "Yes. It is too dangerous. Marcus . . ."

He gripped her hands hard. "I will guard them. With my life, Ianira. And Julius has pledged to help us escape. No one else must know. Not even our friends, not even the Council of Seven. Julius only knows because he was using the tunnels to run a message from one end of Commons to the other. He found us."

At the look that came into her eyes, a shudder touched its cold finger to Jenna's spine. Ianira's eyelids came clenching down. "The death that stalks us is worse than we know . . . two faces . . . two faces beyond the gates . . . and bricks enclose the tree where the flame burns and blood runs black . . . be wary of the one with grey eyes, death lives behind the smile . . . the letters are the key, the letters bring terror and destruction . . . the one who lives behind the silent gun will strike in the night . . . seeks to destroy the soul unborn . . . will strike where the newborn bells burn bright with the sound of screams . . ." She sagged against her husband, limp and trembling.

Jenna, too, was trembling, so violently she could scarcely keep her feet where she crouched beside the bed.

Marcus glanced up, eyes dark and frightened. "I have never seen the visions come to her so powerfully. Please, I beg of you, be careful with her."

Jenna found herself lifting Ianira's cold hands to warm them. They shook in Jenna's grasp. "Lady," she whispered, "I'm not much good at killing. But they've already destroyed the two people I cared about more than anything in the world. I swear, I will kill anything or anyone who tries to hurt you."

Ianira's gaze lifted slowly. Tears had reddened her eyes. "I know," she choked out. "It is why I grieve."

To that, Jenna had no answer whatever.

* * *

Dr. John Lachley had a problem.

A very serious problem.

Polly Nichols possessed half of Eddy's eight letters, written to the now-deceased orphan from Cardiff. Unlike Morgan, however, whom nobody would miss, Polly Nichols had lived in the East End all her life. When she turned up rather seriously dead, those who knew her were going to talk. And what they knew, or recalled having seen, they would tell the constables of the Metropolitan Police Department's H Division. While the police were neither well liked nor respected in Whitechapel, Polly Nichols was, despite her infamous profession. Those who liked and respected her would help the police catch whoever did to her what John Lachley intended to do to anyone who came into possession of Eddy's miserable little letters.

God, but he had enjoyed carving up that little bastard, Morgan . . .

The very memory made his private and unique anatomy ache.

So . . . he must find Polly Nichols, obtain her letters, then cut her up the same delightful way he had cut Morgan, as a message to all blackmailing whores walking these filthy streets, and he must do it without being remarked upon or caught. He would disguise himself, of course, but John Lachley's was a difficult face to disguise. He looked too foreign, always had, from earliest childhood in these mean streets, a gift from his immigrant mother. Lachley knew enough theatrical people, through his illustrious clientele, to know which shops to visit to obtain false beards and so on, but even that was risky. Acquiring such things meant people would recall him as the foreigner who had bought an actor's bag of makeup and accouterments. That was nearly as bad as being recalled as the last man seen with a murdered woman. Might well prove worse, since being remembered for buying disguises indicated someone with a guilty secret to hide. How the devil did one approach the woman close enough to obtain the letters and murder her, afterwards, without being seen? 

He might throw suspicion on other foreigners, perhaps, if he disguised himself as one of the East End's thousands of Jews. A long false beard, perhaps, or a prayer shawl knotted under his overcoat . . . Ever since that Jew, what was his name, Lipski, had murdered that little girl in the East End last year, angry Cockneys had been hurtling insults at foreigners in the eastern reaches of London. In the docklands, so many refugees were pouring in from the Jewish communities of Eastern Europe, the very word "foreigner" had come to mean "Jew." Lachley would have to give that serious consideration, throwing blame somehow onto the community of foreigners. If some foreign Jew hanged for Lachley's deeds, so much the better.

But his problem was more complicated than simply tracing Polly Nichols, recovering her letters, and silencing her. There was His Highness' tutor to consider, as well. The man knew too much, far too much for safety. Mr. James K. Stephen would have to die. Which was the reason John Lachley had left London for the nearby village of Greenwich, this morning: to murder Mr. James K. Stephen.

He had made a point of striking up an acquaintance with the man on the riding paths surrounding Greenwich just the morning previously. Lachley, studying the layout of the land Stephen preferred for his morning rides, had casually trailed Stephen while looking for a place to stage a fatal accident. The path Eddy's tutor habitually took carried the riders out into fields where farm workers labored to bring in the harvest despite the appalling rain squalls, then wandered within a few feet of a large windmill near the railway line. Lachley gazed at that windmill with a faint smile. If he could engineer it so that Stephen rode past the windmill at the same time as a passing train . . .

So he followed Stephen further along the trail and cantered his horse up alongside, smiling in greeting, and introduced himself. "Good morning, sir. John Lachley, physician."

"Good morning, Dr. Lachley," Eddy's unsuspecting tutor smiled in return. "James Stephen."

He feigned surprise. "Surely not James K. Stephen?"

The prince's former tutor stared in astonishment. "Yes, in fact, I am."

"Why, I am delighted, sir! Delighted! Eddy has spoken so fondly of you! Oh, I ought to explain," he added at the man's look of total astonishment. "His Highness Prince Albert Victor is one of my patients, nothing serious, of course, I assure you. We've become rather good friends over the last few months. He has spoken often of you, sir. Constantly assigns to you the lion's share of the credit for his success at Cambridge."

Stephen flushed with pleasure. "How kind of His Highness! It was my priviledge to have tutored him at university. You say Eddy is quite well, then?"

"Oh, yes. Quite so. I use certain mesmeric techniques in my practice, you see, and Eddy had heard that the use of mesmeric therapy can improve one's memory."

Stephen smiled in genuine delight. "So naturally Eddy was interested! Of course. I hope you have been able to assist him?"

"Indeed," John Lachley laughed easily. "His memory will never be the same."

Stephen shared his chuckle without understanding Lachley's private reasons for amusement. As they rode on in companionable conversation, Lachley let fall a seemingly casual remark. "You know, I've enjoyed this ride more than any I can recall in an age. So much more refreshing than Hyde Park or Rotten Row, where one only appears to be in the countryside, whereas this is the genuine article. Do you ride this way often?"

"Indeed, sir, I do. Every morning."

"Oh, splendid! I say, do you suppose we might ride out together again tomorrow? I should enjoy the company and we might chat about Eddy, share a few amusing anecdotes, perhaps?"

"I should enjoy it tremendously. At eight o'clock, if that isn't too early?"

"Not at all." He made a mental note to check the train schedules to time their ride past that so-convenient windmill. "Eight o'clock it shall be." And so they rode on, chatting pleasantly while John Lachley laid his plans to murder the amiable young man who had helped Eddy with one too many translations.

Early morning light, watery and weak, tried vainly to break through rainclouds as Lachley stepped off Greenwich pier from the waterman's taxi he'd taken down from London. The clock of the world-famous Greenwich observatory struck eight chimes as Lachley rented a nag from a dockside livery stable and met James Stephen, as agreed. The unsuspecting Stephen greeted him warmly. "Dr. Lachley! Well met, old chap! I say, it's rather a dismal morning, but we'll put a good face on it, eh? Company makes the gloomiest day brighter, what?"

"Indeed," Lachley nodded, giving the doomed tutor a cheery smile.

The scent of the River Thames drifted on the damp breeze, mingling with the green smell of swampy ground from Greenwich Marshes and the acrid, harsh smell of coal smoke, but Dr. John Lachley drew a deep, double-lungful and smiled again at the man who rode beside him, who had but a quarter of an hour to live.

Riding down the waterfront, past berths where old fashioned, sail-powered clipper ships and small, iron-hulled steamers creaked quietly at anchor, Lachley and Mr. Stephen turned their nags up King William Walk to reach Greenwich Park, then headed parallel to the river past the Queen's House, built for Queen Anne of Denmark by James the First in 1615. Greenwich boasted none of London's stink, smelling instead of fresh marshes and late-autumn hay and old money. Tudor monarchs had summered here and several had been born in Greenwich palaces. The Royal Naval College, once a Royal Hospital for Seamen, shared the little village on the outskirts of London with the Royal Observatory and the world-famous Greenwich Meridian, the zero line of oceanic navigation.

As they left behind the village with its royal associations, riding out along the bridle path which snaked its way between Trafalgar Road and the railway line, Lachley began sharing an amusing story about Eddy's latest forays into the East End, a low and vulgar habit Eddy had indulged even during his years at Cambridge, in order to drink and make the rounds of the brothels, pubs, and even, occasionally, the street walkers and fourpence whores who could be had for the price of a loaf of bread.

" . . . told the girl he'd give her quid if she'd give him a four-penny knee-trembler and the child turned out to be an honest working girl. Slapped his face so hard it left a hand-print, little dreaming she'd just struck the grandson of the queen. And poor Eddy went chasing after her to apologize, ended up buying every flower in her tray . . ."

They were approaching the fateful windmill Lachley had spied the previous morning. The screaming whistle of a distant train announced the arrival of the diversion Lachley required for his scheme. He smiled to himself and slowed his horse deliberately, to be sure of the timing, leaning down as though concerned his horse might be drawing up lame. Stephen also reined in slightly to match pace with him and to hear the end of the story he was relating.

The train whistle shrieked again. Both horses tossed their heads in a fretting movement. Good . . . Lachley nodded approvingly. A nervous horse under Mr. James K. Stephen was all the better. The sorrel Stephen rode danced sideways as the train made its roaring, smoking approach. A moment later they were engulfed in a choking cloud of black smoke and raining cinders.

Lachley whipped his hand into his coat pocket and dragged out the lead-filled sap he'd brought along. His pulse thundered. His nostrils dilated. His whole body tingled with electric awareness. His vision narrowed, tunnelling down to show him the precise spot he would strike. They passed the whirling blades of the windmill, engulfed in the deafening roar of the passing train. Now! Lachley reined his horse around in a lightning move that brought him alongside Stephen's sweating mount. Excitement shot through him, ragged, euphoric. He caught a glimpse of James Stephen's trusting, unsuspecting face—

A single, savage blow was all it took.

The thud of the lead sap against his victim's skull jarred Lachley's whole arm, from wrist to shoulder. Pain and shock exploded across Stephen's face. The man's horse screamed and lunged sideways as its rider crumpled in the saddle. The nag bolted straight under the windmill, crowded in that direction by Lachley's own horse and the deafening thunder of the passing train. Stephen pitched sideways out of the saddle, reeling toward unconsciousness. And precisely as Lachley had known it would, one of the windmill vanes caught Stephen brutally across the back of the skull. He was thrown violently to one side by the turning blade. The one-time tutor to Prince Albert Victor Christian Edward landed in a crumpled heap several feet away. Lachley sat watching for a long, shaking moment. The sensations sweeping through him, almost sexual in their intensity, left him trembling.

Then, moving with creditable calm for a man who had just committed his second murder with his own hands—and the first in open view of the public eye—John Lachley wiped the lead sap on his handkerchief and secreted his weapon in his pocket once more. He reined his horse around and tied it to the nearest tree. Dismounting from the saddle, he walked over to the man he'd come here to kill. James K. Stephen lay in a broken heap. Lachley bent down . . . and felt the pulse fluttering at the man's throat.

The bastard was still alive! Fury blasted through him, brought his vision shrieking down to a narrow hunter's focus once more. He stole his hand into his pocket, where the lead sap lay hidden—

"Dear God!" a voice broke into his awareness above the shriek and rattle of the train. Lachley whirled around, violently shaken. Another man on horseback had approached from the trail. The stranger was jumping to the ground, running towards them. Worse, a striking young woman with heavy blond hair sat another horse on the trail, watching them with an expression of shock and horror.

"What's happened?" the intruder asked, reasonably enough.

Lachley forced himself to calmness, drew on a lifetime's worth of deceit and the need to hide who and what he was in order to survive, and said in a voice filled with concern, "This gentleman and I were riding along the trail, here, when the train passed. Something from the train struck him as it went by, I don't know what, a large cinder perhaps, or maybe someone threw something from a window. But his horse bolted quite abruptly. Poor devil was thrown from the saddle, straight under the windmill blades. I'd just reached him when you rode up."

As he spoke, he knelt at Stephen's side, lifted his wrist to sound his pulse, used his handkerchief to bind the deep wound in his head, neatly explaining away the blood on the snowy linen. The stranger crouched beside him, expression deeply concerned.

"We must get him to safety at once! Here . . . cradle the poor man's head and I'll lift his feet. We'll put him in my saddle and I'll ride behind, keep him from falling. Alice, love, don't look too closely, his head's a dreadful sight, covered in blood."

Lachley ground his teeth in a raging frustration and gave the man a seemingly relieved smile. "Capital idea! Splendid. Careful, now . . ."

Ten minutes later the man he'd come all this way to murder lay in a bed in a Greenwich Village doctor's cottage, in a deep coma and not—as the doctor said with a sad shake of his head—expected to survive. Lachley agreed that it was a terrible tragedy and explained to the village constable what had occurred, then gave the man his name and address in case he were needed again.

The constable said with genuine concern, "Not that there's likely to be any inquest, even if the poor chap dies, it's clearly an accident, terrible freak of an accident, and I appreciate your help, sir, that I do."

The bastard who'd come along at just the wrong instant gave the constable his own name, as well, a merchant down from Manchester, visiting London with his younger sister. Lachley wanted to snatch the lead sap out of his pocket and smash in the merchant's skull with it. Instead, he took his leave of the miserable little physician's cottage while the constable arranged to contact James Stephen's family. It was some consolation, at least, that Stephen was not likely to survive much longer. And, of course, even if Stephen did live, the man would not realize that the blow which had struck him down had been an intentional one. The story of the accident would be relayed to the victim by the constable, the village doctor, even his own family. And if Stephen did survive . . .

There were ways, even then, of erasing the problem he still represented.

The matter being as resolved as he could make it at this juncture, John Lachley set his horse toward Greenwich Village pier for the return trip to London and set his seething mind toward Polly Nichols and the problems she represented.

He was still wrestling with the problem when he returned home to find a letter which had arrived, postmarked, of all places, Whitechapel, London, Liverpool Street Station. "My dearest Dr. Lachley," the missive began, "such a tremendous difference you have made! Many of my symptoms have abated immeasurably since my visit to your office, Friday last. I feel stronger, more well, than I have in many months. But I am still troubled greatly by itching hands and dreadful headaches. I wondered if you would be so good as to arrange another appointment for me in your surgery? I am certain you can do me more good than any other physician in the world. As I have returned to London on business, it would be most kind of you to fit me into your admittedly busy schedule. I eagerly await your response. Please contact me by return post, general delivery, Whitechapel."

It was signed James Maybrick, Esquire.

John Lachley stared at the signature. Then a slow smile began to form. James Maybrick, the murderous cotton merchant from Liverpool . . . With his delightful written diary and its equally delightful confession of murder. And not just any murder, either, but the murder of a whore, by damn, committed by a man with all the motive in the world to hate prostitutes! Maybrick wasn't a Jew, didn't look even remotely foreign. But if Lachley recruited Maybrick into this hunt for Polly Nichols, worked with him, there would be two descriptions for eyewitnesses to hand police, confounding the issue further, throwing the constables even more violently off Lachley's trail. Yes, by damn, Maybrick was just the thing he required.

It was so simple, he very nearly laughed aloud. He would meet the man in Whitechapel this very night, by God, induce a state of drugged mesmeric trance, then turn that lethal rage of his into the perfect killing machine, a weapon he could direct at will against whatever target he chose. And the diary would ensure the man's death at the end of a rope. Lachley chuckled, allowing the seething frustration over his failure to silence the prince's tutor to drop away. He would encourage Maybrick to dutifully record every sordid detail of Polly Nichols' murder, would even place mesmeric blocks in Maybrick's mind to prevent the imbecile from mentioning him in the diary.

James Maybrick was a godsend, by damn, a genuine godsend!

But as he turned his thoughts toward the use he would make of Maybrick, the enormity of the threat Polly Nichols represented drained away his jubilant mood. God, that Nichols bitch had been in possession of the letters long enough, she might have found someone to translate the bloody letters into English! He had to move quickly, that much was certain. Tonight. He would risk waiting no longer than that.

Lachley opened his desk and removed pen, paper, and penny-post stamps, then composed a brief reply to his arsenic-addicted little cotton merchant. "My dear sir, I would be delighted to continue your treatment. It is an honor to be entrusted with your health. I am certain I can make a changed man of you. Please call upon me in my Cleveland Street surgery this evening by eight P.M. If you are unable to keep this appointment, please advise me by telegram and we will arrange a mutually agreeable time."

He left the house to post the letter, himself, wanting to be certain it would go out in plenty of time for the late afternoon mail delivery bound for Liverpool Street Station, Whitechapel—no more than a handful of miles from his house in Cleveland Street. London was the envy of Europe for its mail service, with multiple pickups a day and delivery times of only a few hours, particularly for general delivery mail service. Lachley smiled to himself and whistled easily as he strolled past the fashionable artists' studios which lined Cleveland Street, giving it the air of respectability and fashion its other, less reputable inhabitants could never hope to achieve. Men of wealth and high station patronized the studios on Cleveland Street, commissioning paintings for their homes, portraits of their wives and progeny, immortalizing themselves on the canvasses of talented artists like Walter Sickert and the incomparable Vallon, who'd recently painted a canvas which the Prime Minister, Lord Salisbury, had just purchased for the astonishing sum of five hundred pounds, merely because members of his family were included in the work.

John Lachley had chosen Cleveland Street for his residence because of its association with the highly fashionable artistic community. Here, a mesmeric physician and occultist appeared to his wealthy clientele as a model of staid respectability compared with the somewhat more Bohemian artists of the district. Lachley knew perfectly well he would have been considered outlandish in more sedate surroundings such as Belgravia. So to Cleveland Street he had come, despite the reputations of one or two of its pubs and houses, which catered to men of Eddy's persuasion. And it was in Cleveland Street where he had first met the darling prince Albert Victor Christian Edward and turned that chance meeting to his considerable advantage. His scheme was certainly paying handsome dividends.

All he had to do now was protect his investment.

Polly Nichols didn't yet know it, but she had less than a day to live. Lachley hoped she spent it enjoying herself. He certainly intended to enjoy her demise. He hastened his footsteps, eager to post his letter and set into motion the events necessary to bring him to that moment. James Maybrick would make the perfect weapon. Why, he might even let Maybrick have the knife, once Lachley, himself, had vented his rage.

He chuckled aloud and could have kissed the fateful letter in his gloved hand.

Tonight, he promised Polly Nichols. We meet tonight. 

* * *

When Margo arrived at the Britannia Gate's departures lounge, Victoria Station had taken on the chaotic air of a tenting circus in the process of takedown for transit to the next town. Not a cafe table in sight, either on the Commons floor or up on one of the balconies, could be had for less than a minor king's ransom and it was standing room only on every catwalk and balcony overlooking Victoria Station. If many more spectators tried to crowd onto the concrete and steel walkways up there, they'd have balconies falling three and four stories under the weight.

Besides the ordinary onlookers, the loons were out in force, as well, carrying placards and holding up homemade signs. Delighted news crews filmed the chaos while Ripperoons and assorted lunatics gave interviews to straight-faced camera operators about how Lord Jack was going to appear through an unstable gate created by a passing meteor and step off into the open Britannia amidst a host of unheavenly demons charged with guarding his most unsacred person from all earthly harm . . .

It might almost have been funny if not for the handful of real crazies demanding to be allowed through, tickets or no tickets, to serve their lord and master in whatever fashion Jack saw fit. Margo, jockeying for position in the crowd, trying to get her luggage cart through, stumbled away from one wild-eyed madman who snatched at her arm, screaming, "Unchaste whore! Jack will see your sins! He will punish you in this ripping time . . ." Margo slipped out of his grasp and left him windmilling for balance, unprepared for someone who knew Aikido.

Security arrived a moment later and Margo waved at Wally Klontz as the nutcase came after her again. "Wally! Hey! Over here!"

"What's the prob—oh, shit!" Wally snatched out handcuffs and grabbed the guy as he lunged again at Margo and screamed obscenities. More security waded in as a couple of other frenzied nutcases protested the man's removal. Violence broke out in a brief, brutish scuffle that ended with Margo gulping down acid nervousness while security agents hauled away a dozen seriously deranged individuals—a couple of them in straightjackets. Standing in the midst of a wide-eyed crowd of onlookers and glassy camera lenses, Margo brought her shudders under control and shoved her way past news crews who thrust microphones and cameras into her face.

"Aren't you Margo Smith, the Time Tours special guide for the Ripper Watch—"

"—true you're training to become a time scout?"

"—give us your feelings about being accosted by a member of a `Jack is Lord' cult—"

"No comment," she muttered again and again, using the luggage cart as a battering ram to force the newsies aside. If things were this bad on station . . . What was it really going to be like in London's East End, when the Ripper terror struck?

And what if it'd been one of those madmen who'd grabbed Ianira? As a sacrifice to Jack the Ripper? It didn't bear thinking about. Margo thrust the thought firmly aside and turned her luggage over to Time Tours baggage handlers, securing her claim stubs in her reticule, then lunged for the refuge of the departures lounge, where the news crews could follow her only with zoom lenses and directional microphones. It wasn't privacy, but it was the best she could do under the circumstances and Margo had no intention of giving anybody an interview about anything.

Once in the Time Tours departures lounge, she searched the crowd, looking for her new charges, Shahdi Feroz and the two journalists joining the Ripper Watch Team. She'd made one complete circuit of the departures area and was beginning to quarter it through the center when the SLUR-TV theme music swelled out over the crowds jamming Commons and a big screen television came to life. Shangri-La's new television anchor, Booth Hackett, voiced the question of the hour in booming tones that cut across the chaos echoing through Commons.

"It's official, Shangri-La Station! Ripper Season is underway and the entire world is asking, who really was Jack the Ripper? The list of suspects is impressive, the theories about conspiracies in high-government offices as convoluted as any modern conspiracy theorist could want. In an interview taped several hours ago with Dr. Shahdi Feroz, psycho-social historical criminologist and occult specialist for the team . . ."

Margo tuned it out and kept hunting for the Ripper scholar and wayward journalists, who should've been here by now. She wasn't interested in what that ghoul, Hackett, had to say and she already knew all the theories by heart. Kit had made sure of that before consenting to send her down the Britannia. First came the theories involving cults and black magic—hence Shahdi Feroz's inclusion on the team. Robert Donston Stephenson, who had claimed to know the Ripper and his motives personally and was at the top of several suspect lists, had been a known Satanist and practitioner of black magic. Aleister Crowley was on the cult-member suspect list, as well, although the evidence was slim to non-existent. Neither man, despite individual notoriety, fit the profile of a deranged psychopathic killer such as the Ripper. Margo wasn't betting on either of them.

She didn't buy any of the Mary Kelly theories, either—and some of them were among the weirdest of all Ripper theories. Honestly, Queen Victoria ordering the Prime Minister to kill anyone who knew that her grandson had secretly married a Catholic prostitute and fathered a daughter by her, guaranteeing a Catholic heir to the throne? Not to mention the Prime Minister drafting his pals in the Masonic Temple to re-enact some idiot's idea of Masonic rituals on the victims? It was just too nutty, not to mention the total lack of factual support. And she didn't think Mary Kelly's lover, the unemployed fish porter Joseph Barnett, had cut her up with one of his fish-gutting knives, either, despite their having quarrelled, or that he'd killed the other women to "scare" her off the streets. No, the Mary Kelly theories were just too witless . . .

"You are looking very irritated, Miss Smith."

Margo jumped nearly out of her skin, then blinked and focused on Shahdi Feroz' exquisite features. "Oh! Dr. Feroz . . . I, uh, was just looking . . ." She shut up, realizing it would come out sounding like she was irritated with the scholar if she said "I was looking for you," then turned red and stammered out, "I was thinking about all those stupid theories." She nodded toward the big-screen television where Dr. Feroz' taped interview was still playing, then added, "I mean, the ones about Mary Kelly."

Shahdi Feroz smiled. "Yes, there are some absurd ones about her, poor creature."

"You can say that again! You're all checked in and your luggage is ready?"

The scholar nodded. "Yes. And—oh bother!"

Newsies. Lots of them. Leaning right across the departures lounge barricades, with microphones and cameras trained on Shadhi Feroz and Margo. "This way!" Margo dragged the scholar by the wrist to the most remote corner of the departures lounge, putting a mass of tourists between themselves and the frustrated news crews. As Margo forced their way through, speculation flew wild amongst the tourists milling around them in every direction, eager to depart.

"—I think it was the queen's grandson, himself, not just some alleged lover."

"The queen's grandson? Duke of Clarence? Or rather, Prince Albert Victor? He wasn't named Duke of Clarence until after the Ripper murders. Poor guy. He's named in at least three outlandish theories, despite unshakable alibis. Like being several hundred miles north of London, in Scotland, for God's sake, during at least one of the murders . . ."

A nearby Time Tours guide in down-time servant's livery, was saying, "Ducks, don't you know, just everybody wants it to've been a nice, juicy royal scandal. Anytime a British royal's involved in something like the Ripper murders or the drunk-driving death of the Princess of Wales, back near the end of the twentieth century, conspiracy theories pop up faster than muckraking reporters are able to spread 'em round."

They finally gained the farthest corner, out of sight of reporters, if not out of earshot of the appalling noise loose in Victoria Station. "Thank you, my dear," Shadhi breathed a sigh. "I should not be so churlish, I suppose, but I am tired and reporters . . ." She gave an elegant shrug of her Persian shoulders, currently clad in Victorian watered silk, and added with a twinkle in her dark eyes, "So you believe none of the theories about Mary Kelly?"

"Nope."

"Not even the mad midwife theory?"

Margo blinked. Mad midwife? Uh-oh . . .

Shahdi Feroz laughed gently. "Don't be so distressed, Miss Smith. It is not a commonly known theory."

"Yes, but Kit made me study this case inside out, backwards and forwards—"

"And you have been given, what? A few days, at most, to study it? I have spent a lifetime puzzling over this case. Don't feel so bad."

"There really is a mad midwife theory?"

Shahdi nodded. "Oh, yes. Mary Kelly was three months pregnant when she died. With a child she couldn't afford to feed. Abortions were illegal, but easily obtained, particularly in the East End, and usually performed by midwives, under appalling conditions. And midwives could come and go at all hours, without having to explain blood on their clothing. Even Inspector Abberline believed they might well be looking for a woman killer. This was based on testimony of a very reliable eyewitness to the murder of Mary Kelly. Abberline couldn't reconcile the testimony any other way, you see. A woman was seen wearing Mary Kelly's clothes and leaving her rented room the morning she was killed, several hours after coroners determined that Mary Kelly had died."

Margo frowned. "That's odd."

"Yes. She was seen twice, once between eight o'clock and eight-thirty, looking quite ill, and again about an hour later outside the Britannia public house, speaking with a man. This woman was seen both times by the same witness, a very sober and reliable housewife who lived near Mary Kelly, Mrs. Caroline Maxwell. Her testimony led Inspector Abberline to wonder if the killer might perhaps be a deranged midwife who dressed in the clothing of her victim as a disguise. And there certainly were clothes burned in Mary Kelly's hearth, shortly after the poor girl was murdered."

"But she died at four A.M.," Margo protested. "What would've kept her busy in there for a whole four hours? And what about the mutilations?"

"Those," Shahdi Feroz smiled a trifle grimly, "are two of the questions we hope to solve. What the killer did between Mary Kelly's death and his or her escape from Miller's Court, and why."

Margo shivered and smoothed her dress sleeves down her arms, trying to smooth the goose chills, as well. She didn't like thinking about Mary Kelly, the youngest and prettiest of the Ripper's victims, with her glorious strawberry blond hair. Margo's memories of her mother were sharp and terrible. Long, thick strawberry blond hair, strewn across the kitchen floor in sticky puddles of blood . . .

The less Margo recalled about what her mother had been and how she'd died, the better. "A mad midwife sounds nutty to me," she muttered. "As nutty as the other theories about Mary Kelly. Besides, there probably was no such person, just a police inspector groping for a solution to fit the testimony."

Shahdi Feroz chuckled. "You would be wrong, my dear, for a mad midwife did, in fact exist. Midwife Mary Pearcey was arrested and hanged for slashing to death the wife and child of her married lover in 1890. Even Sir Arthur Conan Doyle suggested the police might have been searching for a killer of the wrong gender. He wrote a story based on this idea."

"That Sherlock Holmes should've been searching for Jill the Ripper, not Jack the Ripper?"

Shahdi Feroz laughed. "I agree with you, it isn't very likely."

"Not very! I mean, women killers don't do that sort of thing. Chop up their victims and eat the parts? Do they?"

The Ripper scholar's expression sobered. "Actually, a woman killer is quite capable of inflicting such mutilations. Criminologists have long interpreted such female-inflicted mutilations in a psychologically significant light. While lesbianism is a perfectly normal biological state for a fair percentage of the population and lesbians are no more or less likely than heterosexuals or gays to fit psychologically disturbed profiles, nonetheless there is a pattern which some lesbian killers do fit."

"Lesbian killers?"

"Yes, criminologists have known for decades that one particular profile of disturbed woman killer, some of whom happen to be lesbians, kill their lovers in a fit of jealousy or anger. They often mutilate the face and breasts and sexual organs. Which the Ripper most certainly did. A few such murders have been solved only after police investigators stopped looking for a male psychotically deranged sexual killer and began searching, instead, for a female version of the psychotic sexual killer."

Margo shuddered. "This is spooky. What causes it? I mean, what happens to turn an innocent little baby into something like Jack the Ripper? Or Jill the Ripper?"

Shahdi Feroz said very gently, "Psychotic serial killers are sometimes formed by deep pyschological damage, committed by the adults who have charge of them as young children. It's such a shocking tragedy, the waste of human potential, the pain inflicted. . . . The adults in such a person's life often combine sexual abuse with physical abuse, severe emotional abuse, and utter repression of the child's developing personality, robbery of the child's power and control over his or her life, a whole host of factors. Other times . . ." She shook her head. "Occasionally, we run across a serial killer who has no such abuse in his background. He simply enjoys the killing, the power. At times, I can only explain such choices as the work of evil."

"Evil?" Margo echoed.

Shahdi Feroz nodded. "I have studied cults in many different time periods, have looked at what draws disturbed people to pursue occult power, to descend into the kind of killing frenzy one sees with the psychotic killer. Some have been badly warped by abusers, yet others simply crave the power and the thrill of control over others' lives. I cannot find any other words to describe such people, besides a love of evil."

"Like Aleister Crowley," Margo murmured.

"Yes. Although he is not very likely Jack the Ripper."

Margo discovered she was shuddering inside, down in the core of herself, where her worst memories lurked. Her own father had been a monster, her mother a prostitute, trying to earn enough money to pay the bills when her father drank everything in their joint bank account. Margo's childhood environment had been pretty dehumanized. So why hadn't she turned out a psychopath? She still didn't get it, not completely. Maybe her parents, bad as they'd been, hadn't been quite monstrous enough? The very thought left her queasy.

"Are you all right?" Shahdi asked in a low voice.

Margo gave the scholar a bright smile. "Sure. Just a little weirded out, I guess. Serial killers are creepy."

"They are," Shahdi Feroz said softly, "the most terrifying creation the human race has ever produced. It is why I study them. In the probably vain hope we can avoid creating more of them."

"That," Margo said with a shiver, "is probably the most impossible quest I've ever heard of. Good luck. I mean that, too."

"What d'you mean, Miss Smith?" a British voice said in her ear. "Good luck with what?"

Margo yelped and came straight up off the floor, at least two inches airborne; then stood glaring at Guy Pendergast and berating herself for not paying better attention. Some time scout trainee you are! Stay this unfocused and some East End blagger's going to shove a knife through your ribcage. . . . "Mr. Pendergast. I didn't see you arrive. And Miss Nosette. You've checked in? Good. All right, everybody's here. We've got—" she craned her head to look at the overhead chronometers "—eleven minutes to departure if you want to make any last-minute purchases, exchange money, buy a cup of coffee. You've all got your timecards? Great. Any questions?" Please don't have any questions . . . 

Guy Pendergast gave her a friendly grin. "Is it true, then?"

She blinked warily at him. "Is what true?"

"Are you really bent on suicide, trying to become a time scout?"

Margo lifted her chin a notch, a defiant cricket trying to impress a maestro musician with its musicality. "There's nothing suicidal about it! Scouting may be a dangerous profession, but so are a lot of other jobs. Police work or down-time journalism, for instance."

Pendergast chuckled easily. "Can't argue that, not with the scar I've got across me arse—oh, I beg pardon, Miss Smith."

Margo almost relaxed. Almost. "Apology accepted. Whenever I'm in a lady's attire," she brushed a hand across the watered silk of her costume, "please watch your speech in my presence. But," and she managed a smile, "when I put on my ragged boy's togs or the tattered skirts of an East End working woman, don't be shocked at the language I start using. I've been studying Cockney rhyming slang until I speak it in my dreams at night. One thing I'm learning as a trainee scout is to fit language and behavior to the role I play down time."

"I don't know about the rest of the team," Dominica Nosette flashed an abruptly dazzling smile at Margo and held out a friendly hand, completely at odds with her belligerence over the shooting lesson, "but I would be honored to be assigned to you for guide services. And of course, the London New Times will be happy to pay you for any additional services you might be willing to render."

Margo shook Dominica's hand, wondering what, exactly, the woman wanted from her. Besides the scoop of the century, of course. "Thank you," she managed, "that's very gracious, Ms. Nosette."

"Dominica, please. And you'll have to excuse my scapegrace partner. Guy's manners are atrocious."

Pendergast broke into a grin. "Delighted, m'dear, can't tell you how delighted I am to be touring with the famous Margo Smith."

"Oh, but I'm not famous."

He winked, rolling a sidewise glance at his partner. "Not yet, m'dear, but if I know Minnie, your name will be a household word by tea time."

Margo hadn't expected reporters to notice her, not yet, anyway, not until she'd really proved herself as an independent scout. All of which left her floundering slightly as Dominica Nosette and Guy Pendergast and, God help her, Shahdi Feroz, waited for her response. What would Kit want me to do? To say? He hates reporters, I know that, but he's never said anything about what I should do if they talk to me . . . 

Fortunately, Doug Tanglewood, another of the guides for the Ripper Watch tour, arrived on the scene looking nine feet tall in an elegant frock coat and top hat. "Ah, Miss Smith, I'm so glad you're here. You've brought the check-in list? And the baggage manifests well in hand, I see. Ladies, gentlemen, Miss Smith is, indeed, a time scout in training. And since we will be joining her fiancé in London, I'm certain she would appreciate your utmost courtesy to her as a lady of means and substance."

Guy Pendergast said in dismay, "Fiancé? Oh, bloody hell!" and gave a theatrical groan that drew chuckles from several nearby male tourists. Doug Tanglewood smiled. "And if you would excuse us, we have rather a great deal to accomplish before departure."

Doug nodded politely and drew Margo over toward the baggage, then said in a low voice, "Be on your guard against those two, Miss Smith. Dominica Nosette and Guy Pendergast are notorious, with a reputation that I do not approve of in the slightest. But they had enough influence in the right circles to be added to the team, so we're stranded with them."

"They were very polite," she pointed out.

Tanglewood frowned. "I'm certain they were. They are very good at what they do. Just bear this firmly in mind. What they do is pry into other people's lives in order to report the sordid details to the world. Remember that, and there's no harm done. Now, have you seen Kit? He's waiting to see you off."

Margo's irritation fled. "Oh, where?"

"Across that way, at the barricade. Go along, then, and say goodbye. I'll take over from here."

She fled toward her grandfather, who'd managed to secure a vantage point next to the velvet barricade ropes. "Can you believe it? Eight minutes! Just eight more minutes and then, wow! Three and a half months in London! Three and a half very hard months," she added hastily at the beginnings of a stern glower in her world-famous grandfather's eyes.

Kit kept scowling, but she'd learned to understand those ferocious scowls during the past several months. They concealed genuine fear for her, trying to tackle this career when there was so much to be learned and so very much that could go wrong, even on a short and relatively safe tour. Kit ruffled her hair, disarranging her stylish hat in the process. "Keep that in mind, Imp. Do you by any chance remember the first rule of surviving a dangerous encounter on the streets?"

Her face went hot, given her recent lapses in attention, but she shot back the answer promptly enough. "Sure do! Don't get into it in the first place. Keep your eyes and ears open and avoid anything that even remotely smells like trouble. And if trouble does break, run like hel—eck." She really was trying to watch her language. Ladies in Victorian London did not swear. Women did, all the time; ladies, never.

Kit chucked her gently under the chin. "That's my girl. Promise me, Margo, that you'll watch your back in Whitechapel. What you ran into before, in the Seven Dials, is going to look like a picnic, compared with the Ripper terror. That will blow the East End apart."

She bit her lower lip. "I know. I won't lie," she said in a sudden rush, realizing it was true and not wanting to leave her grandfather with the impression that she was reckless or foolhardy—at least, not any longer. "I'm scared. What we're walking into . . . The Ripper's victims weren't the only women murdered in London's East End during the next three months. And I can only guess what it's going to be like when the vigilance committees start patrolling the streets and London's women start arming themselves out of sheer terror."

"Those who could afford it," Kit nodded solemnly. "Going armed in that kind of explosive atmosphere is a damned fine idea, actually, so long as you keep your wits and remember your training."

Margo's own gun, a little top-break revolver, was fully loaded and tucked neatly into her dress pocket, in a specially designed holster Connie Logan had made for her. After her first, disastrous visit to London's East End with this pistol, Margo had drilled with it until she could load and shoot it blindfolded in her sleep. She just hoped she didn't need to use it, ever.

Far overhead, the station's public address system crackled to life. "Your attention please. Gate Two is due to cycle in two minutes. All departures . . ."

"Well," Margo said awkwardly, "I guess this is it. I've got to go help Doug Tanglewood herd that bunch through the gate."

Kit smiled. "You'll do fine, Imp. If you don't, I'll kick your bustled backside up time so fast, it'll make your head swim!"

"Hah! You and what army?"

Kit's world-famous jack-o-lantern grin blazed down at her. "Margo, honey, I am an army. Or have you forgotten your last Aikido lesson?"

Margo just groaned. She still had the bruises. "You're mean and horrible and nasty. How come I love you?"

Kit laughed, then leaned over the barricade to give her a hug. "Because you're as crazy as I am, that's why." He added in a sudden, fierce whisper, "Take care of yourself!"

Margo hugged him tight and gave him a swift kiss on one lean, weathered cheek. "Promise."

Kit's eyes were just a hint too bright, despite the now-familiar scowl. "Off with you, then. I'll be waiting to test you on everything you've learned when you get back."

"Oh, God . . ." But she was laughing as she took her leave and found Douglas Tanglewood and their charges. When the Britannia Gate finally rumbled open and Margo started up the long flight of metal stairs, her computerized scout's log and ATLS slung over her shoulder in a carpet bag, Margo's heart was pounding as fast as the butterflies swooping and circling through her stomach. Three and a half months of Ripper Watch Tour wasn't exactly scouting . . . but solving the most famous serial murder of all time was just about the next best thing. She was going to make Kit proud of her, if it was the last thing she ever did. Frankly, she could hardly wait to get started!

 

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Framed


Title: Ripping Time
Author: Linda Evans & Robert Asprin
ISBN: 0-671-57867-7
Copyright: © 2000 by Linda Evans & Robert Asprin
Publisher: Baen Books
- Chapter 6

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Chapter Six

Polly Nichols needed a drink.

It'd been nearly seven hours since her last glass of gin and she was beginning to shake, she needed another so badly. There was no money in her pockets, either, to buy more. Worse, trade had been miserably slow all day, everywhere from the Tower north to Spitalfields Market and east to the Isle of Dogs. Not one lousy whoreson during the whole long day had been willing to pay for the price of a single glass of gin to calm her shaking nerves. She hadn't much left to sell, either, or pawn, for that matter.

Polly wore cheap, spring-sided men's boots with steel-tipped heels, which might've been worth something to a pawn broker, had she not cut back the uppers to fit her small legs and feet. Worse, without boots, she could not continue to ply her trade. With rain falling nearly every day and an unnatural chill turning the season cold and miserable, she'd catch her death in no time without proper boots to keep her feet warm and dry.

But, God, how she needed a drink . . .

Maybe she could sell her little broken mirror. Any mirror was a valuable commodity in a doss house—which made Polly reluctant to give it up. For a woman in her business, a mirror was an important professional tool. She frowned. What else might she be able to sell? Her pockets were all but empty as she felt through them. The mirror . . . her comb . . . and a crackle of paper. The letters! Her fingers trembled slightly as she withdrew the carefully folded sheets of foolscap. That miserable little puff, Morgan, had lied to her about these letters. There was no name on the paper, other than a signature. She suspected she could figure out who the letter-writer was if she could only get the letters translated from Welsh into English. A translation would make Polly a rich woman. But that wouldn't get her a drink right now.

Well, she could always sell some of the letters, couldn't she? With the agreement that as soon as they found out the identity of the author, they would share the spoils between them. Or, if Polly found out quickly enough, she might simply buy them back by saying she'd had them translated and Morgan had lied to her and the letters were worthless. Yes, that was what she would do. Sell three of the four now, to get her gin money, then get them back with a lie and figure out who to blackmail with the whole set of four. But who to convince to buy them in the first place?

It must be someone as desperate for money as herself, to buy into the scheme. But it couldn't be anyone like an ordinary pawn broker. No, it had to be someone she could trust, someone who would trust her. That left one of a few friends she had made on the streets. Which meant she wouldn't be able to get much up front. But then, Polly didn't need much right now, just enough to buy herself a few glasses of gin and a bed for a night or two. She could always get the letters back the moment she had money from her next paying customer, if it came to that.

The decision as to which of her friends to approach was made for her when Polly saw Annie Chapman walking down Whitechapel Road. Polly broke into a broad smile. Annie Chapman was a prostitute, same as herself, and certainly needed money. Dark Annie ought to buy into a blackmail scheme, all right. Annie was seriously ill, although to look at her, a body wouldn't guess it. But she was dying slowly of a lung and brain ailment which had put her into workhouse infirmaries occasionally and siphoned much of what she earned on the streets for medicines.

Yes, Annie ought to be quite interested in making a great deal of money quickly.

"Well, if it isn't Annie Chapman!" she said with a bright smile.

The other woman was very small, barely five feet tall, but stoutly built, with pallid skin and wide blue eyes and beautiful teeth that Polly, herself, would have given much to be able to flash at a customer when she smiled. Annie's dark brown hair was wavy and had probably been lustrous before her illness had struck. Her nose was too thick for beauty and at forty-five she was past her best years, but she was a steady little individual, meeting life quietly and trying to hold on in the face of overwhelming poverty, too little to eat, and an illness that sapped her strength and left her moving slowly when she was able to walk at all.

Annie Chapman smiled, genuinely pleased by the greeting. "Polly, how are you?"

"Oh, I'm good, Annie, I'm good. I'd be better if I 'ad a gin or two, eh?"

The two women chuckled for a moment. Annie was not the drinker Polly was, but the other woman enjoyed her rum, when there was enough money to be spared for it, same as most other women walking these dismal streets.

"Say, Annie, 'ow's your 'ealth been these past few weeks?"

The other woman's eyes darkened. "Not good," she said quietly, with a hoarse rasp in her voice. "It's this rain and cold. Makes my lungs ache, so it's hard to breathe." She sounded like it hurt her to breathe.

"I'd imagine a good bit more money would 'elp, eh? Maybe even enough to take you someplace warm and dry, right out o' London?"

"Daft, are you, love?" Annie laughed, not unkindly. "Now, just tell me Polly, how would I get that sort of money?"

Polly winked and leaned close. "Well, as it 'appens I just might be set to come into a small fortune, y'see. And I might be willin' to share it." She showed Annie the letters in her pocket and explained her scheme—and let on like she knew who the author was and was only willing to share the money because she was totally broke, herself, and needed a bed for the night. When she finished her proposition, Annie glared at her. "But Polly! That's blackmail!" The anger in the other woman's eyes and rasping voice astonished Polly.

She drew herself up defensively. "An' if it is? Bloke should 'ave thought of that before 'e went about dippin' 'is Hampton into a bloke's arse'ole! Besides, Annie, this 'ere bastard's rich as sin. And what've you got, eh? A dead 'usband and a sickness eatin' away at you, 'til you can't 'ardly stand up. If we went to a magistrate, this 'ere bloke would go t'prison. I'm not talkin' about 'urting a decent sort of chap, I'm talkin' about makin' a right depraved bastard pay for 'is crimes against God an' nature. An' 'ow better should 'e pay, than to 'elp a sick woman? I ask you that, Annie Chapman, 'ow better to pay for 'is sins than to 'elp a woman 'oo needs it most? Think of it, Annie. Enough money t'go someplace where it don't rain 'alf the year an' the fogs don't make it near impossible to breathe of a night. Someplace warm, even in winter. A decent 'ouse wiv a roof over and enough to eat, so's you aren't weak all the time, wot lets the sickness gets a better grip than ever. Annie, think of it, enough money to pay a real doctor an' get the sort of medicines rich folk 'ave . . ."

Annie's expression had crumpled. Tears filled her eyes. "You're right," she whispered. "Isn't my fault I'm sick. Not my fault this nasty chap went out and seduced a half-grown boy, either. God, to have enough money for real medicine. A warm place to live . . ." She coughed, swaying weakly. Misery and longing ploughed deep gullies into her face.

Polly patted her shoulder. "That's right, Annie. I'll share wiv you. There's four letters. You take three of 'em. All I need's enough money to pay me doss 'ouse for a few nights. Can you spare that much, Annie? A few pence for now . . . and a lifetime of medicine and rest in warm beds, after?"

Annie was searching through her pockets. "I've got to have enough for my own doss house tonight," she muttered, digging out a few coins. "I've had some luck today, though. Made enough money to pay for almost a week's lodging. Here." She gave Polly a shilling. "That's fourpence a letter. Is it enough?" she asked anxiously.

Polly Nichols had to work hard not to snatch the shilling out of Annie's hand. She was looking at enough money to buy four brimming glassfuls of gin. "Oh, Annie, that's a gracious plenty." She accepted the shilling and handed over three of her precious letters. "An' 'ere you are, luv, three tickets to the life you deserve."

Annie actually hugged her.

Polly flushed and muttered, "I'll not forget this, Annie. An' we'll send the letter to this nasty Mr. Eddy together, eh? Tomorrow, Annie. Meet me at the Britannia pub tomorrow an' we'll compose a lovely letter to Mr. Eddy an' send it off. You got a better education than I 'ave, you can write it out all posh, like, eh?"

By tomorrow she would have found someone to translate her remaining letter for her and be able to keep that promise. And she just might let Annie keep one of the letters, after all, rather than buying them all back.

Annie smiled at her, eyes swimming with gratitude. "You're a grand friend, Polly Nichols. God bless you."

They said their goodbyes, Annie tucking three of the letters into her pockets while Polly pocketed the remaining letter and her precious shilling. As they went their separate ways, Polly smiled widely. Then she headed for the nearest public house as fast as her steel-capped boots would carry her there. She needed a drink, all right.

To celebrate!

* * *

Skeeter wasn't certain what, exactly, he was looking for as he worked the Britannia Gate's baggage line. But the Britannia was the first gate to cycle since Ianira's disappearance. If Skeeter had kidnapped someone as world-famous as Ianira Cassondra, intending something more subtle than simply killing her and dumping the body somewhere, he'd have tried to smuggle her out through the first open gate available.

For one thing, it would be far easier to torture a victim down a gate. Fewer people to hear—or at least care about—the screams. And if her abductor really was the person who'd shoved her out of the way of an assassin's bullet, if he actually was interested in keeping her alive, then getting her off the station would be imperative. Too many people had far too many opportunities to strike at Ianira on station, even if her rescuer tried to keep her hidden. In a gossip-riddled place like La-La Land, nothing stayed secret for long. Certainly not an abduction of someone as beloved and strikingly recognizable as Ianira.

So Skeeter had abandoned his search of the station, donned a shapeless working man's shirt and the creaseless trousers of the Victorian era—the costume worn by all Time Tours baggage handlers working the Britannia—and reported for work, as planned. As Ianira had planned . . . He couldn't think about that now, couldn't dwell on the fear and the dull, aching anger, not if he hoped to catch what might be a very fleeting, subtle clue betraying a smuggler.

How someone might successfully sneak someone through a gate occupied Skeeter's thoughts as hotel bellhops arrived in steady streams from hotels up and down Commons, bringing cartloads of luggage tagged for London. Tourists generally carried no more on their person than an average passenger was permitted to carry aboard a jetliner, which meant—and Skeeter stared in dismay at the flood of baggage carts on direct approach to the Britannia's lounge—that bellhops and baggage handlers had to transport every last trunk, carpet bag, portmanteau, and ladies' toiletry case from hotel room door to down-time destination, through a gate which opened only so wide and stayed open only so long.

Sloppy handling, broken contents, and lost luggage had resulted in the firing of many a baggage handler, not to mention four baggage managers in just the past few months. And Celosia Enyo, the latest in that dismal line of unhappy managers, was not the kind of woman to tolerate mistakes by anyone, not on this gate's cycle, anyway. After all, this wasn't just any gate opening. This was a Shangri-La Event: Ripper Season's official kickoff. And true to 'eighty-sixer predictions, the social gala on the other side of the departures-lounge barricades had roared to boisterous, ghoulish life.

"I don't care what those experts say," a severely dressed woman was saying as she passed through the check-in procedures, "I think it was that barber-surgeon, the bigamist. George Chapman."

Her companion, an equally severe woman with upswept, greying hair, said, "Chapman? His real name was Severin Klosowski, wasn't it? I don't think he was a very likely suspect."

"Well, Inspector Abberline named him as a leading candidate! Klosowski killed lots of women. Wives, mistresses, girlfriends—"

"Yes, but he didn't use a knife, my dear, he poisoned them. The Ripper wasn't that devious. Klosowski killed his women when they got too inconvenient. Or too expensive to keep. Jack the Ripper killed for the pleasure of it."

And behind those two, a professorial-looking little man in a seedy suit was holding forth at length to a drab little woman with a dumpy build and a rabbitty, frightened look in her eyes: "A serial killer needs to punish the woman or women he hated in his own life. He acts out the violence he wished he'd had the nerve to commit against the women who injured him. Jack the Ripper simply transferred that violence to the prostitutes of London's East End. That's why it can't be Klosowski," he added, nodding at the two severely dressed women in line ahead of him. "Personally, I favor the Mysterious Lodger, that Canadian chap, G. Wentworth Bell Smith. He went about in rubberized boots, changing clothes at all hours, railing against loose women. I'd stake my reputation on it, Bell Smith's the man . . ."

The nearest of the ladies championing Chapman rounded on the Bell-Smith supporter. "A killer proven is a killer proven!" she insisted, refusing to be swayed in her convictions by any amount of evidence or reason. "Mark my words, Claudia," she turned back to her friend, "Chapman or Klosowski, whichever name you prefer, he'll turn out to be the Ripper! I'm sure of it . . ."

While overhead, on the immense SLUR television screen, the scholarly debate raged on. "—a very common pattern," Scotland Yard Inspector Conroy Melvyn was saying in a taped interview with fellow Ripper Watch Team member Pavel Kostenka, "for a male serial killer to attack and kill prostitutes. Bloke sees 'em as a substitute for the powerful woman in 'is life, the one 'e feels powerless to strike at, instead."

"Indeed," Dr. Koskenka was nodding. "Not only this, but a prostitute represents a morally fallen woman. And prostitutes," Dr. Kostenka added heavily, "were and still are the most easily available women to such killers. Add to that the historical tendency of police to dismiss a prostitute's murder as less important than the murder of a `respectable' woman and streetwalkers surge into prominence as victims of mass murderers—"

Skeeter tuned out the debate as best he could and grunted under the weight of massive steamer trunks, portmanteaus, carpet bags, leather cases, smaller trunks and satchels until his back ached. The arriving luggage was transferred case by case to a growing pile at the base of a newly installed, massive conveyor system which Time Tours' new baggage manager had finally had the good sense to install. Skeeter glanced up to the gate platform, five stories overhead. Thank God for the conveyer. Some of those steamer trunks weighed more than Skeeter did. Considerably more. He eyed the gridwork stairs he'd be climbing soon and blessed that conveyer system fervently.

Geographically speaking, the Britannia was the highest of Shangri-La's active tour gates. When it opened, tourists climbed up to an immense metal gridwork platform which hovered near the steel beams and girders of the ceiling. Until the advent of that conveyer, sweating baggage handlers and porters had climbed that same ramp, gasping and hurrying to make it through before the gate disappeared into thin air once more.

"Sheesh," Skeeter muttered, grabbing another trunk by its leather handles and hauling it over to the conveyer, "what's in some of these monsters? Uranium bricks?" One of the other baggage handlers, a down-timer who worked most gate openings as a porter, grunted sympathetically as Skeeter groused, "They're only staying in London eight days, for Chrissake. And they'll be bringing back more than they left with!"

They would, too. Right down to the last yammering, whining kid in line. Parents had to pay a hefty amount of extra cash demanded by Time Tours, Inc. for children's tickets, a policy put into place after a couple of kids had managed to get themselves fatally separated from tours out of other stations. Children on a time tour were like gasoline on an open campfire. But parents still brought their brats with them in droves, and a surprising number paid the extra fees for kids' tickets. Others simply dropped the kids off at the station school to "have fun" in the zany world of the station while Mommy and Daddy went time hopping.

Skeeter dragged over another portmanteau. Why anybody would take a child into something like the Ripper terror . . . He could see it now. My summer vacation: how a serial killer cut up women who make their living sleeping with strangers for money. And kids had grown up fast in his day.

"C'mon, Jackson," an angry voice snapped practically in his ear, "enough goofing off! Put your back into it! Those baggage carts are piling up fast. And more are coming in from the hotels every minute!"

Skeeter found the baggage manager right behind him, glaring at him through narrowed, suspicious eyes. He resisted the urge to flip her a bird and said, "Yes, ma'am!" Just exactly how he was supposed to work faster than top speed, Skeeter wasn't quite sure, but he made a valiant effort. He cleared the cart in front of him and shoved it out of the way so another could take its place. Celosia Enyo watched him sharply for the next couple of minutes, then stalked further down the line, browbeating some other unfortunate. At least she was impartially horrible to everyone. Of course, after the miserable track record her four immediate predecessors had compiled between them, Enyo doubtless sweat bullets every time a gate opened, hoping she'd still have a job when it closed again. Skeeter could sympathize. Not much, maybe—anybody that universally rude deserved a dose of unpleasantness right back, again. But he could sympathize some.

Of course, Skeeter grunted sharply and dropped another case onto the stack, by that same logic, he'd still be working off his own karma when he was four-hundred ninety. Yeah, well, at least I was never obnoxious to anybody I ripped off. . . . A polite thief, that's what he'd been, by God. But no longer a thief, thanks to Marcus and Ianira.

Skeeter blinked sweat out of his eyes, fighting a sudden tightness in his chest as he emptied yet another baggage cart. Surely Marcus realized he could trust Skeeter? After what Skeeter'd gone through in Rome, damn near dying in that gladiatorial combat in the Circus Maximus before wrenching Marcus out of slavery again, surely Marcus could've trusted him enough to let him know they were alive, at least? Whoever was trying to kill them, he had to realize that Skeeter, of all people, wouldn't betray him and his daughters?

He ground his teeth in silent misery. If somebody had tried to shoot his wife, if he'd walked into his daughters' daycare center to find two armed thugs trying to drag off his kids, would he have risked contacting anybody? Just on the remote chance they might be followed, trying to bring help? Skeeter knew he wouldn't have. Wouldn't have dared risk his loved ones, no matter what risks he, himself, might have been willing to run. The realization hurt, even as he was forced to admit he understood the silence. But the girls were just babies, Artemisia not yet four, Gelasia barely turned one. Marcus couldn't stay in hiding with them, not for long. Which was doubtless what the faceless bastards trying to kill them were counting on. If Skeeter were Marcus, he'd seriously consider trying to jump station. Through any gate that opened.

Skeeter closed his hands around the stout handles of yet another steamer trunk and heaved it into place, wishing bitterly he could get his hands on whoever had dragged Ianira away through that riot. It must have been staged. Create a perfect diversion, shoot her down in the midst of the chaos . . . Only somebody had interrupted the attempt. Had the shooter dragged her off? To finish the job at his leisure? Or someone else? Skeeter couldn't bear to keep thinking in ragged circles like this, but he couldn't not think about her, either, not considering what he owed her.

Skeeter wiped sweat from his forehead. Just another few minutes, he told himself fiercely. Another few minutes and the gate would have cycled, all this ridiculous luggage would be on the other side of the Britannia, and he could get back to combing the station with the finest-toothed comb ever invented by humanity.

Meanwhile . . .

Watching the freakshow beyond the barricades helped keep his mind off it and watching the tourists inside the barricades occupied the rest of his mind, searching faces for clues, for any similarity to the face in his memory, that wild-eyed kid with the black-powder pistol. Gawkers formed an impenetrable barrier around the edges of the departures lounge, so thick, security had formed cordons to permit ticketed tourists, uniformed Time Tours employees, freelance guides, baggage handlers, and supply couriers to reach the roped-off lounge. The noise was appalling. Troops of howler monkeys had nothing on the mob of humanity packed into the confined spaces of Victoria Station. And every man-jack one of 'em wanted to be able to tell his grandchildren some day, "I was there, kids, I was there when the first Ripper tour went through, let me tell you, it was something . . ."

It was something, all right.

There weren't words disgusting enough to describe it, that electric air of anticipation, of excitement that left the air supercharged with the feeling that a major event is happening right before your eyes, an excitement sensed in the nerve endings of skin and hair, completely independent of sight and sound and smell. Skeeter was the kind of soul who loved excitement, thrived on it, in fact. But this . . . this kind of excitement was a perversion, even Skeeter could sense that, and Skeeter Jackson's moral code, formed during his years with the Yakka Mongols, didn't exactly mesh with most of up-time humanity's. What was it going to be like when next week's gate opened? When all these people and probably a couple hundred more, besides, newly arrived through Primary, jammed in to learn who the ghoul really was?

Maybe after he dragged all this luggage through the Britannia and came back to look for Ianira some more, he'd volunteer to haul baggage to Denver for a couple of weeks, just to miss out on the whole sordid thing? The Wild West Gate opened tomorrow, after all, and Time Tours was perennially short of baggage handlers. If only they'd found Ianira by then, and Marcus, and little Artemisia and bright-eyed, laughing Gelasia.

If, if, IF! 

It was the not knowing that was intolerable, the not knowing or being able to find out. He wanted this job over with, so he could get back to searching. Skeeter stared intently through the crowd, trying to spot anybody he might recognize from The Found Ones. Any news was better than none. But he couldn't see a single down-timer in that crowd who wasn't already busy to distraction hauling luggage. Which meant they wouldn't know spit about the search underway, either.

God, how much longer until this blasted gate cycled?

He peered up at the huge chronometer boards suspended from the distant ceiling, picking out the countdown for Gate Two: five minutes. At the rate time was creeping past, it might as well be five years.

"Jackson! Do you really like scrubbing toilets that much?"

He started so violently he nearly dropped the carpet bag dangling from his hands. Celosia Enyo was glaring at him, lips thinned to a murderous white line.

"Sorry, ma'am," he muttered. "I was hoping I might see someone who'd heard about Ianira—"

"We're all worried! But that gate doesn't give a damn who's missing or found. We get that—" she jabbed a finger toward the small mountain of luggage "—through the gate on time or some millionaire will have your head on his dinner platter for having to buy a new wardrobe in London. Worry about your friends on your own time. Or by God, your own time is all you'll have!"

She was absolutely right, in a cold-blooded, mercenary sense. The moment she turned away to snarl at someone else, Skeeter gave her a flying eagle salute and dragged another portmanteau off a groaning luggage cart. He scowled at the enormous stack of luggage on the conveyer already, mentally damning Time Tours for insane greed. No wonder the last four baggage managers had failed disastrously with gate logistics. Time Tours was sending through too many blistering tourists at once.

Never mind way too many trunks per tourist.

If he'd kept accurate count, the last five steamer trunks and three portmanteaus alone had belonged to the same guy. Benny Catlin, whoever the hell he was. Rich as sin, if he could cart that much luggage through in just one direction. The big conveyer rumbled to life with one jolting squeal and a grating of metal gears. Then the rubberized surface began moving upward, ready to carry all that luggage to the platform overhead. Skeeter glanced around to look for the boss. Enyo wasn't in sight, but the shift supervisor was busy sending handlers aloft. He caught Skeeter's eye and said, "Get up top, Jackson. Start hauling that stuff off the conveyer as it arrives."

"Yessir!"

The climb up to the Britannia platform was a long one, particularly after all the hauling he'd done in the past few minutes, but the view was spectacular. Commons spread out beneath his feet, a full five stories deep, riotous with color and sound. Costumed tourists scurried like rainbow-hued bugs whipped around in the currents and eddies of a slow-motion river. Great banners—bright holiday-colored ribbons curling and floating through a hundred-foot depth of open air from balconies and catwalks—proclaimed to the world that Ripper Season had begun, and advertised other not-to-be-missed down-time events. A cat's-cradle tangle of meshwork bridges stretched right across Commons from one side to the other, supported from below by steel struts or suspended from above by steel cables disappearing into the ceiling. The noise from hundreds of human throats lapped at the edges of the high platform like crashing surf against jagged rocks, leaping and splashing back again, indistinct and unintelligible from sheer distance.

And booming above it all came the voice of the public address system, echoing down the vast length of Commons: "Your attention, please. Gate Two is due to open in two minutes . . ."

The first luggage on the conveyor belt arrived with a jolt and scrape against the gridwork platform. Skeeter joined a human-chain effort, hauling luggage clear of the moving conveyor and piling it on the platform. Railings ran all the way around, with a wide metal gate set into one side. Until the Britannia actually opened, that wide metal gate led to a sheer, hundred-foot drop to the cobblestones of Victoria Station. Despite the railing, Skeeter stayed well away from the edge as he hauled, piled, and stacked a steadily increasing jumble of trunks, cases, and soft-sided carpet bags across the broad stretch of platform.

At the far corner, a second conveyor system rumbled to life, moving downward rather than up. Celosia Enyo was testing the system, making sure everything was ready for the returning tour and all of its luggage. So engrossed was Skeeter in the monumental task of shifting the arriving baggage, the gate's opening took him by surprise. A skull-shaking backlash of subharmonics rattled his very bones. Skeeter jumped, wanting instinctively to cover his ears, although that wouldn't have done any good. The gate's frequency was too low for actual human hearing. He glanced around—and gasped.

A kaleidoscope of shimmering color, dopplering through the entire rainbow spectrum, had appeared in the middle of empty air right at the edge of the platform. The colors scintillated like a sheen of oil on water, sunlight on a raven's glossy feathers. The hair on Skeeter's arms stood starkly erect. He'd seen gates open hundreds of times, had stepped through a number of them, when he'd had the money for a tour or had conned someone else into paying for it. But he'd never been this close to the massive Britannia as it began its awe-striking cycle a hundred feet above the Commons floor.

From below, a wall of noise came surging up to the platform, gasps and cries of astonishment from hundreds of spectators. A point of absolute darkness appeared dead center in the wild flashes of color. The blackness expanded rapidly, a hole through time, through the very fabric of reality . . . Something hard banged into Skeeter's elbow. He yelped, jumped guiltily, then grabbed the steamer trunk thrust at him. It went awkwardly onto the top of the stack, canted at an angle, too unstable for anything else to go on top. The next portmanteau to arrive thudded against the steel gridwork, starting a new pile.

Skeeter rearranged wetness on his brow with a limp, soaked sleeve, then straightened his aching back and started piling up the next stack, all while keeping one eye on the massive gate rumbling open behind him. The blackness widened steadily until it stretched the full width of the platform. A Time Tours guide climbed up from the Commons floor and opened the broad metal gate at the edge of the platform to its full extent, as well.

A blur of motion caught his eye and the first returnee arrived, rushing at them with the speed of a runaway bullet train. Skeeter resisted the urge to jump out of the way. Then the apparent motion slowed and a gentleman in fancy evening clothes, protected by a wet India-rubber rain slicker, stepped calmly onto the platform and turned to assist the returning tourists through. Men and women in silks and expensively cut garb, most of them holding 1880's style umbrellas and brushing water off their heavy cloaks, jostled their way through, many chattering excitedly. Quite a few others had gone slightly greenish and stumbled every few steps. Guides in servants' uniforms and working men's rougher clothes helped those who seemed worst off to stagger through the open gate. Porters rushed through on their heels, tracking mud onto the platform, then a mad scramble ensued to get all the arriving luggage—every bit of it slick with what must be a drenching downpour on the other side of the gate—onto the downward-rumbling conveyer. Below, tourists raced up the five flights of stairs to hurry through in the other direction. Skeeter worked fiendishly. He hauled trunks which arrived from down time onto the downward-rumbling conveyer, in an effort to clear the jam at the gate. Then the Britannia was finally clear and outbound tourists rushed past, laughing excitedly and squealing as they stepped off the edge of the platform into what their hindbrains insisted was a hundred-foot sheer drop to the floor below.

"Get that outbound baggage moving!"

Skeeter lunged to the task, along with a dozen other porters. He staggered through the open gate and emerged into a rain-lashed garden. It was nearly dark. Worse, the ground was cut up from all the foot traffic across it, muddy and treacherous with slick leaves. There was a flagstone path, but that was crowded with tourists and guides and gatehouse staff holding umbrellas. The porters didn't have time to wait for them to clear out of the way. Following the lead of more experienced baggage handlers in front of him, Skeeter plunged into the muddy grass and slogged his way toward the gatehouse. The rain was icy, slashing against his clothing and soaking him to the skin. He dumped his first load at the back door of the three-story gatehouse and pelted back through the open gate to grab another load. The sensation was dizzying, disorienting.

Then he was through and staggering a little, himself, across the platform. His muddy shoes slipped on wet metal. Skeeter windmilled and lurched against a stack of luggage waiting to be ferried through. The topmost steamer trunk, a massive thing, slid sideways and started to topple toward the edge of the platform. The corner of the trunk was well out beyond the periphery of the open Britannia gate, teetering out where it would plunge the full hundred feet to the Commons floor. As Skeeter went to one bruised knee, furious shouts and blistering curses erupted. Then somebody lunged past him to grab the steamer trunk by the handle before it could fall.

"Don't just sit there, goddamn you!" A short, skinny tourist stood glaring murderously down at him, arms straining to keep the trunk from falling. The young man's whiskered face had gone ashen under the lights overhead. "Grab this trunk! I can't hold the weight!" The kid's voice was light, breathless, furious.

His whole knee ached where he'd landed on it, but Skeeter staggered back his feet and leaned over the piles of trunks and cases to secure a wet-handed grip on the corner that had already gone over the end of the platform. Hauling together, Skeeter and the tourist pulled the heavy trunk back onto the platform. The tourist was actually shaking, whether with fright or rage, Skeeter wasn't certain.

But he wasn't so shaken he didn't blow up in Skeeter's face. "What the hell did you think you were doing? Were you trying to shove that trunk over the edge? Goddammit, do you have any idea what would've happened if that trunk had gone over? If you've been drinking, I'll make sure you never work on this station again!" The young man's face was deathly pale, eyes blazing against the unnatural pallor of his skin and the dark, heavy whiskers of his mutton-chop sideburns and mustache, which he must've acquired from Paula Booker's cosmetology salon, because up-time men didn't grow facial hair in that quantity or shape any more. The furious tourist, fists balled up and white-knuckled, shrilled out, "My God, do you realize what you almost caused?"

"Well, it didn't fall, did it?" Skeeter snapped, halting the tirade mid-stream. "And if you stand there cursing much longer, you're gonna miss your stinking gate!" Skeeter shouldered the trunk himself, having to carry it across his back, the thing was so heavy. The short and brutish little tourist, white-lipped and silent now, stalked through the open gate on Skeeter's heels, evidently intent on following to make sure Skeeter didn't drop it again. So much for my new job. After this guy gets done complaining, I'll be lucky if I still have the job scrubbing toilets. 

It was, of course, still raining furiously in the Spaldergate House garden. Skeeter did slip again, the muddy ground was so churned up beside the crowded flagstone walkway. The furious man on his heels grabbed at the trunk again as Skeeter lurched and slid sideways. "Listen, you drunken idiot!" he shouted above steady pouring of the rain. "Lay off the booze or the pills before you show up for work!"

"Stuff it," Skeeter said crudely. He regained his feet and finally gained the house, where he gratefully lowered his burden to the floor.

"Where are you going?" the irate young man demanded when Skeeter headed back into the downpour.

He flung the answer over one aching shoulder. "Back to the station!"

"But who's going to cart this out to the carriage? Take it to the hotel?"

"Carry it yourself!"

The skinny, whiskered little tourist was still sputtering at the back door when Skeeter re-entered the now-visibly shrunken Britannia Gate. He passed several other porters bent double under heavy loads, trying to get the last of the pile through, then was back on the metal gridwork platform. All that remained of the departing tour was a harried Time Tours guide who plunged through as Skeeter reappeared. Then he was alone with the mud and a single uniformed Time Tours employee who swung shut the big metal safety gate as the Britannia shrank rapidly back in on itself and vanished for another eight days.

Skeeter—wet, shivering, exhausted—slowly descended the stairs once again and slid his timecard through the reader at the bottom, "clocking out" so his brief stay in the London timestream would be recorded properly. The baggage manager was waiting, predictably irate. Skeeter listened in total, sodden silence, taking the upbraiding he'd expected. This evidently puzzled the furious Enyo, because she finally snapped, "Well? Aren't you going to protest your innocence?"

"Why bother?" Skeeter said tiredly. "You've already decided I'm guilty. So just fire me and get it over with so I can put on some dry clothes and start looking for my friends again."

Thirty seconds later, he was on his way, metaphoric pink slip in hand. Well, that was probably the shortest job on record. Sixty-nine minutes from hired to fired. He never had liked the idea of hauling luggage for a bunch of jackass tourists, anyway. Scrubbing toilets was dirtier, but at least more dignified than bowing and scraping and apologizing for being alive. And when the job was over, something, at least, was clean.

Which was more than he could say of himself at the moment. Mud covered his trousers, squelched from his wet shoes, and dripped with the trickling rainwater down one whole sleeve where he'd caught himself from a nasty fall, that last time through. Wonder what was in that lousy trunk, anyway? The way he acted, you'd've thought it was his heirloom china. God, tourists! 

Maybe that idiot would do them all a favor and get himself nice and permanently lost in London? But that thought only brought the pain surging back. Skeeter blinked away wetness that had nothing to do with the rainwater dripping out of his hair, then speeded up. He had to get out of these wet, filthy clothes and hook up with the search teams again. Very few people knew this station the way Skeeter did. If he couldn't find her . . .

He clenched his jaw muscles.

He had to find her.

Nothing else mattered at all.

 

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Framed


Title: Ripping Time
Author: Linda Evans & Robert Asprin
ISBN: 0-671-57867-7
Copyright: © 2000 by Linda Evans & Robert Asprin
Publisher: Baen Books